Podcasts about heinlein

Heinlein, Stefan www.deutschlandfunk.de, Informationen am Abend

Heinlein, Stefan www.deutschlandfunk.de, Informationen am Abend

Heinlein, Stefan www.deutschlandfunk.de, Das war der Tag

Syrien steht an einem Wendepunkt, so Unicef-Geschäftsführer Christian Schneider. Die Kinder sind eine Generation der Hoffnung nach 13 Jahren Krieg, sagt er nach einer Reise. Doch die zerstörten Städte und fehlenden Schulen erschweren den Neuanfang. Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Informationen am Morgen

Paul Verhoeven's adaptation of Heinlein's classic novel divided critics at the time as many found the satire to be indistinguishable from endorsement, but its antifascist subtext plays a bit different in 2025. In episode 360, join Luke Elliott and James Bailey as they compare the film to Helldivers II, try to find the line between satire and approval, recount some surprising behind-the-scenes stories, and finally cast their votes on which version is better: the book or the movie? Pickup any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Familiar Faces video Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Drohnen über Polen und Skandinavien, Kampfjets über Estland, Cyberangriffe auf europäische Flughäfen. Was steckt hinter den Provokationen des Kreml? Braucht es von der NATO ein militärisches Zeichen der Stärke oder mehr Diplomatie? Heinlein, Stefan www.deutschlandfunk.de, Kontrovers

Often called the "Dean of Science Fiction Writers,” Robert A. Heinlein is considered one of the “Big Three” of English-language classic science fiction, but why isn't he read more today? In episode 359, join Luke Elliott & James Bailey as they explore Heinlein's complex legacy of shifting political philosophy, grapple with an explicitly militaristic yet utopian vision of the future, trace the origins of power armor, and lay the groundwork for their comparison next week with the Paul Verhoeven's memorable adaptation. Pickup any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Familiar Faces video Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

In New York wird diese Woche das 80-jährige Bestehen der Vereinten Nationen gewürdigt. Für den ehemaligen deutschen UN-Botschafter Peter Wittig ein Jubiläum unter schweren Vorzeichen: "Wir erleben eine Kampfansage an die multilaterale Architektur." Heinlein, Stefan www.deutschlandfunk.de, Interviews

Weil Deutschland Palästina vorerst nicht anerkennen will, wächst der Druck auf die Bundesregierung. Aufgrund der historischen Verantwortung gegenüber Israel sei ein solcher Schritt jedoch sehr gut abzuwägen, sagt die SPD-Politikerin Siemtje Möller. Heinlein, Stefan www.deutschlandfunk.de, Interviews

Deutschland begründet die vorläufige Nicht-Anerkennung Palästinas auch mit seiner historischen Verantwortung gegenüber Israel. Den Preis dafür bezahle sein Volk, beklagt der palästinensische Botschafter in Wien, Salah Abdel Shafi. Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Informationen am Morgen

Welcome back to Snafu with Robin Zander. In this episode, I'm talking with Bobby Podesta, longtime Pixar animator and storyteller. We dig into why storytelling and art matter, and why finding your own voice is more important than copying anyone else. Bobby opens up about his journey as an artist, the imposter syndrome he's faced, and how he learned to create art in a style that's truly his. We talk about how he turned a written novel into a graphic novel, translating dialogue and descriptions into illustrations along the way. He shares lessons from his college design teacher about noticing the art all around us—not just in museums or galleries. We also explore how design and storytelling balance function and emotion, in ways you might not even realize in everyday life. Bobby's story shows that creativity isn't about perfection – it's about showing up and being authentic. He gives a fresh perspective on how storytelling shapes the way we see the world and connect with others. This episode is full of insights for anyone who cares about art, design, and telling stories that matter. 00:00 Start 03:13 The Importance of Human Connection in Storytelling Bobby on storytelling Background: 30 years in film, always thinking about story structure. Drama is about “what you're both keeping back and what you're waiting to surprise your audience with.” Steve Jobs anecdote Jobs builds suspense with “one more thing.” On stage, he asks: “Has anyone ever wondered what this small pocket is for?” (the tiny jeans pocket). Instead of something expected like a coin, he pulls out “the world's smallest iPod and people flip out.” Why it works: audience knows the pocket's size → no need to explain iPod's dimensions. Structure: setup → familiar norm → question → twist → payoff. Bobby's takeaway: “That's really good storytelling, man. It's really good storytelling.” “People call him a salesperson. Like he's a great salesman. He's a great storyteller. If you can tell a good story, you're pulling people in. That's the key.” Robin on storytelling & AI His work is making commercials and mini-docs for startups. Says video itself doesn't matter as much as impact: “What I care about is changing human behavior and changing human emotion.” Believes the value of human storytelling is timeless: “The value of sitting at Homer's feet and listening to him recite the Iliad is never going to go away.” Bobby on storytelling & art Storytelling = fundamental way to convey and connect. Sees it like art: “Art is a way to express your opinion and how you process the world around you in a manner that hopefully other people can experience and relate to.” Calls art his “oldest friend, who I've probably treated the worst… neglected, starved, and then expect it to show up and perform.” Believes everyone can create: “Art is not a zero-sum game… art is ultimately subjective because art is an opinion about how you see the world.” Goal of art/storytelling: help others “find some relationship to the world around them through it.” 06:01 Art as a Form of Expression Robin's setup Grew up between an artist mother and entrepreneur father – “perfect intersection” of art + business. Distinguishes museum art (“old, on walls”) from art that's “around us all the time.” Points out modern communicators (Musk, Trump) as powerful storytellers/branders – even if you disagree with the content, “that is great art in the form of good communication.” Asks: why do we separate “high” art (Iliad, museums) from everyday, cultural storytelling (Pixar, branding)? Art is everywhere Bobby uses the car-buying analogy to explain awareness: “You're looking for a midsize pickup and suddenly you see them everywhere. They didn't just appear. You're just paying attention.” Art works the same way – once you start noticing, you realize it's all around you. Lesson from a design teacher: “If it wasn't dug up or grown, it's designed.” Everything man-made carries intention – and therefore, art. Pushes back on the museum-only view of art: “Saying art is only in museums is like saying there are only cars at dealerships. There are cars everywhere. There's art everywhere.” Examples of art woven into daily life: Clothing, headphones, glasses Desks, chairs, pottery, textiles Buildings, skylines, sidewalk prints Freeway dividers, lamps Even tools: “Go get a hammer. The handle's probably painted a color. It may be a penny's worth of art, but it's art, man.” Definition of art: “All these things are working with that balance between functionality and making you feel something.” Even branding choices – a color, a shape – are designed to evoke feeling. Perspective shift: Once you adjust your lens, “there's a lot of art out there. It's really, really amazing.” 12:04 The Relationship Between Artist and Art Bobby compares practice to a relationship: “It's like the people that love you the most, sometimes you treat the worst.” Practice is like a loyal friend or character always waiting: Wants to be fed, but often ignored. Always ready to show up again. “It's like that little character that shows up and is always there to help you out.” Robin asks if practice is a character on his shoulder. Bobby: “It probably is… but I love it. If there's a napkin, I'll doodle.” Art as a shared childhood language: Everyone starts out drawing: “Have you ever met an adult who didn't draw as a kid? Everyone says yes.” Drawing is how children interpret the world. Family encouragement made “the artist” part of his identity. Becoming a writer: Took a UC Berkeley Extension class called “Finishing the Novel.” Professor's advice: “You're all taking classes. None of you are professionals. Go form a writers' group.” Writers' group provided accountability → led to a first draft. Draft → literary agent → graphic novel → published book. “Flash forward all these years later and I have a book that comes out… I guess I'm an author.” Lessons on growth and identity: Identity comes from practice and persistence, not instant recognition. Progress isn't linear: “The road is not a straight line.” Common trap: believing “I should have been there already.” Bobby reframes time: “You can often have what you want, or you can have something when you want it. But you can rarely have what you want when you want it.” Letting go of rigid timelines gives a better chance of arriving. 18:01 The Process of Creating a Graphic Novel Robin asks why this story, why now, and why as a debut novel. Bobby admits he had played with different story ideas before. Thought to himself: “If I only have one chance to do this, what story do I want to tell?” Origin spark: a daydream while driving. “What if an animal just jumped out in front of me?” What if it leapt into the air and flew away? “What if that animal was a reindeer?” Question: what would a reindeer be doing here? That “what if” became the seed of the story. Bobby folded parts of himself into the idea. Loves holiday stories and movies → wanted to write one. Describes storytelling as crafting from a “pantry of experiences.” Not autobiography or documentary, but infused with pieces of his life. Details of the novel: Protagonist is an 11-year-old girl in 1955 Colorado. Bobby: “I was neither alive in 1955, nor have I ever been an 11-year-old girl, nor have I found a flying reindeer — spoiler alert.” Still, fragments of his own experiences and emotions shape the narrative. Goal as an author: To blend reality with imagination. To create something unique, fresh, and able to stand on its own. 20:58 Visual Storytelling vs. Written Storytelling Robin asks about storytelling: what's similar between Steve Jobs' two-minute iPod reveal and a 350-page graphic novel? Bobby: scale is different, but fundamentals are the same. Both are about introducing an idea, building drama, and pulling the audience in. Events and books both follow arcs: setup → build → climax → resolution. “He doesn't start the event with that, he ends the event with that. That's the climax.” Storytelling has shape across mediums: Characters introduced → audience grows to care → surprises and turns → payoffs. Example: Steve Jobs' coin pocket reveal → set up, then payoff. In a book, the payoff may come 100 pages later instead of 30 seconds. Analogy: whether you play 30 seconds of a song or an hour-long concert, you're still using the same fundamentals of music. Robin shifts to Bobby's background as a visual storyteller. As an animator of 30 years, Bobby is comfortable with visual stories, while Robin is more comfortable with written ones. Robin compares Bobby's graphic novel to The Bone Compendium (which he revisits often) and contrasts with Heinlein novels he might attempt. Robin: making comics doesn't have to be like “my mother's artwork she slaved over for years.” It can be like newspaper comics compiled into story. Asks Bobby for advice on where to begin if he wanted to try sketching a visual story. Bobby's advice: Many people don't think visual storytelling is possible for them. Shares personal story: On his first post-college date with his wife (now 25 years married), he said he wanted to write a book. It took him 25 years to actually write one. Never thought of doing a graphic novel because his drawing style didn't look like Marvel or X-Men. Even as a professional artist, felt imposter syndrome Realization: it's not about imitating Spider-Man — it's about drawing in your own style. Art is your opinion expressed visually. Stick figures can work if they serve the story. Doesn't have to be polished airbrushed paintings. How his graphic novel came about: Originally wrote the story as a regular novel. Sent to publishers with just a few illustrations. All said no — except one, who said: “I love the illustrations. Would you consider making this a graphic novel?” Bobby: “All right.” Treated it as an invitation. Decided to draw in his own style. Practical process: Took all the dialogue he had already written. Turned descriptions into drawings. Book was already written in close third person, without inner thoughts → made translation easier. First pass: dialogue in speech bubbles, description drawn. Realized: “I guess this works.” Takeaway: You don't have to start by drawing an entire book from scratch. You can begin with writing, then translate description into visuals.   28:10 Resilience in the Face of Rejection Robin points out the sheer amount of work Bobby went through: writing a book, getting rejected repeatedly, reinventing it with illustrations, then turning it into a graphic novel only to be rejected again. Robin: “It's almost the literal definition of courage… getting back up and trying again.” Notes that outsiders might think: “30-year Pixar animator, easy for you.” But the reality was rejection after rejection. Asks: how do you come back? What is your relationship with practice that allows you to face no 50 times and keep going? Bobby on optimism and imagination: “I'm lucky that I happen to be what myself and other people probably call an optimistic person.” Describes himself as “an optimist with a vivid imagination” → always assuming, “Yeah, we'll figure this out.” Loves being middle-aged because experience gives perspective: you've seen enough to know you can recover. The arc of a career/life: Beginning stage: fearless. “I can do anything because I cannot die.” Willing to leap into anything: start a company, go broke, jump off a cliff → “We'll figure it out.” Middle stage: awareness of consequences. Relationships, responsibilities, failures and successes → “I don't know if I should do anything.” Weight of awareness can freeze you. Later stage: resilience. “I'm still here, I figured it out.” Confidence comes not from avoiding mistakes but from knowing: “I can recover from anything.” Personal examples: Bobby's two kids are both in college. He reflects on their application process: multiple schools, multiple options. His own experience was the opposite: Applied to only one school (CalArts). Barely got in. Supported by his single mother, who let him pursue art school. That early challenge taught him persistence and how to “figure it out.” The practice of persistence: Life and career filled with moments of trial and error. “That didn't work. Okay, maybe this. Well, that didn't work. Maybe this.” Sometimes progress feels like moving backwards before going forward again. Analogy: like a Roomba. Hits an obstacle → bounces, changes direction, keeps moving. “I don't know that equating myself to a robot vacuum is the best thing, but it eventually gets the whole job done.” 33:33 Storytelling Frameworks and Structures Bobby on classical story structure in his book: Book follows a traditional arc: opening, inciting incident (

Not to be confused with the straight-to-video franchise that began in 1989 (Puppet Master), this film is based on a novel by Robert Heinlein. Starting out as anti-communist cold war propaganda (as Heinlein was want to do), by the time it makes its way to the mid 90's big screen, it's little more than a rehash of the previous 40 years of alien invasion tropes. But it had its moments. DON'T FORGET GAZAhttps://lifeline4gaza.com/gazafunds.comhttps://linktr.ee/thesameerproject+++++Outro: King Diamond performing The Puppet Master

Heinlein, Stefan www.deutschlandfunk.de, Informationen am Abend

Heinlein, Stefan www.deutschlandfunk.de, Informationen am Abend

Our most generational divide yet! This week Wes brings the receipts and destroys another one of Rett's childhood classics: 1997's Starship Troopers. This movie has had a resurgence in popularity recently. Does it still hold up? Listen and find out!https://www.spreaker.com/episode/starship-troopers--67477512#scifi #sciencefiction #action #horror #90s #bug #bugs #robertheinlein #heinlein #pulp #novel #book #asimov #clarke #grok #waldo #payitforward #spacemarine #powerarmor #fallout

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Die israelische Regierung steht aus Sicht des Direktors des Deutschen Orient-Instituts, Andreas Reinicke, zunehmend unter dem Einfluss extremistischer Siedler. Diese sehen die Bibel als Grundlage für ihre territorialen Pläne. Heinlein, Stefan www.deutschlandfunk.de, Interviews

Podkayne of Mars is one of Robert Heinlein's juvenile series and Tony's pick for this episode. Join us as we explore Heinlein's take on growing up in the stars, the clash between idealism and cynicism, and whether this “juvenile” novel has more bite than expected. Is Podkayne a proto-feminist hero or a relic of her author's era? And what's up with that ending?TTYpodcast.comThumbingthroughyesterday.com

Kein Deal, keine Waffenruhe und noch nicht einmal eine Atempause für die Menschen in der Ukraine. Nach dem Alaska-Treffen fehlen handfeste Informationen über die Inhalte des Treffens von Trump mit Putin. Die internationale Diplomatie läuft weiter. Heinlein, Stefan www.deutschlandfunk.de, Kontrovers

Hometown Radio 08/08/25 6p: Terry Heinlein talks about home construction design in SLO

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Hometown Radio 07/25/25 4p: Terry Heinlein sees new housing in SLO as a "missed opportunity"

For the 175th episode of Another Pass, we had to talk about a cult classic so cultish and such a classic that it demanded two separate panels! That's right! For a discussion on Starship Troopers, Case and Sam are joined by John Lestrange (The History Wizard), Samantha Perez, Keith Lehtinen, and Mitch Punpayuk! Would you like to know more? Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Overview Episode 175 of 'Certain POV's Another Pass' podcast explores Starship Troopers, addressing its satirical elements and impact on audiences, featuring two distinct panels. Personal viewing experiences highlight how initial interpretations of the film changed over time, with multiple guests recognizing the underlying satire. The film's satirical intent often missed by audiences; Poe's Law indicates difficulty in distinguishing extreme satire from genuine claims without clear indicators. Elements of fascism illustrated in the United Citizen Federation's military service requirements and portrayal of authority figures with war injuries. Propaganda within the film includes false flag operations, demonstrating dehumanization of 'bugs' and justifying violent military actions. Johnny Rico's character illustrates an alt-right pipeline, showing the process of radicalization through military indoctrination and societal pressure. Significant differences between the original book and movie adaptation noted, including a shift in character motivations and depictions of technology. Production challenges included injuries during boot camp training and instances of disrupted filming, showcasing the difficulties faced by the crew. Cultural impact acknowledged, as Starship Troopers influenced franchises like Starcraft and Helldivers, with modern audiences resonating with its themes. New adaptations are in development, including a Sony project directed by Neil Blomkamp, indicating ongoing interest in the Starship Troopers franchise.   Notes ️ Episode Introduction & Format (00:01 - 02:51) Episode 175 of 'Certain POV's Another Pass' podcast discussing Starship Troopers as a movie that overcame adversity. Two-panel format with different guest combinations to cover extensive discussion topics. First panel features Case Aiken, Sam Alicea, John Lestrange, and Samantha Perez focusing on sociological themes. Second panel includes Case Aiken, Sam Alicea, Keith Lehtinen, and Mitch Punpayuk discussing filmmaking aspects. Personal Experiences with Starship Troopers (04:08 - 16:01) Case Aiken saw it at age 13 in 1997, initially missed satirical elements, took it as straightforward action film. Sam Alicea watched at 16-17, uncomfortable with bugs but recognized something 'off' about the film. John Lestrange first viewing at age 7 when released, watched for first time yesterday with Holocaust studies background. Samantha Perez saw chopped TV versions as teenager, recently rewatched with fresh perspective. Keith Lehtinen was 14 when released, became aware of actors through this film, Dina Meyer was first crush. Mitch Punpayuk saw at 15, bought DVD before owning DVD player, waited two years to watch it. Satirical Elements & Reception Analysis (20:09 - 29:48) Movie functions as fascist propaganda satire but audiences often missed the satirical intent. Poe's Law applies - satirical expressions of extremist views indistinguishable from actual extremist views without clear indicators. 1997 timing problematic for satire reception - post-Cold War, pre-9/11 context limited audience understanding. Director Paul Verhoeven grew up in Nazi-occupied Netherlands, assumed audience familiarity with fascist themes. Susan Sontag's 'Fascinating Fascisms' (1975) referenced - Nazi ideal of 'brave, pretty and stupid' Aryan forces. ️ Fascist Society Elements (24:14 - 01:01:13) United Citizen Federation requires military service for citizenship and voting rights. All adult authority figures shown with missing limbs or severe scarring from military service. 14 characteristics of fascism present but modified - notably lacks typical gender hierarchy/sexism. Reproduction licensing system makes having children difficult for non-citizens. Public flogging and televised executions as standard punishments. Bug War Propaganda Analysis (30:42 - 40:12) Buenos Aires meteor attack potentially false flag operation rather than bug weapon. Mormon colony massacre on bug territory used as justification despite humans being invaders. 'Would you like to know more?' segments function as in-universe propaganda reels. Children encouraged to stomp bugs in disturbing propaganda scene. Brain bug capture presented as victory but war clearly being lost. ‍️ Character Development & Military Pipeline (51:47 - 01:00:16) Johnny Rico represents alt-right pipeline - young man radicalized through military indoctrination. Carmen Ibanez portrayed as ambitious, prioritizing military career over relationships. Dizzy Flores changed from male character in book to female love interest. Carl Jenkins represents military intelligence, disappears into classified operations. Sergeant Zim and Lieutenant Rasczak serve as father figures in military structure. Book vs Movie Adaptation (23:13 - 28:17) Originally titled 'Bug Hunt at Outpost 7' before being adapted to Starship Troopers. Director didn't finish reading Heinlein's book, called it 'too boring'. Mobile Infantry in book wore powered armor with jump jets, removed due to budget/wire work complexity. Bugs more technologically advanced in book, movie presents them as purely biological. Buenos Aires not Rico's hometown in book, major plot change for personal motivation. Production Challenges & Behind-the-Scenes (39:34 - 07:35) Cast underwent intensive boot camp training, Casper Van Dien and Dina Meyer sustained injuries during filming. Intoxicated crew member mentioned bomb on flight, disrupting production travel. Pre-visualization test at Vasquez Rocks convinced TriStar to fund after Waterworld concerns. 15-foot practical ship models used alongside CGI for space scenes. Starship Trooper armor reused in multiple productions including Power Rangers, Firefly, Planet of the Apes. Special Effects & Technical Aspects (08:52 - 06:24) Mix of practical and CGI effects particularly effective for bug creatures. Netflix 4K viewing shows quality variations, some scenes appear grainy especially green screen backgrounds. Brain bug close-ups noted as particularly disturbing and well-designed. Space scenes generally poor quality except for specific flight sequences. Cultural Impact & Legacy (14:18 - 17:26) Starcraft, Warhammer 40K, and Helldivers directly influenced by Starship Troopers aesthetics. Five-movie franchise plus Roughnecks CGI TV series expanded universe. Modern resonance with current political climate makes satirical elements more apparent. Gif culture frequently references film during political tensions. Cast & Casting Decisions (17:18 - 21:57) Unknown actors cast intentionally to look 'authentically young' but appear older due to training. Mark Wahlberg and Matt Damon auditioned for Rico role. Dina Meyer originally read for Carmen, chose Dizzy role instead. Neil Patrick Harris commentary recorded pre-How I Met Your Mother fame. Character actors include Amy Smart, Seth Gilliam, Timothy Omundson in small roles. Audience Reception & Box Office (15:07 - 20:09) Test audiences disliked Carmen character, preferred Dizzy. Critical reception missed satirical intent, even thoughtful reviewers uncertain. Box office made budget back but not considered major success. Cult classic status developed over time as satirical elements became more apparent. Thematic Analysis (34:39 - 51:47) Dehumanization through 'bug' imagery parallels historical genocidal rhetoric. Violence as societal foundation explicitly stated in film's philosophy. Military-industrial complex critique through endless war presentation. Youth radicalization process demonstrated through Rico's character arc. Future Adaptations (13:51 - 13:51) Sony developing new Starship Troopers adaptation directed by Neil Blomkamp. Helldivers movie also in development as spiritual successor.

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Die Situation in Gaza ist schlimmer als unerträglich, sagt Martin Frick vom Welternährungsprogramm der UNO. Man habe Lebensmittel, um alle Menschen in Gaza zu versorgen, doch von israelischer Seite werde der Zugang nicht verlässlich organisiert. Heinlein, Stefan www.deutschlandfunk.de, Interviews

Drew and Lauren polish off The Moon is a Harsh Mistress, talking Heinlein's take on political and social philosophy, cultural callbacks, and artificial intelligence. The Final Draft features beers from Odd13, Hop Butcher For the World, and Urban Family. Visit our website at www.iolpodcast.com and join the conversation on Twitter @IOLPodcast Support us on Patreon: www.patreon.com/inkingoutloud Send us a tip on Ko-fi: ko-fi.com/inkingoutloud Inking Out Loud is Drew McCaffrey and Rob Santos. Sound engineering by Drew McCaffrey. Artwork by Danielle "FelCandy" Prosperie. Intro/outro music: "Moonlight" by Jivemind.

In Rom beraten Unterstützerstaaten über den Wiederaufbau der Infrastruktur der Ukraine. Die Bundesministerin für wirtschaftliche Zusammenarbeit und Entwicklung, Reem Alabali-Radovan (SPD), stellte dafür umfangreiche Finanzhilfen in Aussicht. Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Eine Enquete-Kommission soll die Versäumnisse der Coronakrise aufarbeiten und bis Ende Juli 2027 einen Bericht vorlegen. Grünen-Politiker Janosch Dahmen wünscht sich, dass „sachliche und vernunftgeleitete“ Empfehlungen daraus resultieren. Heinlein, Stefan www.deutschlandfunk.de, Interviews

Beim NATO-Gipfel haben die 32 Mitgliedsstaaten das größte Aufrüstungspaket seit dem Kalten Krieg beschlossen. Fünf Prozent ihres Bruttosozialproduktes investieren sie künftig in Sicherheit und Verteidigung. Ein Entschluss, der für viel Kritik sorgt. Heinlein, Stefan www.deutschlandfunk.de, Kontrovers

Trotz Feuerpause in Nahost sieht Diplomat Andreas Reinicke viele Hindernisse für den Frieden. Die Akzeptanz Israels in der Region habe nach den Angriffen auf Iran Schaden genommen. Auch das Vertrauen in die USA als Verhandlungspartner sei geschwächt. Heinlein, Stefan www.deutschlandfunk.de, Interviews

Heinlein, Stefan www.deutschlandfunk.de, Interviews

Die NATO-Partner sollen künftig fünf Prozent ihrer Wirtschaftsleistung für Verteidigung ausgeben. Besonders groß sind Erwartungen an die Bundeswehr. Deshalb sei eine Wehrpflicht wieder notwendig, sagt Heinrich Brauß, Generalleutnant a.D. Heinlein, Stefan; Brauß, Heinrich www.deutschlandfunk.de, Interviews

In this episode we're sharing the story "Blowups Happen", written in 1940 by Robert Heinlein. Among other things, Heinlein might be best known as the writer of Starship Troopers. This story was also featured on Weird Darkness, the paranormal podcast hosted by our narrator Darren Marlar. You can check out that podcast at Weird Darkness dot com. "Blowups Happen" describes the tensions among the staff of a nuclear reactor. Heinlein's concept of a nuclear reactor was one of a barely contained explosion, closer to the mini star from Spider-Man 2 than anything we have in real life. As a consequence the work is dangerous, and the slightest mistake could be catastrophic. Although we've certainly learned that can also be the case with real life nuclear reactors. All the technical staff are monitored by psychologists who have the authority to remove them from the work at any time lest they crack under the pressure and precipitate a disaster. The monitoring itself contributes to the problem. In writing the story, Heinlein only had public knowledge of nuclear fission, but still, he somehow anticipated the actual development of nuclear technology which arose just a few years later. The story was first published in Astounding Science Fiction in 1940, before any nuclear reactors had ever even been built. A few years later when the story was re-released in the 1946 anthology The Best of Science Fiction, Heinlein did make a few modifications to the story in order to reflect how a reactor actually worked, as more information about nuclear energy and reactors was available. He also at that time made revisions to mention Hiroshima and Nagasaki Since those nuclear attacks had taken place after his original short story had been published. But we'll be sharing the original magazine publication version from 1940, without the updates and revisions – something to keep in mind while listening. And if you like the story tonight and want to know what happens next, Robert Heinlein did write a sequel called “The Man Who Sold The Moon”. “Blowups Happen” is also an award-winning story – in 2016 it was nominated for the 1941 Retro-Hugo Award for Best Novelette. Please keep in mind the story was published in 1940, so some of the language – particular one term used to describe those who have black skin – was not as frowned upon back then. Darren and I both think it's important to present the story the way the authors wrote it. With that in mind, grab some snacks and a drink and settle in and enjoy “Blowups Happen” by Robert Heinlein.If you have a story you'd like to contribute to the series, you can visit https://submissions.soundconceptmedia.com/You can support the show by becoming a paid subscriber on Substack: https://auditoryanthology.substack.comBy becoming a paid subscriber you can listen to every episode completely ad-free!Curator: Keith Conrad linktr.ee/keithrconradNarrator: Darren Marlar https://darrenmarlar.com/Other shows hosted by Darren:Weird Darkness: https://weirddarkness.com/Paranormality Magazine: https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead Hosted on Acast. See acast.com/privacy for more information.

A high-stakes nuclear facility teeters on the brink of disaster — not from mechanical failure, but from the fragile minds of the men who keep it running.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: it's #ThrillerThursday. Tonight I'm bringing you some dark science-fiction… which ended up after the story was published, being less science fiction and more science fact. Almost as if the author was a prophet. "Blowups Happen" is a 1940 science fiction short story by American writer Robert A. Heinlein. The story describes the tensions among the staff of a nuclear reactor. Heinlein's concept of a nuclear reactor was one of a barely contained explosion, not the steady-state thermal plants developed later. As a consequence the work is dangerous, and the slightest mistake could be catastrophic. All the technical staff are monitored by psychologists who have the authority to remove them from the work at any time lest they crack under the pressure and precipitate a disaster. The monitoring itself contributes to the problem.SOURCES AND RESOURCES FROM THE EPISODE…“Blowups Happen” by Robert Heinlein, from the book “The Astounding Science Fiction Anthology”: https://amzn.to/3BsZ2mU=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: July 22, 2021NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice. (AI Policy)EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/blowups-happen-by-robert-heinlein-full-audiobook-weirddarkness/

This month we read Double Star by Robert Heinlein. Of all Heinlein's books, it was one of Connie Willis's three favorites! DM: Amy Music by Pets of Belonging Transcript library  Links: You will like this podcast about Octavia Butler

Heinlein, Stefan www.deutschlandfunk.de, Das war der Tag

Heinlein, Stefan www.deutschlandfunk.de, Das war der Tag

EPISODE #450-- Just in time to miss May the 4th, but just in time for George Lucas' birthday (happy birthday, George!), we've got STAR WARS from 1977. It's a good one, this flick. You should check it out.  We also chat about WARFARE (2025), STALKER (1979), ANDOR (2025), and THE GREATEST NIGHT OF POP (2024). Also, RIP the Pope, I guess. Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Marte es un tópico en la ciencia ficción (en el mejor sentido de la palabra), pero cuando un ser humano nacido y educado en Marte desciende a la Tierra de la mano de Heinlein, podemos prepararnos para una crítica mordaz, imaginativa y poco indulgente con los prejuicios de la sociedad terrestre, y más cuando la protagonista, Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast: Predestination: https://go.ivoox.com/rf/69330975, un relato de R. Heinlein 🎙 ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 🚀PLAYLIST TODOS LOS AUDIOS PARA FANS AQUÍ: https://go.ivoox.com/bk/791018 🚀PLAYLIST HIJA DE MARTE: https://go.ivoox.com/bk/11217844 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Bob responds to a Heinlein quotation (from Starship Troopers) that claimed violence had settled more issues in history than any other factor. Bob relies on Mises and Jesus to argue the contrary.Mentioned in the Episode and Other Links of Interest:Jeremy Kauffman's tweet that prompted this episode.Bob on why the AI won't wipe us out.The link for Monetary-Metals.com.Help support the Bob Murphy Show.

Marking 10 years since the death of Cardinal Francis George, we speak with his biographer Michael Heinlein about his rich life and legacy, and how this ever so consequential archbishop almost never came to be. Dismissing "liberal Catholicism as an "exhaustive project," Heinlein reminds us of the late cardinal's take on "simply Catholicism." Msgr. Roger Landry also joins sharing his own tearful testimony witnessing Catholic life on a leper colony in Vetnam as the Pontifical Mission Society in the US brought not only essentials for those suffering but also Jesus alive in the Eucharist. He also helps us prepare for the rest of Holy Week and the Triduum, and the hope that we have as Easter approaches within this Jubilee of Hope. Catch the show every Saturday at 7amET/5pmET on EWTN radio!