Podcasts about feature photography

As many of us venture out on holiday this summer, a great way to capture the memories made is through photography. Someone who knows all about taking the perfect photograph is Richard Young. He's this week's expert!

David Hume Kennerly has been a photographer on the front lines of history for more than fifty years.  At 25 he was one of the youngest winners of the Pulitzer Prize in Journalism. Kennerly's 1972 award for Feature Photography included images of the Vietnam and Cambodia wars, refugees escaping from East Pakistan into India, and the Ali v. Frazier “Fight of the Century” World Heavyweight Championship at Madison Square Garden.  Two years later Kennerly was appointed President Gerald R. Ford's Personal White House Photographer.   Websites David Hume Kennerly Carol Guzy Sponsors Charcoal Book Club Curious Society Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Become a Patron! Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

I have writer's block because of my guest. In fact, describing William Snyder is so difficult that I've been waiting to write this for two days. I'm ready to give it a shot now, but let me say up front that there is little chance I will be able to convey in writing the talent of William Snyder. Professor William Snyder - yup, he's a professor - is a four-time Pulitzer Prize winning photographer and editor. A graduate of the Rochester Institute of Technology, William returned there 27 years after graduating from the Professional Photography program to chair the Photojournalism program. Now, as the Director of the Advertising Photography Program, he continues teaching, and has been chosen as an RIT Outstanding Alumnus, selected for the The Isaiah Thomas Award in Publishing, and has won the Frank J. Romano Endowed Prize for Publishing Entrepreneurship. In between his graduating and then returning to RIT in 2008 William had a legendary career in journalism. After a few years at The Miami News, he moved on to The Dallas Morning News. For 15 years he was a staff photographer, winning many top photography awards, including a Pulitzer Prize for Explanatory Journalism in 1989 (along with a DMN reporter and artist) for their special report on a 1985 airplane crash, the 1991 Pulitzer Prize for Feature Photography for his pictures of ill and orphaned children living in desperate conditions in Romania and, along with fellow photographer and RIT grad Ken Geiger, the 1993 Pulitzer Prize for Spot News photography for their photographic coverage of the 1992 Summer Olympics in Barcelona, Spain. Moving up the ranks, Snyder served as the Night Photo Editor, Assignments Editor, Metro/Suburban Photo Editor, and Assistant Director of Photography in the DMN's aggressive Collin County bureau. I hope you are starting to see why telling Williams story is difficult.... his career path is amazing. In 2005 William was named The Morning News' Director of Photography. In 2006 the DMN staff won numerous awards, including: The Pulitzer Prize in Breaking News Photography for their coverage of Hurricane Katrina; 12 awards in Pictures of the Year International including Photographer of the Year; Four awards in NPPA's Best Of Photojournalism; and APME Texas Star Photographer of the Year. Again, William Snyder is one hell of a talented photographer, editor, and now professor. I was lucky enough to meet William during this past year's pandemic. Our mutual friend David Bergman, who's been on the show himself for the episode Composition, Creativity, and Workflow , and who does the Adorama show Ask David Bergman, along with his Shoot From the Pit workshops, has been doing regular Zoom Happy Hours with his friends. Whenever there is someone there I don't know I look them up, and when I looked up William I noticed something that stopped me cold... William is the photographer for the legendary band The Who! Holy crap. Looking through his music photography I was in awe. It wasn't just The Who, it was every damn band I loved growing up. His book, "Join Together (with the band)"  I need to get still, but I will for sure. With clients like Time Magazine, Life Magazine, Sports illustrated, The Sunday New York Times, USA Today, Holiday Inn and more, I could do more shows with William than perhaps anyone I have ever met. I wanted to start strong, and had every intention of talking about a shot from his storied career with The Who, and then something happened - I saw a photo I knew very well. When I mentioned today's image to William he replied "I have regrets about the situation - I shoulda, coulda, woulda if I had I been really smart", and right then I knew I wanted to know, no, needed to know, what a "really smart" William would have changed. Join photographer, journalist, editor, educator, professor, and four-time Pulitzer Prize winner William Snyder and me as we dive into what it took to photograph what would become a classic album cover - St...

I have writer's block because of my guest. In fact, describing William Snyder is so difficult that I've been waiting to write this for two days. I'm ready to give it a shot now, but let me say up front that there is little chance I will be able to convey in writing the talent of William Snyder. Professor William Snyder - yup, he's a professor - is a four-time Pulitzer Prize winning photographer and editor. A graduate of the Rochester Institute of Technology, William returned there 27 years after graduating from the Professional Photography program to chair the Photojournalism program. Now, as the Director of the Advertising Photography Program, he continues teaching, and has been chosen as an RIT Outstanding Alumnus, selected for the The Isaiah Thomas Award in Publishing, and has won the Frank J. Romano Endowed Prize for Publishing Entrepreneurship. In between his graduating and then returning to RIT in 2008 William had a legendary career in journalism. After a few years at The Miami News, he moved on to The Dallas Morning News. For 15 years he was a staff photographer, winning many top photography awards, including a Pulitzer Prize for Explanatory Journalism in 1989 (along with a DMN reporter and artist) for their special report on a 1985 airplane crash, the 1991 Pulitzer Prize for Feature Photography for his pictures of ill and orphaned children living in desperate conditions in Romania and, along with fellow photographer and RIT grad Ken Geiger, the 1993 Pulitzer Prize for Spot News photography for their photographic coverage of the 1992 Summer Olympics in Barcelona, Spain. Moving up the ranks, Snyder served as the Night Photo Editor, Assignments Editor, Metro/Suburban Photo Editor, and Assistant Director of Photography in the DMN's aggressive Collin County bureau. I hope you are starting to see why telling Williams story is difficult.... his career path is amazing. In 2005 William was named The Morning News' Director of Photography. In 2006 the DMN staff won numerous awards, including: The Pulitzer Prize in Breaking News Photography for their coverage of Hurricane Katrina; 12 awards in Pictures of the Year International including Photographer of the Year; Four awards in NPPA's Best Of Photojournalism; and APME Texas Star Photographer of the Year. Again, William Snyder is one hell of a talented photographer, editor, and now professor. I was lucky enough to meet William during this past year's pandemic. Our mutual friend David Bergman, who's been on the show himself for the episode Composition, Creativity, and Workflow , and who does the Adorama show Ask David Bergman, along with his Shoot From the Pit workshops, has been doing regular Zoom Happy Hours with his friends. Whenever there is someone there I don't know I look them up, and when I looked up William I noticed something that stopped me cold... William is the photographer for the legendary band The Who! Holy crap. Looking through his music photography I was in awe. It wasn't just The Who, it was every damn band I loved growing up. His book, "Join Together (with the band)"  I need to get still, but I will for sure. With clients like Time Magazine, Life Magazine, Sports illustrated, The Sunday New York Times, USA Today, Holiday Inn and more, I could do more shows with William than perhaps anyone I have ever met. I wanted to start strong, and had every intention of talking about a shot from his storied career with The Who, and then something happened - I saw a photo I knew very well. When I mentioned today's image to William he replied "I have regrets about the situation - I shoulda, coulda, woulda if I had I been really smart", and right then I knew I wanted to know, no, needed to know, what a "really smart" William would have changed. Join photographer, journalist, editor, educator, professor, and four-time Pulitzer Prize winner William Snyder and me as we dive into what it took to photograph what would become a classic album cover - St...

Uno de nuestros fotoperiodistas más reconocidos, Emilio Morenatti, ha sido premiado con uno de los Premios Pulitzer de periodismo, otorgados por la prestigiosa Universidad de Columbia (Nueva York); en concreto, el denominado ‘Feature Photography', que premia el mejor trabajo de fotoperiodismo del año y que el español se ha llevado "por una conmovedora serie de fotografías que lleva a los espectadores a la vida de los ancianos en España que luchan durante la pandemia de COVID-19." --- Send in a voice message: https://anchor.fm/estacion-online2/message Support this podcast: https://anchor.fm/estacion-online2/support

Please join me in welcoming David Kennerly to the Podcast. At the age of 25 David won the Pulitzer Prize in Journalism for Feature Photography for his work in Vietnam. He has photographed 10 presidents, and all 3 impeachment trials. He was with Hillary Clinton when she received news about FBI Director Comey and with Donald Trump the evening he won the election. He photographed the summit between Ronald Reagan and Mikail Gorbachov, the legendary Ali -Frazier Prize Fight, and the Miracle Mets. The range of iconic events that he has covered is hard to fathom. To quote his friend James Earl Jones, “David is like Forest Gump, except he was really there.Photo by David KennerlyFirst Lady Michelle Obama greets former President George W. Bush with a hug at the opening of the National Museum of African American History and Culture in Washington DC on September 24, 2016. Photo by David Hume Kennerly while on assignment for Bank of America.

2017 Pulitzer Prize-winning photographer E. Jason Wambsgans is a staff photographer at the Chicago Tribune, where he has spent the last 15 years covering stories that have taken him from the vanishing rainforests of Madagascar to the war in Afghanistan, and the last 5 years intensively documenting the problem of Chicago’s gun violence. Wambsgans studied fine art and cinema at Central Michigan University. Throughout a career of wide-ranging assignments, his editors have counted on his ability to inventively meet challenges, whether aesthetic, technical or conceptual, while gracefully conveying the human experience. Wambsgans won the 2017 Pulitzer Prize Winner in Feature Photography for what the judges observed was “a superb portrayal of a 10-year-old boy and his mother striving to put the boy’s life back together after he survived a shooting in Chicago.” Watch our interview with Jason in the studio: https://youtu.be/zkRvCRzDG2k Watch Jason's talk: https://youtu.be/LqZ7cG1o0ok Want to listen to this interview a different way? Find us wherever you get your podcasts: iTunes: https://podcasts.apple.com/us/podcast/demy%E2%80%A6ia/id1369395906 Stitcher: https://www.stitcher.com/podcast/university-of-oregon-school-of-journalism-and-communication/demystifying-media-podcast?refid=stpr Spotify: https://open.spotify.com/show/2Och6Oxpkhyo1nC7D6psHI Find more Demystifying Media talks on YouTube: https://www.youtube.com/watch?v=EiELNjgZJJI&list=PLoqXTlv_f5zEJifP55GP1ghtQjY3tzoI0 Watch our Q&As with media experts on fake news, data journalism, privacy in the age of Google, indigenous media, technology trends, Facebook algorithms, and so much more: https://www.youtube.com/watch?v=iTiuV9h-MKA&list=PLoqXTlv_f5zGu5TJeuL1SMBVCXlM4ViyL Read the transcript for this episode: https://www.scribd.com/document/463622718/HDM-Podcast-Podcast-10-EJasonWambsgans

Journalist Javier Manzano adds the 2016 Pell Center Prize for Storytelling to his list of honors, which includes the 2013 Pulitzer Prize for Feature Photography. See his work at: http://www.javiermanzano.com/

Todd Heisler spent a year photographing the funerals of Colorado Marines who died in Iraq and the officer whose job it was to notify families of each Marine’s death. The haunting series won the 2006 Pulitzer Prize for Feature Photography.

Former New York Times picture editor Margaret O’Connor recalls the newspaper’s photographs of people enduring protracted conflict in Afghanistan and Pakistan. The Times’ 2001 photo series attempted to educate readers on a culture that they felt was largely unknown to America at the time and won the Pulitzer Prize for Feature Photography the following year.

John Kaplan documented the diverse lifestyles of 21-year-olds in America and won the Pulitzer Prize for Feature Photography in 1992. His subjects included a murder suspect, a high school dropout, a rookie in the NFL, an illegal immigrant, a fashion model, a student at Harvard, a prostitute and the lead singer of Pantera.

In 1986, David Peterson documented the worst rural economic crisis since the Great Depression for the Des Moines (Iowa) Register. His images of farmers fighting for their land and praying for relief, farm homes crumbling into ruin, and for-sale signs and foreclosure notices comprised a stark and moving photo essay that won the Pulitzer Prize for Feature Photography.

Photographer James B. Dickman covered the civil war in El Salvador for the Dallas Times Herald. Dickman’s telling photographs of the war and his ability to capture powerful moments in delicate situations, such as a father carrying his child home in a casket, earned him the Pulitzer Prize for Feature Photography in 1983.

Chicago native John H. White was awarded the Pulitzer Prize for Feature Photography in 1982 “for consistently excellent work on a variety of subjects.” His prize-winning portfolio reflected a year in the life of his home city – everything from a high school track practice in an unusual location to a museum worker brushing a dinosaur’s teeth.

Erwin Hagler won the Pulitzer Prize for Feature Photography in 1980 for his compelling photo series documenting the lifestyle of a cowboy. In an interview with the Newseum, he talks about the unsung heroes of the American West and why he wanted to capture their story at a time when no other newspaper had done so.

The Miami Herald’s Michel du Cille won the Pulitzer Prize for Feature Photography in 1988 for his depiction of the decay and desperation of a housing project caught in the grip of crack cocaine.