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We zitten down under in de schaduw van Uluru, een rots in Australië. Het is 17 augustus 1980 en de familie Chamberlain zit op de camping rond een kampvuur. Dan weerklinkt een huilende baby, mama Lindy herkent haar 9 weken oude dochter Azaria en loopt naar de tent. Plots weerklinkt een ijzingwekkende kreet. Hier is aflevering 175! Zit je met iets? Praat bij Tele-Onthaal over wat jou bezighoudt. Bel anoniem en gratis naar 106 (24u/7d) of chat via tele-onthaal.be 20% korting en gratis verzending met VOLKSJURY20 op www.colonelgustave.com. Honden en kattenvoeding, gemaakt van kwaliteitsvolle en lokale ingrediënten, zonder artificiële toevoegingen én met respect voor de planeet. Voornaamste bronnen: Australian Dictionary of Biography - Biography - Azaria Chantel Chamberlain Australian Geographic - Azaria Chamberlain final inquest Canberra Times - Botanist 'happy with tests' Canberra Times - Dingo could have taken child, ranger tells coroner Canberra Times - Drag mark, dingo tracks found near campsite Canberra Times - Father of missing baby tells of joy at birth Creighton - Rumors and Facts; Lindy Chamberlain Creighton - The Story; Lindy Chamberlain Creighton - Timeline of Events: Lindy Chamberlain Fairfax Digital - All the makings of a classic whodunnit National Museum of Australia - Azaria Chamberlain inquest The Australian - Discovery of jacket vindicated Lindy The Independent - Australia's fourth inquest opens in Azaria Chamberlain dingo case Wikipedia - Death of Azaria Chamberlain / Dingo / Uluru / Verdwijning van Azaria ChamberlainSee omnystudio.com/listener for privacy information.
Efter Gustav III:s död ville den nya förmyndarregimen – med hertig Karl i spetsen – tona ner mordets politiska sprängkraft. Att det skulle framstå som ett adligt uppror måste undvikas. Och polismästare Nils Henric Liljensparres ihärdiga arbete med att kartlägga hela konspirationen blev snart ett problem.Karriäristen Liljensparres lojalitet mot Gustav III vändes snart i ett förföljande av gustavianerna i ett försök att blidka förmyndarregeringen. Men Liljensparre, som skaffat sig många fiender i arbetet som polismästare och spionchef, skulle bli en syndbocken som ett oroligt Sverige behövde.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med författaren Tomas Eriksson om den komplexa roll Liljensparre spelade i kölvattnet av kungamordet. Eriksson är aktuell med boken Syndabocken – Polismästare Liljensparres uppgång och fall (Stockholmia).Inledningsvis belönades Liljensparre för sina insatser med fortsatta ämbeten och stort förtroende. Men han var en man med många fiender – både bland de han tidigare spionerat på i Stockholm och inom den nya maktapparaten. Hans vilja att rädda vissa av de huvudmisstänkta undan dödsstraff tolkades som politiskt illojalt. Dessutom väckte hans aggressiva metoder alltmer kritik.Trots försök att vinna den nya regimens gunst – bland annat genom att rikta sina spioneriinsatser mot Gustav III:s gamla allierade, däribland Gustaf Mauritz Armfelt – lyckades han inte återvinna inflytande. I själva verket bidrog Liljensparre till Armfelts fall genom att sprida rykten.Hans impopularitet bland stockholmarna kulminerade i det så kallade Ebelska upploppet – en protest mot polisens hårda metoder, som han inte kunde stävja utan militär hjälp. Den mäktige Gustaf Adolf Reuterholm använde upploppet som svepskäl för att avsätta honom.I januari 1793 förflyttades han till Svenska Pommern under förevändning att reformera polisen där – i praktiken ett sätt att avlägsna honom från huvudstadens politiska scen. Det var början på hans definitiva fall.Efter flera år i Pommern tilläts Liljensparre återvända till Sverige 1799. Han återinsattes i statlig tjänst, men nu inom tullväsendet snarare än inom polisen. Som ledamot i Generaltulldirektionen beskrevs han som både effektiv och despotisk – egenskaper som följt honom genom hela hans karriär. Han pensionerades 1811 och avled i Stockholm 1814, vid 75 års ålder.Nils Henric Liljensparre var både banbrytare och paradox. Han byggde upp ett polisväsende som låg före sin tid i metod och effektivitet – men verkade i ett samhälle där rättssäkerheten var svag och politikens nycker ofta styrde rättvisan. Han blev hjälten som grep kungens mördare – och syndabocken som offrades när det politiska spelet krävde en syndabock. Hans historia visar vad som kan hända när lagens väktare själva blir brickor i maktens spel.Bild: Montage: Polismästare Nils Henric Liljensparre (1738–1814) av Johan Erik Bolinder, ur samlingarna på Nationalmuseum. Licens: CC BY-SA 4.0. I bakgrunden karta över Pommern. Ursprungligen skapad av Eilhard Lubin 1635 och senare publicerad av Willem & Joan Blaeu i deras berömda Atlas Blaeu (1662). Bilden visar det historiska hertigdömet Pommern med noggrant tecknade gränser och topografiska detaljer, typiska för barockens kartografi.Musik: Elegant Arguments av Boris Skalsky, Storyblock AudioKällorEriksson, Tomas (2025). Syndabocken: polismästare Liljensparres uppgång och fall. [Stockholm]: Stockholmia förlagSvenskt biografiskt lexikon, artikel om Nils Henric LiljensparreEricson Wolke, Lars (2005). Mordet på Gustav III. Lund: Historiska mediaNationalencyklopedin, artiklar om Gustav III och 1700-talets rättsväsendeKlippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.
När kung Gustav III sköts vid en maskeradbal i mars 1792 mobiliserade Sveriges förste polismästare, Nils Henric Liljensparre, en intensiv jakt på konspiratörerna. Bara några timmar senare lyckades han gripa gärningsmannen Johan Jacob Anckarström.Liljensparre var en mästare på att få misstänkta att tala och använde sig av en systematisk bevisinsamling som låg långt före sin tid. Konspirationen visade sig sträcka sig djupt in i adeln, och hans beslutsamhet att avslöja sanningen skulle snart kosta honom dyrt.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med författaren Tomas Eriksson om mordet på Gustav III och den dramatiska roll som polismästare Nils Henric Liljensparre spelade i jakten på konspiratörerna. Eriksson är aktuell med boken Syndabocken – Polismästare Liljensparres uppgång och fall.Nils Henric Aschan Liljensparre (1738–1814), född Sivers, var jurist och erfaren ämbetsman. År 1776 blev han den första polismästaren i Stockholm, som del av en ny polisiär organisation. Han byggde upp ett effektivt underrättelsenätverk med informatörer som bevakade allt från tjuvar till politiska pamflettskrivare och moderniserade polisväsendet med metoder långt före sin tid.Men det var under krisåret 1792 som han verkligen trädde fram som en nyckelfigur. Då var han inte bara operativ polischef utan även tillförordnad överståthållare – med direkt insyn i ordningsmakten och maktens innersta kretsar.Vid den ödesdigra maskeradbalen på Operan – trots upprepade varningar mot kungens närvaro – deltog Gustav III bland de maskerade gästerna. En grupp män i svarta dominodräkter närmade sig, och ett skott avlossades bakifrån – laddat med kulor, spik och metallfragment. Kungen föll inte omedelbart, men var dödligt sårad. Tretton dagar senare, den 29 mars 1792, avled han.Liljensparre kallades omedelbart till platsen. Under kungens order inledde han en intensiv mordutredning. Operans utgångar spärrades, misstänkta identifierades genom intervjuer och avgörande bevis – däribland mordvapnet – säkrades. Redan samma natt organiserade han en rekonstruktion. Pistoler visades för stadens pistolsmeder, varav en kände igen vapnet han nyligen reparerat åt kapten Jacob Johan Anckarström.Liljensparres arbete var metodiskt och bevisbaserat. Genom vapenspåret kunde Anckarström gripas redan dagen efter attentatet – ett remarkabelt resultat med dåtidens mått. Förhören inleddes omedelbart. Genom att vädja till Anckarströms känslor för sina barn fick Liljensparre honom att bekänna och namnge medkonspiratörer.Nätverket av sammansvurna visade sig inkludera flera unga officerare – däribland Adolph Ribbing och Claes Fredrik Horn – samt den inflytelserike aristokraten Carl Fredrik Pechlin. Men högre upp i hierarkin blev det svårare att nå fram. Pechlin förblev tyst och undkom fällande dom.Bild: Montage: Polismästare Nils Henric Liljensparre (1738–1814) av Johan Erik Bolinder, ur samlingarna på Nationalmuseum. Licens: CC BY-SA 4.0. I bakgrunden Norrmalmstorg (nuvarande Gustav Adolfs torg) och Kungliga slottet med Gamla Norrbro.Akvarellerad konturetsning av Johan Fredrik Martin (1755–1816), Källa: Stadsmuseet. Licens: CC BY-SA 4.0.Musik: Elegant Arguments av Boris Skalsky, Storyblock AudioKällorEriksson, Tomas (2025). Syndabocken: polismästare Liljensparres uppgång och fall. [Stockholm]: Stockholmia förlagSvenskt biografiskt lexikon, artikel om Nils Henric LiljensparreEricson Wolke, Lars (2005). Mordet på Gustav III. Lund: Historiska mediaNationalencyklopedin, artiklar om Gustav III och 1700-talets rättsväsendeKlippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.
Ellen Kamhi, The Natural Nurse, talks with Angela Manno who studied at the San Francisco Art Institute, Parsons School of Design, and l'Ecole des Arts in Lacoste, France, through Sarah Lawrence College. Her work has been exhibited around the world, including by NASA, the Smithsonian's National Air and Space Museum, and the National Museum of Women in the Arts. She also collaborates with the Center for Biological Diversity on its endangered species programs. She presents each threatened species in a traditionally religious form—the icon—to illustrate its intrinsic value and true significance. www.angelamanno.com
In 2016 Tara Roberts was living in Washington DC feeling, in a new way, the deep fractures in America, including the way we understand our history. She felt called to be part of trying to heal these divisions. It was a chance encounter with a photograph at the National Museum of African American History and Culture that changed the trajectory of her life. It was of a group of Black women on a boat in diving gear who she quickly discovered were from an organization called Diving with a Purpose, an underwater archeology group with a mission to discover and document the wreckage of slave ships scattered on the ocean floor around the world, and by doing so recover a crucial part of history. Roberts soon quit her job and joined the group to document their work, learning to scuba dive in order to do so. She turned that journey into an award-winning National Geographic-produced podcast called “Into the Depths” and became the first Black female explorer ever to be featured on the cover of National Geographic Magazine. This work also resulted in a memoir Written in the Waters which both invites us into the fascinating and groundbreaking work below the surface of the Ocean around the globe, and her own personal transformation. Roberts has travelled the world as a diver, backpacker, and adventurer, bringing to this conversation a global view of history and culture, and a devotion to tell the stories that can bring us together. She is currently Explorer-in-Residence at the National Geographic Society. Here's Tara Roberts in conversation with Shayna Schlosberg from the 2025 Portland Book Festival, on Literary Arts, the Archive Project. Tara Roberts spent the last six years following, diving with, and telling stories about Black scuba divers as they searched for and helped document slave shipwrecks around the world. Her journey was turned into an award-winning National Geographic-produced podcast called “Into the Depths” and featured in the March issue of National Geographic magazine. Tara became the first Black female explorer ever to be featured on the cover of Nat Geo. In 2022, Tara was named the Rolex National Geographic Explorer of the Year. Currently, she is an Explorer-in-Residence at the National Geographic Society. And her book Written in the Waters: A Memoir of History, Home and Belonging hits stands in January 2025. Tara also worked as an editor for magazines like CosmoGirl, Essence, EBONY and Heart & Soul and edited several books for girls. She was a Fellow at the MIT Open Documentary Lab. She founded her own magazine for women who are ‘too bold for boundaries..’ And Tara spent an amazing year backpacking around the world to find and tell stories about young women change agents. The journey led to the creation of a nonprofit that supported and funded their big ideas. Shayna Schlosberg is the Vice President of Community Connections at OPB and KMHD, where she leads initiatives to ensure that both organizations authentically reflect and serve the diverse communities of the Pacific Northwest. In this role, she shapes and drives the strategy, vision, and implementation of community representation and inclusion across all aspects of OPB and KMHD's work. Shayna joined OPB and KMHD in 2022. Prior to that, she was the Director of Operations and Strategy at Women of Color in the Arts, a national service organization committed to advancing racial and cultural equity in the performing arts. From 2017 to 2021, she served as Managing Director of The Catastrophic Theatre, an acclaimed experimental theater company in Houston, Texas. Before that, she was Associate General Manager at the Alley Theatre, where she played a key role in expanding the theater's international programming, particularly through partnerships with Latin American artists and companies. Shayna's expertise has been recognized nationally—she has served on grant panels for the National Endowment for the Arts. She is a graduate of several leadership programs, including the National Association of Latino Arts and Culture's Advocacy Leadership Institute, Women of Color in the Arts' Leadership Through Mentorship program, and the 2020 New Leaders Council Fellowship. She was also a founding advisory committee member of the Houston BIPOC Arts Network Fund, a groundbreaking effort born out of the Ford Foundation's America's Cultural Treasures initiative. Shayna served in the Peace Corps in Armenia from 2010 to 2012.
Amin, Nina www.deutschlandfunk.de, Eine Welt
Amin, Nina www.deutschlandfunk.de, Eine Welt
The Smithsonian Institution is restoring a gunboat that sank in a 1776 Revolutionary War battle. As part of a series with the Smithsonian Institution presenting 25 objects that tell the story of America, Jennifer Jones, a curator at the National Museum of American History, talks about the story of the vessel, its recovery and its restoration. Then, Young People's Records was a popular mail-order subscription club in the 1940s, '50s and '60s. Smithsonian Folkways director and curator Maureen Loughran talks about why the music became such a hit, how the record club works and why it's important for telling the story of America.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies
Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions
Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is Frederik Larsen, Deputy Director of the Greenland National Museum & Archives in Nuuk, Greenland. CASCADE OF HISTORY reached out to the museum in Greenland to find out what steps staff there are taking to collect the artifacts and stories of the very recent - and very turbulent past - as the President of the United States has, at times, threatened military annexation of the sovereign Arctic island. Mr. Larsen also shared his observations of what it's been like in Greenland over the past several weeks of threats, and following more restrained remarks made last week in Davos, Switzerland. CASCADE OF HISTORY spoke with Frederik Larsen on Wednesday, January 28, 2026. Greenland National Museum & Archives https://en.nka.gl/ CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes. "LIKE" the Cascade of History Facebook page and get updates and other stories throughout the week, and advance notice of live remote broadcasts taking place in your part of the Old Oregon Country.
Angela Manno studied at the San Francisco Art Institute, Parsons School of Design, and l'Ecole des Arts in Lacoste, France, through Sarah Lawrence College. Her work has been exhibited around the world, including by NASA, the Smithsonian's National Air and Space Museum, and the National Museum of Women in the Arts. Angela Manno was commissioned by NASA to commemorate the U.S. return to space flight with the launch of Discovery, the first after the Challenger accident. She is the only female visual artist selected for this honor. The program she narrated, “Responding to the Cry of the Earth,” was created for the Vatican, which features images from her series Contemporary Icons of Endangered Species She also collaborates with the Center for Biological Diversity on its endangered species programs. The Sacred Biodiversity Oracle stimulates empathy and meaningful action for planetary healing. Exploring the richness and necessity of biodiversity, this 36-cardfull-color deck features the work of world-renowned artist Angela Manno and reveals how the loss of biodiversity is leading to the warming of our planet. A unique feature of this work are QR codes that lead to the websites of one of 18 specially curated conservation organizations from all over the world that are helping to protect species, including EarthJustice, The Center for Biological Diversity, The Wildlife Justice Commission and The Orangutan Project. She presents each threatened species in a traditionally religious form—the icon—to illustrate its intrinsic value and true significance.
As part of a series with the Smithsonian Institution presenting 25 objects that tell the story of America, Daniel Piazza, chief curator of philately at the Smithsonian National Postal Museum, talks about the significance of the first stamps issued by the federal government. Plus, few people know the real story of "The Star-Spangled Banner," or that the massive flag that inspired it still exists. Jennifer Jones, a curator of the Smithsonian Institution's National Museum of American History, shares the history of the banner.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The Smithsonian's National Museum of African Art in Washington, D.C. this week opens Here: Pride and Belonging in African Art, a new exhibition focusing on LGBTQ+ artists from across Africa and its diaspora. Ben Luke talks to its co-curator, Kevin Dumouchelle, about the exhibition and forthcoming book. We explore the cultural effects of the protests in Iran that began at the end of last year, and the brutal crackdown that followed, with Sarvy Garenpayeh, one of The Art Newspaper's reporters on the Middle East. Sarvy has attempted to contact art workers after the Iranian government cut off the internet two weeks ago. And this episode's Work of the Week is Louise Nevelson's Moon Garden Plus One (1958), a landmark installation first staged in New York that is being reprised, at least in part, in a new survey of the American sculptor's work at the Centre Pompidou-Metz in Metz, France. We speak to the curator of the exhibition, Anne Horvath.Here: Pride and Belonging in African Art, National Museum of African Art, Washington, D.C., 23 January–23 August. The related book, published by Smithsonian Books, will be available later this year.The London gallery Ab-Anbar, which was founded in Tehran in 2014, has announced that it has extended its solo exhibition of the Iranian artist Amin Bagheri's work until 22 February. The gallery has been hosting what it describes as “moments of togetherness for its London community: a space to gather, talk, and be together”, in solidarity with the people of Iran.Louise Nevelson: Mrs. N's Palace, Centre Pompidou-Metz, Metz, France, 24 January-31 AugustTo buy The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events, visit theartnewspapershop.com. £14.99 or the equivalent in your currency. Hosted on Acast. See acast.com/privacy for more information.
Paul Scott in print studio with cut Wild Rose detail Paul Scott (b. 1953, United Kingdom) is a UK-based artist, living and working in Cumbria, with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft, and design, he is well known for his research into printed vitreous surfaces, as well as his characteristic blue-and-white artworks in glazed ceramic. Scott's artworks can be found in public collections around the globe, including the National Museum, Norway; the Victoria and Albert Museum, London, UK; National Museums Liverpool; the Carnegie Museum of Art, Pittsburgh, PA; and the Brooklyn Museum, Brooklyn, NY. Commissioned work can be found in a number of UK museums, as well as in public places in the north of England, including Carlisle, Maryport, Gateshead, and Newcastle upon Tyne. He has also completed large-scale works in Hanoi, Vietnam, and at the Guldagergård public sculpture park in Denmark. A combination of rigorous research, studio practice, curation, writing, and commissioned work ensures that his practice continues to develop. His work is fundamentally concerned with the reanimation of familiar objects, landscape, pattern, and a sense of place. He was professor of ceramics at the Oslo National Academy of the Arts (KHiO) from 2011–2018. Scott received his Bachelor of Art Education and Design from Saint Martin's College and his PhD from the Manchester Institute for Research and Innovation in Art and Design in England. His current research project, New American Scenery, has been supported by an Alturas Foundation artist award, Ferrin Contemporary, and funding from Arts Council England. Cumbrian Blue(s), New American Scenery, Souvenir of Portland OR Black Lives Matter (After Killen & Howard)/Trumpian Campaigne, No.5, 2021. Transfer print collage on partially erased Staffordshire transferware souvenir plate by Rowland & Marsellus, c.190010.25″ Dia. x 1” D Cumbrian Blue(s), New American Scenery, Residual Waste (Texas) No.5/1, 2022Transfer print collage, shell-edged pearlware platter, 13″ H x 17.25″ W x 1.25” D Cumbrian Blue(s), New American Scenery, The Sleep of Reason, Wood Cuts (After Spode’s Woodland/Wild Rose) 2, 2024Transfer print collage on pearlware plate with Kintsugi, 11″ Dia. x 0.5″ D Cumbrian Blue(s), New American Scenery, Sampler Jug, No.7 (After Stubbs), 2021Transfer print collage on pearlware jug, 15″ H x 14″ W x 11.75″ D
Gustaf Cederströms Karl XII:s likfärd stod klar 1878 och är en av Sveriges mest ikoniska målningar. Hur har den blivit så känd? Och likfärden, var det verkligen så här den gick till? Lyssna på alla avsnitt i Sveriges Radios app. Den militärt intresserade och Karl XII-tokige målaren Gustaf Cederström målade många motiv ur krigarkonungens liv men det är en tavla som har gjort starkare avtryck än andra. Karl XII:s likfärd, där betraktaren möter tåget av sörjande soldater som bär hem sin fallne härförare på en öppen bår, över norska fjällen i kallt vinterväder.Martin Olin, forskningschef på Nationalmuseum, kallar målningen deras Mona Lisa, den tavla som besökarna ”bockar av” att de har sett.Hör också konstnären Ernst Billgren, som beundrar Gustaf Cederströms måleri och som har gjort sin egen tolkning av Karl XII:s likfärd.Men faktum är att det finns två versioner av Karl den XII:s likfärd, en på Nationalmuseum i Stockholm och en på Göteborgs konstmuseum. Hör varför i programmet.Hör också om hur svenskarnas firande av Karl XII:s dödsdag har sett ut genom historien och hur tavlan har fortsatt befinna sig i skottgluggen mellan politiska grupper på ytterkanterna.Märta Myrstener har gjort Klassikern om målningen Karl XII:s likfärd av Gustaf Cederström.Programmet innehåller klipp från podden ”Verket”, arkivklipp från Sveriges radio och Alternativ för Sveriges Youtubekanal.Musik som hörs i programmet:2 satsen ur Beethovens 7 symfoni (London Symphony Orchestra och Terry Davies),1 satsen ur Wilhelm Stenhammars Chitra (Sveriges radios symfoniorkester och Esa-Pekka Salonen), Kung Karl den unga hjälte av Otto Edvard Westmark och Esaias Tegnér (Orphei drängar), The threat of War av Alexandre Desplat (filmmusik ur the King's Speech),Recipe for Ms. Chalice av Kristofer Maddigan
Möt Adam Lundgren som spelar en tyngd far i Biodlaren. P1 Kultur gästas också av Alex Schulman som regisserar Mors dag på Dramaten. Lyssna på alla avsnitt i Sveriges Radios app. När den 49:e upplagan av Göteborgs filmfestival drar igång är det med en invigningsfilm som blivit färdig först i elfte timmen. ”Biodlaren” har inte visats för någon innan festivalpubliken bänkar sig för att se dramat om en far och en dotter i värmländska Åmotsfors. P1 Kulturs Emma Engström intervjuar Adam Lundgren, som spelar en av huvudrollerna i ”Biodlaren” och som också varit med och skrivit manus till filmen. Emma Engström rapporterar också om vad besökarna mer kan se fram emot under de kommande festivaldagarna. Och vilken är sanningen bakom årets glansiga och hyperrealistiska affisch? Har den något med krisen för svensk film att göra? Intervju med konstnären Lovisa Sköld.ALEX SCHULMAN REGISSERAR MOTVILLIG MODERPå lördag är det urpremiär för ”Mors dag” på Dramaten i Stockholm. Pjäsen handlar om tre söner som kommer för att fira sin mor. Ett firande hon inte önskar sig. Och sönerna är i olika grad rädda för henne. Huvudrollen spelas av Helena Bergström. Alex Schulman har skrivit och regisserat ”Mors dag” - och är gäst i P1 Kultur.SÅ BRA ÄR SUCCÉBOKEN ”JÄVLA KARLAR” PÅ SCENAndrew Waldens Augustprisvinnande roman ”Jävla karlar” har nu blivit en monolog på Scalateatern i Stockholm. Shanti Rooney gestaltar pojken som hade sju pappor under sin uppväxt. P1 Kulturs teaterkritiker Jenny Teleman var på premiären.KARL XII:S LIKFÄRD FORTSÄTTER PROVOCERAKlassikern handlar om Gustaf Cederströms stora oljemålning Karl XII:s likfärd. Det finns två exemplar av den, en på Nationalmuseum i Stockholm och en på Göteborgs konstmuseum. Den första är från 1878. Tavlan är ett av våra främsta exempel på historiemåleri och fortsätter alltjämt fascinera och provocera. Hur har den blivit så känd? Varför finns det två? Och likfärden, var det verkligen så här den gick till? Kulturredaktionens Märta Myrstener berättar.KULTURVECKAN – VAD TAR VI MED OSS IN I HELGEN?Kulturredaktionens Jenny Teleman och Nina Asarnoj sammanfattar kulturveckan som gått tillsammans med programledaren Roger Wilson.Programledare: Roger WilsonProducent: Anna Tullberg
Episode No. 742 features artist Woody De Othello, and artists Jason Garcia, Michael Namingha, and curator Bess Murphy. The Pérez Art Museum Miami is presenting "Woody De Othello: coming forth by day," a presentation of new ceramic and wood sculptures, tiled wall works, and a large-scale bronze, all of which explore the primordial relationship between body, earth, and spirit. The exhibition was organized by Jennifer Inacio with the support of Fabiana A. Sotillo. It is on view in Miami through June 28 after which it will travel to the Manetti Shrem Museum of Art, University of California, Davis. De Othello's sculpture, painting, and drawing often investigate the still life genre. His previous institutional solo exhibition was at The Bowes Museum in the UK. Museums that have featured his work in group shows include the Metropolitan Museum of Art, New York, the Seattle Art Museum, the University of Michigan Museum of Art, and the Fine Arts Museums of San Francisco. The Whitney Museum of American Art included him in its 2022 biennial. Later this year, his work will be featured in a Public Art Fund solo presentation in Brooklyn's Brooklyn Bridge Park. He is an artist trustee of the San Francisco Museum of Modern Art. Garcia and Murphy are the co-curators of "Tewa Nangeh/Tewa Country" at the Georgia O'Keeffe Museum in Santa Fe. Namingha is among the 13 artists in the exhibition, 12 of whom are from the six Tewa Pueblos of northern New Mexico (Nambé, Ohkay Owingeh, Pojoaque, San Ildefonso, Santa Clara, and Tesuque). "Tewa Nangeh" presents the work of Tewa artists while highlighting O'Keeffe's erasure of Tewa people. It is on view through September 7. Garcia's work is in the collection of museums such as the Heard Museum in Phoenix, the Art Institute of Chicago, the Nelson-Atkins Museum of Art, Kansas City, and the Smithsonian's National Museum of the American Indian. Namingha's work is also on view through April 5 at the Museum of Indian Arts and Culture, Santa Fe in "Essential Elements: Art, Environment, and Indigenous Futures." The El Paso Museum of Art and the IAIA Museum of Contemporary Native Arts, Santa Fe have featured solo exhibitions of his work; he's been in group shows at museums such as the Minneapolis Institute of Arts, the Metropolitan Museum of Art, New York, and the Hood Museum of Art, Dartmouth College. Instagram: Woody De Othello, Jason Garcia, Michael Namingha, Tyler Green. Air date: January 22, 2026.
Fluent Fiction - Mandarin Chinese: Finding Her Voice: A Winter Journey at the National Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-01-18-08-38-20-zh Story Transcript:Zh: 在冬天的一个早晨,梅琳和金海跟随学校一起去中国国家博物馆参观。En: On a winter morning, Meilin and Jinhai went with their school to visit the China National Museum.Zh: 博物馆坐落在北京的中心,宏伟壮观,有着数不清的历史文物。En: The museum is located in the center of Beijing, majestic and spectacular, with countless historical relics.Zh: 每个人都很兴奋,因为这是一次特别的机会,他们也正值过年期间,博物馆里充满了节日的气氛。En: Everyone was excited because it was a special opportunity, and it was during the New Year period, so the museum was filled with a festive atmosphere.Zh: 梅琳是一个内向的女孩,她很喜欢历史和文物,总是安静地观察、思考。En: Meilin is an introverted girl who loves history and cultural relics, always quietly observing and thinking.Zh: 少言的性格让她在小组活动中常常显得安静。En: Her quiet nature often makes her seem silent in group activities.Zh: 相反,金海总是充满活力,喜欢和同学分享他的见解,对任何事物都充满好奇。En: In contrast, Jinhai is always full of energy, enjoys sharing his insights with classmates, and is curious about everything.Zh: 导游带着大家到了古代文物馆。En: The tour guide led everyone to the Ancient Relics Hall.Zh: 金海在大家面前滔滔不绝地谈论古代兵器,引得同学们都围着他,表现出浓厚的兴趣。En: In front of everyone, Jinhai talked eloquently about ancient weapons, attracting his classmates who showed great interest.Zh: 梅琳站在一旁,她想参与讨论,但内心的羞涩让她犹豫不决。En: Meilin stood to the side, wanting to join the discussion, but her inner shyness made her hesitate.Zh: 时间有限,梅琳决定独自离开团队,去找寻自己心中的宝藏。En: With limited time, Meilin decided to leave the group on her own to search for her own treasure.Zh: 她静静地走到另一边的展厅,那是一片安静的角落,展示着关于传统节日的文物。En: She quietly walked to another exhibition hall, a quiet corner displaying artifacts related to traditional festivals.Zh: 一个精美的陶瓷灯笼吸引了她的目光。En: A beautifully crafted ceramic lantern caught her eye.Zh: 灯笼的旁边摆放了一块说明牌,上面讲述了这盏灯笼在古代春节时如何被用作祈福用具的故事。En: Next to the lantern was an information board, recounting the story of how this lantern was used as a blessing tool during the ancient Spring Festival.Zh: 梅琳被深深打动,她觉得这是一个很好的机会。En: Meilin was deeply moved, feeling it was a great opportunity.Zh: 回到团队后,看到大家还在讨论,她鼓起勇气走到金海身边,“金海,大家,我发现了一个有趣的东西!En: Upon returning to the group and seeing everyone still in discussion, she mustered up the courage to walk over to Jinhai's side, "Jinhai, everyone, I found something interesting!"Zh: ”大家安静下来,看向梅琳。En: Everyone quieted down and looked at Meilin.Zh: 梅琳稳了稳心神,开始讲述陶瓷灯笼的故事,解释它如何与春节的传统相关联,并描述了那个年代的人们如何通过灯笼来祈求好运。En: She steadied herself and began to tell the story of the ceramic lantern, explaining how it is related to the Spring Festival traditions and describing how people of that era used lanterns to pray for good luck.Zh: 随着她的讲述,更多的同学也被吸引过来,他们对梅琳的分享产生了浓厚的兴趣。En: As she spoke, more classmates were drawn over, taking a keen interest in Meilin's sharing.Zh: 金海惊讶地看着她,“这真是一个精彩的故事!En: Jinhai looked at her in surprise, "That's truly an amazing story!Zh: 你知道的真多。En: You know so much."Zh: ”他鼓励她讲更多。En: He encouraged her to tell more.Zh: 大家开始积极讨论这个文物的意义,气氛变得活跃而热烈。En: Everyone started actively discussing the significance of the artifact, and the atmosphere became lively and enthusiastic.Zh: 在这次经历后,梅琳意识到,其实她有很多可以分享的,不用害怕被忽略。En: After this experience, Meilin realized that she had a lot to share and didn't need to fear being overlooked.Zh: 她找到了自己的声音,明白了在团队中,她同样可以贡献出自己珍贵的视角和思想。En: She found her voice, understanding that in a group, she too can contribute her valuable perspectives and thoughts.Zh: 这个冬日的博物馆之旅,不仅让她亲眼看到了历史,也让她发现了内心的勇气。En: This winter museum trip not only allowed her to see history firsthand but also helped her discover the courage within her heart. Vocabulary Words:introverted: 内向的relics: 文物majestic: 宏伟spectacular: 壮观festive: 节日的opportunity: 机会curious: 好奇的eloquently: 滔滔不绝地weapons: 兵器hesitate: 犹豫不决exploring: 找寻treasure: 宝藏ceramic: 陶瓷lantern: 灯笼blessing: 祈福significance: 意义artifact: 文物mustered: 鼓起perspectives: 视角lively: 活跃enthusiastic: 热烈courage: 勇气steered: 稳了稳recounting: 讲述observe: 观察participation: 参与shyness: 羞涩mustering: 激起insights: 见解discovery: 发现
Elizabeth Ajunwa is a DC-based art librarian and memory worker. She currently serves as the Director of the Betty Boyd Dettre Library and Research Center at the National Museum of Women in the Arts. As Library Director, she oversees a collection of over 25,000 books and archival resources including zines and artists' books. Elizabeth's journey in the library field began in public libraries, where she gained invaluable hands-on experience at the Prince George's County Memorial Library System. While working in public libraries, she obtained a master's degree in Library and Information Science from Catholic University of America, where she focused her graduate studies on cultural heritage management and art librarianship. She was a 2019-2020 ALA Spectrum Scholar in the American Library Association Spectrum Scholarship Program. Her current work includes advocating for the care and diverse representation of Black, Indigenous, and POC artists in libraries and archives.//////////////////////////////“Paper Cuts Theme” by The Early@theearly_band // http://theearly.net
THE FORBIDDEN MUSEUM OF SHANTOU Colleague Tanya Branigan. Tanya Branigan discusses her book, Red Memory, and her visit to the Cultural Revolution Museum in Shantou. Founded by former official Peng Qi'an, this was the only museum in China dedicated to recording the era's violence and chaos. Built in a remote location on a site of mass graves to avoid scrutiny, the museum was eventually suppressed by authorities. Branigan recounts visiting during the Hu Jintao era while being monitored by undercover police. Today, the site is closed, unlike the National Museum, which relegates the decade-long catastrophe to a single "dingy corner." TANYA BRANIGAN NUMBER 11905 SHANGHAI MIXED COURT
Ben Nighthorse Campbell (Northern Cheyenne) is remembered as an effective congressional leader who passionately advocated for Native American issues. He served in both the U.S. House of Representatives and the U.S. Senate. Among other things, he was instrumental in the political advocacy for establishing the National Museum of the American Indians (NMAI). Harvey Pratt (Cheyenne and Arapaho) was a national voice in support of Native American arts. A large part of his career was as a police sketch artist. He also headed the Indian Arts and Crafts Board for a decade. A former U.S. Marine, he was an advocate for military veterans. His design for a Native American Veterans Memorial was chosen and built on the NMAI campus in 2022. GUESTS Suzan Shown Harjo (Cheyenne and Hodulgee Muscogee), president of the Morning Star Institute and recipient of the Presidential Medal of Freedom Rick West (Cheyenne and Arapaho), founding director and director emeritus of the Smithsonian National Museum of the American Indian Shanan Campbell (Northern Cheyenne), founder and CEO of Sorrel Sky Galleries and daughter of Ben Nighthorse Campbell Gina Pratt (Muscogee and Yuchi), wife of Harvey Pratt Nathan Pratt (Cheyenne and Arapaho), artist and son of Harvey Pratt Dee Cordry, former Oklahoma State Bureau of Investigation and author of “Children of White Thunder” Break 1 Music: I Walk with You (song) Joseph Fire Crow (artist) Face the Music (album) Break 2 Music: Put Your Feathers On (song) Blue Moon Marquee & Northern Cree (artist) Get Your Feathers Ready (Album)
Kitty Cone and Brad Lomax were key players in the 1977 sit-ins which pressured the Department of Health and Human Services to establish policies to implement section 504 of the 1973 Rehabilitation Act. Research: R.8070 - Rehabilitation Act of 1973. https://www.congress.gov/bill/93rd-congress/house-bill/8070 Grim, Andrew. “Sitting-in for disability rights: The Section 504 protests of the 1970s.” National Museum of American History. https://americanhistory.si.edu/explore/stories/sitting-disability-rights-section-504-protests-1970s “Celebrating Kitty Cone: 1944-2015.” https://dredf.org/celebrating-kitty-cone-1944-2015/ Feingold, Lainey. “Disability Rights Leader Kitty Cone Dies at 70.” BeyondChron. 3/23/2015. https://beyondchron.org/curtis-kitty-cone-disability-rights-hero-dead-at-70/ Gardiner, Kathryn S. “Forgotten Foremothers: Kitty Cone - Disability Activist.” League of Women Voters of Indiana. 7/9/2022. https://www.lwvin.org/content.aspx?page_id=5&club_id=42001&item_id=77659 Lu, Wendy. “Overlooked No More: Kitty Cone, Trailblazer of the Disability Rights Movement.” New York Times. 3/26/2021. https://www.nytimes.com/2021/03/26/obituaries/kitty-cone-overlooked.html Center for Learner Equality. “Brad Lomax – Uniting the Civil Rights and Disability Rights Communities.” https://www.centerforlearnerequity.org/news/brad-lomax-uniting-the-civil-rights-and-disability-rights-communities/ Essien, Markus, director and producer. “Renegades: Brad Lomax.” PBS. https://www.pbs.org/wnet/americanmasters/brad-lomax-documentary/33589/ Connelly, Eileen AJ. “Overlooked No More: Brad Lomax, a Bridge Between Civil Rights Movements.” New York Times. 7/20/2020. https://www.nytimes.com/2020/07/08/obituaries/brad-lomax-overlooked.html See omnystudio.com/listener for privacy information.
In 2016, Tara Roberts was living in Washington D.C. and working at a nonprofit when she visited the National Museum of African American History and Culture and a photograph she saw there changed her life. The image was of Black scuba divers from the group Diving with a Purpose which searches for and documents slave shipwrecks around the world. Roberts quit her job, learned to scuba dive and chronicled the work of these scuba divers. Her book about that journey is “Written in the Waters: A Memoir of History, Home and Belonging.”
On New Year's Eve, America250 Commission Chair Rosie Rios talks about the special celebrations tonight related to the U.S.'s 250th birthday in 2026, New York City & New Orleans are among the cities increasing their New Year's Eve security and world leaders issue New Year's messages; House Republicans schedule a hearing looking at Minnesota social welfare programs fraud, inviting both Republican state lawmakers and Gov. Tim Walz (D-MN) to testify; number of Jeffrey Epstein-related files the Justice Department is working through to release now reportedly tops 5 million; New York City mayor-elect Zohran Mamdani (D) names a new schools chancellor a day before he takes office; former Sen. Ben Nighthorse Campbell (D-CO) has died. We hear his 2004 remarks at the dedication for the Smithsonian Institution's National Museum of the American Indian. Learn more about your ad choices. Visit megaphone.fm/adchoices
What do animals mean to us? Naomi Alderman explores how animals shape human understanding, from ancient burial rites to modern science.The psychologist Justin Gregg specialises in dolphin social cognition. He introduces his new book, Humanish, a witty and provocative look at anthropomorphism — our habit of seeing human traits in animals, objects and machines — and how it helps us make sense of the world and increases empathy.Peter Fretwell is a leading scientist at the British Antarctic Survey, and author of The Penguin Book of Penguins. He celebrates the charm and complexity of penguins, from their evolutionary quirks to their cultural symbolism, alongside the threats they face today.Marianne Hem Eriksen is Professor of Viking Studies at the National Museum of Denmark and part of the BBC / Arts and Humanities Research Council scheme of New Generation Thinkers. She draws on archaeological evidence to show how Viking societies had a complex relationship with animals, seeing them not just as pets or food, but as extensions of human identity and mythology.Producer: Katy Hickman Assistant Producer: Natalia Fernandez
American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances. Sharpen your powers of deduction and join us on Sidedoor for an epic frozen whodunit, featuring shipwreck, romance, and a social media darling with a dark secret. We're resharing this longtime favorite from 2021 to bring you some wintry vibes. Guests:Stephen Loring, anthropologist and archeologist at the Arctic Studies Center of the Smithsonian's National Museum of Natural History Heidi Moses, volunteer with the Smithsonian Transcription CenterEmily Niekrasz, social media manager, Smithsonian Institution
What a dynamic visit this month with Tuscarora Turtle clan scholar, curator, historian, and artist Dr. Jolene Rickard. At Cornell University, she teaches in the History of Art and Visual Studies and Art Departments, where she has long guided students through Indigenous studies leadership and practice. She co-curated two of the four permanent exhibitions at the Smithsonian's National Museum of the American Indian. Across her work, Dr. Rickard centers Indigenous knowledge, lived experience, and visual sovereignty.Jolene is the curator of the ambitious outdoor exhibition Deskaheh in Geneva 1923 to 2023: Defending Haudenosaunee Sovereignty, which opened along the Quai Wilson in Geneva in 2023. The exhibition marks 100 years since Deskaheh Levi General sought to speak for the Haudenosaunee Confederacy at the League of Nations. Working with the Haudenosaunee External Relations Committee, the City of Geneva, and Docip, Dr. Rickard highlights the ongoing struggle for Indigenous sovereignty. Her work also addresses the health of her homeplace, including the impacts of the Niagara Falls Power Project and Love Canal on the Tuscarora community, bringing these conversations into museums, classrooms, and public life. Hosted on Acast. See acast.com/privacy for more information.
In 1965 Margaret Crane was a young designer creating packaging for a pharmaceutical company when a scientist gave her a tour of the lab. Looking at the long rows of pregnancy tests she thought, well anyone could do that test at home! So she set about designing a prototype for America's first home pregnancy test. While the design of the prototype was simple, convincing the company, the medical community and conservative social leaders that at-home pregnancy testing was safe and necessary was an uphill climb for Crane, who is only now receiving credit for her contributions to the industry. This show first aired in February 2024. Featuring: Margaret Crane - Graphic designer and inventor of the first home pregnancy test Wendy Kline - Dema G. Seelye Chair in the History of Medicine, History Faculty Purdue University Jesse Olszynko-Gryn - Head of the [Laboratory for Oral History and Experimental Media](https://www.mpiwg-berlin.mpg.de/research/projects/laboratory-oral-history-and-experimental-media) at Max Planck Institute for the History of Science Arthur Kover - Emeritus Professor of Marketing, Fordham University Alexandra Lord - Chair, Division of Medicine and Science at the National Museum of American History Making Contact Staff: Host: Amy Gastelum Guest Producer: Anne Noyes Saini Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman Digital Media Marketing: Lissa Deonorain Music: Podington Bear, Rhythm and Strings Learn More: National Museum of American History https://americanhistory.si.edu/collections/nmah_1803285 A Woman's Right to Know, Pregnancy Testing in 20th Century Britain - https://mitpress.mit.edu/9780262544399/a-womans-right-to-know/ Predictor, by Jennifer Blackmer https://newplayexchange.org/plays/348156/predictor Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.
See omnystudio.com/listener for privacy information.
Lucy may be the most famous Australopithecus fossil, but Selam is much better preserved. Researchers discovered this fossil in 2000 just across the river from where Lucy was found, and the recent exhibit at the Czech National Museum in Prague included this fossil as well as Lucy. In this episode, Paul and Todd review all the details from this skeleton, including a part that is completely unique in Australopithecus discoveries. What's the creationist angle on all this? You'll have to tune in to find out!Materials for this EpisodeWood, Todd Charles and Brummel, P. S. (2023) "Hominin Baraminology Reconsidered with Postcranial Characters," Proceedings of the International Conference on Creationism: Vol. 9, Article 28.DOI: 10.15385/jpicc.2023.9.1.15Available at: https://digitalcommons.cedarville.edu/icc_proceedings/vol9/iss1/28Does Lucy Prove Evolution? (Todd's Blog)https://toddcwood.blogspot.com/2025/01/does-lucy-prove-evolution.htmlPaul and Todd's Czech Anthropology Adventurehttps://toddcwood.blogspot.com/2025/10/paul-and-todds-czech-anthropology.htmleLucy - an evolutionary resource with scans of some of her boneshttps://elucy.org/National Museum of the Czech Republichttps://www.nm.cz/Episodes mentioned in this episodePlaylist of Paleoanthropology Episodeshttps://www.youtube.com/playlist?list=PLOzn-NecEi8EQEPL-CsmVZRo--osOXXFf
The Seattle Athenaeum and Town Hall Seattle welcomes Dr. Audrey Whitty, Director of the National Library of Ireland and Hibsen as they launch the inaugural Irish Arts & Literature Showcase. Dr. Whitty is in conversation with UW Teaching Professor and poet Frances McCue. Dr. Audrey Whitty is an Irish archaeologist, librarian and curator. As Director of the National Library of Ireland, she oversees the work of the library in collecting, protecting and making accessible the recorded memory of Ireland. Whitty previously worked for the National Museum of Ireland (NMI) where she was curator of the ceramics, glass and Asian collections, in the Art and Industrial Division of the museum. While working with the museum, she was awarded a doctorate in the History of Art by Trinity College Dublin. Frances McCue is an arts instigator who has spent her career connecting literature to community life. Known for her literary start-ups, she is the co-founder of Pulley Press, a new publishing imprint that celebrates poets and poetry from rural places, and she was the Founding Director of Richard Hugo House for its first decade. She also instigated the Poetry Brigade at the University of Washington. Currently, she is a Teaching Professor at the University of Washington where she has been the winner of the UW Distinguished Teaching Award. A poet and prose writer she has published six books—four of poetry and two of prose, including a book of essays about Richard Hugo. Her forthcoming book is Spark and Whistle: Thinking Like a Poet in Leadership and Life from Columbia University Press. The National Library of Ireland collects, protects and makes accessible the recorded memory of Ireland. We collect, protect and provide access to over 12 million items and will continue to do so for decades to come. We provide access to the collections free of charge, at four sites and online to exhibitions and events and to our reference and research reading rooms. Folio: The Seattle Athenaeum connects a dynamic literary community through a curated book collection, diverse programming, and opportunities for engaging conversations and transformative ideas. The Irish Arts & Literature Showcase, organized and curated by Caroline Cumming and Paula Stokes, welcomes visiting Irish writers, publishers and artists in presenting a curated selection of lectures, conversations and workshops. More at https://www.folioseattle.org/irisharts Presented by Town Hall Seattle and Folio: The Seattle Athenaeum.
In the news this week, the President's birthday was added to the list of free entry days at the National Parks, meanwhile Martin Luther King Jr. Day and Juneteenth were removed from the list. On today's show, host Allen Ruff is joined by activist and scholar Nicholas Powers to talk about the Trump administration's attacks on Black history and his latest article for Truthout, “Black History Has the Power to Ignite Movements. That's Why the Right Fears It.” Powers says that the Trump Administration is waging attacks on Black history at three levels: the economic, the cultural, and through voting rights. The closed doors of the African American History Museum in DC are both a symbolic and material closing off of Black history and culture. And that's added to the mass firings of more than 300,000 Black employees from their federal positions. The Trump administration is also criminalizing the teaching of Black history in schools. Attacking school curriculum gives permission to conservative activists who are now rewarded for promoting greater and greater acts of racism. The softening or erasing of the historical reality of American slavery and racism creates what Powers calls “a cartoon image of the nation,” one in which the US is presented as a nation always living up to its values. In Black history, Powers says, there is an opposing grand narrative to the American Dream, that of the American nightmare. He says we need a vision of “American realism” that is taught by Black history: that Black Americans belong here through their blood sweat and tears and that we're all equal in the eyes of god. Moreover, Black history has a transformative effect, empowering people to see more clearly the strategies and tactics that Black people used to gain greater freedom. Powers previews that there's another social movement, another wave, on its way to counter the reactionary work of the Right. When it arrives, we should add ourselves to it so that it becomes stronger. Nicholas Powers is the author of Thirst, a political vampire novel; The Ground Below Zero: 9/11 to Burning Man, New Orleans to Darfur, Haiti to Occupy Wall Street; and most recently, Black Psychedelic Revolution. He has been writing for Truthout since 2011. His article, “Killing the Future: The Theft of Black Life” in the Truthout anthology Who Do You Serve, Who Do You Protect? coalesces his years of reporting on police brutality. Featured image of the facade of the National Museum of African American History and Culture by Ron Cogswell via Flickr. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post The Transformative Power of Black History with Nicholas Powers appeared first on WORT-FM 89.9.
It started with a messy lab and a mysterious mold. But turning “mold juice” into the world's first antibiotic would take a sick policeman, a market cantaloupe, and an extraordinary wartime collaboration between scientists, governments, and industry. This is the story of how penicillin changed the world.Guests:Kevin Brown, Trust Archivist to Imperial College Healthcare NHS Trust and curator of the Alexander Fleming Laboratory Museum at St. Mary's Hospital; author of Penicillin Man: Alexander Fleming and the Antibiotic RevolutionDiane Wendt, curator in the Division of Medicine and Science at the Smithsonian's National Museum of American History
The Smithsonian's National Museum of African American History and Culture is partnering with Buffalo's Michigan Street African American Heritage Corridor to preserve local stories and family histories. In this episode, Dr. Doretha Williams shares an update on the community curation project and why documenting everyday lives matters.
Vincent Versace is an American photographer and a Nikon Ambassador. He is a recipient of the Computerworld Smithsonian Award in Media Arts & Entertainment. His work is part of the permanent collection of the Smithsonian Institution's National Museum of American History. At age seven, Vincent was introduced to photography and the darkroom by his uncle, a wedding photographer. Vincent saved his allowance to purchase a Nikon rangefinder at a garage sale and, at the age of nine, he sold his first photo to a local newspaper for $50. In high school, Vincent followed in his uncle's footsteps and photographed weddings. He has published three books on photography. His first book was Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop and named as one of the top digital books of 2007 by Shutterbug Magazine. The second book, Welcome to Oz 2.0, a complete rewrite of his first to include the science of focus and blur, and ExDR. His third book, From Oz to Kansas: Almost Every Black & White Technique Known to Mankind, was published in 2012.Check out his website www.versacephotography.comand instagram www.instagram.com/vincent_versace/?hl=en
December 2, 2025 - The Smithsonian's National Museum of Asian Art presents Korean Treasures: Collected, Cherished, Shared, the first U.S. exhibition of significant works from the renowned Lee Kun-Hee Collection. On view through February 1, 2026, Korean Treasures features over 200 works, including a dozen National Treasures designated by the Korean government. The largest and most comprehensive presentation of Korean art ever mounted at the National Museum of Asian Art, the exhibition spans 1,500 years—from ancient Buddhist sculptures and ceramics to paintings, furnishings and modern masterpieces of the 20th century. Donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, the collection reflects more than 70 years of generational collecting and comprises more than 23,000 works, a testament to a decades-long commitment to preserving and sharing Korea's artistic legacy and cultural heritage. Korean Treasures presents a remarkable selection from the collection to American audiences for the first time, alongside additional loans from the Leeum Museum of Art in Seoul, Korea, shown exclusively in Washington, D.C. In a conversation with The Korea Society, three curators from the National Museum of Asian Art–Carol Huh, J. Keith Wilson, and Sunwoo Hwang–explore the depth and diversity of Korean art and reflect on the practice of collecting in Korea. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/gallery-talks/2081-korean-treasures-collected-cherished-shared-the-curatorial-roundtable
Episode 10 of 15 | Series 36: Serial Killers in HistoryFinland's first documented serial killer terrorized two continents across three decades. This episode traces Matti Haapoja's brutal journey from famine-ravaged Finland to Siberian exile and back—a life defined by escape, violence, and ultimately, one final act of defiance.Victim HumanizationHeikki Impponen was forty-two years old when he walked along that frozen road in December 1867. A farmer with a wife named Kaisa and three children waiting at home, he had known young Matti since childhood—their fathers had worked neighboring fields, they had been boys together in the harsh Finnish countryside. He carried what little money he had, perhaps hoping to buy food during Finland's devastating Great Famine. Maria Jemina Salo was in her early twenties, trying to survive in Helsinki's rougher districts, wearing a silver necklace her mother had given her. Guard Juho Rosted had worked at Kakola Prison for eleven years, with a pregnant wife expecting their fourth child—a daughter who would never know her father.Why This Case MattersMatti Haapoja's crimes fundamentally reshaped Finland's approach to criminal justice and prison security. His four successful escapes from Kakola Prison exposed critical weaknesses in the nation's penal system, earning the facility the mocking nickname "Pakola"—the escape prison. His case prompted a complete overhaul of prison architecture and security protocols throughout Finland. The investigation techniques developed to track him helped establish the framework for modern Finnish police procedures, while the case demonstrated how the Great Famine of 1866-1868, which killed 270,000 Finns, created conditions where desperate violence flourished.Content WarningThis episode contains descriptions of violent murders and suicide. Listener discretion advised.Key Case DetailsHaapoja's criminal career spanned three decades across two continents, leaving eight confirmed victims dead and exposing the limitations of 19th-century criminal justice systems across Finland and Siberia.• Timeline: First murder December 6, 1867, during Finland's Great Famine; sentenced to Siberian exile in 1880; returned to Finland September 1890; final escape attempt October 10, 1894; death by suicide January 8, 1895• Investigation: Haapoja's escapes revealed major security flaws in Finnish prisons; his capture after Maria Salo's murder came when his notorious reputation led to his recognition in Porvoo just days after the crime• Resolution: Sentenced to death in 1891 (automatically commuted to life imprisonment as Finland had abolished capital punishment in 1826); died by his own hand while awaiting trial for murdering Guard Juho Rosted• Historical Context: The puukkojunkkari (knife-fighter) culture of Southern Ostrobothnia shaped Haapoja's violent identity; his skeleton was displayed in the Finnish Museum of Crime for 99 years before burial in 1995Historical Context & SourcesThis episode draws on records from the National Museum of Finland, the National Biography of Finland, and the BiographySampo database. Prison museum collections preserve the tools of Haapoja's escapes—rope, wooden slats, and a floorboard with a drilled hole. Contemporary newspaper accounts from the 1890s, which sensationally compared his crimes to Jack the Ripper's London murders, provide crucial details about his final trial and death. The Circuit Court records of Hausjärvi from 1891 document his arrogant confession and the commutation of his death sentence.Resources & Further ReadingFor listeners interested in exploring this case and era further, these historically significant sources provide additional context:• The National Museum of Finland maintains archival materials on 19th-century Finnish criminal justice and the puukkojunkkari phenomenon• The Finnish National Biography database (Biografiakeskus) contains verified biographical details on Haapoja and his contemporaries• Academic research on the Great Famine of 1866-1868 illuminates the devastating conditions that shaped Haapoja's early crimesCall-to-ActionNext week on Foul Play: Francisco Guerrero Pérez terrorized Mexico City for decades, targeting women the newspapers refused to mourn. Subscribe now to follow Season 36: Serial Killers in History to its conclusion.Support this podcast at — https://redcircle.com/foul-play-crime-series/donationsAdvertising Inquiries: https://redcircle.com/brands
The third installment of our Charles Sumner episode covers how, two days after Charles Sumner delivered an incendiary speech before the senate, Representative Preston Brooks of South Carolina came into the Senate chamber and attacked Sumner at his desk. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.
Todd and Paul travel to the National Museum of the Czech Republic to see the first exhibition of the Lucy skeleton in Europe! They stood in line with throngs of other people to witness this seminal Australopithecus skeleton firsthand. In this first in a series of three episodes recorded in Czechia, Paul and Todd describe what they saw and what it was like to view the original bones. What surprised them about seeing them in person? What religious overtones did the exhibit take on? Were the bones even real??? Find out in the latest episode of Let's Talk Creation, and be sure to come back in two weeks for part two of Todd and Paul's Czech Adventure!Materials for this EpisodePictures from the episode are found in the show noteshttps://letstalkcreation.org/wp-content/uploads/2025/11/LTC_Episode125_ShowNotes.pdfDoes Lucy Prove Evolution? (Todd's Blog)https://toddcwood.blogspot.com/2025/01/does-lucy-prove-evolution.htmlPaul and Todd's Czech Anthropology Adventurehttps://toddcwood.blogspot.com/2025/10/paul-and-todds-czech-anthropology.htmleLucy - an evolutionary resource with scans of some of her boneshttps://elucy.org/National Museum of the Czech Republichttps://www.nm.cz/Episodes mentioned in this episodeEpisode 97: Paul, Todd, and the Lucy Skeleton Part 1https://youtu.be/AL0DtPB7xvYEpisode 98: Paul, Todd, and the Lucy Skeleton Part 2https://youtu.be/NkHHI5ZIA30Playlist of Paleoanthropology Episodeshttps://www.youtube.com/playlist?list=PLOzn-NecEi8EQEPL-CsmVZRo--osOXXFf
After a delayed application process and an aborted initial commission, the US has at last appointed its artist for next year's Venice Biennale: the Utah-born, Mexico-based artist Alma Allen. The Art Newspaper's editor-in-chief in the Americas, Ben Sutton, talks Ben Luke through this confusing saga. At the National Museum of Norway in Oslo a new exhibition, Deviant Ornaments, focuses on the expression and representation of queerness in Islamic art over more than a millennium. Ben talks to the curator of the exhibition Noor Bhangu. And this episode's Work of the Week is the Cree artist Duane Linklater's wintercount_215_kisepîsim (2022), a piece using recycled canvas from teepees, and referencing the deaths of First Nations children after they were separated from their families in the Residential School system in Canada. It's part of an exhibition called Winter Count: Embracing the Cold, at the National Gallery of Canada in Ottawa, and we talk to two of the four curators of that show, Wahsontiio Cross and Jocelyn Piirainen, about the work.Deviant Ornaments, The National Museum of Art, Architecture and Design, Oslo, until 15 March 2026.Winter Count: Embracing the Cold, National Gallery of Canada, Ottawa, until 22 March 2026Black Friday subscription offer: enjoy up to 70% off across subscription packages to The Art Newspaper this Black Friday, with a year's digital subscription just £21, reduced from £70 (or the equivalent in your currency) and a print and digital subscription just £40, reduced from £99. https://www.theartnewspaper.com/subscriptions-BF25?promocode=BF25&utm_source=display+ads&utm_campaign=blackfriday25 Hosted on Acast. See acast.com/privacy for more information.
The second installment of our episode on Charles Sumner picks up in the wake of his controversial antiwar speech. He next argued a school integration case before the Massachusetts supreme judicial court. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.
A mystery hidden in time. Wrapped in gold. Stowed secretly in Lincoln's pocket. We dig into the family story of a secret message etched inside Abraham Lincoln's pocket watch. Is this a tall tale or a hidden piece of history waiting to be discovered? Join us as we dive into this incredible tale of family lore, historical detective work, and the Smithsonian's decision to open a priceless artifact. Guests: Lisa Kathleen Graddy, curator of American political history at the Smithsonian's National Museum of American HistoryHarry Rubenstein, curator emeritus in the Division of Political History at the Smithsonian's National Museum of American HistoryDoug Stiles, great-great-grandson of watchmaker Jonathan Dillon
The first installment of the deeper examination of Charles Sumner's life begins with his early years, including his close relationships with Henry Wadsworth Longfellow and Samuel Gridley Howe. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.
Marjorie Merriweather Post is most often mentioned today as the person who built Mar-a-Lago. But she was a unique figure as a woman who helmed a huge corporation when she was still in her 20s in the early 20th century. Research: Britannica Editors. "C.W. Post". Encyclopedia Britannica, 22 Oct. 2025, https://www.britannica.com/biography/C-W-Post “C.W. Post a Suicide in California Home.” New York Times. May 10, 1914. https://timesmachine.nytimes.com/timesmachine/1914/05/10/100089022.pdf?pdf_redirect=true&ip=0 “The Diplomatic Legacy of Marjorie Merriweather Post.” National Museum of American Diplomacy. April 8, 2021. https://diplomacy.state.gov/stories/the-diplomatic-legacy-of-marjorie-merriweather-post/ Hillwood Estate, Museum & Gardens. https://hillwoodmuseum.org/ “Mrs. Marjorie Merriweather Post Is Dead at 86.” New York Times. Sept. 13, 1973. Gruson, Kerry. “Post Home for Sale for $20 Million.” New York Times. July 16, 1981. https://timesmachine.nytimes.com/timesmachine/1981/07/16/195929.html?pageNumber=59 Martin, Roland. "Marjorie Merriweather Post". Encyclopedia Britannica, 8 Sep. 2025, https://www.britannica.com/biography/Marjorie-Merriweather-Post Merolle, Guilhem. “Marjorie Merriweather Post’s most famous jewels.” Collectissim. Dec. 15, 2024. https://www.collectissim.com/en/marjorie-merriweather-post-most-famous-jewels/ Reid, Jan. “C.W. Post.” Texas Monthly. March 1987. https://www.texasmonthly.com/news-politics/c-w-post/ Stuart, Nancy Rubin. “American Empress: The Life and Times of Marjorie Meriweather Post.” Villard. 1995. Stuart, Nancy Rubin. “Marjorie Merriweather Post: The Philanthropic Heiress Who Built Mar-a-Lago.” Saturday Evening Post. November 14, 2023. https://www.saturdayeveningpost.com/2023/11/marjorie-merriweather-post-the-philanthropic-heiress-who-built-mar-a-lago/ See omnystudio.com/listener for privacy information.
Mary Golda Ross was the first Indigenous woman in the U.S. known to have become an engineer. Her impact on the field of aerospace engineering is hard to quantify, because much of her work is still classified. Research: Agnew, Brad. “Cherokee engineer a space exploration pioneer.” Tahlequah Daily Press. 3/27/2016. https://www.tahlequahdailypress.com/news/golda-ross-left-teaching-to-support-war-effort/article_c500cbc4-eeba-11e5-9b57-2b127651fcb5.html Agnew, Brad. “Golda’ Ross left teaching to support war effort.” Tahlequah Daily Press. 3/20/2016. https://www.tahlequahdailypress.com/news/golda-ross-left-teaching-to-support-war-effort/article_c500cbc4-eeba-11e5-9b57-2b127651fcb5.html Brewer, Graham Lee. “Rocket Woman.” Oklahoma Today. July/August 2018. Cochran, Wendell. “Cherokee Tear Dress Facts.” The People’s Paths. https://www.thepeoplespaths.net/Cherokee/WendellCochran/WCochran0102TearDressFacts.htm Hogner-Weavel, Tonia. “History of the Cherokee Tear Dress.” Cherokee Nation. Via YouTube. 9/15/2016. https://www.youtube.com/watch?v=90V5fM0DiMk Lake, Timothy. "Mary Golda Ross". Encyclopedia Britannica, 5 Aug. 2025, https://www.britannica.com/biography/Mary-Golda-Ross. Accessed 21 October 2025. Margolis, Emily. A. “Mary Golda Ross: Aerospace Engineer, Educator, and Advocate.” Smithsonian National Air and Space Museum. https://airandspace.si.edu/stories/editorial/mary-g-ross-aerospace-engineer Museum of Native American History. “Historic Trailblazer: Mary Golda Ross.” Via YouTube. 12/17/2020. https://www.youtube.com/watch?v=OzC14hGbPug National Park Service. “Mary G. Ross.” https://www.nps.gov/people/mary-g-ross.htm New Mexico Museum of Space History. “Mary Golda Ross: First Native American Aerospace Engineer.” Via YouTube. 3/31/2023. https://www.youtube.com/watch?v=IT9r5trwZEs Oklahoma Hall of Fame. “Mary Golda Ross Induction Ceremony Video.” 11/22/2023. https://www.youtube.com/watch?v=Bovabx6ITW4 Rosengren, Paul Lief. “Mary Golda Ross: She Reached for the Stars.” IEEE-USA and Paul Lief Rosengren. 2025. Schroeder, Mildred. “A Far-out Cherokee Chick.” San Francisco Examiner. 4/16/1961. Smith, Betty. “Pure Cherokee Gold.” Tahlequah Daily Press. 6/26/2008. https://www.tahlequahdailypress.com/archives/pure-cherokee-gold/article_44c0a25a-94e2-53d8-b80c-be1ff86305e7.html Viola, Herman. “Mary Golda Ross: She Reached for the Stars.” American Indian: Magazine of Smithsonian’s National Museum of the American Indian. Vol. 19, No. 4. Winter 2018. https://www.americanindianmagazine.org/story/mary-golda-ross-she-reached-stars Wallace, Rob. “Mary Golda Ross and the Skunk Works.” National World War II Museum. 11/19/2021. https://www.nationalww2museum.org/war/articles/mary-golda-ross-and-skunk-works Watts, Jennifer. “John Ross: Principal Chief of the Cherokee People.” Tennessee State Museum. https://tnmuseum.org/junior-curators/posts/john-ross-principal-chief-of-the-cherokee-people Yang, John. “The cutting-edge work of Native American aerospace engineer Mary Golda Ross.” 11/26/2023. https://www.pbs.org/newshour/show/the-cutting-edge-work-of-native-american-aerospace-engineer-mary-golda-ross Zhorov, Irina. “Years Later, Miss Indian America Pageant Winners Reuniteg.” NPR Code Switch. 7/12/2013. https://www.npr.org/sections/codeswitch/2013/07/12/201537264/Years-Later-Miss-Indian-America-Pageant-Winners-Reunite See omnystudio.com/listener for privacy information.