Podcast appearances and mentions of leslie gore

National Brother and Sister day.  Entertainment from 2004. Confederate General Stonewall Jackson shot by own men, Osama Bin Laden Killed, German soldiers begin to surrender in WW2.  Todays birthdays - The Red Baron, Engelbert Humperdinck, Leslie Gore, Larry Gatlin, Lou Graham, Christine Baranski, Ty Herndon, Dwayne Johnson, Ellie Kemper.  DaVinci died.Intro -  Pour some suagar on me - Def Leppard    http://defleppard.com/Sweet Thursday - Johnny MathisBrothers & Sisters - Steve & Anne ChapmanYeah! - Usher  Lil John   LudacrisYou'll think of me - Keith UrbanBirthdays - In da club - 50 Cent   http://50cent.com/Snoopy vs The Red Baron - The Royal GuardsmenRelease me - Engelbert HumperdinckIts's my party - Leslie GoreShe used to be somebodys baby - Larry GatlinJuke Box hero - ForeignerIt must be love - Ty HerndonYour Welcome - The RockExit - Its not love - Dokken     http://dokken.net/

National almonds day. Entertainment from 1955. 1st check written, 1st 911 call made, 11 year old girl tells Abraham Lincoln to grow a beard. Todays birthdays - Hugh Beaumont, Sonny Bono, James Ingram, LeVar Burton, Ice T, Elizabeth Olsen, The Weeknd. Leslie Gore died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/I love almononds - Hmmm Thats strangeSincerely - The McGuire SistersLoose talk - Carl SMithBirthdays - In da club - 50 Cent    http://50cent.com/Leave it to Beaver TV themeBabe - Sonny & CherI don't have the heart - James IngramReading Rainbo TV themeColors - Ice TThe Hills - The WeekndIt's my party - Leslie Gore1975 - Suzy Kory   https://suzikory.com/countryundergroundradio.com

This week, we are joined by one of the legends of the American Underground, STEVE WYNN (The Dream Syndicate), who picked the jaw-dropping THE TAMI SHOW from 1964 to discuss. We also talk about the excitement of being young in the studio for the first time, the four elements that make a great record and how The Fall inhabited all of them, working with Peter Buck, being a snobby music snob, Chris seeing The Dream Syndicate open for R.E.M. on their Reckoning/Medicine Show Tour, how they evolved from Days to Medicine Show, watching The TAMI Show with the Pasiley Underground members in the theater, how the film and its sequel, the TNT SHOW, were split up into yet a different third film, Van Halen opening for Sparks, the feeling of the music industry hanging in the air in L.A., how the director also made the Elvis Comeback Special and the Star Wars Holiday Special, the narc energy of Jan & Dean, Smokey Robinson's voice going out during his perfomrance int he film, Mick Jagger finding out how to be Mick Jagger in this performance, The Stones vs. James Brown mythology, Marvin Gaye & The Blossoms, how the Velvet Underground lifted a song from Marvin Gaye, the incredible power of Leslie Gore's perfomrance, Dennis Wilson (almost) stealing the film with his drum performance, Keith Moon, Steve seeing The Beach Boys on the Surf's Up tour, Billy Kramers' high creep factor even though Lennon/McCartney kept writing songs for him, the Americana trend over in Europe 84, X, The Supremes, Diana Ross' voice slaying and her eye makeup killing, The Barabrians transcending time, Tony and The Tigers and more!So throw your cape off your back and struggle back to the microphone with us on this week's Revolutions Per MovieSTEVE WYNN:https://www.stevewynn.net REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Maggie spoke with Quincy Jones in early December 2008 about his book, The Complete Quincy Jones My Journey & Passions. We discussed some of his favorite musical collaborations including Frank Sinatra and Miles Davis and discuss the idea of mentorship and why it's so important to "pass it on" Quincy Delight Jones Jr. March 14, 1933 – November 3, 2024 was an American record producer, songwriter, composer, arranger, and film and television producer.. Over the course of his seven-decade career, he received many accolades including 28 Grammy Awards, a Primetime Emmy Award, and a Tony Award as well as nominations for seven Academy Awards and four Golden Globe Awards.About the book: Everything you love about American popular culture is Quincy Jones. As an artist and impresario Quincy Jones has been the creative catalyst for over 60 years of American cultural phenomena orchestrating the sounds of Frank Sinatra, setting the ambiance for Steven Spielberg, cultivating the talent of Michael Jackson, and introducing to the world Oprah Winfrey and Will Smith - to name a few. The Complete Quincy Jones examines the diverse virtuosity of Quincy Jones, celebrating his prolific contribution to American art and culture. Comprised of personal interviews and recollections with Jones, this collection peers behind the veil of celebrity, with extraordinary access to his creative inspirations and labors. Through private notebooks, correspondence, and photographs Jones offers unprecedented introspection into the depths of his creativity and the histories of his ventures. From the volumes of his memorabilia, Jones emerges as a contemplative and dynamic maestro, thriving on intuition and ceaselessly pursuing the soul of his art.Quincy Jones is an American record producer, conductor, arranger, film composer, television producer, and trumpeter. God Bless Quincy Jones, there will never be another you!  Source: https://www.simonandschuster.com/books/The-Complete-Quincy-Jones/Quincy-Jones/9781933784670Source: https://www.qwest.tv/Source: https://www.arts.gov/honors/jazz/quincy-jonesSource: https://rockhall.com/inductees/quincy-jones/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

In this heartfelt episode of Hollywood Live, Tanya Hart honors the legendary Quincy Jones, a powerhouse in the entertainment industry and a steadfast champion of civil rights for over seven decades. Born in Chicago, Quincy's career began in the 1950s as a jazz arranger and conductor, quickly expanding to include pop music and film scores. He produced hits for artists like Leslie Gore and collaborated with jazz greats like Frank Sinatra and Count Basie. In 1968, Quincy became the first African American nominated for an Academy Award for Best Original Song, achieving two nominations in the same year with his work in Banning and In Cold Blood. Quincy's influence reached new heights with his production of Michael Jackson's iconic albums Off the Wall, Thriller, and Bad. He also produced and conducted the historic charity single “We Are the World,” which raised millions for famine relief in Ethiopia. Tanya reflects on her first encounter with Quincy during her Boston TV show Coming Together and the wisdom he shared that continues to inspire her. With a legacy that includes recent projects, such as a documentary produced with Debbie Allen, Quincy Jones' impact will be felt for generations. Tanya extends heartfelt condolences to his family and friends and celebrates the indelible mark he left on the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Sheep Go to Heaven by Cake (1998)Song 1: Whirlpool by Meat Puppets (1991)Song 2: High Ticket Attractions by The New Pornographers (2017)Song 3: Concrete and Clay by Unit Four Plus Two (1965)Song 4: Didn't I (Blow Your Mind) by New Kids on the Block (1986)Song 5: New York City by cub (1994)Song 6: Kansas City by The New Basement Tapes (2014)Song 7: I'm a Little Airplane by Jonathan Richman & the Modern Lovers (1977)Song 8: Looking for a Kiss by New York Dolls (1973)Song 9: Maybe I Know by Leslie Gore (1964)Song 10: Dressed to Kill by New Found Glory (2000)

This week on the No More Late Fees podcast, we're serving up a side of sass with a special dose of Mom Power! Joining us for a hilarious deep dive into the iconic divorce comedy, The First Wives Club, are our amazing moms, Terri and Christine!  Get ready for some multi-generational girl talk as we discuss the film's themes of female empowerment, second chances, and the enduring power of friendship. Tune in for laughs, life lessons, and maybe even a few dance moves inspired by that unforgettable Leslie Gore song! ·Season 4 Episode 6· — No More Late Fees  www.nomorelatefeespodcast.com 909-601-NMLF (6653) — CONQUERing ⁠myconquering.com⁠ Coupon: JACKIE10 — Follow us on Social Instagram: https://www.instagram.com/NoMoreLateFees TikTok: https://www.tiktok.com/@nomorelatefees Twitter: https://twitter.com/NoMoreLateFees Facebook: https://www.facebook.com/nomorelatefees — Subscribe to our YouTube Channel:  https://www.youtube.com/channel/UCWabO-p-_ndzepHNBjLwGJA Listen to the No More Late Fees Podcast:  Apple Podcasts: https://podcasts.apple.com/us/podcast/no-more-late-fees/id1562176878  Spotify: https://open.spotify.com/show/24as8W3RXuntZEEmp1HJ9q --- Send in a voice message: https://podcasters.spotify.com/pod/show/nomorelatefees/message Support this podcast: https://podcasters.spotify.com/pod/show/nomorelatefees/support

National Brother and Sister day.  Entertainment from 2004. Confederate General Stonewall Jackson shot by own men, Osama Bin Laden Killed, German soldiers begin to surrender in WW2.  Todays birthdays - The Red Baron, Engelbert Humperdinck, Leslie Gore, Larry Gatlin, Lou Gramm, Christine Baranski, Ty Herndon, Dwayne Johnson, Ellie Kemper.  DaVinci died.Intro -  Pour some suagar on me - Def Leppard    http://defleppard.com/Sweet Thursday - Johnny MathisBrothers & Sisters - Steve & Anne ChapmanYeah! - Usher  Lil John   LudacrisYou'll think of me - Keith UrbanBirthdays - In da club - 50 Cent   http://50cent.com/Snoopy vs The Red Baron - The Royal GuardsmenRelease me - Engelbert HumperdinckIts's my party - Leslie GoreShe used to be somebodys baby - Larry GatlinJuke Box hero - ForeignerIt must be love - Ty HerndonYour Welcome - The RockExit - Its not love - Dokken     http://dokken.net/Follow Jeff Stampka on Facebook

On this week's episode of Vinyl Fridays Brandon and AP Lindsay are joined once again by the members of Sweetie who cobble together a melange of soundtracks, jazz, punk, garage and local acts in their latest vinyl set. You will hear My Brightest Diamond, A Certain Ratio, Local H, Half Japanese, The Trashmen, Leslie Gore and more!  They will be celebrating the release of the video for their new single "Showgirl" on Friday March 15th at the G-Man Tavern in Chicago, along with Shannon Candy, and drag show.    Bed Music: Apache by Jorgan Ingmann Biradio.libsyn.com Instagram: @birp60406 Facebook: @blueislandradio Patreon: Patreon.com/blueislandradio Sweetie: https://friskiemorrisfriends.bandcamp.com/album/bad-thing-sweet-thing Sweetie: https://linktr.ee/sweetieband        

National almonds day. Entertainment from 2013. 1st check written, 1st 911 call made, 11 year old girl tells Abraham Lincoln to grow a beard. Todays birthdays - Hugh Beaumont, Sonny Bono, James Ingram, LeVar Burton, Ice T, Elizabeth Olsen, The Weeknd. Leslie Gore died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/I love almononds - Hmmm Thats strangeThrift shop - Macklemore, Ryand Lewis, WanzBetter dig two - The Band PerryBirthdays - In da club - 50 Cent http://50cent.com/Leave it to Beaver TV themeBabe - Sonny & CherI don't have the heart - James IngramReading Rainbo TV themeThe Hills - The WeekndIt's my party - Leslie GoreExit - Its not love - Dokkenhttps://coolcasts.cooolmedia.com/

¡Bienvenid@s al podcast de Zona Negativa! ¡Bienvenid@s a Guerra de Viñetas! Tres meses después de que una valiente redactora de manga retara a duelo a un vigoroso redactor de la sección de cine, toca el combate de vuelta que decidirá quién de los dos se lleva el gato al agua. Ambos integrantes de la web parecen haber optado por dos obras que nos encogerán el corazón: Es un pájaro... o lo que es lo mismo, una historia de Superman sin El Hombre de acero como protagonista y Solanin, que nada tiene que ver con el clásico de Tarkovski. ¿Queréis saber qué tal ha quedado el asunto? Dadle al Play, no os arrepentiréis. Colaboradores: Laura Calvo, Samuel Secades y Sergio Fernández Atienza. Publicidad: Sergio Fernández Atienza. Portadas: Jordi T. Pardo. Edición: Sergio Fernández Atienza. Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Música de intermedio: "Sunshine, Lollipops And Rainbows" de Leslie Gore - https://www.youtube.com/watch?v=atY7ymXAcRQ Música de publicidad: "Marcha fúnebre" de Chopin - https://www.youtube.com/watch?v=Eacj1Oz99eQ Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!

Revisit the intriguing conversation with Rachel White, host of the Skeptical Shaman podcast and creator of the Totem Tarot deck. This recap episode with Lesley and Brad takes listeners on a fascinating voyage into the world of tarot, intuition, and personal development, dispelling everything from the cult mentality to the myth of a steady profession.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co . And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe.In this episode you will learn about:The changing landscape of careers and the diminishing value of traditional job securityHow to rely on oneself and develop versatile skillsConstant learning, growth, and making impactful decisions.The philosophy of learning from failure and applying it to both personal and professional aspects of lifeWhy disconnecting from digital devices enhances mental clarity and creativity.Episode References/Links:Winter Tour - https://opc.me/tour Message us on - https://opc.me/chateLevate - https://lesleylogan.co/elevateCambodia 2025 - https://lesleylogan.co/retreats  If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. Get your free Athletic Greens 1 year supply of Vitamin D3+K2 and 5 free travel packsGet your discount for some Toe Sox using the code: LESLEY Be It Till You See It Podcast SurveyBe in the know with all the workshops at OPCBe a part of Lesley's Pilates MentorshipFREE Ditching Busy Webinar Resources:Watch the Be It Till You See It podcast on YouTube!Lesley Logan websiteBe It Till You See It PodcastOnline Pilates Classes by Lesley LoganOnline Pilates Classes by Lesley Logan on YouTubeProfitable PilatesFollow Us on Social Media:InstagramFacebook LinkedInEpisode Transcript:Brad Crowell 0:00 You know being the head of innovation one of the main things that everyone talks about in that is fail small and fail often so that means you're trying a new thing and then you're testing a new thing and you're seeing is it being received well and if it isn't, then you change and you try and different new thing and then if it is received well, okay, how can we make it better?Lesley Logan 0:20 Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started. Lesley Logan 1:02 Welcome back to the Be It Till You See It interview recap where my cohost in life Brad and I dig into the woo intriguing convo that I had with Rachel White in our last episode. If you haven't listened to the interview, feel free to pause this now and go back and listen to that one and you'll find it's not a woo-woo. Lesley Logan 1:16 It's just a one. Lesley Logan 1:17 It's a one. Brad Crowell 1:17 It's a one woo interview.Lesley Logan 1:18 One woo interview that's, you know what, Be It Till You See It. It's a one-woo interview. Never (inaudible) the name of this.Brad Crowell 1:19 No, we can't name the pod that but I love that as a potential name, one-woo interview.Lesley Logan 1:31 It's a tagline. We are, we are one-woo interview. Anyways, she's fucking badass.Brad Crowell 1:37 Yeah, plus, you married a Brad. Hell, yeah. Lesley Logan 1:40 You guys, it's December 14. And if you're listening to this in real time, and if you're not, hi, it's December 14, 2023. This week people talking about back then. I just was listening toBrad Crowell 1:50 Back then?Lesley Logan 1:51 Yeah, well, you never know. So like this session. I listen to podcasts, you guys. I fucking love her. I think we're all friends. Anyways, she read someone's testimonial, kind of a thing a question. And the girl had listened to every single podcast like four plus years of podcasts in a few months. And she's like, I just want to celebrate all the highlights you guys have had. So just in case anyone is going back in time. This is what was exciting back then. So it is December 14 of 2023. And that is More Good Today Day.Brad Crowell 2:26 That's right. It's more good today.Lesley Logan 2:28 I didn't even know, is that even correct English?Brad Crowell 2:32 It's the Day of More Good Today. Lesley Logan 2:35 Yeah. So the holiday aims to encourage more people to practice kindness and generosity. Jesus Christ, we have to fucking encourage people to be kind and generous. What is the world?Brad Crowell 2:45 I think it's a universal, like, you know, call to action is what it really is.Lesley Logan 2:50 I just It doesn't it piss you off that we have to have a universal call to action. Can't we all just first of all, anyone listening to this is already overly kind and overly generous to others and not to yourself. So first of all, more good today you day, like you need to be more good to you today. Brad Crowell 3:08 For what? I didn't follow any of that. Honestly not. I'm very shocked that this is the response of the day that I picked. I did not expect this. Lesley Logan 3:17 Ah I guess I'm just disappointed in human beings that we have to have a holiday that says, hey, aim to aim to Brad Crowell 3:25 It's not a holiday. It's a day that we celebrate a specific thing. Well, it's from the holiday website. Brad Crowell 3:33 It's from the National Day today. Lesley Logan 3:35 Yeah. And it says the holiday aims to encourage more people to practice kindness and generousity. I guess it's, technically they are, it's like pizza at National Pizza Day is a holiday.Brad Crowell 3:45 But here's the thing you can create a holiday up on this website.Lesley Logan 3:48 You know what? We, okay, everyone Brad Crowell 3:51 Maybe we should create a holiday. Lesley Logan 3:52 Yeah, first of all, there's going to be an LL Day. I'm just saying.Brad Crowell 3:55 There's gotta already be a Lesley Day spelled E-Y.Lesley Logan 4:00 Book it up? Let's find out. Let's find out. But at any rate, if you are listening to this episode, if you listen this podcast, I promise you we're already kind of generous. You are. I know our listeners. They are already kind of generous to others. So may you take this as a sign as a holiday to be more in kind and generous to yourself. Okay, thank you. I'm sorry, Brad, if I disappointed you or at least shocked you maybe you know what, we've been married eight years. It's important that we have a little surprise in this life. So you guys, we are somewhere.Brad Crowell 4:36 So there is a day for a Leslie Lesley Logan 4:40 but it's not Brad Crowell 4:41 happens to be Leslie Gore. Leslie Gore.Lesley Logan 4:44 Who is that?Brad Crowell 4:45 I'm pretty sure she's the it's my party and I'll cry if I want to singer.Lesley Logan 4:51 There is a Leslie who sang that song. I didn't know. Okay, yeah. Brad Crowell 4:55 It's my party. It's my party and I'll cry if I want to...Lesley Logan 5:03 Well, is she alive? We should talk to her. Have her on the pod.Brad Crowell 5:07 That'd be amazing. I don't know if she's alive.Lesley Logan 5:10 Yeah. Do you see how kind and generous she has been to herself? Because it's her party and she'll do it the fuck she wants. Brad Crowell 5:15 Yeah she'll do what she wants. I'll do what I want.Lesley Logan 5:19 So. Okay, today isBrad Crowell 5:21 Nope. She died.Lesley Logan 5:26 I guess we can't have her on the pod. And that means there is room for a Lesley holiday. So let's do it because they cannot say there's already a Lesley holiday because there's not she's dead. Anyway. Hi, listener, if you're still listening to the show. Here's what's happening. Brad Crowell 5:42 My name is Brad. Lesley Logan 5:43 I'm Lesley Logan. You probably got that already. Um, we are somewhere. We are probably past Cleveland. And on our way to New York. Today. Brad Crowell 5:54 Today. Yeah. Lesley Logan 5:55 Today. It felt when I said Brad Crowell 5:57 Actually, you know what? 13th and 14th. We're in the Midwest. We haven't hit Cleveland yet.Lesley Logan 6:00 I know that on the 13th we are in the middle. Because I just made I just booked a call. And I was like, yeah, CST. Sounds good.Brad Crowell 6:08 Yeah, actually, we have a day off the 14th. Tomorrow, Cleveland. There's still tickets, guaranteed. Lesley Logan 6:14 Well, no, we're not guaranteeing that. Brad Crowell 6:17 But there might be tickets.Lesley Logan 6:18 We're recording this early.Brad Crowell 6:18 There might also be tickets and upstate New York, Boston (inaudible).Lesley Logan 6:24 There could be tickets for the rest of this month we don't know because we're recording this early. And a lot of tickets have been sold, selling out. So, opc.me/tour is the point of this sentence. It's opc.me/tour to get your winter tickets, just so you know, some people are driving five hours to come to class.Brad Crowell 6:40 Five hours to come hang out. Lesley Logan 6:40 So I'm not I haven't actually talked to the team about this yet. But if I find out who the farthest person is who drove, drove to a thing, if you happened to fly for being there, it's like lucky, but if you drove you got in the car, and you went out of your way to come on (inaudible). Brad Crowell 6:41 You chased the van. Lesley Logan 6:56 You chased the van, I'm gonna get you a fucking sweatshirt make it happen. So hold me to it. You got to make sure you let me know where you're driving from. But if I find out you flew, Brad Crowell 7:04 You have to let us know where you're driving from. Lesley Logan 7:06 If I found out your your seeing your family already, and it just happened, no, they've gottaBrad Crowell 7:10 be opc.me/chat to let us know. Lesley Logan 7:14 Yeah. Yeah. So also we come back from the tour. I actually go on a little mini vacay with my girlfriends. Shout out to Karina Kelly. They've been on the pod and then we kick off elevate. So if you are listening to this now, and at this point, there's already people who are about to snag some spots. But if you're listening to this now, and you were a teacher who is exhausted, burnt out and like wishing you were more confident and had time for your own practice, and actually knew the why behind the what eLevate is for you. So you're gonna go to lesleylogan.co/elevate. And you just sign up because I only do one a year. One. And I tell people in that's it. Don't beg me in March to join. It's over. You have to wait for 2025. Period. End of story. Boom. All right. Also. Also, in January, we are opening the doors up to Cambodia.Brad Crowell 8:06 We are this is like my favorite thing in the world. Lesley Logan 8:09 If you are on the waitlist you are actually going to be, the doors are opening for you first. So if you're not on the waitlist, we're not opening up to you until the waitlist gets their turn. And the waitlist gets the best prize.Brad Crowell 8:19 Yeah, so actually, you're gonna get a get a legit hookup like, absolutely worth being on a waitlist. Lesley Logan 8:26 It's like $600 off. Brad Crowell 8:27 It's like 600 bucks off a ticket. Yep. Yeah. And here's the deal, y'all. We have a maximum room for 20 people and four spots are already taken. How did that happen? Lesley Logan 8:39 Well, people asked, like, here's the deal. If you're like, I'm going off the grid for January. Get me the fuck on the Cambodia thing, you can get on. Brad Crowell 8:50 Yeah, just reach out.Lesley Logan 8:53 If you ask, it's shocking what you can get. It's, it's the most amazing. I didn't know this. My parents didn't tell me that if you just ask for things you might get them. No offense. My mom and dad are probably listening. Hi, guys. I'm just gonna say you didn't ask. You didn't tell me to ask. You just told me to like get A's you didn't tell me to ask and asking is the best policy.Brad Crowell 9:13 I like it. I like it. Well, seriously, though. It's, as you all have heard me speak about it 50 times if you've heard me talk about it once. It's my favorite thing in the world to do. And I you know, there's nothing more. Lesley Logan 9:29 We're doing (inaudible).Brad Crowell 9:31 Yeah, this will be the first time that we're taking groups on two on one new adventure for sure. We explored a new one and the last one that was a hit. We're gonna going to include that now on the norm. And Lesley and I went off the grid last time, and we tried out a new experience.Lesley Logan 9:53 Also it's an actual water village. I'm just gonna say like the other ones that we've been on. There was some floating houses, but it was also it got a little bit touristy. And I don't like that because it feels like grifting. So I like to actually give back to the people. I like to get back to the actual community. And I think that's a really important first of all you are, you're in their household, you are in their land. So it's okay to learn, but also like we there should be a give back and the grift just didn't feel like the money was going to the people. So we actually found a new village where there are no tourists. It's true. It's true float. Brad Crowell 9:57 There are no tourist.Lesley Logan 10:29 Zero. It's true float. And there's this incredible shop that we can take you to where you can actually buy what the locals there make so they actually get to work remote. You all, people been working in the water villages remotely for their entire lives. The U.S. and Western countries like we're working remote. It's like it's new. Yeah, these ladies are kicking ass, they have been working remote in their floating houses built like creating water hyacinth products. And we have always brought them to our attendees to see but now we can actually take you to where it's happening. It's super, super cool. So we can actually support the actual community in a really big way, which is (inaudible)Brad Crowell 11:13 Plus we get to see how they live.Lesley Logan 11:15 You get to see how they live, and, and like, do y'all know that the cats are also on the floating houses?Brad Crowell 11:21 They have gardens on floating, on the boats.Lesley Logan 11:23 Well, here's the thing where do cats and dogs go in the bathroom? This is my big question. I'm just wondering, at any rate, they are there, there was kittens this last time and we went into an over 100-year-old temple. You cannot drive to it. You can only float to it. Yeah. So anyways.Brad Crowell 11:40 Come join us. Lesley Logan 11:43 Four spots are done. That's 1/5.Brad Crowell 11:46 Lesleylogan.co/retreats with a S on the end to get on the waitlist and get the info about that hookup in January. Lesley Logan 11:53 In January. My birthday. It's for my birthday. It's my gift to you. More gifts for you today. Apparently, on the LL Day. Let's do it. Okay, let's make my birthday the LL Day. Brad Crowell 12:04 The LL Day.Lesley Logan 12:05 Yeah. Um, before we go into our interview with the amazing Rachel, the skeptical shaman. Skeptical. Skeptical. How do you say it? Brad Crowell 12:13 You got it. Lesley Logan 12:14 Skeptical? Sounds like it's missing a syllable, Shaman. Um, we are going to answer an audience question.Brad Crowell 12:21 We are, it's going to be a good one. All right, Lesley, what Pilates exercise are you currently working on?Lesley Logan 12:30 Oh, I love this. So we got tagged because this amazing human was working on their big twist teaser off the window chair on the window chairs not off of it, you should stay on, important. And they were like your videos of helping me. And I was like, Oh, my God. That's amazing. And I say what Pilates exercise are you working on? And I was like, Oh, that's so fascinating. And I think it's important you hear a whole answer, which is a little long and short. I oftentimes stop working, I stopped doing an exercise I'm working on to work on it. So for example, my my answer to your question was, this particular week, I am actually incorporating more headstands and handstands in my practice. So there are some headstands on the reformer. And there's a hands down the ladder barrel. And I haven't, I took the whole summer off of those exercises, to do other things in the Pilates repertoire, to ready my body for them. So this is something I go over with eLevators and OPC members all the time is that practicing an exercise you can't do over and over again is just gonna make you pissed off. It just is like it's if you're not good at something, doing it over and over again isn't gonna make you go up slain, it's gonna make you feel like shit. So what I do is actually take a break from an exercise that I've been really trying to find a new connection to. And I look at all the exercises that could be in that exercise. And then I do those, and then I come back to it. So I'm proud to say that this week at the time of recording, I'm slaying my headstands and my handstands because I took the summer off from them and I did exercises that would build that strength and stamina up. Brad Crowell 14:17 This is my philosophy too, y'all, take some time off. Lesley Logan 14:20 Brad's been taking his so much time off to ready his entire Pilates practice. Brad Crowell 14:25 I usually take off nine months at a time. I'm gonna come back, I'm gonna baby come back for one week. I'm like, amazing. Lesley Logan 14:33 Have this Pilates baby over here. So anyways, too, so that was what I was working on. At this moment. Now that we are on tour, I only have access to my mat and my reformer and my winter chair, which is still a lot compared to most, but it's inconsistent. And so what I'm actually focusing on is I have a tendency for my pelvis to be a little bit unstable because I have a hypermobile back especially my lower back, and something that's been pissing me off my yoga practice is I still can't do a handstand 15 fucking years later. So, but also one of the headstands in Pilates is I'm not doing well because my pelvis is unstable. So I am working on I hate saying stabilizing my pelvis because that's a terrible cue, so don't use it. What I am working on is strengthening my center so that it stabilizes my pelvis because your pelvis should move people. It's just that it should move because you moved it and not on its own. So anyways, to answer your question, every day is a different day. And it really depends on what I'm doing. But I tend to avoid the exercise I'm working on and instead, work around it and then check back in.Brad Crowell 15:49 Yeah.Lesley Logan 15:49 You should do that too.Brad Crowell 15:50 That's a great way to do it. I dig it.Lesley Logan 15:53 If you have questions you want a weird answer to I'm really good at it. You should write them into the Be It Pod. We like to be honest and direct at the same time.Brad Crowell 16:02 We're really good at that. Okay, now let's talk about Rachel White. From hosting the Skeptical Shaman podcast to creating the Totem Tarot Deck, Rachel offers a grounded perspective on spiritual exploration and how to use your intuition muscle. Lesley Logan 16:20 Yeah, so guys, I was she had me at Skeptical, skeptical. Can I not say this? Am I saying it wrong? Brad Crowell 16:28 You're saying it correct. But you're second guessing yourself. It's not like skeptacular. It's skeptical. You got this. Lesley Logan 16:34 Skeptical Shaman. You guys I maybe there's like my second grade self, which was like send a speech therapy is like traumatically coming back. The Skeptical Shaman. She had me at that because I was like, okay, hold on a minute. Also, like, I have a hard time when anyone calls himself a shaman. Like, yeah, I'm like, are you like, but anyways, we don't get into it. Um, so I read her stuff. And I was like, oh, fuck, yeah, I'm in. Right. And she's also I love her. She's direct. And she's honest. And she doesn't smoke her own shit. She like is like literally like, Brad Crowell 17:10 She's corporate AF. Like, she sat down. I saw her sitting there. And I was like, I think I'm in a board meeting before the pod started. And then I listened to her talk. And I've I've Lesley Logan 17:22 You were not in a board meeting. Brad Crowell 17:23 No, it wasn't meeting after listening to her. And I but I but what I I was laughing because that's she clearly has both sides of the coin. Right? And so we jokingly refer to it as one woo. You know, we're not woo-woo, we're just one woo. And so I really appreciated her approach because her her skepticismLesley Logan 17:47 That's a great word. I'm gonna use that one.Brad Crowell 17:51 Wow. All right. We're just learning new vocab words over here. Her skepticism. I appreciated it. A lot. You know, listening to her. Talk about control. Listen to her talk about using How do you use? What are tarot cards? How do you use them? How do they impact your life? Like listen to her talk about okay, not knowing the answer. I was like, fuck yeah, this is amazing.Lesley Logan 18:18 I love that you say tarot like we're renting a car from someone. They're tarot cards.Brad Crowell 18:23 Tarot, tarot cards. What did I say? Lesley Logan 18:26 You said tarot, which is like how you rent a car from someone. Yes, you did. Oh, replay this back. Anyways, um, I so okay. One of my favorite things we talked about was like, I think we brought up like, I was like, the cult thing got in there. She's like, if anyone tells you this is the only way it's like, run the fight. I was like, I'm in, already loving you. But I do love that she has had a whole life and career. Yeah, in the non-woo world. Because I think it actually allows her to take her intuition. And then also work with people who live in that world. Like, not everyone gets to, like, you know, do tarot cards all day. Brad Crowell 19:12 Well, she talked about at the beginning, she said, I always consider myself open-minded. So that mean meant I had to be willing to learn about something that I wasn't familiar with. And so I think that was kind of the beginning of what took her down the path that she's in today. Yeah. And I agree. Lesley Logan 19:28 Yeah. So anyways, so many thanks. Brad Crowell 19:31 Great things.Lesley Logan 19:32 There's you guys go just go to the full episode. Especially like if you're like I'm not into tarot, you guys, you don't have to be in a taro. We're not. But I draw card all the time. Brad Crowell 19:41 Yeah, we got our deck, right. Lesley Logan 19:42 Yeah, we totally got our deck. Brad Crowell 19:43 Yeah it's super cool.Lesley Logan 19:44 I actually really love it because it's simple and easy. Yeah, you draw the card. I just draw a card today. Like I'm like, What is the thing like she said in the podcast, like just draw a card and then like, see how the day happens and then you can, it kind of goes into honing that muscle of like you pick up on things because it goes back to The reticulating activating RAS, RAC, our reticular activating system, where your, your brain picks up on evidence for which you wish to be true. And so it's so fun is I have her deck and I have another deck that I love. And I've been alternating between the two. And it's so fun. I don'tBrad Crowell 20:20 or it's cool because it's got the book, a little booklet and the booklet explains what the card means, you know, Lesley Logan 20:25 And she's working on another deck Brad Crowell 20:29 For me, you know, not really understanding tarot cardsLesley Logan 20:34 TarotBrad Crowell 20:37 The, you know, using these cards, it's interesting, because it's kind of like a, it's an inflection reflection on the day. You know, like, because we've done it at the in the evening. It's been cool. It'd be like, hot, you know, how did that play out for me today?Lesley Logan 20:53 I actually pulled them in the morning sometimes, and I put them on the phone charger, that doesn't work. And I just set them there so I can see them. And I love to pull them whenBrad Crowell 21:01 It does work, y'all, she just doesn't know how to use it.Lesley Logan 21:05 I also can't say skeptical, but it's fine. Um, so So anyways, I pulled I look at them because sometimes I don't have all the time in the world to journal in the morning. And have drawing a card allows me to contemplate on things and think about it. So when I see it, it's kind of like I'm in air quotes journaling in my mind all day on like on the thing. So it was her cards are great, you gotta get them. But let's go back to what she said. Yeah. Okay. So she said this is so this like, made my life. She said, what she does now is more a steady career. So she was talking about the myth of the steady, reliable, safe job is not safe anymore. She is correct you all so this is why I really enjoy this podcast. It's for everybody. But what she does now meaning she works for herself, she works for herself. And whether or not you think her reading Tarot cards to people is safe or not. Let me just tell you, we talked about this in the episode. For sure Brad and I on any given day, I can rally and depend on ourselves more than I could depend on the stock market more than I can depend on the people I voted in office. More than I can depend on my loved ones. WeBrad Crowell 22:15 Yeah, we can depend on my job that I used to have. Lesley Logan 22:18 They you used to have, yeah, I was in retail, I was making the store in 2008. When I became a plies instructor, you should know that in 2007, when I took over a store tour of our counter, I should just say was a counter. I transferred from the store that I was doing 1.3 million in sales to a countertop, which was had never broken a million ever. And in the start of the recession, it broke a million dollars. And even then my job wasn't safe. And guess what had I stuck around through 2010 By the end of 2010, I would have been fired. So because it doesn't act didn't matter that was a fucking badass salesperson, boss, manager, retail person that I had a Rolodex of clients who would just spend money when I asked like, Hey, here's these new things. I didn't work for me and I didn't make the business's decisions. And I did not make the decision on where the store is going to be or what sales we're going to do like none of that. And today, I feel like we are more safe than we've we've ever been. Yeah, so. So I really love that she brought that up because whether or not you want to learn about Tarot or shamanism, that is a great takeaway. So I really love that. She also said, listening to your intuition is a really smart move, but you have to develop the muscle first.Brad Crowell 23:35 Yeah, this is interesting to me, because I feel like just using the word intuition has, like, it's a double Whoo. But if you just tear That's fucking terrible. Wait for it. If you just switch to the word gut, it's a one. Well, it's the same fucking thing. But it's just the it's like the way that we perceive it. You know what I mean? We're honestly, you know, to understand Lesley Logan 23:58 Who I want to know, who made us think that intuition is bad and gut is okay. Just feels like I know, you know? Well, your your intuition is fucking badass. But you do have to develop listening to it. Yeah. And you also have to, it's a it's a muscle. And she actually gave a great example, because her husband is a chef. Yeah. And she said, if her husband doesn't work on his knife skills regularly, he loses his knife skills, right. So the same goes with your intuition and your gut. And I totally agree with this. Because I'll think back sometimes, like, in April of 2020, our intuition, my gut was like, Buck. Yeah, this is what we're doing. Yeah, to the point where like, even you never doubted me. But you're like, we can't do this. I'm like, we're doing it. Like it was like, this is the line. And we're doing it because my intuition is so on point. And, thankfully, you humor me, but it was true, but like sometimes, like what happened to that gut instinct. It's like, oh, I stopped listening to it. I stopped doing my gut. checks throughout the day. And so she gave us some really good tips on honing that skill and developing that muscle because it's possible that you just got too busy and you stop checking in with it. Brad Crowell 25:12 Yeah. And, you know, I think that it's interesting to know when to be tuned in, you know, honestly, it's something if you practice on a consistent basis, then you are way more aware of it. Right. But if you're under stress, you're feeling a lot going on in your body. Like all that, like, like, in a in a certain moment, right? It actually might just cause fear instead of like, like, awareness.Lesley Logan 25:43 Competence, or like direction. Brad Crowell 25:45 Yeah, yeah. I mean, I just remember, I remember the day being at my job, my corporate job, where I realized, like, something is wrong here, you know, and, and, and that didn't, you know, that didn't sit well with me. But it was like, I didn't pay attention to it. And it wasn't until like, the fucking place was basically burning down, metaphorically, that it was like, I gotta get out. Lesley Logan 26:09 You know, what's interesting, we did that one thing on mindset a couple weeks ago, we're gonna have the person on the show. Might have to ask him, I'm sure he'll say yes. But he was talking with the feather, and the brick, and the truck. And like, when you had that, oh, something's wrong here. And that was a feather. It was like a little feather touch. Yeah. So is your intuition going? High. But sometimes we don't listen. And then you have to get hit by a brick. Yep. And then some people don't like to listen to bricks, and they wait for the truck to hit them. But anyways, you waited, you listened. So you know it, but it's a muscle and it's can be scary to listen to it. Because it can be unknown. Typically, it is like, yeah, so Anyways, you guys have to listen. It was so good.Brad Crowell 26:55 Yeah. So I really loved when she talks about, you know, like this, like, how do you listen to your intuition, and then allowing that to be like, in both your personal and professional aspects of your life? Like I've mentioned this before, but my ex was very empathetic. Right? And it was a she had empathy was her strength, oh, empathetic, empathetic, right. So she had this intuition that she was connected to other people, in a weird way, when they would come into the room, she could pick up on things that they were emoting, even if they weren't saying it, right. And we would leave a meeting or whatever, and she says, something is wrong here, or I really trust this person or stuff like that. And, and I, you know, throughout the time that we were together, I began to realize this is powerful, like she actually is tuned in to this really, really well. Right. And so it was something that I began to, to pay attention to. And I think that we can also do that, you know, to ourselves with our ourselves. I mean, one thing that Rachel said that like shifting away from following your gut, she talked about her corporate job, she was the head of innovation at a company. And she said, one thing that she found really fascinating is that you can't, it's not always if something happens in a way that is successful, it's not guaranteed that you're going to be able to reproduce that success. Right? Brad Crowell 28:38 She said, a lot of success can just never be recreated. And, and what I what I thought was interesting about that is, I don't know, I feel like, the idea is you have to be constantly learning. And in the same way, when you're checking your gut, you need to be constantly learning and staying tuned in, right? Because from from a company perspective, to me, this is like, obvious, because we have tried, we've had major success with some things, and then we try to go do it again. And then bam, it doesn't work. And you're like, what the hell it worked last time. Why didn't it work this time? Right. And so we have to constantly be changing, shifting and growing learning from it. And I think that's, if you can apply that same concept to, you know, your friend group, the people that you hang out with all the time, you know, you know, like taking a step back and looking at it objectively, your family members, even the relationships, like your relationship, you know, is it still healthy, all this kind of stuff? It's, you know, we need to keep learning. We need to keep assessing and learning just to move things on. But one thing I really loved was she she talked about, Rachel talks about trusting her gut with this flower business that this flower essence business.Lesley Logan 29:55 I love it. Also that word essence can get to wounds but you know what? Brad Crowell 29:58 Yeah, no, it's like an oil, essence. Like it's a Lesley Logan 30:02 And there's science around it. Brad Crowell 30:03 Yeah, yes. 100% I don't think there's anything about like essence, right. But the, you know, she began to grow flowers because she needed to get outside during COVID. And then she had this moment of like, oh, that, you know, I'm getting great feedback from what I just did as a hobby. And I should move forward with this, I should go with this, even though she had pushback from people in her life, who were like, What are you doing? Why are you doing this? You have this amazing job over here, you know, and she decided to keep going with it anyway. And, you know, it was a good thing that she did, you know, as it turned into a full blown business.Lesley Logan 30:41 I love that. And there's some things that like, I like, I look back at my life, and like the decisions I've made that I'm like, wow, that was hugely impactful. Like, that was one of the that like, change the trajectory of like, my life when I made that decision. And every single time there was people give me pushback, and doubting. When I was moving to LA, I had a ton of people, I think do when I was going to teach Pilates. Like it's a recession. And I'm like, I'm busy. On to say, like, right, I have to quit my job because I can't do both. When I left my ex people like, Are you short, like, sure house all these things? And what I've decided is that anytime that the like, it's not my when my there's a few people whose opinions that matter that I like when they give me pushback, I'm like, I pause before I hit go. But if it's not those people that hear me push back, I'm like, It's a fucking green light. Thank you so much for helping me get my thank you for letting me know this idea of ever done. Because people are just making decisions or making comments based on their fears and their own their own filtration system. It's not with you in mind, and it's not personal. It's not harsh. So I love that she got pushed back, but also went through it anyways, because it is a sign that she like, was like there's something here here like she like it's hitting her gut, but it's also hitting her mind. And like it's talking to her. And it turned out to be a really great decision for her.Brad Crowell 32:05 Yeah. And also, I don't think it was like a huge buy in, you know, when she first was getting started. And because she talked about, you know, being the head of innovation, the one of the main things that everyone talks about in that is fail, fail small and fail often. So that means you're trying a new thing, and then you're testing your new thing. And you're seeing is it being received well, and if it isn't, then you change, and you try and different new thing and then if it is received well, okay, how can we make it better?Lesley Logan 32:30 You know, hold on, just repeat thatBrad Crowell 32:33 Fail small and fail often? Yep.Lesley Logan 32:38 Rachel, if you're listening, you need a shirt. That's great. That should be a tarot card. Brad Crowell 32:43 Yeah. She actually said fail small, fail early and fail often. Yeah, that's what she said. Lesley Logan 32:51 That's three fails. That's great. I love a threesome.Brad Crowell 33:01 We're just gonna leave it at that. All right, so finally, let's talk about those be it action items what bold, executable intrinsic or targeted action items. Can we take away from your convo with Rachel White?Lesley Logan 33:11 I'm jumping in first. Yes, you are strict, full digital. Digital. Wow, I need to go back to speech therapy. Strict fold digital detox. She is taking a very strict digital detox one day a week from everything that I gotta be honest. I do hours on an every day. Also Brad knows because he'll call and like, just doesn't come through. So I hours every day but I don't have never done I've never had a full day when we're not on a plane and then I'm still watching the TV so like this is a challenge for me. I am taking on and 2024 I'm not gonna say it's one day a week but I'm going to try first because you guys to habits you start small. So I'm going to start with small fail early fail often. So I'm going to start with a small I've already done full a few hours nail that. I'm going to go for half a day and I'm not going toBrad Crowell 34:08 you also have at one point had an A night routine where the phone was in the other room. Lesley Logan 34:12 Yeah, well you know you want I'm just gonna blame it on fucking Gaia. Love her. Love you. I can't help you. You don't wake up when she barks. So I have the phone back in the room. But I want to I want to get back to all mornings all night. That is a goal. But in the meantime since like I I love her and I'm not wishing her death come early. I am going to try to get you a half a day like why can't Saturday be a good portion of the day without the phone like after I come back from the gym. I'm at home so anyways, I'm gonna try. That's a that's a dedication. So about a few hours to get to celebrate that then I'll add on because that's a habit to me. I think it's genius. Brad Crowell 34:54 Well, here's one thing I appreciate about digital detox is that you're actually giving your brain time to think, you know, and I started to notice this about two or three years ago, when I got really involved in podcasts and news and you know, all things, I was never really a huge TV junkie, I enjoy a good movie, I enjoy TV show, but I'm not sitting there just watching TV all day. But I listen to podcasts like it's my job. Right and, or books even. And so, at any given moment, I've got my headphones in, and I'm listening to something like if I, if I have to get up and go let the dog in, I'm listening to something, I'll turn it on. If I have to go, I'm gonna go make lunch, I'm going to turn it on. If I'm like, There's no moment where I've given myself that reprieve. And what I realized is, after the after years of doing this, is that I never have creative time anymore, because I don't give my brain anytime for like mulling things over. It's always input input input. Lesley Logan 36:00 Yeah, which by the way, integration? No, sorry. information without integration is constipation.Brad Crowell 36:06 Yes. Yes. It is. Well, yeah, so I think that's a that's probably a good habit to, to, you know, begin to explore. My biggest takeaway was really interesting. She said, listen, when you saying yes to everything all the time, you're inadvertently also saying no, to things that you're not even thinking about? Again, it goes back to not giving your time, your brain space to innovate, to be that creative person, but you know, you are, you're always actually saying no to things when you're tight when you're saying yes to something else. You know, and you don't even know what you're saying no to. And so because we all have, you know, we don't have infinite time. You have to prioritize, right? Yeah, one thing that always intrigued me about Google was the 8020 approach, where four days of the week, they are like, here's the here's your job that we hired you to do, and you need to do that job. But that fifth day of the week, is your time to explore and play and be creative. And out of that fifth day of the week came amazing tools like Gmail, Google Calendar, Google Maps, like all these massive tools that are now like the staple of how we think about Google came from the free time. So but you know, what comes you know, what can come from allowing yourself that space? And, you know, same thing like over committing yourself, you're saying no to everything else. So yeah, just thought it was great. I think it's a great reminder and sit down and just talk talk talk with Rachel forever.Lesley Logan 37:51 I know, Rachel, hi. We hope to see you in a couple weeks. But also, I just, I think that a lot of times you hear like a shaman or a tarot reader or something like that. And you just like, immediately think, oh, my gosh, they live on a white cloud in a white room. And they just, you know, speak some things. She has lived a regular full life, and she is translating things that you actually have access to that cost no money costs $0 to gut check yourself. So you don't even have to get a tarot card to do that. Like you can just, you can practice with that. And I thought it was really cool. So listen to her episode, because she does explain how that goes. And I'm so grateful for you. Yeah. Thank you so much for being here. 302 Wow. Oh, my gosh, how did that happen? Anyways, you are amazing. Thank you. Thank you. Thank you for listening and how are you going to use these tips in your life where you want to know tag Rachel, tag the Be It Pod. And until next time, Be It Till You See It. Brad Crowell 38:50 Bye for now. Lesley Logan 38:52 That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. Brad Crowell 39:23 It's written, filmed, and recorded by your host, Lesley Logan and me, Brad Crowell. Lesley Logan 39:28 It is produced and edited by the epic team at Disenyo. Brad Crowell 39:31 Our theme music is by Ali at Apex Production Music, and our branding by designer and artist Gianfranco Cioffi. Lesley Logan 39:38 Special thanks to Melissa Solomon for creating our visuals and Ximena Velazquez for our transcriptions. Brad Crowell 39:44 Also to Angelina Herico for adding all the content to our website. And finally to Meridith Crowell for keeping us all on point and on time. Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On today's episode, Scott interviews Ron Wilson, the drummer and musical director for the American pop singer/songwriter, Lou Christie. He has graced the stage with iconic artists such as Darlene Love, Gary U.S. Bonds, Gloria Gaynor, Leslie Gore, Dave Valentin, and Bill Charlap, just to name a few. Ron holds a Master of Music degree from William Paterson University in New Jersey, and a Bachelors degree in Percussion Performance from the State University of New York at Purchase. When not performing live, he keeps busy with recording sessions, teaching and composing. Ron is a published composer who has scored movie soundtracks, composed works for chamber ensemble, concert band, jazz ensembles as well as commercial music. His popular method book, “Groovin' Rudiments: For Drum Set”, is published through melbay.com, and available on Amazon and at local music stores. This multi-talented artist and musical director certainly GOT CHOPS!  Follow Ron on  Website: https://www.ronwilson.net/ Instagram: https://www.instagram.com/ronwilsonmusic Facebook: https://www.facebook.com/ron.wilson Twitter: https://twitter.com/ronwilsonmusic  YouTube: https://www.youtube.com/@ronwilson5265 Mel Bay: https://www.melbay.com/Author/Default.aspx?AuthorId=164897 Follow Got Chops on Instagram: https://www.instagram.com/gotchopspodcast/ Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://podcasters.spotify.com/pod/show/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: https://www.instagram.com/scottgrimaldimusic/ Website: www.grimaldimusic.com Spotify: https://open.spotify.com/album/6DKn05Vy0ABShIU37u58vR --- Send in a voice message: https://podcasters.spotify.com/pod/show/gotchops/message

Seth and Marc go through the high school drama of Judy's Turn To Cry, the sequel to It's My Party. The biggest question going through these lyrics leaves us with is: Who would want to date any of these pieces of shit?

National teacher appreciation day. Pop culture from 1982. Minneapolis flower mill explosion, Stonewall Jackson shot by friendly fire, Osama Bin Laden killed.Todays birthdays - Manfred Von Richthofin, Engelbert Humperdinck, Leslie Gore, Larry Gatlin, Lou Graham, Christine Baranski, Ty Herndon, Dwayne Johnson, Ellie Kemper. Da Vinci died.

A brilliant classic of rock and R&B, which flirted with bubblegum, and a cover that goes full-Wonka. I Think We're Alone Now, originally by Tommy James and the Shondells, covered by Tiffany.  Outro music is Sunshine, Lollipops and Rainbows, by Leslie Gore.

DESEABLES volvemos a las ondas y a las redes, con más fuerza y ganas de fiesta que nunca. Pizpiretas y vivarachos, The Boys (and Girl) are Back in Town. Poneros cómodos, desplegad las orejas y a disfrutar!!!!!

You would infect too if it happened to you. --- Send in a voice message: https://podcasters.spotify.com/pod/show/bling-vera/message

National almonds day. Pop Culture 2001. Nylon invented, 1st check written, Lincoln told to grow a beard by 11 y/o girl. Todays birthdays - Hugh Beaumont, sonny Bono, Levar Burton, Margaux Hemingway, Ice-T, The Weeknd. Leslie Gore died.

R.E.M. "I'm Gonna DJ"The Hold Steady "Most People Are Djs"The Low Anthem "Yellowed By the Sun"Jason Isbell and the 400 Unit "Kid Fears (feat. Brandi Carlile & Julien Baker)"The Crystals "And Then He Kissed Me"Louis Armstrong "I Ain't Gonna Give Nobody None of This Jelly Roll"Kitty Wells "Do Right Woman, Do Right Man"13th Floor Elevators "You're Gonna Miss Me"Kris Kristofferson "Maybe You Heard"The Undertones "Teenage Kicks"The Tammys "Egyptian Shumba"The White Stripes "Hello Operator"Muddy Waters "Baby I Done Got Wise"D'Angelo "Feel Like Makin' Love"Dolly Parton "Don't Drop Out"John R. Miller "Motor's Fried"Aimee Mann "In Mexico"Bob Dylan & The Band "Goin' to Acapulco"The Flies "I'm Not Your Stepping Stone"Clem Snide "Moment in the Sun"Neko Case "John Saw That Number"My Morning Jacket "The Way That He Sings"The Supremes "You Can't Hurry Love"Willie Nelson & Wynton Marsalis "Rainy Day Blues"Oscar Peterson Trio "The Girl From Ipanema"Leslie Gore "Maybe I Know"The Velvet Underground "Oh! Sweet Nuthin'"Cat Clyde "Sheets of Green"Lightnin' Hopkins "Ride in Your New Automobile"Matt Sweeney "I Am a Youth Inclined to Ramble"Townes Van Zandt "Still Looking For You"The Shirelles "Will You Love Me Tomorrow"Gram Parsons "The Angels Rejoiced Last Night"Doc Watson "Little Darling Pal of Mine"Tom Verlaine "There's a Reason"Television "See No Evil"Neutral Milk Hotel "In the Aeroplane Over the Sea"Phoebe Bridgers "I Know The End"Shaver "The Earth Rolls On"Solomon Burke "Diamond in Your Mind"Dave Rawlings Machine "Pilgrim (You Can't Go Home)"

[Transcript included at the end of these show notes] Fleetwood Mac's "Everywhere" is one of the greatest pop songs ever. Although forged in tumultuous times, "Everywhere" sounds like it comes straight from heaven.  Thanks for spending your time with us! Follows, ratings, and recommendations are always appreciated! Helpful links mentioned in the episode: Our mixtape The demo That awful video You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn. Transcript (easier to read on our website) Bill: [0:07] Let me set the stage for you, Frank. It's 2011. Frank: [0:11] Okay, like now or then? Gotcha. Bill: [0:13] Then, so bring yourself back to 2011. Frank: [0:19] 34 years old? Oh, what was I doing? Bill: [0:23] I know what I was doing. Frank: [0:25] Oh, yeah, that's right. Bill: [0:26] I was pining. So it's somewhere in March and I'm wondering if things are going to work out with me and, Ashley because we're not back together yet. It's been this seven year stretch and things look like they're promising but there are no kind of guarantees. Frank: [0:44] Yeah. Bill: [0:52] She's actually living in France. dating somebody else. Frank: [0:58] So there's a lot of obstacles stacked up against you. Bill: [1:03] Yeah, I got some, I got a bit of faith. [1:09] And that's, that's what I had going for me. Gumption. Frank: [1:12] Yeah engumption yes. Bill: [1:16] Yeah, that's right. I had gumption. So it's my like week off from school and our great friend of the podcast, our mentor, Chris Newkirk, says to me, hey, I got to go back to the States. Do you want to drive with me? I got to go for the week. It's your holiday. Why don't we drive down and you can do we road trip it? Frank: [1:38] And just road trip it. Yeah, nice. Bill: [1:40] So I went with on this road trip with Chris Newkirk. And at one point we're doing a drive from New Jersey to Pennsylvania. And he said, you know what? I have an iPod. He had an actual one of those old iPods, not even a phone, just iPod full of music. Frank: [1:58] Yeah, yeah, yeah. I had one of those up until about two years ago when it was stolen out of my car. Bill: [1:59] Because when we play a game. [2:03] That's right. Frank: [2:04] Just so you know. Bill: [2:05] Yeah, that's right. No, of course not. So he said, why don't we play three songs each? Frank: [2:06] It's not that old. It's not that uncommon, Bill. Bill: [2:11] You pick three songs and you could set it up in queue and then he'd pick three songs in queue and so that would be our way to kind of get things moving on our journey. And so I'm looking through his music which of course is way cooler than mine so I'm like I don't know this Smith song, I don't know this Pure song. So I'm desperately trying to find a song that I could put on also to impress him because we're always kind of trying to impress him. And then I see this song, Fleetwood Max everywhere. And I think to myself, oh, I remember this song. I was a kid, I loved this song. So I put it on the queue and then those opening notes come out or what would we call it? Opening beats. Frank: [2:55] Notes. I think you were right the first time. Bill: [2:56] Notes. Notes. I think you were right the first time. Okay. And suddenly everything is right in the world. And I say to him, everything about this song, is what makes life beautiful, something like that. I had this like profound moment that everything is gonna be okay. This is the most joy I have felt. And suddenly when I heard this song, it brought back feelings of being a kid and full of wonder. And it brought back sort of memories of just straight up hopefulness. And then I knew things would be okay. And so within the week, things are looking good. I'm engaged to Ashley by June, we're married. And then flash forward 11 years later, you're sitting amongst a ton of toys and blocks. And I apologize, there was a diaper right at your feet. We couldn't figure out why this place smelled like sewage. My apologies, but this is the life. This is everywhere to me. Frank: [3:57] In your defense, you didn't smell it because you're nose-blind. But no, this is a good place to be, and I'm glad that we can do this podcast everywhere. Bill: [4:12] Christine McVie just passed away recently. So people have been commenting on social media and in the news about how she really was. Frank: [4:14] Yeah, yeah. Bill: [4:24] One of the great songwriters of the past 40 years in a sense. And with Fleetwood Mac, we love to talk about, the Buckingham Knicks thing, the kind of craziness surrounding their albums, but she was the sort of steady hand in terms of making consistently great songs. Frank: [4:44] Yeah, so after her passing, I found I was listening to the radio and they did this little thing talking about Christine McVie and how she joined the band. So I don't know if you if you heard this necessarily. So she she's married to the bass player John McVie, but she has her own solo thing going on. But the tensions of like, two artists, you know, separately on the road doing different things. She kind of took a backseat and decided like, you know, I'm gonna give up my solo career and, I'm gonna be a wife. I'm gonna try and like that this marriage is too important like I'm gonna make the sacrifice and and just like I'll give up music as my career and, Then I can't remember which album it was but they're in this cabin and they're, No, no, sorry. It was it was for a tour, tour. They're in this cabin and they're just kind of rehearsing and performing and all this. And she's sitting there just on the sidelines. She knows all the songs because she's been with the band for as long as they've been together at this cabin rehearsing, getting ready for this tour. And then at the last minute, it was just like, hey, do you want, Wanna just join the band? Bill: [5:58] And so that's 1970. She joins Fleetwood back in 1970. By 1971, she's writing and singing in Fleetwood Mac. And she stays right through, you know, you have Buckingham Nicks joining, right through this album, Tango in the Night. And then there was still behind the mask and time, albums in the 90s, she was still there. And still writing actually pretty good music for albums that were not strong. She still was the sort of steady hand. And then she was there for the reunion, retired, but then came back around, I think it was around 2014 or something like that. So she's back in the band and still playing up until recently. And so she's had an incredible career, and still released a pretty good album with Lindsay Buckingham a few years ago called Christine McVee, Lindsay Buckingham, although Buckingham McVee would have sounded way cooler. Frank: [6:52] Yeah, a little bit on the nose with the title of the album, right? Yeah. But yeah, to say that Fleetwood Mac's history of personality is tumultuous, I think is a slight understatement. Bill: [7:05] Oh my goodness. So, I mean, I dove deep for the last few days into the history of Fleetwood Mac and you can find it. You can find all these stories and it is a tale of massive excess. It's just insane. All the things I was warned about with heavy metal groups, I didn't realize Fleetwood Mac was way, oh man, it is insane. It's just insane. Just reading about the amount of drugs consumed and the amount of money spent and wasted is crazy. So we all know that, or if you don't know that, you can just look into it. so we won't dive into it. Frank: [7:44] Yeah, just just Google Fleetwood Mac Gong show and then it's something you'll get the whole history. Bill: [7:51] So Tango in the Night, which is this album, this was originally supposed to be Lindsey Buckingham's third solo album. He's working on it. He has three songs that are decent songs, Big Love, Caroline, and I think maybe Tango in the Night. I think that those are three songs he's already working on. And they ask him to come back and do a Fleetwood Mac album. So this is, I think, the record company. So his solo career is not taking off like Stevie Nicks and Christine McVie had a great album in the eighties. You really got a hold on me. Do you remember that song? Frank: [8:29] Oh, yeah, yeah, yeah, big. Bill: [8:30] So good. So good. She's just so steady. And Lindsay Buckingham, I think might have produced it. Either way, Buckingham's just like, okay, I'll put my solo aspirations on hold for the sake of the band. And because he's Lindsay Buckingham, He just can't go in there and play his music. He needs to kind of take over. So whoever was producing, they just ended up saying, okay, why don't you leave? Lindsay Buckingham, Richard Dashett will come in. They're gonna produce. And so there's these stories about it. And basically it's just super depressing, how much work they put in. They put in 18 months of nonstop work. It's insane. And Lindsay Buckingham is a perfectionist, but he's also experimenting with some synthesizers. the Fairlight program we've talked about, he's experimenting with that. He's doing so much. And so every song he'd spend weeks and weeks and weeks on. [9:27] So let's head into the backstory. They ended up recording at his house a lot of the time. And that wasn't good for Stevie Nicks, who was coming out of, who just came out of rehab, she wouldn't have gone in during it. And going to her ex-boyfriend's house to record didn't make her feel well. And he's, I don't think he has like a great bedside manner anyways, Mick Fleetwood and the others ended up renting an RV and stationing it in the driveway so they could go out of his house and do whatever it is they're doing. Like it sounded just like a mess. Often they would talk about how you have the sixties and they're doing all the experimenting. And then the seventies is a lot of cocaine. And the eighties, the drugs aren't working and that cocaine's now controlling the people more than they're using it to make their music. And this is what's going on. Like it's just a mess. And Buckingham talks about how they're all at their worst point when they're recording this album. I don't know much about Christine McVie in terms of this, but she brought these songs that are wonderful to this album. Frank: [10:33] She wrote some great songs for the album. Like there's this song in Little Lies, which is... Bill: [10:38] Which are the two greatest songs on the album to me. Frank: [10:40] Yeah, yeah, yeah. Absolutely there. Bill: [10:43] The amazing thing is her two songs that she brought, Little Lies and Everywhere are the third and fourth singles. You'd think they would be the lead singles. So, yeah. So the first two singles are Big Love and Seven Wonders, which are good. Frank: [10:49] They're so good. [10:51] Yeah. Well, I know, right? They're so good. Bill: [10:59] It's just so weird. whole time is weird because they those songs didn't stand the test of time in In terms of us, I like them. I like them all. I really like this album. Frank: [11:07] Well, in the context of those songs, like I don't or barely remember them. But Little Eyes and Everywhere, yeah, in a heartbeat. say Everywhere Fleetwood Mac? Yeah, I know exactly the song you're talking about and I know that it's awesome. Same with Little Lies. Bill: [11:24] Yeah. So whatever went on in production, they don't have like an interview where they talk about this. But there's a demo, which wasn't released on the deluxe edition, but I found it on YouTube. Frank: [11:30] Yeah. Bill: [11:37] So I'm assuming the demo was done by Buckingham and McVie. She brings it. He does some things to, it, but he hasn't done the full Buckingham to it. So I'm gonna play this for you. He hasn't bucking. Frank: [11:49] Yeah. He hasn't Buckinghammed it. Bill: [11:51] Their new verb. Okay. I'm going to play a little bit of it for you. So you can hear the beginnings of it, but it doesn't have that special quality. Frank: [12:02] It's really quite raw. It's missing a lot of the final touches, but you can feel hints of them. So when we played this song, it sounds magical. It sounds like a fantasy. Bill: [12:15] Yeah. Well, this is it. This is why the song is so perfect. is it creates this sort of fairy-like world where people, you can almost just see fireflies around you while the song is going on. So Richard Dashett, who is the co-producer, by co-producer, he was the encourager of Buckingham. Like he's really good about this when he talks about it. He said, I know my role. There's gonna be, Buckingham is the guy. So I'm there to support him and to kind of listen and do it. He said that the beginning that we always talk about is a half speed acoustic guitar and an electric guitar combined. And then, yeah, McV said, Buckingham slowed the tape down really slowly. So they did this all over the album, slows it down and played the part slowly. Then when it came to the right speed, it sounded bloody amazing. So whatever he was doing, he was playing with both acoustic and electric over top of each other and altering the speeds. Frank: [13:10] Mm-hmm. Yeah, okay. Yeah. Bill: [13:12] And so he does this actually with like voices too. Sometimes he uses his voice to become a female voice. Yeah, there's all these things going on. So even the voices in this song, I'm not sure who they are. And so, but apparently it is Stevie Nicks because she got into a big fight with him because she thought that he took her vocals off of this song. Stevie Nicks only showed up for two weeks to do any recording of this 18 month process. So just to put that out there, so Stevie Nicks is kind of to say the least. Frank: [13:36] Oh, tumultuous. Bill: [13:42] But anyways, we got everywhere out of this time and everywhere is perfect. Frank: [13:47] Yeah, yeah if it took 18 months to get everywhere I'm okay with that. Bill: [13:52] All right, so the opener, we got that already down. This is magical, this is perfect. Frank: [13:57] Yeah, because it's a song about those first sort of throws of being in love. Bill: [13:58] And so this is one of those things where the lyrics, they're just pretty straightforward, which she does well, but she also is able to kind of take in these sort of, the emotions of love. And she's really good at singing about this feeling in love. Frank: [14:20] And that really giddy sort of euphoric feeling you feel. And it's childlike and fun and everything's great and fantastic and the world could be crumbling around you but you're in love. So you're smiling and you're happy. Bill: [14:35] And what she say here, she says, Can you hear me calling out your name? You know that I'm falling and I don't know what to say. I'll speak a little louder. I'll even shout. You know that I'm proud and I can't get the words out. So, okay. Basically, when you're feeling this, everything seems right to say, or you have nothing to say. That sound makes sense? I'm trying to find the words myself and I can't find them. Frank: [14:59] Yeah. I can't mark. Just going through those lyrics. But like I immediately went back. There's that scene in Anchorman when Ron Burgundy is falling in love. It's like, I'm in love with Veronica Corningstone and I don't care who knows it. It's just like, did I say that loudly? It's like, yeah, Ron, you pretty much shouted it. That's that feeling, right? Like you don't care who knows. Yeah. Bill: [15:20] I think that does speak of my 2011. Like I was just so, it just set everything in motion. And then it leads to that chorus with all those voices. Frank: [15:30] Yeah. [15:31] And it's layered, right? Bill: [15:32] Yeah. Frank: [15:34] And it's soft and it's not saying a whole lot. It's just repeating the same line twice, but it's so effective and you can feel it. Bill: [15:47] I can't say this enough about how his instincts as a producer are right on the money. So he'll make his songs kind of complicated or difficult at times to listen to. They're not that difficult, but he knows that there is this sort of pure beauty to what she's doing. And he just highlights it and adds to it and does creative things, but they're all about this dreamlike feel, which he does in Little Eyes as well. It's just so incredible. And I don't know how many times he's layering voices what he's doing but I can guess just from the sounds of it. It's so pleasing to our ears but, it might have been a month of a nightmare for these other co-producers and engineers who are, just watching him. That's right the one producer used the following two words to describe the. Frank: [16:34] If they have to suffer for my pleasure, I'm okay with that. Bill: [16:41] Experience trauma. Still thank you it was worth it. The only other verse really because then they. Frank: [16:44] Yeah, exactly. Yeah. Bill: [16:52] Start repeating things but something's happening, happening to me, my friend's saying I'm acting peculiarly. Come on baby. Did I say peculiarly right? Sure. Okay. I'm gonna say yes. Come on baby. Frank: [17:02] Line, the Pekirulu. Bill: [17:06] We better make a start. You better make it soon before you break my heart. Frank: [17:10] That you said, Pekirulu, that's a good one. Bill: [17:16] Yeah. Frank: [17:17] That P word that you said, peculiar. Oh my goodness. Bill: [17:22] Peq- Oh, how did she say it? Peq-ular-ly. Yeah. Frank: [17:25] Yeah, yeah. But it's, my friends have me saying, I'm acting this way. And that's like, when you're kind of, again, giddy in love. I feel like I should write a song called Giddy in Love. It'll be like the spiritual sister to Crazy in Love by Beyonce. Anyways, when you're giddy in love, yeah, you're acting a little bit different. Like, you know, you're happy, you're bouncy, you're kind of doing goofy things, I find. Like, I know that's the way I've been, like when I'm kind of really into someone and they're into me and things are going good, before everything just falls apart. Bill: [18:07] Yeah, then it's a different song. I think that song you're looking for is Nowhere. Frank: [18:11] Yeah. That song's like every other song we've done on the podcast. Bill: [18:18] That's right. [18:19] This is a brief moment of levity. Frank: [18:20] I know, right? Yeah, so, you know, we'll do a breakup song again pretty quick, I'm sure. Bill: [18:21] I know. Thank you for bringing it back down. [18:26] Oh yeah, no question. She did co-write this with Jonas David Kroeper. I'm giving his full name just because it's on my songwriting sheet here. but that was her husband at the time. So this is about their love and their early love, so much joy and... Frank: [18:41] Yeah, yeah, he was he was also a keyboard player, right? Bill: [18:44] Okay, well then that, maybe that explains... Frank: [18:46] Because I think they married shortly after the recording of this album. Bill: [18:50] Okay, right, so they're already in this sort of love. Frank: [18:52] Yeah, this this giddy stage. Bill: [18:54] She has a tendency to do that with certain songs. By tendency, I mean she wrote one other song like that. So rumors she wrote, you make love and fun, which was about her affair or relationship, with the lighting guy in Fleetwood Mac. But she told John McVie it was about her dog so that he wouldn't get suspicious or angry. Oh man, so everywhere it was not about her dog. This is about this happy new relationship, and this marriage that was coming. The power beyond those lyrics, of course, is just the sounds. It's what Buckingham is doing with those sounds. Frank: [19:31] I read a quote saying that it's a bulletproof pop song, which I will not disagree with. The song's, what, 87 it came out, so we're 36 years after this song comes out, and it still plays, and it's still bouncy and fun and poppy and great. It's not contemporary to in 2022, but it still plays. Bill: [19:55] It not only still plays, Like it shows up in commercials in the UK and then re charts at like got to number 15 recently. Frank: [20:02] Yeah, it was used for a Chevrolet electric vehicle commercial recently. Bill: [20:09] And there are a lot of bands that have kind of, arisen in the last decade, like Vampire Weekend, there's been more than a decade I know. Paramore, there's a bunch of other bands too, who've looked towards Tango in the Night as their inspiration. They talk about it and everywhere is covered by Vampire Weekend and Perron More. Frank: [20:27] Yeah, and Paramore, yeah. Bill: [20:29] So I think it is getting its due. And when you see like the top 50 songs, or Rolling Stone did the top 50 songs of Fleetwood Mac, this was number five. So I think it's not an unsung hero. People are realizing how incredible it is. It's still incredible to me that this is the fourth single. So if I had to choose between these two, I would put this ahead of Little Lies. I like Little Lies, but everywhere is the one. I can't believe this wasn't the lead-off single. Frank: [20:56] Yeah, oh I know. And it charted relatively well. It was 14 on the US Billboard Top 100. But I mean, ultimately, the Bill and Frank's guilt-free pleasure, the only chart we really care about is the adult contemporary chart, right? Bill: [21:14] Straight to number one, baby. So, and we brought this up before, even though I charted 14, whatever was number one that week. Frank: [21:16] Straight to number one. [21:24] I don't even know. Bill: [21:24] I know I don't even care because this is the one. Frank: [21:25] I don't care! Bill: [21:28] That endures, because it was played all the time. Frank: [21:30] I don't want to, you know, jump the gun here, but this is a roller rink song. Bill: [21:30] At least when I was a kid, I remember it. And so just hearing the, oh my goodness, there's so many bits and pieces to that song. [21:44] Yeah. Oh yeah. This is perfect. Roller rinks still around late 80s? Okay. Would you put, would you roller skate to this at Prudhommes Landing? Did you ever roller skate at Prudhams? Frank: [21:46] I think so. Yeah, I roller skated in the early 90s even. I mean, I would if I was cool enough to roller skate at Prudhommes Landing. No, no. Bill: [22:05] Oh man, this is a call back to our Prudhommes Landing episode. Just songs that remind you of. Frank: [22:11] If you don't know what you're talking about, just listen to all of our previous. Bill: [22:15] Yeah. Frank: [22:15] Episodes and eventually you'll get get the reference. No, no, no, no, don't tell them I'm trying to get listens here. Bill: [22:18] So in Gloria Stefan's bad boy, it's a, Oh, well we can get them straight to bad boy and we can see the, okay. Frank: [22:25] But I'm trying to get them to listen to everything. Bill: [22:27] Either way, if you don't know Prudhommes Landing, well, you'll know this is the summer song, not to jump into a category. We are there for jumping into these categories. Frank: [22:35] We're jumping into categories. Bill: [22:36] So, all right. I see this as a perfect breezy summer day. Frank: [22:44] Yes, absolutely. Bill: [22:46] Also, I could see this as snow falling close to Christmas. This could be like a Christmas song. Frank: [22:52] It's an all-season song. Bill: [22:53] It is because it just will make whatever situation you're in brighter. Now, I'll tell you what's not bright is the music video. Frank: [23:04] Yeah, it's... not good. Bill: [23:06] Yeah, apparently there was two. I can't find this other version that is with Fleetwood, McV and McV. Because by the time Everywhere comes out, this is depressing, but Buckingham has left the band. So he had done all this work on the album And then it came down to them planning their tour. And he just said, I can't do it. And basically saying, I can't be around you guys. You guys are destructive. You're gonna die. I don't wanna die. And then Stevie Nicks lunged at him while they're in Christine McVie's mansion. And then he got so angry that he chased her. And she talked about, this is Stevie Nicks saying, she was running through the halls of this sort of house that was almost like, it feels like they're in some sort, of maze and he's chasing her and they're end up on the street, he's still chasing her and she's afraid for her life. Frank: [24:05] Oh, jeez! Oh! Bill: [24:06] And he throws her against a car and then she threatens to have him killed by her family. It's just awful. And this of course is bringing over their relationship from a decade earlier and it's awful. I imagine Christine McVie just sitting still there in the house and it's- Frank: [24:17] Yeah. Oh my goodness. [24:22] I just want to sing everywhere on stage. Bill: [24:24] I know, so he's already gone, he's left the band. And so by the time this video comes out, they film it without any members of the band. And they think, oh, everywhere, why don't we do like something that's like a ghost story, and we do the highway man as a music video. Now the highway man is that old poem, and you can watch the music video and it kind of just follows the story of it. But this does not work with the song at all, because there's like... Frank: [24:53] Not at all. It's not, it's a song about falling in love and being in love early on and when everything's good and fantastic and fun. Bill: [25:04] It's not about getting kidnapped, killed and then getting revenge and then being a ghost. Oh, that's insane. The only time I want to hear the Highwayman is from Anne Shirley when she's. Frank: [25:08] Yeah, by redcoats! Bill: [25:15] Doing her speech competition and Anna Green Gables. That's the most powerful version of the Highwayman. Everything else doesn't matter. Oh, I'm sure he is. Megan Follows, best Highwayman. Frank: [25:25] Is Gilbert in the audience watching? Bill: [25:31] And rendition, that might've occurred at the same time. Cause standing green gables I think came around then. Sorry, Fleetwood Mac, bad choice. Frank: [25:35] Yeah, yeah, yeah. Bad choice, yeah. Bill: [25:39] Now, if you look at the cover of the single, this cover of the single has this sort of picture of someone whose arms are kind of open up to the world. Frank: [25:47] Oh, okay. Bill: [25:48] There's a planets star. It looks like the person who did the artwork for the little prince did the artwork for everywhere. It's perfect. It works exactly as it should. And that's what it should have been. Frank: [26:02] Yeah. [26:02] The video doesn't, yeah, it doesn't work. And if we're going to be critical of the video, so I watched it just once. And there's a bunch of scenes where like these British redcoats are running inside this cottage house or whatever it is. They're going up the stairs and it's clearly animated shadows on- so there's all these animated pieces that just like- it's like was your shadow guy on vacation? that's why you couldn't get the lighting right? I don't know. No, no, no, no, no. Bill: [26:31] It's not worthy of the song. The record company spent a boatload of money on producing this album, just like they've spent it on Tusk and other things. When oh, this is awful. This is side note, but when they would go to hotels in like the early 80s, they'd have them like bring in a grand piano. And if they couldn't get it through the doors, I don't know how you get through a hotel door, they have to like break open windows to get it in. They'd force them to repaint the walls white. so that they'd have white rooms like they were just the excess was ridiculous. That's crazy. But they didn't put any of that into this music video. No. No. No. No. How dare they? Okay. Frank: [27:08] No, no, no, no, no. How dare they? I mean, you know me, it's the chorus, right? But it's the opening of the chorus, the oh, like, I love that sustained. I right. I love that. And then I want to be with you everywhere. It's just so fun. I love it. Bill: [27:13] What's your favorite part of the song? [27:34] So that's what you're singing to in the car. Oh yeah. And you know me, I like doing backing vocals to the song so I'm doing whatever's going on in the background and trying to make those vocalizations. Frank: [27:36] Oh yeah, absolutely. [27:46] Well at the end of the chorus where it's like, I want to be with you everywhere. And then there's the sort of follow up, want to be with you everywhere. Bill: [27:53] Want to be with you everywhere. Yeah. Oh my goodness. Even thinking about that. Frank: [27:55] Yeah, yeah, yeah. Bill: [28:00] How could I pick a favorite part? Everything's perfect. Everything's great. Bulletproof. And the ending of the sort of vocals going back and forth. It's bubbly. It literally sounds like they're making bubbles to me. And it's just like, oh my goodness. Yeah. This is where. Frank: [28:02] Oh, I know. Proof Pop song. [28:14] Yeah, magical bubbles. Bill: [28:19] You go to dreamland. There's a picture of some sort of heaven where you have like grass just blowing in the wind, bubbles in the air, fairies dancing. Frank: [28:30] Yeah, people dancing with ribbons. Bill: [28:32] Yeah. [28:33] Yes. This is it. That leads us to a category pretty naturally. So for the talent show, you're going to be doing a floor routine. Frank: [28:41] Yeah. [28:41] Gymnastics floor routine with ribbons. Bill: [28:42] Yeah, gymnastics floor. Yeah, with the ribbons. Yeah. Yeah, that's that. This is easy. Frank: [28:44] Yeah. Yeah. Bill: [28:46] So there you go. Category check. Frank: [28:48] Check. Would you sing this at karaoke? Bill: [28:52] No, I don't think I could do it. It's so good that it demands this sort of perfection that I don't think I could even come near it. Frank: [28:57] I think the only way it could be done is if there's got to be someone taking the lead, but you need someone to harmonize on those choruses. Bill: [29:08] You better have someone incredible. Frank: [29:09] Yeah. I think Stevie Nicks would do karaoke with me, right? Bill: [29:14] Maybe but she might only show up for a few minutes like she did for this album. Frank: [29:19] Yeah. She showed up for enough for this album. Bill: [29:21] Oh, yeah. Okay. Hallmark movie. I have written here, no way. This needs to be a mainstream movie, not something on Hallmark TV, but this is a song that should. Frank: [29:28] Yeah? [29:28] Well, it has that, well, the opening magical like sort of dreamy sequence, right? Bill: [29:32] Be sort of like this heads in a mixtape territory. Remember when they'd play Dreams by Cranberries all the time to sort of set the stage? Forget Dreams. Play everywhere. Frank: [29:48] Well, Dreams had it too and it kind of had to because it was in the name, But also linger same same sort of a feel so I'm sure we'll do a cranberry song at some point too, but. Bill: [29:56] Our usual category, we, it keeps altering in different ways. Can Michael Bolton sing this song? Frank: [30:08] I think he can but I don't want to hear it. Bill: [30:10] No. What would Mariah Carey do to it? She would Mariah Carey it it would suck. Frank: [30:13] She would destroy this, Yeah, yeah, she I don't think she has the self-control not to go full Mariah on it. Bill: [30:23] Yeah, Celine Dion also I can't think of of anyone who could do it off the top of my head. Frank: [30:31] Also yeah. [30:32] There's a subtlety about the way that Christine McVie sings the vocals. Like she doesn't go over the top. She's a little bit reserved, like as much as it is like a fun happy song about being in love, she's reserved and conservative with it. Bill: [30:49] She does have a very British way of being, if I could say that. Yeah. She did also the song. Do you remember song, Songbird from Rumors? Frank: [30:52] Yeah. Stiff upper lip. Bill: [31:01] They closed every concert with it. So Eva Cassidy, if you remember Eva Cassidy. Frank: [31:03] Uh, yes. Yeah. Bill: [31:06] She did a version of Songbird, which is near perfect. It probably is perfect. I still don't know if Eva Cassidy could have done everywhere because there needs to be a bounciness that I, I never pictured with her, but maybe she could have done it. But there is something special about Christine McVie is both unassuming, but also is in these grand songs because she can go along with Buckingham. They always got along. So Buckingham, notoriously difficult to get along with, but he never had a bad thing to say about McVie and vice versa. They could do albums together. They understood each other. And she wasn't into all the drama. I mean, she partied hard, but compared to the rest of Fleetwood Mac, I think she's a girl guide. Frank: [31:45] Yeah, the rest of them. Yeah, she was... Yeah. Bill: [31:48] And she was also with Dennis Wilson from, um, the beach boys for a while. Yeah. There's a whole, she's got her own backstory and sadness too, right? Frank: [31:52] Oh, really? Okay. Bill: [31:56] About all that stuff. Mix tape. Frank: [31:59] You're just going to name Ashley's album? Bill: [32:01] You want me to go first? So I decided in honor of the person who was the catalyst for this song, kind of coming back to my life and then defining my 2011. Frank: [32:16] You're just gonna name Ashley's album? Bill: [32:18] You're just. Oh yeah. Well, we love you too, Ashley. But I'm thinking of Chris Newkirk. I'm dedicating this to Chris Newkirk. Frank: [32:20] Oh, that's fantastic. Bill: [32:26] Sorry, Ashley. So. She'll never listen to this. She'll never listen to this. So these are songs that I heard while hanging out with Chris Newkirk in 2011. Frank: [32:31] She'll never listen to it. Bill: [32:40] Not all of them actually, but they made me think about Chris Newkirk and his love of this sort of big dreamy sort of pop song. Okay, so everywhere we'll open it of course. Frank: [32:52] I'm sorry. Bill: [32:56] There's a song called I L U by the school of seven bells. It is insane. And the woman who sings lead also passed away few years ago, but in her 30s, I think. Frank: [33:08] Okay, oh. [33:09] Yeah, so Bill just played the song for me and it'll be in the show notes, but my goodness they gave me goosebumps bumps it's it's ethereal and and and dreamy and oh man that's good. Bill: [33:21] I heard that also on that same drive. Chris Newkirk. Wow. Great taste in music. And so also on the drive, we heard cloud busting by Kate Bush. I'm pretty sure that's like just so good. So hands of love from Kate Bush also inspired the production of Tango in the Night. So Kate Bush's style and her relentless drive was where Lindsay Buckingham was was looking towards for making this. Also, I don't think I'll ever be able to pronounce this right, but one more Chris Newkirk, number three. Hoppipolla, Hoppipolla. Frank: [34:02] Happy pool! That doesn't sound at all at least. Bill: [34:05] Yeah, that doesn't sound at all like Sigur Ross, but it is. And it's a Sigur Ross, like the major song, which played when Chris and Jade, I think we're walking down the aisle after their wedding. Frank: [34:09] That's like a new song. [34:15] Oh really? Oh nice. Bill: [34:16] So incredible song. So we were just discussing this as I was playing it, but cinematic in scope as is all these songs, as as is everywhere. Okay, and then I threw a couple more in, Fleet Fox's Can I Believe You? And one more song, Everywhere by Brandvan 3000, which I love. Frank: [34:42] Was that on that trip too or no? Bill: [34:45] No, but I just think I should have played it on the trip. I don't know if he would have liked it. Do you remember everywhere? Yes. Oh, I don't know if it fits. However, you know, those first three were something else. Frank: [34:51] Yeah, yeah, yeah, yeah. [34:57] Mix tapes are allowed to have an outlier, right? Bill: [35:01] Yeah, and maybe it transitions into yours. Frank: [35:03] All right. So my mixtape is, I tried to keep it like happy songs, like giddy songs, fun songs about falling in love. So Walking on Sunshine by Katrina and the Waves. Butterflies by Kacey Musgraves. Bill: [35:13] Okay, oh good. [35:20] Okay not crazy town. Frank: [35:22] No, surprisingly not. Bill: [35:25] No, okay, great. Frank: [35:26] He just threw me right off there. Bill: [35:31] Yeah, sorry about that. Frank: [35:33] The way you are by Bruno Mars. Love is in the Air by John Paul Young and then we finish it off with Sunshine Lollipops and Rainbows by Leslie Gore. Sunshine lollipops and rainbows everywhere that's how I feel when I feel that we're, together that's a and then finishing it off with the sunshine lollipops and. Bill: [36:00] Got it okay perfect well this mixtape just good thing i put in brandman 3000 it's just a transition straight to walking on sunshine oh good. Frank: [36:14] Rainbows. Bill: [36:15] Yeah, yeah. future I'm sure it's a future episode. Frank: [36:18] Well I'm sure yes so I before we before we came to record this song I was talking to my friend Becca and saying, oh, we got to go. I got to go and record this podcast. And he's asking, what song are you doing? I said, Everywhere by Fleetwood Mac. And she said, I love that song. When her and her partner were in New Zealand, they had this this, crappy garbage car and that had a tape deck. So her and Blake went to a thrift store to buy tapes just to play. and they bought Tango in the Night and just listened to that on repeat and this was far and away their favorite song on the album. I told Becca just like, all right I'm gonna tell that story if you're okay with it and well here it is it might actually make the cut. Bill: [37:06] I will and you know what? We don't often do these call-outs. I try to listen to other podcasts because often they're like, hey here's the name of our show which we... do we even say what we're called? Yes you did once but you have to be an astute listener but of course you also have been. Frank: [37:18] Great. Bill: [37:22] An astute enough person that if you're listening to our podcast you're looking at it and the name of our podcast is right in front of you. So we really are glad you're listening to Bill and Frank's. Frank: [37:28] Yeah, exactly. Bill: [37:31] Skill-free pleasures we don't have patreon right now for you to give us money or anything like that but what we would like is to hear your story about Fleetwood Max everywhere tell us how this song, has made your life brighter. Frank: [37:48] And also you can just mail cash to us to our addresses. Bill: [37:51] It's right. Frank: [37:52] We'll put those in the show notes. Bill: [37:53] That's right. Frank: [37:56] It's been a fun and fantastic experience putting this podcast out every week. And this song is coming out at the beginning of 2023. And we just want to thank everyone for listening to us and being with us and downloading and taking this on your drives, on your walks, wherever you listen to it. I listen to podcasts at work all the time instead of working. Bill and I would like to say we want to be with you everywhere. Bill: [38:25] Boop-a-doo-doo-doo.

Lesley Sue Goldstein was born in Brooklyn in 1946 but grew up in Tenafly, NJ. She was a junior in high school when she was discovered by legendary producer Quincy Jones, who produced her 1963 hit "It's My Party" – a song which has achieved legendary status in the classic rock cannon. It remained at the top of the charts for two weeks and prompted Gore to record the Top 10 answer song "Judy's Turn to Cry". Her next two singles – "She's a Fool" and 1964's most empowering feminist anthem "You Don't Own Me" – were also Top 10 hits. Additional Gore hits included "Maybe I Know," “That's the Way Boys Are” and Marvin Hamlisch's first hit composition "Sunshine, Lollipops and Rainbows." After conquering the music charts, Gore branched out and began acting. Her film appearances included “Ski Party” and “Girls on the Beach” as well a performance in the concert film “The T.A.M.I. Show.” Her most notable acting role was that of ‘Pussycat' – Catwoman's sidekick on the 1960s Batman television series – where she introduced the single “California Nights.” In spite of her unrivaled recording and acting success while still a teenager, Gore refused to give up her education at Sarah Lawrence College. During most of the 1970s she remained out of the spotlight; but in 1980 Gore resurfaced when "Out Here On My Own," a song she co-wrote with her brother Michael for the film “Fame”, was nominated for an Oscar as Best Original Song. Throughout this period Gore continued to act on stage and on television. Her life story also inspired the 1996 movie “Grace of My Heart” in which a 1960s bubble-gum singer is shown to be a closeted lesbian. She released her final album in 2005 and came out publicly the same year. Gore also hosted several episodes of the LGBT newsmagazine series “In the Life” on PBS. She died of lung cancer on February 16, 2015 at the age of 68 and was survived by jewelry designer Lois Sasson, her partner of 33 years. Though she achieved only minimal financial success from her recording career, Leslie Gore remains one of the most iconic women in the early history of Rock ‘n' Roll.

In this week's episode, Madigan shares the story of songstress Leslie Gore, and Keegan the life of actress and inventor Hedy Lamarr. GET YOUR YANF MERCH! https://yanfpodcast.threadless.com/  Do you have a news story that you want our take on?    Email us at neighborhoodfeminist@gmail.com Find us on social media:     Instagram: @angryneighborhoodfeminist    Twitter: @YANFPodcast    Facebook: https://www.facebook.com/angryneighborhoodfeminist **Don't forget to REVIEW and SUBSCRIBE on iTunes!** Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on #TheSpaceInbetween, #AnsweringTheStones another moment in time from Tom Locke's great new book by the same nameIn the late fifties and early sixties, music fans were introduced to answer records, songs that were sometimes a parody or a sequel to established hits.A few that come to mind are Jeanie Black's, "He'll have to Stay" in 1960. The answer record to Jim Reeves smash hit of 1959, 1960, "He'll Have to Go", Jody Miller's 1965, "Queen of the House" the answer to Roger Miller's 1965 smash hit, King of the Road and Leslie Gore's, 1963, "Judy's Turn to Cry" the follow up record to her hit, "It's My Party." In most cases, these answer records usually came out a few months after the success of the records, they were emulating. One exception to this rule, however, was an answer record that took eight years before it made it on the charts. Recognized today as a core rock and roll record, it went all the way to number one.Click HERE to purchase a signed copy of Moments in Time by Tom LockeAnd if you like the show, please share it out , and consider making a small donation to the cause by buying us a coffee, using the Support the Show link or by entering the following url in your browser: https://www.buymeacoffee.com/forwhatitsworthThe music for this episode, "Queen of Queens"  is written and performed by our new artist in residence, #DouglasCameron. You can find out more about Douglas by visiting our show blog and by listening to our episode, #TheOldGuitarSpecial thanks to guitarist, #SteveGardhouse for providing the music for today's commercialOther Important Links:Leave us a review on Podchaser or on your favourite  podcast listening channelShow website - https://fwiw.buzzsprout.comRead the Show Blog - https://forwhatitsworthpodcast.comLink to Show Trailer: https://fwiw.buzzsprout.com/1151660/4138862-for-what-it-s-worth-trailerJoin our "For What it's Worth Podcast Series" Face Book group page: https://www.facebook.com/groups/720335292207376Follow us on Instagram: https://www.instagram.com/forwhatitsworth.podcast/Email us: fwiw.thepodcast@gmail.comKnowledge Management Institute of Canada From those who know to those who need to knowBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

This episode of the Cyberlaw Podcast begins by digging into a bill more likely to transform tech regulation than most of the proposals you've actually heard of—a bipartisan effort to repeat U.S. Senator John Cornyn's bipartisan success in transforming the Committee on Foreign Investment in the United States (CFIUS) four years ago. The new bill holds a mirror up to CFIUS, Matthew Heiman reports. Where CFIUS regulates inward investment from adversary nation, the new proposal will regulate outward investment—from the U.S. to adversary nations. The goal is to slow the transfer of technical expertise (and capital) from the U.S. to China. It is opposed by the Chinese government and the same U.S. business alliance that angered Senator Cornyn in 2018. If it passes, I predict, it will be as part of must-pass legislation and will be a big surprise to most technology observers. The cryptocurrency world might as well make Leslie Gore its official chanteuse, because everyone is crying at the end of the crypto party. Well, except for Nick Weaver, who does a Grand Tour of all the overleveraged cryptocurrency firms on or over the verge of collapse as bitcoin values drop to $20 thousand and below.                Scott Shapiro and I trade views on the spate of claims that Microsoft is downgrading security in its products. It would unfortunately make sense for Microsoft to strip-mine value from its standalone proprietary software by stinting on security, we think, but we can't explain why it would neglect cloud security as it is increasingly accused of doing.               That brings us to NickTalk about TikTok, and a behind-the-scenes look at what has happened to the TikTok-CFIUS case in the years since former President Donald Trump left the stage. Turns out that CFIUS has been doggedly pursuing pieces of the deal that were still on the table in 2020: localization in the U.S. for U.S. user data and no Chinese access to the data. The first is moving forward, Nick tells us; the second is turning out to be a morass. Speaking of localization, India's determination to localize credit card data has been rewarded. Matthew reports that cutting off new credit card customers did the trick: Mastercard has localized its data, and India has lifted the ban. Scott reports on Japan's latest contribution to the techlash: a law that makes 'online insults' a crime. Scott also reports on a modest bright spot in NSO Group 's litigation with Facebook: The Supreme Court answered the company's plea, calling on the U.S. government to comment on whether NSO could claim sovereign immunity for the hacking tools it sells to government. Nick puts his grave dancing shoes back on to report the bad news for NSO: the Biden administration is trashing a rumored acquisition by U.S. - based L3Harris Technologies.  Scott makes short work of the idea that a Google AI chatbot has achieved sentience. Of course, as a trained philosopher, Scott seems a little reluctant to concede that I've achieved sentience. We do agree that it's a hell of a good chatbot. And in quick hits, I note the appointment of April Doss as General Counsel for the National Security Agency Counsel after a long series of acting General Counsels.

This episode of the Cyberlaw Podcast begins by digging into a bill more likely to transform tech regulation than most of the proposals you've actually heard of—a bipartisan effort to repeat U.S. Senator John Cornyn's bipartisan success in transforming the Committee on Foreign Investment in the United States (CFIUS) four years ago. The new bill holds a mirror up to CFIUS, Matthew Heiman reports. Where CFIUS regulates inward investment from adversary nation, the new proposal will regulate outward investment—from the U.S. to adversary nations. The goal is to slow the transfer of technical expertise (and capital) from the U.S. to China. It is opposed by the Chinese government and the same U.S. business alliance that angered Senator Cornyn in 2018. If it passes, I predict, it will be as part of must-pass legislation and will be a big surprise to most technology observers. The cryptocurrency world might as well make Leslie Gore its official chanteuse, because everyone is crying at the end of the crypto party. Well, except for Nick Weaver, who does a Grand Tour of all the overleveraged cryptocurrency firms on or over the verge of collapse as bitcoin values drop to $20 thousand and below.                Scott Shapiro and I trade views on the spate of claims that Microsoft is downgrading security in its products. It would unfortunately make sense for Microsoft to strip-mine value from its standalone proprietary software by stinting on security, we think, but we can't explain why it would neglect cloud security as it is increasingly accused of doing.               That brings us to NickTalk about TikTok, and a behind-the-scenes look at what has happened to the TikTok-CFIUS case in the years since former President Donald Trump left the stage. Turns out that CFIUS has been doggedly pursuing pieces of the deal that were still on the table in 2020: localization in the U.S. for U.S. user data and no Chinese access to the data. The first is moving forward, Nick tells us; the second is turning out to be a morass. Speaking of localization, India's determination to localize credit card data has been rewarded. Matthew reports that cutting off new credit card customers did the trick: Mastercard has localized its data, and India has lifted the ban. Scott reports on Japan's latest contribution to the techlash: a law that makes 'online insults' a crime. Scott also reports on a modest bright spot in NSO Group 's litigation with Facebook: The Supreme Court answered the company's plea, calling on the U.S. government to comment on whether NSO could claim sovereign immunity for the hacking tools it sells to government. Nick puts his grave dancing shoes back on to report the bad news for NSO: the Biden administration is trashing a rumored acquisition by U.S. - based L3Harris Technologies.  Scott makes short work of the idea that a Google AI chatbot has achieved sentience. Of course, as a trained philosopher, Scott seems a little reluctant to concede that I've achieved sentience. We do agree that it's a hell of a good chatbot. And in quick hits, I note the appointment of April Doss as General Counsel for the National Security Agency Counsel after a long series of acting General Counsels.

En 2007, l'artiste Susan Hefuna part à la rencontre des mères, sœurs ou épouses des travailleurs de la galerie où elle expose, au Caire. Chacune lui offre un objet qui lui est cher, exposé dans des vitrines ambulantes, dans la rue. Dans ce podcast, l'artiste nous raconte son processus de création. En parallèle, la militante Fatima Ouassak parle de son expérience du collectif, de la nécessité, en tant que femme isolée, de s'organiser collectivement pour exister dans l'espace public.Crédits :Réalisation et production : Clara Gouraud Doublage : Astrid Adverbe Montage, mixage : Antoine Dahan Avec la participation de Susan Hefuna, Fatima Ouassak et Catherine LascaultHabillage musical de Nawel Ben Kraïem et Nassim Koussi Extraits musicaux : Oum Kalthoum, Enta Omri ; Achraf Kallel ft. Omnia Soliman, Enta Omri ; Fairouz, Aloula ; Youssra El Hawary, El Soor ; Leslie Gore, You don't own me ; Dalida, Helwa ya Baladi Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

brothers & sisters, pop culture today 1990, the rock-dwayne johnson, larry gatlin, lou gramm-foreigner, leslie gore, engelbert humperdinck, the chordettes-lynn evans, christine baranski, ellie kemper, hogwarts war

Music is Power! And Love's a Secret Weapon! In this special episode, Donna and Dr Adam speak with Brad Schreiber, author of Music is Power, a meticulously researched treatment of over 100 years of socially conscious music. Brad shares his thoughts on some of the most influential artists and music that intersected with Donna's ‘60s career, including The Who, The Beatles, P.F. Sloan, Leslie Gore, and Phil Ochs. Donna reflects on what made Shindig so important and which songs from her catalogue appeal to her the most today. And want to know Jimi Hendrix's connection to Batman? Join us as we head towards our 50th episode!

ALYSSA BONAGURA A fixture on Nashville's Indie singer-songwriter scene - Rolling Stone Stunning, Original, A Future star in the making. - Robin Gibb One listen and it becomes crystal clear that Alyssa Bonagura was born to make music. With a voice that touches somewhere deep inside, Alyssa's soulful sound and powerful lyrics will send you jet-setting into a broad range of human emotions. Growing up on the open roads of America, with her RCA country recording artists parents, Baillie & The Boys, made it impossible for Alyssa not to witness the power and magic of music. At just 3 weeks old, her cradle was the gentle rocking of a tour bus. Her play ground encompassed sound checks at fairs and festivals and back stage dressing rooms at a slew of different venues including the Grand Ole Opry and Country Music Award shows, and her “extended family” consisted of managers, promoters, roadies, musicians and other fellow mainstream country artists. At the age of 3, Alyssa performed on the Ralph Emory television show, Nashville Now. Where her version of the Leslie Gore classic; It's My Party brought the house down in front of millions of national viewers. At age 10, one of those major acts, Kenny Rogers, decided Alyssa was the perfect child singer to record a duet with him on his Christmas CD, Christmas From The Heart. By age 13, Alyssa had her first batch of songs written and received an endorsement from Gretsch Guitars. She had figured out her own unique style of guitar playing with open tunings inspired by Joni Mitchell. By age 16 she landed her first 50 date tour opening up for Marty Stuart and his Fabulous Superlatives. It soon became obvious that she was the real deal, not only as a musician and singer but as a prolific songwriter as well. --- Send in a voice message: https://anchor.fm/seena-magowitz-foundation/message

BONUS EPISODE: Keep the party going with this classic episode of THE STORY SONG PODCAST. Join your hosts as they revisit their reviews of Lesley Gore's classic hits, “It's My Party” and its sequel, “Judy's Turn to Cry.” Relive the rollercoaster ride of emotions that is Lesley's birthday party. This party has everything — crying, fighting, cheating, and probably cake. Play all your records, keep dancing all night, and cry if you want to, but now it's your turn to laugh with this classic episode of THE STORY SONG PODCAST.Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Twitter (@Story_Song), Instagram (storysongpodcast), and Facebook (thestorysongpodcast).THE STORY SONG PODCAST is a member of the Pantheon Podcast Network.“It's My Party” and “Judy's Turn to Cry” by Lesley Gore (from the album I'll Cry If I Want To) is available on Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music.

BONUS EPISODE: Keep the party going with this classic episode of THE STORY SONG PODCAST. Join your hosts as they revisit their reviews of Lesley Gore's classic hits, “It's My Party” and its sequel, “Judy's Turn to Cry.” Relive the rollercoaster ride of emotions that is Lesley's birthday party. This party has everything — crying, fighting, cheating, and probably cake. Play all your records, keep dancing all night, and cry if you want to, but now it's your turn to laugh with this classic episode of THE STORY SONG PODCAST. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Twitter (@Story_Song), Instagram (storysongpodcast), and Facebook (thestorysongpodcast). THE STORY SONG PODCAST is a member of the Pantheon Podcast Network. “It's My Party” and “Judy's Turn to Cry” by Lesley Gore (from the album I'll Cry If I Want To) is available on Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. Learn more about your ad choices. Visit megaphone.fm/adchoices

BONUS EPISODE: Keep the party going with this classic episode of THE STORY SONG PODCAST. Join your hosts as they revisit their reviews of Lesley Gore's classic hits, “It's My Party” and its sequel, “Judy's Turn to Cry.” Relive the rollercoaster ride of emotions that is Lesley's birthday party. This party has everything — crying, fighting, cheating, and probably cake. Play all your records, keep dancing all night, and cry if you want to, but now it's your turn to laugh with this classic episode of THE STORY SONG PODCAST. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Twitter (@Story_Song), Instagram (storysongpodcast), and Facebook (thestorysongpodcast). THE STORY SONG PODCAST is a member of the Pantheon Podcast Network. “It's My Party” and “Judy's Turn to Cry” by Lesley Gore (from the album I'll Cry If I Want To) is available on Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. Learn more about your ad choices. Visit megaphone.fm/adchoices

One listen and it becomes crystal clear that Alyssa Bonagura was born to make music. With a voice that touches somewhere deep inside, Alyssa's soulful sound and powerful lyrics will send you jet-setting into a broad range of human emotions. Growing up on the open roads of America, with her RCA country recording artists parents, Baillie & The Boys, made it impossible for Alyssa not to witness the power and magic of music. At just 3 weeks old, her cradle was the gentle rocking of a tour bus. Her play ground encompassed sound checks at fairs and festivals and back stage dressing rooms at a slew of different venues including the Grand Ole Opry and Country Music Award shows, and her “extended family” consisted of managers, promoters, roadies, musicians and other fellow mainstream country artists. At the age of 3, Alyssa performed on the Ralph Emory television show, Nashville Now. Where her version of the Leslie Gore classic; It's My Party brought the house down in front of millions of national viewers. At age 10, one of those major acts, Kenny Rogers, decided Alyssa was the perfect child singer to record a duet with him on his Christmas CD, Christmas From The Heart. By age 13, Alyssa had her first batch of songs written and received an endorsement from Gretsch Guitars. She had figured out her own unique style of guitar playing with open tunings inspired by Joni Mitchell. By age 16 she landed her first 50 date tour opening up for Marty Stuart and his Fabulous Superlatives. It soon became obvious that she was the real deal, not only as a musician and singer but as a prolific songwriter as well.While in high-school, Alyssa became a go-to session singer for people like Christian artist Matt Maher, where she created her own layered harmony vocal approach from years of hearing her parents sing together. Her songs started finding their way into television shows, (Switched! on ABC Family, MTV), movies, as well as getting her first cuts on other artists projects.After graduating high school, Alyssa received a full scholarship from Sennheiser to Paul McCartney's Liverpool Institute for the Performing Arts in Liverpool England, where she would spend the next three years earning a degree in Sound Technology while continuing to perform in local venues throughout Europe. While playing at a venue called The Zanzibar in Liverpool, Alyssa was spotted by Liverpool Rock Star Pete Wylie and was asked to join his band playing electric guitar and singing background vocals. Alyssa of course said yes, and experienced what most artists never experience; a private performance requested by the Queen to help support one of Liverpool's local charities. A performance with Ringo Starr at the 800th Anniversary of Liverpool's, “Capital Of Culture 2008” event; a performance slot at one of the UK's largest music festivals; Knowsley Hall on the same bill as The Who, and from there on scored her own slots performing on the Acoustic stage at Glastonbury in 2009, and a UK tour opening for Raul Malo of The Mavericks.While at LIPA, Alyssa was inspired by their music community and the extreme amount of talented people attending the school. She lived in Lennon Studios, an apartment complex that used to be the old maternity ward where John Lennon was born. Her incredibly unique experiences abroad inspired her debut album, The English Diaries, an all acoustic intimate collection of songs she produced and recorded herself in her one bedroom Beatles inspired flat. After graduating LIPA and receiving her diploma from Paul McCartney himself, Alyssa returned to Nashville and signed her first publishing  READ MORE AT http://www.alyssabonagura.com/

Localizado na Broadway na cidade de Nova York, o Edifício Brill Building era o centro do Rock an Roll no final dos anos 50 e início dos anos 60. Lá se reunia as principais editoras, produtoras e gravadoras da musica pop nesse período. Andavam pelos corredores do prédio nomes como Carole King, Bacharach, Neil Sedaka, Neil Diamond, Phil Spector, TheDrifters, The Coasts, The Shirelles, Leslie Gore, entre muitos outros cantores e compositores profissionais, que criavam ali a base da musica que viria nortear a musica pop no mundo.

Cliff Arquette was an American actor and comedian, known for his character, Charley Weaver, made many appearances on national television shows. His unique presentation made him a household name. Today you will hear why.Music is presented by Leslie Gore. A young lady who gained stardom by her very different voice. Here you will hear some of her greatest hits.Talk about a different voice, Grady is here. Comedy at it's best.Enjoy!  

We are celebrating a new day and these are songs of hope, optimism and fun. The Winter of discontent is over and we now celebrate a new turn of the page. For the next hour we will be in a positive and hopeful state of mind. Time to greet the Sun.Also:You're financial contributions are welcomed in helping to keep the production going.Paypal account: sonictyme@yahoo.comListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/You may also enjoy Becky Ebenkamp's "Bubblegum & Other Delights" show. Join the fun at her WFMU New York page link and access the media player at:https://www.wfmu.org/playlists/OD?fbclid=IwAR0Efrmj-ts-uSiGq5qK7EETHFTXdtsiaXTYq-ng-7QDUkJxC-X0QfHB-EII'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

☕☕☕☕Today's episode mentions Lena Horne,Marvin Gaye, Leslie Gore and Michael Jackson with his cute self! ☕☕☕☕#michaeljackson

Dave Pearlman has been playing pedal steel and guitar since 1968 and has performed with such notable artists as Dan Fogelberg, Phil Everly, Bill Medley, The Lovin’ Spoonful, Chuck Berry, Hoyt Axton, REO Speedwagon, Bobby Womack, Leslie Gore, Pat Boone, Michelle Shocked, Joe Walsh, Richie Furay, Al Jardine, Jesse Colin Young, Albert Lee, Terry Reid, and many others as well as having been recorded on many movie and television soundtracks and commercials. Dave ran a successful recording studio for many years and was given an award for engineering on a Grammy winning album as well as four Gold Albums and one Platinum Album. Dave now owns and operates Pearlman Microphones where he hand builds custom microphones for some of the top artists and studios in the world.www.pearlmanmicrophones.comwww.rotundrascal.comhttps://www.facebook.com/pearlmanmics/

Today in history: Lesley Gore appears on American Bandstand. Beatles begin recording the 'White Album.' Mariner 9 blasts off. Lincoln Memorial dedicated. The first Indy 500 takes place.

It's the T-Rump tag-team that's wreaking havoc across Dino Nation -- the Kushneratops and the Peternavarro! Our two T-Rump sing-along traxx this week are: Day 1173 -- "It's My Stockpile" ... The Kushneratops suffers a compassion conniption ... and Day 1177 -- "Blinded by Science" ... When the Peternavarro locks horns with the Tonyfaucci, something's gotta give! ... Big dino tail wag to Leslie Gore and Thomas Dolby, the only place on the web you'll see them in the same sentence. Enjoy!

In 1964 Leslie Gore made the top 40 with her hit “You Don’t Own Me.” It seems to be an anthem of strength, of independence, of power. But the truth of the matter, we’ve been purchase at a most extravagant price, and with that comes naming rights – specifically, “Child of God”

This legendary guest is an acclaimed songwriter, entertainer, and actor. Born and raised in Ottawa, Canada, the enormous success of his first number one hit, “Diana” made him a star at the age of 15. Soon after he found himself traveling by bus with the ‘Cavalcade of Stars’ which featured the top names of the day. He honed his craft surrounded by the likes of Jerry Lee Lewis, Buddy Holly, Frankie Lymon, and Chuck Berry. And he is the youngest entertainer to ever perform at the Copacabana in New York, as well as the Sahara and Sands Hotels in Las Vegas. The best-known titles of his early career included hits like “Put Your Head On My Shoulder,” “You Are My Destiny," "Lonely Boy," and "Puppy Love," (which also was recorded by Donny Osmond). By age 18, he had five Top 5 hits to his credit. After a few hit songs, he gained confidence in his talent as a writer and wisely knew that being a songwriter meant the power was in the pen. As a result, he went on to write for Connie Francis, Leslie Gore, and Buddy Holly (including the last song Holly ever recorded, “It Doesn’t Matter Anymore”). Other hit songs include the Academy Award-nominated theme for the 1962 film in which he starred, ‘The Longest Day.’ And he notably penned the longest-running theme in television history for The Tonight Show with Johnny Carson (“Johnny’s Theme”). In the early ’60s, he became a junior associate of Sinatra and the Rat Pack. Even with the British invasion, he still had chart records. He moved to Italy and outsold the Italians, selling an astonishing 4 million records there. In the late ’60s, he wrote “My Way” for Frank Sinatra and by the ’70s, he had another string of hits like “(You’re) Having My Baby”, “Don’t Like To Sleep Alone”, and “Times Of Your Life” which confirmed his status as an icon of popular music. Additionally, he’s written with Michael Jackson (“This Is It” and “Love Never Felt So Good”) and Drake (“Don’t Matter To Me”). He’s been named the 21st most successful artist in Billboard’s history, putting him alongside music greats Elvis Presley and the Beatles. And he is the only artist in history to have a song in the Billboard Top 100 over 7 consecutive decades. And The Writer Is…Paul Anka!This episode is sponsored by BMI and ABKCO. See acast.com/privacy for privacy and opt-out information.

En #ElSoundtrackdelaVida de hoy nos visitó Nell Matta para tocar acústicamente un bello cover de los Ángeles Negros y luego su primer single "Lo Mejor de Mi" (2018). Luego nos dedicamos a tirarle cuore musical a la gente, como cuando escuchamos a Rita Lee (1969) de Os Mutantes, dedicado a mi sobrina o el #MomentoFOGATERO con It's My Party (1963), de Leslie Gore, dedicado a la Pancito cumpleañera.

In episode 31 we are joined by our homegirl, the amazing Francheska Medina aka Hey Fran Fran. We talk about the new wave of "heartbeat bills" and the looming republican challenge of Roe vs. Wade while examining the ever present Pro Life/Pro Choice argument. From there, we explore the idea of the self possessed woman. We ask ourselves if it is possible, as women, to achieve true agency over ourselves, our thoughts, and our bodies in a man's world. And if so, how? Join us.Follow Hey Fran Hey on all platforms @heyfranhey Listen to her podcast The Friend Zone https://podcasts.apple.com/us/podcast/the-friend-zone/id1031936205Purchase You Don't Own Me by Leslie Gore https://music.apple.com/us/album/you-dont-own-me/1360824969?i=1360825322

The Saturday edition features tuneage from Bob Dylan,Warren Zevon, Willie Nile, Bruce Springsteen, Jay Ferguson, Van Morrison, Police, Rolling Stones, J.Geils, Aerosmith, Billy Squier, Black Crowes, Bob Seger, Mott The Hoople, David Bowie, T. Rex, Led Zeppelin, Conception Corporation, Fraternity Of Man, Steppenwolf, Iron Butterfly, Moby Grape, Pink Floyd, The Who, Jay & The Americans, Neil Diamond, Orpheus, New Colony Six, Lulu, The Intruders, Gene Pitney, Marvelettes, Four Seasons, Bobby Goldsmith, Jan & Dean, Barry & The Tamberlaines, Leslie Gore, Major Lance, Super Session, Guess Who,Tom Petty, Crosby Stills Nash & Young, Seatrain, XTC, Joan Osborne, Byrds, Jackson Browne, Iain Matthews, Judy Collins and New Riders Of The Purple Sage.

In today's episode Nicky P & Lizzie examine You Don’t Own Me by Leslie Gore.  Sure there are a few weak points, but it really is about personal liberty...right?   http://bit.ly/2GngRd0 This week in I Heard This Happened: Moody pop from Akron and some Jazz(?) from the great northwest Nicky’s pick First Appearance by G.S. Schray is downright elegant and meanders through all sorts of sonic spaces. A literal cave of wonders in its ambient marvels. You could describe the sound by imagining that Vince Geraldi got way into 80s synth pop & started listening to The Sea & Cake and Indie movie scores exclusively. Every few measures bring some new musical idea to each track. It never sits in one place long enough to get stale & ebbs and flows with smooth instrumental and dynamic shifts constantly. http://gsschray.bandcamp.com/album/first-appearance Lizzie’s pick is Shakes by WA artist lissikeyj. The album is mostly instrumential. Think Boney James  from the 90’s. The vocalist sounds eerily like Rufus Wainwright on the title track. The album is all over the place but if you are in the mood for smooth jazz this could be a band worth checking out. https://lissikeyj.bandcamp.com/album/shakes This week’s interview is with the one and only Eric Hailar host of a podcast by the name of The Rebel with a Cause. We talk metal; celebrity music fails; and inappropriate jokes. Eric Recommends Ride the Lightning - Metallica http://bit.ly/2Sqn1zu Black Flag http://bit.ly/2StLlQP Sonic Brew - The Black Label Society http://bit.ly/2SBgW3r Husker Du - Warehouse:Stories and Songs http://bit.ly/2Su3luw Pablo Francisco - Bits and Peices http://bit.ly/2Swuqx4 Find all the episodes at ancapmusic.com http://www.ancapmusic.com Check out the show’s spotify soundtrack here: https://spoti.fi/2MFxkKG To Support Us Join The Freedom Choir here: http://www.supportsll.com Click here to sign up for email list: http://bit.ly/2MDWoSg

Today's program features tuneage from Love, Buffalo Springfield, The Doors, XTC, Hall & Oates, The Pretenders, Talking Heads, Return To Forever, Billy Joel, Blood Sweat & Tears, Beatles, Jose Feliciano, Mamas & Papas, Johnny Rivers, Glen Campbell, Spanky & Our Gang, Neil Diamond, Little Anthony, Billy Stewart, Leslie Gore, Circus Maximus, Bob Dylan, Tracy Chapman, Dave Mason, Richie Havens, America, Batdorf & Rodney, Randy Newman, Tears For Fears, REM, The Band, Rolling Stones, John Lennon, The Smiths, Jethro Tull, Crosby, Stills, Nash & Young & Derek & The Dominoes.

This week’s extra special in-studio (apartment) guest is Megan Rice! With their powers combined, Megan (@handsomepartybutt) and Wendi (@wendibird82) spit out tips to save money, boost your immune system AND douse Stephen (@thepenta) with the dirty details of double-duty diapers! Can the ladies fulfill all of their NYC Halloween fantasies, or will the entire trip be derailed by the evil spirit Wendi is hosting deep within her intestinal track?!? If you want to force this crew to shout you out on the show, answer your questions, or play out your own very specific performance-art masterwork get your very own JAMALAMZ at jammerzpod.com Megan Rice Instagram: @handsomepartybutt BAKED GOODS! @mistersbakeshop Wendi Starling Twitter: @wendistarling Instagram: @wendibird82 *~*~*~*~*~*~*~*~* come see this bitch LIVE: gLaMoUrPuSs!!  Saturday, December 1st at 730pm Zinc Bar, NYC Get tix: glamourpuss36.brownpapertickets.com *~*~*~*~*~*~*~*~* PRICELESS: Stories From The Underbelly ~~~> patreon.com/wendistarling **submit your stories at: pricelesstails@gmail.com** Stephen Penta Twitter: @thepenta Instagram: @thepenta This weeks' end of episode Jam goes deep throwback and deeper irony: Leslie Gore "Sunshine, Lollipops & Rainbows." Find all the Jammerz music features on our Spotify playlist: goo.gl/w27Q9x Jammerz official theme music is by our talented friends at hyperballadmusic.com

In episode 2, Ace and Rob celebrate Womens History Month by talking Leslie Gore and Nina Simone. Checkout the playlist of music that accompanies this episode: Apple Music | Spotify | Google Play  

This is The Spoon, where Peter Anthony Holder is our guest, and we're bringing Mariah back!  Music By  Leslie Gore  Jimmy Ruffin  The Raspberries  Spoon Feeding  Intermittent Fasting  Local Service Pro Pluming  372 Pages We'll Never Get Back  The Crown  The Graham Norton Show  The Men Of The Spoon Robbie RistChris Jackson Thom Bowers The Spoon on FacebookSubscribe via iTunesEmail: the_spoon_radio@yahoo.com

In this program, we talk about the musical life of lesbian Leslie Gore, and Phil reminds us about the dysfunctional TV family “The Simpsons” on the 30th anniversary of their show. We remember the sacrifices […] http://media.rawvoice.com/joy_beentheredonethat/p/joy.org.au/beentheredonethat/wp-content/uploads/sites/90/2017/05/2017-05-02-BeenThereDoneThat-L.GoreSimpsons30yrsCoralSeaPortArthurK.HaringD.Hayes_.mp3 Podcast: Play in new window | Download (Duration: 39:46 — 18.2MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post L.Gore, Simpsons 30yrs, Coral Sea, Port Arthur, K.Haring, D.Hayes appeared first on Been There Done That.

RARE & SCRATCHY ROCK 'N ROLL _033 - THE GREATEST APRIL FOOLS IN ROCK + POP MUSIC HISTORY This episode celebrates the April Fools – the greatest hit singles during the rock and roll era with the word “fool” or “fools” in the title. These include studio recordings by the Rolling Stones and Led Zeppelin that both bands never performed live in concert. Then there’s Buddy Holly with the Crickets and the Crickets without Buddy Holly – both acts separately had hits with the same fool song. And there’s the story of the criminally convicted mafia-connected record company owner who was no fool when it came to taking writing credit and royalties for hit songs by artists on his labels that he didn’t compose. We’ll also fool around with Elvis Presley, Connie Francis, Leslie Gore, Rick Nelson, the Drifters, Bob Dylan, Dionne Warwick, Brenda Lee, Aretha Franklin, Ike & Tina Turner, Frankie Lymon & The Teenagers, the Beatles, the Beach Boys, George Michael, the Impressions, the Guess Who, and the Who, along with dozens of others. For more information on the "Rare & Scratchy Rock 'N Roll" podcast series, please visit www.rareandscratchy.com.

In just around three minutes, a good pop story song gives us an abbreviated account of a love affair, or the details of an adventure (or misadventure), or the particulars of a personal tragedy that wasn’t our own, but was something that touched our soul.  The first twenty or so years of the Rock and Roll Era (from the mid-1950s to the mid-70s) were, what could be, the heyday of the story song. Singers and songwriters of the 1950s to the 1970s made sure that as soon as you got one story song out of your head, another one took its place—forming a compendium of musical experiences that allowed you to see the world a bit differently.  Listen to Elvis Presley, Little Richard, Loretta Lynn, Ray Peterson, Mark Dinning, Leslie Gore, Shangri-Las, Jeannie C. Riley, Creedence Clearwater Revival, David Geddes, Andrew Gold, Michael Jackson, Tracy Chapman, Carrie underwood, Paramore, Panic at the Disco, and lots of other singers and musicians who help you discover another side of life.   

COOL FOR THE SUMMER es el más reciente Global Hit de DEMI LOVATO. 150 millones de visitas en Vevo. DEMI tiene a finales de 2015 CONFIDENT una nueva canción en los listados internacionales con un video que llama la atención porque es una historia contada cinematográficamente con la actuación de LOVATO Y Michelle Rodríguez, bajo la dirección del célebre Robert Rodríguez, el mismo director de Sin City, Machete y El Mariachi. Las estadísticas de A charts ubican a CONFIDENT DE DEMI LOVATO como top 30 en Holanda, Inglaterra, Francia e Irlanda, 20 en Australia, Canadá, Italia y Estados Unidos, , # 6 en Perú y # 1 en Israel y los Dance Clubs de Norteamérica. Con 56 millones de reproducciones.La nueva versión de BAJO EL MISMO SOL del Español Álvaro Soler y Jennifer López gana día a día más popularidad en el mercado estadounidense latino. Según Letsingit, BAJO EL MISMO SOL es en Diciembre de 2015 la canción más transmitida en las estaciones en español en USA y en redes sociales el video supera 6 millones de visitas. Otro Global Hit.A final de 2015 los CHAINSMOKERS capturan nuevamente la atención de su audiencia con ROZES, una creación para bailar despacio que hace carrera en la música electrónica con 8 millones de transmisiones digitales en YouTube, y según Dance World, es un # 1 en su género.Gracias a Dios por las chicas, lo nuevo de WEEZER, la emblemática banda de rock alternativo que ha vendido sobre 17 millones de álbumes en el mundo entero desde 1992. Según el registro de Top40 charts en la categoría de rock mundial WEEZER es # 2 con THANKS GOD FOR GIRLS.El 16 de Febrero de 2015 murió en Manhattan la famosa cantante LESLIE GORE, una mujer que lidero la emancipación femenina en la década de los años 60. Una de sus canciones USTED NO ME HA COMPRADO - YOU DONT OWN ME se convirtió en un himno de liberación.https://www.youtube.com/watch?v=uWCMhL5qxlECinco décadas después YOU DONT OWN ME revive el deseo de muchas mujeres de ser ellas y no depender de la voluntad o el dinero de los hombres. La nueva versión ya fue por varias semanas # 1 en Australia en la voz de GRACE con la colaboración del rapero G-Easy. Producida por el legendario Quincy Jones YOU DONT OWN ME de GRACE salta a Nueva Zelanda donde es Top 5 y debuta en Inglaterra también en el quinto puesto. Con 7 millones de visitas en YouTube es un nuevo Global hit. WISSIN Y YANDEL, dos talentosos jóvenes puertorriqueños que se conocieron en el colegio luego en 1998 se convirtieron en ídolos en Latinoamérica.Tanto WISSIN COMO YANDELL han desarrollado su carrera en solitario. Wissin con muchos éxitos. Yandel también con otros como ENCANTADORA de su segundo Álbum. Ha sido reproducida digitalmente en vivo más de 5 millones de veces y aparece en el listado mundial de éxitos latinos de Top 40 charts como # 2, su nuevo Global Hit. MATT SIMONS es un cantautor estadounidense relativamente poco conocido en su país que de pronto se convierte en un súper éxito en Holanda cuando su canción WITH YOU fue seleccionada para una serie de televisión local. https://www.youtube.com/watch?v=xe6nWYZDJ9A.MATT SIMONS casi siempre toca el piano y el saxo en sus presentaciones y su música cargada de nostalgia es refrescante en una época en la que predomina más el ritmo. En Diciembre de 2015 MATT SIMONS salta de Holanda a Francia y llama la atención con su nuevo tema CATCH AND RELEASE que según A charts y Top 40 Charts ya es número cuatro del hit parade francés. CATCH AND REALEASE de MATT SIMONS desde parís, un nuevo Global Hit.Luego del éxito de LOS DUO 1, JUAN GABRIEL lanza en Diciembre de 2015 LOS DUO 2 con un primer sencillo LA FRONTERA a dueto con Julion Álvarez y la colaboración del colombiano J Balvin. Según Monitor Latino LA FRONTERA debuta como la canción mas tocada en la radio de México, en su primera semana logra 9 millones de visitas en YouTube.La música certeneja, música del campo de Brasil sigue imparable en la escena musical de ese país. En Diciembre de 2015 LUAN SANTANA impresiona a sus seguidores con LLUVIA DE ARROZ una canción que se gana el corazón de sus admiradoras y que llega directamente al # 1 en su primera semana de salir al mercado, según estadísticas de top 40 charts. Marco Mengoni es uno de los artistas jóvenes de más éxito en la escena musical italiana luego de ganar en 2009 el concurso de televisión Factor X en 2009. Marco Mengoni es # 3 en Top 40 charts y # 1 según FIMI en descargas digitales, con TI HO VOLUTO BENE VERAMENTE, yo realmente te amo, incluida en su cuarto álbum que ya ha sido certificado platino. El video de Yo realmente te amo fue filmado en los gélidos parajes de Islandia y sirve de atmosfera perfecta para recrear visualmente los sentimientos expresados en la canción. COSCULLUELA junto a Nicky Jam es la atracción de diciembre de 2015 con TE BUSCO. Para National Report es # 3 y para Monitor Latino # 1 en Colombia después de varias semanas de alta rotación en la radio de ese país. TE BUSCO, COSCULLUELA 75 millones de reproducciones en redes sociales.El fenómeno de Adele con su nuevo éxito Hello es imparable en el mundo entero. Karen Rodríguez una de las finalista de la décima edición de American Idol en estados unidos hace una versión en Spanish que llama la atención en las redes sociales. https://www.youtube.com/watch?v=6WyKjzsvG30Y cuando el mundo aun quiere escuchar más HELLO de ADELE sus productores lanzan WHEN WE WERE YOUNG, cuando éramos jóvenes, un segundo sencillo que debuta en Diciembre de 2015 directamente en el # 8 de las canciones más populares a nivel mundial según Top 40 charts. ADELE # 1 en el mundo con Hello 700 millones de vistas en redes sociales, Adele # 8 con WHEN WE WERE YOUNG, 50 millones de visitas en vevo, Adele el top de global hits.

Greg Proops has been a showbiz fixture for over the last 25 years, as a popular stand up, and as the guy with the glasses from the long-running "Whose Line is it Anyway." He's been the voice of "Bob the Builder," the announcer in the "Star Wars: The Phantom Menace" pod race scene, as well as being seen in a myriad of other appearances. Proops' own podcast "The Smartest Man in the World" was cited in 2014 by Rolling Stone as a top comedy podcast and is a weekly live monologue by the gifted improviser that swings through current events, pop culture, film and music geek valentines, and surreal flights of fancy, all with an old time Lefty passion that is unheard of in the old media. Greg was passing through Philly on a three-night stand at he Helium comedy club in Philly when he stopped by to be interviewed at our Center City kitchen table. In Part One we talk about everything from class, the U.S. military, today's San Francisco, Ringo, Leslie Gore, and Proops' many stops along his 30-odd year career. Part Two drops next week.

My Valentine's Day turned into a satisfying 3 way of sorts.  How did you spend yours?  Flowers, candy, dinner or maybe you choose to boycott cupid and this bull shit holiday all together!Also...   - Lady Gaga is engaged.  - Our review of American Sniper  - Game of Thrones goes off book.  - And farewell Leslie Gore.Music from this episode includes You Don't Own Me performed by Leslie Gore available thru our Amazon link for download.For all your Creamie needs visit us at: www.cocktailsandcreampuffs.comEmail us at: mail@cocktailsandcreampuffs.comYou can call our listener line at: (716) 989-0189Follow us on Twitter @Creamies“like” us on Facebook: facebook.com/CACPShow

Era domingo, estábamos cómodamente derramados en nuestros sofás y se nos ocurrió hacer otro especial musical para salir del paso esta semana, pa que engañarnos. Con el sobrecargo Spinell fuera del país para hacer un "recadito" para el jefe, el mismo Vicente Vegas in person se pasó fugazmente por la grabación. Junto a sus adlateres y asalariados Sr. VCR y Wally Week el jefe repasó algunas canciones de su agrado, que no todo tiene que ser bilis infecta. Si compartía gustos musicales con nosotros este programa os va a encantar, si no... pues que le vamos a hacer. Doce temas comentados por nosotros de gente como Radio futura, Ramones, France Gall, Little Richard, Adam Ant, Save Ferris, Leslie Gore, Un pingüino en mi ascensor, Rick James, Lustra, Gleaming Spires y Weird Al Yankovic. En los pertinentes 120 minuteishons. Salve Vegas!

Era domingo, estábamos cómodamente derramados en nuestros sofás y se nos ocurrió hacer otro especial musical para salir del paso esta semana, pa que engañarnos. Con el sobrecargo Spinell fuera del país para hacer un "recadito" para el jefe, el mismo Vicente Vegas in person se pasó fugazmente por la grabación. Junto a sus adlateres y asalariados Sr. VCR y Wally Week el jefe repasó algunas canciones de su agrado, que no todo tiene que ser bilis infecta. Si compartía gustos musicales con nosotros este programa os va a encantar, si no... pues que le vamos a hacer. Doce temas comentados por nosotros de gente como Radio futura, Ramones, France Gall, Little Richard, Adam Ant, Save Ferris, Leslie Gore, Un pingüino en mi ascensor, Rick James, Lustra, Gleaming Spires y Weird Al Yankovic. En los pertinentes 120 minuteishons. Salve Vegas!

This show is dedicated to: A young woman named Frances Day was mortally wounded while serving as Sgt Frank Mayne in the Western Theater. Defending the Republic with Annie "The Radio Chick", and co-hosts Dan Butcher, Pundit Press and Kel Fritzy, Red Fox Radio Special Guest: Todd Allen Herendeen hails from Indiana.  First and foremost he is a Christian. As he always says from stage, “I love God, Veterans and my country. In that order.  I put my veterans before my country because without them, we have no country.” Todd's goal every night as he walks on stage is for everyone to forget their worries or troubles for a couple hours and enjoy themselves! His drive, along with his dynamic voice and excellent showmanship have gained him much success, including a #1 Hit, in his 15 years of performing professionally. He is so versatile, his show can be Gospel, country, rock 'n' roll, and much more. This versatility has lead him to perform as the opening act for such rock 'n' roll legends as: Jerry Lee Lewis, Chuck Berry, Chubby Checker, The Four Tops, The Platters, Leslie Gore, and The Beach Boys. He recently worked with B.J. Thomas and The Drifters!  Opening for Foreigner twice was awesome too, as Todd got to do some classic rock! On the country realm Todd has worked with Tim McGraw, Faith Hill, Ricochet, Bill Anderson, Gene Watson, John Conlee, Jeannie Seely, Janie Fricke, Ricky Van Shelton, Andy Griggs, George "Goober" Lindsey, John Michael Montgomery, Lynn Anderson, The Warren Brothers, Diamond Rio, Neil McCoy and Buddy Jewell. http://www.toddallenherendeen.com/

This show is dedicated to: A young woman named Frances Day was mortally wounded while serving as Sgt Frank Mayne in the Western Theater.Defending the Republic with Annie "The Radio Chick", and co-hosts Dan Butcher, Pundit Press and Kel Fritzy, Red Fox RadioSpecial Guest: Todd Allen Herendeen hails from Indiana.  First and foremost he is a Christian. As he always says from stage, “I love God, Veterans and my country. In that order.  I put my veterans before my country because without them, we have no country.” Todd's goal every night as he walks on stage is for everyone to forget their worries or troubles for a couple hours and enjoy themselves! His drive, along with his dynamic voice and excellent showmanship have gained him much success, including a #1 Hit, in his 15 years of performing professionally.He is so versatile, his show can be Gospel, country, rock 'n' roll, and much more. This versatility has lead him to perform as the opening act for such rock 'n' roll legends as: Jerry Lee Lewis, Chuck Berry, Chubby Checker, The Four Tops, The Platters, Leslie Gore, and The Beach Boys. He recently worked with B.J. Thomas and The Drifters!  Opening for Foreigner twice was awesome too, as Todd got to do some classic rock!On the country realm Todd has worked with Tim McGraw, Faith Hill, Ricochet, Bill Anderson, Gene Watson, John Conlee, Jeannie Seely, Janie Fricke, Ricky Van Shelton, Andy Griggs, George "Goober" Lindsey, John Michael Montgomery, Lynn Anderson, The Warren Brothers, Diamond Rio, Neil McCoy and Buddy Jewell.http://www.toddallenherendeen.com/

Today's program is my 9th Annual Summer Music Special. Featured is music from the following artists The Sandals, Pyramids, Chantays, Surfaris, Rivieras, Hondells, Ronnie & The Daytonas, 4 Seasons, Alan Sherman, Stan Getz w Astrud Gilberto, Robin Ward, The Shangri-Las, Drifters, Del Shannon, Danleers, Ruby & The Romantics, Brian Hyland, Everly Brothers, Bobby Vee, Cleftones, Nat King Cole, Freddie Cannon, Bobby Rydell, Billy Stewart, The Jamies, Tymes, Ricky Nelson, Jay & The Americans, Dovells, War, The Rascals, Tommy James & The Shondells, Every Mothers Son, The Association, Buckinghams, Gerry Rafferty, Christopher Cross, Seals & Crofts, Leslie Gore, Los Bravos, Johnny Rivers, Kinks, Lovin' Spoonful, The Cyrkle, Critters, Parliaments, Hues Corporation, Andy Gibbs, Frankie Valli and Blue Cheer.

An opening mix identifying today's holiday leads us through various little tributes to 60's artists and the climate of Civil Defense promotion that accompanied them. The H-Bomb lurks as the BBC goes to the Moon in 1965, accompanied by Leslie Gore, The Mamas And The Papas, Leon Russell, and no Bob but people doing Bob. 3 Hours. The post Over the Edge – Universe pt 58 What About 60s pt V-2 appeared first on KPFA.

Holy Hell!! or something like that.....I've been somewhat absent via the Podcast for good reason....making some dinero's to pay for the boleros, brothers & sisters....we all must eat. Today's Podcast shall be titled "WE DON'T NEED NO STINKIN' PODCAST"...not so much as playing Mexican music but as a tip of the hat to Alfonso Bedoya who was trying to convince Fred C. Hobbs that he and his company were Federales....Alfonso was no actor but the mayor of the town that The Treasure of the Sierra Madre was being filmed in. Well we don't need no stinkin' radio station to bring you this Podcast....hear hear.Starting off in 45 rpm fashion with the Dusters on the ARC label from 1956 with "Sally Mae"....The Emperors from Harrisburg, Pa with "Karate" follows that sounding ALOT like Santana's "Everybody's Everything"...hmmmmm...George Harrison got sued for less...no? The Ugly Beats cover The Easybeats monster 45 "I'll Make You Happy", a promise that might be hard to keep. Finishing off the first set of music before grabbing the mic and stumbling through the forest known as diction is The Sven Hammond Soul with "Svoogaloo". The Magic Mushrooms from San Diego start off the second set with "I'm Gone" a 45 rpm on the Warner Brothers label from 1966....A classic 45 up next with Bubble Puppy's "Hot Smoke and Sassafrass"...Bubble Puppy got their name from Aldous Huxley's BRAVE NEW WORLD..it being a childrens game actually called "Centrifugal Bumble-Puppy" and the name of the song came from THE BEVERLY HILLBILLIES when one of the members misquoted Jed Clampett. Leslie Gore follows the Puppy with "No Matter What You Do"....we love Leslie here in DRR land. The Royal Hangman provide the perfect bed for your host to belly up to the mic and have at it. Herman's Hermits follow yours truely with "Ace King, Queen, Jack" off their last proper release [and a fine LP] BLAZE [1967]. One of my favorite 45's gets yet another spin, "Fortune Teller" as done by Tony Jackson & the Vibrations...smoking guitar lead by Viberator Ian Buisel, you betcha!! Antobal's Cubans bring the Pod back to earth via a 78rpm on the Brunswick label from 1932, "The Moon Over Cuba Was High [and so was I]". Willy DeVille with a sinister version of The Chambers Brothers "Time Has Come Today" finishes off another dubious round of DRR...Coming back after a pause for the cause is The Chambers Brothers with "Funky" a great 45 rpm [also on the LP NEW GENERATION] Duane Eddy plugs in and tears it up with "Rampage".... The Ambassadors via Reel Records [1962] with "I Wonder Why"...smoking girl group rocker!....Dossie Terry with "Thunderbird" gets a spin just because we think it's one of the great ones......Enjoy the Podcast and we'll be back next week hoping we can "really shake 'em down" as the Contours once stated...stay smooth.

Our episode review of "Ghostfacers" can be found here
NOTES:*Thanks to Josh for joining me for the analysis discussion.*Thanks to Kristen and Beth for the great episode recap.LEGENDS & REFERENCES & TRIVIA*Morton House- Dean's Grand Canyon*Death Echo*Official Ghostfacers website.MUSIC*"We're An American Band" by Grand Funk Railroad.*"Hocus Pocus" by Focus.*"It's My Party" by Leslie Gore.The song of the night tonight is "Not Missing You” by Dreaming Isabelle. Brought to you by the podshow podsafe music network.