Podcasts about Sophocles

This week on the Love Your Life Show, I'm joined by the brilliant Dr. Maria Sophocles—a women's health and menopause expert on a mission to help us feel empowered and informed during this stage of life. We're busting some of the biggest myths about hormone therapy—like the idea that it causes cancer, leads to weight gain, or isn't safe if you've had blood clots. (Spoiler alert: there's so much more to the story.) Dr. Sophocles also shares something most women never hear—that testosterone is a hormone we need to be talking about, too. This episode is here to help you feel less confused and more confident about your options, your body, and your next steps. You deserve to feel supported and vibrant—not dismissed. Let's walk through this together, warrior.

This episode covers:In this episode, we discuss the truth about hormone replacement therapy, how to prevent UTIs in menopause, why testosterone isn't just for men, and so much more.Dr. Maria Sophocles has been at the forefront of women's healthcare for nearly 30 years, bringing an unparalleled depth of knowledge, compassion, and innovation to her practice. From her academic roots at Duke University and Jefferson Medical College to her groundbreaking work at Women's Healthcare of Princeton, Dr. Sophocles is a vanguard in menopause management and female sexual health. Explore her journey, accolades, and contributions to global women's healthcare.Dr Sophocles is a nationally recognized thought leader in menopause and female sexual function. A frequent panelist and speaker for women's health advocacy, investment, and policy, she marries 29 years of deep vertical clinical experience with broad knowledge in investment and corporate strategy.Links mentioned during this episode:Dr. Sophocles' Website: https://mariasophoclesmd.com/patient-care/Dr. Sophocles' Instagram: @mariasophoclesmd - https://www.instagram.com/mariasophoclesmd/Dr. Sophocles' TED Talk: https://www.ted.com/talks/maria_sophocles_what_happens_to_sex_in_midlife_a_look_at_the_bedroom_gap?language=enFree Initial Consultation with Dr. Megan: https://p.bttr.to/3a9lfYkLyons' Share Instagram: www.instagram.com/thelyonsshareJoin Megan's Newsletter: www.thelyonsshare.org/newsletter

In Part 1 of our discussion on Homer's Iliad, we welcome translator Emily Wilson to discuss Homer's life as an "author," the meaning of free will in the context of intervention from gods, and how the relationship between Achilles and Patroclus shapes the climax of the epic. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.To learn more or purchase a copy of the Norton Library edition of The Iliad, go to https://wwnorton.com/books/9781324102076.  Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Since 1900 or so, anyone trying to engage with Sophocles' play Oedipus Rex has had Sigmund Freud breathing over their shoulders. This episode looks at how Freud, inspired by (and slightly obsessed with) Sophocles' play, concocted a theory that began as a stage of child development but soon expanded to become a universal explanation for all of culture, religion, and art.CONTENT NOTE: This episode contains discussions of sex and sexuality from very early in the runtime (and more than one Hall and Oates reference). Please consider people around you — or your own tolerance for topics like incest and sexual assault — before listening.Want to read a transcript of this episode, or see the reference list? Click here. Don't forget to like, share, and subscribe! Hosted on Acast. See acast.com/privacy for more information.

Today on Ascend: The Great Books Podcast, Dcn. Garlick and Mr. Eli Stone discuss the second and final part of Oedipus at Colonus—wherein Sophocles brings the horrific tale of Oedipus to a beautiful, redemptive end.Deacon and Eli discuss the dramatic zenith of Oedipus' life, the theme of redemptive suffering, the binding power of love, and all the various ways this play comments on the relationships in Antigone and Oedipus Rex.Go visit thegreatbookspodcast.com for our reading schedule!Check out this awesome guide to Oedipus at Colonus! Here is the opening of Deacon's guide to Oedipus at Colonus:Oedipus at Colonus is a beautiful tale. It brings a tremendous amount of meaning to the Oedipus Cycle. Sophocles offers us perennial truths on fate, the agency of man, and the cosmic whole. I greatly enjoyed, as a first time reader, the narrative of Oedipus at Colonus—especially the ending. It is a tremendous zenith to the Oedipus Cycle and one that parallels the Book of Job in its ability to address the question of suffering.Oedipus at Colonus remains an important text within the Western canon of great books, as it is a beautiful antecedent to how later thinkers, like St. Augustine, will come to understand the world as subject to Divine Providence. Sophocles offers several preliminary considerations on whether the fate that rules the world does so according to justice; and whether man must adopt a certain docility in consideration of such a fate. The balance, however, of man's agency and fate's dominion is a perennial question.I am in debt to Mr. Eli Stone who not only guided me through this work but highly recommended the podcast cover the Oedipus Cycle. I very much appreciate his insights and all the wisdom he has brought to our conversations.Amongst all the horrific suffering, Oedipus at Colonus is able to bring a theme of redemption to the story of Oedipus. Like Antigone, he serves as a sign of the gods—a sign of cosmic fate, docility to divine order, and the meaning of suffering. May we come to understand Sophocles' lessons and how they invite us to a more ordered existence.Episode HighlightsRedemptive Death: Dcn. Garlick shares, “I fell in love with this play when Oedipus sees the thunder head rolling in… his ecstatic joy that death comes." Theseus' Nobility: Theseus' interruption of sacrifice to save Oedipus' daughters highlights Athenian justice: “Sojourners… are the special patronage of Zeus." Polyneices' Tragedy: Oedipus' curse on Polyneices sets up Antigone: “Please bury me… we're setting the foundation… for the first play."Love's Role: Antigone's mediation and Oedipus' farewell underscore love's binding power: “She is love and love binds," as Deacon note.Guest Spotlight: Eli StoneEli Stone returns, bringing his expertise from his time at the Chancery, his discernment with the Western Dominicans, and his current role at the University of Tulsa Honors College. His passion shines through: “These are my favorite Greek plays… I've really enjoyed them." Eli's insights on providence, love, and historical allegory enrich the discussion.Next Episode TeaserNext week, we dive into Euripides' Bacchae, a stark contrast to...

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In this episode of Ascend the Great Books Podcast, Deacon Harrison Garlick and returning guest Eli Stone dive into the first half of Sophocles' Oedipus at Colonus, the third play in the Theban cycle by publication order but the second in narrative chronology.Check out thegreatbookspodcast.com for our reading schedule.Check out Patreon page for written guides to the great books!Recorded in rural Oklahoma, this episode explores Oedipus' transformation from a cursed exile to a figure of divine significance, set against the backdrop of Athens' post-Peloponnesian War turmoil.The hosts unpack key themes like suffering's pedagogical purpose, the role of prophecy, guest friendship (xenia), and Athenian identity, while reflecting on Sophocles' intent for his audience. Expect a deep dive into the characters of Oedipus, Antigone, Ismene, Creon, and Theseus, with a focus on how their interactions foreshadow the play's redemptive conclusion.Why should you read Oedipus at Colonus part one?Oedipus at Colonus Part 1 offers a compelling entry into Sophocles' profound exploration of suffering, redemption, and divine will, making it essential reading for anyone seeking to understand the human condition through the lens of Greek tragedy.This section introduces Oedipus as a blind exile, transformed by suffering into a figure of spiritual insight—“Oedipus… has this spiritual insight… He is the most lucid he's ever been"—setting the stage for his role as a “sign of both suffering and blessing." Through themes like guest friendship (xenia), the evolving justice of the Eumenides, and the binding power of Antigone's love—Sophocles crafts a narrative that resonates with an Athenian audience grappling with their own post-Peloponnesian War identity, while offering timeless reflections on providence and resilience: “Man is not his own agent… inside a cosmic order." Reading this part immerses you in the tension and anticipation of Oedipus' redemptive arc, preparing you for the transcendent conclusion in Part 2.Check out our written guide for more!Next Episode TeaserJoin us next week for Oedipus at Colonus Part 2, where we'll witness Oedipus' dramatic confrontations with Creon and Polyneices, and the transcendent moment of his death that ties the Theban cycle together.We'll explore how his suffering becomes a blessing for Athens, the role of love as a binding agent, and the historical allegory for an Athenian audience. Deacon Garlick shares, “I fell in love with this play when Oedipus sees the thunder head rolling in… his ecstatic joy that death comes." Don't miss it on Ascend the Great Books Podcast!

Sophocles (496 - 406 BCE) is considered the greatest of the great tragedians of Athens. In this episode, we take a look at his charmed life and at the play which, more than any other, has come to define his legacy: Oedipus Rex, which was probably staged in the 430s or 420s. It's basically a cold-case investigation that goes horribly, horribly wrong for its investigator.Want to read a transcript of this episode and see the reading list Rose used to write it? Click here. Don't forget to rate, review, and share our show if you like it! Hosted on Acast. See acast.com/privacy for more information.

Neha and Shruti discuss Home Fire, a retelling of Antigone set in the present day that explores questions of family, loyalty, beliefs, and legacy. We share some background about Sophocles' Antigone to help ground the discussion, discuss the parts of the novel that we loved, and share some of our issues with its construction. And as always, we share book recommendations in our Shelf Discovery segment for readers who liked different aspects of Home Fire.Shelf Discovery:The Other Americans by Laila LalamiCirce by Madeline MillerSong of Achilles by Madeline MillerThe Penelopiad by Margaret AtwoodA Woman Is No Man by Etaf RumThe Dream Hotel by Laila LalamiEnter Ghost by Isabella HammadIf you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

Aristotle said Oedipus the King was the best tragedy. Today, Dcn. Harrison Garlick is joined by Mr. Eli Stone and our friend Josiah to discuss Oedipus the King (Oedipus Rex) by Sophocles - the second play in the Oedipus cycle or Theban plays.Check out thegreatbookspodcast.com for our reading schedule and more!Check out our Patreon for our written guides!Here is a letter Dcn. Garlick wrote to our supporters about Oedipus the King:Oedipus the King is, according to Aristotle, the best of the Greek tragedies. Through Oedipus' own investigation, he comes to understand the horrific truth of his identity—and this leads the reader into marvelous reflection on fate, freedom, self-knowledge, and the cosmic order.Oedipus the King is a play I had to come to appreciate. Unlike Antigone, it is not one I loved at first. In fact, my lackluster appreciation for the play is why I scheduled only one episode discussing it. Over time, however, I matured in my own understanding and see it as an antecedent to the philosophical principle of know thyself. I would suggest one could glean much from comparing Oedipus the King and First Alcibiades by Plato.The drama does have layers for the attentive reader. It presents clearly a question on the interplay of freedom and fate, which is reminiscent of our discussions on the Iliad. Moreover, there is much to consider on the theme of suffering, and how that theme is presented in the Odyssey, the Oresteia, and Oedipus the King. Note that these two concepts are tethered—as the journey to self-knowledge is often an arduous one of suffering and great difficulty. Lastly, the work shines further light onto the mystery that is Antigone.Oedipus the King is without question a tragedy—and one without much hope. The reader must hold for the marvelous redemptive arc of Oedipus at Colonus, which runs parallel to the story of Job yet with its own unique and fascinating character.May Oedipus serve as an icon for what it means to suffer into self-knowledge and the role of such suffering in the pursuit of wisdom and virtue.Check our thegreatbookspodcast.com for more!

If interested, check out my new book series! Here's the first one:  www.amazon.com/Manifesto-Beauty-Reclaim-Digital-World/dp/1069510815/   The full title is: A Manifest on Beauty: Reclaim Real Beauty in a Digital Age

Host Mitch Jeserich reads excerpts of the Iliad by Homer and translated by Emily Wilson. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern scholarship, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. Support KPFA!! Ancient Tales 3-Pack $250 The post The Iliad: War, Rage, and Sorrow appeared first on KPFA.

Please leave me feedback. I cannot respond so if you'd like me to respond, please leave your emailAre you feeling uncertain about what's happening to your body during perimenopause and menopause? Are you unsure of whom to trust regarding hormone therapy?In this episode, I talk with Dr. Maria Sophocles, a nationally recognized menopause specialist, OBGYN, and founder of Women's Healthcare of Princeton. With nearly 30 years of experience and a deep passion for women's health in midlife, Dr. Sophocles helps clarify the confusion surrounding the latest in menopause research. We discuss why many women miss out on the powerful benefits of hormone replacement therapy due to outdated information. You'll learn about the latest science and treatments for menopause and perimenopause, along with the benefits and risks of hormone replacement therapy (HRT).You'll learn:How the 2002 Women's Health Initiative (WHI) study misinformed the public and created widespread fear, and how recent research has dispelled these misconceptions.Why many women are being told by their doctors to “tough it out”.What the research indicates about HRT and breast cancer risk.How estrogen therapy supports your brain, heart, and bonesThe role of vaginal estrogen minimizing urinary tract infections (UTIs) and enhancing sexual comfort.Why it's not too late to start the treatment of menopause, even if you're in your 60s or 70s.Tips on finding a trained menopause specialist, including options for virtual care.How HRTs can improve sexual wellness in midlife and beyond, helping to close the bedroom gap.If you're in perimenopause or menopause, this conversation is essential for providing the support, insight, and clarity you need. Grab your earbuds and tune in to make your second act more intimate and pleasurable!  Much love,LaurieFree GuidesClick here to schedule a FREE inquiry call with me.Click here to fill out my questionnaireClick here for my FREE “Beginner's Guide to Somatic Healing”Click here for my FREE Core Values ExerciseClick here to purchase my book: Sandwiched: A Memoir of Holding On and Letting GoWebsiteDr. Maria SophoclesTED Talk: What happens to sex in midlife? A look at the "bedroom gap"Instagram: @mariasophoclesmdWebsite: mariasophoclesmd.comOther menopause***************************************************************************************DISCLAIMER: THE COMMENTARY AND OPINIONS AVAILABLE ON THIS PODCAST ARE FOR INFORMATIONAL AND ENTERTAINMENT PURPOSES ONLY AND NOT FOR THE PURPOSE OF PROVIDING LEGAL, MEDICAL OR PROFESSIONAL ADVICE. YOU SHOULD CONTACT A LICENSED THERAPIST IF YOU ARE EXPERIENCING SUICIDAL THOUGHTS. YOU SHOULD CONTACT AN ATTORNEY IN YOUR STATE TO OBTAIN LEGAL ADVICE. YOU SHOULD CONTACT A LICENSED MEDICAL PROFESSIONAL WITH RESPECT TO ANY MEDICAL ISSUE OR PROBLEM.

Does Antigone hold strong until the end? Is Antigone the hero? Today, Dcn. Garlick is joined again by David Niles and Dr. Frank Grabowski to discuss the second part of Sophocles' Antigone. Check out thegreatbookspodcast.com for our reading schedule!Check out our Patreon page! We appreciate all our supporters.From our guide:15. How does Haemon's interaction with Creon highlight his character and challenge Creon's perspective?Haemon, Creon's son and Antigone's betrothed, enters around line 700 and is described by David as “one of my favorite characters” for his wisdom and patience, contrasting with Creon's “chaotic” and “irrational” behavior. Haemon employs “masterful rhetoric,” as Dcn. Garlick contends, that balances filial piety with a Socratic challenge to Creon's stubbornness, urging him to reconsider his decree to execute Antigone. He suggests the polis mourns for Antigone, saying, “It's for me to catch the murmurs in the dark, the way the city mourns for this young girl” (ln. 775), undermining Creon's belief that the polis supports him. Dr. Grabowski notes Haemon's “epistemological challenge,” raising “human fallibility” and the “voice of the people” to suggest Creon may have erred. However, Creon's ironic responses, like “Are you coming now raving against your father or do you love me no matter what I do?” (ln. 707), reveal his fixation on his own political authority and the familial piety Haemon owes him. Sophocles makes Creon an incredibly ironic character, who will often advise to others exactly what he himself should be doing.16. How does Creon's character evolve in the latter half of the drama?Creon (arguably) begins the play prioritizing the polis' common good, but in the second half, there is a “shift” toward tyranny as his view becomes myopically focused on his own authority. Initially, he justifies leaving Polyneices unburied as justice for being a traitor, but by line 748, he declares, “The man the city places in authority, his orders must be obeyed, large and small, right and wrong,” signaling a move from considerations of justice to his own authority. The standard by which he makes his decision seems to shift. His question, “Am I to rule this land for others or myself?” (ln. 823), elicits Haemon's rebuke, “It's no city at all owned by one man alone” (ln. 824). Creon's claim, “Show me the man who rules his household well. I'll show you someone fit to rule the state” (ln. 739), is deeply ironic, as he fails to rule his household, foreshadowing his spiral into tragedy. His fixation on anarchy as “a greater crime in all the earth” (ln. 752) over blasphemy further reveals his “blindness” to the divine, cementing his “de-evolution” into tyranny, as Dcn. Garlick notes. Under Creon, the cosmos whole that was first interpreted through the political now seems to simply be reducible to Creon's will. He becomes the tyrant.Check out our guide for more!

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Ted listed SIX Greek dramas for this week: Bacchae (Euripides), Lysistrata (Aristophanes), Agamemnon (Aeschylus), and the three Theban plays from Sophocles, Oedipus the King, Oedipus in Colonus and Antigone. We discuss how to read drama in general. I tried to read a little bit of background on each play before I dove in. One thing that's easy to forget with Greek drama is that the audience didn't have any spoilers; they knew all of these stories really well. They were there to see HOW it came together. That meant that some of the plot gets treated with shorthand in some ways. I tried to figure out the major players, and how they might have interacted with characters I had met elsewhere. It's astonishing how all of these characters are connected by one or two degrees of separation. Bill and I joke that it feels exactly like when we moved to Charleston a couple of years ago. I swear that every person we meet knows someone else we know through one or two people. It's the strangest thing, and Greek drama is exactly like that.I also flag my books like crazy: one flag for the cast of characters; one for the endnotes; one for a map, even if it's in a different book. As a matter of fact, my Fagles translation of the Odyssey came in handy this week. Not only are there some great maps, there is also a glossary of all the proper names in the Odyssey. Many, many of the characters I came across this week also put in an appearance in the Odyssey.Finally, I kept a brief “plot summary” of each play as I read. Only Bacchae was divided into scenes, but for each play I tried to keep a brief synopsis of the action as I read. This kept me from mixing up characters too much, and also it helped me to get an idea of how the various stories fit together. In addition, I read out loud occasionally, especially if I found myself alone in the house. It's easy to lose the thread of some of these long passages, especially where the chorus has an extended explication of action taking place off stage. Reading out loud helped me capture the rhythm of the language and also the drama of it in a way that reading silently could never do.I started with Euripedes' Bacchae, translated by Paul Woodruff. To be honest, half the reason I bought this edition was that it had Elvis on the cover as Dionysus! Not long after the founding of Thebes, Dionysus appears to bring his cult to the city. Dionysus is a son of Zeus but also the grandson of the founder of Thebes, Cadmus. Dionysus' cousin Pentheus is now king, and he refuses to acknowledge the god-status of Dionysus. Let's just say Pentheus regretted that decision. This play was shockingly brutal to me, even though all the violence always takes place off-stage in a Greek drama. There are ideas of redemption, and lack of it, woven throughout the play. Bacchae left me curious about anything related to the practice of the cult of Dionysus. Apparently the rites were so secret that nothing, not one thing, survives to help us understand what they did.Next I read Aristophanes' Lysistrata. This is a comedy, truly a farce, whose entire plot revolves around the women of Greece coming together to deny all their men sex so they will quit fighting with each other. It is hilarious, and I'd love to see this one performed live. I love a good marriage quote:“No man can live a happy life unless his wife allows it.”—AristophanesHappily, I bought an edition of Lysistrata that also had three other plays translated by Aaron Poochigian. Clouds, in particular, is a send-up of Socrates and that one is...

Antigone is the "dark sign from the gods." Today, Dcn. Harrison Garlick is joined by Mr. David Niles of the Catholic Man Show and Dr. Frank Grabowski to discuss the Greek tragedy "Antigone" by Sophocles.Check out thegreatbookspodcast.com for our reading schedule!Check out our Patreon for our guide on Antigone!From the guide:This guide, like the podcast conversation, explores Antigone as a profound meditation on piety, justice, and the cosmic order. This guide addresses critical aspects of arguably Sophocles' greatest work, such as: the moral conflict over burying the dead, the contrasting perspectives of Antigone, Ismene, and Creon, and the play's potential as an early articulation of natural law—all while highlighting Sophocles' role as a teacher shaping Greek thought.The guide also moves from Greek notion of piety and justice to comparative Christian ethics. The goal is to help the reader love Antigone and see the cosmic order it reveals through one of the greatest female characters in Western literature.What has occurred just prior to the start of Antigone?Just before the events of Sophocles' Antigone, the city of Thebes has been ravaged by a civil war between Antigone's two brothers, Eteocles and Polyneices, who are sons of the late Oedipus, the former king. After Oedipus' tragic downfall and death, the brothers were meant to share the throne, but a dispute led to conflict. Eteocles held power in Thebes, while Polyneices, exiled, rallied an army to attack the city and reclaim his right to rule. The brothers met on the battlefield and killed each other in combat, leaving Thebes without a clear ruler. Their uncle, Creon, assumes the throne and declares Eteocles a patriot, granting him a proper burial, while branding Polyneices a traitor, forbidding his burial under penalty of death. This decree sets the stage for the moral and familial conflict at the heart of Antigone, as Antigone and her sister Ismene grapple with the consequences of their brothers' deaths and Creon's edict.What is the central moral conflict introduced at the beginning of Antigone?The central moral conflict revolves around the duty to bury the dead, specifically Antigone's desire to bury her brother, Polyneices, who has been declared a traitor by their uncle, King Creon. Creon decrees that Polyneices' body must remain unburied, to be “torn apart by the dogs, by the birds,” as punishment for his betrayal of Thebes. Antigone, however, sees the burial as a moral obligation, rooted in familial piety and divine law. The burial of the brother, however, is a catalyst to deeper moral concerns, as how to resolve this moral conflict invites the reader to contemplate how the family, polis, and divine all align with one another within the cosmos. It is a question of law, piety, and justice.Check out more on our Patreon!

Poet Jehanne Dubrow has written much about life in the military community. Her latest poetry collection Civilians delves into the profound transition from military to civilian life, reflecting her personal journey as a Navy spouse alongside her husband, LCDR Jeremy Schaub. This work serves as the concluding volume in her trilogy exploring the military spouse experience, following Stateside (2010) and Dots & Dashes (2017). We welcome Jehanne and Jeremy to talk about their life together with Daria Sommers.  In Civilians, Dubrow examines the complexities that arise when a service member retires after decades of military service. The collection addresses the challenges both partners face as they navigate the shift from structured military roles to the uncharted territory of civilian life. Dubrow's poems candidly explore questions such as: What becomes of a sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased, and she is reunited with her husband, a man made strange and foreign by his contact with war? Drawing inspiration from classical literature, Dubrow intertwines themes from works like Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. This intertextuality enriches her exploration of transformation, displacement, and the search for identity post-service. For instance, she reflects on Penelope's role in The Odyssey as a parallel to her own experience, contemplating the challenges of loyalty and autonomy during her husband's deployments. ​ The collection also addresses the emotional landscape of reintegration, highlighting the subtle yet profound shifts in marital dynamics. Dubrow's poetry captures the tension between longing for reunion and the reality of change, as both partners must reconcile their evolved identities within the marriage. Her work offers readers a candid look at the experience of watching a loved one adjust to home life after a career of military service, blending formal and free verse with materials ranging from the historical to the personal. ​ Through Civilians, Dubrow provides a nuanced perspective on the often-overlooked experiences of military spouses, shedding light on the intricate process of redefining relationships and selfhood beyond the military sphere. Her poetry not only personalizes the broader narrative of military families but also invites readers to empathize with the universal themes of change, resilience, and love amidst uncertainty.​ We're grateful to UPMC for Life for sponsoring this event!

This podcast episode features Dr. Maria Sophocles, who has been a practicing gynecologist for 29 years and is an internationally respected expert in menopause and female sexual function. She is the founder of Women's Healthcare of Princeton, a progressive gynecology practice serving over 30,000 women in the U.S. Emily and Maria discuss: Menopause and why everyone needs to learn about it How Menopause can affect sex The bedroom gap Labiaplasty Expanding your experience of sex FOLLOW US on Instagram @thatsorgasmic Send your comments, questions and stories to: emilyduncan@thatsorgasmic.com To book a session with Emily at Emily Duncan Sexology follow the link: https://www.emilyduncansexology.com/ Leave a review for the chance to receive a discounted session with Emily at Emily Duncan Sexology. Subscribe to my Sunroom: https://sunroom.so/thatsorgasmic (sign up on their website for 30% off my membership) Website: https://mariasophoclesmd.com/patient-care/ Instagram: @mariasophoclesmd TED Talk: https://www.youtube.com/watch?v=alYBnyxMuPk Erika Lust / TED Talk: https://www.youtube.com/watch?v=Z9LaQtfpP_8See omnystudio.com/listener for privacy information.

amm(i)gone plays at the Flea Theater through April 14th. For more information, please visit www.playco.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Why are so many women still faking orgasms—and blaming themselves for sex that doesn't feel good?I can't even begin to tell you how many women come into my office thinking they're broken—because sex isn't working for them the way it “should.” They're doing all the right things, checking all the boxes, and still feeling disconnected, dry, resentful, or just straight-up bored in the bedroom. But here's the thing: it's not their fault, and they're definitely not alone.In this episode, I'm talking with Maria, a total powerhouse in sexual medicine and menopause care. We go deep into the systemic blind spots in medical training, the cultural shame around female pleasure, and how most of us were never even taught how to understand our own bodies. From the bedroom gap to vibrator prescriptions, we're covering it all—honestly, unfiltered, and with the kind of compassion that's long overdue.Maria shares how her own clinical journey shifted when she realized how many women were being misdiagnosed or dismissed—especially when it came to menopause and sexual health. She's on a mission to close the gendered healthcare gap, and she's not waiting around for the system to catch up. We also dig into the everyday stuff: how screens are killing sex, why novelty matters, and how to actually start advocating for the sex life you want.This is one of those conversations that'll make you laugh, nod, and maybe even rethink your nightstand drawer. And yes, we talk about lubes, vibrators, and why your bedroom deserves better vibes (and better lighting). Highlights:The origin of The Bedroom Gap and how it's damaging women's relationshipsWhy Maria believes medical education is failing women—especially in menopauseThe orgasm gap, mercy sex, and how women are taught to prioritize male pleasureThe cultural baggage that still surrounds self-pleasure and masturbationHow to reframe your relationship with lube, sex toys, and your own bodyIf you loved this episode, don't forget to like, subscribe, and leave a comment wherever you're listening. To keep growing the show we would love it if you would leave a review on Apple Podcasts It helps more women find these real, necessary conversations—and that means we all win. Dr. Maria Sophocles bio:Maria has been a practicing gynecologist for 29 years and is an internationally respected expert in menopause and female sexual function.She is the founder of Women's Healthcare of Princeton, a progressive gynecology practice serving over 30,000 women in the U.S. To meet the needs of international and remote U.S. patients, in 2024 she launched The Thinking Woman, a virtual consultation practice.She completed a BA in English with honors and distinction from Duke University, attended medical School at Jefferson Medical College and completed her residency at Johns Hopkins Hospital's Greater Baltimore Medical Center. She is board certified in ob/gyn, a certified menopause practitioner, and has been named a fellow to national societies (ISSVD and ISSWSH) for her contributions to gynecology.As one of the first U.S. clinicians to recognize the need for a non-estrogen option to treat vaginal atrophy, in 2015 she pioneered the use of Co2 Laser in the U.S.; she has...

Menopause isn't just hot flashes, says gynecologist and sexual medicine specialist Maria Sophocles. It's often accompanied by overlooked symptoms like painful sex or loss of libido. Shedding light on what she calls the "bedroom gap," or the difference in sexual expectations of men and women in midlife due to societal norms, Sophocles advocates for education, medical advancement and a new understanding of menopause — because sex should be pleasurable and comfortable for everyone. After the talk, join Shoshana for a conversation with OB/GYN and women's health advocate Dr. Jessica Shepherd. Hosted on Acast. See acast.com/privacy for more information.

The final volume in Dr. Jehanne Dubrow's groundbreaking trilogy about the experience of being a modern military spouse, Civilians (LSU Press, 2025) examines a significant moment of transformation in a military marriage: the shift from active-duty service to civilian life. After twenty years in the U.S. Navy, Dr. Dubrow's husband came to the end of his tenure as an officer. Civilians addresses what it means when someone who has been trained for war returns from the confining, restrictive space of a naval vessel. Set amid America's seemingly endless conflicts, Dr. Dubrow's poems confront pressing questions about the process of transitioning to a new reality as a noncombatant: What happens to the sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased and she is reunited with her husband, a man made strange and foreign by his contact with war? Civilians is a book both shadowed by and in conversation with the classics, including Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. Blending formal and free verse, with materials ranging from the historical to the personal, Dr. Dubrow offers readers a candid look at the experience of watching a loved one adjust to homelife after a career of military service. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Episode 094: Oedipus the King by Sophocles Host: Douglas Schatz Guest: Professor Edith Hall Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Sophocles' tragic drama of the myth of Oedipus, who unwittingly killed his father and married his mother, not only directly inspired Freud's notorious dream theory, but has itself survived as a masterpiece of theatrical invention and power. Written nearly two and a half thousand years ago, Oedipus the King has endured because of the dramatic trauma of Oedipus's personal story, and also as an allegory of authoritarian political rule. The play has proved remarkably adaptable to modern social and political times, which is attested by the fact that not one, but two major productions of the play have been staged in London this year. I'm delighted to review Sophocles' shattering classic with the esteemed Classics professor, Edith Hall.

Jeff and Dave wrap up their look at Sophocles' Trachiniae this week, guided along by the inisghts of scholars such as Edwin Carawan and Charles Segal, whom you may remember from such things as what they wrote! Here's the crux of the matter: is the heroine Deianeira just a dopey, duped wallflower, innocently distributing hydra-soaked cardigans to kith and kin? The wronged party, seeking to salvage the remnants of a once healthy marriage? Or, is she actually a calculating, Machiavellian murderess, plotting all along against her rival Iole, more in the mold of Euripides' Medea or Phaedra? And what do we think about Heracles? Villain, hero, both? Along the way, have your imagination stimulated by frequent comparisons to the dynamics of Odysseus' family, the occasional snackish twang, and some free onomastic pointers. And, it's not too late to use coupon code PATRICKS17 or 10plus on the latinperdiem.com site to start your Greek or Latin journey.

The final volume in Dr. Jehanne Dubrow's groundbreaking trilogy about the experience of being a modern military spouse, Civilians (LSU Press, 2025) examines a significant moment of transformation in a military marriage: the shift from active-duty service to civilian life. After twenty years in the U.S. Navy, Dr. Dubrow's husband came to the end of his tenure as an officer. Civilians addresses what it means when someone who has been trained for war returns from the confining, restrictive space of a naval vessel. Set amid America's seemingly endless conflicts, Dr. Dubrow's poems confront pressing questions about the process of transitioning to a new reality as a noncombatant: What happens to the sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased and she is reunited with her husband, a man made strange and foreign by his contact with war? Civilians is a book both shadowed by and in conversation with the classics, including Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. Blending formal and free verse, with materials ranging from the historical to the personal, Dr. Dubrow offers readers a candid look at the experience of watching a loved one adjust to homelife after a career of military service. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The final volume in Dr. Jehanne Dubrow's groundbreaking trilogy about the experience of being a modern military spouse, Civilians (LSU Press, 2025) examines a significant moment of transformation in a military marriage: the shift from active-duty service to civilian life. After twenty years in the U.S. Navy, Dr. Dubrow's husband came to the end of his tenure as an officer. Civilians addresses what it means when someone who has been trained for war returns from the confining, restrictive space of a naval vessel. Set amid America's seemingly endless conflicts, Dr. Dubrow's poems confront pressing questions about the process of transitioning to a new reality as a noncombatant: What happens to the sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased and she is reunited with her husband, a man made strange and foreign by his contact with war? Civilians is a book both shadowed by and in conversation with the classics, including Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. Blending formal and free verse, with materials ranging from the historical to the personal, Dr. Dubrow offers readers a candid look at the experience of watching a loved one adjust to homelife after a career of military service. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The final volume in Dr. Jehanne Dubrow's groundbreaking trilogy about the experience of being a modern military spouse, Civilians (LSU Press, 2025) examines a significant moment of transformation in a military marriage: the shift from active-duty service to civilian life. After twenty years in the U.S. Navy, Dr. Dubrow's husband came to the end of his tenure as an officer. Civilians addresses what it means when someone who has been trained for war returns from the confining, restrictive space of a naval vessel. Set amid America's seemingly endless conflicts, Dr. Dubrow's poems confront pressing questions about the process of transitioning to a new reality as a noncombatant: What happens to the sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased and she is reunited with her husband, a man made strange and foreign by his contact with war? Civilians is a book both shadowed by and in conversation with the classics, including Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. Blending formal and free verse, with materials ranging from the historical to the personal, Dr. Dubrow offers readers a candid look at the experience of watching a loved one adjust to homelife after a career of military service. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

A new week means new questions! Hope you have fun with these!Which is Scotland's second-largest city by population?What language was Elizabeth I's coronation primarily conducted in?In astronomy, what name is given to the apparent brightness of a celestial body?This Heartbreaker is Free Fallin' for a traditional afternoon drink and bread meal enjoyed all over the Empire.Greek playwright Sophocles wrote which tragedy about the mythological daughter of Oedipus and Jocasta?What was invented by Hubert Cecil Booth in 1901, an invention that sucked then just like it sucks now?In which city was the yellow cab company founded in 1907?In skiing, the "egg position" is now known as the what position?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

This week the guys begin their look at Sophocles' "Women of Trachis", the one play among the surviving Sophoclean tragedies that scholars have scratched their heads over. The general feeling is that it's underdeveloped, lacking central themes, and  just a mish-mash of other traditions. But is this true? Dave and Jeff explore the play's Herculean mythic background, and some Sophoclean tweaks to see if there might just be some hidden gems here. Note the empathy and heartache of Deianira, balanced by the coldness and suspicion of Heracles. Could it be that the academics were wrong about this one? Shocking, we know. 

Few figures in Greek mythology embody vengeance like Elektra, daughter of Agamemnon and Clytemnestra. Betrayal, grief, and justice shaped her tragic fate.In this episode of The Ancients, Tristan Hughes is joined by Professor Armand D'Angour to explore Elektra's story and its powerful new London stage production starring Brie Larson. Along the way, they delve into Sophocles' and Euripides' strikingly different portrayals - one noble and resolute, the other bitter and broken - unpacking what these versions reveal about morality, fate, and female agency in the ancient world.See Brie Larson star as Elektra in London's West End: https://www.thedukeofyorks.com/elektraPresented by Tristan Hughes. Audio editor is Aidan Lonergan, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

Hello to you listening in Hamburg, Germany!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.  We are living in a time of historic upheaval. But what if this currently confusing, chaotic, confounding, cultural churn is stumbling toward change that reveals the hidden roots of social injustice for what they are so that we can reconfigure for good?How easily the safeguards can be leaped. And they have been. We can clutch our pearls and bemoan the times we live in; or, we can invite our feelings of hopelessness to give way to action, to repair, restore, and renew out of the ashes of the old ways. We are responsible for making change because we're the only “sentient force” that can.Question: What one small grand gesture are you committed to take on behalf of what you love and care for?These words from the Irish poet Seamus Heaney may motivate and sustain you wherever your feet touch the ground, whatever progress you are intent on making today.    “History says, Don't hopeOn this side of the grave...But then, once in a lifetimeThe longed-for tidal waveOf justice can rise upAnd hope and history rhyme.” [“The Cure at Troy” Seamus Heaney]BONUS: Seamus Heaney reads his poem, The Cure at TroyThe Cure at Troy (full text)"Human beings sufferThey torture one another,They get hurt and get hard.No poem or play or songCan fully right a wrongInflicted and endured. The innocent in gaolsBeat on their bars together.A hunger-striker's fatherStands in the graveyard dumb.The police widow in veilsFaints at the funeral home. History says, Don't hopeOn this side of the grave…But then, once in a lifetimeThe longed-for tidal waveOf justice can rise up,And hope and history rhyme. So hope for a great sea-changeOn the far side of revenge.Believe that a further shoreIs reachable from here.Believe in miraclesAnd cures and healing wells. Call miracle self-healing:The utter, self-revealingDouble-take of feeling.If there's fire on the mountainOr lightning and stormAnd a god speaks from the sky That means someone is hearingThe outcry and the birth-cryOf new life at its term.It means once in a lifetimeThat justice can rise upAnd hope and history rhyme. [From "The Cure at Troy: A Version of Sophocles' Philoctetes"] You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe and spread the word with a generous 5-star review and comment - it helps us all - and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out Communication Services I Offer,✓ For a no-obligation conversation about your communication challenges, get in touch with me today✓ Stay current with Diane on LinkedIn, as “Wyzga on Words” on Substack, and now Pandora Radio Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved. 

This week, Edith Hall finds herself mesmerised, entranced and perplexed by Sophocles; and Barnaby Phillips on a bizarre imperial incursion in 19th-century Africa.'Oedipus', by Sophocles, Old Vic until March 29'Electra', by Sophocles, Duke of York's Theatre until April 12'A Training School for Elephants', by Sophy Roberts Hosted on Acast. See acast.com/privacy for more information.

Mindi is joined by Monica Chilbert, an Orthodox Christian wife, mother, homeschool co-op teacher, and of course, avid reader. Monica and Mindi discuss assessing books for their kids, and the role of monsters in books. Books mentioned: The Inkheart series by Cornelia Funke The Chronicles of Narnia by C.S. Lewis Harry Potter by J.K. Rowling Frog and Toad by Arnold Lobel Owl at Home by Arnold Lobel Stuart Little by E.B. White The Children of the Noisy Village by Astrid Lindgren The Gruffalo by Julia Donaldson The Ox-Cart Man by Donald Hall The Hug Machine by Scott Campbell Curious George by H.A. Rey Hortense and the Shadow by Natalia O'Hara A Bear Called Paddington by Michael Bond St. George and the Dragon by Jim Forest The Hobbit by J.R.R. Tolkien The Lord of the Rings by J.R.R. Tolkien Where the Wild Things Are by Maurice Sendak Fables by Arnold Lobel The Fire Cat by Esther Averill Charlotte's Web by E.B. White Julius Caesar by William Shakespeare Middlemarch by George Eliot Remains of the Day Kazuo Ishiguro Phantastes by George MacDonald The Secrets of Ormdale by Christina Baehr Prometheus Bound by Aeschylus Oedipus Rex by Sophocles

Earlier this week, a new production of OEDIPUS opened at the Old Vic Theatre in London, notably the second iteration of the Sophocles play in the last few months.The Greek tragedy stars Rami Malek and Indira Varma and incorporates much contemporary dance in place of a traditional Greek Chorus.Check out this brand new review to find out what Mickey-Jo thought about this much talked about new production...•00:00 | introduction02:11 | synopsis / overview05:14 | material11:01 | creative choices14:53 | performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Coralie Fargeat has been nominated as best director for her film The Substance which stars Demi Moore. She tells Samira about her inspiration for the satirical horror about a Hollywood star who takes a dangerous drug to create a younger version of herself. Josephine Baker's memoir has been translated into English for the first time, fifty years after the death of the iconic performer. Cultural historian Dr Adjoa Osei and translator Anam Zafar discuss Baker's incredible life and legacy. The story of Greek heroine Electra has been written in play form by Sophocles, was made into an opera by Richard Straus and inspired Marvel comics and films. A new production, based on Sophocles' Electra which was translated by Canadian poet Anne Carson has just hit London's West End starring Brie Larson and Stockard Channing. Anne joins Samira to talk about the translation.Presenter: Samira Ahmed Producer: Paula McGrath

Episode 154As you know form last week's episode I'm running a short series of guest episodes before we get back to continuing the journey through the Shakespeare and Jonson cannon. Today's episode is a repeat of episode 30 of the podcast, first released in late 2020. At the time I was discussing the early theatre of Rome and with the Ancient Greek theatre already under my belt I had started to reach out to academics and authors who could add depth and colour to the research that I had been able to do. This episode with Dr Elodie Palliard was, I thought, particularly helpful in describing the likely developments in theatre in the murky period between the end of recorded Athenian theatre and early Roman theatre. It is, I think, worthy of another listen if you heard it at the time, or a first listen if you have only joined us for the later theatrical periods.Dr Elodie Paillard is currently an Honorary Associate in the Department of Classics and Ancient History at the University of Sydney, and a Partner Investigator in the Australian Research Council discovery project 'Theatre and Autocracy in Ancient Greece'. She is also a Project Leader at the University of Basel, financed by the Swiss National Science Foundation. After completing a PhD thesis on the staging of socio-political groups in Sophocles, and a postdoc on Greek theatre in Early Imperial Rome and Campania, Elodie is now working on Greek theatre in Republican Italy (500-27BC). She is also a member of the editorial board of the journal Mediterranean Archaeology.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

The words “know thyself” were carved into stone at the entrance to the revered temple of Apollo at Delphi in Greece. What does it mean? Well, the Greek playwright Sophocles and the philosopher Socrates interpret it in their own way! 

This episode originally aired in the spring of 2022. Liv speaks with returning guest Amy Pistone who specializing in Sophoclean tragedy. Amy shares some of the complexities hidden within the Trachiniae and they discuss Sophoclean prophecies (ie., the origin of Never Trust the Oracle). Follow Amy on Twitter. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

John J. Miller is joined by James Brandon of Hillsdale College to discuss 'Ajax' by Sophocles.

Your favorite Fiorentina podcast idiots have decided to sit down in front of their microphones and tempt fate in a way that would make a Sophocles protagonist wince. That's right, we're still flushed with the afterglow of a Moise Kean-inspired win over Hellas Verona and, as we gaze into the abyss of the international break, we're feeling okay. Fine. Good, even. Because we're trying to figure out if Fiorentina is actually good. And you know what? We do. We break down that Verona game, naturally, and compare it to some other recent and perhaps slightly less enjoyable wins against mid-table opposition. We sing Kean's praises, of course, but also dip into some of the less noticeable heroes as well (central defenders, this one's for you). After that, we dip into the depth chart and what the injuries--Albert Guðmundsson, Danilo Cataldi, Marin Pongračić--mean for a team competing on three fronts. We also (big sigh) dip into the winter transfer market, looking at what kind of player the club should target after the APOEL loss laid bare the issues at certain key positions. Along the way, we learned about McMike's grandmother's communication advice, what plant-based beverage Producer Mike will shill for, and just how far Tito can stretch a pit bull metaphor. Big thank you to the Sport Social Podcast Network for hosting us and to Windchime Weather for the music. Hit us with questions on the website or on Twitter. As always, we hope you enjoy listening to this as much as we enjoyed making it. Forza Viola! Learn more about your ad choices. Visit podcastchoices.com/adchoices

In honor of Veterans' Day, we're revisiting an episode of Art Works that tells the origin story of the transformative project  Theater of War Productions. Co-founded by classicist, translator, and director Bryan Doerries, Theater of War began with a simple yet profound concept: presenting staged readings of Sophocles' plays Ajax and Philoctetes to military communities as a means of addressing both the challenges veterans face and the lasting impact of war on families and relationships.In this episode, Doerries recounts how he was inspired to bring these ancient military tragedies to contemporary audiences, believing they would unlock conversations around trauma and healing. With excerpts of performances by actors Bill Camp, David Strathairn and Adam Driver, this episode explores the initial journey of Theater of War and its impact on military communities, offering insight into how ancient drama opens pathways for veterans to process their experiences.  Now, with over 20 specialized programs, Theater of War Productions reaches diverse communities worldwide, addressing not only the struggles of veterans but also broader public health and social justice issues, including homelessness, racialized violence, and natural disasters. Doerries also discusses the arts' power to heal, showing how storytelling and shared experience allow individuals to confront, process, and share pain. Theater of War taps into this capacity, creating safe spaces that support connection, resilience, and recovery. 

In honor of Veterans' Day, we're revisiting an episode of Art Works that tells the origin story of the transformative project  Theater of War Productions. Co-founded by classicist, translator, and director Bryan Doerries, Theater of War began with a simple yet profound concept: presenting staged readings of Sophocles' plays Ajax and Philoctetes to military communities as a means of addressing both the challenges veterans face and the lasting impact of war on families and relationships.In this episode, Doerries recounts how he was inspired to bring these ancient military tragedies to contemporary audiences, believing they would unlock conversations around trauma and healing. With excerpts of performances by actors Bill Camp, David Strathairn and Adam Driver, this episode explores the initial journey of Theater of War and its impact on military communities, offering insight into how ancient drama opens pathways for veterans to process their experiences.  Now, with over 20 specialized programs, Theater of War Productions reaches diverse communities worldwide, addressing not only the struggles of veterans but also broader public health and social justice issues, including homelessness, racialized violence, and natural disasters. Doerries also discusses the arts' power to heal, showing how storytelling and shared experience allow individuals to confront, process, and share pain. Theater of War taps into this capacity, creating safe spaces that support connection, resilience, and recovery. 

Poet and translator Henry Taylor was born in Lincoln, Virginia on June 21, 1942. He earned a BA from the University of Virginia and an MA from Hollins University. Taylor's many poetry collections include Crooked Run (2006); Understanding Fiction: Poems 1986-1996; The Flying Change (1985), for which he received the Pulitzer Prize; An Afternoon of Pocket Billiards (1975); and The Horse Show at Midnight(1966). He has translated works from Bulgarian, French, Hebrew, Italian, and Russian. His translations include Black Book of the Endangered Species (1999) by the Bulgarian poet Vladimir Levchev and Electra (1988) by Sophocles. Taylor is a professor of literature and codirector of the MFA program in creative writing at American University in Washington, DC. In 2001 he was inducted into the Fellowship of Southern Writers.After winning the Pulitzer Prize in 1986 for his book, The Flying Change: Poems, poet Henry Taylor remarked to Joseph McLellan of the Washington Post: “The Pulitzer has a funny way of changing people's opinions about it. If you haven't won one, you go around saying things like ‘Well, it's all political' or ‘It's a lottery' and stuff like that. I would like to go on record as saying that although I'm deeply grateful and feel very honored, I still believe that it's a lottery and that nobody deserves it.” Despite his disbelief that he could earn such a prestigious award, the Pulitzer is not the only major prize Taylor has won. His other honors include the Witter Bynner Foundation Poetry Prize from the American Academy and Institute of Arts and Letters, a grant from the National Endowment for the Humanities, two fellowships from the National Endowment for the Arts, and the Golden Crane Award of the Washington Chapter of the American Literary Translators Association.Taylor also has a sense for the comic. Indeed, the poet has remarked that he was first recognized as the author of several verse parodies, which he submitted to the magazine Sixties. “I was mildly nettled to find that they were better known, at least among poets, than anything else I had done,” Taylor reflects in the Contemporary Authors Autobiography Series. These parodies, along with other poems, appear in the author's first poetry collection, The Horse Show at Midnight (1966). This book also contains poems concerned with the unavoidable changes people must go through in life, a theme that dominates many of Taylor's verses. Dillard explains, “Henry Taylor has for all his poetic career been drawn inexorably to questions of time and mutability, of inevitable and painful change in even the most fixed and stable of circumstances.” The conflict between a desire for life to remain constant and predictable and the realization of the necessity for change in the form of aging, personal growth, and death creates a tension in Taylor's poems that is also present in his other collections, including An Afternoon of Pocket Billiards. Dillard calls this third collection, which contains all the poems previously published in Breakings, Taylor's “best work” up to that time, “clearly marking growth and progress to match his own changes in the years since The Horse Show at Midnight.”A lover of horses since his childhood in rural Virginia, Taylor uses an equestrian term for the title of his fifth book of poems, The Flying Change (1985). The name refers to the mid-air change of leg, or lead, a horse may sometimes make while cantering. Several of the poems contained in the collection describe similarly unexpected changes that occur in the course of otherwise predictable lives spent in relaxed, countryside settings. “Thus in the best poems here,” comments New York Times Book Review contributor Peter Stitt, “we find something altogether different from the joys of preppy picnicking. Mr. Taylor seeks for his poetry [a] kind of unsettling change, [a] sort of rent in the veil of ordinary life.” Some examples of this in The Flying Change are the poems “Landscape with Tractor,” in which the narrator discovers a corpse in a field, and “At the Swings,” in which the poet reflects on his cancer-stricken mother-in-law, while pushing his sons on a swing set. Other poems in the book explore the effects of such incidents as a small herd of deer suddenly interrupting the peace of a lazy day in which the narrator has been reflecting on his old age, or the surprise of seeing a horse rip its neck on a barbed wire fence.A number of critics, like Washington Times reviewer Reed Whittemore, laud Taylor's calm thoughtfulness in these and other poems, comparing it to the tone of other current poets. “Much contemporary verse is now so flighty,” says Whittemore, “so persistently thoughtless, that in contrast the steadiness of [The Flying Change], its persistence in exploring the mental dimensions of a worthwhile moment, is particularly striking, a calmness in the unsettled poetic weather.” Other critics, like Poetry contributor David Shapiro, also compliment the writer on his sensitivity to the atmosphere of the countryside. “Taylor is a poet of white clapboard houses that have existed ‘longer / than anyone now alive,'” observes Shapiro, who quotes the poet. “That is why Taylor can be such a satisfactory poet,” the reviewer concludes.Though he has written award-winning verses, Taylor remains under the radar. According to Garrett and others, this is due to Taylor's nonconformist approach. The critic continues: “In forms and content, style and substance, he is not so much out of fashion as deliberately, determinedly unfashionable. His love of form is (for the present) unfashionable. His sense of humor, which does not spare himself, is unfashionable. His preference for country life, in the face of the fact that the best known of his contemporaries are bunched up in several urban areas, cannot have made them, the others, feel easy about him, or themselves for that matter. They have every good reason to try to ignore him.” Whittemore compares Taylor's technically well-ordered style and leisurely reflections of life to the poetry of Robert Frost and Howard Nemerov. “Among 20th-century poets,” Whittemore concludes, “Mr. Taylor is ... trying to carry on with this old and honorable, but now unfavored, mission of the art. He enjoys such reflections, reaching (but modestly) for what, remember, we even used to call wisdom.”Taylor lives and works in Leesburg, Virginia.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Carl Phillips is the author of 17 books of poetry, most recently Scattered Snows, to the North and Then the War: And Selected Poems 2007-2020, which won the 2023 Pulitzer Prize. His other honors include the 2021 Jackson Prize, the Aiken Taylor Award for Modern American Poetry, the Kingsley Tufts Award, a Lambda Literary Award, the PEN/USA Award for Poetry, and fellowships from the Guggenheim Foundation, the Library of Congress, the American Academy of Arts and Letters, and the Academy of American Poets. Phillips has also written three prose books, most recently My Trade is Mystery: Seven Meditations from a Life in Writing; and he has translated the Philoctetes of Sophocles. He lives on Cape Cod, in Massachusetts. We talked about how he puts a collection together, vulnerability and guardedness, To the Lighthouse, relationships, darkness, truth and revelation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ralston College Humanities MA   Dr Paul Epstein is a distinguished classicist and Professor Emeritus of Classics at Oklahoma State University, renowned for his extensive knowledge of Greek and Latin literature.  In this lecture and discussion—delivered in Savannah during the x term of the inaugural year of Ralston College's MA in the Humanities program—classicist Dr Paul Epstein considers how Sophocles's tragedy Women of Trachis and Aristophanes's comedy Frogs arise from—and reflect upon—the polis-centered polytheism of ancient Greece as it appeared during the Athenian flourishing of the fifth century BC. Professor Epstein explores how these Greek dramas articulate the relationship between human beings, the gods, and the community. Tragedy, in Professor Epstein's account, is about the overall structure of the community, while comedy starts with the individual's exploration of that community. Yet both forms ultimately reveal an understanding of the individual that is inseparable from the polis in which he or she lives. Professor Epstein argues that our contemporary notion of the self as an entity fundamentally separate from context would be entirely alien to the ancient Greeks. Grasping this ancient understanding of the individual is vitally necessary if we are to correctly interpret the literary and philosophical texts of Hellenic antiquity. *In this lecture and discussion, classicist Dr. Paul Epstein considers how Sophocles's tragedy Women of Trachis and Aristophanes's comedy Frogs arise from—and reflect upon—the polis-centered polytheism of ancient Greece during the Athenian flourishing of the fifth century BC. Professor Epstein explores how these Greek dramas articulate the relationship between human beings, the gods, and the community. Tragedy, in Professor Epstein's account, is about the overall structure of the community, while comedy starts with the individual's exploration of that community. Yet both forms ultimately reveal an understanding of the individual that is inseparable from the polis in which he or she lives. Professor Epstein argues that our contemporary notion of the self as an entity fundamentally separate from context would be entirely alien to the ancient Greeks. Grasping this ancient understanding of the individual is vitally necessary if we are to correctly interpret the literary and philosophical texts of Hellenic antiquity.   —   0:00 Introduction of Professor Epstein by President Blackwood 6:25 The Polytheistic World of the Polis 01:09:35 Dialogue with Students on Polytheism and the Polis 01:22:40 Sophocles's Women of Trachis 01:44:10 Dialogue with Students About Women of Trachis 01:56:10 Introduction to Aristophanes' Frogs 02:24:40 Dialogue with Students About Frogs  02:49:45 Closing Remarks for Professor Epstein's Lecture   —   Authors, Ideas, and Works Mentioned in This Episode:    Athenian flourishing of the fifth century BC  Sophocles, Women of Trachis  Aristophanes, Frogs William Shakespeare Plato, Symposium Aristophanes, Lysistrata Homer, Odyssey  Aristotle, Poetics Peloponnesian War   Plato, Apology nomizó (νομίζω)—translated in the talk as “acknowledge” nous (νοῦς) binein (Βινέω)  Johann Joachim Winkelman  Nicene Creed  Titanic v. Olympian gods  Hesiod  Jane Austen, Sense and Sensibility  Sigmund Freud  Existentialism  techne (τέχνη) logos (λόγος) eros (Ἔρως)  hubris (ὕβρις) Philip Larkin, “Annus Mirabilis”  Athansian Creed psuche (ψυχή)—translated in the talk as “soul” thelo (θέλω)—translated in the talk as “wishes”  Aristophanes, Clouds mimesis (μίμησις)  —   Additional Resources    Dr Stephen Blackwood    Ralston College (including newsletter)   Support a New Beginning    —   Thank you for listening!  

Welcome to season five of The Nietzsche Podcast! First of all, a warm thank you to all of my listeners and patrons who have helped to make this show such a phenomenal success. For our first episode in this new collection of episodes, we're diving headfirst into the Oedipus plays of Sophocles: Oedipus Rex & Oedipus at Colonus. Sophocles triumphed with the best tragedy at the Dionysia more than any other playwright, and Aristotle named Oedipus Rex the model tragedy. We will fully explore the tragic downfall of Oedipus, his redemptive last days at Colonus, and Friedrich Nietzsche's interpretation of the significance of Oedipus in Birth of Tragedy. Episode Art: Jean-Antoine-Theodore Giroust, Oedipus at Colonus (1788), Courtesy of Wikimedia Commons

This week, the guys delve into the rich world of Greek tragedy with professor Michael Davis from Sarah Lawrence College. The group explore the themes of fate, justice, and human nature as discussed in Davis' latest book, Electras: Aeschylus, Sophocles, and Euripides. Focusing on the powerful narratives of the Electra plays by these tragedians, they unpack the complexities of ancient drama and its continued relevance in contemporary thought. 

Dr. Maria Sophocles discusses her TED Talk on sex in midlife and the bedroom gap between men and women. She explains the physiological changes that occur in the vulva and vagina during midlife and how they can affect a woman's sex life. She emphasizes the importance of vaginal estrogen as a preventative medicine and the need for better education and communication between clinicians and patients. Dr. Sophocles also highlights the need for couples to have open and honest conversations about their sex life and the role of sex therapy in addressing sexual health issues. The conversation covers various topics related to gender roles, sexual pleasure, and the impact of menopause on libido. It emphasizes the importance of communication and breaking societal norms in order to achieve gender equity in the bedroom. The fear and misconceptions surrounding estrogen and its association with cancer are also addressed. The conversation concludes with a discussion on the power of education and open dialogue in changing societal attitudes towards sex and pleasure. Takeaways Physiological changes in the vulva and vagina during midlife can affect a woman's sex life. Vaginal estrogen is a safe and effective preventative medicine for addressing genitourinary changes. There is a need for better education and communication between clinicians and patients regarding sexual health. Couples should have open and honest conversations about their sex life to bridge the bedroom gap. Sex therapy can play a crucial role in addressing sexual health issues. Gender roles and societal norms often dictate women's role in the bedroom, leading to a lack of sexual pleasure and resentment. Women should feel empowered to prioritize their own pleasure and communicate their needs and desires to their partners. The loss of libido during menopause is a common concern for many women, but there are options available to address this issue. Fear and misconceptions surrounding estrogen and its association with cancer can prevent women from seeking treatment that could improve their sexual health. Education and open dialogue are essential in challenging societal attitudes towards sex and pleasure and promoting gender equity in the bedroom. https://www.instagram.com/mariasophoclesmd/ Dr. Sophocles TED talk https://mariasophoclesmd.com/ Special thanks to our sponsor, SOLV! To learn more about Ellura by Solv Wellness, visit ellura.com for 30% off your first purchase automatically applied at checkout. For an additional $5 off, use coupon code DRKELLY5. Preorder my book "You Are Not Broken: Stop "Should-ing" All Over You Sex Life" Listen to my Tedx Talk: Why we need adult sex ed Take my NEW Adult Sex Ed Master Class: https://www.kellycaspersonmd.com/adult-sex-ed Join my membership to get these episodes ASAP, a private facebook group to discuss and my private accountability group for your health, hormones and life support! www.kellycaspersonmd.com/membership

Menopause isn't just hot flashes, says gynecologist and sexual medicine specialist Maria Sophocles. It's often accompanied by overlooked symptoms like painful sex or loss of libido. Shedding light on what she calls the "bedroom gap," or the difference in sexual expectations of men and women in midlife due to societal norms, Sophocles advocates for education, medical advancement and a new understanding of menopause — because sex should be pleasurable and comfortable for everyone.