Podcasts about professional photography

Are you a content creator, a photographer, or both? In this episode, we tackle a listener's question about balancing artistic passion with creating for business. We share personal stories, tips for staying authentic, and how to pitch ideas without overhauling your online persona. Whether you're navigating creative identity or building client relationships, this episode is packed with insights to help you thrive.Expect to Learn:How intent shapes the distinction between creating for art vs. for businessHow to stay true to your artistic identity while taking on client-driven projectsHow to craft compelling pitches without needing an extensive portfolioWhy staying authentic to your creative passions leads to opportunitiesSponsors:Thanks to Tamron for sponsoring this episode! Now through September 28th, save up to $300 on Tamron lenses like the 18-300mm all-in-one zoom or the 35-150mm F/2-2.8 VXD. Students and faculty can save even more with the Tamron EDU Program. Visit www.tamron-americas.com or your local retailer to shop and save!Thanks to the National Park Foundation for sponsoring today's episode. Enter the Share the Experience photo contest for a chance to win $10,000 and prizes from Celestron, Historic Hotels of America, and YETI. The grand prize winner's photo could be featured on the America the Beautiful—the National Parks and Federal Recreational Lands Annual Pass. Submit your best shots now at sharetheexperience.org/tpmOur Links:Join our subreddit where you can share stories and ask questions:https://www.reddit.com/r/photographermindset/Subscribe to TPM's Youtube page and watch full length episodes: https://www.youtube.com/thephotographermindset/Make a donation via PayPal for any amount you feel is equal to the value you receive from our podcast episodes! Donations help with the fees related to hosting the show: https://paypal.me/podcasttpm?country.x=CA&locale.x=en_USThanks for listening!Go get shooting, go get editing, and stay focused.@sethmacey@mantis_photography@thephotographermindsetSupport the show

In episode 383 UNP founder and curator Grant Scott is in his garage reflecting on the small and big things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

#591 Cris Duncan is an experienced studio owner from Lubbock, Texas, well-known for his expertise in lighting and in-person photography education. The conversation dives into the transformative value of hands-on, in-person learning experiences for photographers at all stages, shining a spotlight on Cris' role with the Texas School of Professional Photography—a weeklong, immersive event designed to provide deep dives into specific areas of photography, rather than the surface-level "popcorn" approach of larger conferences.KEY TOPICS COVEREDIn-Person Education vs. Online Learning - Cris highlights the unique advantages of in-person workshops (like Texas School) over online resources. While online tools are valuable for information, in-person learning provides real-time feedback, hands-on practice, and the chance to safely make and correct mistakes.Structure and Tracks at Texas School of Professional Photography - Texas School offers deep-dives in four main tracks—digital post-production, successful studio/business growth, lighting and camera skills, and specialty/technique. Students select a single class for the week, fostering mastery and focused learning.Building Community and Lifelong Learning - Success is fueled by connecting with others, sharing experiences, and forming lasting friendships. Community learning fosters motivation, accountability, and creative problem-solving. Cris describes students returning year after year, advancing in their journeys, and forming strong professional networks.IMPORTANT DEFINITIONS & CONCEPTSConcierge Family Portrait Experience: A premium, tailored photography service that guides clients in everything from wardrobe choices to matching artwork with home décor, ensuring the final portrait complements the client's personality and environment.Texas School of Professional Photography: A weeklong educational event near Dallas, Texas, offering immersive, instructor-led classes to help photographers build foundational and advanced skills in a collaborative, hands-on environment.DISCUSSION & REFLECTION QUESTIONSIn what ways does hands-on, in-person instruction help you understand and retain new photography skills better than online learning?How might joining a creative community or peer group accelerate your own photography journey?What skills or business goals would you most want to “deep-dive” into if given a week-long immersive class?Reflect on a time you learned best by failing—and how feedback helped you improve.RESOURCES:Visit Texas School's Website - https://texasschool.org/Follow Cris Duncan on Instagram - https://www.instagram.com/cjduncanSign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Robin Sellick arrived at Don Dunstan’s Norwood home in the early 1990s having accidentally addressed his letter to “Sir Donald Dunstan” – a mistake that could have ended the conversation before it began. Instead, it launched one of the most distinctive portrait photography careers in Australian cultural history. From that swimming pool session with our most colourful premier to intimate moments with Julia Gillard before her rise to power, Sellick’s lens has documented the moments when Australia stopped apologising for itself and started celebrating. The SA Drink Of The Week features tasting notes of Beresford’s latest pinot noir, where winemaker John Gledhill guides us through savoury raspberry and that curious sensation Steve describes as “freshly cut red lawn” – a vintage perfect for the upcoming Pinot and Pasta Afternoon at McLaren Vale. Our Musical Pilgrimage takes a melancholic turn with an original composition mourning the loss of the West End Brewery, capturing not just the building’s demolition but the dissolution of simple pleasures that once bound South Australian communities together. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Photographing Australian Icons With Robin Sellick 00:00:00 Intro Introduction 00:04:05 SA Drink Of The Week Th SA Drink Of The Week is the Beresford Estate 2024 Emblem Pinot Noir. Winemaker John Gledhill (from Gledhill Vignerons and our regular wine palate) joins Steve for the tasting of Beresford’s latest cool climate expression from Adelaide Hills fruit. The wine presents as light, translucent crimson with legs suggesting moderate alcohol content sitting around 12 to 12.5 percent. Steve’s unusual tasting note of “freshly cut red lawn” proves surprisingly apt, capturing the wine’s distinctive red fruit character that Gledhill translates as autumn leaves and forest floor earthiness. The palate delivers a ball of fruit on entry followed by crisp acid structure, with minimal tannin creating what Gledhill describes as “soft and round” mouthfeel. The conversation flows naturally toward food pairing, with Gledhill suggesting tomato-based pasta dishes with mild salami and black olives – perfect for Beresford’s Pinot and Pasta Afternoon scheduled for September 13th at their McLaren Vale cellar door. 00:13:05 Robin Sellick and The Sellick Archive Robin Sellick started taking dog portraits in Broken Hill at 15, not knowing he’d spend the next three decades documenting Australia’s cultural coming of age. From Don Dunstan‘s Norwood loungeroom to Cate Blanchett‘s first editorial shoot, from Sir Donald Bradman‘s quiet Adelaide home to Kylie Minogue on a North Adelaide balcony, his lens captured the moments when we stopped apologising for being Australian and started celebrating it. His portraits hang in the National Portrait Gallery, but more than that, they’ve shaped how we see ourselves. Today, he’s releasing museum-grade collector editions from his archive of over 600+ portrait sessions via is website gallery, The Sellick Archive. What intrigues me about Robin is that he didn’t just document our stars, he helped create the visual language that made Australia look like somewhere that mattered. The conversation begins with photography’s fundamental challenge: separating snapshot from art. “The key with photography is you have to be able to look at something emotionally and objectively within five seconds of the same thing,” Sellick explains, describing the mental gymnastics required to capture more than mere documentation. His journey from 15-year-old dog portrait photographer in Broken Hill to documenting Australia’s cultural awakening reveals an artist who understood that great portraiture demands risk-taking. Sellick’s approach stems from Henri Cartier-Bresson’s decisive moment theory, but with a crucial difference. “Every photograph you take, you are in because you made a decision to point the camera in that direction,” he notes. Where photojournalism seeks objectivity, portraiture embraces collaboration. “A portrait is always a collaboration… you involve the person in that process.” The Don Dunstan swimming pool photograph emerged from this collaborative boldness. Arriving at the Norwood home, Sellick complimented the pool, Dunstan mentioned his morning swim, and within moments South Australia’s most flamboyant premier was diving back into his Speedos. “I’m not there to take an ordinary photograph. I’m there to take a great photograph to the best of my ability,” Sellick recalls of his unflinching approach. The technical mastery behind his distinctive 1990s look came from cross-processing slide film in colour negative chemicals – a technique discovered accidentally during his Broken Hill photo lab days. This created the hyperreal, saturated images that helped define Australian editorial photography. “Back then, the only photographic awards in Australia were through the Australian Institute of Professional Photography… they were still very much in the late seventies mindset. So these pictures that I produced were just right out of the box.” His famous Julia Gillard portrait required different psychology. Photographing her in 2006 at her home, Sellick positioned her against a shed – traditionally masculine domain – lit with purple light. “It was an image about this woman stepping into the domain of men,” he explains. The prescience proved remarkable: within years she would become Australia’s first female Prime Minister. The technical challenges of film photography created their own discipline. Shooting the Bradman portrait on 400 ASA film pushed five stops to 12,800 ASA created that distinctive grain, but it was calculated risk. “You underexpose it by five stops… 32 times underexposed,” he explains. “You’ve gotta walk across the high wire to get to the good stuff.” The Kylie Minogue session broke new ground as the first major celebrity shoot conducted outside Sydney or Melbourne. Working from his Palmer Place mansion in North Adelaide, Sellick convinced Mushroom Records to trust Adelaide’s creative infrastructure. The balcony shot that became iconic was the day’s final frame, taken after the production machine dispersed. “I sent the assistants away and it was just her and me,” creating intimacy impossible amid the dozen-person entourage. His approach to celebrities reveals portraiture’s deeper psychology. “You actually fall in love with the person while you’re taking their photograph… you go through the process of falling in love with them before the shoot, and then you’re in love with them while you’re taking the photograph. And then it’s over.” The Steve Irwin elephant photograph required moving the elephant rather than the hyperactive conservationist. “Every time I started to take photographs, he started to perform… it was easier to move the elephant than it was to move Steve.” This anecdote captures Sellick’s ability to navigate celebrity psychology whilst maintaining his artistic vision. Looking toward Australia’s photographic identity, Sellick identifies our cultural immaturity. “We still tend to celebrate mimicry rather than celebrate individuality and expression that expresses the identity of Australia.” He traces creative development through four stages: mimicry, experimentation, commitment, legacy. “We get stuck in that mimicry stage and we don’t seem to encourage experimentation.” His current archive project offers museum-grade collector editions of more than 600 portrait sessions, using German papers and high-end giclée printing for works designed to last centuries. The photographs document not just individuals but Australia’s cultural coming of age – moments when a young nation found confidence to celebrate its own stories. 01:34:45 Musical Pilgrimage In the Musical Pilgrimate, we play a track by Steve Davis & The Virtualosos, Shout Your Mates Another Round, his reflection on the loss of the West End Brewery. Steve Davis & The Virtualosos deliver a melancholic tribute to the demolished West End Brewery, mourning not just architecture but the simple pleasures that bound South Australian communities. The song weaves together memories of shared amber glass bottles, family tables where beer flowed freely, and the brewery’s role supporting local sports teams. The composition balances nostalgia with acceptance, acknowledging that whilst West End “wasn’t great, it wasn’t best, but it was ours from east to west.” The Pickaxe bottle imagery connects to South Australia’s brewing heritage, when consortiums created shared glass manufacturing to serve multiple breweries across the state. Steve’s personal connection deepened when his father revealed the family link: his grandfather worked at the original Hindley Street brewery before operations consolidated in Thebarton. This discovery adds genealogical weight to the cultural mourning, emphasising how industrial heritage intertwines with personal memory.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In episode 374 UNP founder and curator Grant Scott is in his garage reflecting on the small and big things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month they reflect on street photography. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. Image: Ave Pildas Mentioned in this episode: Jennifer Schlesinger, Obscura Gallery:  IG: @obscuragallerysfGallery Site Alex Harris: @ourstrangenewland and site: https://alex-harris.com/publications/our-strange-new-land Joseph Michael Lopez: @josephmlopez and site Ave Pildas: @avepildas and site https://www.joelmeyerowitz.com https://juliehrudova.com https://en.wikipedia.org/wiki/Walker_Evans © Grant Scott 2025

Join the Imagen Community on Facebook to continue the discussions between episodes.Discover the secrets to mastering your photography workflow while traveling. Join Scott Wyden Kivowitz and Zac Wolf as they share exclusive tips and tricks from the photography world.Zac Wolf is a seasoned wedding photographer who began his journey shooting punk rock bands in South Florida before discovering his passion for capturing love stories. After studying at Emerson College and spending 14 years building his business in Boston, Zac now splits his time between Orlando and New England, photographing weddings full-time. With over a decade of experience, Zac is known for his fun, authentic approach and ability to make every couple feel at ease. His work blends creativity, connection, and a deep love for storytelling that's kept him inspired through every season.He shares his journey on how adapting and optimizing workflows has transformed the way he balances work and life. With insights on using AI tools, ingenious gear solutions, and the power of being adaptable, Zac enlightens photographers on creating a seamless experience both in capturing moments and post-production."I wanna prioritize my time at home. I want to be at home rather than be on my computer working." - Zac WolfResourcesXREAL Smart GlassesCarbon Copy ClonerBackblazeWhy You Should Listen:Learn how to maximize your time with efficient workflows.Discover innovative solutions for on-the-go editing and file management.Uncover painless ways to integrate AI into your photography processes.Get inspired to balance life, travel, and photography seamlessly.Understand the importance of personal branding as a photographer.Whether you're a seasoned pro or an aspiring photographer, this episode is packed with valuable insights for navigating the dynamic photography world. Don't miss out!(00:00) - 63 (00:55) - Mobile Workflow in Photography (02:40) - Using AR Glasses for Work (08:03) - Travel Tips for Photographers (11:12) - Outsourcing and Automation (16:36) - Challenges with Personal Branding (21:21) - Learning the Ropes in Fashion Photography (22:34) - Breaking into Wedding Photography (24:34) - The Importance of Personal Branding (31:04) - From Punk Shows to Professional Photography (37:02) - Balancing Enjoyment and Photography (40:54) - Final Thoughts and Contact Information

Miranda dives deep into her career with numerous stories about her experiences. And then, she shares her opinion of abortion and President Trump. A real Queen-sized episode.

Ever wondered why some stunning photos don't win competitions? In this episode of The Camera Shake Podcast, renowned photographer and photography competition judge Booray Perry reveals what judges are really looking for when selecting winning images.We dive deep into the world of photography competitions—how they're scored, common mistakes that hold photographers back, and what separates a technically good photo from a truly award-winning one. Whether you're entering your first local contest or aiming for national recognition, Booray shares the tips, mindset, and strategies that can boost your chances of success.In this episode:What photography judges actually wantHow to avoid common competition pitfallsThe role of storytelling, impact, and creativityBooray's experiences judging IPC (International Photographic Competition)If you're a professional, semi-pro, or amateur photographer looking to improve your work and stand out in competitions, this conversation is packed with insights and practical advice.

The Inside Stylists Podcast: Episode 158 10 Reasons Brands Need Professional Photography (More Than Ever)  Show notes for today's episode are here To find professional stylists, photographers and writers, head to our member's profile pages   And if you're a freelancer in this space — make sure you're part of the membership. Become a member of Inside Stylists   Additional Resources The Insider's Studio The solution for businesses to obtain professional product photography with experienced interior stylists. We can help you get your team together.  Interior Styling Course A comprehensive self-paced online course teaching the essentials of interior styling and how to take better photos, ideal for those looking to enhance their brand's visual appeal. The Inside Stylist's Interior Styling Course     Find us here InsideStylists.com Instagram: Instagram.com/InsideStylists  Facebook: Facebook.com/InsideStylists Podcasts : Insidestylists.com/podcast/ Blogs : Insidestylists.com/inside-stylists-blog/

#553 Dan Milnor is a seasoned photographer with over 25 years of experience. His career began with an unexpected twist when a lost transcript led him to a community college with a renowned journalism program. Milnor narrates his early experiences as a photojournalist, detailing the adrenaline-filled assignments and his eventual transition to documentary photography. The discussion delves into the challenges of keeping photography authentic amidst the current digital age, where social media often overshadows genuine skill and creativity. KEY TOPICS COVEREDDan Milnor's Journey into Photography - Milnor details his unexpected path into photography starting from his interest in storytelling, influenced by his mother's use of a Pentax K1000, culminating in a scholarship offer at San Antonio College that commenced his education in photojournalism.Challenges of Modern Photography - The episode emphasizes the pitfalls of relying on social media for validation. Milnor critiques the modern "online photo community" and stresses the importance of creating unique and meaningful work outside of social media platforms.The Importance of Print and Bookmaking - Milnor shares insights into the power of print, emphasizing the tangible nature of photo books as lasting records of work, contrasting with the ephemeral nature of social media images.IMPORTANT DEFINITIONS & CONCEPTSSunny 16 Rule: A photographic rule of thumb for estimating daylight exposures without a meter.Long-term Projects: An approach in photography focusing on extended storytelling beyond single images to provide depth and context.DISCUSSION & REFLECTION QUESTIONSHow can photographers ensure their work stands out in a saturated digital space?What are the benefits of producing physical photo books versus digital albums?How does Milnor's view on social media challenge or change your perspective on its use in photography?RESOURCES:Visit Dan Milnor's Website - https://shifter.media/Download your free copy of 46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/ Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Listen in on Cultivation Station as we talk with a professioinal photographer. There are some great benefits to having excellent photos of your business and your goods.

In this episode, Nick Constantino and Tripp Jobin dive into the often overlooked yet crucial aspect of marketing: photography. They are joined by veteran photographer Mike Moon, who brings a wealth of experience from his time as a combat correspondent in the Marine Corps. Mike shares his unique journey, from capturing stories of Marines in combat to working in public relations and coordinating with Hollywood for military-related projects. Nick and Tripp explore the importance of professional photography in marketing, debunking the myth that smartphone cameras can replace high-quality cameras. They discuss the evolution of photography, the role of combat correspondents in the military, and the challenges of documenting stories in high-stakes environments. Mike provides insights into the most misunderstood aspects of the military and the critical role of public relations in shaping public perception. The conversation continues with deeper insights into Mike's career, from traditional film photography to digital, and the significance of understanding light and composition. Mike shares his experiences working on publicity stills for Discovery Channel, corporate events for BlackBerry and Oracle, and product photography for Home Depot. The discussion highlights the importance of storytelling in photography, whether in military documentation, corporate events, or weddings, and the impact of well-executed photography on marketing and branding. Key Takeaways: The importance of professional photography in marketing. The evolution of photography and its impact on storytelling. Challenges of being a combat correspondent and capturing high-stakes moments. The role of public relations in shaping military perception. Transition from traditional film to digital photography. Nuances of product and food photography. The significance of wedding photography and capturing authentic moments. Tips for selecting a skilled photographer and improving photography skills. Hashtags: #MarketingMadmen #Photography #DigitalPhotography #Storytelling #CombatCorrespondent #WeddingPhotography #PhotographyTips Meta Description: Discover the art and science of photography with insights from veteran photographer Mike Moon. Learn about professional photography in marketing, storytelling, and more. #MarketingMadmen Focus Keyword: Professional Photographypatreon.com/TheMarketingMadMen: https://www.nick-constantino.com/See omnystudio.com/listener for privacy information.

In episode 359 UNP founder and curator Grant Scott is in his garage reflecting on the small and big things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

Specialising in photography for speakers, authors, coaches, and consultants, John reveals why your iPhone selfie isn't enough when aiming for high-impact branding. Discover the power of imagery in positioning yourself as an authority, creating consistent visual storytelling, and effectively connecting with your audience.Explore why a consistent visual strategy matters, the importance of updating your portfolio regularly, and the difference professional photography makes in establishing perceived value and trust. John shares his journey into expert brand photography, his experiences with influential figures like Phil Jones, and unique anecdotes from his adventurous photography sessions.Connect with John Demato:Website: www.johndemato.comSocial media links available on his websiteTimestamps & Key Topics:[00:00] Introduction to John Demato and visual storytelling[01:00] Why professional photography still matters in the smartphone age[03:00] Importance of regularly updating your professional images[05:00] How outdated visuals affect audience trust[08:00] Creating a strategic visual plan aligned with your brand[13:00] John's photography process for new clients[20:00] Capturing authenticity in brand visuals[22:00] John's path to specialising in brand photography[24:00] Impactful photography experiences and key influences[26:00] John's personal branding and content marketing approach[30:00] Unique photography experiences and memorable moments#personalbranding Connect with me on:All my linksBecome a guestSign up for RiversideGet Descript #DigitalMarketing #Branding #PersonalBranding #MarketingInsights #SocialMediaStrategy

oin us for a deep dive into epic extreme weather photography with award-winning storm chaser and photographer Mike Olbinski. In this interview, Mike shares his passion for chasing supercells, lightning storms, and powerful weather systems, offering invaluable photography tips for capturing these awe-inspiring moments.Discover how Mike built a successful photography business around his love for storm chasing, including his essential gear for extreme conditions, time-lapse techniques, and strategies for selling weather photos and videos to clients, agencies, and media outlets.Whether you're an amateur photographer curious about weather photography, a semi-pro photographer looking to specialize, or a professional photographer seeking fresh inspiration, this interview is packed with practical photography advice for creating jaw-dropping storm images.Learn the best camera settings for storm shots, how to predict storms, and how to stay safe while shooting extreme weather. If you've ever dreamed of combining adventure, photography, and storytelling, this is the episode for you.

In this episode of the RE Social Podcast, hosts Andrew McCormick and Vince Rodriguez talk to Joseph Pesiri about the crucial role of high-quality visuals in real estate, breaking down how great images can boost bookings, sales, and overall property appeal. Joseph shares his journey from wedding photography to real estate, revealing the unique techniques that make properties stand out, from strategic lighting and angles to post-production magic. They also dive into the benefits of aerial and video marketing, the power of storytelling through images, and why investing in professional photography is a game-changer. Whether you're an agent, investor, or Airbnb host, this episode is packed with actionable insights to help you maximize your listings. Tune in to this episode now!Key Takeaways 00:00:00Welcome to the RE Social Podcast 00:03:02Importance of Professional Photography 00:05:48How to Create a Compelling Narrative 00:09:02The Impact of Quality Photos on Rentals 00:11:59Post-Production Techniques 00:14:50Real Estate Challenges and Solutions 00:18:03From Wedding to Real Estate Photography 00:21:03Professional Services in Real Estate 00:29:11Building Relationships in Real Estate 00:31:02The Power of Aerial and Video Marketing 00:35:26How to Create Engaging Property Listings 00:39:23Tips for Amateur Photography 00:45:16Lighting Techniques for Photography 00:48:05Connect with JosephResources and Linkshttps://www.pesiriphotography.com/https://www.jtpstudio.com/Connect with Josephhttps://www.linkedin.com/in/joseph-pesiri-6837823a/https://www.instagram.com/jtp_studios/Email: info@JTPstudio.comPhone: (949) 922-1500Need Help? BOOK A CALL:https://anviinvest.com/consulting/ Learn more about AnVi Invest

Join us for an in-depth interview with renowned photographer Peter Coulson as he shares his expertise on mastering black and white portrait photography. Discover his techniques for capturing emotion, the essential gear he recommends, and his minimalist approach to editing. Whether you're an amateur or professional photographer, Peter's insights on the art and business of photography will inspire and elevate your craft. Learn how to make your subjects feel comfortable, develop your unique style, and build a successful photography career. Don't miss this opportunity to gain valuable knowledge from one of the industry's leading figures#photography #portraitphotography  #PeterCoulson******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingPeter Coulson on the web:https://inspire.peter-coulson.com.auPeter Coulson on Social Media:Instagram: https://www.instagram.com/petercoulsonFacebook: https://www.facebook.com/petercoulsonphotographerYouTube: https://www.youtube.com/@petercoulsonphotographerX: https://x.com/_petercoulsonJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 243 ‘PETER COULSON on Mastering Black & White Portraits' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/Kn1sxjsQUeYApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Ready to dominate Airbnb in 2025?

In this special conversation Grant Scott speaks with photographers and founders of The Farringdon Print Shop, Jake Chessum, James Dimmock and Chris Floyd, to reflect on editorial photography in the 90s and creating a platform to monetize their joint archives. Jake Chessum's timeless and engaging celebrity portraits have appeared in many prestigious publications and the range of celebrities he has been commissioned to photograph span the worlds of film, politics, sports and music. Born in Croydon, South London, Chessum studied at St. Martin's School of Art and after graduating began his photography career in London, where his first commission was for Elle magazine before he started working for The Face beginning an enduring relationship with the title. In 1999 he moved permanently to NYC where he continues to live. Jake has published two books: The New York Look Book in association with New York Magazine (2007), and a self published book: Rubbish (2009). www.jakechessum.com Instagram: @jakechessum James Dimmock completed a degree in at Wolverhampton Polytechnic, and the following week moved to London looking for work. Weeks turned into months. Standing outside Metro Studios in Farringdon dejected. Along came a perky photographer and asks him what's up? The photographer was Jake Chessum who listened to Dimmock's story and gave him the name and number of the owner of a studio and said to mention him. James began his career shooting for British style magazines The Face and iD and began to work in the US photographing Moby and Bono for the cover of Spin magazine. This was swiftly followed by Metallica, Radiohead, and AC/DC for Rolling Stone. When the US work offers piled up James relocated and he now lives in the U.S. with his wife, and their two daughters. www.jamesdimmock.com Chris Floyd is a British photographer born in Welwyn Garden City, Hertfordshire. He moved to London in 1990 to pursue a career in photography having completed a BTec Photography course. In 1994, he started working for Loaded magazine as well as The Face and Dazed & Confused and his photography became associated with the era of ‘Britpop'. He was selected for the National Portrait Gallery, London Taylor Wessing Photographic Portrait Prize in 2008 and 2013. Chris has also photographed advertising campaigns for international brands. As a director he has produced moving image work for Avis, Anthropologie, Mr Porter, UBS, and The Smithsonian. Chris lives with his family in the Cotswolds, UK. www.chrisfloyd.com www.farringdonprintshop.com  Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2025

James joins the show today to dive into his incredible journey and lessons learned along the way. James was Born in Lagos, Nigeria & moved to Sudbury, Ontario, in 2015 to pursue his education at Laurentian University. A photography class in my second year sparked his passion for the visual arts, leading him to work in various roles in film production. Ultimately graduated with a BA in Economics and Motion Picture Arts. After working in banking, He transitioned full-time to his true calling as a director / camera operator in 2024, focusing on adding value to every project and treating people with respect. Work W/ James -https://www.jamesolagunjudp.com/...

LuckyDogPodcast.com Sponsored by EliasRauchMedia.com |Professional Photography & Videography Top 10 movies of 2024 Support the podcast! paypal.me/TheLuckyDogPodcast Full Review on Patreon https://www.patreon.com/LuckyDogPodcast Comments , questions , concerns Email | LuckyDogPodcast@gmail.com Twitter | @Luckydogpodcast Facebook | https://www.facebook.com/groups/1837733192954230/ Twitch | https://www.twitch.tv/luckydogpodcast Instagram | https://www.instagram.com/luckydogpodcast/ Youtube | https://www.youtube.com/channel/UCCuKWJ_dY4ID3jV0TXzCFEQ Discord | https://discord.gg/MrvPwka Threads | https://www.threads.net/@luckydogpodcast

John has his SRT Marker Report, and we'll tackle the big question: So, What about 2025? Where are we headed? Sean Fellows has insights and highlights from his Home Selling Guide! Selling Your Home on the Seacoast in 2025: Your Ultimate Guide to SuccessIf you're considering selling your home on the Seacoast this year, you're in the right place. With its stunning coastline, charming communities, and strong real estate market, the Seacoast remains one of the most desirable areas in New England. But how do you ensure your home stands out and sells quickly—and for top dollar? Let's dive into my proven strategies to make 2025 your year for real estate success.Why the Seacoast Market is Thriving in 2025The Seacoast real estate market is as dynamic as ever. Here's why:Continued Demand for Coastal Living: The pandemic created a shift toward lifestyle-focused living has made a lasting impact. Buyers are still focusing in on waterfront properties and quaint neighborhoods near the beach.Limited Inventory: While inventory has increased slightly it is still down nearly 27% from 2021 for single family homes. Currently demand still outpaces supply, creating opportunities for sellers. Rising Home Values: Home prices in the Seacoast have seen steady appreciation, with homeowners gaining significant equity year over year. Those have that been in their home longer 1. Timing is EverythingIn real estate, timing can make or break your sale. Historically, spring and early summer are peak seasons for selling on the Seacoast. But in 2025, market activity remains strong year-round due to remote work flexibility and consistent buyer demand. The best timing is completely up to your personal situation, everybody will have a different ‘best time to sell', let's discuss an approach that works best for you. 2. Preparation is Key: How to Maximize Your Home's ValueDeclutter and Stage:Today's buyers want homes that feel fresh, clean, and move-in ready. Invest in professional staging to highlight your home's best features. Need help? I've partnered with top local stagers who understand what Seacoast buyers are looking for.Focus on Curb Appeal:The most important part with listing your home is the first impression that it makes on buyers. You only get this opportunity once; you want to show your home at its' highest and best. A sharp, fresh exterior, clean landscaping along with a welcoming entryway can add incredible value to your listing. I have local landscapers and contractors that are ready to get your home ready for going to market.Upgrade Strategically:You don't need to throw money away by gutting your kitchen, but minor updates can yield big returns. A fresh coat of paint along with new kitchen hardware can do wonders for an aging space. Keeping your countertops clean and clutter free will make buyers feel more welcome in your kitchen. 3. Pricing: The Goldilocks StrategyPricing your home too high can leave your home on the market for too long and buyers will ask ‘What's wrong with it?'. Pricing it too low can leave money on the table. Using advanced market analytics and local expertise, I'll help you find the "just right" price to attract offers quickly without undervaluing your property.Understand Your Local Market:The Seacoast market has unique trends and nuances. A deep dive into recent comparable sales, neighborhood dynamics, and buyer behavior is essential. I'll provide a detailed pricing analysis tailored specifically to your home.Consider Buyer Psychology:A price just below key psychological thresholds (e.g., $999,000 instead of $1,000,000) can make a significant difference in attracting attention and offers. This is also house specific as pricing ‘On the Bridge' at $1,000,000 may open up more buyers that are seeking homes at or above that price.Stay Flexible:Even with the perfect price, the market can shift. Regularly reviewing buyer feedback and market activity allows us to make real-time adjustments, ensuring your home remains competitive. Working with me, we will have a plan in place if your home doesn't receive any offers within the first 14 days. 4. Marketing in 2025: Digital DominatesYour home deserves more than a simple MLS listing. My comprehensive marketing strategy ensures maximum exposure:Professional Photography and Video: Stunning visuals are no longer up for debate. I use top-tier photographers and videographers to showcase your home's unique charm.360-Degree Virtual Tours: Today's buyers often start their search online. Virtual tours allow them to explore your home from anywhere. This is soon going to advance into Augmented Reality tours where we should be leading with your listing. Social Media Campaigns: From Instagram reels to Facebook ads targeting out-of-state buyers, I'll ensure your home is in front of the right audience. Reaching thousands of people that may otherwise not see your listing. Email Marketing: My extensive database of qualified buyers and agents means your home gets noticed fast. 5. Partnering with the Right AgentSelling a home is more than just a transaction, it is one of, if not the biggest financial decision you will make. As a Seacoast expert with years of experience, I'll guide you every step of the way. From pricing to negotiation, my goal is to make the process seamless and stress-free—all while achieving the best possible outcome. Contact John Rice HEREContact Sean Fellows HEREContact Michelle O'Dell HERE

In episode 351 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025 Image: AP / Eduardo Verdugo

Discover how to master LED lighting with Jake Hicks, the renowned photographer celebrated for his vibrant, colorful imagery. In this exclusive interview, Jake shares his expert techniques for transitioning from flash to LED lighting, achieving precision, and creating stunning visuals with advanced LED panels. Whether you're an amateur or professional photographer, Jake's actionable tips and insights will help you elevate your craft, build your photography brand, and stay ahead in the competitive photography industry. Perfect for anyone passionate about studio lighting and creative photography, this video is your gateway to becoming a master of modern lighting techniques. Don't miss out—watch now and transform your photography! #ChristianSchuh #StudioLighting #ModelPhotography******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingJake Hicks on the web:https://jakehicksphotography.com/Jake Hicks on Social Media:Instagram: https://www.instagram.com/jakehicksphotography/YouTube: https://www.youtube.com/JakeHicksPhotographyFacebook: https://www.facebook.com/jake.hicks.photographyTwitter: https://twitter.com/JakeHicksPhotoJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 241 ‘Master LED Lighting with JAKE HICKS' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/nAwAsJiDUz0Apple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Discover the secrets to crafting compelling stories with your photography as Christian Schu, a renowned filmmaker, shares his expert insights. In this video, learn how to harness the power of storytelling to elevate your photography and captivate your audience. Whether you're an amateur photographer, a semi-professional, or running a photography business, these tips will transform how you connect with your viewers. Understand the psychology behind visual storytelling, how to structure a narrative, and use your camera to create emotional depth. Don't miss out—subscribe for more photography and videography insights that keep you ahead of the curve!#Photography, #Videography,#ChristianSchuh, #VisualStorytelling******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingChristian Schu on the web:https://christian-schu.comChristian Schu on Social Media:Instagram: https://www.instagram.com/christian_schu_filmFacebook: https://www.facebook.com/christianschu.official/LinkeIn: https://www.linkedin.com/company/christianschu/JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 240 ‘Master Storytelling: Transform Your Photography with CHRISTIAN SCHU' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/xmquKX6AwuYApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

In episode 348 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

Rachelle Dené Poth is an edtech consultant, presenter, attorney, author, and teacher. Rachelle teaches Spanish and STEAM: What's nExT in Emerging Technology at Riverview Junior Senior High School in Oakmont, PA. Rachelle has a Juris Doctor degree from Duquesne University School of Law and a Master's in Instructional Technology, and earned a second doctorate, focused on Educational Technology.Rachelle is an ISTE Certified Educator and a Microsoft Innovative Educator Expert. She is a past-president of the ISTE Teacher Education Network and served on the Leadership team of the Mobile Learning Network for five years. She received the ISTE Making IT Happen Award in 2019 and has received several Presidential gold and silver awards for her volunteer service to education.  She was named one of 30 K-12 IT Influencers for 2021. She has been selected as Outstanding Teacher of the Year by PAECT (the Pennsylvania Association for Educational Communications in Technology, the PA affiliate of ISTE) and by the NSBA as one of the "20 to Watch" educators.Since 2019, Rachelle has written seven books. Her newest book is "How to Teach AI."  She has also contributed to eight other books related to education. She presents regularly at state, national and international conferences and provides professional development and coaching for educators.Rachelle is a columnist for Getting Smart and a blogger for Defined Learning and NEO LMS. She has a podcast ThriveinEDU and is the host of a PBL Podcast by Defined Learning on the BAM Radio Network.  Rachelle is also a host of ThriveinEDU Live and leads a community of educators on Facebook.TakeawaysEducators must actively market their books themselves.Newsletters should provide value without overwhelming readers.Social media engagement varies by platform and audience.Visual content significantly boosts engagement.Building a personal brand is crucial for success.Networking is essential for book promotion.Choosing the right platform depends on your target audience.Feedback and reviews are vital for credibility.Planning is necessary for effective educational technology integration.Consulting in education requires a long-term commitment. AI is an integral part of education today.Consultants must focus on meaningful engagements.Authenticity in teaching enhances relatability.Visual branding is crucial for content creators.Professional photography can elevate your brand.Creating content is essential for book marketing.Community support is vital for success.Consistency in messaging helps build an audience.Engaging visuals can capture attention on social media.Building relationships can enhance marketing efforts.Chapters00:00Introduction to the Dr. Will Show01:49Navigating Book Marketing for Educators10:58Building an Engaging Newsletter18:34Choosing the Right Social Media Platform28:34Creating Effective Graphics for Promotion36:47Challenges in Educational Technology Consulting38:30Embracing Technology in Education41:48Redefining Consulting and Business Focus44:35Establishing Your Voice in the AI Landscape46:58Authenticity in Teaching and Content Creation52:58Visual Branding and Graphic Design Strategies58:42The Importance of Professional Photography01:01:06Marketing Your Book: The Hard Work Begins01:07:50Building Community and Consistency in Marketing

Discover the groundbreaking trends, jaw-dropping innovations, and expert predictions shaping the photography world in 2025. From cutting-edge AI technology and revolutionary camera gear to surprising industry shifts, this video dives deep into what every photographer — amateur, professional, or business owner — needs to know.Join top industry experts as they reveal insights into how AI will impact photography, whether creativity will thrive or face challenges, and what strategies photographers must adopt to stay ahead in the game.Featuring Insights From:David BergmanPete SouzaUnmesh DindaJake HicksIvan WeissSteve BrazillAndy McSweeneyChristie Goodwin Whether you're a hobbyist capturing weekend landscapes, a professional running a photography business, or someone exploring the exciting world of visual storytelling, this video is packed with actionable insights and future-proof advice.What You'll Learn:How AI is reshaping photography workflowsUpcoming photography trends for 2025Secrets to growing a successful photography businessDon't miss out — hit subscribe and stay ahead of the curve in the ever-evolving world of photography.Subscribe Now for More Expert Insights!#Photography2025 #FutureOfPhotography #PhotographyTrends #PhotographyBusiness #AIinPhotography******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingDavid Bergmanwww.davidbergman.netPete Souzawww.petesouza.comUnmesh Dindawww.piximperfect.comJake Hickswww.jakehicksphotography.comIvan Weisswww.ivanweiss.londonSteve Brazillwww.behindtheshot.tvAndy McSweeneywww.phototourbrugge.comChristie Goodwinwww.christiegoodwin.comJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 238 ‘The Truth About Photography in 2025: You Won't Believe What's Coming!' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/0IwyepVwu_YApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Dive into the Camera Shake Podcast's 'Best of 2024' episode, where we bring you the most impactful photography lessons from this year's top interviews. Whether you're an amateur photographer, a semi-professional honing your craft, or a professional seeking fresh insights, this compilation offers invaluable advice on photography techniques, videography skills, and business strategies. Learn from industry experts as they share their experiences on setting up a successful photography business, navigating the creative process, and staying ahead in the ever-evolving world of photography. Don't miss out on these essential tips and stories that can elevate your photography journey.00:00:00 Introduction00:02:27 Ivan Weiss00:06:34 Photography Show00:13:48 Scott Kelby00:18:25 Three Guys Walk Into A Podcast00:26:21 PixImperfect - Unmesh Dinda00:33:40 Gavin Hoey00:42:23 Stewart Wood00:51:16 Mark Wallace01:02:10 Vanelli01:09:28 Paul Mobley01:16:54 Outro******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 237 ‘Top 10 Photography Lessons of 2024' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/hA9CIPRo7oEApple Podcasts - https://apple.co/2Y2Lmfm Spotify - https://spoti.fi/304sm2G   FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

In this special extended episode UNP founder and curator Grant Scott engages in a vigorous conversation with California based curator, gallerist Peter Fetterman about the importance of passion, risk taking and empathy in photography. Peter Fetterman Born in London, Peter Fetterman has been deeply involved in the medium of photography for over thirty years. Initially a filmmaker, producer and collector, he set up his first gallery over twenty years ago. Fetterman was one of the pioneer tenants of Bergamot Station, the Santa Monica Center of the Arts when it first opened in 1994. Today, his gallery has one of the largest inventories of classic 20th Century photography in the United States particularly in humanist photography including work by Henri Cartier-Bresson, Sebastião Salgado, Steve McCurry, Ansel Adams, Paul Caponigro, Willy Ronis, André Kertesz, Manuel Alvarez Bravo and Lillian Bassman. His book The Power of Photography was published in 2022. www.peterfetterman.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2024

Dive into the world of portrait photography with this insightful episode of the Camera Shake Podcast. PAUL MOBLEY, one of Hollywood's most renowned photographers with a diverse portfolio ranging from farmers to A-list celebrities, shares invaluable tips on capturing authentic stories through the lens. Learn about the significance of risk-taking in photography and how it leads to more genuine and compelling portraits. Whether you're an amateur or a seasoned professional, this episode offers practical advice to elevate your portrait photography skills. Don't forget to subscribe for more expert insights and tutorials!#PortaitPhotography #PhotographyTips #PhotographyBusiness #CelebrityPhotography #CameraShakePodcast******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingPaul Mobley on the web:https://www.paulmobleystudio.comPaul Mobley on Social Media:Instagram: https://www.instagram.com/paulmobleystudioFacebook: https://www.facebook.com/PaulMobleyStudioX: https://x.com/PaulShootsJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 235 ‘From Farmers to Celebrities: Unveiling the Secrets of Authentic Portraits with PAUL MOBLEY' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/pFOArn3oMNkApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Are your vacant rental properties taking longer to rent? If so, you are not alone - but there are things you can do to reduce your vacancies and speed up your rental process. In this episode, you will learn how to set realistic renting expectations with owners, price properties more effectively, what types of move-in specials to offer, and leverage your vacant property marketing to attract new owner-clients. In today's challenging market, it's more important than ever to have effective strategies for renting properties quickly. Joining Marc is Kori Covrigaru of PlanOmatic, who shares how PlanOmatic's automated tools, including photography, floor plans, and 3D scans, can help you reduce vacancy times and attract quality tenants.   If you're looking to work more efficiently, lease vacancies faster, maximize rental rates, and elevate your brand. Check out PlanOmatic.   Manage more doors with less stress with LeadSimple!   To find out more about Marc's coaching services click here.   Follow this link to spend 2 days with Marc and learn how to run a property management business   Join Marc's new property management Facebook group This podcast is produced by Two Brothers Creative 2024.

Are you struggling to master lifestyle photography? In this episode of The Camera Shake Podcast, we sit down with Natalie Jennings, a Minnesota-based lifestyle and family photographer with over a decade of experience capturing authentic moments. Natalie shares her insider tips on how to elevate your lifestyle photography, avoid common mistakes, and build a successful photography business.Whether you're an amateur photographer looking to improve your skills, a semi-professional photographer exploring new styles, or a seasoned professional photographer seeking fresh ideas, this video is packed with actionable advice. Natalie dives deep into techniques for creating natural, candid images, working with families and pets, and telling powerful stories through photography.If you're setting up a photography business or searching for ways to improve your craft, this episode provides expert insights into authentic storytelling, capturing emotions, and balancing artistic vision with client needs. Don't miss out on these essential lifestyle photography tips!Join us as we uncover the secrets to authentic photography success. Don't forget to like, comment, and subscribe for more content on photography, videography, and the business side of photography. Hit the bell to stay updated with new episodes every Thursday!#LifestylePhotography #PhotographyTips #PhotographyBusiness #FamilyPhotography #AuthenticStorytelling #CameraShakePodcast******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingNatalie Jennings on the web:https://jennings.photoNatalie Jennings on Social Media:Instagram: https://www.instagram.com/jenningsphotoFacebook: https://www.facebook.com/thisisjenningsphotoPintrest: https://uk.pinterest.com/jenningsphoto/JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

In this episode of the podcast, I chat with Kimberly Irish and Jim Sinicki, moderators of our Beginner Photography Podcast Facebook group, for an engaging Community Q&A session. We share the advice we wish we'd had when starting out, dive into AI's growing role in photography, discuss ways to profit from landscape photography, and offer practical tips for collaborating with second shooters at weddings. As you listen, reflect on how these insights can shape your approach, spark new ideas, and inspire growth in your photography journey. THE BIG IDEASValue of an Assistant: An assistant can handle logistical tasks, allowing you to concentrate on capturing magical moments.Embrace Spontaneity: Flexibility is key; unexpected moments often yield the most memorable photos.Second Shooter Benefits: They provide alternative perspectives and creative angles that enrich the final photography set. Lighting Challenges: Overcoming low-light situations, especially during speeches, is critical for well-rounded coverage.PHOTOGRAPHY ACTION PLANEffective Use of Assistants: Train an assistant to manage equipment and setup. Delegate tasks like lighting adjustments and backdrop arrangements.Preparing for Spontaneity: Always have your camera ready for unexpected moments. Develop a quick reflex for adjusting settings on-the-fly.Maximizing Second Shooters: Choose a second shooter whose style complements yours. Discuss the plan and locations to cover all aspects efficiently. Lighting Strategies: Invest in portable lighting equipment for versatility. Practice using your camera's low-light settings to improve photo quality. Capturing Unique Perspectives: Experiment with different angles and vantage points. Incorporate varied focal lengths to provide a diverse photo collection.RESOURCES:Visit Kimberly Irish's Website - https://www.weeirishphotography.com/Follow Kimberly Irish on Instagram - https://www.instagram.com/weeirishphotography/Visit Jim Sinicki's Website - https://www.charliejamesphoto.com/Follow Jim Sinicki on Instagram - https://www.instagram.com/charlie_james_photo/Transform your Love for Photography into Profit for FREE with CloudSpot Studio.And get my Wedding and Portrait Contract and Questionnaires, at no cost!Sign up now at http://deliverphotos.com/ Grab your free 52 Lightroom Presets athttp://freephotographypresets.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Send me a Text Message. DOWNLOAD the Photoshoot Checklist HERE!! SUMMARYIn this episode, I'm diving into why professional photos are a must-have for your business, how to prepare for a successful photo shoot, and how to overcome any nerves you might have about being in front of the camera. If you've been thinking about having a photo shoot but don't know where to start, I've got you covered with practical advice and mindset tips.We talk about everything from choosing the right photographer and planning your vision, to outfit choices and logistics. I'll also share how to be authentic in your photos, which is key to building trust with your audience. We discuss how to prepare props, brainstorm locations, and practice poses that work best for your body and brand personality. I also touch on what photo shoot costs can look like and how to work within your budget.A good photo shoot is an investment in your brand's image and ultimately in your business growth. So, if you're ready to take your business photos to the next level, this episode will give you the confidence and clarity to make it happen!FULL SHOW-NOTES WITH TAKEAWAYS + LINKSpatternshift.fm BEST QUOTE FROM THIS EPISODE“It's an investment, not an expense. It's woGet 50% off the Business Circle Program this Summer. No live video, no 1:1 sessions and you have to do 4 hours of work each week to see results. If you are willing to put in the work, you get the BCP and a guest pass to the community for only €600,- instead of €1200,-.This is a very generous offer if I do say so myself and it's not based on scare tactics but a way for me to find out if an evergreen course would work. An experiment. This might be your last chance! www.patternshift.fm If you want to build or grow your business in textile crafts, why don't you join our online community for a small, monthly contribution of only 10 euros, which is $10 ish. You get to hang out, learn from and share your business. And your craft journey with all the lovely people there, support the podcast at the same time and you get everything wrapped into one loving package. I would love to welcome you there. Go to Patternshift.fm and clickSupport the show☆ other ways to SUPPORT THE SHOW ☆ If you appreciate the free content and the work we put into this podcast, consider showing your support in a way that feels right to you. This could be by sharing episodes with friends, signing up for our newsletter, or making a small monthly contribution by clicking the Support the Show link. Your support keeps the podcast going and aligns with the values we share. Thank you for being a part of this movement! to get updates for the next live-cohort of the Ja, Wol Business Program! ☆ JOIN THE WAITING LIST ☆ ☞ GET ACTIONABLE BUSINESS TIPS AND INSIGHTS & EPISODE UPDATES ☜☆ SIGN UP HERE! ☆ ☞ FIND OTHER BUSINESS OWNERS IN OUR COMMUNITY SPACE ☜☆JOIN THE CONVERSATION☆ Have a question? Want to offer your opinion? Do you have an idea for a guest or topic? info@ja-wol.com or leave me a voice message!

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now. © Grant Scott 2024

Get ready for a wonderful episode of the Revitalized Womanhood podcast! I'm your host, Gina Trimmer, and today, I'm excited to chat with Valerie Gordon, an expert in family photography. We'll chatting about the art of capturing life's precious moments with a camera. Valerie will share her journey into photography and her secrets to orchestrating perfect, giggle-filled photo sessions. We'll also discuss choosing the right settings, styling outfits that stand out, and how to create a comfortable atmosphere for families. Valerie's insights are sure to inspire you to capture your family's joyful moments in a meaningful way. So, grab your favorite drink, settle in, and join us for a fun and heartfelt conversation that will leave you eager to create lasting memories with your loved ones! Connect with us on all social media platforms! Chapters: 00:52 Valerie's Background and Journey into Photography 02:45 Balancing Family Life with Photography 09:52 Preparing for Family Photos 19:19 Choosing the Right Photographer and Style 25:11 Creating Comfortable and Natural Family Photos 33:51 Capturing Mom's Special Moments 34:49 The Importance of Family Photos 39:46 Creating Genuine Connections 47:12 Finding Joy in Everyday Moments 53:13 The Value of Professional Photography 01:01:47 Concluding Thoughts and Contact Information   ✅ Facebook: https://www.facebook.com/revitalizedwomanhood ✅ Instagram: https://www.instagram.com/revitalizedwomanhood/

In this episode of the podcast, I chat with Steve Rolfe about his captivating creative process using little people figurines in his photography. Steve shares his approach to developing scenarios, prioritizing simplicity in storytelling, and the importance of trial and error. THE BIG IDEASPlan Your Scenario First: Develop a clear narrative before choosing the location. This foundation ensures your photos tell a compelling story.Keep It Simple: Aim for easy-to-understand, organic images. Simplicity enhances the viewer's connection to your work.Embrace Trial and Error: Use feedback and iterative improvements to find the right balance in your storytelling. Learning from mistakes is key.Stay Inspired: Regularly seek inspiration and let your environment spark new ideas. Consistent creativity keeps your work dynamic and fresh.PHOTOGRAPHY ACTION PLANCreate Small-Scenario Tables: Design miniature sets on small tables or surfaces to experiment with storytelling. Use household items and small figurines to navigate through different scenes.Focus on Storytelling Over Location: Outline a brief story for each photo scenario you want to capture. Select locations that naturally complement, rather than dominate, your narrative.Simplify Your Compositions: Limit the number of elements in your frame to avoid unnecessary distractions. Use a central subject and minimal props to retain the viewer's focus.Gather Feedback: Share your work with a small, trusted group to receive constructive criticism. Implement the feedback and observe how it transforms your work over time.Experiment with Different Props: Visit local hobby shops to find unique miniature items that could add character to your scenes. Test different combinations of props to see what works best with your overall theme.RESOURCES:Visit Steve Rolfe's Website - https://www.steverolfephotography.co.uk/Follow Steve Rolfe on Instagram - https://www.instagram.com/steve_rolfe_photography_/Follow Little People Media on Instagram - https://www.instagram.com/little_people_media/Get Back your Family Time and Start Building Your Dream Photography Business for FREE with CloudSpot Studio.And get my Wedding and Portrait Contract and Questionnaires, at no cost!Sign up now at http://deliverphotos.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Kristen Fields is an award-winning portrait photographer based in Boise, Idaho. She has photographed professionally since graduating from Brooks Institute of Photography in 2006 with a BA in Professional Photography. She specializes in contemporary portraiture, boudoir, and personal branding, valuing the relationships she builds with her clients. She prides herself on creating images of her clients that show them who they truly are and how their people see them.00:00 - 00:18 "I think now there's such a trend even in marketing, you and I have talked about this before, where it's you have to show up authentically now. And how can you say that you're doing that if you're not out there too? And I have to, I'm speaking to myself right now so much. Because even as a photographer, I get uncomfortable.” — Kristen Fields00:19 - 00:37 Welcome to Peppershock Media's Marketing Expedition Podcast00:38 - 01:18 Kristen's Bio01:19 - 14:55 Marketing Essentials Moment: Rise of the Machine, the AI Generated Content14:56 - 16:50 Welcome to the show, Kristen!16:51 - 20:12 40 Over 40 Project20:13 - 23:00 Personal Branding and Empowerment23:01 - 26:08 Importance of Authenticity in Personal Branding26:09 - 31:56 Building Relationships and Networking31:57 - 32:41 By spreading the word about The Pink Tax Rebate (no purchases necessary) we get up to a $20 credit to spend on Billie razors and body care. Let's do this!32:42 - 34:47 Kristen's Teaching Experience34:48 - 37:04 Generating Buzz and Building a Loyal Client Base37:05 - 40:40 Future Plans and New Projects40:41 - 45:39 Balancing Work and Personal Life45:40 - 46:30 Reach out to Kristen46:31 – 47:21 Thank you so much, Kristen! Share this podcast, give us a review, and enjoy your marketing journey! 47:22 – 48:08 Join the Marketing Expedition Community today!#PersonalBranding #Branding #BrandGrowth #Authenticity #Podcast #Photography #KristenFieldsPhotography #MarketingTips #CommunityBuilding #BusinessGrowth #SuccessStory #BuildingRelationships #FreshMarketingStrategy

In episode 340 UNP founder and curator Grant Scott is in his shed reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2024

LuckyDogPodcast.com Sponsored by EliasRauchMedia.com |Professional Photography & Videography Topics: Vote! Vote.org Paris & Switzerland Trips Movies Election News IPhone 16 & PS5 Pro announced KDOT halftime show Popcorn buckets can't stop, won't stop Support the podcast! paypal.me/TheLuckyDogPodcast Full Review on Patreon https://www.patreon.com/LuckyDogPodcast Comments , questions , concerns Email | LuckyDogPodcast@gmail.com Twitter | @Luckydogpodcast Facebook | https://www.facebook.com/groups/1837733192954230/ Twitch | https://www.twitch.tv/luckydogpodcast Instagram | https://www.instagram.com/luckydogpodcast/ Youtube | https://www.youtube.com/channel/UCCuKWJ_dY4ID3jV0TXzCFEQ Discord | https://discord.gg/MrvPwka Threads | https://www.threads.net/@luckydogpodcast

So after three days of judging images for the British Institute Of Professional Photographers, it's time for me to step down from my role as Chair Of Awards And Qualifications.  I have been in the role for three years and it is time for someone else to pick up the reins and run with it (if that isn't a mixed metaphor.) I have loved doing this and if it weren't for a million things I have to go on and do, I think I would do it forever!  So as I drive home from my last round of qualifications - possibly the best one I've ever been involved in - here are a few musings of things I have spotted. This is a 'Tales From The Land Rover' edition so please forgive the audio quality and any mild road rage! Enjoy!   Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript EP157 - After The Judging The Exhausting Journey Home So I'm driving home from Birmingham, just in a service station, having bought the most expensive cup of coffee in the world, um, but I need one. It's been a long few days, um, and I am beyond exhausted. Reflecting on Judging and Achievements I've just been judging for the British Institute of Professional Photographers. I was there as chair of judges and quals for the last time, maybe not for the last time ever, but certainly for the last time, uh, in this current guise., it's been three years, I've done it for three years, and I need some time to be able to do some other things, it's nothing more than that, that's all I need, it's just to be able to do some other stuff, because we're building up Mastering Portrait Photography, which, by the way, we actually got another royalty statement through this week, um, for the book, ten years later, and the book is still .selling, I cannot believe it, uh, selling all over the world, and it's such an honor to have something out there that is still ticking over, you know, a few hundred copies, I'd say it might be more than that, but it's hundreds of copies, every year, around the world, it's still in print, after ten years, and while much of the book I would update now, it's still reasonably, uh, current, the pictures certainly stand up for themselves, as do the Uh, all of the notes. I think the one thing I would change is the opening chapter, which is all about current cameras. And of course that's changed in 10 years. They're not at all like that. And that's kind of what we're doing. We're building this incredible website called Mastering Portrait Photography. That is what I always loved, which is images and explanations and diagrams and ideas. And I have a bookshelf from floor to ceiling full of those kinds of books. So, it's time to stop judging for a moment, and I've just spent the past few days doing it. I'm on the M40 heading south. I'm Paul, and this, this is the Mastering Portrait Photography Podcast. Well, wow, what a few days it has been, and what an honour and a privilege it's been to have the role of Chair of Qualifications and Awards for the world's oldest. Photographic society or association, um, just beyond belief that I was asked to step into that role and it saddens me to leave, particularly after these couple of days because it's been just the most exciting thing. It's been absolutely wonderful, but I have to do it. We have to find a way of getting a little bit more time to do the other things that I need to get to. So. Stepping Down from Chair of Judges I've stepped down, I stepped down a few months ago and said I'd run it to the end of the year, so I've just finished the last set of qualifications that I'll be chairing, for now anyway, and the last annual printmasters competition. I've got one more round of monthly images to, uh, chair the judging for, and then I am done for a little bit. So I'm not done judging, I'll still be judging both for the, sorry, for the BAPP, I'm sure. And for the Societies where I'm going to be in January, we're presenting again in January at the Societies Convention in London. Um, I'm doing a couple of workshops, a couple of masterclasses, but I'm also going to be judging. I'm also leading the judging for the Click, uh, Click Light event, uh, sort of towards the end of next year. I already know that's in the diary. So it isn't that I'm stepping away from judging, it's just I'm stepping away from the role that I currently have at the moment. Um, because it's just too time consuming, it's all I can do. Um, so what have the last few days, uh, been? The Joy and Challenges of Judging Well, we've judged hundreds of images, and I, it is, it's hundreds and hundreds of images. We've judged eleven panels, there are six judges. I chair a team, there's myself and six incredible photographers across all genres, um, of our art form. commercialphotography, portraitphotography, weddingphotography, landscape, wildlife, you name it. Uh, this broad skillset in the judges, um, was in the room. Six just wonderful people, um, and it's that I think I'm gonna miss if I stop judging, of course. It's being in a room with these massive talents who make me laugh and inspire me every time we do it. So we have judged 11 panels. of which five, uh, came out as a fellowship standard. That's the highest grade we can offer is fellowship. Fellowship at the British Institute of Professional Photography. I got my fellowship, uh, 2011, I think. I should know the dates to my own life, but I don't. Um, and I remember then wondering what, where that would take me. What did it mean? And where it's taken me is to where I am right now. We've written a book. I've chaired all sorts of associations, I've chaired, I've been the Chair of Quals and Awards for the, um, for the British Institute of Professional Photographers. Um, I've travelled the world, I've worked on cruise ships, I, just, so much stuff has happened, and it's all thanks, or at least it was triggered, by me doing my quals. Uh, so five fellowships, uh, three licentiates, um, three of the panels we saw of the eleven sadly were unsuccessful, um, but of the others, eight were successful, and a couple of those were uplifts, which means they came in at one grade, and they didn't just get the grade they came in for, um, they were deemed to be so good, they were uplifted to the next level, the next qualification, and they both came out at fellowships. And I've had the chance to see and talk to the most wonderful photographers and their images. One panel in particular really just blew me away. And it's rare that I look at a panel and I wish I'd taken those images. There are panels where I love the images, but they're not really my field or it's just, you know, a different thing to what I do. But this was a panel of portraits of artists and creatives and artisans, famous artisans, some of them unknown artists, others, and the way the work was presented, the way the author was so down to earth and humble about what he did, the way he'd captured characters in a moment in time, the way he'd styled each image in each studio, everything about these images just made me wish. I had captured them and that's how it's left me. But what a way to leave, right? What a way to finish my tenure, um, after three years in the role. What a way to decide it's time, um, and although I'd taken the decision a few months ago that it was time for me to step away, I couldn't have foreseen that the last round of judging that I would chair like this would be simply the best couple of days of my time in the seat. Absolutely. uh, amazing. So as I said, we've just judged the printmasters 2020. I don't know if I did say it or not. Obviously when I'm driving in the car, I'm on the motorway, uh, concentrating on the driving is my priority. Speaking into a microphone is very, very low down the list. Um, so of course I'm making it all up as I go along and trying to remember what I've said. I have no idea. Did I tell you that, um, we've just been judging the printmasters as well as some qualifications? I've no idea. So that's what we've been doing two days, one day printmasters, another day. Quals, the print masters, hundreds of prints, hundreds and hundreds of prints. Insights on Photography Competitions So what have I learned over the two days? Uh, well, let's sort of think of, uh, some things. Firstly, and this sounds obvious, but I'm in the same way that McDonald's print caution is coffee might be hot on the side of their coffee. It's such an obvious thing, yet people don't. So I'm telling some of the obvious things and yet people don't read the rules. Start there. Whatever else you do, read them. Don't ignore them, because we will find out. We have had one image confirmed as being generated by AI. I doubt it's the last. We're gonna see more. The judges spotted there was something not quite right about it, so we dug in. Sure enough, AI. That's not to say there isn't AI we've missed. AI now is so good that if it's presented to us, Unless we forensically check every file, I don't know what else we're supposed to do. Um, we spotted it, we got it checked, that's disqualified. There are others maybe in there, um, that have more than a smattering, um, of artificial intelligence involvement. But, you know, uh, the tools will get better and better and better at spotting it. Um, and maybe it'll get to the point where in all competitions we have to ask to see The original RAW file, but even that, you know, you can fake a RAW file. So, what do you do? Uh, either way, absolutely brilliant. Um, also if it says it has to be a commissioned image, that does mean you can't use images from workshops. Um, commissioned means you had a client who paid you to take the picture, that's what a commissioned image is. And of course, when images of models start popping up, this In a room with six of the most experienced photographers in the UK, there's always going to be one of them that's like, I know that model, I've seen those pictures, I know where that was taken, I know who took that. Um, and so yeah, sure enough, we had to ring around a little bit and find out, um, whether some images were, um, within the rules, um, and the confirmation, uh, came through one way or the other. And of course, just read the rules. Uh, I say this every time I do one of these mop ups. Paper and mounts. Paper and mounts. Paper and mounts. If you have any white paper showing of the printing paper, it's a good idea that the matte is either significantly different in colour to that paper, or is exactly the same as that paper. Um, one of my favourite, um, ways to mount an image, and there were quite a few we've seen over the past few days, The idea behind this was to have a white paper border around the print that sits then inside the mount. So there's a gap between the edge of the actual ink on the paper and then the cut of the mount. It creates a really beautiful sense of space as it sits into the opening. But the paper needs to be the same colour as the mount. Otherwise it looks really weird. I suppose you could have a black mount and white paper. Yeah, that would be fine. But a slightly off white mount and a pure blue white paper probably are not going to sit that comfortably, uh, together. So think about that. Think about how the whole image appears. So what else? The Importance of Mentorship Well, good mentors matter. I might write a title. I might, might, maybe I should write a podcast on that and that alone. Good. Mentors matter. They really do. We can see the work coming through from great mentors. Um, because the panel is considered, the way it's laid out is considered, the image selection is considered, um, having somebody else's eyes on to help you step outside of yourself. The problem is when you're looking at your own images is you are by definition attached to them. You can't get around it. That's the way it should be. You are attached to your own images, which means you're not looking at them objectively, or at least most of us can't look at them objectively. I'm sure there are photographers out there who profess that they can. I can't. I need another pair of eyes on. I have a mentor, and having a mentor is utterly, utterly crucial. Um, someone who can not just cast their eye over what you're doing, but help and shape and guide, give you ideas, bounce stuff off of you. Someone, ideally, who you respect, that you think what they've created and maybe what they can drag out of you will just make you a better photographer. That's your mentor's role. They don't have to necessarily be a better photographer, they have to be someone you respect. Um, so have a good mentor and talk to them. Being meant, I've said this, there's a podcast on this somewhere in my history. That being mentored, being a mentee is a skill in and of itself. It's not just a case of a mentor telling you how to get better. It's you driving that, you asking for the right help. You listening to what a mentor tells, tells you, you deciding what from what they're advising, what to do with it. You won't do everything a mentor suggests because your mentor is them and you are you. You know, unless your mentor is your twin or something, they're always going to tell you things that, well, I can see how that might work for you, but it probably isn't what I want to do for me. That's fine. That's completely fine. As long as it's a rational decision that you're going to do something slightly different. It's not just, nah, can't be bothered because can't be bothered, got no one nowhere. So have a good mentor, listen to them, use them, drive it, uh, and, you know, It just, you can see it in the panels that came through where the mentor, the relationship with the mentor, uh, was incredibly, incredibly good. Staying Current in Photography The next thing I'm thinking of is be current. And what do I mean by be current? Well, the trick, I think, is to love the world in which you work. Look at the art, look at the Tele, films, listen to the radio, be influenced by the world in which you work. Don't just, you know, it's the temptation always, I think, when you do things like fellowships, is to say, well, that's defined me, that's who I am. And we see it sometimes in the work, and frankly, we see it sometimes in the judging, where, um, just because it's always been, So that's the way it always will be. And that's, that's, that's not a great way to be. I don't think, you know, mix with new photographers, new generations of photographers. If you're like I am just that little bit more experienced in the industry, you know, my influences now have to broaden into the younger market because that's not my natural fit. So I've got to get out there and explore what's being created. On channels that maybe just maybe I wouldn't normally gravitate towards. You know, I can't say I am a TikTok king, um, but I do go on there. I do keep an eye on what's going on. I try to learn from it. Um, Insta, I have a big account on Insta, um, which right now is still reasonably current, but it won't be in the same way that Facebook probably isn't anymore. So, be current, be aware of what's on magazine covers or the latest and greatest websites. Have a. I don't know, have a link on your browser that gives you the top ten designed websites in the world at any one time. You can do these searches. In which case, have a look at what they're using as the imagery. As a photographer, that's our job. You can have a style, of course you can. But, you should all, always be absorbing and assimilating. And, some of what we've seen over the past few days, It felt a little bit like it was looking backwards rather than looking forwards and we should represent the future as photographers, not just what's gone on before. Again, I'm not saying throw away the classical techniques, of course I'm not, because they're there for a reason. Cliches are cliches for a reason and rules are essentially just cliches. So don't ignore it, but interpret it in new and exciting ways. Style images. Finish images, use post production, try different things that it would never have occurred to you to do. Just be exciting and be current. Capturing Genuine Connections Uh, for you wedding photographers or frankly anybody who photographs people who are in love, uh, or people I suppose because there's an extension to this, um, one of the things that came up a little bit was a disc or various discussions around whether A couple had been photographed and it looked like they were genuinely and authentically in love. The connection between the couple, um, there needs to be movement in that. It's like choreographing a dance when you have a couple sort of, um, in each other's arms or really close to each other. Don't think like a photographer, what do you want the end, what do you want the shape of them to be? Think like a choreographer and think, what would I like the movement to be? And then as a, as a photographer, think, okay, now I've got the movement and the shape and the emotion and the rhythm of this, what moment do I want to hit the button? Now of course you can pose it statically, that's not a problem, but it should feel alive. It should feel like they're moving, that they are in harmony with each other. There needs to be a connection between them. And then ultimately, there needs to be a connection with you, the photographer. Or more importantly. The viewer who sees the image in the end and to do that they must connect with your camera now You're holding the camera So they have to connect with you and then you have to guide them towards the lens if it's eye contact that you want But there has to be they have to like you and you have to genuinely like them It shows in the images when there's a relationship between the subject and the photographer You can feel it. It's, it's sort of there in the picture. It's there in their eyes and their muscles. It's there in the timing of the shot that you take. It's there in the way their shoulders rise or fall or the way he's not just holding her or she's holding him or she's holding her. Building Connections Through Photography It's the way that they bring each other closer together with laughter or emotion of some sort. So have a connection with your with your subject and get them to have a connection with each other. Um, one of the biggest things I've thought of, I've lost track of where I am, of course, because I'm in the car and it's, the road's busy. The Importance of Entering Competitions Um, but one of the things that occurs to me, it's the most important thing you can do with, um, competitions and qualifications is do them. Actually get off your hands and do them. I know some very good photographers who think that they won't win something or they won't qualify. And they certainly won't if they don't enter, that's certainly true, but if they do enter, who knows? I know some of the categories that came through for the print competition this year were eminently winnable. There are great images in those categories, but I know photographers producing equally good images Who had they simply entered, stood as good a chances as anybody else? Why not? I obviously can't enter because I'm, uh, judging. But with another association I enter all the time quietly behind the scenes. I don't really make a fuss about it because if I'm not entering, if I'm not pushing my style and my techniques, how can I consider that I'm qualified to either mentor or judge others? So I do it too, and yes, it's heartbreaking when your images don't. Well, of course it is. It can be expensive and soul destroying. You know, it's a real problem. But, equally, it can be hugely rewarding. So you, you can't win if you don't enter. You can't qualify if you don't try. Learning from the Process And the process, particularly with qualifications, the process is so much more important than Than the qualification itself, though that is absolutely not , not how it feels. It's only afterwards when you can say these things. You never, anyone if, if anyone's ever going for qualification. Um, and I say to them, um, you know, uh, how do you feel? And they're like, ah, it doesn't really matter. It's just a process. It's a journey that I'm like, no way. No, no, no, no way. I know you are not telling the truth. Why? You wouldn't put yourself through that kind of expense and that kind of pain and discomfort if it was just about the learning. But the learning is the bit of the puzzle. When you look back with hindsight, whether your panel is successful or not is the most valuable thing you'll do. Because that's where the lessons are. That's where the learning is. That's where the development is. The letters give you confidence. The letters help you shape who you want to be. And they certainly, if you know what you're doing, help you market yourself. But they're not a definition of who you are. The process of getting there, though, is, because it gives you, or it shapes, or it demonstrates, I don't know what the right word is, that you have the dedication to your craft, that you're willing to get down and push and push and push to be the very best that you can be. You're never going to be a finished article, or at least I don't think you can be. Using Insecurity as a Driving Force I think every day, I mean for me for instance, I wake up every day it's a mix of enthusiasm and energy and ambition and insecurity. I just think, oh I'm not very good but today I'm going to be better. That might not sound like the most reassuring thing in the world but it is what it is. You know, I've learned to use my insecurities as my driving force. I don't like feeling that way. God, I hate feeling that way. Why would I like feeling that way? You know, I look at some of the photographers out there that are Sometimes massively, they overrate themselves, but they're just hugely confident. And I'm not that guy. That's not my personality. Mine is to feel, I suppose, um, insecure about my work. But I use that insecurity and that sense of, I wish I was better as my driving force. And everyone has their own driving force. You'll have to find yours. I've found mine. I know what it is. I wish it was something slightly different. I wish it was something slightly more sort of positive, I guess. I saw a counselor would ask me why, why have I empowered other people to make me feel insecure or something. I have no idea. I've never been to a counselor, but I'm guessing that it's my, my, the energy that I use, the fire that I have might not be the most positive, um, and reaffirming way of doing things. But for me, it, it is who I am. And it pushes me to do things. It pushes me to try things. It gives me the energy to overcome hurdles and, and create videos or create the website or write a book with someone. Um, terrifying though it is, I just want to be better at it and so I'll keep trying it. Uh, so put yourself forward. The Magic of Light in Photography Another thing I'm just thinking of is the headlamps. Headlamps and taillights are all around me. Is learn how to craft lights, or just as importantly, learn how to see light. Learn how it lands on someone's face, or their figure, or a scene, or a dog, or a cat, I don't know. Saw some of the most exquisite, exquisite cat photography today. Saw some And the author of the panel has learned how to use light to bring out texture and form and character and personality in cats. That's her skill set. It's wonderful. And she's learned how to do it. And, you know, that's where photography stems from. It's all about light. If you're a daylight photographer, learn how to see it. Learn how to observe. Learn how to almost Smell it out. , you know, you see it. You, you, do you ever get excited be, I mean, even now I'm watching a car ahead of me and I can see the pool of light on the road ahead from its headlamps and it's dark in between the Land Rover and him or her, and then there's a pool of light in front of that car. Well, that pool of light might be quite an interesting thing to light somebody in. I spent my life doing that. I can't help it. It's like light is addictive. It's like a drug. Finding good light, or interesting light, or light that might give an effect, when, you know, the cars coming the other way, their headlamps are giving the car I'm following, kiss lighting, because of course it's bouncing off the sides of the metal, and I can see these kind of pockets of light along the side of the car, you know, that's just, oh, that'd be really interesting to photograph someone in that kind of lighting, you know, let's say a, you know, a car's headlamps are probably a bit low to the ground, But if you had a truck or something with overhead lights and you could get them to point down so they're above someone's head but you've got other trucks in the distance where they've got their normal almost ground level headlamps on and they they're going to create the backlighting yeah that could be really super interesting and it's that enthusiasm for exploring light that I think photographers need if they're going to create the truly stunning interesting images. I mean I would say that, I love light. You know, as an Elinchrom ambassador, you'd expect me to say I love light, but I do. I just find it, I don't know why, why, I have no idea why that might be a thing, but I love it. I absolutely love it. And so, yeah, you know, after all of that, I'm sure there's a million things, I'm sure there's a million things that I've missed. And had I spent the time thinking about it and driving home and writing up my notes and recording the podcast properly in the studio, it would sound a little bit better. I'd be jolted around a little less, um, but it probably wouldn't get done because we're so busy just at the moment. So apologies for me doing a Land Rover edition at 70 mile an hour because I can hear it's noisy, but otherwise I was not going to record one at all. Um, the time pressures are now such that I really do have to dedicate more of it to mastering portrait photography, to our website, to building the, um, room mock ups to drop pictures into for beautiful framing, to creating interesting ideas on images and writing up notes on old images. Have I said the videos? I must have said the videos. Oh, maybe I haven't said the videos. Exciting New Projects and Team Members We're creating these beautiful videos. We've got so many news joined us in the team. Katie's joined our team, who's amazing. She's great. She's a real breath of fresh air. She's young. And so she sees the world totally different to me. Um, so, you know, between us, I think, hopefully, it's a two way street. I'll help her understand mostly software. I'm pretty good at picking up software. Um, and so Blackmagic's DaVinci is now another one of the tools that I'm reasonably comfortable with and can get my head around. Um, so I'm helping her get up to speed with that, but in return, she's showing us a young view of creating videos, which there's no way I would have done. Sarah and I wouldn't have done it that way. But I'm really loving having that around. But it takes time. All of this takes time. And, um, running the workshops, you know, we now run regular workshops and they're going to increase. Workshops and Community Engagement Um, because we just love doing them but also it's part of our business model going forward. Um, and to have time I've got to stop doing so many other things that I've been involved in for a while anyway. So, uh, Yep, standing down and it's all for mastering portrait photography. On that note about workshops, we do have a space actually, we've got a mastering studio lighting workshop which is on Monday the 4th of November, so it's a few weeks away, but there's still a space on there. I love this day, I think this day is one of my favorite workshops, um, that we do, where we just play with lights, play with ideas, try things out, smoke machines maybe. GoBos, BigLights, SmallLights, um, HighKey, LowKey, you name it, we just play. Because that's by far the best way of learning stuff. Um, you can do whatever way you want. Some people are bookworms, some people like a video or two. For me, I like messing around, um, and coming up with ideas. So that's on Monday the 4th of November, if you fancy it. Why is it right, when you're overtaking someone, why do they accelerate? Bye. Anyway, um, I don't like motorway driving very much. Everyone's very aggy, people are very aggressive, they just, it's a weird, ever since COVID it seems to be a very weird world. Uh, anyway, where was I? Oh yeah, I just love playing in the studio, and that's the workshop. So it's Mastering Portrait, sorry, Mastering Studio Lighting, uh, on the 4th of November, if anyone fancies it, just Google Paul Wilkinson Photography Workshops, or head over to paulwilkinsonphotography.co.Uk, or similarly, you can go to masteringportraitphotography.com, and the workshops are in there, in the Academy. The same workshops, but they're in the Academy, uh, over there. Eventually we're going to fuse all of the workshops into Mastering Portrait Photography. There's one single entity, so at the moment they're sort of co existing on the two sites, um, but it's the same workshop. Uh, we will be putting more and more of them up on there. Subscription Benefits and Pricing If you subscribe, actually, to Mastering Portrait Photography, um, it's not a lot of money. It's 6. 99 at the moment, as at the time of recording, it's 6. 99 a month, which is actually the same price as the cup of coffee I've got sitting here in my Land Rover. So it's one very large pumpkin spice latte per month. Um, To join the website, but if you do that, you get an advance notice of the, um, workshops, um, and you get to, uh, jump on them earlier than anybody else. You get to be part of our community, the Facebook community, uh, which we're building, um, making that more and more vibrant and interesting. And, um, you can post pictures in there and people would jump in and give you tips. If you ask for it, if you don't really want it, then, you know, you can just post your pictures for the sheer joy of it. Uh, so that's all part of it. You get to download any of the tools for free, you get to download any of the room mock ups for free, you get to watch all of the videos and see all of the diagrams and there are hundreds of them. I did a count up the other day and it's still like 400 diagrams I think, it's a lot. Um, but the whole site is there 6. 99 a month. If you want to spend it, if you want to spend a little less on a bit of a discount and do it over a year then you can enter the annual one. Um, and so if you pay annually it's 69. 99 for the year. Uh, which of course is about, what's that, 10 percent cheaper. You know, have I got that right? It's 10, it's 12 months for the price of 10. There you go. I don't know what that is. It's a mathematical term. I'm going to have to look that up if I'm going to publicize this. Um, uh, but that gives you a slightly better rate. Slightly cheaper, but also gives you discount codes to the workshops. So not only do you hear about them early, but you get a little bit of a discount on them too. There are a couple of other options on there as well. If you fancy. And no, you're going to book onto our workshops or come to us for mentoring. There's two other options to, uh, for the membership if you want them, um, and you can have a look on our website for that. Just Google or search for Mastering Portrait Photography Pricing, or just head to our website and hit the pricing, uh, link. So that's where we are. Final Thoughts and Farewell I'm just heading south on the M40. Um, I've run out of things that I've remembered to say. That's not that I have run out of things to say. I just have run out what I have remembered to say. to say. So as I thread my, oh that blooming van's just overtaken me again, um, so as I head my way south on thankfully a relatively clear motorway, uh, I'm going to say thank you for listening if you have listened to the end of this podcast. I know it's a bit noisy when I'm driving in a Land Rover and recording it, um, if you're hearing it I managed to at least convince myself that the wasn't too bad, it didn't sound too rattly. Well, if you're not hearing it, it means I've pulled this podcast. I'm not releasing it because it's just not good enough, uh, audio, but thank you for listening to this point. Please do subscribe, wherever it is that you receive your podcasts or you consume your podcasts. By doing so, you'll get to hear the episodes as they come out. So if there are any offers and things, or any last spaces, you get to hear about them first. Uh, you can hear us on Spotify, iTunes, and all over the place, basically. And whatever else you do in the coming weeks, be kind to yourself. Take care.

In episode 336 UNP founder and curator Grant Scott is in his shed reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2024

In episode 333 UNP founder and curator Grant Scott is in his shed reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2024

Being laser-focused about where we want to take our business and working on the right aspects that will bring results.Creating a portfolio and marketing it, is a huge part of building a photography business. In fact, it is the key step in starting right because if the client does not like what they see, there's no 2nd conversation from there.But when our portfolio is created the right way and shared the right way, it helps us work with better clients, negotiate better rates, and in fact, raise our rates. The secret lies not just in creating beautiful work but also in being smart and strategic about how we create, share, and update it. In this week's podcast episode, we continue our conversation with Lucia Marecak, food photographer, food photography teacher, coach, and creative online business consultant based in Italy. Lucia shares everything about creating a powerful portfolio that brings clients, helps you raise your rates, and differentiates you from the competition.Lucia shares everything from creating separate portfolios, the different ways to market your portfolio, use it to attract clients, tips to present your portfolio in pitches, how to use it to raise your rates, and the importance of feedback to improve and upgrade your portfolio.We are always creating new content, new photos, new recipes, new videos. It's so easy to start being strategic about our content creation anytime.We can start today.And if we already have a robust, well thought-out portfolio, then we can start sharing it in ways that all that hardwork can make the impact it truly deserves. And we start anytime, wherever we are in our journey. Basically, we can start today!The beauty of it is that it's never too late. The train hasn't left the station. As soon as we learn the power of creating and marketing it a portfolio, we can start right away.Here's how to create a photography portfolio that brings results. Have a question? Submit it as a voice note to be featured on the My Food Lens Podcast HERERead more at https://myfoodlens.com Follow Dyutima on Instagram at https://www.instagram.com/dyutima_myfoodlens/Show notes available at https://www.myfoodlens.com/blog/103-how-to-create-a-professional-photography-portfolio-to-grow-your-business-part-2Download free resourcesThe 5 steps to visual storytelling https://myfoodlens.ck.page/b0ea86cef6The 10-step photoshoot https://myfoodlens.com/the-10-step-photoshoot-guide/

Founded in 1945, E.A. Photography began by offering high-quality portraits to professionals. Now a leader in executive and family portraiture, the studio blends traditional techniques with modern digital photography, ensuring unmatched quality and craftsmanship. On this episode of The Wednesday Match Play Podcast powered by Epic Golf Club, Nick takes us through the story of E.A. Photography, sharing how he got started and emphasizing the value of collaborating with private clubs. He sheds light on how they maintain confidentiality and dives into their Membership Recognition Program, discussing its objectives and impact. Nick also highlights the company's milestones and successes over the years. This was a photogenic conversation, and a privilege to have Nick on the show. Say cheese!

In today's episode, Dr. Addison Killeen dives into the often-overlooked aspect of marketing: the power of professional photography. Discover why investing in high-quality images for your website can elevate your practice's visual appeal and attract more patients. Tune in to learn how this simple strategy can make a big difference in your marketing efforts. For more information about Dr. Addison Killeen, visit: www.addisonkilleen.com or interact with him on a daily basis at www.DentalSuccessNetwork.com

As interior designers, showcasing stunning images of our work on our website or in pitches to magazines can be a game-changer. Today, we're diving into why high-quality photography is essential in a conversation with our special guest, Catrina Maxwell of CatMax photography, and how it can elevate your business  Listen to today's episode here wherever you get your podcasts. Watch today's episode on YouTube: https://bit.ly/InsideDesignYouTube KEY TAKEAWAYS: 1. Professional photography is essential for pitching to magazines, your website and social media.2. Staying up-to-date with technology and tools you use are integral no matter what business you're in.3. Businesses need to show their personalities and processes on their website and social media outlets to elevate their brands and connect with potential clients. This can be done with a brand photography session. KANDRAC & KOLE BIO Voted one of “Atlanta's Top 20 Residential Interior Designers” by the Atlanta Business Chronicle, Kandrac & Kole Interior Designs is an acclaimed design firm with two decades of experience serving residential and commercial clients. Their work has been featured in leading publications across the US. Since 2005, Joann and Kelly have built a respected partnership. They are renowned for their dynamic personalities, distinctive use of color, and unique custom designs. Frequently invited to share their insights at industry events and on design panels, they are recognized as diligent business operators who remain approachable and genuine, radiating constant positive energy. In 2018, they used their infectious energy to launch their podcast, “Inside Design with Kandrac & Kole.” This lively, weekly conversation, where Joann and Kelly share design and industry insights, became so popular that they introduced a series of bonus episodes, “The Inside Scoop with Joann and Kelly,” in 2024. Their dedication to the power of interior design also extends to their charity work throughout the U.S. and Guatemala. CATRINA MAXWELL BIO Catrina Maxwell is a celebrated freelance photographer and the founder of CatMax Photography. A native of Atlanta, Georgia, Catrina has cemented herself as the area's leading photographer for interiors, lifestyle, editorial, personal branding, events, and corporate photography. Her images have appeared in Southern Living, Atlanta Homes and Lifestyles, Rolling Stone magazine, Atlanta magazine, Getty Images, and across the covers of numerous publications, including Best Self Media and more. Local media outlets have also profiled her, and Atlanta residents have seen her work displayed on billboards throughout the city. www.catmaxphotography.com and @catmaxphoto on InstagramCatrina's newsletter sign up: https://view.flodesk.com/pages/613b7d348a9a21678c2d429d A SPECIAL THANK YOU TO OUR TEAM – Russ Riba with Podcast Studio Network (https://www.podcaststudionetwork.com) who handles our production and engineering services and makes sure that our sound is polished and professional; and to Gayle Mahoney of Gayle Mahoney Branding + Design for production and marketing of the podcast and making sure all of the information goes out to social media! SOCIAL LINKS https://www.facebook.com/kandracandkole/ https://www.instagram.com/kandrackole/ 
 https://twitter.com/KandracKole  https://www.pinterest.com/kandrackole/