Podcasts about african american history

Jeff Scott is a Grammy award winning French horn player, composer and arranger. He plays chamber, solo, orchestral, Broadway, ballet, classical, jazz and pop. As a composer Jeff writes what he calls Urban Classical Music. It's rooted in European traditions and informed by African American culture. He was a member of the acclaimed wind quintet Imani Winds for 24 years. This quintet was honored with a permanent installation at the Smithsonian Museum of African American History.My featured song is my recording of Thelonious Monk's “Well, You Needn't” from the album Miles Behind. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JEFF:www.musicbyjeffreyscott.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

More incontrovertible evidence of climate change: Florida stone crabs are living in the Chesapeake Bay. On Christmas Eve, 1951, central Florida civil rights activists Harry and Harriette Moore were assassinated via bomb blast by Orlando members of the Ku Klux Klan in their home. The married couple became America's first civil rights martyrs.  Robert W. Fieseler is a journalist, scholar and the author of "American Scare: Florida's Hidden Cold War on Black and Queer Lives," a book published in 2025 with newly discovered details about the assassination. Visit the Harry and Harriette Moore museum in Mims, FL.Visit our "Florida Black History" YouTube channel to hear previous "Welcome to Florida" episodes sharing Florida Black History.

Reality and Faith Prompts1. What are the formations or structures for how you know you are in reality in regards to your faith? Do you have indicators? Internal senses? External resources? 2. Who are you in active dialogue with in regards to your faith? Who that is living and who that is passed on? 3. When you encounter dissonance with your reality of faith, how do you stay grounded in your experience?TranscriptsDanielle (00:00):To my computer. So thank you Starlet. Thank you Tamis for being with me. I've given already full introductions. I've recorded those separately. So the theme of the conversation and kind of what we're getting into on this podcast this season is I had this vision for talking about the themes have been race, faith, culture, church in the past on my podcast. But what I really think the question is, where is our reality and where are our touchpoints in those different realms? And so today there's going to be more info on this in the future, but where do we find reality and how do we form our reality when we integrate faith? So one of the questions I was asking Tamis and Starlet was what are the formations or structures for how you know are in reality in regards to your faith? Do you have indicators? Do you have internal senses? Do you have external resources? And so that's where I want to jump off from and it's free flow. I don't do a whole lot of editing, but yeah, just curious where your mind goes when you hear that, what comes to mind and we'll jump from there.Starlette (01:12):I immediately thought of baptism, baptismal waters. My baptismal identity forms and shapes me. It keeps me in touch with my body. It keeps me from being disembodied. Also, it keeps me from being swindled out of authority over my body due to the dangerous irrationalism of white body supremacy. So that's one thing. Protest also keeps me grounded. I have found that acts of defiance, minor personal rebellions, they do well for me. They keep me spiritually that I feel like it keeps me in step with Jesus. And I always feel like I'm catching up that I'm almost stepping on his feet. So for me, baptismal identity and protesting, those are the two things come to me immediately.Tamice (02:04):Whoa, that's so deep. Wow, I never thought about that. But I never thought about protests being a thing that groundsBecause I mean I've just been, for me I would say I've been working on the right so, and y'all know me, so I got acronyms for days. But I mean I think that the radical ethical spirituality that's tethered to my tradition, that's a rule of life, but it's also a litmus test. So for me, if you can't tell the truth, we don't have conversations about non-violence and loving enemies. I don't get to ethical spirituality unless you come through the front door of truth telling and truth telling in that sense of the r. And the rest arrest mix tape is radical. Angela Davis says radical and that's grasping stuff at the root. So before we have conversations about forgiveness for instance, or Jesus or scripture or what is right and what is moral, it's very important that we first tell the truth about the foundations of those realities and what we even mean by those terms and whose those terms serve and where they come from. I talk about it asking to see the manager. We need see the manager(03:24):Me that grounds me is now if something comes in and it calls me to move in a different way or corrects me or checks me in a certain way, I say yes to it if it comes through the door of truth telling because it means I also got to be true and tell the truth to myself. So that keeps me grounded. That kind of acronym is kind of how I move, but it's also how I keep toxic ways of doing religion out. And I also have come back into relationship with trees and grass and the waters and that's been really powerful for moving down into different types of intelligence. For me, the earth has been pulling me into a different way of knowing and being in that part brings me to ancestors. Just like you starlet my ancestors, I keep finding them in the trees and in the water and in the wind. So it's like, well I need them real bad right now. So that's where I'm kind of grounding myself these days.But to your point about grounding and protest, I feel most compelled to show up in spaces where the ground is crying out screaming. I feel like it beckons me there. And we talked about the most recent news of Trey being found and you talked about truth telling and what resonated immediately. And it didn't sit right with me that African-American people, people of African descent know not to take their lives in that way because of the traumatic history that when you say things like you don't suspect any foul play, it sounds like what has historically been named as at the hands of persons unknown where that no one is held responsible for the death of African-American people. That's what ties it in for me. And I feel like it's an ancestral pool that they didn't leave this way, they didn't leave in the way that they were supposed to, that something stinks and that they're crying out to say, can you hear me? Come over here Terry a while here. Don't leave him here. Don't let up on it because we didn't call him here somebody. So I love that you said that you are, feel yourself being grounded in and call back to the earth because I do feel like it speaks to us,But there are telltale signs in it and that the trees will tell us too. And so I didn't have a hand in this. It was forced on me and I saw it all come and talk to me. Put your hand here, put your head here and you can hear me scream and then you can hear me scream, you can hear him scream. He was calling out the whole time. That's what I believe in. That's how I test reality. I tested against what the earth is saying like you said, but I think we have to walk the ground a bit. We have to pace the ground a bit. We can't just go off of what people are saying. Back to your point about truth telling, don't trust nobody I don't trust. I don't trust anybody that's going to stop because you can't fix a lie. So if you're going to come in with deception, there's not much else I can do with you. There's not much I can say to you. And I find that white body supremacy is a supreme deception. So if we can't start there in a conversation, there's nothing that I can say to youTamice (06:46):That's facts. It's interesting that you talked about baptism, you talked about grounding and I had this story pop up and while you were talking again it popped up again. So I'm going to tell it. So we are not going to talk about who and all the things that happened recently, but I had made some comments online around that and around just the choice to be blind. So I've been talking a lot about John nine and this passage where it is very clear to everyone else what's happening, but the people who refuse to see, refuse to see.So in that, I was kind of pulled into that. I was in Mississippi, I was doing some stuff for the book and this lady, a chaplain, her name is Sally Bevin, actually Sally Bevel, she walked up to me, she kept calling me, she was like, Tam me, she want to come. I have my whole family there. We were at the Mississippi Book Fair and she kept saying, Tam me, she want to come join, dah, dah, dah. Then my family walked off and they started to peruse and then she asked me again and I was like, no, I'm good. And I was screaming. I mean I'm looking in the screen and the third time she did it, it pulled me out and I was like, this woman is trying to pull me into being present. And she said to me, this is funny, starlet. I said, I feel like I need to be washed and I need a baptism because this phone feels like so on right now and the wickedness is pulling me. So she poured, she got some ice, cold water, it was 95 degrees, poured cold water on my hands, had me wash my hands and she took the cold water. She put a cross on my forehead. And you know what she said to me? She said, remember your baptism?She said, remember your baptism? And when I was baptized, even though it was by a man who will not also be named, when I was baptized the wind, there was a whirlwind at my baptism. It was in 2004, that same wind hit in Mississippi and then I felt like I was supposed to take my shoes off. So I walked around the Mississippi Festival with no shoes on, not knowing that the earth was about to receive two people who did not deserve to be hung from trees. And there's something very, I feel real talk, I feel afraid for white supremacy right now in the name of my ancestors and I feel like I'm calling on everything right now. And that's also grounding me.Starlette (09:36):I was with Mother Moses last week. I went to Dorchester County just to be with her because the people were here. Take me. I said, I'll leave them all here. I know you said there are a few here, but give me the names, give me the last names of the people because I don't have time for this. I see why she left people. I see why she was packing. So to your point, I think it's important that we talk to the ancestors faithfully, religiously. We sit down at their feet and listen for a bit about how they got over and how they got through it and let them bear witness to us. And she does it for me every time, every single time she grounds, she grounds meDanielle (10:23):Listening to you all. I was like, oh wait. It is like Luke 19 where Jesus is coming in on the show and he didn't ride in on the fanciest plane on a donkey. And if you're familiar with that culture that is not the most elevated animal, not the elevated animal to ride, it's not the elevated animal. You don't eat it. Not saying that it isn't eaten at times, but it's not right. So he rides in on that and then people are saying glory to God in the highest and they're praising him and the Pharisees are like, don't do that because it's shameful and I don't remember the exact words, but he's basically be quiet. The rocks are going to tell the story of what happened here. He's walking his way. It kind of reminds me to me. So what you're saying, he's walking away, he's going to walk and he's going to walk that way and he's going to walk to his death. He's walking it in two scenarios that Jesus goes in to talk about. Your eyes are going to be blind to peace, to the real way to peace. It's going to be a wall put around you and you're going to miss out. People are going to destroy you because you missed your chance.Starlette (11:50):Point again creation. And if you're going to be a rock headed people, then I'll recruit this rock choir. They get ready to rock out on you. If there's nothing you're going to say. So even then he says that creation will bear witness against you. You ain't got to do it. You ain't got to do it. I can call these rock. You can be rock headed if you want to. You can be stony hearted if you want to. I can recruit choir members from the ground,Tamice (12:16):But not even that because y'all know I'm into the quantum and metaphysics. Not even that they actually do speak of course, like words are frequencies. So when you hold a certain type of element in your hand, that thing has a frequency to it. That's alright that they said whatever, I don't need it from you. Everything else is tapped into this.Starlette (12:39):Right. In fact, it's the rocks are tapped into a reality. The same reality that me and this donkey and these people throwing stuff at my feet are tapped into.You are not tapped into reality. And so that's why he makes the left and not the right because typically when a person is coming to Saka city, they head towards the temple. He went the other direction because he is like it was a big fuck. I don't use power like this. And actually what I'm about to do is raise you on power. This is a whole different type of power. And that's what I feel like our ancestors, the realities that the alternative intelligence in the world you're talking about ai, the alternative intelligence in the world is what gives me every bit of confidence to look this beast in the face and call it what it is. This isTamice (13:52):And not going to bow to it. And I will go down proclaiming it what it is. I will not call wickedness good.And Jesus said, Jesus was so when he talks about the kingdom of heaven suffering violence and the violence taken it by force, it's that it's like there's something so much more violent about being right and righteous. Y'all have to use violence because you can't tell the truth.Danielle (14:29):Do you see the split two? There's two entirely different realities happening. Two different kingdoms, two entirely different ways of living in this era and they're using quote J, but it's not the same person. It can't be, you cannot mix white Jesus and brown Jesus. They don't go together. TheyStarlette (15:00):Don't, what is it? Michael O. Emerson and Glenn e Bracy. The second they have this new book called The Religion of Whiteness, and they talk about the fact that European Americans who are racialized as white Tahi says those who believe they are white. He says that there's a group of people, the European Americans who are racialized as white, who turn to scripture to enforce their supremacy. And then there's another group of people who turn to scripture to support and affirm our sibling.It is two different kingdoms. It's funny, it came to me the other day because we talk about, I've talked about how for whiteness, the perception of goodness is more important than the possession of it.You know what I mean? So mostly what they do is seek to be absolved. Right? So it's just, and usually with the being absolved means I'm less bad than that, so make that thing more bad than me and it's a really terrible way to live a life, but it is how whiteness functions, and I'm thinking about this in the context of all that is happening in the world because it's like you cannot be good and racist period. And that's as clear as you cannot love God and mammon you will end up hating one and loving the other. You cannot love God. You cannotStarlette (16:29):Love God and hate your next of kin your sibling. Dr. Angela Parker says something really important During the Wild Goose Festival, she asked the participants there predominantly European American people, those racialized as white. She said, do you all Terry, do you Terry, do you wait for the Holy Spirit? Do you sit with yourself and wait for God to move? And it talked, it spoke to me about power dynamic. Do you feel like God is doing the moving and you wait for the spirit to anoint you, to fill you, to inspire you, to baptize you with fire? You Terry, do you wait a while or do you just the other end of that that she doesn't say, do you just get up? I gave my life to Jesus and it's done right handed fellowship, give me my certificate and walk out the door. You have to sit with yourself and I don't know what your tradition is.I was raised Pentecostal holiness and I had to tear all night long. I was on my knees calling on the name of Jesus and I swear that Baba couldn't hear me. Which octave do you want me to go in? I lost my voice. You know them people, them mothers circled me with a sheet and told me I didn't get it that night that I had to come back the next day after I sweat out my down, I sweat out my press. Okay. I pressed my way trying to get to that man and they told me he didn't hear me. He not coming to get you today. I don't hear a change. They were looking for an evidence of tongues. They didn't hear an evidence, a change speech. You still sound the way that you did when you came in here. And I think that white body supremacy, that's where the problem lies with me. There's no difference. I don't hear a change in speech. You're still talking to people as if you can look down your nose with them. You have not been submerged in the water. You did not go down in the water. White supremacy, white body supremacy has not been drowned out.Terry, you need to Terry A. Little while longer. I'll let you know when you've gotten free. When you've been lifted, there's a cloud of witnesses. Those mothers rubbing your back, snapping your back and saying, call on him. Call him like you want him. Call him like you need him and they'll tell you when they see evidence, they'll let you, you know when you've been tied up, tangled up. That's what we would say. Wrapped up in Jesus and I had to come back a second night and call on the Lord and then they waited a while. They looked, they said, don't touch her, leave her alone. He got her now, leave her alone. But there was an affirmation, there was a process. You couldn't just get up there and confess these ABCs and salvation, nah, nah, nah, nah, nah, nah. Why do you think they'll let you know when you got it?Danielle (18:56):Why do you think that happened? Why? I have a question for You'all. Why do you think that became the reality of the prayer in that moment? And we're talking about Africans that have been brought here and enslaved. Why do you think that happened on our soil that way? Why question?Tamice (19:12):I mean I'm wondering about it because when stylists talk and I keep thinking the Terry in and of itself is a refusal. It says what I see is not real. What's in front of me is not right. I'm going to wait for something else.I'm saying, the slave Bible, them taking stuff out of the Bible and it's like, but I feel like the ground, there was something about the ground that indigenous people, that indigenous people were able to help them tap into over here. It was waiting on that.Starlette (19:49):We didn't have punishment. We had a percussion session. So they ring shouted me. I didn't know what it was at the time. We didn't have all the fancy stuff. Everybody had put me in key. We didn't have, we had this and feet them people circled around me. We don't do that no more.Danielle (20:06):We don't do that no more. But don't you think if you're a person that is, and I believe Africans came here with faith already. Oh yes, there's evidence of that. So put that aside, but don't you think then even if you have that faith and it's not so different than our time and you're confronted with slave owners and plantation owners also preaching quote the same faith that you're going to have to test it out on your neighbor when they're getting saved. You're going to have to make sure they didn't catch that bug.Don't you think there's something in there? Block it. Don't you think if you know faith internally already like we do and run into someone that's white that's preaching the same thing, we have to wait it out with them. Don't you think our ancestors knew that when they were here they were waiting it out. I just noticed my spirit match that spirit. We have to wait it out. Yes, because and let's say they didn't know Jesus. Some people didn't know Jesus and they met Jesus here for whatever reason, and your example is still the white man. You have to wait it out to make sure you're not reflecting that evilness. I mean that's what I'm thinking. That's it's the absolutelyStarlette (21:20):Truth. There's a book titled Slave Testimony, and I know this because I just read about it. There's a testimony of an enslaved African-American, he's unnamed. It was written on June 26th, 1821. He's talking to Master John. He said, I want permission to speak to you if you please. He talked about, he said, where is it? Where is it? A few words. I hope that you will not think Me too bull. Sir, I make my wants known to you because you are, I believe the oldest and most experienced that I know of. He says in the first place, I want you to tell me the reason why you always preach to the white folks and keep your back to us is because they sit up on the hill. We have no chance among them there. We must be forgotten because we are near enough. We are not near enough without getting in the edge of the swamp behind you. He was calling him to account. He said, when you sell me, do you make sure that I'm sold to a Christian or heathen?He said, we are charged with inattention because of where their position. He said it's impossible for us to pay good attention with this chance. In fact, some of us scarce think that we are preached to it all. He says, money appears to be the object. We are carried to market and sold to the highest bidder. Never once inquired whether you sold to a heathen or a Christian. If the question was put, did you sell to a Christian, what would the answer be? I can tell you, I can tell what he was, gave me my price. That's all I was interested in. So I don't want people to believe that Africans who were enslaved did not talk back, did not speak back. They took him to task. He said, everybody's not literate. There's about one in 50 people who are, and I'm one of them and I may not be able to speak very well, but this is what I want to tell you. I can tell the difference. I know that you're not preaching to me the same. I know that when you talk about salvation, you're not extending it to me.Yikes. You need to know that our people, these ancestors, not only were they having come to Jesus meetings, but they were having come to your senses, meeting with their oppressor and they wrote it down. They wrote it down. I get sick of the narratives that we are not our answer. Yes we are. Yes I am. I'm here because of them. I think they called me. I think they call me here. I think the fussing that I make, the anger that I possess this need to resist every damn thing. I think they make me do thatTamice (23:35):Indeed, I think. But I didn't get my voice until they took the MLE off, had an honor with my ancestors and they came and they told me it's time. Take that mle off, MLE off. Shoot. Why Jesus ain't tell me to take no muzzle off. I'm going to tell you that now.Danielle (23:52):That's why I mean many indigenous people said, Jesus didn't come back for me because if that guy's bringing me Jesus, then now Jesus didn't come back for me.Starlette (24:07):Come on.Make it plain. Danielle, go ahead. Go ahead. Walk heavy today. Yeah, I meanDanielle (24:17):I like this conversation. Why Jesus, why Jesus didn't come back for us, the three of us. He didn't come back for us. It didn't come back from kids. He didn't come back for my husband. Nope. And so then therefore that we're not going to find a freedom through that. No, that's no desire to be in that.Tamice (24:33):None. And that's what I mean and making it very, very plain to people like, listen, I actually don't want to be in heaven with your Jesus heaven. With your Jesus would be hell. I actually have one,Starlette (24:47):The one that they had for us, they had an N word heaven for us where they would continue to be served and they wrote it down. It's bad for people who are blio foes who like to read those testimonies. It is bad for people who like to read white body supremacy For Phil. Yeah, they had one for us. They had separate creation narratives known as polygenetic, but they also had separate alon whereby they thought that there was a white heaven and an inward heaven.I didn't even know that. Starla, I didn't even know that because they said they want to make sure their favorite slave was there to serve them. Oh yes, the delusion. People tell me that they're white. I really do push back for a reason. What do you mean by that? I disagree with all of it. What part of it do you find agreeable? The relationship of ruling that you maintain over me? The privilege. White power. Which part of it? Which part of it is good for you and for me? How does it help us maintain relationship as Christians?Danielle (25:47):I think that's the reality and the dissonance we live in. Right?Starlette (25:51):That's it. But I think there needs to be a separation.Are you a white supremacist or not?Tamice (26:03):That's what I'm saying. That's why I keep saying, listen, at this point, you can't be good and racist. Let me just say that. Oh no, you got to pickStarlette (26:12):And I need to hear itTamice (26:13):Both. Yeah. I need you to public confession of it.Starlette (26:19):Someone sent me a dm. I just want to thank you for your work and I completely agree. I quickly turned back around. I said, say it publicly. Get out of my dms. Say it publicly. Put it on your page. Don't congratulate me. Within two minutes or so. I'm so sorry. I didn't mean to disturb you. You are right. Okay. Okay. Okay. Did he post anything? No. Say it publicly. Denounce them. Come out from among them.Very, very plain. As a white supremacist or na, as a kid, as children. HowDanielle (26:56):Hard is it? I think that's what made this moment so real and it's a kind of a reality. Fresher actually for everybody to be honest, because it's a reality. All certain things have been said. All manner of things have been said by people. This is just one example of many people that have said these things. Not the only person that's lived and died and said these things. And then when you say, Hey, this was said, someone's like, they didn't say that. You're like, no, some people put all their content on the internet receipts. They did it themselves. That's not true. And I went to a prayer vigil. I didn't go. I sat outside a prayer vigil this weekend and I listened in and they were praying for the resurrection like Jesus of certain people that have passed on. I kid you, I sat there in the car with a friend of mine and then my youngest daughter had come with me just to hang out. She's like, what are they praying for? I was like, they're like, they were praying for a certain person to be resurrected from the dead just like Jesus. And I was so confused. I'm so confused how we got that far, honestly. But I told my kid, I said, this is a moment of reality for you. This is a moment to know. People think like this.Starlette (28:13):Also, white bodyDanielle (28:14):Supremacy is heresy. Yes. It's not even related to the Bible. Not at all.Why I steal away. This is why even the mistranslated Bible, even the Bible that you could take,Starlette (28:33):ThisThe version Danielle started. If you wouldn't have said that, I wouldn't have said that. This is exactly why I steal away. This is exactly why I leave. Because you can't argue with people like that. Now we're resurrected. IAll I need, it's like away. This is exactly why, because I can't hear what Howard Thurman calls the sound of the genuine in that. It's just not going to happen.Danielle (29:01):Can you imagine what would've happened if we would've prayed for George Floyd to be resurrected? Listen, what would've happenedStarlette (29:08):That he called the scumbag.Danielle (29:10):Yeah, but what would've happened if we would've played for their resurrection? Adam, Adam Polito. ThatStarlette (29:19):Was foundTamice (29:19):Psychosis.Starlette (29:21):Yeah. What would've happened? See, don't push me now. I feel like I need to pack. As soon as I said fill away, it's like people keep saying, what are you going to do if gets worse? I'm going to leave my, I'll sell all this crapAbout this stuff. This booby trap of capitalism. I'll it all don't about none of it. What matters most to me is my sense of ness. And when you get to talking, I almost said talking out the side of your neck. Jesus God, today, lemme God Jesus of your neck. You just need to know that's a cultural thing. That's going to have to be reevaluated. God. It just came right on out. Oh Lord. When you start saying things that go against my sense of ness that you think that I have to defend my personhood, that you want to tell me that I don't exist as a person. I don't exist as a human. Back to your reality testament. It's time for me to leave. I'm not staying here and fighting a race war or a civil war. You mamas are just violent. It's what you've always been.Tamice (30:28):Why would I stand in the middle? Why would I stand in the middle of what I know is a confrontation with yourself?Starlette (30:36):Oh, okay. Alright. I'm going to justTamice (30:38):You all. What happened last week is it, it is a confrontation with a really disturbed self and they're trying to flip it. Oh yes. They're trying to make it. Yes. But this is like, I'm trying to tell people out here, this is beyond you, Jack, that was a prophetic witness against you because now you see that what you're fighting is the mirror. Keep me out of it. I won't fight your wars. Keep me out of it. Look, James Baldwin said, y'all have to decide and figure out why you needed a nigger in the first place.I'm not a nigger. I'm a man. But you, the white people need to figure out why you created the nigger in the first place. Fuck, this is not my problem. This is a y'all and I don't have anything invested in this. All I'm trying to do is raise my kids, man. Come on. Get out of here with that. I'm sorry.Danielle (31:48):No, you keep going and then go back to starlet. Why do you think then they made her Terry? They had to make sure she doesn't buy into that. That's my opinion.Tamice (32:00):It's funny too because I see, I mean, I wasn't Pentecostal. I feel like who's coming to mind as soon as you said that de y'all know I'm hip hop. Right? So KRS one.Starlette (32:12):Yes. Consciousness.Tamice (32:14):The mind. Oh yes, the mind, the imagination. He was, I mean from day one, trying to embed that in the youth. Like, Hey, the battlefield is the mind. Are you going to internalize this bullshit?Are you going to let them name you?Starlette (32:34):This is the word.Tamice (32:34):Are you going to let them tell you what is real for the people of God? That's That's what I'm saying, man. Hip hop, hip hop's, refusal has been refusal from day one. That's why I trust it.Because in seen it, it came from the bottom of this place. It's from the bottom of your shoe. It tells the truth about all of this. So when I listen to hip hop, I know I'm getting the truth.Starlette (32:57):Yeah. EnemyObjection. What did public enemy say? Can't trust it. Can't trust it. No, no, no, no. You got to play it back. We got to run all that back.Danielle (33:11):I just think how it's so weaponized, the dirt, the bottom of the shoe, all of that stuff. But that's where we actually, that's what got it. Our bodies hitting the road, hitting the pavement, hitting the grass, hitting the dirt. That's how we know we're in reality because we've been forced to in many ways and have a mindset that we are familiar with despite socioeconomic changes. We're familiar with that bottom place.Tamice (33:38):Yeah. I mean, bottom place is where God is at. That's what y'all don't understand. God comes from black, dark dirt, like God is coming from darkness and hiddenness and mystery. You don't love darkness. You don't love GodStarlette (33:56):Talk. Now this bottom place is not to be confused with the sunken place that some of y'all are in. I just want to be clear. I just want to be clear and I'm not coming to get you. Fall was the wrong day. TodayI think it's good though because there's so much intimidation in other communities at times. I'm not saying there's not through the lynchings, ongoing lynchings and violence too and the threats against colleges. But it's good for us to be reminded of our different cultural perspectives and hear people talk with power. Why do you think Martin Luther King and Cesar Chavez wrote letters to each other? They knew something about that and knew something about it. They knew something about it. They knew something about why it's important to maintain the bonds. Why we're different, why we're similar. They knew something about it. So I see it as a benefit and a growth in our reality. That is actually what threatens that, that relationship, that bond, that connection, that speaking life into one another. That's what threatens that kingdom that you're talking about. Yeah.You just can't fake an encounter either.When I was tear, no matter what I've decolonized and divested from and decentered, I cannot deny that experience. I know that God was present. I know that God touched me. So when mother even made sister, even made, my grandmother would call me when I was in college, first person to go to college. In our family, she would say before she asked about classes or anything else, and she really didn't know what to ask. She only had a sixth grade education. But her first question was always you yet holding on?Right. She holding on. And I said, yes ma'am. Yes ma'am. Then she would, because it didn't matter if you couldn't keep the faith. There really wasn't nothing else for her to talk to you about. She was going to get ready to evangelize and get you back because you backslid. But that was her first thing. But what I've learned since then is that I can let go.The amazing thing is that the spirit is guiding me. I didn't let go all together. You got it. You got it. If it's real, if you're real, prove it. Demonstrate it. I'm getting chills now talk to me without me saying anything, touch me. I shouldn't have to do anything. Eugene Peterson says that prayer is answering speech. In fact, the only reason why I'm praying is because you said something to me first. It's not really on me to do anything. Even with the tear. I was already touched. I was already called. The reason why I was on my knees and pleading is because I'd already been compelled. Something had had already touched me. FirstThey called Holy Spirit. The hound of heaven. Damn right was already on my heels. I was already filled before I could even refuse. I was like, I don't want this. I'm going to always be star Jonah, get your people. I prefer fish guts. Throw me overboard. I don't like these people. Certified prophet because I don't want to do it. I never want to do it. I'm not interested at all. I have no too much history. I've had to deal with too much white body supremacy and prejudice and racism to want anything to do with the church. I see it for what? It's I'll never join one. By the way, are we recording? Is it on? I'm never joining a church ever. Until you all desegregate.You desegregate. Then we can talk about your ministry of reconciliation. Until then, you don't have one. Don't talk to me about a community day or a pulpit swap. I don't want to hear it. All Your praise. What did he say? A clinging, stumble, put away from me. Your conferences, all your multiracial. I don't want to hear none of it. Desegregate that part desegregate you, hypocrites, woe unto all of you white supremacists. If nobody ever told you that's not God. It's not of God. So I don't, for me, my reality is so above me, I know that Paul, because when I don't want to say anything, somebody is in my ear. Somebody was talking to me this morning. Somebody was writing a note in my ear. I had to get up. I said, please. I'm like, now I'm not even awake all the way. Stop talking to me. You can't fake that as much as I push against the Holy Spirit. You can't fake that. I don't want to do it. I don't want to say it. I'm of saying it. And yet I get up in the morning and it's like, say this, that post that. Write that. Somebody else is doing that. That's not me.As the mothers say, my flesh is weak. My flesh is not willing at all. I want to, all of y'all can go on. I'll pack this up and move somewhere else. Let them fight it to the death. I'm not going to, this is just my flesh speaking. Forgive me. Okay. This Raceless gospel is a calling friends. It's a calling. It's a calling, which means you coming into it. I'm an itinerant prophet. I'm heavy into the Hebrew scriptures. I come up with every excuse. My throat hurts. I got a speech impediment. The people don't like me. I'm not educated. It don't work. You need to know when people come to you and say, y'all need to get together, God speaking to you, the Pendo is coming. That's not like an invitation. That's kind of like a threat whether you want it or not. You're getting together.Everybody up. There's a meal ready, there's a banquet that is set and the food is getting cold and you are the reason why the drinks are watered down. That's go. You don't hear me calling you. ComeWhat I keep hearing. You have to know that God is speaking to people and saying that there's an invitation coming and you better get right. You better get washed up. Tam me said, you better let somebody pour that water over your hands. You better get washed up and get ready for dinner. I'm calling you. Come on in this house. Come on in this house. And this house is for everybody. Martin Luther King called it the world house. Everybody's coming in and you ain't got to like it doesn't matter. Get somewhere and sit down. That's that old church mother coming out of me and lemme just confess. I didn't even want to be on here this morning. I told God I didn't feel like talking. I told the Lord and you see what happened.Promise you. I'm a child. I'm full of disobedience.I was not in the mood. I said, I don't want to talk to nobody. I'm an introvert. I don't want to deal with none of this. Get somebody else to do it and look at it.Tamice (40:39):Yeah. It's funny because I woke up this morning, I was like, I'm not, I forgot. And then after all of the news today, I was like, I just don't have it in you, but this is, wait a minute. And it was three minutes past the time. Come on. And I was like, oh, well shoot. The house is empty. Nobody's here right now. I was like, well, lemme just log on. So this is definitely, it feels like definitely our calling do feel. I feel that way. I don't have time to bullshitSo I can't get out of it. I can't go to bed. I might as well say something. It won't let me go. I cannot do deceit. I can't do it. I can't sit idly by while people lie on God. I can't do that. I can't do it. It won't let up. And I'm trying to get in my body, get in this grass and get a little space. But I'm telling you, it won't let me go. And I feel it's important, Dee, you can't stop doing what you're doing. That's right. I mean is this thing of it is beyond me. It is living out of me. It's coming through me. And there has to be a reason for this. There's got to be a reason for this. And I don't know what it is because I know my eschatology is different, but I feel like, buddy, we got to manifest this kingdom. We have to manifest it until it pushes all that shit back. Come on. I'm telling you. Till it scurries it away or renders it and null and void, I'm talking. I mean, I want the type of light and glory on my being. That wicked logic disintegrate, wicked people drop dead. I mean that just in the Bible. In the Bible where Hert falls, headlong and worms eat em. Y'all celebrate that. Why can't I think about that? It's in your scriptures or daykin and the thing breaks and the legs of this false God break. I want that. I'm here for that. I'm going after that.Danielle (43:14):You think that this is what the definition of Terry is? That we're all Terry serious. I'm rocking the whole time. I'm serious. Right. That's what I told my kids. I said, in one sense, this is a one person of many that thinks this way. So we can't devote all our conversation in our house to this man. And I said in the other sense, because Starlet was asking me before he got here, how you doing? I said, we got up and I took calls from this person and that person and I told my kids, we're still advocating and doing what we can for the neighbors that need papers. And so we're going to continue doing that. That is the right thing to do. No matter what anybody else is doing in the world, we can do this.Tamice (43:56):Yeah, that's a good call. I mean, I'm headed to, I ain't going to say where I'm going no more, but I'm headed somewhere and going to be with people who are doing some innovation, right. Thinking how do we build a different world? How do our skillsets and passions coalesce and become something other than this? So I'm excited about that. And it's like that fire, it doesn't just drive me to want to rebuke. It does drive me to want to rebuild and rethink how we do everything. And I'm willing, I mean, I know that I don't know about y'all, but I feel like this, I'm getting out of dodge, but also I'm seeking the piece of the city. I feel both. I feel like I'm not holding hands with ridiculousness and I'm not moving in foolishness. But also I'm finna seek the piece of the city. My G I'm not running from delusion. Why would I? I'm in the truth. So I don't know how that maps onto a practical life, but we're finna figure it out. Out in it. I mean, the response of leadership to what has happened is a very clear sign where we are in terms of fascism. That's a very clear sign.What else y'all are looking for To tell you what it is.Danielle (45:36):But also we're the leaders. We are, we're the leaders. They're a leader of something, but they're not the leader of us. We're the leaders. We're the leaders. So no matter what they say, no matter what hate they spew, I really love Cesar Chavez. He's like, I still go out and feed the farm worker and I don't make them get on the boycott line because if they're pushed under the dirt, then they can't see hope. So people that have more economic power, a little more privilege than the other guy, we're the leaders. We're the ones that keep showing up in love. And love is a dangerous thing for these folks. They can't understand it. They can't grasp it. It is violent for them to feel love. Bodies actually reject it. And the more we show up, you're innovating. You're speaking Starla, you're preaching. We're the leaders. They're leaders of something. They're not leaders of us. We're leaders of freedom.Tamice (46:31):Come on now. D, we're leaders of give us thisStarlette (46:34):Bomb. We're leaders of compassion. You coming in here with the Holy Ghosts, acting like one of them church mothers. We were in the room together. She put our hand on us. YouDanielle (46:43):We're the ones that can remember Trey. We're the ones that can call for justice. We don't need them to do it. They've never done it. Right. Anyway. They have never showed up for a Mexican kid. They've never showed up for a black kid. They've never done it. Right. Anyway, we're the ones that can do it now. We have access to technology. We have access to our neighbors. We can bring a meal to a friend. We can give dollars to someone that needs gas. We're the the one doing it. We're the one that doing itTamice (47:11):Fill usDanielle (47:12):Up. They cannot take away our love.Starlette (47:15):Receive the benediction.Danielle: Yeah. They can't take it away. I'm telling you, if I saw someone shooting someone I hate, I would try to save that person. I don't own guns. I don't believe in guns, period. My family, that's my personal family's belief.And I would do that. I've thought about it many times. I thought would I do it? And I think I would because I actually believe that. I believe that people should not be shot dead. I believe that for the white kid. I believe that for the Mexican kid. I believe that for the black kid, we're the people that can show up. They're not going to come out here. They're inviting us to different kind of war. We're not in that war. That's right. We have love on our side and you cannot defeat love, kill love. You can'tTamice (48:04):Kill love and you can't kill life. That's the only reason somebody would ask you to be nonviolent. That's the only way somebody would've the audacity to ask that of you. Especially if you're oppressed. If the true is truth is that you can't kill love or life, damn man. It's hard out here for a pimp.Starlette (48:38):Really. Really? Yeah. Because what I really want to say isTamice (49:27):I can't. Your testimony a lie. No. Your testimony. That would be a lie. And like I said, truth telling is important. But there are days where I could be that I could go there, but I witnessed what happened that day. I watched the video. It's just not normal to watch that happen to anybody. And I don't care who you are. And the fact that we're there is just objectively just wow. And the fact that all of the spin and do y'all not realize what just happened? Just as a actual event. Right. What? You know, I'm saying how has this turned into diatribes? Right? We need reform. I, whichDanielle (50:29):Which, okay, so I have to cut us off. I have a client coming, but I want to hear from you, given all the nuance and complexity, how are you going to take care of your body this week or even just today? It doesn't have to be genius. Just one or two things you're going to do. Oh, I'm going toTamice (50:51):Take a nap. Yeah, you taking a nap? Y'all be so proud of me. I literally just said no to five things. I was like, I'm not coming to this. I'm not doing that. I won't be at this. I'm grieving. I'm go sit in the grass. Yeah, that's what I'm doing today. And I have stuff coming up. I'm like, Nope, I'm not available.Starlette (51:14):What about you Danielle? What are you going to do?Danielle (51:16):I'm going to eat scrambled eggs with no salt. I love that. I've grown my liver back so I have to have no salt. But I do love scrambled eggs. Scrambled eggs. That's the truth. Four. Four scrambled eggs.Starlette (51:31):And we thank you for your truth. BIO:The Reverend Dr. Starlette Thomas is a poet, practical theologian, and itinerant prophet for a coming undivided “kin-dom.” She is the director of The Raceless Gospel Initiative, named for her work and witness and an associate editor at Good Faith Media. Starlette regularly writes on the sociopolitical construct of race and its longstanding membership in the North American church. Her writings have been featured in Sojourners, Red Letter Christians, Free Black Thought, Word & Way, Plough, Baptist News Global and Nurturing Faith Journal among others. She is a frequent guest on podcasts and has her own. The Raceless Gospel podcast takes her listeners to a virtual church service where she and her guests tackle that taboo trinity— race, religion, and politics. Starlette is also an activist who bears witness against police brutality and most recently the cultural erasure of the Black Lives Matter Plaza in Washington, D.C. It was erected in memory of the 2020 protests that brought the world together through this shared declaration of somebodiness after the gruesome murder of George Perry Floyd, Jr. Her act of resistance caught the attention of the Associated Press. An image of her reclaiming the rubble went viral and in May, she was featured in a CNN article.Starlette has spoken before the World Council of Churches North America and the United Methodist Church's Council of Bishops on the color- coded caste system of race and its abolition. She has also authored and presented papers to the members of the Baptist World Alliance in Zurich, Switzerland and Nassau, Bahamas to this end. She has cast a vision for the future of religion at the National Museum of African American History and Culture's “Forward Conference: Religions Envisioning Change.” Her paper was titled “Press Forward: A Raceless Gospel for Ex- Colored People Who Have Lost Faith in White Supremacy.” She has lectured at The Queen's Foundation in Birmingham, U.K. on a baptismal pedagogy for antiracist theological education, leadership and ministries. Starlette's research interests have been supported by the Louisville Institute and the Lilly Foundation. Examining the work of the Reverend Dr. Clarence Jordan, whose farm turned “demonstration plot” in Americus, Georgia refused to agree to the social arrangements of segregation because of his Christian convictions, Starlette now takes this dirt to the church. Her thesis is titled, “Afraid of Koinonia: How life on this farm reveals the fear of Christian community.” A full circle moment, she was recently invited to write the introduction to Jordan's newest collection of writings, The Inconvenient Gospel: A Southern Prophet Tackles War, Wealth, Race and Religion.Starlette is a member of the Christian Community Development Association, the Peace & Justice Studies Association, and the Koinonia Advisory Council. A womanist in ministry, she has served as a pastor as well as a denominational leader. An unrepentant academician and bibliophile, Starlette holds degrees from Buffalo State College, Colgate Rochester Crozer Divinity School and Wesley Theological Seminary. Last year, she was awarded an honorary doctorate in Sacred Theology for her work and witness as a public theologian from Wayland Baptist Theological Seminary. She is the author of "Take Me to the Water": The Raceless Gospel as Baptismal Pedagogy for a Desegregated Church and a contributing author of the book Faith Forward: A Dialogue on Children, Youth & a New Kind of Christianity. Dr. Tamice Spencer - HelmsGod is not a weapon.  Authenticity is not a phase.Meet  Tamice Spencer-Helms (they/she). Tamice is a nonprofit leader, scholar-practitioner, pastor, and theoactivist based in Richmond, Virginia. For decades, Tamice has been guided by a singular purpose: to confront and heal what they call “diseased imagination”—the spiritual and social dis-ease that stifles agency, creativity, and collective flourishing. As a pastor for spiritual fugitives,  Tamice grounds their work at the intersection of social transformation, soulful leadership, womanist and queer liberation theologies, and cultural critique.A recognized voice in theoactivism, Tamice's work bridges the intellectual and the embodied, infusing rigorous scholarship with lived experience and spiritual practice. They hold two master's degrees (theology and leadership) and a doctorate in Social Transformation. Their frameworks, such as R.E.S.T. Mixtape and Soulful Leadership, which are research and evidence-based interventions that invite others into courageous truth-telling, radical belonging, and the kind of liberating leadership our times demand.​Whether facilitating retreats, speaking from the stage, consulting for organizations, or curating digital sanctuaries, Tamice's presence is both refuge and revolution. Their commitment is to help individuals and communities heal, reimagine, and build spaces where every person is seen, known, and liberated—where diseased imagination gives way to new possibilities. Kitsap County & Washington State Crisis and Mental Health ResourcesIf you or someone else is in immediate danger, please call 911.This resource list provides crisis and mental health contacts for Kitsap County and across Washington State.Kitsap County / Local ResourcesResourceContact InfoWhat They OfferSalish Regional Crisis Line / Kitsap Mental Health 24/7 Crisis Call LinePhone: 1‑888‑910‑0416Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/24/7 emotional support for suicide or mental health crises; mobile crisis outreach; connection to services.KMHS Youth Mobile Crisis Outreach TeamEmergencies via Salish Crisis Line: 1‑888‑910‑0416Website: https://sync.salishbehavioralhealth.org/youth-mobile-crisis-outreach-team/Crisis outreach for minors and youth experiencing behavioral health emergencies.Kitsap Mental Health Services (KMHS)Main: 360‑373‑5031; Toll‑free: 888‑816‑0488; TDD: 360‑478‑2715Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/Outpatient, inpatient, crisis triage, substance use treatment, stabilization, behavioral health services.Kitsap County Suicide Prevention / “Need Help Now”Call the Salish Regional Crisis Line at 1‑888‑910‑0416Website: https://www.kitsap.gov/hs/Pages/Suicide-Prevention-Website.aspx24/7/365 emotional support; connects people to resources; suicide prevention assistance.Crisis Clinic of the PeninsulasPhone: 360‑479‑3033 or 1‑800‑843‑4793Website: https://www.bainbridgewa.gov/607/Mental-Health-ResourcesLocal crisis intervention services, referrals, and emotional support.NAMI Kitsap CountyWebsite: https://namikitsap.org/Peer support groups, education, and resources for individuals and families affected by mental illness.Statewide & National Crisis ResourcesResourceContact InfoWhat They Offer988 Suicide & Crisis Lifeline (WA‑988)Call or text 988; Website: https://wa988.org/Free, 24/7 support for suicidal thoughts, emotional distress, relationship problems, and substance concerns.Washington Recovery Help Line1‑866‑789‑1511Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resourcesHelp for mental health, substance use, and problem gambling; 24/7 statewide support.WA Warm Line877‑500‑9276Website: https://www.crisisconnections.org/wa-warm-line/Peer-support line for emotional or mental health distress; support outside of crisis moments.Native & Strong Crisis LifelineDial 988 then press 4Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resourcesCulturally relevant crisis counseling by Indigenous counselors.Additional Helpful Tools & Tips• Behavioral Health Services Access: Request assessments and access to outpatient, residential, or inpatient care through the Salish Behavioral Health Organization. Website: https://www.kitsap.gov/hs/Pages/SBHO-Get-Behaviroal-Health-Services.aspx• Deaf / Hard of Hearing: Use your preferred relay service (for example dial 711 then the appropriate number) to access crisis services.• Warning Signs & Risk Factors: If someone is talking about harming themselves, giving away possessions, expressing hopelessness, or showing extreme behavior changes, contact crisis resources immediately. Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

New Yorker magazine poetry editor Kevin Young has called poetry “the most efficient mode of time travel.” In his new volume of poems “Night Watch,” Young, a literary hyphenate who edits, writes and teaches, takes readers on a journey of loss and re-emergence. From his cycle of poems about a conjoined pair of twins born into slavery and kidnapped to a carnival freak show to his meditations on grief set to the phases of the moon, Young's spare and incisive language provides the reader passage through history and memory. We talk to Young about his collection and what it means to be a poet today. Guests: Kevin Young, poet and author; poetry editor, The New Yorker; former director of the Smithsonian's National Museum of African American History and Culture Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Friends Like Us, I talk with both Erica Switzer and Nnenna Freelon about the improvisation of grief. Experience the powerful stories behind Nnenna Freelon's album "Beneath The Skin" and her upcoming book "Beneath The Skin Of Sorrow." Pre-order the book now and get the album today! Don't miss out on these soulful insights into art and grief.  Nnenna Freelon is a celebrated jazz vocalist, composer, producer, author and host of the award-winning podcast Great Grief with Nnenna Freelon. A seven-time Grammy® Award nominee, Freelon is a member of the North Carolina Music Hall of Fame. She has released over twelve solo albums, most recently, Beneath the Skin on Origin Records. She toured with Ray Charles. She performed at the inauguration of President George W. Bush in January 2001. In November 2011, The White House, under the leadership of President Barack Obama, asked Freelon to headline the Asia Pacific Economic Summit for 300 Presidents, Premiers, and Heads of State from around the world.  Dr. Maya Angelou was an admirer of her voice.  Married to Phillip Freelon, the lead architect for the Smithsonian Institution's National Museum of African American History. Nnenna's book-  preorder it  now! : officially Oct. 21, is the companion piece to her lauded spring 2025 album ‘Beneath the Skin' (Origin Records), Beneath the Skin of Sorrow, is a new collection of essays, poems, lyrics, revelations, and explorations of jazz, shaped by Freelon's personal experiences with grief. It's also a love letter—to Phil, to her sister, and to anyone learning to live with loss. Erica Switzer: Chicagoland's Erica Switzer is a rising stand-up comedian; think “Your bougie jet-set auntie who twerks to NPR.” Since 2021, she has produced Fear Of A Black Cat Comedy, a platform highlighting diverse comedic talent. A 2020 Flappers Comedy Club Soup-or-Bowl winner, she has performed at major festivals such as the World Series of Comedy, Black Women in Comedy Laff Fest, and Burbank Comedy Festival's Best of Fest. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch'.    

In this episode, Fred Lawrence speaks with Tammy L. Kernodle, University Distinguished Professor in the Department of Music at Miami University, whose work explores African American music, gender, and race in American popular culture. Kernodle shares how her working-class upbringing in Danville, Virginia, and a home filled with music led her to Virginia State University, graduate studies at The Ohio State University, and a career dedicated to expanding the narratives taught in music history. She discusses her mission to change classroom conversations, create scholarships for underrepresented musicians, and broaden what audiences hear in the concert hall. She also reflects on her roles as curator of the New World Symphony's I Dream a World Festival and her work on the Smithsonian's National Museum of African American History and Culture.

An appeals court has rejected President Donald Trump's use of the Alien Enemies Act to deport Venezuelans.Military strikes killed 11 on an alleged 'drug vessel' from Venezuela.USA TODAY White House Correspondent Bart Jansen breaks down a judge's move blocking President Trump's deployment of the National Guard in California. Plus, Illinois responds to Trump's troop plans.The House Oversight Committee released thousands of pages of documents from the government's investigation of Jeffrey Epstein.USA TODAY First Amendment Reporting Fellow BrieAnna Frank talks about her reporting trips to Smithsonian museums amid Trump criticisms that they're too woke.*This audio was corrected to reflect that the National Museum of African American History and Culture opened in 2016.Please let us know what you think of this episode by sending a note to podcasts@usatoday.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jayne Kennedy is an American actress, model, sportscaster, and author whose groundbreaking career spans entertainment, sports journalism, and fitness. In 1970, she made history as the first African American woman to be crowned Miss Ohio USA. She began her career as a dancer on Rowan & Martin's Laugh-In and soon found success as a model, appearing on the covers of Jet and Ebony. Her acting career grew steadily in the 1970s with roles on television shows such as Ironside, Sanford and Son, and The Six Million Dollar Man. In 1978, Kennedy broke new ground in sports broadcasting when she joined CBS's The NFL Today. As one of the first women—and the first African American woman—to serve as a sportscaster on a major national sports program.  Her performance in the 1981 film Body and Soul earned her the NAACP Image Award for Outstanding Actress in a Motion Picture. Kennedy's resilience and personal journey are chronicled in her memoir, Plain Jayne (2025), which explores her experiences in breaking barriers and navigating challenges in Hollywood, broadcasting, and beyond. She has since been recognized by the National Museum of African American History and Culture for her trailblazing career. Jayne Kennedy's Website Here Order Jayne's Book Here Jayne Kennedy's Signature Fragrances  Jayne's Instagram Page ______________________________ Follow me on my Instagram or Facebook Podcast Facebook page here Check out KristiCapel.com Email: Kristicapelpodcast@gmail.com  

President Donald Trump says the White House is reviewing Smithsonian museums, arguing they are too focused on slavery. He blasted the institutions on social media and vowed legal action, saying, “WOKE IS BROKE.” The review is expected to include the National Museum of African American History and Culture, which Trump once praised in 2017. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

President Donald Trump ordered a review of Smithsonian museums, including the National Museum of African American History and Culture, blasting what he calls “woke” bias. Historians and free speech advocates warn the move could erode independence and public trust. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 4 opens with a discussion about wealthy women on Manhattan's Upper East and Upper West sides purchasing high-quality knockoff luxury bags from brands like Hermès and Chanel, with the hosts debating the ethics and practicality of buying "inspired" versus authentic designer items. The conversation covers consignment shopping, with personal stories about finding designer pieces at estate sales and thrift stores. The hour includes breaking news updates about changes to the National Museum of African American History exhibits and a discrimination lawsuit against Buffalo Wild Wings involving a biracial teen. The segment culminates in a dramatic confrontation when a photo surfaces allegedly showing Gary at a flea market shopping for fake designer goods, leading to heated denials, accusations of AI manipulation, and passionate arguments about the authenticity of the evidence, with Gary vehemently defending himself against claims he was buying knockoff items.See omnystudio.com/listener for privacy information.

SEND US A MESSAGE! We'd Love to Chat With you and Hear your thoughts! We'll read them on the next episode. Support Chad's Upcoming Docuseries HereChad O. Jackson, the Dallas-based filmmaker and small business owner, has made a habit of turning the camera on tough questions. He is also impervious to the effects of either praise or criticism, so his films are decidedly absent the audience preference gene.As an independent documentarian, Jackson is a subject matter expert when it comes to showing his audiences how America's social constructs sausage is made… and he's not afraid of slaughtering a few sacred cows in the process. His film work isn't just about looking back at history and stating the obvious. They're about exposing the little-known connective tissue between yesterday's ill-gotten lessons and today's sobering realities, chronicling how the past's echoes either sound the alarms to course correct or beckon a harkening back to this country's long-forgotten (or never discovered) buried treasure.Brandon and Daren join Chad for a great conversation on the feux history we're all familiar with and the truth that will be sure to trigger some cognitive dissonance. Support the showHosts: Brandon and Daren Smith Learn of Brandon's Church Planting CallPatreon: www.patreon.com/blackandblurredPaypal: https://paypal.me/blackandblurredYouTube: Black and Blurred PodcastIG: @BlackandBlurredPodcastX: @Blurred_Podcast

Danielle Spencer, beloved as Dee Thomas in the sitcom “What's Happening!!,” died Aug. 11 at age 60 after a long battle with cancer. Known for her quick wit on screen, Spencer overcame immense personal challenges and later pursued a career as a veterinarian and animal welfare advocate. She was the first child star inducted into the Smithsonian's National Museum of African American History and Culture. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, I had the joy of talking with writer Arisa White and visual artist Daniel Minter about their new public artworks, both of which were commissioned by Indigo Arts Alliance and the Coastal Maine Botanical Gardens on the occasion of the Deconstructing the Boundaries: Tending to Communities symposium this summer. Daniel Minter is an acclaimed American artist, recognized primarily for his work in painting and assemblage, whose themes often focus on experiences of displacement and diaspora. Minter's creative journey is deeply informed by extensive travel across Africa and worldwide destinations of the African Diaspora. Minter's work has been featured in and acquired by numerous esteemed institutions and galleries, including the Smithsonian National Museum of African American History and Culture, Portland Museum of Art, Seattle Art Museum, Charles H. Wright Museum, Bowdoin College Art Museum, Farnsworth Art Museum, The David C. Driskell Center, and more.Arisa White is an associate professor of English and Creative Writing at Colby College. She is the author of Who's Your Daddy, co-editor of Home Is Where You Queer Your Heart, and co-author of Biddy Mason Speaks Up, the second book in the Fighting for Justice Series for young readers. In collaboration with composer Jessica Jones, Post Pardon: The Opera is Arisa's librettist debut. Her poetry is widely published, and her collections have been nominated for an NAACP Image Award and a Lambda Literary Award, and have won the Per Diem Poetry Prize, the Maine Literary Award, the Nautilus Book Award, an Independent Publisher Book Award, and the Golden Crown Literary Award.  As the creator of the Beautiful Things Project, Arisa curates poetic collaborations that are rooted in Black queer women's ways of knowing. She is a Cave Canem fellow and serves on the Maine Writers & Publishers Alliance Community Advisory Board. White was a Mentorship Artist-in-Residence with Indigo Arts Alliance in 2022.To learn more about Indigo Arts Alliance, visit here.This episode was produced with support from Indigo Arts Alliance. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

The new book, "Class Warfare in Black Atlanta," explores Atlanta's transformative political history from 1966 onwards and gives a critique of the city’s leadership. “Closer Look,” host Rose Scott, talks with author Augustus Wood, a scholar of African American History of the Urban South and assistant professor in the School of Labor and Employment Relations at the University of Illinois at Urbana-Champaign. Professor Wood talks about his new book and why he feels it’s important to give vision and agency to Black workers. Plus, there’s a lot of political news happening across the Peach State. We hear from Devin Barrington-Ward, a former candidate for Atlanta City Council, a progressive community organizer and the managing director of the Black Futurists Group, GSU politics and policy professor Tammy Greer and Atlanta-based political strategist and analyst Fred Hicks. They provide analysis and reflection on everything from the 2026 Georgia gubernatorial race, the recent deadly shooting at the Atlanta-based Centers for Disease Control and Prevention, former Lieutenant Governor of Georgia Geoff Duncan’s latest move to switch political parties and more.See omnystudio.com/listener for privacy information.

On today's Buzz4Good creator Michael Hemphill buzzes about Melrose Plaza, Roanoke, Virginia's new neighborhood center, which held its grand opening on July 31. The project, which began as a community conversation and research study, is now a transformative community initiative led by the nonprofit Goodwill Industries of the Valleys.Hundreds of people from across the Commonwealth of Virginia helped cut the ribbon to the one-of-a-kind Melrose Plaza, which includes a wellness center, grocery store, cafe, adult high school, bank, public library and African-American history museum. Its mission is to revitalize a once-prosperous Black community decimated by urban renewal.Listen to the inspiring leaders who have brought Melrose Plaza to life.- - - - - - - - - - - - - - - - FOLLOW US:F A C E B O O K ➜ http://facebook.com/buzz4good​​I N S T A G R A M ➜ http://instagram.com/buzz4good​​L I N K E D I N ➜ https://www.linkedin.com/company/buzz4goodY O U T U B E ➜ http://youtube.com/c/buzz4goodW E B S I T E ➜ http://buzz4good.com​​- - - - - - - - - - - - - - - - The United States has more than 1.5 million nonprofits — from homeless shelters, food banks and rescue squads to children's choirs, science museums and animal refuges — that employ one out of every 10 Americans. Like any company, nonprofits have salaries and bills to pay, a budget to balance. They require money. And if enough people don't know about them, don't believe in them, don't support them — in short, if they lack BUZZ — they suffer and die.

In this episode, we cover everything from museum reflections to media scandals. Jumpman shares his thoughts after visiting the National Museum of African American History and Culture. We break down the viral moment involving the CEO of Astronomer getting caught at a Coldplay concert with the head of HR. Plus, we unpack Conor McGregor's accidental (or not?) viral photo and talk “d**k pic etiquette” in the digital age. We also get into the NIL Score Act executive order and what it means for student-athletes, and why FS1 could be making room for Barstool Sports programming.

 ​“A lot of creativity stems from lack of access — born outta having less. You have less, so you have to think about how to do more — that's what's Black design is about.” Maurice Cherry is a designer, strategist, and an important voice in the history of Black design — best known as the creator and host of Revision Path, an award-winning podcast that's spotlighted over 550 Black designers, developers, artists, and digital thinkers — and became the first podcast inducted into the Smithsonian's National Museum of African American History and Culture. Born in Selma, Alabama, Maurice took anything but the traditional path expected of him. Raised on writing and tech - in magazines, the library and the radio - he studied math at Morehouse, and hustled his way into the creative industry - from Limewire to HTML. Maurice views design as a lens into cultural storytelling, and in the importance of Black design to understand a big part of the American design experience. Maurice is thoughtful, funny, and curious - his work helping shape the future of design. But you'll also enjoy how we traded hometown memories and podcast war stories. LEARN MORE mauricecherry.com revisionpath.com instagram.com/mauricecherry // twitter.com/mauricecherry MENTIONS BOOK: HERE: Where the Black Designers Are (Cheryl D. Holmes-Miller): goodreads.com/book/show/207567620-here BOOK: Meditations for Men Who Do Too Much (Jonathon Lazear): goodreads.com/book/show/1621178.Meditations_for_Men_Who_Do_Too_Much Learn more about your ad choices. Visit megaphone.fm/adchoices

Unsurprisingly, the Florida Department of Environmental Prostitution/Protection continues putting the interests of industry and developers ahead of the interests of our springs.One expert source in Craig's latest Florida Phoenix article linked above is springs advocate Ryan Smart. Smart co-hosts an essential podcast for Florida conservationists called "As Bad As It Is." Two recent episodes highlighted the damage Florida's legislature has done to environmental causes through defunding conservation projects in the state budget.Our guest this episode is author, historian, and lecturer Robert N. Macomber. Macomber has studied the Civil War and Reconstruction in Florida, focusing on the state's freedmen, formerly enslaved African Americans emancipated following the war.

Interview date: March 16, 2025Episode Summary:Mfoniso Akpan, Artistic Director of Step Afrika, shares her unique journey from a science student at Stony Brook University to leading a renowned dance company. With training in various dance styles, she combines creativity with analytical problem-solving, using skills from her science background to enhance her choreography.She discusses her extensive travels with Step Afrika, performing in 60 countries and 49 U.S. states, and the company's mission to preserve African American stepping traditions. The episode emphasizes the importance of professionalism and discipline in managing the logistics of touring and rehearsals, while also highlighting the business skills dancers need.Mfoniso encourages aspiring dancers to combine their passions with persistence and curiosity, offering valuable advice on building a sustainable career in dance.Show Notes:(1:00) Mfoniso Akpan's early dance journey and starting with percussive dance(5:00) Balancing dance with academics: Majoring in biochemistry and molecular genetics(8:00) Joining Step Afrika in 2005 and her transition from dancer to Artistic Director(12:00) Step Afrika's mission to preserve and promote African American stepping traditions(15:00) Performing across 49 U.S. states and 60 countries with Step Afrika(18:00) Breaking the Guinness World Record for the most steppers in a live performance(22:00) The importance of professionalism: Timeliness, responsibility, and teamwork on tour(25:00) Combining science and dance: How Mfoniso uses problem-solving in choreography(30:00) Teaching dancers the business side of dance: Professionalism, contracts, and logistics(35:00) Networking and building relationships in the dance industry(40:00) Mfoniso's approach to balancing multiple passions and staying organized(43:00) Final advice: Believe in yourself, keep learning, and make the most of every opportunityBiography:Mfoniso Akpan is a distinguished dancer and the Artistic Director of Step Afrika!, a Washington, D.C.-based arts organization dedicated to the African American tradition of stepping. Her extensive training encompasses tap, ballet, jazz, modern, African dance, hip-hop, and step. While attending the State University of New York at Stony Brook, she majored in biochemistry and molecular genetics, minored in dance, and honed her stepping skills as a member of Delta Sigma Theta Sorority, Inc.Akpan began her dance training at the Bernice Johnson Cultural Arts Center and has performed at prestigious venues such as Carnegie Hall, Avery Fisher Hall, the Apollo Theater, the Brooklyn Academy of Music, and Lincoln Center. She also toured with the off-Broadway show "Hoofin' 2 Hittin," where she was a featured stepper and dancer.Since joining Step Afrika!, in 2005, Akpan served as a performer and leader, becoming the Artistic Director in 2015. Under her leadership, the company has premiered off-Broadway, continued extensive national and international tours, headlined President Barack Obama's Black History Month Reception at the White House, and is featured prominently at the Smithsonian's National Museum of African-American History & Culture with the world's first stepping interactive exhibit.Akpan maintains that stepping is a national treasure, an American cultural art form that is a keeper of history—past, present, and future—that should be preserved, innovated, and shared with the world. She continues to share her love of movement and education with students and art lovers globally.Connect on Social Media:https://www.facebook.com/mfoniso.akpan.9https://www.instagram.com/kokoma22

Have you ever wondered how American cuisine came to be? When we look at food from around the world, we may more readily accept the complexity of its origins or their legacy in the culinary landscape. But it may be surprising to some that many of our country's dietary customs likewise stem from culturally robust beginnings. From a James Beard Cookbook Hall of Famer and the star of the Netflix docuseries High on the Hog, Dr. Jessica B. Harris comes her latest work, Braided Heritage: Recipes and Stories on the Origin of American Cuisine. This cookbook — replete with over 100 recipes — is paired with tales to help show how Indigenous, European, and African traditions intertwined to form an entirely new cuisine. Dr. Harris brings decades of cross-cultural and cross-continental research to map how our food arrived and adapted over generations. Through this blending of peoples and practices, we have dishes like Clear Broth Clam Chowder and Enchiladas Suizas (which have both Indigenous and European roots). The book also discusses how African American food through the centuries has evolved based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, Braided Heritage offers reflections at the intersection of food, culture, and history. Dr. Jessica B. Harris is the author, editor, and translator of seventeen books, including twelve cookbooks documenting the foods and foodways of the African diaspora. Her IACP Award–winning book High on the Hog: A Culinary Journey from Africa to America has been adapted into a Netflix series. Harris is a professor emerita at Queens College/CUNY in New York and has written extensively for scholarly and popular publications. She served as the culinary consultant for the Smithsonian Museum of African American History and Culture and their lauded restaurant, the Sweet Home Café. She holds lifetime achievement awards from the Southern Foodways Alliance, the Soul Summit, and the James Beard Foundation, which also inducted Harris into the Cookbook Hall of Fame. Chef Kristi Brown has spent over three decades in the culinary industry, starting at a café in downtown Seattle. After graduating from Seattle Culinary Academy, she founded That Brown Girl Cooks Catering in the mid-1990s. Her mantra, “Everybody Gotta Eat,” led her to co-found a community kitchen, earning widespread recognition. In the same era, Chef Kristi and her son Damon Bomar opened Communion R&B in Seattle's Central District. With praise from Conde Nast Traveler and The New York Times, the restaurant has become a beacon of unity and community.

This week BUZZ was privileged to shine a light on an aspiring nonprofit, Blacks In Technology of Southwest Virginia, as we broadcast live the art, history and promise of its Juneteenth Celebration.

Today, we're joined by icon in Faith Adjacent lore, Robert Callahan, to discuss the faith adjacency of Juneteenth. You'll get a full deep-dive on the history of this national holiday and a discussion surrounding the importance of this celebration! We also answer plenty of questions about how white people can observe this holiday!  MENTIONS Join us for our Fellowship Hall: Start a 7-Day Free Trial of The Faith Adjacent Seminary  Robert Callahan: Instagram | Website | Threads | TikTok | Order Fire in the Whole on Amazon Juneteenth Deep Dive: Learn More from The National Museum of African American History of Culture  Faith Adjacent Lore: The David Season Episode Bundle | David and Bathsheba Episode on the Patreon Shop | Here's the original Facebook post Bible Passages Referenced: Luke 4 Juneteenth Itinerary: Black Parade by Beyonce | Blackish Season 4, Episode 1 | Read "What To the Slave is the Fourth of July" by Frederick Douglass | James Earl Jones Reads the Historic Address | The Proud Family: Louder and Prouder Season 2, Episode 10 | Miss Juneteenth on Netflix      The Faith Adjacent Seminary: Support us on Patreon.   I've Got Questions by Erin Moon: Order Here | See Erin in Real Life at a Book Stop Subscribe to our Newsletter: The Dish from Faith Adjacent Faith Adjacent Merch: Shop Here Shop our Amazon Link: amazon.com/shop/faithadjacent Follow Faith Adjacent on Socials: Instagram  Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, we're joined by icon in Faith Adjacent lore, Robert Callahan, to discuss the faith adjacency of Juneteenth. You'll get a full deep-dive on the history of this national holiday and a discussion surrounding the importance of this celebration! We also answer plenty of questions about how white people can observe this holiday!  MENTIONS Join us for our Fellowship Hall: Start a 7-Day Free Trial of The Faith Adjacent Seminary  Robert Callahan: Instagram | Website | Threads | TikTok | Order Fire in the Whole on Amazon Juneteenth Deep Dive: Learn More from The National Museum of African American History of Culture  Faith Adjacent Lore: The David Season Episode Bundle | David and Bathsheba Episode on the Patreon Shop | Here's the original Facebook post Bible Passages Referenced: Luke 4 Juneteenth Itinerary: Black Parade by Beyonce | Blackish Season 4, Episode 1 | Read "What To the Slave is the Fourth of July" by Frederick Douglass | James Earl Jones Reads the Historic Address | The Proud Family: Louder and Prouder Season 2, Episode 10 | Miss Juneteenth on Netflix      The Faith Adjacent Seminary: Support us on Patreon.   I've Got Questions by Erin Moon: Order Here | See Erin in Real Life at a Book Stop Subscribe to our Newsletter: The Dish from Faith Adjacent Faith Adjacent Merch: Shop Here Shop our Amazon Link: amazon.com/shop/faithadjacent Follow Faith Adjacent on Socials: Instagram  Learn more about your ad choices. Visit megaphone.fm/adchoices

June 19, 2025 ~ Yolanda Jack, manager of community engagement at the Wright Museum of African American History, joins Chris and Jamie to discuss the history of Juneteenth and how to celebrate around metro Detroit.

2024 is ending with Intensifying nationalist and populist movements capturing more electorates and elected officials in key countries around the world. In the US, the Republican Party is no exception, its intensifying battles between oligarchs and policymakers enabled by white nationalism previewing what is in store for the general US population in 2025. Meanwhile, the global social structure moves inexorably toward an increasingly multipolar world system. While specifics will no doubt hold some surprises, what will remain the same in many countries is a fight over resources and policy making based on racial and class-based logics. The more things change in this deteriorating world system, the more these essential fights will reveal themselves to be the same.Meanwhile, local governance formations across the world continue to search for different and better ways of building community and resisting systemic human oppression. The center of racial oppression logics continues to deteriorate ”in the wake.” Several recent applications of Science and Technology in the form of museum exhibits evoke the potential to reveal enduring Ways of Knowing through acts of Cultural Meaning-Making that focus our attention on unbroken acts of Movement and Memory in service of answering the question, “How do it free Us?” The 250th session of In Class With Carr uses points of entry from two of these exhibits—“Flight into Egypt” at the New York Metropolitan Museum of Art and “In Slavery's Wake” at the Smithsonian National Museum of African American History and Culture—to reflect on key lessons learned in our efforts to harness the momentum of African memory as a tool for achieving and maintaining liberation as we enter our fifth year of collective work. Are these exhibits concessions, embraces or merely a shuffling of modalities without displacing hierarchies of Black institutional subordination? Does not whiteness remain “in charge,” now performing “inclusion” while the lives of those who resist it remain unchanged except when they achieve their own acts of Kujichagulia, of self-determination? If the answer is yes, then these exhibits at best may suggest fruitful directions for that specific work. If that, wha,t if anything, will change as a result of their mounting? Can anything? Can artistic imaginings, displays, change ourselves, change the world? Or the more things change will they remain the same?JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Object of History, we visit an item from the MHS collection currently on loan to the Museum of African American History on Boston's Beacon Hill. We examine the imposing stone that enabled the printing of William Lloyd Garrison's abolitionist publication, The Liberator. While visiting the Museum, we learn more about the building's importance to African American history in Boston as well as the Museum's current exhibits.  Learn more about episode objects here: https://www.masshist.org/podcast/season-4-episode-7-Imposing-Stone  Email us at podcast@masshist.org. Episode Special Guests: Angela T. Tate is Chief Curator and Director of Collections at the Museum of African American History, Boston and Nantucket (MAAH). She oversees collections, exhibitions, interpretation, and content, focused on the lives and descendants of the Black communities in Boston and Nantucket, as well as New England. Prior to joining MAAH, she was inaugural women's history curator at the Smithsonian National Museum of African American History and Culture (NMAAHC). She co-curated the permanent exhibit, Forces for Change: Mary McLeod Bethune and Black Women's Activism, which highlights the strategies Black women have used to fight for justice and equality. Throughout her career, she has worked as curator and public historian in a variety of archives and museums in California and Illinois that focused on telling inclusive and expansive stories of the American past. She is a PhD candidate in History at Northwestern University and her dissertation discusses cultural diplomacy and Pan-Africanism through the 1950s-60s radio program hosted by Etta Moten Barnett in Chicago. This work has been supported by the Mellon Foundation, the Social Science Research Council, the New York Public Library, and the Schlesinger Library at the Radcliffe Institute. Her work has been published in Resonance: The Journal of Sound and Culture, the Smithsonian's Afrofuturism catalog, Ubuntu Dialogues, and several upcoming publications. Find more information at www.atpublichistory.com  Cara Liasson currently serves as the Collections Manager and Registrar for the Museum of African American History, Boston and Nantucket. Her career in the museum field spans over fifteen years, where she has worked at institutions such as Lowell National Historical Park and Old Sturbridge Village. She holds a B.A. in History from Wheaton College in Massachusetts and a graduate certificate in Museum Collections Management and Care from George Washington University. Selvin Backert is the Education Specialist at the Museum of African American History, Boston and Nantucket. Sage Morgan-Hubbard is the Director of Learning & Engagement  at the Museum of African American History, Boston and Nantucket. This episode uses materials from: Osprey by Chad Crouch (Attribution-NonCommercial 4.0 International)        Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)        Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)

Every month since October of 2022, Reverend Dr. Robert Turner has been walking from his home city of Baltimore to the White House, a journey he’s dubbed #40MilesFor40Acres. Whether rain, shine, alone, or with fellow advocates–Turner has been making the journey for nearly three years now. Angela Rye talks with him about his experiences and the success he’s had. PLUS, the Reverend Dr. recently added a stop on the march: the National Museum of African American History and Culture (The Blacksonian). The museum has come under attack from Trump for its “divisive, race-centered” exhibits that disparage the nation’s history. Imagine that! State of the People is coming to Baltimore on Juneteenth for The National Assembly. SOTP brings together organizers, cultural leaders, policy advocates, artists, and community members to co-create a vision for our future. Join us, it’s free and there will be food! Find out more @ https://stateoftheppl.com/ Welcome home y’all! —--------- We want to hear from you! Send us a video @nativelandpod and we may feature you on the podcast. Instagram X/Twitter Facebook NativeLandPod.com Watch full episodes of Native Land Pod here on YouTube. Native Land Pod is brought to you by Reasoned Choice Media. Thank you to the Native Land Pod team: Angela Rye as host, executive producer and cofounder of Reasoned Choice Media; Tiffany Cross as host and producer, Andrew Gillum as host and producer, and Lauren Hansen as executive producer; Loren Mychael is our research producer, and Nikolas Harter is our editor and producer. Special thanks to Chris Morrow and Lenard McKelvey, co-founders of Reasoned Choice Media. Theme music created by Daniel Laurent.See omnystudio.com/listener for privacy information.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily chats with "The Button Man", Harlem artist Beau McCall, an artist renowned for his unique use of buttons in wearable and visual art. McCall's work is featured in prominent collections such as New York's Museum of Arts and Design and London's Victoria and Albert Museum. McCall recounts his upbringing in Philadelphia, his move to Harlem, and his early inspirations. He explains how his fascination with buttons began with his mother's collection and grew through various craft classes. McCall shares memories of his artistic evolution, his experiences with the Harlem community, and the personal significance of his work, including tributes to friends lost to AIDS. The episode concludes with McCall's advice to aspiring artists and a nod to his ongoing support from his mother.About Artist Beau McCall :Drawing inspiration from the vast button collection of his mother and family, Beau McCall creates wearable and visual art by applying clothing buttons onto mostly upcycled fabrics, materials, and objects. With deliberate focus the buttons are arranged to stimulate one's curiosity and imagination, while simultaneously drawing attention to the unique history of buttons. Thereby McCall's work generates a discussion surrounding many topics such as pop culture and social justice.McCall began his professional career in Harlem in the 1980s after arriving from his native, Philadelphia with nothing more than a few hundred dollars, a duffel bag, and buttons. Circa 1988 he made his critically acclaimed wearable art debut at The Harlem Institute of Fashion (HIF) show for HARLEM WEEK. McCall went on to become an established force within HIF's Black Fashion Museum collective presenting at their shows consecutively through circa 1995, as well being featured in their museum exhibitions and prestigious events. During this time, McCall's visually captivating work was featured in the fashion bible Women's Wear Daily, on the PBS version of George C. Wolfe's The Colored Museum (1991), and in the award-winning film Quartier Mozart (1992), directed by Jean-Pierre Bekolo. The film won prizes at film festivals in Cannes, Locarno, and Montreal and was nominated, in 1993, for a British Film Institute award.McCall eventually applied his mastery of the button to visual art. Since then, he's been proclaimed by American Craft magazine as “The Button Man.” His visual and wearable art has been included in exhibitions at The Museum at FIT, Nordstrom, the African American Museum in Philadelphia, Houston Museum of African American Culture, Charles H. Wright Museum of African American History, Stax Museum of American Soul Music, the Langston Hughes House in partnership with the inaugural Columbia University Wallach Art Gallery Uptown triennial and StoryCorps, and Rush Arts Gallery. McCall's work is held in the permanent collection of public institutions and by private individuals including the Museum of Arts and Design (New York), Philadelphia Museum of Art (Philadelphia), Victoria and Albert Museum (London), The Museum at FIT (New York), Schomburg Center for Research in Black Culture (New York), Amistad Research Center (New Orleans), The Museum of Modern Art Library (New York), Leslie-Lohman Museum of Art (New York), Stonewall National Museum & Archives (Fort Lauderdale), and The San Francisco Museum of Modern Art Library (San Francisco), Cyndi Lauper's True Colors Residence, Debbie Harry of Blondie, Jeffrey Gibson, and Cristina Grajales. McCall has also been commissioned by the Museum of Arts and Design, Columbia University, and the Schomburg Center for Research in Black Culture. And his wearable art can be found in gift shops including the Newark Museum of Art. McCall has been featured in the NY Times, Associated Press, NPR, L.A. Times, and more. In addition, he has served as a teaching artist at the Newark Museum of Art, the New York Public Library, and the Harlem Arts Alliance. McCall has also created a wearable art line called, Triple T-shirts. For these pieces, he upcycles three T-shirts by combining them into one flowing garment that can be worn in six different ways. Each style—from poncho to hoodie to shawl and beyond—brings dynamic versatility to traditional T-shirts. The shirts are curated to form a narrative about various socially-conscious and lighthearted themes.In 2021, McCall released his debut artists' book titled, REWIND: MEMORIES ON REPEAT, commissioned and published by SHINE Portrait Studio@ Express Newark, Rutgers University-Newark. The book honors the legacy of ten of McCall's deceased friends through collages composed of archival photos and images from his button artwork. The collages capture the late 1970s to the mid-1980s, from Philadelphia to New York, during the LGBTQ+ rights movement, the height of disco music and the AIDS crisis.In 2024, McCall debuted his first-ever retrospective and exhibition catalog titled, Beau McCall: Buttons On! at Fuller Craft Museum. The exhibition is currently on a nationwide tour.Through his work, McCall remains committed to channeling and contributing to the universal cultural legacy one button at a time.Visit Beau's Website:  BeauMcCall.ComFollow Beau on Instagram: @Beau_McCallFor more on Beau's exhibit "Buttons On!" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

In this engaging conversation, host Darnelle Radford speaks with playwright R. Eric Thomas and director Ontaria Kim Wilson about the regional premiere of 'Glitter in the Glass.' They explore themes of identity, community, and the cultural significance of their work, while reflecting on personal journeys and the importance of storytelling in the Black experience. The discussion also touches on the contrasts within Baltimore and Philadelphia, the impact of generational wisdom, and the ongoing quest for belonging and understanding in a complex world. In this conversation, R. Eric Thomas, Ontaria Kim Wilson and Darnelle Radford explore the significance of monuments, symbols, and storytelling in relation to African American history and culture. They discuss the relevance of historical monuments today, the impact of the National Museum of African American History and Culture, and the importance of empathy in understanding the past. The dialogue also touches on the role of art in reflecting identity and the necessity of continuing to tell stories that resonate with the community.Chapters00:00 Introduction to Glitter in the Glass02:59 The Journey of Ontario Wilson05:59 Eric Thomas: The Playwright's Perspective09:01 Exploring Identity Through Names12:02 Thematic Depth of Glitter in the Glass14:55 Cultural Reflections and Black Utopias17:51 Baltimore: A City of Contrasts21:06 Community and History in Black Spaces24:05 Generational Wisdom and Fear27:01 Conclusion and Future Aspirations29:32 Symbols and Their Meanings32:50 The Impact of the National Museum of African American History35:44 The Importance of Storytelling40:41 Art as a Reflection of Identity44:37 Confronting the Past51:11 The Role of Empathy in Understanding History54:57 The Call to Action for Art and CommunityWritten by R. Eric ThomasMay 29, 2025 — June 22, 2025Directed By: Ontaria Kim WilsonOpening Night: June 5, 2025Theatre Exile, 1340 S. 13th Street, Philadelphia, PA 19147120 minutes including 10 minute intermission THIS SHOW CONTAINS THE USE OF THEATRICAL FOG Chelle, a Black mid-career artist, has written a check that she's not sure her talent can cash. When the city of Baltimore takes down the Confederate monument in the park across the street from her childhood home, she has an idea. She'll apply for a grant to create a piece to replace it. Caught between the past, the present, and the future, Chelle, portrayed by Jennifer Kidwell, is catapulted into a journey that takes her back before the Middle Passage and out beyond the bounds of this planet. “Wildly funny and thought-provoking” (CTX Life Theatre), Glitter in the Glass by multi-award winning playwright, R. Eric Thomas, is about liminal spaces, and a world on the cusp of exploding. FOR TICKETS AND INFORMATION: https://theatreexile.org

Mrs Christie went to Washington, and Dr Aldridge and Mr Brown are following suit! This episode, we get the train to Washington DC to uncover the truth about how an American Christie fan would REALLY have experienced a Swinging Christie…A handful of tickets are still available⁠ for our first ever live episode recording in Torquay this September as part of the International Agatha Christie Festival 2025!You can find us on Instagram ⁠@Christie_Time⁠. We are also on Bluesky at ⁠christietime.bsky.social⁠.Please subscribe to us, and  rate and review us on your podcatcher of choice.Our website is ⁠ChristieTime.com⁠.The Swinging Christies is a Christie Time project by Mark Aldridge and Gray Robert Brown.Next episode: we look at Agatha Christie alongside a contemporary - Shirley Jackson!00:00:00 - Opening titles00:00:43 - Introductory chat00:01:44 - Agatha, Washington and America in the 1960s, down the Mall 00:09:41 - Discoveries in the Library of Congress00:43:37 - Wrap up, the National Museum of African American History and Culture00:47:24 - Next episode, how to get in touch00:49:09 - Closing titles00:49:36 - Coda

I chose this title because I have been fortunate enough to have joined a group of diverse individuals to discuss African American History. Johnnie Warner is the leader of the group. He is very proactive in getting people to know factual history of African Americans in Columbus, Georgia. Since I have had the opportunity to share my thoughts, during his discussions, it has hit me that in order for the group and me to grow, we would have to agree to be on the same accord about how we present our history. We must be willing to hear what we don't want to hear, repeatedly, and be on that same accord.

Trump's tax bill will cost 830,000 jobs. Oklahoma to require schools to teach Trump's 2020 election conspiracy theories. Slavery and civil rights exhibits removed from the National Museum of African American History and Culture.  Host: Dr. Rashad Richey (@IndisputableTYT) Guest host: Jordan Uhl (@JordanUhl) *** SUBSCRIBE on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YOUTUBE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ☞ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ FOLLOW US ON: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FACEBOOK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ☞ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  https://www.facebook.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TWITTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ☞     ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  https://www.twitter.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ☞ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

5.6.2025 #RolandMartinUnfiltered: Trump dismantles NMAAHC, Rep. Crockett RIPS GOP Black history attack, EPA nixes Energy Star program The Trump administration's plan to dismantle key Smithsonian museums, including the National Museum of African American History and Culture, is sparking outrage. Congresswoman Ayanna Pressley will join us live to discuss this fight to protect America's stories. Texas Congrsswoman Jasmine Crockett gets in the GOPs ass about they are coming after black history, Medicaid and jobs. You don't want to miss tonight's Crocket Chronicles. The Pentagon orders deep cuts to top military brass. We'll examine what this means for our national security. The EPA moves to eliminate the Energy Star program, threatening energy savings for millions of Americans. The late Chuck Stone, a trailblazing journalist and educator, was awarded a special Pulitzer Prize. #BlackStarNetwork partner: Fanbasehttps://www.startengine.com/offering/fanbase This Reg A+ offering is made available through StartEngine Primary, LLC, member FINRA/SIPC. This investment is speculative, illiquid, and involves a high degree of risk, including the possible loss of your entire investment. You should read the Offering Circular (https://bit.ly/3VDPKjD) and Risks (https://bit.ly/3ZQzHl0) related to this offering before investing. Download the Black Star Network app at http://www.blackstarnetwork.com! We're on iOS, AppleTV, Android, AndroidTV, Roku, FireTV, XBox and SamsungTV. The #BlackStarNetwork is a news reporting platform covered under Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.See omnystudio.com/listener for privacy information.

Guest: Alan Sealls, AMS President-ElectFor decades, broadcast meteorologists have been the trusted voices guiding us through hurricanes, tornadoes, and everyday forecasts. But behind every great weathercaster is a deep passion for both science and communication. Few embody that balance as well as Alan Sealls—a highly respected meteorologist, educator, and soon-to-be President of the American Meteorological Society. As we head into more uncertain times, Alan will certainly have a lot on his plate in 2026 as he manages the relationship between academic, government, broadcast, and private meteorologists all across the country. How will his tenured career translate to get this done? Let's ask him right now on Weather GeeksChapters00:00 The Journey of a Weather Geek03:07 Career Trajectory and Passion for Meteorology06:04 Navigating Challenges in Meteorology09:00 The Importance of Education and Communication12:00 Lessons Learned in the Broadcasting Industry15:05 Community Engagement and Impact18:04 Secrets to Effective Communication and Teaching20:57 Engaging Communication in Meteorology22:21 Approaching Severe Weather Coverage25:42 The Impact of Technology on Meteorology27:54 The Future of Broadcast Meteorology30:01 Leadership and Representation in Meteorology34:13 Exploring African American Contributions to Meteorology39:57 Alan Sealls' Literary ContributionsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Associate Professor and Founding Director of The Race, Politics, and Policy Center at George Mason University, Dr. Michael K. Fauntroy, gives his take on the future of the Smithsonian's National Museum of African American History and Culture and the court's latest decision to block the President from withholding school funds over DEI programs.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

In an executive order titled “Restoring Truth and Sanity to American History,” President Trump targeted the Smithsonian, demanding that “improper ideology” be removed from exhibits. Under the order,  exhibits that “divide” Americans will be defunded, including  portrayals of race and its history at the National Museum of  African American History and Culture. We talk to Clint Smith, Atlantic staff writer and author of “How the Word is Passed: A Reckoning with the History of Slavery Across America,” about the battle over how American history is told. Guests: Clint Smith, poet; author; staff writer, The Atlantic. His books are "Above Ground" and "How the Word is Passed." Key Jo Lee, chief of curatorial affairs and public program, Museum of the African Diaspora Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast, we open with a hilarious debate: has anyone ever actually won at hide and go get it? Then we dive into the Black History controversy making headlines, as Trump's new executive order leads to the removal of major exhibits from the National Museum of African American History and Culture, including artifacts from the Greensboro sit-ins. We also pay tribute to Pope Francis, who passed away at 88 after twelve years of promoting humility, social justice, and inclusion. In celebrity news, we react to Kanye's cousin dropping a viral song and unpack the explosive Shannon Sharpe lawsuit filed by an OnlyFans model, which is shaking up social media. On the sports side, we cover Alijah Arenas' recovery after his car accident, break down the biggest NFL Draft 2025 moves with Cam Ward and Travis Hunter leading the pack, and give a full NBA Playoffs update as teams like OKC, Cleveland, and Boston take control. Tap in for laughs, real talk, and the latest headlines you need to know. For more KSP,

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

“I was tame, I was gentle til the circus life made me mean.” This week on AP Taylor Swift, we delve into the recurring motif of the circus in Taylor Swift's discography. From the tightropes of emotional vulnerability to the grand illusions of public persona, we analyze how Taylor employs circus imagery to convey themes of performance, control, and otherness. This episode includes discussions on the historical exploitation within circus culture, including forced labor, racism, and animal cruelty. For more information, we recommend the article from the National Museum of African American History and Culture and the podcast Circus Stories for firsthand accounts. Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe Stay up to date at aptaylorswift.com Mentioned in this episode: Circus Stories Podcast Water for Elephants by Sara Gruen The Night Circus The Phantom of the Opera The Prestige (2006 film) Slaughterhouse-Five by Kurt Vonnegut Disney's Dumbo and Bambi 60 - Witches 61- Deep Dive “Who's Afraid of Little Old Me” The Second Sex Great Expectations Episode Highlights: [00:45] Introduction to the circus metaphor in literature and music [10:50] “Say Don't Go” 1989 (Taylor's Version) (From the Vault) [24:53]  “…So It Goes” reputation [33:26] “Who's Afraid of Little Old Me?” The Tortured Poets Department  Follow AP Taylor Swift podcast on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com  Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

Dr. Greg Carr and Professor Karen Hunter remember the life and legacy of Joe Madison, known as “The Black Eagle,” who passed away on January 31. He was 74.Joe Madison was a leading figure in American talk radio, who made history on multiple occasions, including in 2015 when he broke the Guinness World Record for “longest marathon hosting a radio talk show” (52 hours live). His efforts raised over $250,000 for the Smithsonian's National Museum of African American History and Culture. In that same year he also became the first national, American talk show in more than 50 years to broadcast live from Cuba.Madison was also a civil rights activist known for staging protests and acts of civil disobedience, and a key figure in the top circles of African American leadership and activism. A native of Dayton, Ohio, he graduated from Washington University in St. Louis, which awarded him an honorary doctorate in 2019. In that same year he was also elected to the National Radio Hall of Fame in recognition of over 40 years in broadcasting. His signature line when people called his show to speak about injustice was “What are you going to do about it?”Madison is survived by his wife, Sherry; his children Jason, Monesha, Shawna and Michelle; his five grandchildren; and one great-grandchild.JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

Hey there Lemon Nation! Today, Legal analyst, political commentator and Host of the Make It Make Sense Daily Digital Show, Monique Pressley brings us a new episode of The Week With Monique! Have you heard about President Trump's interference with The National Museum of African American History and Culture in Washington D.C.? He is targeting the museum's slavery section in an attempt to rewrite our nation's history. Join Monique as she breaks it down for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week hosts Tiffany Cross and Angela Rye are joined by special guest-host: Roland S Martin (of Roland Martin Unfiltered). Roland is one of the most vital sources of independent news for the Black community; his YouTube channel @rolandsmartin has 1.8 million subscribers and counting. Today’s show kicks off with Trump’s attacks on the Blacksonian (National Museum of African American History) and the massive protests against him over the weekend. A lot of folks are complaining about the Trump administration but we don’t see enough doing; Roland says younger generations are “withdrawing from the bank of justice” without making any deposits. How do we help Black folks battle the apathy and feel their agency? Tariffs–tariffs for everyone! Or not? Let’s be 100% clear y’all: tariffs are a tax that WE will pay. Our hosts explain how tariffs work, why they were put in place, and who benefits (SPOILER ALERT: it’s not us). Male enrollment at HBCUs is hitting historical lows, mirroring attendance at colleges nationwide. This represents a failure to engage men in the educational process that starts well before college. The hosts discuss causes, impacts, and potential solutions. Host Andrew Gillum is out this week. He’s on a field trip with the kids to NASA. Have fun Andrew! And of course we’ll hear from you! If you’d like to submit a question, check out our tutorial video: http://www.instagram.com/reel/C5j_oBXLIg0/ and send to @nativelandpod. We are 572 days away from the midterm elections. Welcome home y’all! —--------- We want to hear from you! Send us a video @nativelandpod and we may feature you on the podcast. Instagram X/Twitter Facebook NativeLandPod.com Watch full episodes of Native Land Pod here on YouTube. Native Land Pod is brought to you by Reasoned Choice Media. Thank you to the Native Land Pod team: Angela Rye as host, executive producer and cofounder of Reasoned Choice Media; Tiffany Cross as host and producer, Andrew Gillum as host and producer, and Lauren Hansen as executive producer; Loren Mychael is our research producer, and Nikolas Harter is our editor and producer. Special thanks to Chris Morrow and Lenard McKelvey, co-founders of Reasoned Choice Media. Theme music created by Daniel Laurent.See omnystudio.com/listener for privacy information.

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Tim Wise from Podjam starts at 34 minutes  Tim Wise Link Tree Tim Wise, whom scholar and philosopher Cornel West calls, “A vanilla brother in the tradition of (abolitionist) John Brown,” is among the nation's most prominent antiracist essayists and educators. He has spent the past 25 years speaking to audiences in all 50 states, on over 1000 college and high school campuses, at hundreds of professional and academic conferences, and to community groups across the nation. He has also lectured internationally in Canada and Bermuda, and has trained corporate, government, law enforcement and medical industry professionals on methods for dismantling racism in their institutions. Wise's antiracism work traces back to his days as a college activist in the 1980s, fighting for divestment from (and economic sanctions against) apartheid South Africa. After graduation, he threw himself into social justice efforts full-time, as a Youth Coordinator and Associate Director of the Louisiana Coalition Against Racism and Nazism: the largest of the many groups organized in the early 1990s to defeat the political candidacies of white supremacist and former Ku Klux Klan leader David Duke. From there, he became a community organizer in New Orleans' public housing, and a policy analyst for a children's advocacy group focused on combatting poverty and economic inequity. He has served as an adjunct professor at the Smith College School of Social Work, in Northampton, MA., and from 1999-2003 was an advisor to the Fisk University Race Relations Institute in Nashville, TN.   Wise is the author of seven books, including his highly-acclaimed memoir, White Like Me: Reflections on Race from a Privileged Son, as well as Dear White America: Letter to a New Minority, and Under the Affluence: Shaming the Poor, Praising the Rich and Sacrificing the Future of America. His forthcoming book, White LIES Matter: Race, Crime and the Politics of Fear in America, will be released in 2018. His essays have appeared on Alternet, Salon, Huffington Post, Counterpunch, Black Commentator, BK Nation, Z Magazine and The Root, which recently named Wise one of the “8 Wokest White People We Know.” Wise has been featured in several documentaries, including “The Great White Hoax: Donald Trump and the Politics of Race and Class in America,” and “White Like Me: Race, Racism and White Privilege in America,” both from the Media Education Foundation. He also appeared alongside legendary scholar and activist, Angela Davis, in the 2011 documentary, “Vocabulary of Change.” In this public dialogue between the two activists, Davis and Wise discussed the connections between issues of race, class, gender, sexuality and militarism, as well as inter-generational movement building and the prospects for social change. Wise is also one of five persons—including President Barack Obama—interviewed for a video exhibition on race relations in America, featured at the National Museum of African American History and Culture in Washington DC. Additionally, his media presence includes dozens of appearances on CNN, MSNBC and NPR, feature interviews on ABC's 20/20 and CBS's 48 Hours, as well as videos posted on YouTube, Facebook and other social media platforms that have received over 20 million views. His podcast, “Speak Out with Tim Wise,” launched this fall and features weekly interviews with activists, scholars and artists about movement building and strategies for social change.   Wise graduated from Tulane University in 1990 and received antiracism training from the People's Institute for Survival and Beyond, in New Orleans. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Monday and Thursday at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift

This week on The Gedunk Show with Dan and Bobby, we dive into the national security implications of SignalGate and what it means for trust in our intelligence infrastructure. We then unpack the reported efforts by the Trump administration to defund and dismantle the National Museum of African American History and Culture — and what that says about the broader cultural and political landscape. Finally, we lighten it up with a full-court press into March Madness, breaking down the Final Four and what to expect in the closing games of the tournament. It's a mix of serious, surprising, and straight-up sports talk — all in one episode. Follow us here: https://linktr.ee/valormedianetwork

In this episode of PhotoWork, host Sasha Wolf has a deeply moving conversation with renowned photographer Jamel Shabazz. They talk about his lifelong love for photography and how he uses it to make a social impact. Jamel opens up about how his life experiences have shaped his approach to art and hard work. The episode also covers his book, “A Time Before Crack,” and its importance to his community at the time. It's a heartfelt conversation that goes beyond just photography. Tune in to hear the insights and stories from a photographer passionate about making a difference. https://www.jamelshabazzphotographer.com ||| https://www.instagram.com/jamelshabazz/ Jamel Shabazz is best known for his iconic photographs of New York City during the 1980s. A documentary, fashion, and street photographer, he has authored 12 monographs and contributed to over three dozen other photography related books. His photographs have been exhibited worldwide and his work is housed within the permanent collections of The Whitney Museum, The Studio Museum in Harlem, The Smithsonian's National Museum of African American History and Culture, The Fashion Institute of Technology, The Art Institute of Chicago and the Getty Museum. Over the years, Shabazz has instructed young students at the Studio Museum in Harlem's “Expanding the Walls” project, The Schomburg Center for Research in Black Culture “Teen Curator's” program, and the Bronx Museum's “Teen Council.” He is also the 2018 recipient of the Gordon Parks award for excellence in the arts and humanitarianism and the 2022 awardee of the Gordon Parks Foundation/Steidl book prize. Jamel is also a member of the photo collective Kamoinge, and a board member of En Foco, another photo collective. His goal as an artist is to contribute to the preservation of world history and culture.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Michael Woodward. Mr. Woodward began his interest in real estate renovations as a youth, working with his grandfather, father, and great-uncle doing handyman and maintenance services. He also studied architectural design in high school, taking first place at county and state-level housing design competitions. After graduation, he enrolled in the architectural design program at Miami-Dade Community college. He also purchased his first property and renovated it himself at just 20 years old. He then took his aspiration to become an architect to Florida A&M University in Tallahassee, Fl where he majored in Architecture and minored in African American Studies. After much consideration, the future graduate of Florida A&M University decided to change his major from architecture; though, he never lost his passion for the real estate profession. He eventually graduated with undergraduate degrees in History, Geography, and Secondary Education. He was able to complete the triple degree in 3.5 years. He also has a Masters Degree in Applied Social Science with a concentration in African American History and an Add-on in Educational Leadership. This was completed while engaging in an 18year career in the education-al system and investing in real estate. Mr. Woodward is currently pursuing his PhD in History and Humanities at Clark-Atlanta University. He has completed all of his coursework and his comprehensive exams. The dissertation is all that remains between now and graduation. Utilizing all of his prior knowledge and experience in real estate, Mr. Woodward was able to turn a hobby and part time residual income opportunity into an incorporated business. After 2 years of being incorporated, Michael decided to leave the education profession. Nine years later, Woodward Property Group (www.woodwardpropertygroup.com), a full service home improvement and property management company is still going strong. In addition to being a leader in the property management and renovation business, we are contractors for Lowes Stores under their kitchen a bathroom renovation program. We have 7 stores on the east side of Atlanta and we have an A+ Rating with the Better Business Bureau as well as multiple partnerships throughout the Atlanta Area. He is also the founder and CEO of Alpha Educational Consultants, Inc. (www.aecga.com a company that was started in graduate school as a tutoring company for K-12 students and college students. To-date it has expanded to assist individuals in all areas of real estate such as purchasing, renovation, cost calculations and profit maximization. Additionally, he is The Director of The LEAD Foundation (www.theleadfoundation.org), LEAD, standing for Leadership Education and Development is an organization designed to teach soft skills to middle and High school students such as leadership skills, interviewing skills, test taking skills, oratorical skills, etc. Under the foundation, students are able to learn financial planning, college preparation and selection, take college tours, and attend workshops on college campuses. Additionally, students earn college scholarships and laptop computers. #BEST #SHMS #STRAWSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Mary McLeod Bethune was an educator, activist, and civil servant who dedicated her entire life to the pursuit of racial and gender equality. Her impressive legacy includes schools, legislation, and the formation of the Women's Army Corps. Research: Architect of the Capitol. “Mary McLeod Bethune.” https://www.aoc.gov/explore-capitol-campus/art/mary-mcleod-bethune-statue Bethune, Mary McLeod. “Dr. Bethune's Last Will & Testament.” Bethune-Cookman University. https://www.cookman.edu/history/last-will-testament.html Bethune, Mary McLeod. “Mary McLeod Bethune: Building a Better World: Essays and Selected Documents.” Indiana University Press. 1999. Brewer, William M. “Mary McLeod Bethune.” Negro History Bulletin , November, 1955, Vol. 19, No. 2 (November, 1955), p. 48, 36. Via JSTOR. https://www.jstor.org/stable/44212916 "Bethune, Mary Mcleod." Encyclopedia of Race and Racism, edited by John Hartwell Moore, vol. 1, Macmillan Reference USA, 2008, pp. 166-167. Gale In Context: U.S. History, link.gale.com/apps/doc/CX2831200056/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=8b031f93. Accessed 9 Dec. 2024. Eleanor Roosevelt Papers Project. “Mary McLeod Bethune (1875-1955).” https://erpapers.columbian.gwu.edu/mary-mcleod-bethune-1875-1955 Flemming, Shelia Y. and Elaine M. Smith. “Mary McLeod Bethune: Born for Greatness: Introduction to Special Volume.” Phylon (1960-), Vol. 59, No. 2 (WINTER 2022), pp. 21-54. Via JSTOR. https://www.jstor.org/stable/27180573 Foreman, Adam. “The Extraordinary Life of Mary McLeod Bethune.” The National World War II Museum. July 30, 2020. https://www.nationalww2museum.org/war/articles/mary-mcleod-bethune Johnson-Miller, Beverly C. "Mary McLeod Bethune: black educational ministry leader of the early 20th century." Christian Education Journal, vol. 3, no. 2, fall 2006, pp. 330+. Gale General OneFile, link.gale.com/apps/doc/A154513137/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=175ad2e0. Accessed 9 Dec. 2024. Jones, Martha S. “Mary McLeod Bethune Was at the Vanguard of More Than 50 Years of Black Progress.” Smithsonian. 7/2020. https://www.smithsonianmag.com/history/mary-mcleod-bethune-vanguard-more-than-50-years-black-progress-180975202/ Long, Kim Cliett. "Dr. Mary Mcleod Bethune: a life devoted to service." Forum on Public Policy: A Journal of the Oxford Round Table, fall 2011. Gale Academic OneFile, link.gale.com/apps/doc/A317588290/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=af61ca7a. Accessed 9 Dec. 2024. "Mary McLeod Bethune." Gale Encyclopedia of U.S. Economic History, edited by Thomas Carson and Mary Bonk, Gale, 1999. Gale In Context: U.S. History, link.gale.com/apps/doc/K1667000015/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=96df5412. Accessed 9 Dec. 2024. McCLUSKEY, AUDREY T. "Representing the Race: Mary McLeod Bethune and the Press in the Jim Crow Era." The Western Journal of Black Studies, vol. 23, no. 4, winter 1999, p. 236. Gale In Context: U.S. History, link.gale.com/apps/doc/A62354228/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=d189f Michals, Debra. "Mary McLeod Bethune." National Women's History Museum. National Women's History Museum, 2015. https://www.womenshistory.org/education-resources/biographies/mary-mcleod-bethune Moorer, Vanessa. “Mary McLeod Bethune.” National Museum of African American History and Culture. https://nmaahc.si.edu/explore/stories/mary-mcleod-bethune National Parks Service. “Mary McLeod Bethune. Mary McLeod Bethune Council House. https://www.nps.gov/mamc/learn/historyculture/mary-mcleod-bethune.htm PBS American Experience. “Eleanor and Mary McLeod Bethune.” https://www.pbs.org/wgbh/americanexperience/features/eleanor-bethune/ Popp, Veronica. “Black roses: The womanist partnership of Frances Reynolds Keyser and Mary McLeod Bethune.” Journal of Lesbian Studies. https://doi.org/10.1080/10894160.2024.2385714 Roosevelt, Eleanor. “My Day: May 20, 1955.” https://www2.gwu.edu/~erpapers/myday/displaydoc.cfm?_y=1955&_f=md003174 Smith, Elaine M. “Mary McLeod Bethune Papers: The Bethune-Cookman College Collection, 1922–1955.” Alabama State University. /https://pq-static-content.proquest.com/collateral/media2/documents/1397_MaryMcLBethuneCollege.pdf Smith, Elaine M. “Mary McLeod Bethune: In the Leadership Orbit of Men.” Phylon (1960-), WINTER 2022, Vol. 59, No. 2 (WINTER 2022). Via JSTOR. https://www.jstor.org/stable/10.2307/27180575 Smith, Elaine M. “Mary McLeod Bethune’s ‘Last Will and Testament’: A Legacy for Race Vindication.” The Journal of Negro History, vol. 81, no. 1/4, 1996, pp. 105–22. JSTOR, http://www.jstor.org/stable/2717611. Accessed 10 Dec. 2024. State Library and Archives of Florida. “Mary McLeod Bethune.” Florida Memory. https://www.floridamemory.com/learn/classroom/learning-units/mary-mcleod-bethune/ See omnystudio.com/listener for privacy information.