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Join "Dance Talk” ® with Joanne Carey and special guest Anna SperberIn this episode of "Dance Talk” ® , host Joanne Carey interviews choreographer Anna Sperber, who shares her journey into the world of dance, her education, and her artistic identity. They discuss her upcoming piece 'Beacons' at the American Dance Festival, the role of the audience in dance, and the creative process behind choreography. Sperber reflects on the influence of motherhood and Martha Graham on her work, the importance of somatics, and her initiative 'Class, Class, Class' aimed at fostering new teaching talent. The conversation culminates in her thoughts on receiving the Bessie Award and her excitement about returning to ADF.Anna Sperber is a Brooklyn-based choreographer and performer. Her work has been described by The New York Times as “immediately compelling” and “wonderfully strange” with “moments of theatrical magic.” Her performances are rooted in the poetic potency of choreography and its potential for perceptual transformation, embodying a tension between formality and chaotic wildness.Sperber received a 2022 New York Dance and Performance “Bessie” award for Outstanding Choreographer / Creator for Bow Echo (2021). Her work has been presented and commissioned by The Kitchen, The Joyce Theater UNLEASHED Series, The Chocolate Factory, Baryshnikov Arts Center, Roulette, Gibney Dance, and Dance Theater Workshop in New York City, as well as by the American Dance Festival in Durham, NC. Sperber has received fellowships and residencies at MacDowell, Yaddo, Bogliasco Foundation in Bogliasco Italy, the Marble House Project, as a Schonberg Fellow at Dance The Yard, Dance Initiative in Carbondale Colorado, Center for Performance Research, Gibney Dance DiP (Dance in Process), Brooklyn Arts Exchange, Lower Manhattan Cultural Council, and Movement Research. Her work has been supported by New Music USA Live Music for Dance, Mertz Gilmore Foundation, The Jerome Foundation, and Brooklyn Arts Council, Cafe Royal Cultural Foundation, and a 2025 NYSCA Grant to Individual Artists. Sperber has collaborated extensively with esteemed experimental composers and live musicians as well as visual designers in New York City. These interdisciplinary collaborations are crucial to the integration of visual and sonic landscapes with the moving body in her work. As a performer, she has worked with many New York-based choreographers including luciana achugar and Juliette Mapp.Sperber was a co-founder of classclassclass, designed to nurture new dance teachers while offering reduced class rates, and has taught as a guest artist at American Dance Festival, Movement Research, Freeskewl, Gibney Dance, Hunter College, George Washington University, and Wayne State University. Sperber founded and ran BRAZIL, a studio and intimate performance space in Bushwick, Brooklyn from 2004 to 2014 and Sunset Space from 2019-2020. More about Annahttps://www.annasperber.com/See the performance at American Dance Festivalhttps://americandancefestival.org/event/anna-sperber/2025-06-25/“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Brenna Mosser (she/her) is a dance artist based in Minneapolis, MN. She seeks to illuminate the awe in her surroundings by sculpting falls, stumbles, and asymmetries gracefully. She spent two years in the Conservation Corps of Minnesota and Iowa, where she faced the reality of climate change and has since dedicated her work to dissect and digest this crisis with her community.She earned her bachelor's in dance performance at the Trinity Laban Conservatoire of Music and Dance in London, UK. She supplemented her degree at le Centre national de la danse Contemporaine in Angers, France where she spent two years learning intensively from world-renowned dance companies and their artists. There, she earned an L3 licence in dance performance and in arts management. Brenna founded founded Analog Dance Works in 2019, a dance company whose mission is to explore the intersection between dance and science through choreographic works and roundtable discussions. Alongside Analog, she currently dances for Threads Dance Project, Ruby Josephine Dance Theater, 43x94 Movement Research, and Zoë Koenig.
International Arrivals speaks with artist Christhian C. Diaz Silva (Colombia/USA) (https://christhiandiaz.com/) about his recent performance at Movement Research and his path from cleaning offices with his mother to his life as an interdisciplinary artist, educator, and legal immigration advocate.
Clare Maxwell is a former professional dancer and choreographer turned certified Alexander Teacher and Somatic Movement Coach. She helps professionals and performers to feel more fully at ease in their bodies.Clare serves on the Somatics Faculty of Movement Research, a well-known NYC dance organization. An innovator in movement education and online learning, Clare has taught dance and the Alexander Technique in colleges, universities, hospitals and the NYC public school system. Clare has a lively practice in NYC and online worldwide.www.embodiedlearningsystems.com
We catch up with the crazy smart and super fit Stacy Lerum who will be competing and semifinals for the 3rd year in a row. This year she comes in seeded within the top 10 and is ready to take her shot at a Games position.00:00 Intro 01:26 Progress & Changes03:50 Training Think Tank Programming & Coach Perrin09:18 Career - Super Cool Job12:14 Semifinals 2023: Next Steps 15:51 Confidence with Gymnastics Movements17:12 Looking Ahead to Semifinals 2024 Workouts 21:16 Growth as an Athlete 23:00 Heading to Carson & Looking Back24:50 Comparison vs Drama / Mental Clarity27:51 Quarterfinals: Penalties34:19 Wrapping Up
Today marks an exciting chapter for the Science of Fitness Podcast as we welcome our first ever external guest to the show!In this episode Kieran Sits down with PhD Candidate @Megdoohan to discuss all things women's health. Meg's research is based on women's health - in particular the effect of heat on cognitive performance during specific phases of a woman's menstrual cycle.Key topics discussed include: The limitations of existing research, particularly within women's health. Female athlete injuries and mechanisms behind them. The SOF Women's health program.Addressing women's health within an exercise program.
The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the core components of the program where graduate students work with guest artists and develop performance experiments. Nile Harris is interviewed by Chisom Awachie (SLC'23)and Marisa Conroy (SLC'23)and produced by Chisom Awachie (SLC'23) Nile Harris is a performer and a director of live works of art. His work has been presented at the Palais de Tokyo, Under the Radar Festival (Public Theater), The Watermill Center, Volksbühne Berlin, Prelude Festival, Bronx Academy of Arts and Dance, Otion Front Studio, and Movement Research at Judson Church. His work has been supported by Pepatián, Foundation for Contemporary Art, Abrons Arts Center, YoungArts, and Brooklyn Arts Exchange. He is currently a resident of the Devised Theatre Working Group at the Public Theater/Under the Radar Festival under the leadership of Mark Russell. He has worked extensively as a performer originating roles in works by various artists including Jaamil Olawale Kosoko, 600 HIGHWAYMEN, Bill Shannon, Robert Wilson, Nia Witherspoon, Lilleth Glimcher, Malcolm Betts X, and Miles Greenberg in venues including New York Live Arts, Museum of Modern Art, Tanz im August, The Walker Art Center, EMPAC, Danspace Project, Superblue, Stanford Live, Dublin Theatre Festival, and MESS Festival. Photo by Chloé Bellemère
The Dumbest Natural Movement Research EVER – The MOVEMENT Movement with Steven Sashen Episode 169 with Sarah Ridge Sarah Ridge is an assistant professor of Physical Therapy in the Department of Rehabilitation Sciences at Brigham Young University. Her expertise is in biomechanics, specifically biomechanics of lower extremities during activities such as walking, running, jumping, and landing. To perform research in this area, she uses a variety of kinematic and kinetic measurement tools including 2d and 3d video motion analysis, force plates and other custom force transducers, and inertial measurement units. Recent research projects include gaining understanding about the movement of the foot and the role of foot muscles, the effect of footwear on lower extremity mechanics, and the use of inertial measurement units to quantify athletic activity. Dr. Ridge teaches Biomechanics and is involved in the research series in the Doctor of Physical Therapy program. She appreciates collaboration with other faculty, students, and clinicians from a variety of areas. Listen to this episode of The MOVEMENT Movement with Sarah Ridge about the dumbest natural movement research EVER. Here are some of the beneficial topics covered on this week's show: - How using both sides of your body makes you more adaptable when out in public. - Why you might want to pay attention to how you tie your shoes. - How Dr. Ridges research isn't stupid, but it should be obvious. - Why your feet will get stronger when used properly. - How wearing minimalist shoes has been scientifically proven to make your foot muscles bigger. Connect with Steven: Website Xeroshoes.com Jointhemovementmovement.com Twitter@XeroShoes Instagram@xeroshoes Facebookfacebook.com/xeroshoes
In Episode 6, Artist Arena Podcast Host Angelica DeLashmette Hurst interviews one of her long time dance artist friends, Katie Burks, about her experience receiving her MFA degree in choreography abroad in London. As it turns out, the definition of concert dance is very different from how we understand it here in America once you cross the Atlantic Ocean. We talk about Katie's brief time in New York City and why she left - we think its time to debunk the often held assumption that moving to the city that never sleeps is a right of passage for every dancer! We talk about making the decision to get a Master's degree in dance, what you should research and consider before applying to a graduate program, and we share some laughs and memories along the way!
Dr. Ryan Graham, Associate Professor at the University of Ottawa, discusses his research on the use of machine learning and dynamical systems tools for the evaluation of movement quality and movement screening. As co-chair of the upcoming NACOB conference, Dr. Graham further shares important updates and information about the conference program and Ottawa as the host city.
Today's guest is Colleen Thomas. Colleen is a New York-based choreographer, scholar, teacher, and performing artist. She is the director of Colleen Thomas Dance, co-director of Bill Young/Colleen Thomas Co., and co-curator for LIT (loft into theater). She began her professional career with the Miami Ballet and went on to work with renowned contemporary choreographers such as The Kevin Wynn Collection, Nina Wiener Dance Company, Donald Byrd/The Group, Bebe Miller Dance Company, and Bill T. Jones/Arnie Zane Dance Company, among others. Her work has been seen throughout the United States as well as in Europe, Asia, and South America and has been presented in NYC at Danspace Project, Movement Research at Judson Memorial Church, Dance Theatre Workshop/New York Live Arts, and La MaMa MOVES! Dance Festival, to name just a few. She is currently a Professor of Professional Practice at Barnard College of Columbia University. For more on this podcast: Movers & Shapers: A Dance Podcast
Hillary and Tina interview artist, writer, and podcaster, Maya Gurantz. Maya Gurantz is an artist and writer whose work interrogates social imaginaries of American culture, and how constructions of gender, race, class, and progress operate in our shared myths, public rituals, and private desires. Maya's videos, performances, installations, and social practice projects have been shown and commissioned by (solo): Museum of Contemporary Art Denver, the Grand Central Art Center, Catharine Clark Gallery, Greenleaf Gallery, Pieter PASD; (group) the Museum of Contemporary Art Utah, Angels Gate Cultural Center, the Oakland Museum of California, Beaconsfield Gallery Vauxhall, Navel LA, Art Center College of Design, The Goat Farm Atlanta, The Great Wall of Oakland, High Desert Test Sites, Autonomie Gallery, and Movement Research at Judson Church, among others. She is the recipient of the inaugural Pieter Performance Grant for Dancemakers and an Artist Residency at the McColl Center For Art + Innovation. Maya is a regular contributor to The LA Review of Books (where her essay, Kompromat, was the most-read article of 2019), and has written for This American Life, The Frame at KPCC, The Awl, Notes on Looking, Avidly, Acid-Free, Baumtest Quarterly, RECAPS Magazine, and an anthology, CRuDE, published by the École Nationale Supérieure d'Art, Bourges. She co-translated Be My Knife and Someone to Run With by Israeli novelist David Grossman. In 2018 she received a grant from the UC Humanities Research Institute for “Out of the Archive,” an ongoing project making archives more widely accessible to citizen-researchers. She co-hosts the culture and politics podcast, The Sauce. For show notes and links to our sources, please click here (https://themuckpodcast.fireside.fm/articles/lmep33notes). Special Guest: Maya Gurantz.
In this episode, dancer, choreographer, and movement teacher Paul Singh joins us to share about his experiences in the movement form of contact improvisation (CI). Paul first studied dance at the University of Illinois and began dancing contact improv in New York City. He's taught CI around the world and led movement classes for Movement Research, Sarah Lawrence College, and Julliard. A creative force, Paul has deep and insightful shares about what it means to move and be moved, be totally and radically present in the moment, and create space for ourselves and others in the dance and in our lives.In this episode we discuss: Paul's background and upbringing in Illinois Why Paul switched from a pre-med to music to dance track in college What contact improvisation (CI) is and why it's different from other movement formsBringing identity into the dance and CI spacesThe healing aspects of CI and renegotiating where you are in relationship to others at all timesWhat it means to be "advanced" and what deep listening has to do with itThe intersection of CI and queer studiesEmbodiment and being patient enough to fall into the bodyHow CI teaches us about tuning into our needs and desiresWhat RuPaul's Drag Race and Buddhist texts have in commonPractical tools for embodiment in daily lifeContact Improv and taking on the worldLinks and Resources: Paul on IG: @paulsinghdanceMay You Live Well on IG: @mayyoulivewellPeaceable Barn StudioLeviathan StudioPaul dancing CI at the Judson Church
Benedict Nguyen is a writer, dancer, and curator based on occupied Lenape and Wappinger lands (South Bronx, NY). Benedict's poetry has appeared or is forthcoming in AAWW's the Margins, Flypaper, and PANK. Their fiction writing was supported by an AWP Writer to Writer Mentorship in 2017. They're at work on a novel. Their criticism has appeared in the Brooklyn Rail, Shondaland, the Establishment, and Culturebot, among others, and in commissioned profiles for Danspace Project, Baryshnikov Arts Center, and Fusebox Festival. As the 2019 Suzanne Fiol Curatorial Fellow at ISSUE Project Room, Benedict created the multidisciplinary performance platform “soft bodies in hard places,” which has partnered with Materials for the Arts, Culturebot, the Asian American Writers Workshop, Center for Performance Research, and Bronx Academy of Arts and Dance! (BAAD!). They've performed in DapperQ Fashion week and in recent works by Sally Silvers, José Rivera, Jr., Nick Mauss at the Whitney Museum, Monstah Black, and more. They've worked as an arts admin unicorn and grant writer for Jennifer Monson, Donna Uchizono, and John Jasperse. They've served on selection committees for Movement Research at Judson Church, the MAP Fund, and Bronx Council on the Arts. Otherwise, Benedict has worked a tutor, grant writer, Postmate, cater waiter, and more. As a producer, educator, and artistic entrepreneur, Johnnie Cruise Mercer leads as the Company Director of Johnnie Cruise Mercer/TheREDprojectNYC (@jcm_redprojectnyc). His process-memoirs, happenings, and performance events have been commissioned/held at The Dixon Place, Bates Dance Festival (@batesdancefestival), Brooklyn Arts Exchange (@baxarts), AUNTS @NYU Skirball, The NADA Conference (@newartdealers), Abrons Arts Center (@abronsartcenter), The Fusebox Festival (@fuseboxfestival), Gibney (@gibneydance), Danspace Project Inc (@danspaceproject), The Clarice Smith Performing Arts Center (@theclaricemd), and most recently at the 92Y Harkness Dance Center. Mercer is currently 2019-2021 Artist in Residence at Brooklyn Arts Exchange (@baxarts), 2020-2021 Black Artist Space to Create AIR through The New Dance Alliance (@newdancealliance) and a 2020-2021 Ping Chong + Company (@pingchongco) Creative Fellow. Find out more info on the company and the work at www.trpnyc.com. Transcripts of this episode are available at odc.dance/stories.
Recently, the New York Foundation for the Arts announced a $1,000 emergency grant for disabled artists based in New York City. The grant is meant to support artists spanning multiple disciplines who’ve been financially impacted by the pandemic. Fei Lu speaks with Christopher Nunez the Director of Diversity and Inclusion at Movement Research to speak about the challenges artists with disabilities face professionally and throughout COVID-19.
Isabel Lewis (1981, Berlin) is an artist of Dominican and American origin who grew up on a suburban island off the coast of southwest Florida. She lived in New York City where she danced for many choreographers and where she has shown commissioned works from 2004 onward at The Kitchen, New Museum, and Movement Research at Judson Church among others. Lewis is based in Berlin since 2009. Trained in literary criticism, dance, and philosophy her current work takes the form of hosted occasions which are celebratory meetings of things, people, music, smells and dances and have been presented internationally and most recently at Tate Modern. Lewis' interests circle dance (as a cultural storage system, as a technology of the self) and aesthetics in the space of social encounter. In the format she calls hosted occasions, particular conditions are created for a celebratory meeting of things, that conjure perhaps the ancient Greek symposium, where philosophizing, drinking and the sensual were inseparable. The entire human sensorium is engaged including the sense of smell with scents composed in collaboration with Norwegian chemist and smell researcher Sissel Tolaas. In the last years Lewis has been working and crafting a specific way of performing which combines the skills of the dancer, the DJ, and the orator. In this way of performing a dancer becomes a host crafting the atmosphere, and attending to her guests offering stimulus and sociality in a space that is imagined as a kind of indoor garden and meeting place. It is a space for the exercise of the aesthetic, the spiritual, and the political. Different from theatrical dance performances that create a space of distanced observation and intellectual contemplation and work with the excitement and anticipation of the "event," this format works towards creating the conditions for a bodily experience of relaxation and well-being. In this new format sound, smell, and touch play as important a role as sight. As the host Lewis unfolds a dramaturgy specific to each occasion, its guests and their energies, that includes dances, smells, music, and spoken address in a way that allows for conversation, contemplation, dancing, listening, or just simply being. Her regular collaborators are Sissel Tolaas and Juan Chacón of architecture collective Zuloark. Ph: Isabel Lewis by Joanna Seitz
The conversation: Laura Colomban invites Samita Sinha to talk about voice and vibrating materials. Their conversation travels through movement and vocal practice, creative practice, community work, the feminine lineage and resonances, she explain her relationship with the Indian tradition, with the act of tearing apart, and how to stand in the break. The talk brings to a journey through colonialism, relationship with traumas, community work, the act of tuning and the sincere act of listening, lingering in a questioning attitude of opening towards the uncertainties with grace. Interviewee: Artist and composer Samita Sinha creates multidisciplinary performance works that investigate origins of voice: the quantum entanglement of listening and sounding, how voice emerges from the body and consciousness, and how voice can be claimed and rescued from voicelessness. She synthesizes Indian vocal traditions (Hindustani classical and Bengali Baul folk) and embodied energetic practices to create a decolonized, bodily, multivalent language of vibration and transformation.In addition to private lessons and workshops, she has in recent years taught at Princeton University, Swarthmore College, Movement Research, Centro Nacional de las Artes in Mexico City, and New York Asian Women's Center. Currently she is curating a series of workshop for Danspaceproject called The Breathing Room. Interviewer: Laura Colomban is developing through performance-making a bespoke cyclical creative process which integrates circular methodologies through expanded choreography and auditory investigation, specifically creating sites within sites through voice, movement, and sound groundwork. Read More:http://samitasinha.comhttps://danspaceproject.org/calendar/breathing-room-8/http://www.dariafain.net/prosodic-bodyhttps://realworldrecords.com/artists/nusratfatehalikhan/https://www.india-instruments.com/encyclopedia-tanpura.htmlEidsheim, Nina Sun, and Katherine Meizel. “Introduction: Voice Studies Now.” The Oxford Handbook of Voice Studies, by Nina Sun Eidsheim and Katherine Meizel, edited by Nina Sun Eidsheim and Katherine Meizel, Oxford University Press, 2019, pp. xii–xli, doi:10.1093/oxfordhb/9780199982295.013.36. Nancy, J.-L., & Mandell, C. (2007). Listening (1st ed). Fordham University Press. Voegelin, S. (2010). Listening to noise and silence: towards a philosophy of sound art. Continuum.Bissell, D. (2010). Vibrating materialities: mobility-body-technology relations: Vibrating materialities. Area, 42(4), 479–486. https://doi.org/10.1111/j.1475-4762.2010.00942.xKeywords: #soundstudies #movement #voice #tears #tearingapart #community #ritual #standinthebreak #sharespace #vibratingmaterial #vibration #intimacy #nusratfatehalikhan #creativepractice #resonance #relation #feminine #ligneage #indiantradition #tanpura #geometries #listening #communication #heartbrokenopen #notknowing #voicethegrief #blossomings
Using a radical pragmatic lens, Dr. Andrew M. Colombo-Dougovito uses his expertise in mixed methodology to employ both qualitative and quantitative methods to examine the motor development patterns and physical activity behaviors of autistic individuals across their lifespan. Within this work, he explores the societal and environmental structures that influence physical activity engagement and skill development to ensure equal opportunities are provided to autistic individuals and their families. Presently, Andrew is an Assistant Professor at the University of North Texas. There he also acts as the Director of the Physical Activity & Motor Skills Program, the Director of the Disability & Movement Research lab, and a faculty liaison to the Kristin Farmer Autism Center. He joined me this week to tell me more. For more information: https://www.colombodougovito.com/ Twitter: @ThatHippieProf
Today’s episode features Dylan Newcomb, founder & lead trainer of UZAZU Embodied Intelligence. Dylan is a master embodiment-based coach for helping professionals & cultural creatives, and an avid embodiment researcher.Dylan trained at the Juilliard School in both dance performance and music composition, and was a multi-award-winning choreographer-composer in the Netherlands for over a decade. Dylan went on to co-found Danslab Institute for Movement Research in 2001 (generously funded by the Dutch government), where he conducted cross-cultural research for several years, exploring how vocal sounds, breath, and movement influenced thought, emotion, and behavior across hundreds of subjects. This research formed the basis for what has evolved into a comprehensive modality known as UZAZU Embodied Intelligence.Listen in to today’s fascinating discussion, and join Dylan and Dr. Fred in an exploration of the following topics:Where we place our attention as the highest leverage point of controlWhy Dylan is no longer interested in “purpose”Body, Mind and Awareness as 3 distinct phenomenaBenjamin Libet’s startling discoveries on readiness potential and free will Is cause and effect an illusion?Understanding how “states” impact our effectiveness in various moments of lifeReconditioning ourselves to be more fully available to the invitation of the momentWhy trauma hinders our ability to shift to various statesThe freedom of Attending to the HOW rather than the WHATDylan’s epiphany while scrubbing a toiletEpisode Length: 01:00:02 DYLAN NEWCOMB’S RESOURCESDylan’s Website - Uzazu Embodied Intelligence > https://uzazu.orgThe Embodied Intelligence Self-Assessment > https://www.uzazu.org/sign-up-for-the-embodied-intelligence-free-self-assessmentContact > Dylan.Newcomb at uzazu dot org ALSO MENTIONED ON TODAY’S SHOW > Benjamin Libet (readiness potential / free will) > https://en.wikipedia.org/wiki/Benjamin_LibetDan Ariely (irrationality) > https://danariely.com WELCOME TO HUMANITY RESOURCES Podcast Website > http://www.welcometohumanity.net/podcastPURCHASE DR. FRED’S BOOK (paperback or Kindle) > Creative 8: Healing Through Creativity & Self-Expression by Dr. Fred Moss http://www.amazon.com/Creative-Healing-Through-Creativity-Self-Expression/dp/B088N7YVMG FEEDBACK > http://www.welcometohumanity.net/contact
Check out www.DanceConnectSeries.com for more information on each guest! Instagram: @danceconnectseries -------- Catie Leasca is a dance artist currently based in Brooklyn, NY. With roots in Massachusetts, she has traveled and danced abroad in Israel, France, Belgium, and Germany. Catie has been a resident artist in NYC at Gibney Dance through Work Up 5.0, Brooklyn Arts Exchange as a 2019 Space Grant Recipient, New Dance Alliance as a LiftOff artist, CPR as part of UArts/Chez Bushwick Creative Exchange, and has shown her work at Movement Research through Judson Church, Dixon Place, createART, Dance in Bushwick, The Woods, and STUDIO4. She has danced professionally with Netta Yerushalmy, Helen Simoneau Danse, Jessie Young, Janessa Clark, Sophie Tibiletti, Bryn Cohn + Artists and is a founding company member of MG+Artists. Her film work has been presented at Screendance Miami through Miami Light Project and Philadelphia Screendance Festival. She has curated and produced her own publication ideasinisolation, in response to COVID-19 and gather / an evening of fall dances, a free community performance in Brooklyn Bridge Park. Most recently, she was awarded the Masterworks Foundation Choreographic Award. Catie has taught in NYC at Gibney Dance, FAILSPACE and Bridge For Dance. Her writing has been published in DanceGeist Magazine. Catie graduated with her B.F.A. in Dance from the University of the Arts, with the Dean's Award for Excellence and the Sustainability award. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
From the act of translating dance into words to finding understanding between two divorced parents - Josie Long presents stories of interpretation. What Is This Shape? Producer: Jess Shane Music: Daniel Pencer Featuring. iele paloumpis, Seta Morton, Alejandra Ospina and Krishna Washburn This research featured in this doc was catalyzed by the evening-length dance performance of In place of catastrophe, a clear night sky, which was set to premiere at Danspace Project in May 2020, but has been postponed due to COVID-19. It was directed by iele paloumpis in collaboration with Marielys Burgos-Meléndez, Seta Morton, Alejandra Ospina, Monica Rodriguez, Ogemdi Ude, Krishna Washburn, Adrien Weibgen and Marýa Wethers. For more information, please visit inplaceofcatastrophe.com The project featured in this doc was made possible, in part, by the Danspace Project Commissioning Initiative and Production Residency Program funded by the Lambent Foundation Fund of the Tides Foundation and the Andrew W. Mellon Foundation; with additional support through a 2019 Movement Research Residency, funded by the Scherman Foundation’s Katharine S. and Axel G. Rosin Fund; and is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council (BAC); as well as Dance/NYC's Disability. Dance. Artistry. Dance and Social Justice Fellowship Program, made possible by the generous support of the New York City Department of Cultural Affairs CreateNYC Disability Forward Fund and the Shelley & Donald Rubin Foundation, and with additional support from the New York Community Trust. Creative developmental residencies at The Chocolate Factory Theater, Queer|Art Pride at Abrons Arts Center, AUNTS Residency at Mount Tremper Arts, and the Zil Culture Center in Moscow through the GPS/Global Practice Sharing program of Movement Research with funding from the Trust for Mutual Understanding, have also contributed to this ongoing research. Poem With Captions By Raymond Antrobus A Birthday Card Producer: Nanna Hauge Kristensen Sound Design: Astrid Hald I'm So Sorry Producer: Eleanor McDowall Music: Jeremy Warmsley Created for audioplayground.xyz Production Team: Andrea Rangecroft Series Producer: Eleanor McDowall A Falling Tree production for BBC Radio 4
Allen Kwabena Frimpong is a cultural strategist, serial cooperative entrepreneur, resource mobilizer, and artist who organizes through social movements for a just transition in philanthropy towards a solidarity economy. He is a co-founder and Managing Partner of AdAstra Collective. Through this consulting cooperative, he is a co-host of the Old Money, New System community of practice that supports resource mobilization initiatives that strengthen social movement ecosystems to be relational, center community healing, and redistribution of wealth through learning and innovation. He is also a co-founder of ZEAL, a black arts studio cooperative. He holds an interdisciplinary practice rooted in the Black radical tradition through community organizing, cultural strategy, transformative leadership coaching, resource mobilization, and participatory planning within complex systems. Allen's body of work as a harm reductionist has been providing capacity-building in philanthropy within the public health sector and drug policy field internationally with organizations such as Justice Funders, the Harm Reduction Coalition, Community Foundation of New Jersey, Robert Wood Johnson Foundation, Movement NetLab, and the Start Network in the UK. He also mobilized resources for the national ride to Ferguson that led to the formation of the Black Lives Matter National Network along with other local responses to state sanctioned violence nationally. He is currently a board member of one of the oldest public foundations for social movements in America, Resist. Allen is also an activist advisory member of the Solidaire Network's Movement Research & Development Fund as well as a giving circle member of ThriveAfrica. His body of work and contributions have been featured on NPR, WNYC, the Stanford Social Innovation Review, Chronicle of Philanthropy, Inside Philanthropy, and the New York Times. Allen Kwabena Frimpong received his Master's Degree in Urban Planning and Affairs at CUNY Hunter College. He also has attended the Center for Popular Economics Summer Institute at Amherst College and has received his graduate certification at Cornell University ILR School in Labor Leadership Skills. He is currently a fellow with the Bridging Studio in New York City and a graduate candidate with the UPenn's School of Social Policy: Arts & Cultural Strategy executive program. Payment links: paypal: press.zeal@gmail.com Social Media: IG: @blackstar1984 Twitter: @a_kwabena ZEAL- Black Artist Cooperative: IG/Twitter: zeal_press Website: https://www.zeal.press/ --- Support this podcast: https://anchor.fm/the-full-set-podcast/support
The TEAM continues with it's research to find the right candidates to vote for Locally & Nationally. We're joined by U.S. Congress Candidate Dr. Vanessa Enoch to discuss her campaign and what changes she'll make once she WINS the 8th District. ** IN THE BREAKDOWN** EDUCATE & PROTECT with Joel Birch
The TEAM IS BACK LIVE as we research and take aim at who to vote for on a local & National level. Our Judicial & Educational Systems are in desperate need of REFORM. We'll speak to Residents & Front Runners in several areas to help you the Voter to become much more informed when you hit the poles!!.. **IN THE BREAKDOWN** BRIDGING THE GAPS with Momma King AdeOlomoFINANCIAL UNITY with Sistah Queen AngelaVOTERS ADVANTAGE with David Lamar Williams Jr. We are focused on EDUCATING ELEVATING & MOTIVATING our listeners to a higher level of consciousness & awareness in order to EMPOWER & UPLIFT our Communities around the World!!..
This episode we have a fantastic conversation with the talented artist Camilo Godoy. Camilo is an artist whose practice is concerned with the construction of political meanings and histories. His work engages with conceptual, photographic, and choreographic strategies to analyze and challenge past and present historical moments to imagine different subversive ways of being. Godoy was born in Bogotá, Colombia and is currently based in New York, United States. He is a graduate of The New School with a BFA from Parsons School of Design, 2012; and a BA from Eugene Lang College of Liberal Arts, 2013. Godoy was a 2018 Session Artist, Recess; 2018 Artist-in-Residence, Leslie-Lohman Museum; 2018 Artist-in-Residence, coleção moraes-barbosa; 2017 Artist-in-Residence, International Studio & Curatorial Program (ISCP); 2015-2017 Artist-in-Residence, Movement Research; among others. He has presented his work in New York at the Brooklyn Museum, CUE, Danspace Project; Mousonturm, Frankfurt; and Toronto Biennial, Toronto; among others. In his teaching practice he uses inquiry-based, multimodal learning strategies and movement-based techniques to support intellectual and creative curiosity. Godoy has taught various age groups at the Brooklyn Museum, Dedalus Foundation, Leslie-Lohman Museum and Whitney Museum. His teaching philosophy is influenced by the writings of educational theorists, such as John Dewey, Paulo Freire, bell hooks and Corita Kent, who center democracy, love and joy as essential elements for teaching and learning. Some artists mentioned in this episode: Ed Clark Gran Fury Felix Gonzalez-Torres Bob Mizer Robert Mapplethorpe Pepón Osorio Mario Moore For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.
Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Cathy Edwards. [Live show recorded: April 27, 2020.] CATHY EDWARDS is Executive Director of the New England Foundation for the Arts (NEFA), where she has served since January, 2015. She believes art has a unique role to play in engaging people and communities, and is committed to building opportunity and equity in the creative sector. NEFA invests in artists and communities and fosters equitable access to the arts, enriching the cultural landscape in New England and the nation. The organization administers an array of grant-making programs and professional services, and conducts research into New England’s creative economy. NEFA works in partnership with the National Endowment for the Arts, the nation’s Regional Arts Organizations, and New England’s six state arts agencies, in addition to private philanthropy, to accomplish its work, with an annual budget of over $8 million. Cathy previously served as director of programming at the International Festival of Arts & Ideas in New Haven, CT; as the artistic director at both the Time-Based Art Festival at PICA in Portland, OR and Dance Theater Workshop in New York City; and as co-director of Movement Research in New York City. She has served on the board of directors of the Association of Performing Arts Professionals, as chair of the board of directors of Movement Research, and as vice-chair of the board of directors of the National Performance Network. She holds a BA from Yale College. Cathy has two children, both young adults, is married to an activist law professor, and lives in both New Haven, CT and Cambridge, MA.
January 22, 2020. Organized by André Daughtry This panel intends to speak to an illegibility of the spiritual black body to predominantly white audiences in performance with artists whose work addresses an "epistemic absence” in the performance community. Noting that Experimental performance can be extremely innovative when probing the multiplicitous issues surrounding identity, guest artists will discuss how they address normative approaches to performance – like the performer/spectator bifurcation –when the performers exhibiting work were often raised in spiritually infused movement traditions as participant-observers not as “audience” Studies Project is an artist-curated series of panel discussions, performances, and/or other formats that focus on provocative and timely issues of aesthetics and philosophy in the intersection of dance and social politics, confronted and instigated by the dance and performance community. For more information on Movement Research please visit www.movementresearch.org
As we come to the end of our second season, I wanted to share with you the episode with the MOST downloads, not only in Season Two, but in Season One as well. I want to thank you for listening to the show these last two seasons and hope you will stick with me as we enter Season Three with more insights to natural movement and amazing new interviews to help support you in having a happy, healthy, strong body. Starting with the feet first, because those things are your foundation. The most downloaded episode info: The woman and man that I'm going to be chatting with in this podcast are doing the stupidest research in the history of human biomechanical research, and what can we learn about natural movement from people who don't move naturally at all? We're going to find out both of those things on today's episode of The MOVEMENT Movement podcast.The woman and man that I'm going to be chatting with in this podcast are doing the stupidest research in the history of human biomechanical research. And what can we learn about natural movement from people who don't move naturally at all? We're going to find out both of those things on today's episode of The MOVEMENT Movement podcast. I'm Steven Sashen, your host for The MOVEMENT Movement, if you have any questions or comments, feel free to leave them at all the various places you can. If you have something you want to email us, drop an email to move@jointhemovementmovement.com and again, if you want to be part of the tribe, please subscribe and like and share and review and do all those things that you know how to do, but most importantly, enjoy. Have fun and live life feet first.
December 8, 2019. Moderated by Ni’Ja Whitson Panelists: Cheryl Clark, Martha Eddy, Kayvon Pourazar, and Sangeeta Vallabhan. This Studies Project explored how social injustices impact people’s lives and communities; who has access to healing and somatic practices; how we as somatics practitioners are working with offering trauma-informed approaches to our communities. This event brought together artists and practitioners whose individual somatic and trauma-informed practices were generated from their personal journeys, commitment to healing themselves, and process of sharing their research to hold space for others. Through this conversation we attempted to address how to generate more inclusive, collective and fully accessible healing spaces. This Studies Project was a part of the Movement Research Festival Fall 2019: ComeUnion. It took place on December 8, 2019 at Movement Research on First Avenue in New York City. Studies Project is an artist-curated series of panel discussions, performances, and/or other formats that focus on provocative and timely issues of aesthetics and philosophy in the intersection of dance and social politics, confronted and instigated by the dance and performance community. For more information on Movement Research please visit www.movementresearch.org
December 11, 2019 Moderated and Organized by Rebecca Fitton Participants: Alexis Convento, Zavé Martohardjono, and Mena Sachdev A community discussion aimed to amplify the diverse reality of the blanket term “Asian-American.” Led and organized by movement artists who self-identity as Asian, this Studies Project focused on reframing American Asian-ness, reclaiming the Asian moving body outside of “model minority” and confronting other racial signifying terms such as POC, ALAANA, MENA, AAPI, etc. and their relationships to this conversation. The conversation focused on the broad understanding of Asian-ness in the U.S. in reference to Asian-American and how it can erase the full spectrum of narratives aligned with self-identifying as Asian, in part due to colorism, border politics and ideals of a “model minority” only allowed to succeed on an intellectual level. This Studies Project took place on December 11, 2019 at Movement Research on 1st Avenue in New York City. Studies Project is an artist-curated series of panel discussions, performances and/or other formats that focus on provocative and timely issues of aesthetics and philosophy in the intersection of dance and social politics, confronting and instigated by the dance and performance community. For more information please visit: www.movementresearch.org
This is a special interview with a creative, inspiring and deeply insightful artist and human. In this episode we talk about their wild life as JT Leroy, their passion for Brazilian Jiu Jitsu and Savannah’s complex relationship with their mom amongst other things. Savannah Knoop is a New York-based artist engaging in writing, performance, and object-making. From 2009-2016, Knoop co-hosted the monthly queer audio-visual party WOAHMONE. They received their BA at at Cuny under the mentorship of Vito Acconci, and their MFA at Virginia Common Wealth University in Sculpture+ Extended Media. They have shown and performed at the Whitney,MoMA, the ICA Philly, Movement Research, Essex Flowers Gallery, and ACP in Los Angeles. In 2007, they published the memoir titled "Girl Boy Girl: How I Became JT LeRoy" (Amy Scholder, Seven Stories Press) cataloguing their experiences of playing their sister in law's writing persona and avatar JT Leroy. With director Justin Kelly, they adapted it into a feature length film starring Kristen Stewart and Laura Dern. Savannah has studied dance and martial arts for over twenty years. They are currently a purple belt in Brazilian JiuJitsu under Marcelo Garcia. Savannah Knoop https://www.savannahknoop.net/about @savette A TRIP TO THE RUSSIAN BATHS WITH ARTIST AND NOW FILMMAKER SAVANNAH KNOOP https://www.culturedmag.com/savannah-knoop/ JT Leroy Film https://itunes.apple.com/us/movie/j-t-leroy/id1458164572 LITQB Podcast: This is a podcast about the barriers to embodiment and how our collective body stories can bring us back to ourselves. This is a podcast for people who identify as queer or for people who might think of their relationship between their body and confining social narratives as queer. This can feel like an isolating experience. Our wounded bodies need spaces to talk about struggles with nourishment/disordered eating, body image issues, dysphoria, racism, heterosexism, transphobia, xenophobia, substance use/abuse, chronic pain/disability, body changes in parenthood, intergenerational trauma, the medical/wellness/therapy industrial complex and its lack of inclusion of queer bodies and much more. Hopefully this podcast can illustrate the connections, and resonant pain points, that we have with one another. Livinginthisqueerbody.com @livinginthisqueerbody. The Host: Asher Pandjiris Psychotherapist/ Podcaster/ Group Facilitator Queering the Holidays Virtual Workshop December 8th: https://www.livinginthisqueerbody.com/virtual-group-workshop SUPPORT https://www.patreon.com/livinginthisqueerbody Music: Ethan Philbrick and Helen Messineo-Pandjiris --- Send in a voice message: https://anchor.fm/asher-pandjiris/message
October 21, 2019 Organized by Raha Benham. This gathering aimed to incite, inspire and generate conversation, questions and action in this time of unprecedented global ecological and economic crisis. Asking a series of timely questions as artists residing in a country with the most historically and presently destructive policies globally, as well as the most rampant use of energy and resources, we consider: How are we responsible? What does our art making have to do with this crisis? What are our options for engagement, and what will we choose to do together? Please join us to consider these urgent questions. The quote “Another world is not only possible...” in the title of this Studies Project is by Arundhati Roy. This Studies Project took place on October 21, 2019 at Movement Research on First Avenue in New York City. Studies Project is an artist-curated series of panel discussions, performances, and/or other formats that focus on provocative and timely issues of aesthetics and philosophy in the intersection of dance and social politics, confronted and instigated by the dance and performance community. For more information on Movement Research please visit www.movementresearch.org
The woman and man that I'm going to be chatting with in this podcast are doing the stupidest research in the history of human biomechanical research, and what can we learn about natural movement from people who don't move naturally at all? We're going to find out both of those things on today's episode of The MOVEMENT Movement podcast.The woman and man that I'm going to be chatting with in this podcast are doing the stupidest research in the history of human biomechanical research. And what can we learn about natural movement from people who don't move naturally at all? We're going to find out both of those things on today's episode of The MOVEMENT Movement podcast. I'm Steven Sashen, your host for The MOVEMENT Movement, if you have any questions or comments, feel free to leave them at all the various places you can. If you have something you want to email us, drop an email to move@jointhemovementmovement.com and again, if you want to be part of the tribe, please subscribe and like and share and review and do all those things that you know how to do, but most importantly, enjoy. Have fun and live life feet first.
On Episode 19 of the Fitness for the Fairways podcast, we sat down with Alex Ehlert, a PhD student at Old Dominion University studying Human Movement Sciences.Alex, who played college golf at the University of North Carolina Greensboro, sat down with us to talk about how to appreciate research and apply it to our training, nutrition, recovery, and golf game with a practical approach. Through stories of his playing days and situations he deals with in a lab-based setting daily, Alex is an excellent person to connect with in order to better understand how every factor mentioned above has an effect on the way you play.If you're enjoying the show, please don't forget to leave us a review on iTunes. The more reviews we have, the more opportunity we'll have to expand our reach and improve the quality of Fitness for the Fairways over time!Connect with Alex:Instagram - @golf_physiologistTwitter - @AlexMEhlert
Today's guest is Ivy Baldwin. Ivy is a New York-based choreographer, performer, teacher, and founder of Ivy Baldwin Dance. Since 1999, she has created 17 works for her company, including, most recently, commissions from BAM (Next Wave Festival), Philip Johnson Glass House, the Joyce Theater, Abrons Arts Center, the Chocolate Factory, and the Wooden Floor. Baldwin has received many awards and fellowships, including from the Guggenheim Foundation, Jerome Foundation, and New York Foundation for the Arts, and has been an Artist-in-Residence with BAM, Movement Research, ArtistNe(s)t (Romania), Manitoga and CPR (currently), and the 92nd Street Y (upcoming). For more info on this episode and Movers & Shapers: A Dance Podcast: themovingarchitects.org/podcasts
Jaamil Olawale Kosoko is a Nigerian American poet, curator, and performance artist originally from Detroit, MI. He is a 2017-2019 Princeton Arts Fellow, a 2018 NEFA National Dance Project Award recipient, a 2018-20 New York Live Arts Live Feed Artist-in-Residence, a 2019 Gibney DiP Artist-in-Residence, a 2017 Jerome Foundation Artist-in-Residence at Abrons Arts Center, a 2017 Cave Canem Poetry Fellow, a 2016 Gibney Dance boo-koo resident artist, and a recipient of a 2016 USArtists International Award from the Mid-Atlantic Arts Foundation. His previous work #negrophobia (premiered September 2015, Gibney Dance Center) was nominated for a 2016 Bessie Award and has toured throughout Europe having appeared in major festivals including Moving in November (Finland), TakeMeSomewhere (UK), SICK! (UK), Tanz im August (Berlin), Oslo Internasjonale Teaterfestival (Norway), Zurich MOVES! (Switzerland), Beursschouwburg (Belgium) and Spielart Festival (Munich). His current work, Séancers, premiered at Abrons Arts Center in December 2017 and has toured nationally and internationally to critical acclaim. Recent highlights include Mousonturm (Frankfurt, DE), FringeArts (Philadelphia, PA), Sophiensaele (Berlin, DE), and the Wexner Center (Columbus, OH). In 2019, Séancers will have engagements at the Fusebox Festival (Austin, TX) and Montréal Arts Interculturels (Montréal, CA), among others.American performance venues include: Abrons Arts Center, Joyce SoHo, DTW, FringeArts, Dixon Place, Dance Theater Workshop, Bennington College, Danspace at St. Mark’s Church, the CEC Meeting House Theater, Wexner Center for the Arts, Kelly Strayhorn Theater, LAX Festival, Miami Theater Center, Art Basel Miami, and the Painted Bride Arts Center, among others.He was a Co-Curator of the 2015 Movement Research Spring Festival and the 2015 Dancing While Black performance series at BAAD in the Bronx; a contributing correspondent for Dance Journal (PHL), the Broad Street Review (PHL), and Critical Correspondence (NYC); a 2012 Live Arts Brewery Fellow as a part of the Philadelphia Live Arts Festival; a 2011 Fellow as a part of the DeVos Institute of Art Management at the John F. Kennedy Center for the Performing Arts; and an inaugural graduate member of the Institute for Curatorial Practice in Performance (ICPP) at Wesleyan University where he earned his MA in Curatorial Studies.His work in performance is rooted in a creative mission to push history forward through writing and art making and advocacy. Kosoko’s work in live performance has received support from The Pew Center for Arts and Heritage through Dance Advance, The Philadelphia Cultural Management Initiative, The Joyce Theater Foundation, and The Philadelphia Cultural Fund. His breakout solo performance work entitled other.explicit.body. premiered at Harlem Stage in April 2012 and went on to tour nationally. As a performer, Kosoko has created original roles in the performance works of Nick Cave, Pig Iron Theatre Company, Keely Garfield Dance, Miguel Gutierrez and The Powerful People, and Headlong Dance Theater, among others. In addition, creative consultant and/or performer credits include: Terry Creach, Lisa Kraus, Kate Watson-Wallace/anonymous bodies, Leah Stein Dance Company, Emergent Improvisation Ensemble, and Faustin Linyekula and Les Studios Kabako (The Democratic Republic of Congo).Kosoko’s poems can be found in such publications as The American Poetry Review, Poems Against War, The Dunes Review, and Silo. In 2009, he published he chapbook, Animal in Cyberspace, and, in 2011, he published his own collection, Notes on an Urban Kill-Floor: Poems for Detroit (Old City Publishing). Publications include: The American Poetry Review, The Dunes Review, The Interlochen Review, The Broad Street Review, Silo Literary and Visual Arts Magazine.Kosoko has served on numerous curatorial and funding panels including the Brooklyn Arts Council, the National Endowment for the Arts, MAP Fund, Movement Research at the Judson Church, the Philadelphia Cultural Fund, and the Baker Artists Awards, among others. In 2014, Kosoko joined the Board of Directors for Dance/USA, the national service organization for dance professionals. He is also a founding advisory board member for the Coalition for Diasporan Scholars Moving.He has held producing and curatorial positions at New York Live Arts, 651 Arts, and The Watermill Center among others. He continues to guest teach, speak, and lecture internationally.
October 15, 2018 The AoCC will host an intimate gathering, creating space for immigrant performing artists to share personal stories, cuisine, reflections and resources with the community in an effort to form lasting bonds and cultivate relationships to each other and local art organizations. Artists will engage in a conversation about the struggles of immigration and the effects on the body in the performance practice while tasting tapas and small appetizers from various cuisines. Food sharing is a universal form of expressing fellowship. "Immigrants for immigrants: taste of home" is an opportunity to create a platform to support each other and grow as a community. LOCATION UPDATE: This workshop was held at Movement Research, 122 Community Center (150 First Avenue) in the second floor studio. 122 Community Center is a fully ADA compliant facility. Participants: Alicia Ehni, Maira Duarte, Richard Morales, Vanessa Vargas Studies Project is an artist-curated series of panel discussions, performances and/or other formats that focus on provocative and timely issues of aesthetics and philosophy in the intersection of dance and social politics, confronting and instigated by the dance and performance community. For more information please visit: www.movementresearch.org
For this episode, I speak with agroecologist, entomologist, farmer, and beekeeper Jonathan Lundgren, CEO of Blue Dasher Farm and Director of the ECDYSIS Foundation. At the very beginning of this conversation, Jonathan discusses his time as a top scientist at the U.S. Department of Agriculture's Agricultural Research Service, during which time he conducted important research into the wide-scale use of pesticides in U.S. agriculture. After conducting research that indicated that the use of certain chemicals (neonicotinoids) on fields was causing significant and alarming declines in insect pollinator populations (e.g. bees and butterflies), Jonathan began to experience various forms of suppression and censorship from within the USDA, as an attempt to hinder his work and inhibit his ability to publish his findings on the subject. After spending 11 years at the USDA, Jonathan moved on to his next project, Blue Dasher Farm, "where research, education, and demonstration converge to support the regeneration of agriculture." While Blue Dasher is a for-profit enterprise, it also serves as a project that develops and demonstrates regenerative agricultural methods that require practically none of the intrusive, disruptive, and ecologically devastating practices employed under the dominant agricultural system in the United States today. Jonathan is also the Director of the ECDYSIS Foundation, a non-profit science lab for independent research. Episode Notes: - Learn more about Blue Dasher Farm and regenerative agriculture at: http://bluedasher.farm - Learn more about Jonathan's non-profit research foundation ECDYSIS here: http://www.ecdysis.bio - Follow Jonathan on Twitter: https://twitter.com/buglundgren - Follow Blue Dasher Farm on Twitter: https://twitter.com/BlueDasherFarm - Watch Jonathan's excellent TEDxBrookings talk "A Six-legged March Toward Regenerative Agriculture" here: https://youtu.be/qRJ0y9LMhI4 - Get more of the backstory on Jonathan's time at the USDA: https://wapo.st/2s8mtQr - The song featured in this episode is "Tribes" by Monster Rally & RUMTUM from their self-titled album. - Podcast website: https://www.lastborninthewilderness.com - Support the podcast: PATREON: www.patreon.com/lastborninthewilderness ONE-TIME DONATION: www.ko-fi.com/lastborninthewilderness - Follow and listen: SOUNDCLOUD: www.soundcloud.com/lastborninthewilderness ITUNES: www.goo.gl/Fvy4ca GOOGLE PLAY: https://goo.gl/wYgMQc STITCHER: https://goo.gl/eeUBfS - Social Media: FACEBOOK: www.facebook.com/lastborninthewildernesspodcast TWITTER: www.twitter.com/lastbornpodcast INSTAGRAM: www.instagram.com/patterns.of.behavior
November 29, 2017 With panelists from Chinatown Art Brigade (est. 2015), South Asian Women’s Creative Collective (est. 1997), and Yellow Jackets Collective (est. 2015). These collectives organize multi-ethnic Asian communities across language barriers in an increasingly gentrified and art market-driven Chinatown, connect and showcase South Asian women artists and creative professionals, and center POC/Queer/Femme/marginalized communities through political education, nightlife events, and queer archiving. In open conversation with attendees, collectives will address: How do we do cultural work? How do we resist institutions? What Asian artist-activist legacies shape our organizing and our histories? What are our communities’ most pressing needs? This event took place on November 29, 2017 as a part of the Fall Festival 2017: invisible material. Studies Project is an artist-curated series of panel discussions, performances, and/or other formats that focus on provocative and timely issues of aesthetics and philosophy in the intersection of dance and social politics, confronting and instigated by the dance and performance community. For more information on Movement Research please visit www.movementresearch.org
November 7, 2017 Collaborators Pramila Vasudevan and Piotr Szyhalski, invite artists, Salome Asega and Jill Sigman, to participate in a facilitated dialogue about the responsiveness of artistic practice to pressing sociopolitical and ecological concerns of our time. Through artist-led presentations that will detail a range of interdisciplinary strategies, this Studies Project will share how arts practitioners are making political interventions while challenging formal expectations around legibility, site-specificity, and linearity. This event took place on November 7, 2017 IN PARTNERSHIP Movement Research works in partnership with local, national, and international organizations to create opportunities that spur interaction and exchange among choreographers and movement based artists through residencies, workshop exchanges, informal showings, and discussions. Pramila Vasudevan’s NYC Residency is made possible by the McKnight Choreographer Fellowship Program, administered by the Cowles Center for Dance and the Performing Arts and funded by The McKnight Foundation, in partnership with Gibney Dance Center, The Playground, and Movement Research. Pramila Vasudevan is a 2016 McKnight Choreographer Fellow. Studies Project is an artist-curated series of panel discussions, performances, and/or other formats that focus on provocative and timely issues of aesthetics and philosophy in the intersection of dance and social politics, confronting and instigated by the dance and performance community. For more information on Movement Research please visit www.movementresearch.org
October 10, 2017 This is a Movement Research podcast of Studies Project entitled: Stories, Strategies and Practices Hosted by the Movement Research Artists of Color Council and Organized by Lily Bo Shapiro and Stanley Gambucci With Arthur Aviles, Ebony Noelle Golden, Eli Tamondong and Stephanie Acosta. This event took place on October 10, 2017. The Movement Research Artists of Color Council gathers together an intergenerational group of dance makers and performers to discuss their artistic practices and the practical realities that go hand in hand with them. Each bring a range of aesthetic and cultural lineages, career trajectories, and studio practices into the room. This conversation will hold each artist's individual experiences and knowledge of the field up as a crucial, shared resource. Studies Project is an artist-curated series of panel discussions, performances, and/or other formats that focus on provocative and timely issues of aesthetics and philosophy in the intersection of dance and social politics, confronting and instigated by the dance and performance community. For more information on Movement Research please visit www.movementresearch.org
Trina Altman took a Kripalu yoga class at Brown University and became intrigued by the practice. She became a yoga teacher in 2008 igniting her desire to research anatomy and movement. The culmination of the knowledge she obtained has allowed her be a multi-disciplinary teacher; borrowing from many kinds of movement practices. Trina is very much focused on balancing her practice and teaching to include strength training along with stretching. Trina's passion for movement has led her to create Pilates Deconstructed®, an innovative interdisciplinary approach that fosters an embodied understanding of Pilates and its relationship to modern movement science. Along with her 500-hour yoga teacher training, she is a STOTT Pilates® certified instructor, leads teacher training in Yoga Tune Up®, the Roll Model® Method and Rx Series for Equinox locally and Internationally. Trina has presented at Kripalu and multiple conferences such as the Yoga Alliance Leadership Conference. She teaches online classes which can be found on her website as well as in person in Los Angeles at Equinox and The Moving Joint. Trina's teaching fosters body cognition and self-discovery that is firmly grounded in anatomical awareness. She builds bridges between the mystical and pragmatic and specializes in helping others to access their body's tissues and their heart's purpose. 9:25 Where Trina's yoga journey began 11:45 How Trina began to consider the injuries that can be sustained while practising yoga 14:55 Importance of strength training 16:35 The danger of believing yoga is a fix-all 19:00 What does Trina's balanced personal practice look like? 22:45 Trina's concern about risk-prone movement in classes she's attended 23:00 Trina's experience with group classes (and taking a break from them) 25:25 Group class paradigm- pros and cons 27:20 What can teachers do in their own personal practice to build strength 29:40 How Trina teaches yoga (and how she takes from many different movement modalities) 32:10 What is the Feldenkrais method? 36:15 Trina's online teaching offerings 38:30 How do we prevent injuries to our students? 40:10 Pilates- “the missing link” 44:05 Where you can find Trina in the upcoming months 44:20 Trina's closing advice on preventing injury when teaching 47:25 “There is no one answer” 48:30 Group vs. private classes when it comes to yoga injuries 49:35 Four Principles of Teaching Movement: T.R.U.E. T- total embodiment R- regress to progress U- understand underlayer E- creating an Environment of Safety 57:20 Shannon's closing thoughts Links Website: Trina Altman- Pilates Deconstructed® & Yoga Deconstructed® Embodied Anatomy Biomechanics Trina Altman's Youtube Channel Trina's Instagram Trina's Yoga and Pilates Facebook Page Mettaversity Course: Realigning Yoga: New Directions in Yoga Anatomy and Movement Research with Trina Altman Yoga Deconstructed® Courses with Trina Altman Feldenkrais Method Wikipedia Article Interoception Wikipedia Article Proprioception Wikipedia Article New York Times Article: How Yoga Can Wreck Your Body by William J. Broad Book: The Science of Yoga: The Risks and Rewards by William J. Broad Relevant TCYT Episodes: Podcast: 007: Breath and Pelvic Health with Trista Zinn Podcast: 32: Strengthen Your Yoga Practice with Kathryn Bruni-Young The Connected Yoga Teacher Facebook Page Trevor Parks Yoga Playlists (can view if a member of The Connected Yoga Teacher FB Page)
March 15, 2017 Movement Research's editors create a temporary "publication": a live site igniting conversation, debate and language around the current moment. Faced with extreme conservatism, how will New York City dance/performance people activate their power, access, resources and social missions? Questions will be posed and answered within a time limit. Categories include: culture in the current political climate; gossip; equity; formulating a new avant-garde in a socially responsible way. GAME SHOW! Gameshow players: Lydia Bell, Siobhan Burke, Jaime Shearn Coan, Yve Laris Cohen, Benjamin Akio Kimitch, Esther Neff, Ali Rosa-Salas, DeeArah Wright
Join Michelle and Ariana, founder of Yoga & Movement Research, for a discussion about evidence-based yoga research as it relates to you as a teacher. IN THIS EPISODE YOU’LL LEARN: How reviewing evidence-based research on yoga and movement can influence the way you teach What role teacher trainings and publications like Yoga Journal play in... The post 040: Yoga & Movement Research w/ Ariana Rabinovich appeared first on LOVE TEACHING YOGA.
In our very first episode of art Work, we welcome to the table Marýa Wethers, Dan Fishback, and Rasu Jilani to talk about curatorial practices! If curation is community service, what is a “good” curator? Our guests weigh in and discuss just what are the right questions, how to fail within the context of curation, and reflect on how they bring their full selves to their work. Learn more about our guests, Marya, Dan, & Rasu on Episode 1 of art Work and our guest musician, Nova Mandarke! Marýa Wethers is an Independent Manager, Producer & Curator based in NYC since 1997. Marýa is currently the Director of International Initiatives at Movement Research and Project Manager for Angela's Pulse/Dancing While Black, David Thomson and others. From 2007-2014, she worked in the Programming Department at New York Live Arts (formerly Dance Theater Workshop/DTW) as the International Project Director of the Suitcase Fund program, where she developed a cultural exchange program with contemporary dance artists in the USA and Africa, and managed the program activities in Eastern/Central Europe. Marýa is a Guest Curator of the Queer New York International Arts Festival (2016 & 2015 editions) and curated the Out of Space @ BRIC Studio series for Danspace Project (2003-2007) with a particular focus on work representing the perspectives and experiences of artists who are of color, queer, and/or female. She has served on selection panels for several presenting and funding organizations in NY and nationally, including the NEA, LMCC, Brooklyn Arts Council, Mid Atlantic Arts Foundation, and as an Advisor to NEFA's National Dance Project program. She has served as a guest lecturer for presenting/service organizations and college/university dance programs in the tristate area. Marýa is a core member of the Movement Research Artists of Color Council and was a member of the New York Dance & Performance/Bessie Award Committee (2006-07). Her writing has appeared in the Configurations in Motion: Curating and Communities of Color publication, organized by Thomas DeFrantz at Duke University (2016 & 2015), and her essay UnCHARTed Legacies: women of color in post-modern dance, was published in the 25th Anniversary Movement Research Performance Journal #27/28 (2004). Marýa has been featured in interviews/articles in the MRPJ #47 (Fall 2015) and Gay City News (June 2006). Marýa is a recipient of a National Performance Network Mentorship & Leadership award and two APAP Cultural Exchange Fund grants. Marýa graduated from Mount Holyoke College in 1997 with a BA in Dance and a Minor in African-American Studies. Dan Fishback is a playwright, musician, and director of the Helix Queer Performance Network. Previous work includes “The Material World” (Top 10 Plays of 2012 - Time Out New York) and “thirtynothing” (2011), which were both developed at BAX/Brooklyn Arts Exchange and performed at Dixon Place, and “You Will Experience Silence” (2009), which the Village Voice called “sassier and more fun than ‘Angels in America.’” As a singer songwriter, and with his band Cheese On Bread, Fishback has toured Europe and North America, and has released five full-length albums. As Helix director, he teaches workshops, organizes public events, and curates and produces a variety of festivals and series, including "La MaMa's Squirts." He is currently working on a new play, “Rubble Rubble,&rdq
Movement Research Studies Project, "Diversity and Accountability: A conversation with the MR Artists of Color Council" - November 2, 2016 With Jaamil Olawale Kosoko, Alicia Ohs, Lisa Parra, Marýa Wethers and Tara Aisha Willis. The artists driving this new Movement Research initiative open their current conversations to a wider audience, sharing thoughts on the Council’s mission and their experiences as artists of color within Movement Research’s programs. In support of accountability efforts underway within Movement Research and working towards two-way transparency, the Council invites the concerns of the community around cultural diversity, equity, and sustainable structural integration into the space.
Movement Research Studies Project, "Back to School with Teaching Artists" - October 11, 2016 Initiated and Hosted by Diana Crum, Director of MR's Dance Makers in the Schools Program. Using the context of the Movement Research lineage and community as a base to move out from, this roundtable discussion is an opportunity for teaching artists to gather and share their current ideas, inspirations, and practices. We'll kick off the conversation with invited guest speakers Mariangela Lopez, Jules Skloot and Adrienne Westwood.
I've known movement artists Elke Luyten and Kira Alker for a long time, and I always love getting the chance to talk to them. In this week's episode we spoke about their history with movement theater as well as their recent work on David Bowie's video "Blackstar." In the second segment, we talked about the focus and craft involved in Japanese food, and how a trip to Japan became a source of inspiration for their work. Subscribe: iTunes | Google Play | Stitcher | SoundCloud | RSS Support: Support our Patreon | Leave a review Share: Tweet this episode | Share to Facebook Connect: Email | Facebook | Twitter | Tumblr Show Notes: Elke Luyten & Kira Alker Corporeal Mime Studies of Inertia (video) Movement Research (video) Alejandro Jodorowsky Étienne Decroux Étienne Decroux - La Statue (video) Thomas Leabhart Thomas Leabhart's Corporeal Mime Work Demonstration (video) Robert Wilson Marina Abramović David Bowie - Blackstar (video) David Bowie - Lazarus (video) Death Drive (video) Jiro Dreams of Sushi
Movement Research Studies Project, "Dance and Labor" April 29, 2015 Organized in dialogue with Movement Research, luciana achugar, Abigail Levine and Kathy Westwater With panelists David Thomson and Yve Laris Cohen How is dance labor valued? How has it been valued? How might it be? And how can we affect the value assigned to this labor? These questions were considered across a spectrum of contexts, including individual and institutional, organized and spontaneous, and historical and anecdotal to explore how performance and dance function within our current artistic, economic and labor realities.
Town Hall Meeting Movement Research at Eden's Expressway, October 6, 2014. Co-Hosted and organized by the Movement Research Artist Advisory Council Moderated by Laurie Berg, Maura Donohue and Kathy Westwater The Movement Research Artist Advisory Council (AAC) facilitated a public discussion by sharing excerpts and quotes of meeting minutes to spark conversation and invite the public into its ongoing conversation, including threads related to economics, politics, aesthetics and creativity. This meeting examined the relationship between dancer and community - academic, geographic, and economic. Speakers and guests discussed economics of class-taking, the limitations and potential of University-Artist relationships, and the value of geographic vs. digital communities.
Friday Reading Series Claudia La Rocco's recent and ongoing interdisciplinary collaborations include projects with the performance company Findlay//Sandsmark, the sound artist Martijn Tellinga and the composer Phillip Greenlief. La Rocco founded thePerformanceClub.org, which won a 2011 Creative Capital/Warhol Foundation Arts Writers Grant and focuses on criticism as a literary art form. She is a member of the Off the Park poetry press and contributes frequently to the New York Times and ARTFORUM. She is on the faculty of the School of Visual Arts' graduate program in Art Criticism and Writing, and teaches at such institutions as Princeton University, Arizona State University and Movement Research. La Rocco has had residencies at Stanford University, Headlands Center for the Arts and the Lower Manhattan Cultural Council's Process Space on Governors Island. She has performed at such places as Danspace Project (NYC), the Center for New Music (SF), Counterpath Press (Denver) and the Mount Tremper Arts Festival (NY). Badlands Unlimited is publishing her selected writings in fall 2014. Karinne Keithley Syers is an interdisciplinary artist, participant-historian of the NYC performance community, and creator of things that resemble plays from a distance, including Another Tree Dance (2013), Montgomery Park, or Opulence (2010). She founded and co-edits 53rd State Press, and leaves trails of audio, video, and ukulele covers via her website fancystitchmachine.org.
This is a Movement Research Studies Project: FOR WHAT Moderated by Ursula Eagly with panelists Morgan Bassichis, Justine Lynch, Melanie Maar, Clarinda Mac Low, Alta Starr and Marýa Wethers December 2, 2014 at Gibney Dance Center 890 Broadway as part of the Movement Research Festival Fall 2014: MATTERING co-curated by Rebecca Brooks and Daria Faïn in conversation with Shelley Senter FOR WHAT was a discussion led by panelists who enjoy multi-faceted engagement with the cultural field, including healing elements, social justice aspects, performance activations, and various cultural considerations. The discussion was a response to the observation that many artists decide to be of service in some way to the culture and to others and addresses questions such as what are we doing, and what are we doing it for? What does it mean to live/work as an artist at this current time, and how do we position our work in relation to everything else in our lives and our environment? And in what way are our artistic practices necessary to a collective transformation of society? Studies Project is a series of artist-instigated panel discussions, roundtables, performances and/or other formats that engage issues of aesthetics, philosophy and social politics relevant to the dance and performance community.
Now and Yesterday (Kensington Publishing) In the three decades since Peter first moved into his Brooklyn apartment, almost every facet of his life has changed. Once a broke, ambitious poet, Peter is now a successful advertising executive. He's grateful for everything the years have given him--wealth, friends, security. But he's conscious too of what time has taken in return, and a busy stream of invitations doesn't dull the ache that remains since he lost the love of his life. Will is a young, aspiring journalist hungry for everything New York has to offer--culture, sophistication, adventure. When he moonlights as a bartender at one of Peter's parties, the two strike up a tentative friendship that soon becomes more important than either expected. In Peter, Will sees the ease and confidence he strives for, while Peter is suddenly aware of just how lonely his life has become. But forging a connection means navigating very different sets of experience and expectations, as each decides how to make a place for himself in the world--and who to share it with. Beautifully written, warm yet incisive, Now and Yesterday offers a fascinating exploration of two generations--and of the complex, irrefutable power of friendship--through the prism of an eternally changing city. Stephen Greco has contributed features on the arts and entertainment, style and fashion, youth culture, and new media to publications such as The Advocate, American Way, aRude, Art News, Casa Vogue, Dancemagazine, Elle, Elle Decor, Empire, France, HX, Harper's Bazaar, Latina, the London Observer, the Journal of Movement Research, Manhattan File, New York magazine, the New Yorker, the New York Times online, Opera News, and the San Francisco Chronicle. He lives in Brooklyn, New York.
Movement Research Studies Project: We Came To This City To Shit On A Stage Adrienne Truscott With Panelists: Sara Beesley of Joe's Pub, Eric Dyer of Radiohole, Vallejo Gantner of PS122, performer/choreographer/curator Colin Self, and choreographer/performer Gillian Walsh. Gibney Dance Center, December 3, 2013 as part of the Movement Research Festival Fall 2013 “Le Song, Ya?!” curated by Adrienne Truscott and Jibz Cameron aka Dynasty Handbag The conversation revolved around the following question: "How do we make, define, and notice 'transgressive' art in a city whose identity, economy and landscape are increasingly manicured, welcoming, mainstream, highly visible and inaccessible?"
Movement Research Festival Fall 2013 Studies Project: Performing Vulnerability Adrienne Truscott with panelists: niv Acosta, Ben Asriel, Hilary Clark, Miguel Gutierrez and Juliana May Jimmy's 43, December 4, 2013 as part of Movement Research's Festival Fall 2013 "Le Song, Ya?!" curated by Adrienne Truscott and Jibz Cameron (Dynasty Handbag) This Studies Project revolved around the questions: What does it mean to be vulnerable in performance? Is vulnerability a state or can it be "done?" Note: At about 53 minutes into the conversation there is a short missing section due to technical difficulties.
2013 Movement Research Studies Project: Vulnerable Systems: Moving Beyond Sustainability Jennifer Monson and Movement Research Gibney Dance Center, November 5, 2013 This Studies Project discussed how the reality of climate change has brought an increased awareness around the fragility of our environment and a heightened interest in sustainable practices. How do we move beyond sustainability towards resiliency, a term currently in broad use in the social sciences? How do we address the current crisis from its roots, rather than perpetuating unworkable systems? Is change a value or an action? How can our practices within the dance community serve as models for adapting to change? Participants discussed different framings of sustainability from the perspectives of various fields, including social science, economics, and urban ecology in a roundtable conversation which invited the dance community and the larger public to explore concrete ways to create resilient systems in their own communities and beyond.
Part 2 of the 2013 Movement Research Studies Project: Dramaturgy as Practice/Dramaturgy in Practice, Amanda Loulaki and Susan Mar Landau Gibney Dance Center, October 1, 2013 with Panelists: Annie Dorsen, Katherine Profeta, David Thomson, Talvin Wilks, Susan Mar Landau, and Vanessa Anspaugh This Studies Project Discusses the relatively new and evolving phenomenon of a dramaturg as an active participant in the conceiving and making of movement-based works. Conceived as a two-part event, Dramaturgy as Practice/Dramaturgy in Practice speakers explored both the ontology and the workings of dance dramaturgy today. This second event brought together dramaturgs, choreographers and dancers to engage in an in-depth conversation on the experience, effect and possible implications of the presence of the dramaturg in the choreographic process. Part 1 of the Dramaturgy Studies Project took place on May 5th 2013 and is available as a podcast at: http://movementresearch.libsyn.com/movement-research-studies-project-dramaturgy-as-practice-dramaturgy-in-practice-may-5-2013
Town Hall Meeting With Speakers Walter Dundervill, Marjani Forte, Ishmael Houston-Jones, and Melinda Ring Gibney Dance Center, November 25, 2013. This meeting looked into Movement Research’s existence as a theoretical model of openness and experimentation, and the fact that Movement Research doesn’t dictate but rather creates a space in which to follow one’s own intention or aesthetic. Speakers and guests questioned what shifts have occurred in the role MR plays for us as dance artists and in the culture at large, whether there is a tension between the individuality and the collectivity that exists in the MR community of practice, thought and doing, and the making/marketing of our identities. As well as the role that the dancer/dance-maker play in an age that valorizes and fetishizes making.
Town Hall Follow-Up: Alternative Economies Moderated by Kathy Westwater With panelists Tamara Greenfield, Ilona Bito and more. Josie's, June 25, 2013. This is a Movement Research Studies Project: “Town Hall Follow-Up: Alternative Economies,” moderated by Kathy Westwater and including panelists, Ilona Bito, Liliana Dirks-Goodman, and Tamara Greenfield. This event took place June 25, 2013 at Josie’s. In a follow-up discussion to the 2012 Movement Research Town Hall, this conversation looked deeper into structures and alternatives that have manifested within the recent and current dance economy. Moderator Kathy Westwater, panelists and attendees reflected upon different ongoing conversations to glean further insights and understandings on the topics of value, money, time and dance-making.
Peter Sellars and Faustin Linyekula Dialogue September 17, 2012 French Institute Alliance Française Dialogue moderated by Barbara Bryan and Simon Dove In partnership with Crossing the Line Festival, and copresented by the Museum for African Art Friends and artistic collaborators, director and choreographer Faustin Linyekula and stage director Peter Sellars come together on the first anniversary of Occupy Wall Street to speak about each other’s work and the power of the arts as an agent for social and political change.
Performing the Changing CityOrganized by Abigail Levine and Paloma McGregorWith panelists luciana achugar, Randy Martin, Jenny Romaine, and Niegel SmithHemispheric Institute of Performance and Politics, March 19, 2013. "...careening astronauts and bank clerks glancing at the clock before lunch; actresses cowling at light-ringed mirrors and freight elevator operators grinding a thumbful of grease on a steel handle: student riots; that dark women in bodegas shook their heads last week because in six months prices have risen outlandishly; how coffee tastes after you've held it in your mouth, cold, a whole minute." --Samuel R. Delany, Dhalgren Hurricanes, transit strikes, planned and unplanned explosions, occupations... Bike lanes, bus lanes, protest pens, command centers... Pedestrian zones, redevelopment zones, disaster zones... How is the landscape of our city changing and what are the possibilities for creative response? Looking at the shifting social, economic, and literal topography of our city through the frame of transformative events and policy decisions, we ask the question: what is the role of artists, activists, and all citizens in conceiving, creating, and defending (a notion of) public space? And conversely, what is the role of public space as a partner in creative expression and action? luciana achugar, Randy Martin, Jenny Romaine, and Niegel Smith reflect on our shifting urban landscape and offer opportunities to imagine how we might enact our city in the future.
A few weeks ago, I interviewed choreographer Neta Pulvermacher about her UF/NYC Dance Xchange program for dance majors from University of Florida's College of Fine Arts. The students are now here in New York, and I met them last evening at Judson Memorial Church where we attended a Movement Research performance. After watching dances by Rose Anne Spradlin, Rebecca Lazier, DD Dorvillier and Julian Barnett, we gathered around, and I asked the students to share some of their reactions to the show. LINKS Interview with Neta Pulvermacher http://infinitebody.blogspot.com/2008/04/neta-pulvermacher-body-and-soul-podcast.html Joyce SoHo http://www.joyce.org University of Florida College of Fine Arts, Scool of Theatre and Dance http://arts.ufl.edu/theatreanddance/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
A few weeks ago, I interviewed choreographer Neta Pulvermacher about her UF/NYC Dance Xchange program for dance majors from University of Florida's College of Fine Arts. The students are now here in New York, and I met them last evening at Judson Memorial Church where we attended a Movement Research performance. After watching dances by Rose Anne Spradlin, Rebecca Lazier, DD Dorvillier and Julian Barnett, we gathered around, and I asked the students to share some of their reactions to the show. LINKS Interview with Neta Pulvermacher http://infinitebody.blogspot.com/2008/04/neta-pulvermacher-body-and-soul-podcast.html Joyce SoHo http://www.joyce.org University of Florida College of Fine Arts, Scool of Theatre and Dance http://arts.ufl.edu/theatreanddance/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
Alex Escalante's new evening-length work--"Clandestino"--pays tribute to his Mexican heritage, his immigrant parents, and the courage of undocumented workers, living in the United States, who, in the spring of 2006, turned out for massive rallies for their human rights. At a time when illegal immigration has become an exploited political flashpoint, Escalante asks audiences to confront their own feelings and opinions on this issue. The personal is the political, and vice-versa, in this vibrant presentation featuring live and recorded music, film, and a movement vocabulary inspired by contemporary Mexican social dances. Visit "Clandestino" on MySpace (see link below). BIO Alex Escalante, originally from Los Angeles, graduated from SUNY Purchase. He has worked in New York with Donna Uchizono, Jennifer Monson/Birdbrain, Doug Elkins, Doug Varone, David Neumann, Gerald Casel, the Metropolitan Opera, and has been fortunate to tour as Merce Cunningham's personal assistant. He was featured in the musical film Romance and Cigarettes, directed by John Turturro. His own work, as well as choreography for theatre with Division 13 Productions, has been presented at Dance Theater Workshop, Danspace Project, La MaMa E.T.C., Dixon Place, Movement Research at Judson Church, Joe's Pub, and Here Arts Center. In February 2007, his most recent work, Swallow Sand, was presented by Dance Theater Workshop as part of a Studio Series residency. Escalante is currently a 2007-2008 Movement Research Artist-in-Residence. He also works as a freelance photographer and is an avid surfer. EVENT Premiere of "Clandestino" at Danspace Project, St. Mark's Church, Thursday-Saturday, April 10-12 (8:30pm) Reservations: 212-674-8194 or at Danspace Project's Web site (see link below). LINKS Alex Escalante's "Clandestino" http://www.myspace.com/_clandestino Danspace Project http://www.danspaceproject.org Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
Alex Escalante's new evening-length work--"Clandestino"--pays tribute to his Mexican heritage, his immigrant parents, and the courage of undocumented workers, living in the United States, who, in the spring of 2006, turned out for massive rallies for their human rights. At a time when illegal immigration has become an exploited political flashpoint, Escalante asks audiences to confront their own feelings and opinions on this issue. The personal is the political, and vice-versa, in this vibrant presentation featuring live and recorded music, film, and a movement vocabulary inspired by contemporary Mexican social dances. Visit "Clandestino" on MySpace (see link below). BIO Alex Escalante, originally from Los Angeles, graduated from SUNY Purchase. He has worked in New York with Donna Uchizono, Jennifer Monson/Birdbrain, Doug Elkins, Doug Varone, David Neumann, Gerald Casel, the Metropolitan Opera, and has been fortunate to tour as Merce Cunningham's personal assistant. He was featured in the musical film Romance and Cigarettes, directed by John Turturro. His own work, as well as choreography for theatre with Division 13 Productions, has been presented at Dance Theater Workshop, Danspace Project, La MaMa E.T.C., Dixon Place, Movement Research at Judson Church, Joe's Pub, and Here Arts Center. In February 2007, his most recent work, Swallow Sand, was presented by Dance Theater Workshop as part of a Studio Series residency. Escalante is currently a 2007-2008 Movement Research Artist-in-Residence. He also works as a freelance photographer and is an avid surfer. EVENT Premiere of "Clandestino" at Danspace Project, St. Mark's Church, Thursday-Saturday, April 10-12 (8:30pm) Reservations: 212-674-8194 or at Danspace Project's Web site (see link below). LINKS Alex Escalante's "Clandestino" http://www.myspace.com/_clandestino Danspace Project http://www.danspaceproject.org Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
Jeff Larson co-curates the enormously popular Catch performance series with Andrew Dinwiddie. He’s also co-curator of Movement Research’s Spring Festival 2008. Jeff called in today to talk about Artists’ Map, his new project for Movement Research. You can submit your address to Artists' Map by emailing Jeff at jeff.larson@mac.com. BIO Jeff Larson is Associate Technical Director for Theatrical Production and Adjunct Faculty for the Department of Design for Stage and Film at NYU's Tisch School of the Arts. Together with Andrew Dinwiddie, he curates the Catch performance series. Jeff is also the co-founder of PHILIFOR & PHILIMOR productions. Current activities include: performing in HUGO with choreographer Chris Yon (DTW, Spring 2008); scenic design for Beth Gill's “Eleanor & Eleanor” (DTW, Fall 2008); “The Principle of Trim,” the second short video of two with longtime collaborator Zach Steel (Spring 2008); co-curating the Movement Research Spring Festival (Spring 08); and a project centered around the life of militant abolitionist John Brown (Fall 2009). LINKS CATCH htpp://www.catchseries.org MOVEMENT RESEARCH FESTIVAL http://www.movementresearch.org Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
My guest, Carrie Ahern, is a dancer and an independent choreographer whose work shows a powerful sense of visual order and psychological depth. We met in the dressing room at St. Mark's Church, home of Danspace Project, to talk about "Red," which premiered there in 2006, and her new piece--"The Unity of Skin"--which will premiere on April 3 and run through April 5. To listen to original music composed for "The Unity of Skin" by cellist Greg Heffernan, visit http://www.carrieahern.com/calendar/calendar.html. BIO Carrie Ahern, a Wisconsin native, is an independent dance and performance artist who has been based in New York City since 1995. She worked primarily as a freelance performer/choreographer for over a dozen dance and theater companies until forming Carrie Ahern Dance in 2005. Her current evening length project, "The Unity of Skin" is commissioned by Danspace Project for performances April 3-5, 2008 and is being presented at Baltimore Theatre Project March 6-9, 2008. Investigations into "The Unity of Skin" were shown at Dance Conversations at the Flea, Danceworks in Milwaukee, Movement Research at Judson Church and at Brooklyn Arts Exchange (BAX) as part of their 2007 Space Grant Residency. Her studies of Ancient Greek Philosophy for this piece were funded, in part, by Fractured Atlas' Creative Development Grant. Carrie's first evening length work "Red" (2006) was commissioned both by Danspace Project at St. Mark's Church and the Guggenheim Works-and Process Series. Her shorter works have been seen at over a dozen venues in New York City such as Danspace Project, P.S.122, Dixon Place, the Angel Orensanz Foundation, Dance Space Center (now DNA), Chashama, The Flea and Soundance among others. Nationally and internationally, her work has been presented at Baltimore Theatre Project, Danceworks and Walker's Point Arts Center in Milwaukee, Le Regard du Cygne in Paris and at the Festival D'OFF in Avignon, France. She self-produced two seasons in conjunction with her frequent collaborator, Jennifer A. Cooper: "Alteregomania" at Cunningham in 1999 and "Exploding Plastic Acorns" at the Williamsburg Art Nexus (WAX) in 2003. In 2002, Bessie award winning dancer Carolyn Hall commissioned a solo, with an original score by Grammy award winner Matt Darriau and Ivan Goff. As a performer Carrie has had the pleasure of working with many artists here in New York City including, Pat Cremins/Wyoming, Heather Kravas, Heidi Latsky, Allyson Green, Nina Winthrop, Jeffrey Frace, Ridge Theater, Donna Bouthillier and Jennifer A. Cooper. Upcoming choreographic experiments include a collaborative effort with The Nietzsche Circle -the exciting and daunting task of using Nietzsche's "Thus Spake Zaranthustra" as a jumping off point for a dance. She is exploring remounting 2006's "Red" for the crumbling and infamous Eastern State Penitentiary. Ahern is a sought-after teacher of pilates and yoga throughout NYC. She has taught improvisation at the University of Wisconsin-Milwaukee and dance technique in the New York City Public Schools. LINKS Carrie Ahern http://www.carrieahern.com Greg Heffernan (composer) http://www.gregheffernan.com Agata Oleksiak (visual designer) http://www.agataolek.com Danspace Project http://www.danspaceproject.org/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
Jeff Larson co-curates the enormously popular Catch performance series with Andrew Dinwiddie. He’s also co-curator of Movement Research’s Spring Festival 2008. Jeff called in today to talk about Artists’ Map, his new project for Movement Research. You can submit your address to Artists' Map by emailing Jeff at jeff.larson@mac.com. BIO Jeff Larson is Associate Technical Director for Theatrical Production and Adjunct Faculty for the Department of Design for Stage and Film at NYU's Tisch School of the Arts. Together with Andrew Dinwiddie, he curates the Catch performance series. Jeff is also the co-founder of PHILIFOR & PHILIMOR productions. Current activities include: performing in HUGO with choreographer Chris Yon (DTW, Spring 2008); scenic design for Beth Gill's “Eleanor & Eleanor” (DTW, Fall 2008); “The Principle of Trim,” the second short video of two with longtime collaborator Zach Steel (Spring 2008); co-curating the Movement Research Spring Festival (Spring 08); and a project centered around the life of militant abolitionist John Brown (Fall 2009). LINKS CATCH htpp://www.catchseries.org MOVEMENT RESEARCH FESTIVAL http://www.movementresearch.org Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
The talented Trajal Harrell is one of dance's versatile, committed workers. He has learned to balance various roles including performer, choreographer, curator, journal editor and instructor. His innovative art, in concept and execution, investigates the links between postmodern and popular aesthetics. Dance Theater Workshop will host the premiere of Harrell's "Quartet for the End of Time," October 15-18, 2008. This full-evening work for four dancers takes the story of Olivier Messiaen's famous music of the same name (composed and first performed by Jewish and Christian musicians in a Nazi prisoner-of-war camp) as a foundation for investigating the antagonism between sincerity and irony in our contemporary time. BIO Trajal Harrell was born in Douglas, Georgia. He graduated from Yale University, majoring in American Studies with a concentration in creative processes--researching theater, literary theory and art history. He has also studied dance and choreography at Brown University, The Martha Graham School of Contemporary Dance, The San Francisco Institute of Choreography, City College of San Francisco, Movement Research and the Trisha Brown School. His work has been performed in various venues in the US and Europe. In 1998, he was selected as an artist-in-residence at Movement Research and has been active in the development of research projects and curation, including curating an initiative to diversify Movement Research's programming through selection of artists of color for performance opportunities. He has served in editorial capacities for the Movement Research Performance Journal and was appointed editor-in-chief in 2006. LINKS Movement Research: http://www.movementresearch.org/ Dance Theater Workshop: http://www.dtw.org Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
Estelle Woodward Arnal (Director of Artist Services, Dance Theater Workshop) and Levi Gonzalez (dancer-choreographer) join me today to talk about DTW's Outer/Space Creative Residency Program. Levi Gonzalez is an independent choreographer living and working in New York City who has created a body of solo and group choreographic projects. He is interested in presenting work in a variety of venues and contexts, from small and intimate spaces to more traditional stages. Often the placement of the work in a certain environment shapes the content. Gonzalez is interested in furthering a dialogue of ideas about the body in society-at-large and about how we experience physical presence. He has gradually distanced himself from dance that concerns itself with the abstract designing of movement as an end in itself and towards work that addresses performance and the power and meaning of embodiment in daily life. His work and his choreographic collaborations with Luciana Achugar have been presented by Movement Research at Judson Church, Dance Theater Workshop, The Kitchen, Danspace Project, PS122, Dixon Place, and PS1 Contemporary Art Center. He has performed extensively with Donna Uchizono Company and John Jasperse Company, as well as ChameckiLerner, Jeremy Nelson and Dennis O’Connor. Additionally, he has worked for Michael Laub’s Remote Control Productions in Europe. Levi teaches technique and composition at Movement Research and with Dean Moss at The Kitchen. He was a Movement Research Artist in Residence from 2003-2004 and a 2006 NYFA Fellow in Choreography. He is an editor of Critical Correspondence, an online publication, and facilitates artist dialogues through Dance Theater Workshop’s Fresh Tracks Residency. LINKS: Dance Theater Workshop http://www.dancetheaterworkshop.org Movement Research (for Levi Gonzalez' upcoming workshop, "The Practice of Presence") http://www.movementresearch.org Critical Correspondence http://www.movementresearch.org/publishing/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.
Today, we’ll hear from Mary Cochran (Chair of the Dance Department, Barnard College of Columbia University) and Luciana Achugar (2007 Bessie Award-winning choreographer) about Sugar Salon, a program dedicated to mentoring, commissioning and presenting women at the forefront of contemporary choreography. GUEST BIOS: Luciana Achugar Luciana Achugar is a Brooklyn-based Uruguayan choreographer. After moving to New York upon graduation from Cal Arts in 1995, Achugar danced with several choreographers, including Chameckilerner and John Jasperse. From 1999 to 2003, she worked in a close collaborative relationship with choreographer Levi Gonzalez. Their work was presented in New York by Dixon Place, Movement Research at Judson Church, PS1 Contemporary Art Center, Dance-in-Progress at The Kitchen, and at Dance Theater. Achugar has also worked collaboratively with visual artists Marcos Rosales and Michael Mahalchick. Mary Cochran Department of Dance Chair and Associate Professor of Professional Practice at Barnard College of Columbia University, Mary Cochran has performed and taught on every continent except Antarctica. A renowned soloist with Paul Taylor Dance Company from 1984-1996, Cochran continues her association with Taylor to this day having completed 19 restagings of his masterworks and as Director of the Paul Taylor School’s Summer and Winter Intensives. Cochran has taught at numerous colleges and conservatories including Mills College, the Juilliard School, University of Michigan, Harvard University, and the North Carolina School of the Arts. She received her MFA from the University of Wisconsin/Milwaukee in May of 2005. UPCOMING EVENT: See Sugar Salon's performances at Abrons Arts Center (February 15-16), featuring works by the 2007-08 residents: Luciana Achugar ("Franny and Zooey"), Renée Archibald ("Curtain Wall") and Heather McArdle/BLUEPRINTVIOLATION (excerpt from "Ballad of Arrivals & Departures"). Choreographer mentor Donna Uchizono will moderate a post-performance discussion with the artists on Friday, February 15. For full schedule and ticketing details, call 212-352-3101 or visit http://www.theatermania.com. INFORMATION LINKS: Department of Dance, Barnard College: http://www.barnard.edu/dance Williamsburg Art NeXus (WAX): http://www.wax205.com Abrons Arts Center: http://www.henrystreet.org/arts Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa
One of the interviews I’m most proud of was conducted in late 2007 with dancer-choreographer Jen Abrams. I’m delighted to bring this episode out of the archives and present it in Body and Soul’s new home. When our "half-hour" interview concluded, we were amused to see that it had actually lasted a full hour! But that's what it takes to tell even part of the story of her work with the WOW Cafe Theater collective, an historic and essential part of the still-hearty cultural abundance of Manhattan's rapidly-changing East Village. Listening to Jen talk about her background in contact improvisation, I discovered a fascinating connection between contact improvisation and the "open source," grassroots nature of WOW. Her intensity and strength as an artist working in dance, theater and poetry are more than matched by the tenacity of this theater collective and space that she so clearly loves. And here’s her bio: Jen Abrams’ work has been presented at BAX, HERE, Dixon Place, the Nuyorican Poets Café, and the Bowery Poetry Club, as well as at WOW Café Theater, where she has been an active member for seven years. She has produced three full-length concerts of her own work at WOW: Itch (2000), Saturn Return (2001), and Surfacing (2002), as well as two shared bill evenings: As I Was Saying (2004, with Risa Jaroslow and Eva Lawrence) and Asunder (2006 with Clarinda Mac Low and Tara O’Con.). She was a 2005 BAX space grantee, and is co-curator and co-producer with Sally Silvers of TalkTalk WalkWalk, an annual poetry and dance festival. Her choreographic work has also been seen at WOW in the stage plays The Skriker by Caryl Churchill, All Eyes, All Sides – Beckett One Acts, Naomi Wallace’s Slaughter City, and Moira Cutler’s MetaMeshugenaMorphosis and Sonofabitch Stew, all with Dogsbody Theater. The Village Voice has called her work “quintessentially New York,” and her performances “convincing no matter what [she chooses] to do.” Jen has studied the form of Contact Improvisation for twelve years, beginning at Oberlin College, the birthplace of the form. She relocated to New York City from Chicago, where she presented and performed in five full-length concerts with the contact improv-based company she co-founded, Limbic Fix. She is classically trained as an actor, and performed in plays throughout Chicago before moving to New York City to focus on movement-based performance. She is also a writer, and has given readings of her work at St. Mark’s Poetry Project, Halcyon, and Bar 13. By day, Jen works as a fundraiser for a small poetry press, and serves as Managing Director for Risa Jaroslow & Dancers. She also teaches Contact Improv through Movement Research. Her roots in theater and immersion in literature inform her dances. Visit Jen Abram's Web site at http://www.jenabrams.org. Visit Eva Yaa Asantewaa's dance blog--InfiniteBody--at http://infinitebody.blogspot.com.
One of the interviews I’m most proud of was conducted in late 2007 with dancer-choreographer Jen Abrams. I’m delighted to bring this episode out of the archives and present it in Body and Soul’s new home. When our "half-hour" interview concluded, we were amused to see that it had actually lasted a full hour! But that's what it takes to tell even part of the story of her work with the WOW Cafe Theater collective, an historic and essential part of the still-hearty cultural abundance of Manhattan's rapidly-changing East Village. Listening to Jen talk about her background in contact improvisation, I discovered a fascinating connection between contact improvisation and the "open source," grassroots nature of WOW. Her intensity and strength as an artist working in dance, theater and poetry are more than matched by the tenacity of this theater collective and space that she so clearly loves. And here’s her bio: Jen Abrams’ work has been presented at BAX, HERE, Dixon Place, the Nuyorican Poets Café, and the Bowery Poetry Club, as well as at WOW Café Theater, where she has been an active member for seven years. She has produced three full-length concerts of her own work at WOW: Itch (2000), Saturn Return (2001), and Surfacing (2002), as well as two shared bill evenings: As I Was Saying (2004, with Risa Jaroslow and Eva Lawrence) and Asunder (2006 with Clarinda Mac Low and Tara O’Con.). She was a 2005 BAX space grantee, and is co-curator and co-producer with Sally Silvers of TalkTalk WalkWalk, an annual poetry and dance festival. Her choreographic work has also been seen at WOW in the stage plays The Skriker by Caryl Churchill, All Eyes, All Sides – Beckett One Acts, Naomi Wallace’s Slaughter City, and Moira Cutler’s MetaMeshugenaMorphosis and Sonofabitch Stew, all with Dogsbody Theater. The Village Voice has called her work “quintessentially New York,” and her performances “convincing no matter what [she chooses] to do.” Jen has studied the form of Contact Improvisation for twelve years, beginning at Oberlin College, the birthplace of the form. She relocated to New York City from Chicago, where she presented and performed in five full-length concerts with the contact improv-based company she co-founded, Limbic Fix. She is classically trained as an actor, and performed in plays throughout Chicago before moving to New York City to focus on movement-based performance. She is also a writer, and has given readings of her work at St. Mark’s Poetry Project, Halcyon, and Bar 13. By day, Jen works as a fundraiser for a small poetry press, and serves as Managing Director for Risa Jaroslow & Dancers. She also teaches Contact Improv through Movement Research. Her roots in theater and immersion in literature inform her dances. Visit Jen Abram's Web site at http://www.jenabrams.org. Visit Eva Yaa Asantewaa's dance blog--InfiniteBody--at http://infinitebody.blogspot.com.
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