Podcasts about Attention

Let's talk about why so many men struggle in today's dating market. Winning isn't about getting the most attention. It's about putting myself in a position where I'm the obvious choice instead of competing with everyone else. That's the strategy I'm breaking down in today's class. Show Notes: [11:17]#1 They are competing for attention, which is a losing strategy.  [15:40]#2 Validation seeking lowers your position. [19:04]#3 Attention does not necessarily convert to commitment.  [24:10] Recap Next Steps: --- Execution is not a talent.   It is a standard. If your results don't match your ability, something in your approach is out of alignment. Most people do not have a motivation problem.   They have a consistency problem. Power Presence is the system for operating with greater discipline, clarity, structure, and execution under pressure. Learn more: → http://www.PowerPresenceProtocol.com  Know what to do but not always doing it?  Measure your execution at → http://RateMyExecution.com. Get Dre's free Daily Game email at http://WorkOnMyGame.com. Every day you'll receive one practical lesson on leadership, mindset, discipline, and execution to help you perform at a higher level. No fluff. Just game

Palantir kicks off another packed earnings slate after the bell, while manufacturing data is in focus this morning. Attention will then shift to jobs data later in the week. Important Disclosures This material is intended for general informational and educational purposes only. This should not be considered an individualized recommendation or personalized investment advice. The {securities, investment products and investment strategies mentioned are not suitable for everyone. Each investor needs to review an investment strategy for his or her own particular situation before making any investment decisions. For illustrative purpose(s) only. Investing involves risk, including loss of principal, and for some products and strategies, loss of more than your initial investment. Supporting documentation for any claims or statistical information is available upon request. Past performance is no guarantee of future results. Diversification and rebalancing strategies do not ensure a profit and do not protect against losses in declining markets. Indexes are unmanaged, do not incur management fees, costs, and expenses and cannot be invested in directly. For more information on indexes, please see schwab.com/indexdefinitions. The policy analysis provided by the Charles Schwab & Co., Inc., does not constitute and should not be interpreted as an endorsement of any political party. Digital currencies [such as bitcoin] are highly volatile and not backed by any central bank or government. Digital currencies lack many of the regulations and consumer protections that legal-tender currencies and regulated securities have. Due to the high level of risk, investors should view digital currencies as a purely speculative instrument. Cryptocurrency-related products carry a substantial level of risk and are not suitable for all investors. Investments in cryptocurrencies are relatively new, highly speculative, and may be subject to extreme price volatility, illiquidity, and increased risk of loss, including your entire investment in the fund. Spot markets on which cryptocurrencies trade are relatively new and largely unregulated, and therefore, may be more exposed to fraud and security breaches than established, regulated exchanges for other financial assets or instruments. Some cryptocurrency-related products use futures contracts to attempt to duplicate the performance of an investment in cryptocurrency, which may result in unpredictable pricing, higher transaction costs, and performance that fails to track the price of the reference cryptocurrency as intended. Please read more about risks of trading cryptocurrency futures here. Fixed income securities are subject to increased loss of principal during periods of rising interest rates. Fixed income investments are subject to various other risks including changes in credit quality, market valuations, liquidity, prepayments, early redemption, corporate events, tax ramifications, and other factors. All expressions of opinion are subject to change without notice in reaction to shifting market, economic or political conditions. Data contained herein from third party providers is obtained from what are considered reliable sources. However, its accuracy, completeness or reliability cannot be guaranteed. Schwab does not recommend the use of technical analysis as a sole means of investment research. The Schwab Center for Financial Research is a division of Charles Schwab & Co., Inc. Apple Podcasts and the Apple logo are trademarks of Apple Inc., registered in the U.S. and other countries. Google Podcasts and the Google Podcasts logo are trademarks of Google LLC. Spotify and the Spotify logo are registered trademarks of Spotify AB. (0131-0826) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Apostle Kwadwo Safo Kantanka's funeral was marked by a series of significant events, from legal challenges and family disputes to the eventual gathering of thousands of mourners to honour his life and legacy. This highlights the key moments that unfolded before and during the burial, offering a complete picture of one of Ghana's most closely followed funerals

Grammy-nominated singer-songwriter Charlie Puth has spent the last decade topping charts with hits like “See You Again,” “Attention” and “We Don't Talk Anymore”. He also shares about performing the national anthem at the 2026 Super Bowl, drawing inspiration from Whitney Houston's iconic rendition. Puth sits down with Willie Geist at a New York City jazz club to discuss his fourth studio album, “Whatever's Clever,” an orchestral pop record influenced by late 1980s and early 1990s yacht rock, while reflecting on the pivotal moments that shaped his rise from accidental pop star to global headliner. Plus, he opens up about a recent conversation with former President Barack Obama about the importance of music education, how Taylor Swift's “The Tortured Poets Department” lyric pushed him to be more vulnerable and how marriage and fatherhood have reshaped his songwriting. (Original broadcast date March 8, 2026.) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode Andrea Samadi explores Phase Three of the Brain's Operating System — how movement acts as the essential input that activates the brain, sharpens attention, boosts learning, and improves social and emotional readiness. Drawing on Dr. John Ratey's insights and related neuroscience research, she explains the chain reaction from exercise to brain activation, learning, and adaptation. The episode also emphasizes the vital role of recovery in consolidating gains so movement leads to lasting performance improvements, and invites listeners to adopt movement as a daily catalyst for clearer thinking, better learning, and greater resilience. Dr. John Ratey and The Movement Loop On this episode 404, we will: Explore where Dr. John Ratey's groundbreaking research fits within the Movement Loop. Understand how movement activates the brain and prepares us to learn. Discover why attention is the gateway to learning and performance. Connect Dr. Ratey's work with Dr. Chuck Hillman, Dr. John Medina, Kristen Holmes, and Jason Whitrock to see the bigger picture. Learn how movement becomes lasting human performance by building our capacity over time. How Movement Becomes Human Performance Welcome back to the Neuroscience Meets Social and Emotional Learning Podcast. I'm Andrea Samadi, and on this podcast, we bridge the science behind social and emotional learning, emotional intelligence, and practical neuroscience so we can create measurable improvements in well-being, achievement, productivity, and results. If you've been following along through Season 16, you'll know we've been building what I call The Brain's Operating System for Human Performance—a neuroscience-based framework that explains how movement, recovery, and adaptation work together to improve our health, learning, leadership, and performance. Over the past seven years and more than 400 episodes, I've had the privilege of interviewing neuroscientists, physicians, psychologists, educators, and high performers from around the world. As I looked across those conversations, I realized they weren't isolated ideas—they were pieces of a much larger system. I've organized that system into five interconnected phases that mirror how we grow and develop throughout life. And as we work through each of these phases, we are sharpening our saw for productivity, learning and high performance, really, with the brain and body in mind. Phase 1 is Regulation and Safety, we launched on EP 384[i] with Dr. Baland Jalal on Sleep, Safety and Curiosity. This phase is where we build the foundation by understanding the nervous system, stress, emotions, and the importance of creating internal and external safety before learning or productivity can take place. Phase 2 is Neurochemistry and Motivation, where we explore how dopamine, reward, purpose, and emotional regulation influence our choices, habits, and sustained effort. Today, we're in Phase 3: Movement, Learning, and Cognition. This is where movement becomes the catalyst that prepares the brain to pay attention, learn, adapt, and ultimately perform at a higher level. In Phase 4, we'll discover how perception and social intelligence shape the way we understand ourselves, communicate, build trust, and strengthen relationships. And finally, in Phase 5, we'll bring everything together through integration and meaning—understanding how our experiences become wisdom, resilience, purpose, and lifelong growth. Each phase builds on the one before it, because meaningful human performance isn't created in a single breakthrough—it's built one system at a time. Together, they create what I believe is the brain's operating system for human performance. If we want to improve the entire big picture of our results, we can dive deeper into these 5 phases to see what areas we could sharpen a bit. I've put the individual episodes of each phase in the show notes for a deeper dive. Today's episode is one of those foundational pieces of Phase 3. Because before we can improve performance, we first need to understand how movement changes the brain. In Episode 402[ii], we introduced The Movement Loop, built around one simple idea: Movement is the input—it's what we do. Recovery enables adaptation—it's how the brain and body grow stronger. Performance is the outcome—the results we can see, feel, and measure. Every cycle expands our capacity to learn, lead, and perform. Every movement we make sends a signal to the brain and body. That signal activates the brain— increasing blood flow, neurotransmitters, and neuroplasticity—preparing us to pay attention and learn. When movement is followed by adequate recovery, the brain and body adapt. Those adaptations become the foundation for better performance—whether that's learning more effectively, thinking more clearly, leading with greater confidence, or improving our physical health. Then, in Episode 403[iii], Dr. Chuck Hillman helped us understand why movement changes the brain. We learned that every step increases blood flow, stimulates the release of Brain-Derived Neurotrophic Factor—BDNF, often called fertilizer for the brain—and prepares the neural networks responsible for attention, learning, memory, and executive function. But understanding why movement changes the brain is only part of the story. Today's episode answers a different question: What does that actually look like in real life? How does movement change our brain? To answer that question, we're returning to one of my favorite interviews from March of 2021 with Harvard psychiatrist and bestselling author Dr. John Ratey, whose groundbreaking book Spark helped change the way millions of people think about exercise and the brain. Now, you might be wondering... "Andrea, didn't we already review Dr. Ratey's work in Episodes 375[iv] and 376[v]?" We did. But today isn't simply another review. Today we're looking at Dr. Ratey's work through an entirely new lens. When we first interviewed Dr. Ratey in 2021, I knew movement was important. But after spending the past several years interviewing experts like Dr. Chuck Hillman, Dr. John Medina, Dr. Kristen Holmes, Jason Whitrock, and hundreds of others—and measuring my own health and performance data that we'll explore throughout this season's bonus episodes—I now understand exactly where Dr. Ratey's research fits inside the Movement Loop. As I looked across all of those conversations, I realized they weren't isolated ideas. They were pieces of one much larger system. Today we're in Phase 3: Movement, Learning, and Cognition—the phase where movement becomes the catalyst for attention, learning, adaptation, and ultimately, human performance. In the coming phases, we'll discover how perception shapes our relationships, and finally how everything integrates into meaning, purpose, and lifelong growth. Today's conversation with Dr. Ratey is one of the foundational building blocks of Phase 3. Why This Matters If you've listened to this podcast for a while, you've probably heard me talk about movement as one of the few true non-negotiables in my day. Before my workday begins, I've already made time to move—not because I'm training for a race or trying to burn calories, but because I know how profoundly movement changes the way my brain performs. The research is clear. Movement prepares the brain to pay attention, learn more effectively, regulate emotions, solve problems, and perform at a higher level. I've experienced these benefits firsthand. On the days I move first, I think more clearly, I'm more productive, and I'm better equipped to handle whatever challenges the day brings. And I imagine many of you listening have experienced the same thing. Once you begin noticing how movement changes your thinking, it becomes much easier to make it a consistent part of your life. Why This Season Exists That's why my hope for Season 16 isn't simply to convince you that exercise is good for you. My goal is much bigger than that. It's to demonstrate why movement is the first step in The movement loop—and to show how every movement you make begins a chain reaction that improves learning, health, leadership, and performance. With every cycle, we don't just improve today's performance. We expand our capacity for tomorrow. As we continue exploring the Movement Loop, I hope you'll begin to see movement differently—not as another item on your to-do list, but as the input that starts an entire system of growth. Because movement isn't the goal. Movement is the beginning of everything that follows. CLIP 1: Movement Primes the Brain for Learning CLIP 1: Social Connection Reflection: Where This Fits in the Movement Loop Let's review Clip 1 with Dr. Ratey. When we listen to his clip through that lens, every sentence he shares fits into a specific step of the process. Reviewing Dr. Ratey, through the lens of The Movement Loop. Step 1: Movement — The Input Everything begins with movement. Movement is the signal we send to the brain and body that says: "It's time to wake up. It's time to adapt." Without movement, nothing else in the loop begins. As Dr. Ratey says, movement is what "turns on the thinking parts of the brain." Step 2: Brain Activation — The Brain Wakes Up This is exactly what we learned from Dr. Chuck Hillman in Episode 403[vi]. Movement immediately increases blood flow to the brain. It activates neurotransmitters. It stimulates Brain-Derived Neurotrophic Factor, or BDNF, helping create the ideal environment for learning. Dr. Hillman explained what is happening biologically. Dr. Ratey in this clip explains what we experience. You suddenly feel more alert. More awake. More ready to think. These are two perspectives describing the same process. Step 3: Attention — The Gateway to Learning This is where Dr. Ratey's words become especially powerful. He says movement helps us: stay with an idea, focus longer, evaluate information, scan our memory, and even simply stay seated long enough to think through something difficult. That isn't just better concentration. That's improved attention, and attention is the gateway to learning. Without attention, very little learning takes place. Movement prepares the brain to pay attention. At this point in the interview, he was referencing the fact that I had told him that I couldn't write podcast episodes on this topic without moving my body first. In the early days of this podcast, I found the science very difficult to understand. A couple of times I did think that this topic was over my head, and almost considered giving up. Almost, but very grateful for where the learning took me that I stuck it through. Step 4: Learning — Building New Neural Connections Once attention improves, learning becomes possible. Now the brain can: process information, make connections, strengthen memories, and solve problems more effectively. This is why Dr. Ratey says movement helps us become better learners, better thinkers, better workers, and better students. Movement isn't improving muscles first. It's improving the brain's ability to learn. Step 5: Social and Emotional Readiness One part of this interview that has become even more meaningful over time is Dr. Ratey's explanation of social connection. Exercise doesn't only improve cognition. It also changes our emotional state. We're more motivated. We regulate our emotions more effectively. We become more socially connected. Dr. Ratey explains that movement increases oxytocin—the hormone associated with bonding and trust—making us more open to connecting with others. That's important because learning has always been social. Whether we're in a classroom, at work, or with our families, our ability to connect with other people influences how well we learn, communicate, and perform. Movement prepares us socially as well as cognitively. Step 6: Recovery and Adaptation — Where Lasting Change Happens Now here's the part I didn't fully appreciate back in 2021. Everything Dr. Ratey has described prepares the brain for learning. But those immediate benefits only become lasting improvements if they're followed by recovery. Recovery is when the brain consolidates learning. It's when new neural connections are strengthened. It's when adaptation occurs. This is where Kristen Holmes' work on recovery fits perfectly into the Movement Loop. We recently reviewed our 2021 interview with Kristen Holmes on EP 390[vii] “What Gets Measured Improves: Sleep, Recovery and Strain” and it was Dr. Holmes who was (not the first person to notice I could improve my recovery scores) but was stern enough with me about how important that it was, and how I was leaving a lot off the table by not getting enough sleep/recovery to match the strain I was pushing towards each day. Movement starts the process. Recovery completes it. And together (this won't happen if one is missing) they create adaptation—the biological changes that make us stronger, healthier, and more resilient over time. The Big Takeaway When I first interviewed Dr. John Ratey in 2021, I thought he was teaching us why exercise is good for the brain. Today, after years of interviewing neuroscientists, physicians, performance experts, and educators, I see something much bigger. Dr. Ratey wasn't simply describing the benefits of exercise. He was describing the beginning of a biological process. Movement is the input. Movement activates the brain. The activated brain becomes ready to focus, learn, regulate emotions, and connect with others. Learning, when supported by recovery, leads to adaptation. Adaptation creates better performance. And every time we move through that cycle, we expand our capacity to meet tomorrow's challenges. That's the Movement Loop. It's not just a framework for understanding exercise. It's a framework for understanding how the brain changes, how we grow, and how human performance is built—one movement at a time. Review and Conclusion: The Movement Loop and Dr. Ratey To review and conclude what we've learned today. Dr. Ratey's interview wasn't simply about why exercise is good for the brain. It was about how movement begins a chain reaction that changes the way we learn, think, and perform. We discovered that: Movement is the input. Every movement sends a signal to the brain and body that it's time to change. Movement activates the brain. Blood flow increases. Neurotransmitters increase. BDNF begins preparing the brain for learning. The activated brain becomes ready. Attention improves. Executive function sharpens. Emotions become easier to regulate. We're even more prepared to connect with other people. That readiness makes learning possible. New neural pathways begin to form. The brain starts building stronger and more efficient networks. But learning doesn't end when the workout ends. Recovery allows the brain to consolidate what movement started. Recovery creates adaptation. Adaptation creates better performance. And every time we complete that cycle, we expand our capacity for whatever challenge comes next. That's the Movement Loop. This is something I've learned through years of interviewing experts, but also through measuring my own health and performance. The days I move first are always the days I think more clearly. I'm more creative with what I write as well as making connections that are important to me in my day to day life. More productive- with the entire day (family and work). More patient (with my kids and family) More present and clear. Movement doesn't solve every problem. But it prepares us to solve problems better, and increases our capacity and productivity. And that's a lesson I'll keep coming back to throughout this season. Coming Next… But there's still one important question we haven't answered. If movement activates the brain... why do some people consistently improve --while others seem to work just as hard without seeing the same results? Is it genetics? Motivation? Discipline? Or is there something happening between today's effort and tomorrow's performance? Next week, in Bonus Episode 2, we'll answer that question. We'll explore what I call The Predictable Performance System and look at years of my own recovery data to understand why recovery isn't simply the opposite of training—it's the bridge between today's habits and tomorrow's performance. Because the difference between predictable and unpredictable results... isn't luck. It's recovery. It's how we are balancing how much we push with how much we are able to rest/recover. Until next time... Keep moving. Protect your recovery. Build your capacity. And continue designing your brain's operating system for lifelong learning, health, leadership, and human performance. Thanks for joining me. I'll see you next week. RESOURCES: Clip 1 Movement and the Brain Dr. Ratey https://www.youtube.com/shorts/bbB4NzsnyQ0 Clip 1 Social Connection Dr. Ratey https://www.youtube.com/shorts/bbB4NzsnyQ0 Phase 1: Regulation & Safety The Foundation Core Question: Is the nervous system safe enough to learn? Everything begins with regulation. Before we can focus, learn, lead, or perform, the brain first asks one fundamental question: Am I safe? Throughout Phase 1, our guests showed us that regulation isn't simply about reducing stress—it's about creating the biological conditions that allow the brain to learn, adapt, and thrive. Together we explored: Baland Jalal – how sleep, curiosity, imagination, and creativity prepare the brain for learning. https://andreasamadi.podbean.com/e/hypnagogic-genius-capture-your-best-ideas-at-the-edge-of-sleep/ Dr. Bruce Perry – why regulation, rhythm, and relationships form the foundation of every healthy nervous system.  https://andreasamadi.podbean.com/e/safety-first-why-a-regulated-brain-is-the-key-to-learning/ Dr. Sui Wong – how lifestyle medicine and autonomic balance build lifelong brain resilience. https://andreasamadi.podbean.com/e/your-eyes-the-brain-s-early-warning-system/ Rohan Dixit – how heart rate variability gives us real-time feedback on our ability to regulate stress. https://andreasamadi.podbean.com/e/breathe-to-reset-how-hrv-tech-reveals-hidden-stress/ Dr. Kristen Holmes – how recovery metrics reveal our physiological readiness to perform. https://andreasamadi.podbean.com/e/kristen-holmes-from-whoopcom-on-unlocking-a-better-you-measuring-sleep-recovery-and-strain/ Dr. Antonio Zadra – how sleep and dreaming consolidate memories, regulate emotions, and generate insight. https://andreasamadi.podbean.com/e/when-brains-dream-how-sleep-integrates-emotion-insight-and-creativity/ Together these conversations taught us that sleep and stress regulation aren't optional—they're the operating system that allows every higher brain function to work. Phase 2: Motivation & Neurochemistry The Direction Core Question: What moves us into action? Once the brain feels safe, it becomes ready to pursue goals. In Phase 2, we explored the internal chemistry that transforms intention into action. Our experts helped us understand that sustainable motivation isn't about willpower—it's about aligning our beliefs, thoughts, attention, energy, and movement. Together we discovered: Bob Proctor — our beliefs determine the direction of our lives. https://andreasamadi.podbean.com/e/belief-first-the-neuroscience-of-motivation/ Dr. Carolyn Leaf — our thinking literally changes our brain chemistry. https://andreasamadi.podbean.com/e/thoughts-as-biology-how-your-mind-shapes-neurochemistry/ Dr. John Medina — attention determines what the brain encodes and remembers. https://andreasamadi.podbean.com/e/theory-of-mind-the-missing-link-between-attention-reward-and-motivation Dr. Anna Lembke- Dopamine, Motivation and Why the Brain Repeats Behavior https://andreasamadi.podbean.com/e/dopamine-nation-the-pleasure%e2%80%93pain-balance-that-drives-motivation/ Dr. Friederike Fabritius — managing our energy allows high performance to become sustainable. https://andreasamadi.podbean.com/e/fun-fear-focus-closing-the-motivation-loop/ Dr. Chuck Hillman & Paul Zientarski — movement activates the brain, preparing it to learn. https://andreasamadi.podbean.com/e/move-to-learn-how-movement-activates-the-brain-and-fuels-motivation/ By the end of Phase 2, we introduced what became The Motivation Loop, showing how beliefs influence thoughts, thoughts influence actions, actions create results, and results reinforce future beliefs. Phase 3: Movement, Learning & Human Performance The Transformation Core Question: How does movement change the brain—and how does recovery transform that change into performance? Now we're taking the next step. Phase 3 builds on everything we've learned so far. If Phase 1 created a regulated nervous system... If Phase 2 created motivation and direction... Phase 3 explains how the brain and body actually become stronger. Together we've explored this process through conversations with: Dr. Chuck Hillman & Paul Zientarski — why movement activates the brain before learning. https://andreasamadi.podbean.com/e/movement-first-how-a-20%e2%80%91minute-walk-lights-up-the-brain/ Dr. John Ratey — how exercise builds a healthier, younger brain. Dr. Kristen Holmes — why recovery determines adaptation and readiness. Dr. John Medina — how attention transforms movement into lasting learning. Jason Whitrock — how metabolism and cellular energy fuel long-term performance. WHERE WE ARE GOING NEXT Phase 4 — Connection, Emotion & Social Intelligence The Human System Core Question: How do we thrive with other people? The brain didn't evolve in isolation—it evolved through relationships. In Phase 4, we'll explore emotional intelligence, empathy, communication, trust, leadership, and psychological safety to understand how our relationships shape learning, well-being, and performance. Phase 5 — Integration & Human Performance The Complete System Core Question: How do all the systems work together? In our final phase, we'll bring everything together—regulation, motivation, movement, emotion, relationships, learning, and recovery—into one integrated framework. We'll discover how these systems work together to create measurable improvements in our well-being, achievement, leadership, productivity, and results. REFERENCES: [i] Neuroscience Meets Social and Emotional Learning Podcast EPISODE 384 https://andreasamadi.podbean.com/e/hypnagogic-genius-capture-your-best-ideas-at-the-edge-of-sleep/   [ii] Neuroscience Meets Social and Emotional Learning Podcast EPISODE 402 “Phase 3 Intro: How Movement Builds the Brain https://andreasamadi.podbean.com/e/movement-loop-how-everyday-action-rewires-your-brain-and-boosts-performance/   [iii] Neuroscience Meets Social and Emotional Learning Podcast EPISODE 403 “How movement Activates the Brain and Learning”  https://andreasamadi.podbean.com/e/movement-first-how-a-20%e2%80%91minute-walk-lights-up-the-brain/   [iv] Neuroscience Meets Social and Emotional Learning Podcast EPISODE 375 https://andreasamadi.podbean.com/e/how-exercise-primes-the-brain-insights-from-dr-john-rady/     [v] Neuroscience Meets Social and Emotional Learning Podcast EPISODE 376 https://andreasamadi.podbean.com/e/move-eat-connect-3-science-backed-keys-to-brain-health-ep-376/   [vi] Neuroscience Meets Social and Emotional Learning Podcast EPISODE 403 “How movement Activates the Brain and Learning”  https://andreasamadi.podbean.com/e/movement-first-how-a-20%e2%80%91minute-walk-lights-up-the-brain/   [vii] Neuroscience Meets Social and Emotional Learning Podcast EPISODE 390 https://andreasamadi.podbean.com/e/what-gets-measured-gets-improved-sleep-recovery-peak-performance/  

Elizabeth April, remote viewer and consciousness guide, reveals that our biggest barrier isn't external control—but giving away our attention to fear-based frequencies. The shadow government, synthetic frequencies, and CERN are distractions. True power comes from reclaiming your focus and choosing neutrality over emotional reaction.From remote viewing Jesus as a golden energy web to exposing the 2026 World Cup as a rigged battle between light and dark factions, Elizabeth shows why humanity is now at a tipping point. Stop feeding fear—start creating consciously. Your attention is the currency of life, and where you place it builds your reality.We explore CERN's timeline collapse, the split between old and new earth, 5D ascension, extraterrestrial DNA, and why chaos is the perfect frequency for manifestation.The new earth is waiting in your sovereign choice. Will you keep reacting to the puppet show—or finally step into your role as the creator?___

July 12, 2026 - Sunday AM Bible Class This episode is a recorded Bible class covering Acts chapters 10–12. Hiram leads the class through three chapters as they examine the recurring challenges the early church faced: welcoming Gentiles, resolving cultural and religious barriers, and stabilizing growing congregations. Key passages include the conversion of Cornelius, Peter's rooftop vision, the Gentile Pentecost in Cornelius's house, the church's response in Jerusalem, the growth of the church in Antioch, and the persecution and deliverance recorded in Acts 12. The class traces the goal of Acts (Acts 1:8) — to establish and preach the gospel to Jerusalem, Judea, Samaria, and the ends of the earth — and evaluates how the early church advanced that mission up through chapter 9. The instructor then details the central challenge in Acts 10–11: how Jews and Gentiles are brought together. The episode examines Cornelius as a ‘God‑fearer,' his moral life and prayers, why divine confirmation was needed, and why moral religiosity is not the same as salvation in Christ. The session walks through Peter's vision of the sheet of animals, his initial resistance rooted in Levitical food laws and cultural heritage, and how both Cornelius and Peter required divine revelation to accept Gentile inclusion. Listeners hear the account of the Holy Spirit falling on Cornelius's household (a Gentile Pentecost), the subsequent baptisms, and the debate in Jerusalem that forced Peter to explain his actions publicly in Acts 11. Attention shifts to Antioch, where the gospel advances among Greeks and other non‑Jewish peoples. The class highlights Barnabas's role in stabilizing that congregation, his bringing Saul (Paul) to help, and the importance of strengthening local churches — emphasizing the principle that one cannot evangelize the world faster than local congregations can be established and stabilized. The episode also surveys Acts 12: the arrest and execution of James, Peter's miraculous deliverance, the congregation's mixed response of doubt and praise, and the lesson that persecution, political opposition, and leadership losses do not stop the spread of God's Word when believers cooperate with it. Practical takeaways for modern listeners are emphasized throughout: acknowledge the spiritual good in seekers, show they aren't far from the kingdom, push for an encounter with Scripture, use the gospel as the neutralizing standard, refuse favoritism or second‑class treatment, strengthen bonds quickly after conversion, listen to God's leading, and invest in stabilizing local churches as the foundation for wider evangelism. The episode is driven by classroom dialogue between the teacher and participants and offers both exegetical insight and applicable pastoral guidance for welcoming diverse converts today.   Duration 44:08

Dana and Tom with special guest, Reed Arnold (Writer, Director, and Star of Do Us Part (2026)) discuss Crazy, Stupid, Love (2011) for its 15th Anniversary: directed by Glenn Ficarra and John Requa, written by Dan Fogelman, cinematography by Andrew Dunn, music by Christophe Beck and Nick Urata, editing by Lee Haxall, starring Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Marisa Tomei, and Kevin Bacon.Plot Summary: Up next is a film from 2011 that takes the age-old Hollywood trope of the cinematic makeover and turns it completely on its ear. It's Crazy, Stupid, Love.Now, when we meet Cal Weaver—played with a wonderful, understated desperation by Steve Carell—he is a man whose comfortable, suburban life has just evaporated over dessert. His high school sweetheart and wife of twenty-five years, played by a luminous Julianne Moore, announces she wants a divorce. Suddenly, Cal finds himself cast adrift in the unfamiliar and deeply hostile waters of the modern dating scene.Enter Jacob Palmer, a suave, cynical, and impossibly sharp-dressed bachelor who treats the local lounge like his own personal kingdom. He's played by Ryan Gosling, channeling the kind of effortless, magnetic charisma that would make Cary Grant proud. Jacob takes pity on our broken-hearted protagonist, deciding to mentor Cal in the fine arts of tailored suits, confident posture, and the precise chemistry of the pickup line.But what makes Dan Fogelman's screenplay so compelling isn't just the transformation of Cal. It is how the film expertly weaves multiple generations of romance into a single, chaotic tapestry. We see Cal's teenage son harboring a fierce, agonizing crush on his older babysitter, who in turn harbors her own secret affection. Meanwhile, Jacob—the ultimate, uncatchable playboy—finds his own defenses completely dismantled by a sharp-witted law student, played with incredible comic timing by Emma Stone.It's a film that balances the slick, sophisticated banter of classic 1930s screwball comedies with a raw, very contemporary vulnerability. It reminds us that no matter our age, experience, or wardrobe, love has a way of making fools out of all of us.Chapters00:12 Introduction to Crazy, Stupid, Love06:06 Exploring the Plot and Themes12:05 Character Relationships and Development18:10 Masculinity and Love in the Film24:05 The Makeover Trope and Its Implications33:14 Navigating Relationships and Growth34:38 The Evolution of Long-Term Relationships36:20 Understanding Relationship Dynamics38:16 Stereotypes and Relationship Expectations39:09 Behind the Scenes of Filmmaking42:15 Foreshadowing and Directorial Choices48:45 Cultural Moments in Film52:11 Influences and Inspirations in Filmmaking01:00:49 Antagonists and Character Dynamics01:04:27 Nostalgia and College Experiences01:06:48 Navigating the Film Festival Circuit01:09:23 The Fight for Attention in Film01:11:45 Personal Experiences in Storytelling01:20:11 Choosing Between Writing, Directing, and Acting01:37:01 Best Scene(s)01:45:21 Best Line(s)01:51:14 The Stanley Rubric - Legacy02:02:16 The Stanley Rubric - Novelty02:15:46 The Stanley Rubric - Classicness02:22:31 The Stanley Rubric - Rewatchability02:29:01 Final Questions and ThoughtsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/crazy-stupid-love-2011-ft-reed-arnoldFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Crazy Stupid Love, movie review, film analysis, Ryan Gosling, Steve Carell, romantic comedy, anniversary, movie discussion, film critique, best rom-coms, Emma Stone, discussion, romantic, comedy, film discussion, movie scenes, Hollywood, Crazy, Stupid, Love movie, podcast, podcast discussion, podcast episode, movie podcast, film podcast, rom-com, legacy, classic, rewatch, novelty, audience scoreRonny Duncan Studios

The boys are back as the countdown to the new season continues! Ray, Kevin and the team discuss the looming suspension hanging over Tonda Eckert, Gianni Infantino's latest FIFA proposal that failed to win support, and reflect on Saints' pre-season preparations, including the friendly at Eastleigh and the training camp in Germany, where Saints faced Eintracht Braunschweig, SC Paderborn and Preussen Munster. Attention then turns to the season ahead as the panel discuss Southampton's summer signings, the new third kit, and preview the Carabao Cup first-round tie at Colchester United. To round things off, it's prediction time as everyone puts their neck on the line with their forecasts for Southampton's season and the wider Championship campaign. As always, don't forget to like, subscribe and leave us a five star review wherever you get your podcasts! Join our Discord and get in on our Predictions League, FLP and Super 6 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 064 continues the Second Attention series with a full set built around the second tracks of every Yes album. From classic '70s performances to newer material, this episode highlights how Track Two often sets the tone for the entire record. Hit play and enjoy the ride.Yessounds 064 — Second Attention Part 21.   The Revealing Science of God – Yes – Keys to Ascension2.   Open Your Eyes – Yes – Open Your Eyes3.   It Will Be a Good Day (The River) – Yes – The Ladder4.   Spirit of Survival – Yes – Magnification5.   For Everyone – Yes – The Word Is Live (Disc 1)6.   Siberian Khatru – Yes – The Word Is Live (Disc 2)7.   Awaken – Yes – The Word Is Live (Disc 3)8.   Fly From Here Pt. I – We Can Fly – Yes – Fly From Here9.   I've Seen All Good People (Live) – Yes – In the Present: Live From Lyon10. The Game – Yes – Heaven & Earth11. Words on a Page – Yes – From a Page12. Dare to Know – Yes – The Quest13. All Connected – Yes – Mirror to the Sky14. One Second Is Enough – Yes – Mirror to the Sky15. Turnaround Situation – Yes – Aurora

Sermon Title: The Faith of the Fathers Core Theme: Understanding, valuing, and walking in the biblical technology of faith by following the examples, characteristics, and unwavering faith of the patriarchs of old. Part I: Foundations of Faith & The Apostolic Gathering 1. Introduction & The Apostolic Context The Nature of an Apostolic Gathering: In an apostolic gathering, God delivers assigned or sent messages designed to bring transformation, position the church for an unusual manifestation of power, heal sicknesses, and deliver people from oppressions. The Danger of Distraction: Many believers miss out on their breakthroughs because of distractions (e.g., admiring outfits, side conversations, checking phones). Just as God put Adam into a deep sleep to form Eve without distraction, God requires deep attentiveness so believers do not miss the specific, life-altering words designed for them. Biblical Example: In Acts 3, Peter and John told the lame man, "Look on us." Attention is required to receive a miracle; distraction robs people of their blessings. 2. The Supremacy and Vital Importance of Faith Foundation of Christianity: There is no Christianity without faith. Salvation, experiences of God, pleasing God, and receiving inheritance are all accessed through faith. Guarding Against End-Time Obsolete Elements: Loss of Genuine Love for God: Revelation 2:4-5 warns against leaving one's first love. Matthew 24:12 notes that in the end times, iniquity will abound and the love of many will wax cold, causing people to love pleasure more than God. Loss of Faith: Luke 18:8 asks, "When the Son of man cometh, shall he find faith on the earth?" Hebrews 10:23 commands believers to hold fast the profession of their faith without wavering and to assemble together to safeguard it. Contending for the Faith: Jude 1:3 urges believers to "earnestly contend for the faith which was once delivered unto the saints." Faith is a fight; believers must learn how to fight to maintain it (Hebrews 6:12). 3. The Faith of the Fathers (The Patriarchs) Definition of the Fathers: This refers to the biblical characters, apostles, and prophets from the Old and New Testaments (e.g., Abraham, Isaac, Jacob, David, Elijah, Elisha, Apostle Paul, Jesus) who walked with God by faith. Hebrews 11 Overview (The Hall of Faith): Hebrews 11:1: Faith is "the substance of things hoped for, the evidence of things not seen." Hebrews 11:2: "For by it the elders obtained a good report." The patriarchs obtained divine testimonies and good report cards of life through faith, not human effort. Why We Must Follow Their Faith: It is the established pattern and lifestyle of the Kingdom (Habakkuk 2:4: "The just shall live by his faith"). It is a guarantee of receiving the promises (Hebrews 6:12). It protects believers from self-glorification and self-dependence. 4. Faith vs. Works & Self-Glory The Error of Self-Justification: Romans 4:2-4 explains that if Abraham was justified by works, he would have something to boast about, but not before God. Human effort, self-confidence, and fleshly works always fail before God. When people rely on their own wealth, degrees, or abilities, it leads to pride and abomination before God (e.g., the rich fool in Luke 12, King Nebuchadnezzar in Daniel). The DNA of Faith: Faith completely negates self-glory. True faith is anchored entirely on the goodness and grace of God, meaning God gets all the glory when breakthroughs happen. The Inclusion of the Uncircumcised: Romans 4:9-12 clarifies that Abraham's righteousness was accounted to him while he was uncircumcised. Circumcision was merely a sign/seal. This proves that both Jews and Gentiles can access this justification and inherit the promises simply by believing, regardless of background. Part II: Characteristics and Evidence of the Faith of the Fathers 1. Key Characteristics of the Faith of the Fathers To walk effectively in this dimension, believers must emulate the core characteristics displayed by the patriarchs: (1) Born Out of Intimacy: Real faith is birthed out of personal encounters and deep fellowship with God, not just copied principles (Romans 10:17: "Faith cometh by hearing, and hearing by the word of God"). Biblical Examples: Moses spoke with God face-to-face, "as a man speaks to his friend" (Exodus 33:11). Abraham, Isaac, and Jacob all had life-altering personal encounters with God. Without intimacy, faith becomes weak. (2) Unwaving Trust in God's Abilities and Promises: The faith of the fathers maintains absolute confidence in God that does not shake under pressure or opposing circumstances (Romans 4:18-21 regarding Abraham; Hebrews 11:32-34). (3) Uncontested Obedience Despite the Cost: True faith obeys God completely, regardless of human logic or personal sacrifice. Biblical Example: Abraham demonstrated uncontested obedience when asked to offer Isaac (Genesis 22), calling his act of surrender "worship" (Genesis 22:5). (4) Persistence and Perseverance through Trials: James 1:2-4 encourages believers to count it all joy when facing trials because testing produces endurance. Biblical Example: David remained steadfast when facing Goliath (1 Samuel 17), viewing trials as stepping stones rather than stumbling blocks. Job maintained his trust through extreme suffering (Job 2:10, 42:10). (5) Willingness to Act Out Their Faith (Violent/Audacious Faith): Faith requires action and boldness. The fathers acted out their convictions with holy audacity—whether it was shutting mouths of lions, quenching fires, or stepping into impossible waters (Hebrews 11:33-34). 2. The Ultimate Benefits of Following Their Faith Nothing Shall Be Impossible: When operating in this realm of faith, impossibilities are eradicated (Mark 9:23). Pleasing God: Without faith, it is impossible to please God (Hebrews 11:6). Divine Positioning & Generational Legacy: Faith transfers blessings, changes family lineages (shifting families from poverty to abundance, or from obscurity to leadership like Joseph and David), and leaves a permanent mark of victory across generations. 3. Conclusion & Call to Action Stand Your Ground: Refuse to be moved by negative circumstances, family history, economic hardships, or medical reports. Make the Decision: Shift your focus from self-dependence and social media distractions to deep spiritual intimacy with God. The Final Declaration: As the year progresses toward its close, anchor your life on unwavering, unshakeable faith, and step boldly into the supernatural manifestations prepared for you in Christ.

Sermon Title: The Faith of the Fathers Core Theme: Understanding, valuing, and walking in the biblical technology of faith by following the examples, characteristics, and unwavering faith of the patriarchs of old. Part I: Foundations of Faith & The Apostolic Gathering 1. Introduction & The Apostolic Context The Nature of an Apostolic Gathering: In an apostolic gathering, God delivers assigned or sent messages designed to bring transformation, position the church for an unusual manifestation of power, heal sicknesses, and deliver people from oppressions. The Danger of Distraction: Many believers miss out on their breakthroughs because of distractions (e.g., admiring outfits, side conversations, checking phones). Just as God put Adam into a deep sleep to form Eve without distraction, God requires deep attentiveness so believers do not miss the specific, life-altering words designed for them. Biblical Example: In Acts 3, Peter and John told the lame man, "Look on us." Attention is required to receive a miracle; distraction robs people of their blessings. 2. The Supremacy and Vital Importance of Faith Foundation of Christianity: There is no Christianity without faith. Salvation, experiences of God, pleasing God, and receiving inheritance are all accessed through faith. Guarding Against End-Time Obsolete Elements: Loss of Genuine Love for God: Revelation 2:4-5 warns against leaving one's first love. Matthew 24:12 notes that in the end times, iniquity will abound and the love of many will wax cold, causing people to love pleasure more than God. Loss of Faith: Luke 18:8 asks, "When the Son of man cometh, shall he find faith on the earth?" Hebrews 10:23 commands believers to hold fast the profession of their faith without wavering and to assemble together to safeguard it. Contending for the Faith: Jude 1:3 urges believers to "earnestly contend for the faith which was once delivered unto the saints." Faith is a fight; believers must learn how to fight to maintain it (Hebrews 6:12). 3. The Faith of the Fathers (The Patriarchs) Definition of the Fathers: This refers to the biblical characters, apostles, and prophets from the Old and New Testaments (e.g., Abraham, Isaac, Jacob, David, Elijah, Elisha, Apostle Paul, Jesus) who walked with God by faith. Hebrews 11 Overview (The Hall of Faith): Hebrews 11:1: Faith is "the substance of things hoped for, the evidence of things not seen." Hebrews 11:2: "For by it the elders obtained a good report." The patriarchs obtained divine testimonies and good report cards of life through faith, not human effort. Why We Must Follow Their Faith: It is the established pattern and lifestyle of the Kingdom (Habakkuk 2:4: "The just shall live by his faith"). It is a guarantee of receiving the promises (Hebrews 6:12). It protects believers from self-glorification and self-dependence. 4. Faith vs. Works & Self-Glory The Error of Self-Justification: Romans 4:2-4 explains that if Abraham was justified by works, he would have something to boast about, but not before God. Human effort, self-confidence, and fleshly works always fail before God. When people rely on their own wealth, degrees, or abilities, it leads to pride and abomination before God (e.g., the rich fool in Luke 12, King Nebuchadnezzar in Daniel). The DNA of Faith: Faith completely negates self-glory. True faith is anchored entirely on the goodness and grace of God, meaning God gets all the glory when breakthroughs happen. The Inclusion of the Uncircumcised: Romans 4:9-12 clarifies that Abraham's righteousness was accounted to him while he was uncircumcised. Circumcision was merely a sign/seal. This proves that both Jews and Gentiles can access this justification and inherit the promises simply by believing, regardless of background. Part II: Characteristics and Evidence of the Faith of the Fathers 1. Key Characteristics of the Faith of the Fathers To walk effectively in this dimension, believers must emulate the core characteristics displayed by the patriarchs: (1) Born Out of Intimacy: Real faith is birthed out of personal encounters and deep fellowship with God, not just copied principles (Romans 10:17: "Faith cometh by hearing, and hearing by the word of God"). Biblical Examples: Moses spoke with God face-to-face, "as a man speaks to his friend" (Exodus 33:11). Abraham, Isaac, and Jacob all had life-altering personal encounters with God. Without intimacy, faith becomes weak. (2) Unwaving Trust in God's Abilities and Promises: The faith of the fathers maintains absolute confidence in God that does not shake under pressure or opposing circumstances (Romans 4:18-21 regarding Abraham; Hebrews 11:32-34). (3) Uncontested Obedience Despite the Cost: True faith obeys God completely, regardless of human logic or personal sacrifice. Biblical Example: Abraham demonstrated uncontested obedience when asked to offer Isaac (Genesis 22), calling his act of surrender "worship" (Genesis 22:5). (4) Persistence and Perseverance through Trials: James 1:2-4 encourages believers to count it all joy when facing trials because testing produces endurance. Biblical Example: David remained steadfast when facing Goliath (1 Samuel 17), viewing trials as stepping stones rather than stumbling blocks. Job maintained his trust through extreme suffering (Job 2:10, 42:10). (5) Willingness to Act Out Their Faith (Violent/Audacious Faith): Faith requires action and boldness. The fathers acted out their convictions with holy audacity—whether it was shutting mouths of lions, quenching fires, or stepping into impossible waters (Hebrews 11:33-34). 2. The Ultimate Benefits of Following Their Faith Nothing Shall Be Impossible: When operating in this realm of faith, impossibilities are eradicated (Mark 9:23). Pleasing God: Without faith, it is impossible to please God (Hebrews 11:6). Divine Positioning & Generational Legacy: Faith transfers blessings, changes family lineages (shifting families from poverty to abundance, or from obscurity to leadership like Joseph and David), and leaves a permanent mark of victory across generations. 3. Conclusion & Call to Action Stand Your Ground: Refuse to be moved by negative circumstances, family history, economic hardships, or medical reports. Make the Decision: Shift your focus from self-dependence and social media distractions to deep spiritual intimacy with God. The Final Declaration: As the year progresses toward its close, anchor your life on unwavering, unshakeable faith, and step boldly into the supernatural manifestations prepared for you in Christ.

Un nouvel épisode du Pharmascope est disponible! Dans ce 181e épisode, Nicolas, Olivier, Amélie et une invitée d'expérience poursuivent leur discussion sur la dermatite atopique en pédiatrie. Cette deuxième partie est consacrée aux autres traitements topiques que les corticostéroïdes et aux traitements systémiques.  Les objectifs pour cet épisode sont les suivants: Discuter de l'évaluation et du diagnostic de la dermatite atopique en pédiatrie. Discuter des de la prise en charge et des différents traitements de la dermatite atopique en pédiatrie. Discuter de l'efficacité et l'innocuité des corticostéroïdes pour le traitement de la dermatite atopique en pédiatrie. Ressources pertinentes en lien avec l'épisode  AAAAI/ACAAI JTF Atopic Dermatitis Guideline Panel; Chu DK, et coll. Atopic dermatitis (eczema) guidelines: 2023 American Academy of Allergy, Asthma and Immunology/American College of Allergy, Asthma and Immunology Joint Task Force on Practice Parameters GRADE- and Institute of Medicine-based recommendations. Ann Allergy Asthma Immunol. 2024 Mar;132(3):274-312. Davis DM, et coll. Guidelines of care for the management of atopic dermatitis in pediatric patients. J Am Acad Dermatol. 2026 Apr. 3e1-26. Chu DK, et coll. Topical treatments for atopic dermatitis (eczema): Systematic review and network meta-analysis of randomized trials. J Allergy Clin Immunol. 2023 Dec;152(6):1493-1519. Luger T, Chu CY, Elgendy A, Ibrahim SBBK, Murashkin N, Ranjan S, Zhao Z. Pimecrolimus 1% cream for mild-to-moderate atopic dermatitis: a systematic review and meta-analysis with a focus on children and sensitive skin areas. Eur J Dermatol. 2023 Oct 1;33(5):474-486. Cury Martins J, et coll Topical tacrolimus for atopic dermatitis. Cochrane Database Syst Rev. 2015 Jul 1;2015(7):CD009864. Paller AS, et coll. Efficacy and safety of crisaborole ointment, a novel, nonsteroidal phosphodiesterase 4 (PDE4) inhibitor for the topical treatment of atopic dermatitis (AD) in children and adults. J Am Acad Dermatol. 2016 Sep;75(3):494-503.e6. Simpson EL, et coll. Roflumilast Cream, 0.15%, for Atopic Dermatitis in Adults and Children: INTEGUMENT-1 and INTEGUMENT-2 Randomized Clinical Trials. JAMA Dermatol. 2024 Nov 1;160(11):1161-1170. doi: 10.1001/jamadermatol.2024.3121. Eichenfield LF, et coll. Efficacy and safety of ruxolitinib cream in children aged 2 to 11 years with atopic dermatitis: Results from TRuE-AD3, a phase 3, randomized double-blind study. J Am Acad Dermatol. 2025 Sep;93(3):689-698. Silverberg JI, et coll. Tapinarof cream 1% once daily: Significant efficacy in the treatment of moderate to severe atopic dermatitis in adults and children down to 2 years of age in the pivotal phase 3 ADORING trials. J Am Acad Dermatol. 2024 Sep;91(3):457-465. Paller AS, et coll. Efficacy and safety of dupilumab with concomitant topical corticosteroids in children 6 to 11 years old with severe atopic dermatitis: A randomized, double-blinded, placebo-controlled phase 3 trial. J Am Acad Dermatol. 2020 Nov;83(5):1282-1293. Paller AS, et coll. Efficacy and Safety of Tralokinumab in Adolescents With Moderate to Severe Atopic Dermatitis: The Phase 3 ECZTRA 6 Randomized Clinical Trial. JAMA Dermatol. 2023 Jun 1;159(6):596-605.

Travis Chappell delivers a solo masterclass on building a powerful personal brand and network using his proprietary ACT method (Attention, Credibility, Trust), drawn from over 1,600 podcast episodes, hundreds of books, and years of real-world experience in content creation and online marketing. On this episode we talk about: The ACT framework: A = Attention, C = Credibility, T = Trust—and why trust equals transactions. How Travis engineered his own Forbes feature by interviewing the author and networking strategically. Why "best known beats best" and attention is the foundation where money flows every time. Building credibility through high-profile associations (like big-name podcast guests) over one-off media mentions. Maintaining trust by overdelivering on every sale, even small ones, to boost lifetime customer value. Top 3 Takeaways 1. Get attention first—post content relentlessly because every post is a lottery ticket that could explode your reach. 2. Credibility comes from associating with known experts; it's harder than media hits but moves the needle more. 3. Trust must be continually earned through overdelivery, since one bad experience can kill repeat business forever. Notable Quotes "If you're an online marketer and you're not coming up with methods and cool acronyms, then you're not really a marketer." "Best known beats best. You're the best kept secret in your field... but nobody knows that you exist." "Where there's attention, that's where money goes. Attention is where the money flows. 100% of the time." "Every post is a lottery ticket. You never know what's going to be the thing that actually takes off." "The question you should be asking yourself is not does this convert? But does this continue to earn me trust?" Connect with Travis Chappell: LinkedIn: https://www.linkedin.com/in/travischappell Twitter/X: https://twitter.com/traviscchappell Instagram: https://www.instagram.com/traviscchappell Other: https://travischappell.com (Website & Podcast) Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's podcast episode, we discuss the biggest gaps between where Americans spend their time and where advertisers spend their money. We explore the disconnect in social media, the imbalance in subscription OTT, and why digital audio continues to be a dark horse. Join Senior Director of Podcasts and host Marcus Johnson, along with Principal Forecasting Writer Ethan Cramer-Flood and Senior Director of Forecasting Oscar Orozco. Listen wherever you get your podcasts, or watch on YouTube, Spotify, or Apple Podcasts. Follow us on Instagram at: https://www.instagram.com/emarketer/ For sponsorship opportunities contact us: advertising@emarketer.com For more information visit: https://www.emarketer.com/advertise/ Have questions or just want to say hi? Drop us a line at podcast@emarketer.com Get more insights like these with our free, industry-leading newsletters covering advertising, marketing, and commerce. Sign up at emarketer.com/newsletters Purchase tickets and register for EMARKETER's The Future of Digital 2026 Summit here: https://www.emarketer.com/events/summit/2026-future-of-digital/?utm_source=events_page Report mentioned in episode: https://www.emarketer.com/content/us-ad-spending-vs-time-spent-2026?_gl=1 For a transcript of this episode click here: https://www.emarketer.com/content/podcast-ad-dollar-attention-gap-social-media-subscription-ott-digital-audio-behind-numbers © 2026 EMARKETER  

We all desire the Lord's attention. We absolutely need Him to do things for us. Without Him, we have seen time and time again, we can do nothing! How exactly do we get His attention, though? Simply put, love and compassion turn the eye of the Lord. Yes indeed, following the greatest commandment is exactly how we get to where we need to be.  Focus: Isaiah 58:3  All Verses Covered: Isaiah 58:3-11,13-14  Original Air Date: July 30, 2026  We have bible studies via Zoom every Monday at 7 pm Central Standard Time. Here is the meeting link: https://us02web.zoom.us/j/86546164133?pwd=R3IwVTdJN3E1Wm1kU2JNOU1ZZlVJdz09  Access all of our messages: https://www.jmsbible.com/messages  Got a topic you want us to cover in our Facebook live streams? Fill out our form here: https://www.jmsbible.com/requests. We go live every Thursday evening at 6:30 pm central time. Join us LIVE on our Facebook page to ask questions and get live answers! Even if you disagree with something we say, mention it to us so we can see what the scriptures say!  If you have any questions about a specific scripture or topic and would like for us to discuss it on our Facebook live streams, please contact us at https://www.jmsbible.com/contact. We are open to any and all questions or concerns.  If you would like to donate, our CashApp tag is $JoyStorm12. Thank you for all of your support!  Joy in the Midst of the Storm Facebook Page: https://www.facebook.com/JMSBible/

This episode was sponsored by Cardiff & Alive Print Shop    LightSpeed VT: https://www.lightspeedvt.com/ Dropping Bombs Podcast: https://www.droppingbombs.com/ Today's Dropping Bombs episode features Austin Boyd, the Las Vegas entrepreneur who turned a $3,000 loan into a multimillion-dollar apparel company, supplying the UFC and Fortune 500 brands.   Austin breaks down the emergency order that landed his first major account, the week COVID erased 80% of his revenue, and the bet that took his family's life savings to zero before the comeback. He also unpacks co-founding a med spa with his wife, why merch might be the easiest revenue unlock for anyone with an audience, and how faith has shaped every high-stakes call.    Seventeen years, one garage, zero shortcuts — this is what building something real actually looks like. Entrepreneurs, don't skip this one.  

Attention isn't just about what we focus on -- it's also about what our brains filter out. By investigating patterns in the brain as people try to focus, computational neuroscientist Mehdi Ordikhani-Seyedlar hopes to build computer models that can be used to treat ADHD and help those who have lost the ability to communicate. Hear more about this exciting science in this brief, fascinating talk. After the talk, Shoshana speaks with psychiatrist and ADHD specialist Dr. Sasha Hamdani on transforming healthcare for patients and families with ADHD.tid2798tid Hosted on Acast. See acast.com/privacy for more information.

It's time to declutter and build a habit of organization.  "Instead of seeing items as objects, see them as magnets for your attention" (James Clear, Author of Atomic Habits).  Let's get rid of (or at least re-organize) those "magnets"!  In this week's episode, Carrie shares some of her secrets how to get (and stay organized) by decluttering not only your space but your mind as well.  Pour yourself a cup of coffee, put your feet up, and sip, sort, and simplify your home and mind with Carrie this week.Resources Mentioned in This Week's Episode:Adjustable Drawer Dividers: https://amzn.to/4u4ylQbIndex Card Holder:  https://amzn.to/4uBBYgnClear Plastic Storage Bins for Refrigerator: https://amzn.to/4tqSWgEUnder Bed Storage Bin:  https://amzn.to/4wonylBNuuly Clothes SubscriptionPaperBack Swap ClubPango Books: Buy & Sell Books with Other ReadersJoin our Costa Rica Culture & Nature Study Adventure Trip for Homeschoolers: https://coffeewithcarrie.org/costa-rica-tripRegister before August 13th to get Early Enrollment Discount ($200 off your trip).  Use code EarlyEnrollment2027 https://www.educationaltravel.com/register TRIP ID # 4345 PROGRAM ID:  DeFrancisco-4343Info About WorldStrides:  https://worldstrides.com/en-usGot Specific Questions about Costa Rica Trip?  Set up a conference call:  https://calendly.com/mdefrancisco8892/30min?month=2026-06 Support the showPurchase A Home Education Handbook: 9 Questions to Ask for Simple & Balanced Home-Based LearningPurchase Homeschool High School:  A Handbook for Christian EducationPurchase Just Breathe (and Take a Sip of Coffee):  Homeschool Simply & Enjoyably.  Schedule a Coffee Date (One-on-One Personalized Coaching Session:  Coffee With Carrie Subscribe to Coffee With Carrie email newsletter for FREE Morning Time Plans and monthly tips  https://coffeewithcarrie.org Follow on Instagram @coffeewithcarrieconsultant.

Capturing your reader's attention is the most important goal of your MBA application. You want the admissions officer to remember you after reading 20 applications that day. The longer you can keep his or her attention (in the right way!), the better your chances are of landing an interview.In this episode, we take the core principles from Oren Klaff's Pitch Anything, and discuss 4 ways you can get and keep attention in your application. The primal "croc brain" that hears a pitch is very different from the logical "neocortex" that designs a pitch. The "croc brain" is intrigued by pleasant novelty, movement, and suspense. Listen on for some very specific ways you can incorporate these elements into your MBA essays and resume.TopicsIntroduction (0:00)Be a Pleasant Novelty (3:35)Use Frames that Make You the Prize (6:47)Always Show Movement (12:08)Have Strong Alternatives (13:30)Show NotesPitch Anything: An Innovative Method for Presenting, Persuading and Winning the Deal by Oren KlaffGreat Applications for Business School by Paul BodineResources for MBA Applicants⁠⁠⁠Get free school selection help at Touch MBA⁠⁠⁠⁠⁠⁠Get pre-assessed by top international MBA programs⁠⁠⁠⁠⁠Join our Admissions Edge Course & Community⁠⁠⁠⁠⁠Our favorite MBA application tools (after advising 4,000 applicants)⁠

☀️ BEST of Summer SeriesThis episode is part of our BEST of Summer Series, where I'm revisiting some of the most impactful, most downloaded, and most shared episodes from the Not Your Average Autism Mom podcast.Originally released as Episode 227, They're Not Ignoring You: It's a Skill Gap is one of those episodes that changes how parents see one of autism's most misunderstood challenges.Whether you're listening for the first time or coming back for a refresher, I hope this episode gives you exactly what you need today.Summer gives us something we don't always have during the school year...Time.Time to slow down, connect, and intentionally build the skills our children need most.If you've ever felt like your child ignores you, doesn't respond when you call their name, or seems completely focused on objects, screens, or their own interests, this episode is for you.Because here's the truth:They're not ignoring you.They're missing a skill.Attention to people is a foundational skill that many autistic children need to be intentionally taught. And the wonderful news is... skills can be built.In this episode, Shannon explains why attention to people is so challenging for many autistic children and shares practical, age-specific strategies you can begin using today.You'll learn:• Why attention to people is a learned skill—not a behavior problem• Why many autistic children naturally attend to objects before people• How autism and ADHD together can make attention even more challenging• Practical strategies for toddlers, school-age children, teens, and young adults• Everyday ways to build connection without pressure or power struggles• Why meeting your child where they are is always the best place to beginOne of the biggest takeaways from this episode is this:Connection comes before correction.When we understand the "why" behind our child's behavior, we stop taking it personally and start teaching the skills they need to succeed.

S&P futures are pointing to a slightly higher open. Asia markets were mixed to lower on Thursday. The Kospi failed to sustain momentum. China tech names broadly underperformed as mainland equities retreated on regulatory concerns. Standout gains in Japan's Advantest and Tokyo Electron bolstered sentiment and the Nikkei, but the Topix still closed in the red. European markets are turning positive this morning. Attention is on strong earnings from financial and healthcare names.Companies Mentioned: Meta, Microsoft, Qualcomm, Arm Holdings, Shein, Churchill Downs, Procore Technologies

Attention is no longer something leaders can assume.It must be intentionally designed.In this thought-provoking solo episode, Jay Doran examines one of the defining challenges facing organizations today: how to keep employees focused on creating value for customers in a world increasingly centered on individual identity, constant distraction, and rapidly shifting workplace expectations. Rather than viewing culture as something that simply emerges, Jay argues that culture is intentionally engineered through stories, language, rituals, symbols, and daily leadership behaviors that continually redirect attention toward a shared purpose. Building on previous conversations about culture as a leading indicator, Jay explores how organizations can balance individual fulfillment with collective mission without sacrificing either. As technology reshapes work, careers become increasingly fluid, and employees seek greater personal meaning, leaders must become architects of attention rather than managers of activity. In this episode, you'll discover:Why attention has become one of leadership's most valuable responsibilitiesHow stories and rituals reinforce culture more effectively than policies aloneThe growing tension between individual identity and organizational purposeWhy customer focus can erode when organizations become internally consumedThe importance of designing cultures that earn commitment rather than demand complianceHow mentorship, storytelling, and intentional gatherings strengthen organizational alignmentWhy large organizations naturally struggle to preserve innovation as they growThe relationship between leadership, trust, and information flowing throughout an organizationHow the future of work may reshape entrepreneurship, private markets, and organizational designThroughout the episode, Jay reflects on how businesses must adapt as employees seek greater ownership over their careers while organizations compete to retain exceptional talent. He argues that tomorrow's most successful leaders won't simply optimize systems—they will intentionally create environments where attention flows outward toward customers, teammates, and meaningful contribution rather than inward toward distraction and fragmentation. This conversation challenges leaders to rethink one of the most overlooked questions in business:What is your organization teaching people to pay attention to?Because attention isn't accidental.It's designed—and wherever attention consistently goes, culture inevitably follows.

Fresh out of the studio at the Dataiku Summit Singapore 2026, Nur Hafiza Mutalif, Assistant Head of International Affairs at the Singapore Red Cross, joins us to explore why the humanitarian sector distrusts AI, and what her team built once they worked through that scepticism. Coming to this from international law rather than data science, Nur Hafiza explains why the sector's caution is a feature rather than a lag: humanitarian work rests on doing no harm and on neutrality, and any solution must clear that bar before it clears a business case. Dataiku cleared that bar. Its pro bono experts taught the team how the models worked and let them set the boundaries — which is what earned their confidence. Hafiza walks through the disaster surveillance pipeline that freed four people from daily collation, and the Thailand leptospirosis model forecasting outbreaks from case and climate data. She argues AI should never be justified on efficiency, that data efficiency itself carries risk, and that acting on a forecast demands low-regret choices. Closing the conversation, she shares why capability outlasts any model."We cannot see efficiency, too, I think what I should see, as a humanitarian organization, is datasets and the different cases around the world be compressed into something that simplifies value and help us better serve communities." - Nur Hafiza MutalifProfile, Nur Hafiza Mutalif, Assistant Head of International Affairs, Singapore Red CrossLinkedIn: https://www.linkedin.com/in/nurhafizaab/Episode Highlights: [00:00] Quote of the Day by Nur Hafiza Mutalif from Singapore Red Cross[00:55] Three angles: distrust, what they built, where the line sits[01:45] From international law to leading an AI project[02:53] What made a cautious team comfortable with AI[03:24] Pro bono experts who did not impose solutions[04:04] Attention is a luxury for humanitarian organisations[05:13] "We curate, we don't create" — countering compassion fatigue[05:59] Do no harm, neutrality, and innovating with care[07:06] Why AI must not be treated as an efficiency tool[07:55] Disaster surveillance: four people, days reclaimed quarterly[09:09] Does AI only automate the boring work?[10:24] The Thailand leptospirosis outbreak prediction model[11:21] Getting humanitarians comfortable acting on a prediction[12:47] Where AI changes the disaster cycle most[13:44] What outsiders get wrong about data efficiency[14:38] The line AI must not cross at the Red Cross[15:40] Why internal capability beats the models themselves[16:33] Where an organisation with no data team starts[17:19] The question people ask, and the one they should[18:04] AI as a cross-cutting theme over five years[19:01] ClosingPodcast Information: Bernard Leong hosts and produces the show. The proper credits for the intro and end music are "Energetic Sports Drive." G. Thomas Craig mixed and edited the episode in both video and audio format.

There the angel of the LORD appeared to him in flames of fire from within a bush. Moses saw that though the bush was on fire it did not burn up. So Moses thought, “I will go over and see this strange sight—why the bush does not burn up.”When the LORD saw that he had gone over to look, God called to him from within the bush, “Moses! Moses!” And Moses said, “Here I am.” Exodus 3:2-4 Listen to more from our Hope Podcasts collection at hopepodcasts.com.au. And send the team a message via Hope 103.2’s app, Facebook or Instagram.Support the show, a product of Hope Media: https://hope1032.com.au/donate/2211A-pod/See omnystudio.com/listener for privacy information.

Jacqui Felgate has called out comments made by Labor MP Sonja Terpstra in parliament yesterday, in relation to the state of Victoria's roads.See omnystudio.com/listener for privacy information.

This is definitely one for the thinkers out there.On this episode Omar talks about the attention economy and how that's something you definitely need to be aware of if you are improving your wellbeing. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com ************************ Follow us on Social. www.facebook.com/pulse95radio www.twitter.com/pulse95radio www.instagram.com/pulse95radio www.soundcloud.com/pulse95radio

Liz Peek reports the US economy remains robust, driven by strong consumer spending in rural areas like Connecticutand Lancaster County. Peek highlights rising small business and consumer confidence despite increasing gasoline prices. Attention shifts to new Federal Reserve Chairman Kevin Warsh, who may end "dot plot" forecasting. Warsh aims to be more "taciturn," forcing markets to rely on incoming data rather than Fed projections. (1)1903

SCHEDULE THE MAKING OF THE JOHN BATCHELOR SHOW, 7-28-26.1900 IDAHOLiz Peek reports the US economy remains robust, driven by strong consumer spending in rural areas like Connecticutand Lancaster County. Peek highlights rising small business and consumer confidence despite increasing gasoline prices. Attention shifts to new Federal Reserve Chairman Kevin Warsh, who may end "dot plot" forecasting. Warsh aims to be more "taciturn," forcing markets to rely on incoming data rather than Fed projections. (1)Liz Peek examines the Michigan Democratic Senate primary as a national test for the party's ideological direction. Moderate Haley Stevens faces Dr. Abdul El-Sayed, a candidate favored by the Democratic Socialists of America. Peek notes the "shocker" UAW endorsement of El-Sayed, highlighting a shift toward "woke" politics among union members in higher education. This race evaluates if a far-left candidate can win a statewide swing-state contest. (2)Thaddeus McCotter and Judy Dempsey discuss Ukraine's strike on an Iranian vessel in the Caspian Sea, which complicates global energy security for Europe. This inland sea is a vital source of non-Russian energy. Dempsey reports that Germany is carefully observing the implications of this new front. The strike underscores the deep military connection between Russia and Iran regarding equipment exchanges. Meanwhile, recent polls show seven out of ten Americans oppose the Iran war. (3)Thaddeus McCotter and Judy Dempsey turn to a deadly ramming attack at a Berlin parade that has put Chancellor Friedrich Merz on the defensive regarding his security credentials. The populist AfD party is exploiting the tragedy to criticize "uncontrolled immigration" ahead of crucial state elections. While Merz responded with calls for law and order, the incident underscores the difficulty police face in monitoring numerous terrorist suspects. The AfD utilizes these crises to offer simple solutions. (4)Mary Kissel notes diplomatic efforts with Iran currently involve "shuttling messages" through intermediaries like Omanand Qatar. Kissel argues that the Islamic Republic is a revolutionary regime with no interest in genuine strategic peace. The administration's lack of a cohesive strategy has led to declining public support for military action. Meanwhile, the Houthi threat in the Red Sea remains a dangerous Iranian-backed tool for disrupting international shipping. (5)Mary Kissel observes President Zelenskyy is receiving a warmer reception in Washington due to Ukraine's increasing military leverage. Innovative long-range drone strikes on Russian energy nodes have demonstrated Ukraine's utility to USstrategic interests. Unlike the situation with Iran, the US maintains active diplomatic channels in Moscow to discuss potential conflict resolutions. Kissel notes that influential voices on the right are beginning to shift their views on Ukraine. (6)Jonathan Schanzer reports the conflicts in Ukraine and the Middle East are merging as Russia, Iran, and Chinacoordinate their efforts. Schanzer notes that Ukraine's Caspian Sea strike has clarified this global partnership. The US is currently attempting to "keep a lid" on Israel to prevent a regional escalation. However, the US military faces a depletion of missile interceptors, making it difficult to sustain a long, high-intensity conflict. (7)Jonathan Schanzer discusses new UK–US talks focused on a maritime coalition to secure the Strait of Hormuz and Red Sea. Prime Minister Andy Burnham has an opportunity to reset the relationship with Donald Trump. The Iranian-backed Houthi threat remains a top concern for global oil analysts and regional powers like Egypt. Meanwhile, the US is signaling that Lebanon is "too big to fail" to counter Hezbollah's regional influence. (8)Gregory Copley reports the Trump administration has imposed tariffs on Australia, alleging "forced labor" practices—a claim Copley describes as spurious. This move antagonizes a loyal ally that has fought alongside the US for over a century. Consequently, Australia and Canada are beginning to lessen their strategic dependence on the US. Copley warns that such unilateral protectionism could weaken the long-term structure of the Western alliance. (9)Gregory Copley describes Cuba's total implosion as its infrastructure collapses and major blackouts occur. Copley describes a strategic failure in the Caribbean, where China has built significant influence over the last 20 years. The USmust decide whether to facilitate a rapid collapse or a managed transition of the regime. While the Cuban people suffer, the wealthy expatriate community remains ready to fund reconstruction. (10)Gregory Copley reports Xi Jinping faces significant internal opposition from Communist Party elders at the Beidaiheretreat. Despite his titles, Xi's operational power is waning as the Chinese economy evaporates and social unrest grows. A recent ballistic missile launch served as a show of strength before a state visit to the US. Copley notes that youth unemployment is high, and the PLA may eventually act independently. (11)Gregory Copley turns to the UK, where following the rise of Prime Minister Andy Burnham, the country faces political uncertainty as Labour struggles with a lack of growth. Copley highlights King Charles III's vital role as a unifying force, focusing on British national identity and values. While the Burnham government is viewed as sclerotic and ideological, the King remains an egalitarian figure. His efforts to preserve heritage, like Dumfries House, bolster his standing. (12)Joseph Sternberg criticizes Prime Minister Andy Burnham's economic policy as ineffective against the cost-of-living crisis. Sternberg argues that the UK is trapped by net-zero regulations that prevent the use of vast North Sea oil and gas reserves. Burnham finds it politically difficult to cut taxes or reverse climate policies despite potential economic benefits. This paralysis makes his government a target for future replacement. (13)Joseph Sternberg notes Chairman Kevin Warsh is moving the Federal Reserve toward a "taciturn" style, ending the practice of "forward guidance." This reform aims to prevent the Fed from becoming locked into policies that may become inappropriate as data shifts. Sternberg suggests that saying less may protect the Fed from political conflict with the White House over tariffs. Markets must now interpret raw data rather than Fed signals. (14)Thaddeus McCotter describes the Michigan Democratic Senate primary as a "civil war" between establishment candidate Haley Stevens and progressive Dr. Abdul El-Sayed. The candidates are sharply divided over AIPAC funding and support for Israel. Stevens is endorsed by high-profile figures like Gretchen Whitmer and Barack Obama. The result will indicate if the Democratic Socialists of America can succeed in a statewide race in a swing state. (15)Thaddeus McCotter notes Dr. Abdul El-Sayed denies being a socialist, claiming he merely wants to regulate "capitalism run amok." However, his platform includes radical proposals such as abolishing ICE. Haley Stevens frames him as a "celebrity candidate" and questions his appeal to women voters. McCotter notes that while the DSA lacks a ground model, identity politics may drive a high turnout among Michigan's large Muslim population. (16)Corrections applied throughout as directed: Thaddeus McCotter and Liz Peek.

How can building an audience in advance help your stories reach the people who make movies? And how can you prove there's demand for your book or screenplay before you've written it? Brooks Elms shares his advice after more than 20 years as a WGA screenwriter. In the intro, what doesn't work for book marketing and what does [Amy Chan SubStack; Unsingle; Rephonic]; Goodreads giveaway for Bones of the Deep; FutureVision XPrize. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Brooks Elms is a WGA screenwriter with over 45 scripts, over a dozen sales, and he has directed two indie features. He is the creator of the Answer the Call system and has trained over 1,000 writers. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How to see the opportunity in AI when others only see the threat How to test a story with samples, and what a 16-second movie can do Building the trailer before you write the screenplay Letting your audience finance the film once they have validated the idea Why Hollywood still wants existing IP, and what makes them pay attention Feeling safe enough to write the truth, and finding a concrete path forward You can find Brooks on LinkedIn or email him at brooks@brookselms.com. Transcript of the interview with Brooks Elms Jo: Brooks Elms is a WGA screenwriter with over 45 scripts, over a dozen sales, and he has directed two indie features. He is the creator of the Answer the Call system and has trained over 1,000 writers. So welcome to the show, Brooks. Brooks: Thank you. It's awesome to be here. Jo: Fantastic. So first up— Tell us a bit more about you and how you got into screenwriting. Brooks: I started filmmaking first. A buddy came up to me in high school and said, “Hey, we're making a karate movie, do you want to help us?” I was like, “Oh my God, yes, that sounds amazing.” So next thing I know, I had this karate outfit on, and we were just making this completely ridiculous and totally fun movie, and it was amazing. It was so fun. Then it went to a whole other level when we shared it with a friend, this guy Jay Sharon, and he watched the movie and he laughed so hard he literally fell out of his chair. I was like, “Oh my God,” the fun I had making it could actually transfer to somebody else. I was hooked. So from there I went to NYU film school, and then made a few independent feature films which were good but not great in terms of how they were received. They were great for me in terms of enjoyment, but I knew I needed to iterate faster at that point. So then I was like, “Well, it's expensive and it takes a long time to make a movie,” at least back then. So I pivoted to screenwriting, and pumped out two, three scripts a year, got signed at UTA, got writing assignments, and basically launched a screenwriting career. Then I still tried to get some stuff going, but it's hard when movies are so expensive. It's not hard, it's just that it takes a lot of precision in the marketing, and a lot of conversations to find the right matches to finance something, and you're either interested in doing that or you're not. I just was like, “Well, I'll just mostly write screenplays.” Then I started teaching at UCLA Extension and then coaching after that, along with writing. Then all the way up to the future. What's great about moving forward is that with AI, shot-making is becoming very close to cinematic quality. You can actually match cinematic quality in moments in some genres, but probably by next year. Right now you could actually do a really good horror movie all AI for 10, 20,000 bucks, depending on how much you're doing yourself or getting other people to do. So the economics are going to absolutely explode. So I'm sitting on dozens of scripts that didn't get through the Hollywood packaging bottleneck because they're too expensive, and I now have this giant slate that's ready to go, and I'm just absolutely thrilled. It's been a lifelong dream for me. Jo: Oh, so much to come back on there. Where to start? I do want to talk about what you just said there, sitting on dozens of scripts and now seeing the opportunity. I actually wrote down in my journal about a year ago, I see what's coming with AI, and I think that the best thing I can do is create as much original IP as possible, so that I can make the most of the opportunity ahead. So let's just get into the AI, because a lot of people feel it's a super bad thing. Talk about the opportunities and the attitude that you've got [around AI], and that you've seen others have around this, for what is ahead in a positive way. Brooks: It's fascinating to see how people respond to AI. I wonder, when the printing press rolled around, if there was some sort of backlash. Books must be handwritten. They can't be mass-produced. Here's one of my theories. At a deep psychological level, it's so profoundly powerful that I think the default setting is, “Oh, crap.” When I was a kid, some things were hard, and that power imbalance, when something big, new and powerful comes along: I'm going to get screwed, and so this is somehow a bad thing. I think that's the base psychological thing going on with most of the noise. Obviously there are some legit problems, in terms of copyright infringement from learning models, or from some of the environmental situation. So I'm not saying it's all rainbows and butterflies, but I think 90% of the noise around it comes from a fear of change. Here's the other one—a fear of, “Oh, yikes, I'm going to get taken advantage of somehow by either robots, or the corporations are going to use the robots against me,” or something like that. I have real empathy for me when I feel that way a little bit, but I don't feel it much, and for other people that do feel it. The other thing is, you know what it is? I think they fear their own empowerment even more. I had a therapist who was really good. He said, people aren't so much afraid of failing as they are afraid of succeeding. Because if we fail, we're stuck in act one and we don't go anywhere. The fear is answering the call and going to act two, when everything effing changes in the new world. So I think people are afraid of how goddamn powerful they're going to be when they can have a team of AI agents helping them do everything they want in business or life or whatever. I think it's the same thing with the internet. People are like, “Oh, I don't like social media, blah, blah, blah.” And I get it. There's a lot of noise and a lot of crap. Yet we have access to billions of people, and the algorithms in social media right now I think are level three out of 10. They're just going to get better and better. Even as it is now, if I do a post about something and it gets ignored, that's on me. The algorithms are trying to match me to my people. So if I'm not unique enough and authentic enough and aware enough of how virality works, that's on me, and it's a learnable skill that I can embrace and then change and then get better at. So I think people then resist that change. They resist the empowerment of learning the art of virality, or learning the art of some sort of social media stuff or whatever. The last thing I'll say about this rant is, I don't want to act like I'm the guru on the hill that has all the answers. I refuse calls all the time. I'm scared about all sorts of things. I'm certainly not perfect. I feel frustrated when I'm trying to put my big ideas into action and I can't get this technology thing to work or that one, and I throw tantrums. I'm trying to come at it from a real human perspective, but by and large, I've got stars in my eyes. I'm like, “This is amazing. This is going to be so powerful.” For so many people, you just have to be ready to embrace it and just go along for the ride, because there's going to be some big-ass changes. There already are, and that's going to accelerate. Jo: You mentioned there learning the art of whatever it is. One of the things is, I've spent 20 years, and so have you, learning our craft and our art, and now it can be done very easily. I'm generating video, as you mentioned, which is a craft I haven't spent 20 years on, but now I can generate. So things have definitely changed in that way. Just coming to the screenwriting side. Probably about a decade ago now, I did my first screenwriting course. I've written screenplays. Then I looked at the game you have to play and, like you said, the conversations you have to have, the events you have to go and network at, all the things that you have to do to put a screenplay in front of the right person at the right time. I was like, “I cannot do that. It's just not going to happen. I can't do that along with everything else.” So I put it aside, but now I feel maybe it's time to bring it back because things are changing. So can you maybe talk about, if someone has a screenplay now that they've written, or some IP like a book that they have now— What would you recommend people do in terms of wanting to get that [IP] in front of somebody, or doing something with it themselves? Brooks: It's such a good question. By the way, not even a screenplay—you could do the same things with a novel. Let me try to be succinct here, which is a good challenge for me. A simple way to look at it is, you're giving samples. Let's say it's a lemonade stand, and you give out a little shot of your… maybe you have cayenne pepper lemonade, some sort of fun lemonade. If you give out a sample and people are into it, they're going to come back and they're going to tell friends. If you give a sample of the lemonade and they're not into it, then you go back to the kitchen and you mix up a different flavour. So that's some basic business, but the internet allows us to do that at scale. So what I like to encourage people to do when I coach them is come up with the minimum viable material. It can be a 10-second clip. There's a writer in my community who made a really beautiful 16-second movie. It's one shot. I love it so much. It's two wine glasses. There's a lipstick smudge on one of the wine glasses. They're half full, and it's just that shot. It's sitting there, and all of a sudden you hear this thundering, thumping down these stairs, dun, dun, dun, dun, dun, dun. Then you see out of the corner of the frame one person runs by, and then the other person behind her runs by and goes, “Wait.” That's it. That's the whole movie. It's 16 seconds. He did that with his phone. So there's so much going on. There's a couple of basic elements, but he just did it with his phone, and you can evoke enormous emotional impact on people through social media, whether it's just words. You guys have a big advantage as novelists because you're so good with words. Whether it's a little bit longer, like sudden fiction, that's a couple of pages or whatever. Even just copywriters are really in a good position for the future because they're super potent with two words or three words or 10 words. Then novelists are probably really advantageous because it doesn't cost anything to just put some words out on the internet. The point is, if you put something out, it's a signal, and you're talking about billions of people who could find that signal. If you do it and then you look at the response, and then you try again, you look at the response, we can do this iteration infinitely for free. So you can do it already. You've been able to do it for 10, 15, 20 years, just with words. But now you're going to basically be able to do that with movies or clips or trailers. So the thing that I'm leading in my community of writers is having people build trailers in advance, or clips. When a book or a movie is done, how the heck do we get people to see it? One way is a trailer or some sort of behind-the-scenes material. You can just do that stuff now before even writing the screenplay. I saw that you were doing this project, a trailer for this competition. And then you mentioned, “Oh, I've got to write the screenplay.” Not really. You have to develop the story enough to know what you're referring to, and then it's about studying the craft of either trailer construction, or whatever the clips are, or viral clips. They all have a structure, and then you just test it. If you enjoy that testing process, which I find absolutely thrilling, it feels like the filmmaking version of a stand-up comedian. If I did stand-up, I say a joke, they laugh or they don't laugh. It's really beautiful feedback from the universe. Nerve-wracking, right? But we can do that now as storytellers. We put a story out there in any format, and the audience responds. Just like you have to read any room, you have to learn how to read the engagement on social media. What do likes mean? What do shares mean? What do comments mean? How do you deal with trolls? All that is just part of the new art. Once you get good at it, holy smokes, that's the key to the kingdom. You can build audiences in advance, and for movies you could even have them finance your movie in advance, if you've built an email list of 20,000, 30,000, 40,000 people because you kept putting out all these viral clips around your story, novel, or screenplay. Then you go, “Okay, now 30,000 people are on my email list and I tell them about me and my perspective and my world. We're going to make this darn thing with AI for 20,000 bucks. You guys have got to pony up some money. Put in a dollar, five, 10, or you get the VIP $500 experience.” It's like crowdfunding, but much more sophisticated, because most crowdfunding was like begging friends and family to donate to your crazy dream. What I'm talking about is going to the audience directly, developing enough of the story, then going to the audience second, and then only when they validate the idea, to the extent that you're happy with. You could do a crazy idea that's going to have a small audience, and you don't have to have a blockbuster audience. You get to pick the audience size that you want, and then put the samples out there and see if you have a relevant audience size for this next project. Once the audience tells you, “Yes, we want this,” then you go make it. So you're ultimately reducing risk to almost zero. It takes time and you have to learn how to do this stuff, but it's thrilling to me because we just have the capacity to test the material and listen to the audience upfront. The last thing I'll say, and I've rambled a lot, I'm sorry. When I made a movie in 1994, a feature film right out of NYU, it took me three years to find out what the audience thought about that movie. I had to make the damn thing, and then I ran out of money, and that took me years to edit it, and I finally got it, blah, blah, blah. And again, I loved it. I loved every facet of it, and it was fine, but it was super inefficient. Today, I could take those same elements, create an AI trailer this weekend, put it in front of hundreds of thousands of people, and they could tell me right away, “This sucks,” or, “This is interesting,” or, “Holy smokes, this is amazing. I want this.” If it's not, “Holy smokes, this is amazing, I want it,” I can go ahead and re-edit the whole damn trailer, and just keep reiterating at almost no cost. Then once the demand is there, I can take that demand and that audience and go to Hollywood, and that's when they're going to want to work with me. Then it doesn't take a million conversations and finding the needle in the haystack, because Hollywood sees the numbers and they go, “Oh, you're the people we do want to do business with. You've proven demand. We want to do business with you.” Jo: Yes, it's so interesting. I can hear people listening and they're like, “Easier said than done, getting an email list of 40,000 people.” And in fact— It's exactly the same as building up a career as an independent author. This is as a filmmaker, as a visual person, and the industry is visual, so doing a visual trailer is the obvious thing. And as you say, the tools I use just to do this one, I use Midjourney, and I've used Seedance as the main video model. It does take a while, but it is pretty fast now, if you have a visual image of what you want in your head, which obviously you're a visual person as well. But is it… Brooks: Hold on. I want to push back on that a little bit, because I think it's really important. So yes, that's true, but underneath that, my friend, it's a relationship. It's the relationship, and the media is secondary. You have been prolific in connecting with your audience, and that's why I think a lot of people like you, because you share and they get to know you in that sort of cadence. I saw you in another podcast, you mentioned Seth Godin, who just said, “Hey, I want to be the type of person that has this relationship with my audience. I'm going to share some of my thoughts every day.” He happened to do it with words, with his background in marketing, but you could do the same thing with still images. You could do the same thing with a five-second movie clip once a week. It's the relationship you want with your fans. I'm not saying you snap your fingers and you have 50,000 people on your email list. What I'm saying is, what else are you doing? If we're artists and our impulse is to create and share, and if you do it in this way, if I can create and share and inspire trust in this relationship with a stranger because they like my genre thing and they like the way they felt when they experienced my media, words, images, movies, it doesn't matter. They just like the feeling, and they go, “Ooh, I want more of that feeling. How do I get more of that? Oh, this person has this email list or community.” If I can do it with one, then I can scale it out. So getting the first one, or the first 5 or 10 samples, that is a whole process. But then once you do that, scaling up is more of a mechanical thing. It's not even that hard, especially when you can do paid ads. So you can scale up very quickly if you have the sauce. If you don't have the sauce, it doesn't matter who you're related to, you've got to get the sauce right. Jo: Yes, and again, it's so parallel to the indie author community. I've just got to ask you, in the olden days, an author might write a screenplay, or a screenwriter write a screenplay, and then they would send it. They'd find an agent. They'd pitch an agent, and I guess then they'd hope that someone would turn that into a movie. So is that just dead now? Is it realistically that you need to get yourself out there, build the audience in the same way that it often is for authors? Brooks: So, no. I've got two screenplay deals going right now. So here's how it's going to work. Think about Broadway, or the theatre district in Britain. It's like West End or East End or whatever… Jo: The West End. Brooks: Sorry for my American ignorance. West End, okay. So every town on the planet has a stage, but there's only one Broadway, there's only one West End, right? And every town has its own festival, but there are a few significant tastemakers. There's Cannes, there's Sundance, there's Toronto. Hollywood is always going to be a tastemaker in our lifetime, for sure. What they don't have anymore, what they enjoyed for the first 100 years of the industry, is that they had a stranglehold on basically the equipment, the financing, and the audience, and that's all going away. Do you want to hear a fun story about the birth of cinema? Do you know why Hollywood started in Hollywood? Jo: No. Brooks: So Thomas Edison invented the camera, or the type of model camera that they were using in, I don't know, 1910 or something around there. They didn't want to pay his patent. They didn't want to pay the patent to make these movies, so they went all the way across the country, a bunch of outlaws, and they set up shop in California because he couldn't enforce his patent that they were basically stealing. And reason number two, LA enjoys amazing weather almost all year round. The weather here is either nice or really nice. You have mountains, you have beach, you have desert, you have all these different locales. So when it was really important to be on location, LA was the perfect place. Anyway, that is all going away. For many decades, more people could make movies. In the early '90s, Robert Rodriguez made a movie for 9,000 bucks. There was a book in the '80s that I bought that I loved, it was Feature Filmmaking at Used-Car Prices. This guy, Rick Schmidt, I think his name was. There were the independent filmmakers really in the '60s and the '70s. So the cost has been going down and down and down, and now it's less than ever. Once social media came along, now you have access to the audience, so why do you even need Hollywood? That being said, there are tons of people. There are 400,000 people already working in the movie and the TV industry here. And they're voracious. We have a voracious demand. Humans need stories. We need big stories, long stories. We need stories, and Hollywood is so good at giving them stories. And so they have a need for these things, and they're still spending a lot of money on those budgets. So yes, there's still a demand for turning books and optioning them and turning them into movies. Books are great. Any sort of existing IP is great because there are marketing efficiencies there. People already know that stuff, know the vibe of it, and so it's easier to market than something that's totally creative and new. When you're spending that much money, you want those marketing efficiencies. They're really important. So the point being, the power is shifting away from Hollywood. Hollywood will still be a tastemaker, but you and me can reach anybody on the planet now. Almost. Billions of people. If it's making a movie, right now you could make a movie that most people wouldn't realise is an AI movie. If it was a horror film, I know a handful of people that could make a feature-length horror film right now with AI and 99% of the audience couldn't tell, if it was professionally written. Jo: I think the point here though is, I'm an author, the people listening are authors, and we don't want to make movies. We want to license our IP to people who want to make movies. Brooks: Yes. Great. Okay, good. So then you could, if you wanted, build an audience. Hollywood loves when something's already proven, so that's that IP thing, right? So if you just have a great book, then it's all about the sales. You guys have Dragons' Den, we have Shark Tank here. And what's amazing about that show is these are people or entrepreneurs pitching an idea, and there's an amazing rhythm that happens. They say, “We've got this great idea. It's this sort of company.” And the sharks, or the dragons, will listen. And there's a huge turning point when they reveal sales. They're either really excited about the idea and then they go, “Well, how are the sales?” And the person goes, “Well, we don't have any sales yet.” And they go, “Uh,” and they're not interested. Or they might even be like, “Eh, it doesn't seem like a good idea.” And they're like, “Well, how are the sales?” And they're like, “Oh, well, we've sold through the roof.” And then all of a sudden they perk up. So it's all about the sales. So step one is writing something that you want. Step two is making sure other people in your target audience are also loving it as much as you do. Step three is proving in some way at scale that there's real demand for it. So you could do that with trailers, you could do that with clips, you can do that as an indie publisher. There's all sorts of things that you can do. Humans are much more persuaded by concrete data than they are by just vibes. So if you can bring Hollywood concrete data of any type, like viral videos, like audience, like obviously bestsellers. Awards mean something, but not quite as much as sales. Then you're going to get Hollywood's attention because that reduces risk for them. So even now, when Hollywood's definitely shrinking and contracting, there's still very significant money being spent because it's a huge demand. If you ever walk around a studio lot, those things are opulent places. It's stunning. Like, how are they paying for all this stuff? These lots are enormous. It's because humanity is voracious for stories, and movies are one premium type of storytelling. The demand for stories is steady if not going up. It's just that we have a wider variety of types of stories that we can do, whether we're an indie author. So anyway, did I answer the question? You get me too excited with these questions, Jo. It's a problem. Jo: Yes. I think there's a lot of opportunity and a lot of ways in, but the parallels with being an indie author I think are quite clear. One of the things I found interesting about your profile and what you do is that you help clients who are already accomplished but not quite breaking through, and that sounds like a lot of mid-list indie authors, probably a lot of mid-list screenwriters, mid-list filmmakers. This is a hard place to be because, on the one hand, we are grateful for what we have achieved and what we can do, and yet wanting more, wanting that big Hollywood deal or the Netflix deal, or wanting the massive bestseller or whatever. So if someone wants to get to that next level, what are some of the ways that they can perhaps try and get there? Brooks: It's a great question. Coaching is a really wonderful way to learn anything of this sort of complexity and challenge, especially if it's a hyper-competitive business. We need two things, I think, to write a great novel or screenplay or both. A, we need to feel profoundly safe in our space. If we can't really feel deeply authentic about the things that are embarrassing, or that we feel shame about, or just our shadows, or anything that we don't feel completely comfortable saying and sharing in public usually. We need to be able to touch those things, and be articulate about those things, and that's one part of it. Then we need a concrete path forward. Maybe you're thinking about some tragedy that you had in childhood, and how you dealt with it and how difficult that was. So you need to be able to be real precise in those observations about what it felt like, and how you tried to compensate for it, and that didn't work and it made it worse. Whatever your observations are about your life journey, you need to be really specific and really deeply felt. A good coaching relationship allows you to be in that space, to be really honest with yourself and authentic. g Aood coach will push you back and say, “You know what? That sounds interesting, but maybe not quite as true to you deeply.” So that's one piece of it. Then there's a concrete path forward. You need to have the emotional access to that truth, and then you need to know what to do with that truth in a step-by-step way. Because most people, the ones that you're talking about, they're accomplished in something else. What happens is when we first start writing, and maybe this happens with novelists, but for sure it happens to screenwriters, you just start typing words. But you haven't really thought through the theme, the concept, the structure, the character, all the deeper questions that really matter. The milestones, like a North Star: winning a major award, or getting a publisher. That's the direction that we're heading towards, and then you set it and forget it, but you want to keep checking it every week, every month or whatever. But you want it very specific. “I would like to sell a book, or sell a book to Hollywood, or write a screenplay, or get a producer attached to a screenplay.” Whatever the milestone is, make it really specific, really concrete, and then reverse engineer. This is what I do on the concrete path. I reverse engineer every step to get there, starting with a really tiny one we can do today, and I make sure they feel really safe, and then we just walk through. Then what happens is, if you do that, if you feel safe, if you're showing up authentically and you have a process that's repeatable, not just willy-nilly, it's got to be something that's proven to work. It wasn't an accident I wrote 45 scripts. I've got a whole system. But by the way, the first five scripts took me forever. The last movie that I made took me three years to write that script. I can write a better script with those same elements in three months now, because I know I have a concrete path. So if you want to do something new, whether it's playing the piano or getting six-pack abs or writing a screenplay, work with somebody who's got a system that's already proven, and make sure you relate to them, and then just follow the system. Then when the doubts come up, and they will, that's where the feeling safe is really important. Because, oh, I want the six-pack abs, but I don't feel like going to the gym. I want the extra donut. If I'm working with a really good trainer, they go, “Dude, do you want the six-pack abs or not?” And then you go back and forth, and I go, “Okay, now I can make peace with myself and say I can take one tiny bite of the donut and then still do my workout,” and then I'm moving towards that North Star. Does that make sense? Jo: Yes. I think, like many independents, I resist anything that is systematised. I'm a discovery writer, and I follow the muse, and all of that kind of thing. I think I would say something in a similar vein, which is sustainable creativity for the long term, because your 45 scripts are also years of work, and my books are years of work, and we get better at what we do. So my system, I do have a system really, because— My system is that I do the work, and I write my stories, and I get them out there, and I do the marketing. So even if it's not as systematised as such, it's still a process that I have repeated over and over again. Brooks: That's fascinating to me. Would you consider yourself a pantser? You're like, “I've got an idea,” and you just start writing? Jo: I don't use the word pantser. I guess I call it discovery writing, which is… Brooks: That's a better term. Jo: Yes. What I'm writing for this prize, for example, I know the characters, I know now what's happening. When I had the idea, it was very much a vision and a theme, and the competition has a theme: a positive future with AI and technology. But the things that came around that, I then started playing with ideas around the treatment. I haven't written the screenplay yet. I don't do a plot, or I don't follow Save the Cat or any of that kind of thing. When I write a novel, I just explore and I never write in order. Then at some point I stop and then I have to think about the structure and putting it all together, so the edits are quite big. But my fun is in that discovery, really. Brooks: Oh, that's awesome. Okay, so let me ask, that's really fascinating. And by the way, that doesn't, to me, negate the system that I use. The one that I use is ultimately… the thing is, these questions, the audience is wanting your unique answers to. You don't necessarily need to do it in a certain order. I think that's actually really cool that you write out of order and you have a few elements in mind. All that stuff sounds awesome. The only thing that then makes me curious is, how's your pace? Are you actually completing novels at a pace that feels good, or do you feel like you go too fast, too slow? Jo: I do one or two a year at the moment. Well, two a year, really. But I would say I'm not as successful as I'd like to be, so I'm not saying that my system is the best. I'm saying I want to be better. It's just that my fun is this sort of creative chaos, which I then try and control later. One of the things I really like about screenplays and treatments and doing this kind of thing for film is that it is much more structured, I think, than a 70,000-word novel. You can go in all kinds of directions, whereas with screenwriting you do have to be more disciplined really. Brooks: Yes, so this is going to be fun probably, to hear my view for your audience, and the differences as I see them. For starters, you're talking about what, 10, 20, 30 hours reading a novel sometimes, or maybe less, whereas a movie's a 90-minute experience, right? So that's different. Or if it's a TV series, you might see an hour and then an hour. So that's a very different experience. What happens is when it's condensed like that, you're loading up layers. So every scene is stacked with exposition beneath the drama, and done in a certain way. So specifically, movies are only what you can see and only what you hear. Whereas novels, if you can think it, you can write it, it can be in there. So you don't need to have a plot, but if you want to sell your book to Hollywood, it helps. So I was very resistant about structure. I went to NYU film school, where we really just made short films. It was funny, I had friends that were in the dramatic writing department, and I was like, “You guys are wasting your money. You're just learning to write scripts. We learn to write the scripts and make the movies.” What I hadn't realised is it's a different skill set to hold somebody's attention across an hour-long play, or a 90-minute movie, than it is to make a movie that holds their attention for two minutes or five minutes. I found out years later when I made a feature that was like a lot of shorts patched together, and people were not… They liked it, but they didn't love it. I was like, “Well, what's going on?” And so then I learned to really love Save the Cat in particular. It completely changed me. What happened was, I got a big old slice of humble pie. I had made my second feature, and I put everything I had into it, and it had loose structural beginning, middle, end, blah, blah, blah. But I was still, “Eh, Hollywood BS. What do they know? It's all fake.” So I was very anti-Hollywood structure. Then I was like, now I've got two independent films out there, people saw them, liked them, whatever, but it wasn't getting me consistent work. It wasn't really advancing my career in the way that I wanted. And I was like, “Well, maybe there is something to the Save the Cat.” So I went to the Save the Cat workshop with Blake when he was still alive, and he was delightful, a really awesome guy. He's got this kind of cutesy style, for people that don't know. For context, Blake Snyder was a working Hollywood screenwriter, and he had this system called Save the Cat, which actually has some really interesting ideas. He's got this very light, breezy sort of style. A lot of people don't like him and some people really love him, and everything in between. But I took his weekend seminar, and it completely changed me, because at that point, like I said, I took three years to write a script. Then once he had a process and he had a way of thinking about craft that was just much more screenwriter-friendly, I was like, “Oh my God.” It was so much easier, because I was just focused on the right thing at the right time. So it just sped everything up. After that, I was banging out two to three scripts a year, and better and better quality. So for me, because I went from winging it and wrote five scripts in 13 years, and then wrote two to three scripts every year, I became a huge proponent of system and process. Then my own system really came from that, but it's modular. I have a nine-step system, but you don't necessarily have to go in that order, other than the last three steps, but I won't get into the details. Sometimes you kind of jump from two to three and then back to two and then back and forth. So I love that you get the feel for those elements, and then you just felt your way through. But writing screenplay pages doesn't make sense until you really understand concept, you get a deep sense of beginning, middle, end, character arcs, and these other threads. There are just way better tools for those jobs than screenplay format, because it's a really weird format. It's got these weird slug lines at the top that are all in caps, because a screenplay is a blueprint for somebody else to make the movie. It's not an end-user document like a novel. I don't let my clients even go to that format because it just gets them focused on the wrong things. What they really need to know is, what is your perspective about this theme? What happened in your life that you're fascinated with, that you'd even want to write about this? And tell me what your real life lessons are. So we go into… again, I go back to relationship. What's your relationship to the universe? And what's your relationship to your best friends, or where you got your heart broken, or whatever you want to write about. And then we get that clarity, and then I show you how to express it in terms of developing a screenplay. It's really long-form storytelling, and then the structure just makes it build on itself. But with the structure, because you're talking about so much money and people involved to make it, at least traditionally, what ended up happening was narrative structure that was not so much rigid. Because here's the thing, you can look at 50, 100 years of European cinema and you can look at Hollywood cinema, and Hollywood laps them. When I taught at UCLA Extension, I had lots of foreign students. Let's say there'd be two or three students… if there were 12 people in the class, two or three people would be from America, and everybody else would be from other countries. I would go around, I'd be like, “What movies and TV shows have you been watching?” Almost in every single country, they watch half from their own country, half from Hollywood. So Hollywood storytelling works, that's just the data, and they're dominant. The reason it works is what Aristotle was saying thousands of years ago.. There's a way of thinking about beginning, middle, end that just deeply speaks to the psyche, and you can ignore it if you want. I think Godard said, “You need beginning, middle, and end, but not necessarily in that order,” right? Which is great. Just the way we experience life, there's a beginning, a middle, an end to this podcast interview. There's a beginning, middle, end to the day, a beginning, middle, end to me eating lunch. So if you don't lean into the beginning, middle, end psychological aspect of your story, you're going to bore your reader. But to your point, you don't necessarily have to sort that out in the beginning. It's more efficient probably if you do, but you don't have to. Go into it wherever the muse tells you to go, and then at some point, like you do, then you go, “Okay, now I go back and I edit.” If you're saying there's another level, you have another gear in you, then yes, I'd be curious to slowly go through how you're making those decisions. Because what's happening probably is there are ways you're holding back a little bit. There's maybe something you're afraid of being vulnerable about. That's usually where me or other writers are holding themselves back, and we can take a look at that. There are different ways I show writers to do it. Then you can go, “Oh, I was doing it here, and now I can do it there.” And it could be with process, or just a certain creative choice. With story, it's clear and compelling. Those are the simple things. So, is this clear enough? Is it compelling enough? And there are almost always ways to up-level on any facet, whether it's one sentence, or a sentence that describes the whole concept of the book, or a chapter. Each one of those can be looked at with that lens and we can just say, “Hey, this is 70%, 80%,” whatever, and then we say, “Well, how do we get a little bit more?” And then when you do that enough, it piles up. Then especially if you bring in an audience and people are flipping out for your work, they'll tell you. Jo: Yes, I love a challenge, so thank you for everything you've shared today. So where can people find you and everything you do online? Brooks: Well, one way you can find me—if anything I said seemed helpful for you, if you have questions about Hollywood or you have a screenplay in your heart—you can just email me, brooks@brookselms.com. You could look me up on LinkedIn. I'm at Brooks Elms. I also have a Skool community called Screenwriter Marketing, but it's really for any sort of storyteller, and it talks about my favourite way to engage an audience and get through it. So anybody can jump into that if you like my vibe. If you really think anything I've said, or the way I said it, seems like it could be helpful for you, just reach out. Let me know what you're up to, and maybe there's a way I can help you. Jo: Fantastic. Well, thanks so much for your time, Brooks. That was great. Brooks: You're welcome. It was a total pleasure. It was lots of fun, and I really appreciate you.The post How To Prove The Demand For Your Stories And Get The Attention Of Hollywood With Brooks Elms first appeared on The Creative Penn.

Greg Feith, John Goglia, and Todd Curtis, along with returning guest Mike Borfitz dig into the developing facts emerging related to the recent 737 crash in the northern Arabian Sea. As the wreckage is recovered, the Flight Safety Detectives are keen to learn about the plane's history and maintenance records. They also discuss a recent incident that appears to be a suicide. A flight instructor exited a Cessna 150 midflight, leaving his student to land the aircraft. The discussion focuses on pilot mental health and related legislation that is slowly working its way through Congress.  Previous FSD mental health episodes: Episode 239: Anxiety in Flight Turns Deadly Episode 274: John Goglia Costars in Nathan Fielder's “The Rehersal” on HBO Episode 307: Xyla Foxlin on Pilot Mental Health The discussion also covers engineering and maintenance careers in aviation. Mike's engineering career includes work at Boeing and the FAA. Both Mike and John share experiences that made them knowledgeable about aviation and the roles they could play. Todd is also an engineer who has worked on the operational and manufacturing sides of aviation. Don't miss what's to come from the Flight Safety Detectives - subscribe to the Flight Safety Detectives YouTube channel, listen at your favorite podcast service and visit the Flight Safety Detectives website. Want to go deeper with the Flight Safety Detectives? Join our YouTube Membership program for exclusive perks like members-only live streams and Q&As and early access to episodes. Your membership support directly helps John, Greg and Todd to deliver expert insights into aviation safety.Interested in partnering with us? Sponsorship opportunities are available—brand mentions, episode integrations, and dedicated segments are just a few of the options. Flight Safety Detectives offers a direct connection with an engaged audience passionate about aviation and safety. Reach out to fsdsponsors@gmail.com. Music: “Inspirational Sports” license ASLC-22B89B29-052322DDB8 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

MAGA ICE Raid porn is all the rage in the MAGA- sphere and Nancy Grace uses her platform to bring attention to the Nolan Wells case. Listen to todaySee omnystudio.com/listener for privacy information.

Welcome to The Mental Breakdown and Psychreg Podcast! Today, Dr. Berney and Dr. Marshall discuss the problems associated with the "us" versus "them" nature of politics and the serious hurt it can cause to individuals and to our society at large. Read the article from Psychology Today here. You can now follow Dr. Marshall on twitter, as well! Dr. Berney and Dr. Marshall are happy to announce the release of their new parenting e-book, Handbook for Raising an Emotionally Healthy Child Part 2: Attention. You can get your copy from Amazon here. We hope that you will join us each morning so that we can help you make your day the best it can be! See you tomorrow. Visit Psychreg for blog posts covering a variety of topics within the fields of mental health and psychology. The Parenting Your ADHD Child course is now on YouTube! Check it out at the Paedeia YouTube Channel. The Handbook for Raising an Emotionally Health Child Part 1: Behavior Management is now available on kindle! Get your copy today! The Elimination Diet Manual is now available on kindle and nook! Get your copy today! Follow us on Twitter and Facebook and subscribe to our YouTube Channels, Paedeia and The Mental Breakdown. Please leave us a review on iTunes so that others might find our podcast and join in on the conversation!

Premium Client Attraction: How Clear Messaging Creates More Sales ConversationsYou do not need to be louder online to attract premium clients. You need to be understood.In this episode, Tracey Watts Cirino shares the shift that helps experts, coaches, consultants, authors, and service providers move from competing for attention to becoming the obvious choice for the right clients.If you know your work gets results, but your content, conversations, or referrals are not translating into enough high-quality client inquiries, your messaging may be making people work too hard to understand your value.Tracey breaks down why premium buyers are not simply asking, “How much does this cost?” They are quietly asking, “Do I trust this person? Do they understand my problem? Can they help me create the result I want?”You'll learn why describing your title is not the same as communicating your transformation, how specificity makes you more memorable and referable, and how to turn your expertise into buyer language that makes the right people say, “Finally this is exactly what I've been looking for.”In this episode, you'll learn:Why competing for attention is exhausting and unnecessaryWhat premium clients are actually looking for before they investWhy “I'm a coach,” “I'm a strategist,” or “I'm a consultant” is not enough to create demandThe difference between proving your value and clearly communicating itHow specific messaging creates trust, recognition, referrals, and sales conversationsA simple way to explain what you do so people understand why it mattersWhy the right message helps ideal clients self-select into your worldYour expertise is valuable. Your message is the bridge that helps the right people see it.Ready to turn your expertise into messaging that attracts aligned buyers? Grab Tracey's free Money Messaging Training ⬇️Get the free Money Messaging TrainingSend us Fan MailTraceyWattsCirino.comTurn your Voice into Cash

Quentin Johnson reviews The Attention Recovery Plan by David Gillespie, published by Macmillan.

主播：Meimei（中国）+ Maelle（法国） 音乐：Fix You上两期我们聊了很多随着短视频和网络信息越来越普及而浮现出的“问题”。We talked about attention (注意力), algorithms (算法), and why focusing feels harder.听到这里，很多人可能会问一个问题：有什么是我们真正能做的？所以今天这一集，我们想要聊一聊有哪些“解决方案”可以帮助到我们。Not perfect solutions (方案)—but practical ones.01. Structured Control 结构化控制当孩子不停地刷手机或平板电脑时，很多家长的第一反应是：把电子产品收走，或者直接删除所有App。但现实往往是——越禁止，越反弹。Yes, especially with kids (尤其是对孩子来说).说实话，这种方法通常持续不了多久。Because the goal isn't just restriction(限制). It's awareness(意识).目标是要让孩子意识到自己到底在用什么、怎么用。这就是为什么在一定的自由里，我们可以设立更有框架的structured control（结构化控制）——比如定时设置密码锁。但这不是“爸妈偷偷设密码”。It becomes a shared agreement (共同的约定)。有点像家庭规则，a shared agreement，而不是单向命令。是父母和孩子双方达成一致的共识。For example: screen time limits decided together.比如：一起商量决定的屏幕使用时间。或者每天晚上8点之后，iPad或手机自动锁定。或者某些App只能在特定时间段使用。听起来很简单，但很多家庭做不到，是因为缺少“共识”。And kids resist rules they don't understand(孩子们往往抗拒的是他们没有参与制定的规则).所以关键不是锁，而是“为什么锁”。That explanation matters more than the lock itself.那个解释，比锁本身更重要。很多时候，我们需要的是让孩子自己学会尊重共同制定的计划，并且有责任心地去执行。Because it's not a rule the parents gave them, but a rule they agreed on together.因为这不是父母给他们的规则，而是他们一起同意的规则。02. Shared Routine 共享的家庭日常在共同建立规则以外，主动去丰富一起度过的时间，是一个增进感情非常好的方式。Shared Routine：一个一起共享的家庭日常现在很多家庭在无聊时候的状态是：各刷各的手机。Physically together, but mentally elsewhere(身体在一起，但精神在别处).孩子刷视频，家长刷消息。虽然都在同一屋檐下，但并没有任何实质性的交流。Same house, different worlds.很多时候这样的场景也能在饭店的餐桌上看到。那么“家庭计划”，或者说 shared routine，意义是什么？It creates predictable(可预见的) offline time.比如每天设立固定的时间段不碰手机。Predictable offline time，这是大家都约定好的时间。在这个时间里，每个人都要真正地参与互动。Or doing one activity together—walking, cooking, or even just chatting.哪怕是一起去散步、做饭或者闲聊，重点在于“固定”，不是偶尔。Because habits(习惯) need structure(结构). 如果没有这样固定的时间，我们仅有的自由时间就很容易被手机挤掉。The phone always wins the "free time gap"(赢下“空闲时间”这块阵地).所以家庭时间其实是在“抢回时间和空间”。Attention needs protected space.我们的大脑也需要预留出空间去享受亲情和真实的关系。03. 社交媒体排毒 Social Media Detox接下来这个方法，很多人可能听过：social media detox（社交媒体排毒）。或者叫 social media fast（社交媒体斋戒）——也就是彻底停用社交媒体，一段时间内，可能是一天、一个周末或一周。这真的有效果吗？It depends on how it's done(取决于怎么做).If it's punishment, it fails. 如果把这个 social media detox 当成对自己的惩罚，那就失去了最初的意义。But if it's observation, it works. 但如果把它当成一种观察自己的方式，那就有效。通过不刷手机的这段时间，去静下来感受一下自己的状态：我是更焦虑急躁了,还是平静了许多？You start noticing your habits(注意到自己的习惯).之前还听过一个说法：我们不是“没时间”，而是“被填满了时间”。手机一直在填补每一个空隙。Every empty moment becomes a scroll moment.每一个空闲时刻都变成了刷手机的时刻。所以 detox 的意义，是让“空白”回来——也让无聊回来。Boredom is important for focus.无聊在某种程度上也能帮助人们重新聚焦在一件事情上。以上所有这些方法，都是在帮助我们去过滤并且重新选择占据我们大脑的信息。Not consuming less necessarily. But consuming more mindfully.不一定是消费更少的内容，而是更有意识地去消费：mindful consumption（有意识地消费内容）。而不是不停地刷，没有过滤地接收信息。Instead of asking: "What should I watch next?" Maybe ask: "Why am I watching this?"与其问“我接下来该看什么？”，不如问“我为什么要看这个？”Meimei有时候会怀念小时候那种状态。放学以后，可能就是看看书、出去玩，或者单纯发发呆。梅莉也有同感。Technology isn't bad. There are so many great things about it. It's helped me learn many things and connect with people around the world.我们在讨论的正是如何去主动使用科技，在掌握主动权的意识下，将科技带给我们的益处最大化地实现。因为注意力是有限的。问题不是有没有人想要它，而是：你想把它给谁？经过这三期节目《谁偷走了我们的注意力？》让我们聚焦：我们愿意把注意力留给什么？The people we love(我们爱的人)? The things we're curious about(我们好奇的事情)? The memories we're creating(我们正在创造的回忆)?还是留给下一条视频、下一次刷新、下一条推送？Because one day, children won't remember every video they watched. But they might remember the afternoons they spent playing outside.也许真正珍贵的，从来都不是屏幕里的内容，而是屏幕之外的生活。欢迎在评论区留言：你希望孩子长大以后，最怀念的童年回忆是什么？What do you hope your child remembers most from childhood?

ALSO: Back to school, Colts Camp, Indiana health care grants, Mega data breaches, and Fever on fire.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Public Citizen has released a new analysis estimating that the deferred resignation program will cost taxpayers at least $11 billion. The report examines where that money went and what agencies may have lost as experienced employees left government service. That degraded mission performance is something much harder to put a price tag on. Here to walk through the analysis is Doug Pasternak, research director of Public Citizen's Trump Accountability Project.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There the angel of the LORD appeared to him in flames of fire from within a bush. Moses saw that though the bush was on fire it did not burn up. So Moses thought, “I will go over and see this strange sight—why the bush does not burn up.”When the LORD saw that he had gone over to look, God called to him from within the bush, “Moses! Moses!” And Moses said, “Here I am.” Exodus 3:2-4 Listen to more from our Hope Podcasts collection at hopepodcasts.com.au. And send the team a message via Hope 103.2’s app, Facebook or Instagram.Support the show, a product of Hope Media: https://hope1032.com.au/donate/2211A-pod/See omnystudio.com/listener for privacy information.

Avoidance works. That's the problem. Every time you dodge the hard thing, the relief is real—and so is the price you don't see coming. In this final episode of the series on avoidance, Dr. Greg makes the case that the way out isn't escape or a burst of willpower, but presence: staying in the room one second longer than you want to, and letting God meet you in the mess you were trying to hide. Key Topics: Why the relief avoidance gives you is exactly what keeps you stuck Why good therapy and mentorship refuse to hand you advice—and why that's what actually heals How even "staying present" can quietly become one more way to avoid what's surfacing Why healing works like a bruise, not a breakthrough—slow, at its own pace, and impossible to rush What to do the moment the wall goes up: stay in the room one second longer than you want to Why God doesn't wait at the finish line of your healing, but walks through the locked door to meet you in it Learn More: Presence Virtual Retreat: As a gift to listeners of Being Human, we're offering two full months free. Use code BHVRTRIAL at checkout to begin. The Retreat is a monthly subscription that brings together faith and psychology to help you overcome anxiety, quiet negative thought patterns, and live as if you truly believe in a God who loves you. Your first two months are completely free; after that, it continues at $17/month, and you're free to cancel anytime.  Stay connected — join our newsletter Join us at the Summit of Integration this October in Dallas Watch Being Human on YouTube – Watch the full video archive of the Being Human podcast Previous episodes in this series on Avoidance: Ep. #286: A Mental Tug of War: Inside the Avoidant Mind and the Burden of Being Known Ep. #287: We Are Not Robots: Why Connection Is Not Optional for Human Flourishing Ep. #288: Why "Everything Happens for a Reason" Isn't Working: The Holy Words We Use to Avoid Healing Start of the Being Human series on the Antisocial Defense Patterns: Ep. #281: Control or Be Controlled: The Devastating Wounds Behind Antisocial Behavioral Patterns Start of the Being Human series on the Borderline Defense Patterns: Ep. #269: BORDERLINE: The Push-Pull Between a Fear of Abandonment and Annihilation Start of the Being Human series on the Histrionic Defense Patterns: Ep. #274: To Be Loved Is to Perform: Inside the Histrionic Compulsion for Attention and Validation Start of the Being Human series on the Dependent Defense Patterns: Ep. #265: Jerry Maguire, Gollum, and the Fear of Not Existing Start of the Being Human series on the Narcissistic Defense Patterns: Ep. #261: Narcissism and the Terror of Being Ordinary Previous episodes on parts work (IFS): Ep. #34: A New Theory! w/ a Catholic Lens Ep. #35: Why Do I Feel Like I Have Conflicting Thoughts? w/ Dr. Peter Malinoski Need help? Schedule a free CatholicPsych consultation Want to help? Learn more about our Certification in Professional Accompaniment Follow Us on Socials: Instagram | Facebook | YouTube | Twitter (X) | LinkedIn

Nancy Guthrie has spent years helping Christians understand how the whole Bible fits together and how every part of Scripture leads us to behold Jesus Christ. She is a Bible teacher, author, host of Help Me Teach the Bible, and a graduate of Reformed Theological Seminary whose Biblical Theology Workshops have equipped Bible teachers across the United States and around the world. In this conversation, Nancy joins Mike Neglia to discuss the relationship between biblical theology and faithful Bible teaching. She explains why understanding the Bible's unfolding story should produce joy and assurance, how God's plan is even better than Eden, and how teachers can point people to Christ without forcing Jesus into every detail of a passage.Nancy also shares practical wisdom about sermon preparation and delivery. She reflects on the strengths and limitations of outlines and full manuscripts, the importance of loving people more than our notes, and why going off script is not always as spontaneous as it appears. She recommends resources for growing in biblical theology and introduces the vision behind the Beholding Christ project.The conversation also looks back on Help Me Teach the Bible, the influential podcast in which Nancy interviewed skilled preachers and teachers about communicating particular books of Scripture faithfully and effectively. She reflects on what she learned from those conversations, including Iain Duguid's approach to Judges and the gospel of Jesus Christ, and tells a moving story about the courage of Christians in Afghanistan. This episode will encourage pastors, Bible study leaders and anyone who wants to understand the Scriptures more deeply, teach them more faithfully and help others see the beauty of Christ throughout the whole Bible.Resources Mentioned: Even Better Than Eden: Nine Ways the Bible's Story Changes Everything about Your StoryNancy's official book page, including the nine biblical-theological themes running from Genesis to Revelation:https://www.nancyguthrie.com/even-better-than-eden Blessed: Experiencing the Promise of the Book of RevelationNancy's official page for her study of Revelation, focused on endurance, judgement, salvation and the coming new creation:https://www.nancyguthrie.com/revelation Why Middle Eastern Women Want to Learn to Teach the BibleThis is the episode containing the Afghan Christian woman, alongside women from several Middle Eastern countries. The Afghan participant discusses helping her husband minister through house churches and reaching women with the gospel.https://www.thegospelcoalition.org/podcasts/help-me-teach-the-bible/women-middle-east-want-learn-teach-bible/ Julius Kim on Teaching for Attention and RetentionNancy Guthrie speaks with Julius Kim about communicating in ways that help listeners pay attention, understand and retain what they hear.https://www.thegospelcoalition.org/podcasts/help-me-teach-the-bible/julius-kim-teaching-retention/ Iain Duguid on JudgesNancy and Iain Duguid discuss teaching Judges, understanding its structure and preaching Christ from one of the Bible's darkest books.https://www.thegospelcoalition.org/podcasts/help-me-teach-the-bible/ian-duguid-on-judges/ 

In this episode of the Miami Tech Pod, Maria sits down with Ricky Rosa, founder of Miami-based Oasis, the startup building what it believes is the next computer interface. Ricky shares how years of work led to a product that caught the attention of Marc Andreessen, generated millions of views worldwide, and is rethinking how we interact with AI.In this episode, you'll learn: Why Oasis says it's not building a smart ring — it's building the next computer interface  The long-term vision for AI, voice, and what comes after the keyboard  How Marc Andreessen became one of Oasis' earliest customers  The launch strategy that generated 2.6 million views and unexpectedly took off in Japan  Why Ricky ignored investor pressure to add health tracking and stayed laser-focused on one problem  Why he believes the next generation of great startups will be built in hardware, not software Why "greatness requires solitude" and how building from Weston helped him tune out the noise 

Rock News: Avenged Sevenfold surprise fans with set played from backstage before show, Bret Michaels had to have kidney stone surgery, Smashing Pumpkins to hold 'Pumpkinpalooza' to coincide with their headliner status at Lolapalooza this weekend in their hometown of Chicago, more in this week's 'Rock News'See omnystudio.com/listener for privacy information.

The thing everyone's talking about, and almost nobody was taught how to do.Not chemistry. Not obsession. Not "when you know, you know." Not anxietydisguised as passion. Actual healthy dating — the kind built on emotionalsafety, compatibility, and trust that grows over time. Most people skip thestages, rush into attachment, and end up dating someone's potential insteadof their reality.In Episode 321 of Secret Life Podcast, Brianne Davis walks through all fivestages of healthy dating — what each stage is actually for, what healthybehavior looks like, and the biggest dos and don'ts in every phase.In this episode:— Stage 1 (the first date): why it's about observation, not attachment — and the one question that matters most ("Would I actually be friends with them?")— Stage 2 (dates 2–4): why you should never need detective-level intuition to know if someone likes you — mixed signals are information, not a mystery— Stage 3 (1–2 months): why compatibility matters more than chemistry, and the green flag that predicts everything: accountability without defensiveness— Stage 4 (exclusivity): why it should happen through conversation, never assumption — and why fear of loneliness keeps people stuck longer than incompatibility ever does— Stage 5 (building something real): why healthy love takes effort but never constant suffering — and the clearest sign you're with the right personChemistry is not character. Attention is not commitment. Being chosen is notthe same as being loved. The right relationship won't require you to betrayyourself just to keep the connection.Resources at secretlifepodcast.comTake the Fantasy Loop Quiz: quiz.thefantasyloop.comShare your secret: secretlifepodcast@icloud.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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D&P Highlight: Does he really want to take this to trial? Or just more attention? full 291 Mon, 27 Jul 2026 18:55:00 +0000 EClpGEI6GQO1yPnvdcisKHITLbIAVrSX news The Dana & Parks Podcast news D&P Highlight: Does he really want to take this to trial? Or just more attention? You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! © 2025 Audacy, Inc. News https://playe

In this fun and insightful roundtable episode of Travis Makes Money, Travis Chappell is joined by producer Eric and guest co-host Brandon Birkmeyer, host of Brands on Brands. The trio dives into a growing trend they call “pity marketing”—using sympathy, disappointment, or public failure to drive attention and sales. From empty book signings to viral “nobody bought my product” posts, they unpack whether this strategy actually works, what it says about your brand, and why creating demand is ultimately a better long-term play. On this episode we talk about: What “pity marketing” is and why it has become a common tactic online The difference between sharing lessons learned and simply asking for sympathy Why marketing—not just creating—is the key to selling books, products, and events How speakers, authors, and creators can stand out in crowded markets Why leading with stories, drama, and audience value works better than begging for attention Top 3 Takeaways Creating something isn't enough—you have to market it. Building a product, writing a book, or launching an event is only step one; consistent promotion is what brings people through the door. Share lessons, not pity. Audiences connect with stories of growth, experimentation, and improvement far more than they do with public pleas for sympathy. Differentiate yourself by creating value. Whether you're a speaker, creator, or entrepreneur, your audience, expertise, and unique perspective matter more than credentials or manufactured drama. Notable Quotes "If you build it and market the shit out of it, then people will come." "Nobody cares how hard you worked—they care about the value you provide." "If you're sharing the story from the perspective of, 'Here's what I learned,' it feels completely different." Connect with Brandon Birkmeyer: Instagram:  Other:  A Word from Our Sponsors: - Visit DrinkAG1.com/TMM to get a free AG1 Travel Case with 7 free AG1Travel Packs in your Welcome Kit with your first AG1 subscription order while supplies last.  - Go to Leesa.com for 25% OFF select mattresses (through August 23, 2026) PLUS get an extra $50 off with promo code TMM, exclusive for my listeners  - To learn more about Mode Mobile and its investor community, go to https://invest.modemobile.com/travismakesmoney Learn more about your ad choices. Visit megaphone.fm/adchoices

In “Can I Have Your Attention?,” based on Psalm 139, Pastor Adam unpacks one of the greatest tensions we all face: the desire to be seen and the instinct to hide. Pastor Adam reminds us that God doesn't love a filtered version of you. He loves the real you. As we stay in His presence, He reveals our true identity and shapes us into who He created us to be. Tune in to the last installment of Psalms For The Summer.

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