Podcast appearances and mentions of eric dyer

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Reoccurring guest Eric has bought the rights. We have sold all of our Bagels. This is now The Eric Dyer Show

Crossing the halfway point in our miniseries is Hunt for the Wilderpeople, the 2016, Taika Watiti directed comedy. We've got our wonderful friend Eric back on the show to discuss the story of two unlikely companions on the run in the wilderness. Heartfelt source material leads to one of the most heated episode endings in Bagel Boys history; you don't want to miss it!

Join us to hear Eric's story and the unique challenges with recovery during the holiday season. Only on Airing Addiction!

Welcome back to the Bagel Boy's Pitt List. This is the ninth movie we are covering in our actors series and we couldn't be more excited! We have our long time friend Eric joining us on both audio and video versions of the show. We talk about the 2013 zombie flick World War Z, as well as some other highlights from The Pitt List. Enjoy!

Childlike Prayer

Artist Eric Dyer spent years working at a computer to produce images for the screen. Longing to get his hands back on his work, he began exploring the zoetrope, a popular 19th-century device that was used to create the illusion of motion long before the arrival of film. In this vibrant talk, he showcases his resulting art inventions: spinning sculptures and that evoke beautiful, dreamlike scenes. (Warning: This talk includes flashing images and lights. Those who are photosensitive or have seizures trigged by strobes are advised to avoid.)

예술가 에릭 다이어는 수년간 컴퓨터로 영화 이미지 제작을 하였습니다. 애니메이션 제작을 그리워하던 그는 19세기 필름이 상용화되기 전에 대중적이던 조이트로프의 탐구를 시작하였습니다. 에릭은 이번 강연에서 자신의 창작품인 회전하는 조형물을 통해 아름답고 꿈결 같은 장면을 여러분께 선사합니다. (경고, 이 영상은 번쩍이는 이미지와 불빛이 포함되어 있습니다. 빛에 민감하거나 광발작 증세가 있는 분들은 시청을 삼가세요.)

Der Künstler Eric Dyer verbrachte Jahre damit, an einem Computer Bilder für den Bildschirm zu produzieren. Getrieben von der Sehnsucht, wieder richtig zu arbeiten, begann er, den Zoetrop zu erkunden, ein populäres Gerät aus dem 19. Jahrhundert, das lange vor der Ankunft des Films genutzt wurde, um die Illusion von Bewegung zu erzeugen. In diesem dynamischen Vortrag zeigt er seine daraus entstandenen künstlerischen Erfindungen, die wunderschöne traumähnliche Szenen heraufbeschwören. (Warnung: Dieser Vortrag beinhaltet blinkende Bilder und Lichter. Zuschauern, die lichtempfindlich sind oder zu Anfällen neigen, die durch Blitzlichter ausgelöst werden, wird geraten, sich den Vortrag nicht anzusehen.)

O artista Eric Dyer passou anos trabalhando em frente a um computador para criar imagens para as telas. Desejando voltar a mexer com as mãos em seus trabalhos, começou a explorar o zootropo, uma ferramenta popular no século 19 que era usada para criar a ilusão de movimento bem antes do filme surgir. Nesta palestra vibrante, ele mostra o resultado de suas intervenções artísticas: esculturas que giram e invocam lindas imagens que parecem um sonho. (Aviso: Essa palestra inclui imagens piscando e luzes. Aqueles que têm ataques de epilepsia fotossensível são aconselhadas a evitar assistir.)

Artiste, Eric Dyer a passé des années assis devant son ordinateur pour reproduire des illustrations pour les écrans. Sa recherche artistique l'a conduit à explorer le zootrope, un engin populaire au 19ème siècle utilisé pour créer l'illusion du mouvement bien avant l'arrivée du film. Avec éloquence, il nous présente ses inventions artistiques : des sculptures en forme de manège qui évoquent des scènes féériques. Attention : cette présentation contient des images avec des flashs lumineux. Elle n'est pas recommandée aux personnes sujettes aux crises épileptiques photosensibles suscitées par les effets stroboscopiques.

El artista Eric Dyer pasó años en una computadora trabajando para producir imágenes para la pantalla. Deseoso de volver a ponerse manos a la obra, comenzó a explorar el zoótropo, un aparato popular del siglo XIX que se usaba para crear la ilusión de movimiento mucho antes de la llegada del cine. En esta charla vibrante presenta las invenciones artísticas que resultaron de ello: esculturas giratorias que evocan hermosas escenas oníricas. (Advertencia: esta charla contiene imágenes y luces intermitentes. Se recomienda evitar esta charla quienes sean sensibles a la luz o tengan convulsiones provocadas por luces estroboscópicas).

Movement Research Studies Project: We Came To This City To Shit On A Stage Adrienne Truscott With Panelists: Sara Beesley of Joe's Pub, Eric Dyer of Radiohole, Vallejo Gantner of PS122, performer/choreographer/curator Colin Self, and choreographer/performer Gillian Walsh. Gibney Dance Center, December 3, 2013 as part of the Movement Research Festival Fall 2013 “Le Song, Ya?!” curated by Adrienne Truscott and Jibz Cameron aka Dynasty Handbag The conversation revolved around the following question: "How do we make, define, and notice 'transgressive' art in a city whose identity, economy and landscape are increasingly manicured, welcoming, mainstream, highly visible and inaccessible?"

Nature Theater of Oklahoma talks to Eric Dyer of the Brooklyn-based performance group Radiohole about play and playfulness, artist and ensemble.  How far out, to the extreme edge of failure, are we willing to push ourselves and our work in order to try and stay “wild”?  Does our willingness to embrace failure and be more courageous hinge in part on our ability to trick ourselves into crafting a more playful relationship to the audience, curators, and funders that we hope will eventually embrace that work?