Podcasts about Killing Ground

Episode 48 - G'day everyone and greetings from down under. This is our fourth and final week here in Australia watching and discussing Australian Horror, and we end with a bang with Killing Ground (2016). This is a tough watch for some and a must watch for horror fans. Tune in to hear us break it down, and after the discussion Brian reveals our October theme, which will be the Elm St Franchise. So next week we start with the original Nightmare on Elm St (1984). Join us for all the fun, and don't forget about the giveaway! email us at mracfilmclub@gmail.com

Episode 47 - It's Love week! Welcome to part 3 of our continuing coverage of Australian horror. This week we are headed to the suburbs, and once again we watch a film that is based on a true story, although it is not explicitly stated. We watch and discuss Hounds of Love (2016) and the supplemental The Loved Ones (2009). What did QQ think of that dog scene? I think we all know, but tune in for that and lots more. And tune in next week as we wrap up Aussie Horror month with Killing Ground (2016). We will also find out what Brian will be bringing us next month. Email us at mracfilmclub@gmail.com

The complete version of this episode is available to Patrons who support us at the $4/month level at patreon.com/marvelbythemonth — join today to hear us cover all of these issues:"The Coming of the Nomad!" - Captain America #180, written by Steve Englehart, art by Sal Buscema and Vince Colletta, letters by Tom Orzechowski, colors by Linda Lessmann, ©1974 Marvel Comics"Day of the Grizzly!" - Amazing Spider-Man #139, written by Gerry Conway, art by Ross Andru, Frank Giacoia, and Dave Hunt, letters by Artie Simek, colors by Jan Brunner, ©1974 Marvel Comics"Two Flew Over the Owl's Nest!" - Daredevil #116, written by Steve Gerber, art by Gene Colan and Vince Colletta, letters by John Costanza, colors by Petra Goldberg, ©1974 Marvel Comics"The City Stealers!" - Marvel Team-Up #28, written by Gerry Conway, art by Jim Mooney and Vince Colletta, letters by Artie Simek, colors by Bill Mantlo, ©1974 Marvel Comics"Dead Reckoning!" - Astonishing Tales #27, written by Rich Buckler and Doug Moench, art by Rich Buckler and Pablo Maros, letters by Desmond Jones, colors by George Roussos, ©1974 Marvel Comics"The Broadway Mayhem of 1974" - Power Man #22, written by Tony Isabella, art by Ron Wilson and Vince Colletta, letters by Joe Rosen, colors by Petra Goldberg, ©1974 Marvel Comics"Rampage!" - Defenders #18, written by Len Wein, art by Sal Buscema and Dan Green, letters by Dave Hunt, colors by Glynis Wein, ©1974 Marvel Comics"Worlds In Collision!" - Fantastic Four #153, written by Tony Isabella, art by Rich Buckler and Joe Sinnott, letters by Joe Rosen, colors by Petra Goldberg, ©1974 Marvel Comics"And What of a Vampire's Blood...?" - Adventure Into Fear #25, written by Doug Moench and Steve Gerber, art by Frank Robbins and Frank Giacoia, letters by Artie Simek, colors by Linda Lessmann, ©1974 Marvel Comics"The Hell-Bound Hero!" - Ghost Rider #9, written by Tony Isabella, art by Jim Mooney and Sal Trapani, letters by Artie Simek, colors by Jan Brunner, ©1974 Marvel Comics"Slow Death on the Killing Ground!" - Giant-Size Dracula #3, written by Chris Claremont, art by Don Heck and Frank Springer, letters by Ray Holloway, colors by Linda Lessmann, ©1974 Marvel Comics"Song-Cry of the Living Dead Man!" - Man-Thing #12, written by Steve Gerber, art by John Buscema and Klaus Janson, letters by John Costanza, colors by Glynis Wein, ©1974 Marvel Comics"Demon, Demon -- Who's Got the Demon?" - Marvel Spotlight #19, written by Steve Gerber, art by Gene Colan and Mike Esposito, letters by Charlotte Jetter, colors by George Roussos, ©1974 Marvel Comics"Night-Fire!" - Tomb of Dracula #27, written by Marv Wolfman, art by Gene Colan and Tom Palmer, letters by John Costanza, colors by Linda Lessmann, ©1974 Marvel Comics"The Dark Side of Evil!" - Werewolf by Night #24, written by Doug Moench, art by Don Perlin and Vince Colletta, letters by John Costanza, colors by Linda Lessmann, ©1974 Marvel Comics"Marvel by the Month" theme v. 3.0 written and performed by Robb Milne and sung by Barb Allen. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Instagram at @marvelbythemonth and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

LEGENDARY HEAVY METAL GROUP ‘SAXON' RELEASING THEIR  24TH STUDIO ALBUM ‘HELL, FIRE AND DAMNATION' ZOOM SPECIAL EVENT WITH ORIGINAL LEAD SINGER BIFF BYFORD! Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. In almost their fifth decade of making music, and continuing the tradition that they helped create, Saxon are still a tour de force in heavy metal music. Saxon were the leaders of the new wave of British heavy metal (they had eight UK Top 40 albums in the 1980s including four UK Top 10 albums and two Top 5 albums. They had numerous singles in the UK Singles Chart and chart success all over Europe and Japan, as well as success in the United States. During the 1980s, Saxon established themselves among Europe's most successful metal acts. The band toured regularly and has sold more than 13 million albums worldwide. Originally named "Son of a Bitch, the band changed their name to Saxon in 1979. Saxon have been cited as a major influence or inspiration by numerous bands, including Mötley Crüe, Metallica, Megadeth, Slayer, Anthrax, Pantera, Testament, Dokken, Skid Row, Dream Theater, Exodus, Overkill, King Diamond and Celtic Frost. Saxon will release their new album Hell, Fire And Damnation on January 19th 2024, and when internationally-renowned actor Brian Blessed OBE delivers a proclamation for opening track, “The Prophecy”, expectations are automatically high. Have no fear and make no mistake, Saxon meet and exceed them on their 24th studio release, creating a superlative British Heavy Metal classic which strides the perfect line between confident, current power, and gloriously irreverent flexing of the New Wave of British Heavy Metal muscle which Saxon co-created. PLEASE WELCOME LEAD SINGER, SONGWRITER, BASSIST AND FOUNDER FOR BRITISH HEAVY METAL LEGENDS SAXON BIFF BYFORD TO INTERVIEWING THE LEGENDS … PREORDER THE NEW ALBUM BY S A X O N  Entitled 'HELL, FIRE AND DAMNATION' Saxon proudly release their latest album Hell, Fire And Damnation on January 19th 2024, and when internationally-renowned actor Brian Blessed OBE delivers a proclamation for opening track, “The Prophecy”, expectations are automatically high. Have no fear and make no mistake, Saxon meet and exceed them on their 24th studio release, creating a superlative British Heavy Metal classic which strides the perfect line between confident, current power, and gloriously irreverent flexing of the New Wave of British Heavy Metal muscle which Saxon co-created. available at https://lnk.to/SaxonHellFireAndDamnation   “Heavy Metal Masters Saxon conquers on their latest release ‘Hell, Fire and Damnation' with blazing guitars and almighty voice and verse about times of yore! A triumphant return to the glory days of metal supremacy. Masterfully engineered a metal masterpiece!”  5 stars! …By music journalist Ray Shasho ALSO PURCHASE BIFF BYFORD Autobiography Saxon - Never Surrender  (or Nearly Good Looking) January 1, 2007 by Biff Byford (Author)  available at amazon.com   FOR MORE INFORMATION ABOUT S A X O N VISIT www.saxon747.com Official website https://www.facebook.com/SaxonOfficial Facebook https://twitter.com/SaxonOfficial Twitter https://twitter.com/SaxonOfficial Instagram https://www.youtube.com/user/PlanetSaxon YouTube   SAXON ON TOUR Judas Priest/Saxon/Uriah Heep Tour 2024 We will be back in the USA April, May & June 2024 with our great friends Uriah Heep! Dates will be announced January 8th! Monday 11th March - UK, Glasgow - OVO Hydro  Wednesday 13th March - UK, Leeds - First Direct Arena Friday 15th March - IRELAND, Dublin - 3 Arena  Sunday 17th March - UK, Bournemouth - BIC Tuesday 19th March - UK, Birmingham - RWA Thursday 21st March - UK, London - OVO Arena Wembley  Sunday 24th March - GERMANY, Frankfurt - Festhalle Monday 25th March - GERMANY, Olympiahalle Tuesday 26th March - GERMANY, Balingen - Volksbank Messe Wednesday 27th March - GERMANY, Dortmund - Westfalenhalle Friday 29th March – CZECH REPUBLIC, Prague – O2 Arena Saturday 30th March – POLAND, Krakow – Tauron Arena Monday 1st April – AUSTRIA, Vienna – Stadhalle Tuesday 2nd April – GERMANY, Ulm – Roxy Wednesday 3rd April – SWITZERLAND, Basel – St. Jakobshalle Friday 5th April – FRANCE, Lyon – Halle Tony-Garnier Saturday 6th April – ITALY, Milan – Mediolanum Forum Monday 8th April – FRANCE, Paris – Zenith Thursday 13th June - SPAIN, Barcelona - Sant Jordi Club  Saturday 15th June - SPAIN, Pamplona - Navarra Arena  Monday 17th June - SPAIN, Madrid - PalacioVistalegre Wednesday 19-22 June - Spain Cartagena Rock imperium Festival  Saturday 29th June - FRANCE, Clisson - Hellfest  Monday 1st July – GERMANY, Hamburg – Barclays Arena Tuesday 2nd July – GERMANY, Berlin - Max-Schmeling-Halle Thursday 4th July – GERMANY, Nurnberg – Arena Nurnberger Monday 8th July – GERMANY, Mannheim – Sap Arena Wednesday 10th July – GERMANY, Dresden – Messehalle   SAXON DISCOGRAPHY Studio albums Saxon (1979) Wheels of Steel (1980) Strong Arm of the Law (1980) Denim and Leather (1981) Power & the Glory (1983) Crusader (1984) Innocence Is No Excuse (1985) Rock the Nations (1986) Destiny (1988) Solid Ball of Rock (1991) Forever Free (1992) Dogs of War (1995) Unleash the Beast (1997) Metalhead (1999) Killing Ground (2001) Lionheart (2004) The Inner Sanctum (2007) Into the Labyrinth (2009) Call to Arms (2011) Sacrifice (2013) Battering Ram (2015) Thunderbolt (2018) Carpe Diem (2022) Hell, Fire and Damnation (2024)   Cover albums Inspirations (2021) More Inspirations (2023)   Live albums 1982 The Eagle Has Landed 1989 Rock 'n' Roll Gypsies 1990 Greatest Hits Live 1996 The Eagle Has Landed – Part II 1997 Donnington: The Live Tracks 1998 BBC Sessions / Live at Reading Festival '86 2006 The Eagle Has Landed – Part III 2012 Heavy Metal Thunder – Live: Eagles Over Wacken 2014 St. George's Day Sacrifice: Live in Manchester 2016 Let Me Feel Your Power The Vinyl Hoard 2019 The Eagle Has Landed 40: Live   Compilation albums Strong Arm Metal (1984) Anthology (1988) Back on the Streets (1990) The Best of Saxon" (1991) A Collection of Metal (1996) Burrn! Presents: The Best of Saxon (2000) Diamonds and Nuggets (2000) Masters of Rock: Saxon (2001) Heavy Metal Thunder (2002) (re-recordings) Coming to the Rescue (2002) The Very Best of Saxon (1979–1988) (2007) The Best of Saxon (2009) Saxon – The Carrere Years (1979–1984) (Box Set) (2012) Saxon – The EMI Years (1985–1988) (Box Set) (2012) Unplugged and Strung Up (2013) (orchestral + acoustic) The Complete Albums 1979-1988 (10-CD boxed set) (2014) Baptism in Fire – The Collection 1991–2009 (2016)   Videos Live (1983) Live Innocence! (1985) Greatest Hits Live! (1989) Power & the Glory – Video Anthology (1990) The Saxon Chronicles (2003) Live Innocence – The Power & the Glory (2003) To Hell and Back Again (2007) Saxon: Heavy Metal Thunder – Live (2010) Heavy Metal Thunder – Live: Eagles Over Wacken (2012) Warriors of the Road – The Saxon Chronicles Part II (2014) The Saxon Chronicles (2015) Let Me Feel Your Power (2016)   BIFF BYFORD Solo School of Hard Knocks (2020) Support us on PayPal!

Over the last two years, as part of the Endemolshine Australia team, Ian Meadows has been the writer, co-creator and co-producer of 'RFDS' the TV drama that has been filmed and aired on Channel 7 (and now available on-demand on 7Plus). The 'RFDS' show has been aired to broad audiences across Australia and to some 14 countries overseas. Ian has never been personally transported by the RFDS, but as a result of his work he has become intimately involved with our work across the country, so through the TV scripts he can highlight the challenges for those that live, work and travel in rural and remote Australia. He has been instrumental in making sure that the RFDS TV drama is authentic to the Service, genuine in its depiction of staff and patients and communities, and also entertaining.  Ian Meadows has a long line of credits: Netflix's Clickbait, The Wrong Girl, True Story, Dead Lucky, ABC's 8MMM, The Moodys, A Moody Christmas, Rake, Paper Giants: The Birth of Cleo, the HBO series The Pacific, and the film Killing Ground. TV writing credits include RFDS, as well as the SBS series ‘On The Ropes', Foxtel's ‘Upright, Spirited and Slide', Channel 10's ‘The Wrong Girl' as well as ‘Off'Spring, and ABC's ‘The Moodys'. Ian adapted and directed ‘Defender', a segment of Tim Winton's The Turning, which was produced by Robert Connolly and was AACTA nominated for best direction. He co-wrote and acted in the AFI award nominated short ‘Water', and wrote and directed the Sydney Film Festival selected short film ‘A Parachute Falling in Siberia' which won an Australian Writers Guild Award and received an AFI award nomination. And then of course his play ‘Between Two Waves' premiered at Griffin Theatre Company in 2012 where Ian was a member of the inaugural Griffin Studio. It was awarded Belvoir Theatre Company's 2013 Phillip Parsons Fellowship. ****** Thanks so much for listening to the Flying Doctor Podcast. It is lovely to have you along on the journey with us. There has been some wonderful feedback from listeners and those we have interviewed. Word of mouth is always the best promotion for a podcast – so if you enjoy this podcast, or a specific story, please share with family and friends. Reviews and ratings help our podcast to be found by others, so if you can take the time to do that it would be appreciated.  You can also send feedback, questions or comments through to me at lana.mitchell@rfds.org.au.  If you haven't already -- Please do join our Facebook Group called the Flying Doctor Podcast Community and join in the conversation And if you haven't already done so – catch up on our extensive back-series as there are some ripper yarns, incredibly brave and strong people, and many-a-story that are so typically Aussie in terms of resilience, innovation in times of crisis, and of course humour.  See omnystudio.com/listener for privacy information.

The guys are once again joined by Natalie and Greg as they review the Australian thriller "Killing Ground." 

On this episode of Talking Terror, the Ghoul of Geek Keith returns from the bush with his film pick of the week! Listen in as your horror hosts talk about 2016's "Killing Ground" directed by Damien Power. Stay scared people, stay scared!

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Saxon es una banda británica de heavy metal formada en 1976 en Barnsley, Reino Unido, considerados como líderes de la Nueva ola del heavy metal británico junto a Iron Maiden y Def Leppard. Tuvieron un breve pero excelente período de popularidad en su propio país durante la primera mitad de los años ochenta gracias a los discos Wheels of Steel, Strong Arm of the Law, Denim and Leather y el álbum en vivo The Eagle Has Landed. A pesar de incursionar en el glam metal, sonido que mandaba el mercado mundial en la segunda mitad de los ochenta con discos como Rock the Nations y Destiny, nunca pudieron alcanzar el éxito en los Estados Unidos como sí lo hicieron otras bandas británicas, aun así lograron un éxito considerable en países de Europa continental y Japón. Ya a mediados de los noventa y con el sonido característico de vuelta, obtuvieron nuevamente el reconocimiento popular principalmente en Europa, convirtiéndose en artistas obligados de los mayores festivales europeos de metal como el Wacken Open Air, el Download Festival y el Hellfest, entre otros. Con una carrera de cuarenta años sobre los escenarios y con más de ocho álbumes en los UK Albums Chart y con otros numerosos sencillos en las listas británicas, los convierte en banda clave para el heavy metal e incluso han sido nombrados como grandes influencias para bandas como Metallica, Bathory, Pantera, Slayer, Anthrax, Sodom, Mötley Crüe y Megadeth, entre otras.​ Por otro lado y hasta mediados de 2014, se estimó que sus ventas superaban las 15 millones de copias en todo el mundo.​ Saxon se fundó en 1976 en la ciudad de Barnsley cuando el guitarrista Graham Oliver y el bajista Steve Dawson unieron fuerzas con el vocalista Biff Byford y con el también guitarrista Paul Quinn, que provenían de la banda local Coast. Junto a ellos se unió el baterista David Ward y se llamaron inicialmente Son of a Bitch, sin embargo, en 1978 este último renunció a la banda cediendo su puesto a Pete Gill y con ello también cambiaron su nombre al actual.​ Durante ese periodo participaron en tocatas en clubes de algunas ciudades de Inglaterra e incluso abrieron en ocasiones para las bandas Ian Gillan Band y Heavy Metal Kids. Debido al éxito del punk en el Reino Unido, en ese entonces les fue difícil encontrar apoyo discográfico en su propio país, por lo cual firmaron con la discográfica francesa Carrere Records a fines de 1978. Debutaron al año siguiente con el álbum Saxon que les permitió salir de gira por el país inglés abriendo para las bandas Motörhead y Nazareth.​ En 1980 publicaron su segundo disco Wheels of Steel, considerado por los fanáticos como esencial del movimiento NWOBHM.​ De esta placa destacaron dos sencillos; el que da título al disco y «747 (Strangers in the Night)», los que entraron en la lista UK Singles Chart en los puestos 20 y 13 respectivamente.​ El éxito se vio reflejado además al obtener meses después su primer disco de oro en su país, al superar las 100 000 copias vendidas.​ Tras el lanzamiento del álbum se internaron en su respectiva gira promocional, destacando su participación en el primer Monsters of Rock celebrado el 16 de agosto de 1980, donde compartieron escenario con Rainbow, Scorpions, Judas Priest, April Wine, Riot y Touch ante más de 35 000 espectadores.​ Solo cinco meses del lanzamiento de Wheels of Steel lanzaron su tercera producción llamada Strong Arm of the Law, el que siguió cosechando éxito en el país británico donde obtuvo nuevamente disco de oro y se posicionó en la lista de aquel país en el puesto 11.​​ De este se extrajo el sencillo «Dallas 1 PM», canción inspirada en el asesinato del expresidente estadounidense John F Kennedy.​ Este éxito se vio nuevamente en el cuarto álbum Denim and Leather, que entró en la novena posición de los UK Albums Chart en 1981.​ Además, vendió más de 60 000 copias solo meses después de su lanzamiento, obteniendo disco de plata otorgado por la British Phonographic Industry.​ También entró en las listas de otros países de Europa e incluso y al mismo tiempo, el sencillo «Motorcycle Man» de su segundo disco se posicionó en las listas de Japón, manteniéndose por más de cinco meses en ellas.​ Antes de iniciar la gira Denim and Leather Tour Pete Gill se lastimó la mano, lo que no le permitió tocar la batería y que obligó a ceder su puesto a Nigel Glockler, que por ese entonces era músico de sesión de Toyah Willcox. Durante el marco de dicho tour, el músico Ozzy Osbourne fue el encargado de abrir para ellos en las fechas por Europa y el país británico.​ Ya en 1982 tocaron por primera vez en los Estados Unidos con 38 fechas en total, de cuyas presentaciones destacó el haber tocado cuatro noches seguidas a lleno total en el Whisky a Go Go de Los Ángeles, California y otras tres más en la ciudad de San Francisco.​ Tras esto retornaron a su país natal y publicaron su primer disco en vivo The Eagle Has Landed, el que entró en el puesto 5 en el Reino Unido manteniéndose por 19 semanas consecutivas y obtuvo nuevamente disco de plata en dicho país.​​ El 21 de agosto del mismo año volvieron a presentarse en el Monsters of Rock junto a las bandas Status Quo, Uriah Heep y Anvil entre otras, convirtiéndose en la primera banda en tocar dos veces consecutivas en dicho festival.​​ Durante los meses de octubre y noviembre de 1982 la banda entró a los estudios para lanzar en 1983 su quinto trabajo Power & the Glory, el primero en entrar en la lista Billboard 200 de los Estados Unidos en el puesto 155 y que solo en Los Ángeles vendió más de 15 000 copias en su primera semana.​​ De la misma manera entró en el Reino Unido en el puesto quince.​ Durante la gira por Europa fueron parte de una de las más recordadas del heavy metal británico, compartiendo escenario junto a Judas Priest y Iron Maiden, y a su vez por los Estados Unidos fueron acompañados por los alemanes Accept. Este fue el último trabajo de los ingleses con el sello francés Carrere, ya que según ellos no se sentían cómodos con las ventas del disco y por el poco apoyo de esta discográfica para con ellos sobre penetrar en el mercado estadounidense. Sin embargo, otros medios afirmaron que era por el engaño de las recaudaciones de ventas por parte del sello para con la banda, por lo que firmaron con la transnacional EMI Music a finales de 1983.​​ En abril de 1984 publicaron Crusader, el primero con el sello EMI Music y que marcó el cambio de sonido de la banda acercándose al glam metal, lo que se vio reflejado en su vestimenta como en su música. A pesar de esto el disco se posicionó en el puesto 18 de los UK Albums Chart y en el puesto 174 en los Estados Unidos.​​ Ya con esta visión en mente, se internaron durante la primera parte de 1984 en una gira por los Estados Unidos junto a Mötley Crüe, cerrando algunas noches los ingleses y otras los norteamericanos. Posteriormente recibieron la invitación por parte de Iron Maiden para retornar a los Estados Unidos como artistas invitados. Por su parte, en 1985 regresaron a Europa para iniciar una nueva gira acompañados por Accept, por Alemania Occidental.​ En septiembre de 1985 publicaron su séptimo disco de estudio Innocence Is No Excuse, el que no obtuvo buena recepción en su país, ya que solo se posicionó en el puesto 36.​ Eso sí inició el reconocimiento en el mercado estadounidense donde alcanzó la posición 133, el más alto para un disco de los ingleses en ese país, seguido además por la constante rotación de sus vídeos en la cadena televisiva MTV.​ En 1986 viajaron a Holanda para grabar un nuevo disco pero esta vez sin su bajista fundador Steve Dawson, que se retiró de la banda por problemas matrimoniales. El resultado fue Rock the Nations donde Biff Byford grabó las partes del bajo, eso sí dándole crédito al joven bajista Paul Johnson que provenía de bandas como Statetrooper y Heritage.​ Además en este disco participó el pianista inglés Elton John en las canciones «Party Till You Puke» y «Northern Lady». A pesar de ser uno de los más suaves de su carrera se mantuvo en las listas por varias semanas, e incluso tres de sus canciones entraron en los UK Singles Chart.​ En 1988 lanzaron su último disco con EMI, ya que según los integrantes de la banda esta casa discográfica no quería hacer más discos con ellos.​ El llamado Destiny ha sido criticado por varios medios que lo consideran como «el disco más malo y patético de la banda».​ Este contiene una versión de «Ride Like the Wind» del músico Christopher Cross, que se posicionó en el puesto 52 en el Reino Unido.​ Por otro lado, en una entrevista realizada por la revista Kerrang! al vocalista Biff Byford, mencionó que la discográfica los obligó a adaptarse al mercado americano algo que ellos realmente no querían.​ Durante la gira el bajista Paul Johnson se retiró de la banda, entrando en su puesto el joven de veintidós años Nibbs Carter. Dentro de esta misma gira y acompañados por Manowar, se grabó su segundo disco en vivo llamado Rock 'n' Roll Gypsies publicado en 1989. Tras este lanzamiento la banda se tomó un receso de los escenarios, apareciendo solo en actos de caridad durante dicho período.​ Ya en el nuevo decenio la banda volvió a los escenarios durante la corta gira denominada 10 Years of Denim and Leather, con presentaciones en el Reino Unido, Alemania, Austria, Grecia y por la aquel entonces Checoslovaquia, retornando en gran manera a sus viejos y primeros éxitos y recuperando a varios de sus fanáticos.​ Durante este mismo período firmaron con Virgin Records para su siguiente disco Solid Ball of Rock publicado en 1991, en el que volvieron al heavy metal característico de sus primeros trabajos, pero aún manteniendo algunos sonidos de su etapa con EMI Records.​ Este disco les permitió además presentarse por primera vez fuera de Europa y los Estados Unidos, llegando a países como Japón, Australia, Uruguay, Paraguay, Argentina, México, Brasil y Nueva Zelanda.​ Ya en 1992 publicaron su segundo álbum con Virgin, Forever Free, hasta ese entonces el más pesado de la banda desde Innocence Is No Excuse. De este destacó el sencillo «Iron Wheels», canción escrita por Byford y dedicada a su padre, que falleció durante la grabación del disco.​ Tres años más tarde publicaron Dogs of War el último trabajo de Graham Oliver, que se retiró solo días después de su lanzamiento. Para ocupar su puesto se integró el amigo del baterista Nigel Glockler, el guitarrista Doug Scarratt. En diciembre de 1995 y bajo la gira de soporte del disco Dogs of War, grabaron el cuarto disco en vivo denominado The Eagle Has Landed Part II publicado en 1996. Sin embargo, no obtuvo el éxito esperado a diferencias de sus anteriores trabajos en directo.​ En el mismo año la banda formó parte del disco tributo a Judas Priest, A Tribute to Judas Priest - Legends of Metal Vol. 1, en donde grabaron el tema «You've Got Another Thing Comin'». En 1997 los ingleses lanzaron el disco Unleash the Beast, el primero con el sello CMC International. La placa tuvo excelente recepción en Europa principalmente en Alemania, Suecia y Suiza.​ Hasta hoy en día ha sido considerado como un clásico, que incluso sus miembros lo han situado a la par con Dogs of War y Wheels of Steel.​ A pesar de ser uno de los más pesados de su carrera, destacó la canción semi-acústica «Absent Friends» dedicada a John J.J. Jones, jefe del equipo de la banda que falleció el año anterior.​ Durante la gira de más de un año y medio tocaron en varios países de Europa y en los Estados Unidos, e incluso fueron parte del Monsters of Rock en Brasil. Además abrieron para Deep Purple en un concierto en la ciudad de Róterdam en Holanda. Poco tiempo después y antes de terminar la gira, el baterista Nigel Glockler se vio obligado a dejar la banda por problemas en su cuello lo que le impedía tocar bien la batería, y que en su reemplazo entró el alemán Fritz Randow famoso por haber sido parte de Victory y de Sinner para terminar dicha gira. Uno de sus últimos shows durante este período fue en el festival Arena Open Air en Holanda, compartiendo escenario junto a Motörhead y Dio.​ Ya en 1999 publicaron su siguiente disco de estudio llamado Metalhead, el primer trabajo oficial con el baterista Fritz Randow. Este álbum mantuvo el sonido heavy que ya venía desde sus dos discos anteriores y en donde parte de la música fue compuesta por Nigel antes de su retirada.​ Además dicho trabajo les permitió iniciar una de las giras más grandes de los ingleses, donde destacaron su participación en el festival Bloodstock en el Reino Unido y su primera aparición en el festival Wacken Open Air en Alemania, convirtiéndose en número seguro en las siguientes versiones.​ En 2001 volvieron a aparecer en el festival alemán donde por primera vez desde los años ochenta, contaron con el águila de luces sobre el escenario. En septiembre del mismo año lanzaron un nuevo disco de estudio llamado Killing Ground, que mantuvo el sonido característico pero menos agresivo que Metalhead y que contiene una versión de la canción «The Court of the Crimson King» original de King Crimson.​​ Gracias al éxito por el continente europeo, el sello EMI Music lanzó algunos compilados de la banda durante los primeros años del nuevo milenio y los vídeos remasterizados en formato DVD; Live In Innocence y The Power & The Glory - Video Anthology. En 2002 y bajo la celebración de los veinticinco años de carrera de la banda se publicó el trabajo Heavy Metal Thunder, disco doble que contiene regrabaciones y remasterizaciones de las canciones clásicas desde su disco debut hasta Killing Ground.​ Al año siguiente se lanzó el DVD The Saxon Chronicles, que contiene íntegramente el concierto en el festival Wacken de 2001, de igual manera imágenes inéditas del concierto en la ciudad de Esbjerg en Suecia de 1995, y por último, entrevistas y grabaciones exclusivas de sus integrantes de diversas giras mundiales.​ Ya en 2004 el baterista Fritz Randow se retiró de Saxon para regresar a su antigua banda Victory, tras su reunión. En su reemplazo entró otro alemán, Jörg Michael conocido en el mundo del metal por haber sido parte de bandas como Axel Rudi Pell, Grave Digger y Running Wild, entre otras. Con Michael en la batería la banda publicó en septiembre de 2004 el disco Lionheart cuya gira contó con dos partes marcadas; la primera con Jörg durante el mismo año y la segunda con Nigel Glockler tras el retorno del alemán a Stratovarius, lo que significó el regreso de Nigel tras algunas operaciones y un largo entrenamiento debido a su problema en el cuello.​ De esta gira se extrajo el material de lo que fue el quinto disco en vivo The Eagle Has Landed Part III, el que contó con dos discos; el primero con las presentaciones dadas principalmente en distintas ciudades de Alemania durante el 2005 y el segundo titulado A Night With the Boys, que solo contó con canciones anteriores de Lionheart, grabadas durante algunas presentaciones en 2004.​ En marzo de 2007 se publicó The Inner Sanctum, el primero con el baterista Nigel Glockler tras su regreso en 2005, que siguió cosechando éxito entre sus fanáticos a pesar de la incorporación de algunos sonidos más cercanos al power metal y que hasta ese entonces fue considerado por la crítica como el mejor trabajo de los ingleses desde Unleash the Beast de 1997.​​ En 2009 publicaron un nuevo disco de estudio Into the Labyrinth, el que siguió la línea compositiva y la potencia de sus músicos que ya venían desde su trabajo del 2007.​ En cuanto a la gira fue un total éxito, iniciada en su país junto a la cantante alemana Doro y participando en algunos de los festivales de heavy metal más importantes del viejo continente como el Wacken Open Air y el Sonisphere, por mencionar algunos. A pesar del éxito que trajo la primera parte de la gira, tuvieron un gran problema tras verse forzados a cancelar los tres últimos shows en Europa precisamente en España, ya que tras anunciar la llegada de los ingleses junto a la banda Iced Earth, a mediados de febrero, dieron cancelado las presentaciones por "motivos de programación" de ambas bandas, lo que llevó a cambiarlas a otras fechas.​ En el mismo año anunciaron a través de su página web el futuro documental sobre la historia desde sus inicios al cual denominaron Heavy Metal Thunder - The Movie. En 2010 y aun bajo la gira Into the Labyrinth World Tour, participaron del festival Download Festival durante el 11 y 13 de junio, lugar en donde interpretaron el disco Wheels of Steel en su totalidad tras el aniversario número treinta de su lanzamiento.​ En junio de 2011 se lanzó su décimo noveno trabajo Call to Arms, que debutó en el puesto 6 de los UK Rock Albums Chart, mientras que en los Estados Unidos vendió más de 700 copias en su primera semana.​​ Durante las pruebas de sonido en los recintos de once ciudades del Reino Unido la banda cobró tan solo 10 libras esterlinas para un grupo selecto de fanáticos, cuyo dinero recaudado fue donado a las instituciones benéficas para niños Nordoff Robbins Music Therapy y Childline Charities.​ Durante la gira en 2012, fueron invitados por Judas Priest para tocar juntos en el Hammersmith Apollo de Londres el 26 de mayo. A su vez y en ese mismo año publicaron el DVD Heavy Metal Thunder - Live: Eagles Over Wacken, que contó con una mezcla de vídeos de sus presentaciones en el festival Wacken en sus versiones 2004, 2007 y 2009, el que incluye además de un disco compacto con una presentación dada en 2011 en la ciudad de Glasgow.​ En marzo de 2013 lanzaron su vigésima producción Sacrifice, con el que giraron por varios países del mundo, llegando incluso a Venezuela. Más tarde en octubre apareció en el mercado el recopilatorio Unplugged and Strung Up, que contó con canciones en versión acústica, remezclas y regrabaciones. En 2014 publicaron un nuevo álbum en vivo llamado St. George's Day Sacrifice - Live in Manchester, que se grabó durante la gira promocional de Sacrifice. A su vez iniciaron una nueva gira denominada Warriors of the Road que contó con Skid Row como artista invitado. En noviembre del mismo año, Biff Byford anunció que grabarían un nuevo álbum y que probablemente podría ser lanzado a mediados del año siguiente.​ El 1 de agosto de 2015 la banda confirmó la fecha de publicación de su nuevo trabajo de estudio llamado Battering Ram, que salió a la venta el 16 de octubre del mismo año y que fue promocionado con una extensa gira mundial que culminó en octubre de 2017. En el marco de dicho tour, el 1 de junio de 2017 la banda fue víctima de un robo en los camerinos durante su presentación en Umeå, Suecia, extrayéndoles los pasaportes, teléfonos celulares y billeteras.​ En ese mismo mes la banda anunció el lanzamiento de un nuevo disco de estudio llamado Thunderbolt, que será publicado en febrero de 2018 y que ya cuenta con presentaciones en vivo para promocionarlo, tanto por Europa como por Norteamérica.​ A mediados de 1997 los exmiembros de la banda Steve Dawson y Graham Oliver inscribieron el nombre de Saxon como marca registrada en el Reino Unido. Esto causó la molestia de Biff Byford, ya que todas las mercancías y productos bajo la marca Saxon quedaba restringido tanto para él como para Paul Quinn. Tras esto Byfford entabló una demanda para invalidar dicha inscripción ya que según él, no cumplía con algunas de las cláusulas.​ Tras algunos años de disputa, la Alta Corte Británica anuló la inscripción ya que Byfford y Quinn como miembros recurrentes de la banda, tenían más derechos que los demandados por ende tanto el logo, el águila y el nombre en sí quedaban en sus manos. Sin embargo, como Dawson y Oliver son también fundadores de la banda, le concedieron una cláusula con el que podían utilizar el nombre Saxon siempre y cuando agregaran algo a la marca.​ Por ello y desde esa fecha nació la banda Oliver/Dawson Saxon. Como la mayoría de las bandas nacidas a finales de los setenta y principios de los ochenta dentro de la Nueva ola del heavy metal británico, sus principales influencias han sido las bandas de hard rock y heavy metal de principios de los setenta principalmente europeos como Thin Lizzy, Led Zeppelin, Scorpions, Deep Purple, Black Sabbath, AC/DC, Uriah Heep y Iron Butterfly, entre otras.​ A su vez ellos han sido considerados grandes influencias del heavy metal y thrash metal durante la segunda mitad de los ochenta y la década de los noventa para bandas como Metallica, Bathory, Megadeth, Celtic Frost, King Diamond y Slayer, entre otras.​ Pagina Oficial: https://www.saxon747.com/

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 En diciembre de 1995 y bajo la gira de soporte del disco Dogs of War, grabaron el cuarto disco en vivo denominado The Eagle Has Landed Part II publicado en 1996. Sin embargo, no obtuvo el éxito esperado a diferencias de sus anteriores trabajos en directo.​ En el mismo año la banda formó parte del disco tributo a Judas Priest, A Tribute to Judas Priest - Legends of Metal Vol. 1, en donde grabaron el tema «You've Got Another Thing Comin'». En 1997 los ingleses lanzaron el disco Unleash the Beast, el primero con el sello CMC International. La placa tuvo excelente recepción en Europa principalmente en Alemania, Suecia y Suiza.​ Hasta hoy en día ha sido considerado como un clásico, que incluso sus miembros lo han situado a la par con Dogs of War y Wheels of Steel.​ A pesar de ser uno de los más pesados de su carrera, destacó la canción semi-acústica «Absent Friends» dedicada a John J.J. Jones, jefe del equipo de la banda que falleció el año anterior.​ Durante la gira de más de un año y medio tocaron en varios países de Europa y en los Estados Unidos, e incluso fueron parte del Monsters of Rock en Brasil. Además abrieron para Deep Purple en un concierto en la ciudad de Róterdam en Holanda. Poco tiempo después y antes de terminar la gira, el baterista Nigel Glockler se vio obligado a dejar la banda por problemas en su cuello lo que le impedía tocar bien la batería, y que en su reemplazo entró el alemán Fritz Randow famoso por haber sido parte de Victory y de Sinner para terminar dicha gira. Uno de sus últimos shows durante este período fue en el festival Arena Open Air en Holanda, compartiendo escenario junto a Motörhead y Dio.​ Ya en 1999 publicaron su siguiente disco de estudio llamado Metalhead, el primer trabajo oficial con el baterista Fritz Randow. Este álbum mantuvo el sonido heavy que ya venía desde sus dos discos anteriores y en donde parte de la música fue compuesta por Nigel antes de su retirada.​ Además dicho trabajo les permitió iniciar una de las giras más grandes de los ingleses, donde destacaron su participación en el festival Bloodstock en el Reino Unido y su primera aparición en el festival Wacken Open Air en Alemania, convirtiéndose en número seguro en las siguientes versiones.​ En 2001 volvieron a aparecer en el festival alemán donde por primera vez desde los años ochenta, contaron con el águila de luces sobre el escenario. En septiembre del mismo año lanzaron un nuevo disco de estudio llamado Killing Ground, que mantuvo el sonido característico pero menos agresivo que Metalhead y que contiene una versión de la canción «The Court of the Crimson King» original de King Crimson.​​ Gracias al éxito por el continente europeo, el sello EMI Music lanzó algunos compilados de la banda durante los primeros años del nuevo milenio y los vídeos remasterizados en formato DVD; Live In Innocence y The Power & The Glory - Video Anthology. En 2002 y bajo la celebración de los veinticinco años de carrera de la banda se publicó el trabajo Heavy Metal Thunder, disco doble que contiene regrabaciones y remasterizaciones de las canciones clásicas desde su disco debut hasta Killing Ground.​ Al año siguiente se lanzó el DVD The Saxon Chronicles, que contiene íntegramente el concierto en el festival Wacken de 2001, de igual manera imágenes inéditas del concierto en la ciudad de Esbjerg en Suecia de 1995, y por último, entrevistas y grabaciones exclusivas de sus integrantes de diversas giras mundiales.​ Ya en 2004 el baterista Fritz Randow se retiró de Saxon para regresar a su antigua banda Victory, tras su reunión. En su reemplazo entró otro alemán, Jörg Michael conocido en el mundo del metal por haber sido parte de bandas como Axel Rudi Pell, Grave Digger y Running Wild, entre otras. Con Michael en la batería la banda publicó en septiembre de 2004 el disco Lionheart cuya gira contó con dos partes marcadas; la primera con Jörg durante el mismo año y la segunda con Nigel Glockler tras el retorno del alemán a Stratovarius, lo que significó el regreso de Nigel tras algunas operaciones y un largo entrenamiento debido a su problema en el cuello.​ De esta gira se extrajo el material de lo que fue el quinto disco en vivo The Eagle Has Landed Part III, el que contó con dos discos; el primero con las presentaciones dadas principalmente en distintas ciudades de Alemania durante el 2005 y el segundo titulado A Night With the Boys, que solo contó con canciones anteriores de Lionheart, grabadas durante algunas presentaciones en 2004.​ En marzo de 2007 se publicó The Inner Sanctum, el primero con el baterista Nigel Glockler tras su regreso en 2005, que siguió cosechando éxito entre sus fanáticos a pesar de la incorporación de algunos sonidos más cercanos al power metal y que hasta ese entonces fue considerado por la crítica como el mejor trabajo de los ingleses desde Unleash the Beast de 1997.​​ En 2009 publicaron un nuevo disco de estudio Into the Labyrinth, el que siguió la línea compositiva y la potencia de sus músicos que ya venían desde su trabajo del 2007.​ En cuanto a la gira fue un total éxito, iniciada en su país junto a la cantante alemana Doro y participando en algunos de los festivales de heavy metal más importantes del viejo continente como el Wacken Open Air y el Sonisphere, por mencionar algunos. A pesar del éxito que trajo la primera parte de la gira, tuvieron un gran problema tras verse forzados a cancelar los tres últimos shows en Europa precisamente en España, ya que tras anunciar la llegada de los ingleses junto a la banda Iced Earth, a mediados de febrero, dieron cancelado las presentaciones por "motivos de programación" de ambas bandas, lo que llevó a cambiarlas a otras fechas.​ En el mismo año anunciaron a través de su página web el futuro documental sobre la historia desde sus inicios al cual denominaron Heavy Metal Thunder - The Movie. En 2010 y aun bajo la gira Into the Labyrinth World Tour, participaron del festival Download Festival durante el 11 y 13 de junio, lugar en donde interpretaron el disco Wheels of Steel en su totalidad tras el aniversario número treinta de su lanzamiento.​ En junio de 2011 se lanzó su décimo noveno trabajo Call to Arms, que debutó en el puesto 6 de los UK Rock Albums Chart, mientras que en los Estados Unidos vendió más de 700 copias en su primera semana.​​ Durante las pruebas de sonido en los recintos de once ciudades del Reino Unido la banda cobró tan solo 10 libras esterlinas para un grupo selecto de fanáticos, cuyo dinero recaudado fue donado a las instituciones benéficas para niños Nordoff Robbins Music Therapy y Childline Charities.​Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal - (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558

Extreme month kicks into full speed with our coverage of Killing Ground, Gutterballs and German Angst with special guest Bill Van Veghel! this episode was a blast to record and the conversation was a lot of sun even if the movies were a little much for Ashley. Killing Ground Raul - 10 out of 10 toddlers with spinal injuries (buy) Ashley - 8 out of 10 accidently shooting your partner in crime (buy) Bill - 7 out of 10 car drives through the forest (high priority rental) Gutterballs Raul - 8.5 out of 10 split dongs under fishnet leggings (buy) Ashley - 1 out of 10 people 69-ing on a dirty bathroom floor (avoid) Bill - 7.5 out of 10 bowling pins up the ass (buy on sale) German Angst Raul - 10 out of 10 other worldly monster cock! (Buy) Ashley - 5 out of 10 castrated men (not given) Bill - 8 out of 10 sex scenes in a women's bathroom (buy) Website Links: Website - https://headlongintomonsters.godaddysites.com Twitter - https://twitter.com/In2Monsters E-mail - headlongintomonsters@gmail.com Ashley Links: Twitter - https://twitter.com/BarelyAshley Instagram - https://www.instagram.com/barelyashley Facebook - https://www.facebook.com/ashley.pinkard Letterboxd - https://letterboxd.com/barelyashley/ Raul Links: Twitter - https://twitter.com/RaulVsMonsters Letterboxd - https://letterboxd.com/into_monsters/ Bill Links: Land of The Creeps: http://landofthecreeps.blogspot.com/ Phantom Galaxy: https://phantomgalaxy.podbean.com/ Opening Music: https://audiojungle.net/item/80s-horror-retro-background/33176055 Closing Music: https://audiojungle.net/item/hip-hop-horror/25238003

In the haunting words of Sarah McLachlan, “There’s always some reason to feel not good enough,” and that is certainly the case after watching this week’s Feature Review: Damien Power’s Killing Ground (2017). Another reason to not feel good enough is because Mister Watson was unable to join us for this episode; however, we make … Continue reading "Ep. 122: Killing Ground (2017)"

One of Australia's most chameleonic actors, Aaron Glenane, has recently completed filming Shantaram for Apple TV and will next be seen in Interceptor for Netflix in June 2022. Aaron has a long list of impressive credits including his recent work on the Paramount Network series 68 Whiskey, and with Jennifer Connelly and Sean Bean on Snowpiercer for TNT / Netflix. Heralded for his performance as Chook in the critically acclaimed feature Killing Ground – which premiered at the 2017 Sundance Film Festival, Aaron went on to major roles in 2067alongside Kodi Smit-McPhee, Picnic At Hanging Rock, Mr Inbetween, Danger Close and Ride Like a Girl. Other notable performances include his outstanding depiction of Mushroom Records founder Michael Gudinski in the special event miniseries Molly and his heartfelt performance as Gus in Drift alongside Sam Worthington. An accomplished stage actor and dancer, Aaron's numerous stage credits include the international live read of Orphans with Alec Baldwin, Silent Night and Ride & Fourplay(Darlinghurst Theatre Company), Gruesome Playground Injuries, Journey's End and The Boy From Oz alongside Hugh Jackman. Aaron was also a key motion capture artist of George Miller's Happy Feet 2 and a member of Dein Perry's Tap Dogs. Supanova.com.au mkaugaming.com

On this episode we sit down with actor Julian Garner to discuss The Museum of Modern Love, Marina Abramović's The Artist is Present and what kept Julian busy throughout lockdown. Julian is a National Institute of Dramatic Arts (NIDA) graduate. His theatre credits include The Turquoise Elephant for Griffin Theatre Company; Inner Voices for Red Line Productions; Arcadiaand Storm Boy for Sydney Theatre Company; The Crucible, A Midsummer Night's Dream, Much Ado About Nothing and Cyrano de Bergerac for Sport for Jove; Romeo and Juliet, Hamlet, As You Like It, The Wars of the Roses, Measure for Measure and Twelfth Night for Bell Shakespeare His television credits include Top of the Lake: China Girl, Reckoning, Pulse, Janet King, McLeod's Daughters, Blackjack, Home and Away and more recently the Peter Duncan directed mini-series Operation Buffalo. His film credits include Top End Wedding, Killing Ground, Problem Play, Head On, The Children of the Corn and I Am Woman He is currently filming on Network Ten's series 2 of The Secret She Keeps. "[A] rare treat… an astute meditation on art, bravery, friendship, love, how to live, and on dying." - Sydney Morning Herald novel review Following a successful series of development readings staged as part of Sydney Festival 2021, Seymour Centre is proud to present the world premiere production of The Museum of Modern Love at Sydney Festival 2022. Adapted from the Stella Prize-winning novel by Heather Rose, The Museum of Modern Love follows New York-based film composer, Arky Levin, a man struggling to live and work in the face of incredible loss. By chance, Arky finds his way to MoMA and sees Marina Abramović in The Artist is Present—a marathon and now-legendary feat of performance art that saw Abramović sitting silent and completely still opposite thousands of museum visitors in the spring of 2010. Arky returns to MoMA again and again, and encounters other viewers also drawn to the exhibit, each with their own reasons for spending hours in the presence of Abramović. As the performance unfolds, so does Arky, and with his life coming back into focus, he finally understands what he must do to move forward. Set against the backdrop of one of the greatest art events in modern history, and blurring the lines between spectator and artist, this transfixing new work explores dying and living, courage and commitment—and meditates on the power of art to unite and connect us, even in an increasingly disconnected world. As part of The Museum of Modern Love, 10 people per performance will have the opportunity to sit on stage and be part of the action. All on-stage ticket holders will need to meet backstage before the show for a briefing and ticket holders will need to stay on stage for the duration of the performance. Further details on the Seymour Centre Website. Below you can find all the links to things discussed in today's episode: TICKETS - https://www.sydneyfestival.org.au/events/the-museum-of-modern-love Marina Abramović's The Artist is Present Marina meets former partner Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor and musical theatre star Mia Morrissey talks with Australian theatre, film & TV royalty Ursula Yovich about the complicated process of grief and how you can harness it in your writing process and performances. Mia Morrissey is a film, TV and theatre actor whose credits include Bat Eyes (by Killing Ground director Damien Power), In Your Dreams (Channel 7), The Voices Project: Out Of Place (ATYP), The Voice (Channel 7, picked by Ricky Martin), Molly (Channel 7), Harrow (ABC), Alice in Slasherland (The Old Fitz theatre), Home and Away (Channel 7), RENT (Sydney Opera House) and produced and performed in her cabaret Anything You Can Do which brought together female performers to play roles originally written for men. Mia also signed on as an associate producer of Chips and Gravy's Screen Australia funded musical comedy series, She Becomes Her and received funding from The Hayes Theatre to complete her original musical In Loving Memory. Ursula Yovich is a singer, song-writer, actor, playwright and story teller. She grew up in Australian's Northern Territory, in Darwin and Maningrida. As an actor Ursula has worked for all of Australia's leading theatre companies, her performances and writing have been recognised with numerous awards and nominations, most recently four Helpmann Awards 2019 and four Green Room Awards 2020 for the rock musical, Barbara and The Camp Dogs, which she co-wrote with Alana Valentine.

In Episode 13 of the fourth season of the podcast dedicated to the half-demon hero, Hellboy, MDC and Kait really waste no time (maybe a first) getting into the pages of the 5th and final Chapter of BPRDs Killing Ground, tangents included per your contract of downloading and listening, and they gush over John Arcudi's afterword. We Love You and remember to give us a Five Star Review starting with the word BOOM on Apple Podcasts/iTunes for a shoutout on the show. Love is Love, Black Lives Matter, wash your darn hands, wear a darn mask, and don't forget to Vote! -- SHOW INFORMATION Instagram: @AwCrapAHellboyPodcast Twitter: @AwCrapHellboy Email: AwCrapAHellboyPodcast@gmail.com Aw...Crap, A Reading Guide for Listeners Hellboy Resource: https://hellboy.fandom.com/wiki/Hellboy_Wiki Buy Hellboy: https://www.darkhorse.com/Zones/Hellboy

MDC and Kait waste only a little time with a segment called, Is This Hellboy News?, to discuss a sunburnt Australian man named Hellboy by the internet before jumping into the crazy pages of Killing Ground Chapters 3 & 4 [October & November 2007] then the episode closes out with Oh Boy Email! We Love You and remember to give us a Five Star Review starting with the word BOOM on Apple Podcasts/iTunes for a shoutout on the show. Love is Love, Black Lives Matter, wash your darn hands, wear a darn mask, and don't forget to Vote! Plus, a big thank you Kevin Cuffe for the wonderful Metal Shark Bro trades, enamel pin, and signed issue number 1, rad stuff - Metal Shark Bro from Scout Comics! -- SHOW INFORMATION Instagram: @AwCrapAHellboyPodcast Twitter: @AwCrapHellboy Email: AwCrapAHellboyPodcast@gmail.com Aw...Crap, A Reading Guide for Listeners Hellboy Resource: https://hellboy.fandom.com/wiki/Hellboy_Wiki Buy Hellboy: https://www.darkhorse.com/Zones/Hellboy

Back to the BPRD! MDC and Kait go right into the pages of Killing Ground Chapters 1 & 2 [August-September 2007] yet your hosts want to know what their listeners would include in their dream Hellboy themed Disneyland Dark Ride, email awcrapahellboypodcast@gmail.com to let them know. This week's episode ends on a segment of Hell to Pay about the upcoming crossover comic Fearless Dawn Meets Hellboy! We Love You and remember to give us a Five Star Review starting with the word BOOM on Apple Podcasts for a shoutout on the show. Black Lives Matter, remember to wash your hands, wear a mask, and Vote! -- SHOW INFORMATION Instagram: @AwCrapAHellboyPodcast Twitter: @AwCrapHellboy Email: AwCrapAHellboyPodcast@gmail.com Aw...Crap, A Reading Guide for Listeners Hellboy Resource: https://hellboy.fandom.com/wiki/Hellboy_Wiki Buy Hellboy: https://www.darkhorse.com/Zones/Hellboy

This was a wild one, DJ Merf begins and ends the show with 30 min sets courtesy of Jack Daniels. Eric “ET” Tecosky joins to talk about his history in the bar & cocktail business, then drops a new drink recipe for staying at home during quarantine. The show gets its stripes when Last Comic Standing champ, Alonzo Bodden jumps in with LCS veteran, Mia Jackson, and STL based comic, Meredith Hopping for a Target Practice roast segment: Tiger King. After the group drops jokes, our surprise guest “Womack” singer of the band “Futurebirds” sings a cover of Joe Exotic’s hit “I Saw a Tiger”. Alonzo has to take off for his next show, we’re treated to the song “Killing Ground” off the album “Teamwork”, and the show closes with DJ Merf. Thank you to everyone for being a part of this pop up podcast, support all the guests today!! --- Send in a voice message: https://anchor.fm/we-are-live-with-chris-denman/message

Womack jumps into the "Stream King" (Carole Baskin not allowed) live show. Womack is videoing in from Savannah, Georgia and sipping on a beach drink before he plays a 90's country set later in the evening. The fellas talk about life on the road, some of the musical inspiration behind Futurebirds, as well as Womack's songwriting. Tiger King is discussed, as well as some great questions and comments from the live stream viewers. "GD I miss my friends" is the lyric from the song "Rodeo" thats on a killer t shirt to lift spirits during the quarantine. Link below! You can support Futurebirds by listening to their new album "Teamwork". http://www.futurebirdsmusic.com/ Womack plays "Trippin", "Killing Ground", "Rodeo", and "Wear it Out". T shirts: https://www.futurebirds.colortestmerch.com/collections/shop-all/products/rodeo-lyrictine-tee Follow us on Instagram @weareliveradio , @futurebirds --- Send in a voice message: https://anchor.fm/we-are-live-with-chris-denman/message

The lucky ones dies first in this week's films as Sam and Dan take a look at Wes Craven's third film THE HILLS HAVE EYES from 1977. Recommendations this week include the likes of KILLING GROUND and THE CARS THAT ATE PARIS, plus recent viewings such as VALERIE AND HER WEEK OF WONDERS and Dan's repeated viewings of CATS. Email the Arrow Video Podcast hosts for any comments, suggestions or questions at arrowvideopodcast@arrowfilms.co.uk.

สัปดาห์นี้พบกับบทวิจารณ์ Killing Ground ภาพยนตร์เขย่าขวัญสุดเซอร์ไพรซ์ เกี่ยวกับหนุ่มสาว ที่ตั้งสินใจไปตั้งแคมป์กลางป่า และไม่คิดฝันว่า เต็นท์ธรรมดา ที่มาตั้งอยู่ก่อนหน้านั้นจะเป็นต้นเหตุของเรื่องราวสุดสะพรึงไม่รู้ลืม What Happened to Monday ในโลกอนาคตที่ทรัพยากรณ์ทุกอย่างกำลังจะหมดลง การจำกัดจำนวนประชากร จึงเป็นสิ่งที่หลีกเลี่ยงไม่ได้ แต่จะเกิดอะไรขึ้นเมื่อครอบครัวหนึ่ง ได้ให้กำเนิดสมาชิกใหม่ในคราเดียวถึง 7 คน ทั้งที่ควรจะมีเพียง 1 คน การหลบซ่อน อำพราง และปริศนาการหัวตัวไปของ Monday ในบรรยากาศโลกยุคล่มสลาย ทำให้หนังเรื่องนี้มีความน่าสนใจแบบหนังไซไฟที่พร้อมจะเกิดอะไรขึ้นก็ได้ทุกวินาที บนจอภาพยนตร์ American Made ผลงานการแสดงของเทพบุตร ทอม ครูซ ที่กลับมารับบทนักบินส่งของของ CIA ที่จับพลัดจับผลูไปยุ่งเกี่ยวกับยาเสพติด ผลงานสุดระทึกของดอร์ก ไลมานน์ ผู้ปลุกปั้นหนังสายลับสุดมัน อย่างเจสัน บอร์น รับประกันคุณภาพ ขอให้มีความสุขกับการชมภาพยนตร์ นะครับ

A few days ago I was driving home and listening to an old episode of the show; it was the Killing Ground episode from 2017. In the pre-show banter for the episode we talked about how we would have to wait two years for the final season of Game of Thrones and the sequel to […] More

A few days ago I was driving home and listening to an old episode of the show; it was the Killing Ground episode from 2017. In the pre-show banter for the episode we talked about how we would have to wait two years for the final season of Game of Thrones and the sequel to […] More

Hi y'all! This week we survived the Evil Dead remake from 2013. Trigger Warning: Talk of Sexual Assault. If you like what you hear: follow, review, and share. Stay tuned for next week where we review Cabin in the Woods from 2012. You can find us on Twitter and Instagram at @Survivor__Girls or email us at survivorgirls666@gmail.com if you have any recommendations! Sidenote: The movie Halle talked about is called "Killing Ground" not Killing Fields which is still available on Netflix. And no, we do not recommend that movie.

This week we get weird with 1977's Japanese cult classic, House! This movie is seriously weird, so join us as we dissect and make sense of it all. We follow that up with 2016's Australian camping horror Killing Ground (it's good!)   Follow us on Insta as DoubleScreecher or shoot us an email at doublescreecher@gmail.com

On this episode we discuss the new Hellboy (2019) movie trailer, listener feedback and B.P.R.D. Killing Ground! Happy Winter Holiday Times! 3:33 Hellboy trailer talk 11:52 Listener Feedback 28:34 Killing Ground discussion

This podcast will support you to understand the territory of your military brain. Through using operational concepts to explain neuroscience you will have a better understanding of not just your military brain but why it’s can be so challenging for the operational brain to transition to the civilian brain. --- Send in a voice message: https://anchor.fm/barry-zworestine/message

Deemed by the guys a little too niche for a regular episode, in this Doctor Who Show Presents... Dave takes Rob on a short trip through the Virgin New Adventures (1991-1997), and to a lesser extent, the Virgin Missing Adentures (1994-1997), with a mention of the Featuring Bernice Summerfield line of books (1997-1999). A future episode will see Rob taking Dave through the BBC Eighth Doctor Adventures (1997-2005) and the BBC Past Doctor Adventures (1997-2005). Stay tuned for that in the months ahead. Timewyrm: Genesys, Timewyrm: Exodus, Timewyrm: Apocalypse, Timewyrm: Revelation, Cat's Cradle: Time's Crucible, Cat's Cradle: Warhead, Cat's Cradle: Witch Mark, Nightshade, Love and War, Transit, The Highest Science, The Pit, Deceit, Lucifer Rising, White Darkness, Shadowmind, Birthright, Iceberg, Blood Heat, The Dimension Riders, The Left-Handed Hummingbird, Conundrum, No Future, Tragedy Day, Legacy, Theatre of War, All-Consuming Fire, Blood Harvest, Strange England, First Frontier, St Anthony's Fire, Falls the Shadow, Parasite, Warlock, Set Piece, Infinite Requiem, Sanctuary, Human Nature, Original Sin, Sky Pirates!, Zamper, Toy Soldiers, Head Games, The Also People, Shakedown, Just War, Warchild, Sleepy, Death and Diplomacy, Happy Endings, GodEngine, Christmas on a Rational Planet, Return of the Living Dad, The Death of Art, Damaged Goods, So Vile a Sin, Bad Therapy, Eternity Weeps, The Room With No Doors, Lungbarrow, The Dying Days Goth Opera, Evolution, Venusian Lullaby, The Crystal Bucephalus, State of Change, The Romance of Crime, The Ghosts of N-Space, Time of Your Life, Dancing the Code, The Menagerie, System Shock, The Sorcerer's Apprentice, Invasion of the Cat-People, Managra, Millennial Rites, The Empire of Glass, Lords of the Storm, Downtime, The Man in the Velvet Mask, The English Way of Death, The Eye of the Giant, The Sands of Time, Killing Ground, The Scales of Injustice, The Shadow of Weng-Chiang, Twilight of the Gods, Speed of Flight, The Plotters, Cold Fusion, Burning Heart, A Device of Death, The Dark Path, The Well-Mannered War Andrew Cartmel, Andrew Hunt, Andy Lane, Barry Letts, Ben Aaronovitch, Christopher Bulis, Craig Hinton, Daniel Blythe, Daniel O'Mahony, Dave Stone, David A. McIntee, David Banks, Gareth Roberts, Gary Russell, Jim Mortimore, John Peel, Justin Richards, Kate Orman, Lance Parkin, Lawrence Miles, Marc Platt, Mark Gatiss, Martin Day, Matthew Jones, Neil Penswick, Nigel Robinson, Paul Cornell, Paul Leonard, Peter Darvill-Evans, Russell T. Davies, Simon Bucher-Jones, Simon Messingham, Stephen Marley, Steve Lyons, Terrance Dicks

In this episode of ScatterShot, Colin and Alan investigate Blade Runner: 2049, The Big Sick, I, Tonya, Small Town Crime and Jessica Jones (Season 2). We round the episode off with some housekeeping, looking at Killing Ground, Pandemic and season 2 of the brilliant American Crime Story.

  Episode 75 of Feathers and Foes is Chuck Dixon's penultimate issue called The Killing Ground.  Black Canary is still stuck on Dinosaur Island, a peculiar place that is stuck in time with some colorful characters to say the least.  Ashford and Mark discuss this G.I. Joe like structured plot.  Join the conversation via feathersandfoes@gmail.com or on Twitter @feathersandfoes  

The Surgeons team sit down with cinematographer Simon Chapman to discuss his work on recent Aussie horror hits, The Loved Ones, The Devil's Candy, and Killing Ground.

In this installment of ABCs of Horror, we discuss and review KILLING GROUND (2016), KISS OF THE DAMNED (2012), and THE KILLER INSIDE ME (2010).

Oscar nominations, a ridiculous amount of honourable mentions and Tom and Dave review I, Tonya starring Margot Robbie as figure skater Tonya Harding. Also: The Post, The Commuter, Darkest Hour, Call Me By Your Name, The Florida Project, Land of Mine, Killing Ground, Wheelman, Happy Death Day, Jim and Andy: The Great Beyond, Brawl in Cell Block 99, Super Dark Times, Batman v Superman: Dawn of Justice (Ultimate Edition), Loving Vincent, Dawson City: Frozen Time, The King's Choice, Batman: Gotham by Gaslight.

It’s time for a new episode of the podcast! This week Chris has passed his illness to Dave, and they get the ball rolling with a chat about horror release dates, the golden globes and video game awards, and discuss watching CREEP 2, THE BYE BYE MAN, and the documentary LOST SOUL. Then we finally sit down and watch the 2016 Australian thriller: KILLING GROUND. We talk Australian horror, judicious violence, acting babies, clever timelines, sound editing, camping, and misleading review scores. All that and more on another great episode of the TEXCHRIS DAVESAW MASSACRE! Continue reading →

Javier S. Donate vuelve con sus crónicas sobre las películas del Festival de Sitges. Hoy nos habla de: Killing Ground, Okja, Bushwick, The World, 68 Kill y The Little Hours.

The Surgeons team sit down with cinematographer Simon Chapman to discuss his work on recent Aussie horror hits, The Loved Ones, The Devil's Candy, and Killing Ground.

Episode 015 Review of "Killing Ground" (2016) Part of Dream Warrior Review podcast series with Miq Strawn and Kurt Thomas.  Featuring Reviews of Horror and Science Fiction Films.Also Featuring Story Time with Miq Strawn. In this episode, "Tales from the Darkside" (1983-1988)Music byBloodgodSongSchrickelik_TempeestE-mail us at DreamWarriorReview@gmail.com or check us out on Twitter or Facebook @DWReview

Join your host Duncan Under The Stairs discussing all things Horror on The Podcast Under the Stairs. So disclaimer here ladies and gents...I, Duncan McLeish, did not pick this movie to traumatise The Baz...no I didn't...wasn't me...honest!! Truth be told, it was The Baz who picked this movie even after I warned him that I knew it would make him miserable and destroyed. Welcome to this little bonus episode where The Baz reviews Australian feel good movie of the year Killing Ground (2016)....enjoy!! Intro - 0 - 11mins 30secs Interlude Song - Come Face Up - Vacant Stare - 15mins 45secs - 19mins 30secs Killing Ground - 19mins 30secs - 1hrs 6mins 25secs Closing out the Show - 1hrs 6mins 25secs - End Closing Song - Rise - Breed 77 The grading follows the Netflix rating style of 1 = Hated It, 2 = Didn’t Like It, 3 = Liked It, 4 = Really Liked It & 5 = Loved It Killing Ground: Duncan: 4 The Baz: 5 Our new A3 Baz v Horror Posters are available to purchase!! If you are interested in owning one then email podcastunderthestairs@gmail.com for details!! All prices include postage and packaging in special poster tubes with mail drops on Wednesdays and Saturdays each week until I'm sold out. Baz v Horror Poster: UK: £15 USA: $20 Baz v Horror & TPUTS The Void Poster COMBO UK: £20 USA $26 Paypal: gentik_tool@hotmail.com Check out the show on iTunes, TuneIn & on Stitcher Radio. The Podcast Under the Stairs is a proud member of Legion Podcasts. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.

Otherlife v Meet the Robinsons on the roulette, we Rabbit Trail about theater bookings, historical film finds, Batman: The Animated Series coming to Blu-ray, and chat Marc Maron: Too Real, Judah Freelander: America is the Greatest Country in the United States, Patton Oswald: Annihilation, The Doors: When You're Strange, Killing Ground, Darkness Rising, Stranger Things 2, Brawl in Cell Block 99, Lawrence of Arabia, and much more!

Join hosts Rob Galluzzo, Elric Kane, Rebekah McKendry, and Ryan Turek as they welcome special guest Adam Rifkin to the show! But first, the latest horrors! Ryan's been on a "giallo" kick and went back to Dario Argento's THE BIRD WITH THE CRYSTAL PLUMAGE, as well as THE LIMEHOUSE GOLEM and THE RESURRECTED. Rob braved a triple feature of DRACULA 3D, I, FRANKENSTEIN 3D, and THE MUMMY 3D. Elric reports back on THE LORE, A GHOST STORY, BAD MATCH, and KILLING GROUND. Bekah checked out THE SATANIST from 1968, THE RIFT from 1990, and the book THE MAY QUEEN MURDERS. Then they welcome very special guest Adam Rifkin, aka Rif Coogan! They delve into Rifkin's early days in the business with films like PSYCHO COP RETURNS, THE DARK BACKWARD, and THE CHASE, which gave Henry Rollins his first big screen credit. He explains how he ended up being a sought after screenwriter responsible for MOUSETRAP and SMALL SOLDIERS. As well as writing and directing a new movie with his hero Burt Reynolds. All this and more on the latest Shock Waves!

Paul and Erin review two films about iconic punk musicians: Alex Cox's grim 1986 biopic SID AND NANCY, starring Gary Oldman as Sex Pistols bassist Sid Vicious; and ROCK N ROLL HIGH SCHOOL, Allan Arkush's 1979 cult film, starring P.J. Soles as the world's most enthusiastic Ramones fan. Plus: our quick takes on WONDERSTRUCK, THE KILLING OF A SACRED DEER, BRIGSBY BEAR and KILLING GROUND. Also: Erin discovers the wonders of William Friedkin's BUG!

10 Lesbian Books We Want As Movies The Lesbian Review Podcast Welcome to The Lesbian Review Podcast, a podcast spin-off of the popular review website TheLesbianReview.com  I am Sheena and I have been joined today by Anna a fellow reviewer at TLR. Today we are talking about Books That We Want As Movies. Sheena's List 1 Lethal Affairs by Kim Baldwin and Xenia Alexia (Elite Operatives book 1)  Published by Bold Strokes Books  Elite operative Domino is no stranger to peril and impossible situations. Trained all her life to be just as comfortable fighting terrorists as mixing with the gala crowd, she is proficient at playing any role necessary to accomplish her objective and believes the cause sanctifies the means.   But her latest assignment to investigate journalist Hayley Ward will test more than her skills, ingenuity, and courage, because this time she faces the ultimate dilemma: a choice between loyalty and love.    Get it on Amazon    2 Five Moons Rising by Lise MacTague  Published by Bella Books  Unknown to regular citizens, nightmarish creatures lurk in the dark underbelly of human civilization. The presence of these supranormals (“supras”)—werewolves, vampires, demons—is a closely guarded government secret, as is the existence of a cadre of specially engineered Hunters charged with exterminating them.  Code-named Malice, Hunter Mary Alice Nolan was genetically modified and rigorously trained to use her great strength, heightened senses, and killer instincts to track and eliminate supras who prey on the innocent. A loner by choice, her only real link to the human world is her close connection to her mother and sister—until the unthinkable happens…  Ruri Samson has been a werewolf for more than a century and is comfortably situated as the Beta of her peaceful pack. Until she is betrayed by the woman she loves and an evil outsider massacres her Alpha and his most loyal followers. Barely escaping with her life, Ruri is forced to tread the perilous path of a lone wolf while vowing vengeance against the usurper and his minions.  Although these two powerful women should rightfully despise each other, fate will soon compel them to join forces on a dangerous quest to avenge their loved ones—and will ignite a forbidden passion that neither of them ever imagined.    Get it on Amazon    3 The Sublime And Spirited Voyages Of Original Sin by Colette Moody  Published by Bold Strokes Books  The Gulf of Mexico, 1702: When pirates of the square-rigger Original Sin steal ashore to abduct a doctor to tend to their wounded, they end up settling for the doctor’s attractive fiancée—Celia Pierce, the town seamstress.  Together with Gayle Malvern, daughter of wounded pirate captain “Madman” Malvern, Celia becomes a reluctant participant in an unexpectedly thrilling journey through the Caribbean. For Gayle, Celia’s presence is at first a welcome and shapely distraction, but as her attraction to the seamstress deepens, she realizes that Celia comes to mean more to her than is almost certainly prudent. As Celia and Gayle navigate the perilous territories of gypsies, prostitutes, mercenaries, and slave-traders, they forge a partnership born of necessity that Gayle soon hopes will veer away from insurmountable danger—and instead detour directly to her bed.    Get it on Amazon     4 Devil’s Rock by Gerri Hill  Published by Bella Books Two women vow to bring a killer to justice. Deputy Andrea Sullivan had hoped to leave the horrors of Los Angeles behind her, but the serial murders of college students in peaceful, picturesque Sedona are her nightmare case to solve. The complexities stretch local resources to the limit, and the FBI joins the case with Agent Cameron Ross in the lead.  The crime scenes are covered with the trademark signs of the fiendish Patrick Doe, whose handiwork has been investigated by Dallas detective Tori Hunter and others. But where Hunter failed Cameron intends to win. She will break the case, find justice and go home. No distractions. Unfortunately, Deputy Sullivan is very distracting. And Patrick Doe has other plans.    Get it on Amazon   5 All I Want For Christmas by Clare Lydon  Published by Custard Books  This Christmas, Tori Hammond is on a mission to find love.  Her ideal present under the tree would be a shiny new girlfriend, so Tori gives herself one month to find that special lady by December 25th. Christmas spells romance and she’s going to grab some.  Love Christmas? Love romantic comedies? Then you need to read All I Want For Christmas and prepare to be swept off your festive feet!    Get it on Amazon    Anna’s Picks  6 Kicker's Journey by Lois Cloarec Hart  Published by Ylva Publishing  In 1899 two women from very different backgrounds are about to embark on a journey together - one that will take them from the Old World to the New, from the 19th century into the 20th, and from the comfort and familiarity of England to the rigours of Western Canada, where challenges await at every turn.  The journey begins simply for Kicker Stuart when she leaves her home village to take employment as hostler and farrier at Grindleshire Academy for Young Ladies. But when Kicker falls in love with a teacher, Madelyn Bristow, it radically alters the course of her tranquil life.  Together, the lovers flee the brutality of Madelyn's father and the prejudices of upper-crust England in search of freedom to live, and love, as they choose. A journey as much of the heart and soul as of the body, it will find the lovers struggling against the expectations of gender, the oppression of class, and even, at times, each other.  What they find at the end of their journey is not a new Eden, but a land of hope and opportunity that offers them the chance to live out their most cherished dream - a life together.    Get It On Amazon    7 The Killing Ground by Syd Parker  Published by Syd Parker Books  A serial killer is working his way through Chicago. His victims have nothing in common except being pregnant. Detective Rebecca Foxx of the Chicago Detective Division has her hands full trying to catch the murderer before he kills again. She has enough pressure without the overbearing FBI butting in.   FBI Special Agent Jordan Gray isn’t sure what she is in for when a midnight call brings her to her boss’s office. She asks her to take an assignment off the records. Investigate the attack of her partner, but don’t let anyone outside her office know.  It soon becomes obvious that Rebecca resents the FBI’s intrusion and it seems Jordan’s personal attention. With no breaks in the case, she is forced to accept the FBI’s help, but she’ll be damned if she is taking anything else from Jordan.  What follows is a series of missteps and twists and turns that leaves both women wondering if they will ever catch the killer and trying to figure out how to keep their feelings for each other from becoming a distraction.   Get It On Amazon    8 True Nature by Jae  Published by Ylva Publishing  When wolf-shifter Kelsey Yates discovers that fourteen-year-old shape-shifter Danny Harding is living with a human adoptive mother, she is sent on a secret mission to protect the pup and get him away from the human.  Successful CEO Rue Harding has no idea that the private teacher she hires for her deaf son isn’t really there to teach him history and algebra—or that Danny and Kelsey are not what they seem to be.  But when Danny runs away from home and gets lost in New York City, Kelsey and Rue have to work together to find him before his first transformation sets in and reveals the shape-shifter’s secret existence to the world.    Get It On Amazon    9 Don't Call Me Hero by Eliza Lentzski  It’s been over a year since Cassidy Miller retired from the United States Marine Corps, but try telling that to her nightmares. She knew that coming back after eight years in a war zone wouldn’t be easy, but she’d underestimated the real difficulties of transitioning back to civilian life. War is hell, but the aftermath is endless. Looking for a fresh start, she’s left her friends and career in Minneapolis to be a police officer in northern Minnesota. It’s in the tiny town of Embarrass where she learns more about Julia Desjardin. The city prosecutor is cool, professional, and untouchable. But she and Cassidy have history, and Cassidy isn’t going to let her easily forget that. For all their surface differences, Cassidy and Julia have more in common than they first realized—both are reluctant to hand over their pasts to be judged and studied. But it might take someone just as damaged as the other to help each cope with the skeletons in their respective closets.    Get It On Amazon   10 Bridesmaid of Honor by Graysen Morgen  Published by Triplicity Publishing  Britton Prescott's best friend is getting married and she's the maid of honor. What her best friend failed to mention, was the fact that her cousin Daphne was going to be a bridesmaid. The same cousin that has been Britton's nemesis since they were in high school.  As if that isn't enough to deal with, Britton's sister announces she's getting married in the same month and her maid of honor is none other than her best friend Daphne, the same woman that has tormented her sister for years. Britton has to suck it up and play nice, instead of scratching her eyes out, because she and Daphne are in both weddings.  Everyone is counting on Britton and Daphne to behave like adults and put the past behind them. No one expects to find them wrapped in each other's arms at the most inopportune time.   Get It On Amazon   

Join your host Duncan Under The Stairs discussing all things Horror on The Podcast Under the Stairs. For the first time I have decided to do a series of bonus episodes with mini reviews of the movies I watch as part of my 31 of October movie-a-thon. The selections are all from the most current year and are titles I am watching for the first time. On this second of three shows we cover movies 11 through 21 with mini reviews of Cult of Chucky, Tonight She Comes, The Ritual, The Babysitter, Killing Ground, Freehold, Amityville - The Awakening, The Ice Cream Truck, Happy Death Day, 1922. Intro - 0 - 5mins 55secs Interlude Song 1 - All the Same - Orgy - 9mins - 13mins Movies 11 to 15 - 13mins - 37mins Interlude Song 2 - Juno - Rob (feat. Chloë Alper) - 38mins 20secs - 41mins 40secs Movies 16 to 21- 41mins 40secs - 1hrs 10mins 15secs Closing out the Show - 1hrs 10mins 15secs - End Closing Song - Safe Home - Anthrax The grading follows the Netflix rating style of 1 = Hated It, 2 = Didn’t Like It, 3 = Liked It, 4 = Really Liked It & 5 = Loved It DUNCANS GRADES Cult of Chucky - 4 Tonight She Comes - 1.5 The Ritual - 4 The Babysitter - 4.5 Killing Ground - 4 Freehold - 3.5 Amityville - The Awakening - 2.5 The Ice Cream Truck - 2 Leatherface - 2 Happy Death Day - 5 1922 - 5 Our new A3 Baz v Horror Posters are available to purchase!! If you are interested in owning one then email podcastunderthestairs@gmail.com for details!! All prices include postage and packaging in special poster tubes with mail drops on Wednesdays and Saturdays each week until I'm sold out. Baz v Horror Poster: UK: £15 USA: $20 Baz v Horror & TPUTS The Void Poster COMBO UK: £20 USA $26 Paypal: gentik_tool@hotmail.com Check out the show on iTunes, TuneIn & on Stitcher Radio. The Podcast Under the Stairs is a proud member of Legion Podcasts. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.

We're back! Being parents hasn't kept us away from horror movies, but it has kept us away from talking about them. As part of celebrating Shocktober 2017, though, Patrick and Katie have reconvened to discuss IT, Gerald's Game, Killing Ground, and put together our list of 31 horror movies for 2017. Warning: We now talk about all movies with spoilers on. If you want to avoid specific movies, here are the timestamps: 04:14: IT 18:16: Gerald's Game 29:47: Killing Ground

Kelly Needham joins Van to look at biopic Goodbye Christopher Robin, rom-com Home Again, spy thriller The Exception, period drama Brimstone, horror tale Killing Ground, millennial drama Daphne, Russian dramedy Zoology, and chicken documentary Pecking Order. See acast.com/privacy for privacy and opt-out information.

Another episode of the UK Film Review Podcast, with the always sterling host Andy Furlong, giving you reviews of the following:Screen 1 –  BrimstoneScreen 2 –  Killing GroundScreen 3 –  The ExceptionScreen 4 –  Jasper JonesFor more film reviews and movie trailers, head over to our website - www.ukfilmreview.co.uk

Holy "mother!": Wir reden über Aronofskys Spalter. Und über "Logan Lucky", "Kingsman: The Golden Circle", "A Silent Voice", den "Lego Ninjago Movie" oder "Mr. Long". Darüber hinaus nehmen wir aber auch noch mal all unsere High- und Lowlights vom Fantasy Filmfest 2017 durch. Also Stephen Kings "ES", "It comes at Night", "Super Dark Times", "Killing Ground", "47 Meters Down", "Colossal", "The Villainess", "Raw", "Kuso", "Mayhem", "Autopsy of Jane Doe", "Hounds of Love", Stephen Chows "Mermaid" und und und und. Volle Review-Power also. Außerdem gibt's einen kurzen Einblick in die Autobiografie von Uwe Boll, ein paar Sachen zu gewinnen und Gedanken zu "Star Wars 9". It's good to be back.

Welcome to the absolute best podcast we've ever recorded.... ooooh chinny reckon. Chinny. Reck. Kon. Oooh Jimmy Hill chinny reckon. Chinnnnny. Ok, ok. No, it's probably not the best podcast we've ever recorded, but it was still a lot of fun as hosts Steve Norman and Owen Hughes chat Korean revenge thrills in The Villainess with Paul Field, as well as trying to work out whether Darren Aronofsky's mother! was pretentious tosh, or if that is even a bad thing at all. The pod kicks off with one of Paul's famed Amazon Review quizzes before the trio run through a few notable winners from last weekend's Emmy awards. Steve finally watches Dangerous Game, the so-called "worst football film ever made" according to The Independent, whilst Owen struggles through a review of indie drama The Song of Sway Lake due to losing all his notes minutes before recording; and Paul discovers Australian horror Killing Ground. We'll be back again next week to review Kingsman: The Golden Circle. See acast.com/privacy for privacy and opt-out information.

Nach einer selbst verordneten 24-Stündigen Pause, behandelt Tobe den sechsten und siebten Tag des Fantasy Filmfest 2017 in Berlin. Diesmal standen nur fünf Filme auf Plan. RENDEL, KILLING GROUND, M.F.A., COLOSSAL und  IT COMES AT NIGHT.

Nach einer selbst verordneten 24-Stündigen Pause, behandelt Tobe den sechsten und siebten Tag des Fantasy Filmfest 2017 in Berlin. Diesmal standen nur fünf Filme auf Plan. RENDEL, KILLING GROUND, M.F.A., COLOSSAL und  IT COMES AT NIGHT.

On this episode Sean & Nicole watched the 2017 film Killing Ground. We find out that Bogan is Australian for redneck, Nicole is a master of the Wookie call and it’s all just a trap. You can subscribe on iTunes & Stitcher Follow us on Instagram   Facebook   horrifiedchicken.com Contact us with feedback or Movie suggestions : […]

Host Stuart Wright welcomes Arrow Video Podcast co-host, fresh from introducing The Villainess, to round up highlights from Horror Channel Frightfest 2017. Part 1 of 2 of their waffly versatile chit chat turns its attention to: Cold Hell, Killing Ground, The Villainess, 68 Kill, Lowlife, The Bar and Sequence Break Arrow Video Podcast is available at https://soundcloud.com/arrowvideopodcast and/or https://itunes.apple.com/gb/podcast/arrow-video-podcast/id1257705874?mt=2 Tickets for Horror Channel Frightfest's Halloween 2017 are available at http://www.frightfest.co.uk/tickets.html Follow at @FrightFest This is a britflicks.com podcast Intro and Outro music is a combination of samples from three creative commons files : "Carefree" Kevin MacLeod (incompetech.com) 
Licensed under Creative Commons: By Attribution 3.0
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We are Joined by Special Guest Tom Cannon to Review Our Frightfest Watches of 2017. We Cover Opening Night World Premieres of Cult of Chucky & Death Note, It Stains The Sands Red, Killing Ground, Replace, Double Date, Mayhem, Imitation Girl, The Villainess & Short Film Showcase 2 (Man In The Moon, Event Horizon, Feeding Time, Mayflower, Real Gods Require Blood, Nimmer & Bloodshed.) Including Popping A Frightfest Cherry, Jennifer Tilly, Growing Up In 90's Manchester, Halloween, Drunk Actors, The Argos Catalogue, Tobe Hooper, Don Mancini, The Dollhouse, Hannah From S Club 7, Anime, Some Beautiful Swearing, CGI Faces, Deadly Games of Cat and Mouse and a Few Too Many Tipples. Kills On Point...   Timestamps: Cult of Chucky: 10:15 - 21:27 Death Note, Killing Ground: 21:27 - 36:30 Short Film Showcase 2, Replace: 36:30 - 52:28 Double Date, Mayhem: 52:28 - 1:04:46 Imitation Girl, The Villainess: 1:04:46 - 1:16:31

Andrew is joined by Killing Ground writer/director Damien Power to discuss his debut film. Starring Harriet Dyer and Aaron Pedersen, Killing Ground is a truly terrifying film that will no doubt have horror film fans getting behind it. See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

Andrew is joined by Killing Ground writer/director Damien Power to discuss his debut film. Starring Harriet Dyer and Aaron Pedersen, Killing Ground is a truly terrifying film that will no doubt have horror film fans getting behind it.   See omnystudio.com/listener for privacy information.

Where we fight about Samuel L. Jackson’s latest action extravaganza, Aussie cinema breakouts Killing Ground and Ali’s Wedding and our chat with this year’s Sydney Latin American Film Festival programmer and what to expect at SLAFF 2017

Killing Ground, The Lost City of Z and Logan Lucky were discussed. With Thomas Caldwell, Cerise Howard, Alexandra Heller-Nicholas and Emma Westwood.

PART 2 of 2 WARNING INCLUDES SPOILERS Host Stuart Wright talks to KILLING GROUND writer/director Damien Power. GRIMMFEST, Manchester’s Festival of Horror, Cult and Fantastic Film is back, bigger, bolder, and bloodier than ever before. 5TH-8TH OCT, VUE PRINTWORKS, MANCHESTER. Full line up and tickets here grimmfest.com/grimmupnorth/2017/…2017-full-line-up/ The euro premiere is at HORROR CHANNEL FRIGHTFEST 24TH - 28TH AUGUST 2017 LEICESTER SQUARE, LONDON, WC2H 7NA. Programme and tickets are available at www.frightfest.co.uk/2017films/frig…-schedule.html www.frightfest.co.uk/tickets.html Follow at @FrightFest This is a britflicks.com podcast Intro and Outro music is a combination of samples from three creative commons files : "Carefree" Kevin MacLeod (incompetech.com) 
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Stream episodes on demand from www.bitesz.com (mobile friendly). Killing Ground (Horror, Thriller) A couples' camping trip turns into a frightening ordeal when they stumble across the scene of a horrific crime. Director: Damien Power Writer: Damien Power Stars: Tiarnie Coupland, Harriet Dyer, Aaron Pedersen – (IMDb) RSS feed: https://audioboom.com/channels/4673419.rss For more, follow Movies First on Facebook, twitter, Google+, and Spreaker: Facebook - @moviesfirst twitter - @ moviesfirst Google+ - https://plus.google.com/u/2/collection/8p-OaB Spreaker - https://www.spreaker.com/show/movies-first If you're enjoying Movies First, please share and tell your friends. Your support would be appreciated...thank you. #movies #cinema #entertainment #podcast #reviews #killingground #moviesfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

PART 1 of 2 Host Stuart Wright talks to KILLING GROUND writer/director Damien Power. GRIMMFEST, Manchester’s Festival of Horror, Cult and Fantastic Film is back, bigger, bolder, and bloodier than ever before. 5TH-8TH OCT, VUE PRINTWORKS, MANCHESTER. Full line up and tickets here grimmfest.com/grimmupnorth/2017/…2017-full-line-up/ The euro premiere is at HORROR CHANNEL FRIGHTFEST 24TH - 28TH AUGUST 2017 LEICESTER SQUARE, LONDON, WC2H 7NA. Programme and tickets are available at www.frightfest.co.uk/2017films/frig…-schedule.html www.frightfest.co.uk/tickets.html Follow at @FrightFest This is a britflicks.com podcast Intro and Outro music is a combination of samples from three creative commons files : "Carefree" Kevin MacLeod (incompetech.com) 
Licensed under Creative Commons: By Attribution 3.0
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Episode 43 Intro 0:00-30:40 Pieces of Talent 30:40-1:07:07 Questions, Emails, Sophie’s Choice 1:07:07-2:12:39 RRRs (Glass Coffin; Killing Ground; Microwave Massacre; Game of Death; It Stains [...]

Hope and George open The Screening Room for reviews of what's new in theaters and on home video!

Tune into the kooky creeps at Flesh Wound Radio this Thursday, August 10 at 9:30pm EST / 6:30pm PST  (or anytime shortly after we wrap live). On this fiendishly frightening new episode we have a review for September's anticipated theatrical horror release Friend Request, starring Fear The Walking Dead's Alycia Debnam-Carey. In addition to that we also break down IFC Midnight's upcoming Aussie shocker Killing Ground. Last, but certainly not least Flesh Wound After Dark returns with a Triple Feature of NYC smut staple Ralph Ell's My Master My Love / Teenage Masseuse / and More. Don't miss it Flesh Wound Freaks and be sure to download us on itunes, Stitcher, and Spreaker.

Description: Back at’cha with a double-dose of horror recommendations from Montreal’s Fantasia Film Festival! Prepare for another round of must-sees for you on this week’s episode of Nightmare on Film Street. Join Kim and Jon in their SPOILER FREE reviews of 68 KILL, KILLING GROUND, NOVEMBER, BITCH, BETTER WATCH OUT, and NIGHT OF THE VIRGIN. As always, let us know what you thought of the films on twitter @NOFSpodcast (http://www.twitter.com/nofspodcast) , and join our facebook group (https://www.facebook.com/groups/898184643650651/)  to continue the conversation with horror fiends like yourself! What’s Keeping us Creepy? 1. Love in the Time of Monsters (http://www.imdb.com/title/tt2403415/) Released: August 10, 2017 Download: iTunes (https://itunes.apple.com/us/podcast/nightmareonfilmstreet/id1153465996?mt=2)  – Stitcher (https://www.stitcher.com/podcast/nightmare-on-film-street/)  – Google Play (https://play.google.com/music/listen#/ps/I4mloxcwbr4gkpi2b4iwsyia2dy)  – Soundcloud (https://soundcloud.com/user-769857489/) Support the Show: Patreon (https://www.patreon.com/nightmareonfilmstreet)  – Merch (https://www.nofspodcast.com/merch/)  – Advertise (https://www.nofspodcast.com/advertise/)  – Leave a Review (https://itunes.apple.com/us/podcast/nightmare-on-film-street-horror/id1153465996?mt=2&ls=1)

Killing Ground is a great new thrill and scare film from Tasmanian director Damien Power. Power is signed to an American Agent on the strength of it. Starts Aug 24th at Nova - go see a really tightly made Australian flick.The Knife Salesman is one of only 12 shorts bound for the Venice International Film Festival starting in September and it is homegrown. Directors Micheal Leonard and Jamie Helmer share the excitement.

Christian and Ian will never go camping in Australia. Don't even ask.  We are back and ready to show some respect to the southern hemisphere. Our new movie review is for a brutal Australian film, KILLING GROUND. (Note: we do give warning on the episode but we recommend you see the movie beforehand because we do get into spoilers). We continue the Summer Funhouse with our Movie from the Crypt pick this episode, the vampire mockumentary, WHAT WE DO IN THE SHADOWS. We also discuss french fries, our favorite things about Australia, and merlot.  We'd love to hear your thoughts, questions, or any requests you have. You can contact us at: ItsOnlyFeedback@gmail.com and on Facebook, Twitter, Instagram, and Letterboxd. 

Back at Sundance, No Film School's Jon Fusco sat down with a few of the teams behind a few of this summer's best independent films while they were still fresh off their premiere highs. Brigsby Bear, which came out July 28, obtained a $5 million deal from Sony Pictures Classic for Distribution rights. Director Dave McCary and screenwriter Kevin Costello join the podcast to discuss the journey each of them took to get that deal. From stupid YouTube sketches with their comedy group Good Neighbor to Saturday Night Live Digital Shorts and now full-length features, their process is a great model for collaborative filmmaking. Through a lethal combination of non-linear storytelling, gender reversals, and Deliverance type thrills, director Damien Power successfully toys with audience expectations all the way throughout his debut feature, Killing Ground, which we might add took 11 years to make. We discussed how Australia's film scene helps to foster artists who take greater risks, the lengths Power went to to get his film made, and the strategies he put in place to create the script for Sundance's most mind-bending horror film.

Adam and Kevin strap in for a review of Christopher Nolan's latest epic, Dunkirk, and talk about some other stuff including No Way To Live, Heli, Kuso, Killing Ground, and Landline. 00:01:52 - Dunkirk review 00:36:54 - Watch list 00:52:20 - New releases Please consider supporting Film Pulse by contributing to our Patreon for just $1 per month! http://patreon.com/filmpulse web: http://filmpulse.net twitter: http://twitter.com/filmpulsenet facebook: http://facebook.com/filmpulse

Host Jeff Goldsmith interviews actors Aaron Glenane and Harriet Dyer plus writer-director Damien Power about Killing Ground. Download my podcast hereCopyright © Unlikely Films, Inc. 2017. All rights reserved.

Hope and George are back with a bunch of new films to review!

In this episode of Indie Film Weekly, No Film School co-hosts Liz Nord, Jon Fusco,and Emily Buder discuss George Romero's DIY Legacy, what filmmakers should note about last week's Emmy nominations, and a trio of stories about crucial on-set safety issues. We also share the best advice we've gotten from some of summer's biggest indie directors, and hear from ‘Killing Ground’ director Damien Power about his 11-year journey to get his newly released film made. Charles Haine joins us for gear news, and answers an Ask No Film School question about whether your production company should accept credit cards. As always, we also bring you the latest upcoming grant and festival deadlines, new indie film releases, weekly words of industry wisdom, and other notable things you might have missed while you were busy making films. You can see all the links from this show in this week’s podcast post at nofilmschool.com

This week...oh this week...Byron watches everything, we talk unrecognized Australian wildlife, and review a film so appalling that Kelly almost quit the show... An Aussie survival horror film directed by Damien Power, called 'Killing Ground'. Keep our mini-fridges full of blood...I mean...not blood...normal things that people drink...by going to http://patreon.com/frightday or http://shop.frightday.com Follow us in the shadows at the following places: http://frightday.com http://twitter.com/frightday http://facebook.com/groups/frightday http://instagram.com/frightday http://facebook.com/ffrightdayy

EL SEPTIMO PODCAST S03 E08 – BAFICI Ground La edición 19 del BAFICI llegó a su fin... La semana más cinéfila del año nos dejó algunos títulos muy interesantes que comentamos en este nuevo episodio; The Void, The Girl With All The Gifts, King Dave, Eagles vs Shark y Killing Ground. Con Tomás Fenili y Tomás Miccino. #TheVoid #TheGirlWithAllTheGifts #KingDave #KillingGround #EaglesVsShark #TaikaWaititi #Zombies #BAFICI19 #BAFICI #Cine #Podcast #Podcasting #Movies #Estrenos #2017

Episode 9 - learn the song 'Killing ground'

On today's episode we are coming to you once again LIVE from the Sundance Film Festival in Park City, Utah. Today's episode is Part 2 of our Sundance coverage where I am joined by Jesse Knight, as well as Christopher James and Quinci Staker from the "In Movie Nerds We Trust" Podcast to talk about all of the films that we have had the chance of screening during the festival. All of use watched so many films during the festival. Between the 4 of us, over 30 films were screened! We had so many favorites of the festival, my personal favorite being "The Big Sick". We also talked about the new documentary "Cries From Syria" that was recently acquired by HBO and is very relevant to what is happening within our country now.  Some of the many films we talked about were "Crown Heights", "The Incredible Jessica James", "Mudbound", "Dave Made A Maze", "What Lies Upstream", "Cortez", "Killing Ground", "Suck It Up", "Dim The Fluorescents", "Future '38", "Fucking Bunnies", and so many more. I can say we enjoyed a lot more than usual this year, which made a lot of these films really fun.  A big Thank You to the Sundance Film Festival for allowing us to cover the festival once again this year. We had such an incredible time at the festival, despite the snows best attempts to make it miserable. Make sure to keep your eyes open for so many of these great independent films as they release on HBO, Netflix, Hulu, Amazon, and of course in theater throughout the year. You aren't going to want to miss out these films. Thank you as well to Christopher, Quinci and Jesse for spending the last week freezing at watching these Sundance films.  See you next year, Park City!  Enjoy the episode!

The first half of the Melbourne International Film Festival has flown by, and I've already seen some great films like Cosmos, Paterson and The Happiest Day in the Life of Olli Mäki. Among the films I've seen, though, there's been a fantastic selection of horror films, and I thought I'd spotlight four of them: three narrative features, all by first-time filmmakers, and a documentary. First up, The Eyes of My Mother. An American film, but with occasional Portuguese dialogue, it's one of the first films I got to see and it's still stayed with me. One day, a little girl witnesses some terrible violence in her home; an intruder shows up but is subsequently overpowered, and from that moment that violence seeps through to her brain as she grows up and her life spirals into chilling psychopathic behaviour. Shot in black-and-white, there's a wistful, melancholy, poetic tone enshrouding the on-screen horror. With echoes of The Texas Chain Saw Massacre, the film delves into some very dark places, both explicit and not. But despite the disturbing and violent developments the film manages to retain a beautiful, almost meditative atmosphere, and our sympathy for the central character never leaves even though she's doing awful, awful things. I mean, all she wants is a family... in a way...A very promising debut by filmmaker Nicolas Pesce. Maybe hug a loved one after this. Next up, there's Baskin. Another highly disturbing horror film, this time from Turkey, written and directed by Can Evrenol. A group of police officers receive a distress call in a remote building and head over to investigate. Once there they discover some truly hellish stuff. The film's got lots of graphic gore and screaming, with a shudderingly creepy main villain. The visuals are striking and colourful and the score is particularly vivid. Unfortunately, there's not much of anything else. The pacing is uneven and I didn't really find myself being invested in any of the characters, so despite several really interesting and horrifying sequences it all in all made for unengaging viewing. Some great ideas in this, but not entirely well-executed. Moving slightly east again we have Under the Shadow, by Babak Anvari, set in Iran in the 1980s, after the Iranian revolution and during the Iran-Iraq conflicts. It centres on a woman and her husband and young daughter living in an apartment block in Tehran. Not only is there the constant threat of missile attacks but some strange, nightmarish things start to occur, and when the father is called away to military service the mother and daughter are left to deal with the supernatural dread that plagues them. Under the Shadow does a fantastic job of channeling serious political and parental fears into a deliciously slow-burning terror, the tension building and building, holding you captive until it explodes in the final ten to fifteen minutes, unleashing full-scale horror. All throughout it stays gripping, then right at the end it starts ripping. Excellently shot with some unsettling camera movements and production design that captures the period as well as the evil closing in. Probably my favourite of the three. Finally, I saw Fear Itself, a documentary on horror films written and directed by Charlie Lyne. Or rather, it's not so much a documentary as a cine-essay, a stream of thoughts on horror films and the way that they relate to real human fears and anxieties. Impressive in scope and mesmerising in equal measure, the film itself is essentially a collage, in that it consists entirely of edited-together footage from existing horror films, and hypnotic narration over the top that takes you on an engrossing journey through humanity's darkness. The range of films chosen is admirable, encompassing a vast range of horror cinema from across the world and throughout history, even using some films that aren't traditionally considered horror films but which have certain elements that illustrate the points that the filmmaker is trying to make about horror films, which in turn ties back to the points he makes about humanity. And the exploration of the themes is engrossing, thoughtful and at times quite personal. It's transfixing and thought-provoking and highly recommended not just for horror fans but for anyone interested in the depths of the human soul. And that's all the horror films at the festival that I've been able to see so far, but there's more to come! A few I'm looking forward to are Killing Ground and The Devil's Candy, both by Australian directors, as well as The Lure and The Love Witch, which from what I've heard are very very weird, and I can't wait. There's still another week left of the festival, so get out there and start shitting your pants in terror. I'll be in the cinema with you, toilet paper in hand. Till next time, see you there...Written by Ben VolchokSee omnystudio.com/listener for privacy information.

The first half of the Melbourne International Film Festival has flown by, and I've already seen some great films like Cosmos, Paterson and The Happiest Day in the Life of Olli Mäki. Among the films I've seen, though, there's been a fantastic selection of horror films, and I thought I'd spotlight four of them: three narrative features, all by first-time filmmakers, and a documentary. First up, The Eyes of My Mother. An American film, but with occasional Portuguese dialogue, it's one of the first films I got to see and it's still stayed with me. One day, a little girl witnesses some terrible violence in her home; an intruder shows up but is subsequently overpowered, and from that moment that violence seeps through to her brain as she grows up and her life spirals into chilling psychopathic behaviour. Shot in black-and-white, there's a wistful, melancholy, poetic tone enshrouding the on-screen horror. With echoes of The Texas Chain Saw Massacre, the film delves into some very dark places, both explicit and not. But despite the disturbing and violent developments the film manages to retain a beautiful, almost meditative atmosphere, and our sympathy for the central character never leaves even though she's doing awful, awful things. I mean, all she wants is a family... in a way... A very promising debut by filmmaker Nicolas Pesce. Maybe hug a loved one after this. Next up, there's Baskin. Another highly disturbing horror film, this time from Turkey, written and directed by Can Evrenol. A group of police officers receive a distress call in a remote building and head over to investigate. Once there they discover some truly hellish stuff. The film's got lots of graphic gore and screaming, with a shudderingly creepy main villain. The visuals are striking and colourful and the score is particularly vivid. Unfortunately, there's not much of anything else. The pacing is uneven and I didn't really find myself being invested in any of the characters, so despite several really interesting and horrifying sequences it all in all made for unengaging viewing. Some great ideas in this, but not entirely well-executed. Moving slightly east again we have Under the Shadow, by Babak Anvari, set in Iran in the 1980s, after the Iranian revolution and during the Iran-Iraq conflicts. It centres on a woman and her husband and young daughter living in an apartment block in Tehran. Not only is there the constant threat of missile attacks but some strange, nightmarish things start to occur, and when the father is called away to military service the mother and daughter are left to deal with the supernatural dread that plagues them. Under the Shadow does a fantastic job of channeling serious political and parental fears into a deliciously slow-burning terror, the tension building and building, holding you captive until it explodes in the final ten to fifteen minutes, unleashing full-scale horror. All throughout it stays gripping, then right at the end it starts ripping. Excellently shot with some unsettling camera movements and production design that captures the period as well as the evil closing in. Probably my favourite of the three. Finally, I saw Fear Itself, a documentary on horror films written and directed by Charlie Lyne. Or rather, it's not so much a documentary as a cine-essay, a stream of thoughts on horror films and the way that they relate to real human fears and anxieties. Impressive in scope and mesmerising in equal measure, the film itself is essentially a collage, in that it consists entirely of edited-together footage from existing horror films, and hypnotic narration over the top that takes you on an engrossing journey through humanity's darkness. The range of films chosen is admirable, encompassing a vast range of horror cinema from across the world and throughout history, even using some films that aren't traditionally considered horror films but which have certain elements that illustrate the points that the filmmaker is trying to make about horror films, which in turn ties back to the points he makes about humanity. And the exploration of the themes is engrossing, thoughtful and at times quite personal. It's transfixing and thought-provoking and highly recommended not just for horror fans but for anyone interested in the depths of the human soul. And that's all the horror films at the festival that I've been able to see so far, but there's more to come! A few I'm looking forward to are Killing Ground and The Devil's Candy, both by Australian directors, as well as The Lure and The Love Witch, which from what I've heard are very very weird, and I can't wait. There's still another week left of the festival, so get out there and start shitting your pants in terror. I'll be in the cinema with you, toilet paper in hand. Till next time, see you there... Written by Ben Volchok

Brian McKenna   Brian and I talk about his new film Newfoundland at Armageddon, unnecessary war and how an incident with bullies changed his life.   Trailer   CBC link here.   Newfoundland at Armageddon will air on CBC TV on Thursday, June 30 at 8 pm (8:30 pm NT), mere hours before the 100th anniversary of the event that changed Newfoundland - and Canada - forever.   Synopsis   One hundred years ago, on July 1st, 1916, the Newfoundland Regiment took part in a massive First World War offensive on the Somme, led by the British to liberate France and Belgium from the claws of the Germans. Some 800 soldiers from the Regiment went over the top that morning, near Beaumont-Hamel in France.   The following day only 68 were able to answer roll call. Because of that battle, nothing about Newfoundland would ever be the same. To commemorate the one hundredth anniversary, Brian McKenna’s latest feature documentary film Newfoundland at Armageddon tells the story of this epic tragedy. Using a technique he perfected during his 2007 project, The Great War, 21 descendants of soldiers who fought with the Newfoundland Regiment were recruited.   Through descendants’ eyes, and with the guidance of regimental records, historians’ research, soldiers’ files, diaries, letters and family stories, the documentary recreates the battle and its aftermath in Newfoundland. With the help of dramatization, we go behind the scenes of history and visit General Haig as he’s planning the battle with his generals; we’re also confronted to the hardships of a family who sent a son to war.   Enhanced with special effects and CGI, the battle and night raids are intercut with dramatizations, archive footage and photos, as well as interviews with prominent historians, John Fitzgerald, Margot Duley, Gwynne Dyer and Adam Hochschild.   Narrated by Newfoundland musician Alan Doyle, written by renowned Quebec filmmaker Brian McKenna and multi-award winning Newfoundland author Michael Crummey, directed by Brian McKenna, this 90 minutes documentary film is a Galafilm Productions inc. (Quebec) and Morag Loves Company inc. (Newfoundland) coproduction.       Biography   Filmmaker, historian, author and journalist Brian McKenna is best known for his provocative, prize-winning films on Canada's and the world’s history: The Great War, Big Sugar, The Killing Ground, War at Sea, The Valour and the Horror, Web of War, War of 1812, Fire and Ice: The Rocket Richard Riot, Chiefs, Korea: The Unfinished War, Battlefield Quebec: Wolfe and Montcalm, Famine and Shipwreck, an Irish Odyssey, and his most recent project, The Secret World of Gold. McKenna also directed the Gemini Award - winning television program Memoirs of Pierre Trudeau, a five -part series broadcast on both the French and English networks of the Canadian Broadcasting Corporation. A companion volume to the series became a Canadian publishing bestseller.   In 2003, McKenna was honoured with the prestigious Gordon Sinclair Award for Broadcast Journalism at the 18th Annual Gemini Awards. Brian McKenna is also a founding producer of the Canadian Broadcasting Corporation's Oscar - winning current affairs show, The Fifth Estate, a former parliamentary correspondent for   The Montreal Star and co - author of the Penguin Books history of Montreal's legendary mayor, Jean Drapeau. He is the founding chairman of the Canadian Committee to Protect Journalists, prompted by his experience with war, torture and terrorism. Brian McKenna is a graduate of the Loyola College (then part of University of Montreal) with degrees in English Literature (1967) and Communication Arts (1968).   ----------   Please visit my website for more information on my podcasting, writing and public speaking.   With thanks to producer Josh Snethlage and Mixed Media Sound.     See acast.com/privacy for privacy and opt-out information.

Photographer James B. Dickman covered the civil war in El Salvador for the Dallas Times Herald. Dickman’s telling photographs of the war and his ability to capture powerful moments in delicate situations, such as a father carrying his child home in a casket, earned him the Pulitzer Prize for Feature Photography in 1983.