Podcasts about George Gershwin

Comme s'il voulait protéger son opéra Porgy and Bess de quelque sorte de blanchiment, George Gershwin a tenu à ce que son opéra soit toujours joué par des interprètes afro-descendants. Mais dans la mesure où le livret écrit par Ira Gershwin et DuBose Heyward, laisse passer quelques préjugés raciaux dans la construction de ses personnages, il pourrait … Continuer la lecture de « Metaclassique #369 – Stéréotyper »

President Trump and Gov Wes Moore spar over jurisdiction at the sewage spill site. Dean Naujoks of the Potomac Riverkeeper Network with an update. What's happening with the housing agenda in the Maryland General Assembly? Maryland Association of Counties' Michael Sanderson explains. Montgomery County Board of Education takes the first step closing down the school district only and months-old charter school. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.  

durée : 00:58:16 - Les Nuits de France Culture - par : Antoine Dhulster - La Lune, source d'inspiration inépuisable pour les musiciens, est au cœur de l'émission "Euphonia" en 1990 présenté par Rémy Stricker en compagnie du musicologue Marcel Marnat. Un programme illustré par des œuvres de George Gershwin, Joseph Haydn, Paul Hindemith et Leoš Janáček. - réalisation : Rafik Zénine - invités : Marcel Marnat Musicologue

In 2019, Maryland became the first state in the nation to establish a Prescription Drug Affordability Board. After years of preparatory work, the agency is poised to take its first actions on two blockbuster diabetes drugs, Jardiance and Farxiga, and a year later, the Board can expand its price control mechanism to the private insurance market. Will they clear the thicket of dysfunction in the drug marketplace and help lower actual drug costs? Sunil Dasgupta talks with Andrew York, Executive Director Maryland Prescription Drug Affordability Board, and Vincent DeMarco, president of the Maryland Health Care for All Coalition. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

The Wootton High School shooting revives calls to bring SROs back to MCPS schools. MontgomeryCounty Councilmember Dawn Luedtke on why. Magruder High School in Derwood often gets overlooked in MCPS planning. PTSA President Kim Glassman wants answers. The Montgomery County Democratic Central Committee can now for the first time become involved in non-partisan Board of Education races. Chair Pam Luckett explains when. College Park Mayor Fazlul Kabir on city efforts to protect its student renters. And more. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

From Walkersville, MD, a purple town of 7,000 on Route 15, which connects Frederick, MD, to Gettysburg, PA, a tale of political education. Sunil Dasgupta talks with Town Commissioner Chris Ragen, a self-professed conservative, about his efforts to increase public participation in a decision that could have changed the town's police force and saved money. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

Our Randy Hamilton was born to sing songs like this. He and Danny Cox brought us “Spooky” last summer and we've been loving it ever since. Especially when we added Sam St. Clair's funky harmonica and Jack Nuckols' tasty percussion.About the SongAs reported here earlier, while The Classics IV made the lyrics famous with a chart-topper in the fall of 1967, the story of “Spooky” began several years earlier in an Atlanta club. Following a show sometimes in 1965, saxophonist Mike Sharpe (Shapiro) and his band mate pianist Harry Middlebrooks Jr. began riffing on the George Gershwin classic, “Summertime.”As they improvised, they realized they had stumbled upon something special. As they continued, the duo developed their own melody, to which Sharpe randomly assigned the name “Spooky.”The original version was recorded as a jazz instrumental featuring strange high voices to enhance the eerie vibe; it eventually peaked at No. 57 on the U.S. charts in January 1966.Sharpe and Middlebrooks initially thought the song's life cycle ended there, but a year later, The Classics IV added those lyrics about that “spooky little girl like you,” propelling the track to No. 3 on the Billboard 100. Harry's StoryMeanwhile, as “Spooky” was conquering the airwaves, co-writer Harry Middlebrooks was entering one of the most high-energy phases of his career: touring with Elvis Presley. It was the fall of 1970 when Middlebrooks received a call from Elvis's producer, Felton Jarvis, inviting him to join The King's first tour in 10 years.Middlebrooks served a unique dual role on the road: he performed as part of the opening act to warm up the crowd and sang tenor in the backup quartet, providing the vocal harmonies essential to Elvis's ‘70s sound. In a moment of professional synergy, Elvis, who was fond of “Spooky,” actually performed a cover of the Sharpe-Middlebrooks' hit during various live shows and rehearsals in 1970.Beyond his most famous composition, Middlebrooks established himself as a prolific figure in the entertainment industry. He composed for television and penned more 300 tunes recorded by such diverse artists as Tom Jones, Liberace and The Oak Ridge Boys.Middlebrooks recorded several albums for Reprise and Capitol Records and established himself on the club scene in Southern California, eventually singing at more 80 clubs. He became an in-demand session and backup singer for Neil Diamond, Anne Murray, Marty Robbins and others. In particular, he relished his seven-year run backing Glen Campbell for his Las Vegas and Lake Tahoe concerts.Another Helping of Randy Tunes?So, has today's podcast got you hankering for more tunes from Randy Hamilton? Coming right up!Just drop by the free Radio Floodango music streaming service and click into the Randy Channel for a randomized playlist of Hamilton-centric songs from The Flood repertoire. Or just click here to take the express route! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Today's show features music performed by George Gershwin

MCPS proposes to move Wootton High School from Rockville to Gaithersburg and causes uproar in the community. The Montgomery County Council oversight hearing on the failure of snow response comes down to coordination and communication. We read between the lines. Howard County, MD, becomes the first in the state council to revoke a building permit in Elkridge for an ICE jail. And more. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

A new book, Storm at the Capitol: An Oral History of January 6th, by Associated Press Congressional Reporter Mary Clare Jalonick, captures first-hand descriptions of the day of the biggest attack on the United States Capitol since 1814. Jalonick, who was trapped in the press gallery of the U.S. House of Representatives, says she wanted to create a definitive record of the day because there is now, following Trump's return to power, there is a risk of erasure of what really happened. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

MUSICAL THEATRE WRITING COLLECTIVE: https://www.musicaltheatrewritingcollective.com/mtwc-aboutWant some FREE TIPS???For Writers:Em's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-email—————————————————————————————****GO EVEN DEEPER WITH…****For WRITERS:MUSICAL THEATRE WRITING COLLECTIVE:https://www.musicaltheatrewritingcollective.com/mtwc-aboutLibretto Formatting Guide:https://michaelradi.thrivecart.com/libretto-formatting-guide/Flagship Musical Theatre Writing Workshop Course:https://www.musicaltheatrewritingcollective.com/mt-writing-workshop-courseBook & Beyond Libretto Writing Course:https://www.musicaltheatrewritingcollective.com/book-and-beyond-courseDo you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers? Then check out the collective at the link above!—————————————————————————————One of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e————————————————————————Em Radi (any/all) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, Musical Theatre Writing Coach, Musical Director, and the Founder of the Musical Theatre Writing Collective currently residing in New York City. They are an alumnus of the esteemed Lehman Engel BMI Musical Theatre Workshop as a lyricist, and has written six full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. Em's original one-person show 'S Wonderful: An Evening with George Gershwin also played its premiere production at BVT in 2021. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a queer pop-punk adaptation of Hamlet, and a mother-daughter coming of age musical set in the world of competitive baton twirling, based loosely off of their family's history with the sport.Learn more about Em at their website:http://www.michaelradi.comEm's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Em on…FB: https://www.facebook.com/michael.radi.54IG: @emmy.radi @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on traditional and unceded territory of the Munsee Lenape and Canarsie People.

Podcast PacketsIllustrationsLead SheetsPlay AlongsForumsJazz Piano Skills CommunityKeywordsJazz Piano, Embraceable You, Jazz Harmony, Music Education, Jazz Techniques, Improvisation, Music Analysis, Jazz Standards, Piano Skills, Music PracticeSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence introduces a new tune study focusing on the jazz standard 'Embraceable You' by George Gershwin. The discussion covers the importance of intentional study, the seven facts of music, and a deep dive into harmonic and melodic analysis. Dr. Lawrence emphasizes the significance of movement in jazz harmony and provides practical techniques for voicings and improvisation. The episode concludes with a call to action for listeners to engage with the material and continue their jazz piano journey.TakeawaysA new month signals a new tune study.The study system allows for a huge return on investment.Real practice involves exploring essential jazz skills.Jazz harmony is defined by the movement of notes.Listening to various artists is crucial for learning.Understanding harmonic function enhances musicality.Common progressions are foundational in jazz standards.Voicings can be simplified for clarity and movement.Two-handed voicings are essential for ensemble playing.Engagement with the material leads to meaningful growth.TitlesUnlocking Jazz Piano Skills: Embraceable YouThe Art of Jazz Harmony: Movement Over NotesSound bites"Incorrect thinking leads nowhere.""Movement gives us music.""Listening is so important."Support the show

How do other jurisdictions and past snow events compare to Snowcrete 2026? Montgomery County Councilmember Andrew Friedson weighs in prior to oversight hearings. Leaders from Republican-leaning jurisdictions oppose the 287g ICE agreement ban because they say the arrangement preempts ICE violence. MD Delegate Vaughn Stewart explores legislative ideas to limit ICE presence after the federal agency buys two warehouses in the state to serve as detention centers. In Prince Geroge's County, a Chinese Immersion Program in a Title 1 school in College Park is being cut as part of budget woes. And more. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

Jaume Segalés y su equipo comentan asuntos de la actualidad y traen las mejores recomendaciones culturales. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: "Raíces" en el Auditorio Nacional Un concierto que reivindica el origen popular de algunas de las obras más emblemáticas del repertorio universal. Vamos a poder disfrutarlo en la Sala Sinfónica del Auditorio Nacional (c/ Príncipe de Vergara, 146) este sábado 7 de febrero a las 12:00. Se trata de la nueva propuesta artística del maestro Ramón Torrelledó, cuya temática es "el canto del pueblo hecho sinfónico". Su batuta, dirigiendo a la Beethoven Symphony Orchestra, va a verse acompañada por el coro, por nuestra grandísima y querida soprano (icono absoluto de la zarzuela), María Rodríguez, y por el virtuoso pianista Leonel Morales. El programa engloba el cante jondo y la tradición gitana que inspiraron a Manuel de Falla en su célebre "El amor brujo", el blues y jazz urbano que George Gershwin plasmó en su "Rhapsody in blue"; y los cantos populares que Chaikovski elevó universalmente en su gran obra "Obertura 1812". Entrevistamos al director, Ramón Torrelledó, y a la soprano María Rodríguez. Vademécum "Salud mental y bienestar emocional en la escuela" La Fundación Mapfre, el grupo Anaya y Siena Educación han presentado el Vademécum "Salud mental y bienestar emocional en la escuela". Una radiografía de la salud mental dentro de las aulas españolas. No sólo nos proponen un análisis de cómo están las cosas, sino también una guía para detectar saber leer las señales que nos deben de poner en alerta de una situación de riesgo. La percepción de los docentes, que son los que trabajan y conviven con los menores, no es buena de todo. Sólo uno de cada tres docentes considera que la salud mental de sus alumnos es buena. Se trata de una serie de documentos que responden a 115 preguntas frecuentes. Entre ellas la detección de señales de alerta, la atención a conductas de riesgo y la prevención del impacto de las pantallas y otras adicciones. Entrevistamos al director de Vademécum, Javier Urra, Dr. en Psicología, académico de Número de la Academia de Psicología de España, profesor de la Universidad Complutense de Madrid y primer Defensor del Menor.

Stop 2 on our 100 year trip through the history of the American musical: 1935 and Porgy & Bess.  With music by George Gershwin and lyrics by his brother Ira and original Porgy novelist Debose Heyward, Porgy & Bess was immediately hailed as a masterpiece when it debuted in 1935, though it has been troubled from the start by the question of whether it's too much of an opera to be a musical, and vice versa. As time has passed, the question of whether the piece is inherently racist has also risen and gotten more urgent. But the score remains as one of the great acheivements of the American theater, regardless of genre. In this episode, we discuss the iconic "Summertime" and Porgy & Bess. All clips are from a 1935 recording of Abbie Mitchell, who originally sang "Summertime" in the first prodcution, and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.   Watch a modern operatic performance of "Summertime."   George Gershwin introducing and conducting pieces from Porgy & Bess, including "Summertime."   Listen to the SMSTS playlist on Spotify Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: George Gershwin in the New York Times about calling Porgy & Bess a "folk opera" Sondheim's 2011 letter responding to an article about the most recent Broadway revival Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical

durée : 01:29:01 - Peter Allen, dans les pas de George Gershwin - par : Laurent Valière - Le public français connait de lui surtout "Je vais à Rio" adapté par Claude François. Peter Allen était un auteur compositeur comédien brillant qui a aussi créé une comédie musicale. Lawrence Schulman lui consacre une biographie : "Peter Allen, Somebody's Angel » et, est l'invité de Laurent Valière. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Montgomery County Public Schools, which had banned AI in classrooms in 2023, now has a draft new AI policy document out for public comment. Sunil Dasgupta talks with MCPS parent, Ed tech expert, and Stoneridge School of the Scared Heart teacher Jaime Chao Mignano to break down the document and the big AI questions that are predicted to upend education itself. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Hershey Felder: Pianist and Performer, “The Piano and Me” Hershey Felder discusses his world premiere stage show, “The PIano and Me,” playing at TheatreWorks Mountain View through February 8, 2026, with host Richard Wolinsky. Over the past three decades, Hershey Felder has been performing one-person plays with his piano accompaniment, focusing on a variety of different composers, including George Gershwin, Leonard Bernstein, Tschaikovsky, Beethoven, Chopin and others. He has also created film versions of these and others, which can be found at his website, hersheyfelder.net. “The Piano and Me” focuses on Hershey Felder's own life, looking at his immigrant family who came to Canada after surviving the Holocaust, and his own education at the piano, from his first teachers to his more formal schooling, to the advent of his very first show, “George Gershwin Alone.” In the interview, Hershey Felder talks about how this show came into being, his preparation for each performance, his work in film, and his view of live theatre today. Recorded January 23, 2026. Complete 31-minute Radio Wolinsky podcast.   Delroy Lindo: Oscar Nominated Actor and Theatre Director, 2008 Delroy Lindo, actor and theatre director, in conversation with Richard Wolinsky in the KPFA studios in November 2008 while directing August Wilson's play, Joe Turner's Come and Gone at Berkeley Rep. Actor and director Delroy Lindo was born in London and moved to the United States at the age of 16, eventually coming to San Francisco where he studied acting at ACT at the age of 24. In his early career, he focused on the stage, winning a Tony nomination in 1988 his role in the original Broadway production of August Wilson's Joe Turner's Come and Gone. From there, he moved toward television and film, and performed in three Spike Lee films, including Do The Right Thing  and Malcolm X, along with Get Shorty, Romeo Must Die and other films. More recently, he received acclaim for his role in Spike Lee's Da 5 Bloods in 2018 and has been nominated for an Academy Award for his role as Delta Slim in the Ryan Coogler film, Sinners. In the interview, he discusses his work directing Joe Turner's Come and Gone, as well as his views on directing and acting, and the work of August Wilson. Review of the Streetcar Project's production of Tennessee Williams' “A Streetcar Named Desire” at ACT Toni Rembe Theatre through February 1, 2026.       The post Bookwaves/Artwaves – January 29, 2026: Hershey Felder – Delroy Lindo appeared first on KPFA.

The snow emergency has captured attention; hundreds of millions of raw sewage has spilled into the Potomac River from a pipe break under the American Legion Bridge, which joins Maryland and Virginia. DC Water, which runs the pipe, is working on it, but no local jurisdiction has issued a health advisory. Maryland Governor Wes Moore presented the last budget of his first term. We have takeaways. Montgomery County Board of Education has been considering a written policy on the use of AI in classrooms. We break it down. And more. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.  

Hershey Felder discusses his world premiere stage show, “The PIano and Me,” playing at TheatreWorks Mountain View through February 8, 2026, with host Richard Wolinsky. Over the past three decades, Hershey Felder has been performing one-person plays with his piano accompaniment, focusing on a variety of different composers, including George Gershwin, Leonard Bernstein, Tschaikovsky, Beethoven, Chopin and others. He has also created film versions of these and others, which can be found at his website, hersheyfelder.net. “The Piano and Me” focuses on Hershey Felder's own life, looking at his immigrant family who came to Canada after surviving the Holocaust, and his own education at the piano, from his first teachers to his more formal schooling, to the advent of his very first show, “George Gershwin Alone.” In the interview, Hershey Felder talks about how this show came into being, his preparation for each performance, his work in film, and his view of live theatre today. The post Hershey Felder: “The Piano and Me,” 2026 appeared first on KPFA.

MUSICAL THEATRE WRITING COLLECTIVE: https://www.musicaltheatrewritingcollective.com/mtwc-aboutWant some FREE TIPS???For Writers:Em's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-email—————————————————————————————****GO EVEN DEEPER WITH…****For WRITERS:MUSICAL THEATRE WRITING COLLECTIVE:https://www.musicaltheatrewritingcollective.com/mtwc-aboutLibretto Formatting Guide:https://michaelradi.thrivecart.com/libretto-formatting-guide/Flagship Musical Theatre Writing Workshop Course:https://www.musicaltheatrewritingcollective.com/mt-writing-workshop-courseBook & Beyond Libretto Writing Course:https://www.musicaltheatrewritingcollective.com/book-and-beyond-courseDo you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers? Then check out the collective at the link above!—————————————————————————————One of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e————————————————————————Em Radi (any/all) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, Musical Theatre Writing Coach, Musical Director, and the Founder of the Musical Theatre Writing Collective currently residing in New York City. They are an alumnus of the esteemed Lehman Engel BMI Musical Theatre Workshop as a lyricist, and has written six full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. Em's original one-person show 'S Wonderful: An Evening with George Gershwin also played its premiere production at BVT in 2021. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a queer pop-punk adaptation of Hamlet, and a mother-daughter coming of age musical set in the world of competitive baton twirling, based loosely off of their family's history with the sport.Learn more about Em at their website:http://www.michaelradi.comEm's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Em on…FB: https://www.facebook.com/michael.radi.54IG: @emmy.radi @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on traditional and unceded territory of the Munsee Lenape and Canarsie People.

김송현 씨는 윤이상 콩쿠르 준우승, 리스트 콩쿠르 우승 등 국제 콩쿠르에서 두각을 나타낸 차세대 피아니스트입니다. 193cm의 장신으로 무대 위에서 강한 존재감을 드러내지만, 그의 음악은 작고 조용하며 내밀한 감정에서 출발합니다. 최근 발매한 두 번째 앨범 〈TIMESCAPE 시간의 풍경〉은 피아노 연주를 넘어, 사진 촬영과 글쓰기, 영문 번역까지 모두 직접 완성한 120페이지 분량의 북 앨범(book album)입니다. 1월부터 12월까지 열두 달의 시간을 12곡의 음악과 문장으로 기록하며, ‘시간의 풍경'을 담아냈습니다. 선곡과 연주는 어떻게 이뤄졌는지, 혼자 셔터를 누르고 문장을 고치며 완성해 간 창작 과정은 어땠는지 들어봅니다. 앨범의 주요 수록곡과 함께, 김송현 씨가 자신의 글을 직접 낭독하는 시간도 담았습니다. 글을 쓰고, 곡을 쓰며, 다양한 예술적 관심사를 확장해 가는 피아니스트 김송현. 아름다움을 사랑하고 지켜내는 사람이고 싶다는 그가 나직하게 들려주는 이야기를 만나보세요. ♬ ‘Embraceable You' ？ 조지 거슈윈(George Gershwin), 편곡 얼 와일드(Earl Wild) / 연주 김송현 ♬ ‘Spruce(가문비 나무)' ？ 시벨리우스(Sibelius) Op.75-5 / 연주 김송현 (금호아트홀 제공) ♬ ‘Be My Love' ？ 칸&브로드스키(Kahn & Brodsky), 편곡 키스 자렛(Keith Jarrett) / 연주 김송현 진행 : SBS 김수현 문화전문기자, 이병희 아나운서ㅣ출연 : 피아니스트 김송현ㅣ글·편집 : 김은혜 PD

Al Jolson was a guest on the Bing Crosby program, and made his entrance with this spirited version of George Gershwin's "Swanee." Much more material is in the complete program. The complete broadcast recording, along with other Jolson radio shows circulates on the Official Al Jolson Website at www.jolson.org.

durée : 00:26:08 - " Tip Toes " de George Gershwin, qui célèbre ses 100 ans. - Le 28 décembre 1925, il y a 100 ans, George Gershwin créait "Tip-Toes", un nouveau succès après "Rhapsody in Blue" et "Lady, Be Good!". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

MUSICAL THEATRE WRITING COLLECTIVE: https://www.musicaltheatrewritingcollective.com/mtwc-aboutWant some FREE TIPS???For Writers:Michael's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-email—————————————————————————————****GO EVEN DEEPER WITH…****For WRITERS:MUSICAL THEATRE WRITING COLLECTIVE:https://www.musicaltheatrewritingcollective.com/mtwc-aboutLibretto Formatting Guide:https://michaelradi.thrivecart.com/libretto-formatting-guide/Flagship Musical Theatre Writing Workshop Course:https://www.musicaltheatrewritingcollective.com/mt-writing-workshop-courseBook & Beyond Libretto Writing Course:https://www.musicaltheatrewritingcollective.com/book-and-beyond-courseDo you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers? Then check out the collective at the link above!—————————————————————————————One of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e————————————————————————Em Radi (any/all) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, Musical Theatre Writing Coach, Musical Director, and the Founder of the Musical Theatre Writing Collective currently residing in New York City. They are an alumnus of the esteemed Lehman Engel BMI Musical Theatre Workshop as a lyricist, and has written six full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. Em's original one-person show 'S Wonderful: An Evening with George Gershwin also played its premiere production at BVT in 2021. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a queer pop-punk adaptation of Hamlet, and a mother-daughter coming of age musical set in the world of competitive baton twirling, based loosely off of their family's history with the sport.Learn more about Em at their website:http://www.michaelradi.comEm's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Em on…FB: https://www.facebook.com/michael.radi.54IG: @emmy.radi @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on traditional and unceded territory of the Munsee Lenape and Canarsie People.

'Tis the season to celebrate Christmas with the St. Louis Symphony Orchestra! Peter Henderson (SLSO Principal Keyboard player joins Andy and Sarah to talk about his time with the SLSO, what he loves about playing Christmas programs with the SLSO, what makes these programs so special for the St. Louis community, and the line up for this year's celebration. Learn more about how you can attend at slso.org. -------------------------------------------------------------------------- Handel's Messiah | Joyful Praise Friday, December 12, 7:30 CST Saturday, December 13, 7:30 CST Sunday, December 14, 3:00 CST   Nicholas McGegan, conductor Sherezade Panthaki, soprano Sara Couden, contralto (SLSO debut) John Matthew Myers, tenor Philippe Sly, bass-baritone St. Louis Symphony Chorus | Erin Freeman, director   G.F. Handel's Messiah:   G.F. Handel's Messiah has stood the test of time. Originally written as a retelling of Jesus' life through text compiled from the King James Bible, the oratorio has gained prominence as a holiday favorite, especially the “Hallelujah Chorus.” Nicholas McGegan, one of the world's foremost experts on Handel's music, conducts the SLSO and St. Louis Symphony Chorus in this beloved holiday tradition. Joining McGegan is a quartet of vocal soloists, including soprano Sherezade Panthaki, mezzo-soprano Sara Couden in her SLSO debut, tenor John Matthew Myers, and bass-baritone Philippe Sly.   -------------------------------------------------------------------------- IN UNISON Christmas with the Clark Sisters Thursday, December 18, 7:30 CST Friday, December 19, 7:30 CST   Kevin McBeth, conductor The Clark Sisters, vocals St. Louis Symphony IN UNISON® Chorus | Kevin McBeth, director Repertoire and additional artists announced later. Supported by Bayer Fund.   A beloved holiday tradition for decades, the SLSO and St. Louis Symphony IN UNISON Chorus celebrate the season with soulful melodies of Christmas favorites. This year, the ensembles are  joined by gospel legends the Clark Sisters. This festive concert brings together a beautiful blend of gospel, jazz, and traditional holiday tunes. As a group, the Clark Sisters have won two Grammy Awards and are the highest-selling female gospel group in history. In 2020, the Clark Sisters were honored with the James Cleveland Lifetime Achievement Award at the 35th Annual Stellar Awards. In 2022, the group was inducted into the Black Music & Entertainment Walk of Fame.   -------------------------------------------------------------------------- Mercy Holiday Celebration Saturday, December 20, 2:00pm & 7:30pm CST Sunday, December 21, 2:00pm & 7:30pm CST Tuesday, December 23, 2:00pm CST   Stuart Malina, conductor Kennedy Holmes, vocals St. Louis Symphony Chorus | Erin Freeman, director Repertoire and additional artists announced later. Presented by Mercy.   Experience the magic of the holidays as St. Louis native Kennedy Holmes joins the SLSO to perform seasonal favorites and exciting twists on timeless classics. A cherished tradition, this festive performance promises to fill the air with cheer. From the joyous sounds of sleigh bells to new renditions of beloved tunes, this concert brings the holiday season to life in a way that only the SLSO and hometown favorite Holmes can. Holmes originally rose to fame during season 15 of the NBC hit show “The Voice” and has since performed with the SLSO several times.   -------------------------------------------------------------------------- Home Alone in Concert Saturday, December 27, 2:00pm & 7:00pm CST Sunday, December 28, 2:00pm CST   Joshua Gersen, conductor The St. Louis Children's Choirs | Dr. Alyson Moore, artistic director John Williams Home Alone   A true holiday favorite, this beloved comedy classic features renowned composer John Williams' charming and delightful score performed live by the SLSO. Macaulay Culkin stars as Kevin McCallister, an 8-year-old boy who's accidentally left behind when his family leaves for Christmas vacation and who must defend his home against two bungling thieves. Hilarious and heart-warming, Home Alone is fun for the entire family. The SLSO is joined by the St. Louis Children's Choirs for this holiday treat.   -------------------------------------------------------------------------- New Year's Eve Celebration Wednesday, December 31, 7:30pm CST   Stéphane Denève, conductor Stewart Goodyear, piano   Leonard Bernstein Candide Overture Georges Bizet Selections from L'Arlésienne Jacques Offenbach Excerpts from Gaîté Parisienne Orchestrated by Manuel Rosenthal George Gershwin Rhapsody in Blue Orchestrated by Ferde Grofé George Gershwin An American in Paris Revised by Frank Campbell-Watson   Break out the bubbly and ring in the new year in style with the SLSO's sparkling New Year's Eve Celebration, led by Music Director Stéphane Denève. Denève pays homage to two countries in this rousing program: his native France and his adopted home of the US, concluding with George Gershwin's An American in Paris, capturing the essence of his two home nations. Canadian pianist Stewart Goodyear returns to the SLSO for Gershwin's iconic Rhapsody in Blue. As you grab your morning coffee (and pastry, let's be honest), join hosts Andy Bates and Sarah Gulseth as they bring you stories of the intersection of Lutheran life and a secular world. Catch real-life stories of mercy work of the LCMS and partners, updates from missionaries across the ocean, and practical talk about how to live boldly Lutheran. Have a topic you'd like to hear about on The Coffee Hour? Contact us at: listener@kfuo.org.

Clásicos de Cole Porter y George Gershwin adaptados al portugués por Carlos Rennó en grabaciones de Zelia Duncan ('Eu só me ligo em você'), Caetano Veloso ('Que-de-lindo'), Elza Soares & Chico Buarque ('Façamos'), Tom Zé ('Você é o mel'), Cassia Eller ('Toda vez que eu digo adeus'), Jussara Silveira ('A moça mais vagal da cidade'), Sandra de Sá ('Enfim o amor'), Gilberto Gil ('Um dia de garoa'), Rita Lee ('Bla bla bla'), Jane Duboc ('Adorável você'), Ed Motta ('Ritmo fascinante'), Paula Toller ('Que tome conta de mim') y Erasmo Carlos ('Verão').Escuchar audio

MUSICAL THEATRE WRITING COLLECTIVE: https://www.michaelradi.com/musical-theatre-writing-collectiveWant some FREE TIPS???For Performers:Michael's TOP 10 AUDITION TIPS - https://michael-radi.mykajabi.com/audition-tips-emailFor Writers:Michael's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-email—————————————————————————————****GO EVEN DEEPER WITH…****For PERFORMERS:“The Ultimate Musical Theatre Audition Course”https://www.michaelradi.com/ultimate-musical-theatre-audition-courseFor WRITERS:MUSICAL THEATRE WRITING COLLECTIVE:https://www.michaelradi.com/musical-theatre-writing-collectiveLibretto Formatting Guide:https://michaelradi.thrivecart.com/libretto-formatting-guide/MT Writing Collective Course:https://www.michaelradi.com/musical-theatre-writing-collective-courseDo you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers? Then check out the collective at the link above!—————————————————————————————One of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e—————————————————————————————If you would like to join the Cast and become part of the Musical Theatre Writer Guy community, subscribe to never miss an episode, follow the links below to learn more, and consider becoming a Patreon supporter to help Michael create more content! Cheers!—————————————————————————————Michael Radi (He/Him/His) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, and Musical Director currently residing in New York City. He is an alumnus of the esteemed Lehman Engel BMI Musical Theatre Writing Workshop as a lyricist, and has written four full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. More recently, his original one-man show 'S Wonderful: An Evening with George Gershwin just played its premiere production, also at BVT. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a one-man show soon to be announced, and a family-oriented musical comedy set in the world of competitive baton twirling, based off his family's history with the sport.Learn more about Michael at his website:http://www.michaelradi.comMichael's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Michael on…FB: https://www.facebook.com/michael.radi.54IG: @radimichael @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on traditional and unceded territory of the Munsee Lenape and Canarsie People.

Ein gleitender Klarinettenaufschwung, der sich aus tiefem Grollen in helle Höhe erhebt, eröffnet George Gershwins «Rhapsody in Blue». Dieser markante Einstieg führt direkt in ein Werk, das bis heute als einer der erfolgreichsten Versuche gilt, Jazzidiom und klassische Form miteinander zu verweben. Die Idee zur «Rhapsody in Blue» soll Gershwin auf einer Zugfahrt gekommen sein – das rhythmische Rattern der Schienen inspirierte ihn zu den charakteristischen, energiegeladenen Motiven. Die Uraufführung 1924 wurde prompt zu einem Ereignis: Das Publikum reagierte begeistert auf diese neuartige Mischung aus orchestraler Klangpracht und jazzigem Drive. Annelis Berger bespricht mit der Dirigentin Graziella Contratto und dem Jazzpianisten Hans Feigenwinter fünf Aufnahmen dieses «Klassikers».

Pianists, friends and Interlochen Arts Academy students Helen Nguyen and Kieran Alston brought music of Felix Mendelssohn, John Corigliano and George Gershwin to IPR's Studio A.

MUSICAL THEATRE WRITING COLLECTIVE: https://www.michaelradi.com/musical-theatre-writing-collectiveWant some FREE TIPS???For Performers:Michael's TOP 10 AUDITION TIPS - https://michael-radi.mykajabi.com/audition-tips-emailFor Writers:Michael's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-email—————————————————————————————****GO EVEN DEEPER WITH…****For PERFORMERS:“The Ultimate Musical Theatre Audition Course”https://www.michaelradi.com/ultimate-musical-theatre-audition-courseFor WRITERS:MUSICAL THEATRE WRITING COLLECTIVE:https://www.michaelradi.com/musical-theatre-writing-collectiveLibretto Formatting Guide:https://michaelradi.thrivecart.com/libretto-formatting-guide/MT Writing Collective Course:https://www.michaelradi.com/musical-theatre-writing-collective-courseDo you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers? Then check out the collective at the link above!—————————————————————————————One of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e—————————————————————————————If you would like to join the Cast and become part of the Musical Theatre Writer Guy community, subscribe to never miss an episode, follow the links below to learn more, and consider becoming a Patreon supporter to help Michael create more content! Cheers!—————————————————————————————Michael Radi (He/Him/His) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, and Musical Director currently residing in New York City. He is an alumnus of the esteemed Lehman Engel BMI Musical Theatre Writing Workshop as a lyricist, and has written four full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. More recently, his original one-man show 'S Wonderful: An Evening with George Gershwin just played its premiere production, also at BVT. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a one-man show soon to be announced, and a family-oriented musical comedy set in the world of competitive baton twirling, based off his family's history with the sport.Learn more about Michael at his website:http://www.michaelradi.comMichael's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Michael on…FB: https://www.facebook.com/michael.radi.54IG: @radimichael @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on traditional and unceded territory of the Munsee Lenape and Canarsie People.

MUSICAL THEATRE WRITING COLLECTIVE: https://www.michaelradi.com/musical-theatre-writing-collectiveWant some FREE TIPS???For Performers:Michael's TOP 10 AUDITION TIPS - https://michael-radi.mykajabi.com/audition-tips-emailFor Writers:Michael's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-email—————————————————————————————****GO EVEN DEEPER WITH…****For PERFORMERS:“The Ultimate Musical Theatre Audition Course”https://www.michaelradi.com/ultimate-musical-theatre-audition-courseFor WRITERS:MUSICAL THEATRE WRITING COLLECTIVE:https://www.michaelradi.com/musical-theatre-writing-collectiveLibretto Formatting Guide:https://michaelradi.thrivecart.com/libretto-formatting-guide/MT Writing Collective Course:https://www.michaelradi.com/musical-theatre-writing-collective-courseDo you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers? Then check out the collective at the link above!—————————————————————————————One of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e—————————————————————————————If you would like to join the Cast and become part of the Musical Theatre Writer Guy community, subscribe to never miss an episode, follow the links below to learn more, and consider becoming a Patreon supporter to help Michael create more content! Cheers!—————————————————————————————Michael Radi (He/Him/His) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, and Musical Director currently residing in New York City. He is an alumnus of the esteemed Lehman Engel BMI Musical Theatre Writing Workshop as a lyricist, and has written four full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. More recently, his original one-man show 'S Wonderful: An Evening with George Gershwin just played its premiere production, also at BVT. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a one-man show soon to be announced, and a family-oriented musical comedy set in the world of competitive baton twirling, based off his family's history with the sport.Learn more about Michael at his website:http://www.michaelradi.comMichael's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Michael on…FB: https://www.facebook.com/michael.radi.54IG: @radimichael @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on traditional and unceded territory of the Munsee Lenape and Canarsie People.

Discover how one composer changed American music by blending classical and popular rhythms into an unforgettable sound.

Music: "Wrappin' It Up" (1934); "Wha-Cha-Call 'em Blues" (1925); "D Natural Blues" (1928); "An American in Paris" (1928) (excerpt); “Radio Rhythm” (1931); “Tidal Wave” (1934); "Happy As The Day Is Long" (1934); "Hotter Than 'Ell" (1934); “Wrappin' It Up” (1935); "Down South Camp Meeting” (1934, 1936); "King Porter Stomp" (1932, 1935); "Stealin' Apples" (1936, 1937); "Can You Take It" (1933); "The Stampede" (1937).Composers/Arrangers: Don Redman, Fletcher Henderson, Bill Challis, Horace Henderson, Benny Carter, Nat Leslie, Russ Morgan, Harold Arlen, Fats Waller, George Gershwin, Jelly Roll Morton.

durée : 01:29:00 - « Porgy And Bess », 90 ans - par : Laurent Valière - C'est le 10 octobre 1935 que l'œuvre la plus ambitieuse de George Gershwin, "Porgy and Bess", ouvre à Broadway dans le circuit privé. Échec relatif à sa création, l'œuvre est désormais entrée au répertoire des opéras du monde entier. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Desde Costa Rica, donde el director de orquesta Andrés Salado se encuentra por motivos profesionales, nos comparte reflexiones sobre grandes compositores que, en su momento, cruzaron el Atlántico en busca de inspiración o para compartir su música con el mundo.Antonín Dvořák, por ejemplo, llegó a Estados Unidos con una obsesión clara: descubrir la esencia de la música americana. Y lo hizo escuchando a los pueblos originarios, a los afroamericanos, a las voces que no siempre estaban en los grandes teatros pero sí en la raíz profunda del país. De esa mezcla nació su Sinfonía del Nuevo Mundo, que hoy se interpreta en salas de concierto de todo el planeta.Y si hablamos de inspiración, ¿quién le iba a decir a los parisinos de los años veinte que el claxon de sus taxis acabaría formando parte de una obra de música clásica? Pues eso hizo George Gershwin, que convirtió el bullicio de París en partitura con Un americano en París.Escuchar audio

Jeffrey Biegel is a Spectacular Concert Pianist. He's a Grammy winner and has a remarkable back story. At age three he was barely able to hear or speak, in fact he could hear only vibrations, until he had corrective surgery. This so-called 'reverse Beethoven' phenomenon is at the heart of his commitment to music. In 2025 he premiered three new works including one by Melissa Manchester. In 2021 he premiered a work in honor of former Supreme Court Justice Ruth Bader Ginsburg. He's worked with conductors JoAnn Falletta and Lucas Richman.  He received high praise from Leonard Bernstein who called him “a splendid musician and a brilliant performer." And he's performed music by George Gershwin, Duke Ellington, Keith Emerson and Neil Sedaka.My featured song is “New York City Groove”, from the album Made In New York by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JEFFREY:www.jeffreybiegel.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Laura Jackson, Reno Phil music director and conductor, and Mark Clague, musicologist and professor at the University of Michigan, speak with Chris Morrison about the opening concerts of the Reno Phil's 2025-26 Classix Season, “American Masters,” on October 11 and 12, 2025. The concerts include the Piano Concerto in One Movement by Florence Price and Rhapsody in Blue by George Gershwin, both with piano soloist Michelle Cann, as well as two pieces by Aaron Copland, Fanfare for the Common Man and the orchestral suite from the ballet Appalachian Spring.

Today's show features music by George Gershwin and B.B. King

This Day in Legal History: John Jay CommissionedOn September 26, 1789, John Jay was commissioned as the first Chief Justice of the United States, marking a foundational moment in the establishment of the American judiciary. Nominated by President George Washington and swiftly confirmed by the Senate, Jay took the helm of the newly formed Supreme Court just one day after the Judiciary Act of 1789 was signed into law. His appointment signaled the beginning of the federal judiciary as a coequal branch of government under the U.S. Constitution.Jay was already a prominent figure in American political life, having served as President of the Continental Congress, co-author of The Federalist Papers, and Secretary for Foreign Affairs under the Articles of Confederation. As Chief Justice, he led a court that initially had little authority or docket, with its first session delayed until February 1790 due to logistical difficulties and lack of cases.Despite the Court's limited power at the time, Jay helped lay the groundwork for its future role. In Chisholm v. Georgia(1793), Jay authored an opinion asserting federal judicial authority over state governments, a controversial stance that ultimately led to the adoption of the Eleventh Amendment. His tenure also saw diplomatic service; while still Chief Justice, he negotiated the Jay Treaty with Great Britain in 1794 to resolve lingering post-Revolutionary War disputes.Jay resigned in 1795 after being elected Governor of New York and declined a later offer from President John Adams to return to the bench. His brief but influential time as Chief Justice helped define the legitimacy and independence of the U.S. Supreme Court.The U.S. Department of Justice indicted former FBI Director James Comey, escalating what critics describe as President Donald Trump's campaign of retribution against political adversaries. Comey faces two charges: making false statements to Congress and obstructing a congressional proceeding, stemming from his 2020 Senate testimony in which he denied authorizing anonymous leaks related to an FBI investigation. The indictment claims he actually did authorize such disclosures. However, the charges are notably sparse, lacking detailed supporting facts or corroborating evidence typically included in indictments of this gravity.The case has drawn intense scrutiny within the Justice Department. Prosecutors in the Eastern District of Virginia reportedly advised against filing charges due to insufficient evidence, and the district's top prosecutor resigned last week after expressing concern about political interference. Tensions escalated when U.S. Attorney Lindsey Halligan—formerly Trump's defense attorney—personally presented the case to the grand jury, an unusual move suggesting top-level involvement. Notably, the grand jury declined to indict Comey on a third proposed charge, highlighting doubts about the prosecution's strength.Legal experts and former officials, including Obama-era ethics advisor Norm Eisen, have condemned the indictment as politically motivated. Comey maintains his innocence and says he welcomes a trial. Members of his family, including his son-in-law and daughter, have faced professional consequences, which Comey's supporters view as further evidence of political targeting. The charges represent a sharp departure from norms intended to shield law enforcement from partisan use.Former FBI chief Comey charged as Trump ramps up campaign against critics | ReutersA federal judge in California has preliminarily approved a $1.5 billion class action settlement between authors and the AI company Anthropic, marking a major development in the legal battles over generative AI's use of copyrighted materials. U.S. District Judge William Alsup described the agreement as fair during a Thursday hearing, though final approval is still pending. Authors Andrea Bartz, Charles Graeber, and Kirk Wallace Johnson brought the lawsuit, accusing Anthropic of training its AI assistant Claude using millions of pirated books without permission.This settlement is the first in a growing wave of lawsuits targeting companies like OpenAI, Meta, and Microsoft for allegedly infringing on creators' rights through large-scale data scraping to train AI models. Although Alsup had previously ruled that some of Anthropic's training practices fell under fair use, he determined the company crossed the line by storing more than 7 million pirated books in a centralized database not strictly tied to AI training.The judge had initially hesitated to approve the deal and demanded further clarification from both sides, but now appears inclined to allow it to proceed to the notification stage for affected authors. If finalized, the agreement could signal a broader shift toward holding AI developers financially accountable for unauthorized content use. Publishing industry leaders have praised the development as a step toward curbing what they see as systemic, unchecked copyright violations in AI development. Anthropic, meanwhile, emphasized its commitment to safe and responsible AI.US judge preliminarily approves $1.5 billion Anthropic copyright settlement | ReutersKathryn Nester, a seasoned Utah criminal defense attorney and former top federal public defender, has been appointed to represent Tyler Robinson, the man accused of fatally shooting conservative activist Charlie Kirk during a Utah Valley University event on September 10. The state is seeking the death penalty against Robinson, who faces a charge of aggravated murder.Nester has a history of representing clients in high-profile and controversial cases. She previously defended Lyle Jeffs, a fugitive leader of a polygamous sect convicted of food stamp fraud, and John Earnest, the gunman in the 2019 Poway synagogue shooting, before stepping down due to a conflict of interest. She also defended a Utah doctor accused of destroying COVID-19 vaccines—a case later dropped—and is currently representing Kouri Richins, a children's author now charged with poisoning her husband.Her firm, Nester Lewis, has strong ties to Utah's federal public defense system. Her partner, Wendy Lewis, once represented Brian David Mitchell, the man convicted in the kidnapping of Elizabeth Smart. Robinson's case is expected to cost Utah County at least $750,000 for the defense alone, with over $1.3 million budgeted for the total prosecution and defense efforts.Robinson's next court appearance is scheduled for Monday. Nester has declined public comment on the case.Attorney representing Charlie Kirk's accused killer is former top public defender | ReutersThis week's closing theme is by George Gershwin.Born on September 26, 1898, George Gershwin occupies a unique place in American music history—standing at the intersection of classical composition, jazz improvisation, and Broadway flair. Raised in Brooklyn to Russian-Jewish immigrant parents, Gershwin began his musical life on the piano and quickly showed an uncanny ability to absorb and reshape the sounds of his time. Though he composed everything from operas to show tunes, it was Rhapsody in Blue, written in 1924 when he was just 25, that cemented his legacy.Commissioned by bandleader Paul Whiteman for a concert intended to bridge classical and popular music, Rhapsody in Blue was composed in a rush—famously sketched out on train rides and completed with the help of orchestrator Ferde Grofé. The piece opens with its iconic clarinet glissando, a spontaneous flourish during rehearsal that Gershwin decided to keep, and unfolds into a sweeping blend of jazz rhythms, bluesy melodies, and symphonic ambition. It captured something distinctly American—urban, restless, full of promise.Rhapsody in Blue premiered at Aeolian Hall in New York on February 12, 1924, with Gershwin himself at the piano. The audience included titans like Sergei Rachmaninoff and Jascha Heifetz, and the piece earned immediate acclaim. Though critics at the time debated whether it was truly “serious” music, it has since become a cornerstone of 20th-century composition and a symbol of American cultural identity.For Gershwin, Rhapsody in Blue was not a departure from classical form but a statement that American music—jazz, blues, Tin Pan Alley—deserved a place in the concert hall. More than a century later, it remains as fresh and vibrant as the city that inspired it.Without further ado, George Gershwin's Rhapsody in Blue, the first movement–enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Episode Description Join host Buzz Knight for an intimate and inspiring conversation with singer-songwriter Alexa Ray Joel, daughter of music legend Billy Joel. In this heartfelt episode, Alexa Ray opens up about her journey to establish her own unique musical identity while honoring her family’s incredible legacy. From her latest EP “Tales from a Winding Tower” and its innovative “waterfall release” strategy to her diverse musical influences spanning Randy Newman, Joni Mitchell, and George Gershwin, Alexa Ray shares the stories behind her authentic songwriting process. She discusses the challenges and triumphs of building a career in the music industry while carrying a famous name, revealing the resilience and dedication that drive her artistry. Listeners will gain insight into Alexa Ray’s creative process, her approach to authentic storytelling through music, and her deep respect for musical legends past and present. The episode concludes with her dream walk companion choice - the iconic Billie Holiday - offering a glimpse into the artists who continue to inspire her work. Whether you’re discovering Alexa Ray Joel for the first time or you’re already familiar with her music, this conversation provides a window into the heart and mind of an artist determined to make her own mark on the world. Show Notes Guest: Alexa Ray Joel - Singer-songwriter, pianist Key Topics Discussed: • Musical Identity & Legacy • Carving out her own artistic path separate from Billy Joel’s influence • The balance between honoring family legacy and establishing independence • Navigating industry expectations and public perception • “Tales from a Winding Tower” EP • Creative process behind the latest release • Innovative “waterfall release” strategy - releasing songs individually • The artistic vision behind each track • Musical Influences & Inspirations • Randy Newman’s storytelling approach • Joni Mitchell’s lyrical depth • George Gershwin’s compositional brilliance • Billy Joel’s impact on her musicianship • Songwriting & Creative Process • The importance of authenticity in music creation • Emotional honesty in songwriting • Raw, organic approach to developing new material • Industry Insights • Challenges of establishing credibility in the music business • Building a career while managing family name recognition • Resilience and persistence in pursuing artistic goals • Dream Walk Segment • Alexa Ray’s choice: Billie Holiday • Discussion of Holiday’s lasting influence on jazz and popular music Notable Quotes: • Insights on finding her own voice as an artist • Reflections on authenticity in music • Thoughts on resilience in the entertainment industry Music History is full of hidden connections, just like everything else worth understanding. If you're someone who can't help dig deeper, Claude is for you. We are grateful for Claude's support of the "Takin ' A Walk" podcast and we invite you to try Claude for free at Claude.ai/buzz Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Episode Description Join host Buzz Knight for an intimate and inspiring conversation with singer-songwriter Alexa Ray Joel, daughter of music legend Billy Joel. In this heartfelt episode, Alexa Ray opens up about her journey to establish her own unique musical identity while honoring her family’s incredible legacy. From her latest EP “Tales from a Winding Tower” and its innovative “waterfall release” strategy to her diverse musical influences spanning Randy Newman, Joni Mitchell, and George Gershwin, Alexa Ray shares the stories behind her authentic songwriting process. She discusses the challenges and triumphs of building a career in the music industry while carrying a famous name, revealing the resilience and dedication that drive her artistry. Listeners will gain insight into Alexa Ray’s creative process, her approach to authentic storytelling through music, and her deep respect for musical legends past and present. The episode concludes with her dream walk companion choice - the iconic Billie Holiday - offering a glimpse into the artists who continue to inspire her work. Whether you’re discovering Alexa Ray Joel for the first time or you’re already familiar with her music, this conversation provides a window into the heart and mind of an artist determined to make her own mark on the world. Show Notes Guest: Alexa Ray Joel - Singer-songwriter, pianist Key Topics Discussed: • Musical Identity & Legacy • Carving out her own artistic path separate from Billy Joel’s influence • The balance between honoring family legacy and establishing independence • Navigating industry expectations and public perception • “Tales from a Winding Tower” EP • Creative process behind the latest release • Innovative “waterfall release” strategy - releasing songs individually • The artistic vision behind each track • Musical Influences & Inspirations • Randy Newman’s storytelling approach • Joni Mitchell’s lyrical depth • George Gershwin’s compositional brilliance • Billy Joel’s impact on her musicianship • Songwriting & Creative Process • The importance of authenticity in music creation • Emotional honesty in songwriting • Raw, organic approach to developing new material • Industry Insights • Challenges of establishing credibility in the music business • Building a career while managing family name recognition • Resilience and persistence in pursuing artistic goals • Dream Walk Segment • Alexa Ray’s choice: Billie Holiday • Discussion of Holiday’s lasting influence on jazz and popular music Notable Quotes: • Insights on finding her own voice as an artist • Reflections on authenticity in music • Thoughts on resilience in the entertainment industry Music History is full of hidden connections, just like everything else worth understanding. If you're someone who can't help dig deeper, Claude is for you. We are grateful for Claude's support of the "Takin ' A Walk" podcast and we invite you to try Claude for free at Claude.ai/buzz Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

On tonight's show: George Gershwin, Havanola Artie Shaw, I've Got a Crush on You Buddy Greco, How Long Has This Been Going On Frank Morgan with Gigi Gryce, Embraceable You Frank Sinatra, I Got Plenty O' Nuttin' Hadda Brooks, Rhapsody in Blue Eddie "Lockjaw" Davis, But Not for Me Aretha Franklin, It Ain't Necessarily So Stuff Smith, Somebody Loves Me Ella Fitzgerald, That Certain Feeling Pete Fountain, I Got Rhythm Pearl Bailey, Summertime Etta Jones, They Can't Take That Away from Me Stanley Turrentine, Someone to Watch Over Me

Juliet Ewing is rapidly becoming known as an exciting, masterful interpreter of the Great American Songbook. Equally at home in jazz clubs and on concert stages, she is following in the footsteps of Ella Fitzgerald and Peggy Lee in that she can swing when she so desires, yet always stays connected to the rich and musically diverse songbook singing tradition that these great ladies of song exemplified. Fun yet elegant, Juliet enjoys singing the full spectrum of popular song, from the musical chestnuts of George Gershwin and Cole Porter to the contemporary stylings of Sting, Laufey, and Sade. Perhaps the word that best exemplifies Juliet's artistry is “timeless.” Juliet regularly performs as a soloist or with her trio “The Juliet Set” in and around NYC in jazz clubs and private events. marked by a golden voice that resonates with warmth and clarity, captivating audiences with every note. On September 12, she released her album Simply 'S Wonderful-The Magic of Gershwin.

Excerpt of the September 8, 1937, Memorial Concert to George Gershwin with George Jessel and Al Jolson. This brief excerpt of the two hour program includes Jessel's eulogy of Gershwin, and Jolson's performance of Gershwin's first, and greatest, hit, "Swanee," which he sang without whistling. An edited version of this long show circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

On January 3, 1924, 25-year-old George Gershwin was shooting pool in a Manhattan billiard hall when his brother Ira Gershwin read aloud a shocking newspaper article: "George Gershwin is at work on a jazz concerto." There was just one problem—George had never agreed to write any such piece.What happened next would change American music forever. In just five weeks, the son of Russian-Jewish immigrants raced to compose what would become "Rhapsody in Blue," breaking down the barriers between popular music and the concert hall. From that snowy February night at Aeolian Hall to today's reinterpretations by contemporary artists, this is the story of how a newspaper lie became a masterpiece—and how one young composer captured the sound of Jazz Age New York in music.Featuring original audio clips of George Gershwin, Ira Gershwin, and orchestrator Ferde Grofé, plus the historic 1924 recording of the premiere performance.The Bowery Boys podcast is supported by Founded by NYC, celebrating New York City's 400th anniversary in 2025.This show was edited by Kieran Gannon

In the mid-1920s, Maurice Ravel wrote a letter to the legendary composition teacher Nadia Boulanger. Boulanger's class was a mecca for composers, both young and old, and musicians from all over the world vied to study with her. But Ravel's letter wasn't on his own behalf. Instead, he urged Boulanger to take on a young student whom Ravel himself had declined to teach. He wrote: "There is a musician here endowed with the most brilliant, most enchanting, and perhaps the most profound talent: George Gershwin. His worldwide success no longer satisfies him, for he is aiming higher. He knows that he lacks the technical means to achieve his goal. In teaching him those means, one might ruin his talent. Would you have the courage, which I wouldn't dare have, to undertake this awesome responsibility?" Boulanger also declined to take Gershwin as a student, fearing, like Ravel, that she might damage his spontaneity and dynamic jazz sensibility. Whether or not the famous story is true (that Ravel turned down Gershwin's request to study with him by saying, “Why be a second-rate Ravel when you are a first-rate Gershwin?”) we may never know. But the two composers were friendly, and formed something of a mutual admiration society. Today, in this fourth collaboration with G. Henle Publishers in honor of their Ravel and Friends project, we're going to explore the connections between these two great composers: their friendship, their mutual influence, and the profound ways jazz infused itself into Ravel's music, particularly in his Violin Sonata and Piano Concerto in G. From the moment he discovered it, Ravel adored jazz, and like many French composers of the time, allowed its influence to permeate his work in ways both explicit and subtle. Join us!  

The ultimate musical showdown: jazz vs classical. We bring in conductor Josh Weilerstein from the Sticky Notes podcast to compare, contrast and find the common ground among these two very different schools of music. From Duke Ellington's swinin' take on Peer Gynt to George Gershwin's Rhapsody in Blue, we explore the tunes and the musicians blurring the line between jazz and classical. Josh, Adam and Peter each bring their own picks to the conversation, and have the best time breaking it all down.Nerdy? Extremely. Snobby? A little. Fun? Heck yeah!In this episode you'll hear:- Ravel's Piano Concerto in G Major: Herbie Hancock vs the Cleveland Orchestra- How Duke Ellington made classical standards swingin'- Why Bartók matters to modern music - Two very different interpretations of Rhapsody In Blue- Brubeck's Blue Rondo à la Turk: no improv, still loose- Miles Davis and Gil Evans doing Adagio