Soundcheck

Listen to a Juneteenth edition of the Soundcheck Podcast, with music celebrating African-American culture and history. Juneteenth marks the day that the enslaved people of Galveston, Texas learned that they were legally free -  June 19, 1865. Hear music from Igmar Thomas' Revive Big Band – a blend of jazz, neo-soul, funk, blues, and hip hop – which showcases the deep roots of Black American Music; composer and electronic artist Jlin; the slide blues guitar of Jontavious Willis; American roots artist Valerie June; hip-hop production meets contemporary classical in music by W4RP Trio; and the country-soul of The War and Treaty.The War and Treaty – “Mr. Fun”Jontavious Willis – “Ghost Woman”Valerie June – “Endless Tree”Igmar Thomas' Revive Big Band - To Kinda Lounge Around ft. Raydar EllisJlin – “Precision of Infinity”W4RP Trio & LiKWUiD – "Here's One"

Guitarist Marc Ribot has established himself as one of the most versatile , distinctive, in-demand guitarists anywhere. He's played with Tom Waits, Marianne Faithfull, Elvis Costello, and dozens, maybe hundreds of others, and led his own bands that have touched on jazz, Cuban music, no wave, and more. But now, with his new album, "Map of a Blue City", we get another side of Marc Ribot: he sings. The album incorporates recordings made over nearly half of Ribot's life. Some of the songs were decades in the making, going from demos and home recordings in the 1990s to at one point in 2014 recording with his friend, the legendary producer Hal Willner, who died in 2020. Ribot had shelved the project several times, but the songs just wouldn't leave him alone. Finally working with producer and guitarist Ben Greenberg, they found was a way to reconcile the intimate recordings and previous choices – adding overdubs and taking things away. Ultimately, Ribot says “There are some hard truths and cold observations in these songs. I wanted the room to be small enough so that we couldn't turn away: but warm enough to feel like you're hearing it from a friend.” Ribot plays some of these tunes in-studio.  Set list: 1. Elizabeth 2. Death of a Narcissist 3. Bella Ciao 

The melodic power pop band OK Go, as much a visual art ensemble as they are a rock band, has just released its first new album in over a decade. It's called And The Adjacent Possible, and it's full of relatively small songs with some really big ideas.  It also means there are some new entries into the catalog of how-did-they-do-that videos that OK Go has become famous for. The band plays new songs and an oldie in-studio for the Soundcheck Podcast - sans treadmills. Set list: 1. A Stone Only Rolls Downhill 2.This Too Shall Pass 3.Love

The string quartet known as Brooklyn Rider features the usual two violins, viola and cello.  And that's about all that's usual with this band. Over the past two decades they have played with Yo Yo Ma and the Silk Road Ensemble, Mexican singer Magos Herrera, Irish fiddler Martin Hayes, and banjo wiz Bela Fleck.  They've commissioned a bunch of new pieces, and now, to celebrate their 20th anniversary, they've released a new record called The Four Elements - a wide range of music from the past and the present which is representative of, or directly inspired by Earth, Air, Fire, Water. And in parallel, the record is also designed to raise the alarm and bring “attention to the powerful forces of climate change which represent the single greatest challenge of our time”, (Bandcamp). Brooklyn Rider plays new works and an older piece, in-studio.Set list: 1. Colin Jacobsen - A Short While To Be Here... - I. Whoa, Mule!  2-3 Colin Jacobsen - A Short While To Be Here... - IV.- The Old Cow Died-V. Little Birdie," 4.Osvaldo Golijov: Tenebrae

Kentucky-based singer and songwriter S. G. Goodman blends a deeply-rooted Americana sound with indie rock and sharply observed tales of life, love and loss. Her songs acknowledge the poverty, violence, and homophobia of the region while celebrating its beauty and the strength to be found in family, friends, and storytelling. Her new album, Planting By The Signs, (due out June 20), is named for an ancient farming tradition that still exists in parts of the South, where the position of the moon as it moves through the signs of the zodiac determines when it's a good time to plant crops. Goodman previews some of these new songs, in-studio.Set list: 1. I'm in Love 2. Fire Sign 3. Heat Lightning

The brass and dhol-led party band Red Baraat began as a Punjabi wedding band here in New York, but for the past 15 years they've brought their raucous energetic dance sound to everyone through a series of well-received albums and their memorable live shows. Drummer and bandleader Sunny Jain, infused the band with the sounds of his upbringing: music of the South Asian diaspora (Bollywood soundtracks, Jain Bhajans (devotional songs), and Bhangra ) injected with go-go, jazz, and rock. Red Baraat plays in-studio to celebrate their 15 year anniversary and the release of their new album, Bhangra Rangeela. Set list: 1. Bhangra Rangeela 2. Thums Up 3. Zindabad

Denver-born songwriter, guitarist, singer, activist, and performer Jill Sobule, is possibly best-known because of her breakthrough hit of “I Kissed a Girl” (pre-dating Katy Perry by more a decade), and “Supermodel,” the anthem from the film Clueless. In her over seven albums, the troubadour has "mused on topics such as the death penalty, anorexia, shoplifting, reproduction, the French resistance movement, adolescence and the Christian right." She has also written music for TV and theater, been active in numerous social and political causes, and been a pioneer in the art of crowdfunding.On her 2018 album, Nostalgia Kills, released on her own Pinko Records, the songwriter/composer tackles adult topics, and looks back without sentimentality to “exorcise some junior high school demons.” The late Jill Sobule and her band joined us to perform some of these songs in-studio in 2018. (From the Archives.) - Caryn HavlikSet list: 1. Where Do I Begin 2. Island of Lost Things 3. I Don't Wanna Wake Up

Since releasing his first solo album in 2010, William Tyler has become associated with the so-called cosmic country style – his music has tended to be expansive, atmospheric, clearly rooted in Americana but with an experimental edge. Now comes Tyler's new record, Time Indefinite – an album that might, paradoxically, be his most modern or avant-garde sounding. “Crafted by razor blade and chainsaw, it's destructive and hopeful, a mirror and a dream, internal and external, unsettled and peaceful, non linear and all at once, analogue and digital, broken and repaired then broken again, surprising and nostalgic, but it's a product of its time, definitely”, (Jake Davis, via Instagram.) William Tyler, along with producer, engineer, and synthesist Jake Davis play some of the songs, in-studio. Set list: 1. Star of Hope 2. Anima Hotel 3. Concern 

The artist, producer, and educator Jlin, born Jerrilynn Patton, first came out of the electronic dance music scene – specifically, the Chicago style of house music known as footwork. But she's also become a sought-after composer, and one of her works was a finalist for the Pulitzer Prize. Her collaborators include Icelandic pop star Bjork, composer Philip Glass, experimental electronic musician Holly Herndon, dance companies, and lots more. Jlin's unsettled rhythms, unexpected samples, and surprising sonic effects are layered, and played live (!) when she performs. Jlin joins us to play a set of pieces that draw on her typically bewildering array of sound sources, including a piece in six, “Iris”.Set list: 1. B12 2. Iris 3. The Precision of Infinity

Macie Stewart is a multi-instrumentalist, singer, and composer who's been a key player in the Chicago music scene, and a go-to collaborator for her string arrangements for pop stars like SZA, or playing with leading improvisers like Makaya McCraven or touring with Japanese Breakfast. Her current project is an album called When Distance Is Blue, full of atmospheric and cinematic works, soundscapes really, that feature prepared piano, field recordings, strings and more. These soundscapes make music out of the places in-between, inviting a careful listen to one's surroundings, and allowing space for the silence and boredom. Macie Stewart, along with violinist gabby fluke-mogul, play some of these works, in-studio.Set list: 1. I Forget How to Remember My Dreams/Tsukiji 2. Mouthful of Glass 3. Murmuration/Memorization

Because she is the daughter of Ravi Shankar, perhaps the most famous Indian classical musician of the past century, Anoushka Shankar is associated with that style of music. But though she plays the sitar, and does indeed play Indian ragas in the style of her illustrious dad, she has also drawn on jazz, flamenco, various world and electronic music traditions, and more. Her new record, We Return To Love, is the conclusion of a trilogy of EPs. The masterful sitarist, film composer, and impassioned activist Anoushka Shankar presents the third chapter in her current trilogy of mini-albums, which explores her fascination with Goa Trance. She and her band perform live at National Sawdust, as part of the Grammy Museum's series, "A New York Evening With".Set list: Stolen Moments, New Dawn, Hiraeth, We Burn So Brightly, Amrita, Daybreak

The fiddler Mark O'Connor is probably best known for his million-selling Appalachian Waltz project – a kind of chamber/folk album with famed cellist Yo Yo Ma and bassist Edgar Meyer. Mark has also written string quartets, concertos, and orchestral pieces – and they all come from the same place as his solo fiddle sets – everything is rooted in the sounds of American music, especially bluegrass. Maggie O'Connor is also a fiddler, and singer, who moves easily between those two worlds, and together, this husband-and-wife team have been touring with a program called Beethoven and Bluegrass. There's no Beethoven today for this session, but hear some O'Connor classics, old and new, in-studio. Set list: 1. Limerock 2. We Just Happened To Fly 3. Appalachia Waltz

The fiddler Mark O'Connor is probably best known for his million-selling Appalachian Waltz project – a kind of chamber/folk album with famed cellist Yo Yo Ma and bassist Edgar Meyer. Mark has also written string quartets, concertos, and orchestral pieces – and they all come from the same place as his solo fiddle sets – everything is rooted in the sounds of American music, especially bluegrass. Maggie O'Connor is also a fiddler, and singer, who moves easily between those two worlds, and together, this husband-and-wife team have been touring with a program called Beethoven and Bluegrass. There's no Beethoven today for this session, but hear some O'Connor classics, old and new, in-studio.Set list: 1. Limerock 2. We Just Happened To Fly 3. Appalachia Waltz

Since 1981, Welsh musician Mike Peters has been the voice of the hit-making British band The Alarm. After the band split up in 1991, Peters wrote and released solo work, before reconstituting The Alarm in 2000, (Wikipedia.) Since being diagnosed with a rare form of leukemia in 2005 (he is also co-founder of the Love Hope Strength Foundation), Mike Peter's career has been largely determined by the cycle of remission and relapse. But to listen to The Alarm's 2023 album Forwards, and you'll hear a man whose songwriting is as anthemic as ever, and, yes, determinedly forward looking. Mike Peters played some of these new songs, as well as one of the band's old hits, on acoustic baritone guitar, in-studio. (From the archives, 2023.) Set list: "Forwards", "Next", "The Stand" Watch "Forwards": Watch "Next": Watch "The Stand":

King Hannah is an indie-rock duo from Liverpool consisting of singer and songwriter Hannah Merrick and guitarist Craig Whittle. Their latest album, Big Swimmer, seems to be the result of Merrick's observations after touring around the United States, where it wasn't the big cities or expansive vistas that inspired her songs, but the little moments and conversations and observations – details that inspire songs that can be drily funny, unsettling, or both. She also toggles between a kind of pitched speech and outright singing over moody electrified rockenroll - sometimes fuzz-drenched, sometimes jangly. King Hannah plays in-studio. Set list: 1. New York Let's Do Nothing 2. Crème Brûlée 3. Big Swimmer

Bab L'Bluz is a French-Moroccan band playing a distinctive band of rock, one that's built on the sounds of North and West African music, and on the Blues. The band was born from the dream of propelling Guembri (the Gnawa's guitar) on the international music scene of contemporary music, and has expanded to include electric mandole and electric ribab. They've released two albums on Peter Gabriel's Real World record label, the most recent of which is called Swaken – kind of a “Losing yourself to find yourself” trance state, (Bandcamp's Swaken liner notes.) Bab l'BLuz plays their “Hot Psychedelic Gnawa Blues!”, in-studio. Set list: 1."Ila Mata" 2."Imazighen" 3."IWAIWA FUNK"

Aotearoa singer/songwriter Marlon Williams'(Kāi Tahu, Ngāi Tai) is a singer and songwriter from Lyttleton, New Zealand. He's spent this past decade creating a personal blend of country, indie, and folk music; and he's been an actor, and makes an appearance in the film A Star Is Born. But his new album is something different – maybe not musically, but Marlon Williams is from a Maori family and has chosen to sing in the Maori language on his new record, called Te Whare Tīwekaweka. He's also the subject of a new documentary film, which follows Williams through international tours to quiet home life, all while working on the album. Marlon Williams chats about his journey with his ancestral tongue, his collaborators, and the process of writing his first te reo Māori album; he plays solo, in-studio. Set list:  1. Aua Atu Rā 2. Kāhore He Manu E 3. Pānaki

Immersion consists of the husband and wife team of Colin Newman, who you may know from the veteran English rock band Wire, and Malka Spigel from the band Minimal Compact. And Nanocluster is the name of a series of collaborations between the Immersion and various guests (Laetitia Sadier, German post-rock duo Tarwater, electronic musicians Ulrich Schnauss and Scanner, and others.) Vol. 3 of Nanocluster features the NY-based ambient country band called SUSS. The veteran musicians of SUSS - Pat Irwin (the B-52s, Raybeats, 8 Eyed Spy), Bob Holmes (numun, Rubber Rodeo), and Jonathan Gregg (the Combine, the Linemen) - combine pedal steel, mandolin, national steel guitar, and other textures with electronics to create their wide open sonic landscapes, (Swim). Immersion and SUSS play music from their open-minded and atmospheric explorations, in-studio. Set list: 1. Khamsin 2. In The Far Away 3. State of Motion

The British cellist, producer, and composer Peter Gregson has collaborated with some of the biggest names in contemporary music, including Max Richter, Gabriel Prokofiev and Jóhann Jóhannsson.  His own work includes soundtracks for film and TV, electroacoustic works, and a series of string quartets. Daringly, he has also “recomposed” J.S. Bach's six cello suites for himself, a cello ensemble, and electronics. His latest album, Peter Gregson, is collection of contemporary songs without words for cello and a modular synthesizer that he built out himself. Peter Gregson plays some of these songs in-studio.  Set List: 1. Prism 2. Constellation 3. Vision

The Indian-born tabla player and composer, teacher, and advocate Zakir Hussain, son of Ustad Alla Rahka, who passed away in late 2024, wasn't just a virtuoso improviser - he was one of the world's exceptional percussionists, working in many genres, and was the world's preeminent tabla master. He was a great communicator in many musical languages, including jazz, Afro-Cuban rhythms, Nigerian talking drums, or Indonesian gamelan; he was also a great listener and a bringer of joy (editor can't help herself.) One of the most exciting ways that Zakir Hussain shared tabla specifically, and percussion more broadly was by way of the Masters of Percussion Tour – which was exactly as stunning and marvelous as a music fan (especially a drum nerd) might ever imagine. Zakir turned the tabla into a global instrument by way of his incredible collaborations, playing with everyone from George Harrison to Mickey Hart of the Grateful Dead, from John McLaughlin's Shakti and Yo Yo Ma's Silk Road Project; he's laid down beats for Scottish fiddlers Charlie McKerron (Capercaillie) and Patsy Reid (formerly of Breabach); played concertos with western orchestras, with and without banjo player Bela Fleck and bassist Edgar Meyer, and performed and recorded with scores of Indian classical musicians. Zakir Hussain enjoyed the different challenges that each new collaborator “will throw at him”. For this edition of the Soundcheck Podcast, Ustad Zakir Hussain joined Pandit Rahul Sharma, the son of illustrious santoor master Pandit Shivkumar Sharma, who established the pedigree of the santoor within Indian Classical Music. Pt. Rahul Sharma has since built on his father's style, “taking the santoor to new corners of the world”, (Darbar.org). Rahul Sharma has also collaborated widely across genres, having released some 60 albums, split between classical Indian music and more experimental recordings. Rahul Sharma and Zakir Hussain played in-studio in Oct of 2024, just about six weeks before Hussain passed away. - Caryn Havlik Set list: 1. Dhun: Misra Pahadi 2. Dhun Keharwa Sharma explains the roots of the santoor, and gives a quick demonstration of its 94 strings which require precise tuning:  Zakir Hussain also gave an intimidatingly fast explainer of some of the syllables of tabla, what the left and right hand might do, with unbelievable and impressive speed: See their performances:    

The Nigerian singer, songwriter and bandleader and Seun Kuti keeps alive the Afrobeat tradition founded by his legendary father, Fela Kuti, back in the 1970s. In fact, when Fela died in 1997, it was Seun, his youngest son, who took over the band, now called Egypt 80. Like his late father, Seun Kuti takes on topics like government corruption and corporate greed in his songs, setting his lyrics and his blazing sax solos to an insistent dance beat. Seun Kuti and Egypt 80 play tunes from their most recent album, Heavier Yet (Lays The Crownless Head), in-studio. Set list: 1. Stand Well Well 2. Love and Revolution 3. Emi Aluta

New York-based Ruckus is an early music ensemble that plays with the energy of a rock band. Most early music groups feature instruments like the harpsichord and the viola da gamba, and Ruckus does too, but you'll also hear synthesizer, guitar, bassoon, bass, and near Eastern frame drums. And on their new album, The Edinburgh Rollick, they focus on traditional Scottish folk songs and dances.  Set list: 1. The Gigg Set (Cairngoram Mountain, The Gigg, Lady Charlotte) 2. Robie Dona Górach 3.The Forrests Set (Lord Elcho, Dunkeld House, Forrest's)

CocoRosie -the band founded by the sisters Sierra and Bianca Casady – blends elements of pop, freak folk and electronic music into a distinctly personal, idiosyncratic sound. The sisters use their voices, electronics, and found sounds – usually the sounds of toys – to make songs that can be whimsical, provocative, haunted, beautiful - sometimes all at once. CocoRosie plays new songs from their latest album, Little Death Wishes, in-studio. Set list: 1. Wait for Me 2. Cut Stitch Scar 3. Paper Boat 4. Give It to the Wind Little Death Wishes by CocoRosie

In 2010, we first fell under the spell of an extraordinary duo: Ballaké Sissoko, master of the West African harp or kora, and Vincent Segal, the French cellist. After a couple of albums together they added another duo, accordion virtuoso Vincent Peirani and sax player Emile Parisien, and that quartet has released an album called Les Egarés – those who stray – an apt name for a band that refuses to color within the lines. There is a unity and fluidity in the way the players listen without competing, return musical answers to questioning phrases, and maintain fluidity and a sense of play. The quartet, “a poetic asylum for the two duos” (Bandcamp) – where chamber music, French chanson, West African folk, and jazz all mix freely -  is performing here in the U.S. on tour for the fist time, and they play in-studio. Set list: 1. Esperanza 2. Orient Express 3. Banja

Harpist, soloist, collaborator (Harlem Chamber Players), educator, and arranger Ashley Jackson's brand new album is called Take Me To The Water.  In the American spiritual tradition, water is a powerful metaphor for freedom and for moving from this life to the next. Jackson's record takes listeners on a watery journey through works by Debussy, the jazz harpist Alice Coltrane, blues, and some classic spirituals. As Jackson declares in a statement about the record, ”Water is something that we all need. It sustains us, it gives us life. Take Me to the Water reminds us we have a choice: we can let water be the thing that divides us, or, it can allow us to come together through our shared humanity.” She plays some of her arrangements of spirituals on a sculpted maple harp, in-studio. Set list: 1. River Jordan 2. Deep River II 3. Take Me to the Water I

New York composer and guitarist Rafiq Bhatia is part of the art rock band Son Lux, the experimental trio best-known for scoring the film Everything Everywhere All At Once. His new EP – his first new solo project in 5 years - features pianist and improviser Chris Pattishall and is called Each Dream, A Melting Door. In their electro-acoustic songs, Rafiq alters the audio output from his guitar in real time with effects software, while Chris responds at the keyboard - although sometimes Chris will lead the exploration. ("It's basically a set of works for a piano that sounds like a piano and a guitar that sounds like anything and everything else", -John Schaefer.) The longtime friends and collaborators play some of their filmic, sculpted, and evolving soundscapes, in-studio.  Set list: 1. Occlusion 2. Ijen 3. Supplicant

Jan Blomqvist is part of the legendary electronic music scene in Berlin – but he's also a singer and producer, so his take on techno and house music is more song-oriented than many of his fellow DJs. One thing that sets Blomqvist apart is that he makes music in the studio with an eye towards live performance, earning him a description of “concert techno”. His latest album, MUTE, is about a generation that has grown up with apparently unlimited connectivity but still feels disconnected (which is also the name of his record label.) Sometimes the songs grow from and explore silence, (not just the space before the beat drops), while others create hope in dark and uncertain times. There's even a song that tells the love story between a human and an AI, like in the film HER, or the recent novel Annie Bot. Jan Blomqvist lays down pulsing energy and haunting vocals, in-studio. Set list: 1. Destination Lost 2. Underwater 3. Algorithm

German producer & multi-instrumentalist Aukai, aka Markus Sieber, grew up in the former East Germany, but his travels have taken him through Latin America, and he is now based in Colorado. "Aukai" is a Hawaiian term for a seafaring traveler, and on 2018 record, Branches of Sun, he has captured a certain nomadic wanderlust which might connect a listener to a certain peace of being in nature, high in the mountains. With an ensemble that centers on the South American ronroco, a kind of mandolin-like lute, (“the bigger brother of the charango”), harp, violin, percussion and electronics, Aukai and Ensemble perform some of his electro-acoustic creations, in the studio. (From the Archives, 2018.) Watch the complete live session:

With her clever guitar playing and powerful stories, Oklahoma-based Cherokee singer and songwriter Ken Pomeroy draws on brutal honesty and the songwriting skills she has honed since she was 11 years old. She's already found herself on the big screen and small when her song “Wall of Death” made its way onto the Twisters soundtrack, while Hulu's Reservation Dogs featured her soul-mining gem, “Cicadas.” Pomeroy touches on her Native American heritage (mentioning coyotes – a troubling omen) and somewhat painful, personal past, as she plays songs from her album Cruel Joke (due in May 2025), in-studio. Set list: 1. Stranger 2. Days Getting Darker 3. Flannel Cowboy

Syrian clarinetist and composer Kinan Azmeh has been based here in New York for many years. His music is an organic mix of East and West, of classical composition, jazzy improvisation, and Near Eastern music traditions. He's played with the Silk Road Ensemble and lots of other groups large and small, but the one we see him with most often is his Arab-Jazz Quartet known as CityBand – all one word. It's a band where Azmeh's stirring and expressive clarinet meets Kyle Sanna's rustic guitar, soaring at times over the dynamic and volatile backdrop of John Hadfield's percussion and Josh Myers' bass. Along with some talk about his homeland of Syria, apricot trees, and (of course), soccer, Kinan Azmeh and CityBand play some of the music from their latest album, called Live In Berlin, in-studio. Set List: 1. Daraa 2. Jisreen 3. Wedding  

The War And Treaty is built around the husband and wife team of Michael and Tanya Trotter, who've spent the past decade honing their own, often jubilant blend of country and soul. Their new album is called Plus One, and features touches of jazz, bluegrass, blues, even a nod or two to hip hop. There are some songs involving whiskey, a few nods to Ray Charles, and a powerful Muscle Shoals sound. The War And Treaty play some of their new music, in-studio. Set list: 1. Carried Away 2. Mr. Fun 3. Leads Me Home

Third Coast Percussion is a Grammy-winning classical quartet based in Chicago. They're all composers themselves, but they've also worked with a wide variety of other composers, including Philip Glass and the late great tabla player Zakir Hussain. Their new EP, Murmurs In Time, features Zakir's work of that name, and he was supposed to join Third Coast Percussion here today, but as you may know, he passed away in December. This Soundcheck studio premiere of the work features a disciple of Hussain's, Salar Nader. We'll also hear an excerpt from another work written for Third Coast Percussion, by Tigran Hamasyan, the Armenian jazz pianist and composer. Oh – and it's in 23/8, for anyone counting along. (-John Schaefer) Set list: 1. Tigran Hamasyan – Sonata for Percussion, 3rd Mvmt. – “23 for TCP” 2. Zakir Hussain: Murmurs In Time – second mvmt.

The singer Sachal Vasandani has become known for his distinctive takes on jazz standards, and for his wide ranging covers, from Bob Dylan to Billie Eilish. But Sachal is also a songwriter himself, and his new album, Best Life Now, is largely a collection of original songs musing on stories of sensuality, heartbreak, and other love struggles. Sachal Vasandani and his band play some of those songs, imbued with warmth and soulful groove, in-studio. Set list: 1. Best Life Now 2. Don't Give up On Me 3. Call Me Best Life Now by Sachal Vasandani

Spanish singer and songwriter Victoria Canal mixes pop styles, from bangers to weighty tunes with thoughtful, often probing, occasionally flirty lyrics, which revolve around her own complicated identity. She won two of Britain's prestigious Ivor Novello Awards, famously sang with Coldplay at last year's Glastonbury Festival, and had released a pair of EPs that marked her as a distinctive songwriter.Her latest LP, Slowly It Dawns, sparkles with wisdom hard-learned, and allows space for heavy feelings, all with a sense of light-hearted play. Victoria Canal plays some of these songs, in-studio. Set list: 1. Vauxhall 2. Black Swan 3. 15% 

The rapper and songwriter Brother Ali has been releasing his distinctive brand of hip hop since the turn of the century – music that combines pointed social commentary, nerdy music references, and the veteran producer Ant's maximalist, often playful beats. Brother Ali's brand new LP is called Satisfied Soul, and on it, there is wisdom, self-reflection and unflinching critique, rooted in hope and defiance. Brother Ali and Ant perform live, in-studio.  Set list: 1. D.R.U.M. 2. Name Of the One 3. Handwriting Satisified Soul by Brother Ali

The band Horsegirl is three best friends from Chicago who began playing together while still in high school. But their 2022 debut album, Versions of Modern Performance, showed a band that already had a distinctive sound that showed that DIY didn't necessarily mean simple. With two of the three musicians now attending NYU, the band has moved here to New York. Taking a break from Antigone and Oedipus, they're here to play some songs from their new album, called Phonetics On And On. Horsegirl plays in-studio. Set list: 1. Where'd You Go 2. Switch Over 3. 2468 Phonetics On and On by Horsegirl

Sam Amidon is a folk fiddler, multi-instrumentalist, and singer from New England who now lives in Old England. He's become known for his inventive and often surprising arrangements of folk songs from both sides of the Atlantic. But he's also someone who refuses to stay in his lane. So you could call his new album, Salt River, a collection of folk songs - if your definition of folk song is broad enough. Sam Amidon and multi-instrumentalist Chris Vatalaro expand folk tunes – shape note anthems, murder ballads, traditional songs - and play in-studio. Set list: 1. Three Five 2. Golden Willow Tree 3. I'm On My Journey Home

Amayo is the Nigerian-born, Atlanta-based singer and songwriter who was the longtime front-person for the band Antibalas. Now out on his own, Amayo continues to create his own distinctive take on the Afrobeat sound pioneered in the 1970s by the legendary Fela Kuti. But Amayo's songwriting and his live performances are also deeply affected by his longtime Kung Fu practice - he is a senior master (Sifu) of the Jow Ga Kung Fu School of martial arts. AMAYO's new solo album is called Lion Awakes, and he and his big band play some of the high-energy tunes, in-studio. Set list: 1. Lion Awakes 2. Black Magic Sister

The South African-born, UK-based cellist Abel Selaocoe doesn't really cross musical boundaries – he ignores them entirely. He'll play Bach cello suites, but he also writes music that draws on the throat singing and instinctive vocalizations of his South African heritage, as well as works with electronics, cello preparations, and site-specific sound installations. And sometimes, he'll create a performance that seems to be all of them at once. He has a new album coming called Hymns of Bantu, due on February 21. Abel Selaocoe plays some of those pieces, solo, in-studio.  Abel Selaocoe appears courtesy of Warner Classics  Set list: 1.Ka Bohaleng 2. Les Voix Humaines/Tsohle Tsohle 3. Dinaka

The English band Wunderhorse now have two albums under that name, although the first of them, 2022's Cub, was essentially a solo album by vocalist and songwriter Jacob Slater. Their latest, called Midas, came out this past fall to rave reviews and is very much a portrait of a band who can capture a visceral feeling in their recorded music that is "very imperfect, very live, very raw; no frills". Slater and the band take you where “Something is coming but you don't know what it is and you can't stop it,” (Black Arts PR). Wunderhorse plays in-studio.  Set list: 1. Midas 2. Rain 3. Teal

Richard Reed Parry is perhaps best known as the really tall, really redheaded guy playing half a dozen instruments in the Grammy-winning band Arcade Fire. But he's also a founder of the instrumental group Bell Orchestre, and a composer of contemporary classical music. In 2018, he visited the studio with a new project called Quiet River of Dust, and it was at least partly inspired by the psychedelic folk/rock scene in Britain in the late 1960's. He and Quiet River of Dust perform some of the musical meditations, in-studio. (From the Archives.)  Set list: 1. Finally Home 2. Song of Wood 3. I Was in the World (Was the World In Me?)

South African guitar virtuoso Derek Gripper plays music originally meant for the 21 stringed lute-harp, the kora, on his 6-string Segovia-styled guitar and does it so well that the world's leading guitarists and kora players keep wondering how one even does that. His original music is informed by kora masters Toumani Diabaté, Salif Keita, Estonian minimalist composer Arvo Part, Brazilian guitarist Egberto Gismonti and German Baroque innovator, J.S. Bach. Watch out, because he's about to collaborate with the Iraqi-American oud player and composer Rahim Alhaj. (Ed. note: just wait until the 11 or 13-strings of the oud and those maqams make it to the 6-string guitar in Gripper's hands!) For now, Gripper plays another unbelievable arrangement of a Malian kora song, as well as an original song informed by the cascading style of kora music, plus some of the second cello suite by J.S. Bach, in-studio. - Caryn HavlikSupplemental Reading: The Beauty of Everyday Things, In Search of Lost TimeSet list: 1. Alla L'a Ke 2. Moss on the Mountain 3. J.S. Bach: Prelude BWV 1008 (Second Cello Suite) BALLAKÉ SISSOKO AND DEREK GRIPPER by Ballaké Sissoko and Derek Gripper Everyday Things: Bach's Second Cello Suite BWV 1008 by Derek Gripper