Podcasts about Arabesque

Die Frankfurterin Michaela Rose war 1977 Mitbegründerin der Band Arabesque. Seit einigen Jahren arbeitet sie als einziges Ur-Mitglied der Band mit neuen Kolleginnen an einem Comeback, besonders erfolgreich in Osteuropa und Japan. Im hr1-Talk erzählt sie Moderator Klaus Reichert von ihrer aufwühlenden Familiengeschichte, dem Erfolg ihrer Band und was sie als Reiki-Meisterin tut.

Jument vient du latin jumentum “attelage” lui-même issu de jugum “joug”. Jument a donc à l'origine le sens de “bête de somme ou de trait”. Le sens de “femelle du cheval” n'est attesté que vers la fin du XIIe siècle. Jusqu'à la découverte des avantages de la castration, qui permet de changer les étalons en "hongres". Dans les régions où cette pratique de la castration est refusée culturellement, les juments étaient préférées aux chevaux mâles pour les besoins utilitaires et pour la guerre, en raison de leur docilité. Certains peuples comme les Bédouins donnaient la préférence aux juments pour leurs raids à cheval. D'autres cultures ont préféré les étalons par volonté d'avoir une bête plus combative, ou en raison de l'inconvénient principal de la jument, qui est la perte de son potentiel de travail en cas de chaleurs, de grossesse, ou de mise-bas. Contrairement au terme “étalon” qui peut s'appliquer à d'autres espèces comme les ânes, le terme “jument” est exclusivement réservé à l'espèce chevaline. En général, une pouliche devient jument à partir de 3 ans. En sport hippique, le terme s'applique uniquement aux animaux de plus de 4 ans. Jument se traduit par mare en anglais, Stute en allemand et llegua en espagnol. En irlandais et en écossais, le mot est marc, et en breton marc'h. Toutes ces formes celtes seraient d'origine gauloise. Parmi les juments célèbres, le géant Gargantua monte la gigantesque Grand Jument dans les œuvres de Rabelais. Flicka, créée par Mary O'Hara, donne son nom à un célèbre livre pour la jeunesse. En bande dessinée, Arabesque est la rusée monture du Caporal Blutch. Marcel Aymé a intitulé l'un de ses romans La jument verte, dont Claude Autant-Lara tire un film scandaleux en 1959, avec Bourvil dans le rôle principal. Le terme peut avoir une connotation particulière en pornographie, où “étalon” désigne l'homme dominant, et “jument” la femme soumise._______

durée : 00:06:01 - Comment transcrire un mouvement de danse sur le papier ? - par : Louis-Valentin Lopez - Systèmes de notation, carnets, manuels à danser... Plus de 250 pièces sont exposées depuis ce week-end au musée des Beaux-Arts et d'Archéologie de Besançon. Reportage.

Music from: Celtic Mayhem, Merry Measure, New Minstrel Revue, Jim Hancock, Kindred Spirits, Wolgemut, Rusty Mudd, LandLoch'd, Quarter Master Band, Shillelagh, Tulstin Troubadours, Gypsy Guerrilla Band, Pandora Celtica , 2 Merry Men, Fishbones & Scurvy, Whirly Jig, Oakley the Faerie, Pair of Pirates, Arabesque, Terrible Musicians, Haggis Rampant, Dregs, Blackjacks n' Blarney, Embra The Awards are now open for voting. VISIT OUR SPONSORS RESCU https://RESCU.org Ocean Renaissance Foundation http://www.oceancityrenaissance.com/ The Ren List http://www.therenlist.com Happy To Be Coloring Pages https://happytobecoloring.justonemore.website The Patrons of the Podcast https://www.patreon.com/RenFestPodcast Songs Finnigan's Still performed by Celtic Mayhem from the album Celtic Mayhem www.facebook.com/RockinIrishMusic/ In Merry Measure performed by Merry Measure from the album Faire Warning Bedlam Boys[7] performed by New Minstrel Revue from the album Far And Away Jonny Jump Up performed by Jim Hancock from the album Songs of Love and Other Silly Stuff www.jimhancock.com Star of the County Down[21] performed by Kindred Spirits from the album Dispelling All Woes www.thekindredspirits.com Polar Bear[1] performed by Wolgemut from the album Momento www.wolgemut.net Spancil Hill[11] performed by Rusty Mudd from the album The Darkling Road www.facebook.com/rusty.mudd.1 Company of Fools performed by LandLoch'd from the album Good Rum and Bad Sheep www.landlochd.com Fathom Of The Bowl performed by Quarter Master Band from the album Quarter Master www.facebook.com/QuarterMasterBand/ Hares On The Mountain performed by Shillelagh from the album Evening Pint www.shillelaghtexas.bandcamp.com/?fbclid=IwAR3mjZjDyr_7D4rwb4FW3k_EOqm-FNtvzXXLyYDfdQHq5_gGAKN9zkoLFX8 Black Nag performed by Tulstin Troubadours from the album Rennies of Unusual Sound www.tulstintroubadoursband.com/ Clay Pipe[2] performed by Gypsy Guerrilla Band from the album Ernie's Pot O' Gold II High Barbaree[5] performed by Pandora Celtica from the album F N Sharp www.pandoraceltica.com I Like Beer[1] performed by 2 Merry Men from the album Bawdy Drunken Song-Filled Merriment www.facebook.com/2MerryMen/ Me old Dun Cow performed by Fishbones & Scurvy from the album On the Cheap www.bandmix.com/fishbonesandscurvy/ Crooked Jack[2] performed by Whirly Jig from the album Thing A Ma Jig www.facebook.com/whirlyjig Butterfly[7] performed by Oakley the Faerie from the album First Sapling www.facebook.com/OakleyTheFaerie/ The Puppermen performed by Pair of Pirates from the album Not Playing with a Full Deck www.pairofpirates.com Moring Glory performed by Arabesque from the album A Turk in Galway The Wild Rover[26] performed by Terrible Musicians from the album No Royalty- Songs of Pirates, Paupers and Vagrants www.facebook.com/TerribleMusicians/ The Fairy Lullaby,Gin I Were a Baron’s Heir performed by Haggis Rampant from the album Wee Beastie www.haggisrampant.com Million Chickens[2] performed by Dregs from the album Uncorked www.the-dregs.net Hills of Connemara[1] performed by Blackjacks n' Blarney from the album Bite Size www.twitter.com/bnbpyrates Parting Glass[19] performed by Embra from the album Three Part One Heart www.facebook.com/EmbraKC/ HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Cette semaine, on retourne à Brindlewood Bay pour retrouver nos Maîtresses du Crime ! Les joueurs incarnent un groupe de femmes âgées qui résolvent des enquêtes criminelles ! Brindlewood Bay est un jeu de Jason Cordova, dit Cosy Mystery, inspiré par Arabesque, Lovecraft et Agatha Christie. Le jeu est disponible en français grâce à l'indispensable Gulix et il est ici.Le scénario de l'actual play est "Un père à la mer" disponible dans le livre de base de Brindlewood Bay. Dans cet épisode, l'enquête prend un nouveau tournant : les indices pleuvent, les théories fusent et la vérité eclate ! Une enquête cosy menée par Riley, avec Valkann, Spider-Grô, Doc et MomoMontage : Riley Vous pouvez nous soutenir sur patreonRetrouvez tous nos podcasts sur www.jdracademy.com

Cette semaine sur la JDR ACADEMY on visite la petite ville de Brindlewood Bay ! Les joueurs incarnent un groupe de femmes âgées, surnommées les Maîtresses du Crime, qui résolvent des enquêtes criminelles ! Brindlewood Bay est un jeu de Jason Cordova, inspiré par Arabesque, Lovecraft et Agatha Christie. Le jeu est disponible en français grâce à l'indispensable Gulix et il est dispo sur Drivethrurpg. Le scénario de l'actual play est "Un père à la mer" disponible dans le livre de base de Brindlewood Bay. A découvrir dans ce début d'enquête rondement mené : un shérif incompétent, des odeurs de poissons infectes, un magnifique yatch familial et même un terrible accident ! Une enquête cosy menée par Riley, avec Valkann, Spider-Grô, Doc et Momo Vous pouvez nous soutenir sur patreonRetrouvez tous nos podcasts sur www.jdracademy.com

Are you struggling to find your picture-perfect arabesque line? Contrary to popular belief (thank you, social media) you DON'T need to have the flexibility of an Olympic gymnast to achieve this iconic ballet position. In this episode, we break down how YOU can get a lovely and stable arabesque, regardless of your flexibility or level of experience. Let's get into it!Join the Ballet for All community here:youtube.com/@balletforallinstagram.com/ballet_for_allonlineballetclasses.comFollow Hannah @thebusybunheadFollow Yelena @ballet_for_all Podcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

ARABESQUE is a 1966 spy movie starring Gregory Peck, Sophia Loren, and Alan Badel. Is it worth a watch? Dan and Tom decode ARABESQUE to enhance your viewing experience – is it worth a watch? There are some very strong positives as well as some negatives to this movie In this episode, we discuss: Why is this movie titled ARABESQUE? Did the cinematography help or hinder the movie? Which role might have been miscast? Was there chemistry between Sophia Loren and her leading male actors? What movies may have influenced ARABESQUE? What movies have ARABESQUE influenced? Was the shower scene funny enough? What did director Stanley Donen think of the script? Sophia Loren's wardrobe What article of clothing is important to the plot? What famous stunt performer/coordinator had his first role in this movie? The benefit of disavowing a spy And more … As you can see, there is a lot to decode, so take a listen to find out why this movie gets mixed reviews.  Some people like it and some don't. Tell us what you think about our decoding of ARABESQUE So, take a listen and let us know what you think.  Have you seen ARABESQUE?  If so, what did you think of it?  If not, did we give you enough information to help you decide if you want to watch it? Let us know your thoughts, ideas for future episodes, and what you thought of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: https://bit.ly/4dTya1i

The Jazz Session No.384 from RaidersBroadcast.com as aired in October 2024, featuring the superb and atmospheric album “Suspended Night” from 2004, by the Tomasz Stanko Quartet. TRACK LISTING: Honiara - Snarky Puppy; Search for Peace - Ishmael Ensemble; New York State of Mind - Billy Joel; You're Sensational - Frank Sinatra; II (Suspended Variations) - Tomasz Stanko Quartet; IX (Suspended Variations) - Tomasz Stanko Quartet; Without a Song - Duke Ellington; Stardust - Artie Shaw; Q.E.D. - Bill Bruford; Mercy Street - Herbie Hancock; Las Vegas Tango - Gil Evans; Be-Bop Tango - Frank Zappa; Birth of the Blues - Stephane Grappelli; Hijaz - Hassan Erraji & Arabesque; I (Suspended Variations) - Tomasz Stanko Quartet; VIII (Suspended Variations) - Tomasz Stanko Quartet; Locomotion - John Coltrane; Somethin' Else - Cannonball Adderley ; Hell Amongst the Yearlings / Goaway Bird - Norman Wilmore; Feedback - Henry Franklin, w. Adrian Younge, Ali Shaheed Muhammad.

VERSION COMPLÈTE (AVEC SPOIL) Cette semaine dans 2 salles, 2 ambiances, on enfile nos manteaux en tartan et nos loupes grossissantes et on part enquêter aux côtés de Angela Lansburry dans un épisode dédié au feuilleton qui a fait vibrer tous les foyers pendant 12 saisons. Entre assassinat politique, meurtres non élucidés et un groupe d'amis qui ne sera pas toujours là pour vous, rejoignez nous et Jessica Fletcher dans ce nouveau podcast sur Arabesque ! tw: meurtre, misogynie, avortement Intro et Recap: 00:00:00 Réception: 00:18:07 Annonce de plan: 00:34:39 Partie 1: 00:35:53 Partie 2: 01:01:01 Partie 3: 01:31:50 Notes: 01:51:14 Avec: Inès et Gabrielle Montage, mixage, graphisme : Gabrielle Musiques: "All That" - Bensound, "Pleasant Porridge" "Newer Wave" "Late Night Radio" - Kevin McLeod Typographies librement inspirées de 2 FAST 2 FURIOUS, SENSE8, AHS, LOL FR, KILL BILL, FROZEN, SIMPSONS, LOVE, ROSIE, TERMINATOR 2, DON'T TRUST THE B IN APT 23, MATRIX, BRIDGERTON, INDIANA JONES, JURASSIC PARK, ONCE UPON A TIME, COLD CASE, THE FOSTERS, STAR WARS

Jument vient du latin jumentum “attelage” lui-même issu de jugum “joug”. Jument a donc à l'origine le sens de “bête de somme ou de trait”. Le sens de “femelle du cheval” n'est attesté que vers la fin du XIIe siècle.   Jusqu'à la découverte des avantages de la castration, qui permet de changer les étalons en "hongres". Dans les régions où cette pratique de la castration est refusée culturellement, les juments étaient préférées aux chevaux mâles pour les besoins utilitaires et pour la guerre, en raison de leur docilité.   Certains peuples comme les Bédouins donnaient la préférence aux juments pour leurs raids à cheval. D'autres cultures ont préféré les étalons par volonté d'avoir une bête plus combative, ou en raison de l'inconvénient principal de la jument, qui est la perte de son potentiel de travail en cas de chaleurs, de grossesse, ou de mise-bas.   Contrairement au terme “étalon” qui peut s'appliquer à d'autres espèces comme les ânes, le terme “jument” est exclusivement réservé à l'espèce chevaline. En général, une pouliche devient jument à partir de 3 ans. En sport hippique, le terme s'applique uniquement aux animaux de plus de 4 ans.   Jument se traduit par mare en anglais, Stute en allemand et llegua en espagnol. En irlandais et en écossais, le mot est marc, et en breton marc'h. Toutes ces formes celtes seraient d'origine gauloise.   Parmi les juments célèbres, le géant Gargantua monte la gigantesque Grand Jument dans les œuvres de Rabelais. Flicka, créée par Mary O'Hara, donne son nom à un célèbre livre pour la jeunesse. En bande dessinée, Arabesque est la rusée monture du Caporal Blutch. Marcel Aymé a intitulé l'un de ses romans La jument verte, dont Claude Autant-Lara tire un film scandaleux en 1959, avec Bourvil dans le rôle principal.   Le terme peut avoir une connotation particulière en pornographie, où “étalon” désigne l'homme dominant, et “jument” la femme soumise. _______ On aime ce qui nous a émerveillé … et on protège ce qu'on aime. Sous notre Gravillon vous trouverez... 4 podcasts, 1 site, 1 compte Instagram, 1 page + 1 groupe Facebook et 1 asso : https://baleinesousgravillon.com/liens-2 Tous nos podcasts sont faits bénévolement. Ils sont gratuits, sans pub et accessibles à tous. Vous pouvezfaire un don sur Helloasso (ou surTipeee),adhérer à l'asso BSG, ouinstaller gratuitement le moteur de recherche Lilo et nous reverser vos gouttes : https://bit.ly/helloasso_donsUR_BSG https://bit.ly/lien_magq_lilo_BSG http://bit.ly/Tipeee_BSG Pour nous aider, vous pouvez aussi partager nos liens, et surtout nous laisser un avis sur Apple Podcast ET Spotify. Nous serons ainsi plus visibles et mieux recommandés. Merci :) Vous voulez créer un podcast ? Nous vous formons et/ou accompagnons ! Nous proposons des Fresques de la biodiversité, des conférences et animons des tables rondes. Nous cherchons des sponsors et des partenaires : contact@baleinesousgravillon.comHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

VISIT OUR SPONSORS The Louisiana Renaissance Festival https://www.larf.org/ The Ren List http://www.therenlist.com/ Happy To Be Coloring Pages https://happytobecoloring.justonemore.website/ RESCU https://rescu.org/ The Patrons of the Podcast https://www.patreon.com/RenFestPodcast SONGS Hail to the Heroes[2] performed by Albannach from the album The Sub Zero Sessions EP www.albannachmusic.com Mingulay Boat Song[1] performed by 2 Merry Men from the album Bawdy Drunken Song-Filled Merriment www.facebook.com/2MerryMen/ Pipes of Pan by Damh the Bard from Herne's Apprentice performed by Damh The Bard from the album Hernes Apprentice https://www.paganmusic.co.uk/ Nancy Wiskey - Mountian Road performed by Darcy Nair from the album I Feel My Heart Fly www.facebook.com/darcy.nair Davy Jones[2] performed by Side Tracked from the album Extraordinary Rose of Allendale[2] performed by Black Oak Shillelagh from the album Och, The Places We've Been www.blackoakshillelagh.com She's Sweetest performed by Chris Gray from the album Fuist www.mdipiper.com/ Sardinia Song performed by Tortuga Twins from the album Big, Bad Wolf Show... Live! www.tortugatwins.com Tam Lin[3] performed by Misfits of Avalon from the album Avalon Moon www.facebook.com/misfitsofavalon/ Tweedle Dee performed by Albannach from the album Bareknucle Pipes and Drums www.albannachmusic.com Fingon the Fell performed by Dan The Bard from the album Epic Lute www.danthebard.com Nelson's Blood[1] performed by Boom Pirates from the album Prepare To Be Boarded www.facebook.com/boompirates/ Welsh Aire,The Mingulay Boat Song,Scots Wha Hae,The Skye Boat song performed by Haggis Rampant from the album Wee Beastie www.haggisrampant.com Lark in the Morning[5] performed by Langer's Ball from the album Hold Tight www.TheLangersBall.com The Mist Coverd Mountains[1] performed by Henry Martin from the album On The Salt Sea Deep Silent Complete performed by Elizabeth and Ernesto from the album Elizabeth and Ernesto Health to the Company[18] performed by Dregs from the album Angelina Farewell Concert www.the-dregs.net The Fox[9] performed by Rowan and the Rose from the album Friendly Traveling Minstrels www.rowanandtherose.com John Wait Henry's Train performed by Arabesque from the album A Turk in Galway Raggle Taggle Gypsy,Russian Gypsy Dance performed by Bubble and Squeak from the album Bits and Pieces Pirate Song[1] performed by Dogs in Doublets from the album Dogs In Doublets Sing www.facebook.com/33276488067 The Night Pat Murphy Died[1] performed by MenageAMoi from the album Raise a Toast www.menageamoicomedy.com Me old Dun Cow performed by Fishbones & Scurvy from the album On the Cheap www.bandmix.com/fishbonesandscurvy/ Parting Glass/Auld Lang Syne performed by Leza Mesiah, The Moor Of Dundee from the album The Moor Of Dundee www.moorofdundee.com/ HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora https://www.pandora.com/podcast/renaissance-festival-podcast/PC:1139 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/  

In this episode of "Steve Pretty on the Origin of the Pieces," host Steve Pretty chats with Jeff Miller, a specialist in early brass instruments. They explore the origins and evolution of low brass instruments, particularly the serpent, and its historical significance. The discussion covers the cultural and physical aspects of music, the unique characteristics of various instruments, and the universal nature of musical languages. Steve also recaps his recent experiences at the First Light Festival in Lowestoft. The episode rounds off with an interview with and performance from the Lowestoft Longshoremen, a sea shanty choir, highlighting the cultural importance of their music.Recap of Last Episode (00:00:07)Steve summarizes the previous episode, including a session with a BBC engineer, discussion on Debussy and Arabesque music, and experiences at the First Light Festival in Lowestoft.First Light Festival in Lowestoft (00:02:22)Steve shares his experiences at the First Light Festival, including performances, interactions, and the festival's significance.Performances at First Light Festival (00:03:34)Steve details his performances at the festival, including a parade, concerts, and a dawn set on the beach.Emotional Experience at Dawn Set (00:05:35)Steve recounts the emotional impact of playing shells at dawn.Introduction to Jeff Miller (00:08:41)Steve introduces Jeff Miller, a multi-instrumentalist and low brass specialist, and their musical collaborations.Evolution of Low Brass Instruments (00:09:55)Jeff discusses the origins and evolution of low brass instruments and cultural influences on music.Cultural Perspectives on Music (00:14:49)Jeff and Steve explore cultural differences in musical harmony and its impact on music experience.Classification of Musical Instruments (00:19:21)Jeff explains the classification of musical instruments and his experience with various brass and woodwind instruments.The origin of brass instruments (00:20:34)Discussion on the historical evolution of brass instruments from animal horns to the cornet.Design and structure of the serpent (00:23:31)Description of the serpent, its components, and design.Challenges of playing the serpent (00:27:07)Explanation of the difficulties in playing the serpent.Range and performance of the serpent (00:33:19)Demonstration of the serpent's range and its use in orchestral performances.Musical examples and timbre of the serpent (00:36:16)Performance of a cello piece on the serpent and discussion of its unique timbre.Challenges of playing the serpent (00:38:44)Exploration of the difficulties in playing the serpent.Serpent musical performance (00:39:39)Musical performance on the serpent.Challenges of playing traditional brass instruments (00:40:49)Frustrations faced by modern brass players with traditional instruments.Exploring the nature of sound through synths (00:42:28)Jeff's journey into sound manipulation through electronic instruments.Passing down heritage through sea shanties (00:58:06)The importance of passing down heritage through sea shanties.Singing Shanties (00:58:59)Discussion on the tradition and history of singing shanties.Diversity of Shanties (01:00:12)Exploration of the diverse origins of shanties and their global influence.Performance and Audience Interaction (01:01:51)Reflection on shanty performances and audience engagement. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dora Cary loves quilting for the creativity and freedom of expression it gives her, and she loves the quilting community for the amazing generosity and sense of camaraderie.  Her quilts have been displayed in many of the larger quilt shows. I am so thankful that Dora shared about becoming a citizen of the United States and how the freedoms that we tend to take for granted mean so much to her. Here's some of Dora's quilts that we talked about in the interview Beads on a String - her first quilt pattern. Arabesque - foundation paper pieced - the third quilt she ever made. Only One - one fabric - one shape - a simplified and modern one-block-wonder quilt. Here is Dora with Totally Spring - This was her first quilt accepted at QuiltCon in 2015. Patch Nine - her second quilt accepted at QuiltCon in 2016 Also in 2016 Dora was at her first Market in Houston. A few more of her quilts: City Girl - inspired by traditional block Farmer's Daughter, Llamarama quilt at the Paso house in the sun, and Boxing Play. It was fun to meet Dora in person at QuiltCon 2024 Connect with Dora: Website: Orange Dot Quilts Facebook: Orange Dot Quilts Instagram: orangedotquilts Etsy: OrangeDotQuilts YouTube: Orange Dot Quilts

In this episode of One Symphony, conductor Devin Patrick Hughes interviews internationally renowned pianist Quynh Nguyen (pronounced Quin Nwen), exploring her remarkable journey in music. Born in post-war Vietnam, Nguyen's path has been shaped by her family legacy, global influences, and dedication to her craft. From her early beginnings at the Hanoi Conservatory to her studies in Moscow, Paris, and the United States, Nguyen's story exemplifies perseverance and the power of music to transcend boundaries. The interview examines Nguyen's direct connections with French composer Olivier Messiaen and studying with his wife Yvonne Loriod, her respect for Germaine Tailleferre's resilience, and her collaboration with Paul Chihara on his Concerto Fantasy for Piano and Orchestra. Nguyen also explores music's capability to promote peace between nations in her touching final remarks.   Quynh Nguyen has performed throughout the United States, Europe, and Vietnam, in venues including Carnegie Hall, Lincoln Center, Smithsonian's Freer Gallery, Berlin Konzerthause, and the Opera House in Hanoi, Vietnam. Broadcast appearances include Voice of America, WQXR, WGBH, NHK Television in Japan, Vietnamese national television, and “Grand Piano,” on cable TV channels across the United States. Her discography includes recordings on Arabesque, Naxos's American Classics Series, and Music and Arts labels.   Dr. Nguyen is a graduate of The Juilliard School and Mannes College of Music and received her Doctor of Musical Arts degree from the Graduate Center of City University of New York. She is the recipient of several highly prestigious scholarships and awards, including the United States Presidential Academic Fitness Award, the American Prize, and the Fulbright Fellowship to France.   Thank you for joining us on One Symphony. Thanks to Quynh Nguyen for sharing her music and spirit. You can find more info at https://www.quynhpiano.com   All music selections feature Quynh Nguyen on Piano. The following albums were featured on One Symphony today: “Fleurs de France: No. 2, Coquelicot de Guyenne” and “Berceuse” composed by Germaine Tailleferre from the album The Flower of France available from Naxos.  From Vingt regards sur l'Enfant-Jesus I. No. 15. Le baiser de l'enfant-Jesus ("The kiss of the infant Jesus") composed by Olivier Messiaen from the album Quynh Nguyen: Live in Concert - New York available from Arabesque Records. Concerto Fantasy, composed by Paul Chihara and featuring Nguyen with the London Symphony Orchestra “Drinking Songs for Kittens,” “Like Rising Must,”  and “Kleine Toccata…” from the Twice Seven Haiku.  4 Reveries on Beethoven (2021 Version): No. 2, Pastorale.  All these selections are available on the album Chihara: Concerto-Fantasy for Piano and Orchestra, Bagetelles, Reveries & Ami on the Naxos label.   You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!   https://www.quynhpiano.com https://www.priceattractions.com/devin-patrick-hughes-conductor  

VISIT OUR SPONSORS The Louisiana Renaissance Festival Ocean Renaissance Foundation The Ren List Happy To Be Coloring Pages RESCU The Patrons of the Podcast SONGS Been to the East, Been to the West performed by Arabesque from the album A Turk in Galway My Brother Silveste (Live) performed by Chuckawalla Rhythm Kings from the album No Bedrolls Or Backpacks www.chuckawallark.com Fathom Of The Bowl performed by Quarter Master Band from the album Quarter Master www.facebook.com/QuarterMasterBand Women, Whiskey & War performed by Whiskey Bards from the album Women, Whiskey & War www.facebook.com/whiskeybards/ All Around My Hat[5] performed by Empty Hats from the album Captured www.emptyhats.com Raging Water performed by Cast in Bronze from the album Best Day Ever www.castinbronze.net/ Ship That Never Returned[3] performed by Righteous Blackguards from the album Just The Tip www.righteousblackguards.com Wayfaring Stranger[1] performed by Dr. Harmonious Bones from the album Joyful Noise Maiden of Spring performed by Alexander James Adams from the album A Familiar Promise www.faerietaleminstrel.com/ Star of the County Down[23] performed by LandLoch'd from the album Good Rum and Bad Sheep www.landlochd.com Lanigan's Ball[4] performed by Marc Gunn from the album Soul of a Harper www.marcgunn.com Blow Ye Winds, Spoot O' Skerry,Turkey In The Straw performed by Water Street Bridge from the album Oh Death www.facebook.com/WaterStreetBridge/ Tam Lin[3] performed by Misfits of Avalon from the album Avalon Moon www.facebook.com/misfitsofavalon/ A Capitol Ship performed by Bounding Main from the album Lost at Sea - Sea Shanties and Nautical Ballads www.boundingmain.com Carrot Story performed by Side Tracked from the album Extraordinary You Fair Spanish Ladies performed by Pyrates Royale from the album Black Jack www.pyrates.com/ Lark in the Morning[5] performed by Langer's Ball from the album Hold Tight www.TheLangersBall.com Shadow of the Moon performed by Blackmore's Night from the album Shadow of The Moon www.blackmoresnight.com Stingo performed by Harper & Minstrel  from the album The Road To Lindemar www.theharperandtheminstrel.com So Early in the Morning performed by Jesse Ferguson from the album Sea Shanties and Whaling Ballads www.jessefergusonmusic.com I Never Will Marry (Or Maybe Not) performed by Shillelagh Law from the album Songs from the Bridge We're The CRAIC Show performed by The Craic Show from the album Icons www.thecraicshow.com Tzigani - Icons Part 2 performed by The Craic Show from the album Icons www.thecraicshow.com Cloghden More performed by Kilted Kings from the album Name On My Soul www.kiltedkings.com Metsakukia Waltz (Forest Flower Waltz) performed by Roxlovians  from the album A Fiddler in Every Port www.gypsyrox.com Wrecked Again performed by Tippler's Way from the album Let A Light Shine I Got It From Agnes performed by MenageAMoi from the album Indulgences www.menageamoicomedy.com Health to the Company[24] performed by Majestic Reign from the album Renaissance Steel www.matthughesmusic.com HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Team USA's Starr Andrews joins Leave It On The Dance Floor to bring us into the world of figure skating! She opens up with Abby about why she loves the art and creativity involved in her work and how it feels to be the First Black Woman To Medal At U.S. Figure Skating Championships In 35 Years! FOLLOW STARR! INSTAGRAM: https://www.instagram.com/starrandrews/ TIKTOK: https://www.tiktok.com/@skatingstarr Join us each week as we rewatch and recap your favorite moments/episodes of Dance Moms, Abby's Ultimate Dance Competition and Abby's Studio Rescue spilling behind the scenes secrets, exclusive never-before-seen content and more! Abby Lee Apparel: *Use Code: ALDCELITE* for 15% OFF your first order today! www.abbyleedancecompany.com Learn more about the Dancers Against Cancer movement and make a one-time or even monthly donation at imadanceragainstcancer.org CONNECT WITH ABBY LEE: PATREON: https://www.patreon.com/THEREALABBYLEE CAMEO: https://www.cameo.com/therealabbylee FANBASIS: https://www.fanbasis.com/therealabbylee INSTAGRAM: https://www.instagram.com/therealabbylee FACEBOOK: https://www.facebook.com/OfficialAbbyLeeMiller/ X(TWITTER): https://twitter.com/abby_lee_miller TIKTOK: https://www.tiktok.com/@aldctherealabbylee   This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

VISIT OUR SPONSORS             The Louisiana Renaissance Festival https://www.larf.org The Patrons of the Podcast https://www.patreon.com/RenFestPodcast         The Ren List http://www.therenlist.com Happy To Be Coloring Pages https://happytobecoloring.justonemore.website RESCU https://RESCU.org SONGS                     The Fox performed by Painted Trillium from the album Painted Trillium https://www.paintedtrillium.com Britches Full Of Stitches, John Ryan's Polka performed by Nancy Daily-Green from the album Delia's Hearth https://www.reverbnation.com/nancydailygreen/ The Lamentation of the Marooned Sailor performed by Ye Banished Privateers from the album Songs and Curses http://yebanishedprivateers.com Roll on Up the Hill performed by Emily Kellam from the album Waves On The Shore Pikeman's March, Battle of Waterloo, Lord Lovat's Lament performed by Haggis Rampant from the album Trì https://www.haggisrampant.com Tom Of Bedlam performed by Turtle and the Hair from the album On A Rampage Barbra Allen (Child Ballad #84) performed by Leza Mesiah, The Moor Of Dundee from the album The Moor Of Dundee http://www.moorofdundee.com/ Dream performed by Wicked Tinkers from the album Whisky Supper September Road, The (Tynker's Hornpipe, The Road To Rahway, September Reel) performed by Sarah Marie Mullen from the album Harper's Bizarre Round About Reel performed by Dublin Harpers from the album Dublin Harpers Live https://dublinharpers.bandcamp.com      Black Seal Dance performed by Arabesque from the album A Turk in Galway The Wild Rover performed by Mistress Bawd from the album Give Back My Bordello This Song Will Have to Do performed by Joni Minstrel from the album Joni Minstrel Kicks the King https://store.cdbaby.com/Artist/JoniMinstrel         Company of Fools performed by LandLoch'd from the album Good Rum and Bad Sheep www.landlochd.com                 Mountain Dew performed by Iron Hill Vagabonds from the album Circus Vagabonds http://www.ironhillvagabonds.com/         Tweedle Dee performed by Albannach from the album Bareknucle Pipes and Drums www.albannachmusic.com             Meri Mac performed by Cheeks and Phoenix from the album Any Requests http://www.cheeksandphoenix.com/        Red Is the Rose performed by Bardmageddon from the album Bardmaggeddon https://www.squareup.com/store/bardmageddon/     The Faerie Dance performed by Oakley the Faerie from the album First Sapling https://www.facebook.com/OakleyTheFaerie/     Crooked Jack performed by Whirly Jig from the album Thing A Ma Jig https://www.facebook.com/whirlyjig Rum Diddle Tiddle performed by Ky Hote from the album A Mintrel's Life http://www.kyhote.com The Rattlin' Bog (Live) performed by The Reelin Rogues from the album Live At Claddagh https://www.thereelinrogues.com/ The Parting Glass performed by Quarter Master Band from the album Quarter Master https://www.facebook.com/QuarterMasterBand HOW TO CONTACT US            Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjD Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/  

0:00 Sunrise Intro 2:51 Church 6:40 Trouble In Town 11:13 Broken 13:43 Daddy 18:40 WOTW/POTP 20:36 Arabesque 25:54 When I Need A Friend 28:00 Sunset 28:11 Guns 30:07 Orphans 33:54 Eko 36:37 Cry Cry Cry 39:35 Old Friends 41:52 Bani Adam 45:08 Champion Of The World 49:17 Everyday Life 53:33 Outro All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

An evening of observation and movement, as Leonitus wandered in upon others engaged in their art.Music by: Trevor Kowalski “Arabesque”Copyrighthttps://jemorin.com/

Arabesque 1 [redux] Moved into my new place—which is a huge relief.  It is SO much nicer, and it will be conducive to playing.  But, I've not been playing enough lately to get my chops back; so here is a republishing of another one of my favourites from during the pandemic.  —Joan on Broadway,  Namasté  file = 200330_1215 Arabesque 1, 7 mins [320 kbs mp3]   2019 © Joan Patrie please enjoy this original music for your personal use Tranquil folk harp music suitable for relaxing, yoga, meditation, lovemaking, sleep… Warning: do not listen whilst operating dangerous equipment or driving at night ;-)  Seriously, tho! iTunes Season 5, Episode 13  [and 5-7]

SynopsisOn today's date in 1836, Chopin held a soiree in his apartment in Paris. The famous tenor Adolphe Nourit sang some Schubert songs, accompanied by Chopin's friend, Franz Liszt. Liszt and Chopin then played a new sonata for piano four-hands by Ignaz Moscheles.In attendance was a petite, olive-skinned baroness turned writer known by her pen name, George Sand. Sand was notorious for her racy novels and for her highly unorthodox lifestyle. She liked cigars, for example, and often showed up at parties wearing men's clothing without the required permit.Chopin had met her earlier and was not at first impressed. The 26-year-old composer was engaged to a much younger woman back home in Poland, a pale beauty who couldn't be more unlike the 32-year-old Sand. But, anxious to make a good impression, Sand showed up for Chopin's soiree wearing white pantaloons and a scarlet sash (the colors of the Polish flag) — and left her stogies at home!All it took was a “Dear Frederic” letter from the girl back home, and before long the Chopin-Sand romance was the talk of Paris. “My heart was conquered,” Chopin wrote in his journal. “She understood me.”Music Played in Today's ProgramFrederic Chopin (1810-1849) Polonaise in C-sharp; Garrick Ohlsson, piano; Arabesque 6642

Tune in for our chat with Emily Brunner, a professional dance photographer based in the Philadelphia metro area. Emily shares invaluable insights on camera positioning, perfect lighting techniques, and the secrets to capturing stunning audition photos and videos. Emily Brunner Photography: https://www.emilybrunnerphotography.com/  

VISIT OUR SPONSORS The Louisiana Renaissance Festival https://www.larf.org The Patrons of the Podcast https://www.patreon.com/RenFestPodcast Happy To Be Coloring Pages https://happytobecoloring.justonemore.website The Ren List http://www.therenlist.com Dreams to Become http://www.dreamstobecome.com/ SONGS Turning of the Seasons performed by Wine and Alchemy from the album Turning of the Seasons https://wineandalchemymusic.com/ She Moved Through The Faire performed by Lady Prudence from the album All's Faire https://www.facebook.com/lady.prudence.piper Ramblin' Rover performed by Wicked Tinkers from the album Big Bottle of Bad Ideas A Rovin performed by Bone & String from the album London Town Session boneandstring.com Jigs- Haste to the Wedding,Morrison's Jig by Friends of Tradition from Dance! performed by Friends of Tradition from the album Dance! The Gallowglass from Calontir performed by Shillelagh Law from the album Songs from the Bridge Meri Mac performed by Cheeks and Phoenix from the album Any Requests http://www.cheeksandphoenix.com/ The Star Of The Country Down performed by Merry Measure from the album Faire Warning Rosin the Bow  performed by Red Rum from the album Save the Ales https://redrumband.webs.com/ Maid On The Shore performed by Three Quarter Ale from the album Intertwined https://www.facebook.com/pg/threequarterale Whiskey, OH! performed by Court Revelers from the album Revelers On The Rocks https://www.facebook.com/pg/courtrevelers/ Drink Man Drink performed by Dan The Bard from the album Unicorns & Dragons http://www.danthebard.com Cruiscin Lan performed by Whiskey Bards from the album Women, Whiskey & War https://www.facebook.com/whiskeybards/ Redemption performed by Vince Conaway from the album Wanderlust(2) http://vinceconaway.com/ The Rattlin' Bog (Live) performed by The Reelin Rogues from the album Live At Claddagh https://www.thereelinrogues.com/ Irish Medley No. 2 performed by The Cross Jacks from the album The Cross Jacks https://sites.google.com/site/thecrossjacks/ The Irish Rover performed by The Pride of Ireland from the album Here's to Dear Old Erin https://www.theprideofireland.com/ Itsy Bitsy Kid Song performed by Grey Aengus from the album Gaelic Soup https://www.facebook.com/grey.aengus.1 King Of The Fairies performed by Kaade from the album At A Loss For Words Health To The Company performed by Pandora Celtica  from the album Dog Party (In The Key Of Swinging Cats www.pandoraceltica.com Si Bheag Si Mhor performed by Harper & Minstrel  from the album A Sonnet For The Queen www.theharperandtheminstrel.com Scratchy Maggie performed by Tartanic from the album Unstoppable Romanian Tune performed by Arabesque from the album A Turk in Galway Wild Mountain Thyme performed by Embra from the album Three Part One Heart https://www.facebook.com/EmbraKC/ HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Daniel Klier is CEO at ESG Book, part of the Arabesque Group, a global group of financial technology companies offering sustainable investment, advisory and data services through their advanced ESG and AI capabilities. Prior to joining Arabesque, Daniel was Global Head of Sustainable Finance for HSBC, where he developed the global climate strategy for the bank and led the development of the sustainable finance business across the corporate bank, retail bank, and asset management business. He joined HSBC in 2013 as Group Head of Strategy in London, following nine years as a Partner at McKinsey & Company.Daniel is a member of the Board of Sustainable Energy for All and has also chaired the Bank of England Climate Risk Working Group and the Sustainable Finance Working Group at the Institute of International Finance.At the time of our discussion, Daniel was CEO of Arabesque S-Ray, the predecessor to ESG Book, so when we refer to Arabesque S-Ray in our discussion, we're essentially talking about what is now ESG Book.  In this episode, we talk about how Daniel came into the world of sustainable finance from a more traditional private equity and financial services background.  We hear an overview of Arabesque and their mission to mainstream sustainable finance and we discuss what quantitative investing actually means.Daniel explains more about what was, at the time of our discussion, the Arabesque S-Ray artificial intelligence platform and how it allows companies to customize their investment strategies. We look at greenwashing in the public equities landscape and how Arabesque protect against this in the algorithms used in their AI technology.  We discuss how Arabesque S-Ray differs from competing ESG data providers, and Daniel introduces us to the ESG Book initiative, which at that time had not yet been launched.About the SRI 360° Podcast: The SRI 360° Podcast is focused exclusively on sustainable & responsible investing. In each episode, Scott Arnell interviews a world-class investor who is an accomplished practitioner from all asset classes. In my interviews, I cover everything from their early personal journeys—and what motivated and attracted them to commit their life energy to SRI—to insights on how they developed and executed their investment strategies and what challenges they face today. Each episode is a chance to go way below the surface with these impressive people and gain additional insights and useful lessons from professional investors. Connect with SRI 360°: Sign up for the free weekly email update: https://sri360.com/newsletter/ Visit the SRI 360° PODCAST: https://sri360.com/podcast/ Visit the SRI 360° WEBSITE: https://sri360.com/ Follow SRI 360° on TWITTER: https://twitter.com/SRI360Growth/Follow SRI 360° on FACEBOOK: https://www.facebook.com/SRI360Growth/

Rencontre avec Jane Birkin lors de sa tournée en Australie en 2005 à l'occasion de la sortie de l'album Arabesque. Elle parle aussi de son amour du théâtre, du cinéma et des films qu'elle allait diriger. Elle évoque dans cette interview, l'Ukraine où est née la mère de Serge Gainsbourg et où elle allait donner un concert. Elle parle aussi de son interdiction de voyager en Russie à cause de son soutien pour les Tchétchènes.

“HANKY PANKY”, "LA BAMBA”,MIRTHA PEREZ, CHERRY, LA LUPE, ENRIQUE IGLESIAS, LOS DARTS, "ARABESQUE”, ABBA, BEATLES, BEACH BOYS, GILBERTO SANTA ROSA, NEW KIDS ON THE BLOCK, ROY ORBISON, ELVIS, “PAPILLON”, “PLAZA SESAMO”, “BENNY HILL”, “CAZADORES DEL ARCA PERDIDA”, “EL VALLE DE LAS MUÑECAS”,… Y MUCHO MAS! QUE DE RECUERDOS! --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

Vamos entrando en la recta final de la temporada y hoy toca uno de esos programas con más tripas y corazón que cabeza. Nuestra intención era tratar de hacer un top con los 25 momentos más icónicos que nos han dado los tebeos pijameros, pero al ir haciendo la selección y votar, nos hemos ido dando cuenta de los subjetivísimo que es eso de la iconicidad y de la importancia de la huella emocional que nos han dejado, así que seguro que muchos de vosotros os echaréis las manos a la cabeza porque no hemos incluido el momento X, porque hemos incluido el momento Y que era un truñete o porque hemos puesto el momento M por debajo del N. Y lo peor de todo (o lo mejor, según se mire) es que tendréis razón, pero lo que queremos, tanto los que hacemos esto como los que escucháis, es pasar un rato entretenido charlando de cómics y esta es una excusa como cualquier otra para ello, ¿no? Sabed, oh-yentes, que entre los años del hundimiento de Atlantis y sus brillantes ciudades, tragadas por los océanos, y los años del nacimiento de los hijos de Aryas, hubo una edad no soñada donde podía escucharse el podcast 296 de ELHDLT. Selección musical: 🎶 Hit the jackpot, de Arabesque 🎶 Mercy, de Muse 🎶 Cry at the Comedy, de Eli Smart

Synopsis On this date in 1926, a 19-year old composer and sometime silent film piano accompanist named Dimitri Shostakovich saw his First Symphony performed by the Leningrad Philharmonic. It must have been a heady experience for the young composer, who for the past two years had earned a living of sorts accompanying silent films at various Leningrad cinemas. One evening, while accompanying a film titled Swamp and Water Birds of Sweden, the young composer was so carried away by his own improvisations of bird song that he assumed the catcalls and noisy expressions of disapproval from the audience were directed at the film, not at him. Only afterwards was he told the audience had assumed he must have been drunk. In later years, Shostakovich would tell this story with some pride – at least they had noticed his music! The Leningrad Philharmonic's performance of his Symphony, the first of his orchestral works to be performed in public, was a triumph and established Shostakovich as a major new talent. May 12th was a date Shostakovich would commemorate till the end of his life – if for no other reason than he would never again have to improvise piano accompaniment to cinematic masterworks like Swamp and Water Birds of Sweden. Music Played in Today's Program Dmitri Shostakovich (1906 - 1975) Symphony No. 1, Op. 10 Cracow Philharmonic; Gilbert Levine, conductor. Arabesque 6610

Hello Everyone, Today I am discussing with my gorgeous friend and BWI content creator Suvi Honkanen about Jealousy! We all know that feeling, how to deal with it, how to grow from it and how to change the perspective! Read Suvis Jealousy article on my website! Amazing read https://www.balletwithisabella.com/media-article/3373 You can hear more experiences and advice like this from myself, as well as Suvi from time to time on my podcast! Link below. It's helping thousands of dancers. Enjoy! ---------------------------------- If keen on trying our courses we have on on offer! 7 day free trial to a SOLOIST MEMBERSHIP https://balletwithisabella.com My website - Take my online classes and courses Memberships to enhance you training https://balletwithisabella.com * Book a private lesson with me https://calendly.com/balletwithisabella/apply-to-be-a-student-of-isabella?month=2022-12 *Book an Ask me Anything Call Seek advice from me with whatever you are struggling with https://calendly.com/balletwithisabella/30-minute-ask-me-anthing Become a BWI ambassador! Share you journey of improvement! * Listen to my podcast to enhance your mindset as a dancer! become more confident, with higher self esteem and self belief. Join thousands of listeners! https://open.spotify.com/show/72hZ7nnhKSG97VofHYPBOW?si=8ebb73d9aedf425e * Most popular courses Arabesque course + Beginners basics https://www.balletwithisabella.com * Follow me on Instagram - Daily Ballet tips! https://www.instagram.com/balletwithisabella * Follow me on TIKTOK www.tiktok.com/@balletwithisabella Join the BWI Community! Your secret weapon to excellence - classes, courses for all levels and abilities! New classes - Audition barre, stronger allegro, Turnout and beats conditioning! https://balletwithisabella.com Subscribe to my email list! https://balletwithisabella.com About Me Hello everyone! my names Isabella. I am the first British graduate to join the Vaganova ballet academy at 15 in Saint Petersburg Russia and graduate. I was a soloist working with the Mikhailovsky Ballet and Eifman ballet. Now I live in London as a full time coach helping thousands of dancers worldwide with my BWI platform and podcast. Here, on my channel I am sharing my passion with you all about the Vaganova technique amongst many other things related to ballet we all love. It's a hard industry so I am here to help with my insights and knowledge to make it a little easier for you all, as well as to hopefully entertain you with my content. Thank you for watching/listening! Isabella --- Send in a voice message: https://anchor.fm/a-dancers-mindset/message

In their book Sustainability, Technology, and Finance: Rethinking How Markets Integrate ESG, Georg Kell and Andreas Rasche explore the swiftly emerging and crucially important nexus among sustainability, finance, and technology.Kell is Chairman of the tech company Arabesque, which uses AI and data to assess sustainability performance and guide investments. He is also founder of the UN Global Compact, the world's largest corporate sustainability initiative. Rasche is a professor of business in society and Associate Dean of Copenhagen Business School. Together with Martin Reeves, Chairman of BCG Henderson Institute, they discuss the bleeding edge of sustainability thinking.ESG investment, Kell and Rasche explain, should be viewed through three lenses as they relate to technology. First, technological innovations, such as chemical recycling for plastics, shape firms' ESG performance. Second, technological developments enable investors to assess ESG performance more accurately (for example, the use of blockchain tech to enhance supply chain transparency). Finally, the ESG investment agenda itself is influenced by technology; consider that Bitcoin mining creates significant emissions. Based on this three-lens framework, Kell and Rasche explain how technology can be a critical part of the sustainability solution.***About the BCG Henderson InstituteThe BCG Henderson Institute is the Boston Consulting Group's think tank, dedicated to exploring and developing valuable new insights from business, technology, economics, and science by embracing the powerful technology of ideas. The Institute engages leaders in provocative discussion and experimentation to expand the boundaries of business theory and practice and to translate innovative ideas from within and beyond business. For more ideas and inspiration, sign up to receive BHI INSIGHTS, our monthly newsletter, and follow us on LinkedIn and Twitter.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

VISIT OUR SPONSORS: Louisiana Renaissance Festival https://www.larf.net/ The Ren Cruise http://www.canigoadventures.com/ SONGS I Am Done Adulting performed by Bell Book & Canto from the album High Seananigans https://www.bellbookandcanto.com Shut Up and Raid performed by Library Bards from the album Bardcore https://www.librarybards.com Come Take a Ride on My Airship performed by Dr. Harmonious Bones from the album Joyful Noise Lucky Man performed by Hawke from the album Out of the Nest http://BedlamBards.com Oklahoma Hills performed by Rum Fellows from the album Okie Maritime Music-For The Landlocked Pirate https://www.facebook.com/OkiePirates/ Robin Hood and Marion- when she was 8 and he was 10 performed by Faire to Middlin' from the album Still Faire to Middlin https://www.fairetomiddlin.com Cantiga (13th C.) performed by Wolgemut from the album Danza https://wolgemut.net Raging Water performed by Cast in Bronze from the album Best Day Ever http://www.castinbronze.net/ Paddy Works On The Railway performed by Maguire Brothers from the album Sibling Rivalry https://www.facebook.com/maguirebrothers3 John Wait Henry's Train performed by Arabesque from the album A Turk in Galway Waltzing Mathilda performed by Chuckawalla Rhythm Kings from the album No Bedrolls Or Backpacks http://www.chuckawallark.com Early Moring Ska performed by Gypsy Rox from the album Living Room Rox www.gypsyrox.com Irish Girl performed by The Musical Blades from the album Raise The Black https://www.musicalblades.com The Parting Glass performed by Painted Trillium from the album Painted Trillium https://www.paintedtrillium.com SEGMENTS Festival update brought to you by The Ren List http://www.therenlist.com HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Synopsis La Valse -- one of the most popular orchestral works of Maurice Ravel -- was performed for the first time this day in 1920 by the Lamoureux Orchestra in Paris, conducted by Camille Chevillard. Ravel's score was subtitled a "choreographic poem for orchestra in the tempo of the Viennese waltz." La Valse is a far more Impressionistic work than any of the waltzes by the Strauss Family. It is certainly darker. Ravel himself said, "I had intended this work to be a kind of apotheosis of the Viennese waltz, with which was associated in my imagination an impression of a fantastic and fatal kind of Dervish's dance." La Valse was written for the great ballet impresario Serge Diagalev, who apparently found it undanceable, and his failure to stage La Valse caused a serious rift in his friendship with Ravel. The contemporary composer Judith Lang Zaimont is an unabashed Ravel enthusiast—"Ravel's music defines 'gorgeous,'" says Zaimoint, "it's beguiling to the ear, and sensuous. His textures are built in thin layers, like a Napoleon pastry, and his intricate surfaces—beautifully worked-out—shine and fascinate." Judith Lang Zaimont should know. For many years she taught composition at the University of Minnesota, and her own solo piano, chamber and orchestra works are increasingly finding their way into concert halls and onto compact disc. Music Played in Today's Program Maurice Ravel (1875 -1937) La Valse Boston Symphony; Charles Munch, cond. RCA 6522 Judith Lang Zaimont (b. 1945) Symphony No. 1 Czech Radio Symphony; Leos Svarovsky, conductor. Arabesque 6742

Kamrooz Aram was born in Shiraz, Iran and lives and works in Brooklyn, NY, USA. Recent exhibitions include: Elusive Ornament at Peter Blum Gallery in New York, Privacy, An Exhibition at The Arts Club of Chicago, Un Objet, Un Geste at Galerie Mitterrand in Paris, Lives of Forms: Kamrooz Aram and Iman Issa, Z33 House for Contemporary Art, Design and Architecture, Hasselt, Belgium; The New Arabesque, Nature Morte Gallery, New Delhi, India; An Object, A Gesture, A Décor, FLAG Art Foundation, New York; In Memory of the Arabesque, Green Art Gallery, Dubai, UAE; Focus: Kamrooz Aram, The Modern Art Museum of Fort Worth; Ancient Blue Ornament, The Atlanta Contemporary; Ornament for Indifferent Architecture, Museum Dhondt-Dhaenens, Deurle, Belgium. His work has been reviewed in the NY Times, The New Yorker, ArtNews, ArtForum and many other publications. Kamrooz Aram was born in Shiraz, Iran and lives and works in Brooklyn, NY, USA. Recent exhibitions include: Elusive Ornament at Peter Blum Gallery in New York, Privacy, An Exhibition at The Arts Club of Chicago, Un Objet, Un Geste at Galerie Mitterrand in Paris, Lives of Forms: Kamrooz Aram and Iman Issa, Z33 House for Contemporary Art, Design and Architecture, Hasselt, Belgium; The New Arabesque, Nature Morte Gallery, New Delhi, India; An Object, A Gesture, A Décor, FLAG Art Foundation, New York; In Memory of the Arabesque, Green Art Gallery, Dubai, UAE; Focus: Kamrooz Aram, The Modern Art Museum of Fort Worth; Ancient Blue Ornament, The Atlanta Contemporary; Ornament for Indifferent Architecture, Museum Dhondt-Dhaenens, Deurle, Belgium. His work has been reviewed in the NY Times, The New Yorker, ArtNews, ArtForum and many other publications.

Hey Dancers, in today's episode we provide our best Arabesque Tips. These range from giving our best flexibility & strength exercises, we talk about how we got our arabesques higher & how to achieve the perfect arabesque line.To win our a Powerband: listen to this podcast, take a selfie & tag us on @stagechats on InstagramCREDITS:This podcast is brought to you by: Claudia Dean WorldHosted by: Claudia Dean & Ailysh HealyExecutive Producers: Claudia Dean WorldShop our Collections: claudiadeanworld.comImprove your technique: www.coachme.world

Et pourquoi résumer la carrière d'Angela Lansbury à la série « Arabesque » est une hérésie ? Comment le film français « L'origine du mal » a-t-il une BO signée par le québécois Pierre Lapointe ? Y a-t-il encore des inédits de George Michael à découvrir ? Pourquoi Charly Clive crève l'écran dans la série « Pure » ? Qui est Linda Perry, qui signe la musique d' «American Girl » ? Et les « Red Hot Chilly Peppers », à qui rendent-ils hommage dans leur nouvel album ? Toutes les réponses à ces questions sont dans « La semaine des 5 heures » de ce mercredi 12 octobre

Boomer, Brandon, and Alli discuss the evil-djinn effects showcase horror Wishmaster (1997) https://swampflix.com/ 00:00 Welcome 04:28 Barbarian (2022) 10:25 Arabesque (1966) 12:20 Dagon (2001) 14:44 Even the Wind is Afraid (1968) 16:45 Tubi 23:33 Hellraiser (1987) 31:35 Pearl (2022) 36:30 The Silent Twins (2022) 40:25 Wishmaster (1997)

Synopsis Today's date marks the premiere in New York City, in 1925, of a classic operetta “The Vagabond King” by Rudolf Friml, the source of many once-popular sentimental tunes, including “Love Me Tonight,” and “Only a Rose.” Friml was born in Prague in 1879, and he studied composition there with no less a master than Antonin Dvorak. He started his career as a piano accompanist to the famous Czech violinist Jan Kubelik, then emigrated to the U.S. in 1906. In 1907, he appeared as a soloist in his own First Piano Concerto with the New York Symphony, and decided to make America his home. Friml wrote two piano concertos, a symphony, solo piano pieces — and three film scores for Hollywood. But he's remembered today chiefly for 24 stage works, beginning in 1912 with “The Firefire,” his first big musical success, and continuing with many others, including the 1924 operetta “Rose Marie” – which in 1936 was made into a successful film starring Jeanette MacDonald and Nelson Eddy. Their rendition of Friml's “Indian Love Call” has become a campy cult classic. Even Friml was occasionally embarrassed by the success of some of his flufflier pop works, and would publish some of these under the pseudonym of Roderick Freeman. He died in Los Angeles in 1972, aged 92. Music Played in Today's Program Rudolf Friml (1879-1972): Song of the Vagabonds, from The Vagabond King –Eastman-Dryden Orchestra: Donald Hunsberger, cond. (Arabesque 6562) Rudolf Friml (1879-1972): Chanson "In Love" –New London Orchestra; Ronald Corp, cond. (Hyperion 67067)

Claudia Roden talked about her new cookbook MED as well as her other work, and the process behind writing them.Claudia Roden is an Egyptian-born British cookbook writer with a special interest in the social, cultural and historical background of food. She is best known as the author of many cookbooks including A Book of Middle Eastern Food, The New Book of Middle Eastern Food and Arabesque. Besides her numerous cookery volumes, Roden has also worked as a journalist and a cooking show presenter for the BBC. Food writers and chefs such as Melissa Clark and Yotam Ottolenghi have credited her with playing a large role in introducing the food of Egypt in particular and the Middle East and North Africa in general to Britain, the United States and the English speaking world. She has been involved with Yale, University College London and the School of Oriental and African Studies and is President of The Oxford Symposium of Food. Her latest book MED, contains recipes from the Eastern Mediterranean. Created by Mikey Muhanna, afikra Hosted by Tony TahhanEdited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About Matbakh:Matbakh is a conversation series that focuses on food and drink of the Arab world. The series will be held with food practitioners who study how food and the kitchen have evolved over time in the Arab world. The guests will be discussing the history of food and what its future might be, in addition to a specific recipe or ingredient that reveals interesting and unique information about the history of the Arab world. Guests will be chefs, food critics, food writers, historians, and academics. Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

** Episode 44- Live on Electromagnetic Radio** Coldplay vs. Kanye = coldYE                                              ***TRACKLISTING*** 1. I Love Kanye...Kanye West 2. Drive Slow...Kanye West feat. Paul Wall & GLC 3. God Put A Smile On Your Face...Coldplay 4. Jesus Walks...Kanye West 5. Arabesque...Coldplay 6. Strawberry Swing...Coldplay 7. Heard `Em Say...Kanye West feat. Adam Levine 8. Barry Bonds...Kanye West feat. Lil Wayne 9. Ni**gas In Paris...Kanye West & Jay Z 10. Daylight...Coldplay 11. Touch The Sky...Kanye West feat. Lupe Fiasco 12. Devil In A New Dress...Kanye West feat. Rick Ross 13. Mercy...Kanye West feat. Big Sean, Pusha T & 2 Chainz 14. High Speed...Coldplay 15. Speed of Sound...Coldplay 16. Charlie Brown...Coldplay 17. I Love It...Kanye West & Lil Pump 18. Clique...Kanye West, Jay Z, & Big Sean 19. Adventure of a Lifetime...Coldplay 20. On Sight...Kanye West 21. True Love...Coldplay 22. Ink...Coldplay 23. No More Parties In LA...Kanye West & Kendrick Lamar 24. Monster...Kanye West, Jay Z, Rick Ross, Nicki Minaj  

Synopsis Amy Marcy Cheney Beach was born in Henniker, New Hampshire, on today's date in 1867. Amy Beach – or, Mrs. H.H.A. Beach, as she was also called – was one of America's first major women composers and a gifted concert pianist to boot We probably have Mr. Beach to thank for Amy's decision to devote herself more to composition than performance. In the spring of 1885, at the age of 18, Amy debuted as a soloist with the Boston Symphony, and it seemed a major concert career was in the offing. But later that same year, she married Dr. Henry Harris Aubrey Beach, a prominent New England physician. In respect to his wishes and the custom of the day for women in high society, Mrs. H.H.A. Beach curtailed her concert career and concentrated instead on writing music. Her first published work was a setting of a poem by Henry Wadsworth Longfellow, a long-time family friend. Only after her husband's death in 1911, did Amy revive her career as a concert pianist with a concert tour throughout Germany, returning to America at the outbreak of World War I. In her later years, she acted as mentor to a whole new generation of American women pursuing careers in music. She died in New York in 1944. Music Played in Today's Program Amy Beach (1867-1944) –Piano Concerto in c#, Op. 45 (Joanne Polk, piano; English Chamber Orchestra; Paul Goodwin, cond.) Arabesque 6738

I love gathering with y'all each week in our HER Living Room and this week we are gathering around the table for a conversation on food and Arab culture with award-winning Palestinian author and writer Reem Kassis. I only wish we could have eaten the food Reem features in her latest book, The Arabesque Table! Listen in as Reem talks with me about the finding home and the power of preserving and discovering culture through food. Make sure you get The Arabesque Table at your favorite bookseller and follow Reem on Instagram @reem.kassis. Please enjoy this episode from the HER Archives.    To get transcripts, links, and details from each episode, check out the show notes. To continue your support of the podcast and my work, become a member of my Patreon community where you can get access to archived episodes, bonus episodes, and behind the scenes content. Follow me on Instagram and Twitter, for podcast clips, poetry quotes and random quips. For information on how to book me to speak or perform at an event, visit amenabrown.com. Thanks for listening and thanks for your support!  See omnystudio.com/listener for privacy information.

Leslie Smith has shined as part of all the great folk locales, the Newport, Kerrville, and South By Southwest music festivals, and her songs have been done by many folk-greats, like Lucy Kaplansky and Dar Williams, although I think they are best out of Leslie's own mouth and guitar. Along the way to now she did a stint as part of a New York bluegrass band called Arabesque, but then she headed back to Pittsburgh, back to her center.

Reem Kassis talked about her work on the intersection of food, culture, and politics, notably in Palestine.Reem Kassis' debut cookbook, The Palestinian Table (2017), won The Guild of Food Writers Award and Gourmand World Cookbook award, was nominated for a James Beard Award, was short-listed for the Andre Simon Award and the Edward Stanford Award, and was picked as one of NPR's best books of 2017. Her second cookbook is The Arabesque Table (2021). You can find some of her writings in The Wall Street Journal, The Washington Post and The New York Times.Created & hosted by Mikey Muhanna, afikra Edited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About Matbakh:Matbakh is a conversation series that focuses on food and drink of the Arab world. The series will be held with food practitioners who study how food and the kitchen have evolved over time in the Arab world. The guests will be discussing the history of food and what its future might be, in addition to a specific recipe or ingredient that reveals interesting and unique information about the history of the Arab world. Guests will be chefs, food critics, food writers, historians, and academics. Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

“I mentioned before that one of the reasons why we haven't been able to overcome many of the climate crisis factors is because people don't understand what it means. What is it about? What can I do? Usually, when we hear these experts speak about the climate crisis, at least me, I don't understand 9/10ths of the speech or the document. Simplifying the message, allowing that difficult scientific knowledge to become popular language that I can use when explaining to a child, to a rural person, to someone who has a different type of education, that knows much more about the planet but not necessarily about university, explaining those difficult issues will make a difference. And we have to invest much more in that. Speaking difficult scientific language is not helpful to the majority of society.Few are producers, all of us are consumers. So we all have to participate in how we produce, what we produce and that means from infrastructure for a city to the way that a road is designed or that a marketplace builds its operations. To do it in a responsible way, in a sustainable way, you need the contribution of all. I would say that it's one of the most difficult challenges that humanity has–addressing the urban problems. Basically, because you cannot change a city from one day to the other, but I think that the starting point has to be change the citizen. And being a citizen has a lot of implications because the moment you realize you are a citizen you also need to accept that you have to be active, that you have to be an agent of change. We cannot expect this city to change, if the citizens don't want to mobilize an agenda to push for something, to request changes, to participate. I think the word participation is absolutely key. And we find in Latin America and in all continents that very often we have governments that curtail the capacity of citizens to be active, that tell the population to wait for a change, to be passive, to let the government do their job. And that's absolutely wrong because government is the one that defines court, the game that the citizens are going to play. And that game is called defining the rules of the game and allowing the citizens to be active participants of change.” Yolanda Kakabadse's work with the environmental conservation movement officially began in 1979, when she was appointed Executive Director of Fundación Natura in Quito, where she worked until 1990. In 1993, she created Fundacion Futuro Latinoamericano, an organization dedicated to promote the sustainable development of Latin America through conflict prevention and management. She was the Executive President until 2006 and remains as Chair of the Advisory Board. From 1990 until 1992, Yolanda Kakabadse coordinated the participation of civil society organizations for the United Nations Conference for Environment and Development (Earth Summit). From 1996 to 2004 she was President of the World Conservation Union (IUCN), President of the World Wide Fund for Nature (WWF) 2010-17, and Member of the Board of the World Resources Institute (WRI) during the same period. Yolanda was appointed Minister of Environment for the Republic of Ecuador, position she held from 1998 until 2000. She is a Member of the Board of Arabesque, and Chairs the Independent Science and Technology Panel of Fundacion Renova in Brazil. Yolanda is also a Member of the Board of Sistema B and the B Team.· World Conservation Union: www.iucn.org· WWF International: worldwildlife.org · Fundacion Futuro Latinoamericano: www.ffla.net/en/· Sistema B: sistemab.org· B Team: bteam.org · www.oneplanetpodcast.org· www.creativeprocess.info

Yolanda Kakabadse's work with the environmental conservation movement officially began in 1979, when she was appointed Executive Director of Fundación Natura in Quito, where she worked until 1990. In 1993, she created Fundacion Futuro Latinoamericano, an organization dedicated to promote the sustainable development of Latin America through conflict prevention and management. She was the Executive President until 2006 and remains as Chair of the Advisory Board. From 1990 until 1992, Yolanda Kakabadse coordinated the participation of civil society organizations for the United Nations Conference for Environment and Development (Earth Summit). From 1996 to 2004 she was President of the World Conservation Union (IUCN), President of the World Wide Fund for Nature (WWF) 2010-17, and Member of the Board of the World Resources Institute (WRI) during the same period. Yolanda was appointed Minister of Environment for the Republic of Ecuador, position she held from 1998 until 2000. She is a Member of the Board of Arabesque, and Chairs the Independent Science and Technology Panel of Fundacion Renova in Brazil. Yolanda is also a Member of the Board of Sistema B and the B Team.· World Conservation Union: www.iucn.org· WWF International: worldwildlife.org· Fundacion Futuro Latinoamericano: www.ffla.net/en/· Sistema B: sistemab.org· B Team: bteam.org · www.oneplanetpodcast.org· www.creativeprocess.info

Yolanda Kakabadse's work with the environmental conservation movement officially began in 1979, when she was appointed Executive Director of Fundación Natura in Quito, where she worked until 1990. In 1993, she created Fundacion Futuro Latinoamericano, an organization dedicated to promote the sustainable development of Latin America through conflict prevention and management. She was the Executive President until 2006 and remains as Chair of the Advisory Board. From 1990 until 1992, Yolanda Kakabadse coordinated the participation of civil society organizations for the United Nations Conference for Environment and Development (Earth Summit). From 1996 to 2004 she was President of the World Conservation Union (IUCN), President of the World Wide Fund for Nature (WWF) 2010-17, and Member of the Board of the World Resources Institute (WRI) during the same period. Yolanda was appointed Minister of Environment for the Republic of Ecuador, position she held from 1998 until 2000. She is a Member of the Board of Arabesque, and Chairs the Independent Science and Technology Panel of Fundacion Renova in Brazil. Yolanda is also a Member of the Board of Sistema B and the B Team.· World Conservation Union: www.iucn.org· WWF International: worldwildlife.org· Fundacion Futuro Latinoamericano: www.ffla.net/en/· Sistema B: sistemab.org· B Team: bteam.org · www.oneplanetpodcast.org· www.creativeprocess.info

“I mentioned before that one of the reasons why we haven't been able to overcome many of the climate crisis factors is because people don't understand what it means. What is it about? What can I do? Usually, when we hear these experts speak about the climate crisis, at least me, I don't understand 9/10ths of the speech or the document. Simplifying the message, allowing that difficult scientific knowledge to become popular language that I can use when explaining to a child, to a rural person, to someone who has a different type of education, that knows much more about the planet but not necessarily about university, explaining those difficult issues will make a difference. And we have to invest much more in that. Speaking difficult scientific language is not helpful to the majority of society.Few are producers, all of us are consumers. So we all have to participate in how we produce, what we produce and that means from infrastructure for a city to the way that a road is designed or that a marketplace builds its operations. To do it in a responsible way, in a sustainable way, you need the contribution of all. I would say that it's one of the most difficult challenges that humanity has–addressing the urban problems. Basically, because you cannot change a city from one day to the other, but I think that the starting point has to be change the citizen. And being a citizen has a lot of implications because the moment you realize you are a citizen you also need to accept that you have to be active, that you have to be an agent of change. We cannot expect this city to change, if the citizens don't want to mobilize an agenda to push for something, to request changes, to participate. I think the word participation is absolutely key. And we find in Latin America and in all continents that very often we have governments that curtail the capacity of citizens to be active, that tell the population to wait for a change, to be passive, to let the government do their job. And that's absolutely wrong because government is the one that defines court, the game that the citizens are going to play. And that game is called defining the rules of the game and allowing the citizens to be active participants of change.” Yolanda Kakabadse's work with the environmental conservation movement officially began in 1979, when she was appointed Executive Director of Fundación Natura in Quito, where she worked until 1990. In 1993, she created Fundacion Futuro Latinoamericano, an organization dedicated to promote the sustainable development of Latin America through conflict prevention and management. She was the Executive President until 2006 and remains as Chair of the Advisory Board. From 1990 until 1992, Yolanda Kakabadse coordinated the participation of civil society organizations for the United Nations Conference for Environment and Development (Earth Summit). From 1996 to 2004 she was President of the World Conservation Union (IUCN), President of the World Wide Fund for Nature (WWF) 2010-17, and Member of the Board of the World Resources Institute (WRI) during the same period. Yolanda was appointed Minister of Environment for the Republic of Ecuador, position she held from 1998 until 2000. She is a Member of the Board of Arabesque, and Chairs the Independent Science and Technology Panel of Fundacion Renova in Brazil. Yolanda is also a Member of the Board of Sistema B and the B Team.· World Conservation Union: www.iucn.org· WWF International: worldwildlife.org · Fundacion Futuro Latinoamericano: www.ffla.net/en/· Sistema B: sistemab.org· B Team: bteam.org · www.oneplanetpodcast.org· www.creativeprocess.info

Simone Dinnerstein — Undersong (Orange Mountain Music) Jump to giveaway form New Classical Tracks - Simone Dinnerstein by “It was a very funny afternoon because I was lying on my bed with my dog, Daisy, watching it on my phone,” pianist Simone Dinnerstein said about learning her recording American Mosaic received a recent Grammy Nomination for ‘Best Classical Instrumental Solo recording.' “When they announced my name, I couldn't believe it. I almost fell off the bed. It was a hysterical moment”. American Mosaic was one of two recordings Dinnerstein released last year. Now she's releasing her third album composed during the pandemic, the final in an inspired trilogy of recordings titled Undersong. “Undersong is a beautiful word that I discovered. I was looking around for words that would speak to the idea of a refrain, because every piece of music on this album has a refrain,” said Dinnerstein. “The has an almost rondeau form to it with its returning theme. “I also thought that under song has also been used as the underlying thread that holds together our world. I think that's why composers and people are drawn to refrains. It connects us to something quite deep. We like to return. We like to go home. We like to revisit things and this music is doing that.” Can you talk more about the overall cohesion of the album? “I think a lot about how pieces of music from different time periods can speak to each other, and this particular program is one that I conceived a few years ago. I was touring it before the pandemic started. It has Couperin, Schumann, Glass and Satie on it. “One part that I find particularly striking is I have performed Schumann's ‘Arabesque' and then I go into Philip Glass's ‘Mad Rush.' In this ‘Arabesque',' that final epilogue is like Schuman stepping out of time and writing something that we could hear composed today. The way it flows into ‘Mad Rush' feels like it could have been the same person who composed both of those pieces.” What is the importance of François Couperin's tracks on the album? “‘Les Barricades Mysterieuses,' is a piece that I first discovered in a film that I really love called The Tree of Life. That film is all about family. The music is used loosely as a theme throughout the film and I associated that piece with family. “The under song for me is my connection with my family, husband, son, parents and my roots here.” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now More on Simone Dinnerstein Performance Today An American Mosaic New Classical Tracks Simone Dinnerstein makes the most out of lockdown Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Simone Dinnerstein — Undersong (Simone's Website) Simone Dinnerstein — Undersong (Amazon Music) Simone Dinnerstein (official site)