Podcasts about piano concerto no

Behzod Abduraimov's performances combine an immense depth of musicality with phenomenal technique and breath-taking delicacy. He performs with renowned orchestras worldwide including Philharmonia Orchestra, Los Angeles Philharmonic, Deutsches Symphonie-Orchester Berlin, San Francisco Symphony, The Cleveland Orchestra, Orchestre de Paris, Concertgebouworkest, Czech Philharmonic, Vienna Symphony Orchestra, NHK Symphony and Rundfunk-Sinfonieorchester Berlin (RSB). Regular festival appearances include Aspen, Verbier, Rheingau, La Roque Antheron, Lucerne and Ravello festivals. Behzod's second recording for Alpha Classics, featuring works by Ravel, Prokofiev, and Uzbek composer Dilorom Saidaminova, was released on 12 January 2024. The album was Gramophone' Editor's Choice in January 2024, and was included in Apple Music ‘10 Classical Albums You Must Hear This Month' of February 2024.  The year 2021 saw the highly successful release of his first recital album for Alpha Classics based on a program of Miniatures including Mussorgsky's Pictures at an Exhibition. In 2020, recordings included Rachmaninov's Rhapsody on a Theme of Paganini with Lucerne Symphony Orchestra under James Gaffigan, recorded on Rachmaninoff's own piano from Villa Senar for Sony Classical, and Rachmaninoff's Piano Concerto No.3 with Concertgebouworkest, for the RCO live label. Born in Tashkent, Uzbekistan, in 1990, Behzod began the piano at age five, as a pupil of Tamara Popovich at Uspensky State Central Lyceum in Tashkent.

Peter Tchaikovsky - Piano Concerto No. 3Bernd Glemser, pianoPolish National Radio Symphony Orchestra Antoni Wit, conductorMore info about today's track: Naxos 8.550819Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

For God alone, O my soul, wait in silence, for my hope is from him.- Psalm 62:5 This Episode's Links and Timestamps:00:25 – Scripture Reading02:13 – Introduction16:46 – Commentary on Tchaikovsky's Piano Concerto No. 1in B-Flat Minor, Op.23: I23:15 – Commentary on Psalm 6236:19 – Honest Admissions After Talking About Everything for7 Years50:18 – Baby Names and Legacy-Building with a Capital ‘L' 1:14:21 – The Philosopher-Mechanic Paladin

커튼콜 258회에서는 국립발레단이 다음 달 공연하는 발레 '카멜리아 레이디'를 무용 평론가 정옥희 씨와 함께 집중 탐구합니다. '카멜리아 레이디'는 '발레계의 교황'으로 불리는 거장 존 노이마이어가 1978년에 슈투트가르트 발레단을 위해 처음 안무한 드라마 발레입니다. 쇼팽의 피아노 음악에 안무한 이 작품은 초연 이후 많은 세월이 흘렀지만, 지금도 전 세계에서 사랑받는 걸작입니다. 특히 강수진 국립발레단장과는 특별한 인연이 있는데요, 강수진 단장은 슈투트가르트 발레단 재직시 이 작품으로 동양인 최초로 브누아 드 라 당스 상을 받았습니다. 국립발레단의 무용수들이 공연할 '카멜리아 레이디'의 매력과 감상포인트를 정옥희 씨와 함께 자세히 알아봅니다. 여주인공 마르그리트의 의상 색깔에 따라 퍼플, 화이트, 블랙 파드되로 불리는 주인공들의 2인무도 함께 감상해 봅니다. 유튜브 재생목록 '김수현 문화전문기자의 커튼콜'을 추가해 보세요. https://han.gl/3YIq8 ♬ 퍼플 파드되 - Chopin, Piano Concerto No.2 in F minor Op.21 ♬ 화이트 파드되 - Chopin: Piano Sonata No. 3 In B Minor, Op. 58 ♬ 블랙 파드되 - Ballade No.1 in G minor, Op. 23 진행: SBS 김수현 문화전문기자, 이병희 아나운서 l 출연: 무용평론가 정옥희 l 글·편집 : 김은혜 PD

Send us a textWe close out our “Forgotten Dreams” theme with the 1996 film Shine, the true story of piano prodigy David Helfgott, who cracks under the pressure of his overbearing father and his attempt to master Rachmaninoff's Piano Concerto No. 3. Karl's shakeup was that the film must have won an award (this one won several, mostly for star Geoffrey Rush), so we also discuss whether we ourselves have ever won an award, some award show history, and whether a movie winning awards would compel us to watch it. 

So today's episode is ALL about a concept that might sound super depressing at first glance, but is actually one of the most powerful tools we have for emotional growth. I'm talking about encountering futility - yep, that word you probably haven't tossed around since your college philosophy class (if ever)!What Is Futility Anyway?

A cherishable 1953 broadcast performance of Brahms' Piano Concerto No. 2 in B-flat Major Op. 83 with soloist Clifford Curzon and the New York Philharmonic, conducted by George Szell is the topic for this episode.YouTube link: https://www.youtube.com/watch?v=DmY3QA_FaEwLink to purchase: https://www.prestomusic.com/classical/products/7974718--the-art-of-george-szell-vol-2?srsltid=AfmBOoqJQc9L7orcEjllu7OP5VEMn8PEMxDJy7G6k_ARCE6jYtyI1tpKConsider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

DescriptionRachmaninoff's Piano Concerto No. 1 – A Teenage Prodigy's Bold Beginning in 60 Seconds. Take a minute to get the scoop!Fun FactRachmaninoff composed his Piano Concerto No. 1 at 18, then revised it in 1917, refining its structure and orchestration. Though overshadowed by his later works, it bursts with virtuosity and emotional depth, foreshadowing his iconic style.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Today is the Vernal Equinox. We're promised incremental victories of light. But early spring is no darling — not here in the high desert. Here, she can be chafing and mercurial; she can show up in sputtering, immature fits and freezes; in mean winds that would cut down the most tender and flower-faced among us without reason.Earlier this week, the sky howled and turned the color of mud at mid-day. Cell phones blared out public safety warnings. Dust agitated at every seam.What's a nervous system to do? Have mercy on the tender-hearted, Lord — on the dream of apricots and cherries, and the boy at school pickup who is rubbing and rubbing his nose against the back of his chapped hand.Like you, I am learning to find refuge. I am learning to take shelter in the soft aliveness of my body; remembering in adulthood what came so easily and imaginatively to my younger self — how to build a fort, how to tuck into a small world of my own making.So, I gather a reading light, a ball of yarn, knitting needles, and a poetry collection, and I tent a wool blanket over my head to hole up for the duration.One thing I know for sure is how a poem can serve like the keel of a boat, offering stability and resistance against sideways forces. A poem — a few words that, when linked together at an angle just so, can carry us into and beyond their meaning. And so it is with this needfulness, under a blanket in my living room, that I come to Wordsworth's “Lines Written in Early Spring,” a meditation he wrote in 1798 on the joyful, interwoven consciousness of nature — a “thousand blended notes” of birdsong — and humanity's grievous failure to remember its place under the canopy of all things.In the grove where the speaker sits, twigs “spread out their fan,” flowers “enjoy the air,” and Nature, personified, is a force with a “holy plan.” But human beings, the speaker laments, have lost the splendrous sensibilities of spring: “If such be Nature's holy plan / Have I not reason to lament / What man has made of man?”It occurs to me that man has done many good things with his hands. I am thinking now of a live performance of Rachmaninoff's Piano Concerto No. 2, or the sweater that Wendy-from-the-yarn-shop just masterfully knitted, or the perfectly packaged mini-waffles my friend Ted brought back from a recent trip to Japan.But much of the time, we get things at least half-wrong. Like seed-creatures, we struggle to find our way upward through hard ground. We move too quickly, unaware of our conditions, and make mistakes. We forget to pause and remember the purpose of our unearthing. And we forget the interweave, the garden of our original belonging.So, I'm teaching myself how to knit. Novice that I am, it's awkward work. It's near-in. I tink (a new word for me, a semordnilap that refers to the act of un-stitching) almost as often as I knit. I struggle to position my hands, to maintain the right angle, I poke around and lose count and then I have to begin again.And in all this seeming progress and unraveling, as I return to mistakes embedded long ago, a new pattern — peaceful and even elegant — is steadily emerging. Oh, nervous system, dear friend. I am un-stitching and stitching myself back together again. I am braiding threads of myself into an artwork of my own making, which is weaving me back into something greater than my own making. And when the thing is ready, I will hold it up in wonder. I will hold it to my cheek.Together, we are making sense of being human in an era of radical change. Your presence here matters. Thank you for reading, sharing, ‘heart'ing, commenting, and subscribing to The Guest House. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit shawnparell.substack.com/subscribe

Rachmaninoff's Piano Concerto No. 2, featuring pianist Anna Geniushene, is preceded by two dynamic shorter works evoking themes of infectious energy and the movement of dance, with commentary from co-hosts Sir Donald Runnicles and Jeff Counts.This episode features:Anna Geniushene with the Grand Teton Music Festival Orchestraand Chamber Music with Festival musiciansAlberto GinasteraMalambo from Estancia: Four Dances, Op. 8aDalia Stasevska, conductorClaude DebussyDanse sacrée et danse profaneLing Ling Huang, violinConnor Chaikowsky, violinSusan Gulkis Assadi, violaThomas Carpenter, celloJoseph McFadden, bassElisabeth Remy Johnson, harpSergei RachmaninoffPiano Concerto No. 2 in C minor, Op. 18Anna Geniushene, pianoJuraj Valčuha, conductorLive from the Grand Teton Music Festival is hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Episodes premiere on Wednesdays at 8 PM MT on Wyoming Public Radio and are available the next day wherever you get your podcasts.The Grand Teton Music Festival, founded in 1962, unites over 250 celebrated orchestral musicians led by Music Director Sir Donald Runnicles in Jackson Hole, Wyoming each summer. Stay connected for the latest Festival updates: Instagram Facebook Email List GTMF Website

John Field - Piano Concerto No. 2: 1st movementBenjamin Frith, piano Northern SinfoniaDavid Haslam, conductorMore info about today's track: Naxos 8.553771Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

DescriptionLiszt's Dazzling Masterpiece: The 20-Year Journey of His First Piano Concerto in 60 Seconds. Take a minute to get the scoop!Fun FactLiszt's Piano Concerto No. 1 took over 20 years to complete, blending dazzling piano virtuosity with bold orchestration. Premiered in 1855 with Berlioz conducting, it featured dramatic runs and an unusual triangle part. Initially criticized, it later became a beloved staple of the Romantic piano repertoire.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Composer Marko Bajzer talks about his composition The Sacrifice of Prometheus, which receives its World Premiere at the Reno Phil's concerts “Beethoven's Emperor Concerto" on March 22 and 23, 2025. Music director Laura Jackson leads the concerts, which also include Beethoven's Piano Concerto No. 5, the "Emperor," with Davidson Fellow Katherine Emma Liu as piano soloist, and The Pines of Rome by Ottorino Respighi.

Donald Macleod delves into the lives and music of The Turkish FiveIn 1923 the Turkish Republic came into being. On the agenda for the founding father and first president, Mustafa Kemal Atatȗrk, was the aim to develop a new Turkish musical language, and to disassociate culturally with the Ottoman past. This new musical culture would be a blend of traditional Turkish music, in combination with Western classical music.A group of composers known as the Turkish Five were pioneers in this movement to form a synthesis between East and West. They included Cemal Reşit Rey (1904-1985), Ulvi Cemal Erkin (1906-1972), Hasan Ferit Alnar (1906-1978), Ahmet Adnan Saygun (1907-1991) and Necil Kâzim Akses (1908-1999). The Turkish Five became hugely influential in their home country as composers, teachers, conductors and artistic directors, and also became well known abroad, receiving many honours.This week, Donald Macleod is joined by Prof. Mine Doğantan-Dack and Dr. Emre Araci to delve into the impact these composers had on the music in the Turkish Republic. Music featured: Ulvi Cemal Erkin: Camdan sakiz akiyor (Seven Folk Songs) Piano Concerto (excerpt) Duyuşlar (excerpt) Piano Quintet (Ritmico e enérgico) Seven Folk Songs (excerpt)Ahmet Adnan Saygun: Meseli, Op 25 (Anadolu'dan) Piano Concerto No 1, Op 34 (excerpt) Theme and Variations, Op 2 String Quartet No 1, Op 27 (excerpt) Yunus Emre, Op 26 (excerpt) Halay, Op 25 (Anadolu'dan) String Quartet No 2, Op 35 (Grave) Köröğlu, Op 41 (Ten Turkish Folk Songs) Piano Concerto No 2, Op 71 (excerpt)Necil Kâzim Akses: Concerto for Orchestra (excerpt) Five Turkish Piano Pieces (excerpt) Violin Concerto (Adagio – Allegro) Andante (Ten Piano Pieces) Five Pieces for Piano (excerpt)Cemal Reşit Rey: Three Turkish Folks Songs (Twelve Anatolish Folk Songs) Nomad Zeybek Air (Turkish Scenes) Feast (Instantanés) Fatih Sultan Mehmet “Le Conquerant” Andante and AllegroHasan Ferit Alnar: Piano Trio (excerpt) Şu Yamaçta (8 Piano Pieces) Uyuşuk Dans (8 Piano Pieces) Concerto for Qānūn and String Orchestra (Allegro poco moderato) Piano Trio (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for The Turkish Five https://www.bbc.co.uk/programmes/m002822p And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Sanfte Beats und schwebende Synthesizer-Sounds lassen Dich ruhig und entspannt werden. Melodien, verloren zwischen Zeit und Raum. Im Zentrum dieser Folge steht ein Stück von Ludwig van Beethoven. Diese Musikstücke hörst Du in dieser Folge: Peter Gabriel – "So Much" // Paul Keeley – "A Sort Of Homecoming" // Hélène Grimaud (Ludwig van Beethoven) – "Piano Concerto No.5" // Benmont Tench – "The Melancholy Season" // Coast 2 Coast - "Be With Me" // "Zwei Seiten - Der Podcast über Bücher" vom WDR findest Du hier: https://www.ardaudiothek.de/sendung/zwei-seiten-der-podcast-ueber-buecher-wdr/14045781/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

This week on The Sound Kitchen you'll hear the answer to the question about Russia and Syria. There's The Sound Kitchen mailbag, “The Listener's Corner” with Paul Myers, and Erwan Rome's “Music from Erwan” – all that, and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.WORLD RADIO DAY is coming up - it's on 13 February. As we do every year, we'll have a feast in The Sound Kitchen, filled with your voices.Send your SHORT recorded WRD greetings to thesoundkitchen@rfi.fr by 1 February. This year's theme is "Radio and Climate Change", but you don't have to talk about the theme – if you just want to say "hello!", that's fine, too.Be sure you include your name and where you live in your message.Most importantly, get under a blanket to record. This will make your recording broadcast quality.Bombard me with your greetings !!!!The RFI English team is pleased to announce that Saleem Akhtar Chadhar, the president of the RFI Seven Stars Listening Club in District Chiniot, Pakistan, won the RFI / Planète Radio ePOP video contest, in the RFI Clubs category. Bravo Saleem! Mubarak ho!Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 14 December, I asked you a question about Syria and the end of Bashir al-Assad's dictatorship. Rebel forces, led by Hayat Tahrir al-Sham, seized Damascus on 8 December; Assad fled to Russia, ending his family's six-decade- rule.You were to re-read our article “France's support for Syrian transition hinges on respect for minority rights” and send in the answer to this question:  France's outgoing Foreign Affairs Minister Jean-Noel Barrot was quoted in the article. He noted that “Assad's fall is a ‘clear defeat for Moscow'”. Why? Why does Jean-Noel Barrot think that Assad's fall is a “clear defeat for Moscow”?The answer is, to quote our article: “… Russia now could lose access to military bases in Syria which allowed it to conduct operations in the Magreb and elsewhere on the African continent.”In addition to the quiz question, there was the bonus question, suggested by Debashis Gope from West Bengal, India: “How can we have peace amongst all people?”  Do you have a bonus question idea? Send it to us! The winners are: RFI English listener Dia Zanib from Muzaffargarh, Pakistan. Dia is also this week's bonus question winner. Congratulations on your double win, Dia!Also on the list of lucky winners this week is Omar Faruk, a member of the Shetu RFI Listeners Club in Naogaon, Bangladesh, and Alok Bain, a member of the RFI Pariwer Bandhu SWL Club in Chhattisgarh, India. There's RFI Listeners Club member Abdul Mannan Teacher from Sirajganj, Bangladesh, and last but not least, RFI English listener Nargis Akter from Dhaka, Bangladesh. Congratulations, winners!Here's the music you heard on this week's programme: “Vivace” from the Piano Concerto No. 11 in D major for fortepiano and orchestra by Franz Joseph Haydn, performed by Ronald Brautigam and the Concerto Copenhagen; the first movement from the Suite for Oud Quartet by Mohammad Osman, performed by the Syrian Oud Quartet; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Kudzi Malaissane” by José Pires and Roberto Isaias, performed by Kapa Dêch.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “French NGOs to quit social media platform X following Trump inauguration”, which will help you with the answer.You have until 17 February to enter this week's quiz; the winners will be announced on the 22 February podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

Peter Tchaikovsky - Piano Concerto No. 2: FinaleBernd Glemser, piano Polish National Radio Symphony Orchestra Antoni Wit, conductorMore info about today's track: Naxos 8.550820Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Ernst von Dohnanyi - Piano Concerto No. 1: 3rd movementSofja Gulbadamova, pianoRheinland-Pfalz State Philharmonic Orchestra Ariane Matiakh, conductorMore info about today's track: Capriccio C5387Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Five recommendations for "stand-alone" recordings of Beethoven's Piano Concerto No. 4 in G Major Op. 58"Clara Haskil: https://www.youtube.com/watch?v=Zq5-AGnaw-QEdwin Fischer: https://www.youtube.com/watch?v=AMiNzHXFgBQIvan Moravec: https://www.amazon.com/Ivan-Morvec-Plays-Beethoven-Ludwig/dp/B000003LIUEugene Istomin: https://www.prestomusic.com/classical/products/8057350--eugene-istomin-the-concert-solo-recordingsJerome Lowenthal: https://www.allmusic.com/album/beethoven-piano-concerto-no-4-cadenzas-mw0002627987

Five stand-alone recordings of Beethoven's Piano Concerto No. 5. Here are relevant links: https://www.youtube.com/watch?v=UujARIgHO04https://www.youtube.com/watch?v=e8OeXFvCph4&t=495shttps://www.prestomusic.com/classical/products/9640084--beethoven-piano-concerto-no-5-emperorhttps://www.amazon.com/Beethoven-Piano-Concertos-Ludwig-van/dp/B0000029VKhttps://www.youtube.com/playlist?list=PL_-zrhZVF69Og2zPFOxojmjacRVLS_VFv

Peter Tchaikovsky - Piano Concerto No. 1: 1st movementKonstantin Scherbakov, piano Russian Philharmonic Orchestra Dmitry Yablonsky, conductorMore info about today's track: Naxos 8.557257Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This episode begins with Mozart—the glorious, peppy last movement of a piano concerto—and ends with Sarah Vaughan, singing a song (“Black Coffee”). In between we have Bill Monroe, Fanny Mendelssohn, Earl Scruggs—a real variety show. But all to a purpose. Mozart, Piano Concerto No. 14 in E flat, K. 449, last movement Clarke, “The Cloths of Heaven” Monroe, “Blue Moon of Kentucky” Bernstein, “Some Other Time” Mendelssohn, Fanny, arr. Masur, Ken-David, “Schöne Fremde” Dunhill, “The Cloths of Heaven” Kern, “Why Was I Born?” Scruggs, “Foggy Mountain Breakdown” Burke, “Black Coffee”

Ludwig van Beethoven - Piano Concerto No. 5 "Emperor": RondoStefan Vladar, piano Capella Istropolitana Barry Wordsworth, conductorMore info about today's track: Naxos 8.556652Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Wolfgang Amadeus Mozart - Piano Concerto No. 21: AndantePeter Lang, piano Capella Istropolitana Christoph Eberle, conductorMore info about today's track: Naxos 8.550293Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Laura Jackson, Reno Phil Music Director and Conductor, talks with Chris Morrison about the Reno Phil's “Rachmaninoff Piano Concerto” concerts, the second concerts of the orchestra's 2024-25 Classix season, on November 23 and 24, 2024. The music on the program includes the Overture to La forza del destino by Giuseppe Verdi, the Negro Folk Symphony by William Dawson, and the Piano Concerto No. 2 by Sergei Rachmaninoff, with piano soloist Sara Davis Buechner.

Jonathan Cross selects his favourite version of Prokofiev's Piano Concerto no.2.

Wolfgang Amadeus Mozart - Piano Concerto No. 10: 3rd movementJeno Jando, piano Denes Varjon, pianoMore info about today's track: Naxos 8.550210Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This week's episode of City Ballet The Podcast is a previously recorded See the Music presentation hosted by NYCB Music Director Andrew Litton. Accompanied by the Orchestra and Solo Pianist Susan Walters, Maestro Litton describes why Tschaikovsky's Piano Concerto No. 2—the score for the Balanchine ballet of the same name—is less frequently performed than his first, despite being beloved by soloists and rich with beautifully romantic flourishes. Balanchine considered Tschaikovsky a "soulmate," a feeling borne out by his ability to make the composer's slightly less-genius works great with his choreography. (15:57) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Piano Concerto No. 2 in G, Op. 44 (1879-80) by Peter Ilyitch Tschaikovsky

Has Van Cliburn's million selling 1958 recording of Tchaikovsky's Piano Concerto No 1 stood the test of time? Live performance from the 1958 Tchaikovsky Competition: https://www.youtube.com/watch?v=6qROema2MDI. Link to the RCA studio recording: https://www.youtube.com/watch?v=DvenFtOB4-s

https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Ludwig van Beethoven - Piano Concerto No. 1: 3rd movementIgor Levit, pianoCologne Chamber OrchestraHelmut Muller-Bruhl, conductorMore info about today's track: Naxos 8.551447Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Lucy Parham chooses her favourite version of Mozart's Piano Concerto No 23 in A major

Frederic Chopin - Piano Concerto No. 2: FinaleIdil Biret, pianoSlovak State Philharmonic Orchestra, KosiceRobert Stankovsky, conductorMore info about today's track: Naxos 8.554680Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

John Field - Piano Concerto No. 3: RondoBenjamin Frith, pianoNorthern SinfoniaDavid Haslam, conductorMore info about today's track: Naxos 8.553770Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Welcome to episode 121 of the Busy Kids Love Music podcast! In this episode, we'll kick off a special 3-part composer series all about the incredible Sergei Prokofiev. Get ready to dive into the life and musical contributions of this legendary composer! Episode Highlights: Discover the life of Sergei Prokofiev, a Russian composer, pianist, and conductor born in 1891. Learn about Prokofiev's early musical talent, including composing his first piece at age five and an opera by age nine. Explore Prokofiev's bold and innovative musical style, characterized by daring compositions and a penchant for pushing musical boundaries. Hear excerpts from some of Prokofiev's most famous works, including his Piano Concerto No. 2 and the Scythian Suite, to experience the excitement and drama in his music. Learn about Prokofiev's life after the Russian Revolution, his marriage to Spanish singer Carolina Codina, and his passion for chess. Find out how you can explore more of Prokofiev's music with my curated playlist in the show notes. Stay tuned for the next two episodes of Busy Kids Love Music, where we will dive deeper into some of Prokofiev's most famous songs. Make sure to subscribe to the podcast on your favorite listening platform so you don't miss out on future episodes. If you enjoyed this episode, please consider rating and reviewing the Busy Kids Love Music podcast to help more people discover our musical community. Thanks for joining me on this musical journey through the life and music of Sergei Prokofiev! Keep listening to and loving music, and we'll see you again in two weeks for the next episode. Bye for now! Links Mentioned in this Episode: Waitlist to join Busy Kids Do Piano Musical Samples You'll Hear in this Episode: Martha Argerich Plays Prokofiev Piano Concerto No.3 | Singapore International Piano Festival Prokofiev Piano Concerto No. 2 in G minor Op.16 - Yuja Wang Prokofiev Scythian Suite, Op. 20 Prokofiev - Love Of Three Oranges– Marriner/London Symphony Orchestra Playlist for Episode 121 I've put together a curated playlist of the pieces you heard in today's episode along with a few additional famous Prokofiev arrangements. Check it out here! Subscribe & Review in Apple Podcasts Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in Apple Podcasts! If you're feeling extra magnanimous, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other families find my podcast learn more about music. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what you love about Busy Kids Love Music. Thanks!

References Dev Cell. 2016 Jul 25; 38(2): 161–169. J Biol Chem. 2010 Jul 16; 285(29): 22328–22337 Landes Bioscience; 2000-2013.Madame Curie Bioscience Database [Internet]. https://www.ncbi.nlm.nih.gov/books/NBK6207/ Nat Med. 2003 Aug;9(8):1020-5 National Center for Biotechnology Information (2024). PubChem Compound Summary for CID 107970, Fingolimod. Retrieved April 20, 2024 from https://pubchem.ncbi.nlm.nih.gov/compound/Fingolimod. Chopin, F. 1830. Piano Concerto No. 1 in E minor, Op. 11 https://youtu.be/rsOp47o2doM?si=1yD6x1KnMmXMR23X Hunter-Garcia. 1969. "St Stephen" [performed by Grateful Dead] Live Dead lp.(1969) https://youtu.be/xZ5TftMTPOE?si=6nUc6EiBqRPEduFr --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Donald Macleod explores the key influences and music of Edvard Greig.Donald Macleod looks at the people and places that had a significant impact on Edvard Grieg's life and work, meeting Norwegian fiddlers, folksong collectors and nationalist firebrands along the way. From Henrik Ibsen, who commissioned Grieg to write his most famous work, to the composer's wife Nina, for whom he wrote all his songs, this week Donald explores the key influences on the composer's outlook and development.Music Featured:Holberg Suite: I. Praeludium Symphonic Dances (3rd & 4th mvts) Piano Concerto No 1 (2nd & 3rd mvts) Peer Gynt Suite No 1 Lyric Pieces Book 1: IV Elves' Dance Violin Sonata No 1 in F major (3rd mvt) In Autumn Funeral March for Richard Nordraak (arr for orch by Johan Halvorsen) Ballade Hjertets melodier: III Jeg Elsker Deg 6 Songs, Op 25 (No 2, En Svane & No 4, IV Med en Vanlilje) Violin Sonata No 2 (3rd mvt) Piano Concerto No 1 (1st mvt) 6 Songs Op 39 (No 4, Millom Rosor) 6 Songs Op 39 (No 5 Veng en ung Hustrus Bare) arr. for choir 6 Songs Op 48 (No 4, Zur Rozenheit & No 6, Ein Traum) Two Elegaic Melodies Springar after Kristian Lund Album Leaves, Op 28 (No 4) String Quartet Op 27 (3rd & 4th mvts) The Mountain Thrall 12 Melodies Op 33 (No 9) 19 Norwegian Folk Tunes Op 66 (excerpts) Norwegian Dances, Op 35 (Nos 3 & 4) Lyric Pieces Op 43 (No 3, In my homeland) Violin Sonata No 3 (1st mvt) Wedding Day at Troldhaugen Peer Gynt Suite No 2 Haugtussa (Nos 6-8) Stimmungen Op 73Presented by Donald Macleod Produced by Megan Jones for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Edvard Grieg (1843-1907) https://www.bbc.co.uk/programmes/m001y2c0And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Tugan Sokhiev conducts Tchaikovsky's youthful First Symphony, nicknamed Winter Dreams for its cozy evocation of Russian winters. Chopin's exuberant Piano Concerto No. 1 features Russian pianist Yulianna Avdeeva, described by the Pittsburgh Post-Gazette as “a one-woman powerhouse” who “stole the show.” Andrzej Panufnik's Heroic Overture, composed in 1952, is a tribute to the courageous spirit of the Polish people. Learn more: cso.org/performances/23-24/cso-classical/chopin-and-tchaikovsky

Minneapolis (MN)-based freelance percussionist and educator Eri Isomura stops by to discuss her freelancing work, 10th Wave Music, networking, and the amount of planning needed to put it all together (03:40), her responsibilities when she taught at St. Olaf (MN), changes in her life once she became a mom, and the “Three M's of Freelancing” (22:30), more about 10th Wave Collective and her entrepreneurship training in Boston (33:25), growing up in Minneapolis, her father the cellist, and her extensive piano background (42:20), and discusses her time as an undergrad at St. Olaf, the development of one's musical taste, and how to create great sound from percussion instruments (56:45).Finishing with a Rave on the 2022 book Overdue: Reckoning with the Public Library (01:15:00).Eri Isomura Links:Eri Isomura's website10th Wave CollectivePrevious Podcast Guests mentioned:Matt McClung in 2022Matthew Coley in 2021Other Links:Heartland MarimbaPeter KlatzowDoodleLettuceMeetDave HagedornNancy ZeltsmanBlack Lives MatterAmerican Composers ForumNew Music U.S.A.Piano Concerto No. 3 - Sergei ProkofievPiano Concerto No. 23 - W.A. MozartBallade No. 1 - Frederic ChopinPiano Concerto No. 3 - Sergei Rachmaninov“Merlin” - Andrew ThomasThe Golden Girls TV theme songSonatas and Interludes - John CageAmerican Songbook No. 1 - George CrumbRaves:Overdue: Reckoning with the Public Library - Amanda Oliver

Sir Antonio Pappano is one of the world's most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l'ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull'aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

Sol Gabetta, whose “enthusiastic music-making and animated style are completely infectious” (Classical Voice), makes her CSO debut in Shostakovich's captivating Cello Concerto No. 1 — a riveting journey through themes of defiance, sorrow and triumph. Electrifying conductor Klaus Mäkelä frames the program with Shostakovich's Tenth Symphony, a searing portrait of the composer's tormented life in Stalinist Russia, and the U.S. premiere of Sauli Zinovjev's vibrant Batteria. Please note: Pianist Yuja Wang, who was scheduled to perform Bartók's Piano Concerto No. 2 on this program, has withdrawn from these concerts. Learn more: cso.org/performances/23-24/cso-classical/klaus-makela-and-sol-gabetta

Sergei Rachmaninoff - Piano Concerto No. 2: 2nd movementBoris Giltburg, pianoRoyal Scottish National OrchestraCarlos Miguel Prieto, conductorMore info about today's track: Naxos 8.573629Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

References Dr Guerra-Graduate lipid biochemistry lectures Biochem J. 2022 Sep 30; 479(18): 1917–1940 Front Cell Dev Biol. 2022; 10: 946393. Nat Commun. 2019; 10: 97. Lennon-McCartney 1965. "Ive Just Seen a Face" https://youtu.be/m8LbJfC0SYM?si=gl_URu_yPTn9iZSd McShee, J./Traditional/Pentangle.1969 "Light Flight" https://youtu.be/2tyVezuUtCA?si=THxBJ0reUETkwDLa Mozart, WA. 1785.Piano Concerto No. 21 in C Major, K. 467 https://youtu.be/whTEVQ2OizI?si=YDMhOhlwmpKYqK-t --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

SynopsisOn this date in 1785, a new Piano Concerto in C major was given its premiere at the Burgtheater in Vienna, with its composer, Wolfgang Amadeus Mozart, at the keyboard.Years later, this piano concerto was labeled as Mozart's 21st, and given the number 467 in the chronological list of his works compiled by Ludwig Ritter von Koechel, an Austrian botanist, mineralogist and Mozart enthusiast.Today, this work is popularly referred to as the Elvira Madigan Concerto, for the simple reason that its romantic slow movement was used to great effect in a 1967 Swedish film of that name to underscore a passionate love story.That Swedish movie helped to bring Mozart's concerto to the attention of a far wider audience than ever before, as did the 1984 movie Amadeus, with Mozart's music in general.Musicologists might wince when they hear the title Amadeus. It's a matter of historical record that Mozart signed his name “Amadeo” or “Amadé.” Others object that a Swedish film should provide a nickname for one of Mozart's most sublime works — but, for better or worse, both Amadeus and Elvira Madigan are labels that seem to have stuck to Mozart's name and his concerto.Music Played in Today's ProgramWolfgang Amadeus Mozart (1756-1791): Piano Concerto No. 21; Alfred Brendel, piano; Academy of St. Martin-in-the-Fields; Neville Marriner, cond. Philips 412 856

SynopsisWhat's your favorite recording of Mozart's Piano Concerto No. 23? It is said that Joseph Stalin's was one with Russian pianist Maria Yudina, and that recording was spinning on his turntable when the dictator was found dead on today's date in 1953. In 1944, Stalin had heard Yudina perform this concerto on the radio and called the Soviet broadcaster and asked for the recording. Now, no one dared say “no” to Stalin, so, even though the performance had been live and had not been recorded, the performers were hastily called back to the studio, and by morning a private recording was ready for delivery.Stalin was so pleased, that — again, according to the stories — he sent Yudina 20,000 rubles. In defiance of state-imposed Soviet atheism, the pianist was a devout Orthodox Christian who always wore a cross while performing and considered her music an expression of faith. Stalin really must have liked her playing, since he did nothing — so the story goes — when she sent him a thank-you note letting him know that she gave all the money to her church and that she would pray for him and ask God to forgive all his great sins against his own people.Music Played in Today's ProgramWolfgang Amadeus Mozart (1756-1791): 2nd Movement from Piano Concerto No. 23Marina Yudina, piano; USSR Radio Symphony; Alexander Gauk, cond. Melodiya MELCO0377

SynopsisToday's date marks the birthday of a 20th-century Czech composer you perhaps have never heard of. Viktor Kalabis was born in 1923 and by 6 was giving public piano performances. All signs pointed to a brilliant career. But first, Kalabis had to face — and surmount — two major political hurdles.First, his formal musical studies were delayed by the Nazi occupation of his country in 1938, when he was forced into factory work; then, after the war, Kalabis met and married young harpsichordist Zuzana Ruzickova, who was a concentration camp survivor. Kalabis was a gentile, but in Stalinist Czechoslovakia, anti-Semitism was rampant and marrying a Jew was frowned upon. To make matters worse, they refused to join the Communist Party, hardly what one would call a smart career move in those years.Even so, Kalabis began to attract commissions and performances of his music at home and abroad, and following the 1989 Velvet Revolution, he assumed a more prominent position in his country's musical life.His symphonies, concertos and chamber works are now regarded as some of the most important contributions to Czech music in the late 20th century.Music Played in Today's ProgramViktor Kalabis (1923-2006): Piano Concerto No. 1; Zuzana Ruzickova, p; Czech Philharmonic; Karel Sejna, cond. MRS Classics MS-1350

Rossini was born on February 29, 1792. So Jay doffs his cap to him. We also hear Schubert, Brahms, Ravel, and worthy others (including Dvořák, who knew how to swing). Rossini, Overture to “La gazza ladra” Schubert, Symphony No. 5, first movement Ravel, Piano Concerto in D for Left Hand Alone Dvořák, Symphony No. 7, Scherzo Chopin, Étude in A flat, Op. 25, No. 1, “Aeolian Harp” Brahms, Piano Concerto No. 1 in D minor, Rondo

Good News: British Telecom is planning to take unused cable cabinets and convert them to charging stations for electric vehicles! Link HERE. The Good Word: A great quote from Langston Hughes. Good To Know: A fun fact about stinky (aromatic!) cheese… Good News: Galapagos tortoises are being repatriated to their native land, Link HERE. Wonderful […]

SynopsisOh, to have been in Vienna on today's date in 1785! Wolfgang Mozart had just finished a new piano concerto a week earlier and quite likely performed it himself for the first time as an intermission feature at a performance of the oratorio Ester, by Karl Ditters von Dittersdorf, conducted by Antonio Salieri.Now wouldn't that have made for a good scene in the movie Amadeus?Fast forward 11 years for another memorable concert at the Theater an der Wien, when on today's date in 1806, it was Beethoven's turn to premiere one of his new concertos in Emanuel Schikaneder's Viennese theater. Alongside works of Mozart, Méhul, Cherubini and Handel, Beethoven's Violin Concerto was introduced to the world, with Franz Clement as the soloist.Beethoven's friend Czerny recalled that Clement's performance was greeted with “noisy bravos.”But a contemporary Viennese music critic wrote: “While there are beautiful things in the concerto … the endless repetition of some commonplace passages could prove fatiguing.” The reviewer's final assessment? “If Beethoven pursues his present path, it will go ill with him and the public alike.”Music Played in Today's ProgramWolfgang Mozart (1756-1791) Piano Concerto No. 22; Mitsuko Uchida, piano; English Chamber Orchestra; Jeffrey Tate, cond. Philips 420 187Wolfgang Mozart (1756-1791) Magic Flute Overture; Zurich Opera House Orchestra; Nikolaus Harnoncourt, cond. Teldec 95523Ludwig van Beethoven (1770-1827) Violin Concerto; Anne-Sophie Mutter, violin; New York Philharmonic; Kurt Masur, cond. DG 471 349