19th-century American author, poet, editor and literary critic
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End game end game end gammmmme...Fiddle faddle fayyyyy...We don't care if it ends up plainnnnn...We just want it to be fun. Hooray!Hopefully you're enjoying GGG''s Path of Exile 2's 0.5.5! Or PoE 1! Thanks for listening to episode 362! Love ya! In Episode 362 of Forever Exiled, we dig into the Path of Exile 2 endgame changes introduced with patch 0.5.5, including the new Atlas progression system and what it means for player choice. Does earning enough points to eventually fill the entire Atlas passive tree make progression feel rewarding, or does it remove the customization that makes Path of Exile's endgame so compelling?We compare the PoE 2 Atlas with Path of Exile 1's Atlas passive trees, alternate tree loadouts, scarabs and personalized farming strategies. We also discuss what keeps us returning for a new league, what makes an endgame worth grinding and why PoE 2 still has work to do before its full release.Forever Exiled Info:www.foreverexiled.comPatreonTwitter @ForeverExiled82Path of Exile WebsiteWrecker of Days Builds ListDiscord...FE Merch StoreFE Nexus Store
Michael and Jake celebrate episode 200 in the most outlandish way possible: with no special plan whatsoever.Michael shares an update on his home renovation, including construction progress, verandah engineering, outdoor kitchen plans, landscaping, structured cabling, smoke alarms, CCTV, and the ever-growing list of "small" additions that come with a major building project.They then discuss home networking, with Michael planning a mostly Ubiquiti, while Jake compares notes on his own home network, including reusing old whole-house vacuum pipes as ethernet conduit and planning better Wi-Fi coverage throughout the house.Later, the conversation shifts to software development and AI-assisted coding. Michael describes what he calls - rightly or wrongly - a "software factory" that uses Amp as an orchestrator, GLM 5.3 agents for implementation, spec-driven development, automated code review, browser testing, and overnight agent workflows.The episode wraps with a broader discussion about what AI means for software development, how it enables software for an audience of one, and whether Michael should buy the 24-port PoE switch after all.
Recomendados de la semana en iVoox.com Semana del 5 al 11 de julio del 2021
Cuando la muerte llama a las puertas, el poder levanta muros. Pero hay algo de lo que ningún hombre puede esconderse. En esta nueva ficción sonora de Palabras Paganas, nos adentramos en «La máscara de la Muerte Roja», uno de los relatos más inquietantes y simbólicos de Edgar Allan Poe. El príncipe Próspero se refugia en una abadía fortificada junto a un grupo de nobles. Fuera, una terrible epidemia está acabando con la vida de miles de personas. Dentro, mientras el mundo muere, ellos celebran un lujoso baile de máscaras convencidos de que han conseguido escapar de la tragedia. Siete salas. Siete colores. Un reloj de ébano que marca el paso del tiempo. Y, cuando el reloj da la medianoche, una figura desconocida aparece entre los invitados. Una figura que nadie recuerda haber invitado. Una ficción sonora inmersiva inspirada en el universo de Poe, donde la música, los pasos, los silencios, los susurros y el sonido del reloj construyen una atmósfera oscura y claustrofóbica. Porque la Muerte no necesita una invitación. Solo necesita esperar. Palabras Paganas.. te regala 30 días de Premium Esta es la mejor oportunidad para escuchar Palabras Paganas.. sin publicidad y además estarás ayudando económicamente a este podcast.
With the balance of power in the galaxy deeply shifted towards the Dark, what is next for our heroes—and our villains? It's time for us to find out in Star Wars Episode VII: The Force Awakens.We focus our discussion on the second half of the film on the Pyrrhic victory that is the end of Starkiller Base and the passing of the torch from the Original Trilogy trio (Luke, Leia and Han) to the new era: Rey, Finn, and Poe. We also do character deep-dives, and parse which characters have the most—and, notably, the least—chemistry.The Force Awakens is a monument to the modern era of Star Wars, and we wouldn't exist without it. Find our recap everywhere you get podcasts—and join us next week for the next chronological entries in the timeline, Resistance: The Disappeared + Descent (Season 1, Episodes 18–19).Want more Growing Up Skywalker? This is a great time to sign up for our Patreon for bonus audio content! We've got Ninth Jedi coverage on tap.Timestamps:00:00:00 Who Are We?00:02:14 Plot Summary00:11:07 Rey and the Persephone Myth00:25:46 The End of Starkiller Base00:44:22 Deep Dive into the Trio (Also Romance?!)00:54:12 Kylo Deep-Dive01:08:40 Bae Watch01:15:58 Closing Thoughts
Hey! More Star Wars! This week we join Rey, Finn, Poe, and BB-8 as they give us a movie we didn't ask for, and still aren't entirely sure we want, but hey, it's Star Wars, so….We geek out about the good, the bad, and tend to avoid the toxic, and just enjoy it for what it is.Today's root beer is Fitz.Intro and Outro music by Stockmusic331 on Pond5.Send us Fan Mail
0.5.5 is out this week. Is it a Path of Exile league? Is it a PoE event? Who cares! Fresh economy means, "Let's try again!" With summer now coming to a close and GGG's special Dec. 11th closer than it seems, there doesn't seem like a better time to chat Path with a bud. Thanks for hanging out for episode 360!Forever Exiled Info:www.foreverexiled.comPatreonTwitter @ForeverExiled82Path of Exile WebsiteWrecker of Days Builds ListDiscord...FE Merch StoreFE Nexus Store
Kevin Starrs of Uncle Acid and the Deadbeats talks to us about the bands new album 'Shapes Of Midnight'.He discusses the origins of the bands sounds, the differences releasing their own album verses working with Rise Above Records, recording at the legendary Abbey Road studios, the theming of the album and the Poe influence, whats left on his bucket list and so much more! =====================Follow The Razor's Edge online:Web: https://therazorsedge.rocksFacebook: https://www.facebook.com/therazorsedgerocksTwitter: https://twitter.com/_therazorsedge_Instagram: https://www.instagram.com/therazorsedgerocks
Season 6 of the Crestwood House starts with a thunder crack in the dark night sky as co-host Michael May takes Paxton and Shawn on a tour of Universal's Poe-inspired flick, 1934's The Black Cat starring Boris Karloff and Bela Lugosi.
Pags dives into the latest from Iran as President Trump floats putting his own name on the Strait of Hormuz and Treasury Secretary Scott Bessent says the U.S. and China actually share some important goals when it comes to Iran. Then breaking news erupts during the show as Pags reports live on multiple people, including police officers, being shot in downtown Minneapolis. Back overseas, Iran is reportedly attempting to hack U.S. infrastructure, Trump addresses the Strait from the Oval Office, and Pags says he's ready to see the conflict wrapped up. But reports claim White House aides are worried about escalation ahead of the midterms—is that really what's happening, or another anonymously sourced media narrative? Plus, former congressman and judge Ted Poe joins Pags for a fascinating constitutional debate: Can a communist legally run for office in America? What happens if elected officials attempt to fundamentally dismantle the constitutional system? Poe breaks down the 10th versus 14th Amendments, the limits of government power, and why Democrats are opposing an effort to permanently set the Supreme Court at nine justices. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jason, Rachel, and Jesh continue their Star Wars journey with The Last Jedi, aka the movie that split the fandom in half like Snoke in a red throne room. In our spoiler-filled review, we dig into why Jesh saw the movie five times in theaters, why Jason still loves Rian Johnson's take, and why Rachel is having a harder time with Luke, Poe, Snoke, Rose, and one deeply upsetting green-milk moment. We also talk about the opening bombing run, Poe's Marvel-style comedy, the “bombs in space” nitpicks, Leia using the Force in space, Holdo not telling Poe the plan, Rose Tico, Canto Bight, Kylo Ren smashing his mask, Rey and Luke on Ahch-To, the sacred Jedi texts, and the jaw-dropping Snoke throne-room scene. Subscribe to Thumb War for movie reviews, TV breakdowns, Star Wars chaos, and arguments about alien milk that nobody asked for. ️ Available on YouTube, Apple Podcasts & Spotify Support the show on Patreon for ad-free episodes & bonus content : http://bit.ly/44Mo8xU Like & Subscribe Leave a 5-star review if you're enjoying Thumb War Email us: ThumbWarPod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're excited for the GGG's new Dec. 11 (2026) FULL launch of Path of Exile 2! As we wrap up our PoE 1 private league this week, it's tough to not think about what's next! With the unintentionally empty announcements for 0.5.5, we start looking forward to what November and December will bring. Thanks for taking the time to hang with us this week!Forever Exiled Info:www.foreverexiled.comPatreonTwitter @ForeverExiled82Path of Exile WebsiteWrecker of Days Builds ListDiscord...FE Merch StoreFE Nexus Store
Speaker: Joseph Antley
The Strange Mysterious and Sad Last Days of Edgar Allan PoeBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.
Recorded August 21, 2026 OpenAVC is back, and this time creator Aaron Todd joins us to talk about putting the open-source, hardware-agnostic AV control platform into the hands of higher ed teams for real-world testing. We dig into what makes the project interesting, why traditional proprietary control hardware may not always be necessary, how universities can participate in the pilot program, and whether open-source control is a threat to integrators, or simply another tool they should learn to use. Then it's time for the annual higher ed tradition of people returning from summer break and suddenly remembering they need an AV project completed before classes start. We talk last-minute requests, impossible construction schedules, scope creep, protecting your staff from constant heroics, and the dangerous precedent created when you somehow manage to pull off the impossible one too many times. Finally, are ceiling microphone arrays actually the best solution, or have they simply become the solution everyone specifies by default? We get into table mics, ceiling mics, voice lift, room acoustics, user expectations, increasingly complicated microphone deployments, and the inconvenient truth that putting everything in the ceiling doesn't magically make the underlying audio problems disappear. News: https://www.linkedin.com/posts/aarontoddcts-d_we-are-looking-for-university-av-teams-willing-share-7492969718262231040-Pm57/ Connect with Aaron: https://www.linkedin.com/in/aarontoddcts-d/ Open AVC: https://www.openavc.com Alternate show titles: Ten-inch PoE powered A fork… a knife and a spoon They don't want that smoke Open = free Crush their hearts and dreams Aaron, let me tell you something No one cares how the thing turns on and off With the tools available today, we can do better I remove all the GUI Dashboarding and all that crap A cloud side… you don't have to use I'm gonna brag I don't work in support! Whatever process we want to wish-cast on the university They can see our dashboard of projects They've capitulated How many tickets before it becomes a project You can't answer this question but I want to see you try They have a tighter SLA They're just tickled shitless We try to squeeze in as much as you can No, we don't care about that… Construction has been the tyranny of how we're working on campus You can't punch out when people are moving in We've got you guys as our buffer If I'm going that route, I'm NOT happy about it We stream live every Friday at about 315p Eastern/1215p Pacific and you can listen to everything we record over at AVSuperFriends.com ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: https://www.avsuperfriends.com ► Twitter: https://twitter.com/avsuperfriends ► LinkedIn: https://www.linkedin.com/company/avsuperfriends ► YouTube: https://www.youtube.com/@avsuperfriends ► Bluesky: https://bsky.app/profile/avsuperfriends.bsky.social ► Email: mailbag@avsuperfriends.com ► RSS: https://avsuperfriends.libsyn.com/rss Donate to AVSF: https://www.avsuperfriends.com/support
(00:00) Co tam u nas słychać?(04:40) Sprawiedliwość Owiec - Prime(07:40) Wiedźmin 4 w 2028(13:00) Wiedźmin 3: Dziki Gon – Remaster(30:00) Wiedźmin 3: Dziki Gon – Pieśni przeszłości(37:00) Gamescom(38:42) Nodus Fall(42:13) POE 2(44:08) Stage Tour(47:17) Heroes of Might and Magic III Remake(54:56) Elta: Defy All Gods(55:39) Warlock: Dungeons & Dragons(57:17) Afterworld(57:52) LEGO Skylines Wiedźmin 3: Dziki Gon – Remaster | Oficjalna zapowiedźhttps://youtu.be/tD0tVm7zmiY?si=jNl9GbH46Gtd3F1WWiedźmin 3: Dziki Gon – Pieśni przeszłości | Oficjalna zapowiedźhttps://youtu.be/K1KI-0ovzfs?si=O-3OfcDVm7iSXjFLNodus Fall - World Premiere Reveal Trailer | gamescom 2026https://youtu.be/LFRL-6efvjk?si=pyVy7IyQLH-4x3I7Path of Exile 2 - Official Version 1.0 Trailer | gamescom 2026https://youtu.be/VR8mKvRgK9A?si=JmjqugMvpIKrwwVyStage Tour - Official Release Date Trailer | gamescom 2026https://youtu.be/9bwFovw18C0?si=CBZinZiq7dE_scLtHeroes of Might and Magic III Remake - Zwiastun rozgrywkihttps://youtu.be/UOO0ncKoO58?si=X8aL1-uOJHhEgHliElta: Defy All Gods - Official Reveal Trailer | gamescom 2026https://youtu.be/p5SribLZ85c?si=tupkXmr_F1ETMhpEWarlock: Dungeons & Dragons - Gameplay Reveal | PS5 Gameshttps://youtu.be/TXbhRjSxycs?si=s96UkE19XBKpswZ4Afterworld: Official Announcement Trailerhttps://youtu.be/9PU1e7kfkfs?si=vx_z1MgJiMgnh8_FLEGO Skylines Announcement Trailerhttps://youtu.be/4s7Sv_7dBZo?si=uan-Zu5jTKd6QXmYGrupa Rock i Borys na FB - https://www.facebook.com/groups/805231679816756/Podcast Remigiusz "Pojęcia Nie Mam" Maciaszekhttps://tinyurl.com/yfx4s5zzShorty Rock i Boryshttps://www.facebook.com/rockiboryshttps://www.tiktok.com/@borysniespielakSerwer Discord podcastu Rock i Borys!https://discord.com/invite/AMUHt4JEvdSłuchaj nas na Lectonie: https://lectonapp.com/p/rckbrsSłuchaj nas na Spotify: https://spoti.fi/2WxzUqjSłuchaj nas na iTunes: https://apple.co/2Jz7MPSProgram LIVE w niedzielę od osiemnastej - https://jarock.pl/live/rockRock i Borys to program o grach, technologii i życiu
Send us Fan MailThis interview was recorded this past spring during SFFilm Festival, and covers one of the most powerful documentaries we've seen this year year — American Doctor . The film follows three American doctors — Palestinian, Jewish, and Zoroastrian– as they enter Gaza to save lives, and ultimately risk everything to expose the truth. We sit down with director Poh Si Teng to discuss the urgency of this film, the importance of allyship, and why a film festival in Minnesota was her most powerful screening yet. To cap it all off, Poe drops the realest "This Bitch" ever.American Doctor is in theaters now! Find tickets HEREFollow American Doctor on IGFollow director Poh Si Teng on IGDonate to Dolly Parton's Imagination Library HERE. RIP to a true icon.
At three years old, mid-meltdown, Theresa Harmon's son looked up at her and said: "I wanna calm down, Mommy, but I don't know how." She's a social worker. She spent years in child welfare before she became a mom. She was still lost.Doctors told her what they tell every family: "He'll go through withdrawal, and then he'll be fine." Teresa has spent the last decade fighting that myth.This episode gets honest about what opioid exposure actually means, not the terrifying Google version, not the everything's-fine-after-the-NICU version, but the truth that lives in between.In this episode:What actually counts as an opioid and why fentanyl exposure specifically tends to show up as more severe hyperactivity, inattention, and sleep troubleThe myth Teresa's spent a decade fighting: "he'll go through withdrawal, and then he'll be fine" — and why the neonatologists repeating it never actually go home with these kidsWhy the "no lasting effects" story and the "everything is ruined" story are both wrongThe two most common diagnoses beyond NAS/NOWSThe hospital protocol that's replaced older withdrawal scoring, and the swaddling, dim lighting, skin-to-skin, and breastfeeding tools that help at homeWhat to actually ask a pediatrician before trusting them with your child's history and why "I've worked with adopted kids before" tells you nothingTeresa's own son at three, mid-meltdown, telling her he wanted to calm down and didn't know how — and what she's learned about that moment in the decade sinceAbout Theresa:Teresa Harmon is a social worker turned psychiatric nurse practitioner specializing in kids in foster care and adoption who have prenatal opioid exposure. After her oldest son was born opioid-dependent and she couldn't find the support she needed, she founded To The Moon and Back, a Massachusetts-based nonprofit now in its 10th year, serving families nationally through case management, support groups, provider education, and published research with Child Trends. She's an adoptive mom of three, ages 13, 8, and 2.Connect with Theresa:To The Moon & Back: tothemoonandback.org Instagram: https://www.instagram.com/tothemoonma Facebook: https://www.facebook.com/ToTheMoonMA/ Beyond NAS Private Facebook Group: https://www.facebook.com/groups/beyondnas Research mentioned:- TTMAB's 2 published studies (Theresa to send links)- Dr. Jonathan Davis, Tufts Newborn Medicine — created the alcohol-free methadone formulation for NAS weaning; POE/development research (Theresa to send)- Child Trends (Bethesda, MD) — TTMAB research partner- Eat Sleep Console (ESC) — hospital assessment + sensory-based comfort approach for NAS babies- Kennedy Donovan Center — early intervention (Theresa's rapid-fire shout-out)- Perkins School for the Blind — flagging high rates of Cortical Visual Impairment (CVI) in POE kids- MA legislation: automatic early-intervention eligibility bill (Theresa to send status/action link)RG Adoption ConsultingDo you have an adoption "Kismet Moment" you'd like to share? Tell us the story here to be apart of my upcoming podcast episode! https://form.jotform.com/261976309097066Website → https://rgadoptionconsulting.com Book a Complimentary Adoption Strategy Session → https://rgadoptionconsulting.com/contactThe Adoption Roadmap: The Four-Step Process To Adopting Your Baby In Less Than A Year → Buy Here on AmazonBefore you choose an agency, spend money, or move forward—start with these 10 honest conversations that will help you: https://www.rgadoptionconsulting.com/10-conversations-before-you-adopt Tune in to The Adoption Roadmap Podcast every Wednesday. If you like what you hear, I'd appreciate a follow and 5-star rating & review! THANK YOU!For questions about adoption, episode suggestions, or to appear as a guest on The Adoption Roadmap Podcast, email support@rgadoptionconsulting.com
'Tis the season to catch up after the big summer checklist has been completed. It's good to be back after missing last week, and we're excited to get into our PoE 3.2...something's private league! And Path of Exile 2 will have a video announcement next week! Even after a vacation, GGG gives us lots to discuss. Thanks, GGG! You rock! And so do you! Thanks for tuning in for episode 358! It's always great to have you with us.Forever Exiled Info:www.foreverexiled.comPatreonTwitter @ForeverExiled82Path of Exile WebsiteWrecker of Days Builds ListDiscord...FE Merch StoreFE Nexus Store
Speaker: Derek Irvin
10 UNSOLVED Mysteries - Strange Mysteries Vol. 23 with Steve Stockton - Welcome, travelers, to another late-night stroll through the corridors of the unexplained. You've entered the Strange Mysteries gallery. In Volume #23, I'll be your guide as we examine the exhibits of history's most baffling and enduring enigmas. These are the cold cases that haunt the archives, the disappearances that leave only echoes, and the ciphers that laugh in the face of logic. Pull up a chair, keep the lights on, and join us as we step into the unknown.Become a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.
I andre og siste del av historien om Edgar Allan Poes mystiske død følger vi de løse trådene fra Richmond til Baltimore. Hvor befant Poe seg de siste dagene før han ble funnet forkommen, iført klær som ikke var hans egne – og hvorfor skal han ha fryktet at noen var ute etter ham?Vi undersøker vitnefortellingene, den gåtefulle reisen til Philadelphia og teorien om at brødrene til hans forlovede Elmira kan ha forfulgt og mishandlet ham. Til slutt veies denne forklaringen opp mot cooping, alkohol og ulike medisinske teorier. Nesten 180 år senere står spørsmålet fortsatt ubesvart: Hva skjedde egentlig med Edgar Allan Poe?https://open.spotify.com/album/5IwXcOWAjxXdHsPfBlqXd3https://www.patreon.com/taakeprathttps://www.taakeprat.com Hosted on Acast. See acast.com/privacy for more information.
In Episode 232, Sarah is joined by returning guest Anderson McKean of Page & Palette Bookstore for the 2026 edition of Micro Genres! Each year, this series gives us a chance to niche down even further into the kinds of books we love — spotlighting those very specific sub-sub-genres that capture a particular reading taste. This year, Sarah and Anderson have 10 all-new Micro Genres to share, along with standout books for each. With more than 80 books mentioned, you're bound to find a few new additions to your TBR — and maybe recognize a Micro Genre or two of your own. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Politically-Adjacent Stories (Sarah) The Hopefuls by Jennifer Close (2016) | Amazon | Bookshop.org [3:00] Charlotte Walsh Like to Win by Jo Piazza (2018) | Amazon | Bookshop.org [3:11] American Wife by Curtis Sittenfeld (2008) | Amazon | Bookshop.org [3:36] Rodham by Curtis Sittenfeld (2020) | Amazon | Bookshop.org [3:38] Vantage Point by Sara Sligar (2025) | Amazon | Bookshop.org [3:47] The Emperor of Ocean Park (Elm Harbor, 1) by Stephen L. Carter (2002) | Amazon | Bookshop.org [4:48] Palace Council (Elm Harbor, 3) by Stephen L. Carter (2008) | Amazon | Bookshop.org [4:49] The Boomerang by Robert Bailey (2025) | Amazon | Bookshop.org [5:23] State of Terror by Louise Penny and Hillary Clinton (2021) | Amazon | Bookshop.org [6:14] The Situation Room by George Stephanopoulos (2024) | Amazon | Bookshop.org [6:55] Becoming by Michelle Obama (2018) | Amazon | Bookshop.org [8:18] From the Corner of the Oval by Beck Dorey-Stein (2018) | Amazon | Bookshop.org [8:53] Retellings that Are NOT Mythological (Anderson) Lady Tremaine by Rachel Hochhauser (2026) | Amazon | Bookshop.org [10:41] The Beheading Game by Rebecca Lehmann (2026) | Amazon | Bookshop.org [10:58] Beautiful Little Fools by Jillian Cantor (2022) | Amazon | Bookshop.org [11:55] Hester by Laurie Lico Albanese (2022) | Amazon | Bookshop.org [12:23] Honeysuckle by Bar Fridman-Tell (2026) | Amazon | Bookshop.org [12:55] Eligible by Curtis Sittenfeld (2016) | Amazon | Bookshop.org [14:03] Anna K (Anna K, 1) by Jenny Lee (2020) | Amazon | Bookshop.org [14:08] Demon Copperhead by Barbara Kingsolver (2022) | Amazon | Bookshop.org [14:20] The Kind Worth Killing by Peter Swanson (2015) | Amazon | Bookshop.org [14:36] The Favorites by Layne Fargo (2025) | Amazon | Bookshop.org [14:48] Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org [14:57] Wasp's Nest by Kat Stoddard (2026) | Amazon | Bookshop.org [15:26] A Thousand Acres by Jane Smiley (1991) | Amazon | Bookshop.org [15:39] Other Books Mentioned The Scarlet Letter by Nathaniel Hawthorne (1850) [12:32] James by Percival Everett (2024) [12:36] Pride and Prejudice by Jane Austen (1813) [14:07] Anna Karenina by Leo Tolstoy (1878) [14:11] David Copperfield by Charles Dickens (1850) [14:24] Strangers on a Train by Patricia Highsmith (1950) [14:41] Wuthering Heights by Emily Brontë (1847) [14:55] The Go-Between by L. P. Hartley (1953) [15:03] The Philadelphia Story by Philip Barry (1939) [15:32] King Lear by William Shakespeare (1608) [15:45] Ministers Behaving Badly (Sarah) Dominion by Addie E. Citchens (2025) | Amazon | Bookshop.org [16:36] Awake by Jen Hatmaker (2025) | Amazon | Bookshop.org [16:45] God Spare the Girls by Kelsey McKinney (2021) | Amazon | Bookshop.org [17:19] The True Confessions of First Lady Freeman by Deesha Philyaw (Sep 29, 2026) | Amazon | Bookshop.org [17:36] The Dearly Beloved by Cara Wall (2019) | Amazon | Bookshop.org [17:51] The Poisonwood Bible by Barbara Kingsolver (1998) | Amazon | Bookshop.org [18:16] Dear Reader / Love Letters to Books (Anderson) This Book Made Me Think of You by Libby Page (2026) | Amazon | Bookshop.org [19:14] The Starless Sea by Erin Morgenstern (2019) | Amazon | Bookshop.org [19:53] The Borrower by Rebecca Makkai (2011) | Amazon | Bookshop.org [20:22] Dear Fahrenheit 451 by Anne Spence (2017) | Amazon | Bookshop.org [22:24] Mr. Penumbra's 24-Hour Bookstore by Robin Sloan (2012) | Amazon | Bookshop.org [22:37] The Storied Life of A. J. Fikry by Gabrielle Zevin (2014) | Amazon | Bookshop.org [22:56] Other Books Mentioned I Have Some Questions for You by Rebecca Makkai (2023) [20:29] The Great Believers by Rebecca Makkai (2018) [20:31] Yellowface by R. F. Kuang (2023) [22:15] Dark Humor (Sarah) Rabbit Cake by Annie Hartnett (2017) | Amazon | Bookshop.org [23:52] Unlikely Animals by Annie Hartnett (2022) | Amazon | Bookshop.org [23:53] The Road to Tender Hearts by Annie Hartnett (2025) | Amazon | Bookshop.org [23:55] Goodbye, Vitamin by Rachel Khong (2017) | Amazon | Bookshop.org [24:41] Cleo Dang Would Rather Be Dead by Mai Nguyen (2026) | Amazon | Bookshop.org [25:42] Lost Lambs by Madeline Cash (2026) | Amazon | Bookshop.org [25:51] The Heart's Invisible Furies by John Boyne (2017) | Amazon | Bookshop.org [26:00] Here One Moment by Liane Moriarty (2024) | Amazon | Bookshop.org [26:47] Other Books Mentioned Real Americans by Rachel Khong (2024) [24:44] Fantasy Even Sarah Might Like / Fantasy-Lite (Anderson) Conform (Conform Series, 1) by Ariel Sullivan (2025) | Amazon | Bookshop.org [28:54] The Night Circus by Erin Morgenstern (2011) | Amazon | Bookshop.org [30:13] The Familiar by Leigh Bardugo (2024) | Amazon | Bookshop.org [30:39] The Atlas Six (The Atlas Trilogy, 1) by Olivie Blake (2022)* | Amazon | Bookshop.org [30:53] A Darker Shade of Magic (Shades of Magic, 1) by V. E. Schwab (2015) | Amazon| Bookshop.org [31:57] Bury Our Bones in the Midnight Soil by V. E. Schwab (2025) | Amazon | Bookshop.org [32:02] The Midnight Train (The Midnight World, 2) by Matt Haig (2026) | Amazon | Bookshop.org [32:04] The Midnight Library (The Midnight World, 1) by Matt Haig (2020) | Amazon | Bookshop.org [32:05] The Measure by Nikki Erlick (2022) | Amazon | Bookshop.org [32:20] The Dream Hotel by Laila Lalami (2025) | Amazon | Bookshop.org [32:25] The Other Valley by Scott Alexander Howard (2024) | Amazon | Bookshop.org [32:28] Other Books Mentioned The Hunger Games (The Hunger Games, 1) by Suzanne Collins (2008) [29:03] The Handmaid's Tale (The Handmaid's Tale, 1) by Margaret Atwood (1985) [29:04] Like Friday Night Lights, But Book Form (Sarah) a.k.a. Sports Books That Are About Far More Than Sports The Art of Fielding by Chad Harbach (2011) | Amazon | Bookshop.org [35:06] The Slip by Lucas Schaefer (2025) | Amazon | Bookshop.org [35:15] The World According to Garp by John Irving (1978) | Amazon | Bookshop.org [35:51] In One Person by John Irving (2012) | Amazon | Bookshop.org [35:53] Carrie Soto Is Back by Taylor Jenkins Reid (2022) | Amazon | Bookshop.org [36:12] The Flock by Ellen Bar (Apr 27, 2027) | Amazon | Bookshop.org [36:41] The Last Days of Vic & Coco by Taylor Jenkins Reid (Mar 2, 2027) | Amazon | Bookshop.org [38:31] Other Books Mentioned The Amateur by Chris Bohjalian (2026) [37:29] The Double Bind by Chris Bohjalian (2007) [37:48] Women Rule the World (Anderson) The Romanov Empress by C. W. Gortner (2018) | Amazon | Bookshop.org [40:16] Mademoiselle Chanel by C. W. Gortner (2015) | Amazon | Bookshop.org [40:41] Marlene by C. W. Gortner (2016) | Amazon | Bookshop.org [40:43] The Woman with the Cure by Lynn Cullen (2023) | Amazon | Bookshop.org [41:07] Mrs. Poe by Lynn Cullen (2013) | Amazon | Bookshop.org [41:28] Twain's End by Lynn Cullen (2015) | Amazon | Bookshop.org [41:31] Lady Clementine by Marie Benedict (2020) | Amazon | Bookshop.org [41:36] The Other Einstein by Marie Benedict (2016) | Amazon | Bookshop.org [41:53] The Only Woman in the Room by Marie Benedict (2019) | Amazon | Bookshop.org [41:47] Daughter of a Daughter of a Queen by Sarah Bird (2018) | Amazon | Bookshop.org [42:03] Other Books Mentioned Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler (2013) [43:13] Isola by Allegra Goodman (2025) [43:32] Royals (Sarah) The Royal We (The Royal We, 1) by Heather Cocks and Jessica Morgan (2015) | Amazon | Bookshop.org [45:04] Red, White & Royal Blue (Red, White & Royal Blue, 1) by Casey McQuiston(2019) | Amazon | Bookshop.org [45:06] American Royals (American Royals, 1) by Katharine McGee (2019) | Amazon | Bookshop.org [45:09] Spare by Prince Harry (2023) | Amazon | Bookshop.org [45:19] The Force of Such Beauty by Barbara Bourland (2022) | Amazon | Bookshop.org [45:29] The Heir Apparent by Rebecca Armitage (2025) | Amazon | Bookshop.org [45:48] The Windsor Affair by Melanie Benjamin (2026) | Amazon | Bookshop.org [46:03] This Land is Your Land (Anderson) Land by Maggie O'Farrell (2026) | Amazon | Bookshop.org [46:34] Damnation Spring by Ash Davidson (2021) | Amazon | Bookshop.org [47:33] I Will Send Rain by Rae Meadows (2016) | Amazon | Bookshop.org [47:52] The Well and the Mine by Gin Phillips (2007) | Amazon | Bookshop.org [48:07] Greenwood by Michael Christie (US Release 2020) | Amazon | Bookshop.org [49:03] The Islanders by Lewis Robinson (2024) | Amazon | Bookshop.org [49:32] The Shark House by Sara Ackerman (2026) | Amazon | Bookshop.org [49:40] *Publication year reflects the later traditionally published edition for a book originally self-published.
Send us Fan MailWe talk through how counterfeit cabling really shows up on jobs and why it can turn into failed inspections, broken trust, and expensive rework. With cable engineer Matt Schumacher, we draw a clean line between legitimate UL or ETL listings and too-good-to-be-true cable like copper clad aluminum that never should have been in the box. • what “counterfeit cable” means in the real world and why it becomes a contract problem fast • what “listed” means for communications cable and how UL 444 fits into the picture • how to verify a UL or ETL listing number and why reputable manufacturers matter • what CCA copper clad aluminum is and why ANSI/TIA 568.2-E does not allow it • how oxidation and material loss can create intermittent failures and repeat service calls • why PoE can look fine on day one then fail later as resistance climbs • how to explain the risk to customers, designers, and consultants without getting lost in jargon • why high frequency data cable is not “just cable” and how rough pulls and kinks can hurt performance • what CPR means in Europe and why LSZH does not replace CMP or CMR in the US • where the industry may be headed with single mode fiber, PoE growth, and new power concepts If you're watching this show on YouTube, would you mind hitting the subscribe button and the bell button to be notified when new content is being produced? If you are listening to us on one of the audio podcast platforms, would you mind leaving us a five-star rating? Wednesday night, 6 p.m. Eastern Standard Time, what are you doing? If you find value in this content, when you click on that QR code right there, you can buy me a cup of coffee. You could even schedule a 15-minute one-on-one call with me after hours, of course. Email Chuck at advertising at let's talkcabling.com and let's connect your brand to the right audience today. Support the showKnowledge is power! Visit our webpage to find out ways you can support the show. Also if you would like to be a guest on the show, please complete the application.Chuck Bowser RCDD TECH#CBRCDD #RCDD
In this episode, we kick things off with an alarming wave of high-tech cargo theft that's costing the freight industry a staggering fortune. Cargo thieves have stolen nearly $111 million in data center freight since early June, with individual cases ranging from $2 million to a jaw-dropping $38 million. In a disturbing new tactic, criminals deliberately crashed into security escorts protecting high-value technology shipments, then continued driving with the loads in what experts call the "bump-and-run" method. Next, we discuss a massive fraud case unfolding in Georgia where the FBI is urgently seeking truck drivers nationwide who may be victims in a 54-count tax fraud indictment. Federal prosecutors charged 62-year-old Diane Marie Poe, owner of Genuine Financial Services in Walton County, with 32 counts of bank fraud and 14 payroll-related tax offenses. Prosecutors accuse Poe of keeping money that customers provided for estimated tax obligations instead of delivering promised services, with at least 26 identified clients working as self-employed truck drivers who relied on her company for bookkeeping and tax preparation. Finally, we head south to examine how Mexico's heavy-duty truck production surged 51.8% in July as tariff tensions continue to simmer. Mexico's National Association of Bus, Truck and Tractor-Trailer Producers reported that manufacturers produced 14,675 heavy-duty vehicles during July, while exports climbed 66.7% year over year to 13,117 units. With a staggering 92.4% of Mexico's truck and bus exports through July shipped to the United States, ANPACT officials are urging policymakers to preserve the USMCA's core principles and renewing their call for changes to Section 232 tariffs. Follow the FreightWaves Today Podcast Other FreightWaves Shows Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we kick things off with an alarming wave of high-tech cargo theft that's costing the freight industry a staggering fortune. Cargo thieves have stolen nearly $111 million in data center freight since early June, with individual cases ranging from $2 million to a jaw-dropping $38 million. In a disturbing new tactic, criminals deliberately crashed into security escorts protecting high-value technology shipments, then continued driving with the loads in what experts call the "bump-and-run" method. Next, we discuss a massive fraud case unfolding in Georgia where the FBI is urgently seeking truck drivers nationwide who may be victims in a 54-count tax fraud indictment. Federal prosecutors charged 62-year-old Diane Marie Poe, owner of Genuine Financial Services in Walton County, with 32 counts of bank fraud and 14 payroll-related tax offenses. Prosecutors accuse Poe of keeping money that customers provided for estimated tax obligations instead of delivering promised services, with at least 26 identified clients working as self-employed truck drivers who relied on her company for bookkeeping and tax preparation. Finally, we head south to examine how Mexico's heavy-duty truck production surged 51.8% in July as tariff tensions continue to simmer. Mexico's National Association of Bus, Truck and Tractor-Trailer Producers reported that manufacturers produced 14,675 heavy-duty vehicles during July, while exports climbed 66.7% year over year to 13,117 units. With a staggering 92.4% of Mexico's truck and bus exports through July shipped to the United States, ANPACT officials are urging policymakers to preserve the USMCA's core principles and renewing their call for changes to Section 232 tariffs. Follow the FreightWaves Today Podcast Other FreightWaves Shows Learn more about your ad choices. Visit megaphone.fm/adchoices
Speaker: Mark Crull
Send us Fan MailWe tackle the real-world problems that slow down low voltage projects: messy handoffs, unclear ownership, and customers whose expectations do not match the contract. We share practical systems for kickoff meetings, estimating, data center career moves, and the growing need for networking and security awareness as everything rides on the network. • setting a sales to operations handoff standard with a kickoff meeting agenda • defining the documents sales must deliver to run a project cleanly • aligning customer expectations with schedule and contract language early • building estimating skills through blueprint reading, takeoffs, and labor units • using labor units based on average productivity and tracking them on jobs • finding data center jobs and understanding faster pace and higher quality demands • preparing for fiber-heavy work and learning high-count fiber basics • deciding how much Layer 2 knowledge helps for PoE, scripts, and device turn-up • explaining Wi Fi 7 performance limits without overwhelming the customer • developing lead techs with standards, mentorship, and troubleshooting habits • pushing customers to name one network decision owner across multiple systems • clarifying physical security vs logical security responsibilities in the field DM me, let me know, “Hey Chuck, I'm interested in that estimating class,” and I will reinstitute it and put it out there for people If anybody knows Mike Rowe, please put him in touch with me so I can get him on the showSupport the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD
Stephen Moss, Part Two: Moss explores the Raven, a bird of deep mythology and intelligence, appearing in Norselegends as Odin's messengers and in modern culture like Game of Thrones. Though often seen as harbingers of doom in works by Shakespeare and Poe, Ravens are highly adaptable and have successfully recolonized urban areas. The narrative shifts to the Cormorant, whose guano fueled a 19th-century fertilizer boom that enriched businessmen while exploiting Chinese indentured laborers. This led to synthetic fertilizers, which Moss argues have caused a decline in farmland birds like the Gray Partridge and Skylark. A tragic highlight is Mao Zedong's campaign against the Tree Sparrow, which triggered a massive insect population boom and a famine killing up to 50 million people. Moss also recounts the "Emu War," where the Emu successfully evaded the Australian army's machine guns. The Snowy Egret's near-extinction due to the fashion industry's demand for plumes is credited with sparking the founding of the Audubon Society by women activists. Finally, the Emperor Penguin is presented as a modern "miner's canary," signaling the urgent threat of the climate crisis to global biodiversity. (2)
WEPA!!! Some stories never die… they just wait in the shadows for the perfect creator to resurrect them. And this Halloween season, creator Norm Konyu is opening the crypt and inviting readers into the beautifully twisted world of Edgar Allan Poe with the upcoming Edgar Allan Poe: A Tale of Mystery and Intervention from Titan Comics, arriving October 6, 2026. This isn't your dusty classroom version of Poe. Norm Konyu delivers a darkly playful graphic novel experience where humor, dread, melancholy, and beauty dance together like ghosts at a masquerade ball. The project serves as both a celebration of Poe's legendary literary legacy and a modern exploration of why strange stories continue haunting generation after generation. Even better, the graphic novel reportedly includes a reflective postscript where Konyu breaks down literary references and his personal connection to Poe's work. Norm Konyu has once again proven he's one of the most unique creative voices in comics today, blending emotional storytelling with visually atmospheric worlds that stay with readers long after the final page. Comic Crusaders readers looking for something spooky, smart, emotional, and visually unforgettable should absolutely keep this one on their radar. October can't come fast enough.
Speaker: Aaron Crull
Den 3. oktober 1849 blir Edgar Allan Poe funnet forvirret, syk og iført fremmede klær utenfor en taverna i Baltimore. Fire dager senere er han død, bare 40 år gammel.Hva skjedde med Poe i dagene mellom avreisen fra Richmond og hans mystiske gjenkomst i Baltimore?I denne episoden følger vi Edgar Allan Poe gjennom de siste månedene av livet – fra håpet om en ny begynnelse til de gåtefulle dagene som endte med hans død. Og vi ser nærmere på en av de mest berømte teoriene om hva som egentlig hendte: at Poe ble offer for «cooping» i forbindelse med et amerikansk valg.https://www.patreon.com/taakeprathttps://www.taakeprat.com Hosted on Acast. See acast.com/privacy for more information.
Send us Fan MailWe take rapid-fire questions from the field and get blunt about what's changing in low voltage work, from labor shortages to PoE terminations to fiber habits that build real trust. We also dig into estimating mistakes, dark fiber strategies, cybersecurity boundaries, and what to learn before stepping into design and the RCDD path.• livestream schedule change coming soon and how to stay connected • fundraiser progress update and pushing to hit the goal • LinkedIn profile lockout story and where to find our daily LinkedIn content • labor as the biggest estimating risk and why averages hide crew variability • adding risk management and assumptions to bids to protect schedules • cross-training as the fastest way to reduce labor constraints • pass-through versus traditional RJ45 terminations under PoE loads • importance of crimper maintenance and matching tool to connector • choosing a specialization based on passion and then stacking skills • certifications and credentialing that improve marketability and job access • AI data center growth and the bottleneck debate across GPUs, power, cooling, cabling, skilled labor • fiber testing growth beyond class fundamentals and why humility matters • contamination control, labeling, and documentation as the marks of a great tech • building customer confidence so clients request specific technicians • estimator mistakes under tight margins including site logistics and lessons learned • dark fiber and spare capacity rules of thumb with cost versus flexibility thinking • where cybersecurity responsibility starts for structured cabling teams • what to keep learning before moving from field work into RCDD and design • firestopping foam selection, inspector expectations, and safety concerns Also, keep in mind that I'm still doing the uh Save Our Sons walk-a-thon um uh ministry event, trying to raise money for um Living Hands Ministry in Dade City, Florida. So if you haven't donated yet, please go look at my LinkedIn profile, go look at my Facebook profile and donate to that cause. So if you ever consider joining the Let's Talk Cablin community, please make sure that you do so.Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD
Which detective is better, Edgar Allan Poe’s Auguste Dupin or Arthur Conan Doyle’s Sherlock Holmes? I mean it’s obviously Holmes but that won’t stop Jacob Haller discussing two genre defining stories, Poe’s “The Murders in the Rue Morgue” (1841) and Doyle’s “The Adventure of the Speckled Band” (1892). John McCoy with Jacob Haller.
Which detective is better, Edgar Allan Poe’s Auguste Dupin or Arthur Conan Doyle’s Sherlock Holmes? I mean it’s obviously Holmes but that won’t stop Jacob Haller discussing two genre defining stories, Poe’s “The Murders in the Rue Morgue” (1841) and Doyle’s “The Adventure of the Speckled Band” (1892). John McCoy with Jacob Haller.
Send us Fan MailScott and Michelle continue their chronological journey through Halloween Horror Nights history with a look back at Halloween Horror Nights 21, an event that embraced the theme of fate, fortune, and fear through one of HHN's most memorable original icons: Lady Luck.In this episode, they explore every haunted house from the 2011 event, including the original fan favorites Nightingales: Blood Prey, The Forsaken, The In-Between, Winter's Night: The Haunting of Hawthorn Cemetery, Nevermore: The Madness of Poe, Saws 'n Steam: Into the Machine, and H.R. Bloodengutz Presents: Holidays of Horror. They also revisit The Thing: Assimilation, the event's featured intellectual property, inspired by John Carpenter's 1982 classic and released alongside the 2011 prequel film.The conversation also dives into Lady Luck's presence throughout the event, from her themed scare zones—including 7, Your Luck Has Run Out, and Nightmaze—to the event-wide story that tied every experience together under her sinister influence.Scott and Michelle discuss what made HHN 21 such a standout year, why its original houses remain fan favorites more than a decade later, and how Lady Luck earned her place among the legendary HHN icons.If you're a fan of original concepts, rich event lore, and some of the strongest house lineups in HHN history, this is an episode you won't want to miss.Make your rooms, cars and life smell like your favorite Theme Park and save 15% by using code THNETWORK and clicking here:https://magiccandlecompany.com?sca_ref=8499280.CVzaCEZ7KoGhost Executioners Merchandise!https://www.teepublic.com/user/thehorrificnetwork?utm_source=designer&utm_medium=social&utm_campaign=horrificnetworkFollow All Things Horrific Network Herehttps://linktr.ee/thehorrificnetworkGet Your Sinister Creature Con Tickets Herehttps://www.sinistercreaturecon.com/thecon
Speaker: Kurt Brodbeck
Episode 1011 argues that the Fauci witch hunt and the White House Correspondents' Dinner were the same show: theater staged to give a cult desperate for a villain someone new to hate. Driftglass and Blue Gal use Poe's "The Masque of the Red Death" to describe legacy media pundits partying safely behind castle walls while the plague of modern Republican fascism finally breaks through the door. The episode names the psychological trap keeping disengaged voters stuck in "Yeah, but Democrats..." thinking, and exposes how devastating SNAP cuts are quietly starving hundreds of thousands of Illinoisans while being sold as "reform." It's about who the real cavalry is, why nobody's coming to save us but us, and why the midterms are the only thing that can pull the brakes on a car that no longer has any.Links for this Episode:Driftglass on The BradCast https://bradblog.com/?p=18314Driftglass on the Nicole Sandler Show https://www.youtube.com/watch?v=ozwmgb421eI Stay in Touch! Email: proleftpodcast@gmail.com Website: proleftpod.com Support via Patreon: patreon.com/proleftpod or Donate in the Venmo App @proleftpodMail: The Professional Left, PO Box 9133, Springfield, Illinois, 62791Support the show
When a beautiful cigar shop girl is found dead under mysterious circumstances, a troubled Edgar Allan Poe becomes obsessed with solving the real-life crime—turning tragedy into fiction in a desperate search for truth.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/PoeCigarGirlFEATURED STORIES IN THIS EPISODE: I'm sharing a chapter from the book “Nevermore: The Haunted Life and Mysterious Death of Edgar Allan Poe” by Troy Taylor, which I narrated the audiobook for. But this chapter by itself was so interesting to me that I thought it would make a great episode of Weird Darkness – plus, it gives you a little peek into what you might get if you purchase the book itself. I've left a link to the book in the show notes below. This is the true story about the murder of a girl who worked in a cigar shop, the investigation of it by law enforcement, how Edgar Allan Poe saw it as an opportunity to escalate his career and name… and how it all almost blew up in his face, even with some claiming Poe was the murderer of the poor girl! LISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“Nevermore: The Haunted Life and Mysterious Death of Edgar Allan Poe” by Troy Taylor: https://amzn.to/41e7BxJ(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: March 2022Weird Darkness devotes this episode to the unsolved 1841 murder of New York shopgirl Mary Cecilia Rogers and its strange collision with the unraveling life of Edgar Allan Poe. It opens with the July 28, 1841 discovery of Rogers's body floating in the Hudson River near Hoboken's Sybil's Cave, tracing her path from a Connecticut-born clerk at John Anderson's Tobacco Emporium on Manhattan's Nassau Street to the local celebrity known as "the beautiful cigar girl," then following the search led by her fiancé, cork-cutter Daniel Payne, and former suitor Alfred Crommelin, through the police suspicion cast on Payne and on Anderson, the September discovery of her bloodied clothing in a Weehawken thicket, and Payne's own laudanum suicide at that same spot that October.From there, the episode moves to Philadelphia, where Poe was following the case from a distance while his household came apart around him: his wife Virginia's sudden pulmonary hemorrhage during a parlor performance on January 20, 1842, the day after Poe turned thirty-three, marked the onset of the tuberculosis that would eventually kill her, and the strain bled directly into stories like "The Masque of the Red Death" and "Eleonora." It follows Poe's collapse at Graham's Magazine, including his refused request for a salary advance on an $800-a-year wage, his failed bid for a Philadelphia Custom House post that ended with a fumbled meeting tied to President John Tyler, and his abrupt exit from the magazine after being passed over for associate editor Charles Peterson.Next comes Poe's attempt to solve the Rogers case through fiction, recreating how he pitched a sequel to "The Murders in the Rue Morgue" to Baltimore editor Joseph Evans Snodgrass and Boston's George Roberts before selling it to William Snowden's The Ladies' Companion as "The Mystery of Marie Roget," transplanting the murder to Paris and casting the sleuth C. Auguste Dupin as the man who would name the killer. It details the disastrous timing by which Weehawken tavern keeper Frederica Loss, shot by her own son on November 1, 1842, gave a deathbed account claiming Rogers died during a botched abortion, undercutting Poe's carefully built naval-officer theory just as his final installment was headed to press.The episode closes with the suspects who have circulated around the case ever since, from the hanged Somers mutineer Philip Spencer, floated by biographer John Ingram, to Daniel Payne and Alfred Crommelin, to tobacco magnate John Anderson, who lived out his final years in a Tarrytown mansion behind steel-lined shutters, convinced his cook was poisoning his roast beef and claiming to speak with Mary Rogers's spirit, and it ends on the long-running question of whether Poe himself carried knowledge of, or any personal connection to, the murder he spent his career trying to solve on paper.
Send us Fan MailWe answer rapid-fire questions from the field on cabling choices, troubleshooting discipline, and what real professionalism looks like on a job site. Along the way, we get practical about Cat 6A, intermittent network drops, training new techs, tool buying, and how PoE and newer AI camera demands change your planning. • when Cat 6A is actually worth the effort and when it is just spec inertia • bend radius, cable diameter, termination time, testing time, and other real install impacts • why intermittent drops demand Layer 1 focus and documented testing • a real-world example of a hidden physical fault that only appears sometimes • habits that signal a skilled tech fast: cable management, labeling, service loops, clean work • knowing when to keep troubleshooting versus calling for help • PoE, NEC safety versus performance, and what is changing in the field • AI cameras and what changes for power, bandwidth, placement, and lighting • pulling cable in older buildings by planning pathways, avoiding electrical, and communicating • training priorities for new technicians and why slow correct terminations win • tool strategy, organization, and buying quality within a budget Please go look up that LinkedIn post, find uh that video, and please donate. And if you can't donate anything financially, would you please pray for successful completion of that? Reezy make sure you join the the Bixie Technician study group guess who it's run by me yes we're doing a Zoom call next week Tuesday at 8 p.m and we're gonna answer questions for people studying for their Bixie Tech or installer questions. Be there or be square and it is free it is free. Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD
It's another league launch day for Path of Exile 1 fans! GGG made some huge changes to the core experience this league, along with some infamous boat time, and a huge "temp." league! PoE's Curse of the Allflame hit theaters with a bang, so we hope you're enjoying it. Thanks for listening to episode 354! Love ya!Forever Exiled Info:www.foreverexiled.comPatreonTwitter @ForeverExiled82Path of Exile WebsiteWrecker of Days Builds ListDiscord...FE Merch StoreFE Nexus Store
Speaker: Dylan Sundeen
Skywalking Through Neverland: A Star Wars / Disney Fan Podcast
This episode is a potpourri of things we want to share, as we recount the hilariously unpredictable Rise of Skywalker Celebrity Live Read and review Disney's live-action Moana, with some trivia thrown in for fun! The George Lucas Talk Show returned to Dynasty Typewriter on July 11 to stage a live reading of the original Star Wars: The Rise of Skywalker film. The production featured an incredible cast of comedians and actors putting their own spin on Rey, Finn, Poe, Kylo Ren, Emperor Palpatine, and more. The all-star cast included Taran Killam (Saturday Night Live, Single Parents), Lou Wilson (Dimension 20, Jimmy Kimmel Live!), Vic Michaelis (Very Important People, PONIES), Patton Oswalt (Ratatouille, The Goldbergs), Cobie Smulders (How I Met Your Mother, The Avengers), Paul F. Tompkins (BoJack Horseman, Mr. Show), Missi Pyle (Galaxy Quest, Charlie and the Chocolate Factory), and surprise guest Rich Sommer (Mad Men, The Devil Wears Prada) as Force ghost Luke Skywalker. You can watch at swliveread.com. Sarah then shares her review of Disney's live-action Moana. How does this new interpretation compare with the beloved animated film? We discuss the cast, music, breathtaking scenery, expanded mythology, and whether this remake successfully recaptures the heart of the original. Read her full review here. Finally, we test your knowledge with a round of Disney live-action remake trivia. How well do you know Disney's reimagined classics? PODCAST SPONSORS Skywalking Through Neverland is an official Laughing Place Partner Podcast - check out laughingplace.com for Disney news and opinions. Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.
Send us Fan MailDigital games feel convenient until you ask one uncomfortable question: do you actually own what you paid for? We come back after a couple weeks off and start with real life catch up, because the stuff outside gaming shapes how we think about it. Christopher talks home lab progress and why learning Linux, Docker, and Proxmox scratches that “build it yourself” itch, plus the hands on work of running Cat 6, setting up a PoE switch, and dialing in a home network. We also get into collecting anime DVDs and why physical media still hits differently when everything else is turning into a subscription.Lexi shares what the last few weeks have really looked like, including a deer hitting her Tesla, getting it repaired, and then going straight into a major surgery recovery. We talk through the parts people don't warn you about: long anesthesia time, mobility limits, the mental side of being dependent on help, and the hidden expenses after the surgeon's quote like lymphatic massages, compression confusion, and simple recovery care that somehow never gets explained upfront.Then we shift into the bigger topic: the future of gaming platforms. We break down Xbox layoffs, studio pressure, and why Game Pass can be framed as a “failure” when growth targets miss, even if players love the value. From there, we compare Steam's long term library trust to console storefront uncertainty, dig into digital licensing, and react to the idea of “physical” preorders that are really just a box with a download code. We also debate the push toward $80 games, what it means for GTA 6 and beyond, and whether PC gaming and handheld PCs are slowly becoming the main platform as console pricing and restrictions climb.If you've been feeling weird about where gaming is headed, you're not alone. Subscribe, share this with a friend who cares about game ownership, and leave us a review with your take: are you sticking with consoles, moving to PC, or going back to physical? Support the showhttps://www.carolinaotakus.com/
A murderer insists he is perfectly sane, even as he explains in careful detail how he killed the old man and hid the body beneath the floorboards.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/mitm-telltaleheartWeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Midnight In The Macabre (MITM), originally aired: July 21, 2026
Send us Fan MailCable dressing turns into a fight fast, but the real question is how to keep installs clean without hurting performance, PoE reliability, or warranty compliance. We compare old school lacing and zip ties to modern Velcro and cable comb tools, and we explain why data centers now demand neat, traceable bundles. • why cable dressing triggers strong opinions on job sites • how cable management changes from telco wax string to zip ties to Velcro • why over cinching can deform cable and increase crosstalk risk • how standards differ from manufacturer warranty requirements • why PoE heat pushes smaller bundle sizes and better planning • how outdated Cat 6A “randomize everything” advice still spreads online • what makes data centers stricter than typical commercial installs • how estimating cable dressing time up front balances speed and craftsmanship • the shift from copper to fiber in data centers and what that changes • hand dressing versus puck systems and why repeatability matters • how numbered cable comb tools can improve panel landings and rework If you're watching this show on YouTube, would you mind hitting the subscribe button and the bell button to be notified when new content is being produced? If you're listening to us on one of the audio podcast platforms, would you mind leaving us a five-star rating? If you find value in this content, you click on the QR code right there. You can buy me a cup of coffee. You can even schedule a one-on-one call with me after hours, of course. You can even buy Let's Talk Cabling merchandise. Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD
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On the #amwriting podcast's Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King's Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem's Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King's word-level edits, literary influences, and Shakespearean foundations, especially The Shining's ties to Hamlet.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Read the Book* Monsters in the Archives by Caroline BicksTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work and creative lives.I'm here today with a super special guest. I'm so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she's the author of all kinds of very cool books ... about Shakespeare, including one on cocktails.Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome.Caroline: Thank you. Thanks for having me.Jennie: So this is gonna be the strangest interview you've probably ever done. ICaroline: don't know.Because- I've talked to a lot of people around the world about this Stephen King book.Jennie: I couldn't read your book. I, I couldn't read it. I can't read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I'm actually coaching someone live and they're writing gothic horror, and they're probably like, “All you talk about is horror, Jennie.”But, um, it's actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it.Caroline: Yeah.Jennie: And you're a scholar.Caroline: Yeah.Jennie: And you've written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it.And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you're doing in this book is you're getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing?And you actually feel it yourself while you're going through it, and I found it quite terrifying actually. So, um, that's kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives.Caroline: Yeah. I mean, it's, it's a bit of a story, so I won't spend too much time on it, but just the mo- Oh, no, do. It's good ... when I ch- when I took this position... So I've been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years.I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King's name because he's our most famous alum. So when I took the position, I, it was because I'm a Shakespearean, not because I'm a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story.Jennie: Right.Caroline: Um, so when I took this position though I was told, “You're never gonna meet Stephen King. Don't even make contact with him.” I'm like, “Fine, you know, this is still a great job. I'm excited.” Um- ThanksJennie: for the money. Yeah.Caroline: Thanks for... You know, no, it's a wonderful fund. It was funded by the Harold Alfond Foundation, and it's to support the public humanities, which is an incredible mission.So, um, I get to give money away to people. You know, it's a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn't reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor.And he said, “You know, I think it's time we meet.” I'm like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally.We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I've written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity.I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I'm not a cognitive scientist. I'm not a [00:05:00] specialist in horror literature, but I'm obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don't have any of his works, but, you know, I, I understand what that process is.So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it's a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column.I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don't wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.”Jennie: Yeah.Caroline: You know, you, you never lose that scare, you know, I don't... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they've read him, they remember specific lines and specific words, and I was like, “That's an extraordinary, um, 50 years on to have that power.”So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it's- ... where you wanted to pick up from this.Jennie: It's so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house.Caroline: Oh, that's insane.Jennie: So when I went to visit her, she drove me by that house.There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it's-Caroline: It's ‘cause it's like a gothic, it's like straight out of Haunting of Hill House ...Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They'reCaroline: in the house.They're attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn't even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know?Yeah. So I, I came out of the year with just tons of notes and observations, but I didn't have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more.Um, so that's- And- ... that's the story of that.Jennie: Was it hard for you as a scholar to do that?Caroline: You know what? It was so freeing and so fun that it actually wasn't, you know? Because I, I knew this wasn't going to be an academic book, so once I let go of that- Yeah ... um, I was like, wow, I have the, and yet I have this skill set I can bring forward, and I knew that's what would make this unique.Um, but I can combine my two favorite ways of writing, ‘cause I do actually love writing literary criticism. Like it's, I get a thrill out of it. I wouldn't be doing it this long if I didn't get a thrill out of it, but I also love telling my own stories and drawing a reader in. And so for me it was like just a circus carnival.Like it was so fun to be able to do it. Once I had the permission and I had a contract, I was like, fine, you know? I, I, who am I writing this book for? I'm writing it for me, you know? Like this is just something I wanna do because I'm so passionate [00:09:00] about it and I, and I love Stephen King. And, um, once I got into it that way and wasn't thinking about who's gonna criticize me for this, like how will academics view this, I was like, I don't care.I just don't care. I know I've got a great story to tell that people are gonna love to read because there's so many people that love not just Stephen King, but people who love reading about how great books get written, you know? Yeah. And so that was the audience I had in my mind when I, when I was crafting it.It was really, in my mind, anybody who cares about books and writing. It doesn't have to be... So when you say, you're not the first person who's said to me, “I can't read your book,” or, “I can't read-” Oh, I'm so glad. “... Stephen King books,” you know, and I'm like, “That's okay. You can skip, you know, the parts that really scare you,” because there's plenty about just like that first chapter I wrote about Pet Sematary, just his sticky notes back and forth with his copy editor, which is so fun I think.You know, it's just like, wow.Jennie: Totally. Yeah. But the thing that you do is you- Allow yourself to confront that fear-Caroline: Yeah ...Jennie: [00:10:00] that, that I feel that the people can't, that can't read horror feel. You know, anybody that even allows themselves to be scared feels. And-Caroline: Yeah ...Jennie: and you, you do some very specific things, um, which I, I found fascinating, including tracking down on eBay the original copy of that book you read as a- Yeah, I wanted-as a teenager.Caroline: Yeah, that was part of the process for me, was I wanted to make sure I was reading... So before I would go into the archives for each work, and I'd spent like two... I only picked five, because I wanted to... First of all, I knew I wanted to make this personal. Um, and those were the five that scared me the most when I was a teenager.So I grew up in the ‘70s and the ‘80s as a teenager, so for me, it was in real time when the books were coming out practically. So it was- Yeah ... Carrie, Night Shift, The Shining, Salem's Lot, Pet Sematary. Um, I'm forgetting one of course. Uh, but I went -Jennie: The other one.Caroline: The other one. Had a huge impact on me. [00:11:00] So it was those five, and I, I knew those were the ones I was gonna do a deep dive into, and that I wanted to really re-engage with, and bring my whole self to.So I wanted to find the copies that I had read in the ‘70s and the early ‘80s. And fortunately, it's pretty easy to find them. Uh, so yeah, but eBay sometimes I had to go on, or go into a used bookstore and, you know, find the like actual 1979 paperback, you know.Jennie: Um- I mean, that- Um ... I just, there's some, there's so much to say about that because-Caroline: YeahJennie: like, I just, um- We, we just had a new bookcase built, um, which is something I've wanted to do well for eight years in this house. But it's a thing I've always wanted to have, which is like a grand bookcase, and it just was finished last week, and we had all the books packed up in storage, and we brought all the books back.Then we went through this discernment process of what goes [00:12:00] on those shelves. And I, you know, I had all those books from when I was a kid, even when I was a kid-kid, and they're yellow, and moldy and falling apart, and the covers aren't on, and they're taped and-Caroline: Yeah ...Jennie: eh, but I cannot let them go-Caroline: Yeah ...Jennie: because those...that was the object.Caroline: That's the object. This is what I feel sad for kids now, because they're not gonna have those same memories, um, of books. Yes. You know? And I don't think they stick in your head the same way if you don't have the full sensory embodied experience with a book.Jennie: Right. You know? Even when you open...I read on Kindle, which I love for so many reasons. Yeah. But you don't even see the cover.Caroline: You don't see the cover, right. And for me, it's so much. Like, I remember going to the Scholastic Book Fair and being like- Yes ... “I'm getting Summer of My German S- Soldier because Christy McNichol's on the cover,” you know?Yes. Yes. So yeah, that was part of the journey for me was I did wanna just [00:13:00] reconnect with those books again, try to h- and as much as you can, you know, reexperience the feelings of f- like The Shining, I actually... the only one I still have from 1977 is the actual Shining that I read. Um, and that's, for me, that woman in room 217.Well, I know you haven't read it ‘cause you're probably... What? But, um, it, that particular one I still have from, from when I was growing up. Um, and I love that I still have it, and it still has the photo... You know, it's the version that has the photo inserts that includes the Kubrick film photos. Oh, okay.Jennie: Okay.Yeah, yeah.Caroline: And I read it before I saw the film, so I remember being- 15 reading it and then seeing the pictures and being like you know? And that's part of the experience, but it wasn't, it's different than seeing the film, you know? And I really, I wanted to write this book as a love letter to language and to books, and not to film.Like, there's, that's a whole other category I think that enters people's brains in totally different ways. It's a very different experience. For me it's about, like going back to your original question [00:14:00] about like why, why, why do stories cause fear, and like what's the value perhaps in that? Yeah. That was something I came to after this long journey really, and talking to people and thinking about why.And also by understanding and reading more about Stephen King's books and talking to him about them, and realizing for him how much these stories are rooted in personal experiences or fears of grief and loss. And- Yes ... that was really profound for me. And like The Night Shift, which is the ur-text that I start with, ‘cause that's the one I read when I was 12, and that's his first collection of short stories.It came out in 1978. It's 20 short stories. But he ends it with a story about his mother dying, and it's, I mean, it's thinly veiled autobiography. It's about a man who's watching his mother die in the hospital. Um, but it's clearly a mirror of his own experience losing his mother when he was 26. And I'm like, wow, what's that doing in a collection of horror stories?[00:15:00] And it's like, what? ‘Cause that is of course, at least for me and I think for a lot of people, that's the core fear we first have, is that where's mommy, right? Yeah. Right? You lose the person who's in charge of taking care of you, and if you're lucky, does it well and with care. Um, but even if it's not, like Carrie, you know, the more I was looking through the Carrie drafts, I was like, right, he's really homing in on Carrie calling out for her mother even though her mother's terrible and abusive to her, right?So it's, there's just this, I don't know. It's a long way around to say I think horror, and he writes about this really eloquently, is a way for us to metabolize our deepest fears. Um, and to look at trauma not head-on but sideways. Um, and he writes about that, um, a number of different places in a really powerful way.He's just such an extraordinary human. You know, he's been thinking about this and for so long.Jennie: Yeah. Yeah. So, so your willingness to [00:16:00] confront that, those particular fear, fears in your own self and on behalf of the reader, really puts you in it. I mean, like you, there's a really lovely moment where you are reading I think it's, I think it's Pet Sematary, reading the actual book, and you have to turn it over so you- Yeahdon't see, like on your nightstand so you don't see the cover. I'mCaroline: scared, I'm scared of the cover, right, still.Jennie: Yeah.Caroline: Yeah.Jennie: And then there's moments, se- several where you're driving And you're sort of holding your breath while you drive past a place that he writes about or, or- Mm-hmm ... you know, um, well you have to tell the story, I'm sure every interviewer asks you about the, um, the doorknob in the archive.You have to, like, I was-Caroline: Yeah, not too many people have asked me about that, but I'm like, that to me was the scary moment-Jennie: Wait, shut up ... the most, theCaroline: most sturdy. I'm like, wh- uh, why did that happen? But of course, I mean, there's a reason why it happened. It's, it's, it [00:17:00] automatically locks if, you know, the, if you- Okaydon't lock it So let's, let's play- So but it just happened that we were inside the archive room. It was me and, and Julie Ugli, who is their assistant, who was helping me through this whole process. And I know, and I was, like, literally holding the first page of the first draft of The Boogeyman, the story that had scared me so badly when I was 12, about a monster that comes out of closets, and we're like in this room.And the, the archive room, it actually, it almost feels like a closet. It's not huge at all. You know, it's just-Jennie: Yeah ...Caroline: top to bottom, ceiling to floor stacked shelving with, you know, boxes of materials. And yeah, and we were in there, and I'm holding the first page, and the lock closes on its own. It just goes...And I'm like, I'm looking at Julie, I'm like, “What is, what's happening?” We don't have our cell phones with us. I'm like, “Are we stuck in here? Like, what's gonna happen?”Jennie: In the scary archive- In this, I was terrified ... in the back of the scary house. Like-Caroline: I know, I know. It was like, you can't make this stuff up.That's why I was like, I [00:18:00] couldn't wait, when I finally got a chance to write the book and sit down and write, I was like, I can't wait to tell these stories, because they just... I, I'm not a fiction writer. Like, I, I have such mad respect for- I don't know about that ... well, I've m- We'll see I don't know. I have mad respect for people who can write fiction.For me, I only can write what I know and exper- So I'm like, ah. But these stories were just so amazing. Or like when I was reading The Shining, like the first draft of The Shining, which is crazy. I mean, it's so different from the published version. And like getting to the woman in room 217, and like reading th- and literally my head w- like I thought I was having a stroke.Like it was like, like... And it's like, and then I find an interview where Stephen King writes about how he was scared to go back to that scene when he was revising it, the book, because he was dreading it. And I was like, oh, my God, have I just like had some kind of telepathic experience with Stephen King?Like- Right ... across time, space, and yeah, it was amazing.Jennie: Well, yeah. I mean, [00:19:00] it's just, um, uh, I actually made myself go through the whole book skipping giant chunks.Caroline: I feel so badly I put you through this.Jennie: I know. I, I feel like why, I kept saying, “Why? Why did I think this was a good idea?” Um, and it- I mean, even just tangentially, I, I don't know.It's interesting. I have, I'm sure you have this too, anybody who reads a lot or spends a lot of time with words, you have a capacity to sort of pay half attention, if that makes sense.Caroline: Mm-hmm.Jennie: Um, like you c- could sort of look at it without letting it all the way in. Yeah. But I, I just was, I just was riveted by the thread of, of your story and your putting yourself through that as a scholar and a human.But, but then some really cool things happen, and I, and I have flagged, um... Do you, [00:20:00] w- would you mind reading a tiny piece? It's- No, not at all ... it's on page 82, and it's the p- the paragraph that starts, “These manuscripts.”Caroline: Yeah.Jennie: That would be amazing.Caroline: Absolutely. So this is actually the moment I just described to you, where my head was like, I got...Oh, actually, I had just discovered the last 150 pages of the original Shining manuscript in a random folder in the archives, and I was like, “What is this doing here?” And I was getting obsessive about the manuscripts at this point, clearly- Yeah. Yeah ... just like the main character in The Shining, Jack Torrance, who gets obsessed with the manu- with the papers in the basement of the Overlook Hotel.But here we go. “These manuscripts are definitely getting into my head, and not just its rational part. In his memoir, when King describes books as being a uniquely portable magic, he doesn't specify what kind of magic. What if manuscripts can absorb and store more than just ink and words? [00:21:00] What if their pages can pass on dark energy along with dark stories?Ghosts have more than one way of making sure their stories are heard, of ensuring that the past is not forgotten, but rather pressed into our minds, even if we wrench our heads off the pillow and refuse to listen.” And that last is a reference to my, I used to see a ghost when I was five, and I write about that in the book too.Jennie: I mean, when I read that, I was like, “That's, that's me.” Like, these ghosts and horrors are pressing themselves into my mind, and I'm refusing to listen, and they still, they still do. And, um, King's stories in particular are so iconic, you can't really escape them. Like, you, you know the scenarios, you know the characters, you know-Caroline: YeahJennie: you know. And, and so it was interesting for me reading this book that that described my [00:22:00] experience where I was both repelled and magnetized at the same time.Caroline: That's beautiful the way you just put that. I mean, I think that is exactly our relationship also, of course, to our own fears. You know, again, what makes these stories endure, and I didn't go into this book thinking like, “This is a book about promoting Stephen King,” and, you know- Rightlike, I don't work for Stephen King. I just want to put that out there. Right. He, you know, he graciously agreed to let me go into the archives. He's been very generous about answering all my questions I had about the manuscripts, but he never at any point was like, “You can't say this,” or, “This is how you're supposed to say this.”So, but what I came away with after this process was exactly what you're describing, why we need these stories, why they endure, actually, is because they tap into our very real human fears. It's not about the monsters. It's about the grief and loss that's coming for all of us if we live long enough, you know?So you, and you have to at some point confront that, you know? So if it's- Yeah ... you can [00:23:00] try to run away from it, but it's coming, and that's part of being human. That's the human experience, obviously. Not to be glib, but it's like-Jennie: Yeah ...Caroline: you will experience loss. You will experience grief. And if these stories help you metabolize that or have a cathartic experience with that feeling without having to actually experience your worst fear, right?Um, like Aristotle says, it's cathartic, right? It's you watch a play, a, a tragedy because you experience a catharsis.Jennie: And did you, did you get to that in your own process?Caroline: That's a really good question. Um- You know, I, I think I became more aware of it. You know, I am, you know, and I write about this very openly in the book, that I was an extremely anxious little kid, um, which is part of why I think the boogeyman triggered me in the particular way it did, you know.Um, and that I grew into a pretty [00:24:00] anxious adult, you know? Yeah. I think anxiety is one of those things that, you know, I... Again, I was born in the ‘60s, so we didn't have this language for this back then. Like, my parents wouldn't have known to call me an anxious child, you know? Right. They probably would've said, “Oh, she's shy,” or, “She's whatever.”Um, so I think I, you know, like, and I as an adult, I think I've, I've found ways to manage it pretty well, but I am definitely a control freak. Like, that's part of how I manage it. I shouldn't use that language, but you know, it's like I, I like to just control what I can control, and that makes me feel that I can put the anxiety at bay.So I will say I think it's been interesting for me, Nick, now when I have those moments that are my worst fear moments that sometimes still will creep up on me just even though when I think I've figured it out, like doom s- doom scenarios. I tend to go to doom scenarios. So, like, if I can't reach... Uh, I will say Life360 has been, like, the best invention on the planet for me-with my two kids [00:25:00] and my husband. I'm like, “I know exactly where everyone is.” Yeah. It has saved me a lot of worry. Sometimes Life360 doesn't work, or sometimes a person still doesn't answer the phone, and then I have to manage my anxie- And then it's like... So I will say it's been interesting going through this process and having to confront or revisit the core of what scares me and, like, why that impacts, you know, why certain moments come forward for me still.So I think, yeah, I think it has helped me to a degree. Like, I can recognize it more clearly now. I'm like, “Oh, right, that's why I'm scared of that,” you know? Um-Jennie: That's so cool.Caroline: Yeah.Jennie: And it feels like that's the, the, um, the transformation in the book is you're exploring how that actually works and the language and the stories.Mm-hmm. But you're, you're also exploring how it works in your own self, how it did when you were young, how it does now- Yeah ... these moments when you're scared. So it- Mm-hmm ... there's such [00:26:00] a depth to it and, I mean, I just, uh, even in my half reading of it, I just loved it. Thank you. And, um, there's something that happens That's kind of crazy, which is, so you're a Shakespeare scholarCaroline: Mm-hmmJennie: And I ha- I, I know from reading Steve, a- about Stephen King, from reading his book On Writing, of course, and, um, interviews and such that, uh, I'm, I'm probably gonna say this in a disrespectful way, and I don't mean it to be so, but the, the easiest way I can describe it is that he's always had sort of a chip on his shoulder that he's just a popular writer and not taken seriously in a literary way.Mm. I don't know if that's, if that is fair to say, but that's how I'm saying it. Uh,Caroline: yeah.Jennie: And, um, what, what I found incredible was that [00:27:00] here comes this Shakespeare scholar into his archives doing proper scholarly archiver, arch- archival work, and there's this moment when you begin to see Shakespearean themes in his, in his work, and you can't ignore it, and particularly in, in Carrie and- Yeahparticularly around exactly the thing you were wrestling with, which is like a young girl's- I don't know, sense of, of not being fitting in the world or, um-Caroline: Yeah ...Jennie: right? And so that, um, there's, on page, since you have the book in your hand, um, I think it's pageCaroline: 202. Mm-hmm.Jennie: And it refers back to that passage you just read about portable magic.It's the one that's I remembered.Caroline: [00:28:00] Right. Okay. So this is going back to when I first was, um, I was in the final round of the job for the Stephen E. King Chair in Literature, and I was working on a book about Shakespeare's, the girls in Shakespeare's plays and world and teenage girls and their cognition.Like, the how were people during Shakespeare's day thinking about girls' brains? Yeah. So I'd been working on this for 10 years. Um, and then I was getting ready to give my job talk. This was the first time Stephen King and Shakespeare came together for me, and it was getting ready, and this, again, this is an authentic story, like write what you know.So I was getting ready for the job talk. I remembered that King's 1974 novel, Carrie, featured a 16-year-old girl whose telekinetic powers are unleashed when she gets her first period in the school shower. I started rereading it, and within a few pages came across an uncanny phrase. When she's walking home after being dismissed early, Carrie feels her brain flexing in a new way, [00:29:00] as if her powers have been waiting below the surface for her to reach, quote, “mental puberty.”I couldn't have wordsmithed this dynamic cognitive change better myself. In the last part of my job talk, I used the phrase to connect the brain work of Juliet Capulet, who's described as being two weeks away from seeing the change of 14 years, to Carrie's newly activated adolescent mind. It felt like a moment of pure portable magic between Stephen King, Shakespeare, and me.Jennie: Ugh, so beautiful.Caroline: Oh, thank you. Yeah. I mean, that was just so gobsmacking. Like, when that happened, I was like, I ca- I can't believe it, but yeah.Jennie: And then, now I may be getting some of the things wrong here, but then you- You realize, is it Carrie that, that you realize he was, you thought he was emulating a play, a Shakespeare play?Caroline: I think you're thinking of Shining. I mean, definitely at the end of the Carrie [00:30:00] chapter I return to, I did notice echoes of Macbeth, and I was convinced that that must have been what he was thinking about. And, and what's funny is, so one of the conversations I got to have with him, I mean, he's so generous with his time, one of my last conversations with him was about the end of Carrie, and that's a book that he actually doesn't like very much.You know, it was his first published novel, he was 26, and he's like, “I think that was written by a young man who thought he knew more than he did.” So he's, it's not a book that he goes back to. He recognizes it's important, and it's important to him, but, ‘cause it started his whole career, his whole trajectory.Um, but he didn't particularly, he hasn't returned to it. Yeah. So that was a fun chance for me to sort of talk to him and say, “Hey, you know what? I think you should maybe go back,” ‘cause it's it's, there's a lot of Shakespeare in there. Anyway, but the Shining chapter, what was fascinating, so there's this first draft, which I, I write a lot about, called The Shine, that's in the archives, with a totally different ending.Um, and when I looked at it, [00:31:00] he'd also divided it into acts and scenes, like Roman numeral acts and little- Mm ... Roman numeral scenes. And I was like, “This, what is this? This is like a Shakespeare play.” Like, that's what it looked like. And then sure enough, I found out he was imagining, he was thinking of a Shakespeare tragedy when he wrote The Shining.And that was the first moment where I was like, “What? This is insane.” Like, this- Yeah ... like, ob- obviously that became, for me, the story I wanted to tell about that particular set of manuscripts, was sort of uncovering, like, what's the Shakespeare play? Like, what's the tragedy? And I didn't wanna ask him because I didn't want- I wanted to go in with my mind clear, like, of any outside influence.I just wanted to see what my Shakespeare brain, because I'm so embedded in Shakespeare. I also have a Shakespeare podcast I do with my best friend. Like, we're, I'm always thinking about Shakespeare and how it relates to everyday life. You know, and so I'm like, “Well, how does it relate to The Shining?” Which is, like, an ur-American text.Like, this, like, say what you want about horror, [00:32:00] like- I'd be shocked if people don't know what The Shining's about, even if they haven't read it even if they haven't seen the film. Like, you probably know something about The Shining, right? Right. So I was like, if there's a Shakespeare tragedy at the foundation of this, you know.And here's the thing about Stephen King that I came to learn, again, reading all of his notes and finding these edits, and I did find traces of Macbeth in the first draft of The Shine, um, that he ended up taking out. So I was like, “Oh, is it Macbeth? It feels like it could be Macbeth.” There's so many things it has in common with it, with hallucinations and with baby bashing.And, you know, all of these horrible things that are in Macbeth are certainly in that book. Um, but I really wanted to go in, like, just on an adventure, like, see what I saw. So I didn't ask him which chi- tragedy until I was fully done with all my research and I felt like I had it all done. And that's when he drops that he was thinking of Hamlet.And once he said that, of course, it became so ... I mean, I [00:33:00] had seen traces, there were references to Ophelia that also didn't make it into the final published draft. So you wouldn't know this. This is the beauty of archival work, like you're gonna see things that other people will never know about unless you tell the story.That's why I felt so passionate about this. Like, “I need to tell people-” Yeah ... “that Ophelia was in the first draft, that he was thinking of Ophelia.” ‘Cause of course, you know, again, even if you don't know The Shining, the woman in the tub, the woman in the bathtub, like a drowned woman in a tub, like ah, Ophelia.Yeah. Like Ophelia's another one of those ur, like she's so, she's such a part of our cultural air, right? I mean, like no matter what country you're in. Right. There's a reason Taylor Swift has a whole, you know, song The Fate of Ophelia. Like people know what that means. Um, so I was like, “Oh my gosh, this is, this is incredible.This is even deeper than I thought it was gonna be.” Um, but also it made me appreciate how much that book is about intergenerational trauma. Um, and it's not ... So he doesn't like the Kubrick film [00:34:00] for reasons that, you know, a couple different reasons. One is that it flattens out the character of Jack Torrance, and Jack Torrance is an abused child himself, and he passes on that abuse to his son, Danny, right?Um, but you wouldn't know that from Kubrick's film. While Hamlet, of course, is about a father's ghost coming forward. Like, “The past is a ghost,” King writes, which is so f- powerful, right? Um, here's this ghost saying, “You need to kill for me.”Jennie: Yeah.Caroline: Yeah. And that's what happens to Jack. Yeah, so anyway, that's a long way to say that wasEach chapter was my favorite in different ways, but that one I loved being able to do the deep Shakespeare dive.Jennie: And was that ... You know, so I started that question by saying I, I had heard or understood or maybe inferred that, um, you know, King himself had this sort of desire- Okay ... to be taken more seriously.Was that, that must have been, I don't know, powerful for both you and him, uh, to [00:35:00] come to that? Not like, “Oh, you're the only person that's ever made him feel that way” or-Caroline: Yeah,Jennie: no,Caroline: I agree ... or agree with that, but. Like I, yeah. And, um, I mean, I will say I think part of the reason he was always really ... I mean, first of all, he's just so generous, and any writer who's ever worked with him has the same experience.Like he just gives his time. He just loves writing and writers so much that he will just, he'll just t- like any email I would send him, he'd write back in like an hour with a response. The part about how he feels about academia, you know, and I never directly asked him that because I didn't wanna ... You know, if he wanted to bring it up, great.But I think- Yeah ... my, after going on this journey with him, he clearly loves talking about- literature. He's the most well-read person I've ever met. I'm just gonna say that hands down. Like, the guy reads- Really? ... cons- constantly and if you read his early works, like even when he was 17, he wrote The Long Walk, okay, which just came out as a film, [00:36:00] and in that, he's citing T.S.Eliot, he's cit- he's citing Poe at 17. Okay? So he's, he, he, this, he comes by this honestly. He's not just trying to seem smart. Like, he literally is constantly reading and it's clear when you read his manuscripts or when you read his published books, he's making references to all, whether it's Shirley Jackson or Wallace Stevens or, you know, uh, he's so capacious in his knowledge of literature.And, like, just a couple months ago, he sent me an email, I don't, I can't remember, we were talking about something about Salem's Lot, and he was like, “Yeah, when I was writing Salem's Lot,” which again, this is 1975 when he's writing Salem's Lot, so that's a long time ago. He's like, “I was really into James Dickey's poetry.”Jennie: Whoa.Caroline: You know, who was an American no, you know, poet laureate. Uh, he's like, “And I was reading everything I could read of, of his and then I read Deliverance, and then I went back to his poetry, and that really impacted how I wrote the chapters [00:37:00] about the Lot,” which if you've read Salem's Lot, has some very lyrical, poetic chapters about the town, like, “The town knew about darkness.The town had its secrets and knew how to kept it.” And then he, like, sends me the entire poem that he was thinking about that James Dickey wrote. So I mean, it's, he's, and it's not performative. He's not, like, he has nothing. He doesn't need to prove anything to me, you know?Jennie: Right, to anyone, yeah.Caroline: He just literally loves, he loves literature.Like, this guy, he loves poetry. I mean, he actually writes poetry. He wrote poetry as an undergraduate. Uh, it was actually the core start for him of The Stand, was a poem he wrote called The Dark Man one day when he was, like, hungover in the school, like, cafeteria. Like, so it's like he, he's been thinking about literature and living with literature and, uh, since he was a teenager, if not earlier.His mom brought him, uh, Bram Stoker out of the public library when he was nine, so I mean, the guy- Whoa ... ‘cause he asked for it. He asked for Dracula. [00:38:00] I wasn't reading Dracula when I was nine. Were you? I mean-Jennie: No,Caroline: no. I was reading Little House on the Prairie. I mean-Jennie: Yeah. Yeah, exactly. Wow. Wow. So- I mean, this book, again, it's called Monsters in the Archives: My Year of Fear with Stephen King by Carolyn Bicks.It's just incredible, whether you're a King fan, whether you're a horror fan, um, but for sure for all writers, which are all our listeners. If you can, if you can bear it.It's very specific, um, a very specific- specific exploration of, of how good writing works really. Yeah. Right. And, and how you... You know, there's always that perennial question of how do you get emotion on the page? How do you make your reader feel something? And you, you show it very specifically, and I wanted so badly [00:39:00] to, to get into the details, and I, and I, I just, I just couldn't.Um, maybe someday, but, um, I just, I just can't recommend it enough for, for, um, this audience and, um, you know, anyone who's interested in any of these things we've talked about.Caroline: Thank you so much. I really appreciate that. And I will say, like, the Pet Sematary chapter, which is the first one, that was the first day I was in the archives.One of the things I discovered about him day one was how much attention he pays to word sounds. So I think for any writer interested in sort of doing a deep dive into, like, how one word change, right- Yeah ... can make a difference, you know? Yeah. And I didn't appreciate that about his writing until I went in there and saw his notes to the copy editor where he's like, “Nope, the word's clitter, not clatter.This is why.” You know? Like,Jennie: he's- There's a, um- Yeah ... yeah, there's a book I love, it's probably right behind me, um, called The Artful Edit by Susan Bell, in which she [00:40:00] shows examples of that kind of very careful change in, um, The Gre- The Great Gatsby and The English Patient and various works of, of literature, and your, your whole book is like that.It's, it's just amazing. Um- Thank you ... so is the next book gonna be the Shakespeare one you had thought of before? Or are you gonna- ... go in the, in the personal direction?Caroline: You know, it's such a good question. I think right now I'm just taking a break, you know, because I'm the kind... Like, I immerse myself in a project, and this has been so all-consuming.Um, and I'm back to doing my Everyday Shakespeare podcast, which I love and I missed. Um, so I'm doing that. And I, I really don't like to think too far ahead about what I'm going to write. I like to have it come organically.Jennie: Yeah.Caroline: Um, so I could go back into the archives. I could write another one of these kinds of books, but I don't know if that's the [00:41:00] right thing for me right now.Jennie: Yeah.Caroline: Um, I want to make sure whatever I write next- You know, I loved writing this book so much. It's my favorite... I mean, it's, it was such a powerful experience for me, um, because I could bring my personal experiences into it and my scholarly self into it. I don't... You know, it's gonna be hard to recreate that.Yeah. I think it can be done, but I don't wanna force it. Yeah. So I'm gonna wait and see what the next, what the next oneJennie: is. Don't you, don't you love the interviewer who's like, “Hey, congratulations. You wrote a book. What, what's your nextCaroline: one?” What are you working on now? What are you doing now? I know. And I get that.I'm like-Jennie: So mean ...Caroline: I'm just, I'm just reading books I wanna read. I'm doing my laundry. I'm getting to know my dog again. You know?Jennie: Oh, wow. Well, thankCaroline: you. But, you know, it's a fair question. Yeah.Jennie: Yeah, yeah. Thank you for coming and chatting about this, and for writing such a cool book. And- Thank you ... um, I'm looking forward to seeing what you do next.Caroline: Thank you, Jennie. It was a [00:42:00] pleasure.Jennie: Well, for our listeners, until next time, stop playing small and write like it matters.The #amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
The Raven: Mythological Scavengers and Their Modern Return Guest: Stephen Moss Book Title: Ten Birds That Changed the World Ravens, described as "crows on steroids," carry a heavy weight of mythology as independent and highly intelligent scavengers. Associated with Odin's "eyes and ears" in Norse myth and portrayed as harbingers of doom by Shakespeare and Poe, ravens have long held a frightening aura. Their presence on battlefields and in graveyards led to centuries of persecution, particularly in Britain where bounties were paid to protect livestock. Moss dispels myths about the Tower of London ravens, noting they actually left during WWII bombings without the kingdom falling. Despite their sinister reputation, ravens are thriving again in the 21st century, adapting to urban environments and expanding their range. Moss expresses deep respect for these birds, noting they are among the few species that seem "equal to humans" in their independence and refusal to be controlled by our desires. (5)1905 PUPLE FINCH
In this episode, Bryan sits down with compressor teardown specialist Ty Branaman for a deep dive into what really kills refrigeration and AC compressors. After some lighthearted banter, the conversation quickly turns technical: Ty has spent years cutting apart failed compressors on video, and he explains why that practice matters so much. As he puts it, he is "all about making the invisible visible" — once a technician actually sees what happened inside a dead compressor, vague explanations like "it just got old" stop holding up. Bryan and Ty establish that a properly maintained compressor should essentially last forever, since it is a sealed system with no external contaminants — unlike an engine. The catch is that installation and service mistakes introduce the very contaminants that shorten its life. Copper plating tops Ty's list of the most common findings: moisture combines with POE oil to form acid, which etches copper that then plates onto moving parts, thickening them and eventually causing hard starts that get mistaken for a "tired" compressor. They also trace how a shorted or seized compressor is usually the end result of an earlier root cause, not the cause itself. The two work through the major categories of contamination one by one: solid debris from unswept lines and copper shavings left behind during deburring; moisture, which requires a proper pressure test, deep vacuum, and decay test to remove, plus heat to actually drive water molecules out; and non-condensable gases like oxygen and nitrogen, which throw off pressure readings and, with flammable A2L refrigerants, introduce real fire risk. Ty shares a memorable story about a compressor shell that ripped open after being left pressurized with nitrogen, and both discuss the surprisingly common problem of "wet" nitrogen and poorly maintained recovery tanks. The conversation closes on flooded starts — a hazard Ty considers hugely overlooked — where migrated liquid refrigerant mixes with crankcase oil and violently flashes to vapor on startup, often shattering scroll plates. They cover practical prevention methods, including crankcase heaters, pump-down solenoids placed ahead of the metering device, and reduced refrigerant charges, before wrapping up with Ty's quick field technique for cutting the top off a failed compressor to get an on-the-spot diagnosis rather than waiting on a full teardown back at the shop. Topics Covered Why compressors fail from external contamination rather than simply "wearing out" Copper plating as the most frequently found problem inside failed compressors Solid contaminants: dirt, copper shavings, and proper deburring technique Moisture control: pressure testing, deep vacuum, decay testing, and heat-assisted evacuation Wet nitrogen and poorly maintained recovery tanks Oxygen and nitrogen contamination, including flammability risks with A2L refrigerants Flooded starts, crankcase heaters, and pump-down solenoids Superheat measured at the compressor versus at the evaporator outlet Ty's quick-cut technique for on-the-spot compressor diagnosis in the field Have a question that you want us to answer on the podcast? Submit your questions at https://www.speakpipe.com/hvacschool. Purchase your tickets or learn more about the 8th Annual HVACR Training Symposium at https://hvacrschool.com/symposium. Subscribe to our podcast on your iPhone or Android. Subscribe to our YouTube channel. Check out our handy calculators here or on the HVAC School Mobile App for Apple and Android.
Dive into this episode where we have a giveaway from Eve to celebrate the World Cup. We also explore the latest in smart home tech, including exciting product launches from Third Reality, Zemismart, Nanoleaf, and Switchbot. Find out how these innovations can enhance your living space and streamline your automation setup.In this episode:Eve's new soccer-themed product bundle, including the Eve Flare and exclusive stickers, scarf, and NFC coasterOverview of recent ceiling lights from Switchbot and Nanoleaf featuring RGBIC, Matter support, and advanced controlsHands-on review of Switchbot's AI art frame, focusing on its e-ink display, artwork options, and AI enhancementsTips for choosing PoE-enabled security devices compatible with Apple Home, including cameras and doorbellsInsights into upcoming support for smart water heaters with Matter and recommendations for smart thermostat choicesSend me your smart home questions and recommendations with the hashtag #SmartHomeInsider. Tweet and follow your host at:@andrew_osu on Twitter@andrewohara941 on ThreadsEmail me hereSmart Home Insider YouTube ChannelSubscribe to the Smart Home Insider YouTube Channel and watch our episodes every week! Click here to subscribe.Links from the showFollow Eve on TwitterFollow AppleInsider on TwitterFollow Andrew on TwitterThird Reality TL2SwitchBot Ceiling LightNanoleaf Ceiling LightZemismart Matter-Over-Wi-Fi AC IR BlasterZemismart Zigbee IR BlasterThose interested in sponsoring the show can reach out to us at: andrew@appleinsider.com
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