Podcasts about year international

Jason Edwards - Icebergs to Iguanas: Photographic Journeys Around the World. This is episode 733 of Teaching Learning Leading K12, an audio podcast. National Geographic's Jason Edwards has been at the forefront of natural history photography for more than three decades. His image portfolio ranks among the largest of any photographer in the Society's long history. Based in Melbourne Australia, a passion for wildlife and the environment has been with him over his extensive career that began as a zookeeper at the Zoological Board of Victoria. Jason has since been recognized globally for his contributions to Science, the Environment, and the Arts.    Jason's accolades within the photographic industry stretch over 25 years and include among others; two times winner of the Eureka Prize for Science Photography, four times winner of Communications Art Photography Annual, two times winner of the ProMax Golden Muse, POYi Pictures of the Year International, and Travel Photographer of the Year. He was awarded the Australian Geographic Society Pursuit of Excellence Award and also honored as one of the world's ‘100 Photography Heroes' by Professional Photographer Magazine, London.    Through his commissioned assignments and as the face of National Geographic Channel's Pure Photography, Jason has taken his story telling to televisions and streaming networks in dozens of countries and to every continent. His imagery has appeared in hundreds of publications including National Geographic Magazine, BBC Wildlife, Australian Geographic, Sports Illustrated, Conde Nast Traveler, and The New Yorker.    Jason is the author and photographer of Icebergs to Iguanas, a large format series of books illustrating his National Geographic imagery. He also authored and photographed science education books for the children's education market, and his imagery has appeared on everything from environmental campaigns to Hollywood blockbusters.    As a leader and mentor, Jason has worked with photographers of all levels, instructing them in the art of storytelling and how to find and translate images. He has spent years providing rich and entertaining experiences; working in partnership with organizations and individuals; guiding participants both on private expeditions and as one of National Geographic's most sought experts.   The Conservation Photographers (ILCP) is an organization that utilizes the power of photography to educate and inspire people globally about conservation issues. Jason is an Associate Fellow of the ILCP and uses his lens to narrate and highlight issues affecting wildlife, the environment and indigenous communities. Jason holds an Honours Degree in the Bachelor of Applied Science in Scientific Photography and tertiary qualifications in the Animal Sciences.   Jason is an ambassador for both Tourism Australia, and Sustainability Victoria, he is a Friend of the Australia Museum, and a coveted keynote speaker. Drawing upon his skills as an environmentalist, animal scientist, documentarian and National Geographic stalwart, Jason is an entertaining and insightful raconteur, championing natural history and the art of photography. In addition, he is the host of Snap Happy the Photography Show, which airs nationally across Australia.   Jason's Fine Art Prints are archived in private collections around the world and have been exhibited internationally including the USA, United Kingdom, Canada, Australia and Europe, where National Geographic presented his compelling imagery of Alang at the prestigious Visa Pour L'Image Photojournalism Festival. Our focus today is his amazing book - Icebergs to Iguanas: Photographic Journeys Around the World. Wow!!! What an amazing book, conversation, and life! Jason is Incredible!!! Thanks for listening! Please share! Before you go... You could help support this podcast by Buying Me A Coffee. Not really buying me something to drink but clicking on the link on my home page at https://stevenmiletto.com for Buy Me a Coffee or by going to this link Buy Me a Coffee. This would allow you to donate to help the show address the costs associated with producing the podcast from upgrading gear to the fees associated with producing the show. That would be cool. Thanks for thinking about it.  Hey, I've got another favor...could you share the podcast with one of your friends, colleagues, and family members? Hmmm? What do you think? Thank you! You are AWESOME! Connect & Learn More: www.jasonedwards.co https://www.nationalgeographic.com/expeditions/experts/jason-edwards/ https://www.instagram.com/jasonedwardsng/?hl=en https://www.facebook.com/jasonedwardsng/ https://au.linkedin.com/in/jason-edwards-8926261 https://www.amazon.com/Icebergs-Iguanas-Photographic-Journeys-Around/dp/0648818500 Length - 01:13:15

In this episode, we welcome Jonah Kessel. Jonah is the Deputy Director of Opinion Video at The New York Times. His work there is a hybrid of explanatory and investigative short form documentary and other innovative forms of visual journalism. In his career, he's been recognized by a variety of organizations, including two World Press Photo awards, four times as a Multimedia Journalist of the Year from Pictures of the Year International, the Robert F. Kennedy Award for Justice and Human Rights Reporting, and the Innovative Storytelling Award from the National Press Foundation. In our chat, Jonah shares his backstory, path to The New York Times, and his experiences helping run the Opinion Video department. In addition, he talks at length about covering the 2024 U.S. Presidential Election. The Making Of is presented by AJA:Meet AJA Ki Pro GO2Easily record up to four channels of simultaneous HEVC or AVC to cost-efficient USB drives and/or network storage with flexible connectivity, including four 3G-SDI and four HDMI digital video inputs, to connect to a wide range of video sources.Find out more hereZEISS Cinema & The Making Of present: A Conversation with Lawrence Sher, ASCZEISS Cinema is pleased to host a live interview with Lawrence Sher, ASC. Join Michael Valinsky from the podcast The Making Of as he discusses Lawrence's work on the upcoming feature JOKER: FOLIE à DEUX, as well as his past films and the indispensable filmmaking website ShotDeck. The ZEISS team will be on hand with our lenses and camera technologies as well!Join us for bites, beer, wine and a conversation not to be missed! Register for free hereFrom our Friends at Broadfield…All-new pricing for RED KOMODO and KOMODO-X unlocks exceptional cinema quality, global shutter performance, and the power of RED to filmmakers at every level. The KOMODO is a compact cinema camera featuring RED's unparalleled image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor. The KOMODO-X is the next evolution with all-new sensor technology that multiplies frame rate and dynamic range performance within a new advanced platform.Inquire hereUpcoming Event: Cine Gear Atlanta | October 4-5thThousands of industry professionals will surge to attend this year at Trilith Studios in Fayetteville, Georgia. A focal point of Southern filmmaking, Cine Gear 2023 drew thousands to the studio, which houses productions like Black Adam and Francis Ford Coppola's Megalopolis. Visitors met with equipment exhibitors from across the globe, attended panels and workshops from the International Cinematographer's Guild, the ASC, and numerous tech brands, and partied at the Friday night Southern Cine Soirée.Get your passes hereOWC Atlas Ultra CFexpress Cards:Experience the unparalleled performance and reliability of Atlas Ultra CFexpress Type B 4.0 cards purpose-built for professional filmmakers and photographers to capture flawlessly and offload files quickly in the most demanding scenarios.Check it out herePodcast Rewind:Sept 2024 - Ep. 46…“The Making Of” is published by Michael Valinsky.Partner with us and promote your products to 82,000 film, TV, video and broadcast professionals reading this newsletter. Simply email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Neste episódio ouves o fotógrafo Tommaso Protti sobre Terra Vermelha, um trabalho desenvolvido ao longo de uma década e que resulta numa viagem densa e desorientadora por uma região assolada por conflitos, desvendando histórias sobre apropriações de terras, incêndios florestais, desmatamento, poluição e gangues.  O trabalho venceu o prémio Picture of The Year International e abriu o CICLO NARRATIVA 2024. A exposição Terra Vermelha está patente na nossa galeria até 15 de Junho e tem entrada livre. Guia e moderação de Mário Cruz Edição de som de André Dias Nobre Jingle de António Quintino Design de Alex Paganelli

Jak wygląda proces powstania książki fotograficznej? Co jest najważniejsze we współpracy projektanta i fotografa? Czy istnieje przepis na książkę idealną? Do rozmowy zaprosiliśmy nagradzane i doświadczone projektantki.Z Kasią Kubicką i Anetą Kowalczyk rozmawiamy o drodze do fotograficznego świata. Wracamy do pierwszych książek, trudnych decyzji. Sprawdzamy jak ważne jest zaufanie w pracy z fotografami. Odwołując się do przykładów książek Huberta Humki, Anny Hartman-Ksycińskiej czy Agaty Grzybowskiej przyglądamy się takim aspektom jak wybór zdjęć i budowanie wizualnej opowieści.Aneta Kowalczyk - Fotoedytorka i projektantka książek fotograficznych i artystycznych, związana z wydawnictwem BLOW UP PRESS. Uznana za jedną z trzech Magazine Visual Editors of the Year w 75. edycji konkursu Pictures of the Year International (2018). Książki, które projektowała były nagradzane w prestiżowych konkursach, m.in. Polish Graphic Design Awards, Pictures of the Year International, Grand Press Photo, Tokyo International Foto Awards, International Photography Awards oraz nominowane m.in. do European Design Awards, Rencontres d'Arles Book Awards, czy PHotoESPAÑA (2018, 2019, 2020).Kasia Kubicka - Większość życia spędziła we Francji, gdzie studiowała w Arts Decoratifs w Strasburgu. W 2005 roku wróciła do Polski na studia na Warszawskiej ASP. Pracowała w prasie, (m.in. w "Newsweek"), oraz dla instytucji kultury (Fundacja "Pogranicze”, Dom Spotkań z Historią,, Miesiąc Fotografii w Krakowie, Fundacja Archeologii Fotografii). Dla Centrum Pompidou w Paryżu zaprojektowała katalog wystawy “The Pencil of Culture”. Aktualnie współpracuje z Muzeum Powstania Warszawskiego i Muzeum Narodowym w Gdańsku. Laureatka licznych nagród, m.in. POY - Photography of the Year, Grand Press Photo czy International Photo Award.

David Chancellor is a multi award-winning documentary photographer. His work brings him across the world, from the sombre mountains of Scotland, to the tribal lands of Kenya and, more recently, the arid plains of Saudi Arabia. A regular contributor to National Geographic, he has participated in numerous group and solo exhibitions, exhibited in major galleries and museums, and published worldwide. Recognized by World Press Photo, the Taylor Wessing National Portrait Prize and Pictures of the Year International, David published the monograph ‘Hunters' in 2012. His work continues to examine mankind's complex relationship with the natural world. Visually reminiscent of 19th-century daguerreotypes, David's photographs are arresting, engaging, and thought-provoking. His passion for his work allows him to consistently succeed in navigating the minefields surrounding his chosen subjects. The resulting bodies of work never fail to draw people in and create a space for a much-needed dialogue. David has won over 50 awards for his work, including Nikon Photographer of the Year multiple times, World Press Photo Award for Elephant Story, Sony World Photography Award for his project Lion, Veolia Environnement Wildlife Photographer of the Year Award for Hunters, World Understanding Award, Environmental Vision Award and Best Long Form Documentary story in Pictures of the Year International for his projects Hunters, Butterflies and Warriors and A Gamekeeper's Life.  He was recently awarded the Siena International Photography Prize for best documentary story With Butterflies and Warriors – shot entirely in the northern rangelands of Kenya over a period of 13 years, the project follows a generation of Samburu warriors as they metamorphose from boys to men. David's work appears in numerous global publications, including National Geographic, The New York Times, Time Magazine, The Independent, The Telegraph

Claudia talks to renowned photographer Jo-Anne McArthur about the power of images in political change for animals. They unpack what animal photojournalism is, some of the challenges photographers encounter in recording the lives of animals, and the political implications of such photos.  Date Recorded: 17 October 2023.  Jo-Anne McArthur is an award-winning photojournalist, sought-after speaker, photo editor, and the founder of We Animals Media. She has visited over sixty countries to document our complex relationship with animals. She is the author of three books: We Animals (2014), Captive (2017), and HIDDEN: Animals in the Anthropocene (2020), and is the subject of Canadian filmmaker Liz Marshall's acclaimed Canadian documentary, The Ghosts in Our Machine. Jo-Anne's photographs have received accolades from Wildlife Photographer of the Year, Nature Photographer of the Year, Big Picture, Picture of the Year International, the Global Peace Award, and others. Jo-Anne has been a visiting scholar at the University of British Columbia and Denver University, and in 2020, Jo-Anne was a jury member for World Press Photo. She hails from Toronto, Canada. Find out more about Jo-Anne on her website or connect with her on Twitter (@WeAnimals).   Featured: Hidden, Animals in the Anthropocene by We Animals MediaIt's What I Do: A Photographer's Life of Love and War by Lindsey Addario                                Every Twelve seconds: Industrialized Slaughter and the Politics of Sight by Timothy Pachirat. Maximum tolerated dose by Decipher FilmsZebra Eye by Frans LantingJo-Anne's striking images of minks.We Animals MediaAaron Gekoski The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram Thank you to Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E) for sponsoring this podcast; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John for the logo, Rebecca Shen for her design work, Virginia Thomas for the Animal Highlight, and Christiaan Mentz for his audio editing. This episA.P.P.L.E Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E)Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showThe Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of iROAR Network. Find out more on our website.

On Episode 94 of Outdoors with Lawrence Gunther, Lilly and Lawrence look back at 2023, and ahead to what's coming in 2024. National Geographic photographer Brent Stirton is back for the final installment of his three-part series on photographing environmental and human conflict. And, Lawrence appeared on AMI's NOW with Dave Brown to discuss accessible and safe ice fishing tips and tech for you and your guide dog. Winter has landed, time to get out there and enjoy the season. Highlights:Show Open (00:00)Lilly & Lawrence Reflect on 2023 (00:45)Brent Stirton (National Geographic Photographer) Interview – Part 3 (07:53)Lawrence Discusses Accessible Ice Fishing on NOW with Dave Brown (18:02)Show Close (26:29)About Brent Stirton:Brent Stirton is a South African photographer with an extensive history in the documentary world. Brent's work has been published by National Geographic Magazine, GEO, Le Figaro, Stern, Der Spiegel, Paris Match, Vanity Fair, Newsweek, Time, The New York Times Magazine, The UK Sunday Times Magazine and many other respected international titles. Brent is a fellow of the National Geographic society and a National Geographic explorer. He has worked for UN OCHA, UNICEF, UN FAO, Doctors without Borders, Drugs for Neglected Disease, WWF, CNN, the Ford, Clinton and Gates Foundations, the Nike Foundation and the World Economic Forum. Brent has shot numerous reports for Human Rights Watch. He has done commercial assignments including annual reports for Novartis and commercial work for Volvo and Landrover. He is a Canon Ambassador.Brent has received 13 awards from World Press Photo and 16 awards from The Pictures of the Year International contest. He has won a National Magazine Award for his work for National Geographic Magazine in the Congo. He has won the Visa D'or award from Visa Pour L'Image twice for feature photography. Brent has twice been a finalist for the Prix Pictet award. He has been named Wildlife photographer of the year by the British Natural History Museum and has won Wildlife photojournalist of the year five times. In 2016 Brent won the National Geographic Magazine Photographer's Photographer Award. He has received multiple awards from the World Photography Awards, the Overseas Press Club, The Webbys, The Association of International Broadcasters, the HIPA Awards, the Frontline Club, the Deadline Club, Days Japan, China International Photo Awards, the Lead Awards Germany, Graphis, Communication Arts, American Photography, American Photo and the American Society of Publication Designers as well as the London Association of Photographers. Brent has received multiple Lucie Awards including International photographer of the Year.Brent has been recognized by the United Nations for his work on the Environment and in the field of HIV/AIDS. Brent guided and co-produced a documentary on Virunga National Park - The Gorilla Murders for National Geographic Television as well as appearing in the show. The documentary won the Emmy for Best Investigative Documentary Feature. Brent received a Peabody Award for his work with Human Rights Watch for most significant work in an electronic medium.Brent's work has appeared in numerous print shows around the world and his images are in a number of museum collections. Brent currently spends most of his time working on long-term investigative projects for National Geographic Magazine. He is a Senior Correspondent for Getty Images. He remains committed to issues relating to wildlife and conservation, global health, diminishing cultures, sustainability and the environment. Official WebsiteCanon Ambassador Profile About Outdoors with Lawrence Gunther:Listen live Saturdays and Sundays at 2:30 p.m. Eastern over basic cable on AMI-audio, or stream episodes as a podcast. Send us your comments at Feedback@AMI.Ca and please rank us on Apple Podcast. For more Lawrence Gunther check out Blue Fish RadioThe Blue Fish Radio show features subjects and people of special interest to the future of water, fish and fishing, and is ranked as one of the top 30 fishing podcasts on the internet.Each week the host, Lawrence Gunther, interviews Canada's “giants” in the fishing industry,  CEO's of conservation and sport fishing organizations,  leading fish biologists and researchers, government scientists and politicians, and people with local and indigenous knowledge who exemplify the spirit of conservation and citizen science.The Blue Fish Radio Show is the official fishing podcast of Outdoor Canada Magazine. The Show is also rebroadcast across Canada 5-times each week by AMI Audio over basic cable and satellite TV.

On Episode 93 of Outdoors with Lawrence Gunther, Lilly explores how scientists are measuring the resilience of Canada's Boreal Forest after the worst year of forest fires on record. Also, National Geographic photographer Brent Stirton shares stories about what it's like for people who are blind and living in Third World countries, Lawrence has a few tips on how to safely and sustainably trim back and space trees, and reflects on why he has a special place in his heart for Canada's evergreens.Highlights:Show Open (00:00)Lilly Discusses Health of Canada's Boreal Forest (00:58)Part 2 of Conversation with Nat-Geo Photographer Brent Stirton (05:00)“The Cure for Blindness” - National Geographic Story (05:58)Accommodation through Technology & Productivity (10:06)Underestimating the Blind & Shifting Priorities (12:25)Experiencing Nature & Knowledge Keepers (17:26)How to Safely Trim & Space Trees (20:09)For the Love of Evergreens (23:36)Show Close (24:57)About Brent Stirton:Brent Stirton is a South African photographer with an extensive history in the documentary world. Brent's work has been published by National Geographic Magazine, GEO, Le Figaro, Stern, Der Spiegel, Paris Match, Vanity Fair, Newsweek, Time, The New York Times Magazine, The UK Sunday Times Magazine and many other respected international titles. Brent is a fellow of the National Geographic society and a National Geographic explorer. He has worked for UN OCHA, UNICEF, UN FAO, Doctors without Borders, Drugs for Neglected Disease, WWF, CNN, the Ford, Clinton and Gates Foundations, the Nike Foundation and the World Economic Forum. Brent has shot numerous reports for Human Rights Watch. He has done commercial assignments including annual reports for Novartis and commercial work for Volvo and Landrover. He is a Canon Ambassador.Brent has received 13 awards from World Press Photo and 16 awards from The Pictures of the Year International contest. He has won a National Magazine Award for his work for National Geographic Magazine in the Congo. He has won the Visa D'or award from Visa Pour L'Image twice for feature photography. Brent has twice been a finalist for the Prix Pictet award. He has been named Wildlife photographer of the year by the British Natural History Museum and has won Wildlife photojournalist of the year five times. In 2016 Brent won the National Geographic Magazine Photographer's Photographer Award. He has received multiple awards from the World Photography Awards, the Overseas Press Club, The Webbys, The Association of International Broadcasters, the HIPA Awards, the Frontline Club, the Deadline Club, Days Japan, China International Photo Awards, the Lead Awards Germany, Graphis, Communication Arts, American Photography, American Photo and the American Society of Publication Designers as well as the London Association of Photographers. Brent has received multiple Lucie Awards including International photographer of the Year.Brent has been recognized by the United Nations for his work on the Environment and in the field of HIV/AIDS. Brent guided and co-produced a documentary on Virunga National Park - The Gorilla Murders for National Geographic Television as well as appearing in the show. The documentary won the Emmy for Best Investigative Documentary Feature. Brent received a Peabody Award for his work with Human Rights Watch for most significant work in an electronic medium.Brent's work has appeared in numerous print shows around the world and his images are in a number of museum collections. Brent currently spends most of his time working on long-term investigative projects for National Geographic Magazine. He is a Senior Correspondent for Getty Images. He remains committed to issues relating to wildlife and conservation, global health, diminishing cultures, sustainability and the environment. Official WebsiteCanon Ambassador Profile About Outdoors with Lawrence Gunther:Listen live Saturdays and Sundays at 2:30 p.m. Eastern over basic cable on AMI-audio, or stream episodes as a podcast. Send us your comments at Feedback@AMI.Ca and please rank us on Apple Podcast.

On this episode of Outdoors with Lawrence Gunther, Lilly shares a story about dolphins rescuing a mother and baby whale from sharks, and we learn about marine mammal communications. National Geographic photographer Brent Stirton shares stories about his 25 years of photographing and reporting on environmental conflict, and Lawrence has a few tips on taking pictures without the use of sight. Lawrence also reflects on getting outdoors to open up your hearing.. Highlights:Introduction (00:00)How Animals Hear Underwater / Dolphins Rescue Whale (01:00)Human Hearing Test (02:42)Blue Whales Frequency Range (06:20)Brent Stirton Interview (7:46)Getting Started as a Photographer (8:52)Covering the End of Apartheid in South Africa & Photographing African Conflicts (10:31)Becoming an “Environmental Photographer” (11:33)Photographing Evacuation of Mountain Gorillas for Newsweek (13:00)Working for National Geographic (15:05)Covering Environmental Conflicts (16:26)Human Greed, the Illegal Wildlife Trade & Ancient Asian Medicine (17:07)Shutting Down the Shark Fin Industry (20:06)COVID, Human Disease & the Bush Meat Industry (21:13)Lawrence's Photography Tips for Blind and Partially-Sighted People (23:35)Why Your Hearing Expands in the Outdoors (26:06)Show Close (27:40)About Brent Stirton:Brent Stirton is a South African photographer with an extensive history in the documentary world. Brent's work has been published by National Geographic Magazine, GEO, Le Figaro, Stern, Der Spiegel, Paris Match, Vanity Fair, Newsweek, Time, The New York Times Magazine, The UK Sunday Times Magazine and many other respected international titles. Brent is a fellow of the National Geographic society and a National Geographic explorer. He has worked for UN OCHA, UNICEF, UN FAO, Doctors without Borders, Drugs for Neglected Disease, WWF, CNN, the Ford, Clinton and Gates Foundations, the Nike Foundation and the World Economic Forum. Brent has shot numerous reports for Human Rights Watch. He has done commercial assignments including annual reports for Novartis and commercial work for Volvo and Landrover. He is a Canon Ambassador.Brent has received 13 awards from World Press Photo and 16 awards from The Pictures of the Year International contest. He has won a National Magazine Award for his work for National Geographic Magazine in the Congo. He has won the Visa D'or award from Visa Pour L'Image twice for feature photography. Brent has twice been a finalist for the Prix Pictet award. He has been named Wildlife photographer of the year by the British Natural History Museum and has won Wildlife photojournalist of the year five times. In 2016 Brent won the National Geographic Magazine Photographer's Photographer Award. He has received multiple awards from the World Photography Awards, the Overseas Press Club, The Webbys, The Association of International Broadcasters, the HIPA Awards, the Frontline Club, the Deadline Club, Days Japan, China International Photo Awards, the Lead Awards Germany, Graphis, Communication Arts, American Photography, American Photo and the American Society of Publication Designers as well as the London Association of Photographers. Brent has received multiple Lucie Awards including International photographer of the Year.Brent has been recognized by the United Nations for his work on the Environment and in the field of HIV/AIDS. Brent guided and co-produced a documentary on Virunga National Park - The Gorilla Murders for National Geographic Television as well as appearing in the show. The documentary won the Emmy for Best Investigative Documentary Feature. Brent received a Peabody Award for his work with Human Rights Watch for most significant work in an electronic medium.Brent's work has appeared in numerous print shows around the world and his images are in a number of museum collections. Brent currently spends most of his time working on long-term investigative projects for National Geographic Magazine. He is a Senior Correspondent for Getty Images. He remains committed to issues relating to wildlife and conservation, global health, diminishing cultures, sustainability and the environment. Official WebsiteCanon Ambassador Profile About Outdoors with Lawrence Gunther:Listen live Saturdays and Sundays at 2:30 p.m. Eastern over basic cable on AMI-audio, or stream episodes as a podcast. Send us your comments at Feedback@AMI.Ca and please rank us on Apple Podcast.

Kara Winger is a 4x Olympian, Diamond league final winner, World Championships silver medalist, PAN AM champion, American record holder, and Team USA's flag bearer at the Tokyo Olympics. In this episode she shares how loving the daily grind, embracing community, and leading with vulnerability carried her through an 18 year international career filled with highs and lows - including going 12 years without breaking her own record, falling short of her Olympic goals, and going through multiple ACL injuries. She also shares the incredible story of her final season (it will give you chiils!), her work with Parity (an incredible company providing opportunities to pro women athletes to close the gender equity gap in sports), her retirement, and what she has planned for this next chapter in life after sport. Kara IG: instagram.com/karathrowsjav ALL IN IG: ⁠instagram.com/theallinproject Natalie IG: instagram.com/natalieallport Parity IG: instagram.com/paritynow Learn more about Parity: ⁠paritynow.co⁠

After inheriting a Nikon F3 camera from his photographer uncle in his teens, Andrew Quilty set about casually documenting life. Later, when he was studying photography in the day, and working in a bottle shop at night, a regular took an interest in his work. He turned out to be a photo editor at the Fairfax media company; this was a time when Australia newspapers were punching above their weight on a global stage. Fate had set the wheels in motion for a life and career Quilty never could have imagined. Today, Quilty is a multi-award-winning photojournalist whose work has been published by The New York Times, BBC News and TIME Magazine - and garnered accolades worldwide. He's won a World Press Photo Contest award, a Pictures of the Year International award, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honour in Australian journalism.  On a two-week assignment in 2013 to shoot the Afghani cricket team he fell in love with Afghanistan and spent the next eight years living in and documenting the wartime country and its people. He's travelled to two thirds of the country's 34 provinces and produced two books on his time there. The first ‘August in Kabul' is a novel about America's last days of occupation, and the second ‘This is Afghanistan' is a visual record designed in by Vince Frost with Wing Lau. Both books are published by The University of Melbourne - ‘This is Afghanistan' will be released this month.  Listen in as Vince and Andrew discuss; the ethics of beautifying death and tragedy, how recently media have become fair game in war zones, and the story behind his harrowing Walkely Award Winning photograph and article ‘The Man on the Operating Table'.  Buy 'This is Afghanistan' - https://www.mup.com.au/books/this-is-afghanistan-hardback See omnystudio.com/listener for privacy information.

Piotr Małecki i Jędrzej Nowicki dzielą się swoimi doświadczeniami - opowiadają o bohaterach, których spotkali, momentach trudnych, ale też dających nadzieję. Zastanawiamy się też nad siłą medium jakim jest fotografia. Próbujemy odpowiedzieć na pytanie o wpływ współczesnych mediów na odbiorców.Piotr MałeckiFotograf prasowy i filmowiec dokumentalista. Członek brytyjskiej agencji Panos Pictures oraz polskich agencji Napo Images i Forum. Współpracuje z wieloma znanymi tytułami europejskimi i amerykańskimi. Laureat nagród m.in. "Pictures Of the Year International”,„Grand Press Foto”, nominowany do nagrody filmowej im. Jana Machulskiego.Jędrzej NowickiFotograf mieszkający w Warszawie. W swoich pracach skupia się na problemach wykluczenia społecznego, praw człowieka, solidarności i niesprawiedliwości społecznej, a także problemach ochrony środowiska. Dobrze znany jest mu region Europy Środkowo-Wschodniej. Fotografuje także na Bliskim Wschodzie. 

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty's photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australia with a surfboard and a Nikon F3 that his uncle—also a photographer—had passed down. His work in Afghanistan has been published worldwide and garnered accolades including, in 2019, a World Press Photo, a Picture of the Year International award of excellence in the category of Photographer of the Year (POYI), and prior to that, a George Polk Award, three POYI awards, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honor in Australian journalism. In 2016, a selection of his work from Afghanistan was exhibited at the Visa pour L'Image Festival of Photojournalism in Perpignan, France. He has travelled to two thirds of Afghanistan's 34 provinces and continues to document the country through pictures and, increasingly, the written word. Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. His work focuses on the reintegration process of veterans of the military and non-state armed groups in contexts spanning the US, Colombia, Afghanistan, Sierra Leone, and beyond. He is a staff writer for the Chicago Policy Review, director of projects and programs at Corioli Institute, and a contributing researcher at Trust After Betrayal. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty's photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australia with a surfboard and a Nikon F3 that his uncle—also a photographer—had passed down. His work in Afghanistan has been published worldwide and garnered accolades including, in 2019, a World Press Photo, a Picture of the Year International award of excellence in the category of Photographer of the Year (POYI), and prior to that, a George Polk Award, three POYI awards, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honor in Australian journalism. In 2016, a selection of his work from Afghanistan was exhibited at the Visa pour L'Image Festival of Photojournalism in Perpignan, France. He has travelled to two thirds of Afghanistan's 34 provinces and continues to document the country through pictures and, increasingly, the written word. Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. His work focuses on the reintegration process of veterans of the military and non-state armed groups in contexts spanning the US, Colombia, Afghanistan, Sierra Leone, and beyond. He is a staff writer for the Chicago Policy Review, director of projects and programs at Corioli Institute, and a contributing researcher at Trust After Betrayal. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty's photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australia with a surfboard and a Nikon F3 that his uncle—also a photographer—had passed down. His work in Afghanistan has been published worldwide and garnered accolades including, in 2019, a World Press Photo, a Picture of the Year International award of excellence in the category of Photographer of the Year (POYI), and prior to that, a George Polk Award, three POYI awards, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honor in Australian journalism. In 2016, a selection of his work from Afghanistan was exhibited at the Visa pour L'Image Festival of Photojournalism in Perpignan, France. He has travelled to two thirds of Afghanistan's 34 provinces and continues to document the country through pictures and, increasingly, the written word. Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. His work focuses on the reintegration process of veterans of the military and non-state armed groups in contexts spanning the US, Colombia, Afghanistan, Sierra Leone, and beyond. He is a staff writer for the Chicago Policy Review, director of projects and programs at Corioli Institute, and a contributing researcher at Trust After Betrayal. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty's photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australia with a surfboard and a Nikon F3 that his uncle—also a photographer—had passed down. His work in Afghanistan has been published worldwide and garnered accolades including, in 2019, a World Press Photo, a Picture of the Year International award of excellence in the category of Photographer of the Year (POYI), and prior to that, a George Polk Award, three POYI awards, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honor in Australian journalism. In 2016, a selection of his work from Afghanistan was exhibited at the Visa pour L'Image Festival of Photojournalism in Perpignan, France. He has travelled to two thirds of Afghanistan's 34 provinces and continues to document the country through pictures and, increasingly, the written word. Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. His work focuses on the reintegration process of veterans of the military and non-state armed groups in contexts spanning the US, Colombia, Afghanistan, Sierra Leone, and beyond. He is a staff writer for the Chicago Policy Review, director of projects and programs at Corioli Institute, and a contributing researcher at Trust After Betrayal. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty's photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australia with a surfboard and a Nikon F3 that his uncle—also a photographer—had passed down. His work in Afghanistan has been published worldwide and garnered accolades including, in 2019, a World Press Photo, a Picture of the Year International award of excellence in the category of Photographer of the Year (POYI), and prior to that, a George Polk Award, three POYI awards, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honor in Australian journalism. In 2016, a selection of his work from Afghanistan was exhibited at the Visa pour L'Image Festival of Photojournalism in Perpignan, France. He has travelled to two thirds of Afghanistan's 34 provinces and continues to document the country through pictures and, increasingly, the written word. Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. His work focuses on the reintegration process of veterans of the military and non-state armed groups in contexts spanning the US, Colombia, Afghanistan, Sierra Leone, and beyond. He is a staff writer for the Chicago Policy Review, director of projects and programs at Corioli Institute, and a contributing researcher at Trust After Betrayal. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty's photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australia with a surfboard and a Nikon F3 that his uncle—also a photographer—had passed down. His work in Afghanistan has been published worldwide and garnered accolades including, in 2019, a World Press Photo, a Picture of the Year International award of excellence in the category of Photographer of the Year (POYI), and prior to that, a George Polk Award, three POYI awards, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honor in Australian journalism. In 2016, a selection of his work from Afghanistan was exhibited at the Visa pour L'Image Festival of Photojournalism in Perpignan, France. He has travelled to two thirds of Afghanistan's 34 provinces and continues to document the country through pictures and, increasingly, the written word. Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. His work focuses on the reintegration process of veterans of the military and non-state armed groups in contexts spanning the US, Colombia, Afghanistan, Sierra Leone, and beyond. He is a staff writer for the Chicago Policy Review, director of projects and programs at Corioli Institute, and a contributing researcher at Trust After Betrayal. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty's photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australia with a surfboard and a Nikon F3 that his uncle—also a photographer—had passed down. His work in Afghanistan has been published worldwide and garnered accolades including, in 2019, a World Press Photo, a Picture of the Year International award of excellence in the category of Photographer of the Year (POYI), and prior to that, a George Polk Award, three POYI awards, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honor in Australian journalism. In 2016, a selection of his work from Afghanistan was exhibited at the Visa pour L'Image Festival of Photojournalism in Perpignan, France. He has travelled to two thirds of Afghanistan's 34 provinces and continues to document the country through pictures and, increasingly, the written word. Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. His work focuses on the reintegration process of veterans of the military and non-state armed groups in contexts spanning the US, Colombia, Afghanistan, Sierra Leone, and beyond. He is a staff writer for the Chicago Policy Review, director of projects and programs at Corioli Institute, and a contributing researcher at Trust After Betrayal. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty's photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australia with a surfboard and a Nikon F3 that his uncle—also a photographer—had passed down. His work in Afghanistan has been published worldwide and garnered accolades including, in 2019, a World Press Photo, a Picture of the Year International award of excellence in the category of Photographer of the Year (POYI), and prior to that, a George Polk Award, three POYI awards, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honor in Australian journalism. In 2016, a selection of his work from Afghanistan was exhibited at the Visa pour L'Image Festival of Photojournalism in Perpignan, France. He has travelled to two thirds of Afghanistan's 34 provinces and continues to document the country through pictures and, increasingly, the written word. Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. His work focuses on the reintegration process of veterans of the military and non-state armed groups in contexts spanning the US, Colombia, Afghanistan, Sierra Leone, and beyond. He is a staff writer for the Chicago Policy Review, director of projects and programs at Corioli Institute, and a contributing researcher at Trust After Betrayal. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every day, SF Chronicle staff photographers are tasked with documenting San Francisco. Cameras in hand, they venture out to cover breaking news, illuminate the hidden corners of our metropolis and explore the people and issues that define our city in all its beauty, desperation and resilience. Over the past several years, Chronicle photojournalists have depicted the ravages of the fentanyl crisis, covered the realities of climate change and captured the wisdom of Black elders. Now, they're sharing how they do the work. On June 22nd at 6 p.m., join The San Francisco Chronicle Photo Team, including 2023 Pulitzer Prize finalists Gabrielle Lurie and Stephen Lam, live at Manny's for a presentation and conversation about the ethics, practice and practicalities of photojournalism today. In our next Chronicle Live at Manny's, Chronicle photographers will share the stories behind some of their favorite images and take you inside the process of making them, from finding unique angles to earning subjects' trust.   Get your tickets! You'll hear from: Nicole Frugé: The San Francisco Chronicle's Director of Visuals, Frugé leads one of the most diverse metro photo staffs in the nation. Frugé was named the Jim Gordon Photo Editor of the Year in 2019, Photo Editor of the Year in 2018 and the Chronicle's photo editors were twice named the Picture Editing Team of the Year by the National Press Photographers Association's Best of Photojournalism contest. Before photo editing, she spent 10 years working as a staff photographer for newspapers in Texas and Florida. Gabrielle Lurie: Raised in Washington D.C, Gabrielle Lurie picked up a camera at 17 years old. She moved to New York City where she continued to photograph and study art history at New York University. Her work has appeared in The New York Times, Wall Street Journal, LA Times and The Guardian, and she is the three-time winner of Pictures of the Year International's Local Photographer of the Year and a two-time Pulitzer Prize finalist.   Stephen Lam: A native of Hong Kong, Stephen Lam left his studies in mechanical engineering to pursue photojournalism as a fun college elective. A former Chronicle intern, Lam was an editorial and commercial photographer in the Bay Area and his versatility has led him to collaborate with a vast range of clients including Reuters, Der Spiegel, Viator and L'Oréal before joining the Chronicle. Stephen is fluent in Cantonese and English. He is a 2023 Pulitzer Prize finalist. Yoshi James: Yalonda M. James is an award-winning staff photojournalist and video producer at The San Francisco Chronicle. Her storytelling passion lies in documenting social justice issues and amplifying voices whose stories are seldom heard. James was a 2008 Pulitzer Prize finalist with her team from The Charlotte Observer for a project called, “Sold a Nightmare.” She is also the director of short documentary films, “The BLM (Black Lives Matter) Bridge Protest: One Year Later” and “Singing for KING.”  

After taking a degree in Documentary Photography at the University of Wales, Newport, Ivor Prickett began working in Europe and the Middle East, striving to convey and denounce the effects of war on the civilian population – on the people whose lives it ravages and uproots, whatever side they may be on. Initially focused on the private, domestic sphere of war's long-term social and humanitarian consequences, Ivor's gaze has shifted over the years towards places of forced migration and lands where people seek refuge, and then to the front lines of combat zones.His early projects focused on stories of displaced people throughout the Balkans and Caucasus. Based in the Middle East since 2009, Ivor documented the Arab Spring uprisings in Egypt and Libya, working simultaneously on editorial assignments and his own long term projects. In 2012 he was selected for the World Press Photo Joop swart Masterclass, named as a FOAM Talent and selected by PDN for their 30 under 30 list. Travelling to more than ten countries between 2012 and 2015 Ivor documented the Syrian refugee crisis in the region as well as Europe, working closely in collaboration with UNHCR to produce a comprehensive study of the greatest humanitarian crisis in recent history. Most recently Ivor's work has focused on the fight to defeat ISIS in Iraq and Syria. Ultimately working exclusively for the The New York Times he spent months on the ground, particularly covering the Battle of Mosul, reporting in both words and pictures. His work in Iraq and Syria has earned him multiple World Press Photo Awards and in 2018 he was named as a Pulitzer finalist. The entire body of work titled End of the Caliphate was released as a book by renowned German publisher Steidl in June 2019. Ivor's work has been recognised through a number of prestigious awards including The World Press Photo, The Pulitzer Prizes, The Overseas Press Club Awards, Pictures of the Year International, The Taylor Wessing Portrait Prize and The Ian Parry Scholarship. Most recently he was shortlisted for the Prix Pictet 2019 cycle and his work is currently touring the globe as part of the group exhibition. His pictures have been exhibited widely at institutions such as The Victoria and Albert Museum, Sothebys, Foam Gallery and The National Portrait Gallery, London and he currently has a major solo show at Collezione Maramotti in Reggio Emilia, Italy, In conjunction with the 2023 Fotografia Europea festival, for which the theme is Europe Matters: Visions of a Restless Identity. Ivor's show and the corresponding book is entitled No Home from War: Tales of Survival and Loss and features over fifty photographs taken in conflict zones from 2006 to 2022. It is the the largest show of Ivor's work to date, the first in italy, and it will be up until 30th July 2023.Ivor is represented by Panos Pictures in London and he is a European Canon Ambassador. In episode 203, Ivor discusses, among other things:His route to Newport and what he got from going there.How he got started and his strategy to get his work seen.Arab Spring 2011 and the lessons learned from that.Branching out and needing to get closer to the source.Mosul.The NYT and being asked to write.Going through times of wanting to quit.What keeps him doing it.Is an art gallery the right place for photojournalism?Can your work have an impact?Ukraine.Processing the witnessing of horror and adjusting to normal life.AI and its implications for photojournalism.Referenced:Christine RedmondJoe StirlingKen GrantClive LandonCheryl NewmanTim HetheringtonChris HondrosDavid Furst Website | Instagram“By the time it came to the ISIS work in Iraq and Syria, it was almost like I wanted to get closer to the source myself and see up close what it was I'd been investigating all these years and what people had been running from. Maybe it was a personal fascination that led me there to a certain extent, but also Mosul was essentially a humanitarian crisis as much as a war, and that's why I went in the first place. ”

In episode 256 UNP founder and curator Grant Scott is in his shed reflecting on two photographers who have recently passed and the reality of being commissioned by a national publisher. Plus this week, photographer Dennis Dimick takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Dennis Dimick is an American journalist, photographer, presenter and educator who grew up on a sheep and hay farm in the Willamette Valley of Oregon. He holds degrees in agriculture and agricultural journalism from Oregon State University and the University of Wisconsin-Madison and served for years as executive environment editor for National Geographic magazine, and was a picture editor for the National Geographic Society for more than 35 years until retiring in December 2015. He now serves in a consulting and reviewing role for the Society's story-telling grant programme. Dimick is particularly interested in making visual the effects on earth of humanity's expanding presence in the emerging Anthropocene epoch and has written on these issues, and at National Geographic guided several major magazine projects on this idea. Between 2008-2012 he co-organised the Aspen Environment Forum and presented at the 2012 Aspen Ideas Festival and in 2015 moderated panels at the World Economic Forum in Dalian, China. Dimick has been a faculty member of the Missouri Photo Workshop for 23 years, and in 2013 received the Sprague Memorial Award from the National Press Photographers Association for outstanding service to photojournalism. His picture and environmental project editing has received many awards from Pictures of the Year International and the Society of Environmental Journalists, where he served on the board from 2016-2019. Dimick has served as a juror for the Heinz Foundation Awards, and the Pare Lorentz Award for the International Documentary Association and is a member of the American Association for the Advancement of Science, and the International Center of Photography. http://dennis-dimick.squarespace.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2023

What's happening to our universities? Crucial hubs of education are abandoning the free exchange of ideas & replacing debate with vitriol & intolerance. Gad Saad, who faced hostility at a recent USC lecture, discusses on Ask Dr. Drew. Gad Saad is a professor, evolutionary behavioral scientist, and author of “The Parasitic Mind: How Infectious Ideas Are Killing Common Sense” and the forthcoming book “The Saad Truth About Happiness: 8 Secrets for Leading the Good Life” which is now available for preorder. Dr. Gad Saad is Professor of Marketing at Concordia University (Montreal, Canada), and former holder of the Concordia University Research Chair in Evolutionary Behavioral Sciences and Darwinian Consumption (2008-2018). He has held Visiting Associate Professorships at Cornell University, Dartmouth College, and the University of California–Irvine. Dr. Saad received the Faculty of Commerce's Distinguished Teaching Award in June 2000, and was listed as one of the ‘hot' professors of Concordia University in both the 2001 and 2002 Maclean's reports on Canadian universities. Saad was appointed Newsmaker of the Week of Concordia University in five consecutive years (2011-2015), and is the co-recipient of the 2015 President's Media Outreach Award-Research Communicator of the Year (International), which goes to the professor at Concordia University whose research receives the greatest amount of global media coverage. More about Gad Saad: https://www.gadsaad.com/ Follow Gad Saad at https://twitter.com/GadSaad 「 SPONSORED BY 」 • BIRCH GOLD - Don't let your savings lose value. You can own physical gold and silver in a tax-sheltered retirement account, and Birch Gold will help you do it. Claim your free, no obligation info kit from Birch Gold at https://birchgold.com/drew • GENUCEL - Using a proprietary base formulated by a pharmacist, Genucel has created skincare that can dramatically improve the appearance of facial redness and under-eye puffiness. Genucel uses clinical levels of botanical extracts in their cruelty-free, natural, made-in-the-USA line of products. Get 10% off with promo code DREW at https://genucel.com/drew 「 MEDICAL NOTE 」 The CDC states that COVID-19 vaccines are safe, effective, and reduce your risk of severe illness. Hundreds of millions of people have received a COVID-19 vaccine, and serious adverse reactions are uncommon. Dr. Drew is a board-certified physician and Dr. Kelly Victory is a board-certified emergency specialist. Portions of this program will examine countervailing views on important medical issues. You should always consult your personal physician before making any decisions about your health.  「 ABOUT the SHOW 」 Ask Dr. Drew is produced by Kaleb Nation (https://kalebnation.com) and Susan Pinsky (https://twitter.com/firstladyoflove). This show is for entertainment and/or informational purposes only, and is not a substitute for medical advice, diagnosis, or treatment. 「 WITH DR. KELLY VICTORY 」 Dr. Kelly Victory MD is a board-certified trauma and emergency specialist with over 30 years of clinical experience. She served as CMO for Whole Health Management, delivering on-site healthcare services for Fortune 500 companies. She holds a BS from Duke University and her MD from the University of North Carolina. Follow her at https://earlycovidcare.org and https://twitter.com/DrKellyVictory. 「 GEAR PROVIDED BY 」 • BLUE MICS - Find your best sound at https://drdrew.com/blue • ELGATO - See how Elgato's lights transformed Dr. Drew's set: https://drdrew.com/sponsors/elgato/ 「 ABOUT DR. DREW 」 For over 30 years, Dr. Drew has answered questions and offered guidance to millions through popular shows like Celebrity Rehab (VH1), Dr. Drew On Call (HLN), Teen Mom OG (MTV), and the iconic radio show Loveline. Now, Dr. Drew is opening his phone lines to the world by streaming LIVE from his home studio. Watch all of Dr. Drew's latest shows at https://drdrew.tv Learn more about your ad choices. Visit megaphone.fm/adchoices

#planetmullins About today's guest:An Vedi is a violinist, composer, keyboardist and performer.Some of her awards include:The Elgar Medal (United Kingdom, 2019)The Akademia Music Awards (February, 2020)ISSA Awards Best Female Single of the Year (International, 2020)The Akademia Music Awards Rising Star of the Year (winner, 2021)Nominee for ISSA Awards Best Female Songwriter and Female Single of the Year (International, 2021).WSA Best World Song (2021, Autumn)The Akademia Music Awards Outstanding Legacy nominee (2022)Nominated as "Musician of the Year" 2021 of Josie Music Awards, and World Classic Musician and Composer by Russian World Music Awards (2021).Grammy® Balloted Artist for the edition of 2022 in categories "Best Contemporary Classical Composition", "Best Contemporary Instrumental Album", "Best Classical Instrumental Solo", "Best Children's Album".Winner at the One Earth Awards (2022) in multiple categories.Best Female Artist (WNIR, 2022). ISSA Awards (2022) - 7 Nominations.Rome Music Video Awards winner (2022), Munich Music Video Awards (2022), International Music Video Awards (2022), Euro Music Video Song Awards (2022), International Sound Feature Awards (2022) finalist. Her video Sonata "A War Zone" has been officially selected at the Fusion Awards (2022) in the category Best Music Composer.An is a Member at the International Conductors Guild and winner at several international contests as a conductor.An Vedi is the Voting Member at the Recording Academy (Grammys®) and a Grammy U® Mentor.An Vedi is the first ever member from Russia of The Indie Collaborative (the USA). She also has memberships in BMI, ISSA, ISJAC, Boston New Music Initiative, International Association for Music and Medicine, International Conductors Guild, Member at the LIT Awards and many others music awards Panel of Judges. An is active in concert as a violinist, she releases albums and songs as a singer-songwriter and composes music for various instruments, ensembles and orchestras.An's website: http://anvedi.orgFor video episodes and more visit Rob's channel at https://youtube.com/planetmullins

Join us as Kent and Greg interview Jeff Torchon about his experience living and working in Japan at the American School in Japan. What's it like moving your family of four to Japan? Will Jeff have a police story? Links from this episode: The American School in Japan Conjunto Philadelphia - Home

Jo-Anne is an award-winning photojournalist, sought-after speaker, photo editor, and the founder of We Animals Media. She has visited over sixty countries to document our complex relationship with animals. She is the author of three books: We Animals (2014), Captive (2017), and HIDDEN: Animals in the Anthropocene (2020), and is the subject of Canadian filmmaker Liz Marshall's acclaimed Canadian documentary, The Ghosts in Our Machine. Jo-Anne's photographs have received accolades from Wildlife Photographer of the Year, Nature Photographer of the Year, Big Picture, AEFONA, Picture of the Year International, the Global Peace Award, and others. In 2020, Jo-Anne was thrilled to be a member of the jury for World Press Photo. She hails from Toronto, Canada. weanimalsmedia.org

Politikens fotograf Mads Nissen er kåret til verdens bedste af Pictures of the Year International, der baserer prisen på 45 af Nissens billeder. Vi har talt med ham om hans arbejde og om problemerne med en stereotyp krigsfremstilling i fotografier. Et nyt europæisk forskningsprojekt skal kortlægge online radikalisering af personer mellem 45-65 år. Lektor Line Nybroe Petersen fra Københavns Universitet deltager i arbejdet. Vi taler med hende om, hvordan ekstremisme opstår i netop den aldersgruppe. Værter: Jesper Dein og Karen Secher.

Nancy Borowick is an internationally renowned photographer, author, teacher, and speaker, delivering over 50 speaking engagements each year around the world, bringing her personal story to universities, hospitals, oncology units, and community groups globally. Nancy graduated from the International Center of Photography and has exhibited her work in over 100 cities. Working regularly with the New York Times since 2013, Nancy has told the intimate stories of people and places from every corner of the globe, winning her major accolades and awards, such as World Press Photo, Pictures of the Year International, The Arnold Newman Prize and most recently the Humanitarian Award from the organization Women That Soar for her photography and recent monograph, The Family Imprint. She is a Sony Artisan of Imagery and, in 2019, was invited to become a Kickstarter Thought Leader. Over the last decade, Nancy has narrowed the focus of her work, telling stories of health, struggle, and personal relationships, using compassion, humility, and trust as tools to connect with and explore the lives of her subjects. Visit Nancy's Website to see more images from The Family Imprint and her other work.See her full portoflio at nancyborowick.comFollow her on InstagramHere is the list of photographers Nancy recommends towards the end of our conversation:stephaniesinclair.comtasneemalsultan.comAt Foto, we are building a new platform for photography. We are launching Foto 1.0 in 2023, and everyone on our Private Beta List will get first access to the app.You can join the Private Beta List with a one-time donation of $5 to help support our software development costs. Get full access to Foto at fotoapp.substack.com/subscribe

Photographer, writer, and filmmaker, Eugene Richards, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called” War on Poverty.”  Following a year and a half in eastern Arkansas, Eugene helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan.  Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta.Upon returning to Dorchester, Eugene began to document the changing, racially diverse neighborhood where he was born.  After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America.  In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make.Eugene has authored sixteen books and his photographs have been collected into three comprehensive monographs. Exploding Into Life, which chronicles his first wife Dorothea Lynch's struggle with breast cancer, received Nikon's Book of the Year award. For Below The Line: Living Poor in America, his documentation of urban and rural poverty, Eugene received an Infinity Award from the International Center of Photography. The Knife & Gun Club: Scenes from an Emergency Room received an Award of Excellence from the American College of Emergency Physicians. Cocaine True, Cocaine Blue, an extensive reportorial on the effects of hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. That same year, Americans We was the recipient of the International Center of Photography's Infinity Award for Best Photographic Book. In 2005, Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, Best Book of the year. Eugene's most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta.Eugene has won just about every major award that exists for documentary photography including a Guggenheim Fellowship, the W. Eugene Smith Memorial Award, the Leica Medal of Excellence and the Leica Oskar Barnack Award, among many others.His new self-published book, In This Brief Life, due for release in September 2023, features over fifty years of mostly unseen photographs, from his earliest pictures of sharecropper life in the Arkansas Delta throughout his lifetime as a photographer. On episode 196, Eugene discusses, among other things:The recent political landscape in the USA.In This Brief Life - his forthcoming, Kickstarter funded book.Why he self-publishes books.His change of heart about the value of InstagramWhy going through his archive was an ‘obsessive experience'Being ‘out of touch with what journalism is'The Knife & Gun Club: Scenes from an Emergency RoomTips on getting to know people on a storyBelow The Line: Living Poor in AmericaThe Blue RoomReturning to ArkansasDocumentary project Thy Kingom ComeCemetery projectExploding Into LifeMany VoicesWhy he left MagnumReferenced:Ed BarnesPeter HoweEugene Smith AwardDorothea LynchCornell CapaJohn MorrisHoward ChapnickJim Hughes, Camera ArtsMinor WhiteRoy DeCaravaWalker EvansFSABill BrandtWilliam KleinMike NicholsTerence MalickKoudelkaLeonard FreedReni BurriMary Ellen MarkNachtweySalgado Website | Instagram| New book“You're sitting there with thirty or forty contacts books all over the floor, and you find yourself staying up late into the night thinking ‘there has to be something there' and finding nothing at all. And the people on Instagram write to you and say, ‘oh my God, I'd love to look at your contact sheets' and I tell them quite honestly, probably not, because they're gonna disappoint the shit out of you!”

Welcome back to the "Conversation Series" with this week's guest photojournalist David Butow. David and I met several decades ago and I've followed his career ever since. Photojournalism is a semi-misunderstood field but still serves as one of the most critical functions of photography, at least in my opinion. Working as a photojournalist involves training, a vetting process, and a serious responsibility. I've always viewed David as one of the "good guys" in this industry. His skill and commitment behind the camera are revealed by both his coverage and his awards. David worked in locations like Afghanistan, Myanmar, Iraq, Peru, and others. He covered stories on post 9/11 New York, the Palestine/Israeli Intifada, the 2003 US invasion of Iraq, the China earthquake in 2008, the funeral of Nelson Mandela, the Hong Kong protests of 2019, and spent the last five years covering politics in Washington. His list of awards includes World Press Photo, Pictures of the Year International, Photo District News, National Press Photographers Association, White House News Photographers' Association, Communication Arts, and more. David and I discuss his photographic origin story, his early training, his rise through the newspaper and magazine worlds, his work with US News and World Report Magazine, personal vs professional projects, the arrival and impact of the Internet and social media, and his incredible experience covering the events of January 6th, 2021. We also discuss his book "Brink," which details the entire arc of American politics from late 2015 to early 2021. As important as what we discussed is what we did not get to discuss due to time restraints. This is good news for all of you because it means there will be a second episode of my conversation with David. My goal with these talks is to introduce you to working photographers. Their life, their story, their training, their experience, and their understanding of what it means to dedicate your life to photography. In a world of influence, these are the folks that are actually rising at dawn to bake the bread. Photo: Roman Cho https://www.davidbutow.com/

In this special extended episode UNP founder and curator Grant Scott is in his shed talking with photographer Jonas Bendiksen about the future for photography, synthetic images, beginning projects, how to stay relevant, generic images, photographic confidence and the pressures of success. Born in 1977 in Tønsberg, southern Norway at aged 19, Jonas Bendiksen started a one-year internship at the Magnum Photos' London office. He made coffee and tea, ran to the post office, answered the phones and returned prints and slides to their correct places in the archive. He left Magnum and headed to for Russia to try to become a photographer and fell madly in love with the former USSR, spending several years there resulting in his first book, Satellites - Photographs from the Fringes of the former Soviet Union, which came out in 2006. He joined Magnum Photos in 2004. Fascinated by enclaves and people living in isolated communities Bendikson started another project in 2005 focused on the urban slum. His The Places We Live body of work became a three-year journey through four slum communities around the world, and in 2008 it became a book and exhibition featuring projections and voice recordings in a three-dimensional installation. In 2017 his book, The Last Testament, about people who claim to be the Second Coming of Christ was published. In 2021, his book The Book of Veles, departed from traditional photojournalism practice by creating a conceptual work about "fake news" which consisted of images that were "faked" using CGI to place humans and bears in scenes that Bendiksen had photographed devoid of life, mixed with excerpts from The Book of Veles (a forged ancient text), and AI-generated texts. The deception, initially not disclosed, escaped detection from his colleagues at Magnum and then curators and audiences at the Visa Pour l'Image festival, until Bendiksen revealed it on the Magnum Photos website. The work questioned the ability of the most visually literate people in the photography industry to tell real photos from faked ones. Some of Bendiksen's clients include GEO magazine, Newsweek, the Sunday Times Magazine, The Rockefeller Foundation, Goldman Sachs, and many others. Since 2004 he has worked with the National Geographic Magazine.Bendiksen has received awards from World Press Photo, International Center of Photography, National Magazine Awards and Pictures of the Year International.  Bendiksen lives near Oslo, Norway with his wife and three children. www.jonasbendiksen.com *You can read more about Jonas's process of creating The Book of Veles here: www.magnumphotos.com/arts-culture/society-arts-culture/book-veles-jonas-bendiksen-hoodwinked-photography-industry/ Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2022

Host: Mark Longo, Options Insider Media Group Co-Host: Dan Passarelli, Market Taker Mentoring On this episode, Mark and Dan discuss: The options strategy of the year.  Good international options brokers.  Buying VIX puts in contango vs. backwardation.  and much more...  

Host: Mark Longo, Options Insider Media Group Co-Host: Dan Passarelli, Market Taker Mentoring On this episode, Mark and Dan discuss: The options strategy of the year.  Good international options brokers.  Buying VIX puts in contango vs. backwardation.  and much more...

Vedran ‘Maz' Maslic is the host of ‘The Voices Of War'. In this episode, Maz interviews Andrew Quilty. Who started his career in Sydney, then moved to New York City and eventually to Kabul, Afghanistan, after a two-week trip to photograph the Afghan cricket team turned into an odyssey now into its eighth year. He has worked in all but a handful of Afghanistan's 34 provinces, photographed for most of the world's premiere publications and won several accolades, including a World Press Photo Award, a Polk Award, several Picture of the Year International awards and the Gold Walkley, Australian journalism's highest honour. We covered many topics, including: the danger of oversimplified narratives of conflict, second-order effects of coalition operations, and the dangers of life as a war journalist.

Geoffrey Roniger has been leading yoga classes for over twenty years and is the founder of Freret Street Yoga in New Orleans and Yoga Unbound, a hybrid studio model offering online, studio, and private training classes and instruction. He has apprenticed with globally renowned teachers Richard Rosen and Rodney Yee and completed the advanced studies program at Piedmont Yoga Studio. During his teaching career, Roniger provided on-site instruction and developed corporate wellness programs for various companies including Salesforce.com, Amyris Biotechnologies, Beverly Prior Architects, Juice Design, and Urban Revision. After volunteering for the Urban Zen Foundation at both their V-Day and the Special Olympics events, in 2012 he was appointed to Urban Zen Foundation's faculty for the Integrative Therapy Program in New York. Geoffrey Roniger has been featured in Yoga Journal as well as in a Gaiam video, Yoga Now. https://www.yoga-unbound.com.

I was honored to interview via live stream, this amazing woman, Sachi Cunningham cancer survivor, documentary filmmaker and Professor of Multimedia Journalism at San Francisco State University. Her award winning stories have screened at festivals worldwide, and on outlets including the New York Times, the Los Angeles Times, PBS FRONTLINE, FRONTLINE/World and the Discovery Channel. The Emmys, Webbys, and Pictures of the Year International have honored Cunningham's work. A graduate of UC Berkeley's Graduate School of Journalism and Brown University, Cunningham's documentaries focus on international conflict, the arts, disability, and the ocean environment. On land she has turned her lens everywhere from the first presidential election in Afghanistan, to the oil spill in the Gulf of Mexico. In the water, she has swum with her camera along side everything from 350-pound blue fin tuna to big wave surfers, to Olympian, Michael Phelps. Once an assistant to actress Demi Moore and Director/Producer/Writer Barry Levinson, Cunningham brings a decade of experience in feature films and commercial productions in New York, Hollywood and Tokyo to her career in journalism and filmmaking

In the context of the exhibition “The Press, a Fragile Freedom?”, we talked to Danish photographer Asger Ladefoged about his work on the Belarus Uprising. In 2020, he spent a month covering the mass protests organised in Belarus before and in the aftermath of the elections. Twice while working, he was detained by the Belarusian authorities who, besides using violence, confiscated his memory card in order to hide and censor their wrongdoings during the clashes with civilian protesters. Before Russia's invasion of Ukraine, Belarus was Europe's most dangerous country for journalists. Media outlets have never been more repressed by the authorities than since Lukashenko's controversial re-election in 2020. Authorities have used censorship, violence and mass arrests and have conducted coordinated raids on media outlets. Around 20 media outlets have been labelled as “extremist” since August 2021 (RSF, 2022). -- Asger Ladefoged graduated from the Danish School of Media and Journalism in 2014 and has been working as a staff photographer at the Danish daily newspaper Berlingske ever since. He's been recognized with both national and international awards such as Picture of the Year International, Best of Photojournalism and Danish Picture of the Year, where his work from Belarus was awarded Danish picture of the year 2020. -- Presentation & editing: Nadine Vermeulen Images © Asger Ladefoged - Sound extracts: 1. Guardian News, 17.08.2020, Belarus workers chant 'resign!' at Lukashenko on factory visit. 2. Radio Free Europe, 20.09.2020, Songs Against Truncheons: What Protesters Are Singing In Belarus. 3. BBC News, 31.12.2020, From flash mobs to courtyard singing, protesters in Belarus have found new and creative ways to challenge the regime. 4. Guardian News, 23.08.2020, Belarus: tens of thousands of protesters flood Minsk demanding Lukashenko's removal

185 - Rich Joseph-FacunRich Joseph-Facun is a photographer of Indigenous Mexican and Filipino descent. His work aims to offer an authentic look into endangered, bygone, and fringe cultures—those transitions in time where places fade but people persist.The exploration of place, community and cultural identity present themselves as a common denominator in both his life and photographic endeavors.Before finding “home” in the Appalachian Foothills of southeast Ohio, Rich roamed the globe for 15 years working as a photojournalist. During that time he was sent on assignment to over a dozen countries, and for three of those years he was based in the United Arab Emirates.His photography has been commissioned by various publications, including NPR, The Atlantic, The New York Times, The Wall Street Journal and The Guardian (UK), among others. Additionally, Rich's work has been recognized by Photolucida's Critical Mass, CNN, Juxtapoz, British Journal of Photography, The Washington Post and Pictures of the Year International. In 2021 his first monograph Black Diamonds was released by Fall Line Press. The work is a visual exploration of the former coal mining boom towns of SE Ohio, Appalachia. Subsequently, it was highlighted by Charcoal Book Club as their “Book-Of-The-Month.” Black Diamonds is also part of the permanent collection at the Frederick and Kazuko Harris Fine Arts Library and the Amon Carter Museum of American Art's Research Library.Having successfully run a kickstarter campaign which met the target funding, Rich is currently in the process of producing his next monograph Little Cities, slated to be released in Autumn 2022 by Little Oak Press. The work examines how both Indigenous peoples and descendants of settler colonialists inhabited and utilized the land around them. On episode 185, Rich discusses, among other things:Where he lives in Millfield, ohioBecoming a dad at 17His journey into photographyLiving in the UAEHow he ended up living in rural OhioThe origins of the project Black DiamondsBeing a person of colour in the U.S. during the Trump yearsAppalachia and its attendent photographic clichésHis latest book Little CitiesWhy doing a book without people in it is ‘scary'.The Bubble - a possible 3rd part of a trilogy“I was feeling great about the community. I was super excited about it, every day going out and making images. Everything was resonating with me. It was like being in a Disney movie and all the birds were chirping…”

Jak wygląda weryfikacja zdjęć w dużych agencjach? Z jakimi nowymi wyzwaniami mierzą się dziś fotoreporterzy? I jak social media wykorzystywane są w wojnie informacyjnej? Gośćmi Moniki Szewczyk-Wittek są Natalia Sawka (AFP), Karol Grygoruk (RATS) i Maciek Nabrdalik (VII). Najnowsza rozmowa porusza ważne i wyjątkowo aktualne tematy dezinformacji, manipulacji i fake newsów, w których obraz fotograficzny odgrywa często kluczową rolę. O to jak zdjęcia wykorzystywane są dziś w przekazie propagandowym, Monika Szewczyk-Wittek pyta tych, którzy są dziś tego problemu najbliżej.To również dyskusja o kryzysie mediów, roli autorytetów i etycznych dylematach w pracy fotoreportera. Goście omawiają najgłośniejsze przykłady fake newsów i manipulacji fotografii prasowej, przywołują przykłady dezinformacji z jakimi sami się spotkali. Wspólnie szukają też pomysłów na to, jak temu przeciwdziałać. Natalia Sawka - dziennikarka. Autorka felietonów, analiz politycznych, komentarzy i wywiadów. Publikowała m.in. w „Dużym Formacie” i „Wysokich Obcasach”. Wcześniej związana z portalem BIQdata „Gazety Wyborczej”. Odbyła liczne szkolenia z rozpoznawania dezinformacji prowadzone m.in. przez Google News Lab oraz międzynarodową grupę śledczą Bellingcat. Od 2019 r. pracuje w warszawskim biurze Agence France-Presse, gdzie zajmuje się weryfikacją treści znalezionych w sieci.Karol Grygoruk - Fotograf dokumentalny. Absolwent Instytutu Stosowanych Nauk Społecznych UW oraz doktorant w Instytucie Twórczej Fotografii w Opavie. Wykładowca na Akademii Sztuki w Szczecinie. Współtwórca agencji RATS. W projektach dokumentalnych i pracy naukowej, skupia się na tematyce społecznego wykluczenia, fotografii zaangażowanej, etyce oraz wpływie nowych mediów na kulturę wizualną. Mieszka i pracuje między Warszawą i Bliskim Wschodem.Maciek Nabrdalik - fotograf prestiżowej amerykańskiej agencji VII. Wielokrotnie nagradzany w polskich i międzynarodowych konkursach fotografii prasowej, w tym World Press Photo, Pictures of the Year International, The Best of Photojournalism. Jest też laureatem nagrody za Zdjęcie Roku Grand Press Photo 2007 i nagrody PAP im. Ryszarda Kapuścińskiego. Prace Nabrdalika były prezentowane na wystawach i publikowane w magazynach na całym świecie. Jest autorem trzech książek, The Irreversible (Nieodwracalne), poświęconej więźniom niemieckich obozów koncentracyjnych; Homesick, opowiadającej o ludziach, których życie zmieniło się w wyniku wybuchu elektrowni w Czarnobylu oraz OUT, stanowiąca portret polskiej społeczności LGBTQ. Maciek Nabrdalik jest członkiem Press Club Polska, Związku Polskich Artystów Fotografików oraz globalnym ambasadorem marki Canon. W ramach stypendium Nieman Fellowship studiował na Uniwersytecie Harvarda 2016/2017. 

Pierwszy podcast Moniki Szewczyk-Wittek, to rozmowa z doświadczonymi fototorepoterami o realiach pracy na terenach objętych konfliktem: fact-checkingu, moralnych dylematach i o tym, czego z telewizji się nie dowiemy.Dyskusja toczy się wokół wojny w Ukrainie i tym w jaki sposób można ją relacjonować przy pomocy fotografii. To także rozmowa o granicach etycznych fotoreporterów, weryfikowaniu faktów oraz współpracy z mediami. W podcaście pojawiają się historie konkretnych bohaterów, które starali się przekazać szerszej publiczności Grzędziński, Grzybowska i Lazar. Pojawiły się też pytania o sprawczość fotografii i o to czego nie zobaczymy w mainstremowych mediach. Wojciech GrzędzińskiLaureat m.in. World Press Photo i Grand Press Photo. Jako fotoreporter wojenny pracował m.in. w Libanie, Gruzji, Sudanie Południowym i Afganistanie. W latach 2011–2015 był osobistym fotografem oraz szefem zespołu foto prezydenta RP Bronisława Komorowskiego. Grzędziński był stypendystą Ministra Kultury i Dziedzictwa Narodowego. Należy do Związku Polskich Artystów Fotografików. Dokumentuje wojnę w Ukrainie dla „Washington Post”.Agata GrzybowskaFotoreporterka, twórczyni video, mieszka i pracuje w Warszawie. Współzałożycielka i członkini RATS Agency. Ukończyła fotografię na Wydziale Operatorskim PWSFTViT w Łodzi, prowadzi zajęcia z historii fotoreportażu na Uniwersytecie Humanistycznospołecznym SWPS. W 2017 r. otrzymała stypendium Ministra Kultury i Dziedzictwa Narodowego w ramach programu „Młoda Polska”. W latach 2012-2019 pracowała jako fotoreporterka Gazety Wyborczej. Laureatka BZ WBK Press Photo, Grand Press Photo, MediaTory 2013. W 2017 roku wydała album „9 Bram, z powrotem ani jednej” uznany za książkę roku Grand Press Photo oraz w Plebiscycie Fotopolis i Digital Camera.Tomasz LazarLaureat nagród m.in.: World Press Photo, Picture of the Year International, CHIPP, Sony World Photography Award, BZ WBK Press Photo, Grand Press Photo oraz Lumix Festival for Young Journalism. Jego prace publikowane były w wielu prestiżowych tytułach, takich jak: New York Times, Newsweek International, Sunday Times Magazine, New Yorker, Washington Post czy New York Magazine. Interesują go przede wszystkim długoterminowe projekty, skupiające się na tematyce społeczeństwa i ludzkiego umysłu. Obecnie mieszka i tworzy w Warszawie.

Rich-Joseph and Michael Chovan-Dalton talk about how he accidentally became a photographer and his two new books, Black Diamonds pub by Fall Line Press and Little Cities pub by Little Oak Press. See the slideshow of Rich-Joseph's work at: https://youtu.be/OcYXvfkshT8 https://facun.com Photo Show Live is sponsored by Charcoal Book Club https://charcoalbookclub.com Rich-Joseph Facun is a photographer of Indigenous Mexican and Filipino descent. His work aims to offer an authentic look into endangered, bygone, and fringe cultures—those transitions in time where places fade but people persist. The exploration of place, community and cultural identity present themselves as a common denominator in both his life and photographic endeavors. Before finding “home” in the Appalachian Foothills of southeast Ohio, Facun roamed the globe for 15 years working as a photojournalist. During that time he was sent on assignment to over a dozen countries, and for three of those years he was based in the United Arab Emirates. His photography has been commissioned by various publications, including NPR, The Atlantic, The New York Times, The Wall Street Journal, ProPublica, AARP, The Associated Press, Reuters, Vox, Adweek, Education Week, The Chronicle of Higher Education, The FADER, Frank 151, Topic, The Guardian (UK), The National (UAE), Telerama (France), The Globe and Mail (Canada) and Sueddeutsche Zeitung (Germany), among others. Additionally, Facun's work has been recognized by Photolucida's Critical Mass, CNN, Juxtapoz, British Journal of Photography, The Washington Post, Feature Shoot, It's Nice That, The Image Deconstructed, The Photo Brigade, Looking At Appalachia, and Pictures of the Year International. In 2021 his first monograph Black Diamonds was released by Fall Line Press. The work is a visual exploration of the former coal mining boom towns of SE Ohio, Appalachia. Subsequently, it was highlighted by Charcoal Book Club as their “Book-Of-The-Month.” Black Diamonds is also part of the permanent collection at the Frederick and Kazuko Harris Fine Arts Library and the Amon Carter Museum of American Art's Research Library. Presently, Facun is in the process of producing his next monograph Little Cities, slated to be released in Autumn 2022 by Little Oak Press. The work examines how both Indigenous peoples and descendants of settler colonialists inhabited and utilized the land around them. Photo Show Live is a production of Real Photo Show. ©2022 Real Photo Show

In episode 208 UNP founder and curator Grant Scott is in his shed reflecting on the role of the viewer in photography, sadness within documentary photography and why art directors can be an important factor to photographic success. Plus this week photographer David Butow takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' David Butow is a freelance photojournalist whose projects and assignments have taken him to over two dozen countries including Afghanistan, Burma, Iraq, Peru, Yemen, Zimbabwe and Ukraine. Born in New York and raised in Dallas, he has a degree in Government from the University of Texas at Austin. After college he moved to Los Angeles and worked in newspapers before beginning a freelance career for magazines in the 1990's. From the mid-90's through the late-2000's he worked as a contract photographer for US News and World Report magazine covering social issues and news events such as post- 9/11 in New York, the Palestinian/Israeli Intifada, the 2003 U.S. invasion of Iraq and the death of Pope John Paul II at the Vatican. More recently, his photographs of events such as the China earthquake in 2008, the funeral of Nelson Mandela, Hong Kong protests of 2019, January 6th and various projects in the U.S. have won awards including from World Press Photo, Pictures of the Year International and White House News Photographers Association. From 2017-2021, he was based in Washington, D.C., doing primarily political assignments at the White House and US Capitol for TIME, CNN, Politico, NBC, the Los Angeles Times, The Guardian, Rolling Stone and other clients. After four years in Washington, D.C., he relocated to Los Angeles. He is currently in Western Ukraine and Poland. www.davidbutow.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). © Grant Scott 2022

America is a study in contrasts: from the pomp and circumstance of a presidential inauguration to the reality of hunger across the land, Maddie McGarvey documents life in the United States as only a photojournalist can. Maddie McGarvey is a freelance photographer based in Columbus, Ohio. She graduated from Ohio University's School of Visual Communication in 2012 with a degree in Photojournalism, interned at the San Francisco Chronicle in 2011, and worked as a staff photographer at the Burlington Free Press in Vermont before returning to the Midwest.  In 2014 she was named an Emerging Talent for Getty Reportage and in 2015, she was selected as one of Magnum's 30 Photographers under 30. In 2016, she was chosen as one of TIME magazine's 51 Instagram Photographers to follow in the USA and was recognized by Picture of the Year International for her campaign work. She works for The New York Times, Wall Street Journal, Washington Post, Time, National Geographic, Rolling Stone, AARP, NPR, ESPN and her work has appeared in Mother Jones Magazine, The New Republic, The New York Times Magazine, and FiveThirtyEight, among others. See omnystudio.com/listener for privacy information.

Vi åkte till London för att fotografera med Nikons nya flaggskepp Z9 och testa det nya superteleobjektivet med inbyggd telekonverter. Här passade vi på att spela in en podd med Joel Marklund, chefsfotograf på Bildbyrån och specialiserad på sportfotografi. Joel Marklund har jobbat i över hela världen och bevakat många globala evenemang, inklusive åtta OS. Han har vunnit ett flertal priser för sina bilder, till exempel Picture of the Year International, NPPA Best of Photojournalism och ett flertal priser i svenska Årets Bild. Sedan 2016 är han ambassadör för Nikon Europe. Han precis kammat hem två priser i Årets Bild 2021. Hör honom berätta historien bakom de vinnande bilderna och hur han jobbar med sin utrustning på fältet – nu senast i vinter-OS! Joel Marklund kan du följa på instagram: @joelmarklund

Jason started his automotive career at the entry level as an apprentice mechanic and has worked his way up to the extent that he's experienced success in multiple international Managing Director positions working with premium brands including Rolls Royce, Porsche, Ferrari, Bentley, Lamborghini and BMW.  In our conversation, you'll hear how his curiosity, competitive nature and openness to learn new skills and adapt to change have enabled him to lead teams to success in multiple countries across the globe. I hope you enjoy meeting Jason in this way and I look forward to hearing which elements of his story resonate with you.  You can contact Jason via LinkedIn or email: jasonbroome@hotmail.com and you can follow him on Instagram.Why not follow us on Instagram @careerviewmirror where you can see a directory of all our episodes and comment on those you have enjoyed. To help you navigate the content we've separated it into chapters which work on Apple Podcasts and certain other streaming platforms. This episode of Career-view Mirror is brought to you by Aquilae.  Aquilae is a boutique consultancy in the auto finance and mobility industry. We offer our Expertise as a Service to help you design and deliver projects that develop your business and the people within it. Contact cvm@aquilae.co.uk if you'd like to know more. If you enjoyed this podcast please take a moment to leave a review on Apple Podcasts. Your feedback helps us grow. For details of our forthcoming guests follow us on Instagram @careerviewmirror Email: cvm@aquilae.co.uk Twitter: @andyfollows Episode recorded on  24 January 2022  

Grounded advice to would-be energy healers who would like to dedicate their life to that work – as their ongoing business and soul contribution. What practical starting points work in this type of endeavor How to build your confidence and experience What training facilities are available globally How to work with your Healing Guides Inside information about spiritual healing. How spirit guides work with you in an energy healing. These tips and insights are useful for any budding spiritual healer. Hear experienced suggestions from someone who has been a professional international healer for over 30 years. Global Healing Training Organizations for training and certifications https://therapeutictouch.org/ Therapeutic Touch International Association https://barbarabrennan.com/ Barbara Brennan School Of Healing https://iarp.org/ International Association Of Reiki Professionals This episode is brought to you by The Alicia Power Show Alicia is a Master Energy Healer, an advanced intuitive, an author of 20 online courses, as well as books, and audio products. She has had over 1 Million views on her YouTube channel, is a passionate transformational speaker, and is regularly invited to speak on international spiritual Tele-Summits. Alicia has trained directly under Senior Levels of the Spirit World for 30 years. This intensive soul mastery development has led her to train thousands around the world in the process of spiritual awakening and enlightenment. JOIN ALICIA POWER'S MAILING LIST: CLICK HERE LEARN MORE Check out more of Alicia Power's videos, podcast episodes, and courses on this website: www.soulmentoring.com Join thousands of Alicia's followers and subscribers receiving daily inspiration: Twitter (48,000 followers) Facebook YouTube (Over 1 Million Views) DID YOU KNOW? You are NOT alone in this life. Your Spirit Guides are working hard to support you, LOVE you, and ENGAGE with you. So that you feel happier and more fulfilled. This life CAN be a miracle IF you let THEM guide you! --- Send in a voice message: https://anchor.fm/thealiciapowershow/message

In episode 180 UNP founder and curator Grant Scott is in his shed reflecting on analogue photography in a digital world. Plus this week photographer James Oatway on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' James Oatway was born in 1978 in South Africa and grew up in Phalaborwa, a small copper mining town. He graduated from Rhodes University with a Bachelor of Journalism degree in 2000 before working as the Chief Photographer and Picture Editor of the Sunday Times newspaper. His work revolves predominantly around themes of social inequality and people affected by conflict and together with photographer Alon Skuy, Oatway published a photographic book about xenophobic violence in South Africa called [BR]OTHER, published in 2021 and he is the co-author of The Battle of Bangui also published in 2021. Oatway works extensively on the African continent and often collaborates with humanitarian organisations such as UNICEF, UNHCR and Médicins Sans Frontières. His work has been published in The Guardian, Stern, Internazionale, Le Monde, TIME, Paris-Match, The New York Times, The Wall Street Journal, The LA Times and others. Oatway has received various international awards including multiple Pictures of the Year International awards. In 2015 he was named the South African Journalist of the Year and in 2018 his Red Ants project won the Visa d'or Feature Award at the Visa Pour l'image Photojournalism Festival in Perpignan, France. He has taught documentary photography at the Market Photo Workshop in Johannesburg and is affiliated to Panos Pictures in London. www.jamesoatway.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). Grant's book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ Grant's book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021

Guest  Vincent Pugliesi   Vincent is the founder of the Total Life Freedom Community. Living a life of freedom is of huge importance to Vincent and his wife Elizabeth. They homeschool their three boys, and believe that having control of your time, your money, and the work you do, leads to the ultimate life freedom. While teaching others to do the same, the movement of Total Life Freedom was born.   https://totallifefreedom.com Instagram @totallifefreedom1 Intro   Hey Everyone, welcome back to the Rogue Learner podcast. I have had a little break from publishing and I'm really grateful for you all having patience while I figure out my new rhythm here in the States. I don't know if I've said it before on the show, but my husband is still in Europe and will be joining us later in the year so the time I once had to allocate to the show is reduced to very little, especially now that things are opening back up and my kids have access to so many places and clubs that were once closed due to Covid-19. I'd like to start by thanking you all for being so supportive and kind as I transition into our new normal. I am confident I can continue publishing great episodes, in fact I've spent the last week interviewing more amazing guests, but I do think the frequency of my publishing will slow at least until my husband joins us. For now, I'll commit to one great interview a month, with the hope that I can do even more than that.    Some listeners have reached out to me to ask how they can support the show and I appreciate you wanting to help out. The show does cost money to produce, but I'd like to keep the information free to anyone who needs it. Still, if you like the show, get value from it, and have the means to support it monetarily, you can now do so by clicking the “Support Rogue Learner” link either in the show notes or from my profile on Instagram. I am eternally grateful for anyone who makes a contribution. The money will go directly back into paying for the domain, hosting, podcast distribution service and Adobe Audition subscription.    Another way to support the way if you provide a service to other homeschooling families is by advertising on the Rogue Learner website or adding a paid listing to the directory. You'll find the link in the show notes or in my Instagram profiles. Thank you!    Also, as a thank you from me t o you I always have a book giveaway going on. If you leave a written review on Apple (which you can do through iTunes btw even if you don't have an iPhone) and then send me a quick email with your screen name, you could win a copy of a book related to SDE. For every 5 reviews, I'll be giving away two new books, “Raising Free People; Unschooling as Liberation and Healing Work” by Akilah Richards and “Why Are You Still Sending Your Kids to School?” by Blake Boles. Head on over to Apple Podcasts to leave an honest written review and get a chance to win one of these books!   I'm really excited to introduce today's guest. Vincent Pugliese is an entrepreneur who began his career in a very self-directed manner. Feeling as though he had no options in his 20's and no clear direction, he took up his father's advice to take on a photography class. In his story, you'll hear how he went from completely apathetic toward learning to deeply passionate about sports photography. What I find most incredible about him is that he is now using that knowledge he acquired regarding how people learn with his own three boys. I'm so thrilled that he took the time to chat with me and I think you'll feel the same way I did by the end of our conversation: motivated and inspired! And now, here is my interview with Vincent Pugliese from Total Life Freedom.  Show Notes   Jenna begins by welcoming Vincent to the show and thanking him for talking about his homeschooling experiences on the ChooseFI podcast, because it really inspired her to think more critically about the option to do the same for her kids.    Vincent says they are currently moving from Pennsylvania to Florida and they're able to do that based on the flexibility of their jobs and homeschooling. He says the kids started out going to traditional schools, but he and his wife didn't like that they didn't get to spend much time with their kids. They believe in following kids interests and focusing on learning, problem solving and entrepreneurship vs. a curriculum.    Jenna asks what sort of business ventures his kids are into right now. Vincent says his oldest son has always loved bugs. One day when they were playing baseball, his son said he didn't want to play anymore. While he was waiting on the sidelines, he caught a snake and everyone grew really interested in the snake and his son started teaching them about the snake. Vincent remembers at this moment that his son really stood out - he was unique. Everyone else was playing baseball and wearing the same uniform. It made him interesting because he was following his passion and interests.    His son ended up turning his love for bugs into a little business where he teaches people about his tarantula and lets them hold it  and collects tips. His middle son makes balloon animals for kids. They just got hired for a kids birthday party.    Vincent says his kids are learning how to be adults and doing adult things now. He doesn't really understand why we make kids wait until they're 22  years old before we let them start acting like “adults.”   Jenna jokingly says she's in the wrong profession! Vincent follows up saying his kids are being paid $200 for doing a 2-hour birthday party. Someone told his son that he'll be able to pay for college with all those earnings or not have to go to college at all!    Jenna adds that there's so much being gained by the kids working on their business ventures, but the communication skills are definitely being sharpened. She remembers having difficulty in her youth talking with adults, mostly because of a lack of confidence. She thinks she missed out on really valuable learning opportunities by not engaging with adults.    Vincent says the boys are motivated on their own to earn more money and get more customers. Vincent stresses to his boys that it's not about them, that it's about bringing value to others. Each client should walk away feeling happy and fulfilled in some way, whether that be a child with a balloon animal or an adult overcoming their fear of tarantulas and holding one. Building a good business is all about adding value to other people's lives.    Jenna asks Vincent to tell about his journey into each of his careers. Vincent's journey was very self directed and did not follow a traditional path. Additionally, he did not feel successful in public school. Vincent is a business coach today, and he tells his mastermind classes that they have to be okay having no road map. Of course, at the beginning, there may be some critical steps that everyone will need to take but at some point you'll need to become a problem solver,  innovator, and trailblazer.  Entrepreneurs are okay with failure. They learn from it. Vincent says he was always good at this in his youth.    His father suggested, one very late night, for him to try sports photography as a career. Vincent thought, “I've got nothing to lose” so he went ahead and began taking steps toward that career. Part of his training led him back to the classroom (college) and he was the best in his class. He was the best in his class - he wondered, how can I go from worst in class to best in class? He thinks it's because he had a real passion for it - he could see himself doing that job and thriving in it.    Jenna says that it's important to note that parents generally have some concern over whether or not  their child will ever choose a career path, but it does happen for everyone at some point. There will be something that comes into an unschoolers life at some point that motivates the young person to set goals and accomplish them. Don't worry. They will figure it out.    Vincent says he has listeners of his podcast Total Life Freedom, that reach out to him at age 33 and did exactly what they were supposed to do, followed a traditional path, and are miserable in their job. They may have a beautiful house, car, kids, etc but they hate what they do and don't know how to get out of it.    Vincent says unless his kids absolutely always love what they're doing, he hopes they will evolve and change their careers. Through new endeavors, you learn new life skills, communication skills, and business skills. He and his wife's “graduation criteria” revolves around financial goals because ultimately that's what will give them the foundation to lean into a career that they're passionate about. He doesn't want them to be so far in debt with student loans and such that they find themselves stuck, as he so often sees with his clients. Financial wisdom and emotional intelligence will allow you to do anything in life.    Jenna adds that many kids in elementary and secondary school lack the time and possibly resources to dive deep into various interests and passions which robs them of self-discovery. By the time they're of age to start thinking of their careers, they simply lack the experience and self awareness needed to decide on a path. Additionally, Jenna argues that living life provides you with real learning experiences that help you to better understand what it is you like doing and exposes children to so many types of ideas, subjects, passions, etc. Schools can't offer that in the same way - it's not flexible enough to accommodate each student in that way.    Vincent adds that compartmentalizing learning is not how the real world functions. His son, as an example, is really into tanks and building small versions of them and sells them. Through that one interest, he's learned about WWII, engineering, and commerce.    Jenna asks Vincent to tell us what happened after he got started in his photography career. Vincent went on to cover the Super Bowl, World Series, NHL championships and was awarded International Sports Photographer of the Year by Pictures of the Year International in 2003. His work has been published in nearly every newspaper around the globe. He eventually moved to Indiana where he met his wife, Elizabeth and they both began working for a small newspaper there. Although he really loved his job and won many awards for his work, he didn't enjoy having his schedule dictated by an employer. He wasn't earning much money when his wife became pregnant with their first child so Vincent decided they needed to have their own business. His dad gave him some great advice once again. He told him that he had a skill that he wasn't using. He was really good at photography and could be controlling his schedule and income but instead, he told Vincent he thought he was settling out for $15/hr and benefits.    He called his wife and told her they were going to start a wedding photography business. He says the first year was awful. Within three and a half years though, they had paid off all their debt, paid off their house and quit their jobs. That's when their life of freedom started. What am I growing, what am I building next, and what am I a beginner in are three important criteria for Vinent in his life.    Jenna says there's a ton of value gained from changing careers and passions throughout our lives and the skills learned from one path will ultimately be used in some way in the future goals and projects of the future. She herself has incorporated her photography business skills and writing skills into her podcasting venture and she continues to use her education background as a foundation for each of her endeavors as well. Jenna's son loves gaming and through gaming he's tried streaming on Twitch, creating a YouTube channel, and now coding. Learning isn't linear, it's more of a meandering stop and go joy ride.    Vincent says it's not talked about enough, this concept of skill stacking. Even if things don't work out, you can pull certain skill sets from one passion to another. Failure is experience. Too many people quit instead of using what they've learned.    Jenna asks Vincent what he thinks his kids would have missed if they had been in school. He says his kids would likely be missing out on being bullied at school. He gets asked, as we all do, about socialization and what he's noticed is that kids who homeschool have no qualms hanging out with kids much older or younger than them. In public schools however, 13 year olds can seem like an idol to a 12 year old, whereas an 11 year old would look like an idiot. He remembers this being the mentality in his own school-aged years.  He doesn't see that in homeschooling. He goes on to add that kids who have similar interests can interact in homeschooling, whereas in school and within a grade level, there may not be the opportunity for that.    School has also given Vincent's family the freedom to travel. They have spent the last 10 years traveling south in the winter and exploring the Southern United States. People have often asked him “Where are the desks?” and “Where do your kids do school?” To that, he says school is everywhere. Life is school. “School” happens whenever you want to learn. When people are willig to see that, the whole world opens up.    Jenna asks Vincent what he would do if one of his boys wanted to go to school. He says they would absolutely support that, in fact they've presented it as an option to try out. Whatever they want to do, they support.    Jenna says she asks because her daughter recently asked to go back to school. Her daughter enjoys the structure and finds the curriculum motivating. She thinks there are definitely people for which school suits.    Vincent says he has ADHD and believes two of his three boys may have it too. He says he never thrived in school. He never liked structure created for him by someone else. Some kids do love direction and structure and thrive in public school though. There should be a choice for kids who don't thrive there though. Some kids end up in detention and are told they're bad kids so having the option to choose a different environment for kids to learn in is vital to them accomplishing their learning goals.    Jenna asks Vincent what the best thing about homeschooling has been for his family. He says for sure it's the relationships; spending time together. Vincent and his family invented the “Beautiful Day Rule” which means that when the skies are blue in Pittsburg, they get their essential work done and then go do whatever they want that day. Recently, he and his son took the day off and stayed in a hotel for the night. They spent the day on paddle boats, at the arcade, swimming, and talking. His son said it was “the best day ever” over and over again. That is the greatest benefit of homeschooling; the relationships.   Helpful Resources Mentioned in Today's Show   Total Life Freedom   Total Life Freedom podcast   Choose FI   Why Are You Still Sending Your Kids to School by Blake Boles   Raising Free People by Akilah Richards   Anything You Want by Derek Sivers   Your Music and People by Derek Sivers   Discord   Support Rogue Learner   Advertise on Rogue Learner   Leave a Review

Graham was until the end of August 2021, the Managing Director of Glencraft (Aberdeen) Ltd and Glencraft Luxury, having been appointed earlier in 2015. Glencraft were awarded the accolade of the Best Social Enterprise in the UK in 2015 as part of the UK Private Business Awards. A Corporate Banker by profession, he holds a BA (Hons) in Finance and is a Fellow of the CIOBS. He has over 35 years experience in all aspects of company management and business strategy within professional services and financial sectors. He has operated at Board level for a number of companies and is a former MD and founding director of an HR company. He is an avid story-teller and has a natural ability to deliver a message via his on-stage presentations. Key strengths are business development, change management and leadership skills. He was nominated for EY Entrepreneur of The Year in 2018 as recognition for the innovative changes brought to Glencraft. Graham is also Regional Director of the Year 2019 and 2020 for Aberdeen and Grampian, recognised by the Institute of Directors in consecutive years. He was a finalist for Director of the Year – International, again via the IoD for 2020. Glencraft have recently been awarded The Queen's Award for Enterprise in the 2021 award lists. www.glencraft.luxury Graham on Linked In

We're honored to launch Season 2 with this guest, the acclaimed animal photojournalist, author, humane educator and founder of https://weanimalsmedia.org/ (We Animals Media), Jo-Anne McArthur. Perhaps no human has done more to bring the suffering of our animal kin into the light. For more than 20 years, across more than 60 countries, Jo has documented the truth of what happens to billions of animals in some of the darkest places on the planet. In this wide-ranging conversation, she describes We Animals' unfailing focus on the industries that perpetrate and perpetuate the most suffering, especially factory farms. She talks about the resilience required to continue her confronting work, how a new genre of "animal photojournalism" is inspiring the next generation of artist-advocates, and what each of us can do to create more just conditions for the domestic and wild species with whom we share the Earth. Be sure to look for our bonus episode! Jo recites an ancient Buddhist prayer for the liberation of all beings, including we humans. More: Jo's courageous lifework has won her numerous awards, including Nature Photographer of the Year 2020 for her iconic image of a kangaroo and her joey against the backdrop of a burnt eucalyptus forest - survivors of the Black Summer Climate Fires that ravaged Australia. In addition, We Animals' urgent and unprecedented new photo collection, https://weanimalsmedia.org/our-work/hidden/ (HIDDEN: Animals in the Anthropocene), recently won Photography Book of the Year by Pictures of the Year International and the Gold Medal for Outstanding Book of the Year - Most Likely to Save the Planet by Independent Publisher. "Hidden" includes a foreword by the Academy Award-winning actor and animal rights activist, Joaquin Phoenix. Calls to action: We're excited to partner with Jo to give one of our listeners a signed copy of "Hidden." Follow us on https://www.instagram.com/sentientplanetpodcast/ (Instagram) or https://www.facebook.com/sentientplanetpodcast (Facebook) and look for instructions on how you can win. Follow and support https://joannemcarthur.com/ (Jo) and https://weanimalsmedia.org/ (We Animals). If you're a student or educator, discover courses and resources in https://humaneeducation.org (humane education here). (If you're in Canada, https://humanecanada.ca/ (go here).) https://www.reducetarian.org/ (Reduce) your consumption of animal products, or transition to a fully plant-based diet! Look for animal causes you can support in your local community. Consider supporting Sentient Planet on https://www.patreon.com/sentientplanet (Patreon) for just a few dollars a month. Intro music: "The Spaces Between" by Scott Buckley. Interstitial music: "Eternity" by Stellardrone. Photo: Josee Van Wissen/https://weanimalsmedia.org/ (We Animals Media).

I have writer's block because of my guest. In fact, describing William Snyder is so difficult that I've been waiting to write this for two days. I'm ready to give it a shot now, but let me say up front that there is little chance I will be able to convey in writing the talent of William Snyder. Professor William Snyder - yup, he's a professor - is a four-time Pulitzer Prize winning photographer and editor. A graduate of the Rochester Institute of Technology, William returned there 27 years after graduating from the Professional Photography program to chair the Photojournalism program. Now, as the Director of the Advertising Photography Program, he continues teaching, and has been chosen as an RIT Outstanding Alumnus, selected for the The Isaiah Thomas Award in Publishing, and has won the Frank J. Romano Endowed Prize for Publishing Entrepreneurship. In between his graduating and then returning to RIT in 2008 William had a legendary career in journalism. After a few years at The Miami News, he moved on to The Dallas Morning News. For 15 years he was a staff photographer, winning many top photography awards, including a Pulitzer Prize for Explanatory Journalism in 1989 (along with a DMN reporter and artist) for their special report on a 1985 airplane crash, the 1991 Pulitzer Prize for Feature Photography for his pictures of ill and orphaned children living in desperate conditions in Romania and, along with fellow photographer and RIT grad Ken Geiger, the 1993 Pulitzer Prize for Spot News photography for their photographic coverage of the 1992 Summer Olympics in Barcelona, Spain. Moving up the ranks, Snyder served as the Night Photo Editor, Assignments Editor, Metro/Suburban Photo Editor, and Assistant Director of Photography in the DMN's aggressive Collin County bureau. I hope you are starting to see why telling Williams story is difficult.... his career path is amazing. In 2005 William was named The Morning News' Director of Photography. In 2006 the DMN staff won numerous awards, including: The Pulitzer Prize in Breaking News Photography for their coverage of Hurricane Katrina; 12 awards in Pictures of the Year International including Photographer of the Year; Four awards in NPPA's Best Of Photojournalism; and APME Texas Star Photographer of the Year. Again, William Snyder is one hell of a talented photographer, editor, and now professor. I was lucky enough to meet William during this past year's pandemic. Our mutual friend David Bergman, who's been on the show himself for the episode Composition, Creativity, and Workflow , and who does the Adorama show Ask David Bergman, along with his Shoot From the Pit workshops, has been doing regular Zoom Happy Hours with his friends. Whenever there is someone there I don't know I look them up, and when I looked up William I noticed something that stopped me cold... William is the photographer for the legendary band The Who! Holy crap. Looking through his music photography I was in awe. It wasn't just The Who, it was every damn band I loved growing up. His book, "Join Together (with the band)"  I need to get still, but I will for sure. With clients like Time Magazine, Life Magazine, Sports illustrated, The Sunday New York Times, USA Today, Holiday Inn and more, I could do more shows with William than perhaps anyone I have ever met. I wanted to start strong, and had every intention of talking about a shot from his storied career with The Who, and then something happened - I saw a photo I knew very well. When I mentioned today's image to William he replied "I have regrets about the situation - I shoulda, coulda, woulda if I had I been really smart", and right then I knew I wanted to know, no, needed to know, what a "really smart" William would have changed. Join photographer, journalist, editor, educator, professor, and four-time Pulitzer Prize winner William Snyder and me as we dive into what it took to photograph what would become a classic album cover - St...

I have writer's block because of my guest. In fact, describing William Snyder is so difficult that I've been waiting to write this for two days. I'm ready to give it a shot now, but let me say up front that there is little chance I will be able to convey in writing the talent of William Snyder. Professor William Snyder - yup, he's a professor - is a four-time Pulitzer Prize winning photographer and editor. A graduate of the Rochester Institute of Technology, William returned there 27 years after graduating from the Professional Photography program to chair the Photojournalism program. Now, as the Director of the Advertising Photography Program, he continues teaching, and has been chosen as an RIT Outstanding Alumnus, selected for the The Isaiah Thomas Award in Publishing, and has won the Frank J. Romano Endowed Prize for Publishing Entrepreneurship. In between his graduating and then returning to RIT in 2008 William had a legendary career in journalism. After a few years at The Miami News, he moved on to The Dallas Morning News. For 15 years he was a staff photographer, winning many top photography awards, including a Pulitzer Prize for Explanatory Journalism in 1989 (along with a DMN reporter and artist) for their special report on a 1985 airplane crash, the 1991 Pulitzer Prize for Feature Photography for his pictures of ill and orphaned children living in desperate conditions in Romania and, along with fellow photographer and RIT grad Ken Geiger, the 1993 Pulitzer Prize for Spot News photography for their photographic coverage of the 1992 Summer Olympics in Barcelona, Spain. Moving up the ranks, Snyder served as the Night Photo Editor, Assignments Editor, Metro/Suburban Photo Editor, and Assistant Director of Photography in the DMN's aggressive Collin County bureau. I hope you are starting to see why telling Williams story is difficult.... his career path is amazing. In 2005 William was named The Morning News' Director of Photography. In 2006 the DMN staff won numerous awards, including: The Pulitzer Prize in Breaking News Photography for their coverage of Hurricane Katrina; 12 awards in Pictures of the Year International including Photographer of the Year; Four awards in NPPA's Best Of Photojournalism; and APME Texas Star Photographer of the Year. Again, William Snyder is one hell of a talented photographer, editor, and now professor. I was lucky enough to meet William during this past year's pandemic. Our mutual friend David Bergman, who's been on the show himself for the episode Composition, Creativity, and Workflow , and who does the Adorama show Ask David Bergman, along with his Shoot From the Pit workshops, has been doing regular Zoom Happy Hours with his friends. Whenever there is someone there I don't know I look them up, and when I looked up William I noticed something that stopped me cold... William is the photographer for the legendary band The Who! Holy crap. Looking through his music photography I was in awe. It wasn't just The Who, it was every damn band I loved growing up. His book, "Join Together (with the band)"  I need to get still, but I will for sure. With clients like Time Magazine, Life Magazine, Sports illustrated, The Sunday New York Times, USA Today, Holiday Inn and more, I could do more shows with William than perhaps anyone I have ever met. I wanted to start strong, and had every intention of talking about a shot from his storied career with The Who, and then something happened - I saw a photo I knew very well. When I mentioned today's image to William he replied "I have regrets about the situation - I shoulda, coulda, woulda if I had I been really smart", and right then I knew I wanted to know, no, needed to know, what a "really smart" William would have changed. Join photographer, journalist, editor, educator, professor, and four-time Pulitzer Prize winner William Snyder and me as we dive into what it took to photograph what would become a classic album cover - St...

As a TV and film producer, director, writer and editor, Craig has produced hundreds of projects, both long and short form. With a Master of Arts in Communications from Baylor University, he has explored a variety of formats including dramatic and journalistic storytelling with a focus on documentary. In addition to his film accomplishments, Craig has written multiple articles for national publications. He also won a national PBS Advertising & Promotion award and was a contributing finalist in a Pictures of the Year International award.His work includes the feature-length docudrama The Insanity of God, distributed internationally by Word Films and screened on more than 500 theaters through Fathom Events. This film had a national theatrical release with a viewership of 88,000 and sold $1.2M in tickets. He is Executive Producer on Free Burma Rangers, a Fathom/LifeWay documentary that was screened in theaters nationally in February 2020. Currently, Craig is co-host and producer of the Emmy-nominated TV docu-series called The Good Road. This series explores the world of philanthropy and aired on Public Television in April 2020. It is presented by WETA in Washington, DC. Craig is also producing a podcast called Philanthropology and has written a book called Confessions of a Philanthropologist. Craig lives with his wife and twin 18-year-olds in Richmond, Virginia. He loves his family so much that he even agreed to be the PTSA President for his daughter's public high school, Maggie L. Walker Governor's School. Now THAT is a commitment to family!Follow The Good Road on Linkedin, Instagram, Facebook, Twitter, and You Tube.Check out Free Burma Rangers on Amazon Prime.Follow Craig at: IMDB, Linkedin, or FacebookStay In Touch: Connect on Facebook and Instagram with thoughts, questions, and feedback. Rate, review and share this podcast with anyone that would love to listen.  On Clubhouse @loriadbr. Find Us Online: @aworldof.difference on Instagram and A World of Difference on Facebook on Twitter at @loriadbr https://linktr.ee/aworldofdifference or loriadamsbrown.comMentioned in this episode:Do you want to go deeper?Join us in Difference Makers, a community where we watch and discuss exclusive content that truly makes a difference. Give us $5 a month (the price of a latte), and join in on the conversation with our host Lori and others who want to make a difference. We'd love to have you join us!PatreonJoin Difference MakersJoin us in our membership community for exclusive content for only $5/month at https://www.patreon.com/aworldofdifference. We go deeper with each guest, and it makes such a difference.PatreonThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacyPodtrac - https://analytics.podtrac.com/privacy-policy-gdrp

As a TV and film producer, director, writer and editor, Craig has produced hundreds of projects, both long and short form. With a Master of Arts in Communications from Baylor University, he has explored a variety of formats including dramatic and journalistic storytelling with a focus on documentary. In addition to his film accomplishments, Craig has written multiple articles for national publications. He also won a national PBS Advertising & Promotion award and was a contributing finalist in a Pictures of the Year International award. His work includes the feature-length docudrama https://www.insanityofgodmovie.com/ (The Insanity of God), distributed internationally by Word Films and screened on more than 500 theaters through Fathom Events. This film had a national theatrical release with a viewership of 88,000 and sold $1.2M in tickets. He is Executive Producer on https://www.freeburmarangers.org/ (Free Burma Rangers), a Fathom/LifeWay documentary that was screened in theaters nationally in February 2020. Currently, Craig is co-host and producer of the Emmy-nominated TV docu-series called https://www.goodroad.tv/ (The Good Road). This series explores the world of philanthropy and aired on Public Television in April 2020. It is presented by WETA in Washington, DC. Craig is also producing a podcast called https://podcasts.apple.com/us/podcast/phi-lan-thro-pol-o-gy/id1494308090 (Philanthropology )and has written a book called https://amzn.to/3eJ68tI (Confessions of a Philanthropologist).  Craig lives with his wife and twin 18-year-olds in Richmond, Virginia. He loves his family so much that he even agreed to be the PTSA President for his daughter's public high school, Maggie L. Walker Governor's School. Now THAT is a commitment to family! Follow The Good Road on https://www.linkedin.com/showcase/thegoodroadtv/ (Linkedin), https://www.instagram.com/thegoodroad/ (Instagram), https://www.facebook.com/thegoodroadtv (Facebook), https://twitter.com/thegoodroadtv (Twitter), and https://www.youtube.com/channel/UCad99NH25YXvjswXxJZsrWA (You Tube). Check out https://amzn.to/3BpXMRr (Free Burma Rangers on Amazon Prime). Follow Craig at: https://www.imdb.com/name/nm11064814/ (IMDB), https://www.linkedin.com/in/craigrolanmartin/ (Linkedin), or https://www.facebook.com/craig.r.martin.92 (Facebook) Stay In Touch: Connect on Facebook and Instagram with thoughts, questions, and feedback. Rate, review and share this podcast with anyone that would love to listen.  On Clubhouse https://www.joinclubhouse.com/@loriadbr (@loriadbr). Find Us Online: https://www.instagram.com/aworldof.difference/ (@aworldof.difference) on Instagram and https://www.facebook.com/A-World-of-Difference-613933132591673/ (A World of Difference) on Facebook on Twitter at https://twitter.com/loriadbr (@loriadbr) https://linktr.ee/aworldofdifference (https://linktr.ee/aworldofdifference) or http://loriadamsbrown.com/ (loriadamsbrown.com)Mentioned in this episode: Coaching Sept 22 Want to get unstuck and make a difference? Go to loriadamsbrown.com/coachnig for a free exploratory session. Patreon Support us for as little as $5/month at Patreon.com/aworldofdifference and receive exclusive audio content and free merch. This podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

As a TV and film producer, director, writer and editor, Craig has produced hundreds of projects, both long and short form. With a Master of Arts in Communications from Baylor University, he has explored a variety of formats including dramatic and journalistic storytelling with a focus on documentary. In addition to his film accomplishments, Craig has written multiple articles for national publications. He also won a national PBS Advertising & Promotion award and was a contributing finalist in a Pictures of the Year International award.His work includes the feature-length docudrama The Insanity of God, distributed internationally by Word Films and screened on more than 500 theaters through Fathom Events. This film had a national theatrical release with a viewership of 88,000 and sold $1.2M in tickets. He is Executive Producer on Free Burma Rangers, a Fathom/LifeWay documentary that was screened in theaters nationally in February 2020. Currently, Craig is co-host and producer of the Emmy-nominated TV docu-series called The Good Road. This series explores the world of philanthropy and aired on Public Television in April 2020. It is presented by WETA in Washington, DC. Craig is also producing a podcast called Philanthropology and has written a book called Confessions of a Philanthropologist. Craig lives with his wife and twin 18-year-olds in Richmond, Virginia. He loves his family so much that he even agreed to be the PTSA President for his daughter's public high school, Maggie L. Walker Governor's School. Now THAT is a commitment to family!Follow The Good Road on Linkedin, Instagram, Facebook, Twitter, and You Tube.Check out Free Burma Rangers on Amazon Prime.Follow Craig at: IMDB, Linkedin, or FacebookStay In Touch: Connect on Facebook and Instagram with thoughts, questions, and feedback. Rate, review and share this podcast with anyone that would love to listen.  On Clubhouse @loriadbr. Find Us Online: @aworldof.difference on Instagram and A World of Difference on Facebook on Twitter at @loriadbr https://linktr.ee/aworldofdifference or loriadamsbrown.comMentioned in this episode:Do you want to go deeper?Join us in Difference Makers, a community where we watch and discuss exclusive content that truly makes a difference. Give us $5 a month (the price of a latte), and join in on the conversation with our host Lori and others who want to make a difference. We'd love to have you join us!PatreonJoin Difference MakersJoin us in our membership community for exclusive content for only $5/month at https://www.patreon.com/aworldofdifference. We go deeper with each guest, and it makes such a difference.PatreonThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacyPodtrac - https://analytics.podtrac.com/privacy-policy-gdrp

As a TV and film producer, director, writer and editor, Craig has produced hundreds of projects, both long and short form. With a Master of Arts in Communications from Baylor University, he has explored a variety of formats including dramatic and journalistic storytelling with a focus on documentary. In addition to his film accomplishments, Craig has written multiple articles for national publications. He also won a national PBS Advertising & Promotion award and was a contributing finalist in a Pictures of the Year International award. His work includes the feature-length docudrama https://www.insanityofgodmovie.com/ (The Insanity of God), distributed internationally by Word Films and screened on more than 500 theaters through Fathom Events. This film had a national theatrical release with a viewership of 88,000 and sold $1.2M in tickets. He is Executive Producer on https://www.freeburmarangers.org/ (Free Burma Rangers), a Fathom/LifeWay documentary that was screened in theaters nationally in February 2020. Currently, Craig is co-host and producer of the Emmy-nominated TV docu-series called https://www.goodroad.tv/ (The Good Road). This series explores the world of philanthropy and aired on Public Television in April 2020. It is presented by WETA in Washington, DC. Craig is also producing a podcast called https://podcasts.apple.com/us/podcast/phi-lan-thro-pol-o-gy/id1494308090 (Philanthropology )and has written a book called https://amzn.to/3eJ68tI (Confessions of a Philanthropologist).  Craig lives with his wife and twin 18-year-olds in Richmond, Virginia. He loves his family so much that he even agreed to be the PTSA President for his daughter's public high school, Maggie L. Walker Governor's School. Now THAT is a commitment to family! Follow The Good Road on https://www.linkedin.com/showcase/thegoodroadtv/ (Linkedin), https://www.instagram.com/thegoodroad/ (Instagram), https://www.facebook.com/thegoodroadtv (Facebook), https://twitter.com/thegoodroadtv (Twitter), and https://www.youtube.com/channel/UCad99NH25YXvjswXxJZsrWA (You Tube). Check out https://amzn.to/3BpXMRr (Free Burma Rangers on Amazon Prime). Follow Craig at: https://www.imdb.com/name/nm11064814/ (IMDB), https://www.linkedin.com/in/craigrolanmartin/ (Linkedin), or https://www.facebook.com/craig.r.martin.92 (Facebook) Stay In Touch: Connect on Facebook and Instagram with thoughts, questions, and feedback. Rate, review and share this podcast with anyone that would love to listen.  On Clubhouse https://www.joinclubhouse.com/@loriadbr (@loriadbr). Find Us Online: https://www.instagram.com/aworldof.difference/ (@aworldof.difference) on Instagram and https://www.facebook.com/A-World-of-Difference-613933132591673/ (A World of Difference) on Facebook on Twitter at https://twitter.com/loriadbr (@loriadbr) https://linktr.ee/aworldofdifference (https://linktr.ee/aworldofdifference) or http://loriadamsbrown.com/ (loriadamsbrown.com)Mentioned in this episode: Coaching Sept 22 Want to get unstuck and make a difference? Go to loriadamsbrown.com/coachnig for a free exploratory session. Patreon Support us for as little as $5/month at Patreon.com/aworldofdifference and receive exclusive audio content and free merch. This podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

My guest today is one of Australia's most-prominent photo/investigative journalists, Andrew Quilty. Andrew started his career in Sydney, then moved to New York City and eventually to Kabul, Afghanistan, after a two-week trip to photograph the Afghan cricket team turned into an odyssey now into its eighth year. He has worked in all but a handful of Afghanistan's 34 provinces, photographed for most of the world's premiere publications and won several accolades, including a World Press Photo Award, a Polk Award, several Picture of the Year International awards and the Gold Walkley, Australian journalism's highest honour.  More recently, Andrew has focussed on the written word. His 18-month investigation into a CIA-led Afghan militia, responsible for several massacres in 2019, for The Intercept, was recently the recipient of an Overseas Press Club of America Award. His most recent piece published in the April edition of The Monthly is titled, ‘The Worst form of Defence: New revelations of Australian war crimes in Afghanistan', which is an investigation into alleged war crimes by Australian special forces in Uruzgan. This, of course, is separate to the 'Afghanistan Enquiry' released in Nov last year. We covered many topics, including: Andrew's entry into photography The craft of photography The pull of Afghanistan  ‘Seeing' the people of Afghanistan Danger of oversimplified narratives of conflict Second-order effects of coalition operations Foreigner's (lack of) understanding of Afghanistan Background to his award-winning photo “The Man on the Operating Table” Andrew's shift to the written word The dangers of life as a war journalist Andrew's views on the future of Afghanistan You can see some of Andrew's photographs via his webpage here, read Andrew's article 'The CIA's Afghan Death Squads' here, and his article ‘The Worst form of Defence', here.  For recent updates on the situation in Afghanistan, you can follow Andrew on Twitter (@andrewquilty). If you'd like to comment on the episode, visit us @TheVoicesOfWar.

Zack Canepari // “It is so easy to get illegal guns. There are loopholes, and the way these illegal guns come into these communities is so much a product of poorly thought out gun laws. That to me is just hair pulling…because why is this so complicated. I resent that there is this one, uncompromising line of the constitution that was made so long ago under such different circumstances, and that we are completely incapable of talking about it in a common sense way.” . Welcome to @thesearcherpodcast . On this episode of the show, I speak with Zack Canepari, an independent photographer and filmmaker specializing in documentary storytelling. His photography career began in India/Pakistan, and after living in the region for three years Zack moved to California and teamed with filmmaker Drea Cooper, to create ZCDC. In 2010, ZCDC launched “California is a place”, a documentary film series about the Golden State. Next, the duo directed their debut feature documentary T-REX, about Olympic gold medalist boxer Claressa Shields, which premiered at SXSW and went on to win audience and jury awards around the country including San Francisco International and Hot Docs. . Later, ZCDC's Netflix Original Doc series, FLINT TOWN, opened to critical acclaim and earned nominations from Critic's Choice Awards and the IDA. The series takes an unflinching look at a struggling city through the eyes of the police and community. Their latest film, FIRE IN PARADISE, also released on Netflix, was shortlisted for the 2020 Academy Awards and received multiple Emmy nominations. . As a photographer, Zack's first monograph, titled REX, focused on Flint through the experiences of Shields and her sister, Briana. REX was named one of TIME Magazines top photography books of 2016 and was awarded Best Photography Book at the Pictures of the Year International. A series of short films, photo projects and exhibitions followed, all part of an ongoing interactive web series titled "Flint is a place". In 2017, Canepari won a World Press Photo Award and was awarded Multimedia Photographer of the Year at Pictures of the Year International for his work in Michigan. . We centered our discussion on much of the aforementioned work, Zack's experience of working both as a still photographer and a filmmaker, the covid and post-covid work environments, his current film with @jessicadimmock exploring gun violence in America, and how these projects have shaped his views on everything from policing to parenting his daughter. . This conversation was recorded late last year, so there may be some comments and comments regarding covid-19 and politics that are a bit outdated. . Follow Zack Canepari: Instagram: @canepari_til_i_die Web: http://www.zcdc.tv/ Web: http://flintisaplace.com/ . Additional links: Searcher Instagram: @thesearcherpodcast Searcher website: http://michaelchristopherbrown.com/searcher/ --- Support this podcast: https://anchor.fm/searcher/support

Stephen Dupont is an Australian photographer, artist and documentary filmmaker. He  is recognised around the world for his unique vision and concerned photography on the human condition, war and climate. His images have received international acclaim for their artistic integrity and valuable insight into the people, culture and communities that are fast disappearing from our world. Dupont's work has earned him photography's most prestigious prizes such as the Robert Capa Gold Medal citation, Olivier Rebbot Award, A Bayeux War Correspondent's Prize; World Press Photo award, Picture of the Year International and many more. His one man theatrical show "Don't Look Away" world premiered at the Museum of Old & New Art (MONA) as well as the Museum of Contemporary Art. He holds a Masters degree in Philosophy and is regularly invited to give talks nationally and internationally. His work has been featured in some of the world's leading publications The New Yorker, Aperture, Newsweek, Time, Matador, GQ, Esquire,  French and German GEO, The Smithsonian, New York Times Magazine, Vanity Fair to name a few. He's held major exhibitions around the world, published numerous books and his handmade photographic artist books and portfolios are in some of the world's leading collections. Stephen body of work is exhaustive, spanning over 30 years. He has travelled to almost every corner of the Earth, seeking to capture and share with us the unique stories that we would otherwise never see.   

We're ending Season 1 of the Level Up Your Gym Podcast with a BANG! Carlos Castro has been a veteran in the fitness industry internationally for over 20 years. He began his journey educating himself on fitness to become a trainer. He was successful in opening his own gym in Columbia and continues to teach strength training and nutrition all across the globe. The keys behind his global success? 1.) You Do Not Know Everything 2.) You Cannot Fix Everything 3.) Create A Welcoming Environment

Isabel joins the Pure Tinnitus podcast to share her long multi-year international tinnitus story. She went from being completely handicapped with tinnitus and hyperacusis to living her life almost completely back to normal. She shares all of the tips and tricks that rescued her from her tinnitus.

This week's episode marks one full year's worth of Paint the Town Dead, so we decided to do something weird. We take a look at some cases from Turkey, Japan, and South Korea as well as sampling some of their snacks. The 1980s Crime Ring That Poisoned Japan’s Candy And Never Got Caught: https://www.atlasobscura.com/articles/the-1980s-crime-ring-that-poisoned-japans-candy-and-never-got-caught See acast.com/privacy for privacy and opt-out information.

Pamela Druckerman is the author of five books including "Bringing Up Bébé", which has been translated into 30 languages and optioned as a feature film by Blueprint Pictures starring Anne Hathaway. In this episode we talk about her new children's book, "Paris by Phone" which details one little girl's pursuit of the magic of independence and her subsequent realization of the true meaning of home. We also discuss the history of French cultural influence on America and other countries, and how the political systems of a particular country affect the level and intensity of parental stress experienced by its citizens. Connect with Pamela at https://pameladruckerman.com on IG @pameladruck    Check out Pamela's Interview Zoom Series Pandemonium U https://www.pandemoniumu.com   This show is sponsored by: Public Goods - Use code Unstressed for $15 off your order. Motherhood Unstressed CBD - Stress Less. Use code podcast to save 15% at www.motherhoodunstressed.com  Connect with me on IG @motherhoodunstressed About Pamela Druckerman Bringing Up Bébé was a #1 best seller in the U.K. (Sunday Times); a top-ten best seller in the United States (The New York Times); and has appeared on best-seller lists in Germany, Russia and Brazil. (Its UK title is French Children Don’t Throw Food.) Pamela also wrote There Are No Grown-Ups: A Midlife Coming-of-Age Story,Bébé Day By Day: 100 Keys to French Parenting and Lust in Translation: Infidelity from Tokyo to Tennessee. Her rhyming picture book for kids, Paris by Phone, illustrated by Benjamin Chaud, will appear in February 2021. Pamela writes a column about France for The New York Times, and the Dress Code column for 1843/The Economist. Her op-eds, essays, articles and reviews have also appeared in the The Atlantic, Harper’s, The New York Review of Books, The New York Times Book Review, New York Magazine, Marie Claire, Vanity Fair France, Madame Figaro, The Washington Post, The Guardian, the Financial Times, The Times (UK), The Sunday Times (U.K.) and many other publications. She has appeared as a commentator on All Things Considered, Morning Edition, BBC Woman’s Hour, Good Morning America, the Today Show, CNN, CNBC, MSNBC, PRI, the CBC, Europe1, Le Grand Journal, On n’est pas couché, France24 and Oprah.com. In March 2020, at the start of the Paris lockdown, Pamela co-founded PANDEMONIUM U, a series of free Zoom classes taught by world-class experts. In 2017 she won an Emmy for The Forger, a 16-minute New York Times documentary about a Frenchman who forged documents during WWII. The film was a finalist for the Peabody Award and won prizes from World Press Photo, Pictures of the Year International and NPPA. Pamela also shared a 2015 Overseas Press Club award for “best TV or video spot news reporting from abroad” for video coverage of the 2015 terrorist attacks in Paris. From 1997 to 2002 Pamela was a staff reporter for The Wall Street Journal based in Buenos Aires, São Paulo and New York. She was also a term member at the Council on Foreign Relations. She holds a B.A. in philosophy from Colgate University and a Master of International Affairs from Columbia University. She grew up in Miami.  

“Read this book, strengthen your resolve, and help us all return to reason,” says Jordan Peterson, in a review of Dr. Gad Saad’s latest publication “The Parasitic Mind: How Infectious Ideas Are Killing Common Sense” available now at https://go.drdrew.com/gadbook. Dr. Gad Saad is a professor, evolutionary behavioral scientist, and author. He hosts The Saad Truth podcast and YouTube channel at https://www.youtube.com/gadsaad. More about Gad Saad: https://www.gadsaad.com/  Follow Gad Saad at https://twitter.com/GadSaad  Dr. Gad Saad is Professor of Marketing at Concordia University (Montreal, Canada), and former holder of the Concordia University Research Chair in Evolutionary Behavioral Sciences and Darwinian Consumption (2008-2018). He has held Visiting Associate Professorships at Cornell University, Dartmouth College, and the University of California–Irvine. Dr. Saad received the Faculty of Commerce’s Distinguished Teaching Award in June 2000, and was listed as one of the ‘hot’ professors of Concordia University in both the 2001 and 2002 Maclean’s reports on Canadian universities. Saad was appointed Newsmaker of the Week of Concordia University in five consecutive years (2011-2015), and is the co-recipient of the 2015 President’s Media Outreach Award-Research Communicator of the Year (International), which goes to the professor at Concordia University whose research receives the greatest amount of global media coverage. [Streamed live on Feb 17, 2021] Get an alert when Dr. Drew is taking calls: http://drdrew.tv/ Ask Dr. Drew is produced by Kaleb Nation ( https://kalebnation.com) and Susan Pinsky (https://twitter.com/FirstLadyOfLove). THE SHOW: For over 30 years, Dr. Drew Pinsky has taken calls from all corners of the globe, answering thousands of questions from teens and young adults. To millions, he is a beacon of truth, integrity, fairness, and common sense. Now, after decades of hosting Loveline and multiple hit TV shows – including Celebrity Rehab, Teen Mom OG, Lifechangers, and more – Dr. Drew is opening his phone lines to the world by streaming LIVE from his home studio in California. On Ask Dr. Drew, no question is too extreme or embarrassing because the Dr. has heard it all. Don’t hold in your deepest, darkest questions any longer. Ask Dr. Drew and get real answers today. This show is not a substitute for medical advice, diagnosis, or treatment. All information exchanged during participation in this program, including interactions with DrDrew.com and any affiliated websites, are intended for educational and/or entertainment purposes only.

Part 2: Marcus Yam is a roving Los Angeles Times foreign correspondent and staff photographer. Born and raised in Kuala Lumpur, Malaysia, he left a career in aerospace engineering to become a photographer. In 2019, Yam was awarded the Robert F. Kennedy Human Rights Journalism Award for his unflinching body of work documenting the everyday plight of Gazans during deadly clashes in the Gaza Strip. He was also part of two Pulitzer Prize-winning breaking news teams that covered the San Bernardino, Calif., terrorist attacks in 2015 for the Los Angeles Times and the deadly landslide in Oso, Wash. in 2014, for the Seattle Times. His previous work has also earned an Emmy Award for News and Documentary, World Press Photo Award, DART Award for Trauma Coverage, Scripps Howard Visual Journalism Award, Picture of the Year International’s Newspaper Photographer of the Year Award, Society of Professional Journalists’ Sigma Delta Chi Award, National Headliner Award and an Alfred I. duPont-Columbia University Award. --- Support this podcast: https://anchor.fm/matt-brown57/support

Part 1: Marcus Yam is a roving Los Angeles Times foreign correspondent and staff photographer. Born and raised in Kuala Lumpur, Malaysia, he left a career in aerospace engineering to become a photographer. In 2019, Yam was awarded the Robert F. Kennedy Human Rights Journalism Award for his unflinching body of work documenting the everyday plight of Gazans during deadly clashes in the Gaza Strip. He was also part of two Pulitzer Prize-winning breaking news teams that covered the San Bernardino, Calif., terrorist attacks in 2015 for the Los Angeles Times and the deadly landslide in Oso, Wash. in 2014, for the Seattle Times. His previous work has also earned an Emmy Award for News and Documentary, World Press Photo Award, DART Award for Trauma Coverage, Scripps Howard Visual Journalism Award, Picture of the Year International’s Newspaper Photographer of the Year Award, Society of Professional Journalists’ Sigma Delta Chi Award, National Headliner Award and an Alfred I. duPont-Columbia University Award. --- Support this podcast: https://anchor.fm/matt-brown57/support

Amit Rosenthal CEO of an 84 year international logistics company How long have you been in logistics? When did you realize Amazon was a big opportunity for logistic services? What services do you offer, do you actually do the transport or mediate it? 700 clients what if I have products that can’t be exposed to… Read more

Jason Esekenazi is a photographer, curator and co-founder of the photobook publishing community Red Hook Editions. He lives in Queens, New York, where he grew up and went to university, taking a degree in psychology and American literature at Queens College. The fall of the Berlin Wall in 1989 led Jason out of New York into the wider world and after trips to Germany and Romania he travelled to Russia in 1991, just before the August coup that marked the end of the Soviet Union. So began over a decade of return trips to the region which eventually culminated in Jason’s first book, Wonderland: A Fairy Tale of the Soviet Monolith, which won Best Photography Book in Pictures of the Year International in 2008. Using the fairy tale as a framework, Jason took the title of his book from Alice in Wonderland, and likens the breakup of the Soviet Union to the end of childhood. Wonderland ended up being the first in a trilogy of books spanning 30 years worth of work. Each volume consists of three sections  numbered one to nine and the numbering of the images is consecutive across the whole trilogy. The second book was Black Garden, shot within the vast geographical and mythical world known to ancient Greece from the Mediterranean to the Caucasus, including Turkey, Greece, Syria, Iraq, Ukraine, Egypt, Libya, and Sicily, as well as New York City. The book uses Greek mythology as its framework and concentrates on three main themes: subjugation of women, domination over the animal kingdom, and self-destruction through war. The final book in the trilogy, published simultaneousluy with Black Garden in 2019, is Departure Lounge, which investigates how we depart from reality, from friends, and from ourselves and completes the cycle by revisiting the territory and some of the characters of the first book, drawing on Jason’s extensive archive from his decade long travels through Russia.Jason has received numerous awards including a Guggenheim Fellowship, The Dorothea Lange/Paul Taylor Prize, and The Alicia Patterson Foundation Grant. His work has appeared in many magazines including Time, Newsweek and The New York Times. In 2004 Jason In 2004 he received a Fulbright Scholarship to return to Russia to make a series of large format color portraits called Title Nation with Russian colleague Valeri Nistratov which was published in 2010. In 2004 -2005 Jason organized a Kids with Cameras workshop in the old city of Jerusalem, teaching photography to Arab Muslims and Jewish children, which toured many U.S. cities.For much of 2008 and 2009 Jason took a job as a security guard at the Metropolitan Museum of Art to earn some money and to obtain health insurance. He created and co-edited a new independent magazine called SW!PE which showcased the artwork of museum guards. While assigned to the museum’s Robert Frank exhibition Looking In, Jason also began the creation of the book The Americans List: By the Glow of the Jukebox, which asks over 250 photographers to name and talk abouit their favourite photograph from Frank’s seminal work, The Americans.Jason was also the International Curator/ Creative Director for the Bursa Photo Fest in Turkey for its first 2 years and a co-founder and editor of  DOG FOOD, a newspaper blending Cynic Philosophy and Photography. On episode 147, Jason discusses, among other things:Why he found the idea of working in the USA scarier than in a far flung war zone.Waiting for chance to give you something.The inciting incident: the Berlin Wall coming down.Learning how to see things… and to make book dummies.Russians and the fairy tale - Wonderland: A Fairy Tale of the Soviet Monolith.Why a lot of it is play.Keeping things open ended.Black Garden and Departure Lounge.What he’s thinking about now. The Americans List: By the Glow of the Jukebox. Referenced:Robert FrankGarry WinongrandBela TarrSabiha Çimen Website | Instagram | Facebook | Twitter “A lot of it is playing. It’s play. Play with the images, play with the notes, play with the strings on your guitar - tune one to a lower D and see how that works. You just sort of play and that’s how you create things.”

Supporting Links Join The Conversation! home Me on NewTube.app https://newtube.app/user/CanadaPoli Me on Youtube https://www.youtube.com/channel/UCCd_S-VxU0vz7tu29FiT_wg Me on Twitch https://www.twitch.tv/canadapoli Me on Periscope https://www.pscp.tv/MarkParalovos/1vOGwkzNPdLGB Headlines and More! https://canadareport.co/ Discussion Based https://speakingmoistly.co/ Me on Twitter Tweets by MarkParalovos Podcast https://play.google.com/music/listen?u=0#/ps/Ihhe33job6uxmjrrws4znzl4eq4 Who Am I? Home Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes ... Read More The post 455 – Happy New Year! International Travel, Empty Hospitals and More of the Same?! appeared first on CanadaPoli.

Established in 2014, the New Development Bank was set up by China and the four other BRICS countries to finance infrastructure and sustainable development projects in the BRICS and other emerging economies. Abhimanyu Ghosh discusses his role at the bank, the bank's rapid response to COVID-19, setting environmental and social standards for their loans, as well as how working for a multilateral development bank is different from working for a law firm. Abhimanyu Ghosh is Senior Counsel at the NDB, based at the bank's headquarters in Shanghai. The NDB in-house legal team was the winner of the In-House Team of the Year International at the recent 2020 China Law and Practice Awards. Today's episode is the second part of a two-part special looking at the work of two leading in-house counsel in China who have been influential in helping their organizations navigate a fairly historic and unprecedented past year. Click here to listen to the previous episode with Myra Gao, head of legal at Danfoss China. The China Law Podcast is a weekly podcast exploring China's business and financial sectors from a legal perspective, hosted by Vincent Chow. Get in touch at vchow@alm.com with any feedback and ideas for future episodes. Disclaimer: Abhimanyu Ghosh was speaking in a personal capacity and his view are not necessarily those of the New Development Bank Episode Outline 01:40 What the NDB does and role of Senior Counsel 05:30 How the legal team divides work across different jurisdictions 07:08 Keeping work in-house versus seeking external help 09:30 Adhering to NDB's Articles of Agreement 12:28: Privileges and immunities of multilateral development banks 16:24 Maintaining environmental and social sustainability standards Related Content China Law & Practice Announces Awards 2020 Winners Podcast #21: Delivering Value as an In-House Counsel for a Multinational in China - Myra Gao, Danfoss China GC In-House Insights: Helping Businesses Expand in China with Judy Wong, Tricor Group GC