Podcasts about dinnerstein

Acclaimed pianist Simone Dinnerstein will be performing two concerts in our region over the next two weekends. This Saturday, August 26, Dinnerstein will be the featured soloist at Maverick Concerts' Annual Chamber Orchestra Concert in Woodstock, New York with the Caroga Arts Ensemble and conductor Alexander Platt and on September 2, she'll perform the Harold Lewin Memorial Concert at The New Marlborough Meeting House in New Marlborough, Massachusetts.

Billy Dinnerstein & Rosemary "Roe" Brush, visit with Shawn & Brian to talk about their Barbershop in New Jersey called Your Kind of Cuts. The shop caters to those with sensory & special needs. Billy grew up in the foster care system, quitting school at the age of 16. At the age of 39, he got his GED & decided to attend beauty school, eventually holding various positions before opening his own business. Roe Brush, also from New Jersey, hails from Bloomfield, where she had a dream to become a special education teacher. She attended beauty school at the suggestion of her mother so she could learn a trade while still in college. Eventually her passion for hair styling & cutting hair came together with her compassion for the special needs community. The barber shop has been featured on various local &  national media outlets.. especially of late. Join us to hear the amazing story of how these two caring individuals came to be where they are today. Instagram: https://www.instagram.com/yourkindofcuts/ Facebook: https://www.facebook.com/yourkindofcuts YouTube: https://www.youtube.com/channel/UCqYL0GE2SSBBMxI77-FNuLA TikTok: https://www.tiktok.com/@yourkindofcuts — eMail:wearejusttwodads@gmail.com Instagram: https://www.instagram.com/just_two_dads/ Podcast: https://anchor.fm/justtwodads LinkedIn: https://www.linkedin.com/in/justtwodads Facebook: https://www.facebook.com/wearejusttwodads YouTube: https://www.youtube.com/channel/UC-GN4T9fkHEVR5R_16w_7bw The Den Men's Group: https://forms.gle/xe8ujJunPCMzBgw49 Sponsored by Billy Footwear: https://billyfootwear.com/?ref=just-two-dads #BillyDinnersteinandRoeBrush #BarbersWithAPurpose #YourKindOfCuts

ArtHaus Radio "Harvey Dinnerstein" by WCUG

Renée Dinnerstein, author of the Heinemann publication, Choice Time: How To Deepen Learning Through Inquiry And Play, has over 50 years experience working as an early childhood educator. She taught in Rome, Italy, in New York City at P.S. 321 and was teacher-director of the all-inclusion Children's School early childhood annex.In 2001 until 2003, Ms. Dinnerstein was an early childhood staff developer in the New York City Department of Education Division of Instructional Support, where she wrote curriculum, led study groups and summer institutes, and helped write the New York City Prekindergarten Standards. Since 2003, Ms. Dinnerstein has worked as an early childhood consultant, concentrating on introducing self-directed, inquiry-based Choice Time into classes from pre-kindergarten through second grade and helping teachers work with children to develop whole-class inquiry projects. Renee presents at conferences in the United States and Asia. In 2018, the Beijing Normal University Press published her book in Mandarin and she had a telephone discussion with educators that was listened to by over 1000 teachers in China.Her blog, Investigating Choice Time: Inquiry, Exploration, and Play is widely read by educators and families of young children.Links: https://freetoplaysummit.com/https://www.investigatingchoicetime.com

Pianist Simone Dinnerstein chose the title "Undersong," an archaic term meaning "refrain", which can be found both in the individual pieces (Schumann's Arabesque, and Kreisleriana; Couperin's Les Barricade Mysterieuses), and throughout the entire album. "All of the music on this album consists of musical forms that have a refrain. Glass, Schumann, Couperin and Satie constantly revisit the same material in these pieces, worrying at it, shifting it to different harmonies and into different rhythmic shapes. Working with this music in the fall of 2020 was a constant reminder that in my afternoon walk in Green-wood Cemetery, I was quite literally treading a familiar path every day, a path that nonetheless had changed almost imperceptibly every time I left the house." - Dinnerstein

 Renee is known for her work as an early childhood educator. She has over 50 years of experience, having taught both in Italy and the United States.  She and Kisha talk about her work around "Choice Time" and supporting  NYC public school teachers as they design play conducive classrooms for school-aged children. 

Simone Dinnerstein — Undersong (Orange Mountain Music) Jump to giveaway form New Classical Tracks - Simone Dinnerstein by “It was a very funny afternoon because I was lying on my bed with my dog, Daisy, watching it on my phone,” pianist Simone Dinnerstein said about learning her recording American Mosaic received a recent Grammy Nomination for ‘Best Classical Instrumental Solo recording.' “When they announced my name, I couldn't believe it. I almost fell off the bed. It was a hysterical moment”. American Mosaic was one of two recordings Dinnerstein released last year. Now she's releasing her third album composed during the pandemic, the final in an inspired trilogy of recordings titled Undersong. “Undersong is a beautiful word that I discovered. I was looking around for words that would speak to the idea of a refrain, because every piece of music on this album has a refrain,” said Dinnerstein. “The has an almost rondeau form to it with its returning theme. “I also thought that under song has also been used as the underlying thread that holds together our world. I think that's why composers and people are drawn to refrains. It connects us to something quite deep. We like to return. We like to go home. We like to revisit things and this music is doing that.” Can you talk more about the overall cohesion of the album? “I think a lot about how pieces of music from different time periods can speak to each other, and this particular program is one that I conceived a few years ago. I was touring it before the pandemic started. It has Couperin, Schumann, Glass and Satie on it. “One part that I find particularly striking is I have performed Schumann's ‘Arabesque' and then I go into Philip Glass's ‘Mad Rush.' In this ‘Arabesque',' that final epilogue is like Schuman stepping out of time and writing something that we could hear composed today. The way it flows into ‘Mad Rush' feels like it could have been the same person who composed both of those pieces.” What is the importance of François Couperin's tracks on the album? “‘Les Barricades Mysterieuses,' is a piece that I first discovered in a film that I really love called The Tree of Life. That film is all about family. The music is used loosely as a theme throughout the film and I associated that piece with family. “The under song for me is my connection with my family, husband, son, parents and my roots here.” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now More on Simone Dinnerstein Performance Today An American Mosaic New Classical Tracks Simone Dinnerstein makes the most out of lockdown Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Simone Dinnerstein — Undersong (Simone's Website) Simone Dinnerstein — Undersong (Amazon Music) Simone Dinnerstein (official site)

Jedediah Wheeler asks Simone Dinnerstein to reflect on the genesis and development process for the PEAK Performances commissioned work The Eye is the First Circle. He and Dinnerstein converse on her expanded view of her career now as a renowned concert pianist and recording artist to her successful pursuits into a wide range of collaborative projects. This podcast is produced by PEAK Performances and the Office of Arts + Cultural Programming at Montclair State University More episode of The Talking Cure: www.peakperfs.org/podcasts/ Support us! www.peakperfs.org/donate/

Renée Dinnerstein talks to us about choice, play, and inquiry, particularly in the early years. Renee is known for her work as an early childhood educator and as the author of Choice Time: How to Deepen Learning Through Inquiry and Play. With over 50 years experience in education, she has been affiliated with New York City's public schools, Department of Education, and the Teachers' College Reading and Writing Project Early Childhood ‘Think Tank'.To cite this episode:Persohn, L. (Host). (2021, Nov 9). A conversation with Renee Dinnerstein. (Season 2, No. 13) [Audio podcast episode]. In Classroom Caffeine Podcast series. https://www.classroomcaffeine.com/guests. DOI: 10.5240/2902-C59C-FF5D-3930-D1AB-A

John's latest conversation with American pianist Simone Dinnerstein on her second recording made at home during the pandemic: An American Mosaic. The title is for the multi-movement piece written for her by Richard Danielpour who, finding himself isolated during lockdown, found solace in Ms. Dinnerstein's recordings. Each movement is a portrait of groups of people who responded to the pandemic, both in helpful and obstructive ways. An American Mosaic was commissioned by the Oregon Bach Festival and debuted (online, understandably), by Dinnerstein, and is now available on disc. John's recorded chat with Simone sheds more light on this timely, moving and very personal

Simone Dinnerstein avoided the child prodigy route in her career – taking her time to mature and avoiding the "competition circuit" - catching the ears of many by playing the works of J.S. Bach, including The Goldberg Variations. The Brooklyn-based concert pianist returns to the studio to perform selected Bach compositions, specifically the Inventions and Sinfonias. Those pieces were originally written in 1723 as a musical guide for keyboard players and remain part of the core repertoire for students, amateurs, and professional musicians. Dinnerstein says the first Bach pieces she ever heard were the Inventions and has had a connection to this music ever since. Recorded at the Academy of Arts and Letters in New York with Grammy-winning producer Adam Abeshouse, Dinnerstein not only demonstrates her stunning music prowess, but highlights why these small masterpieces have endured for so long. (From the archives, 2014.)

From April 25-28, NJSO presents Xian Conducts Mozart, with classical music super-star Simone Dinnerstein performing Mozart's Piano Concerto No. 23. Hear from Dinnerstein on her take on the timeless genius of Mozart's music.

March is Music Education Month on the Classical Classroom, but it's also Bach's birthday month. So, it's obviously the perfect time to revisit this episode with Simone Dinnerstein in which we discuss a music education program she started about the music of Bach. (Bam. Venn diagram intersection = achieved!) Learn about the music of Bach, and perhaps, take some cues from Simone on bringing music ed to your own community. Special thanks to Todd Reynolds for his music, Taskforce: Farmlab from Outerbourough.

How do you define play and choice time in early childhood classrooms? According to Renée Dinnerstein, play is an engine that drives learning. She writes, "during choice time, children choose to play in a variety of centers that have been carefully designed and equipped to scaffold children’s natural instinct for play.” In her book Choice Time, […] The post Choice Time appeared first on Heinemann Blog.

“Indie-Classical”, “Alt Classical”, “Nonclassical”… whatever you want to call it, George Gershwin may have been one of the first people to do it. Pianist Simone Dinnerstein explains Gershwin’s sound, its French influences, and what makes it uniquely classical. Pianist Simone Dinnerstein. Photo by Lisa-Marie Mazzucco. Courtesy of Ms. Dinnerstein’s website. Audio production by Todd “Teeny” Hulslander with editing by Mark DiClaudio, and one giant leap by Dacia Clay. Music in this episode: “Rhapsody in Blue” by George Gershwin, from Simone Dinnerstein’s new album, Broadway-Lafayette. “An American in Paris” by George Gershwin. For more about Simone Dinnerstein: www.simonedinnerstein.com

There is a lot of controversy today about how we teach and manage our schools. Competing forces are pressing their agendas on teacher seniority, evaluating teacher performance utilizing test scores and assessing, assessing, assessing. New twists to the old all lockstep teaching model “the factory system” called common core standards are being pressed upon the public as the ideal way to teach. Are these new ways to teach or just a new method to leech money out of the public trough into private hands? Renée Dinnerstein has been a teacher for many years and is now a consultant. She specializes in teaching children in the early grades. She is a leading spokesperson for learner motivated content-based teaching methods and is one of the founders of a teacher committee that is providing feedback and requests for reevaluation of the new core standards for the New York City public schools. She joins Senior Dad Stan Goldberg to discuss some ways that have worked in educating young children. They also discuss some of the pressing educational issues of the day such as charter schools, teacher evaluations, testing, student evaluations and a look to the future. Renée Dinnerstein a positive voice for educational change.

Harvey Dinnerstein talks to Academy of Art Students about his life and career as a painter of portraits.

Video interview with the artist Harvey Dinnerstein produced for the Luce Foundation Center in the Smithsonian American Art Museum.

Pianist Simone Dinnerstein made a big splash in 2007 with her recording of Johann Sebastian Bach's Goldberg Variations. Jan. 2011 brings her first recording for the Sony label, BACH: A Strange Beauty. The all-Bach recording includes the English Suite #3, transcriptions of three Chorale Preludes, and Keyboard Concertos #1 and #5. Once again, she demonstrates her artistry and her sensitivity to Bach's musical line and harmonic genius. Dinnerstein invited Suzanne Bona for a conversation in her parents' Brooklyn home, where she talked about her passion for Bach's music, her newest recording and her upcoming projects.