Soundcheck

The Klezmatics have never been just a klezmer band. From their beginnings 40 years ago, they've used klezmer music, rooted in the Jewish communities of Eastern Europe, with the sounds of jazz, psychedelia, Latin music, punk energy, gospel fervor, global rhythms, and even ambient music. They're also a band whose music rises to meet the moment, from their debut album Shvaygn = Toyt, silence equals death, released during the height of the AIDS epidemic, to their latest album, which is a 40th-anniversary statement called We Were Made For These Times. It uses music as activist art to speak to questions of immigration, labor, and belonging - answering with urgency, care, faith, community, and collective action, (Bandcamp liner notes). The Klezmatics play some of these anthemic songs of resilience and joy, in-studio.  Set list: 1. Un du akerst  2. Elegy for the Innocents 3. Plane Wreck at Los Gatos (Deportee) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ryan Bingham may be known as the character, Walker, on the hit neo-Western television series Yellowstone by many; but he's also built a fandom around his rich Americana discography, spanning seven studio albums in 19 years. Earning an Oscar and a Grammy for “The Weary Kind”, the theme song for the film Crazy Heart co-written with T Bone Burnett, jumpstarted Bingham's music career back in 2010. Since then, he's been composing, recording, and performing his heartfelt songs that sound like they belong in a different time from decades past.  Playing slide guitar and singing raspy melodies with ease, Bingham embodies the persona of an artist who appreciates the melting pot of Texas – so much so that he recently starred in a short film called Love Letter to Texas, written and directed by Jeff Nichols. And though Bingham may not be a troubadour, he certainly performs like one, both in the studio and on stage. His latest album, titled They Call Us the Lucky Ones and recorded with the Dallas-based collective The Texas Gentlemen, is a testament to his willingness to welcome spontaneity, recounting his stories in the moment as they come. You can feel the same spirit on this episode of Soundcheck, as Bingham performs some of his new songs solo at our Manhattan studios. (- Sırma Munyar) Setlist: 1. Let the Big Dog Eat 2. Relevance 3. Blue Skies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hiss Golden Messenger is the band led by singer/songwriter and guitarist M.C. Taylor, whose Americana folk and roots music has featured a rotating cast of characters, many but not all of them from North Carolina's rich and varied musical scene. The band's latest album is called I'm People, a simple enough title for a record that opens up onto some expansive ideas on what it means to be human and alive in America in 2026. Warm and twangy, soulful and jangly, M.C. Taylor and the current lineup of Hiss Golden Messenger play some of these songs, in-studio.  Set list: 1. In The Middle of It 2. Last Orders 3. Mercy Avenue Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mexican singer-songwriter Julieta Venegas is considered a living legend among her peers. But when it's just her and her favorite musical instruments, like the piano, the accordion, or the Venezuelan cuatro guitar, her artistry is just as raw, honest, and vulnerable as it was in her early days in music.  On her new record, Norteña, Venegas acknowledges the fact that none of us are as innocent as we used to be. Missing that pre-internet naïveté and going back to her roots played a big part in her writing process. Still, she's not one to live in the past. As she puts it: “You have to let go of things… Even the things you think are really the best moments of your life are not going to be, because then you're going to keep on going, and you're going to find other best things in your life.” This art of being at peace with present time is most apparent on this edition of Soundcheck, where she performs two singles from her new album, as well as a beloved song from two decades ago. In the studio, Venegas is known to fuse pop, rock, and regional Mexican music with well-thought-out and expansive arrangements. But here, she picks up a different instrument for each song, singing and playing organically, as she injects her momentary emotions into every note. (- Sırma Munyar) Setlist: 1. La Línea  2. Tiempos Dorados 3. Oleada 

Gamelan Yowana Sari is a Balinese art ensemble in residence at the Aaron Copland School of Music at CUNY Queens College made up of students, alumni, faculty, and community patrons – all guided by GYS founder Michael Lipsey and co-directors Fred Trumpy and Ruka Shironishi. This contemporary group of percussionist ringers (ahem) are “fostering the creation of new works for gamelan”, and are “deeply committed to the transmission of Balinese culture through traditional music” (Bandcamp). GYS recently traveled to Bali to record some of these new works - some for gamelan and electric guitars- for their self-titled debut album, (which is out now on Cantaloupe Music.) Recently, they traveled from Queens and elsewhere with their heavy metal arsenal of traditional metallophones and gongs;  7- and 8- string guitars; and a hi-hat turtle to play (and count in cycles of fives and sevens) in the Jerome L. Greene Performance Space. Bonus - there's also a tour of the instruments! (- Caryn Havlik) 1. Stones Are the Flowers (Kyle Miller) 2.  Guirlandes, mvt 1 (Theo Merigeau) 3. aERIFORm kiTE (Evan Ziporyn)

New York-based Sofia Rei is a Grammy-nominated vocalist, songwriter and producer from Buenos Aires, Argentina who was classically trained as a singer and fell in love with Brazilian music. Her new album, Antónima expands the concept of chamber music, looks to South American and Caribbean dance music (cumbia, candombe), and combines elements of Oya's healing thunder and improvisation – all while flirting with jazz and experimental pop - as she and longtime collaborator and co-producer JC Maillard skillfully layer her voice and electronic sounds. Then there's the all-star lineup of featured guest musicians on the album - many of them visionary Latin American women creators – who help Sofía Rei to celebrate future sounds. She and JC Maillard play in-studio. (- Caryn Havlik) Set list: 1. El Mundo Es Redondo (Anonimous) 2. Si Una Cae 3. Marciana

Morgan Nagler writes new songs every day, whether she's in a room with the likes of Phoebe Bridgers and HAIM, or by herself playing an acoustic guitar in her bedroom. When she's collaborating with other artists, there's a lot of thought put into what each song is supposed to be about. But in private, Nagler refers to her tried and true “puke method”, eager to see what emerges, unfiltered.  Then perhaps it shouldn't come as a surprise that her debut album, which was born after a series of side projects, carries an intimate, conversational tone. Despite the layered electric guitar textures and thoroughly arranged instrumentals, Nagler sings as though she's right there, sitting next to you. In her co-write sessions with other artists, she “shows up and there's nothing, but by the end of the day, you've got a song with a nice demo recorded. And then, you can just wipe your hands of it.” Such is the privilege of a songwriter stepping into another artist's universe. In her own universe though, Nagler assesses all her heartbreaks and existential crises, summing it all up with an appropriate album title: I've Got Nothing to Lose, and I'm Losing It In the making of her album, Nagler had “the time of her life”, having so many of her collaborators show up for her passion project. But for this edition of Soundcheck, she's accompanied by nothing but her own guitar, putting her story in front and center. (- Sırma Munyar) Setlist: 1. Cradle the Pain 2. Hurt 3. Heartbreak City

Alisa Weilerstein is more than just a virtuoso cellist; she is also a winner of the MacArthur Fellowship, the so-called “genius” award. There is a real genius in the way Alisa Weilerstein connects music in her solo concerts, combining core classical pieces and commissioning new works to expand the solo cello repertoire. Take, for example, her latest project called Fragments, which is a multimedia series that weaves 27 newly-commissioned pieces into all of the solo cello suites by J.S. Bach. She imagines anarc of listening, where one might hear Serbian-born, Quebec-based composer Ana Sokolović; American-born Joan Tower; cellist/composer Paul Wiancko; percussionist/composer Andy Akiho; American composer Jeffrey Mumford;J.S. Bach, and Argentinian Osvaldo Golijov all on the same bill and tied together. Alisa offers a sample of this exploration of sound and meaning, with a little bit of birdsong, in-studio.   Set list: 1. Joan Tower - For Alisa, and  J.S. Bach - Cello Suite No. 1 in G major, Prelude, BWV 1007   2. Osvaldo Golijov - The Last Moho Braccatus and J.S. Bach Cello Suite no. 5 in C minor, Courante, BWV 1011 

Brooklyn-based folk-rock band The Lone Bellow have stuck through thick and thin for the past 15 years. Their creative output has been fairly consistent, only disrupted recently by a burglary on the road. Strangely, the thieves who broke into their tour van stole the hard drives containing the vocal takes for their latest record and left the precious instruments behind. Still, the financial burden was significant enough to delay the release of What a Time to Be Alive. After a successful crowdfunding campaign, the trio had their second shot at realizing their vision.  Now back on the road after a short break to promote their new album across the US, The Lone Bellow is once again ready to welcome “the alchemy of everybody together in the room” on stage. But first, they share their rich vocal harmonies, backed with acoustic guitars and a mandolin, at our Manhattan studios for the latest installment of Soundcheck. (- Sırma Munyar) Setlist: 1. I Did It for Love 2. You Were Leaving 3. No Getting Over You 

Texas-born folk singer-songwriter Jana Horn lives in Brooklyn, NY now. Perhaps it was this lifestyle change that established the introspective and fragmented nature of her eponymous third album. The calm in her voice, guided by instruments that sound as though they follow their own communal continuous clock, softens the blow of her existential lyrics: “Seeing eternity as a quality of time / Done with my dying / I can breathe again”. Drifting between melancholy and optimism, Horn writes and performs conversationally, blurring the line between speech and song. The core team of musicians she opens her heart to play a big part in weaving the delicate and gentle atmosphere around her vocals, both in the studio and on the road. Two of those musicians, bassist Jade Guterman and drummer Adam Jones join us for the latest edition of Soundcheck with Jana Horn. Hear their performance and the artist's interview with our host, John Schaefer. (- Sırma Munyar) Setlist: 1. Come on 2. It's alright 3. Designer  

The band Art Brut has been making excitable, eccentric indie rock since their debut LP Bang Bang Rock N Roll was released in the UK back in 2005. The music is catchy, hook-laden, guitar-based indie rock.  The lyrics are delivered in a kind of speech-song by Eddie Argos; they could be about falling in love or hitting the dance floor, but they're just as likely to tell us a story of a double-crossing superhero or the joys of riding public transportation. Art Brut delivers a gleefully feral set of songs from their vast catalogue (including the recent second volume of a boxed set, Sorry, That It Doesn't Seem Like It's Planned! Battling Satan 2009-2020) to play in-studio.  Set list: 1. Formed a Band 2. Emily Kane 3. She Kissed Me and It Felt Like A Hit

Mike Doughty is many things; a solo artist, founding bandmember of Soul Coughing and Ghost of Vroom, and a published writer – who not only wrote two memoirs but also an oratorio based on the biblical Book of Revelation that was staged at WNYC's Greene Space.  Simply put, Doughty has built a long-lasting career since his days of working as a doorman at the New York club, The Knitting Factory. On his way up, he embraced all aspects of the art of writing good songs, from welcoming “cowboy chords” when they come, to opening his mind up to the universe of avant-garde jazz – or even German grammar-inspired lyrics. Today, he is a storyteller who is honest with himself and transparent with his audience, composing and sharing new songs weekly with his patrons on Patreon while continuing to pour his heart out on the road, as he's about to do so on his Solo Tour '26, playing all over the United States. In the early days of this new adventure, Doughty joins our host, John Schaefer, with his collaborator, Andrew “Scrap” Livingston, for an intimate live performance and a warm chat for this edition of Soundcheck. (- Sırma Munyar) Setlist: 1. White Lexus 2. Mr. Bitterness 3. Light Will Keep Your Heart Beating in the Future

The Syrian-American rapper, poet, and peace activist Omar Offendum blends the sounds of hip hop and classical Arab music and literature into his stage works.  He has spent much of the past few years on a New York-themed work called The Little Syria Show, named after a historical neighborhood in Lower Manhattan. In a celebration of Arab-American cultural heritage, Omar Offendum shares insights on diasporic memory and performs some of the songs from The Little Syria Show, in-studio. – "Sinsyrianly" Set list: 1. Peddling Dervish 2. Mojaddareh 3. Not Quite White

American folk singer-songwriter Annahstasia's music career blossomed since the day she got kicked out of her teenage choir. Her voice didn't blend homogenously with others, as it always meant to stand out. Today, with her soulful contralto register, she often gets compared to the greats like Nina Simone, Tracy Chapman, and Sade. But the way she utilizes her voice and songwriting melds a distinct brand of her own.  As a storyteller, Annahstasia doesn't worry too much about predictable song structures with repeatable sections. Instead, she invites her collaborators and listeners into her safe space to participate as a communal sonic atmosphere begins to take shape. Like an “energy doula”, she approaches the dynamics in her music with the utmost care, birthing not only words and musical notes but also volumes of emotion. Sometimes, her melodies and harmonies are tethered so tightly to silence that you might miss them if you're not listening closely. Then, they burst out again, like a thunderstorm that came out of nowhere to grasp your attention and never let go. Offering an inimitable aural experience, Annahstasia performs a solo set at our Manhattan studios for this edition of Soundcheck, ahead of her sold-out four-night residency at Public Records in Brooklyn. Hear her latest anecdotes about her journey in the music industry and how she defends the art of live music recording in the age of bedroom pop productions. (- Sırma Munyar) Setlist: 1. Be Kind 2. Take Care of Me 3. Slow

Rapper, singer, and songwriter Dessa is a longtime member of Minneapolis's influential Doomtree collective, has toured and recorded with orchestras, and been artist-in-residence at The Greene Space, our ground floor performance venue here in New York. But Dessa is also a writer, a poet, and a keen observer of the times. Her explicit commentary on the state of American politics, along with digressions on art, science, business, love, failure, and creativity fuel her latest songs, which she performs in-studio. Set list: 1. Camelot 2. Tough Call 3. What if I'm Not Ready

The duo called Dalava has put out three albums based on old Czech, specifically Moravian, folk songs, sourced from melodies transcribed over 100 years ago by the great- grandfather of Dálava's singer, Julia Úlehla. Their latest record, Understories, uses symbolic birds and stories to set a series of progressively darker, more experimental arrangements that seem to cast those songs adrift in both time and place. Julia Úlehla and guitarist Aram Bajakian (Lou Reed, John Zorn) explore magic and realism, harnessing the intense emotion in the body memory of ancestral connections as they perform in-studio. -Caryn Havlik Set list: 1. Escape Velocity 2. Entanglement 3. Side Real Time

Argentine singer-songwriter Marilina Bertoldi's brand of rock 'n' roll contains multitudes between the old and the new. Her electric guitar, though it may only be a decade old, has all the markings of a seasoned instrument that has taken the stage at sweaty clubs and music festivals across the Americas and Europe. And the sound of it adds an unmistakably retro touch to Bertoldi's music, which is often accompanied with glitchy and sampled production elements (and a state-of-the-art pedalboard to control it all). All the sonics aside though, it is Bertoldi's intensely honest storytelling, which takes on a deeper meaning on stage, that makes her artistry stand out. Listen to her fiery performance from our Manhattan studios with Manu Fernandez on drums, as well as her words on life on the road and the creative process behind the latest album PARA QUIEN TRABAJAS Vol. I, which recently earned Bertoldi a Latin Grammy nomination. (- Sırma Munyar) Setlist: 1. Pucho 2. O No? 3. La Casa de A

Canadian indie rock collective The New Pornographers has a history that spans almost three decades. Leaving nine albums behind, the band enters a new era with The Former Site Of, which, as always, centers on frontman A.C. Newman's introspective songwriting, studying self-destructive tendencies and character building with power pop soundscapes in the backdrop. While writing the new batch of songs, some of which originated prior to the creation of the previous record Continue as a Guest, Newman looked for ways to not “ruin them with lyrics”; sporadically revisiting demos, muting and unmuting the vocals, looking to achieve symbiosis between the story and its music.  As A.C. Newman puts it, “Being a musician… It's easy to lose sight of why you do it” and get sidetracked by the business side of the job. Remembering the purest reasons why lies in the writing process that leads to words like: “The thing about fortune / It does no favors / And it's form fitting / You barely know that it's there” (Pure Sticker Shock). Newman pays a visit to our studios with bandmember Kathryn Calder, accompanied by session musicians Lilah Larson and Adam Minkoff for a special live performance and an eye-opening interview. (- Sırma Munyar) Setlist: 1. Votive 2. Pure Sticker Shock 3. Spooky Action 4. The Former Site Of 

Experimental music composers Elori Saxl and Henry Solomon found common ground in electroacoustic duets in their collaborative album, Seeing Is Forgetting.  Solomon is a Los Angeles-based saxophonist who can improvise in any musical setting, whether he's recording with Paramore, Miley Cyrus, and HAIM, or assembling a score for a film. Saxl's intricate music writing also knows no bounds, dancing between classical and electronic music in her commissions from PBS, Guggenheim, and This American Life. Together, the duo recorded three hours of music in LA, embarking on a sonic adventure free of hesitation and doubt. Blurring the rigidity of the steps between musical notes, they filled the gradients with glides and noise, often losing track of who's playing which parts, as their sessions went on. The tricky part of their creative process was narrowing their “near-telepathic” musical conversations down to an album form. But they finally did, achieving fluid cohesion between Saxl's JUNO-106 harmonies and Solomon's baritone sax and bass clarinet melodies. Now, their conversations continue on stage and throughout the live performances captured at our Manhattan studios, built upon the base of Seeing Is Forgetting, but continuously encountering new ideas and happy accidents. (- Sırma Munyar) Setlist: 1. Reno Silver 2. Thousand Steps 3. Heart

Martin Hayes is one of the great Irish fiddlers of our time, and one of the things that makes his playing so distinctive is the way he incorporates elements of jazz and contemporary classical music. Hayes is a founding member of the Irish-American supergroup The Gloaming, and he's led a couple of ensembles, the Martin Hayes Quartet and the Common Ground Ensemble, that include musicians from the New York new music scene. Guitarist Kyle Sanna, for example, is part of the Common Ground Ensemble, who are part of a St Patrick's Day 2026 concert at Carnegie Hall and he joins Martin Hayes to play a few tunes, in-studio.  Set list: 1. The Wild Geese/Lord Leitrim 2. Port An Deoari/My Mary Ann 3. The Golden Castle/Mikey Callaghans

As both a musician and an activist, Steve Earle has been a voice for people living on the margins. His songs blend folk, country, and rock, and among his many awards are a bunch of Grammys and his recent induction into the Grand Ole Opry in Nashville. And yet, many people will be more familiar with Steve Earle's work as an actor, on screen, on stage, and on TV series like The Wire and Treme. Add in a tumultuous personal life, and you have a guy with stories to tell. Steve Earle's current tour is called Fifty-One Years of Songs and Stories, and he plays a solo set, including a tune from the show, 'Tender Mercies', in-studio. Set list: 1. Copperhead Road 2. I Don't Trust Happiness 3. City of Immigrants

The young Mexican singer-songwriter Humbe is no stranger to posting short clips of his songs on TikTok. He feeds on the transparency between his artistic universe and the fans that flock to it like a moth to a flame. His authentic brand of soul, contemporary R&B, and Latin dance music triggers the algorithm time and time again, connecting with audiences across the globe. The latest album, Dueño del Cielo, marks another milestone in his artistic exploration, “looking into the sky when there's nothing left on the ground”. Filled with religious imagery, voice memos of lived experiences, and dreamy depictions of the chemistry behind human emotions, the album combines Humbe's candid lyricism with impressively passionate vocal performances.  Humbe's 2026 tour is ongoing with dates in North America, South America, and Europe. He takes a break from the road to play a stripped-down set with his band at our Manhattan studio. (- Sırma Munyar) Setlist: 1. Harry Stamper 2. Fantasmas 3. Morfina

Spanish indie folk artist Guitarricadelafuente has come a long way since his days of posting covers on social media. Back then, he wasn't only inspired by his own culture, but American folk music as well, reinterpreting songs of Woody Guthrie and Bob Dylan. Eventually finding his own vein within the art of storytelling, Guitarrica began drawing inspiration from folklore, viewing it as not a snapshot from the past, but “something that already lives within us”. In his two albums, La Cantera and Spanish Leather, this is the concept he embraces, embodying the curiosity and joy of a kid that lives in a village, discovering the city for the first time.  There is a delicate melancholy in the music of Guitarricadelafuente, but a celebration of love and laughter, too. His lens is an unfiltered one, embracing the reality of unadulterated human emotions and making peace with the poses he strikes daily. Fresh off the NPR Tiny Desk stage, he takes a short break from his first world tour to play a stripped-down set at the Soundcheck studios. (- Sırma Munyar) Setlist: 1.Poses 2. Mataleón 3. Quién teme a la máquina?

The singer and songwriter Niia has spent much of her career confounding expectations. She's done smoky versions of old jazz standards as well as original songs that draw on dance music, hip hop and R&B, and live The self-dubbed "goth jazz princess" is something of a provocateur, with her sensual music "living in the tension between control and collapse".  Niia and her band play some of the songs from her latest release, V, in-studio.  Set list: 1. Pianos & Great Danes 2. fucking happy 3. Maria in Blue

Singer-songwriter Justin Hicks spent years recording and touring with acclaimed bassist Meshell Ndegeocello, experiencing her genre-agnostic approach to music first-hand. In his debut album, Man Of Style, he is just as hard to pin down stylistically as his long-time collaborator. Yet he manages to fuse a rich array of R&B, soul, rock, jazz, and folk music, dressing his songs in each genre effortlessly. The intricate vocal harmonies and avant-garde textures put Hicks' stories in an other-worldly realm on the album. But his songwriting skills snap into focus when he performs with a piano and an autoharp live in-studio. Hicks may follow in the footsteps of great storytellers like Marvin Gaye, Roberta Flack, and James Taylor, singing his poems with the utmost vulnerability. As a music producer though, he keeps an open mind. The word “style” is not a constraint but a guide to Hicks, as he draws inspiration from life itself. From creating a sonic body scan of his time living in New York to surviving a night of carbon monoxide poisoning, he reveals the multitude of layers in the makeup of his art in this episode of the Soundcheck Podcast. (- Sırma Munyar) Setlist: 1. Wendy 2. Man of Style 3. Oh!

Composer, producer and multi-instrumentalist Emily Wells works in the space between art-pop and neoclassical chamber music using electronic and acoustic instruments: synths, strings, and hip-hop production in elegant layers to support her singular and dramatic vocals. For her 2019 album, This World Is Too _____ For You she expanded her sonic palate to include a string quintet and French horn for a collection of swirling and dramatic chamber-pop showpieces.  Together with the Grammy-nominated chamber orchestra the New York-based Metropolis Ensemble, and drummer Shayna Dunkleman (Xiu Xiu, Peptalk), she performs some of these songs, in-studio. (From the Archives, 2019.) Set list: 1. Misconceptions On Forever 2. Stay Up 3. Hymn For The New World    

The spiritual and spirited sounds of Qawwali music, the Sufi devotional style from Pakistan, go all the way back to the 13th century. And incredibly, the Saami family of Pakistan has kept that tradition going in an unbroken line for almost 800 years. The Saami Brothers belong to the best known Gharana (a system of connection or “house” in Hindustani music) of Qawwali, the Qawwal Bachon Ka Gharana of Delhi, and are the custodians of the traditions of Qawwali and Khayaal of Hazrat Ameer Khusrau and Ustad Taanrus Khan Sahab, (The Aga Khan Museum). The brothers are well-versed in several genres of classical music, such as dhrupad, khayal, tarana, thumria and dadra which they blend during their performances of qawwal and perform in Urdu, Sindhi, Punjabi, Arabic, Hindi, Birj Bhasha, Saraiki and Persian. The Saami Brothers talk about Khayal (a possible translation is “imagination”), which is among the oldest forms of Hindustani vocal improvisation, passed carefully from master to student, generation to generation, (Northwest Asian Weekly). 'Qawwali', Arabic for "utterance", refers to the devotional music of the Sufis, the mystics of the Islamic religion. The term includes both the medium and its performance (Real World). The Saami Brothers perform both Qawwali and Khayaal, in-studio.Set list: 1. Sufi Dhikr in Raag Bhario'n: Allahu-Allahu 2. Qaul (Qawwali): Man Kunto Maula 

Drummer and composer Marcus Gilmore looks to the creative openness of his drum elders – like his grandfather, Roy Haynes, the late tabla master Zakir Hussain, or renaissance man and drummer Milford Graves - and underscores the drum set as melodic instrument – exploiting all of the potential of the components – bending notes, playing with the natural vibrations, or augmenting his set up with Sunhouse Sensory Percussion. (With thanks to Modern Drummer Magazine's June 2019 issue.) He joins us in-studio to amaze and delight with his percussive sorcery. (From the Archvies, 2019).  – Caryn HavlikSet list: 1. Silhouwav 2. Excerpts of Nube 3. Flashforward

As a violinist, Darian Donovan Thomas has played with alternative soul singer Moses Sumney, the chamber ensemble Mediaqueer, and the Pakistani-American singer Arooj Aftab, among many others. But Thomas is also a singer, songwriter and producer whose own music reflects his omnivorous musical experience. Hyper-pop, ambient electronica and contemporary classical music are all fair game in his latest record, which is called A Room With Many Doors – Day. Darian Donovan Thomas and Phong Tran play some of these songs, live in-studio. Set list: 1. Mr & Mr Married/Safe Space 2. Snow Storm 3. Purple Flower

Samora Pinderhughes is a singer, songwriter, and multimedia artist. His music exists at the intersection of jazz, hip hop, and community activism, and often deals with issues like racism, the prison system, and music as a place for healing - like The Healing Project(Opens in a new window). Samora's current project is a residency at the Museum of Modern Art that includes his film Real Talk and a series of live performances. The overall exhibition is called Samora Pinderhughes: Call And Response, and it brings Samora back to our studio and our piano. Set list: 1. Hold That Weight 2. For those lost, for those taken 3. Grief

The rapper Heems first came to wide attention over 15 years ago as part of the alternative hip hop band Das Racist. His solo career has included collaborations with Childish Gambino, Blood Orange, and the actor Riz Ahmed, with whom Heems formed the group Swet Shop Boys. He's also been a vocal proponent of the Punjabi and wider South Asian communities here in New York, and his songs often include a head-spinning mix of musical references, cultural pride, and social commentary. Heems and producer Zachary Levine-Caleb play songs from his latest, A Hundred Alibis, in-studio.Set list: 1. The Ballet  2. Star-CrossedA Hundred Alibis by Heems

NYC's Latin X-Perimental band Zemog El Gallo Bueno , led by Brooklyn, New York based Puerto Rican born/Peruvian composer, Abraham Gomez-Delgado,makes music that draws from popular Afro-Puerto Rican, Cuban and South American Rhythms but is also inspired from German Cosmic music, Japanese Buto Dance, Punk Rock, Classical Minimalism and American Free Jazz. Sung in both Spanish and English, the songs deal with issues such as immigration, racism, the power of dancing together, living in-between and the balance of imbalance in life. And the band is an exuberant and unified force of chosen family - top musicians who play with the fluidity of a hive mind as they change feels and styles. Zemog El Gallo Bueno plays in-studio. (Band photo includes engineers Irene Trudel and Milton Ruiz, along with host John Schaefer)Set list: 1. Caso Por Casa 2. La Memoria 3. Taino (Por Siento)

Hannah Jadagu was just out of high school when she released her first EP, full of songs recorded on her iPhone. in 2023, while studying at NYU, she released her debut LP, Aperture, a studio creation that blended bedroom pop, indie rock, and R&B. Her latest album, Describe, captures her euphoric and reserved flow of feelings and ideas, and documents how she has played with new sounds and production techniques. Hannah Jadagu and her band play live, in-studio.Set list: 1. Gimme Time 2. Normal Today 3. My Love

Arturo O'Farrill may be best known as the longtime leader of the Afro Latin Jazz Orchestra, but he's done so much else, as a pianist, bandleader, and educator. He's the son of the Latin jazz legend Chico O'Farrill, and his sons Adam and Zack have established themselves as leading players on trumpet and drums respectively. Sometimes their schedules line up and they play as The O'Farrill Family Band. Hear music from three generations of the O'Farrill family, in-studio, AND there's also big news about Arturo's ambitious plans to build a cultural center in East Harlem. Set list: 1. In Whom I Am Well Pleased (Arturo) 2. The Man From the Sea (Adam) 3. Gonki Gonki (Zack) 4. Pura Emocion (Chico) 5. Alisonia (Arturo)

Iraqi-born, American-based composer and NEA Heritage Fellow Rahim AlHaj plays the oud, the Arab lute. Derek Gripper is a classical guitarist from South Africa who has somehow found a way to play West African music for the 21-string harp, or kora, on the six strings of his instrument. Both musicians have played in a wide variety of styles, and recently, they began playing together as a duo. Hear their duo set from the New York Guitar Festival, recorded at Kaufman Music Center's Merkin Hall in June of 2025 and in partnership with The World Music Institute.Set list: Derek Gripper – Fifty-SixGripper: Lindo Gripper: Tita Rahim AlHaj: Closeness 

Derek Gripper is a classical guitarist from South Africa who has somehow found a way to play West African music for the 21-string harp, or kora, on the six strings of his instrument. Iraqi-born, American-based composer and NEA Heritage Fellow Rahim AlHaj plays the oud, the Arab lute. Both musicians have played in a wide variety of styles, and recently, they began playing together as a duo. Hear solo sets by Derek Gripper and a solo piece by Rahim AlHaj. The music comes from the New Sounds Live Concert Series in partnership with the New York Guitar Festival and the World Music Institute, and was recorded at Kaufman Music Center's Merkin Hall in June of 2025.Set list: Derek Gripper - Blue Light Derek Gripper - ChiwoDerek Gripper - Moss on the MountainRahim AlHaj - Dream

Guitarist Steve Gunn has established himself as a singer/songwriter and as an ace collaborator with artists like Hiss Golden Messenger and Kurt Vile. With over 20 albums to his credit, you might think he's done it all, but until 2025, Gunn had never done an album of solo instrumentals. In August 2025 he released Music For Writers, a collection of sonic landscapes, and in very short order he was back behind the mic this past November with a new album of songs called Daylight Daylight. Steve Gunn performs, in-studio. (See him on a US West Coast tour Set list: 1. Nearly There 2. Morning On K Road 3. Another Fade

Klezmer music may have its roots in the Jewish communities of Eastern Europe, but it found a home here in NY in the 1920s and 30s, and the klezmer revival that began almost a half century ago was also centered in New York. Clarinetist Michael Winograd has been a major figure on the klezmer music scene for a couple of decades now, both as a composer and as a kind of music historian. His current project is a remake of a 1955 album that flopped at the time and is now considered a classic meeting of klezmer and jazz. That album was called Tanz!, Yiddish for dance, and Michael Winograd leads a stellar lineup of musicians to play some of the tunes, in-studio. 1. Tipsy 2. Silkene Pajamas

The British band Public Service Broadcasting describes their work as "Teaching the lessons of the past through the music of the future", (Bandcamp). Their songs are often built on sampled speech, layers of melodies, and propulsive grooves. Public Service Broadcasting plays music from their latest project, The Last Flight, based on the enduring story of Amelia Earhart, (plus an older banger from their album sampling the space race), in-studio.Set list: 1. Electra 2. Arabian Flight 3. Go!

Rebecca Foon is best known as a cellist – she's been a pivotal figure on the Montreal scene, playing with bands like Thee Silver Mt Zion and her world music/chamber ensemble Esmerine. But Foon has also been making solo records, often including her vocals as well, and her latest, Black Butterflies, is a collection of songs that blends dream pop, minimalism, and ambient music. Rebecca Foon plays live, in-studio. Set list: 1. If I Could Only See the Distant Sky 2. in a time of truth 3. Flood of Eternity

Listen to music from South African-born, UK-based cellist and vocalist Abel Selaocoe; Hot Psychedelic Gnawa Blues By French-Moroccan band Bab L' Bluz; guitarist, producer, bandleader Adrian Quesada of Black Pumas and his dramatic Latin pop 'Boleros Psicodélicos', featuring Grammy-winning Puerto Rican singer-songwriter iLe. Plus, composer and harpist Brandee Younger and her trio; and the Dublin-based brothers Ye Vagabonds with a preview of new songs for 2026.Set list: ARTIST: Adrian Quesada, with iLeWORK: Mentiras con Cariño [2:02]RECORDING: Live for the Soundcheck Podcast, Aug. 2025SOURCE: This performance not commercially available. INFO: The tune appears on Boleros PsicodélicosARTIST: Ye VagabondsWORK: The Flood [3:05]RECORDING:  Live for the Soundcheck Podcast Nov. 2025SOURCE: This performance not commercially available. INFO: The album All Tied Together, comes out Jan. 30, 2026 | https://yevagabonds.bandcamp.com/album/all-tied-togetherARTIST: Bab L' BluzWORK: Imazighen [4:13]RECORDING: Live for the Soundcheck Podcast, April 2025SOURCE: This performance not commercially available. INFO:  The tune appears on SwakenARTIST: Abel SelaocoeWORK: Ka Bohaleng  [3:13]RECORDING:  Live for the Soundcheck Podcast, Feb. 2025SOURCE: This performance not commercially available. INFO: The tune appears Hymns of Bantu ARTIST: Adrian Quesada, with iLeWORK: Mentiras con Cariño [4:01]RECORDING: Live for the Soundcheck Podcast, Aug. 2025SOURCE: This performance not commercially available. INFO: The tune appears on Boleros PsicodélicosARTIST: Brandee Younger Trio WORK: BBL  [5:26]RECORDING: Live for the Soundcheck Podcast, July 2025SOURCE: This performance not commercially available. INFO: The tune appears on Gadabout Season

Hear music by Portuguese fado singer Carminho; Grammy-winning classical quartet Third Coast Percussion performing music written for them by the late Indian tabla master Zakir Hussain; and Ethiopian-born singer and bandleader Meklit's blend of jazz, pop, and soul. Also, music from Chicago-formed, New York-based American rock band Horsegirl; and the quartet Les Égarés, who are Ballaké Sissoko (kora) and Vincent Segal (cello) and Vincent Peirani (accordion) and Émile Parisien (sax). They combine chamber music, French chanson, West African folk, and jazz in a fluid and “wandering” mix of styles.