Podcasts about brutus

What happens when hunting becomes more than a hobby?In this episode, Goose sits down with Patrick Tyndall, founder of Ironman Outdoors, a Christian hunting ministry using deer stands, fishing boats, hog hunts, and campfire conversations to reach men for Christ.Patrick shares wild hunting stories, including the legendary 200-inch buck known as Brutus, but the real heart of this conversation is about men taking their “camo” off — dropping the act, getting honest, and letting other men sharpen them.From marriage struggles to salvation stories, father-son retreats, and the power of getting men outside their comfort zones, this episode is a reminder that God can use the outdoors, brotherhood, and even a hunting trip to change a man's life.Check out Ironman Outdoors and book a retreat: https://www.ironmanoutdoors.org/Follow Men's AllianceInstagram - https://www.instagram.com/mensalliancetribe/Facebook - https://www.facebook.com/mensalliancetribeTiktok - https://www.tiktok.com/@mensalliancetribeWebsite - https://www.mensalliancetribe.com/Explore Battlefield Coaching today and find yourself a Coach with experience overcoming a battle you are currently facing - https://battlefieldcoaching.comOrder the Book - Answer With Truth: The Ambassador's Field Manual for Leading Your Family Spiritually - https://amzn.to/3BmnuKV

In de maand juni ligt de focus op de mensen die bands helpen om het beste van zichzelf te geven tijdens hun optreden op een festival.  Lichtman Yann Windey en geluidsman Filip Tanghe geven het beste van zichzelf tijdens concerten van o.a. Balthazar, Brutus, en vele andere fantastische bands. Hoe werkt dat eigenlijk op een festival, wanneer je nauwelijks tijd hebt om te soundchecken of alle lichten te testen? Werkte het anders op festivals in Roemenië? En wat kan je doen als het fout loopt?

This is a free preview of a paid episode. To hear more, visit www.ryandawson.orgThank you JoJo, John, aldous huxtable, Brutus, M.Metzer, and many others for tuning into my live video! Join me for my next live video in the app.

Peter Hollins explores Julius Caesar's unique relationship with his soldiers, particularly the 10th Legion. Learn how Caesar forged an unprecedented connection through personal interactions and shared hardships, transforming them into a loyal and formidable force in ancient Rome. In this channel, Peter Hollins dives into the fascinating world of neuroscience and self-discipline through the lens of history's greatest leaders. From Julius Caesar's strategic brilliance as both a dictator and military commander to Brutus's role in the fateful Ides of March assassination, we explore how ancient Roman empire dynamics mirror modern mental performance techniques. Dive deep with us as we unpack leadership lessons from Shakespeare's "Julius Caesar," analyzing the complex legion bond and soldier loyalty that defined Caesar's unmatched command over the 10th Legion.

Send us Fan MailDame Harriet Walter discusses and recites from her poetry book, She Speaks! What Shakespeare's Women Might Have Said.For a complete episode transcript, http://www.womenandshakespeare.comInterviewer: Varsha PanjwaniGuest: Harriet WalterProducer: Stefano Masi Transcript: Benjamin PooreArtwork: Wenqi WanSuggested Citation:  Walter, Harriet in conversation with Panjwani, Varsha (2026). Harriet Walter on She Speaks! What Shakespeare's Women Might Have Said. Women & Shakespeare [podcast], Series 6, Ep.5. http://womenandshakespeare.com/Insta: earlymoderndocEmail: earlymoderndoc@gmail.com

Columbus Dispatch reporter Sheridan Hendrix, photographer Adam Cairns answer reader questions about their extensive coverage of Brutus, the popular Ohio State Mascot. Vodcast moderated by digital editor Eleanor Kennedy. Full project: Being Brutus: A year behind the scenes with Ohio State's iconic mascot

Today: A Clear Fork graduate’s secret life as Brutus Buckeye led to a snowy, viral moment in one of college football’s biggest rivalries.Support the show: https://richlandsource.com/membersSee omnystudio.com/listener for privacy information.

www.aufonddelaclasse.comCet épisode présente le remède que propose La Boétie contre la tyrannie — et ce remède est déconcertant dans sa simplicité : il ne s'agit ni de tuer le tyran, ni de se révolter. Il s'agit de cesser de le soutenir.La Boétie écarte d'abord le tyrannicide : Brutus et Cassius ont bien abattu César, mais au prix de « la ruine entière de la république ». Quant aux autres conjurations contre les empereurs romains, elles n'étaient que l'œuvre d'ambitieux voulant « chasser le tyran pour mieux garder la tyrannie ». Tuer le tyran ne touche pas à la racine du mal, qui est le consentement du peuple.Le vrai remède est formulé en une antithèse : « il ne s'agit pas de lui ôter quelque chose, mais de ne rien lui donner. » Le retrait du consentement est inattaquable — on ne peut pas punir un peuple entier de ne plus obéir.L'image du colosse dont on brise la base rend l'idée concrète : le tyran s'effondre sous son propre poids dès qu'on cesse de le soutenir. Et le paradoxe final est vertigineux : si la liberté s'acquiert par un simple vouloir, pourquoi les hommes ne la veulent-ils pas ? Parce que la coutume et l'ignorance ont étouffé en eux le désir même de la désirer. C'est pourquoi le Discours est nécessaire : avant de vouloir la liberté, il faut en avoir goûté le désir.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Guest Author Barry Strauss discusses the power struggle between Mark Antony and the young Octavian following Julius Caesar's assassination. Strauss relies on the Greek historians Plutarch and Cassius Dio to reconstruct this era, noting that Plutarch is the best single source for Antony's life. While Antony was a noble consul and Caesar's seasoned lieutenant, Octavian was a slight, 19-year-old great-nephew who lacked military experience but possessed "Machiavellian" cunning. The two joined Lepidus in the Second Triumvirate to avenge Caesar, leading to the Battle of Philippi in 42 BC. Although Antony emerged as the hero of that victory, Octavian allegedly fled the battlefield due to illness. This victory eliminated assassins like Cassius and Brutus, yet it set the stage for a civil war where Octavian'spolitical ambition would eventually overwhelm Antony's social pedigree. Strauss emphasizes that Caesar likely educated Octavian in the "dark arts of power." (1/8)1680 CONSTANTINOPLE

The myth says Caesar died and Rome was saved. That's the cover story. Brutus killed a man — he didn't kill the machine. The machine passed to Octavian.This is the story of how Augustus took the most powerful position in Rome and made it look like restoration rather than takeover. The Senate kept meeting. Consuls kept being elected. The fasces still stood on the rostrum. All the forms were preserved. Underneath, something else entirely was being built — and the system Augustus designed lasted nearly 500 years after his death.The pattern at the heart of this story repeats across history: successful transitions don't announce themselves. They resemble continuity. They keep the visible forms while the underlying function shifts. By the time anyone notices, the change is already locked in.This is part of an ongoing series on patterns of power transformation across history. For the deep dive on Constantine and a similar shift two centuries later, watch the companion piece on @TheRomanPattern (link in description).00:00 — The Machine Didn't Stop01:13 — Welcome to Hidden Forces in History01:23 — Caesar's Will Was the Real Weapon03:11 — The Proscriptions: Clearing the Field05:14 — Manufacturing Cleopatra as the Enemy06:27 — The 27 BC "Restoration"08:00 — Three Channels of Power: Literature, History, Currency09:13 — When Opposition Starts Believing11:00 — The Succession Problem12:20 — 500 Years of the Same Pattern13:00 — Same Playbook, Different Century

"Is that Bubba the Love Sponge? Brutus the Love Sponge?"Hey Little Paulsters! Your hosts, Jeff Macanovich and Jaime Cavazos, are (once again) without a special guest to watch Saturday Night's Main Event #30. Notwithstanding that, the guys learn that zombies can get tattoos, Sgt. Slaughter's allegiance is tied the color of his pants and what really happened to Damien. The guys enjoyed beers from 18th Street Brewery and Bell's Brewery.New episodes drop every other Tuesday morning and follow the show @WorkTheArmPod, on Twitter, Instagram, Blue Sky and (I guess) Threads.Check out our merch from the mind of Starman here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠T-Shirts by Starman's Podcasting Buddies | TeePublic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Grab something with the Work The Arm logo here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠T-Shirts by WorkTheArm | TeePublic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Alex Petkas is a historian, writer, and podcaster. What can one of history's greatest empires, and its most notorious leaders, teach us about the modern world? We all know the story of Julius Caesar and his famous assassination… but what really happened? And what lessons from Ancient Rome still shape our lives today? Expect to learn why learning about roman history useful or instructive at helping us in the modern world, what Caesar's life teach us about being a good person, What actually happened the night Caesar crossed the Rubicon, how Cleopatra managed to secretly meet Caesar inside the palace at Alexandria, what Caesar's his last night like, the convincing argument that convinced Brutus that killing Caesar was necessary and much more… Timestamps: (0:00) Why Roman History Still Matters Today(5:18) Julius Caesar: Genius or Tyrant?(9:58) The Origins of Caesar's Ruthless Ambition(25:48) The Pirate Story That Defined Caesar(29:25) How Caesar Won the the People of Rome(34:02) The Strategy Behind Caesar's Loyal Following(40:58) Caesar & Pompey: Allies or Enemies?(47:32) When Did Caesar and Pompey Become Enemies?(55:41) Was Crossing the Rubicon a Declaration of War Against the Senate?(01:03:07) How Pompey's Murder Led Caesar to Egypt(01:16:13) Cleopatra's Winning Tactics Over Caesar(01:21:14) Were Caesar and Cleopatra Lovers?(01:25:18) Inside the Final Day of Caesar's Life(01:38:25) The Bad Omens That Caesar Ignored(01:49:50) The Decisions That Sealed Caesar's Fate(01:58:23) Where to Find Alex Sponsors: See discounts for all the products I use and recommend: ⁠⁠https://chriswillx.com/deals⁠⁠ Get a free bottle of D3K2, an AG1 Welcome Kit, and more when you first subscribe at https://ag1.info/modernwisdom Get a Free Sample Pack of LMNT's most popular flavours with your first purchase at https://drinklmnt.com/modernwisdom Get the brand new Whoop 5.0 and your first month for free at https://join.whoop.com/modernwisdom Get 35% off your first subscription on the best supplements from Momentous at https://livemomentous.com/modernwisdom Extra Stuff: Get my free reading list of 100 books to read before you die: ⁠⁠https://chriswillx.com/books⁠⁠ Try my productivity energy drink Neutonic: ⁠⁠https://neutonic.com/modernwisdom⁠⁠ Episodes You Might Enjoy: #577 - David Goggins - This Is How To Master Your Life: ⁠⁠lnkfi.re/SN-Goggins⁠⁠ #712 - Dr Jordan Peterson - How To Destroy Your Negative Beliefs: ⁠⁠lnkfi.re/SN-Peterson⁠⁠ #700 - Dr Andrew Huberman - The Secret Tools To Hack Your Brain: ⁠⁠lnkfi.re/SN-Huberman⁠⁠ - Get In Touch: Instagram: ⁠⁠https://www.instagram.com/chriswillx⁠⁠ Twitter: ⁠⁠https://www.twitter.com/chriswillx⁠⁠ YouTube: ⁠⁠https://www.youtube.com/modernwisdompodcast⁠⁠ Email: ⁠⁠https://chriswillx.com/contact⁠⁠ - Learn more about your ad choices. Visit megaphone.fm/adchoices

漫画家の山田胡瓜さんをゲストに迎えて、AIの遺電子、AI、Sora, Anthropic, Nano Banana, 著作権、自動運転などについて話しました。 Show Notes BRUTUS特別編集 合本 マンガが好きで好きで好きでたまらない AIの遺電子 - 山田胡瓜 The Gene of AI Amazon's cloud ‘hit by two outages caused by AI tools last year' 【利きボケAI】かまいたち山内の本当のボケをAI回答の中から濱家は当てることができるのか！？ m-flo loves Diggy-MO' & しのだりょうすけ / "GateWay" Official Music Video Why OpenAI really shut down Sora Grammarly turned me into an AI editor against my will and I hate it Anthropic's Philosopher Amanda Askell Is Teaching Claude AI to Have Morals 風の谷のナウシカ 1: 宮崎 駿

China resumes travel to North Korea. Then: why Cuba might be next on Donald Trump’s list. Plus: we meet the new mayor of Helsinki, Daniel Sazonov. And: the Passenger Terminal Expo, a trip to Mallorca and Japan’s ‘Brutus’ magazine.See omnystudio.com/listener for privacy information.

2. Lucretia and the Birth of the Republic (3)Southon explains that while most women can be removed from Roman history without much change, Lucretia is essential to the story of the Republic. During a "best wife" competition, Lucretia was found weaving wool, a sign of extreme domestic virtue, while other elite women were drinking wine. After being assaulted by the king's son, Sextus, she committed suicide to ensure her name would never be used to excuse unvirtuous behavior. Her family, led by Brutus, used her body to incite a revolution that overthrew the monarchy and established the Roman Republic. (4)

We speak with Ro Tajima, editor in chief of iconic Japanese publication ‘Brutus’, plus Nelson Ng from meditative travel magazine ‘Lost’ and Jane Gleeson from Irish food title ‘Guzzle’.See omnystudio.com/listener for privacy information.

In this second episode of Season 5, I interview Dr. Reece Edmends, a graduate of King's College, Cambridge, and a junior faculty member in the Classics Department at Princeton University. Drawing on his recent PhD dissertation, “‘Liberation' in Augustan Propaganda” (2025), we discuss the fall of the Roman Republic, the empire that Caesar Augustus forged, as well as the other fascinating figures in this story, from Julius Caesar and Mark Anthony to Brutus and Cicero. The transcript for this interview will be available on our new Substack page. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this second episode of Season 5, I interview Dr. Reece Edmends, a graduate of King's College, Cambridge, and a junior faculty member in the Classics Department at Princeton University. Drawing on his recent PhD dissertation, “‘Liberation' in Augustan Propaganda” (2025), we discuss the fall of the Roman Republic, the empire that Caesar Augustus forged, as well as the other fascinating figures in this story, from Julius Caesar and Mark Anthony to Brutus and Cicero. The transcript for this interview will be available on our new Substack page. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this second episode of Season 5, I interview Dr. Reece Edmends, a graduate of King's College, Cambridge, and a junior faculty member in the Classics Department at Princeton University. Drawing on his recent PhD dissertation, “‘Liberation' in Augustan Propaganda” (2025), we discuss the fall of the Roman Republic, the empire that Caesar Augustus forged, as well as the other fascinating figures in this story, from Julius Caesar and Mark Anthony to Brutus and Cicero. The transcript for this interview will be available on our new Substack page. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Understanding the background of Philippi will help us appreciatethe message that Paul writes to this church in this letter. Philippiwas located in the region of Macedonia, which today would be in northernGreece. The city was set on a fertile plain near the Aegean Sea and waspositioned along one of the most important highways in the ancient world—thefamous Roman road called the Via Egnatia. This highway connected the easternpart of the Roman Empire to the western part, stretching all the way from theAegean Sea across to Rome itself. Because of its location on this major traderoute, Philippi became a very important commercial and military city. Originally,the town was known by another name. But in 356 B.C., a man named Philip II, thefather of Alexander the Great, conquered the city for Greece and renamed itPhilippi after himself. Later,when the Romans conquered the region, Philippi became an even more significantcity in Roman history. In 42 B.C., one of the most decisive battles in Romanhistory took place near the city. The armies of Mark Antony and Octaviandefeated the forces of Brutus and Cassius—the men who had been involved in theassassination of Julius Caesar. That battle helped bring an end to the RomanRepublic and paved the way for the Roman Empire. After that battle, many Romansoldiers were settled in Philippi, and the city was given the status of a Romancolony. Nowthis is very important to understand. A Roman colony was considered anextension of Rome itself. The citizens enjoyed many special privileges. Theywere Roman citizens, which meant they were exempt from certain taxes. Theyfollowed Roman laws and customs. Latin was the official language, Roman dresswas common, and Roman pride ran deep among the people. In many ways, Philippiwas a little piece of Rome located in Macedonia. Thisbackground helps us better understand something Paul wrote in Philippians 3:20:“For our conversation is in heaven…”. The word conversation thereactually means citizenship. Paul was reminding the believers in Philippithat although they were proud Roman citizens, their true citizenship was inheaven. They belonged to another kingdom. I'm proud to be an American. But myfriend, my real citizenship is in heaven. Anyone who trusts Jesus Christ astheir personal Lord and Savior has their true citizenship in heaven. Anotherinteresting thing about Philippi is that there does not appear to have been asynagogue in the city when Paul visited, as recorded in Acts of the Apostleschapter 16. If you remember, in most of the cities Paul visited he began hisministry by first going to the synagogue. As you read through the book of Acts,that pattern becomes very obvious. But he did not go to a synagogue inPhilippi. Why? Possibly because there was not one there. A synagogue requiredat least ten Jewish men in the community, and apparently there were not enoughJews in Philippi to meet that requirement. Instead,there was a small group of people who gathered outside the city by a river topray. And it was there that the gospel would first take root in this Romancity. From this unlikely beginning, God would plant the first church in Europe.This reminds us of something very important about the work of God: God oftenbegins great works in very small and unexpected ways. I could tell you manystories about how I have seen that happen in ministry over the past fiftyyears. A small prayer meeting…a few people gathered quietly…and yet God beginsto do something powerful. Thereby the riverside in Philippi sat a woman named Lydia, sitting bythe river, ready to hear the gospel. God's plan was unfolding. That littlegathering became the starting point for something that would eventually impactthe entire continent of Europe. From that small beginning came the church thatPaul would later write to with such love and affection in the book ofPhilippians.

In this second episode of Season 5, I interview Dr. Reece Edmends, a graduate of King's College, Cambridge, and a junior faculty member in the Classics Department at Princeton University. Drawing on his recent PhD dissertation, “‘Liberation' in Augustan Propaganda” (2025), we discuss the fall of the Roman Republic, the empire that Caesar Augustus forged, as well as the other fascinating figures in this story, from Julius Caesar and Mark Anthony to Brutus and Cicero. The transcript for this interview will be available on our new Substack page. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

The Ides of March is the best-known date in the ancient world, thanks to one of the most infamous acts in history: the assassination of Gaius Julius Caesar. Assassin's Creed Origins portrays Caesar at the peak of his powers, who was shockingly assassinated by a gang of Senators, including his most loyal friends and followers, like Brutus. What had Caesar done to deserve this? Who stabbed him first? And how did the assassins' plan to save the Roman Republic ultimately lead to the creation of the Roman Empire?Prof. Colin Elliot from Indiana University Bloomington, host of the Pax Romana podcast, joins Matt Lewis to reveal the true events of that fateful day. His book Pox Romana: The Plague That Shook The World offers a comprehensive, wide-ranging account of the world's first pandemic.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Watch these interviews and exclusive videos on our YouTube channel, and listen to our previous episodes about the wars of Caesar and Cleopatra.Hosted by: Matt LewisEdited by: Robin McConnellProduced by: Robin McConnell, Peta StamperSenior Producer: Anne-Marie LuffProduction Manager: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic:Winds of Cyrene by Sarah SchachnerAcross the Dunes by Sarah SchachnerPtolemy's Lament by Sarah SchachnerIf you liked this podcast please subscribe, share, rate & review. Take part in our listener survey here.Tell us your favourite Assassin's Creed game or podcast episode at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

THIS WEEK! We do another 2 parter where we take a look at the life, and times of Augustus. In part 1 we focus on the rise of Young Octavian. From his early childhood, to meeting Caesar. And how did he handle beng Caessars heir? And how did he deal with the threa of Sextus, and Brutus, to the falling out of Mark Anthony, and The Battle Of Anthony. All this, and much more on "Well That Aged Well", with "Erlend Hedegart".Support this show http://supporter.acast.com/well-that-aged-well. Hosted on Acast. See acast.com/privacy for more information.

In the years leading up to the American Revolution, newspapers and pamphlets overflowed with essays signed "Publius," "Brutus," and "A Farmer." Those arguments helped shape a nation, but the authors' real names were nowhere to be found. Americans have long relied on anonymous speech to challenge the powerful, protect dissenters, and keep the focus on ideas rather than identities. That tradition has endured into America's digital age, even as anonymous speech has become more controversial. To explore America's history with anonymity, we are joined by Jeff Kosseff, a nonresident senior legal fellow at The Future of Free Speech and author of The United States of Anonymous. Preorder his forthcoming book, The Future of Free Speech: Reversing the Global Decline of Democracy's Most Essential Freedom.   Timestamps:  00:00 Intro   02:01 What is anonymity? 04:38 Anonymous speech in Colonial America 15:58 Does the First Amendment protect anonymity? 20:35 Anonymous speech in the Civil Rights Era  31:17 The internet and anonymity 35:44 Modern anonymity debates: DHS subpoenas, age verification, social media regulation, and VPN bans 51:53 Outro   Enjoy listening to the podcast? Donate to FIRE today and get exclusive content like member webinars, special episodes, and more.  If you became a FIRE Member through a donation to FIRE at thefire.org and would like access to Substack's paid subscriber podcast feed, please email sotospeak@thefire.org.  

Mercredi dans Pop-Rock Station, la soirée mêle classiques et nouveautés avec Black Sabbath, The White Stripes, Katrina and the Waves ou Placebo. Focus historique sur The Jam, qui signe avec Polydor en 1977, célébré avec "In The City". L'album de la semaine est "No Lube So Rude" de Peaches, illustré par "Grip". Archive dévoile "Look At Us", extrait de "Glass Minds". Gorillaz présente "Orange County", avant la sortie de The Mountain. La reprise du soir met à l'honneur "Wicked Game" de Chris Isaak, revisitée par Stone Sour. Live également avec Brutus et "Dust", tandis que l'émission célèbre l'anniversaire de George Harrison avec "My Sweet Lord". La séquence Fresh Fresh Fresh présente The Sophs et "Sweetiepie", extrait de "Goldstar". La fin de soirée convoque Kim Gordon, Queen, Alex Turner en solo, Jefferson Airplane et Black Sabbath, entre héritage rock et scène actuelle. Archive - Look At Us Placebo - Song To Say Goodbye The Jam - In The City Katrina And The Waves - Walking On Sunshine Kasabian - Hippie Sunshine The Rolling Stones - Paint It Black The White Stripes - Blue Orchid Peaches - Grip Babylon Zoo - Spaceman Neil Young - Rockin In The Free World Electric Light Orchestra - Mr Blue Sky Gorillaz & Bizarrap & Kara Jackson & Anoushka Shankar - Orange County Stone Sour - Wicked Game Beth Ditto - Fire Stereophonics - Dakota Brutus - Dust (Live In Brussels) George Harrison - My Sweet Lord Mark Knopfler - What It Is Kim Gordon - Not Today Queen - Killer Queen Papa Roach - Last Resort The Sophs - Sweetiepie Jefferson Airplane - Somebody To Love Alex Turner - Stuck On A Puzzle Black Sabbath - Paranoid Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Isaac Hayes - Shaft IiHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send a textThe audience sees this manipulation in terms of Cassius's treatment of Brutus and his use of flattery and reassurance to bring Brutus into the conspiracy to kill Caesar. Later, the audience learns that Cassius is willing to gain money by means that Brutus finds dishonorable and unacceptable, though the specifics are not fully revealed. Cassius is at various times petty, foolish, cowardly, and shortsighted. On the other hand, Cassius offers Brutus the correct advice that Brutus should not allow Antony to talk to the Roman citizens after Caesar's death. Had Brutus taken Cassius's advice, the conspirators might have succeeded in convincing the Roman people that Caesar had to die. Despite his villainous tendencies, Cassius remains a complex character with hostile yet impressively passionate traits.Cassius doesn't “prove” Caesar is dangerous; he makes Brutus - another character - feel that Caesar is dangerous—and that opposing him is the only honorable choice.  And hold your horses, because we will really be looking into Brutus in a future episode.Now - and there's a point to this.Have you ever noticed how the most persuasive person in the room rarely says, “I'm persuading you”?They say, “I'm just telling you what you already know.”And suddenly… your doubts feel like wisdom.Support the showThank you for experiencing Celebrate Creativity.

In this episode of the Broad Street Review Podcast, host Darnelle Radford welcomes director Morgan Green to discuss the Philadelphia Theatre Company's adaptation of Shakespeare's Julius Caesar. They explore the shared leadership model in Philadelphia theatre, the unique interpretations of the cast, and the relevance of the play in today's society. The conversation delves into character analysis, choreography, and the audience's engagement with the production, highlighting the emotional and political themes that resonate with contemporary issues.A Bold and Modern New AdaptationCaesarAdapted by Tyler Dobrowsky From Julius Caesar by William Shakespeare Directed by Morgan GreenWhat would you do to protect your home?Shakespeare's classic political tragedy is reborn as a gripping contemporary thriller in this bold new adaptation by Tyler Dobrowsky. Caesar stays true to Shakespeare's original language but trims the story to its leanest, most urgent core—cutting to the heart of ambition, authoritarianism, and the cost of protecting democracy.Brutus, a principled Roman senator, joins a conspiracy to assassinate Julius Caesar, fearing the rise of tyranny. But once the deed is done, the fragile dream of liberty spirals into violence, unrest, and civil war. As alliances shift and Rome descends into chaos, the play asks: Who gets to hold power? And at what price?Running just 95 minutes, Caesar is fast-paced and fiercely relevant, inviting audiences to draw parallels between ancient Rome and the political tensions of our world today.In a season about what it means to be home, Caesar asks: who gets to shape the future of a nation? And what are we willing to risk to defend the place—and people—we love?ABOUT MORGAN CLAIRE GREENPTC: Debut. Off-Broadway: Five Models in Ruins, 1981, LCT3; Staff Meal, Playwrights Horizons; School Pictures, Playwrights Horizons. Regional: Hilma (Opera), Eternal Life Part 1, School Pictures, Fat Ham (digital; Pulitzer Prize for Drama), Wilma Theater. Additional premieres include Five Models in Ruins and The Karamazovs (film). Awards: Obie Award. Leadership: Co-Artistic Director of Philadelphia's Tony Award–winning Wilma Theater, where she has directed numerous world premieres and new theatrical collaborations.FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/caesar/

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Shakespeare's Julius Caesar, Cassius argues that "Men at some time are masters of their fates: The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings." In this week's episode, we are exploring early modern ideas of fate and the stars and the practices and beliefs of astrology in Shakespeare's time.  We'll discuss the difference between the early modern concepts of natural and judicial astrology, the popularity and influence of astrology and astrologers in Early Modern England, and how it found its way into plays like Shakespeare's. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander.   For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Bragg, Melvin, host. "Renaissance Astrology." In Our Time: Science, BBC Radio, 14 Jun 2007. https://www.bbc.co.uk/programmes/b007nmym Cash, Cassidy, host, and Barbara Traister, guest. "Episode #13: Interview with Barbara Traister exploring astrology, doctors, herbs, and witches in Shakespeare's England." That Shakespeare Life, episode 13, Cassidy Cash, 16 July 2018. https://cassidycash.libsyn.com/episode-13-interview-with-barbara-traister-exploring-astrology-doctors-herbs-and-witches-in-shakespeares-england Kassell, Lauren, host. "Simon Forman: astrology, Medicine and Quackery in Elizabethan England." University of Oxford Podcasts, University of Oxford, 26 Oct 2011. https://podcasts.ox.ac.uk/simon-forman-astrology-medicine-and-quackery-elizabethan-england Lipscomb, Suzannah, host, and Benjamin Woolley, guest. "Elizabeth I's Conjuror: John Dee." Not Just the Tudors, episode 364, History Hit, 9 Oct 2024. https://podcasts.apple.com/us/podcast/elizabeth-is-conjuror-john-dee/id1564113869?i=1000670531385 Oxford English Dicitionary. "Astrology, N. Meanings, Etymology and More | Oxford English Dictionary." Oxford English Dictionary, 2026, www.oed.com/dictionary/astrology_n. Oxford English Dicitionary. "Astronomy, N. Meanings, Etymology and More | Oxford English Dictionary." Oxford English Dictionary, 2026, www.oed.com/dictionary/astronomy_n. Schifini, Julia and Amanda McLoughlin, hosts, and Kelly Downes, guest. "Episode 361: Astrology and Shakespeare (with Kelly Downes)." Spirits Podcast, episode 361, Multitude Productions, 8 Nov 2023. https://spiritspodcast.com/episodes/shakespeare-and-astrology  Shakespeare, William. Twelfth Night, or What You Will , edited by Keir Elam, ARDEN SHAKESPEARE, LONDON, UK, 2008, pp. 180n1.3.132-5. Third. Walker, Katherine. "Almanacs as Underdogs: Folger Shakespeare Library." Folger Shakespeare Library Almanacs as Underdogs Comments, Folger Shakespeare Library, 19 Mar. 2019, www.folger.edu/blogs/collation/almanacs-as-underdogs/.  Smith, William Bruce, "Shakespeare and astrology" (1989). Chapter 2. Master's Theses. Paper 1083

Today's episode cuts straight through the noise to examine allegations of deep-rooted corruption in Colorado's judiciary and beyond, centered on claims raised by Christopher Gregory and lawsuits involving figures like David Beller. We explore how power operating behind closed doors has led to real consequences for people who didn't deserve it, while trust in institutions continues to erode. This isn't about hopium or headlines; it's about confronting uncomfortable questions around accountability, immunity, and who actually represents the people.Joining the show is Ann Vandersteel, bringing firsthand insight into the pressure points shaping the national conversation from the appetite (or lack thereof) for confronting corruption, to the complex web of relationships in politics, media, and influence networks. We unpack testimony, whistleblower claims, and the broader geopolitical narratives being invoked from Venezuela and Serbia to the World Economic Forum while separating verifiable facts from speculation and fear-driven rhetoric. The goal: clarity over chaos.We also take a hard look at President Trump's inner circle and the concern that some around him may be working against his stated agenda, modern-day Brutus and Judas moments that complicate leadership in a hostile environment. From national debt myths to factional splits (MAGA vs. MIGA), from broken systems to the resolve to fight rather than fold, this episode argues that the voice of the American people is the hill worth defending no matter how messy the fight gets.

Carlijn Kingma is cartograaf. In samenwerking met onderzoekers en journalisten brengt zij de onzichtbare machtsstructuren en institutionele indelingen die onze samenleving sturen in kaart. In 2017 werd haar werk bekroond met de New Babylon Award. Haar werk ‘Het Waterwerk van ons geld' werd in 2023 tentoongesteld in onder andere het Kunstmuseum Den Haag. De tentoonstelling toonde hoe onrechtvaardig ons financiële systeem in elkaar zit. Nu is haar solotentoonstelling ‘Fear of Falling' te zien in de kunstruimte Brutus, waarin ze de complexe machinerie achter de wooncrisis ontrafelt. Daarmee stelt ze de vraag: wie bepaalt eigenlijk hoe wij wonen? Femke van der Laan gaat met Carlijn Kingma in gesprek.

Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donateThe Anti-Federalist Papers (Pt. 2)During the period of debate over the ratification of the Constitution, numerous independent local speeches and articles were published all across the country. Initially, many of the articles in opposition were written under pseudonyms, such as "Brutus", "Centinel", and "Federal Farmer". Eventually, famous revolutionary figures such as Patrick Henry came out publicly against the Constitution. They argued that the strong national government proposed by the Federalists was a threat to the rights of individuals and that the President would become a king. They objected to the federal court system created by the proposed constitution. This produced a phenomenal body of political writing; the best and most influential of these articles and speeches were gathered by historians into a collection known as the Anti-Federalist Papers in allusion to the Federalist Papers. (Summary by Ticktockman)Genre(s): *Non-fiction, Philosophy, Political ScienceLanguage: EnglishKeyword(s): ⁠literature⁠ (1957), ⁠philosophy⁠ (985), ⁠politics⁠ (208), ⁠government⁠ (43)Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donate

Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donateDuring the period of debate over the ratification of the Constitution, numerous independent local speeches and articles were published all across the country. Initially, many of the articles in opposition were written under pseudonyms, such as "Brutus", "Centinel", and "Federal Farmer". Eventually, famous revolutionary figures such as Patrick Henry came out publicly against the Constitution. They argued that the strong national government proposed by the Federalists was a threat to the rights of individuals and that the President would become a king. They objected to the federal court system created by the proposed constitution. This produced a phenomenal body of political writing; the best and most influential of these articles and speeches were gathered by historians into a collection known as the Anti-Federalist Papers in allusion to the Federalist Papers. (Summary by Ticktockman)Genre(s): *Non-fiction, Philosophy, Political ScienceLanguage: EnglishKeyword(s): literature (1957), philosophy (985), politics (208), government (43)Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donate

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Julius Caesar, Shakespeare repeatedly reminds us that Brutus is an honorable man. In this episode we will explore if this is true, how Shakespeare depicts both masculine honor and its early modern counterpart, feminine virtue, in the characters of Brutus and Portia, and how Portia's characterization by editors and theatremakers has changed over time.  First, we unpack how honor was defined for Shakespeare's audiences and how the play incorporates Early Modern anxieties about rhetoric throughout the plot. We then closely examine Brutus's desire to be perceived as honorable, how that shapes his choices, and whether or not he is ultimately honorable.  Then we will turn to Portia, tracing how editors and theatremakers have altered her language and characterization across time in order to make her virtue more palatable to the moral expectations of their moment. We look at what gets changed, what gets softened or erased, and what those choices reveal about how women are policed on stage and on the page.  Content Warning: Discussions of suicide and self-harm.  If you are in crisis, please call, text or chat with the Suicide and Crisis Lifeline at 988, or contact the Crisis Text Line by texting TALK  to 741741. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: GRAY, PATRICK. "CONCLUSION TO PART I: SHAKESPEARE'S PASSION PLAY." Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism and Civil War, Edinburgh University Press, 2019, pp. 145–74. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7n09n2.9. Accessed 19 Jan. 2026. Sacharoff, Mark. "Suicide and Brutus' Philosophy in Julius Caesar." Journal of the History of Ideas, vol. 33, no. 1, 1972, pp. 115–22. JSTOR, https://doi.org/10.2307/2709060. Accessed 19 Jan. 2026. Scott, Sarah K. "Portia and the Circulation of Virtue: 'Men May Construe Things after Their Fashion.'" Medieval & Renaissance Drama in England, vol. 32, 2019, pp. 219–38. JSTOR, https://www.jstor.org/stable/26800556. Accessed 20 Jan. 2026.  Xiao, Xinyao. (2018). "Oxymoronic Ethos: the Rhetoric of Honor and Its Performance in Shakespeare's Julius Caesar." Philological Quarterly. 97. 263-285.    

Brutus is an honorable man, but Caesar is Caesar: at the beginning of Shakespeare's play, his name is near the point of becoming synonymous with dictatorial power, and his every wish, as Mark Antony points out, has the substance of a command. For the rebels who oppose him, this identification of political authority with personal will is a perversion of republican institutions, and a form of corruption that justifies any means of putting an end to it, even if that means killing a friend. Yet Brutus's conception of himself as unflaggingly virtuous is one he in fact shares with Caesar, and perhaps reflects the same authoritarian tendency, in grounding the legitimacy of political action in the character of a particular actor. Then again, it is not clear that democratic institutions will always forestall authoritarian tendencies, rather than enable the masses to sanction absolute power in a charismatic leader. Wes & Erin discuss Shakespeare's “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated. Upcoming Episodes: “Amadeus,” Susan Sontag. Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

Happy Monday! We chat about how Mike's Bears lost a tough one, the CBJ are streaking, we recap the rest of the NFL playoff weekend, we preview tonight's Indiana – Miami game, Finebaum has turned into a troll, be nice to AI, Brutus wins a championship, OSU hoops get a nice win & we give you a Foodgasm.

Big goals often feel out of reach when life throws setbacks your way. But what if the obstacles are actually shaping the path forward? In this episode, Bryan Sweet sits down with Randy Carver, CRPC®, CDFA®, President & CEO of Carver Financial Services, and author of Limitless, to talk about persistence, mindset, and defining personal meaning. Randy shares how early health challenges shaped his outlook, how failure can become fuel, and why clarity matters more than circumstances. The conversation explores vision setting, daily habits, leadership, and using purpose to create momentum in business and life. Key takeaways: How early adversity reshaped his mindset and influenced long-term motivation and persistence Why defining personal meaning matters more than tools, talent, or starting circumstances Practical habits that help maintain focus, discipline, and forward momentum each day Lessons on leadership, delegation, and building teams that scale beyond the individual How service, generosity, and purpose can guide decisions and future direction And more! Connect With Randy Carver: LinkedIn: Randy Carver Website: Carver Financial Services Connect With Sweet Financial Partners: 1 (507) 235-5587 meetingwithsweet.com Sweet Financial LinkedIn: Bryan Sweet Facebook: Sweet Financial Partners Get our book, “Dream Architecture,” here About Our Guest: Randy Carver was born in New York City, grew up in Baltimore, Maryland, and spent his teen years in Toronto, Canada. As a teenager, Randy started and ran several successful businesses, including a catering firm and two home renovation companies. He attended Oberlin College where he earned his degree in economics. Upon graduating in 1987, Randy opened a branch office for a regional brokerage firm in Mentor, Ohio. The office became one of the company's most successful within three years. In 1990, Randy founded Carver Financial Services to provide Personal Vision Planning® by offering clients unbiased investment information and a wide range of financial products and services through an international firm. He has offered securities through Raymond James Financial Services since 1990. Randy is a General Securities Principal (Series 24 license), Municipal Securities Principal (Series 53 license), holds Series 7 and Series 63 securities licenses, in addition to a series 31 futures license. He also holds a life, health, and annuity insurance license. Randy has earned the Chartered Retirement Planning Counselors CRPC® designation from the College for Financial Planning and is a Certified Divorce Financial Analyst® practitioner, having completed the certification from the Institute for Divorce Financial Analysts earning the CDFA® designation. Randy has taught accountancy board-approved continuing education courses for certified public accountants, as well as Supreme Court Commission on Continuing Legal Education-approved courses for attorneys since 1989. Randy has appeared as a commentator on FOX Business, CNN, Yahoo Finance, Bankrate, Cheddar TV, Newsmax, and Fox News. He has been featured in the New York Times, Barron's, Forbes, Financial Times, The News-Herald, Crain's Cleveland Business, the Toledo Blade and The Wall Street Journal. Barron's has named Randy Carver one of the top 1200 advisors in the United States and one of the top 10 in Ohio every year since 2010. Factors included in the rankings: assets under management, revenue produced for the firm, regulatory record, quality of practice, and philanthropic work. Click here to see all the awards he has received from Barron's, Forbes, Financial Times, etc. Randy lives in Kirtland Hills, Ohio, with his significant other, Christine, and their three dogs, Brutus, Mongo, and Thor. His daughter Cid is living in Tel Aviv, Israel. Randy is a licensed private pilot, flying for both business and pleasure, and pursues other eclectic hobbies ranging from gourmet cooking to riding motorcycles. The opinions voiced in The Dream Architect Life Podcast with Bryan Sweet are for general information only and are not intended to provide specific advice or recommendations for any individual. To determine what may be appropriate for you, consult with your attorney, accountant, financial or tax advisor prior to investing. Guests on the show are not affiliated with CWM, LLC. Investment advisory services offered through CWM, LLC, an SEC Registered Investment Advisor. Carson Partners, a division of CWM, LLC, is a nationwide partnership of advisors.

Joe Oltmann Untamed delivers another nuke of an episode exposing the rot at the heart of America's institutions. Joe dives deep into the latest wave of fraud revelations spotlighting brazen cartel-style operations tied to figures like John Hickenlooper while slamming a judiciary that's become the enforcer for the powerful instead of a shield for the people. He highlights Patrick Byrne's relentless fight against a system that blocks fair hearings, forcing patriots to take their battles to X because the courts won't listen.The show turns up the heat on Washington insiders with breaking reports of President Trump's growing frustration with Attorney General Pam Bondi, questioning whether incompetence or betrayal is surrounding the administration. Joe connects the dots on a judiciary that's "rotted to the core" and calls out the Brutus-like figures who undermine the America First agenda leaving no doubt that something has to give.We have commodity trading veteran Vince Lanci (GoldFix Publisher) breaking down gold's explosive run past $4,600 and silver nearing $89, unpacking China's dominance in pricing, structural de-dollarization signals, and the dark side of soaring precious metals prices. Then, Adam DeRito, Republican congressional candidate challenging the incumbent in Colorado's 8th District, joins to lay out his platform rooted in his whistleblower fight against military corruption, the DeRito Act for justice reform, energy independence from his oil & gas expertise, and concrete steps to dismantle insider trading, lobbying influence, and the career politicians abandoning veterans and first responders. If you're fed up with rigged systems, judicial capture, and elite betrayal, this episode connects every dot and fires every shot. Tune in truth doesn't wait.

How do you go from being the Ohio State University mascot to an ICU Nurse, and finally to a top-tier Pharmaceutical Sales Rep at Pfizer in just 11 weeks?In this episode of Medical Sales U, I sit down with Corey Stewart to break down his incredible career transition.- The "Hospital Cafeteria" Interview: The insane story of how Corey interviewed for Pfizer while his wife was in labor (and still crushed it).- The STAR Method: Watch a live roleplay of how to answer the "Tell me about a time..." question using courage and clinical experience.- Salary Negotiation: Full transparency on the numbers. See how Corey negotiated a $112k offer up to a $158k total first-year package.-Networking Strategy: Why reaching out to the team is more important than reaching out to the manager.If you are a nurse, teacher, or athlete looking to break into Medical Device or Pharma Sales, this will give you some insight.CHAPTERS0:00 - Intro: Meeting Brutus Buckeye & The "Expert of One" Mindset2:15 - Why Leave Nursing? Burnout, Family, and Income8:45 - The Strategy: Networking with Peers vs. Hiring Managers15:30 - Master Class: Using the STAR Method in Interviews (Live Example)24:10 - The "Courage" Story: Challenging a Surgeon in the ICU32:45 - Must See: Interviewing for Pfizer While His Wife was in Labor!40:20 - The "Re-Close": How to Tell Them You Got the Job45:50 - Money Talk: Negotiating Base Salary, Commission, & Relocation ($158k Total)52:10 - Final Advice: Betting on YourselfWANT TO BREAK INTO MEDICAL SALES? Ready to leave the bedside or the classroom and start a 6-figure career? Apply to Medical Sales U today: medicalsalesu.com/ABOUT THE GUEST: Corey Stewart is a former Ohio State "Brutus" mascot, a Cardiovascular ICU Nurse, and now a Pharmaceutical Sales Representative at Pfizer. He successfully transitioned into the industry in just 11 weeks using the Medical Sales U coaching program.#MedicalSales #Pfizer #NurseToSales #SalaryNegotiation #OhioState #BrutusBuckeye #PharmaSales #CareerTransition #InterviewTips #DaveSterrett #MedicalSalesUDisclaimer: The views expressed in this video are those of the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company.

ETRUSCANS AND THE WOMEN OF EARLY ROME Colleague Daisy Dunn. Dunn discusses the Etruscans, noting their advanced dentistry and the shock Greeks felt at Etruscan men and women dining together openly. Transitioning to Rome, they recount the violent founding myth of the Rape of the Sabine Women. The segment details the tragedy of Lucretia, whose rape and subsequent suicide led Brutus to overthrow the monarchy and establish the Roman Republic, making her a paragon of virtue. NUMBER 11 1600 RAPE OF THE SABINE WOMEN

CORNELIA AND SERVILIA: MOTHERS OF ROME Colleague Daisy Dunn. This segment focuses on Cornelia, the educated "one-man woman" who raised the reforming Gracchi brothers to challenge the Roman elite. Dunn notes Cornelia's heartbreak as she tried to dissuade her second son from following his assassinated brother's path. The discussion shifts to Servilia, Caesar's long-term mistress and mother of Brutus. Servilia is depicted as a politically astute woman caught between her lover and her son, the future assassin. NUMBER 13 79 AD WOMEN OF POMPEII AND HERCULANEUM

SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR THESDHOW BEGINS WITH DOUBTS ABOUT THE PURPOSE OF WAR-MAKING AS EXPRESSED MOURNFULLY BY HECTOR'S WIFE ANDROMACHE... SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 THE GORE AND GLORY OF BATTLE Colleague Professor Emily Wilson. Wilson discusses translating the Iliad'svivid violence, drawing on insights from combat veterans regarding the trauma of battlefield death. A central theme is the treatment of corpses; possessing and stripping a dead enemy's armor is the ultimate sign of dominance. The conversation touches on the physical nature of the gods, who bleed "ichor" when wounded, and Poseidon's support for the Greeks in contrast to his brother Zeus. NUMBER 6 THE DEATH OF PATROCLUS AND HECTOR Colleague Professor Emily Wilson. The tragedy culminates with Patroclus ignoring Achilles' warning, leading to his death by Hector and the loss of Achilles' armor. Wilson describes Achilles' terrifying return to battle, equipped with new armor from Hephaestus, and his slaughter of Trojans. The segment covers the final confrontation where Achilles kills Hector and, driven by vengeance, drags his body behind a chariot, denying him burial rights and intending to mutilate him forever. NUMBER 7 GRIEF, GAMES, AND ACCEPTANCE Colleague Professor Emily Wilson. After Hector's death, Achilles finds a form of healing through funeral games, which offer a non-lethal model of competition. He even awards Agamemnon a prize without a contest, possibly as a slight. The poem concludes not with victory, but with a "humanitarian pause" for Hector's funeral. Wilson notes the ending focuses on women's lamentations, emphasizing the Iliad's enduring lesson on the struggle to accept human mortality. NUMBER 8 FEMALE AUTHORSHIP AND THE TROJAN WOMEN Colleague Daisy Dunn. Daisy Dunn discusses the legend of Phantasia, a rumored female source for Homer, and the myth of Leda and the Swan. She argues that the Trojan Warlikely reflects real historical conflicts at the site of Hisarlik. The segment highlights key female figures: Andromache, who offers military advice to Hector, and Briseis, the enslaved woman central to the dispute between Agamemnon and Achilles, illustrating the centrality of women to the epic. NUMBER 9 SAPPHO OF LESBOS Colleague Daisy Dunn. Dunn explores the life of Sappho, debunking myths about her appearance and suicide. She explains that Sappho was exiled due to her family's aristocratic background during a time of political revolution. The conversation covers Sappho's disapproval of her brother's relationship with the courtesan Doricha and her professional jealousy when students left her school for rivals. Weaving is presented as a metaphor for women shaping fate. NUMBER 10 ETRUSCANS AND THE WOMEN OF EARLY ROME Colleague Daisy Dunn. Dunn discusses the Etruscans, noting their advanced dentistry and the shock Greeks felt at Etruscan men and women dining together openly. Transitioning to Rome, they recount the violent founding myth of the Rape of the Sabine Women. The segment details the tragedy of Lucretia, whose rape and subsequent suicide led Brutus to overthrow the monarchy and establish the Roman Republic, making her a paragon of virtue. NUMBER 11 DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 CORNELIA AND SERVILIA: MOTHERS OF ROME Colleague Daisy Dunn. This segment focuses on Cornelia, the educated "one-man woman" who raised the reforming Gracchi brothers to challenge the Roman elite. Dunn notes Cornelia's heartbreak as she tried to dissuade her second son from following his assassinated brother's path. The discussion shifts to Servilia, Caesar's long-term mistress and mother of Brutus. Servilia is depicted as a politically astute woman caught between her lover and her son, the future assassin. NUMBER 13 CLEOPATRA AND CAESAR Colleague Daisy Dunn. Dunn describes Cleopatra's dramatic entrance from a rug to meet Caesar and secure her rule in Egypt. Despite her intelligence and linguistic skills, the Romans viewed her with suspicion and distaste, labeling her a "whore queen." Dunn challenges the Hollywood image of Cleopatra's beauty, noting coin portraits show a hooked nose, and argues her power lay in her charisma and voice. She remains a figure of admiration today. NUMBER 14 ANTONY, FULVIA, AND CLEOPATRA'S END Colleague Daisy Dunn. The conversation turns to Mark Antony'sunpopular affair with Cleopatra and his wife Fulvia, who instigated a war in Italy to counter Octavian. Dunn highlights the Roman propensity for public emotion and early marriage. Following Antony's botched suicide, Cleopatra takes her own life to avoid being paraded as a trophy by Octavian. Dunn suggests the "asp" story might be a myth covering a lethal injection or poison. NUMBER 15 THE WOMEN OF THE JULIO-CLAUDIAN DYNASTY Colleague Daisy Dunn. Dunn profiles the powerful women of the Julio-Claudian dynasty. Livia is portrayed as Augustus's essential political partner and diplomat. The segment covers the tragic life of Julia, the lechery of Caligula, and the notorious reputation of Messalina. Finally, Agrippina the Younger is described as a co-emperor to her son Nero before he turned against her. Dunn concludes that Roman politics were bloodier but more politically savvy than the Greeks. NUMBER 16

Show 12-26-25 The show begins in doubts of the veneration of Cicero. and the derogation of Aggripina Minor. 1880 SULLA SACKING ROME ROME BEFORE THE EMPERORS: CICERO'S RISE Colleague Josiah Osgood. John Batchelor introduces Josiah Osgood to discuss Marcus Tullius Cicero, a "new man" who rose to political prominence through legal skill in the 1st century BCE. They examine Cicero's debut defense of Roscius, accused of patricide, a crime punished by being sewn into a sack with animals. Cicero proved Roscius was framed by relatives seeking to seize his inheritance, establishing his reputation for storytelling and detective work. NUMBER 1 THE PROSECUTION OF VERRES Colleague Josiah Osgood. Cicero takes on the corruption trial of Gaius Verres, the governor of Sicily who looted art and money from the province. Although Cicero usually defended clients to earn favors, he prosecuted Verres to align with political shifts demanding reform. Verres was backed by the Senateestablishment and Sulla's followers, making Cicero's move a bold attack by an outsider against a "crooked establishment" to cleanse the government. NUMBER 2 CICERO VS. CATILINE: THE CONSPIRACY BEGINS Colleague Josiah Osgood. Cicero captivated the jury against Verres by describing the governor partying while pirates raided Syracuse, causing Verres to flee into exile. Later, Cicero achieved the consulship by defeating Catiline, an aristocrat who became his bitter rival. Desperate after losing the election again, Catiline conspired with a fashionable group of young men to overthrow the government, leading to a showdown with Cicero in the Senate. NUMBER 3 THE EXECUTION MISTAKE Colleague Josiah Osgood. Cicero ordered the execution of five high-ranking Romancitizens allied with Catiline without a trial, believing them to be traitors who forfeited citizenship. This decision, made despite Julius Caesar's suggestion of life imprisonment, became a major political error. Cicero's gloating and refusal to grant due process alienated the public and powerful figures, turning him into a target for the populist movement and threatening his future career. NUMBER 4 THE BONA DEA SCANDAL Colleague Josiah Osgood. A scandal erupts when Publius Clodius infiltrates the women-only Bona Dea ceremony at Caesar's house disguised as a female musician, allegedly to pursue Caesar's wife. Although Cicero initially hesitated, he testified against Clodius, destroying his alibi that he was out of town. This testimony created a dangerous enemy in Clodius, who, despite the sacrilege charge, managed to secure an acquittal through bribery. NUMBER 5 EXILE AND THE TEMPLE OF LIBERTY Colleague Josiah Osgood. Seeking revenge, Clodius transitions to plebeian status to become a tribune and passes a law punishing anyone who executed citizens without trial, specifically targeting Cicero. Forced into exile, Cicero flees Rome while Clodius destroys his mansion on Palatine Hill. Clodiusdedicates the site to the goddess Liberty as a political coup and a humiliation to Cicero, while also harassing Cicero'swife, Terentia, who remained in Rome. NUMBER 6 THE IDES OF MARCH Colleague Josiah Osgood. Cicero returns to a Rome on the brink of civil war, eventually being pardoned by the victor, Caesar. Resenting Caesar's tyranny, Cicero seemingly encouraged Brutus but was not part of the assassination plot. On the Ides of March, Cicero witnessed the murder in the Senate; Brutus shouted Cicero's name while holding the bloody dagger, linking the orator to the restoration of the Republic in the public eye. NUMBER 7 THE DEATH OF CICERO Colleague Josiah Osgood. Following Caesar's death, Cicero returns to politics to oppose Mark Antony, delivering the "Philippics" and allying with young Octavian. This strategy backfires when Octavianreconciles with Antony, leading to a kill order against Cicero for his anti-Caesar rhetoric. Cicero is assassinated, possibly meeting his death with theatrical heroism by extending his neck to the soldiers, a scene likely popularized by his loyal secretary Tiro. NUMBER 8 THE SABINE WOMEN AND AUGUSTAN HISTORY Colleague Emma Southon. Emma Southon discusses A Rome of One's Own, examining history through women's perspectives. They analyze the myth of the Sabine women, abducted by Romulus to populate Rome. This story, recorded by Livy to flatter Augustus, culminates in Hersilia and the women intervening in battle to unite the warring fathers and husbands. It establishes women as the "glue" holding Romanfamilies and society together. NUMBER 9 LUCRETIA: VIRTUE AND SUICIDE Colleague Emma Southon. The discussion moves to Lucretia, the model of Roman female virtue. During a contest among husbands, Lucretia is found virtuously weaving wool while others party. This leads to her rape by Sextus Tarquinius, who threatens her reputation. To protect her honor, Lucretia confesses to her family and commits suicide, an act Augustus later used to define female virtue and which sparked the end of the monarchy. NUMBER 10 TULLIA AND THE BIRTH OF THE REPUBLIC Colleague Emma Southon. Contrasting Lucretia is Tullia, a figure of female ambition and wickedness. Tullia conspires with her brother-in-law to murder their spouses and her own father, the king, even driving over his body. Her crimes and the subsequent assault on Lucretia by her son, Sextus, justify the overthrow of the monarchy. Brutus uses Lucretia's body to incite the revolution that establishes the Roman Republic. NUMBER 11 CLODIA: THE PALATINE MEDEA Colleague Emma Southon. The segment focuses on Clodia, a wealthy, independent woman and sister of Clodius. Cicero, feuding with her brother, attacks Clodia's reputation during the trial of Caelius. In his speech Pro Caelio, Cicero characterizes her as a "Palatine Medea" and a seductress to discredit her claims of attempted poisoning. Unable to speak in court, Clodia is silenced by Cicero's rhetorical assassination of her character. NUMBER 12 JULIA: THE EMPEROR'S REBELLIOUS DAUGHTER Colleague Emma Southon. Augustus uses his daughter Julia as a political tool, marrying her to Marcellus, Agrippa, and finally the reluctant Tiberius to secure an heir. While she had five children with Agrippa, her forced marriage to Tiberius leads to rebellion. Julia engages in public adulterous affairs to humiliate her father, resulting in her permanent exile and eventual starvation by Tiberius after Augustus'sdeath. NUMBER 13 QUEENS OF BRITAIN: CARTIMANDUA AND BOUDICCA Colleague Emma Southon. This segment contrasts two British queens: Cartimandua and Boudicca. Cartimandua, queen of the Brigantes, collaborates successfully with Rome, understanding they are "not to be defeated, they're to be pleased." Conversely, Boudicca represents resistance; provoked by Roman mistreatment, she leads a rebellion but is defeated. While Tacitus claims Boudicca committed suicide to preserve honor, English schools celebrate her as a symbol of resistance against tyranny. NUMBER 14 WOMEN OF COMMERCE AND THE FRONTIER Colleague Emma Southon. We meet Julia Felix, a Pompeianentrepreneur who ran a luxury bath and dining complex, offering "bougie" experiences to the middle class before dying in the Vesuvius eruption. The discussion shifts to Vindolanda in Britain, where letters between Sulpicia Lepidina and Claudia Severa reveal a vibrant social life for women in military forts, including birthday parties and domestic luxuries like wild swan and imported wine. NUMBER 15 PERPETUA AND THE RISE OF CHRISTIANITY Colleague Emma Southon. The final segment discusses Perpetua, a young nursing mother and Christian convert in Carthage. Defying the Roman mandate to sacrifice to the emperor, she views suffering as redemptive rather than a punishment. Unlike Romans who viewed suicide by poison as honorable, Perpetua and her slave Felicity choose martyrdom in the arena, having their throats cut to demonstrate their faith, signaling the rise of Christianity. NUMBER 16

THE IDES OF MARCH Colleague Josiah Osgood. Cicero returns to a Rome on the brink of civil war, eventually being pardoned by the victor, Caesar. Resenting Caesar's tyranny, Cicero seemingly encouraged Brutus but was not part of the assassination plot. On the Ides of March, Cicero witnessed the murder in the Senate; Brutus shouted Cicero's name while holding the bloody dagger, linking the orator to the restoration of the Republic in the public eye. NUMBER 7 1819 ASSASSINATION

TULLIA AND THE BIRTH OF THE REPUBLIC Colleague Emma Southon. Contrasting Lucretia is Tullia, a figure of female ambition and wickedness. Tullia conspires with her brother-in-law to murder their spouses and her own father, the king, even driving over his body. Her crimes and the subsequent assault on Lucretia by her son, Sextus, justify the overthrow of the monarchy. Brutus uses Lucretia's body to incite the revolution that establishes the Roman Republic. NUMBER 11

Today on Ascend: The Great Books Podcast, we are discussing Fitt 1 of Sir Gawain and the Green Knight with Dcn. Garlick, Dr. Justin Jackson of Hillsdale College, Chivalry Guild, and Banished Kent.Check out thegreatbookspodcast.com for our reading schedule.Check out our WRITTEN GUIDE to Sir Gawain and the Greek Knight (posted soon!).Episode SummaryThe panel dives into the 14th-century Middle English masterpiece Sir Gawain and the Green Knight, exploring its mysterious single-manuscript survival, alliterative brilliance, and rich layers of meaning in Fit 1. From the Troy-to-Britain prologue to the shocking arrival of the Green Knight and the beheading game, the discussion uncovers dualities, temptations, and the clash between chivalric courtesy and Christian virtue that make this Christmas tale profoundly relevant.Why Sir Gawain and the Green Knight Is Worth ReadingThis poem stands as one of the greatest works of English literature because it masterfully blends adventure, humor, moral depth, and spiritual insight. As Dr. Jackson notes, it survived by miracle in a single tiny manuscript, yet offers the “greatest chivalric romance” alongside exquisite theological literacy. It probes timeless questions—how do pride, fear, courtesy, and faith collide in a fallen world?—without easy answers, forcing readers to wrestle with their own choices. Tolkien saw it as a meditation on seductive worldly culture versus Christian ethos; the guests highlight its realistic portrayal of human imperfection amid high ideals. Beautifully crafted (alliteration, bob-and-wheel, vivid imagery), often funny, and profoundly Christian, it humanizes the heroic while elevating humility and grace—perfect for Christmas reflection on mortality, temptation, and redemption.Key Discussion PointsManuscript & Poet: A unique survival with Pearl, Cleanness, and Patience; anonymous poet of astounding skill in alliterative revival.Historical Frame: Begins with Troy's fall and Aeneas (traitor in medieval legend) leading to Brutus and Britain—history as “bliss and blunder.”Arthur's Court: Young, vital Arthur is admirable yet “somewhat childish,” craving marvels or “life for life” combat.Guinevere's Gray Eyes: Symbol of wisdom/clarity, yet ambiguous; benchmark of beauty later challenged.Green Knight's Duality: Terrifying green giant vs. courtly noble—tempting fear/violence vs. courtesy/mercy.The Game: Explicitly “stroke for stroke,” not beheading; court's violent interpretation reveals failures.Tolkien's Lens: Tension between seductive chivalric/courtly culture and higher Christian virtue.Gawain's Intervention: Praised as humble, loyal self-sacrifice to shield Arthur.Notable QuotesDr. Jackson: “The poem is giving you two readings throughout, and then it wants to see which one are you going to appropriate.”Deacon Garlick: “This text captures my imagination… knowledge is an antecedent to love.”George (via Tolkien): “Gawain… as a matter of duty and humility and self-sacrifice.”Resources & RecommendationsTolkien's translation and scholarly editionJames Winny's facing-page translationDr. Jackson's Hillsdale online course lecture (watch after finishing the poem to avoid spoilers)Next episode: Fits 2–3 with Dr. Tiffany Schubert. Join the discussion on Patreon or X!

Kitty the Cat and Brutus the Dog are back with a new story. Kitty is getting ready for school and asks her mom if she heard the news. There is a new student coming to their school and the whole neighbourhood is talking about it. Vivienne the new student came from a fancy academy in the big city and is perfectly groomed. Kitty is worried that she might not fit in.  ✔️ Perfect for ages 4+ ✔️ Themes: Self-awareness • Kindness • Mindfulness • Empathy Sleep Tight!, Sheryl & Clark ❤️

10-31-25 - BR - FRI - It's Natl Caramel Apple Day And Knock Knock Joke Day - Sci News On Glowing Bats, Pig Kidneys And Gluten Intolerance - Brutus Buckeye Celebrated His 60th BDay This WeekSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Julius Caesar – Act IV scene 3 Tension between Brutus and Cassius erupts, there's news of Portia, and Caesar makes an appearance.

Shakespeare's plays are filled with unforgettable women—but too often, their voices are cut short. Ophelia never gets to defend herself. Gertrude never explains her choices. Lady Anne surrenders to Richard III in silence. In her new book, She Speaks: What Shakespeare's Women Might Have Said, acclaimed actor Dame Harriet Walter imagines what those characters might tell us if given the chance. Through original poems, Walter reimagines moments of silence, expands on fleeting lines, and provides depth to women who were left without a final word. Walter invites us to see Shakespeare's plays in a new light—reconsidering how we understand his female characters, and how their voices might transform the stories we thought we knew. From the Shakespeare Unlimited podcast. Published October 7, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Dame Harriet Walter, DBE, is one of Britain's most esteemed Shakespearean actors, whose roles include Ophelia, Viola, Lady Macbeth, Cleopatra, Brutus, King Henry IV, and Prospero, among others.. She has received a Laurence Olivier Award, as well as numerous nominations, including a Tony Award nomination, three Primetime Emmy Awards, and a Screen Actors Guild Award. Walter is also well-known for her appearances in Sense and Sensibility, Atonement, Downton Abbey, The Crown, Succession, Killing Eve, and Ted Lasso, among many other notable projects. In 2011, she was appointed Dame Commander of the Order of the British Empire (DBE) for services to drama.

3. Rituals of Command and the Cicero Revelation Londinium Chronicles Gaius & Germanicus Debate The emperor asserted command authority over the legions in a ritual event at Quantico, Virginia, with his viceroy addressing the leadership of the legions. This ceremony was designed to overturn the previous instances of "command disobedience" experienced by Trump during his first term (such as General Milley's reported actions). The message delivered was a direct command: "New mission. Fortress America. If you are uncomfortable with that, leave."Domestically, this ongoing power transition draws parallels with the murder of Caesar, which marked the end of the Roman Republic and the path toward the principate. A newly shared detail from the documents of Marcus Tullius Cicero reveals that Brutus allegedly raised his dagger while striking Caesar and shouted "Cicero." This detail suggests Cicero, the master storyteller and champion of the senatorial class, provided the intellectual legitimacy and imprimatur for the assassination, affirming that the murder was committed in the name of the Senate's vision of republicanism. 1802