Podcasts about gershwin

Steve Moffic, MD (aka Dr Jazz) joins Jon in a wide-ranging conversation about cults, bullying, race, culture, jazz and Uncle Tom Cobley and all (and all).Here's the NYT editorial that started the convoBuy Jon's Opening Our Mindsand Jon's latest book, If Scientology Ruled the WorldAnd listen to a free sample hereJon's translation of Tao Te Chingget your FREE predator poster download hereSpike's note: Although many sources cite Gershwin's "Summertime" as the most recorded song of all time, other sources say that the record is held by McCartney's "Yesterday", or "Amazing Grace", or even "Silent Night."

A primeira do ano a gente nunca esquece. E o Boia começa 2026 em modo de expansão de um dos melhores episódios do final de 2025, onde entrevistamos Nelson Machado, criador e patrocinador do Waimea 5000. Achamos um estudo acadêmico sobre o impacto da etapa brasileira do circuito da IPS na imprensa internacional, que rendeu pano pra manga e papo pra horas. Ainda falamos das mudanças de patrocínio de campeões mundiais brasileiros e prestamos homenagem ao melhor de Brigitte Bardot, sem esquecer que toda cara bonita pode não passar de fachada. Nas orelhas, soltamos Smoove com The Revolution Will Be Televised, o clássico de Gershwin, Summertime, nas cordas de nylon da Rosinha de Valença, e a comovente Naquela Mesa, nas cordas vocais de Nélson Gonçalves

Al Jolson packed at least eight bars of ten Gershwin songs in this 4 minute excerpt of his Colgate radio broadcast of 5 Jan 1943. He ended it with a rousing "Strike Up The Band" addressed to the wartime audience. Much more material is in the complete program. The complete broadcast recording, along with other Jolson radio shows circulates on the Official Al Jolson Website at www.jolson.org.

Host Scot Bertram sits down with Hyperion Knight, concert pianist and distinguished fellow at Hillsdale College, and discusses the newest Hillsdale College online course: “The History of Classical Music: Chopin through Gershwin.” Also, we count down the most popular episodes of 2025. See omnystudio.com/listener for privacy information.

Host Scot Bertram sits down with Hyperion Knight, concert pianist and distinguished fellow at Hillsdale College, and discusses the newest Hillsdale College online course: "The History of Classical Music: Chopin through Gershwin." Also, we count down the most popular episodes of 2025.See omnystudio.com/listener for privacy information.

La Voz Humana en la Música - Porgy and Bess de Gershwin by Radiotelevisión de Veracruz

Al Jolson was a guest on the Bing Crosby program, and made his entrance with this spirited version of George Gershwin's "Swanee." Much more material is in the complete program. The complete broadcast recording, along with other Jolson radio shows circulates on the Official Al Jolson Website at www.jolson.org.

durée : 00:26:08 - " Tip Toes " de George Gershwin, qui célèbre ses 100 ans. - Le 28 décembre 1925, il y a 100 ans, George Gershwin créait "Tip-Toes", un nouveau succès après "Rhapsody in Blue" et "Lady, Be Good!". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Wenn Mitglieder der Wiener und Berliner Philharmoniker zusammen musizieren, erwartet man höchste Perfektion. Die Philharmonix würzen Präzision und Klangfülle aber noch mit einer saftigen Prise Experimentierfreudigkeit und mixen Bach mit Queen, Strauss mit Gershwin, Saint-Saëns mit Mancini. Musikalischer Humor und höchste Kunst müssen sich eben nicht ausschließen.

durée : 00:25:20 - Autour de George Gershwin - Alors que sort en podcast la saga Gershwin, nous recevons son auteure Saskia de Ville, le journaliste Lionel Eskenazi et le pianiste Paul Lay. De quelle façon le compositeur new-yorkais est-il parvenu à fusionner classique et jazz ? Comment est-il devenu le père de la musique américaine moderne ? Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:57:45 - Musique matin du jeudi 18 décembre 2025 - par : Jean-Baptiste Urbain - Alors que sort en podcast la saga Gershwin, nous recevons son auteure Saskia de Ville, le journaliste Lionel Eskenazi et le pianiste Paul Lay. De quelle façon le compositeur new-yorkais est-il parvenu à fusionner classique et jazz ? Comment est-il devenu le père de la musique américaine moderne ? - réalisé par : Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Born in Taiwan, raised in Austria, and educated in Europe and America, Pianist Jenny Lin has built a vibrant international career, notable for innovative collaborations with a range of artists and creators. In recent seasons, Jenny has performances – both digital, and in person – for Washington Performing Arts; at Hudson Hall performing the American premiere of William Bolcom's Suite of Preludes; at Boston Conservatory's piano series; at Little Island in NYC; and at Winnipeg New Music Festival. She now serves as director of music for The Phillips Collection in Washington, DC.Recently, she performed a recital of Philip Glass's music for the Morris Museum – a continuation of a close collaboration with Glass, with whom she has appeared regularly since 2014.  This experience has inspired the creation of her own commissioning initiative, The Etudes Project, in which she works with a range of living composers to create new technical piano etudes, pairing each new piece with an existing etude from the classical canon.  Her catalogue includes more than 50 albums.A passionate advocate for education, Jenny created “Melody's Mostly Musical Day“, a musical album and picture book for children, following the adventures of an imaginative little girl from breakfast to bedtime, told in a collection of 26 classical piano works from Mozart to Gershwin.  We'll hear some of these in this episode.Fluent in English, German, Mandarin, and French, Jenny Lin studied Noel Flores at the Hochschule für Musik in Vienna, with Julian Martin at the Peabody Conservatory in Baltimore, and with Dominique Weber in Geneva. She has also worked with Leon Fleisher, Richard Goode, and Blanca Uribe, and at Italy's Fondazione Internazionale per il pianoforte with Dimitri Bashkirov and Andreas Staier. In addition to her musical studies, Lin holds a bachelor's degree in German Literature from The Johns Hopkins University. Jenny Lin currently resides with her family in New York City and serves on the faculty of Mannes College The New School for Music.

'Tis the season to celebrate Christmas with the St. Louis Symphony Orchestra! Peter Henderson (SLSO Principal Keyboard player joins Andy and Sarah to talk about his time with the SLSO, what he loves about playing Christmas programs with the SLSO, what makes these programs so special for the St. Louis community, and the line up for this year's celebration. Learn more about how you can attend at slso.org. -------------------------------------------------------------------------- Handel's Messiah | Joyful Praise Friday, December 12, 7:30 CST Saturday, December 13, 7:30 CST Sunday, December 14, 3:00 CST   Nicholas McGegan, conductor Sherezade Panthaki, soprano Sara Couden, contralto (SLSO debut) John Matthew Myers, tenor Philippe Sly, bass-baritone St. Louis Symphony Chorus | Erin Freeman, director   G.F. Handel's Messiah:   G.F. Handel's Messiah has stood the test of time. Originally written as a retelling of Jesus' life through text compiled from the King James Bible, the oratorio has gained prominence as a holiday favorite, especially the “Hallelujah Chorus.” Nicholas McGegan, one of the world's foremost experts on Handel's music, conducts the SLSO and St. Louis Symphony Chorus in this beloved holiday tradition. Joining McGegan is a quartet of vocal soloists, including soprano Sherezade Panthaki, mezzo-soprano Sara Couden in her SLSO debut, tenor John Matthew Myers, and bass-baritone Philippe Sly.   -------------------------------------------------------------------------- IN UNISON Christmas with the Clark Sisters Thursday, December 18, 7:30 CST Friday, December 19, 7:30 CST   Kevin McBeth, conductor The Clark Sisters, vocals St. Louis Symphony IN UNISON® Chorus | Kevin McBeth, director Repertoire and additional artists announced later. Supported by Bayer Fund.   A beloved holiday tradition for decades, the SLSO and St. Louis Symphony IN UNISON Chorus celebrate the season with soulful melodies of Christmas favorites. This year, the ensembles are  joined by gospel legends the Clark Sisters. This festive concert brings together a beautiful blend of gospel, jazz, and traditional holiday tunes. As a group, the Clark Sisters have won two Grammy Awards and are the highest-selling female gospel group in history. In 2020, the Clark Sisters were honored with the James Cleveland Lifetime Achievement Award at the 35th Annual Stellar Awards. In 2022, the group was inducted into the Black Music & Entertainment Walk of Fame.   -------------------------------------------------------------------------- Mercy Holiday Celebration Saturday, December 20, 2:00pm & 7:30pm CST Sunday, December 21, 2:00pm & 7:30pm CST Tuesday, December 23, 2:00pm CST   Stuart Malina, conductor Kennedy Holmes, vocals St. Louis Symphony Chorus | Erin Freeman, director Repertoire and additional artists announced later. Presented by Mercy.   Experience the magic of the holidays as St. Louis native Kennedy Holmes joins the SLSO to perform seasonal favorites and exciting twists on timeless classics. A cherished tradition, this festive performance promises to fill the air with cheer. From the joyous sounds of sleigh bells to new renditions of beloved tunes, this concert brings the holiday season to life in a way that only the SLSO and hometown favorite Holmes can. Holmes originally rose to fame during season 15 of the NBC hit show “The Voice” and has since performed with the SLSO several times.   -------------------------------------------------------------------------- Home Alone in Concert Saturday, December 27, 2:00pm & 7:00pm CST Sunday, December 28, 2:00pm CST   Joshua Gersen, conductor The St. Louis Children's Choirs | Dr. Alyson Moore, artistic director John Williams Home Alone   A true holiday favorite, this beloved comedy classic features renowned composer John Williams' charming and delightful score performed live by the SLSO. Macaulay Culkin stars as Kevin McCallister, an 8-year-old boy who's accidentally left behind when his family leaves for Christmas vacation and who must defend his home against two bungling thieves. Hilarious and heart-warming, Home Alone is fun for the entire family. The SLSO is joined by the St. Louis Children's Choirs for this holiday treat.   -------------------------------------------------------------------------- New Year's Eve Celebration Wednesday, December 31, 7:30pm CST   Stéphane Denève, conductor Stewart Goodyear, piano   Leonard Bernstein Candide Overture Georges Bizet Selections from L'Arlésienne Jacques Offenbach Excerpts from Gaîté Parisienne Orchestrated by Manuel Rosenthal George Gershwin Rhapsody in Blue Orchestrated by Ferde Grofé George Gershwin An American in Paris Revised by Frank Campbell-Watson   Break out the bubbly and ring in the new year in style with the SLSO's sparkling New Year's Eve Celebration, led by Music Director Stéphane Denève. Denève pays homage to two countries in this rousing program: his native France and his adopted home of the US, concluding with George Gershwin's An American in Paris, capturing the essence of his two home nations. Canadian pianist Stewart Goodyear returns to the SLSO for Gershwin's iconic Rhapsody in Blue. As you grab your morning coffee (and pastry, let's be honest), join hosts Andy Bates and Sarah Gulseth as they bring you stories of the intersection of Lutheran life and a secular world. Catch real-life stories of mercy work of the LCMS and partners, updates from missionaries across the ocean, and practical talk about how to live boldly Lutheran. Have a topic you'd like to hear about on The Coffee Hour? Contact us at: listener@kfuo.org.

'Plural' es el disco con el que el armonicista y compositor brasileño Gabriel Grossi celebra 25 años en la música: 'Motion' -con los teclados de Jacob Collier-, 'Nosso amor vadio' -con la voz de Zelia Duncan-, 'Banzo' -con el piano de Omar Sosa-, 'Paisagem' -con el clarinete de Anat Cohen-. 'Cacofonía' es el segundo disco del cantante, guitarrista y compositor brasileño Gabriel da Rosa, que vive desde hace años en Los Ángeles, California: 'Seu João', 'Abusei', 'Nunca mais', 'Menino indio'. Del disco a dúo de las cantantes Dee Dee Bridgewater y el pianista Bill Charlap 'Elemental' clásicos de Cole Porter como 'In the still of the night' o 'Love for sale' y de los Gershwin como 'S' Wonderful'. Escuchar audio

Clásicos del cancionero estadounidense de la primera mitad del siglo XX, de Rodgers y Hart, Irving Berlin, Harold Arlen, Jerome Kern o los Gershwin, adaptados al portugués por Carlos Rennó en grabaciones de Gal Costa ('Meu romance''), María Rita ('Encantada'), Moreno Veloso ('Tão fundo é o mar'), Erasmo Carlos ('Verão'), Emilio Santiago ('Estava escrito nas estrelas'), Paula Morelenbaum ('Nego'), João Bosco ('Sábio rio'), Seu Jorge ('Strange fruit'), Elba Ramalho, Dominguinhos & João Donato ('Tenho um xodó por ti'), Ná Ozzetti & Simoninha ('Queria estar amando alguém'), Luciana Souza ('O homem que partiu') y Zelia Duncan ('Mais além do arco-iris'). Escuchar audio

Ein gleitender Klarinettenaufschwung, der sich aus tiefem Grollen in helle Höhe erhebt, eröffnet George Gershwins «Rhapsody in Blue». Dieser markante Einstieg führt direkt in ein Werk, das bis heute als einer der erfolgreichsten Versuche gilt, Jazzidiom und klassische Form miteinander zu verweben. Die Idee zur «Rhapsody in Blue» soll Gershwin auf einer Zugfahrt gekommen sein – das rhythmische Rattern der Schienen inspirierte ihn zu den charakteristischen, energiegeladenen Motiven. Die Uraufführung 1924 wurde prompt zu einem Ereignis: Das Publikum reagierte begeistert auf diese neuartige Mischung aus orchestraler Klangpracht und jazzigem Drive. Annelis Berger bespricht mit der Dirigentin Graziella Contratto und dem Jazzpianisten Hans Feigenwinter fünf Aufnahmen dieses «Klassikers».

Disney legend Jodi Benson - the iconic voice of Ariel in The Little Mermaid - returns to The Art of Kindness with Robert Peterpaul to catch up on how kindness is showing up in her life and more. This episode covers: Learning self-kindness while leading a life of service. Working on new projects like Wingfeather Saga. Lessons learned from Ariel and Disney, plus more. JODI BENSON is best known around the world as the beloved voice of Ariel in the Academy Award-winning Disney feature film, The Little Mermaid. She also gave voice to Barbie in Disney/Pixar's Toy Story 2 and Toy Story 3 and delighted Disney fans with a surprise cameo in Disney's Live-Action The Little Mermaid, Disney's Enchanted and reprising her role as Ariel in Ralph Breaks the Internet. In 2011, Disney honored Jodi's contributions by making her a Disney Legend. An accomplished singer, dancer, and actress, Jodi made her starring role debut on Broadway, performing the iconic song "Disneyland" in the Howard Ashman/Marvin Hamlisch musical Smile. She earned a Tony nomination for her role as Polly Baker in the hit Gershwin musical Crazy for You. Still entertaining audiences across the country and around the world, Jodi is currently living in North Georgia with her wonderful husband, Ray. They enjoy spending time with their amazing children, their daughter Delaney, their son McKinley, and his wife Mackenzie. Follow Jodi: @jodi.benson Follow us: ⁠@artofkindnesspod⁠ / ⁠@robpeterpaul⁠ ⁠youtube.com/@artofkindnesspodcast⁠ ⁠Support the show⁠! (⁠https://www.buymeacoffee.com/theaok⁠) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

STANDARS SEMANAL.-HOT HOUSE.-VINILOSMITICOSDELJAZZ.-Tommy Flanagan-Overseas.JAZZACTUALIDAD.-CRISTINA AMILS-NOBODY ELSE Overseas es un álbum del pianista Tommy Flanagan , grabado con el bajista Wilbur Little y el baterista Elvin Jones en 1957. Fue el álbum debut de Flanagan como líder. Grabación y música El pianista Tommy Flanagan estaba de gira por Europa como parte de la banda del trombonista JJ Johnson en 1957 cuando se le dio la oportunidad de dirigir una sesión de grabación por primera vez.Del grupo de gira de Johnson, Flanagan contrató a Little y Jones para la sesión, que tuvo lugar en Estocolmo el 15 de agosto. Seis de las nueve piezas del álbum eran originales de Flanagan. Flanagan regrabó cinco de las selecciones del álbum en su álbum de trío de 1996 , Sea Changes , su última grabación de estudio como líder. Se trataba de sus composiciones originales "Beat's Up", "Delarna", "Eclypso" y "Verdandi", así como "Relaxin' at Camarillo" de Charlie Parker. CRISTINA AMILS-NOBODY ELSE Tras una larga y sólida trayectoria musical, la cantante de jazz Cristina Amils da un paso adelante y publica su primer disco al frente de su cuarteto de confianza. El álbum se presenta como un viaje musical íntimo y vibrante, fiel reflejo de la versatilidad artística y lingüística que define a Amils y su grupo. Las diez piezas del disco combinan la elegancia del jazz clásico —con estándares de referentes como Gershwin o Kern/Hammerstein— con incursiones en el blues, el bolso nuevo y la chanson francesa.

"Running the marathon and doing two Broadway shows in the same day — I've never felt more New York than that day." Did you hear about the man who ran the 2025 New York City Marathon and then went on to star in two performances of Wicked on Broadway that same day? That man is Jordan Litz, who is currently starring as Fiyero in Wicked on Broadway. He's the longest-running Fiyero in Wicked history, having performed the role more than 1,500 times. And two of those times were immediately after he crossed the finish line at his first marathon, the New York City Marathon. In this conversation, Jordan talks about how he pulled off this tremendous physical and mental feat — and how it felt to run 26.2 miles and then get through "Dancing Through Life," twice! FOLLOW JORDAN @litzjordan SPONSOR:  New Balance: Click here to get your hands on the just-released Rebel v5! In this episode: How Jordan is feeling post-NYC Marathon, and why he wanted to run a marathon and perform in two Wicked shows in one day (2:35) What it was like being spoofed on Saturday Night Live the night before the marathon (5:30) Jordan's snapshot moment from Sunday, November 2 (7:30) What it's like starring in Wicked right now (14:00) How, when, and why Jordan — a former competitive swimmer — became a runner (19:30) Jordan's impressions of the running community (25:05) How Jordan met his now-wife, Julie (26:45) All about Jordan's NYC Marathon training (32:55) How Jordan spent the days before the race (38:20) Jordan recaps his race (44:00) What it was like going from the finish line to the Gershwin (53:00) Follow Ali: Instagram @aliontherun1 Join the Facebook group Support on Patreon Subscribe to the newsletter SUPPORT the Ali on the Run Show! If you're enjoying the show, please subscribe and leave a rating and review on Apple Podcasts. Spread the run love. And if you liked this episode, share it with your friends!

durée : 00:03:55 - Les cent ans du Concerto pour piano de Gershwin - par : Max Dozolme - Ce samedi à 20 heures au Bal Blomet dans le 15e arrondissement parisien, le pianiste Guillaume Cornut et l'ensemble Saxo Voce dirigé par Johan Farjot interprètent le Concerto pour piano en fa de George Gershwin, une œuvre classique mais aussi très jazzy créée en 1925 . Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adrien Perruchon retrouvera ses musiciens de l'orchestre Lamoureux le 22 novembre à la Seine Musicale pour un concert qui mettra à l'honneur les liens qui ont unis des compositeurs étrangers avec la France. Au programme : la symphonie parisienne de Mozart et « Un Américain à Paris » de Gershwin mais aussi le concerto pour marimba, vibraphone et orchestre de Milhaud qui, dans l'autre sens, a été composé par un français sur le sol américain. C'est Adelaïde Ferrière qui sera la soliste de ce concerto bien connu des percussionnistes mais beaucoup moins du grand public. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ben Gernon picks his favourite recording of Gershwin's An American in Paris.

It's From the Top's 25th birthday! We meet a 13-year-old violinist who is equally accomplished in classical repertoire and fiddling. A 16-year-old pianist from New York performs a brilliant Beethoven Sonata and talks about her incredible experience in publishing. Finally, we reconnect with From the Top alum Yuna Langehennig and learn about her journey to becoming an Airman First Class in the United States Air Force Heritage of America Band. She brings along her ensemble Heritage Winds and they perform a rousing work by Paquito D'Rivera.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This Big Conversations, Little Bar episode spotlights a life steeped in swing, storytelling, and the American Songbook. Patrick Evans and Randy Florence welcome guest Billy Stritch who shares how a Houston kid with a portable cassette recorder became a New York mainstay—shaping shows, accompanying legends, and commanding intimate rooms like the Purple Room and Birdland. He recalls opening for Mel Tormé at Carnegie Hall, meeting Princess Diana after a Royal Albert Hall performance, and the serendipitous piano-bar moment that led to decades of collaboration with Liza Minnelli. We hear about London's Crazy Coqs, the curated Cast Party at the McCallum Theatre, and the electric connection only a small cabaret can deliver. His pandemic livestreams—65 consecutive weeks—kept creativity alive and a community together, proving music's power to sustain and unite. From early influences (Gershwin, Ella, Nat King Cole) to arranging, Brazilian flavors, and unforgettable stages, this conversation celebrates craft, friendship, and the joy of bringing a room to hush with a single chord.Takeaways:The magic of small rooms: intimacy, faces, and instant connectionSerendipity at a piano bar sparked a 25-year creative partnershipPandemic livestreams built community and kept the music—and rent—goingCast Party thrives in New York and a curated McCallum Theatre seriesCareer highlights include Carnegie Hall, Royal Albert Hall, and Hollywood BowlInfluences span Gershwin, Ella, Nat King Cole, bossa nova, and moreStories of working with icons like Liza Minnelli and Tony BennettMusic as a unifier in divisive times—and a lifelong calling#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #McCallumTheatre #BillyStritch #LizaMinnelli #PurpleRoom #Birdland #CastParty #TonyBennett #LindaLavin #CrazyCoqs #RoyalAlbertHall #AmericanSongbook #PalmSprings #JazzPiano

durée : 00:16:39 - Disques de légende du mercredi 29 octobre 2025 - Mélange d'opéra, de blues, de negro spiritual et de jazz, "Porgy and Bess" est jouée pour la première fois dans un théâtre privé de Broadway en octobre 1935. Le voici dans une version de John Mauceri et l'Orchestre symphonique de Nashville enregistrée en 2006. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Let's rejoicify! Danny Quadrino is on the pod!We're joined by Danny Quadrino, who stars in Wicked on Broadway as everyone's favourite munchkin - Boq! We chat with Danny about Wicked's upcoming 22nd Broadway anniversary, the Wicked movie taking over grocery aisle shelves, ghosts in the Gershwin and so much more!

ZFS Features, Roadmap, and Innovations, Magical systems thinking, How VMware's Debt-Fueled Acquisition Is Killing Open Source, OpenSSH 10.1 Released, KDE Plasma 6 Wayland on FreeBSD, Unix Co-Creator Brian Kernighan on Rust, Distros and NixOS, Balkanization of the Internet, GhostBSD 25.02 adds 'Gershwin' desktop for a Mac-like twist, and more NOTES This episode of BSDNow is brought to you by Tarsnap (https://www.tarsnap.com/bsdnow) and the BSDNow Patreon (https://www.patreon.com/bsdnow) Headlines What the Future Brings – ZFS Features, Roadmap, and Innovations (https://klarasystems.com/articles/zfs-new-features-roadmap-innovations?utm_source=BSD%20Now&utm_medium=Podcast) Magical systems thinking (https://worksinprogress.co/issue/magical-systems-thinking) The $69 Billion Domino Effect: How VMware's Debt-Fueled Acquisition Is Killing Open Source, One Repository at a Time (https://fastcode.io/2025/08/30/the-69-billion-domino-effect-how-vmwares-debt-fueled-acquisition-is-killing-open-source-one-repository-at-a-time) News Roundup OpenSSH 10.1 Released (https://www.openssh.com/txt/release-10.1) KDE Plasma 6 Wayland on FreeBSD (https://euroquis.nl/kde/2025/09/07/wayland.html) Unix Co-Creator Brian Kernighan on Rust, Distros and NixOS (https://thenewstack.io/unix-co-creator-brian-kernighan-on-rust-distros-and-nixos) GhostBSD 25.02 adds 'Gershwin' desktop for a Mac-like twist (https://www.theregister.com/2025/08/27/ghostbsd_2502/) Beastie Bits Adventures in porting a Wayland Compositor to NetBSD and OpenBSD by Jeff Frasca (https://www.youtube.com/watch?v=oo_8gnWQ4xo) Tarsnap This weeks episode of BSDNow was sponsored by our friends at Tarsnap, the only secure online backup you can trust your data to. Even paranoids need backups. Feedback/Questions Kylen - CVEs (https://github.com/BSDNow/bsdnow.tv/blob/master/episodes/633/feedback/Kylen%20-%20CVEs.md) Send questions, comments, show ideas/topics, or stories you want mentioned on the show to feedback@bsdnow.tv (mailto:feedback@bsdnow.tv) Join us and other BSD Fans in our BSD Now Telegram channel (https://t.me/bsdnow)

We end the futile struggle, embrace the toxins, and become one with our mould brethren.The full episode is available to Patreon subscribers (2 hours, 38 minutes).Join us at: https://www.patreon.com/DecodingTheGurusSupplementary Material 3800:00 Intro02:54 Boomer Matt reacts to Twitter videos07:31 Shellenberger and Tucker discuss the 9/11 Files12:42 Eric's Google Ngram Investigations17:08 Vindication on the Elephant Graveyard22:00 Eric's ARC lecture goes viral25:24 Andrew Huberman is NOT a phrenologist...29:06 Eric Weinstein vs. Piers Morgan33:44 Everyone knows Eric is a serious thinker46:09 Peterson is taken out of the Gurusphere by Demons and Toxic Mould52:09 Gurus and Bespoke Alternative Health57:00 Social Contagion Hypocrisy01:02:55 Toxic Mould Symbiosis?01:04:46 Pewdiepie, Diogenes, and the Seeker Mindset01:16:14 The Wisdom of the Ancients01:21:01 The Meaning Crisis and Christian Pivots01:22:29 Konstantin Kisin's surprising Christian pivot01:25:17 The best person Konstantin ever met (not Francis)01:30:22 The Fifth Column Agrees with Megyn Kelly 88% of the time01:33:07 Megyn Kelly explains how the Democrats crossed the line and must pay01:41:35 Intellectual Clerics for MAGA01:43:16 Slightly Adversarial libertarians for hire01:47:00 Drew Pavlou and Fluid Populism01:50:17 Two Varieties of Online Derangement: Noah Smith's Hot Takes01:53:57 Need for Attention = Desire for Virality01:57:23 Status Seeking Networkers vs Paul Bloom02:01:27 Reflecting on the Al Murray Interview02:02:22 The struggle of podcasters02:04:52 Paul Bloom: The best person in the world?02:06:00 Mike Israetel's Thesis Controversy02:10:30 What does a PhD mean?02:16:55 David Deutsch visits Curt Jaimungal02:22:32 The Dangers of Doubling Down: Pirate Software02:23:32 Hasan Piker and Shock Collar-gate02:27:15 Matt's Take on Shock Collars02:33:51 Dystopia Update: Putin wants Trump to win the Nobel Prize02:37:11 OutroSourcesShellenberger and Tucker discuss the CIA's role in 9/11Grok pressing Eric to get specificThe Elephant GraveyardViral post about Eric's ARC speech on scienceHuberman's phrenology endorsementJordan Peterson's Health Update from MikhailaChris Williamson: It's time to talk about my health.Chang, C., & Gershwin, M. E. (2019). The myth of mycotoxins and mold injury. Clinical Reviews in Allergy & Immunology, 57(3), 449–455.Borchers, A. T., Chang, C., & Eric Gershwin, M. (2017). Mold and human health: A reality check. Clinical Reviews in Allergy & Immunology, 52(3), 305–322.

1 / 4 MDJ Script/ Top Stories for October 8th Publish Date: October 8th Commercial: From the BG Ad Group Studio, Welcome to the Marietta Daily Journal Podcast. Today is Wednesday, October 8th and Happy Birthday to R.L. Stine I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal 1. Man falsely accused of Walmart kidnapping reportedly seeking $25 million in damages 2. Atlanta tenor Timothy Miller launches St. Catherine’s community concert series on Oct. 19 3. Roger Hines publishes debut book All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe! BREAK: INGLES 7 STORY 1: Man falsely accused of Walmart kidnapping reportedly seeking $25 million in damages Mahendra Patel just wanted to help. That’s what he thought he was doing back in March at a Walmart in Acworth—helping a woman he assumed was disabled, struggling to manage two kids in a motorized cart. Instead, he was accused of trying to kidnap her child. What followed was a nightmare: Patel was arrested, denied bond, and spent 46 days in jail. He lost 17 pounds, endured threats from inmates, and was denied his medication. All for what? A misunderstanding. Surveillance footage later cleared his name, showing Patel calmly shopping, finding Tylenol, and leaving the store. Now, he’s suing Acworth for $25 million. STORY 2: Atlanta tenor Timothy Miller launches St. Catherine’s community concert series on Oct. 19 Mark your calendars: local tenor Timothy Miller will take the stage at St. Catherine’s Episcopal Church in Marietta on Oct. 19 at 3 p.m. as part of The Friends of Music concert series. You’ve probably heard Miller’s powerful voice before—maybe during the seventh-inning stretch at a Braves game, belting out “God Bless America.” But his talent goes far beyond that. From Verdi’s Aida to Gershwin’s Porgy and Bess, and even Beethoven’s Symphony No. 9, Miller’s resume is as impressive as it is diverse. The concert is free (yes, free!), with donations welcome. No tickets needed—just show up early for a good seat. STORY 3: Roger Hines publishes debut book 2 / 4 Roger Hines has released his first book, The Hard and the Beautiful: Life in a Family of Seventeen Children, and it’s as heartfelt as the title suggests. In this memoir, Hines—child number 16 of 17—paints a vivid picture of growing up in rural Mississippi. Life was tough: tenant farms, cotton fields, and the weight of poverty. But it was also rich, thanks to faith, laughter, and the unshakable love of his parents, Walter and Levie Hines. “Poverty doesn’t have to be a dead end,” Hines says. “We were poor, but we were rich in all the ways that matter.” The book is available now on Amazon and at local retailers. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info. We’ll be right back. Break: INGLES 7 STORY 4: Police: Intoxicated man made false bomb threat at Johnnie MacCracken’s James E. Lusk, 29, of Marietta, allegedly called in a fake bomb threat to Johnnie MacCracken’s Celtic Firehouse Pub late on Sept. 26—because, according to police, he was drunk and angry. Not exactly a great combo. The arrest warrant also claims Lusk grabbed a woman by the arm during the incident, leaving her in pain. He was arrested three days later and charged with simple battery, false public alarm, and filing a false crime report. Lusk spent a few hours in the Cobb County jail before being released on Sept. 30 on a $10,000 bond. STORY 5: Home Depot hosts Kidde’s Cause for Alarm Home Safety Event On Oct. 4, Kidde teamed up with The Home Depot and iHeartMedia to host a lively fire safety event at The Home Depot on Roswell Road in Marietta. Part of Kidde’s Cause For Alarm campaign, the day was all about raising awareness for fire and carbon monoxide safety—and making homes safer, one alarm at a time. The event kicked off with a Donation Drive-Thru “parade,” complete with fire trucks, gear, and local firefighters from Sandy Springs. Families enjoyed music, food, giveaways, and even met Homer, The Home Depot mascot. The goal? Donate up to $1 million in alarms. Break: 3 / 4 STORY 6: Liberty joins the lineup: Cobb County’s newest K-9 embarks on duty Meet Liberty, the newest (and furriest) member of the Cobb County Sheriff’s K-9 Unit. She’s an 11-month-old bloodhound with a nose for tracking—whether it’s missing people or suspects. But don’t let her serious skills fool you; she’s still a puppy at heart, with a love for stuffed animals (or, honestly, anything she can shred). Liberty is partnered with Deputy Barry Bales, a 17-year veteran who previously worked with K-9 Shax, now retired. “Liberty’s tracking abilities will be a huge asset,” said Sheriff Craig Owens. Expect to see her out and about soon—sniffing, serving, and stealing hearts. STORY 7: Marietta Square gets a seasonal makeover The Marietta Square’s looking a little creepier (and a lot more creative) this October, thanks to the 22nd annual Scarecrows on the Square competition. Local businesses, schools, nonprofits, and just plain crafty Marietta folks have all joined in, decking out scarecrows with everything from humor to heart. Judging happens this week, with winners—Best in Show and category champs—announced at HarvestFest on Oct. 18. HarvestFest kicks off at 9 a.m. in Glover Park, featuring arts and crafts, a pie-eating contest, costumes, and kid-friendly fun. We’ll have closing comments after this. Break: INGLES 7 Signoff- Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: ● www.ingles-markets.comSee omnystudio.com/listener for privacy information.

This Day in Legal History: John Jay CommissionedOn September 26, 1789, John Jay was commissioned as the first Chief Justice of the United States, marking a foundational moment in the establishment of the American judiciary. Nominated by President George Washington and swiftly confirmed by the Senate, Jay took the helm of the newly formed Supreme Court just one day after the Judiciary Act of 1789 was signed into law. His appointment signaled the beginning of the federal judiciary as a coequal branch of government under the U.S. Constitution.Jay was already a prominent figure in American political life, having served as President of the Continental Congress, co-author of The Federalist Papers, and Secretary for Foreign Affairs under the Articles of Confederation. As Chief Justice, he led a court that initially had little authority or docket, with its first session delayed until February 1790 due to logistical difficulties and lack of cases.Despite the Court's limited power at the time, Jay helped lay the groundwork for its future role. In Chisholm v. Georgia(1793), Jay authored an opinion asserting federal judicial authority over state governments, a controversial stance that ultimately led to the adoption of the Eleventh Amendment. His tenure also saw diplomatic service; while still Chief Justice, he negotiated the Jay Treaty with Great Britain in 1794 to resolve lingering post-Revolutionary War disputes.Jay resigned in 1795 after being elected Governor of New York and declined a later offer from President John Adams to return to the bench. His brief but influential time as Chief Justice helped define the legitimacy and independence of the U.S. Supreme Court.The U.S. Department of Justice indicted former FBI Director James Comey, escalating what critics describe as President Donald Trump's campaign of retribution against political adversaries. Comey faces two charges: making false statements to Congress and obstructing a congressional proceeding, stemming from his 2020 Senate testimony in which he denied authorizing anonymous leaks related to an FBI investigation. The indictment claims he actually did authorize such disclosures. However, the charges are notably sparse, lacking detailed supporting facts or corroborating evidence typically included in indictments of this gravity.The case has drawn intense scrutiny within the Justice Department. Prosecutors in the Eastern District of Virginia reportedly advised against filing charges due to insufficient evidence, and the district's top prosecutor resigned last week after expressing concern about political interference. Tensions escalated when U.S. Attorney Lindsey Halligan—formerly Trump's defense attorney—personally presented the case to the grand jury, an unusual move suggesting top-level involvement. Notably, the grand jury declined to indict Comey on a third proposed charge, highlighting doubts about the prosecution's strength.Legal experts and former officials, including Obama-era ethics advisor Norm Eisen, have condemned the indictment as politically motivated. Comey maintains his innocence and says he welcomes a trial. Members of his family, including his son-in-law and daughter, have faced professional consequences, which Comey's supporters view as further evidence of political targeting. The charges represent a sharp departure from norms intended to shield law enforcement from partisan use.Former FBI chief Comey charged as Trump ramps up campaign against critics | ReutersA federal judge in California has preliminarily approved a $1.5 billion class action settlement between authors and the AI company Anthropic, marking a major development in the legal battles over generative AI's use of copyrighted materials. U.S. District Judge William Alsup described the agreement as fair during a Thursday hearing, though final approval is still pending. Authors Andrea Bartz, Charles Graeber, and Kirk Wallace Johnson brought the lawsuit, accusing Anthropic of training its AI assistant Claude using millions of pirated books without permission.This settlement is the first in a growing wave of lawsuits targeting companies like OpenAI, Meta, and Microsoft for allegedly infringing on creators' rights through large-scale data scraping to train AI models. Although Alsup had previously ruled that some of Anthropic's training practices fell under fair use, he determined the company crossed the line by storing more than 7 million pirated books in a centralized database not strictly tied to AI training.The judge had initially hesitated to approve the deal and demanded further clarification from both sides, but now appears inclined to allow it to proceed to the notification stage for affected authors. If finalized, the agreement could signal a broader shift toward holding AI developers financially accountable for unauthorized content use. Publishing industry leaders have praised the development as a step toward curbing what they see as systemic, unchecked copyright violations in AI development. Anthropic, meanwhile, emphasized its commitment to safe and responsible AI.US judge preliminarily approves $1.5 billion Anthropic copyright settlement | ReutersKathryn Nester, a seasoned Utah criminal defense attorney and former top federal public defender, has been appointed to represent Tyler Robinson, the man accused of fatally shooting conservative activist Charlie Kirk during a Utah Valley University event on September 10. The state is seeking the death penalty against Robinson, who faces a charge of aggravated murder.Nester has a history of representing clients in high-profile and controversial cases. She previously defended Lyle Jeffs, a fugitive leader of a polygamous sect convicted of food stamp fraud, and John Earnest, the gunman in the 2019 Poway synagogue shooting, before stepping down due to a conflict of interest. She also defended a Utah doctor accused of destroying COVID-19 vaccines—a case later dropped—and is currently representing Kouri Richins, a children's author now charged with poisoning her husband.Her firm, Nester Lewis, has strong ties to Utah's federal public defense system. Her partner, Wendy Lewis, once represented Brian David Mitchell, the man convicted in the kidnapping of Elizabeth Smart. Robinson's case is expected to cost Utah County at least $750,000 for the defense alone, with over $1.3 million budgeted for the total prosecution and defense efforts.Robinson's next court appearance is scheduled for Monday. Nester has declined public comment on the case.Attorney representing Charlie Kirk's accused killer is former top public defender | ReutersThis week's closing theme is by George Gershwin.Born on September 26, 1898, George Gershwin occupies a unique place in American music history—standing at the intersection of classical composition, jazz improvisation, and Broadway flair. Raised in Brooklyn to Russian-Jewish immigrant parents, Gershwin began his musical life on the piano and quickly showed an uncanny ability to absorb and reshape the sounds of his time. Though he composed everything from operas to show tunes, it was Rhapsody in Blue, written in 1924 when he was just 25, that cemented his legacy.Commissioned by bandleader Paul Whiteman for a concert intended to bridge classical and popular music, Rhapsody in Blue was composed in a rush—famously sketched out on train rides and completed with the help of orchestrator Ferde Grofé. The piece opens with its iconic clarinet glissando, a spontaneous flourish during rehearsal that Gershwin decided to keep, and unfolds into a sweeping blend of jazz rhythms, bluesy melodies, and symphonic ambition. It captured something distinctly American—urban, restless, full of promise.Rhapsody in Blue premiered at Aeolian Hall in New York on February 12, 1924, with Gershwin himself at the piano. The audience included titans like Sergei Rachmaninoff and Jascha Heifetz, and the piece earned immediate acclaim. Though critics at the time debated whether it was truly “serious” music, it has since become a cornerstone of 20th-century composition and a symbol of American cultural identity.For Gershwin, Rhapsody in Blue was not a departure from classical form but a statement that American music—jazz, blues, Tin Pan Alley—deserved a place in the concert hall. More than a century later, it remains as fresh and vibrant as the city that inspired it.Without further ado, George Gershwin's Rhapsody in Blue, the first movement–enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

El pasado 8 de septiembre falleció a los 75 años la cantante y compositora brasileña Angela Ro Ro. La recordamos en grabaciones de canciones suyas como 'Amor, meu grande amor', 'Gota de sangue' -en la voz de María Bethânia-, 'Só nos resta viver', 'Fogueira' o 'Me acalmo danando' y como intérprete de temas de Caetano Veloso ('Escândalo'), João Donato ('Simples carinho'), Chico Buarque ('Bárbara', 'Vida'), Jobim ('Demais'), Brel ('Ne me quitte pas'), Sammy Cahn y Jimmy Van Heusen ('All the way'), los Gershwin ('Embraceable you') y Gino Paoli ('Senza fine').Escuchar audio

Juliet Ewing is rapidly becoming known as an exciting, masterful interpreter of the Great American Songbook. Equally at home in jazz clubs and on concert stages, she is following in the footsteps of Ella Fitzgerald and Peggy Lee in that she can swing when she so desires, yet always stays connected to the rich and musically diverse songbook singing tradition that these great ladies of song exemplified. Fun yet elegant, Juliet enjoys singing the full spectrum of popular song, from the musical chestnuts of George Gershwin and Cole Porter to the contemporary stylings of Sting, Laufey, and Sade. Perhaps the word that best exemplifies Juliet's artistry is “timeless.” Juliet regularly performs as a soloist or with her trio “The Juliet Set” in and around NYC in jazz clubs and private events. marked by a golden voice that resonates with warmth and clarity, captivating audiences with every note. On September 12, she released her album Simply 'S Wonderful-The Magic of Gershwin.

Excerpt of the September 8, 1937, Memorial Concert to George Gershwin with George Jessel and Al Jolson. This brief excerpt of the two hour program includes Jessel's eulogy of Gershwin, and Jolson's performance of Gershwin's first, and greatest, hit, "Swanee," which he sang without whistling. An edited version of this long show circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

Vi bevæger os stille og roligt videre med en RIGTIG 30'er musical... Eller gør vi nu også dét? Under alle omstændigheder skal vi høre om Gershwin-brødrene og deres indflydelse på musical-historien og selvfølgelig om "Crazy for You".

If you had unlimited funds, which BCEFA item would you bid on? It's a hot discussion this week, so listen to hear your options!

Today, the governors of CA, OR, and WA launched a health pact to coordinate their states’ vaccine recommendations and “ensure residents remain protected by science, not politics.”  A deadly U.S. airstrike on a boat in the Caribbean signals a more aggressive turn in the war on drugs.  In 2020, Quibi offered phone-based 10-minute (or less) videos. Now, the Hollywood-based company MicroCo is launching a new version of that idea. Today’s protein-obsessed culture is rediscovering cottage cheese. On social media, people are blending it into ice cream, dips, pancakes, and even pasta sauces.  Downtown LA’s iconic Mayan Theater’s current operators have run the venue since 1989. KCRW looks at the history that’s showcased everything from Gershwin, to porn, to Mexican wrestling.

System76's COSMIC desktop hits a milestone with its first setup wizard. BSD users get Gershwin, a GNUstep-powered DE with heavy XFCE vibes.

On January 3, 1924, 25-year-old George Gershwin was shooting pool in a Manhattan billiard hall when his brother Ira Gershwin read aloud a shocking newspaper article: "George Gershwin is at work on a jazz concerto." There was just one problem—George had never agreed to write any such piece.What happened next would change American music forever. In just five weeks, the son of Russian-Jewish immigrants raced to compose what would become "Rhapsody in Blue," breaking down the barriers between popular music and the concert hall. From that snowy February night at Aeolian Hall to today's reinterpretations by contemporary artists, this is the story of how a newspaper lie became a masterpiece—and how one young composer captured the sound of Jazz Age New York in music.Featuring original audio clips of George Gershwin, Ira Gershwin, and orchestrator Ferde Grofé, plus the historic 1924 recording of the premiere performance.The Bowery Boys podcast is supported by Founded by NYC, celebrating New York City's 400th anniversary in 2025.This show was edited by Kieran Gannon

"Civilization (Bongo, Bongo, Bongo)" - Bing Crosby; "Somebody Loves Me" - Bing Crosby; "Lady Be Good" - Joe Venuti; "Someone to Watch Over Me" - Bing Crosby, Oscar Levant, & Joe Venuti; "S'Wonderful" - Peggy Lee, Bing Crosby & Joe Venuti; "I've Gotta a Crush on You" - Peggy Lee & Bing Crosby; "They Can't Take That Away from Me" - Bing Crosby & Peggy Lee; "Shall We Dance" - Peggy Lee & Bing Crosby; "Prelude by Gershwin" - Oscar Levant: "Biding My Time" - Oscar Levant; "I Got Rhythm" - Bing Crosby, Peggy Lee, Oscar Levant, & Joe Venuti; "Summertime and the Living is Easy" - Peggy Lee & Bing Crosby

In the mid-1920s, Maurice Ravel wrote a letter to the legendary composition teacher Nadia Boulanger. Boulanger's class was a mecca for composers, both young and old, and musicians from all over the world vied to study with her. But Ravel's letter wasn't on his own behalf. Instead, he urged Boulanger to take on a young student whom Ravel himself had declined to teach. He wrote: "There is a musician here endowed with the most brilliant, most enchanting, and perhaps the most profound talent: George Gershwin. His worldwide success no longer satisfies him, for he is aiming higher. He knows that he lacks the technical means to achieve his goal. In teaching him those means, one might ruin his talent. Would you have the courage, which I wouldn't dare have, to undertake this awesome responsibility?" Boulanger also declined to take Gershwin as a student, fearing, like Ravel, that she might damage his spontaneity and dynamic jazz sensibility. Whether or not the famous story is true (that Ravel turned down Gershwin's request to study with him by saying, “Why be a second-rate Ravel when you are a first-rate Gershwin?”) we may never know. But the two composers were friendly, and formed something of a mutual admiration society. Today, in this fourth collaboration with G. Henle Publishers in honor of their Ravel and Friends project, we're going to explore the connections between these two great composers: their friendship, their mutual influence, and the profound ways jazz infused itself into Ravel's music, particularly in his Violin Sonata and Piano Concerto in G. From the moment he discovered it, Ravel adored jazz, and like many French composers of the time, allowed its influence to permeate his work in ways both explicit and subtle. Join us!  

Steve Chadie, a 25+ year veteran of the recording industry, began his career as an intern at Willie Nelson's Pedernales recording studio in 1995, quickly working his way up to Assistant Engineer for Larry Greenhill.He stayed on at Pedernales until the doors closed commercially in 2012. He still records Willie Nelson at the facility, however, including vocals and guitar on “Last Man Standing”, “My Way” (for which he received a Grammy for Best Traditional Pop Vocal Album), “God's Problem Child”, “Willie Nelson and The Boys”, and “Summertime -Willie Nelson sings Gershwin”.Most recently, Steve co-produced “The Willie Nelson Family”, a collection of songs done with his band in March 2019 and with his immediate family at the beginning of the pandemic in April 2020.Other credits with Willie include tracking engineer on "Heroes”, "Let's Face The Music And Dance”, “Django And Jimmie” (Willie's collaboration with Merle Haggard in 2015) and mixing on "December Day", a collection of work he recorded with Willie and his sister Bobbie in between touring on impromptu sessions that date as far back as 2004.Steve has been awarded a double platinum record for Los Lonely Boys "Heaven" and was nominated for a Grammy for the song "Heaven", as well. He has recorded and/or mixed five Los Lonely Boys records since their debut release.Other accolades include a triple platinum record for work done on Sublime's "Sublime" and a platinum record for work on Hillary Duff's self-titled recording "Hillary Duff". In addition, he has been awarded a gold record for work done on Kenny Wayne Shepherd's "Live On" CD.IN THIS EPISODE YOU'LL LEARN:Working with Willie NelsonBeing reliableHow to get artists to keep hiring youWhy you should always be “rolling” when in the studioRiding vocals as you record themRecording brushes on a drum kitHow to record acoustic guitarsMono vs stereo recording techniques on guitars: When and where to use themSteve's technique for creating wide-sounding acoustic guitarsExperimenting in the studio without slowing down a session To learn more about Steve Chadie visit: https://stevechadie.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Download Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts:

Excerpt of the 12 Jul 1937 Tribute to George Gershwin, featuring Al Jolson. This was one of two numbers performed by Al Jolson on a radio tribute broadcast the evening following George Gershwin's death. The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

This Day in Legal History: Richard and Mildred Loving ArrestedOn this day in legal history, July 11, 1958, Richard and Mildred Loving were arrested in Central Point, Virginia, for violating the state's Racial Integrity Act, which banned interracial marriage. The couple had legally wed in Washington, D.C., but upon returning to Virginia, they were charged with "cohabiting as man and wife, against the peace and dignity of the Commonwealth." Richard, a white man, and Mildred, a Black and Indigenous woman, pled guilty and were sentenced to one year in prison, suspended on the condition that they leave the state for 25 years.The Lovings relocated to Washington, D.C., but their desire to return home ultimately led to a pivotal civil rights case. In 1963, they wrote to Attorney General Robert F. Kennedy, who referred them to the ACLU. Attorneys Bernard Cohen and Philip Hirschkop took up their case, arguing that Virginia's law violated the Equal Protection and Due Process Clauses of the Fourteenth Amendment. After years of legal battles, the case reached the U.S. Supreme Court.In Loving v. Virginia (1967), the Court unanimously struck down laws banning interracial marriage, declaring that "the freedom to marry… may not be infringed by the State." Chief Justice Earl Warren wrote that Virginia's law served no legitimate purpose "independent of invidious racial discrimination." The decision invalidated similar laws in 15 other states.The Lovings never sought to become civil rights icons—they simply wanted to live as a married couple in their home state. Their quiet determination reshaped American constitutional law, affirming marriage as a fundamental right and setting a legal precedent that continues to influence equal protection jurisprudence.The 9th U.S. Circuit Court of Appeals temporarily paused a lower court ruling that had blocked President Donald Trump's executive order removing collective bargaining rights for large segments of the federal workforce. U.S. District Judge James Donato had issued the initial injunction in June, finding the executive order likely violated federal employees' First Amendment rights and targeted unions viewed as adversarial to Trump. The appeals court's administrative stay keeps the order in limbo while it considers the administration's appeal, with oral arguments scheduled for July 17.Trump's order affects 21 federal agencies and would make it easier to discipline or fire employees while restricting union challenges. The order notably broadened national security exceptions to collective bargaining beyond intelligence agencies like the CIA and FBI. Unions argue the move is retaliatory and affects many workers who don't handle national security matters.Earlier, a Washington, D.C. judge blocked the same order at seven agencies, including the DOJ and Treasury, but that ruling is also stayed pending appeal. The Trump administration has also filed lawsuits to void existing union contracts, though one such suit by the Treasury was dismissed for lack of standing. A related case remains pending in Texas.US court pauses block on Trump eliminating union bargaining for federal workers | ReutersThe White House is currently reviewing federal agency layoff plans following a recent U.S. Supreme Court decision that permits large-scale downsizing of the government workforce. Two senior officials confirmed the review is aimed at minimizing future legal challenges by ensuring all plans comply with congressional rules and civil service regulations. Coordination is being handled through the White House Counsel's Office and the Office of Personnel Management. Although no specific timeline has been announced, officials say the layoffs are an "immediate priority," with a goal to reduce the size of government swiftly.The ruling, welcomed by the Trump administration, allows agencies to act on plans developed earlier this year under the guidance of the Department of Government Efficiency, led by Elon Musk. However, the administration acknowledged that labor contracts and due process protections still apply, and lawsuits are expected even if legal thresholds are met.The State Department has already confirmed it will begin issuing termination notices imminently, having proposed nearly 2,000 job cuts in May. Overall, about 260,000 federal employees have already exited through firings, resignations, or early retirements since January. The layoffs are expected to affect more than a dozen departments, including Agriculture, Commerce, and Veterans Affairs.White House reviews mass federal layoff plans, aims for swift action | ReutersMahmoud Khalil, a Columbia University student and permanent U.S. resident, has filed a $20 million claim against the Trump administration, alleging false imprisonment and malicious prosecution. Khalil, a pro-Palestinian activist, was detained for over 100 days by immigration authorities who accused him of undermining U.S.–Israel relations. His legal team submitted the claim under federal rules requiring damages claims to be filed before a lawsuit. Homeland Security dismissed the claim as "absurd," defending its actions as lawful.Khalil argues his arrest was politically motivated, targeting him for his pro-Palestinian speech, and says he would accept an official apology and a policy change as an alternative to monetary compensation. He was released on bail in June after a federal judge ruled his detention violated his First Amendment rights. The case has drawn widespread attention from civil rights and Palestinian advocacy groups, who accuse the administration of equating criticism of Israel with antisemitism.Trump has publicly pledged to deport foreign students participating in anti-Israel protests, and Khalil was the first high-profile detainee under this initiative. His lawyers continue to challenge his deportation, and the administration has six months to respond to his compensation claim.Mahmoud Khalil seeks $20 million from Trump administration over immigration arrest | ReutersThis week's closing theme is by George Gershwin.This week's closing theme is dedicated to one of America's most iconic composers—George Gershwin, who died on July 11, 1937, at just 38 years old. Though his life was short, Gershwin's musical legacy is vast, bridging the worlds of classical music and jazz with unprecedented flair. His compositions resonate with a distinctively American voice, and no piece captures that better than Rhapsody in Blue. Premiered in 1924, the work opens with a now-famous clarinet glissando and bursts into a vibrant, restless energy that seems to embody the optimism and chaos of early 20th-century New York.Commissioned by bandleader Paul Whiteman, Rhapsody in Blue was Gershwin's first major attempt to merge classical form with jazz idioms. What emerged was a concerto-like work that thrilled audiences and critics alike and marked the beginning of serious recognition for jazz as a concert-hall art form. Gershwin performed the piano solo himself at the premiere, having written much of it in a hurry and leaving some sections to be improvised on the spot.His sudden death from a brain tumor shocked the music world. It cut short the career of a composer who had already revolutionized American music and was poised to do much more. In works like Porgy and Bess and An American in Paris, Gershwin demonstrated a rare ability to synthesize European traditions with American vernacular music. But Rhapsody in Blue remains his most enduring testament—a collision of elegance, innovation, and vitality.As we reflect on Gershwin's passing this week, we close with Rhapsody in Blue, a work that continues to pulse with life nearly a century after its premiere. Its blend of bluesy lyricism and orchestral sweep makes it a fitting tribute to a composer whose voice was silenced too soon.Without further ado, George Gershwin's Rhapsody in Blue, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Jodi Benson is best known as the voice of Ariel in Disney's Little Mermaid. Jodi also gave a voice to Barbie in Disney Pixar's Toy Story 2 and Toy Story 3. She delighted her fans with a cameo in Enchanted before reprising her role as Ariel in Ralph Breaks the Internet. In 2011, Disney honored Jodi's contributions by making her a different Disney legend. An accomplished singer, dancer and mattress. Jodi made her starring role debut on Broadway. She earned a Tony nomination for role as Polly Baker in the hit Gershwin musical Crazy for You. Jodi is still entertaining audiences across the country and around the world. Talk about stuff dreams were made of! Make sure to listen through the whole episode as there is so much goodness coming from our new friend Jodi. . . . . .  Follow Jodi Benson on Instagram Check out all the work they are doing at the Theatre Winter Haven. . . . . .  Owen Learns He Has What it Takes: A Lesson in Resilience Lucy Learns to Be Brave: A Lesson in Courage⁠ Grab your tickets today for the ⁠⁠⁠⁠⁠Raising Capable Kids Conference⁠⁠⁠⁠⁠ with David Thomas, Sissy Goff and special guests! Sign up to receive the ⁠⁠⁠⁠⁠monthly newsletter⁠⁠⁠⁠⁠ to keep up to date with where David and Sissy are speaking, where they are taco'ing, PLUS conversation starters for you and your family to share! Connect with David, Sissy, and Melissa at ⁠⁠⁠⁠⁠raisingboysandgirls.com⁠⁠⁠⁠⁠ . . . . .  If you would like to partner with Raising Boys and Girls as a podcast sponsor, fill out our ⁠⁠⁠⁠⁠Advertise with us⁠⁠⁠⁠⁠ form. A special thank you to our sponsors: FUNCTION: Head to my landing page functionhealth.com/RBG to sign up with your credit applied or use code RBG100. JOLIE: Jolie will give you your best skin & hair guaranteed. Head to jolieskinco.com/RBG to try it out for yourself with FREE shipping.  THE ROAD TO KAELUMA: Visit jesusfilm.org/kaeluma-RBG to listen, learn more, or access discussion guides and other bonus content! QUINCE: Give your summer closet an upgrade—with Quince. Go to Quince.com/rbg for free shipping on your order and three hundred and sixty-five -day returns.  THRIVE MARKET: Skip the junk without overspending. Head over to ThriveMarket.com/rbg to get 30% off your first order and a FREE $60 gift.  ACORNS EARLY: Head to acornsearly.com/ or download the Acorns Early app to help your kids grow their money skills today. GEVITI: Visit www.gogeviti.com/raisingboysandgirls and use code RBG for the month of June for 20% off your first three months of membership.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause  all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies.  It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned.  Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

With the release of her latest single, the soulful and sensualromance “You Know What It's Like,” Brenda Russell not only continues to pave the way for her highly anticipated upcoming album Songpainter – her first collection in 20 years – but also makes a triumphant return to the refined classic blend of adult contemporary R&B and urban jazz that launched and defined the trailblazing four and a half decade career of the multi-Grammy nominated singer/songwriter, Tony nominated and Grammy winning Broadway composer for The Color Purple.  “You Know What It's Like” is a co-write by the singer and the legendary Roberta Flack. When people assess Brenda's overall career, her success as an artist and with The Color Purple often overshadows the gemsshe wrote that were hits for other artists. Beyond Oleta Adams' “Get Here,” Brenda's gems have been recorded by Luther Vandross (“If Only for One Night”), Donna Summer (“Dinner with Gershwin”), Babyface, The Manhattan Transfer, Patti Austin, Dionne Warwick, Mary J. Blige, Tina Turner, Stevie Wonder, Chaka Khan and Ramsey Lewis. Her tunes have also been sampled by everyone from Janet Jackson and 2Pace to Chance the Rapper and Ariana Grande. In addition, Brenda's co-composition with Brazilian artist Ivan Lins “She Walks This Earth” was recorded by international superstar Sting for the all-star tribute album Love Affair: The Music Of Ivan Lins. Sting's inspired performance of the uniquely beautiful song earned him a Grammy Award in 2001 for Best Pop Male Vocal Performance. Brenda was recently elected into the Female Songwriters Hall of Fame.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Alondra de la Parra nos viene a contar todo sobre el próximo Festival PAAX GNP 2025, en el Hotel Xcaret Arte del 19 al 29 de junio. No se lo pueden perder, habrá una presentación especial de Gershwin, la vida en azul con el virtuosismo de Thomas Enhco. Hosted on Acast. See acast.com/privacy for more information.