Podcasts about satie

Hoera, Satie verjaart vandaag! 159 jaar geleden werd hij geboren en het is dit jaar ook precies 100 jaar geleden dat hij overleed. Een goed moment om eens lekker in zijn wonderlijke wereld te duiken. We horen natuurlijk zijn muziek, maar we horen ook hoe de musici van nu nog steeds door hem geïnspireerd zijn!  Doe voordat je gaat luisteren de Satie-mini-quiz: - welke fruitsoort speelt de hoofdrol in een stuk voor piano quatre mains van Satie? - welk stuk gereedschap droeg Satie altij bij zich als hij op pad ging? - hoe vaak moet de pianist de 3 regels van zijn compositie Vexations herhalen?  Gedraaid deze aflevering: - Satie - La Nuit - Satie - Gymnopedie 1 (orkestratie van Debussy) - Satie - Trois Morceaux en forme de Poire - Wende - Fleur d'Istanbul - Jef Neve & Teus Nobel - Weekend is On - Erik Voermans & Erik Vloeimans - Bonne nuit, monsieur Satie - Satie - Sarabande 3 (Camerata Contemporary Chamber Orchestra) - Satie - Vaxations 

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As the journals of the American writer Joan Didion (based on conversations with her psychiatrist) are published, writer and journalist Rachel Cooke and Alan Taylor, editor of actor Alan Rickman's diaries, discuss the challenges, responsibilities and ethics of posthumously publishing the diaries of great writers, artists and actors. Acclaimed German pianist Pianist Igor Levit talks about his own challenge - that of performing Erik Satie's pioneering piece Vexations, in a performance at the Multitudes arts festival at London's Southbank Centre. The performance is directed by leading performance artist Marina Abramovic and is expected to last approximately 15 hours, as Levit repeats Satie's one-page score 840 times. And how should great women be memorialised? Cultural critic Stephen Bayley and author and activist Sara Sheridan discuss what a memorial to Queen Elizabeth II might look like, and why, in comparison to their male counterparts, so few women have grand memorials in our towns and cities. Presenter: Kirsty Wark Producer: Mark Crossan

durée : 00:28:58 - Edouard Ferlet, pianiste de jazz - Alors qu'il sort un album avec la claveciniste Violaine Cochard autour de Satie et de son influence, le pianiste de jazz Edouard Ferlet continue d'explorer les liens entre musique et machine, en revisitant le Köln Concert de Keith Jarrett avec l'aide de l'Intelligence artificielle.

durée : 02:04:33 - Musique matin du mercredi 23 avril 2025 - par : Jean-Baptiste Urbain - Alors qu'il sort un album avec la claveciniste Violaine Cochard autour de Satie et de son influence, le pianiste de jazz Edouard Ferlet continue d'explorer les liens entre musique et machine, en revisitant le Köln Concert de Keith Jarrett avec l'aide de l'Intelligence artificielle. - réalisé par : Yassine Bouzar

1925. Pianiste en componiste Amy Beach schrijft het prachtige kleine pianowerkje By The Still Waters. Minder groots dan haar Eerste Symfonie waar ze bekend mee werd, maar Clara en Sander worden er helemaal stil van. Het leven van Beach was daarentegen minder rustig, van haar relatie met een rijke topdokter uit Boston, tot een lege erfenis… spannend genoeg om heel wat roddelboekskes mee te vullen. En doet Beach haar muziek jou ook zo denken aan die van Satie? Hoe zou dat komen?

durée : 01:00:06 - Patrick Roegiers, auteur et metteur en scène - par : Priscille Lafitte - Spécialiste de la photographie, homme de théâtre, romancier aussi, Patrick Roegiers est passionné de musique, au point de consacrer son dernier ouvrage au compositeur Erik Sati, cherchant à se glisser dans la tête de l'homme aux douze chapeaux et parapluies, et à la grande singularité. - réalisé par : Claire Lagarde

Dans cet épisode de « C'est arrivé demain », Patrick Roegiers explore l'univers d'Éric Satie, célèbre compositeur français, à l'occasion du centième anniversaire de sa mort. Il dévoile la personnalité unique de Satie, un artiste radicalement original, hypocondriaque et solitaire, vivant dans des conditions drastiques. Il décrit ses excentricités, comme sa collection de parapluies et ses complets sombres identiques, ainsi que sa solitude absolue, même envers ses amis proches. L'épisode aborde aussi sa brève histoire d'amour avec Suzanne Valadon et la place centrale des figures féminines dans sa vie.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:30:10 - Alain Planès, pianiste - À l'occasion du centenaire de la mort de Satie, Alain Planès présente un nouvel album dédié à ce compositeur aussi fantasque que subtil, enregistré sur un piano Pleyel de 1928. Rencontre avec un pianiste discret et passionné de peinture, qui se plaît autant au musée que dans les salles de concert.

durée : 02:04:24 - Musique matin du jeudi 10 avril 2025 - par : Jean-Baptiste Urbain - À l'occasion du centenaire de la mort de Satie, Alain Planès présente un nouvel album dédié à ce compositeur aussi fantasque que subtil, enregistré sur un piano Pleyel de 1928. Rencontre avec un pianiste pas comme les autres, passionné de peinture, qui se plaît autant au musée qu'au concert. - réalisé par : Delphine Keravec

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.For the first episode in season 20, I am joined in conversation by pianist Chris Gall. We discuss his brand new album Impressionists Improvised, a solo piano exploration of works by Debussy, Ravel and Satie alongside some original tracks. This is a beautiful combination of classical music that many of us are familiar with, interpreted with improvisions by a brilliant pianist.Thanks to Chris for allowing me to play tracks from Impressionists Improvised alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

durée : 00:08:23 - Satie et le jazz - par : Max Dozolme - La très belle biographie, romanesque et fantasque "Satie" de Patrick Roegiers sortie il y a quelques jours aux éditions Grasset a donné envie à Max Dozolme de jouer avec nous en nous faisant écouter une sélection de pièces du compositeur qui partagent quelques points communs avec le jazz…

Support Night Clerk Radio on Patreon You should know that this episode was divinely ordained. The Discogs article below was posted by a listener on our Patreon Discord at the precise moment Birk was listening to a related album and thinking about this episode topic. As a result, you have to listen to us work our way through the landscape of Japanese Ambient in the 80s and 90s. We talk about the music of the time and how it might have arisen from changing material and technological conditions, the importance of funding cool art, and its resurgence in popularity over the past few years. Outro SampleSeiko 3 from Music For Commercials by Yasuaki Shimizu Read these Articles!Exploring Japan's Ambient Music Boom of the '80s and '90sThe Sabukaru Guide to Japanese Ambient MusicHow Japanese Ambient Music Became a Thing in AmericaKankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990Kankyo Ongaku: A Brief History of Japanese Ambient MusicA Beginner's Guide to '80s Japanese Ambient MusicSpace and Certainty: On the Rise of Japanese Ambient Music CreditsMusic by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

Piše: Marija Švajncer, bereta Sanja Rejc in Igor Velše. Pesniška zbirka Milana Novaka Napišite mi glasbo je pravo pravcato presenečenje. Pesnik je z izbranim besediščem, čudovitimi metaforami in posebno globino ustvaril pesmi, v katerih se izpoveduje o svojem doživljanju glasbe. Pa ne samo to, pričara nam svet zvokov v prostoru, gibanje zraka, tiho vstopanje narave v glasbo, poosebljanje glasbil in melodij ter filozofsko obarvano refleksijo. Potaplja se predvsem v zvočno razkošje klasične glasbe, v nekaterih pesmih pa si prizadeva, da bi prodrl tudi v sporočilnost glasbe sodobnosti. Tako imenuje glasbeno eksperimentiranje, atonalnost in iskanje novih možnosti notnih zapisov in drugačnih partitur. Pomisli, da obdobje neobičajnih razmerij in izkrivljenih odnosov ustvarja izkrivljene zvoke. Dovzeten in odprt je za različnost in nove zvočne podobe. Sprašuje se o ustvarjalnih postopkih skladateljev, zaustavlja se pri posameznih tonih in se predaja zvokom, ki jih zmorejo različni instrumenti. Ker je sam rahločutna pesniška osebnost, sliši zelo veliko in izostreno – vsak odtenek, prehode od tihega h glasnemu, sleherni drs in naraščanje glasbenega motiva. Milan Novak je plesalec in izvajalec performansov, zato glasbo doživlja s celim telesom, zvočna pokrajina pa v njem spodbudi tudi kopičenje misli. Izroča se ji in se ji prepusti, da mu zastavlja vprašanja, in si dovoli, da včasih samo onemi in je eno z glasbo – visoko pesmijo življenja, smrti in večnosti. Pod lestenci drhtijo prvi mogočni takti Also sprach Zarathustra zvok se razlije po telesu čutim, kako polje v vratu neustavljivo drsi vzdolž hrbtenice razsuje se v prste kot val na peščeni obali Milan Novak piše pesmi brez ločil, ohranja le veliko začetnico prvih besed v verzih, tu in tam se mu prikrade vprašaj. V njem se porodi dvom, ali je glasbo sploh mogoče ubesediti, toda pesniku se to vsekakor posreči. Njegova ustvarjalna moč je neustavljiva, polet domišljije ob vsrkavanju zvokov in zanos sta neomejena. Čudež glasbe mu uspe ujeti v prelepe in pomensko večplastne besede, tako opise kot izbiranje in poimenovanje pojmov. Literarno prepričljivo se v njegovih pesmih prepletajo svoboda, žalost, smeh, osuplost nad ubranostjo tonov in začudenost, da ples zvokov nima robov in meja. Osrečuje ga spoznanje, da se v glasbi zgodi toliko različnih zvočnih uresničitev. Potopljen je vanjo in očaran nad njenim razkošjem. Prisluškuje skrivnostim, ki se oglašajo v glasbi, občuti jih na poseben način, morda tudi z bolečino, porojeno v mogočnosti tonov ter novih in novih melodijah. Lepota v njegove oči prikliče tudi solze. Bach ostaja ob njem, Satie je subtilno presenečenje, Šostakovič se oglaša, kakor da bi bila skupaj že od nekdaj, Chopin vstopa v neobstoj in zveni, kot da bi nekdo raztrosil bisere. Glasba je tisto kar navdihne da se loči se oblikuje v oblak deblo stopalo Ko izzveni potem umre preneha povrne se in se pomeša potopi se v veličastno bit Glasbi se pesnik predaja v koncertni dvorani in cerkvi, ob radiu in s pomočjo nosilcev zvoka, prikliče si jo tudi v dogajanju v gozdu, šumenju dreves in valovanju trav. Travnik je zanj vesolje, v bučanju vetra zasluti čistost resnice. Je glasba ki je opoj Ujet si v ledeno gmoto krhkosti brezizhodnosti v ostre robove zmrznjenega obupa Prepustiš se ujetosti potem ko si rečeš nimam več kam v umik Zahoče se mu umirjene, preproste in lahkotne glasbe, toda že v naslednjem hipu bi rad nedoločljivost v neskončni majhnosti, silovitost občutkov in nemir. Note so zlepljene v zaporedje smisla, pesnik se pomika skozi naelektreno nevidnost. Pritegnile so jo strune in vse je tako, kot mora biti. Glasba ga osvobaja, brezčasna je in hkrati zavezujoča, poet se osvobodi celo samega sebe. Zazdi se mu, da ga g-mol poziva k zadnji večerji. Avtor spremne besede, slovenski pesnik in pisatelj Marjan Pungartnik, pravi, da je »umetnost glasbe« zajemala tudi poezijo, kar govori o večnem in nepretrganem sestrstvu teh dveh umetnosti. Milana Novaka vidi kot umetnika, ki izraža željo, da vsako gesto muzike poveže z gibanjem sveta, in to od neposrednih zaznav instrumentov pa vse do primerjav, metafor, metabol in metonimij. V Novakovi poeziji se odpirajo prostori, v katerih je mogoče absolutno bivanje, podobno kot v pesmih. Pogled na glasbo postaja izvir pesniškega postopka. Pungartnik zapiše: »Vračanje v izgubljeno senzibilnost je povratek k čisti vodi izvira poezije.«

Imagine alguém equilibrando uma carreira séria no governo dinamarquês enquanto secretamente compunha trilhas sonoras vibrantes para balés. Esse era Knudåge Riisager,um homem que provou que a arte e a burocracia podem coexistir – mesmo que em mundos paralelos.Nascido em 1897, na Estônia, mas dinamarquês de coração, Riisager começou sua vida acadêmica de um jeito bem tradicional: estudando ciência política. Mas a música sempre chamou mais alto!Após uma viagem a Paris nos anos 1920, ele mergulhou de cabeça nas influências modernistas, absorvendo ideias de Roussel, Satie, Prokofiev e Stravinsky. O resultado? Composições ousadas, repletas de dissonâncias provocativas, bitonalidade e um toque de humor. Ele não queria apenas criar música, queria surpreender, como na sua quarta sinfonia, a Sinfonia Gaia!Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort e Arthur Muhlenberg.

DescriptionErik Satie: The Velvet Gentleman of Musical Eccentricity in 60 Seconds. Take a minute to get the scoop!Fun FactErik Satie's first known composition, Allegro (1884), reflects the young composer's early exploration of classical piano forms. Though relatively conventional compared to his later experimental works, it hints at his developing style. Satie's distinctive voice, blending simplicity and eccentricity, would soon emerge, marking him as a true musical original.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

A pianista e performer Joana Gama é a convidada de Inês Meneses. Uma conversa onde se fala de Satie, John Cage, cogumelos e a natureza. A humana também.

durée : 00:58:54 - La Série musicale - par : Zoé Sfez - Sa musique est l'une des plus jouées au monde et l'une des plus reprises. Pourquoi ne peut-on pas oublier Erik Satie, icône de bizarrerie, clown triste et poète, qui ne cesse de nous surprendre ? - réalisation : Thomas Jost

durée : 00:58:54 - La Série musicale - par : Zoé Sfez - Sa musique est l'une des plus jouées au monde et l'une des plus reprises. Pourquoi ne peut-on pas oublier Erik Satie, icône de bizarrerie, clown triste et poète, qui ne cesse de nous surprendre ? - réalisation : Thomas Jost

durée : 00:30:43 - France Musique est à vous junior du samedi 21 décembre 2024 - par : Gabrielle Oliveira-Guyon - Au programme d'aujourd'hui : Nicolas Lafitte se demande s'il est possible de faire de la musique avec de l'eau, une jeune auditrice, Satie, nous propose d'écouter un extrait de La Bohème de Puccini, et nous partirons dans le métro avec Octave et Mélo.

Tikroji muzikinė Kalėdų klasika yra ne tai, ką girdime parduotuvėse, bet Händelio oratorija „Mesijas“. O ką žinome apie šios oratorijos radimosi kontekstą, pagaliau jos teksto autorių? O rubrikoje „Dabar, prieš 100 metų“, Erikas Satie, dadaizmas ir provokuojantis baletas „Relâche“.Ved. Domantas Razauskas

durée : 00:28:16 - Les Midis de Culture - par : Marie Labory - Cet automne, la pianiste Vanessa Wagner ravit par deux fois nos oreilles avec la sortie d'un album en solo, "Everlasting Season" qui réunit Tchaïkovski, Grieg, Sibelius et Glinka et un album en duo, "Piano Twins" avec le pianiste Wilhem Latchoumia autour de Satie, Debussy et Ravel. - réalisation : Laurence Malonda - invités : Vanessa Wagner pianiste et directrice artistique du Festival de Chambord

"I imagined a public piano by a public swimming pool, and someone sitting down and picking out a simple theme, becoming part of the general ambience. There were elements of both Eno's Ambient series and Satie's Furniture Music in its conception."  Gellert Baths, Budapest reimagined by Simon Greenwood.

MISES EN SCENE le mercredi et vendredi à 9h30 et 18h30.  Chronique théâtrale animée par Sonia Jucquin ou Géraldine Elbaz qui traite de l'actualité des pièces de théâtre. Cette semaine, Géraldine nous parle du spectacle musical "Le Siffleur" de Fred Radix au Théâtre de la Gaité Montparnasse. Queue-de-pie et allure sérieuse… On pense de prime abord assister à un récital selon les plus purs – et rigides – codes du genre. C'est sans compter sur la personnalité de Fred Radix qui nous entraine dans un spectacle OVNI, entre humour décalé, conférence burlesque et maîtrise prodigieuse du sifflet. Le public n'est pas du genre à supporter les circonvolutions d'un historien en pleine conférence sur l'histoire de la musique sifflée ? Qu'à cela ne tienne, pour servir son sujet, notre spécialiste consent, au détour d'un morceau, à vulgariser, ne laissant rien au hasard pour vous amuser. Rien n'est trop beau pour vous, de Bizet à Mozart en passant par Satie et des Beatles à Ennio Morricone, pour vous séduire…Le siffleur ose tout ! Informations : https://gaite.com/spectacles/le-siffleur/ © Romain Etienne Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Lucian Msamati has played leading roles on our most famous stages: Salieri in Peter Shaffer's Amadeus at the National Theatre, Iago in Othello at the Royal Shakespeare Company and Estragon opposite Ben Whishaw in Waiting for Godot at the Theatre Royal Haymarket in London. He started out performing – in his words – ‘for farmers sitting on beer crates in rural Africa, with tables for a stage'. And when he decided to leave Zimbabwe, where he began his career, to see if he could make it in the UK, he had to work as a cleaner to pay the bills. His perseverance paid off: as well as success on stage, he's appeared in high-profile TV shows, including Game of Thrones and the Number One Ladies Detective Agency. After his role in Amadeus, it's no surprise to find Mozart among his musical passions, which also include Satie, Tchaikovsky and an unusual track by Stevie Wonder.Presenter Michael Berkeley Producer Clare Walker

durée : 00:12:37 - Le Disque classique du jour du lundi 16 septembre 2024 - Dans ce nouvel album, le Quatuor Van Kuijk explore les trésors de Fauré, Debussy, Satie, Ravel et Poulenc, composés à l'origine pour piano ou voix.

durée : 00:12:37 - Le Disque classique du jour du lundi 16 septembre 2024 - Dans ce nouvel album, le Quatuor Van Kuijk explore les trésors de Fauré, Debussy, Satie, Ravel et Poulenc, composés à l'origine pour piano ou voix.

Andrés Amorós continúa su periplo por algunas de las mejores obras clásicas de la historia, esta vez con obras más cortas de Mahler, Satie y Bach.

Inspiración clásica en las ejecuciones y las reinterpretaciones de hoy:la violinista holandesa Janine Jansen; el Satie de Federico Lechner al piano y Chema Saiz a la guitarra; el homenaje a la diosa zulú uNomkhubulwane que Nduduzo Makhathini ha grabado en Blue Note; el guitarrista Pat Metheny y un recuerdo a Charlie Haden (1937-2014). Violin Concerto in D Minor, Op. 47: II. Adagio di moltoJanine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä        Sibelius: Violin Concerto; Prokofiev: Violin Concerto No. 1Nocturne V +Petite Overture à Danser               Chema Saiz, Federico Lechner       Satie for TwoLibations: Omnyama            +Libations: Uxolo          +Inner Attainment: Ithemba           Nduduzo Makhathini  uNomkhubulwaneYou're everything +MoonDial           Pat Metheny      MoonDialIt Might As Well Be Spring      Keith Jarrett y Charlie Haden Last DanceEscuchar audio

El centenario del fallecimiento de Satie será el año que viene, pero Federico Lechner y Chema Saiz, piano y guitarra, ya se han adelantado. También suenan algunos invitados a la edición 28 de La Mar de Músicas, como Ángeles, Víctor, Gloria & Javier y su fusión de flamenco-jazz, electrónica y pop; Johan Papaconstantino, originario de Córcega, sonidos mediterráneos con influencias urbanas contemporáneas; María José Llergo, Xoel López o Depedro, además del cubano Eliades Ochoa, quien recibirá el premio "La Mar de Músicas" antes de su actuación el 22 de julio en el Auditorio Paco Martín del Parque Torres. Completan el programa Alessio Arena y Luz.Gymnopédie III +Gnossienne III (con Javier Ruibal)  Federico Lechner y Chema Saiz  Satie for twoSuspiro tierno (La Soleá)+        La guitarra                 Ángeles, Víctor, Gloria & Javier       Tengo tres estrellas y veinte crucesPourquoi tu cries ??               Johan Papaconstantino           Contre-jourLes mots bleus                      Johan Papaconstantino           Les mots bleusNOVIX                     María José Llergo       ULTRABELLEZAHijo varón de las rosas                     Alessio Arena   Hijo varón de las rosasPena Penita   Xoel López, Meritxell Neddermann  Caldo EspíritoXiana             Xoel López    Caldo EspíritoPor el Viejo Barrio                Xoel López     AtlánticoMacorina         Eliades Ochoa The Real Cuban MusicLo que va pasando                Depedro          Un lugar perfectoEl canto del Gallo Luz   El canto del Gallo Escuchar audio

durée : 01:00:58 - Les Nuits de France Culture - par : Albane Penaranda - En 1996, France Culture consacre une série de cinq "Euphonia" sur les chemins contradictoires empruntés par la musique et la poésie. Dans ce second volet, le poète Paul Louis Rossi remonte aux origines de ces malentendus, évoquant le symbolisme puis le dadaïsme dont était proche Erik Satie. - invités : Paul Louis Rossi

Dr. Jamie Knight discusses events planned for May 18th. The post Satie Day at Friends University appeared first on Radio Kansas.

durée : 00:24:59 - Erik Satie, Gymnopédies - par : Anne-Charlotte Rémond - Dans Musicopolis, Anne-Charlotte Rémond retrace l'aventure des « Gymnopédies » d'Erik Satie. Plus de 20 ans séparent la date de la composition de la Gymnopédie n° 1 de son accès à la notoriété grâce à la création de l'œuvre au piano par un certain…Maurice Ravel ! - réalisé par : Claire Lagarde

What's up, dudes? I'm running up that hill with Mike and Rusty from Snow in Southtown to talk about Kate: Kate Bush Christmas Special and her song “December Will Be Magic Again!” Released in 1979, it proves that the singer, only 21 at the time, was already a tour de force. A year later she released the Christmas song as a single.The special is a mix of live performances and choreographed dance to prerecorded music. The live portion was recorded BBC Pebble Mills Studios in front of an audience. The music for the dance was done at EMI Studios in London. After a rotoscoped animated introduction, Kate launches into renditions off “Violin,” Gymnopédie No. 1 by Satie, and “Symphony in Blue.” “Them Heavy People” follows with Kate garbed in sequins. Immediately a trio sings Peter Gabriel's in, and he serenades the audience with “Here Comes the Flood.” Kate performs “Ran Tan Waltz” then premieres “December Will Be Magic Again” on solo piano. Next comes “The Wedding List” about a vengeful bride and the duet “Another Day” with Peter Gabriel about a failed marriage. Finally, Kate enthralls us with “Egypt,” “The Man with a Child in His Eyes,” and “Don't Push Your Foot on the Heart Brake.” Does she hop in a garbage can and come out dressed like Sandy from the end of “Grease?” Why, yes. Yes she does.Stevie Nicks-like flowing black outfit? Yep. Fake beard and “Fiddler on the Roof” getup? Uh huh.  Kate doing interpretative dance superimposed over her playing piano? Definitely! So grab your violin and head to Egypt to this episode about Kate Bush!Snow in SouthtownFB: @snowinsouthtownTwitter: @snowinsouthtownIG: @snowinsouthtownPatreon: @snowinsouthtownCheck us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

Matt and Rob sit down with the legendary progressive rock guitarist, Steve Hackett formerly of GENESIS and GTR Steve talks about his current tour (recently winding down) called FOXTROT AT FIFTY, what the term progressive means, what John Lennon said about Genesis, his incredible new album "The Circus and the Nightwhale" and more. We had 30 minutes to talk to Steve which in itself is incredible since he was in the middle of a tour of the US. ******** JUST A LITTLE BIT ABOUT STEVE HACKETT: Steve Hackett is renowned as an immensely talented and innovative rock musician. He was lead guitarist with Genesis as part of their classic line up with Gabriel, Collins, Banks and Rutherford, that produced acclaimed albums such as Selling England by the Pound (a favourite of John Lennon). With Steve's extraordinary versatility in both his electric guitar playing and his composing, he involves influences from many genres, including Jazz, World Music and Blues. He is equally adept in his classical albums that include renditions of pieces by composers from Bach to Satie, his own acoustic guitar compositions that have gained the admiration of many, including Yehudi Menuhin, and ambitious guitar/ orchestra albums such as A Midsummer Night's Dream, recorded with the Royal Philharmonic.   With Genesis, Steve's guitar playing produced some of the most memorable moments, from the sensitivity of his acoustic sound on Horizons and Blood on the Rooftops to the dramatic rock guitar solos of Firth of Fifth and Fountain of Salmacis. As he embarked on his solo career he developed his exceptional range, pushing musical boundaries into exciting areas, inventing new sounds and also techniques such as 'tapping'. His solo career went from strength to strength and the mid eighties not only saw the hit single Cell 151, but also the Steve Hackett and Steve Howe super group GTR, highly successful in America. ************ You can find STEVE at hackettsongs.com, Facebook and Instagram (@stevehackettofficial)  Be sure to listen to his incredible new album THE CIRCUS AND THE NIGHTWHALE! ************ KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora and almost anywhere you listen to podcasts.     If you go to www.linktr.ee/knowgoodmusic you can find all the links to the podcast platforms we are on.    Visit our YouTube Channel where you can see video promos from some of our interviews.  Just search "know good music"."

Con María Fernández Dobao | En los siglos XIX y XX fueron muchos los compositores extranjeros que se sintieron fascinados por España y su música. Algunos de ellos encontraron fuente de inspiración concretamente en Andalucía y a esas obras dedicamos el programa de hoy de Clásicos con Ñ. Satie, Sebussy, Ravel, Pessard, Pauline Viardot, Massenet, Lecuona y Gottschalk son los compositores que puedes disfrutar en este programa de Clásica con Ñ.

Pablo Picasso revendiquait ne pas aimer la musique. Il n'a pourtant cessé de peindre des musiciens, collaborant avec Satie, Stravinsky et Falla. Ses portraits d'instrumentistes sont souvent des autoportraits qui ne disent pas leur nom – ceux d'un homme hanté par ses obsessions.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

When you call, Whoa!mance answers! A special listener recommended THE SECRET HEART by ERIN SATIE when we asked for weird books. So you KNOW we had to pick it up and lay it down. I guess you could say we felt similarly to Adam, Earl of Bexley, when he first sees Caro Small in her ballet smalls - intrigued and horny! Caro decides to take advantage and improve her circumstances by throwing them both on the assignation-to-wedding pipeline. Sure he's her best friend's better-to-do cousin, and sure he's an entrepreneur (barf) AND secret pugilist-she can deal. But when Caro finds HERSELF kicking her feet and smiling, it all gets complicated in a new way. What's the distinction between bad and unlikeable? How responsible are masc characters for their predilections? Is the general obsession with lady smallness eeking anybody else out? If you have a book you'd like us to discuss, hit yr grls up via our socials or whoamancemail@gmail.com And if you'd like to join us for a LIVE romantasy panel, go to otherworldtheatre.org

Lords: * Megan * Lexi Topics: * Erik Satie's performance indications * https://www.ilxor.com/ILX/ThreadSelectedControllerServlet?boardid=60&threadid=4497 * Instant food from other cultures (why isn't everyone eating maggi noodles??) * Seasonal decorations * Delhi Metro * https://docs.google.com/document/d/17k75ftxEn2xR-tJkLSV4H8st5BFAxPNxE3BNCXDI6Go/edit * Becoming Immortal by being predictable * Living in different climates (e.g. my experiences with the harsh winters of Chicago vs sweltering Austin TX summers) Microtopics: * Music implementation for The Lamplighters League. * Watching a streamer play games and asking them for a turn at the controls. * How to pronounce "Erik Satie." * How to pronounce "Gymnopedies." * Finding 100 umbrellas in your dead friend's apartment. * A list of Satie's performance indications. * Grandly forgetting the present. * With your bones dry and distant. * Playing music with your forehead. * Doing something to a piano. * Your boss sending a memo asking you to work with a shy piety. * Pizzicato vs. Bartok pizzicato. * Adding the hamburger so it's not just Helper. * What instant foods are missing from your food vocabulary. * Adding heavy cream to ramen broth. * Getting an apron so you can have a little costume when you cook. * Realizing that when you wear the apron you don't get food on your shirt. * A big bib for Big Jim. * Normalizing scoop bibs. * Kraft Dinner. * Halal certified instant stir fry noodles. * Ramen in a cup or ramen where you provide your own container. * Insurance Mac. * Canned cheeseburgers. * A boring house with nothing on it. * Movable feasts. * Keeping those 12-foot skeletons in your yard and decorating it seasonally. * The beetles that clean bones for you. * Recreational Explosives Day. * A Zachtronics programming puzzle for every holiday. * A movable feast where you don't eat. * Decorating your house to celebrate Toyotathon. * Falling for strangers and their blue hair. * A poem that is long if you read it but short if you recite it. * Taking public transit as an act of defiance. * A gift that is impossible to give yourself on purpose. * Inventing a shower proof phone so nobody ever has shower thoughts again. * Putting your phone in a Ziploc bag and watching movies underwater. * Sitting down at your computer and getting stuck. * Hacking your executive function by adding friction in the right places. * Whether Wellbutrin gives everyone tinnitus or just you. * Death hacks for staying mentally connected to your dead relatives. * A service that puts your podcast on vinyl. * Using CRISPR to infect the cockroach population with 229 episodes of Topic Lords. * Moving to a land where your snot doesn't freeze. * Not trusting your own weather opinions. * Surprising yourself by enjoying seasons. * Driving in icy conditions. * Standing under the heated lamps like a lizard. * Waiting for the bus in the dark. * Learning to drive after you move to a city with public transit. * Not driving with kids. * Getting rid of all the bots. * Sgt. Pepper Bot.

Wherein I make the link between Erik Satie, John Cage, and Brian Eno.

SynopsisHappy Leap Year!Once every four years, we have the opportunity to wish the great Italian opera composer Giacomo Rossini a happy birthday — he was born on Feb. 29 in 1792 — and to note some other musical events that occurred on this unusual but recurring calendar date.The American Bicentennial Year 1976, for example, also was a leap year, and 12 months were cram-packed with specially commissioned works written on a grand scale to celebrate that major anniversary of our nation. But at Alice Tully Hall on Feb. 29, 1976, a more modest celebration was in progress: an afternoon of new chamber works for flute and harp, including the premiere performance of a piece by American composer Ned Rorem.This piece was titled Book of Hours, referring to the prayers that the clergy read at various times of the day. In 1976, when avant-garde composer Pierre Boulez was the music director of the New York Philharmonic and dense, complicated music was considered fashionable by the critics, and the reviewer for the New York Times was struck by Rorem's deceptive simplicity: “Many contemporary composers flaunt their abilities to make music complex,” he wrote, “but Rorem waves an altogether different flag. His Book of Hours seemed determined to be uneventful. Its calculated simplicities and unassertive manner recalled the bare-walls asceticism of Erik Satie, though Mr. Rorem's phrases and colors are more sensuous and do not quite evoke Satie's mood of monastic rigor.”Music Played in Today's ProgramNed Rorem (1923-2022): Book of Hours; Fibonacci Sequence; Naxos 8.559128

We're back with Satie and we'll regale you with his strange and unusual history! Be sure to like and share with a friend!  Music: https://imslp.org/wiki/3_Gymnop%C3%A9dies_(Satie%2C_Erik) https://creativecommons.org/licenses/by-sa/4.0/legalcode

durée : 00:14:49 - Les Nuits de France Culture - par : Albane Penaranda - Le compositeur et pianiste Francis Poulenc se livre, en 1953, dans une série de 18 entretiens. Dans le deuxième volet, il détaille ses premiers contacts avec la musique, enfant et adolescent. Sous l'influence familiale, mais pas que, il découvre Mozart, Beethoven, Debussy, Stravinsky, Satie... - invités : Francis Poulenc Compositeur et pianiste français

durée : 00:04:17 - Les Nuits de France Culture - par : Albane Penaranda - Cette sélection propose un voyage dans la musique du compositeur et pianiste Francis Poulenc (1899-1963). Avec esprit et érudition, le musicien évoque ses débuts avec le groupe des Six, sous l'aile de Satie, puis raconte la genèse de ses œuvres, qu'elles soient religieuses, légères, poétiques.

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