Podcast appearances and mentions of Philip Glass

Sam Sadigursky is a renowned clarinetist, composer, and member of the Philip Glass Ensemble. In this episode, we explore his latest project The Solomon Diaries with Nathan Koci, his work on Broadway in The Band's Visit, and his career spanning jazz, classical, and contemporary music. Sam shares stories from touring with Philip Glass, mentors Brad Mehldau and Lee Konitz, and his upbringing in a musical immigrant family.We also dive into improvisation beyond music, the impact of streaming algorithms, and the cultural legacy of the Borscht Belt. Listen to insights into Sam's unique voice as a composer and performer, and hear excerpts from some of his wonderful creative output. Sam Sadigursky's websitePodcast website: episode page with YouTube, TranscriptNewsletter sign-up Podcast merch Buy me a coffee?Other episodes you'll love: Meg Okura Tasha Warren Yale Strom Colleen Allen Rachel Eckroth and John Hadfield(00:00) Intro(02:11)Sam's musical family and early influences(08:02) jazz, hearing heroes play teen years in L.A.(10:12) Isaac Sadigursky, VNP Hora with clip(14:26) move out to New York(17:05) about Six Miles at Midnight with clip, Nathan Koci, Satie influence (21:07) Touring with Philip Glass Ensemble(25:23) influence of Glass, Migrations Vol. 5 Solomon Diaries(28:59) clarinet music, Eleven from 24 Rhythmic Duets for Clarinet, teaching, Vince Trombetta(33:54) other linked episodes you'll love and ways to spread the word!(34:33) about “Lucky” vol. V The Solomon Diaries, wife Sarah, Danny Fox(40:10) early jazz mentors and opportunities, Brad Mehldau, Bill Berry(42:31) parenting, streaming and music industry challenges(45:44) Broadway: The Band's Visit and beyond(51:18) solo piano music, Incidentalee dedicated to Lee Konitz, from Figures/Broken Pieces performed Nick Sanders(54:39) many instruments, decision to focus on clarinet(57:38) Borsht Belt history, Marisa Scheinfeld, The Solomon Diaries(01:03:24) Guy Klucevsek, “Secondhand” The Solomon Diaries Vol. IV by Nathan Koci(01:08:17) creative output, music industry challenges, Words Project, upcoming projects

Today on the Conversations on Dance podcast we are thrilled to have two fabulous guests: Maria Calegari and Bart Cook. We have have both Maria and Bart on the podcast before, but this married couple danced together and now sets ballets together, so we knew we had to get them on the podcast together to hear more about their careers and their work as repetiteurs for the Balanchine Trust and for the Robbins Trust. We talk through their experiences dancing together, then some of the specific ballets that they have set together: basically it's just an hour and a half of bunhead time. Maria & Bart are currently offering virtual and in-person private lessons for pre-professional and professional ballet dancers ages 15 and up. Lessons are structured to focus on your specific artistic goals to identify the stylistic and technical nuances that you can use to improve your movement quality, advice that goes beyond the typical class format. For more information visit: https://calegariteacher.com/.Announcement:We are thrilled to announce that we will be returning to Miami City Ballet October 17th-19th to host live pre-performance talks for the opening weekend of the company's 40th anniversary season. For each talk, we will be joined by Gonzalo Garcia as he ushers the company into its first season under his direction. Full details below. This program is truly not to be missed: the all Peck program includes ‘Year of the Rabbit', ‘Chutes and Ladders', and ‘Heatscape.' If you are in the Miami area come join us. And if you aren't, time to look for flights! DETAILS:FRI October 17 with Gonzalo Garcia at 6:30pmSAT October 18 with Gonzalo and Justin Peck at 6:30pmSUN October 19 with Gonzalo and Patricia Delgado at 1pmAdmission to pre-performance talks at the Arsht Center is complimentary with ticket purchase. Tickets available here: https://www.miamicityballet.org/tickets-and-events/202526-season/peck/. If you are unable to join us in person, subscribe to the Conversations on Dance podcast feed through your favorite podcast app, where we will be publishing recordings of the events.SPONSOR:Friday through Sunday, November 7th through 9th, join Amanda Treiber and Company for their debut performances at the Mark O'Donnell Theater in Brooklyn! Featuring a cast of international artists, including dancers and musicians from New York City Ballet, and a world premiere to music by Philip Glass, these performances showcase NYC-based choreographer and dancer Amanda Treiber's ability to create worlds through unique movement vocabularies and her deep collaborations with dancers, musicians, and visual artists. You won't want to miss it! Reserve your tickets today at amandatreiber.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

The Tragedy, Terror, and Legacy of CandymanIn this 60 Nights of Fright entry, we step into the mirror and confront one of horror's most haunting legends. Candyman(1992). Directed by Bernard Rose and Starring Tony Todd and Virginia Madsen, this isn't just another slasher; it's a gothic tale of vengeance, tragedy, and the power of belief.In this episode of JayMovieTalk:*My thoughts on Candyman's urban legend roots and real-world social commentary.*Exploring the dynamic performances of Tony Todd & Virginia Madsen*The eerie beauty of Philip Glass's score.Side Topics:-Tony Todd's place among horror's elite-Horror as social reflection(CandyMan, Get Out, and US)-The power of atmosphere and sound in building fear.

On today's episode of "Conversations On Dance", we are joined by Dante Puleio, Artistic Director of the Limón Dance Company, and esteemed choreographer Diego Vega Solorza, whose work for the company will premiere in the company's upcoming Joyce season. Dante tells us how he became familiar with Diego's work and why it was a natural fit for the company and the season, while Diego dives into his creative process and how the Limón dancers have shaped this particular work. The Limón Dance Company will perform at the storied Joyce theater in New York City from Tuesday, October 14th through Sunday October 19th. To purchase tickets visit joyce.org. SPONSOR:Friday through Sunday, November 7th through 9th, join Amanda Treiber and Company for their debut performances at the Mark O'Donnell Theater in Brooklyn! Featuring a cast of international artists, including dancers and musicians from New York City Ballet, and a world premiere to music by Philip Glass, these performances showcase NYC-based choreographer and dancer Amanda Treiber's ability to create worlds through unique movement vocabularies and her deep collaborations with dancers, musicians, and visual artists. You won't want to miss it! Reserve your tickets today at amandatreiber.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

durée : 00:25:44 - Les Grands entretiens - par : Judith Chaine - Depuis Statea en 2016 avec Murcof, Vanessa Wagner explore un vaste répertoire allant de Mozart à la musique répétitive. Directrice artistique du festival de Chambord, elle publie aujourd'hui l'intégrale des études pour piano de Philip Glass. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:43:24 - En pistes, contemporains ! du dimanche 28 septembre 2025 - par : Emilie Munera - Dans chacune de ses vingt études pour piano, Philip Glass développe une ambiance singulière et des particularités rythmiques propres. Vanessa Wagner enregistre une intégrale de ce cycle initié en 1991. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:58 - Journal de la création du dimanche 28 septembre 2025 - par : Laurent Vilarem - Reportage à La Roque d'Anthéron qui offrait en deux concerts l'intégrale des 20 Études de Philip Glass. Les pianistes Célia Oneto-Bensaïd et Vanessa Wagner reviennent sur ce cycle désormais incontournable du compositeur américain. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:43:24 - En pistes, contemporains ! du dimanche 28 septembre 2025 - par : Emilie Munera - Dans chacune de ses vingt études pour piano, Philip Glass développe une ambiance singulière et des particularités rythmiques propres. Vanessa Wagner enregistre une intégrale de ce cycle initié en 1991. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:43:24 - En pistes, contemporains ! du dimanche 28 septembre 2025 - par : Emilie Munera - Dans chacune de ses vingt études pour piano, Philip Glass développe une ambiance singulière et des particularités rythmiques propres. Vanessa Wagner enregistre une intégrale de ce cycle initié en 1991. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:00:04 - Jean-Michel Othoniel, plasticien - par : Priscille Lafitte - Mis à l'honneur dans la ville d'Avignon, le plasticien Jean-Michel Othoniel investit le Palais des Papes de ses formes monumentales en verre soufflé. A son travail répondent les musiques de Philip Glass, Lully, Beethoven, et le geste scénique de Bob Wilson et Peter Sellars. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Cardiff-based electronic pop artist Ani Glass (aka Ani Saunders) joins Graham Coath to talk craft, culture and the songs behind her much-anticipated second album Phantasmagoria (out 26 September). Singing in Welsh and Cornish, Ani shares how melody guides her writing, why she incorporates warmth into her electronic music with live bass and cello, and how influences ranging from Philip Glass to classic pop shape her sound.Expect a studio-side chat (Ableton, synths and the world's most fashionable glasses), thoughts on authenticity over virtuosity, and a candid take on language in music—why listeners connect with feeling first, words second. We also look back at her acclaimed self-produced debut Mirores (Welsh Album of the Year; Welsh Music Prize shortlist) and what's new this time around.Listen for:Writing via voice notes, then sculpting textures on synthsBalancing electronic sheen with an “organic” hug of harmony and depthWelsh/Cornish/English lyrics and audiences' openness to new soundsTour, records, and release-week realities (yes, lots of vinyl packing)Follow Ani, pre-order Phantasmagoria, and add her tracks to your playlist.

durée : 00:15:13 - Journal de la création du dimanche 07 septembre 2025 - par : Laurent Vilarem - Cette semaine, nous faisons le tour d'horizon des saisons d'opéra. Outre les superstars Philip Glass et Othman Louati, de belles créations sont à venir, en Avignon comme à Paris. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A nyugalom koncertje – Philip Glass könyvbemutató és koncert

Virtuoso pianist Vicky Chow in musical excerpts and commentary from the artist. Originally from Vancouver, Canada, now in Brooklyn, Chow has put a personal touch on multitudes of contemporary music, engaged commissions, and explored experimental forms expanding the piano repertoire. We hear bits from performances of works by Philip Glass, David Lang, Cassie Wieland, Jane Antonia Cornish, and Tristan Perich whose piece Surface Image the pianist will perform in a free concert in Bryant Park in Manhattan on Sept. 11, 2025 to open Roulette's 47th season.https://roulette.org/

Virtuoso pianist Vicky Chow in musical excerpts and commentary from the artist. Originally from Vancouver, Canada, now in Brooklyn, Chow has put a personal touch on multitudes of contemporary music, engaged commissions, and explored experimental forms expanding the piano repertoire. We hear bits from performances of works by Philip Glass, David Lang, Cassie Wieland, Jane Antonia Cornish, and Tristan Perich whose piece Surface Image the pianist will perform in a free concert in Bryant Park in Manhattan on Sept. 11, 2025 to open Roulette's 47th season. Image: Kaitlin Jane Photography

Vicky Chow is a celebrated Hong Kong-Canadian-American pianist. She plays contemporary classical music, which is quite different from traditional classical. She is the pianist for the Bang On A Can All Stars, a terrific ensemble. The New York Times has described her playing as “brilliant”. She has collaborated and worked with artists like Meredith Monk, Philip Glass, John Zorn, Bill T. Jones and Arnie Zane Dance Company, BBC Orchestra and LA Philharmonic. She has toured in over 40 countries and performed at venues like Carnegie Hall, Disney Concert Hall and the Hong Kong Arts Centre. She has released over 25 solo and chamber music albums. My featured song is “Studio One”, from the album Play by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH VICKY:www.vickychow.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

In deze aflevering van Kalm met Klassiek, de laatste binnen het thema 'Cyclus', maakt Ab de cirkel rond met een werk van Philip Glass. Hij schrijft wat we noemen minimal music, muziek die inherent cyclisch is van aard. Repeterende bewegingen met slechts kleine, geleidelijke veranderingen, dat is wat minimal music kenmerkt. Je hoort deel I uit 'Glassworks', gespeeld op harp. Ruim zes minuten aan meditatieve, cyclische muziek, om even helemaal in te verdwijnen... Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

Andakterna den här veckan tar avstamp i de fem världsreligionerna och har Sådd och skörd som tema. Idag hör du Karin Brygger som utgår från sin judiska tro. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:När en jude brukar sin mark finns flera rekommendationer att hålla sig till: vi måste tänka utanför det egna jaget. En bit av åkerns skörd och trädens frukt ska vi till exempel lämna till de som behöver den mer än vi. Detta är ett av den judiska Bibelns uttryck för rättvisa och socialt ansvar och kallas Pe'ah.Jag har fäst mig bland annat vid Rabbi Moses Alshihk tolkning av Pe'Ah - som inskärper att gåvan till den fattige inte ska förstås som att den rike ger av sitt eget. Gåvan kommer i själva verket från Gud. Kanske inskärps detta för att den som har inte ska känna ett stygn av irritation när hen ska släppa ifrån sig av sin rikedom? Om det i själva verket är Guds skörd, och ordningen mellan givare och tagare del av en större plan än det som sker just på fälten, blir generositeten lättare att hantera. I Sidduren, judiska bönboken, finns många böner som har med naturens gåvor att göra på ett eller annat sätt. Vi tackar Gud och önskar hjälp med gott väder. Under en del av året lyder några meningar i så här: ”Du får vinden att blåsa, regnet att falla”. Och under en annan del av skördeåret låter det så här: ”Du får solen att skina och daggen att fukta marken.”Text:Femte MosebokMusik:The Poet acts av Philip Glass med John LenehanProducent:Susanna Némethliv@sverigesradio.se

Thổi thủy tinh là một kỹ thuật tạo hình thủy tinh nóng chảy thành bong bóng bằng cách thổi qua một ống (hay ống thổi). Ít khi chúng ta nghĩ rằng âm nhạc lại có mối liên hệ với việc tạo ra thủy tinh, nhưng một nghệ sĩ đến từ Adelaide Liam Fleming đã biến âm nhạc thành thủy tinh qua một triển lãm tại Tolarno Galleries ở Melbourne, xuất hiện từ một chuỗi sự kiện tình cờ đầy thú vị.

Episode 049: Buckle up for a journey through dystopian nightmares as Six Picks Music Club returns with a mind-bending exploration of scores and soundtracks that capture the essence of broken worlds! Geoff, Russ, Dave, and special guest Blake are diving deep into the musical territories that transform bleak futures from mere visual spectacles into immersive audio experiences. They'll twist through Philip Glass and Paul Leonard-Morgan's hypnotic compositions, rage with the underground Japanese punk energy of The Stalin, blast through cyborg-powered Guns N' Roses intensity, feel The Cure's burning emotional depths, descend into the dark digital realms of Trent Reznor and Atticus Ross, and finally launch into the cosmic expanses of Hans Zimmer's interstellar soundscapes. And because no dystopian soundtrack episode would be complete without a touch of chaos, the crew will also dive into the absolutely critical debate of popcorn butter ratios - because even in a broken world, snack strategy matters. Whether you're a soundtrack nerd, a dystopia enthusiast, or just someone who appreciates music that sounds like the apocalypse might be happening right outside your window, this episode promises to be a roller coaster through humanity's most beautifully broken musical moments.   Apple Podcasts Instagram Spotify Playlist Official Site Listener Listens - Chaparelle - Instagram

On today's episode of the Ramp. It. Up! Podcast, we are joined by singer, songwriter, composer, director, actress, and advocate Anita Hollander.  Get to Know Our GuestAnita Hollander has worked throughout Europe, Asia, Russia and America as an actress, singer, composer, lyricist, director, producer, and teacher.  She has premiered new works of composers and playwrights at Carnegie Hall, Playwrights Horizons, and New York Shakespeare Festival, where she sang original work of Philip Glass. She received a Helen Hayes Award nomination for Outstanding Lead Actress in a Musical for the Olney Theatre premiere of The Fifth Season and originated the title role in the award-winning play Gretty Good Time at the Kennedy Center in Washington. As a two-time cancer survivor, Anita has negotiated over half her 50-year performing career on one leg, using her disability not only to enhance her roles, but to enlighten the world about disability and promote greater visibility and employment for performers with disabilities. Anita Hollander has performed throughout the world, including such places as Carnegie Hall, Kennedy Center, London's West End & NY Shakespeare Festival, and her award-winning original solo musicals, Still Standing & Spectacular Falls and film, Everyday Mermaid, have played nationally & internationally. She's guest starred on Law & Order, FBI: Most Wanted, and Welcome To Flatch, and appeared in films such as Handsome Harry and Musical Chairs. A favorite theatrical role was Grizabella in CATS, which she played as a 3-legged cat and won a Broadway World citation. www.anitahollander.comWebsite: https://www.anitahollander.com Facebook: https://www.facebook.com/anita.hollander.56 Instagram: https://www.instagram.com/anitahollander/ YouTube: https://www.youtube.com/@anitahollander Stay Connected to the PodcastInstagram: https://www.instagram.com/ramp.it.up.podcast/Facebook: https://www.facebook.com/ZoeOnWheelz/YouTube: https://www.youtube.com/channel/UCZAnH8I6sGEf7SJ9OKw8dEAEmail: rampituppodcast@gmail.comWe want to hear from you!Support the show

THE FANTASTIC FOUR: FIRST STEPS opens in theatres this weekend, marking the first time THE FANTASTIC FOUR has been produced under the Marvel Studios banner and has officially entered the MCU. With that in mind, let's listen to some music from the various FANTASTIC FOUR scores written over the years. You'll hear music from Eric and David Wurst, John Ottman, Marco Beltrami, Philip Glass, and others. The show, however, begins with music from Michael Giacchino's brilliant score to THE FANTASTIC FOUR: FIRST STEPS. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Men's work: tunnels, trees… WHM heroes, per B&W callers! Trump withstood the same attacks as the KKK! Placeboing: "That sucks!" Epstein List: "nothingburger"?The Hake Report, Thursday, July 10, 2025 ADTIMESTAMPS* (0:00:00) Start* (0:04:13) Some points we may cover* (0:08:16) Hey, guys!* (0:10:06) Tunnel collapse in Wilmington … Sacred Cove, geography* (0:17:53) More on the tunnel* (0:20:12) Men being men: Removing a felled tree; Philip Glass, Dracula* (0:30:27) Chat… Big Hake* (0:32:18) Coffee: Picture palace with painists* (0:34:59) STEVE'N, MD: Robert Shelton, Strom Thurman, JLP, white* (0:52:52) STEVE'N: "conservative"?* (0:55:49) MARK, L.A.: Steve'n, WHM* (0:57:53) MARK: What they did to the K—, same tactic on Trump, "heroes"* (1:06:57) MARK: ICE facility attack, Antifa arrested, others, 1967* (1:11:06) Placeboing - That s—cks* (1:15:16) JASON, Long Island: Scolded, B-day* (1:16:48) ROBERT, KS: Trump a double-agent; Covid shutdowns unforgivable* (1:29:34) Supers: Merry Christmas, WHM, Andy Ngo on Antifa* (1:36:10) Tuning Fork frequency makes ping pong* (1:36:10) Epstein Punchie TV* (1:42:49) Loyal woman Ghislaine Maxwell, pic* (1:46:04) Ted Frank on Epstein …* (1:51:16) Closing* (1:53:03) Last Super, ByeBLOG https://www.thehakereport.com/blog/2025/7/10/the-hake-report-thu-7-10-25PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2025/7/10/enemies-within-and-without-jlp-thu-7-10-25–Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/showVIDEO: YT - Rumble* - Pilled - FB - X - BitChute (Live) - Odysee*PODCAST: Substack - Apple - Spotify - Castbox - Podcast Addict*SUPER CHAT https://buymeacoffee.com/thehakereportSHOP - Printify (new!) - Cameo | All My LinksJLP Network: JLP - Church - TFS - Nick - PunchieThe views expressed on this show do not represent BOND, Jesse Lee Peterson, the Network, this Host, or this platform. No endorsement or opposition implied!The show is for general information and entertainment, and everything should be taken with a grain of salt! Get full access to HAKE at thehakereport.substack.com/subscribe

Join us for a conversation with author and new media artist Scott Snibbe. Snibbe will introduce us to the history of his pioneering use of new technology and his exploration of traditional art forms. His artwork has been featured in leading institutions, from MoMA, SFMOMA, and The Whitney Museum of American Art to London's Institute of Contemporary Art, Tokyo's Intercommunications Center, and beyond. Snibbe has collaborated with renowned artists and creators throughout his career, including multiplatinum recording artist Björk on the groundbreaking “app album” Biophilia, filmmaker James Cameron, musician Beck, and composer Philip Glass. He is the author of How to Train A Happy Mind, featuring a forward written by the Dalai Lama. In his latest work, Snibbe draws from centuries-old Tibetan thangka painting techniques he studied in Nepal, which inspired him to explore the intersections of digital media and ancient craftsmanship. At the confluence of technology, traditional painting, and interactive design, Snibbe creates participatory experiences that push the boundaries of contemporary art and invite audiences to engage with it in new and unexpected ways. A Technology & Society Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. OrganizerGerald Anthony Harris  Learn more about your ad choices. Visit megaphone.fm/adchoices

Composer Steve Reich is one of the most influential musicians of modern times. In the 1960s he helped rewrite the rules of composition, using analogue tape machines to experiment with rhythm, repetition and syncopation. As the godfather of musical minimalism, his influence on Philip Glass, David Bowie, Jonny Greenwood of Radiohead, and many other composers, has been enormous. Countless dance music producers also owe a debt to pieces including It's Gonna Rain, Drumming, Different Trains and Music for 18 Musicians. His music has been performed in concert halls all around the world, and his many awards include three Grammys, a Pulitzer Prize, the Polar Prize for Music and the Premium Imperiale. Steve Reich tells John Wilson how, at the age of 14, three very different recordings awoke his interest in music: Stravinsky's The Rite of Spring, Bach's 5th Brandenburg Concerto, and a piece of bebop jazz featuring saxophonist Charlie Parker, trumpeter Miles Davis and drummer Kenny Clarke. Inspired to start a jazz quintet of his own, Reich began to study percussion before enrolling in a music history course at Cornell University. It was here he discovered the music of Pérotin, the 12th century French composer associated with the Notre Dame school of polyphony in Paris. His beautiful sustained harmonies had a profound influence on Reich's own compositions, including Four Organs (1970) and Music for 18 Musicians (1976).Steve Reich also explains the significance of two books on his music; Studies in African Music by A.M.Jones and Music in Bali by Colin McPhee, both of which led to a greater understanding of music from parts of the world where music is passed down aurally rather than through notation.Producer: Edwina Pitman Additional recording: Laura Pellicer

This February 2026, Akhnaten returns to the Dorothy Chandler Pavilion for the first time in a decade. In this special episode, we rewind to a 2017 conversation between Akhnaten's composer, Philip Glass, and LA Opera's then-artist-in-residence, Matthew Aucoin. Together, they explore the radical reign of the pharaoh Akhnaten, the revolutionary vision that reshaped ancient Egypt, and the hypnotic score that continues to captivate audiences around the world. Celebrate 40 years of bold storytelling with LA Opera. Tickets to our historic anniversary season, including Akhnaten, West Side Story, The Magic Flute, and more are on sale now at LAOpera.org.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La música nos rodea, está por todas partes. Es dificil escapar a ella. Suena al entrar en la cafetería, en todos y cada uno de los cientos de miles de anuncios que intentamos esquivar en todo momento, en el supermercado, en las tiendas, en la televisión, en la radio, en el cine, en la calle, en nuestro teléfono móvil... Da igual si nos apetece oírla o no. Está ahí deliberadamente para influir en nuestro estado de ánimo, para que compremos más (y más deprisa). Y ante las cientos y cientos de propuestas que nos asedian incontroladamente, nosotros pretendemos seleccionar justo aquellas que los demás desdeñan. Entre todas las toneladas de música que nos sepultan a diario, aquí os ofrecemos una selección cuidada con infinito mimo para que disfrutéis de un oasis de dos horas con sonidos que de verdad merece la pena escuchar. Philip Glass, Kummerspeck, Johannes Winkler/Rusanda Panfili, Tuxedomoon & Cult with No Name, Judah Earl, Hannah Yoo, Patrick O'Hearn, Himekami, Masayuki Hasuo, Nelman Music System, Lotus Sky, Birds on a Wire/Rosemary Standley, Ola Gjeilo. 🎧 El playlist detallado: lostfrontier.org/t29.html#1054.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

The American singer songwriter Suzanne Vega released her first studio album almost exactly 40 years ago – and it soon found an audience, particularly here in the UK where it sold more than 300, 000 copies. Listeners responded to her understated, acoustic sound and thoughtful lyrics, in songs such as Marlene on the Wall and Luka. Another of her songs, Tom's Diner, took on a life of its own. It's been sampled by dozens of artists and one remix became a global hit.Suzanne recently released her tenth studio album, Flying with Angels, and will be embarking on a major tour with dates in England and Scotland later this year. Her mix of music includes Bartok, Rachmaninov, Philip Glass and Debussy. Producer: Clare Walker

Listen to an interview with the acclaimed Gary, Indiana composer and electronic music producer Jlin. Her music has been praised by Pitchfork, NPR, Vogue, Rolling Stone and The New York Times, and she's collaborated with artists including Björk and Philip Glass.  Born Jerrilynn Patton in 1987, Jlin's bold, genre-defying work has reshaped the landscape of experimental electronic music. Her rhythmically dense and emotionally intense style emerged from footwork, a high-speed dance music rooted in the underground music culture of Chicago. But Jlin's sound evolved over time, becoming an unmistakably original voice that transcends categorization.  Jlin rose to prominence with her 2015 debut Dark Energy. The album was immediately hailed as a landmark in contemporary electronic music. Both The Quietus and The Wire named it Album of the Year, and Pitchfork included Dark Energy in its Top 20 Albums of 2015. Her follow-up album, Black Origami further solidified her status as a leading avant-garde composer. The album received almost universal acclaim, with The New York Times, Rolling Stone, NPR, and The Guardian including Black Origami in their the Best Albums of 2017 lists. Jlin's latest, album Akoma has also garnered widespread critical acclaim.  Beyond her solo releases, Jlin's influence has expanded into the worlds of dance, classical music, and performance art. She has composed for the renowned Kronos Quartet and her music has been used by choreographers including Wayne McGregor and Kyle Abraham. Despite her international recognition, Jlin has remained firmly rooted in her hometown Gary, Indiana.

Aujourd'hui, je reçois Benjamin Millepied.Benjamin est le directeur artistique de la 2e édition de La Ville Dansée, ce rendez-vous dans l'espace urbain francilien, imaginé par le Paris Dance Project autour d'une œuvre chorégraphique inédite pensée comme une réflexion dansée sur l'état du monde.Du 5 au 8 juin, Benjamin et 4 chorégraphes qu'il admire - Emmanuelle Huynh, Pam Tanowitz, Dimitri Chamblas et Jamar Roberts - vont présenter dans 7 lieux d'Île-de-France et en accès libre, ce ballet collectif.Le point de départ créatif de ce projet est le film poétique Koyaanisqatsi et sa musique iconique de Philip Glass pour lesquels Benjamin a un « amour fort »Chaque chorégraphe porte la responsabilité créative d'un morceau de la partition de Philip Glass.Ils façonnent ainsi et à 5 une œuvre commune. On l'écoute avec joie, Ce podcast a été réalisé en partenariat avec les équipes du Paris Dance Project fondé

Aujourd'hui, je reçois Emmanuelle Huynh, danseuse, chorégraphe et enseignante.Elle est l'une des chorégraphes de la 2e édition de La Ville Dansée, ce rendez-vous dans l'espace urbain francilien imaginé par le Paris Dance Project autour d'une œuvre chorégraphique inédite pensée comme une réflexion dansée sur l'état du monde.Du 5 au 8 juin, 5 chorégraphes (Pam Tanowitz, Dimitri Chamblas et Jamar Roberts, Benjamin Millepied et Emmanuelle Huynh) vont présenter dans 7 lieux d'Île-de-France en accès libre - ce ballet collectif.Benjamin Millepied qui en assure la direction artistique a donné comme point de départ aux chorégraphes le film poétique Koyaanisqatsi et sa musique iconique de Philip Glass.On écoute, avec joie, Emmanuelle raconter la danse et ce projet.Cette conversation a été imaginée en partenariat avec les équipes du Paris Dance Project.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Subterranea Rarities, en su afán de buscada de rarezas, trabaja duro para lograr sorprendernos cada mes. Carles Pinós nos hablará de tres discos tan insólitos como añejos, las únicas publicaciones de Ocarinah, Supply, Demand and Curve y Touch; Carlos Romeo nos hablará de un trabajo de Ravi Shankar con Philip Glass, de Weather Report en la Habana y de Weather Report con Manhattan Transfer en el Playboy Jazz Festival; y David Pintos de dos magníficos discos de Phideaux. Descárgalo antes de que se colapse internet. Edición: David Pintos. www.subterranea.eu www.davidpintos.com Escucha este episodio completo y accede a todo el contenido exclusivo de Subterranea Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/17710

The artist, producer, and educator Jlin, born Jerrilynn Patton, first came out of the electronic dance music scene – specifically, the Chicago style of house music known as footwork. But she's also become a sought-after composer, and one of her works was a finalist for the Pulitzer Prize. Her collaborators include Icelandic pop star Bjork, composer Philip Glass, experimental electronic musician Holly Herndon, dance companies, and lots more. Jlin's unsettled rhythms, unexpected samples, and surprising sonic effects are layered, and played live (!) when she performs. Jlin joins us to play a set of pieces that draw on her typically bewildering array of sound sources, including a piece in six, “Iris”.Set list: 1. B12 2. Iris 3. The Precision of Infinity

Thomas Sena & Deremy Dove (Pop Culture Five Podcast Duo) light a match and illuminate the pros and cons of Martin Scorsese's Religious Epics Trilogy: THE LAST TEMPTATION OF CHRIST, KUNDUN and SILENCE!     TOPICS INCLUDE:  *An overview on Scorsese's look at Catholicism *Is Adam Driver needing better roles of late? *Philip Glass and Peter Gabriel's brilliantly inserted film scores for the initial two films *How hard it is to handle FOR ANY KIND of religious epic without someone disagreeing on the messaging *Which film ran out of steam before it even got going *Which one is easily Scorsese's most accessible film to date *And which one has a rather captivating script for even the most agnostic viewer to find riveting!                   MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/        SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass     

Send us a textFairfax criminal defense lawyer Jonathan Katz derives tremendous inspiration in his courtroom work from teacher Robert Thurman, for his humor, caring realness, great storytelling ability, and certainly his genius in conveying Buddhist, mindfulness and spiritual ideas in a way that draws in the audience. In this episode of Beat the Prosecution, Jon Katz goes beyond what has already been written about Bob, to find out what energizes and inspires him to be the great person and teacher that he is. Bob's story is fascinating, to say the least. In his early twenties or so, he went to Asia, and ultimately became a monastic. He was not even aware of the Beatles when they took America by storm. Then, Bob returned to layperson life, and became a Buddhist scholar and is a major translator of Buddhist texts. He was a professor at Amherst College and then Columbia University. He co-founded Tibet House in New York, along with Richard Gere and Philip Glass. With his wife Nena Thurman, he spearheaded the Menla reatreat center in the Catskills, which is a project of Tibet House. The greatness of the Thurman name expands further with their daughter Uma Thurman. Jon Katz first started reading Bob Thurman's writings and listening to him around fifteen years ago, and met him twelve years ago. Bob is able to tackle even the most challenging and troubling issues, and permeate them with his infectious, compassionate and riveting humor. Bob would be a great trial lawyer; fully, persuasively, and entertainingly engaging the audience, clearing the air of unnecessarily heavy energy, vibrating highly, and distilling the message without needing to rehash unnecessary factoids. Experience Bob's essence, persona and brilliance with his podcast, videos and books at BobThurman.com . Jon recommends visiting and donating to Tibet House, and visiting the Menla Retreat Center. Bob recommends reading his Wisdom is Bliss book Jon also very much likes Bob's Infinite LIfe book. Among the opportunities to meet Robert Thurman is the is the mid-August 2025 Ram Dass Legacy Summer Mountain Retreat in North Carolina. This Beat the Prosecution episode is also playable on YouTube and Apple podcasts.This podcast with Fairfax, Virginia criminal / DUI lawyer Jon Katz is playable on all devices at podcast.BeatTheProsecution.com. For more information, visit https://KatzJustice.com or contact us at info@KatzJustice.com, 703-383-1100 (calling), or 571-406-7268 (text). If you like what you hear on our Beat the Prosecution podcast, please take a moment to post a review at our Apple podcasts page (with stars only, or else also with a comment) at https://podcasts.apple.com/us/podcast/beat-the-prosecution/id1721413675

Jordan and Brooke are rejoined by film & culture writer Lillian Crawford for 2002's sad and lovely ode to the interiority of women's lives. We talk awards-y lesbianism, the enduring impact of Virgina Woolf's brilliant writing, Philip Glass's divisive score, the ins and outs of this movie's intense Oscar campaign (courtesy of David Canfield), and being DEPRESSED and GAY and BUYING THE FLOWERS YOURSELF.Follow us on Twitter, Bluesky, and IG! (And Jordan's Letterboxd / Brooke's Letterboxd)Follow Lillian on Bluesky! Read her article The Hours at 25: The book that changed how we see Virginia WoolfFor privacy & ad info, visit: audacyinc.com/privacy-policy/

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

Scottish-born composer Paul Leonard-Morgan (Last Breath, Cyberpunk 2077, Tales from the Loop, Limitless) is a master of different mediums — from film/television to video games, concerts and working with recording artists like bands Belle & Sebastian and Snow Patrol, among many others.His latest, survival-thriller Last Breath starring Woody Harrelson, is his second score to this story — he also scored the hit documentary about the real people. Paul details how he evolved his approach for the narrative film, including his own wetsuit dive to record metallic clinks against boats in Malibu, California, in order to create a unique, journalistic feel to the music approach.How his collaborations with legendary composer Philip Glass came about for Tales from the Loop, after they both worked with documentary filmmaker Errol Morris. Plus, how the aggressive and dark sound of Cyberpunk 2077 came together, and why writing tunes — and staying passionate under grueling deadlines — is the magic that unlocks success.Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.Video Timecodes0:00 Intro1:49 Vienna Symphonic Library3:59 Paul Leonard-Morgan Interview6:51 Scoring Drama vs. Documentary9:29 ‘Last Breath' opening12:51 Recording Boats in Malibu17:28 Finding Unique Sounds19:58 Paulstretch Experimenting and ‘Dredd'20:52 Musical beginnings28:31 Punk-rock heart31:37 Finding a style35:54 Finding Inspiration40:22 Philip Glass collaborations42:00 ‘Tales from the Loop'51:21 ‘Cyberpunk 2077' & writing1:00:34 Three Things1:06:56 Charles Manson's music1:12:01 VSL Synchron Series1:13:46 VSL ‘Forrest Gump' Demo

Laurie Anderson is an artist and performer who came to fame in the UK with her 1981 hit O Superman. Her work spans music, film and multimedia projects which interrogate our relationship with technology and tell stories about the world we live in.She was born in Chicago in 1947, the second-oldest of eight children, and started learning the violin when she was five. She studied Art History at Barnard College in New York and took a Masters in Sculpture at Columbia University.In the 1970s she was part of the downtown New York art scene and her friends and contemporaries included Philip Glass, Gordon Matta-Clark and the choreographer and dancer Trisha Brown. One of Laurie's first performance art pieces featured a symphony played by car horns.In 1992 she met Lou Reed, the singer and songwriter who fronted the Velvet Underground. They were together for 21 years until his death in 2013. Laurie is the head of Lou's archive which is at the New York Public Library for the Performing Arts and open to anyone who wants to learn more about his musical adventures.In 2024 Laurie was awarded a Lifetime Achievement award at the Grammys and a Stephen Hawking Medal for Science Communication. DISC ONE: Pony Time - Chubby Checker DISC TWO: Gracias a la vida - Violetta Parra DISC THREE: Tusen Tankar - Triakel DISC FOUR: Part 1 - Philip Glass Ensemble, conducted by Michael Riesman DISC FIVE: Flibberty Jib - Ken Nordine with the Fred Katz Group DISC SIX: Doin' the Things That We Want To - Lou Reed DISC SEVEN: Washington, D.C - The Magnetic Fields DISC EIGHT: Is Chicago, Is Not Chicago – Soul Coughing BOOK CHOICE: Speak, Memory by Vladimir Nabokov LUXURY ITEM: A dog collar CASTAWAY'S FAVOURITE: Gracias a la vida - Violetta Parra Presenter Lauren Laverne Producer Paula McGinley