Podcasts about Heinemann

When you boil down the essentials of so much writing, what you get is the need for vivid, original detail. In a college essay, the story comes alive when a student goes way past the generalities and gives specific examples. In an argument essay, the intricate examples and counterargument that is explained with depth makes the most impact. In any kind of research, carefully exploring the core of the ideas with the most interesting possible language will hook and hold the reader's attention. And in narrative - as we've seen, eminently transferable to other areas of writing - it's the details. I took a copywriting class once where they boiled this concept down to a sandwich. Never say someone ate a sandwich. Say it was a pastrami on rye with extra mustard and a sheaf of pickles. Say it was a PB & J positively oozing J. Say it was a double-decker smash burger with Jimmy's special sauce and extra crispy sweet potato fries. See the difference? But here's the thing. When you tell a kid they need more details, that doesn't exactly come alive for THEM. You need more details in your request for details. They need to SEE and FEEL what you mean, just like you need to see and feel the world of their writing. So today on the pod, let's dive into six strategies you can use with your students to help improve their narrative writing detail. Your students may already have some of these down, but others may be new, or areas that will help with something causing them to struggle. As with any set of writing strategies, teach what they actually need. Apply it to their current writing projects. Links: 41 Authentic Audiences for Student Work: https://nowsparkcreativity.com/2026/02/41-authentic-audiences-for-your-ela-students.html  Find the new narrative unit on TPT here: https://www.teacherspayteachers.com/Product/Narrative-Unit-Digital-Editable-3-Weeks-15700216  Sources: Hillocks Jr., G. (2007). Narrative Writing: Learning a New Model for Teaching. Heinemann. Graham, S., MacArthur, C., & Hebert, M. (Eds). (2019). Best Practices in Writing Instruction. The Guilford Press. Stockman, Angela. (2015). Make Writing. Hack Learning Series. Zinsser, W. (2004). On Writing Well. Harper. Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Launch your choice reading program with all my favorite tools and recs, and grab the free toolkit. Join our community, Creative High School English, on Facebook. Come hang out on Instagram. Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the 'gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!   

In what ways can Math Workshop meet every learner's need for safety, purpose, inspiration, challenge, support, and growth?Join Wendy Ward Hoffer as she sits down with Michelle Morris Jones on PEBC's Phenomenal Teaching Podcast to discuss her newest book, All Minds on Mathematics: Math Workshop for Every Learner.In this episode, Wendy reflects on how her thinking about Math Workshop has evolved since the publication of Minds on Mathematics (2012) and shares her current beliefs about designing and facilitating math lessons that make learning accessible, joyful, and transformative for every student. In addition, she outlines the ways in which mathematics is unique in its liberatory possibilities for all learners. Wendy offers both practical insight and deep reflection. All Minds on Mathematics is more than a professional resource ~ it's a companion and a steady whisper of encouragement for every math teacher striving to reach every learner.Extra CreditHow many two-digit numbers have a cube root? And how many three-digit numbers have a cube root?About WendyWendy Ward Hoffer is the author of the forthcoming All Minds on Mathematics, as well as Phenomenal Teaching, Cultivating STEM Identities, Minds on Mathematics, and Science as Thinking, all published by Heinemann. She is also the author of Developing Literate Mathematicians, published by National Council of Teachers of Mathematics.Wendy serves as Senior Director of Content Development and Publications for the Denver-based Public Education & Business Coalition (PEBC) and travels nationally to provide professional learning for teachers at all levels. She is passionate about promoting rich thinking across content areas—especially in math and science.About the PodcastThe Phenomenal Teaching Podcast is brought to you by the Public Education & Business Coalition (PEBC) and is designed to elevate the strands of the PEBC Teaching Framework, as illustrated in Phenomenal Teaching.Thank you for joining us as we share the stories of educators who are making classrooms and schools more phenomenal than ever—by intentionally cultivating community, purposeful planning, workshop structures, thinking strategies, rich discourse, and assessment practices that promote agency and deep understanding.

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Mittag

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Mittag

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Morgen

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Mittag

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Morgen

The word audience conjures up a crowd, perhaps people watching an opera late at night at the Santa Fe outdoor amphitheatre, as the moon rises over the spectacle of Cosi Fan Tutte. Or wearing sparkles and friendship bracelets as they scream themselves hoarse at the Eras tour. Or packing a stadium as they stomp their feet and cheer at a Lakers game. But audiences don't have to be so huge, or dramatic. When it comes to students, what they need is to know they'll pretty often have one for their best work. A friend, the kids walking through the hallways every day, the school principal, the 2nd grade class at Wilson elementary down the street... it matters. It changes the way they work, and helps their work parallel the writing they'll do one day across a wide variety of careers, in which their emails will go to someone, their presentations will be to a room full of co-workers, and their social media posts will make the difference between their small business making it or not. An authentic audience brings engagement and motivation, helping students be successful at school and beyond. So today, let's talk about where to find it (hint... around every corner!). One quick note before we begin - for any of these audiences that exist online, keep in mind that you would need appropriate parent and/or school permission for students to submit to be published, and that students should never share their personal information or photos of themselves. Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Snag three free weeks of community-building attendance question slides Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the 'gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!  Sources: Landay, Eileen and Kurt Wooton. A Reason to Read. Harvard Education Press, 2012. Warner, John. Why They Can't Write. John Hopkins University Press, 2020. Zemelman, Daniels and Hyde. Best Practice. Heinemann, 2005.  

In this episode of Understanding Disordered Eating, I'm joined by Jack Heinemann for a live, supervision-style conversation that explores what's often happening beneath the surface when therapists feel stuck. Rather than focusing on what to say or do next, we slow the work down and examine how unconscious relational patterns quietly organize the therapy relationship itself, shaping both the client's experience and the clinician's emotional response, often without either person realizing it. This episode isn't about quick techniques or the perfect intervention. It's about learning how to think differently. Resources Group Training for Clinicians, led by Jack Heinemann. Details:  • 6 weekly sessions (75 minutes each) • Thursdays at 12pm EST • Begins 2/12 • $85 per session • Limited spots Looking for more information? Email jack@jackheinemanntherapy.com or info@bergenmentalhealthgroup.com    Grab my Journal Prompts Here! Looking for a speaker for an upcoming event? Let's chat! Now accepting new clients! Find out if we're a good fit!      LEAVE A REVIEW + help someone who may need this podcast by sharing this episode. Be sure to sign up for my weekly newsletter here! You can connect with me on Instagram @rachelleheinemann, through my website www.rachelleheinemann.com, or email me directly at rachelle@rachelleheinemann.com

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Abend

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Abend

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Bis zur Landtagswahl in Sachsen-Anhalt sind es noch neun Monate. Nun wurde Sven Schulze zum Ministerpräsidenten gewählt. Eine Zusammenarbeit mit der AfD schließt er kategorisch aus. Stattdessen will er sich den „Themen der Menschen“ widmen. Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Morgen

American Lit has the potential to be an engaging, broadening, fascinating course. We're in what I consider an in-between era, where many schools are still providing the historical American lit canon to teachers, while other schools or independent teachers going around the system have moved into teaching a broader swirl of America's diverse stories. The American Lit curriculum I was handed twenty years ago was 98% written by dead white men. Since then, I've learned about the impact on our students when they can (and can't) see themselves in the books they read. When they can and can't see their identities. Their communities. Their problems. Their hopes. I learned from Dr. Rudine Sims Bishop's call for books in which students can see themselves and learn to understand others in her appeal to our collective humanity in her landmark essay, "Mirrors, Windows, and Sliding Glass Doors."  I learned from Felicia Rose Chavez, author of The Anti-Racist Writing Workshop, who shared her personal experience as a young reader: "It's startling as a young person of color to stare down the spines of literacy and note the neat annihilation of most of the world" (29).  I learned from Dr. Claudia Rodriguez-Mojica and Dr. Allison Briceño, co-authors of Conscious Classrooms, that using culturally relevant texts can improve student outcomes by helping improve their comprehension, motivation & engagement.  I learned more about pairing contemporary texts to the canon from the #distrupttexts movement, about "completing" the canon from Chavez, and about layering multicultural, multimodal texts from Dr. Gholdy Muhammad's Cultivating Genius.   For me, it feels so clear. And yet I still see so many curriculums either still cleaving to the classics for the most part or abandoning books altogether in favor of textbooks and " short selections." So today I want to offer my American Lit dream. If I had an unlimited budget, and didn't have to worry about book challenges, this is an outline of the American Lit curriculum I would love to teach today. If you're an American Lit teacher, I hope you find an idea for a new unit or two or five that you'd be excited to try out. If you don't teach American Lit, I think you'll still get a lot of ideas about curriculum possibilities in terms of structure and balance from this episode, which you could remix with any authors you choose. Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Launch your choice reading program with all my favorite tools and recs, and grab the free toolkit. Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the 'gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!  Sources: Chavez, Felicia. The Anti-Racist Writing Workshop. Haymarket Books, 2021. Bishop, Rudine Sims. "Mirrors, Windows, and Sliding Glass Doors." Perspectives: Choosing and Using Books for the Classroom. Vo. 6, No. 3, Summer 1990. https://scenicregional.org/wp-content/uploads/2017/08/Mirrors-Windows-and-Sliding-Glass-Doors.pdf Accessed November 2, 2025. Graham, S., MacArthur, C., & Hebert, M. (Eds). Best Practices in Writing Instruction. The Guilford Press, 2019. Hillocks Jr., G. Narrative Writing: Learning a New  Model for Teaching. Heinemann, 2007. Kittle, Penny. Micro Mentor Texts. Scholastic Professional, 2022. Muhammad, Gholdy. Cultivating Genius. Scholastic, 2020. Potash, Betsy. "Students Need Diverse Texts and Choice, with Dr. Claudia Rodriguez-Mojica and Dr. Allison Briceño." The Spark Creativity Teacher Podcast, Episode 204. Resolution on Grammar Exercises to Teach Speaking and Writing. NCTE online: National Council of Teachers of English Position Statements: https://ncte.org/statement/grammarexercises/, Accessed January 2026. Schoenborn, Andy and Troy Hicks. Creating Confident Writers. W.W. Norton, 2020. Zemelman, Steven, Harvey Daniels and Arthur Hyde. Best Practice. Heinemann, 2005.   

Heinemann, Christoph www.deutschlandfunk.de, Informationen am Abend

Er hat die Welt mit Zöllen belegt, Maduro entführt und will sich Grönland einverleiben. Ist der Westen nach einem Jahr Trump am Ende? Darüber diskutieren Ruprecht Polenz (CDU), Beatrix von Storch (AfD) und Klaus Remme (Dlf-Korrespondent in Brüssel). Heinemann, Christoph www.deutschlandfunk.de, Kontrovers

Heinemann, Christoph www.deutschlandfunk.de, Das war der Tag

Listen to my conversation with Penny Kittle, author of Micro Mentor Texts: Using Short Passages From Great Books to Teach Writer's Craft (Scholastic, 2022). This will be our book club selection for January - March 2026. Join the chat below.Full subscribers can also access the video recording of our conversation here. See a preview below.Brief Bio* Penny is a long time teacher at every level of education. She writes about her practice at https://substack.com/@pennykittle. * She is the author of several books, including Write Beside Them and 180 Days (with Kelly Gallagher, with whom she also co-hosts digital discussions). * Penny is also the chairman of the board for the Book Love Foundation, dedicated to providing “classroom libraries comprised of hundreds of books carefully chosen by the teachers to meet students where they are and lead them to the deep rewards of reading”. Check out the Book Love Foundation Podcast to learn more. * When not in the classroom, Penny enjoys spending time with her grandchildren in New Hampshire. SummaryIn this conversation, Penny talk about a variety of topics, including:* the importance of teachers being knowledgeable and able to problem solve,* how to build students' confidence as writers by showing them the process of writing that you as a teacher use, and* simple strategies, such as prompt writing, that can lead to students engaged in deep conversations during book clubs.Educators will walk away with a renewed sense of hope and agency in their own work with readers and writers.What part of this conversation resonated the most with you? Share your thoughts in the comments.Enjoyed this conversation? Restack and share this post to let others know!Full TranscriptMatt Renwick: Hi, this is Matt Renwick, and welcome to Read by Example, where teachers are leaders and leaders know literacy. And I'm joined today by someone I've met, I think a year ago in Wisconsin, when she was here doing a training around micro-mentor texts, Penny Kittle, long-time teacher, professor, all things education, literacy. So welcome, Penny.Penny Kittle: Thanks, Matt. It's good to be on your podcast. I enjoyed meeting you that day, that was a lovely day.Matt Renwick: Yeah, it was fun. I don't think it was on my schedule, but I'm like, I'm gonna make this on my schedule, like, I wanna hear Penny talk. Just all the good things I've heard from Reggie Routman, and just what I read about you, so I was not disappointed. It was a great experience, and I know the teachers walked away that I was working with, like, this is good, like, we want... and I'm still working with those teachers, actually.Penny Kittle: Oh, that's cool.Matt Renwick: Yeah, we still talk about the micro-mentor text, and just giving them that foundation, that knowledge that I think they were craving. They were looking for just a resource, and you really give them some nice ideas to build their practice, so...Penny Kittle: That's good.Matt Renwick: So I have been reading, as this year before, Micro Mentor Text through Heinemann, Using Short Passages from Great Books to Teach Writer's Craft.Penny Kittle: From Scholastic, just so they would want to know that.Matt Renwick: Oh, I'm sorry. I told you I'd mess something up, Penny.Penny Kittle: We all do.Matt Renwick: Yeah, I'm not gonna edit it out, though, so... Thank you for correcting me. Yeah, Scholastic. And, yeah, terrific book, very practical, very wise. I'm like, I think I'm highlighting the footnotes as much as the content.Penny Kittle: Oh, that's so funny. I had so much fun writing that with footnotes.Matt Renwick: Just the asides were just really cool, some of the cool stories from, like, Don Graves and Don Murray. But your subtitle says it pretty well, but what is your definition of a mentor text? Because I hear that tossed around a lot. What makes a mentor text micro?Penny Kittle: Yeah, I mean, I think that I always talk to students about, we're mentors to the authors and their craft, right? The text is just that particular vehicle, and we're using it to say, what kind of decisions do writers make? Are they things that I want to try? Are things that I want to imitate, or are these things that will make my writing stronger? So anytime we're studying anything, we're looking at pieces of work in that genre. You know, it's the idea of authenticity in a writing classroom. We're making things that exist in the world, and here are some people who make those things, and then what do our essays or poems or whatever we're writing look like next to them. And so, micro-mentor texts came about because I do quick writing with kids day after day, and I realized how much of the time, if I used a passage from a book, and said, what do you think of this? What do you... and used it instead of the whole, that I could get them interested in reading a book, but I could also, in a few minutes, look at craft. It was almost... I think we put a magnifying glass on the cover of the book, because I said it's like, a micro-mentor text is small enough that you can just look at it carefully. And you can't do that with a whole book. So, that is the idea, is that we look at a passage, we think about how does it work, and we imitate it.Matt Renwick: I used to teach 5th and 6th grade, and I would do, like, book blurbs, and I would read a small passage from it to promote it, to recommend it, but what you're saying here is you almost got, like, a two-for-one, like you're sharing great literature, but you're also honing in on those specific craft moves that writers do.Penny Kittle: It is definitely the way to combine a book talk with a little bit of writing. And I, you know, I honestly feel like I've taught more grammar through Micro Mentor texts than anything else. Because I'm often, when I ask them, what do you notice? Talk to each other, and I wander the room, they'll bring things up. You know, what is that? Is that the colon or the semicolon? What's it, you know, if it doesn't come up naturally, I often don't have to say anything, but I like that oftentimes this organic... Okay, do you see how this sentence is structured? Why is this such a long sentence, kind of thing. A really natural way to make grammar a decision, not a right or wrong.Matt Renwick: Yeah, you're pulling the lines away from the craft of it, you know, you're giving kids access to a writer, to the author's intentions.Penny Kittle: Right. And their choices.Matt Renwick: Yeah. So, let me frame it this way. I think with the science of reading, a lot of folks are concerned with decoding, and how kids learn to read, and I see less about actually helping kids comprehend text. I mean, it's there, but it's not as prevalent. And there's like this double-edged sword where I think literacy leaders, teachers want to get away from the 3-cueing system, we want to support kids with being good decoders. But I think what happens is we're not teaching kids to like read text for real, like once kids know to decode a word, what's the purpose of actually reading the text? And so what I like about your book is, you're using real text, you know, kids are reading it for real reasons, and so I'm wondering what are the connections between micro-mentor texts and the science of reading that you've been thinking about.Penny Kittle: I mean, I think for me, in the idea of what I do with a micro-mentor text, I'm not decoding it, right? Unless they're stopping and asking me. But I usually read it to them. And so I'm a fluent model, or another student in the room is a fluent model. And then we're diving into this idea of the pattern, the rhythm, what makes it interesting? And so to me, when you're looking at written text and thinking about writing text, you need fluency. And fluency is one of the pieces of the science of reading. So sometimes I'll have kids with me that are reading two and three years below grade level. And fluency was something that we never worked on. They're still word callers in high school. And so getting them to read with more automaticity and faster is gonna help comprehension because they're gonna have more energy and, you know, more focus to spend that effort on it, rather than in word by word. So my, you know, in the idea of the science of reading, I think that we have to first realize in secondary there are a lot of skills and strategies that I teach on a daily basis and a lot of kids lack. And so we have to keep teaching them and letting kids know it's okay to ask. You know, what does that word say? What is it? What does it mean? And when they hear us talk about it, then they learn, right? So I just think that there's a great emphasis on that 20 to 30 minutes of core instruction that, of course, is gonna support skills and strategies. But that then have a whole child, right? We can't just do 20 minutes of skills and strategies and think we've taught the whole learner. We need to get to comprehension, which is the whole point. And we also need to write, because when we're composing and creating text, we're adding to that power. The science of reading includes writing. It's not just about decoding. And I think sometimes that's where people come to rest. But of course, as you know, Scarborough's Reading Rope has both sides. And word recognition isn't any good without language comprehension. We need both of those things.Matt Renwick: So you do have like a routine in your book that you talk about. So you read text to kids. I've seen that example of you reading The Outsiders for example. But then what do you do after reading that text? What's the typical steps that you recommend?Penny Kittle: Well, I mean, the steps that I do are pretty simple. And I think that almost at any level, from elementary through college, you can do these steps. So I read a passage, or a student reads a passage. Then I say, turn and talk. What do you notice? And I give them time. And I try not to be the one that tells them. I want them to point out things. So they're gonna point out things. And then I might say, so what do you notice about this sentence? Or what do you notice about this? So I might do a little nudging in that conversation. And then we imitate it. So after they've talked about it and noticed it, I say, so take that idea. Let me show you an example of how I did it. Here's how I imitated it. Now you do your own. So they do a quick write. Sometimes that's five minutes or ten minutes. Sometimes they write for the rest of the class. And then many of those quick writes could stay in their journal forever. But often what I'll say to kids is, this might be the kind of craft technique that you want to save and try in your next piece, or that you might wanna use in your revision of your piece. So I'm teaching them to think about these tools as transferable to other times we write. Or I might, in that week or the next week, say, so I want you to take one from this list and put it in the piece you're working on. And then come talk to me, and I'll tell you whether I think it's working. So that's the steps. Read it, talk about it, imitate it, try it out.Matt Renwick: Yeah, I think you have Reggie Routman's steps there. And you also have that conversation in there around, like, self-assessment for kids. How did that work? What made that successful? What are you gonna do going forward? That agency piece, which I think is crucial for kids to take it on themselves, that responsibility for learning and being better.Penny Kittle: Yeah, I think for secondary especially. You know, what I like about Reggie is that shared demonstration step is so essential, and I think it's what's missed most of the time. So in secondary education, my professors would give me an assignment, like, you're gonna write a 15-page paper on this, and they wouldn't tell me how. They would just tell me to go do it. And that is completely lacking in what I think is good instruction. So when I'm writing with kids, I show them what I'm doing. I think aloud, I share my rough drafts. I show them, I think this is where I'm stuck, and I'm gonna try this. And that modeling and talking about our thinking is essential. And then we get kids writing, but we gotta talk about what we're doing. We've gotta show. That's the idea of a mentor text. We're gonna show you how someone else did it.Matt Renwick: Yeah, I can't think back to any instance in high school or college where I had a professor or teacher actually write with me or in front of me, and I had papers. So, yeah, it's a blind spot.Penny Kittle: Huge. And it is one that, you know, you and I have probably spent hundreds of hours doing this. Right? Because you write, and you know the challenges, and you think about kids, and you go, I need to help with this.Matt Renwick: Right. So those examples in the book, are those your writing or student writing, or both?Penny Kittle: They're both.Matt Renwick: Okay. So I think that's a good way to kind of mix it up. You give kids that authentic example from someone who's actually learning, and then yours. Did kids ever give you a hard time? Like, you're a published author, like, of course you're gonna write well. Like, this is easy for you. Or did you share your struggles as a writer?Penny Kittle: I shared my struggles all the time. And, you know, my quickwrites are way messier than the kids'. You know, I often would have scratch-outs and things where they would have done it on a computer and deleted. But I would just start with paper so that I could show them, and so, no. I mean, the kids, you know, it was funny. When I started writing Write Beside Them, I didn't have a publisher yet. I'd been working on it for a couple of years. And I, one day in class, I had a girl who said, do you even write? I said, I've been writing a book for two years. She said, well, when's it coming out? I said, I don't have a publisher. And she said, so you're just like us. And I said, yeah, I'm just like you. I'm trying to figure out how to get my work published just like you are. And I was in NCTE, and I went to Heinemann and pitched them the idea. And I came back and said, I have a publisher. And so it was, you know, it's not like I was sitting on this huge legacy of, like, I'm a published author. I was just somebody trying to figure it out, you know? And I think kids respond to that. They respond to our humanity.Matt Renwick: Yeah, and just the vulnerability of sharing, like, I don't have this down either, like, I'm still trying to figure this out.Penny Kittle: Yeah.Matt Renwick: So, you talked about teaching 180. Are you still teaching? 'Cause I know in the book you mentioned...Penny Kittle: No, I'm not.Matt Renwick: Okay, so what, about seven years ago or so?Penny Kittle: I retired in 2018, and then I taught another couple of years, so probably six years ago. Yeah.Matt Renwick: Okay. So I remember you telling, like, a story, I think it was your first year teaching, where, like, you handed out a paper, and kids were, like, upset about the directions, or something like that. Do you remember that story?Penny Kittle: I probably told that story, but I don't remember exactly. Tell me more.Matt Renwick: I think it was just like, you had made some assumptions about, like, what kids would understand, and they didn't understand it, and they got frustrated, and you're like, okay, I need to be more clear about what I'm asking kids to do.Penny Kittle: Yeah, I mean, I think that's, you know, that happens all the time, right? We make assumptions about what kids know, and they don't. And so we have to be really clear. And I think that's one of the things that I learned early on was, I need to show them what I want. I can't just tell them. I have to show them. And that's, again, that idea of shared demonstration.Matt Renwick: So, circling back to your book, I know you have a chapter on nonfiction, which I appreciated because I think a lot of times when we talk about writing, we're talking about narrative or fiction. But you have a whole chapter on that. What are some key things you want teachers to know about teaching nonfiction writing?Penny Kittle: Well, I think that, you know, we read so much nonfiction now. We read articles, we read blogs, we read all kinds of things online. And so kids need to be able to write that way. And I think that one of the things that I tried to do in that chapter was to say, here are some patterns that nonfiction writers use. Here are some ways to organize your thinking. And I think that's really helpful for kids. Because sometimes they sit down to write an essay, and they don't know where to start. And if we can give them some structures, some patterns, then they have something to lean on. And that's what mentor texts do. They give us something to lean on. So, you know, I think that nonfiction is really important. And I think that we need to teach it more explicitly. Because it's not as intuitive as narrative for a lot of kids.Matt Renwick: Yeah, and I think, too, like, the connection to content areas. Like, if you're a science teacher or social studies teacher, like, you're writing nonfiction all the time. So having those examples, those mentor texts, I think is really helpful.Penny Kittle: Yeah, absolutely. And I think that's where, you know, in secondary, we have this huge advantage. We have kids for different content areas. And if we could coordinate and say, okay, in science, you're gonna write a lab report. Let me show you some mentor texts for lab reports. In social studies, you're gonna write an argument. Let me show you some mentor texts for arguments. Like, if we could do that, we would be so much more effective. But we don't often do that. We don't often coordinate across content areas.Matt Renwick: Right. So, I have a question about, like, the role of technology in writing. Because I know, you know, we have AI now, and we have all these tools. And I'm curious, like, what's your take on that? Like, how do we teach kids to write in a world where AI can write for them?Penny Kittle: Yeah, I think that's a huge question. And I think that, you know, we have to be honest with kids about the fact that AI exists. And we have to be honest with them about the fact that it can write. But we also have to help them understand that AI can't think for them. AI can't have their ideas. AI can't have their experiences. And so, you know, I think that what we need to do is we need to help kids understand that their voice matters. Their ideas matter. And that's what we're trying to develop. We're trying to develop their voice. We're trying to develop their thinking. And AI can't do that. AI can generate text, but it can't generate their ideas. And so I think that's where we need to focus. We need to focus on helping kids find their voice, find their ideas, and then we can use AI as a tool. But it shouldn't be a replacement for thinking.Matt Renwick: Yeah, I like that distinction. Like, AI can help with the mechanics, but it can't help with the meaning-making.Penny Kittle: Right. Exactly. And I think that's where we need to be. We need to help kids understand that. And we need to help them understand that, you know, the best writing comes from thinking. And AI doesn't think. It generates. And there's a big difference.Matt Renwick: So, thinking about your work, you know, you've been doing this for a long time. You've written several books. You have the Book Love Foundation. What's next for you? Like, what are you working on now?Penny Kittle: Well, I'm working on a few different things. I'm working on a book about leadership with a colleague. And I'm also working on some online courses for teachers. And I'm doing a lot of speaking. So I'm traveling a lot and talking to teachers. And I'm also working on my Substack. So I'm writing there. And I'm just trying to stay connected to teachers and stay connected to the work. Because I think that's really important. I don't want to lose touch with what's happening in classrooms. And so I'm trying to stay as connected as I can.Matt Renwick: That's great. And I think, you know, your Substack has been really helpful. I've been reading it. And I think it's a great way to stay connected to teachers and to share ideas. So, I appreciate that.Penny Kittle: Thanks. Yeah, I think it's been fun. I think it's a good way to just keep the conversation going.Matt Renwick: So, one more question about mentor texts. How do you find them? Like, where do you look for good mentor texts? Because I think sometimes teachers are like, I don't know where to start. Like, how do I find good examples?Penny Kittle: Well, I mean, I think that the first place you look is in what you're reading. So if you're reading, and you come across something that you think is really well-written, you save it. And I have, you know, I have a Google Doc that I've been adding to for years. And it's just a collection of passages that I think are really interesting. And I don't even know if I'll ever use all of them. But I save them. And then when I'm teaching, I go back and I look at that document. And I say, okay, what fits what I'm trying to teach right now? And so I think that's the first place. Just read a lot. And when you come across something that you think is really well-written, save it. And then the other place is just to look at books that are popular with kids. So, you know, what are kids reading? What are they excited about? And then you can pull passages from those books. And that's a great way to get kids interested in reading more. Because you're using books that they're already interested in.Matt Renwick: Yeah, I think that's a great strategy. And I think, too, like, you can also look at, like, articles and essays and things like that. Like, it doesn't have to just be fiction. It can be nonfiction, too.Penny Kittle: Yeah, absolutely. And I think that's where, you know, I use a lot of articles. I use a lot of essays. I use a lot of different kinds of texts. Because I want kids to see that there are lots of different ways to write. And there are lots of different purposes for writing. And so, yeah, I think that's really important.Matt Renwick: So, in your Google Doc, do you organize it in any particular way? Or is it just kind of a running list?Penny Kittle: It's just a running list. I mean, I should probably organize it better. But it's just a running list. And I copied a bunch of those, because they're very interesting. They're often patterns of language and interesting phrasing that I'm looking for, and I don't even know how many of those I would use if I were teaching right now, but that's where I collect them.Matt Renwick: Yeah, I'm sure they get in your brain, and then they show up somewhere else when you're writing and thinking.Penny Kittle: Right.Matt Renwick: I noticed your awesome library in the background. I was supposed to ask you about your wavy bookshelf, but I don't see it. That must be somewhere else.Penny Kittle: Oh yeah, that's in a different room, and honestly, it's because it was on this wall. My desk was turned this way, and I kept banging it with the back of my head, because it sticks out from the wall like a foot. I was like, I can't do this anymore. So it's gone.Matt Renwick: Oh, darn it.Penny Kittle: Yeah.Matt Renwick: But you had an interesting metaphor, I think in that same post I mentioned before, or just a visual, a library without books. So, to the point you're making was, we don't have writers, we don't have readers, and so making that connection for kids, and stressing the importance of building writers. So, just to kind of close things out, what classroom conditions are essential to help kids write for real, you know, write without rules, Matt De La Pena said in the forward to your book, and then writing for life. What are some essential classroom conditions? So you mentioned before, shared demonstration, that's a Heli-Dion.Penny Kittle: Yeah, yeah, and I think so much about teachers that are in classrooms right now, where they have a scripted curriculum, and I'm really connected to that idea that it demonstrates a lack of trust of teachers, and the idea that I was thinking today, because I was gonna be late to a doctor's appointment, and I was super annoyed with my husband that we were gonna be late, and I was watching every minute to be sure I could get there, and then I thought about the crowd that would be at the front door to the school that was always late. And I thought, what are the conditions that would make kids be like, I can't be late, I gotta get to first period? So, I think that it goes back to those pillars of engagement, right? We talk about this. So there's a science to engagement. We talked about the science of reading, but the science of engagement says that kids will use the skills and strategies we teach with greater persistence and effort when they're engaged. And then they learn more, right? Greater persistence and effort. So for me, it has to be that. So they need to write for real purposes and real audiences, and they need the conditions that say what they have to say matter, right? They need to be in writing groups so that they get more feedback than just mine. They're writing for, you know, and they'll, in a group of 3 or 4 other kids, often they may not want to at the start, but they become kids who share their writing. And when you have to read your writing to someone, or a part of your writing, and ask for help, you hear it differently. Those are essential conditions. We need lots of books, because the more you read, the better you write. That's just a simple formula. Wait, I wrote them down, what else did I put up here? Oh, relationships. So, it's not just the teacher, but the teacher has to have a relationship with reading and writing that is positive, and that knows its power, as well as its challenges, because I think when I first got my secondary credential, what was demonstrated in all my coursework was that I need to become an expert on texts. And that isn't what we need to be expert in. We need to be expert in kids and motivation, and learning how to talk to a kid that doesn't want to talk to you about what they're working on in a way that you can help them. We need to be really superb listeners, and so the conditions are, we have to be able to set up a flow within a class period so that I have time to meet with as many kids as I can, both as readers and as writers, and I need to have us write every day. I'm really into volume, right? We read every day, we write every day, we work on revision almost every day. So that the conditions are a kind of a mutual agreement that we're here to work. They have a playlist for every class, they choose it. Like, the cowboy one was always killing me off, but the boys in this one class, Outdoor Writing, all wanted this, you know, very cowboy-centered playlist, but that stuff helps them feel like it's their space, too. And I think that the teachers who, you know, there are teachers that I worked with every year who volunteered for everything, who were at every dance, and you know, they're just giving 110% to the school and the culture of the school. I love that, but they also have to be that in their classroom, so that their content comes alive and feels meaningful.Matt Renwick: Yeah. Trust the kids, trust themselves, yeah.Penny Kittle: It's so much about trust.Matt Renwick: Yeah. Well, this has been great, Penny. You've got your substack. What is the URL again? Is it...Penny Kittle: You mean my on Substack, I'm just Penny Kittle.Matt Renwick: Penny Kittle, okay.Penny Kittle: Yeah.Matt Renwick: And then you have the Book Love Foundation. Yep. Several resources, which I'll link in the notes.Penny Kittle: I have a YouTube channel that has all my interviews with Kelly Gallagher, and the different authors, and we're putting up... we just released a podcast today called The Moves Leaders Make. It's all about leaders we're interviewing, and those are on Apple, and we actually have about 4 or 5 seasons of Book Love podcasts on there, and there's a lot of places that you can find out more.Matt Renwick: Cool. Well, thanks, Penny, for being here, and good luck with your time, and your time to yourself. So, thank you for being here.Penny Kittle: Thanks so much, Matt. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit readbyexample.substack.com/subscribe

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Konrad Adenauer stand für Westbindung, Europa und Generationenvertrag. Doch all das scheint wieder fragil zu sein. Gäste und Hörer streiten über Verteidigungsfähigkeit, die Abhängigkeit von den USA, den Umgang mit Russland und Adenauers Pragmatismus. Heinemann, Christoph www.deutschlandfunk.de, Kontrovers

Deutschland erlebt das Ende einer Epoche der unbedingten Westbindung, die Konrad Adenauer begründet hat, so Historiker Norbert Frei. Für den Bundeskanzler sei die Westintegration ein Freiheitsprojekt und Voraussetzung für die deutsche Einheit gewesen. Heinemann, Christoph www.deutschlandfunk.de, Interview der Woche

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Der Krieg in der Ukraine wütet weiter und Geld wird dringend gebraucht. Doch die USA stoppen Hilfen, auch die EU hat begrenzte Mittel. Wären da nicht eingefrorene russische Vermögenswerte. Marcus und Bo folgen einer Spur nach Brüssel... zu Euroclear.**********In dieser Folge:3:05 - Kassenwart Euroclear - Was ist Clearing überhaupt?15:55 - Ein Kredit für die Ukraine - Wie soll das gehen?22:06 - Viele Meinungen und (k)eine Lösung - Welche Konsequenzen kann die Neuverteilung des Geldes haben?29:01 - Fazit / Wahres für Bares**********An dieser Folge waren beteiligt: Moderation: Marcus Wolf, Bo Hyun Kim Produktion: Choukri Gustmann Redakteurin: Anne Göbel Experte: Sam Riley, Clearstream Experte: Nishan Ledchumikantan, Helaba Invest Expertin: Maxime Prevot, Außenminister Belgien Experte: Patrick Heinemann, Verwaltungsrechtler**********Die Quellen zur Folge:Norman, Peter (2007): Plumbers and Visionaries. Securities Settlement and Europe's Financial Market.Heinemann, Patrick (2024): Seizing Russian Assets: Too Little, But Not Too LateStrupczewski, Jan für Reuters: How does the EU want to use Russia's frozen assets for Ukraine?Rettmann, A. und Carpenter-Zehe, O.: Bolshoi-loving banker threatened Euroclear CEO, amid EU talks on Russian assets Free Article**********Weitere Beiträge zum Thema:Erbschaftssteuer: Warum die Reform Deutschland spaltetSchlaf und Wirtschaft: Wie Schlafen zum Milliardengeschäft wurdeDas Geschäft mit der Astrologie: Wie viel Geld liegt in den Sternen?**********Habt ihr auch manchmal einen WTF-Moment, wenn es um Wirtschaft und Finanzen geht? Wir freuen uns über eure Themenvorschläge und Feedback an whatthewirtschaft@deutschlandfunknova.de.**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .

This edWeb podcast is sponsored by Heinemann.The edLeader Panel recording can be accessed here.In this edWeb podcast, scholars Carol Jago, Lorna Simmons, and Dr. JT Torres engage in a dynamic and timely conversation exploring how foundational literacy skills, strategic fluency development, and deep comprehension work in harmony to empower confident, lifelong readers. Listeners gain actionable classroom strategies and insights from diverse educator perspectives to support literacy growth across all grade levels.Join us as they:Address some of the most critical questions facing reading teachers todayConsider and discuss recent literacy research and statisticsExplore what success looks like for readers of all abilities—and how rigor can fuel joy in the processThis edWeb podcast is of interest to PreK-12 teachers, reading and curriculum specialists, multilingual learner administrators, school leaders, and district leaders.Enjoy a complimentary ebook, Establishing Effective Instruction: A Comprehensive Approach to Literacy. It offers practical, research-based strategies to strengthen literacy instruction, align tools for impact, and help every student become a confident reader and writer.Heinemann PublishingPublisher of resources and provider of services for educators from kindergarten through collegeDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Learn more about viewing live edWeb presentations and on-demand recordings, earning CE certificates, and using accessibility features.

Die neue US-Sicherheitsstrategie sorgt in den EU-Staaten für Aufregung. Darin kündigt die Trump-Administration eine außenpolitische Neuausrichtung an und kritisiert die europäischen Verbündeten. Die „America First“-Politik wird festgeschrieben. Heinemann, Christoph www.deutschlandfunk.de, Kontrovers

Heinemann, Christoph www.deutschlandfunk.de, Das war der Tag

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Am Freitag stimmt der Bundestag über das Rentenpaket ab. Nordrhein-Westfalens Ministerpräsident Wüst (CDU) erwartet eine eigene Mehrheit der Koalition. Er habe noch einmal dafür geworben - auch wenn die junge Gruppe einen "validen Punkt" habe. Heinemann, Christoph www.deutschlandfunk.de, Interviews

Heinemann, Christoph www.deutschlandfunk.de, Interviews

Das drängendste Thema im Koalitionsausschuss an diesem Donnerstag wird das Rentenpaket sein. Für die Ökonomin Veronika Grimm geht die Reform in die falsche Richtung. Die Ausgaben seien zu hoch. Sie würde eher am Renteneintrittsalter schrauben. Heinemann, Christoph www.deutschlandfunk.de, Interviews

Wegen schwindender Fachkräfte können Schulen ihrer Funktion oft nicht mehr gerecht werden. Bildungssoziologe Aladin El-Mafaalani schlägt vor, Rentnerinnen und Renter als Mentoren an Schulen einzusetzen. Man könne nicht auf ihre Expertise verzichten. Heinemann, Christoph www.deutschlandfunk.de, Interviews

Vor bald vier Jahren begann die russische Großinvasion in der Ukraine. Das Land steht erneut vor einem harten Winter, während Luftangriffe häufig auf die Energiezufuhr zielen. In Deutschland wird kontrovers diskutiert, was die "Zeitenwende" bedeutet. Heinemann, Christoph www.deutschlandfunk.de, Kontrovers

Heinemann, Christoph www.deutschlandfunk.de, Das war der Tag

Heinemann, Christoph www.deutschlandfunk.de, Das war der Tag

Heinemann, Christoph www.deutschlandfunk.de, Das war der Tag

This is the first in a two-part series featuring a conversation with three secondary educators on how AI is reshaping classroom practice.Dennis and Kristina, co-authors of AI in the Writing Workshop, join Marilyn, author of several Heinemann titles including her latest, 5 Questions for Any Text. Their collective thinking and writing dovetail beautifully to address this pivotal moment in education, as AI becomes an increasingly prevalent tool in classrooms.Together, they share how they're integrating AI with intention and transparency—from delaying its use early in the school year to modeling how to question and push back against AI-generated output.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Heinemann blog, podcast, and newsletter is now Teaching Unscripted! We're excited to deliver high-quality professional development content in smaller bite-sized formats to give teachers the resources and tools they need for those unscripted moments in the classroom.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.