Podcasts about national museum

Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is Frederik Larsen, Deputy Director of the Greenland National Museum & Archives in Nuuk, Greenland. CASCADE OF HISTORY reached out to the museum in Greenland to find out what steps staff there are taking to collect the artifacts and stories of the very recent - and very turbulent past - as the President of the United States has, at times, threatened military annexation of the sovereign Arctic island. Mr. Larsen also shared his observations of what it's been like in Greenland over the past several weeks of threats, and following more restrained remarks made last week in Davos, Switzerland. CASCADE OF HISTORY spoke with Frederik Larsen on Wednesday, January 28, 2026. Greenland National Museum & Archives https://en.nka.gl/ CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes. "LIKE" the Cascade of History Facebook page and get updates and other stories throughout the week, and advance notice of live remote broadcasts taking place in your part of the Old Oregon Country.

Angela Manno studied at the San Francisco Art Institute, Parsons School of Design, and l'Ecole des Arts in Lacoste, France, through Sarah Lawrence College. Her work has been exhibited around the world, including by NASA, the Smithsonian's National Air and Space Museum, and the National Museum of Women in the Arts. Angela Manno was commissioned by NASA to commemorate the U.S. return to space flight with the launch of Discovery, the first after the Challenger accident. She is the only female visual artist selected for this honor. The program she narrated,  “Responding to the Cry of the Earth,” was created for the Vatican,  which features images from her series Contemporary Icons of Endangered Species  She also collaborates with the Center for Biological Diversity on its endangered species programs. The Sacred Biodiversity Oracle stimulates empathy and meaningful action for planetary healing. Exploring the richness and necessity of biodiversity, this 36-cardfull-color deck features the work of world-renowned artist Angela Manno and reveals how the loss of biodiversity is leading to the warming of our planet. A unique feature of this work are QR codes that lead to the websites of one of 18 specially curated conservation organizations from all over the world that are helping to protect species, including EarthJustice, The Center for Biological Diversity, The Wildlife Justice Commission and The Orangutan Project. She presents each threatened species in a traditionally religious form—the icon—to illustrate its intrinsic value and true significance.

As part of a series with the Smithsonian Institution presenting 25 objects that tell the story of America, Daniel Piazza, chief curator of philately at the Smithsonian National Postal Museum, talks about the significance of the first stamps issued by the federal government. Plus, few people know the real story of "The Star-Spangled Banner," or that the massive flag that inspired it still exists. Jennifer Jones, a curator of the Smithsonian Institution's National Museum of American History, shares the history of the banner.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Smithsonian's National Museum of African Art in Washington, D.C. this week opens Here: Pride and Belonging in African Art, a new exhibition focusing on LGBTQ+ artists from across Africa and its diaspora. Ben Luke talks to its co-curator, Kevin Dumouchelle, about the exhibition and forthcoming book. We explore the cultural effects of the protests in Iran that began at the end of last year, and the brutal crackdown that followed, with Sarvy Garenpayeh, one of The Art Newspaper's reporters on the Middle East. Sarvy has attempted to contact art workers after the Iranian government cut off the internet two weeks ago. And this episode's Work of the Week is Louise Nevelson's Moon Garden Plus One (1958), a landmark installation first staged in New York that is being reprised, at least in part, in a new survey of the American sculptor's work at the Centre Pompidou-Metz in Metz, France. We speak to the curator of the exhibition, Anne Horvath.Here: Pride and Belonging in African Art, National Museum of African Art, Washington, D.C., 23 January–23 August. The related book, published by Smithsonian Books, will be available later this year.The London gallery Ab-Anbar, which was founded in Tehran in 2014, has announced that it has extended its solo exhibition of the Iranian artist Amin Bagheri's work until 22 February. The gallery has been hosting what it describes as “moments of togetherness for its London community: a space to gather, talk, and be together”, in solidarity with the people of Iran.Louise Nevelson: Mrs. N's Palace, Centre Pompidou-Metz, Metz, France, 24 January-31 AugustTo buy The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events, visit theartnewspapershop.com. £14.99 or the equivalent in your currency. Hosted on Acast. See acast.com/privacy for more information.

Episode No. 742 features artist Woody De Othello, and artists Jason Garcia, Michael Namingha, and curator Bess Murphy. The Pérez Art Museum Miami is presenting "Woody De Othello: coming forth by day," a presentation of new ceramic and wood sculptures, tiled wall works, and a large-scale bronze, all of which explore the primordial relationship between body, earth, and spirit. The exhibition was organized by Jennifer Inacio with the support of Fabiana A. Sotillo. It is on view in Miami through June 28 after which it will travel to the Manetti Shrem Museum of Art, University of California, Davis. De Othello's sculpture, painting, and drawing often investigate the still life genre. His previous institutional solo exhibition was at The Bowes Museum in the UK. Museums that have featured his work in group shows include the Metropolitan Museum of Art, New York, the Seattle Art Museum, the University of Michigan Museum of Art, and the Fine Arts Museums of San Francisco. The Whitney Museum of American Art included him in its 2022 biennial. Later this year, his work will be featured in a Public Art Fund solo presentation in Brooklyn's Brooklyn Bridge Park. He is an artist trustee of the San Francisco Museum of Modern Art. Garcia and Murphy are the co-curators of "Tewa Nangeh/Tewa Country" at the Georgia O'Keeffe Museum in Santa Fe. Namingha is among the 13 artists in the exhibition, 12 of whom are from the six Tewa Pueblos of northern New Mexico (Nambé, Ohkay Owingeh, Pojoaque, San Ildefonso, Santa Clara, and Tesuque).  "Tewa Nangeh" presents the work of Tewa artists while highlighting O'Keeffe's erasure of Tewa people. It is on view through September 7. Garcia's work is in the collection of museums such as the Heard Museum in Phoenix, the Art Institute of Chicago, the Nelson-Atkins Museum of Art, Kansas City, and the Smithsonian's National Museum of the American Indian. Namingha's work is also on view through April 5 at the Museum of Indian Arts and Culture, Santa Fe in "Essential Elements: Art, Environment, and Indigenous Futures." The El Paso Museum of Art and the IAIA Museum of Contemporary Native Arts, Santa Fe have featured solo exhibitions of his work; he's been in group shows at museums such as the Minneapolis Institute of Arts, the Metropolitan Museum of Art, New York, and the Hood Museum of Art, Dartmouth College. Instagram: Woody De Othello, Jason Garcia, Michael Namingha, Tyler Green. Air date: January 22, 2026.

Fluent Fiction - Mandarin Chinese: Finding Her Voice: A Winter Journey at the National Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-01-18-08-38-20-zh Story Transcript:Zh: 在冬天的一个早晨，梅琳和金海跟随学校一起去中国国家博物馆参观。En: On a winter morning, Meilin and Jinhai went with their school to visit the China National Museum.Zh: 博物馆坐落在北京的中心，宏伟壮观，有着数不清的历史文物。En: The museum is located in the center of Beijing, majestic and spectacular, with countless historical relics.Zh: 每个人都很兴奋，因为这是一次特别的机会，他们也正值过年期间，博物馆里充满了节日的气氛。En: Everyone was excited because it was a special opportunity, and it was during the New Year period, so the museum was filled with a festive atmosphere.Zh: 梅琳是一个内向的女孩，她很喜欢历史和文物，总是安静地观察、思考。En: Meilin is an introverted girl who loves history and cultural relics, always quietly observing and thinking.Zh: 少言的性格让她在小组活动中常常显得安静。En: Her quiet nature often makes her seem silent in group activities.Zh: 相反，金海总是充满活力，喜欢和同学分享他的见解，对任何事物都充满好奇。En: In contrast, Jinhai is always full of energy, enjoys sharing his insights with classmates, and is curious about everything.Zh: 导游带着大家到了古代文物馆。En: The tour guide led everyone to the Ancient Relics Hall.Zh: 金海在大家面前滔滔不绝地谈论古代兵器，引得同学们都围着他，表现出浓厚的兴趣。En: In front of everyone, Jinhai talked eloquently about ancient weapons, attracting his classmates who showed great interest.Zh: 梅琳站在一旁，她想参与讨论，但内心的羞涩让她犹豫不决。En: Meilin stood to the side, wanting to join the discussion, but her inner shyness made her hesitate.Zh: 时间有限，梅琳决定独自离开团队，去找寻自己心中的宝藏。En: With limited time, Meilin decided to leave the group on her own to search for her own treasure.Zh: 她静静地走到另一边的展厅，那是一片安静的角落，展示着关于传统节日的文物。En: She quietly walked to another exhibition hall, a quiet corner displaying artifacts related to traditional festivals.Zh: 一个精美的陶瓷灯笼吸引了她的目光。En: A beautifully crafted ceramic lantern caught her eye.Zh: 灯笼的旁边摆放了一块说明牌，上面讲述了这盏灯笼在古代春节时如何被用作祈福用具的故事。En: Next to the lantern was an information board, recounting the story of how this lantern was used as a blessing tool during the ancient Spring Festival.Zh: 梅琳被深深打动，她觉得这是一个很好的机会。En: Meilin was deeply moved, feeling it was a great opportunity.Zh: 回到团队后，看到大家还在讨论，她鼓起勇气走到金海身边，“金海，大家，我发现了一个有趣的东西！En: Upon returning to the group and seeing everyone still in discussion, she mustered up the courage to walk over to Jinhai's side, "Jinhai, everyone, I found something interesting!"Zh: ”大家安静下来，看向梅琳。En: Everyone quieted down and looked at Meilin.Zh: 梅琳稳了稳心神，开始讲述陶瓷灯笼的故事，解释它如何与春节的传统相关联，并描述了那个年代的人们如何通过灯笼来祈求好运。En: She steadied herself and began to tell the story of the ceramic lantern, explaining how it is related to the Spring Festival traditions and describing how people of that era used lanterns to pray for good luck.Zh: 随着她的讲述，更多的同学也被吸引过来，他们对梅琳的分享产生了浓厚的兴趣。En: As she spoke, more classmates were drawn over, taking a keen interest in Meilin's sharing.Zh: 金海惊讶地看着她，“这真是一个精彩的故事！En: Jinhai looked at her in surprise, "That's truly an amazing story!Zh: 你知道的真多。En: You know so much."Zh: ”他鼓励她讲更多。En: He encouraged her to tell more.Zh: 大家开始积极讨论这个文物的意义，气氛变得活跃而热烈。En: Everyone started actively discussing the significance of the artifact, and the atmosphere became lively and enthusiastic.Zh: 在这次经历后，梅琳意识到，其实她有很多可以分享的，不用害怕被忽略。En: After this experience, Meilin realized that she had a lot to share and didn't need to fear being overlooked.Zh: 她找到了自己的声音，明白了在团队中，她同样可以贡献出自己珍贵的视角和思想。En: She found her voice, understanding that in a group, she too can contribute her valuable perspectives and thoughts.Zh: 这个冬日的博物馆之旅，不仅让她亲眼看到了历史，也让她发现了内心的勇气。En: This winter museum trip not only allowed her to see history firsthand but also helped her discover the courage within her heart. Vocabulary Words:introverted: 内向的relics: 文物majestic: 宏伟spectacular: 壮观festive: 节日的opportunity: 机会curious: 好奇的eloquently: 滔滔不绝地weapons: 兵器hesitate: 犹豫不决exploring: 找寻treasure: 宝藏ceramic: 陶瓷lantern: 灯笼blessing: 祈福significance: 意义artifact: 文物mustered: 鼓起perspectives: 视角lively: 活跃enthusiastic: 热烈courage: 勇气steered: 稳了稳recounting: 讲述observe: 观察participation: 参与shyness: 羞涩mustering: 激起insights: 见解discovery: 发现

Elizabeth Ajunwa is a DC-based art librarian and memory worker. She currently serves as the Director of the Betty Boyd Dettre Library and Research Center at the National Museum of Women in the Arts. As Library Director, she oversees a collection of over 25,000 books and archival resources including zines and artists' books.  Elizabeth's journey in the library field began in public libraries, where she gained invaluable hands-on experience at the Prince George's County Memorial Library System. While working in public libraries, she obtained a master's degree in Library and Information Science from Catholic University of America, where she focused her graduate studies on cultural heritage management and art librarianship. She was a 2019-2020 ALA Spectrum Scholar in the American Library Association Spectrum Scholarship Program. Her current work includes advocating for the care and diverse representation of Black, Indigenous, and POC artists in libraries and archives.//////////////////////////////“Paper Cuts Theme” by The Early@theearly_band // http://theearly.net

THE FORBIDDEN MUSEUM OF SHANTOU Colleague Tanya Branigan. Tanya Branigan discusses her book, Red Memory, and her visit to the Cultural Revolution Museum in Shantou. Founded by former official Peng Qi'an, this was the only museum in China dedicated to recording the era's violence and chaos. Built in a remote location on a site of mass graves to avoid scrutiny, the museum was eventually suppressed by authorities. Branigan recounts visiting during the Hu Jintao era while being monitored by undercover police. Today, the site is closed, unlike the National Museum, which relegates the decade-long catastrophe to a single "dingy corner." TANYA BRANIGAN NUMBER 11905 SHANGHAI MIXED COURT

Ben Nighthorse Campbell (Northern Cheyenne) is remembered as an effective congressional leader who passionately advocated for Native American issues. He served in both the U.S. House of Representatives and the U.S. Senate. Among other things, he was instrumental in the political advocacy for establishing the National Museum of the American Indians (NMAI). Harvey Pratt (Cheyenne and Arapaho) was a national voice in support of Native American arts. A large part of his career was as a police sketch artist. He also headed the Indian Arts and Crafts Board for a decade. A former U.S. Marine, he was an advocate for military veterans. His design for a Native American Veterans Memorial was chosen and built on the NMAI campus in 2022. GUESTS Suzan Shown Harjo (Cheyenne and Hodulgee Muscogee), president of the Morning Star Institute and recipient of the Presidential Medal of Freedom Rick West (Cheyenne and Arapaho), founding director and director emeritus of the Smithsonian National Museum of the American Indian Shanan Campbell (Northern Cheyenne), founder and CEO of Sorrel Sky Galleries and daughter of Ben Nighthorse Campbell Gina Pratt (Muscogee and Yuchi), wife of Harvey Pratt Nathan Pratt (Cheyenne and Arapaho), artist and son of Harvey Pratt Dee Cordry, former Oklahoma State Bureau of Investigation and author of “Children of White Thunder” Break 1 Music: I Walk with You (song) Joseph Fire Crow (artist) Face the Music (album) Break 2 Music: Put Your Feathers On (song) Blue Moon Marquee & Northern Cree (artist) Get Your Feathers Ready (Album)

Kitty Cone and Brad Lomax were key players in the 1977 sit-ins which pressured the Department of Health and Human Services to establish policies to implement section 504 of the 1973 Rehabilitation Act. Research: R.8070 - Rehabilitation Act of 1973. https://www.congress.gov/bill/93rd-congress/house-bill/8070 Grim, Andrew. “Sitting-in for disability rights: The Section 504 protests of the 1970s.” National Museum of American History. https://americanhistory.si.edu/explore/stories/sitting-disability-rights-section-504-protests-1970s “Celebrating Kitty Cone: 1944-2015.” https://dredf.org/celebrating-kitty-cone-1944-2015/ Feingold, Lainey. “Disability Rights Leader Kitty Cone Dies at 70.” BeyondChron. 3/23/2015. https://beyondchron.org/curtis-kitty-cone-disability-rights-hero-dead-at-70/ Gardiner, Kathryn S. “Forgotten Foremothers: Kitty Cone - Disability Activist.” League of Women Voters of Indiana. 7/9/2022. https://www.lwvin.org/content.aspx?page_id=5&club_id=42001&item_id=77659 Lu, Wendy. “Overlooked No More: Kitty Cone, Trailblazer of the Disability Rights Movement.” New York Times. 3/26/2021. https://www.nytimes.com/2021/03/26/obituaries/kitty-cone-overlooked.html Center for Learner Equality. “Brad Lomax – Uniting the Civil Rights and Disability Rights Communities.” https://www.centerforlearnerequity.org/news/brad-lomax-uniting-the-civil-rights-and-disability-rights-communities/ Essien, Markus, director and producer. “Renegades: Brad Lomax.” PBS. https://www.pbs.org/wnet/americanmasters/brad-lomax-documentary/33589/ Connelly, Eileen AJ. “Overlooked No More: Brad Lomax, a Bridge Between Civil Rights Movements.” New York Times. 7/20/2020. https://www.nytimes.com/2020/07/08/obituaries/brad-lomax-overlooked.html See omnystudio.com/listener for privacy information.

 In 2016, Tara Roberts was living in Washington D.C. and working at a nonprofit when she visited the National Museum of African American History and Culture and a photograph she saw there changed her life. The image was of Black scuba divers from the group Diving with a Purpose which searches for and documents slave shipwrecks around the world. Roberts quit her job, learned to scuba dive and chronicled the work of these scuba divers. Her book about that journey is “Written in the Waters: A Memoir of History, Home and Belonging.”

On New Year's Eve, America250 Commission Chair Rosie Rios talks about the special celebrations tonight related to the U.S.'s 250th birthday in 2026, New York City & New Orleans are among the cities increasing their New Year's Eve security and world leaders issue New Year's messages; House Republicans schedule a hearing looking at Minnesota social welfare programs fraud, inviting both Republican state lawmakers and Gov. Tim Walz (D-MN) to testify; number of Jeffrey Epstein-related files the Justice Department is working through to release now reportedly tops 5 million; New York City mayor-elect Zohran Mamdani (D) names a new schools chancellor a day before he takes office; former Sen. Ben Nighthorse Campbell (D-CO) has died. We  hear his 2004 remarks at the dedication for the Smithsonian Institution's National Museum of the American Indian. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do animals mean to us? Naomi Alderman explores how animals shape human understanding, from ancient burial rites to modern science.The psychologist Justin Gregg specialises in dolphin social cognition. He introduces his new book, Humanish, a witty and provocative look at anthropomorphism — our habit of seeing human traits in animals, objects and machines — and how it helps us make sense of the world and increases empathy.Peter Fretwell is a leading scientist at the British Antarctic Survey, and author of The Penguin Book of Penguins. He celebrates the charm and complexity of penguins, from their evolutionary quirks to their cultural symbolism, alongside the threats they face today.Marianne Hem Eriksen is Professor of Viking Studies at the National Museum of Denmark and part of the BBC / Arts and Humanities Research Council scheme of New Generation Thinkers. She draws on archaeological evidence to show how Viking societies had a complex relationship with animals, seeing them not just as pets or food, but as extensions of human identity and mythology.Producer: Katy Hickman Assistant Producer: Natalia Fernandez

American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances. Sharpen your powers of deduction and join us on Sidedoor for an epic frozen whodunit, featuring shipwreck, romance, and a social media darling with a dark secret. We're resharing this longtime favorite from 2021 to bring you some wintry vibes. Guests:Stephen Loring, anthropologist and archeologist at the Arctic Studies Center of the Smithsonian's National Museum of Natural History Heidi Moses, volunteer with the Smithsonian Transcription CenterEmily Niekrasz, social media manager, Smithsonian Institution 

What a dynamic visit this month with Tuscarora Turtle clan scholar, curator, historian, and artist Dr. Jolene Rickard. At Cornell University, she teaches in the History of Art and Visual Studies and Art Departments, where she has long guided students through Indigenous studies leadership and practice. She co-curated two of the four permanent exhibitions at the Smithsonian's National Museum of the American Indian. Across her work, Dr. Rickard centers Indigenous knowledge, lived experience, and visual sovereignty.Jolene is the curator of the ambitious outdoor exhibition Deskaheh in Geneva 1923 to 2023: Defending Haudenosaunee Sovereignty, which opened along the Quai Wilson in Geneva in 2023. The exhibition marks 100 years since Deskaheh Levi General sought to speak for the Haudenosaunee Confederacy at the League of Nations. Working with the Haudenosaunee External Relations Committee, the City of Geneva, and Docip, Dr. Rickard highlights the ongoing struggle for Indigenous sovereignty. Her work also addresses the health of her homeplace, including the impacts of the Niagara Falls Power Project and Love Canal on the Tuscarora community, bringing these conversations into museums, classrooms, and public life. Hosted on Acast. See acast.com/privacy for more information.

In 1965 Margaret Crane was a young designer creating packaging for a pharmaceutical company when a scientist gave her a tour of the lab. Looking at the long rows of pregnancy tests she thought, well anyone could do that test at home! So she set about designing a prototype for America's first home pregnancy test. While the design of the prototype was simple, convincing the company, the medical community and conservative social leaders that at-home pregnancy testing was safe and necessary was an uphill climb for Crane, who is only now receiving credit for her contributions to the industry. This show first aired in February 2024. Featuring: Margaret Crane - Graphic designer and inventor of the first home pregnancy test Wendy Kline - Dema G. Seelye Chair in the History of Medicine, History Faculty Purdue University Jesse Olszynko-Gryn - Head of the [Laboratory for Oral History and Experimental Media](https://www.mpiwg-berlin.mpg.de/research/projects/laboratory-oral-history-and-experimental-media) at Max Planck Institute for the History of Science  Arthur Kover - Emeritus Professor of Marketing, Fordham University Alexandra Lord - Chair, Division of Medicine and Science at the National Museum of American History Making Contact Staff: Host: Amy Gastelum Guest Producer: Anne Noyes Saini  Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman  Digital Media Marketing: Lissa Deonorain Music:  Podington Bear, Rhythm and Strings  Learn More: National Museum of American History https://americanhistory.si.edu/collections/nmah_1803285 A Woman's Right to Know, Pregnancy Testing in 20th Century Britain - https://mitpress.mit.edu/9780262544399/a-womans-right-to-know/ Predictor, by Jennifer Blackmer https://newplayexchange.org/plays/348156/predictor Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

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Genevieve Keeney-Vazquez explores universal themes in death rituals, examining how funerals, grief, and cultural customs intersect at the National Museum of Funeral History. Museum exhibits include gynecological coffins from Ghana, jazz funerals in Louisiana, and Victorian mourning practices, providing insight into how traditions shape the grieving process and honor the dead. Religion and cultural heritage guide communities through loss, establishing rituals that unite people and create space for healthy grieving. Grief is recognized as an ongoing experience, with individuals choosing solitude or seeking support from loved ones. Genevieve Keeney-Vazquez shares personal experiences with grief and emphasizes practices that foster healing. This conversation is part two of a two-part interview with Ashley Gould for On the Table with Ashley, a podcast dedicated to meaningful conversations across diverse life experiences and professions. Plan your visit to the museum today at nmfh.org and take a journey through over 30,000 square feet of fascinating history. Subscribe to The Final Curtain Never Closes on Apple Podcasts, Spotify, or wherever you get your podcasts. Key Takeaways 1. Rituals surrounding death are universal, but they vary widely in their practices and meanings. These customs serve dual purposes: aiding the grieving process for the living and, in many traditions, helping the soul or spirit of the deceased to “transcend” or move on. Regardless of the specifics, a common thread is that every culture finds ways to honor and remember loved ones, and most have beliefs about life after death or the soul's journey. 2. Funerary practices, including burial containers like coffins and caskets or unique customs such as Ghanaian fantasy coffins or jazz funerals, reflect both cultural values and practical concerns (like public health). These practices evolve over time—sometimes merging, adapting, or being challenged by modern sensibilities—but always provide structure and meaning during periods of loss. 3. Grief is a lifelong and deeply personal process. The transcript emphasizes that grieving varies from person to person and is affected by culture, tradition, and individual circumstance. Equally important is the message that grief should be honored and experienced—not masked or ignored—as unhealthy grief can have lasting physical and emotional impacts. Support from community, rituals, and sometimes professional help, can be vital. 4. Objects, photography, and even art made from cremains are powerful tools for remembrance and healing. These items enable people to hold on to memories, honor the dead, and sometimes find new ways to process loss. The meaning attached to such objects often transcends their physical material, providing comfort and a sense of continuity. 5. Professionals in the funeral industry are both caretakers and guides for grieving families. The transcript highlights that even those with expertise in death care are affected by grief and must manage personal boundaries and seek support when needed. There's an ongoing need for empathy, community, and sometimes humor, to balance the emotional demands of the profession, as well as recognition of the human aspect behind every role.See omnystudio.com/listener for privacy information.

Lucy may be the most famous Australopithecus fossil, but Selam is much better preserved. Researchers discovered this fossil in 2000 just across the river from where Lucy was found, and the recent exhibit at the Czech National Museum in Prague included this fossil as well as Lucy. In this episode, Paul and Todd review all the details from this skeleton, including a part that is completely unique in Australopithecus discoveries. What's the creationist angle on all this? You'll have to tune in to find out!Materials for this EpisodeWood, Todd Charles and Brummel, P. S. (2023) "Hominin Baraminology Reconsidered with Postcranial Characters," Proceedings of the International Conference on Creationism: Vol. 9, Article 28.DOI: 10.15385/jpicc.2023.9.1.15Available at: https://digitalcommons.cedarville.edu/icc_proceedings/vol9/iss1/28Does Lucy Prove Evolution? (Todd's Blog)https://toddcwood.blogspot.com/2025/01/does-lucy-prove-evolution.htmlPaul and Todd's Czech Anthropology Adventurehttps://toddcwood.blogspot.com/2025/10/paul-and-todds-czech-anthropology.htmleLucy - an evolutionary resource with scans of some of her boneshttps://elucy.org/National Museum of the Czech Republichttps://www.nm.cz/Episodes mentioned in this episodePlaylist of Paleoanthropology Episodeshttps://www.youtube.com/playlist?list=PLOzn-NecEi8EQEPL-CsmVZRo--osOXXFf

The Seattle Athenaeum and Town Hall Seattle welcomes Dr. Audrey Whitty, Director of the National Library of Ireland and Hibsen as they launch the inaugural Irish Arts & Literature Showcase. Dr. Whitty is in conversation with UW Teaching Professor and poet Frances McCue. Dr. Audrey Whitty is an Irish archaeologist, librarian and curator. As Director of the National Library of Ireland, she oversees the work of the library in collecting, protecting and making accessible the recorded memory of Ireland. Whitty previously worked for the National Museum of Ireland (NMI) where she was curator of the ceramics, glass and Asian collections, in the Art and Industrial Division of the museum. While working with the museum, she was awarded a doctorate in the History of Art by Trinity College Dublin. Frances McCue is an arts instigator who has spent her career connecting literature to community life. Known for her literary start-ups, she is the co-founder of Pulley Press, a new publishing imprint that celebrates poets and poetry from rural places, and she was the Founding Director of Richard Hugo House for its first decade. She also instigated the Poetry Brigade at the University of Washington. Currently, she is a Teaching Professor at the University of Washington where she has been the winner of the UW Distinguished Teaching Award. A poet and prose writer she has published six books—four of poetry and two of prose, including a book of essays about Richard Hugo. Her forthcoming book is Spark and Whistle: Thinking Like a Poet in Leadership and Life from Columbia University Press. The National Library of Ireland collects, protects and makes accessible the recorded memory of Ireland. We collect, protect and provide access to over 12 million items and will continue to do so for decades to come. We provide access to the collections free of charge, at four sites and online to exhibitions and events and to our reference and research reading rooms. Folio: The Seattle Athenaeum connects a dynamic literary community through a curated book collection, diverse programming, and opportunities for engaging conversations and transformative ideas. The Irish Arts & Literature Showcase, organized and curated by Caroline Cumming and Paula Stokes, welcomes visiting Irish writers, publishers and artists in presenting a curated selection of lectures, conversations and workshops. More at https://www.folioseattle.org/irisharts Presented by Town Hall Seattle and Folio: The Seattle Athenaeum.

In the news this week, the President's birthday was added to the list of free entry days at the National Parks, meanwhile Martin Luther King Jr. Day and Juneteenth were removed from the list. On today's show, host Allen Ruff is joined by activist and scholar Nicholas Powers to talk about the Trump administration's attacks on Black history and his latest article for Truthout, “Black History Has the Power to Ignite Movements. That's Why the Right Fears It.” Powers says that the Trump Administration is waging attacks on Black history at three levels: the economic, the cultural, and through voting rights. The closed doors of the African American History Museum in DC are both a symbolic and material closing off of Black history and culture. And that's added to the mass firings of more than 300,000 Black employees from their federal positions. The Trump administration is also criminalizing the teaching of Black history in schools. Attacking school curriculum gives permission to conservative activists who are now rewarded for promoting greater and greater acts of racism. The softening or erasing of the historical reality of American slavery and racism creates what Powers calls “a cartoon image of the nation,” one in which the US is presented as a nation always living up to its values. In Black history, Powers says, there is an opposing grand narrative to the American Dream, that of the American nightmare. He says we need a vision of “American realism” that is taught by Black history: that Black Americans belong here through their blood sweat and tears and that we're all equal in the eyes of god. Moreover, Black history has a transformative effect, empowering people to see more clearly the strategies and tactics that Black people used to gain greater freedom. Powers previews that there's another social movement, another wave, on its way to counter the reactionary work of the Right. When it arrives, we should add ourselves to it so that it becomes stronger.  Nicholas Powers is the author of Thirst, a political vampire novel; The Ground Below Zero: 9/11 to Burning Man, New Orleans to Darfur, Haiti to Occupy Wall Street; and most recently, Black Psychedelic Revolution. He has been writing for Truthout since 2011. His article, “Killing the Future: The Theft of Black Life” in the Truthout anthology Who Do You Serve, Who Do You Protect? coalesces his years of reporting on police brutality. Featured image of the facade of the National Museum of African American History and Culture by Ron Cogswell via Flickr.  Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post The Transformative Power of Black History with Nicholas Powers appeared first on WORT-FM 89.9.

It started with a messy lab and a mysterious mold. But turning “mold juice” into the world's first antibiotic would take a sick policeman, a market cantaloupe, and an extraordinary wartime collaboration between scientists, governments, and industry. This is the story of how penicillin changed the world.Guests:Kevin Brown, Trust Archivist to Imperial College Healthcare NHS Trust and curator of the Alexander Fleming Laboratory Museum at St. Mary's Hospital; author of Penicillin Man: Alexander Fleming and the Antibiotic RevolutionDiane Wendt, curator in the Division of Medicine and Science at the Smithsonian's National Museum of American History

The Smithsonian's National Museum of African American History and Culture is partnering with Buffalo's Michigan Street African American Heritage Corridor to preserve local stories and family histories. In this episode, Dr. Doretha Williams shares an update on the community curation project and why documenting everyday lives matters.

Värvade soldater har spelat en viktig roll inom den svenska krigsmakten, ända sedan Gustav Vasa började rekrytera tyska legoknektar på 1500-talet. Det fanns ett behov av snabbt gripbara värvade soldater på fästningar och i städer både för den yttre och inre säkerheten. De värvade soldaterna tvingades leva under svåra förhållanden i undermåliga förläggningar, med låg lön och drakonisk disciplin. Och det omgivande samhället föraktade de värvade soldaterna som rekryterades från den lägsta skikten i samhället. De värvade regementena hade stora problem att rekrytera soldater, medan livet som indelt soldat med eget torp länge var eftertraktade tjänster.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Lars Ericson Wolke, professor i historia vid Försvarshögskolan och aktuell med boken Nationens avskum, militärens elit – Myt och sanning om de värvade soldaterna i Sverige.Det har funnits värvade yrkessoldater i den svenska armén sedan medeltiden vid sidan om de indelta och senare värnpliktiga soldater. Många värvade soldater var tvångsrekryterade, deras lön var usel, disciplinen hård och de inhystes i dåliga inkvarteringar. Att de sedan kunde beskrivas som ”nationens avskum” gjorde knappast deras situation bättre. Men bilden var inte entydig - elitförband som Svea och Göta livgarde utgjordes av värvade soldater.Under medeltiden var det vanligt med inhyrda knektar i hela Europa, men det var först under 1500-talet som de erfarna och välutbildade landsknektarna blev en viktig del av Sveriges krigsmakt. På 1700-talet kom värvade soldater att utgöra runt en tredjedel av krigsmaktens personal. De placerades som garnisoner i de viktigaste fästningarna i Sverige, såsom Sveaborg och Helsingborg, Lovisa (Degerby), Hangö och Svartholm. Det är först år 1952 som de värvade soldaterna avskaffas.Lokalsamhället såg de värvade soldaterna på fästningar och i städer som oönskade främlingar. Och tvånget att inhysa värvade soldater hos borgare ansågs mycket betungande.Men krigsmakten hade ett behov av snabbt gripbara soldater både för den yttre och inre säkerheten. Och under perioder av krig kunde hälften av soldaterna vara värvade.Dessutom krävde både armén och marinen krävde välutbildade i specialtruppslag som artilleriet och ingenjörerna. Dessa krav kunde inte de indelta soldaterna eller senare de värnpliktiga matcha.Efter införandet av värnplikten efter år 1901 var rekryteringen av stamanställda volontärer nödvändig för att förse armén med en tillräcklig mängd underbefäl och även underofficerare. Det stamanställda manskapet var under 1900-talets första hälft, en viktig förutsättning för utbyggnaden av ett värnpliktsförsvar.Bild: Värvare av Gustaf Cederström (1879), Nationalmuseum, Erkännande-DelaLika (CC BY-SA), Digitaltmuseum. Hosted on Acast. See acast.com/privacy for more information.

Vincent Versace is an American photographer and a Nikon Ambassador. He is a recipient of the Computerworld Smithsonian Award in Media Arts & Entertainment. His work is part of the permanent collection of the Smithsonian Institution's National Museum of American History. At age seven, Vincent was introduced to photography and the darkroom by his uncle, a wedding photographer. Vincent saved his allowance to purchase a Nikon rangefinder at a garage sale and, at the age of nine, he sold his first photo to a local newspaper for $50. In high school, Vincent followed in his uncle's footsteps and photographed weddings. He has published three books on photography. His first book was Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop and named as one of the top digital books of 2007 by Shutterbug Magazine. The second book, Welcome to Oz 2.0, a complete rewrite of his first to include the science of focus and blur, and ExDR. His third book, From Oz to Kansas: Almost Every Black & White Technique Known to Mankind, was published in 2012.Check out his website www.versacephotography.comand instagram www.instagram.com/vincent_versace/?hl=en

Sara Alberani"Material for an Exhibition"Storie, memorie e lotte dalla Palestina e dal MediterraneoMuseo di Santa Giulia, BresciaEdizioni Skirawww.skira.net“Material for an Exhibition. Storie, memorie e lotte dalla Palestina e dal Mediterraneo”, un importante volume edito da Skira che, attraverso una raccolta sistematica di opere provenienti da numerose zone di conflitto nel Mediterraneo – da Gaza, al Libano, alla Cisgiordania – evidenzia la capacità dell'arte di instaurare e difendere legami di solidarietà profondi fra le diverse realtà mediterranee, creando spazi di dialogo e confronto anche in contesti difficili come quello palestinese. A cura di Sara Alberani, il catalogo accompagna l'omonima mostra in corso fino al 22 febbraio 2026 presso il Museo di Santa Giulia di Brescia, che presenta le opere sopravvissute dell'Eltiqa Group for Contemporary Art di Gaza, dopo la distruzione causata da un bombardamento nel 2023. A partecipare all'ideale ricostruzione dello spazio artistico sono due dei fondatori del collettivo, gli artisti Mohammed Al-Hawajri e Dina Mattar, insieme all'artista libanese Haig Aivazian e alla palestinese Emily Jacir, Leone d'Oro a Venezia. Il titolo della mostra, Material for an Exhibition, rende omaggio all'opera Material for a Film di Emily Jacir, dedicata alla memoria del poeta palestinese Wael Zuaiter.Come accade nell'opera originale, anche in questo caso il termine material richiama le creazioni artistiche – installazioni, video, sculture, pittura, disegni e lavori su carta – e rimanda alle condizioni materiali in cui operano gli artisti provenienti da zone di conflitto. Elemento centrale è anche il rifiuto della cancellazione e della perdita delle opere, che spesso caratterizza tali contesti, in una riflessione sull'importanza dell'arte come archivio e memoria collettiva.In apertura del volume e della mostra spiccano le opere salvate degli artisti palestinesi Mohammed Al-Hawajri e Dina Mattar, co-fondatori di Eltiqa Group for Contemporary Art (“Eltiqa” in arabo “incontro”), una delle prime gallerie d'arte contemporanea nella Striscia di Gaza. Attraverso queste opere, che hanno viaggiato insieme agli artisti che le hanno prodotte, si mette in evidenza un altro volto di Gaza: quello della quotidianità, della cultura tramandata e dei luoghi della memoria, simbolo della volontà di un popolo che si rifiuta di scomparire. A seguire, una sezione dedicata alla ricerca dell'artista libanese Haig Aivazian riflette – attraverso sculture, installazioni, disegni e performance – sulle strutture di potere proprie della società contemporanea sullle dinamiche di controllo, sorveglianza e repressione dietro ai rapporti tra Medio Oriente e Occidente, indagando le dinamiche di controllo, sorveglianza e repressione.Il percorso si conclude con le creazioni dell'artista palestinese Emily Jacir, tra le voci più significative dell'arte contemporanea internazionale. La sua pratica attraversa un ampio repertorio di media – film, video, fotografia, scultura, installazione e performance – per indagare il modo in cu la memoria storica lascia il suo segno nel tempo, nelle geografie e nelle popolazioni della regione.             Le opere in mostra e raccolte nel volume provengono da importanti prestiti internazionali, da istituzioni newyorkesi, dal National Museum of Contemporary Art di Atene e della Sharjah Art Foundation di Sharjah. Si tratta di lavori realizzati nel corso di residenze artistiche e di alcune riproduzioni, di cui restano soltanto reperti digitali dopo la distruzione delle opere originali. Sara Alberani   Curatrice indipendente e attivista basata a Roma, esprime la sua ricerca curatoriale attraverso pratiche artistiche socialmente impegnate che coinvolgono comunità e spazi pubblici, concentrandosi sulle lotte di classe, la giustizia sociale e climatica attraverso progetti a lungo termine. Dal 2020 co-dirige LOCALES, una piattaforma curatoriale per la produzione di interventi site-specific e pratiche decoloniali nello spazio pubblico di Roma, nominata Miglior progetto curatoriale 2024 al Flash Art Italia Award. I suoi progetti sono stati presentati da numerose istituzioni. La sua ricerca curatoriale attuale indaga gli impatti dell'estrattivismo e del capitalismo sugli ecosistemi idrici nella sua regione d'origine, l'Emilia-Romagna, soprattutto alla luce delle alluvioni del 2023–2024, intendendo i corpi d'acqua come soggetti politici di insorgenza e resistenza.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

The National Museum of African American Music is known to be the only museum in the United States devoted to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. During the interview, Alyssa highlights some of her favorite immersive exhibits and experiences and talks about how the museum has grown significantly in visitor traffic since opening during the pandemic almost five years ago. The museum continues to expanded its reach through digital platforms and educational programs, including partnerships with local schools. It also continues to engage the community through events, memberships, and partnerships while planning its upcoming 5-year anniversary celebration, with ongoing efforts to preserve and promote African American musical heritage.SummaryOpening the National Museum of African American Music in Nashville - The National Museum of African American Music, located in Nashville, Tennessee, celebrates more than 400 years of African American music history with a mission to preserve, educate, and raise awareness of this rich cultural heritage. Alyssa Dituro, Assistant Director of Partnerships, explains that the museum's journey began 20 years ago with community efforts to establish it in Music City, ultimately finding its home on 5th and Broadway. The museum showcases the cultural impact of African Americans and their influence on various genres of music.National Museum of African American Music - Alyssa discusses some of her favorite exhibits at the National Museum of African American Music, highlighting "One Nation Under a Groove" and "The Message" for their representation of cross-genre collaborations and hip-hop culture. She emphasizes the museum's unique immersive experiences, such as creating personalized playlists, writing blues songs, and participating in a gospel choir. Jeremy notes the educational value of tracing musical influences and the global context provided by the museum's exhibits. Alyssa expresses hope that visitors would understand the interconnectedness of American music and its power to foster connection and understanding.Museum Exhibits and Anniversary Plans - Alyssa discusses the current and upcoming exhibits at the museum, including "Jubilation!" about the Fisk Jubilee Singers and "Woven Winds" by a local artist. She mentions a temporary lobby exhibit honoring the late R&B singer D'Angelo. Alyssa also talks about the upcoming 5-year anniversary celebration of the museum, which will coincide with MLK Day. The event will feature live music, giveaways, and a celebration of the museum's supporters.Museum Growth and Community Engagement - Alyssa discusses the museum's growth since its opening during the pandemic almost five years ago, and its role as a hub for African American music, noting significant international and national visitor traffic. She highlights ongoing efforts to expand the museum's reach through digital kiosks, podcasts, and educational programs, including partnerships with Metro Nashville Public Schools and Vanderbilt for free student access. Alyssa also mentions plans for weekend programming for families and older adults, emphasizing the museum's commitment to lifelong learning.Supporting the National Museum of African American Music - Alyssa discusses various ways the community can support the National Museum of African American Music, including memberships at different price tiers, a young members group called the Jefferson Club, and sponsorship opportunities. She highlights upcoming events like the December 2nd tree lighting and musical gifts, emphasizing the chance for meet-and-greets with artists. Alyssa encourages potential partners to reach out for corporate partnerships and mentions community partnerships as a focus. She concludes by providing contact information, directing listeners to the museum's website and social media platforms.Visit https://www.nmaam.org to learn more and to get involved with the National Museum of African American Music.https://www.facebook.com/theNMAAM/https://www.youtube.com/thenmaamMembershipDonateEvents

December 2, 2025 - The Smithsonian's National Museum of Asian Art presents Korean Treasures: Collected, Cherished, Shared, the first U.S. exhibition of significant works from the renowned Lee Kun-Hee Collection. On view through February 1, 2026,  Korean Treasures features over 200 works, including a dozen National Treasures designated by the Korean government. The largest and most comprehensive presentation of Korean art ever mounted at the National Museum of Asian Art, the exhibition spans 1,500 years—from ancient Buddhist sculptures and ceramics to paintings, furnishings and modern masterpieces of the 20th century. Donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, the collection reflects more than 70 years of generational collecting and comprises more than 23,000 works, a testament to a decades-long commitment to preserving and sharing Korea's artistic legacy and cultural heritage. Korean Treasures presents a remarkable selection from the collection to American audiences for the first time, alongside additional loans from the Leeum Museum of Art in Seoul, Korea, shown exclusively in Washington, D.C. In a conversation with The Korea Society, three curators from the National Museum of Asian Art–Carol Huh, J. Keith Wilson, and Sunwoo Hwang–explore the depth and diversity of Korean art and reflect on the practice of collecting in Korea. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/gallery-talks/2081-korean-treasures-collected-cherished-shared-the-curatorial-roundtable

Episode 10 of 15 | Series 36: Serial Killers in HistoryFinland's first documented serial killer terrorized two continents across three decades. This episode traces Matti Haapoja's brutal journey from famine-ravaged Finland to Siberian exile and back—a life defined by escape, violence, and ultimately, one final act of defiance.Victim HumanizationHeikki Impponen was forty-two years old when he walked along that frozen road in December 1867. A farmer with a wife named Kaisa and three children waiting at home, he had known young Matti since childhood—their fathers had worked neighboring fields, they had been boys together in the harsh Finnish countryside. He carried what little money he had, perhaps hoping to buy food during Finland's devastating Great Famine. Maria Jemina Salo was in her early twenties, trying to survive in Helsinki's rougher districts, wearing a silver necklace her mother had given her. Guard Juho Rosted had worked at Kakola Prison for eleven years, with a pregnant wife expecting their fourth child—a daughter who would never know her father.Why This Case MattersMatti Haapoja's crimes fundamentally reshaped Finland's approach to criminal justice and prison security. His four successful escapes from Kakola Prison exposed critical weaknesses in the nation's penal system, earning the facility the mocking nickname "Pakola"—the escape prison. His case prompted a complete overhaul of prison architecture and security protocols throughout Finland. The investigation techniques developed to track him helped establish the framework for modern Finnish police procedures, while the case demonstrated how the Great Famine of 1866-1868, which killed 270,000 Finns, created conditions where desperate violence flourished.Content WarningThis episode contains descriptions of violent murders and suicide. Listener discretion advised.Key Case DetailsHaapoja's criminal career spanned three decades across two continents, leaving eight confirmed victims dead and exposing the limitations of 19th-century criminal justice systems across Finland and Siberia.• Timeline: First murder December 6, 1867, during Finland's Great Famine; sentenced to Siberian exile in 1880; returned to Finland September 1890; final escape attempt October 10, 1894; death by suicide January 8, 1895• Investigation: Haapoja's escapes revealed major security flaws in Finnish prisons; his capture after Maria Salo's murder came when his notorious reputation led to his recognition in Porvoo just days after the crime• Resolution: Sentenced to death in 1891 (automatically commuted to life imprisonment as Finland had abolished capital punishment in 1826); died by his own hand while awaiting trial for murdering Guard Juho Rosted• Historical Context: The puukkojunkkari (knife-fighter) culture of Southern Ostrobothnia shaped Haapoja's violent identity; his skeleton was displayed in the Finnish Museum of Crime for 99 years before burial in 1995Historical Context & SourcesThis episode draws on records from the National Museum of Finland, the National Biography of Finland, and the BiographySampo database. Prison museum collections preserve the tools of Haapoja's escapes—rope, wooden slats, and a floorboard with a drilled hole. Contemporary newspaper accounts from the 1890s, which sensationally compared his crimes to Jack the Ripper's London murders, provide crucial details about his final trial and death. The Circuit Court records of Hausjärvi from 1891 document his arrogant confession and the commutation of his death sentence.Resources & Further ReadingFor listeners interested in exploring this case and era further, these historically significant sources provide additional context:• The National Museum of Finland maintains archival materials on 19th-century Finnish criminal justice and the puukkojunkkari phenomenon• The Finnish National Biography database (Biografiakeskus) contains verified biographical details on Haapoja and his contemporaries• Academic research on the Great Famine of 1866-1868 illuminates the devastating conditions that shaped Haapoja's early crimesCall-to-ActionNext week on Foul Play: Francisco Guerrero Pérez terrorized Mexico City for decades, targeting women the newspapers refused to mourn. Subscribe now to follow Season 36: Serial Killers in History to its conclusion.Support this podcast at — https://redcircle.com/foul-play-crime-series/donationsAdvertising Inquiries: https://redcircle.com/brands

The third installment of our Charles Sumner episode covers how, two days after Charles Sumner delivered an incendiary speech before the senate, Representative Preston Brooks of South Carolina came into the Senate chamber and attacked Sumner at his desk. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

Todd and Paul travel to the National Museum of the Czech Republic to see the first exhibition of the Lucy skeleton in Europe! They stood in line with throngs of other people to witness this seminal Australopithecus skeleton firsthand. In this first in a series of three episodes recorded in Czechia, Paul and Todd describe what they saw and what it was like to view the original bones. What surprised them about seeing them in person? What religious overtones did the exhibit take on? Were the bones even real??? Find out in the latest episode of Let's Talk Creation, and be sure to come back in two weeks for part two of Todd and Paul's Czech Adventure!Materials for this EpisodePictures from the episode are found in the show noteshttps://letstalkcreation.org/wp-content/uploads/2025/11/LTC_Episode125_ShowNotes.pdfDoes Lucy Prove Evolution? (Todd's Blog)https://toddcwood.blogspot.com/2025/01/does-lucy-prove-evolution.htmlPaul and Todd's Czech Anthropology Adventurehttps://toddcwood.blogspot.com/2025/10/paul-and-todds-czech-anthropology.htmleLucy - an evolutionary resource with scans of some of her boneshttps://elucy.org/National Museum of the Czech Republichttps://www.nm.cz/Episodes mentioned in this episodeEpisode 97: Paul, Todd, and the Lucy Skeleton Part 1https://youtu.be/AL0DtPB7xvYEpisode 98: Paul, Todd, and the Lucy Skeleton Part 2https://youtu.be/NkHHI5ZIA30Playlist of Paleoanthropology Episodeshttps://www.youtube.com/playlist?list=PLOzn-NecEi8EQEPL-CsmVZRo--osOXXFf

Drawing on vivid contemporary accounts, this is a fascinating exploration of how and why the Revolutionary War descended into a brutal existential struggle.This engrossing history of the Revolutionary War conclusively shows that those caught up in it believed they had nothing to lose by fighting without regard for the rules of so-called “civilized warfare.” The clarion call to arms “Liberty or Death” was far more than just rhetoric. At its grimmest level, it was a conflict in which military restraint was more the exception than the rule, a struggle in which combatants believed their very existence was in question. This led to an acceptance of violence against persons and property as preferable to a defeat equated with political, cultural, and even physical extinction. It was war with an expectation and acceptance of ferocity and brutality – anything to avoid defeat.A number of historians have previously concluded that United States' founding struggle reached a level of ferocity few Americans now associate with the movement for independence. However, these studies have described what happened, without looking in detail at why the conflict took such a violent a turn. Written by two esteemed Revolutionary War historians, War Without Mercy does exactly that. Based on years of research and enlivened by little known primary sources, this is an intriguing and fresh look at a period of history we thought we knew.Mark Edward Lender is Professor Emeritus of History at Kean University. He is author or co-author of more than a dozen books including, with James Kirby Martin, the acclaimed A Respectable Army: The Military Origins of the Republic, 1763–1789 (Wiley, 2015) – which for several years was required reading at West Point – and, with Garry Wheeler Stone, the award-winning Fatal Sunday: George Washington, the Monmouth Campaign, and the Politics of Battle (University of Oklahoma Press, 2016). He served on the design team for the Army's special 250th Anniversary Exhibit at the National Museum of the U.S. Army. He lives in Richmond, Virginia.#americanrevolution #americanrevolutionarywar #1776 #authorpodcast #speakingofwriterspodcast

After a delayed application process and an aborted initial commission, the US has at last appointed its artist for next year's Venice Biennale: the Utah-born, Mexico-based artist Alma Allen. The Art Newspaper's editor-in-chief in the Americas, Ben Sutton, talks Ben Luke through this confusing saga. At the National Museum of Norway in Oslo a new exhibition, Deviant Ornaments, focuses on the expression and representation of queerness in Islamic art over more than a millennium. Ben talks to the curator of the exhibition Noor Bhangu. And this episode's Work of the Week is the Cree artist Duane Linklater's wintercount_215_kisepîsim (2022), a piece using recycled canvas from teepees, and referencing the deaths of First Nations children after they were separated from their families in the Residential School system in Canada. It's part of an exhibition called Winter Count: Embracing the Cold, at the National Gallery of Canada in Ottawa, and we talk to two of the four curators of that show, Wahsontiio Cross and Jocelyn Piirainen, about the work.Deviant Ornaments, The National Museum of Art, Architecture and Design, Oslo, until 15 March 2026.Winter Count: Embracing the Cold, National Gallery of Canada, Ottawa, until 22 March 2026Black Friday subscription offer: enjoy up to 70% off across subscription packages to The Art Newspaper this Black Friday, with a year's digital subscription just £21, reduced from £70 (or the equivalent in your currency) and a print and digital subscription just £40, reduced from £99. https://www.theartnewspaper.com/subscriptions-BF25?promocode=BF25&utm_source=display+ads&utm_campaign=blackfriday25 Hosted on Acast. See acast.com/privacy for more information.

水族館 shuǐzúguǎn – aquarium離島 lídǎo – outlying island基隆 Jīlóng – Keelung (a city in northern Taiwan)潮境智能海洋館 Cháojìng Zhìnéng Hǎiyángguǎn – Intelligent Ocean (i OCEAN)結合 jiéhé – to combine; integrate智能 zhìnéng – smart; intelligent場館 chǎnguǎn – venue; facility沉浸式 chénjìn shì – immersive海底世界 hǎidǐ shìjiè – underwater world熱帶魚 rèdàiyú – tropical fish水母 shuǐmǔ – jellyfish珊瑚 shānhú – coral展示 zhǎnshì – display; exhibit場外 chǎngwài – outside the venue海風吹拂 hǎifēng chuīfú – sea breeze blowing野柳海洋世界 Yěliǔ Hǎiyáng Shìjiè – Yehliu Ocean World悠久 yōujiǔ – long-standing; historic海豚 hǎitún – dolphin海獅 hǎishī – sea lion海洋隧道 hǎiyáng suìdào – ocean tunnel鯊魚 shāyú – shark魟魚 hóngyú – stingray在地物種 zàidì wùzhǒng – local species生態保育 shēngtài bǎoyù – ecological conservation規模 guīmó – scale; size屏東 Píngdōng – Pingtung (a city in southern Taiwan)國立海洋生物博物館 Guólì Hǎiyáng Shēngwù Bówùguǎn – National Museum of Marine Biology and Aquarium台灣水域館 Táiwān Shuǐyù Guǎn – Taiwan Waters Pavilion珊瑚王國館 Shānhú Wángguó Guǎn – Coral Kingdom Pavilion世界水域館 Shìjiè Shuǐyù Guǎn – World Waters Pavilion壯觀 zhuàngguān – spectacular; magnificent夜宿 yèsù – overnight stay遠雄海洋公園 Yuǎnxióng Hǎiyáng Gōngyuán – Farglory Ocean Park美人魚 měirényú – mermaid澎湖 Pénghú – Penghu (an outlying island of Taiwan)周邊海域 zhōubiān hǎiyù – surrounding waters近距離接觸 jìn jùlí jiēchù – close-up interaction海星 hǎixīng – starfish海膽 hǎidǎn – sea urchinFollow me on Instagram: fangfang.chineselearning !

The second installment of our episode on Charles Sumner picks up in the wake of his controversial antiwar speech. He next argued a school integration case before the Massachusetts supreme judicial court. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

A mystery hidden in time. Wrapped in gold. Stowed secretly in Lincoln's pocket. We dig into the family story of a secret message etched inside Abraham Lincoln's pocket watch. Is this a tall tale or a hidden piece of history waiting to be discovered? Join us as we dive into this incredible tale of family lore, historical detective work, and the Smithsonian's decision to open a priceless artifact.  Guests: Lisa Kathleen Graddy, curator of American political history at the Smithsonian's National Museum of American HistoryHarry Rubenstein, curator emeritus in the Division of Political History at the Smithsonian's National Museum of American HistoryDoug Stiles, great-great-grandson of watchmaker Jonathan Dillon

In the second part of then & now's special presentation of the panels from the “Future of History” conference, David Myers, host of then & now, moderates a conversation on the precarious state of history, democracy, and cultural institutions in the United States. The panelists include Lonnie G. Bunch III, the 14th Secretary of the Smithsonian Institution; Athena N. Jackson, UCLA's Norman and Armena Powell University Librarian; and Robin D.G. Kelley, Distinguished Professor and holder of the Gary B. Nash Chair in American History at UCLA.Lonnie Bunch warns that today's political climate poses an unprecedented threat to cultural institutions, from politicians claiming historians can be replaced by AI to direct pressure on the Smithsonian. Extending these concerns to the university, Athena Jackson highlights mounting challenges to libraries and archives, including politically driven limits on collecting and anxieties over corrupted digital data. Robin Kelley situates these pressures within a long history of attacks on curriculum, public knowledge, and racial justice, insisting that scholars must continue to expose structural inequality and resist resurgent fascism.David Myers is the host of then & now, director of the Luskin Center for History and Policy, and the Sady and Ludwig Kahn Chair in Jewish History at UCLA. He also directs the UCLA Initiative to Study Hate. He has written extensively in the fields of modern Jewish intellectual and cultural history. He previously served as chair of the UCLA History Department and as director of the UCLA Center for Jewish Studies.Athena N. Jackson became the Norman and Armena Powell University Librarian in March 2024, marking her return to UCLA after previously serving as director of UCLA Library Special Collections. She is an active member of the Association of Research Libraries and she served as chair of the Association of College and Research Libraries Rare Books and Manuscripts Section executive committee.Lonnie G. Bunch III is the 14th Secretary of the Smithsonian. His most recent book, A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump, chronicles the making of the museum that would become one of the most popular destinations in Washington. In 2021, Bunch received France's highest award, The Legion of Honor.Robin D.G. Kelly is Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA. He is currently completing two books, Making a Killing: Cops, Capitalism, and the War on Black Life (Henry Holt, 2027) The Education of Ms. Grace Halsell: An Intimate History of the American Century (in progress, Henry Holt).

The first installment of the deeper examination of Charles Sumner's life begins with his early years, including his close relationships with Henry Wadsworth Longfellow and Samuel Gridley Howe. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

My guest today on the Online for Authors podcast is Lya Badgley, author of the book The Thirty-Fifth Page. Lya Badgley was born in Yangon, Myanmar, to Montana parents—a political scientist and an artist—who sparked her lifelong love of creativity and critical thought. After moving to the Pacific Northwest in the 1980s, she became part of Seattle's arts and music scene. In the 1990s, she returned to Southeast Asia as a videographer documenting interviews with Burmese insurgents, then went on to lead Cornell University's Archival Project at Cambodia's Tuol Sleng Museum, preserving evidence used to prosecute war crimes. She later opened the 50th Street Bar & Grill in Yangon—one of the first foreign-owned businesses of its kind at the time.   Lya writes internationally set fiction that blends suspense with cultural nuance, exploring women's journeys through landscapes shaped by historical legacy, grief, and transformation.   Her debut novel, The Foreigner's Confession (2022), set in Cambodia, was a finalist for the Nancy Pearl Award for Best Fiction. Her second, The Worth of a Ruby (2023), set in Myanmar, was also honored as a finalist for multiple international awards. She now lives outside Seattle, Washington in the United States, and is excited to release her third novel, The Thirty-Fifth Page—a gothic-tinged literary suspense set in Bosnia.   In my book review, I stated The Thirty Fifth Page is a literary suspense laden with magical realism and a dash of historical fiction. Miri is a researcher whose specialty is medieval manuscripts. She flies to Bosnia to study the Sarajevo Haggadah, an illustrated Jewish text of the Passover Seder housed at the National Museum. Unfortunately, Sarajevo is on the brink of war, so Miri has to work quickly.   As she works, she believes the Haggadah has strange powers. Before she can figure it out, war breaks out, and the Haggadah is lost. But when it finally returns to its place of honor at the museum, it has a new page. And she is called back to find out why. This thirty-fifth page merges history and folklore, putting Miri and those she cares deeply about into the middle of an ancient curse.   I loved going on this adventure with Miri as she tries to figure out who she is and what she wants in the world. I also loved seeing how the past directly affects our present and future - and how we pass that on from generation to generation.   You are definitely going to love this new novel by Lya Badgley!   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author Lya Badgley Website: https://lyabadgley.com/ FB: @lyabadgleyauthor IG: @lyabadgleyauthor   Purchase The Thirty-Fifth Page on Amazon: Paperback: https://amzn.to/3JBzcpP Ebook: https://amzn.to/4q5ai1W   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #lyabadgley #thethirtyfifthpage #suspense #historicalfiction #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

In this episode of Creative Guts, co-hosts Laura Harper Lake and Sarah Wrightsman sit down with Jordana Pomeroy, the director and CEO of the Currier Museum of Art. An art historian, author, and curator, Jordana started at the Currier in September 2024.In this episode, we'll chat about Jordana's career at the Museum of Modern Art, National Museum of Women in the Arts, and more. Jordana shares what brought her to New Hampshire (spoiler alert: it was the Currier!) and how she thinks about the future of the Currier. We'll also chat about Jordana's book, the young adult novel titled Daring: The Life and Art of Elisabeth Vigee Le Brun.Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Creative Guts recently moved our newsletter to Substack, and you can find us at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

Marjorie Merriweather Post is most often mentioned today as the person who built Mar-a-Lago. But she was a unique figure as a woman who helmed a huge corporation when she was still in her 20s in the early 20th century. Research: Britannica Editors. "C.W. Post". Encyclopedia Britannica, 22 Oct. 2025, https://www.britannica.com/biography/C-W-Post “C.W. Post a Suicide in California Home.” New York Times. May 10, 1914. https://timesmachine.nytimes.com/timesmachine/1914/05/10/100089022.pdf?pdf_redirect=true&ip=0 “The Diplomatic Legacy of Marjorie Merriweather Post.” National Museum of American Diplomacy. April 8, 2021. https://diplomacy.state.gov/stories/the-diplomatic-legacy-of-marjorie-merriweather-post/ Hillwood Estate, Museum & Gardens. https://hillwoodmuseum.org/ “Mrs. Marjorie Merriweather Post Is Dead at 86.” New York Times. Sept. 13, 1973. Gruson, Kerry. “Post Home for Sale for $20 Million.” New York Times. July 16, 1981. https://timesmachine.nytimes.com/timesmachine/1981/07/16/195929.html?pageNumber=59 Martin, Roland. "Marjorie Merriweather Post". Encyclopedia Britannica, 8 Sep. 2025, https://www.britannica.com/biography/Marjorie-Merriweather-Post Merolle, Guilhem. “Marjorie Merriweather Post’s most famous jewels.” Collectissim. Dec. 15, 2024. https://www.collectissim.com/en/marjorie-merriweather-post-most-famous-jewels/ Reid, Jan. “C.W. Post.” Texas Monthly. March 1987. https://www.texasmonthly.com/news-politics/c-w-post/ Stuart, Nancy Rubin. “American Empress: The Life and Times of Marjorie Meriweather Post.” Villard. 1995. Stuart, Nancy Rubin. “Marjorie Merriweather Post: The Philanthropic Heiress Who Built Mar-a-Lago.” Saturday Evening Post. November 14, 2023. https://www.saturdayeveningpost.com/2023/11/marjorie-merriweather-post-the-philanthropic-heiress-who-built-mar-a-lago/ See omnystudio.com/listener for privacy information.

Democrats in the US have released emails which, they say, raise new questions about Donald Trump's relationship with the convicted sex offender Jeffrey Epstein. Also: The health secretary, Wes Streeting, denies he's plotting to challenge the Prime Minister. And a replica woolly mammoth skeleton in the National Museum of Cardiff has been named Tom Bones.

Interview with Antonia Tricarico. Antonia Tricarico is an incredible photographer who is working on releasing a new book Be My Rebel. "Be My Rebel is a photography book born from my belief that powerful images can shift perceptions, raise awareness, and spark empathy. This project captures the raw intensity and emotion of protest—from the quiet determination of a young climate activist to the unstoppable unity of a crowd marching for women's rights." Antonia Tricarico on Be My Rebel.  Link to kickstarter!  Be My Rebel Book Kickstarter  Antonia Tricarico was born in Potenza, in Italy's Basilicata region. At 16, she joined the Feminist Collective of Potenza. After graduating from high school, she enrolled in the Law School at La Sapienza University in Rome and became active in the Women's Health Collective in Trastevere. She worked with Paolo Bedini's AZ Music agency, where for nearly a decade she helped bring renowned musicians to Italy. In the 1990s, she was involved in Rome's Rights to Housing movement and supported squatting public buildings with and for immigrants, for their right to housing. In 1997, after moving to the United States, she began pursuing photography more seriously. In the past years, she has worked as an archivist for Pulitzer Prize–winning Washington Post photographer Lucian Perkins and collaborated with independent labels such as Tolotta Records, Dischord Records, Kill Rock Stars, and Youth Action Research. Her photographs are represented in both private and public collections, including the National Museum of American History at the Smithsonian Institution, the permanent exhibition and special collections archive of the Martin Luther King Jr. Memorial Library in Washington, DC (Punk and Go-Go music archives), the Michelle Smith Performing Arts Library at the University of Maryland,the DC History Center, and the Library of Congress. Her work has been exhibited both nationally and internationally. She is the author of three books: • Frame of Mind: Punk Photos and Essay from Washington, DC, and Beyond, 1997–2017 (Akashic Books, 2019) • The Inner Ear of Don Zientara: A Half Century of Recording in One of America's Most Innovative Studios, Through the Voices of Musicians (Akashic Books, 2023) - Oltre l'Influenza-Italian Novel-Sensibili alle Foglie Publisher-Rome,Italy 2023 Her work has appeared in Photo Review, Guitar World, Kerrang, All Music, Razorcake, Chicago Reader, The Oregonian, The Quietus, The Echo, Exclaim!, Fretboard Journal, Washington City Paper, and Washingtonian.   Antonia Tricarico website.

Joy Bailey-Bryant, Lord Cultural Resources President, returns to the show as The Center for Black Excellence and Culture building comes to completion. As an expert in cultural spaces and innovative museums, Baily-Bryant is involved in supporting the development of The Center for Black Excellence and Culture in Madison, WI. They connect over shared Black culture and tell stories of the power of preserving culture, demonstrating the resilient power of culture that has space to speak into itself. As leader of cultural planning at the largest cultural consultancy in the world, Joy works with city officials, institutional leaders, and developers, in global municipalities like Chicago; New York; Dhaka, Bangladesh; and Dharan, Saudi Arabia to creatively plan cities and bring people (life!) to public institutions. Joy led the teams for institutional and cultural planning on remarkable projects like the National Museum of African American History and Culture in Washington, D.C., reaching more than 1,000 stakeholders across the country to learn their expectations for the new museum; the National September 11 Memorial and Museum at the World Trade Center, directing citywide engagement in locations as large as Chicago and small as Decatur, Georgia – speaking with thousands of individuals in meetings and on social media – to assess, project, and plan for their cultural needs; and planning and opening the expansion of the Albany Civil Rights Institute in Albany, Georgia—unearthing thousands of untold stories of the Southwest Georgia Civil Rights Movement.  A cultural planning specialist, certified interpretive planner, and outreach facilitator, Joy honed her specialized skill working in collaborative roles at the Institute of Museum and Library Services (IMLS) and notable cultural planning projects. alexgee.com Support the Show: patreon.com/blacklikeme Join the Black Like Me Listener Community Facebook Group

Mary Golda Ross was the first Indigenous woman in the U.S. known to have become an engineer. Her impact on the field of aerospace engineering is hard to quantify, because much of her work is still classified. Research: Agnew, Brad. “Cherokee engineer a space exploration pioneer.” Tahlequah Daily Press. 3/27/2016. https://www.tahlequahdailypress.com/news/golda-ross-left-teaching-to-support-war-effort/article_c500cbc4-eeba-11e5-9b57-2b127651fcb5.html Agnew, Brad. “Golda’ Ross left teaching to support war effort.” Tahlequah Daily Press. 3/20/2016. https://www.tahlequahdailypress.com/news/golda-ross-left-teaching-to-support-war-effort/article_c500cbc4-eeba-11e5-9b57-2b127651fcb5.html Brewer, Graham Lee. “Rocket Woman.” Oklahoma Today. July/August 2018. Cochran, Wendell. “Cherokee Tear Dress Facts.” The People’s Paths. https://www.thepeoplespaths.net/Cherokee/WendellCochran/WCochran0102TearDressFacts.htm Hogner-Weavel, Tonia. “History of the Cherokee Tear Dress.” Cherokee Nation. Via YouTube. 9/15/2016. https://www.youtube.com/watch?v=90V5fM0DiMk Lake, Timothy. "Mary Golda Ross". Encyclopedia Britannica, 5 Aug. 2025, https://www.britannica.com/biography/Mary-Golda-Ross. Accessed 21 October 2025. Margolis, Emily. A. “Mary Golda Ross: Aerospace Engineer, Educator, and Advocate.” Smithsonian National Air and Space Museum. https://airandspace.si.edu/stories/editorial/mary-g-ross-aerospace-engineer Museum of Native American History. “Historic Trailblazer: Mary Golda Ross.” Via YouTube. 12/17/2020. https://www.youtube.com/watch?v=OzC14hGbPug National Park Service. “Mary G. Ross.” https://www.nps.gov/people/mary-g-ross.htm New Mexico Museum of Space History. “Mary Golda Ross: First Native American Aerospace Engineer.” Via YouTube. 3/31/2023. https://www.youtube.com/watch?v=IT9r5trwZEs Oklahoma Hall of Fame. “Mary Golda Ross Induction Ceremony Video.” 11/22/2023. https://www.youtube.com/watch?v=Bovabx6ITW4 Rosengren, Paul Lief. “Mary Golda Ross: She Reached for the Stars.” IEEE-USA and Paul Lief Rosengren. 2025. Schroeder, Mildred. “A Far-out Cherokee Chick.” San Francisco Examiner. 4/16/1961. Smith, Betty. “Pure Cherokee Gold.” Tahlequah Daily Press. 6/26/2008. https://www.tahlequahdailypress.com/archives/pure-cherokee-gold/article_44c0a25a-94e2-53d8-b80c-be1ff86305e7.html Viola, Herman. “Mary Golda Ross: She Reached for the Stars.” American Indian: Magazine of Smithsonian’s National Museum of the American Indian. Vol. 19, No. 4. Winter 2018. https://www.americanindianmagazine.org/story/mary-golda-ross-she-reached-stars Wallace, Rob. “Mary Golda Ross and the Skunk Works.” National World War II Museum. 11/19/2021. https://www.nationalww2museum.org/war/articles/mary-golda-ross-and-skunk-works Watts, Jennifer. “John Ross: Principal Chief of the Cherokee People.” Tennessee State Museum. https://tnmuseum.org/junior-curators/posts/john-ross-principal-chief-of-the-cherokee-people Yang, John. “The cutting-edge work of Native American aerospace engineer Mary Golda Ross.” 11/26/2023. https://www.pbs.org/newshour/show/the-cutting-edge-work-of-native-american-aerospace-engineer-mary-golda-ross Zhorov, Irina. “Years Later, Miss Indian America Pageant Winners Reuniteg.” NPR Code Switch. 7/12/2013. https://www.npr.org/sections/codeswitch/2013/07/12/201537264/Years-Later-Miss-Indian-America-Pageant-Winners-Reunite See omnystudio.com/listener for privacy information.

For the James Beard Award–winning writer and culinary historian Michael W. Twitty, kitchens provide a multitude of significant purposes that stretch far into the past and carry through to the present. Beyond being places where people cook, share, and eat food, they also serve as vital spaces in which to gather in community, to grieve and process trauma, to teach and learn, to dance, to heal, and to experience Black love and joy. Twitty's multilayered cooking draws on his family roots, his personal history, and his deep culinary knowledge of the American South. His latest title, the cookbook Recipes From the American South (Phaidon), brings his skill as a home cook and historically informed recipe-maker to the fore, allowing ingredients and dishes to transform into cultural and temporal touchpoints. On this episode of Time Sensitive, Twitty reflects on what researching and uncovering his ancestry has taught him about Southern cooking and himself, and shares why, for him, food functions as a tangible form of cultural reclamation and emotional healing.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Michael W. Twitty[7:43] Saidiya Hartman[8:43] Their Eyes Were Watching God (1937) and Mules and Men (1935) by Zora Neale Hurston[9:42] Gonze Lee Twitty[16:50] Brer Rabbit [14:33] National Museum of African American History and Culture[19:42] “Amazing Grace”[29:22] Gullah Geechee[54:04] Recipes From the American South (2025)[54:56] Southern Discomfort Tour[1:03:44] Koshersoul: The Faith and Food Journey of an African American Jew (2023)[1:03:44] Rice: A Savor the South Cookbook (2021)[1:03:44] The Cooking Gene: A Journey Through African-American Culinary History in the Old South (2018)[1:07:52] Ryan Coogler[1:19:17] James Hemings[1:19:17] Edith Fossett and Fanny Hern[1:19:17] Ursula Granger[1:19:31] Gage & Tollner[1:19:31] John Birdsall[1:19:31] Tennessee Williams[1:19:31] Truman Capote

On this episode, Payton unravels the chilling history and dark legends surrounding the world's most cursed doll. Links: Patreon: https://www.patreon.com/murderwithmyhusband NEW MERCH LINK: https://mwmhshop.com Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Twitch: twitch.tv/throatypie Instagram: https://www.instagram.com/paytonmorelandshow/ Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Watch on Youtube: https://www.youtube.com/channel/UCUbh-B5Or9CT8Hutw1wfYqQ Listen on Apple: https://podcasts.apple.com/us/podcast/into-the-dark/id1662304327 Listen on spotify: https://open.spotify.com/show/36SDVKB2MEWpFGVs9kRgQ7 Case Sources: The Little House of Horrors - https://thelittlehouseofhorrors.com/annabelle-the-demonic-doll/ Boston Ghosts - https://bostonghosts.com/annabelle-the-haunted-doll/ i95 - https://i95rock.com/annabelle-doll-left-connecticut-museum-heres-whats-happening-now/ NBC News - https://www.youtube.com/watch?v=s3Rric-i6NI CT Insider - https://www.ctinsider.com/entertainment/article/annabelle-missing-rumor-warren-occult-museum-ct-20346806.php New England Society for Psychic Research - https://tonyspera.com/annabelle/ National Museum of Play - https://www.museumofplay.org/toys/raggedy-ann-and-andy/ USA Today - https://www.usatoday.com/story/entertainment/2025/05/25/annabelle-new-orleans-plantation-fire/83743565007/ All That's Interesting - https://allthatsinteresting.com/annabelle-doll New York Post - https://nypost.com/2025/07/15/us-news/paranormal-investigator-dan-rivera-dies-on-annabelle-haunted-doll-tour/ Yahoo! Entertainment - https://www.yahoo.com/entertainment/articles/annabelle-doll-handler-dan-rivera-021708827.html Learn more about your ad choices. Visit podcastchoices.com/adchoices

October 4, 1915. President Woodrow Wilson designates Dinosaur National Monument as a national historic site. That's a big deal, right? There must've been a grand ribbon-cutting ceremony, maybe even a parade. But no. In 1915, nobody really cares about dinosaurs. But that is all about to change. And when it does, it is largely because of two paleontologists. Two guys who started off as best friends … until their growing obsession with unearthing and cataloging dinosaur bones would turn them into rivals. Then enemies. How did the competition between a pair of paleontologists lead to unprecedented dinosaur discoveries? And how did their rivalry unhinge them both?  Special thanks to guest Dr. Hans Sues, curator of vertebrate paleontology at the Smithsonian's National Museum of Natural History. ** This episode originally aired October 3, 2022. Get in touch: historythisweekpodcast@history.com  Follow on Instagram: @historythisweek Follow on Facebook: ⁠HISTORY This Week Podcast⁠ To stay updated: http://historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

All over the world, for all of human history – and probably going back to our earliest hominid ancestors – people have found ways to try to keep themselves clean. But how did soap come about? Research: “Soap, N. (1), Etymology.” Oxford English Dictionary, Oxford UP, June 2025, https://doi.org/10.1093/OED/1115187665. American Cleaning Institute. “Soaps & Detergents History.” https://www.cleaninginstitute.org/understanding-products/why-clean/soaps-detergents-history Beckmann, John. “History of Inventions, Discoveries and Origins.” William Johnston, translator. Bosart, L.W. “The Early History of the Soap Industry.” The American Oil Chemists' Society. Journal of Oil & Fat Industries 1924-10: Vol 1 Iss 2. Cassidy, Cody. “Who Discovered Soap? What to Know About the Origins of the Life-Saving Substance.” Time. 5/5/2020. https://time.com/5831828/soap-origins/ Ciftyurek, Muge, and Kasim Ince. "Selahattin Okten Soap Factory in Antakya and an Evaluation on Soap Factory Plan Typology/Antakya'da Bulunan Selahattin Okten Sabunhanesi ve Sabunhane Plan Tipolojisi Uzerine Bir Degerlendirme." Art-Sanat, no. 19, Jan. 2023, pp. 133+. Gale Academic OneFile, dx.doi.org/10.26650/artsanat.2023.19.1106544. Accessed 18 Aug. 2025. Costa, Albert B. “Michel-Eugène Chevreul.” Encyclopedia Britannica. https://www.britannica.com/biography/Michel-Eugene-Chevreul Curtis, Valerie A. “Dirt, disgust and disease: a natural history of hygiene.” Journal of epidemiology and community health vol. 61,8 (2007): 660-4. doi:10.1136/jech.2007.062380 Dijkstra, Albert J. “How Chevreul (1786-1889) based his conclusions on his analytical results.” OCL. Vol. 16, No. 1. January-February 2009. Gibbs, F.W. “The History and Manufacture of Soap.” Annals of Science. 1939. Koeppel, Dan. “The History of Soap.” 4/15/2020. https://www.nytimes.com/wirecutter/blog/history-of-soap/ List, Gary, and Michael Jackson. “Giants of the Past: The Battle Over Hydrogenation (1903-1920).” https://www.ars.usda.gov/research/publications/publication/?seqNo115=210614 Maniatis, George C. “Guild Organized Soap Manufacturing Industry in Constantinople: Tenth-Twelfth Centuries.” Byzantion, 2010, Vol. 80 (2010). https://www.jstor.org/stable/44173107 National Museum of American History. “Bathing (Body Soaps and Cleansers).” https://americanhistory.si.edu/collections/object-groups/health-hygiene-and-beauty/bathing-body-soaps-and-cleansers New Mexico Historic Sites. “Making Soap from the Leaves of the Soaptree Yucca.” https://nmhistoricsites.org/assets/files/selden/Virtual%20Classroom_Soaptree%20Yucca%20Soap%20Making.pdf “The history of soapmaking.” 8/30/2019. https://www.open.edu/openlearn/history-the-arts/history/history-science-technology-and-medicine/history-science/the-history-soapmaking Pliny the Elder. “The Natural History of Pliny. Translated, With Copious Notes and Illustrations.” Vol. 5. John Bostock, translator. https://www.gutenberg.org/files/60688/60688-h/60688-h.htm Pointer, Sally. “An Experimental Exploration of the Earliest Soapmaking.” EXARC Journal. 2024/3. 8/22/2024. https://exarc.net/issue-2024-3/at/experimental-exploration-earliest-soapmaking Ridner, Judith. “The dirty history of soap.” The Conversation. 5/12/2020. https://theconversation.com/the-dirty-history-of-soap-136434 Routh, Hirak Behari et al. “Soaps: From the Phoenicians to the 20th Century - A Historical Review.” Clinics in Dermatology. Vol. No. 3. 1996. Smith, Cyril Stanley, and John G. Hawthorne. “Mappae Clavicula: A Little Key to the World of Medieval Techniques.” Transactions of the American Philosophical Society, vol. 64, no. 4, 1974, pp. 1–128. JSTOR, https://doi.org/10.2307/1006317. Accessed 18 Aug. 2025. Timilsena, Yakindra Prasad et al. “Perspectives on Saponins: Food Functionality and Applications.” International journal of molecular sciences vol. 24,17 13538. 31 Aug. 2023, doi:10.3390/ijms241713538 “Craftsmanship of Aleppo Ghar soap.” https://ich.unesco.org/en/RL/craftsmanship-of-aleppo-ghar-soap-02132 “Tradition of Nabulsi soap making in Palestine.” https://ich.unesco.org/en/RL/tradition-of-nabulsi-soap-making-in-palestine-02112 “Soaps.” https://www.fs.usda.gov/wildflowers/ethnobotany/soaps.shtml van Dijk, Kees. “Soap is the onset of civilization.” From Cleanliness and Culture. Kees van Dijk and Jean Gelman Taylor, eds. Brill. 2011. https://www.jstor.org/stable/10.1163/j.ctvbnm4n9.4 Wei, Huang. “The Sordid, Sudsy Rise of Soap in China.” Sixth Tone. 8/11/2020. https://www.sixthtone.com/news/1006041 See omnystudio.com/listener for privacy information.