Podcasts about african american history

Today, we're joined by icon in Faith Adjacent lore, Robert Callahan, to discuss the faith adjacency of Juneteenth. You'll get a full deep-dive on the history of this national holiday and a discussion surrounding the importance of this celebration! We also answer plenty of questions about how white people can observe this holiday!  MENTIONS Join us for our Fellowship Hall: Start a 7-Day Free Trial of The Faith Adjacent Seminary  Robert Callahan: Instagram | Website | Threads | TikTok | Order Fire in the Whole on Amazon Juneteenth Deep Dive: Learn More from The National Museum of African American History of Culture  Faith Adjacent Lore: The David Season Episode Bundle | David and Bathsheba Episode on the Patreon Shop | Here's the original Facebook post Bible Passages Referenced: Luke 4 Juneteenth Itinerary: Black Parade by Beyonce | Blackish Season 4, Episode 1 | Read "What To the Slave is the Fourth of July" by Frederick Douglass | James Earl Jones Reads the Historic Address | The Proud Family: Louder and Prouder Season 2, Episode 10 | Miss Juneteenth on Netflix      The Faith Adjacent Seminary: Support us on Patreon.   I've Got Questions by Erin Moon: Order Here | See Erin in Real Life at a Book Stop Subscribe to our Newsletter: The Dish from Faith Adjacent Faith Adjacent Merch: Shop Here Shop our Amazon Link: amazon.com/shop/faithadjacent Follow Faith Adjacent on Socials: Instagram  Learn more about your ad choices. Visit megaphone.fm/adchoices

2024 is ending with Intensifying nationalist and populist movements capturing more electorates and elected officials in key countries around the world. In the US, the Republican Party is no exception, its intensifying battles between oligarchs and policymakers enabled by white nationalism previewing what is in store for the general US population in 2025. Meanwhile, the global social structure moves inexorably toward an increasingly multipolar world system. While specifics will no doubt hold some surprises, what will remain the same in many countries is a fight over resources and policy making based on racial and class-based logics. The more things change in this deteriorating world system, the more these essential fights will reveal themselves to be the same.Meanwhile, local governance formations across the world continue to search for different and better ways of building community and resisting systemic human oppression. The center of racial oppression logics continues to deteriorate ”in the wake.” Several recent applications of Science and Technology in the form of museum exhibits evoke the potential to reveal enduring Ways of Knowing through acts of Cultural Meaning-Making that focus our attention on unbroken acts of Movement and Memory in service of answering the question, “How do it free Us?” The 250th session of In Class With Carr uses points of entry from two of these exhibits—“Flight into Egypt” at the New York Metropolitan Museum of Art and “In Slavery's Wake” at the Smithsonian National Museum of African American History and Culture—to reflect on key lessons learned in our efforts to harness the momentum of African memory as a tool for achieving and maintaining liberation as we enter our fifth year of collective work. Are these exhibits concessions, embraces or merely a shuffling of modalities without displacing hierarchies of Black institutional subordination? Does not whiteness remain “in charge,” now performing “inclusion” while the lives of those who resist it remain unchanged except when they achieve their own acts of Kujichagulia, of self-determination? If the answer is yes, then these exhibits at best may suggest fruitful directions for that specific work. If that, wha,t if anything, will change as a result of their mounting? Can anything? Can artistic imaginings, displays, change ourselves, change the world? Or the more things change will they remain the same?JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Object of History, we visit an item from the MHS collection currently on loan to the Museum of African American History on Boston's Beacon Hill. We examine the imposing stone that enabled the printing of William Lloyd Garrison's abolitionist publication, The Liberator. While visiting the Museum, we learn more about the building's importance to African American history in Boston as well as the Museum's current exhibits.  Learn more about episode objects here: https://www.masshist.org/podcast/season-4-episode-7-Imposing-Stone  Email us at podcast@masshist.org. Episode Special Guests: Angela T. Tate is Chief Curator and Director of Collections at the Museum of African American History, Boston and Nantucket (MAAH). She oversees collections, exhibitions, interpretation, and content, focused on the lives and descendants of the Black communities in Boston and Nantucket, as well as New England. Prior to joining MAAH, she was inaugural women's history curator at the Smithsonian National Museum of African American History and Culture (NMAAHC). She co-curated the permanent exhibit, Forces for Change: Mary McLeod Bethune and Black Women's Activism, which highlights the strategies Black women have used to fight for justice and equality. Throughout her career, she has worked as curator and public historian in a variety of archives and museums in California and Illinois that focused on telling inclusive and expansive stories of the American past. She is a PhD candidate in History at Northwestern University and her dissertation discusses cultural diplomacy and Pan-Africanism through the 1950s-60s radio program hosted by Etta Moten Barnett in Chicago. This work has been supported by the Mellon Foundation, the Social Science Research Council, the New York Public Library, and the Schlesinger Library at the Radcliffe Institute. Her work has been published in Resonance: The Journal of Sound and Culture, the Smithsonian's Afrofuturism catalog, Ubuntu Dialogues, and several upcoming publications. Find more information at www.atpublichistory.com  Cara Liasson currently serves as the Collections Manager and Registrar for the Museum of African American History, Boston and Nantucket. Her career in the museum field spans over fifteen years, where she has worked at institutions such as Lowell National Historical Park and Old Sturbridge Village. She holds a B.A. in History from Wheaton College in Massachusetts and a graduate certificate in Museum Collections Management and Care from George Washington University. Selvin Backert is the Education Specialist at the Museum of African American History, Boston and Nantucket. Sage Morgan-Hubbard is the Director of Learning & Engagement  at the Museum of African American History, Boston and Nantucket. This episode uses materials from: Osprey by Chad Crouch (Attribution-NonCommercial 4.0 International)        Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)        Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)

Every month since October of 2022, Reverend Dr. Robert Turner has been walking from his home city of Baltimore to the White House, a journey he’s dubbed #40MilesFor40Acres. Whether rain, shine, alone, or with fellow advocates–Turner has been making the journey for nearly three years now. Angela Rye talks with him about his experiences and the success he’s had. PLUS, the Reverend Dr. recently added a stop on the march: the National Museum of African American History and Culture (The Blacksonian). The museum has come under attack from Trump for its “divisive, race-centered” exhibits that disparage the nation’s history. Imagine that! State of the People is coming to Baltimore on Juneteenth for The National Assembly. SOTP brings together organizers, cultural leaders, policy advocates, artists, and community members to co-create a vision for our future. Join us, it’s free and there will be food! Find out more @ https://stateoftheppl.com/ Welcome home y’all! —--------- We want to hear from you! Send us a video @nativelandpod and we may feature you on the podcast. Instagram X/Twitter Facebook NativeLandPod.com Watch full episodes of Native Land Pod here on YouTube. Native Land Pod is brought to you by Reasoned Choice Media. Thank you to the Native Land Pod team: Angela Rye as host, executive producer and cofounder of Reasoned Choice Media; Tiffany Cross as host and producer, Andrew Gillum as host and producer, and Lauren Hansen as executive producer; Loren Mychael is our research producer, and Nikolas Harter is our editor and producer. Special thanks to Chris Morrow and Lenard McKelvey, co-founders of Reasoned Choice Media. Theme music created by Daniel Laurent.See omnystudio.com/listener for privacy information.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily chats with "The Button Man", Harlem artist Beau McCall, an artist renowned for his unique use of buttons in wearable and visual art. McCall's work is featured in prominent collections such as New York's Museum of Arts and Design and London's Victoria and Albert Museum. McCall recounts his upbringing in Philadelphia, his move to Harlem, and his early inspirations. He explains how his fascination with buttons began with his mother's collection and grew through various craft classes. McCall shares memories of his artistic evolution, his experiences with the Harlem community, and the personal significance of his work, including tributes to friends lost to AIDS. The episode concludes with McCall's advice to aspiring artists and a nod to his ongoing support from his mother.About Artist Beau McCall :Drawing inspiration from the vast button collection of his mother and family, Beau McCall creates wearable and visual art by applying clothing buttons onto mostly upcycled fabrics, materials, and objects. With deliberate focus the buttons are arranged to stimulate one's curiosity and imagination, while simultaneously drawing attention to the unique history of buttons. Thereby McCall's work generates a discussion surrounding many topics such as pop culture and social justice.McCall began his professional career in Harlem in the 1980s after arriving from his native, Philadelphia with nothing more than a few hundred dollars, a duffel bag, and buttons. Circa 1988 he made his critically acclaimed wearable art debut at The Harlem Institute of Fashion (HIF) show for HARLEM WEEK. McCall went on to become an established force within HIF's Black Fashion Museum collective presenting at their shows consecutively through circa 1995, as well being featured in their museum exhibitions and prestigious events. During this time, McCall's visually captivating work was featured in the fashion bible Women's Wear Daily, on the PBS version of George C. Wolfe's The Colored Museum (1991), and in the award-winning film Quartier Mozart (1992), directed by Jean-Pierre Bekolo. The film won prizes at film festivals in Cannes, Locarno, and Montreal and was nominated, in 1993, for a British Film Institute award.McCall eventually applied his mastery of the button to visual art. Since then, he's been proclaimed by American Craft magazine as “The Button Man.” His visual and wearable art has been included in exhibitions at The Museum at FIT, Nordstrom, the African American Museum in Philadelphia, Houston Museum of African American Culture, Charles H. Wright Museum of African American History, Stax Museum of American Soul Music, the Langston Hughes House in partnership with the inaugural Columbia University Wallach Art Gallery Uptown triennial and StoryCorps, and Rush Arts Gallery. McCall's work is held in the permanent collection of public institutions and by private individuals including the Museum of Arts and Design (New York), Philadelphia Museum of Art (Philadelphia), Victoria and Albert Museum (London), The Museum at FIT (New York), Schomburg Center for Research in Black Culture (New York), Amistad Research Center (New Orleans), The Museum of Modern Art Library (New York), Leslie-Lohman Museum of Art (New York), Stonewall National Museum & Archives (Fort Lauderdale), and The San Francisco Museum of Modern Art Library (San Francisco), Cyndi Lauper's True Colors Residence, Debbie Harry of Blondie, Jeffrey Gibson, and Cristina Grajales. McCall has also been commissioned by the Museum of Arts and Design, Columbia University, and the Schomburg Center for Research in Black Culture. And his wearable art can be found in gift shops including the Newark Museum of Art. McCall has been featured in the NY Times, Associated Press, NPR, L.A. Times, and more. In addition, he has served as a teaching artist at the Newark Museum of Art, the New York Public Library, and the Harlem Arts Alliance. McCall has also created a wearable art line called, Triple T-shirts. For these pieces, he upcycles three T-shirts by combining them into one flowing garment that can be worn in six different ways. Each style—from poncho to hoodie to shawl and beyond—brings dynamic versatility to traditional T-shirts. The shirts are curated to form a narrative about various socially-conscious and lighthearted themes.In 2021, McCall released his debut artists' book titled, REWIND: MEMORIES ON REPEAT, commissioned and published by SHINE Portrait Studio@ Express Newark, Rutgers University-Newark. The book honors the legacy of ten of McCall's deceased friends through collages composed of archival photos and images from his button artwork. The collages capture the late 1970s to the mid-1980s, from Philadelphia to New York, during the LGBTQ+ rights movement, the height of disco music and the AIDS crisis.In 2024, McCall debuted his first-ever retrospective and exhibition catalog titled, Beau McCall: Buttons On! at Fuller Craft Museum. The exhibition is currently on a nationwide tour.Through his work, McCall remains committed to channeling and contributing to the universal cultural legacy one button at a time.Visit Beau's Website:  BeauMcCall.ComFollow Beau on Instagram: @Beau_McCallFor more on Beau's exhibit "Buttons On!" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

In this engaging conversation, host Darnelle Radford speaks with playwright R. Eric Thomas and director Ontaria Kim Wilson about the regional premiere of 'Glitter in the Glass.' They explore themes of identity, community, and the cultural significance of their work, while reflecting on personal journeys and the importance of storytelling in the Black experience. The discussion also touches on the contrasts within Baltimore and Philadelphia, the impact of generational wisdom, and the ongoing quest for belonging and understanding in a complex world. In this conversation, R. Eric Thomas, Ontaria Kim Wilson and Darnelle Radford explore the significance of monuments, symbols, and storytelling in relation to African American history and culture. They discuss the relevance of historical monuments today, the impact of the National Museum of African American History and Culture, and the importance of empathy in understanding the past. The dialogue also touches on the role of art in reflecting identity and the necessity of continuing to tell stories that resonate with the community.Chapters00:00 Introduction to Glitter in the Glass02:59 The Journey of Ontario Wilson05:59 Eric Thomas: The Playwright's Perspective09:01 Exploring Identity Through Names12:02 Thematic Depth of Glitter in the Glass14:55 Cultural Reflections and Black Utopias17:51 Baltimore: A City of Contrasts21:06 Community and History in Black Spaces24:05 Generational Wisdom and Fear27:01 Conclusion and Future Aspirations29:32 Symbols and Their Meanings32:50 The Impact of the National Museum of African American History35:44 The Importance of Storytelling40:41 Art as a Reflection of Identity44:37 Confronting the Past51:11 The Role of Empathy in Understanding History54:57 The Call to Action for Art and CommunityWritten by R. Eric ThomasMay 29, 2025 — June 22, 2025Directed By: Ontaria Kim WilsonOpening Night: June 5, 2025Theatre Exile, 1340 S. 13th Street, Philadelphia, PA 19147120 minutes including 10 minute intermission THIS SHOW CONTAINS THE USE OF THEATRICAL FOG Chelle, a Black mid-career artist, has written a check that she's not sure her talent can cash. When the city of Baltimore takes down the Confederate monument in the park across the street from her childhood home, she has an idea. She'll apply for a grant to create a piece to replace it. Caught between the past, the present, and the future, Chelle, portrayed by Jennifer Kidwell, is catapulted into a journey that takes her back before the Middle Passage and out beyond the bounds of this planet. “Wildly funny and thought-provoking” (CTX Life Theatre), Glitter in the Glass by multi-award winning playwright, R. Eric Thomas, is about liminal spaces, and a world on the cusp of exploding. FOR TICKETS AND INFORMATION: https://theatreexile.org

Mrs Christie went to Washington, and Dr Aldridge and Mr Brown are following suit! This episode, we get the train to Washington DC to uncover the truth about how an American Christie fan would REALLY have experienced a Swinging Christie…A handful of tickets are still available⁠ for our first ever live episode recording in Torquay this September as part of the International Agatha Christie Festival 2025!You can find us on Instagram ⁠@Christie_Time⁠. We are also on Bluesky at ⁠christietime.bsky.social⁠.Please subscribe to us, and  rate and review us on your podcatcher of choice.Our website is ⁠ChristieTime.com⁠.The Swinging Christies is a Christie Time project by Mark Aldridge and Gray Robert Brown.Next episode: we look at Agatha Christie alongside a contemporary - Shirley Jackson!00:00:00 - Opening titles00:00:43 - Introductory chat00:01:44 - Agatha, Washington and America in the 1960s, down the Mall 00:09:41 - Discoveries in the Library of Congress00:43:37 - Wrap up, the National Museum of African American History and Culture00:47:24 - Next episode, how to get in touch00:49:09 - Closing titles00:49:36 - Coda

I chose this title because I have been fortunate enough to have joined a group of diverse individuals to discuss African American History. Johnnie Warner is the leader of the group. He is very proactive in getting people to know factual history of African Americans in Columbus, Georgia. Since I have had the opportunity to share my thoughts, during his discussions, it has hit me that in order for the group and me to grow, we would have to agree to be on the same accord about how we present our history. We must be willing to hear what we don't want to hear, repeatedly, and be on that same accord.

Trump's tax bill will cost 830,000 jobs. Oklahoma to require schools to teach Trump's 2020 election conspiracy theories. Slavery and civil rights exhibits removed from the National Museum of African American History and Culture.  Host: Dr. Rashad Richey (@IndisputableTYT) Guest host: Jordan Uhl (@JordanUhl) *** SUBSCRIBE on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YOUTUBE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ☞ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ FOLLOW US ON: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FACEBOOK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ☞ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  https://www.facebook.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TWITTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ☞     ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  https://www.twitter.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ☞ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

If you have never heard the podcast edition of the newsletter before, how will you be able to tell if the words I am writing here are actually the words I'm saying to the hundreds of listeners? Don't you want to hear the way people in these stories sound? Wouldn't you like to see if the editors left in the many curse words that are uttered during production? Either way, there are both written and sonic versions of Charlottesville Community Engagement and one day there may be a version told entirely through pencil shavings.In this edition:* Charlottesville City Council grants appeal to allow Delta Zeta to demolish 144 Chancellor Street (learn more)* Virginia now requires localities in the same river basin to come up with a regional water supply plan to prepare for drought (learn more)* Council agrees to exercise eminent domain to purchase land for streetscape projects (learn more)* Residents call for Council to take action on speeding on Lankford and Deputy City Manager James Freas provides an update (learn more)* A look back at a presentation in January on the city's safe streets strategy (learn more)* Albemarle County's Board of Supervisors adopts a budget for FY2026 after another review of what is in it (podcast listeners get a first listen!)First-shout: Rivanna River Fest this SaturdayWe're up to that time of year when the Rivanna Conservation Alliance and their partners celebrate our community's main waterway - the Rivanna River!From 2 p.m. to 9 p.m. there will be all sorts of events at the Rivanna River Company on land now owned by the City of Charlottesville. There will be family-friendly activity tables, free tubing from 2 p.m. to 4:30 p.m (depending on water levels), and you can sign up for fly-fishing lessons with Orvis.* At 2:30 p.m. you can hear the “Story of Buck Island” from Philip Cobbs* At 3 p.m. the Rockfish Wild Sanctuary will present “Wild Neighbors”* At 3:30 p.m. Horace Scruggs will present the “African American History of the River”* At 4 p.m. there is a guided walk from Steve Gaines, the city's urban forester* At 5 p.m. there is performance from The Front Porch's Hometown Choir* There's a free concert from 6 p.m. to 8 p.m. from Mighty JoshuaFor more information and details, visit the Rivanna Conservation Alliance website!Second shout out: When Driving Is Not An Option webinar on May 12A third of people living in the United States do not have a driver's license and must navigate a mobility system designed almost exclusively for drivers. Does it have to be that way?On Monday May 12th from 6:30 pm to -7:30 pm, Livable Cville will hold a conversation with Anna Zivarts, author of the excellent book When Driving Is Not An Option. Charlottesville City Councilor Natalie Oschrin will also make an appearance.When Driving is Not an Option shines a light on the reality for non-drivers and explains how improving our transportation system with nondrivers in mind will create a better quality of life for everyone. Zivarts is a low-vision mom, disability advocate, and non-driver. In this webinar, she'll explain how healthier, more climate-friendly communities can be the result of what happened when the needs of involuntary nondrivers are viewed as essential to how we design our transportation systems and our communities.Councilor Oschrin will share about how these ideas apply to the Charlottesville area. There will be an opportunity for Q&A at the end. You can sign up here for this free event. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit communityengagement.substack.com/subscribe

5.6.2025 #RolandMartinUnfiltered: Trump dismantles NMAAHC, Rep. Crockett RIPS GOP Black history attack, EPA nixes Energy Star program The Trump administration's plan to dismantle key Smithsonian museums, including the National Museum of African American History and Culture, is sparking outrage. Congresswoman Ayanna Pressley will join us live to discuss this fight to protect America's stories. Texas Congrsswoman Jasmine Crockett gets in the GOPs ass about they are coming after black history, Medicaid and jobs. You don't want to miss tonight's Crocket Chronicles. The Pentagon orders deep cuts to top military brass. We'll examine what this means for our national security. The EPA moves to eliminate the Energy Star program, threatening energy savings for millions of Americans. The late Chuck Stone, a trailblazing journalist and educator, was awarded a special Pulitzer Prize. #BlackStarNetwork partner: Fanbasehttps://www.startengine.com/offering/fanbase This Reg A+ offering is made available through StartEngine Primary, LLC, member FINRA/SIPC. This investment is speculative, illiquid, and involves a high degree of risk, including the possible loss of your entire investment. You should read the Offering Circular (https://bit.ly/3VDPKjD) and Risks (https://bit.ly/3ZQzHl0) related to this offering before investing. Download the Black Star Network app at http://www.blackstarnetwork.com! We're on iOS, AppleTV, Android, AndroidTV, Roku, FireTV, XBox and SamsungTV. The #BlackStarNetwork is a news reporting platform covered under Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.See omnystudio.com/listener for privacy information.

On this edition of Producer's Pick of the Week, we revisit three conversations. First, we revisit a conversation on poetry in Buffalo with Aitina Fareed-Cooke, Jillian Hanesworth, Dallas Taylor, and Maria Ta. The four collectively discuss the history and importance of the Poet-Laureate position and how Buffalo poets shape the region's culture. Then we revisit Naila's conversation with Nina and Terry Heard, the founders of Friends for a Better Buffalo and the organizers of the Excellence in Education Awards. And we close out with Saladin Allah's conversation with Dr. Doretha Williams, Director of the Center for the Digitization and Curation of African American History at the Smithsonian National Museum of African American History and Culture, and Terry Alford, the Executive Director of the Michigan Street African American Heritage Corridor.

Guest: Alan Sealls, AMS President-ElectFor decades, broadcast meteorologists have been the trusted voices guiding us through hurricanes, tornadoes, and everyday forecasts. But behind every great weathercaster is a deep passion for both science and communication. Few embody that balance as well as Alan Sealls—a highly respected meteorologist, educator, and soon-to-be President of the American Meteorological Society. As we head into more uncertain times, Alan will certainly have a lot on his plate in 2026 as he manages the relationship between academic, government, broadcast, and private meteorologists all across the country. How will his tenured career translate to get this done? Let's ask him right now on Weather GeeksChapters00:00 The Journey of a Weather Geek03:07 Career Trajectory and Passion for Meteorology06:04 Navigating Challenges in Meteorology09:00 The Importance of Education and Communication12:00 Lessons Learned in the Broadcasting Industry15:05 Community Engagement and Impact18:04 Secrets to Effective Communication and Teaching20:57 Engaging Communication in Meteorology22:21 Approaching Severe Weather Coverage25:42 The Impact of Technology on Meteorology27:54 The Future of Broadcast Meteorology30:01 Leadership and Representation in Meteorology34:13 Exploring African American Contributions to Meteorology39:57 Alan Sealls' Literary ContributionsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On today's episode, we attend the Buffalo Academy of the Sacred Heart's annual Day of Sharing. The event this year focused on refugees. The two interview attendees of the event, and dive deep into the workshops that were featured. Next, we discuss an exciting initiative between the two groups that is set to take place in May 2026.

Associate Professor and Founding Director of The Race, Politics, and Policy Center at George Mason University, Dr. Michael K. Fauntroy, gives his take on the future of the Smithsonian's National Museum of African American History and Culture and the court's latest decision to block the President from withholding school funds over DEI programs.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

In an executive order titled “Restoring Truth and Sanity to American History,” President Trump targeted the Smithsonian, demanding that “improper ideology” be removed from exhibits. Under the order,  exhibits that “divide” Americans will be defunded, including  portrayals of race and its history at the National Museum of  African American History and Culture. We talk to Clint Smith, Atlantic staff writer and author of “How the Word is Passed: A Reckoning with the History of Slavery Across America,” about the battle over how American history is told. Guests: Clint Smith, poet; author; staff writer, The Atlantic. His books are "Above Ground" and "How the Word is Passed." Key Jo Lee, chief of curatorial affairs and public program, Museum of the African Diaspora Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast, we open with a hilarious debate: has anyone ever actually won at hide and go get it? Then we dive into the Black History controversy making headlines, as Trump's new executive order leads to the removal of major exhibits from the National Museum of African American History and Culture, including artifacts from the Greensboro sit-ins. We also pay tribute to Pope Francis, who passed away at 88 after twelve years of promoting humility, social justice, and inclusion. In celebrity news, we react to Kanye's cousin dropping a viral song and unpack the explosive Shannon Sharpe lawsuit filed by an OnlyFans model, which is shaking up social media. On the sports side, we cover Alijah Arenas' recovery after his car accident, break down the biggest NFL Draft 2025 moves with Cam Ward and Travis Hunter leading the pack, and give a full NBA Playoffs update as teams like OKC, Cleveland, and Boston take control. Tap in for laughs, real talk, and the latest headlines you need to know. For more KSP,

Dr. Hermene Hartman, Chicago media pioneer and founder of N'Digo, joins Lisa Dent to discuss how the Trump administration is returning historic artifacts to original owners and removing primary exhibits from the National Museum of African American History and Culture in Washington, D.C.

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

My intention behind recording this episode is to humbly invite us to consider what got us to our current reality might not get us to our wildest dreams. Maybe it was ambition, external validation or the perceived safety of playing small inside our own dreams that got us here but these postures of practice are too hollow to strike this moment and inspire long-lasting change. What if we dreamed from inside the sturdy validation of love instead? A regenerative force of motivation we can sustain over a lifetime, expanding into actualized dreams too wild for words. Upon further inspection, through the looking glass of interdependence, we see it is love that got us here and it's love that will get us there, to worlds as yet unnamable.ResourcesEnroll in the Seed A World Retreat or Register for the Worldbuilding Workshop to Learn More: https://www.seedaschool.com/programSubscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠CitationsThe Master's Tools Will Never Dismantle the Master's House by Audre LordeKaren M. Rose's (IG: @empresskarenmrose) Libra Full Moon PostAlexis Pauline Gumbs on The Black Studies PodcastCover Photo: “Anna Julia Cooper: Educator, Writer and Intellectual” (Source: National Museum of African American History and Culture)

“I was tame, I was gentle til the circus life made me mean.” This week on AP Taylor Swift, we delve into the recurring motif of the circus in Taylor Swift's discography. From the tightropes of emotional vulnerability to the grand illusions of public persona, we analyze how Taylor employs circus imagery to convey themes of performance, control, and otherness. This episode includes discussions on the historical exploitation within circus culture, including forced labor, racism, and animal cruelty. For more information, we recommend the article from the National Museum of African American History and Culture and the podcast Circus Stories for firsthand accounts. Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe Stay up to date at aptaylorswift.com Mentioned in this episode: Circus Stories Podcast Water for Elephants by Sara Gruen The Night Circus The Phantom of the Opera The Prestige (2006 film) Slaughterhouse-Five by Kurt Vonnegut Disney's Dumbo and Bambi 60 - Witches 61- Deep Dive “Who's Afraid of Little Old Me” The Second Sex Great Expectations Episode Highlights: [00:45] Introduction to the circus metaphor in literature and music [10:50] “Say Don't Go” 1989 (Taylor's Version) (From the Vault) [24:53]  “…So It Goes” reputation [33:26] “Who's Afraid of Little Old Me?” The Tortured Poets Department  Follow AP Taylor Swift podcast on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com  Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

Our guest is Dr. Camilla Westenberg. Dr. Westenberg has been a decades-long advocate for equity for both women and marginalized communities. She is a Charter member of the NMAAHC. Additionally, she currently serves as the VP for Political Action of the Maricopa County Branch of the NAACP, she is a distinguished leader in the Alpha Kappa Alpha Sorority Phoenix Chapter. Additionally, she is a Life Member of the National Council of Negro Women. In the first half of the show, discuss the importance of the National Museum of African American History and Culture. We also discuss the attacks on the museum by the current administration. Finally, we discuss ways to support the museum as well as their path forward.Support the show: https://www.patreon.com/civiccipher?utm_source=searchSee omnystudio.com/listener for privacy information.

According to USA TODAY, the Smithsonian's National Museum of African American History and Culture—opened nine years ago to national acclaim—is now facing criticism from President Donald Trump. In a recent executive order, Trump accused the museum of promoting “ideological indoctrination” and distorting American history. The museum, visited by 1.6 million people in 2024, highlights both the struggles and triumphs of the Black experience, from slavery to hip-hop. Shortly after the order, museum director Kevin Young resigned. Supporters argue the museum fills critical gaps in education and preserves a rich cultural legacy. Trump's executive order leaves the museum's future uncertain, but its significance remains widely affirmed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Greg Carr and Professor Karen Hunter remember the life and legacy of Joe Madison, known as “The Black Eagle,” who passed away on January 31. He was 74.Joe Madison was a leading figure in American talk radio, who made history on multiple occasions, including in 2015 when he broke the Guinness World Record for “longest marathon hosting a radio talk show” (52 hours live). His efforts raised over $250,000 for the Smithsonian's National Museum of African American History and Culture. In that same year he also became the first national, American talk show in more than 50 years to broadcast live from Cuba.Madison was also a civil rights activist known for staging protests and acts of civil disobedience, and a key figure in the top circles of African American leadership and activism. A native of Dayton, Ohio, he graduated from Washington University in St. Louis, which awarded him an honorary doctorate in 2019. In that same year he was also elected to the National Radio Hall of Fame in recognition of over 40 years in broadcasting. His signature line when people called his show to speak about injustice was “What are you going to do about it?”Madison is survived by his wife, Sherry; his children Jason, Monesha, Shawna and Michelle; his five grandchildren; and one great-grandchild.JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

Hey there Lemon Nation! Today, Legal analyst, political commentator and Host of the Make It Make Sense Daily Digital Show, Monique Pressley brings us a new episode of The Week With Monique! Have you heard about President Trump's interference with The National Museum of African American History and Culture in Washington D.C.? He is targeting the museum's slavery section in an attempt to rewrite our nation's history. Join Monique as she breaks it down for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Kennedy is a motion picture stills photographer from California. Matt has worked on movies including Spiderman, No Way Home, Black Panther, Fast and Furious 8 as well as the new Obi Wan Kenobi series for Disney, Star Trek Picard and many more movies that you've probably seen. Matt has been nominated for several International Cinematographers Guild awards, In 2018, he was invited to join the prestigious Society of Motion Picture Still Photographers and some of his photographs from Black Panther are displayed in the Smithsonian National Museum of African American History and Culture. After many twists and turns Matt made his way in the film industry in the mid 90's where he started his career as film loader learning from some of Hollywoods best camera crews. After working as a camera assistant for many years me made the jump to becoming a unit still photographer and hasn't looked back.

This week hosts Tiffany Cross and Angela Rye are joined by special guest-host: Roland S Martin (of Roland Martin Unfiltered). Roland is one of the most vital sources of independent news for the Black community; his YouTube channel @rolandsmartin has 1.8 million subscribers and counting. Today’s show kicks off with Trump’s attacks on the Blacksonian (National Museum of African American History) and the massive protests against him over the weekend. A lot of folks are complaining about the Trump administration but we don’t see enough doing; Roland says younger generations are “withdrawing from the bank of justice” without making any deposits. How do we help Black folks battle the apathy and feel their agency? Tariffs–tariffs for everyone! Or not? Let’s be 100% clear y’all: tariffs are a tax that WE will pay. Our hosts explain how tariffs work, why they were put in place, and who benefits (SPOILER ALERT: it’s not us). Male enrollment at HBCUs is hitting historical lows, mirroring attendance at colleges nationwide. This represents a failure to engage men in the educational process that starts well before college. The hosts discuss causes, impacts, and potential solutions. Host Andrew Gillum is out this week. He’s on a field trip with the kids to NASA. Have fun Andrew! And of course we’ll hear from you! If you’d like to submit a question, check out our tutorial video: http://www.instagram.com/reel/C5j_oBXLIg0/ and send to @nativelandpod. We are 572 days away from the midterm elections. Welcome home y’all! —--------- We want to hear from you! Send us a video @nativelandpod and we may feature you on the podcast. Instagram X/Twitter Facebook NativeLandPod.com Watch full episodes of Native Land Pod here on YouTube. Native Land Pod is brought to you by Reasoned Choice Media. Thank you to the Native Land Pod team: Angela Rye as host, executive producer and cofounder of Reasoned Choice Media; Tiffany Cross as host and producer, Andrew Gillum as host and producer, and Lauren Hansen as executive producer; Loren Mychael is our research producer, and Nikolas Harter is our editor and producer. Special thanks to Chris Morrow and Lenard McKelvey, co-founders of Reasoned Choice Media. Theme music created by Daniel Laurent.See omnystudio.com/listener for privacy information.

The voices of the past are all around us, if you know how to listen. And sometimes those voices are trapped on small thin strips of tape wrapped in cheap plastic. That's where Robert Anen comes in. As project archivist for the Long Island Library Resources Council, he works with historical collections across Nassau and Suffolk counties. Specializing in audio preservation and digitization, he's rescued a number of collections – copying them to digital media and making them publicly available online. Today we focus on Robert's work with one of the oldest oral history collections on Long Island at the Manhasset Public Library. Library director Maggie Gough introduces us to the scope and depth of their oral history collection while Antonia Mattheou, their consulting archivist, helps us unpack the history contained on the recordings. Special shout out to Manhasset's first librarian Ruth Cowell who conducted most of the oral history interviews. Her foresight, along with a committed group of patrons, means that we get to listen to memories of the Blizzard of 1888 and the Vanderbilt Cup Races from those who experienced them. Recorded in 1953 on a reel to reel recorder, the interviews were converted to cassette tapes sometime in the 1980s before Rob digitized them in the 21st century, On today's episode you'll hear from these Manhasset residents: Ernest Willets Herbert Fish Laura Schneider Ernest Willets George D. Smith Further Research Manhasset Public Library Oral History Collection (1953-1988) Manhasset Public Library History Center Long Island Library Resources Council The Whitney Greentree Estate Spinney Hill, the African American History of Manhasset and Great Neck Intro music: https://homegrownstringband.com/ Outro music: Capering by Blue Dot Sessions CC BY-NC 4.0

Trey's Table Episode 280: Erasure

According to The Guardian, Kevin Young, director of the National Museum of African American History and Culture (NMAAHC), has been on personal leave since March 14. His absence, first reported by The Washington Post, comes as President Donald Trump targets the Smithsonian with an executive order to eliminate what he calls divisive or anti-American ideology. Shanita Brackett is now serving as interim director. Though there's no official link between Young's leave and the order, the timing has raised questions. The order specifically criticized the NMAAHC for its portrayal of aspects of white culture. Kevin Young has led the museum since 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Tim Wise from Podjam starts at 34 minutes  Tim Wise Link Tree Tim Wise, whom scholar and philosopher Cornel West calls, “A vanilla brother in the tradition of (abolitionist) John Brown,” is among the nation's most prominent antiracist essayists and educators. He has spent the past 25 years speaking to audiences in all 50 states, on over 1000 college and high school campuses, at hundreds of professional and academic conferences, and to community groups across the nation. He has also lectured internationally in Canada and Bermuda, and has trained corporate, government, law enforcement and medical industry professionals on methods for dismantling racism in their institutions. Wise's antiracism work traces back to his days as a college activist in the 1980s, fighting for divestment from (and economic sanctions against) apartheid South Africa. After graduation, he threw himself into social justice efforts full-time, as a Youth Coordinator and Associate Director of the Louisiana Coalition Against Racism and Nazism: the largest of the many groups organized in the early 1990s to defeat the political candidacies of white supremacist and former Ku Klux Klan leader David Duke. From there, he became a community organizer in New Orleans' public housing, and a policy analyst for a children's advocacy group focused on combatting poverty and economic inequity. He has served as an adjunct professor at the Smith College School of Social Work, in Northampton, MA., and from 1999-2003 was an advisor to the Fisk University Race Relations Institute in Nashville, TN.   Wise is the author of seven books, including his highly-acclaimed memoir, White Like Me: Reflections on Race from a Privileged Son, as well as Dear White America: Letter to a New Minority, and Under the Affluence: Shaming the Poor, Praising the Rich and Sacrificing the Future of America. His forthcoming book, White LIES Matter: Race, Crime and the Politics of Fear in America, will be released in 2018. His essays have appeared on Alternet, Salon, Huffington Post, Counterpunch, Black Commentator, BK Nation, Z Magazine and The Root, which recently named Wise one of the “8 Wokest White People We Know.” Wise has been featured in several documentaries, including “The Great White Hoax: Donald Trump and the Politics of Race and Class in America,” and “White Like Me: Race, Racism and White Privilege in America,” both from the Media Education Foundation. He also appeared alongside legendary scholar and activist, Angela Davis, in the 2011 documentary, “Vocabulary of Change.” In this public dialogue between the two activists, Davis and Wise discussed the connections between issues of race, class, gender, sexuality and militarism, as well as inter-generational movement building and the prospects for social change. Wise is also one of five persons—including President Barack Obama—interviewed for a video exhibition on race relations in America, featured at the National Museum of African American History and Culture in Washington DC. Additionally, his media presence includes dozens of appearances on CNN, MSNBC and NPR, feature interviews on ABC's 20/20 and CBS's 48 Hours, as well as videos posted on YouTube, Facebook and other social media platforms that have received over 20 million views. His podcast, “Speak Out with Tim Wise,” launched this fall and features weekly interviews with activists, scholars and artists about movement building and strategies for social change.   Wise graduated from Tulane University in 1990 and received antiracism training from the People's Institute for Survival and Beyond, in New Orleans. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Monday and Thursday at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift

This week on The Gedunk Show with Dan and Bobby, we dive into the national security implications of SignalGate and what it means for trust in our intelligence infrastructure. We then unpack the reported efforts by the Trump administration to defund and dismantle the National Museum of African American History and Culture — and what that says about the broader cultural and political landscape. Finally, we lighten it up with a full-court press into March Madness, breaking down the Final Four and what to expect in the closing games of the tournament. It's a mix of serious, surprising, and straight-up sports talk — all in one episode. Follow us here: https://linktr.ee/valormedianetwork

(AURN News) — The Congressional Black Caucus (CBC) has forcefully rejected President Donald Trump's executive order targeting Smithsonian programs, characterizing it as an attempt to "whitewash" American history. CBC Chair Rep. Yvette D. Clarke (NY-09) and caucus members issued a statement responding to Trump's order that restricts funding for Smithsonian programs the administration claims promote "divisive narratives" and "improper ideology." "There is nothing divisive or improper about telling the truth. We detest this administration's dedication to whitewashing our nation's history," the CBC statement said. "Donald Trump's idea that the National Museum of African American History and Culture is guilty of distorting our nation's history or painting our 'founding principles' in a 'negative light' is patently ridiculous." In his executive order, Trump claimed the museum had characterized concepts including "hard work," "individualism," and "the nuclear family" as aspects of "white culture." He wrote that museums should be places "to learn -- not to be subjected to ideological indoctrination or divisive narratives that distort our shared history." The CBC's statement also emphasized the importance of historical accuracy. "Let's be clear, Black history is American history," the caucus wrote. "Any rhetoric that opposes this notion is not only factually incorrect but blatantly racist. We will not stand for anything aside from the truth." Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of PhotoWork, host Sasha Wolf has a deeply moving conversation with renowned photographer Jamel Shabazz. They talk about his lifelong love for photography and how he uses it to make a social impact. Jamel opens up about how his life experiences have shaped his approach to art and hard work. The episode also covers his book, “A Time Before Crack,” and its importance to his community at the time. It's a heartfelt conversation that goes beyond just photography. Tune in to hear the insights and stories from a photographer passionate about making a difference. https://www.jamelshabazzphotographer.com ||| https://www.instagram.com/jamelshabazz/ Jamel Shabazz is best known for his iconic photographs of New York City during the 1980s. A documentary, fashion, and street photographer, he has authored 12 monographs and contributed to over three dozen other photography related books. His photographs have been exhibited worldwide and his work is housed within the permanent collections of The Whitney Museum, The Studio Museum in Harlem, The Smithsonian's National Museum of African American History and Culture, The Fashion Institute of Technology, The Art Institute of Chicago and the Getty Museum. Over the years, Shabazz has instructed young students at the Studio Museum in Harlem's “Expanding the Walls” project, The Schomburg Center for Research in Black Culture “Teen Curator's” program, and the Bronx Museum's “Teen Council.” He is also the 2018 recipient of the Gordon Parks award for excellence in the arts and humanitarianism and the 2022 awardee of the Gordon Parks Foundation/Steidl book prize. Jamel is also a member of the photo collective Kamoinge, and a board member of En Foco, another photo collective. His goal as an artist is to contribute to the preservation of world history and culture.

In a world that seeks to erase our history and redefine our worth, standing firm in who you are is an act of self-preservation. This episode is your reminder: we will not be triggered. Let's talk about why we need to get clear and stop allowing the world to redefine us. It's time to get clear about how we are the living embodiment of the history they're desperately trying to erase. We also are the peace that we're looking for. Especially in times when the attacks amplify (e.g. the recent executive order that was signed on 3/27.) . Let's talk about it and how you can navigate it. Standing Bible Verses: Isaiah 43:1: "I have called you by name; you are mine" Romans 12:2: "Do not conform to the pattern of this world, but be transformed by the renewing of your mind." Proverbs 4:23: "Guard your heart, for everything you do flows from it."Reference Points: National Museum of African American History and Culture: https://nmaahc.si.edu/The 1619 Project by Nikole Hannah-Jones: https://1619books.com/The Autobiography of Malcolm X by Alex Haley: https://www.goodreads.com/book/show/92057.The_Autobiography_of_Malcolm_XRest is Resistance: A Manifesto by Tricia Hersey: https://www.goodreads.com/book/show/60382737-rest-is-resistanceThe Well Done Life Podcast Information:The Reset Experience Recap Video: https://youtu.be/4ynD3AEuz2I?si=okF38OJIH4vLoVmJPrevious Episode: https://www.buzzsprout.com/851650/episodes/16627079-love-is-revolutionary.mp3?download=trueInstagram: https://www.instagram.com/pamelaldavis/Instagram: https://www.instagram.com/thewelldonelifepodcastEmail: hello@thewelldonelife.com and thewelldonelife@gmail.com Thank you for listening. Text me your feedback. I really appreciate you!

David Waldman delivers us to the end of the week. Anyone not detained this weekend for acts of dispatriotism can meet back here on Monday. Russia seems to use David's random country generator to pick out its disinformation targets. Today it's Austria! SignalGate! It turns out that you can get in a lot of trouble for accidentally adding a reporter to a group email. “You” are not, however, one of the morons on the Houthi PC Small Group chat. Those folks are in a special protected class of super-morons. The more stupidity linked to them, such as public Venmo accounts with payments to eggplants, the more they are called out, such as Senator Tammy Duckworth calling Pete Hegseth “a f*cking liar” who needs to resign in disgrace, the more Donald K. Trump will defend them and lock down Gops from doing anything about it. Hillary Clinton writing an op-ed for the Times has secured Pete Hegseth the job for life. Trump is afraid of confrontation and making any decisions tougher than picking out colors anyhow. Elise Stefanik, on the other hand, isn't that much of a dangerous idiot to become concerned about. Trump figured that she could break just as much stuff if she kept her old job. Trump is cutting the “racial stuff” from the National Museum of African American History and Culture, and “gender” from the American Women's history museum, as well as “improper ideology” from the National Zoo. Thinking incorrectly at a university can earn you a free sightseeing trip in an unmarked van with a canvas bag on your head.  Trump's sister declared the immigration law he used “unconstitutional”. While we're talking about Trumps, Vanessa Trump is in a relationship with Tiger Woods! Yep, Vanessa sure has a thing for those “bad boys”… Wait, who is Vanessa Trump?

President Donald Trump has signed an executive order demanding the Smithsonian Institution stop telling the full story of the nation's past. The order attacks exhibits on racism, equity, identity, and inclusion, and threatens funding for museums like the National Museum of African American History and Culture. If they don't fall in line, Trump's new directive empowers Vice President J.D. Vance and his team to root out what they call divisive race-centered ideology from all Smithsonian properties. They've been instructed to rewrite museum programs, review staff appointments, and even dictate how American history should be interpreted. The Smithsonian, while technically not a federal agency, still receives more than 60 percent of its funding from Congress. That amounts to over $1 billion a year. His order directs the Office of Management and Budget to cut federal dollars from any exhibits that “divide Americans based on race.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Yvette talks with Kelly Elaine Navies who is a Museum Specialist Oral Historian at the Smithsonian National Museum of African American History and Culture in Washington, DC. Kelly talks about how oral history became her passion. It began with a college assignment that resulted in her finding the legacy of her great-great-grandmother born into slavery in Asheville, North Carolina.

In 1992 Bill Duke teamed up with Laurence Fishburne and Jeff Goldblum to create one of the best film noirs ever made and a masterpiece of Black cinema. Walter Greason and Tim Fielder join in to talk about it, the rise of hip hop, and the early 90s. About our guests:A native of Mississippi, Tim Fielder is an illustrator, cartoonist, animator and OG Afrofuturist. He is the founder of Dieselfunk Studios, an intermedia storytelling company, and is an educator for institutions such as the New York Film Academy and Howard University. Tim has served clients such as Marvel, Tri-Star Pictures, Ubisoft Entertainment, and the Village Voice, and is known for his TEDx Talk on Afrofuturism. He won the prestigious 2018 Glyph Award, and his work has been showcased in the Hammonds House Museum, Exit Art and NYU Gallatin Gallery. He attended Jackson State University, School of Visual Arts, and New York University. He lives in New York City.Walter Greason teaches American and world history, using media ecology, economics, and African diaspora studies. His areas of research include urban planning, Afrofuturism, and multimedia user experience design. He is an author, editor, and contributor to more than twenty books, mostly notably the award-winning books Suburban Erasure and The Black Reparations Project.  His work on the Timothy Thomas Fortune Cultural Center has garnered international acclaim for the innovative use of digital technology, leading to multiple urban revitalization projects in Minnesota, Florida, New Jersey, and Louisiana. He has written for or appeared as the feature guest on media outlets ranging from the Washington Post, USA Today, the Canadian Broadcast Channel, the Philadelphia Daily News, the Huffington Post, National Public Radio, Historians at the Movies, the New York Times Read Along, WURD Philadelphia, and Today with Dr. Kaye (WEEA, Baltimore). He was a Future Faculty Fellow at Temple University where he completed his Ph.D. in History and a Presidential Scholar at Villanova University where he studied History, English, Philosophy, Peace and Justice Studies, and Africana Studies. His most recent project, The Graphic History of Hip Hop, with Afrofuturist illustrator Tim Fielder, has been featured at the United Nations, the Smithsonian Institution's National Museum for African American History and Culture, the Metropolitan Museum of Art in New York City, the Schomburg Center in the New York Public Library system, and San Diego Comic-Con in 2024.

 Part 2 of our interview with Shannon Eaves. "Her book, Sexual Violence and American Slavery: The Making of a Rape Culture in the Antebellum South, was published by UNC Press in 2024. This study examines how the rape and sexual exploitation of enslaved women created a rape culture that was woven into the very fabric of antebellum society, influencing daily life for both the enslaved and enslavers....Shannon earned her Ph.D. from the University of North Carolina at Chapel Hill and currently serves as an Associate Professor of African American History here at the College of Charleston. She is a specialist in 19th century U.S. History, African American History, and Slavery and Gender in the Antebellum South" (Faculty page).  "It is impossible to separate histories of sexual violence and the enslavement of Black women in the antebellum South. Rape permeated the lives of all who existed in that system: Black and white, male and female, adult and child, enslaved and free. Shannon C. Eaves unflinchingly investigates how both enslaved people and their enslavers experienced the systematic rape and sexual exploitation of bondswomen and came to understand what this culture of sexualized violence meant for themselves and others. Eaves mines a wealth of primary sources including autobiographies, diaries, court records, and more to show that rape and other forms of sexual exploitation entangled slaves and slave owners in battles over power to protect oneself and one's community, power to avenge hurt and humiliation, and power to punish and eliminate future threats" (UNC Press). Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in Louisiana history. March 22, 1976. Reese Witherspoon is from New Orleans and is best known for her role in Legally Blonde and Walk the Line. This week in New Orleans history. Maximilian Ferdinand Bonzano, physician, minter, administrator. Born, Ebingen, Germany, March 22, 1821, arrived in New Orleans, 1835, working first in a printing office as a roller boy and then as printer, which provided opportunity to master the English language. Morally opposed to slavery. Also opposed secession and refused to serve the Confederacy. He was elected from his district as a delegate to the state's 1864 constitutional convention, where he chaired the committee on emancipation and personally wrote the ordinance which freed Louisiana's slaves. He lived in the mansion which had served as the headquarters of Gen. Andrew Jackson. This week in Louisiana. Cane River Creole National Park The Texas and Pacific Railway Depot Oakland and Magnolia Plantations 9:00 am - 3:00 pm daily Natchez, LA Website The Cane River region is home to a unique culture; the Creoles. Generations of the same families of workers, enslaved and tenant, and owners lived on these lands for over 200 years. The park tells their stories and preserves the cultural landscape of Oakland and Magnolia Plantations, two of the most intact Creole cotton plantations in the United States.     The hours of operation for Oakland Plantation and Magnolia Plantation are 9:00 a.m. to 3:30 p.m. The plantation grounds, trails, outbuildings, and visitor restrooms are open daily. Guided tours are available Wednesday through Sunday at both sites. The park store, located in the historic Oakland Plantation Store is also open Wednesday through Sunday. The Oakland Plantation Main House is only open on Saturdays and Sundays from 10:00 a.m. to 2:00 p.m. for self-guided tours. The park does not offer visitors services, such as guided tours and shopping at the park store on Mondays and Tuesdays.     The Texas and Pacific Railway Depot in Natchitoches serves as the park visitor center. The depot is open Wednesday through Sunday from 9:00 a.m. to 3:30 p.m.    The park is open daily year-round with the exception of ALL federal holidays. Postcards from Louisiana. Medicare String Band in Natchitoches.  Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

617. Part 1 of our interview with Shannon Eaves. "Her book, Sexual Violence and American Slavery: The Making of a Rape Culture in the Antebellum South, was published by UNC Press in 2024. This study examines how the rape and sexual exploitation of enslaved women created a rape culture that was woven into the very fabric of antebellum society, influencing daily life for both the enslaved and enslavers.... Shannon earned her Ph.D. from the University of North Carolina at Chapel Hill and currently serves as an Associate Professor of African American History here at the College of Charleston. She is a specialist in 19th century U.S. History, African American History, and Slavery and Gender in the Antebellum South" (Faculty page).  "It is impossible to separate histories of sexual violence and the enslavement of Black women in the antebellum South. Rape permeated the lives of all who existed in that system: Black and white, male and female, adult and child, enslaved and free. Shannon C. Eaves unflinchingly investigates how both enslaved people and their enslavers experienced the systematic rape and sexual exploitation of bondswomen and came to understand what this culture of sexualized violence meant for themselves and others. Eaves mines a wealth of primary sources including autobiographies, diaries, court records, and more to show that rape and other forms of sexual exploitation entangled slaves and slave owners in battles over power to protect oneself and one's community, power to avenge hurt and humiliation, and power to punish and eliminate future threats" (UNC Press). Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in Louisiana history. March 15, 1870. Cameron Parish created from Calcasieu Parish. This week in New Orleans history. The New Orleans Savings Institution, was incorporated by the Louisiana legislative act of March 15, 1855. This week in Louisiana. Alexandria Zoo 3016 Masonic Drive Alexandria, LA 71301 Open 9 am. Last Entry 4:30 pm. Closed 5:00 pm. Closed only Thanksgiving, Christmas, & New Year's Day. 318.441.6810 Website The Alexandria Zoological Park is a 33-acre (13 ha) zoo located in Alexandria, Louisiana, United States. First opened to the public in 1926, it is owned by the City of Alexandria and operated by the Division of Public Works. It is home to about 500 animals and a nice train ride. Postcards from Louisiana. Medicare String Band in Natchitoches. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

As our centennial series continues, David Levering Lewis, Pulitzer Prize-winning historian and the author of The Stained Glass Window: A Family History as the American Story, 1790-1958 (Penguin, 2025), discusses his new book, which turns the historian's lens on his own family tree.EVENT: David Levering Lewis will be in conversation with fellow historian Annette Gordon Reed at 92Y on Thursday, March 13th at 7 PM. Details can be found here:  www.92ny.org/events.  

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Michael Woodward. Mr. Woodward began his interest in real estate renovations as a youth, working with his grandfather, father, and great-uncle doing handyman and maintenance services. He also studied architectural design in high school, taking first place at county and state-level housing design competitions. After graduation, he enrolled in the architectural design program at Miami-Dade Community college. He also purchased his first property and renovated it himself at just 20 years old. He then took his aspiration to become an architect to Florida A&M University in Tallahassee, Fl where he majored in Architecture and minored in African American Studies. After much consideration, the future graduate of Florida A&M University decided to change his major from architecture; though, he never lost his passion for the real estate profession. He eventually graduated with undergraduate degrees in History, Geography, and Secondary Education. He was able to complete the triple degree in 3.5 years. He also has a Masters Degree in Applied Social Science with a concentration in African American History and an Add-on in Educational Leadership. This was completed while engaging in an 18year career in the education-al system and investing in real estate. Mr. Woodward is currently pursuing his PhD in History and Humanities at Clark-Atlanta University. He has completed all of his coursework and his comprehensive exams. The dissertation is all that remains between now and graduation. Utilizing all of his prior knowledge and experience in real estate, Mr. Woodward was able to turn a hobby and part time residual income opportunity into an incorporated business. After 2 years of being incorporated, Michael decided to leave the education profession. Nine years later, Woodward Property Group (www.woodwardpropertygroup.com), a full service home improvement and property management company is still going strong. In addition to being a leader in the property management and renovation business, we are contractors for Lowes Stores under their kitchen a bathroom renovation program. We have 7 stores on the east side of Atlanta and we have an A+ Rating with the Better Business Bureau as well as multiple partnerships throughout the Atlanta Area. He is also the founder and CEO of Alpha Educational Consultants, Inc. (www.aecga.com a company that was started in graduate school as a tutoring company for K-12 students and college students. To-date it has expanded to assist individuals in all areas of real estate such as purchasing, renovation, cost calculations and profit maximization. Additionally, he is The Director of The LEAD Foundation (www.theleadfoundation.org), LEAD, standing for Leadership Education and Development is an organization designed to teach soft skills to middle and High school students such as leadership skills, interviewing skills, test taking skills, oratorical skills, etc. Under the foundation, students are able to learn financial planning, college preparation and selection, take college tours, and attend workshops on college campuses. Additionally, students earn college scholarships and laptop computers. #BEST #SHMS #STRAWSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Michael Woodward. Mr. Woodward began his interest in real estate renovations as a youth, working with his grandfather, father, and great-uncle doing handyman and maintenance services. He also studied architectural design in high school, taking first place at county and state-level housing design competitions. After graduation, he enrolled in the architectural design program at Miami-Dade Community college. He also purchased his first property and renovated it himself at just 20 years old. He then took his aspiration to become an architect to Florida A&M University in Tallahassee, Fl where he majored in Architecture and minored in African American Studies. After much consideration, the future graduate of Florida A&M University decided to change his major from architecture; though, he never lost his passion for the real estate profession. He eventually graduated with undergraduate degrees in History, Geography, and Secondary Education. He was able to complete the triple degree in 3.5 years. He also has a Masters Degree in Applied Social Science with a concentration in African American History and an Add-on in Educational Leadership. This was completed while engaging in an 18year career in the education-al system and investing in real estate. Mr. Woodward is currently pursuing his PhD in History and Humanities at Clark-Atlanta University. He has completed all of his coursework and his comprehensive exams. The dissertation is all that remains between now and graduation. Utilizing all of his prior knowledge and experience in real estate, Mr. Woodward was able to turn a hobby and part time residual income opportunity into an incorporated business. After 2 years of being incorporated, Michael decided to leave the education profession. Nine years later, Woodward Property Group (www.woodwardpropertygroup.com), a full service home improvement and property management company is still going strong. In addition to being a leader in the property management and renovation business, we are contractors for Lowes Stores under their kitchen a bathroom renovation program. We have 7 stores on the east side of Atlanta and we have an A+ Rating with the Better Business Bureau as well as multiple partnerships throughout the Atlanta Area. He is also the founder and CEO of Alpha Educational Consultants, Inc. (www.aecga.com a company that was started in graduate school as a tutoring company for K-12 students and college students. To-date it has expanded to assist individuals in all areas of real estate such as purchasing, renovation, cost calculations and profit maximization. Additionally, he is The Director of The LEAD Foundation (www.theleadfoundation.org), LEAD, standing for Leadership Education and Development is an organization designed to teach soft skills to middle and High school students such as leadership skills, interviewing skills, test taking skills, oratorical skills, etc. Under the foundation, students are able to learn financial planning, college preparation and selection, take college tours, and attend workshops on college campuses. Additionally, students earn college scholarships and laptop computers. #BEST #SHMS #STRAWSee omnystudio.com/listener for privacy information.

Beyoncé is one of the most well-known and appreciated Black women in music today, but to understand her work, we need to look at who came before her and what those women contributed to the story of Black women on stage. In this special guest episode, curator Krystal Klingenberg introduces a new season of Collected, a podcast from the Smithsonian's National Museum of American History, all about Black women in music. Guests:Daphne A. Brooks, PhD., is professor of African American Studies and Music at Yale University. Dr. Brooks most recent books is Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University, February 2021). https://afamstudies.yale.edu/people/daphne-brooks  Margo Jefferson is a Pulitzer Prize-winning critic, and a 2022 recipient of the Windham-Campbell Prize for Nonfiction. Her most recent book is Constructing a Nervous System: a memoir (2022). She is a professor of Professor of Professional Practice at Columbia University. https://arts.columbia.edu/profiles/margo-jefferson  Crystal M.  Moten, Ph.D., is a historian who specializes in twentieth century African American Women's History. In 2023 she published Continually Working: Black Women, Community Intellectualism, and Economic Justice in Postwar Milwaukee. Dr. Moten is the Curator of Collections and Exhibitions at the Obama Presidential Center Museum in Chicago, Illinois and was previously curator at Smithsonian's National Museum of American History https://www.crystalmoten.comDwandalyn R. Reece, Ph.D. is curator of Music and Performing Arts at the Smithsonian Institution's National Museum of African American History and Culture. Dr. Reece curated the museum's permanent exhibition, Musical Crossroads, for which she received the Secretary's Research Prize in 2017. https://music.si.edu/dr-dwandalyn-reeceFath Davis Ruffins was a Curator of African American History at the Smithsonian's National Museum of American History (NMAH). She began working at the museum in 1981, and between 1988 and 2005, she was the head of the Collection of Advertising History at the NMAH Archives Center. Ruffins was the original project director of Many Voices, One Nation, an exhibition that opened at NMAH in June 2017.  She was leading a museum project on the history and culture of the Low Country region of the Carolinas, Georgia, and Florida. https://profiles.si.edu/display/nruffinsf1102006  Craig Seymour is a writer, photographer, and critic who has written about music, particularly Black music for over two decades.  His most recent book is Luther: The Life and Longing of Luther Vandross (HarperCollins, 2004).   https://randbeing.com/

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Michael Woodward. Mr. Woodward began his interest in real estate renovations as a youth, working with his grandfather, father, and great-uncle doing handyman and maintenance services. He also studied architectural design in high school, taking first place at county and state-level housing design competitions. After graduation, he enrolled in the architectural design program at Miami-Dade Community college. He also purchased his first property and renovated it himself at just 20 years old. He then took his aspiration to become an architect to Florida A&M University in Tallahassee, Fl where he majored in Architecture and minored in African American Studies. After much consideration, the future graduate of Florida A&M University decided to change his major from architecture; though, he never lost his passion for the real estate profession. He eventually graduated with undergraduate degrees in History, Geography, and Secondary Education. He was able to complete the triple degree in 3.5 years. He also has a Masters Degree in Applied Social Science with a concentration in African American History and an Add-on in Educational Leadership. This was completed while engaging in an 18year career in the education-al system and investing in real estate. Mr. Woodward is currently pursuing his PhD in History and Humanities at Clark-Atlanta University. He has completed all of his coursework and his comprehensive exams. The dissertation is all that remains between now and graduation. Utilizing all of his prior knowledge and experience in real estate, Mr. Woodward was able to turn a hobby and part time residual income opportunity into an incorporated business. After 2 years of being incorporated, Michael decided to leave the education profession. Nine years later, Woodward Property Group (www.woodwardpropertygroup.com), a full service home improvement and property management company is still going strong. In addition to being a leader in the property management and renovation business, we are contractors for Lowes Stores under their kitchen a bathroom renovation program. We have 7 stores on the east side of Atlanta and we have an A+ Rating with the Better Business Bureau as well as multiple partnerships throughout the Atlanta Area. He is also the founder and CEO of Alpha Educational Consultants, Inc. (www.aecga.com a company that was started in graduate school as a tutoring company for K-12 students and college students. To-date it has expanded to assist individuals in all areas of real estate such as purchasing, renovation, cost calculations and profit maximization. Additionally, he is The Director of The LEAD Foundation (www.theleadfoundation.org), LEAD, standing for Leadership Education and Development is an organization designed to teach soft skills to middle and High school students such as leadership skills, interviewing skills, test taking skills, oratorical skills, etc. Under the foundation, students are able to learn financial planning, college preparation and selection, take college tours, and attend workshops on college campuses. Additionally, students earn college scholarships and laptop computers. #AMI #STRAW #BEST #SHMSSee omnystudio.com/listener for privacy information.

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 My conversation with Tim Wise starts at 27 minutes Tim Wise Link Tree Tim Wise, whom scholar and philosopher Cornel West calls, “A vanilla brother in the tradition of (abolitionist) John Brown,” is among the nation's most prominent antiracist essayists and educators. He has spent the past 25 years speaking to audiences in all 50 states, on over 1000 college and high school campuses, at hundreds of professional and academic conferences, and to community groups across the nation. He has also lectured internationally in Canada and Bermuda, and has trained corporate, government, law enforcement and medical industry professionals on methods for dismantling racism in their institutions. Wise's antiracism work traces back to his days as a college activist in the 1980s, fighting for divestment from (and economic sanctions against) apartheid South Africa. After graduation, he threw himself into social justice efforts full-time, as a Youth Coordinator and Associate Director of the Louisiana Coalition Against Racism and Nazism: the largest of the many groups organized in the early 1990s to defeat the political candidacies of white supremacist and former Ku Klux Klan leader David Duke. From there, he became a community organizer in New Orleans' public housing, and a policy analyst for a children's advocacy group focused on combatting poverty and economic inequity. He has served as an adjunct professor at the Smith College School of Social Work, in Northampton, MA., and from 1999-2003 was an advisor to the Fisk University Race Relations Institute in Nashville, TN.   Wise is the author of seven books, including his highly-acclaimed memoir, White Like Me: Reflections on Race from a Privileged Son, as well as Dear White America: Letter to a New Minority, and Under the Affluence: Shaming the Poor, Praising the Rich and Sacrificing the Future of America. His forthcoming book, White LIES Matter: Race, Crime and the Politics of Fear in America, will be released in 2018. His essays have appeared on Alternet, Salon, Huffington Post, Counterpunch, Black Commentator, BK Nation, Z Magazine and The Root, which recently named Wise one of the “8 Wokest White People We Know.” Wise has been featured in several documentaries, including “The Great White Hoax: Donald Trump and the Politics of Race and Class in America,” and “White Like Me: Race, Racism and White Privilege in America,” both from the Media Education Foundation. He also appeared alongside legendary scholar and activist, Angela Davis, in the 2011 documentary, “Vocabulary of Change.” In this public dialogue between the two activists, Davis and Wise discussed the connections between issues of race, class, gender, sexuality and militarism, as well as inter-generational movement building and the prospects for social change. Wise is also one of five persons—including President Barack Obama—interviewed for a video exhibition on race relations in America, featured at the National Museum of African American History and Culture in Washington DC. Additionally, his media presence includes dozens of appearances on CNN, MSNBC and NPR, feature interviews on ABC's 20/20 and CBS's 48 Hours, as well as videos posted on YouTube, Facebook and other social media platforms that have received over 20 million views. His podcast, “Speak Out with Tim Wise,” launched this fall and features weekly interviews with activists, scholars and artists about movement building and strategies for social change.   Wise graduated from Tulane University in 1990 and received antiracism training from the People's Institute for Survival and Beyond, in New Orleans. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Monday and Thursday at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

Mary McLeod Bethune was an educator, activist, and civil servant who dedicated her entire life to the pursuit of racial and gender equality. Her impressive legacy includes schools, legislation, and the formation of the Women's Army Corps. Research: Architect of the Capitol. “Mary McLeod Bethune.” https://www.aoc.gov/explore-capitol-campus/art/mary-mcleod-bethune-statue Bethune, Mary McLeod. “Dr. Bethune's Last Will & Testament.” Bethune-Cookman University. https://www.cookman.edu/history/last-will-testament.html Bethune, Mary McLeod. “Mary McLeod Bethune: Building a Better World: Essays and Selected Documents.” Indiana University Press. 1999. Brewer, William M. “Mary McLeod Bethune.” Negro History Bulletin , November, 1955, Vol. 19, No. 2 (November, 1955), p. 48, 36. Via JSTOR. https://www.jstor.org/stable/44212916 "Bethune, Mary Mcleod." Encyclopedia of Race and Racism, edited by John Hartwell Moore, vol. 1, Macmillan Reference USA, 2008, pp. 166-167. Gale In Context: U.S. History, link.gale.com/apps/doc/CX2831200056/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=8b031f93. Accessed 9 Dec. 2024. Eleanor Roosevelt Papers Project. “Mary McLeod Bethune (1875-1955).” https://erpapers.columbian.gwu.edu/mary-mcleod-bethune-1875-1955 Flemming, Shelia Y. and Elaine M. Smith. “Mary McLeod Bethune: Born for Greatness: Introduction to Special Volume.” Phylon (1960-), Vol. 59, No. 2 (WINTER 2022), pp. 21-54. Via JSTOR. https://www.jstor.org/stable/27180573 Foreman, Adam. “The Extraordinary Life of Mary McLeod Bethune.” The National World War II Museum. July 30, 2020. https://www.nationalww2museum.org/war/articles/mary-mcleod-bethune Johnson-Miller, Beverly C. "Mary McLeod Bethune: black educational ministry leader of the early 20th century." Christian Education Journal, vol. 3, no. 2, fall 2006, pp. 330+. Gale General OneFile, link.gale.com/apps/doc/A154513137/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=175ad2e0. Accessed 9 Dec. 2024. Jones, Martha S. “Mary McLeod Bethune Was at the Vanguard of More Than 50 Years of Black Progress.” Smithsonian. 7/2020. https://www.smithsonianmag.com/history/mary-mcleod-bethune-vanguard-more-than-50-years-black-progress-180975202/ Long, Kim Cliett. "Dr. Mary Mcleod Bethune: a life devoted to service." Forum on Public Policy: A Journal of the Oxford Round Table, fall 2011. Gale Academic OneFile, link.gale.com/apps/doc/A317588290/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=af61ca7a. Accessed 9 Dec. 2024. "Mary McLeod Bethune." Gale Encyclopedia of U.S. Economic History, edited by Thomas Carson and Mary Bonk, Gale, 1999. Gale In Context: U.S. History, link.gale.com/apps/doc/K1667000015/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=96df5412. Accessed 9 Dec. 2024. McCLUSKEY, AUDREY T. "Representing the Race: Mary McLeod Bethune and the Press in the Jim Crow Era." The Western Journal of Black Studies, vol. 23, no. 4, winter 1999, p. 236. Gale In Context: U.S. History, link.gale.com/apps/doc/A62354228/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=d189f Michals, Debra. "Mary McLeod Bethune." National Women's History Museum. National Women's History Museum, 2015. https://www.womenshistory.org/education-resources/biographies/mary-mcleod-bethune Moorer, Vanessa. “Mary McLeod Bethune.” National Museum of African American History and Culture. https://nmaahc.si.edu/explore/stories/mary-mcleod-bethune National Parks Service. “Mary McLeod Bethune. Mary McLeod Bethune Council House. https://www.nps.gov/mamc/learn/historyculture/mary-mcleod-bethune.htm PBS American Experience. “Eleanor and Mary McLeod Bethune.” https://www.pbs.org/wgbh/americanexperience/features/eleanor-bethune/ Popp, Veronica. “Black roses: The womanist partnership of Frances Reynolds Keyser and Mary McLeod Bethune.” Journal of Lesbian Studies. https://doi.org/10.1080/10894160.2024.2385714 Roosevelt, Eleanor. “My Day: May 20, 1955.” https://www2.gwu.edu/~erpapers/myday/displaydoc.cfm?_y=1955&_f=md003174 Smith, Elaine M. “Mary McLeod Bethune Papers: The Bethune-Cookman College Collection, 1922–1955.” Alabama State University. /https://pq-static-content.proquest.com/collateral/media2/documents/1397_MaryMcLBethuneCollege.pdf Smith, Elaine M. “Mary McLeod Bethune: In the Leadership Orbit of Men.” Phylon (1960-), WINTER 2022, Vol. 59, No. 2 (WINTER 2022). Via JSTOR. https://www.jstor.org/stable/10.2307/27180575 Smith, Elaine M. “Mary McLeod Bethune’s ‘Last Will and Testament’: A Legacy for Race Vindication.” The Journal of Negro History, vol. 81, no. 1/4, 1996, pp. 105–22. JSTOR, http://www.jstor.org/stable/2717611. Accessed 10 Dec. 2024. State Library and Archives of Florida. “Mary McLeod Bethune.” Florida Memory. https://www.floridamemory.com/learn/classroom/learning-units/mary-mcleod-bethune/ See omnystudio.com/listener for privacy information.