Podcasts about Goldberg Variations

Rosamund Pike, the Emmy and Golden Globe winner, is known for standout roles in Saltburn, her Oscar nominated lead in Gone Girl, and Made in Dagenham. Next month she stars on the West End stage, coming back to the role of Jessica Parks, the maverick judge at the heart of the National Theatre's hit play Inter Alia, also filmed for NT Live screenings. She joined Anita Rani to discuss her role that explores motherhood, masculinity and the complexities of justice.It's more than a decade since Nadiya Hussain became a household name after winning the Great British Bake Off. Since then, she's fronted her own cookery shows, written more than a dozen cookbooks and a series of children's books. Her latest collection of recipes is called Quick Comforts, and Nadiya joined presenter Clare McDonnell to talk about finding comfort in food, her career so far and lots more.In December 2024, Dominque Pelicot and 46 other men were found guilty of the aggravated rape of his wife Gisèle. Another two were found guilty of attempted rape and a further two were found guilty of sexual assault. Dominque had drugged Gisèle with medication without her knowledge, raped her and invited other men to rape her, filming as they did so. At least another 20 men who took part in these rapes could not be identified. Waving her right to anonymity, Gisèle Pelicot declared that shame has to change sides. Despite her becoming a household name, not only in her native France but around the world, very little was known about Gisèle herself. She has written her memoir, A Hymn to Life, with writer Judith Perrignon and Judith joins Nuala McGovern to discuss.Dr Punam Krishan is a Glasgow based NHS GP and the resident doctor on the BBC's Morning Live programme. Back in 2024 she was a contestant on Strictly Come Dancing where she was the first dancer to perform a Bollywood routine. But six months ago, at the age of 42, she was diagnosed with breast cancer, and has since gone through treatment. She has recently written about how being a doctor didn't prepare her for the experience of being a patient. Dr Punam joined Anita to discuss.Ketamine has become a worryingly popular recreational drug among young people, and the consequences can be devastating. That's according to a specialist NHS clinic which reports that some teenagers suffer such severe bladder damage from taking it, that some rely on incontinence pads. To discuss the implications, Anita was joined by Dr Alison Downey, Consultant Urologist at Mid Staffs NHS Foundation Trust, who is treating young people with ketamine related bladder problems. Also joining them is Eva, who has stopped using ketamine and is receiving support from the hub.The award-winning internationally renowned Welsh harpist and composer Catrin Finch first came to prominence in her early 20s as the official Royal Harpist to King Charles, the-then Prince of Wales. She achieved chart success with her No. 1 recording of Bach's Goldberg Variations and has performed with many of the world's leading orchestras. Catrin, who began playing the harp at just six years old, has a new album, Notes to Self, a series of reflective and deeply personal new tracks she has composed for Katy, her 13-year-old-self. She joined Nuala and performed live in the studio. Presenter: Anita Rani Producer: Annette Wells

After busting the February blues with some jolly tunes, JJ tries to convince Haz that Bach's Goldberg Variations are, indeed, brilliant. Also: Haz's Mari Lywd experience, what 'Rachpag' means, and top tips for chamber musicians that involve good cake.Ar ôl ymladd y tristwch Chwefror gyda rhai caneuon llawen, mae JJ yn ceisio perswadio Haz bod Amrywiadau Goldberg gan Bach, mewn gwirionedd, yn wych. Hefyd: profiad Mari Lywd gan Haz, yr hyn mae 'Rachpag' yn ei olygu, a chynghorion gorau i gerddorion siambr sydd yn cynnwys cacen dda.Support the showwww.artsactive.org.ukEmail a2@artsactive.org.ukX @artsactiveInstagram artsactivecardiff Facebook artsactive#classicalmusic #artsactive #drjonathanjames #bravingthestave #musicconversations #funfacts #guestspeakers #cardiff #cardiffclassical

In December 2024, Dominque Pelicot and 46 other men were found guilty of the aggravated rape of his wife Gisèle. Another two were found guilty of attempted rape and a further two were found guilty of sexual assault. Dominque had drugged Gisèle with medication without her knowledge, raped her and invited other men to rape her, filming as they did so. At least another 20 men who took part in these rapes could not be identified. Waving her right to anonymity, Gisèle Pelicot declared that shame has to change sides. Despite her becoming a household name, not only in her native France but around the world, very little was known about Gisèle herself.Today sees the publication of her much-anticipated memoir, A Hymn to Life. Nuala McGovern is joined by writer and journalist Judith Perrignon, who co-wrote the memoir with Gisèle, and Professor Manon Garcia, who watched the trial in Avignon and analysed its resonance in her book Living with Men, Reflections on the Pelicot Trial. The award-winning internationally renowned Welsh harpist and composer Catrin Finch first came to prominence in her early 20s as the official Royal Harpist to King Charles, the-then Prince of Wales. She achieved chart success with her No. 1 recording of Bach's Goldberg Variations and has performed with many of the world's leading orchestras. Catrin, who began playing the harp at just six years old, has a new album, Notes to Self, a series of reflective and deeply personal new tracks she has composed for Katy, her 13-year-old-self. She tells Nuala about her first album of solo compositions in a decade.One of the children talking about their everyday achievements in our new podcast, SEND in the Spotlight, which features young people with special educational needs, is Henry. He's autistic, and school is not always easy. Things got even tougher when his grandma died. That's when Henry decided to raise money for the hospice which looked after her. We hear his story in his own words.With the Winter Olympics in full swing in Italy, how are sports like ice hockey faring here in the UK? And what are women doing on the ice rink? Joining Nuala are Ellie Wakeling and Abbie Sylvester, who both play alongside male players with the Romford Buccaneers.Presenter: Nuala McGovern Producer: Andrea Kidd

Steve Nieve has been the distinctive keyboard voice beside Elvis Costello for over forty years, evolving from the new wave intensity of The Attractions to the soulful sophistication of The Imposters. A Rock and Roll Hall of Fame inductee and Grammy winner his prolific career also includes work with Madness, Sting, and David Bowie, alongside his own ambitious solo compositions. We cover that all and more in our chat with Steve – one not to miss. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Steve’s busy past couple of years Steve in action with Elvis Costello & The Imposters Steve’s musical upbringing Auditioning to join Elvis Costello Elvis Costello – Less Than Zero Memories of early gigs with The Attractions The Vox Jaguar and the Vox Continental A discussion on Steve’s favourite Elvis Costello and the Attractions album – This Year’s Model Steve’s early synths The evolution of the recording process with Elvis Costello and his band over the years Elvis Costello and the Attractions – Blood and Chocolate Elvis Costello and the Attractions – Imperial Bedroom Working on a cover of Yoko Ono’s ‘ Walking on Thin Ice’ with Allen Toussaint Elvis Costello & Allen Toussaint – The River in Reverse Working as band leader and MD in Steve Nieve & The Playboys on The Last Resort with Jonathon Ross  Steve performing with Paul McCartney on The Last Resort with Jonathon Ross  Doing 100 shows remotely during the pandemic Steve Nieve and Kessada – About Love Working on Absolute Beginners – David Bowie Steve Nieve and Muriel Teodori – Welcome To The Voice Sans Plomb movie ToGetHer album You Lie Sweetly – Steve Nieve featuring Sting Steve in action with The Imposters 2022 On the brilliance of Pete Thomas Collaborations with David Coulter including The Great Australian Songbook Desert Island Discs: (yet to be released / titled) – Kessada, The Best of Satie – Erik Satie, Goldberg Variations – Uri Caine, Songs in the Key of Life – Stevie Wonder, Rough and Rowdy Ways – Bob Dylan. Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Steve Nieve, Elvis Costello & The Imposters appeared first on The Keyboard Chronicles.

【主播的话】1936年，在风雨飘摇的上海，鲁迅因病去世，享年55岁。2026年，是鲁迅逝世九十周年。差不多整整一个世纪过去了，鲁迅却并未远去——他依然深深存在于当代中国人的精神生活之中，存在于我们的语言、记忆与时代观念里。在中国出生长大的人，对鲁迅几乎都不会陌生。他的作品是小学课本里的重点篇目，直到今天，我们也许仍然能够熟练背出其中许多段落：从《从百草园到三味书屋》到《阿Q正传》，从《狂人日记》到《祝福》……鲁迅的文学成就不仅是中国现代文学史上的一座丰碑，在世界文学史与思想史的坐标中，也占据着不可忽视的一席之地。似乎谁都能就着鲁迅聊上几句，但又很难有谁能够真的说清、说尽——鲁迅到底是谁？他留给我们的遗产，到底是什么？“在所有二十世纪中国作家中，鲁迅无疑最具有世界语境中的对话、批评与阐释价值。”纽约大学教授张旭东这样写道。张旭东本人的学术生涯，也与鲁迅密不可分。可以说，鲁迅贯穿了他三十余年的研究道路。上世纪八十年代，他从北京大学中文系毕业后，赴美留学，师从著名左翼理论家詹明信（Fredric Jameson），并逐渐成长为当代海内外最重要的中国现代思想与文学的研究者之一。他任教于纽约大学，曾先后担任东亚系系主任、中国中心主任。他是现代性批判传统的重要继承者，也是少数真正能打通中文思想界与英文理论界的桥梁。早在八十年代“文化热”的语境中，张旭东便开始写作关于鲁迅的文章，也是较早将鲁迅置于国际理论视野、与世界经验对接的学者之一。在学术上功成名就之后，他又将研究的重心重新转回鲁迅，开始写作极富野心的《鲁迅三部曲》。目前第一部《杂文的自觉——鲁迅文学的“第二次诞生”》已经出版。而这部作品的成书过程，也贯穿了他在疫情期间纽约封城中的经历。给这些看似属于历史的研究，加入了当下的维度。在鲁迅逝世九十周年之际，如果要重新追问，鲁迅我们今天为什么仍然需要鲁迅？他究竟如何穿越时代？恐怕很少有人比张旭东更合适来展开这场对话。【本期主播】王磬：微博@王磬【本期嘉宾】张旭东：纽约大学比较文学系和东亚研究系教授、东亚系系主任、国际批评理论中心主任，兼任北京大学、华东师范大学、东京大学访问教授。研究方向包括鲁迅研究、黑格尔美学及比较文学方法论等。【本期剧透】02:45 鲁迅去世 90 周年，为什么今天还要读鲁迅？07:25 与真实的关联：鲁迅的语言不允许他说谎09:55 博物学式的写作起点15:05 被引作纽约市长的赠言，鲁迅如何跨越时空23:15 金句化与鲁迅体：毒舌≠鲁迅30:00 从周氏兄弟理解中国现代散文的分叉36:10 为什么我们总读鲁迅：中国人曾有过的一种真实，是无法割舍的41:55 不谈文学第一性，就无法谈鲁迅47:56 杂文是什么？为何是鲁迅文学的中心？55:36 阅读鲁迅的第二个 100 年：如何看待其世界性？它只能是一种民族寓言吗？01:04:30 艺术的终结之后，现代社会需要怎样的文学01:10:40 如果鲁迅活到了今天，会是怎样的存在？【相关阅读】杂文的自觉：鲁迅文学的“第二次诞生” : 1924—1927作者：张旭东出版年份：2023本书为张旭东“鲁迅三部曲”首卷，分析鲁迅文学在1924—1927年间如何以“杂文的自觉”为标志从而“成为自己”。作者表明，此期间鲁迅文学所面对的空前的外部挑战和内部压力，带来一系列深刻且不可逆的风格史及文学原理意义上的选择、决定和突变。通过作者论、文本分析与理论阐释相结合的总体批评方法，本书探讨以文体混合和写作的政治本体论为核心的鲁迅杂文句法和现象学结构。结论是：有必要在新文学和近代世界文学的历史与价值论范畴，在“艺术的终结”的哲学命题层面，去分析和把握杂文这一高于“纯文学”建制及其意识形态的文体实验与风格运动。【本期音乐】Goldberg Variations, BWV. 988 - Variation 7【节目制作】方改则【Logo设计】刘刘（ins: imjanuary)【互动方式】小红书@不合时宜微博@不合时宜TheWeirdo商务合作可发邮件至 hibuheshiyi@126.com 或微博私信会员计划咨询可添加微信：hibuheshiyi3 或发送邮件至 hibuhehsiyi@gmail.com

David Juritz started playing the violin at the age of five. After winning the Royal College of Music's top award he joined the English Chamber Orchestra before becoming the Leader of the London Mozart Players - a role he held for seventeen years. He is well known for his recordings, including Bach's Sonatas and Partitas for unaccompanied violin and Vivaldi's Four Seasons, and for his work with the London Tango Quintet. His recording of Bach's Goldberg Variations, transcribed for violin, guitar and cello, was released in 2021. In this conversation we explore the many intersecting strands of his professional career. https://davidjuritz.com/biography/

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven Link to Yunchan Lim's Official Goldberg Variations Aria Video - https://www.youtube.com/watch?v=seYfmj3L2EA&list=RDseYfmj3L2EA&start_radio=1Other recordings mentioned in this episode:Lori Sims Promo Video - https://www.youtube.com/watch?v=cOp_QE4-JYcKlara Wurtz (complete recording) - https://www.youtube.com/watch?v=GCae2ZDcfi8Alexandra Papastefanou (Variation 1) - https://www.youtube.com/watch?v=duOTs7v9FaM&list=PL2TwZLoz4m4uJk9diP_73Mlnrvuq2I0ahMurray Perahia - https://www.youtube.com/watch?v=nBFRBWEuP0w&list=OLAK5uy_mUzRzgAFefvXjhs2oep2psqlNXVQltcK8

In the second part of this deep dive Hear the Dance discussion of Jerome Robbins' The Goldberg Variations, host Silas Farley is joined by former NYCB Dancers and current Repertory Directors Christine Redpath and Jean-Pierre Frohlich. Redpath, an original cast member of Goldberg, digs into Robbins' approach to the creation of this remarkably multi-faceted ballet, while Frohlich remembers the adjustments the choreographer made through the ensuing performances. Both talk about coaching Goldberg on today's company members and the ways in which the work has influenced the dancemakers of today. (42:29) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

In a special two-part Hear the Dance Episode, host Silas Farley leads us on a wide-ranging discussion of Jerome Robbins' 1971 ballet The Goldberg Variations. In this first part, Farley is joined by former NYCB Dancer Bruce Wells, an original cast member, and current Principal Dancer Emilie Gerrity, one of the ballet's present-day interpreters. Wells shares the challenges Robbins faced after an injury forced him to choreograph from a wheelchair, as well as highlights from the year-long creative process. Gerrity describes the "class" section of this monumental ballet as "simple but beautiful," and recalls learning the work from original dancer Christine Redpath, among other memorable coaches. (1:12:53) Written by Silas Farley Edited by Emilie Silvestri MUSIC:  Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

Grandpa Bill Asks: listeners, picture this: We're standing with Dr. Metivier inside the early structure of his physical Memory Palace in Australia. Sunlight streams through the unglazed windows, illuminating the concrete floor where the A-to-Z memory wheel will soon be. In the center of this space, Dr. Metivier stands with his real bass guitar.Now, let's use the Major System to create a memorable scene of him playing multiple Bach works, associating each number with a specific action or element related to a piece.0 - S/Z/Soft C: Imagine Dr. Metivier zipping up a black leather jacket as he prepares to play the opening of Bach's Toccata and Fugue in D minor (often adapted for bass). The 'zipping' sound and the dramatic nature of the piece connect to the 'S' sound of zero.1 - T/Th: He then begins the famous Air on the G String from Orchestral Suite No. 3. Imagine him gently tapping his foot in time with the melody. The 'T' sound links to the number one and the flowing, gentle nature of the piece.2 - N: Next, he transitions to a lively section from one of the Brandenburg Concertos. Visualize a flock of gnats buzzing around his head as he plays a particularly intricate and fast passage, representing the quick, busy nature of the music. The 'N' sound connects to the number two.3 - M: For the powerful Passacaglia and Fugue in C minor, imagine a giant ham swinging rhythmically in front of him as he plays the deep, grounding bass line of the Passacaglia. The 'M' sound links to three, and the weighty image reflects the music's gravitas.4 - R: As he moves to a movement from one of the Cello Suites, picture a rower in a small boat gently rocking back and forth in time with the bowing motions his right hand makes on the bass strings. The 'R' sound connects to four and evokes the smooth, flowing quality of the cello.5 - L: Imagine a bright light suddenly illuminating the fretboard as he plays a particularly beautiful and soaring melodic line from the Mass in B minor (again, a bass adaptation). The 'L' sound connects to five and emphasizes the radiant quality of the music.6 - J/Sh/Ch/Soft G: For an adaptation of one of the English Suites, see him suddenly wearing a chef's hat and playfully conducting with his head while he plays a more dance-like and rhythmic section. The 'Ch' sound connects to six and adds a whimsical element.8 - F/V: As he plays a section from the Goldberg Variations (arranged for bass), imagine fluffy white foam suddenly erupting from the sound holes in his bass, bubbling and dissipating with the intricate variations. The 'F' sound connects to eight and provides a visual texture to the complex music.9 - P/B: Finally, for a powerful cadence, imagine a large purple balloon inflating and then gently deflating in time with the final, resonant notes of a Bach Chorale. The 'P/B' sounds connect to nine and provide a strong visual conclusion.So, there you have it, Dr. Metivier in his future Memory Palace, playing a medley of Bach, with each piece and a corresponding Major System number brought to life through a vivid mnemonic image. This is the power of the Magnetic Memory Method in action, connecting sound, image, and location in a truly unforgettable way. Dr. Metivier will be on my Podcast on 8/12/25 WE will discuss his thoughts on this at that time stay tuned!#BachOnBass,#MajorSystem,#MnemonicMusic,#PhysicalMemoryPalace,#Dr.AnthonyMetivier#MagneticMemoryMethod,#Bach,#MemoryPalace,#GrandpaBill,#BHSalesKennelKelpHolisticHealingHour,Join us at The BH Sales Kennel Kelp Holistic Healing Hour Podcast Daily and YouTube @billholt8792

Steve Beck is a virtuoso classical pianist known for his brilliant technique and wide-ranging repertoire. He has performed with the New York Philharmonic and the National Symphony among others. He's a regular at the Mostly Mozart Festival and at Bargemusic, where each Christmas Eve he performs Bach's Goldberg Variations. And he also performs all 32 Beethoven piano sonatas in a single day. My featured song is “African Nights (for Chick)”. ------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH STEVE:www.stevenbeck.me____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

《你行！你上！》是姜文暌违七年的导演作品，于7月18日全国上映。 影片改编自郎朗的成长经历，聚焦少年郎朗在父亲郎国任严苛培养下，从沈阳工人家庭出发，一路闯关登上卡内基音乐厅的奋斗故事。姜文身兼导演与主演，马丽饰演坚韧的母亲周秀兰，配角包括于和伟、雷佳音、葛优、甄子丹、胡歌等实力派演员，星光熠熠。影片虽以传记为框架，却充满鲜明的“姜文风格”，以144分钟篇幅呈现热血与荒诞交织的郎朗音乐之旅。虽因快节奏和爹味过重引发了不少争议，但姜文用“站着弹琴”的倔强姿态，再次证明其作者导演的锋芒。本期播客邀请伯樵与柯诺两位嘉宾，深入探讨姜文新片《你行！你上！》，他们对于影片的不同评价也为了解本片提供了丰富性。我们首先介绍影片的创作背景与动机，并聚焦影片贯穿始终的姜文式视听语言与叙事手法，剖析其独特“作者性”。讨论核心围绕颠覆性的父子关系展开，并从古典音乐和郎朗生平的角度分析影片。此外，姜文的创作轨迹变化及女性角色塑造也是讨论的重点。《你行！你上！》海报本期嘉宾：伯樵影评人，《边角聊》主播柯诺电影媒体人豆瓣 @柯诺电车深焦DeepFocus 编辑豆瓣 @电车《你行！你上！》剧照时间轴：本期播客总时长：112:0003:01 为什么姜文会拍郎朗的故事？项目背景介绍07:20 对于影片的第一观感。12:47 电影里哪些元素是姜文电影一直贯穿始终的？姜文的作者性是什么？24:51 人人都在反父权为何姜文还要执意当爹？31:36 电影中的郎朗与现实中的郎朗有多大差别？39:13 关于姜文索隐学的看法，详聊隐喻和索隐的区别。55:08 《你行！你上！》里关于古典音乐的错误观念，以及郎朗职业生涯的准确复刻。01:03:28 电影中古典音乐的运用还是蛮准确的。01:06:14 《黄河协奏曲》在中美关系中的重要作用。01:08:34 怎么看影片中超高速的剪辑节奏？01:19:22 为什么姜文在《让子弹飞》之后的作品大不如前？也没能在国际电影节再看到他的身影？01:24:11 《你行！你上！》中方言的运用对影片表达的影响。01:29:31 姜文电影里女性角色的完整剖析。01:41:02 游晓颖作为编剧加入，从哪些方面帮助到剧本？01:44:25 《你行！你上！》的票房展望。《你行！你上！》剧照提及电影：姜文导演电影：《战俘营里得奥运会》（未上映）《你行！你上！》（2025）《邪不压正》（2018）《一步之遥》（2014）《让子弹飞》（2010）《太阳照常升起》（2007）《鬼子来了》（2000）《阳光灿烂的日子》（1994）其他提及：《长安的荔枝》（大鹏，2025）《金刚川》（管虎 / 郭帆 / 路阳，2020）《长津湖》（陈凯歌 / 徐克 / 林超贤，2021）《志愿军》（陈凯歌，2023）《和你在一起》（陈凯歌，2002）《如父如子》（是枝裕和，2013）《柔道龙虎榜》（杜琪峰，2004）《爱乐之城》（达米恩·查泽雷，2016）《爆裂鼓手》（达米恩·查泽雷，2014）《秋日奏鸣曲》（英格玛·伯格曼，1978）《交响情人梦》（武内英树 / 川村泰佑，2006）《乒乓》（汤浅政明，2014）《爱情神话》（邵艺辉，2021）《相爱相亲》（张艾嘉，2017）《我的姐姐》（殷若昕，2021）《让子弹飞》剧照本期使用音乐：开场：中国交响乐团合唱团 - 黄河大合唱 保卫黄河中插：郎朗 - 베토벤Für Elise, Bagatelle in A Minor, WoO 59结尾：郎朗 - Goldberg Variations, BWV 988Aria制作团队：监制：Peter Cat统筹：电车、黄哲成策划：电车剪辑：电车编辑：电车

This episode is a deviation from our normal programming. It is an eulogy - an end of life dedication of sorts - to a few loved ones that have passed away recently. I wrote this account to honor them; Robert O'Neill, Philip Waln, and Larry Reedy.  Though there are no really scary parts to this episode, as it is almost entirely non-fiction, there are some disturbing subjects. TW: addiction and real-life death. If you are okay with these subjects being briefly discussed, I hope that you proceed with the episode as it was written to honor and praise those that have left our world - people who were very dear to me in life. Please enjoy. This story was written by Phillip Clark. It was directed, engineered, and edited by Phillip Clark. The Hidden Archives is created by Phillip Clark, and is produced by Phillip Clark and Nicole Clark of the Rhodes Collaborative Experience LLC.   Executive Producer: Phillip Clark   Co-Executive Producer: Nicole Clark   This story was read by Phillip Clark.   Music: Theme is “Goldberg Variations, BWV 988 – 22 Variatio 21 Canone alla Settima” by J.S. Bach, and the story music was: “Piano Sonata in A Major D. 664 - 2. Adante” by Franz Schubert.    Please remember to follow us on Facebook and Instagram (for now) at hiddenarchivespodcast, and on Bluesky at @hiddenarchives.bsky.social   As always, feel free to message us on any or all of our social media platforms listed. Have a story idea, and theories on canon, or think you know something that might (or should) be in the Hidden Archives? Drop us a message and we'll see if you are curator material. We always respond to every direct message!

There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians.  There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach  covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at ⁠http://pantheonpodcasts.com⁠ Send us feedback via email at ⁠seehearpodcast@gmail.com⁠ Join the Facebook group at ⁠http://facebook.com/groups/seehearpodcast ⁠ You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians.  There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach  covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

This Day in Legal History: Atkins v. VirginiaOn June 20, 2002, the U.S. Supreme Court delivered a landmark ruling in Atkins v. Virginia, holding that the execution of individuals with intellectual disabilities violates the Eighth Amendment's prohibition on cruel and unusual punishment. The case centered on Daryl Renard Atkins, who was convicted of abduction, armed robbery, and capital murder in Virginia. During the penalty phase of his trial, defense attorneys presented evidence that Atkins had an IQ of 59 and functioned at the level of a child. Despite this, he was sentenced to death.In a 6-3 decision, the Court reversed its earlier stance from Penry v. Lynaugh (1989), which had allowed such executions. Justice John Paul Stevens, writing for the majority, emphasized the "evolving standards of decency" in American society, noting that a growing number of states had barred the death penalty for individuals with intellectual disabilities. The Court recognized that such defendants are at a heightened risk of wrongful execution due to difficulties in assisting their own defense and the possibility of false confessions.The decision did not establish a national standard for determining intellectual disability, leaving that to the states, but it set a constitutional floor by barring executions in these cases outright. Atkins significantly reshaped the legal landscape of capital punishment, prompting states to revise death penalty statutes and sentencing procedures.The ruling reinforced the importance of individualized sentencing and safeguarded vulnerable populations from the most severe penalties. It also underscored the role of psychological and scientific evidence in constitutional interpretation. While not without criticism, Atkins remains a cornerstone of Eighth Amendment jurisprudence and a key moment in the Court's ongoing reevaluation of capital punishment.Technology giants Apple and Meta are currently facing possible penalties under the EU's Digital Markets Act (DMA), but the European Commission has decided not to immediately fine them—even if they don't fully comply by the deadline next week.In April, both companies were fined—€500 million for Apple and €200 million for Meta—and given 60 days (ending 26 June) to align their practices with DMA requirements. Apple was penalized for preventing app developers from directing users to alternatives outside its platform, infringing DMA fairness rules. Meta was fined for its “pay or consent” system, which required users to either pay for an ad-free experience or agree to extensive personal data use; the Commission saw this as limiting user choice.Since November 2024, Meta has offered a new, lower-data personalized advertising model, which remains under Commission review. The current situation involves ongoing dialogue: any future fines will depend on the outcome of that review and will be imposed only after detailed assessments, rather than automatically once the deadline passed.These April fines were deliberately modest—reflecting the short duration of non-compliance and signaling the EU's priority on achieving compliance over punishment, marking a softer approach compared to previous, harsher antitrust actions. The situation also plays into broader economic tensions: EU leaders have threatened digital advertising taxes in response to recent US tariffs, while a US trade report criticized EU digital regulation as a trade barrier.Tech giants Apple and Meta to escape sanctions for failing to meet EU digital rules | EuronewsA U.S. appeals court has temporarily allowed Donald Trump to retain control over California's National Guard, despite a legal challenge from California Governor Gavin Newsom. The decision from the 9th U.S. Circuit Court of Appeals pauses an earlier ruling by Judge Charles Breyer, who found Trump had unlawfully federalized the Guard without meeting statutory requirements or adequately coordinating with Newsom.The court stated Trump likely acted within his authority and that even if coordination with the governor was insufficient, Newsom lacked the power to override a presidential order. Still, the court left open the possibility of further challenges under laws barring federal troops from engaging in domestic law enforcement. Newsom plans to pursue his challenge, arguing Trump is misusing military force against civilians.The case stems from Trump's deployment of 4,000 National Guard troops and 700 U.S. Marines to Los Angeles earlier in June to suppress protests tied to his immigration policies—actions Newsom said infringed on state sovereignty and legal limits on military involvement in civilian matters. The Trump administration argued troops are protecting federal property, not performing law enforcement.During a hearing, the appellate judges examined whether courts can assess a president's decision to federalize troops under a law allowing such moves only during invasion, rebellion, or when civilian enforcement fails. The court found the last condition may have applied, given protest-related violence. However, it rejected the Justice Department's claim that such presidential decisions are beyond judicial review.The Insurrection Act and related federalization authority are central to this case. The Act allows a president to take control of a state's National Guard in limited situations—such as rebellion or when laws can't be enforced by normal means. This case illustrates both the expansive view of executive power and the judiciary's role in checking it, even amid claims of national emergency.US court lets Trump keep control of California National Guard for nowPresident Trump has once again extended the deadline for TikTok to be sold to a U.S. owner, granting a third 90-day reprieve through an executive order despite lacking a clear legal basis for the extensions. The move allows TikTok to continue operating in the U.S. while negotiations persist to transfer ownership from China-based ByteDance to an American entity. The previous extension fell through when China withdrew from talks following Trump's new tariffs.This delay has not yet faced a court challenge, even though the original ban—passed by Congress and upheld by the Supreme Court—briefly took effect in January. Trump's personal popularity on the platform, where he has more than 15 million followers, adds a political twist to the ongoing negotiations. TikTok praised the decision and emphasized its importance to 170 million users and 7.5 million U.S. businesses.Despite concerns from national security officials and lawmakers like Senator Mark Warner, who accuse the administration of ignoring known risks, the repeated extensions suggest a softening of resolve. Analysts describe the situation as a recurring political maneuver with no clear endpoint—likening it to the endless debates over the debt ceiling.Meanwhile, TikTok continues to roll out new features and expand its services, including AI tools debuted in Cannes, signaling confidence in its long-term U.S. presence. Tech giants Apple, Google, and Oracle remain engaged with TikTok, reassured that the administration won't penalize them under current law.Public opinion has shifted, with fewer Americans now supporting a ban compared to 2023. Concerns remain over data privacy, but many citizens are unsure or opposed to banning the app outright.Trump extends TikTok ban deadline for a third time, without clear legal basisThis week's closing theme is by Johann Sebastian Bach. Johann Sebastian Bach, one of the most influential composers in Western music history, composed the Goldberg Variations, BWV 988, in 1741. Originally written for harpsichord, the work consists of an aria followed by 30 variations, returning to the aria at the end in a da capo structure. It was likely commissioned by Count Hermann Karl von Keyserlingk, a Russian diplomat suffering from insomnia, who wanted music to soothe his sleepless nights—though this origin story is debated.The aria, which opens and closes the piece, is a gentle, sarabande-like melody in G major. Unlike other variation sets built on melodies, Bach bases the Goldberg Variations on the aria's bass line and harmonic structure. This allows for extraordinary variety in texture, form, and mood across the variations, while keeping a consistent foundation.The aria itself is simple and elegant, consisting of two balanced halves, each repeated. Its serene tone contrasts with the technical brilliance and contrapuntal complexity found in many of the following variations. Yet, the aria's emotional restraint and clarity set the tone for the entire cycle.Over the centuries, the Goldberg Variations have come to be seen as a pinnacle of keyboard composition. The aria, both opening and closing the work, serves as a kind of spiritual bookend—calm, contemplative, and timeless. Performers often approach it with reverence, as a moment of stillness and symmetry amid musical adventure.Without further ado, Johann Sebastian Bach's Goldberg Variations, BMV 988 – the aria. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Ricky Ian Gordon has written a cycle of songs about flowers. In this episode, we hear one of them. Rachmaninoff wrote a song called “Lilacs.” We hear that, too. Bach opens his Goldberg Variations with an aria (and closes the work with that same aria). Tchaikovsky's wrote a couple of blockbuster arias in The Queen of Spades. And on we go. Gordon, “We should not mind so small a flower” Rachmaninoff, “Lilacs” Bach, Goldberg Variations Tchaikovsky, Lisa's Aria from Act III of “The Queen of Spades” Tchaikovsky, Prince Yeletsky's Aria, Act II, “The Queen of Spades” Tchaikovsky, “It was in early spring” Shostakovich, Prelude in D-flat major Bach-Kempff, Siciliano

Front Row's artist in residence, acclaimed Icelandic pianist Vikingur Olafsson, reflects on five years since lockdown, and we have another listen to his Front Row lockdown performance of Bach's Goldberg Variations.How were the arts affected when the country locked down five years ago? Matthew Hemley of The Stage and Louisa Buck of the Art Newspaper discuss how the covid crisis impacted theatres, galleries and artists. And the Tom Gates series children's writer Liz Pichon joins us to talk about her latest work for younger readers. Presenter: Samira Ahmed Producer: Corinna Jones

You don't always get to choose your relations in life: it is neither your choice what family you're born into, nor who you work with. This gamble doesn't always work out, and is sometimes made especially more tragic because we spend the majority of our days working, and we must grow up with our family - regardless of who they are. That's why it is important to choose carefully the relationships where choice is an option. You might think I'm talking about “friends” here. But, more specifically, what I mean are those little friends that come from a different species - our pets. Just as with human relations, we have to work and put a serious effort into developing the relationships we have with our pets. So make sure you are sincere with this effort. Otherwise, you risk only being Fair Weather Friends. This story was written by Phillip Clark. It was directed, engineered, and edited by Phillip Clark. The Hidden Archives is created by Phillip Clark, and is produced by Phillip Clark and Nicole Clark of the Rhodes Collaborative Experience LLC.   Executive Producer: Phillip Clark   Co-Executive Producer: Nicole Clark   The “Curator” was voiced by Nicole Clark, and the story was read by Phillip Clark.   This, and every story, presented by the Hidden Archives is completely fictional. Any resemblance to actual people or events is purely coincidental. But, when it happens, it is somewhat disturbing, pretty cool, and kind of the point (sometimes).   Music: Theme is “Goldberg Variations, BWV 988 – 22 Variatio 21 Canone alla Settima” by J.S. Bach, and the story music was: “Moonlight Sonata Op. 27 No. 2 - III. Presto” by Ludwig Van Beethoveni.    Please remember to follow us on Facebook and Instagram (for now) at hiddenarchivespodcast, and on Bluesky at @hiddenarchives.bsky.social   As always, feel free to message us on any or all of our social media platforms listed. Have a story idea, and theories on canon, or think you know something that might (or should) be in the Hidden Archives? Drop us a message and we'll see if you are curator material. We always respond to every direct message!

Víkingur Ólafsson is one of the world's most in-demand classical pianists right now. The Icelandic musician just picked up a Grammy for his “Goldberg Variations” album, and he recently reached one billion streams for his music. Before playing a few shows in Canada, Víkingur dropped by our studio and sat down at Glenn Gould's rehearsal piano that lives here. He talked to Tom Power about why Gould is such a big influence for him. Plus, he plays us his favourite version of the “Goldberg Variations.”

For this edition of the Gramophone Podcast Editor Martin Cullingford was joined by three of the four members of the French ensemble Nevermind - flute player Anna Besson, viola da gamba player Robin Pharo and harpsichordist Jean Rondeau - to talk about the group's new creative exploration of Bach's Goldberg Variations, newly released on the Alpha label. This Gramophone Podcast is given in association with Wigmore Hall   

ReferencesCell Metab. 2024. 36, Issue 4.2 Apri. Pages 839-856.Mol Neurobiol.. 2022 Mar;59(3):1882-1895.Mason, D. 1970. "Sad and Deep as You" Traffic.https://music.youtube.com/watch?v=f01g6PcyPrU&si=I0-_URHB13nNLpKEMiller, S. 1977. "Wintertime"https://music.youtube.com/watch?v=HUv7pXgZ9NA&si=T_aWVvAYkq9YlrHABach,JS. 1741. "Goldberg Variations"https://music.youtube.com/watch?v=wuY20YN6F4k&si=deW1je-H3XgcNDI1

Troy University Director of Jazz Studies Dave Camwell is tackling a challenging piece of music from a legendary composer. And, Troy University faculty and student research has been recognized by the National Communication Association convention held in New Orleans.

When you go through a tough time, you will have people tell you that “it could be worse.” Frequently, the consolation of “worse things have happened to better people” is offered - as if to diminish the gravity of our suffering. But to imply that something could be “worse” is to state that it could be “different.” In tonight's story, we find out what truly lies behind the facade of a set of circumstances that appear to be “different” than the circumstances that have come before. So pay close attention, and be prepared to take notes, lest you have to go through all of this Again. This story was written by Phillip Clark. It was directed, engineered, and edited by Phillip Clark. The Hidden Archives is created by Phillip Clark, and is produced by Phillip Clark and Nicole Clark of the Rhodes Collaborative Experience LLC.   Executive Producer: Phillip Clark   Co-Executive Producer: Nicole Clark   The “Curator” was voiced by Nicole Clark, and “the Dictator” was voiced by Phillip Clark.   This, and every story, presented by the Hidden Archives is completely fictional. Any resemblance to actual people or events is purely coincidental. But, when it happens, it is somewhat disturbing, pretty cool, and kind of the point (sometimes).   Music: Theme is “Goldberg Variations, BWV 988 – 22 Variatio 21 Canone alla Settima” by J.S. Bach, and the story music was: “Concerto in B minor, RV 580” by Antonio Vivaldi.    Please remember to follow us on Facebook and Instagram (for now) at hiddenarchivespodcast. We have left Twitter (“X”), but we may join Buesky. Keep tuned for more updates.   As always, feel free to message us on any or all of our social media platforms listed. Have a story idea, and theories on canon, or think you know something that might (or should) be in the Hidden Archives? Drop us a message and we'll see if you are curator material. We always respond to every direct message!

What makes the harpsichord so captivating? Join Australia's finest harpsichordist and Pinchgut Opera Artistic Director, Erin Helyard, as he sits down with master harpsichord maker Carey Beebe for a deep dive into the artistry and allure of this remarkable instrument. Together, they explore the brilliance of Bach's Goldberg Variations and why it was meant to be played on a two-manual harpsichord. Ahead of his solo concert on 1 & 2 March 2025 at City Recital Hall, Sydney, Erin shares insights into bringing this iconic masterpiece to life as Bach intended. Goldberg Variations, BWV 988 Variatio 14 a 2 clav. Erin Helyard 2018 Goldberg Variations, BWV 988 Aria - Erin Helyard 2018 J. S. BACH: Goldberg Variations - Aira Wanda Landowska, harpsichord Victor 78rpm Album DM 1022 (11-8933 - 11-8938) Recorded in New York, June, 1945 Digital transfer by F. Reeder Attribution-Noncommercial-Share Alike 3.0Creative Commons License by ncsa Complete recording of Wanda's Goldberg Variations available at: https://archive.org/details/J.S.BACHGoldbergVariations-NEWTRANSFER

City Ballet The Podcast returns with a new Hear the Dance episode exploring George Balanchine's Concerto Barocco. Host Silas Farley is joined by three former NYCB dancers whose engagement with this foundational ballet continues today: SAB Senior Faculty Chair Suki Schorer, Balanchine Repetiteur Victoria Simon, and SAB Faculty Member Meagan Mann. Together they trace the highlights and unique demands of Barocco's four distinct movements, describing how the apparent simplicity of the ballet demands plenty of hard work and helps build community amongst the dancers. (1:00:28) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto in D minor for Two Violins, B.W.V. 1043 by Johann Sebastian Bach Performed by the New York City Ballet Orchestra Kurt Nikkanen and Arturo Delmoni, Violin Soloists Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach Performed by Susan Walters, Pianist Reading List:  1. Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein 2. Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein 3. Balanchine and Kirstein's American Enterprise by James Steichen 4. Suki Schorer on Balanchine Technique by Suki Schorer and Russell Lee 5. Balanchine Pointework by Suki Schorer 6. Balanchine Then and Now Edited by Ann Hogan 7. Balanchine's Ballerinas: Conversations with the Muses by Robert Tracy with Sharon DeLano 8. Balanchine the Teacher: Fundamentals That Shaped the First Generation of New York City Ballet Dancers by Barbara Walczak and Una Kai 9. Balanchine Variations by Nancy Goldner 10. Bach: Music in the Castle of Heaven by John Eliot Gardiner

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.渡辺俊幸 - 拓郎のテーマ；2.昼夜 - Lemon（Cover 米津玄师）；3.梶浦由記 - Lost Home (Rainbow)；4.朱晓玫 - Goldberg Variations, BWV 988： Aria；5.松下奈緒 - エカテリーナのための协奏曲；6.柏大輔 - The Afternoon Of Rainy day。

We've seen it time and again, nearly daily: a solution that has no problem. No, I didn't mispeak. The world is full of solutions to things that aren't even problems to begin with. But when you've only ever known problems, how could you help but think only of solutions? That is the exact situation our character finds himself in in tonight's story. He is confronted with a number of small, yet unsolvable, problems for which he seems to find one extraordinary and inexplicable solution. Of course, we know there is a name for this: we know the Latin term is Deus Ex Machina. This story was written by Phillip Clark. It was directed, engineered, and edited by Phillip Clark. The Hidden Archives is created by Phillip Clark, and is produced by Phillip Clark and Nicole Clark of the Rhodes Collaborative Experience LLC.  Executive Producer: Phillip Clark Co-Executive Producer: Nicole Clark The “Curator” and "Mom" were voiced by Nicole Clark, “Michael/Mike” was voiced by Phillip Clark, and "Jim" was voiced by Dominik Voigt. Music: Theme is “Goldberg Variations, BWV 988 – 22 Variatio 21 Canone alla Settima” by J.S. Bach, and the story music was: “Cobarde - Complete score” by Bert Alink Please remember to follow us on Facebook and Instagram at hiddenarchivespodcast, and on Twitter @PodcastHidden. As always, feel free to message us on any or all of our social media platforms listed. Have a story idea, and theories on canon, or think you know something that might (or should) be in the Hidden Archives? Drop us a message and we'll see if you are curator material. We always respond to every direct message!

Víkingur Ólafsson is a world-renowned Icelandic pianist. Celebrated for his profound artistry and visionary programming, he has performed with premier orchestras such as the Los Angeles Philharmonic, Philharmonia Orchestra, and London Philharmonic Orchestra. In 2023, he performed his album of Johann Sebastian Bach's Goldberg Variations on a world tour, showcasing his musicianship across six continents, totaling 88 performances. Ólafsson's latest release, an EP entitled Continuum, is described as his “personal Bach diary,” a work that blends his innovative approach to classical music with the 18th century composer's iconic work. As a two-time recipient of the Opus Klassik Solo Recording of the Year, CoScan's International Nordic Person of the Year (2023), and Album of the Year at BBC Music Magazine Awards (2019), Ólafsson continues to captivate audiences worldwide. His upcoming tour dates can be found here.  ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Vivo Barefoot http://vivobarefoot.com/tetra Use code 'TETRA25' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

When one comes to the end of one chapter in their story, another is sure to follow. In this story book of ours, we are introduced to the plot and play in the chapters of the past, though we dwell in the chapter at present. All this serves to build the anticipation of what is to come. In tonight's story, we once again hear from our friend Captain Chris as he navigates the perilous skies and circumstances in which he finds himself. How will our cast of characters find their resolve and resolutions, if they do at all? What will happen? What is the plan? These answers can only be found by having Conversations Concerning the Future.   This story was written by Phillip Clark. It was directed, engineered, and edited by Phillip Clark. The Hidden Archives is created by Phillip Clark, and is produced by Phillip Clark and Nicole Clark of the Rhodes Collaborative Experience LLC.   Executive Producer: Phillip Clark   Co-Executive Producer: Nicole Clark   The “Curator” was voiced by Nicole Clark. “Ebenezer Chris,” “Avery,” and “Nikki” were all voiced by Phillip Clark.   Music: Theme is “Goldberg Variations, BWV 988 – 22 Variatio 21 Canone alla Settima” by J.S. Bach, and the story music was: “Cathedral's Bells on Christmas Eve, Op. 501” by Constantin Stephen.   Please remember to follow us on Facebook and Instagram at hiddenarchivespodcast, and on Twitter @PodcastHidden.   As always, feel free to message us on any or all of our social media platforms listed. Have a story idea, and theories on canon, or think you know something that might (or should) be in the Hidden Archives? Drop us a message and we'll see if you are curator material. We always respond to every direct message!

Enjoy this flight from space over the Patagonia mountains of Chile and Argentina, while listening to the Stardust Sinfonia, a German trio playing flute, vibraphone and harpsichord. The music floats above – a peaceful Aria from Bach's Goldberg Variations. Stardust Sinfonie performs live in theaters and planetaria in Europe. They show photos and movies of Earth, as astronaut Gerhard Thiele shares his experiences in space. Aria for Earth was one of Earth Music Theater's first productions. As we experience this lovely pass over Earth, be mindful that Patagonia's glaciers are retreating with a warming planet. Series: "Arts Channel " [Arts and Music] [Show ID: 40326]

Celeste Watson (MM, MS, NCTM) helps musicians achieve artistry through well-coordinated use of the body. She holds credentials in performing arts medicine, piano performance, and music education and coordinates return-to-play mentorships for keyboard musicians who have experienced injury. She owns a conservatory-model studio for pre-collegiate students in Winston-Salem, North Carolina (www.watson-music.com).For more information about the Lister-Sink Institute and teachings, visit https://www.lister-sink.org/For more information about Feldenkrais movement, visit https://feldenkrais.com/Top 5 Songs of Encouragement1) Waltzing Matilda sung by Slim Dustyhttps://www.youtube.com/watch?v=FqtttbbYfSM&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=22) "Kommt, ihr Tochter, helft mir klagen" from St. Matthew Passion (BWV 244) by Bachhttps://www.youtube.com/watch?v=-9Be9xQrWVU&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=33) French Suites, by Bach, performed by Andras Schiffhttps://www.youtube.com/watch?v=0sDleZkIK-w&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=5&t=127s4) Goldberg Variations by Bach, performed by Andras Schiffhttps://www.youtube.com/watch?v=MHFuaaGpGKQ&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=4&t=55s5) Wayfaring Stranger by Johnny Cashhttps://www.youtube.com/watch?v=Ti-FtTz8t5U&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=1Support the show

【主播的话】十月初，诺贝尔物理学奖揭晓，两位资深科学家Hinton和Hopfield“因利用人工神经网络实现自动学习的基础发现和发明”而获奖。此消息一出，引发舆论骚动：为什么诺贝尔物理学奖颁给了AI专家？诺奖的标准是什么？从今往后是要进入“一切皆AI”的时代了吗？物理学的边界又在哪里？我们去请教了节目的老朋友赵智沉。他之前多次做客不合时宜，身份非常“斜杠”：谷歌工程师、纽约文化沙龙主理人、播客《选修课》主播，他同时还是位高能物理博士，今年刚出版了《什么事物理：用物理学的视角看世界》一书。我们从诺贝尔物理学奖的相关争议谈起。赵智沉以深入浅出的方式讲解了Hinton和Hopfield的成就，他们各自与物理学的联系：物理学对他们的影响、以及他们对物理学的影响。我们还探讨了“什么是物理”这一基础问题：物理是什么、不是什么？普通人为什么要关心物理？时间和空间为什么是物理的核心概念？对于物理的观念又经历了哪些时代变迁？赵智沉带我们重新审视，物理学如何帮助我们理解世界的本质。在书里，赵智沉写到，“正如我办沙龙的初衷，我始终认为，不同学科不是知识生产线上的不同环节，不是提供关于世界的不同部分的知识，而是提供认识世界的不同视角。物理学，是视角之一，而不是全部，更不是关于自然的客观真理。”

Nabeel Qureshi discusses with Ivan six things which should be better known. Nabeel S. Qureshi is an entrepreneur and researcher specializing in artificial intelligence and healthcare. He is the CEO of a new startup company and a Visiting Scholar at the Mercatus Center at George Mason University. Nabeel is based in New York and grew up in Manchester, England. The filmmaker Apichatpong Weerasethakul https://www.newyorker.com/magazine/2022/01/17/the-metaphysical-world-of-apichatpong-weerasethakuls-movies Empson's Seven Types of Ambiguity https://www.nybooks.com/articles/1975/01/23/incomparable-empson/ Wittgenstein's late notebooks, Culture and Value https://prismatically.blog/2020/08/30/wittgenstein-culture-and-value-whereof-one-cannot-speak-thereof-one-must-be-silent/ The pianist Grigory Sokolov, especially his recording of Bach's Goldberg Variations https://open.spotify.com/track/0iD6SmRyOj23fCKyG4x8zj?si=decbea5bd38f4515&nd=1&dlsi=ce22c9bdf87a4ba4 The essay Art as Technique by Viktor Shklovsky https://warwick.ac.uk/fac/arts/english/currentstudents/undergraduate/modules/fulllist/first/en122/lecturelist-2015-16-2/shklovsky.pdf A Suitable Boy by Vikram Seth https://www.lrb.co.uk/the-paper/v15/n08/john-lanchester/indian-summa This podcast is powered by ZenCast.fm

Jeremy Denk is one of America's foremost pianists.  He is also the recipient of both the MacArthur “Genius” Fellowship and the Avery Fisher Prize, and he is a member of the American Academy of Arts and Sciences.Jeremy is known for his interpretations of the music of American composer Charles Ives.He is also known for his original and insightful writing on music. His New York Times best-selling memoir, Every Good Boy Does Fine was published to universal acclaim by Random House in 2022.  His latest album of Mozart piano concertos was deemed “urgent and essential” by BBC Radio 3, while his recording of the Goldberg Variations reached No. 1 on the Billboard classical charts.

Twenty-one years after Jamie Lee Curtis and Lindsay Lohan revolutionized the chick-flick with Freaky Friday, the powers that be have finally greenlit a remake. Fans were surprised to discover that the studio has taken a different approach to the reboot; this iteration of the film will feature two of the foremost voices in American political punditry, and will concern the intellectual history of one Jonah Goldberg. Jonathan Rauch of the Brookings Institution has taken over Jonah's role as host extraordinaire to flip the script and provide you, dear listener, with an understanding of Jonah's intellectual journey throughout his career, ultimately hoping to understand how Jonah prevented himself from turning into a grifting, red-hatted pod person. Jon forces Jonah to revisit his first book, leading to an epic dive into the history of the American conservative movement, along with some hypothesizing behind its disappointing pivot to populism. Further lines of questioning from Mr. Rauch cast a wide net: Did Jonah pioneer horseshoe theory? Can we blame all of this on Sarah Palin? How did Jonah process the rise of Trump and prepare his defensive strategy? Was Jonah ever tempted to join the ranks of the sellouts? The host with the most who is no longer the host reveals all, including The Dispatch's origin story, the final word on Hillary Clinton, and the hope that rests in the moral minority. Show Notes: —Liberal Fascism —Jonah and Jon on the weakness of parties —Steve Hayes, Donald Trump, and John McCain —National Review: Against Trump —Jonah on the body snatchers The Remnant is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including Jonah's G-File newsletter, weekly livestreams, and other members-only content—click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

「行走阿勒泰」特辑第二集，我们告别白哈巴村，走入阿勒泰的深处，开始一场为期 3 天，63 公里的夏牧场徒步。我们这次走的是一条已经比较成熟的徒步路线，整个徒步行程一共 3 天，每天徒步距离大概都是 21 公里。大致路线是 白哈巴村—喀纳斯村—小黑湖—禾木村。但真正走进阿勒泰深处的快乐、看到的风景、感受到的内心跳动、心里时不时泛起的一些或大或小的涟漪，以及那些汹涌而来的精神触动，不是一两句话或者走了多少公里、难度系数是多少这些数字能够传递的。下面，我们一起跟随着各种各样奇妙的声音，回到阿勒泰的森林、牧场、河流和星空中。***「行走阿勒泰」系列节目由 稻草人旅行 和 Marcast 联合出品 ***本期节目我们会在徒步中遇到：- 到底什么是春牧场、夏牧场、秋牧场和冬牧场？- 初次走进阿勒泰夏牧场都会看到什么？- 我的「人生DJ」为我们带来了什么样的神仙歌单？- 徒步的朋友里竟然遇到听友？！- 坐在夏牧场的草地上吃西瓜，是一种怎样的体验！- 躺在夏牧场的草地上睡个午觉，怎么样？- 为什么说在这里，时间失效了？- 小黑湖，是个什么奇妙的与世隔绝的地方？- 大风经过森林，如大海经过森林-「颠簸的日子也要闪亮地过」这句话，我终于懂了- 在牧民家会听到什么奇妙的声音？- 最后一段路，走出了心流！走出了人生新感悟！- 不要半路开香槟，不要！- 抵达禾木村的那一刻，是怎样的感受？【节目主播/制作】主播/制作：VC微博：@VividCrystal 小红书：@午夜飞行VC 【节目互动】微博：@午夜飞行Official 公众号：午夜飞行【封面图片】照片 by 厌水的鱼视觉 by Marc【商务合作】商务合作联系邮箱：hello@marcastmedia.com或添加微信：hellomarcast【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道【本集音乐】Music credits: 1. He Loves You So - 麗美 2. Small Happiness - 麗美 3. Sweet Rumors - 麗美 4. Concerto For Lute 2 Violins And Continuo In D RV 93：2. Largo - Academy of St. Martin in the Fields,Iona Brown,Celin Romero 5. Dawn - Dario Marianelli 6. Goldberg Variations, BWV 988：Aria - Glenn Gould 【节目出品】本播客由 Marcast Media 制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目。你可以通过以下方式找到我们：- 微博：@Marcast- 公众号：Marcast - 小红书：@Marcast新播客- 进听友群请添加微信：hellomarcast- 欢迎加入 2400+ 朋友一起订阅 Beads Newsletter 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息、知识、经验、工具、趣味和审美，和你一起拓展认知和视野，每周一上午发送，订阅地址：https://beads.beehiiv.com© 2024 Marcast Media

Bach's Goldberg Variations as played by Wilhelm Kempff, Andrei Gavrilov, Rosalyn Tureck, Lang Lang and Vikingur Ólafsson. Here are links to a few reviews: https://www.classicstoday.com/review/review-15906/?search=1, and https://www.classicstoday.com/review/review-15619/?search=1

For your *continued* pleasure: a second, special bonus episode. The response of our audience has been overwhelmingly enthusiastic about the world premiere of the private, recorded conversation between Tim Page and Glenn Gould. They wanted to learn more about this unique audio document, and we're happy to oblige. In this special program, Tim Page reflects on his spontaneous phone conversation with Glenn, and contrasts it with a later scripted interview for the 1982 Goldberg Variations recording, and recounts personal anecdotes, including a private piano performance by Gould. The episode also highlights Gould's appreciation for in-depth conversations free from clichéd questions and his humour, expressed through his fictitious alter egos, Theodore Slutz, Nigel Twitt-Thornwaite and Karlheinz Klopweisser. The discussion encompasses Gould's enormous influence on restoring the reputations composers like Strauss and Sibelius.

For your pleasure: a special bonus episode. The response of our audience has been overwhelmingly enthusiastic about the world premiere of the private, recorded conversation between Tim Page and Glenn Gould. They wanted to learn more about this unique audio document, and we're happy to oblige. In this special program, Tim Page reflects on his spontaneous phone conversation with Glenn, and contrasts it with a later scripted interview for the 1982 Goldberg Variations recording, and recounts personal anecdotes, including a private piano performance by Gould. The episode also highlights Gould's appreciation for in-depth conversations free from clichéd questions and his humour, expressed through his fictitious alter egos, Theodore Slutz, Nigel Twitt-Thornwaite and Karlheinz Klopweisser. The discussion encompasses Gould's enormous influence on restoring the reputations composers like Strauss and Sibelius.

For a long time I've received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I've basically neglected a huge amount music, including some of the greatest works ever written. Why have I been doing this? Well, if I'm totally honest, it's been slightly out of a sense of intimidation. I'm not a pianist, and I've always been somewhat in awe of the piano and pianists. Even after spending years with this music, I still felt that I just simply didn't know the solo piano repertoire well enough to do it justice. Well, now that I've gone through ALMOST all of the symphonic standard repertoire, and now that I've started exploring the string quartet repertoire, I think it's time to throw off this sense of awe and dive right in. You might think I might not reach too high to start off, maybe an early Beethoven sonata, or a Mozart or Haydn Sonata. Well, in my opinion you've got to go big or go home, so I've decided to explore one of the towering masterpieces not only of the solo piano genre, but of all music, Schubert's Sonata in B Flat Major. This is a piece that has been described as “well-nigh perfect,” as “beyond analysis,” as including “the most extraordinary trill in the history of music,” and as “the climax and apotheosis of Schubert's instrumental lyricism and his simplicity of form.” These are just a few of the superlatives I've found in researching this piece. It was written in the last weeks of Schubert's short life, and it truly does take the listener on an unforgettable journey. There is nothing quite like Schubert's final works, and so over the next two episodes, I will take you through this remarkable sonata, a piece that Alex Ross has described as “a premature communication from the beyond.” This is a huge piece, with so much to talk about, so I've split this episode into two parts. This week we'll look at the first movement, and then in two weeks we'll cover the final three movements. Join us!

TV reviews - Gerald Dawe - Goldberg Variations on accordian - The Molly Films

You know that portrait of Bach holding a little scrap of music? Ever wonder what the piece was? What it sounded like? That piece of paper is a six-voice, triple canon: number thirteen in the fourteen additional canons found on the back of Bach's personal copy of the Goldberg Variations. (Analysis of that specific canon around 32 min.)We've covered nine of these puzzling pieces in three previous episodes, but now it's time to call it a wrap on all fourteen. These additional canons were discovered only as late as the 1970s. For a more detailed history, check the three previous episodes dealing with these canons:Here is the image of the canon, “Christ will Crown the Cross-bearers” that appears in the family registry book belonging to J.G. Fulde:And of course, Bach and his “business card:”The bass line in both the images (and in all of the canons) is our beloved “first eight fundamental notes of the preceding aria” on which all the canons are based.Be sure to get my forthcoming three albums on PRESALE before they go live on May 17th!Volume One:Apple Music: https://tinyurl.com/nhfuws4tAmazon Music: https://tinyurl.com/mrxj7pwsVolume Two:Apple Music: https://tinyurl.com/mtykbxnzAmazon Music: https://tinyurl.com/3m7b9v6wVolume Three:Apple Music: https://tinyurl.com/mr44kwmfAmazon Music: https://tinyurl.com/3e4kwnsbHow To Support This Podcast:https://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbachor become a paid subscriber at wtfbach.substack.com Get full access to WTF Bach at wtfbach.substack.com/subscribe

Today we return to the 7th of the Goldberg Variations, the "Canary Jig." We discuss that peculiar name, and then we get into some smaller moments. Soaring flares up the keyboard, surprising altered tones, and crunchy grace notes are all over. Pushing forward into the ending, a high note leads us to the finish. We discuss why the contour of the hands makes this ending so satisfying. Goldberg var. no. 7 as performed by Jean Rondeau for the Netherlands Bach Society

In our second look at the monumental Goldberg Variations, Christian selects the beginning of the sprightly and innocent "gigue" (jig), a particular dance set here for an interplay between two hands. The jaunty rhythm of the dance is rather uneven; this leads us into a discussion about how music is naturally not even in this way (and when it is, it's too square). We discuss the Goldberg bass line which underpins the whole sequence of 30 variations and discover how it works with this one also.  In two weeks, Christian will return to this variation and get more into the weeds with particular notes. Goldberg var. no. 7 as performed by Jean Rondeau for the Netherlands Bach Society

On the latest episode of ‘New Classical Tracks,' Icelandic pianist Víkingur Ólafsson explores, performs and becomes J.S. Bach's 'Goldberg Variations' on his latest album. Find out more!

Víkingur Ólafsson, Iceland's superstar pianist, engages in captivating dialogue in Part One of his interview on the Gould Standard. From Reykjavik to New York, Ólafsson delves into the profound influence of his Icelandic roots and reflects on his educational journey from early studies with his parents to Juilliard. The conversation unveils a multifaceted glimpse into his musical philosophy, exploring topics ranging from his insights into Bach's Goldberg Variations (which he has just recorded, and which he calls the greatest work of keyboard music ever written) to his nuanced views on music competitions. Ólafsson boldly contends that exceptional art should act as a catalyst for societal discourse, with the potential to overcome divisions, following in the footsteps of one of his inspirations, Glenn Gould.

Marina Abramović is an artist renowned for performances and feats of endurance, in which her body is pushed to its limits. She has moved, scandalised and delighted audiences for half a century, and is now celebrated by world-leading galleries and institutions. Marina was born in Belgrade in 1946. Her parents were honoured as war heroes for their work for the Partisan resistance movement, and both took up senior roles in the post-war Yugoslav government. Marina became interested in painting during her childhood, and went on to study art. She first made her name as a performance artist in her 20s, creating events which often shocked viewers – and were equally traumatic for her. In 1974 she placed 72 objects, including sharp tools, a whip and a loaded pistol, on a table and invited gallery goers to use them on her, however they wished. She was attacked and left scarred, and part of her hair went white. For many years she led a nomadic existence, creating works with her partner, the German artist Ulay. In 1997, in response to the war in Bosnia, she created a prize-winning work for the Venice Biennale, in which for four days she attempted to scrub the blood from a vast pile of cow bones. In 2010 her exhibition at the Museum of Modern Art in New York attracted almost a million people, many queuing for hours for a chance to sit opposite her in silence as part of her marathon performance The Artist is Present. More recently her work has been celebrated in a major retrospective exhibition at the Royal Academy in London, along with performances at English National Opera, marking the centenary of Maria Callas. DISC ONE: Aria from The Goldberg Variations. Composed by Johann Sebastian Bach German composer and musician, performed by Igor Levit DISC TWO: Norma, Act 1: "Casta diva". Composed by Vincenzo Bellini, performed by Maria Callas (soprano) and Coro del Teatro alla Scala di Milano DISC THREE: 4 Degrees - Anohni DISC FOUR: Paloma Negra - Chavela Vargas DISC FIVE: Private Dancer - Tina Turner DISC SIX: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhumpo Monks DISC SEVEN: Piano Concerto No. 21 in C Major, K. 467 - 2. Andante. Composed by Mozart and performed by Mitsuko Uchida (piano), with the English Chamber Orchestra, conducted by Jeffrey Tate DISC EIGHT: Rum And Coca-Cola - The Andrews Sisters BOOK CHOICE: In Search of the Miraculous by Peter D Ouspensky LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhunpo MonksPresenter Lauren Laverne Producer Sarah Taylor

Kirk sits down with musician and podcaster Emily Reese to talk about the beauty of Bach's "Goldberg Variations," the distinct sound of Davis/Evans/Mulligan's "Birth of the Cool," the joys of the Knight Rider theme, and her podcast Level with Emily Reese, which focuses on the wide world of video game music. FEATURED/DISCUSSED:Emily's music podcast Level with Emily: https://www.levelwithemily.com"Singin' the Blues" feat. Frankie Trumbauer on C Melody Sax"Move," by Miles Davis and "Jeru," "Rocker," and "Venus de Milo" by Gerry Mulligan, arr Gil Evans from Birth of the Cool released 1957"Knight Rider Theme" by Stu Phillips, 1982"Funky Fanfare" and "People's Choice" by Keith Mansfield from the KPM 1000 Series of Library Recordings"Thank You for Being a Friend" by Andrew Gold, recorded by Cynthia Fee, 1985"Density," "Transluce,"  "Among Ruins" from Citizen Sleeper by Amos Roddy, 2022"Rameau: Les Cyclopes" by Jean Phillipe Rameau, as performed by Trevor PinnockThe Complete Beethoven Symphonies as recorded by John Elliot Gardiner's Revolutionary and Romantic OrchestraStargazer by Dave Douglas, 1994-----LINKS-----SUPPORT STRONG SONGSPaypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music---------------FEBRUARY 2023 WHOLE-NOTE PATRONSDamon WhiteKaya WoodallDan AustinThomas DarstEd RankinTimothy morsheadJay SwartzEllen NalvenMiriam JoyGareth FlynnRonjanKasPatrickSEAN D WINNIERushDaniel Hannon-BarryRRPrince M. Levy-BenitezKathie HullfishPaul McElliot RosenAshley HoagKelsairAndrew BakerRob BosworthJosh PearsonKyle CookeLiam KeoghMelissa OsborneKathleen Reuscynthia hochswenderPer Morten BarstadChristopher MillerTim ByrneJamie WhiteGeorge H AronsonJohanna L. BransonAngus McKimmChristopher McConnellDavid MascettiJeffrey JueNikoJoe LaskaLaurie AcremanKen HirshJezMelanie AndrichJenness GardnerSimon CammellJill Smith-MooreRachel RakovNarelle HornMickey ClarkNathaniel BauernfeindRob SBill RosingerAnne BrittPhil GriffinDavid ZahmKyle StarrErinAidan CoughlanSteve PhilpotJeanneret Manning Family FourMatt ButlerDoug PatonR WatsonViki DunDave SharpeSami SamhuriCraig J CovellAccessViolationRyan TorvikFraserandrew waltersJared NorrisElliot Jay O'NeillGlennCALEB ROTACHAndre BremerMark SchechterDave FloreyDan ApczynskiSara WalshFEBRUARY 2023 HALF-NOTE PATRONSRandal VegterGo Birds!Jeff SpeckSamuel MillettAbraham BenrubiWhit SidenerEmlia AlfordChance McClainRobert Granatdave malloyTim RosenwongJason MorrisseyNick Gallowayjohn halpinJennifer KennerPeter HardingDavidJaredAnthony MahramusRoss ShainMeghan O'LearyJeffrey PuzzoJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskCasey FaubionLuigi BocciaRob AlbrightE Margaret WartonDaniel MosierCharles McGeeCatherine ClauseEthan BaumanOwain HuntRenee DowningDrewRohan LatimerKenIsWearingAHatTonyJordan BlockAaron WadeMichael FlahertyPhotog19610Travis PollardJeff UlmJeff NewmanJamieDeebsPortland Eye CareAdam RayAnupama RaghavanDemetri DetsaridisCarrie SchneiderAlenka GrealishAnne GerryRichard SneddonDavid JudsonJulian RoleffMelissa GallardoJanice BerryDoreen CarlsonmtwolfDavid McDarbyAbigail DuffieldWendy GilchristLisa TurnerPaul WayperMiles FormanDennis M EdwardsJeffrey FerrisBruno GaetaKenneth Jungbenkurt wendelkenAdam StofskyZak RemerRishi SahayJason ReitmanAndy PainterKaren LiuGreg BurgessAilie FraserSimon PrietoVonPaul McGrealKaren ArnoldNATALIE MISTILISJosh SingerPhino DeLeonSchloss Edward J. MDRhyanon MurrayAmy Lynn ThornsenAdam WKelli BrockingtonStephen RawlingsBen MachtaVictoria YuKevin RiversGray DyerBrad ClarkChristopherMichael J. CunninghamKari KirkMark Boggsmino caposselaSteve PaquinMary SchoenmakerSarahDavid JoskeÅshild Margrete Østtveit OdéenEmma SklarSpencer StanfordBernard KhooDavid BlackmanAndrew ShpallRobert HeuerMatthew GoldenBrian MeldrumDavid NoahGeraldine ButlerRichard CambierMadeleine MaderAndy SmithTimothy DoughertyJason PrattStewart OakCaroline MillerAbbie BergSam NortonNicole SchleicherShelly UnderhillDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael Bermanstephen matthewsBridget LyonsOlivia BishopJeremy SchwartzJohn GisselquistElaine MartinLinda DuffyThomas KönigBonnie PrinsenSharon TreeBelinda Mcgrath-steerLiz SegerEoin de BurcaKevin PotterM Shane BordersPete SimmSusan PleinShawn McCarthyDallas HockleyJana JTerronJason GerryRich RoskopfMelissa GalloJoel StevensonNathan GouwensWill Dwyer Alethea LeeLauren ReayEric PrestemonErika L AustinCookies250Spencer ShirleyDamian BradyAngela LivingstoneJeffyThanadrosDavid FriedmanPhillip DaltonMark EdwardsRandall BrowningSarah SulanDiane HughesMatt BeamsKenneth TiongJo SutherlandMichael CasnerBarb CourtneyDerek & Laura BenderFranco FamularoDon HutchisonLowell MeyerEtele IllesJeff AlmondStephen TsoneffLorenz SchwarzBecca SamplemiaWenJack SjogrenAparajit RaghavanBenedict PenningtonGeoff GoldenRobyn FraserAlexander GeddesPascal RuegerRandy SouzaJCLatifah MakuyiBrendan JubbClare HolbertonJake TinsleyGeorgia LivesayDavid ZuckerDiane TurnerTom ColemanSUELLEN MOOREBrendon Oliver-EwenKendra ReidJudy ChappleTijs SoeteStuart TerryMark PerryMaloryDhu WikMelEric HelmJake RobertsBriony LeoJonathan DanielsSteven MaronMichael FlahertyJarrod SchindlerStephenGerry NelsonDave KingAlbukittyCaro FieldWayne MarshJudith StansfieldJenifer Carrmichael bochnerDuncanbrant brantphillipNaomi WatsonLeigh SalesMarkus KoesterDavid CushmanAlexanderToni IsaacsonJeremy DawsonRobbie FerreroJake DyeChris KGavin DoigMark SteenSam FennTanner MortonMollyAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerSPBrooke WilfordAlex SingerCyrus N. WhiteShaun WieseMiriam JuskowiczMark HaberlenDominik SchmittJuan Carlos Montemayor ElosuaKate AlburyMatt GaskellJules BaileyEero WahlstedtAndrew FairDarryl StewartL.B. MorseBill ThorntonTim EvansBrian AmoebasBrett DouvilleRavy VajraveluNick ClementsJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJeff DixonJohn and Sharon StengleinTom LauerjouForrest ChangEarl LozadaJon O'KeefeMax SchechterJustin McElroyArjun SharmaSupermanTDJesusJames JohnsonAndrew LeeKevin MorrellTom ClewerKevin PennyfeatherFlSHBONESColin Hodohazy shacterKyle SimonsEmily Williams