Podcasts about Font Bureau

David Berlow has been at the forefront of type design, publishing, and technology for 45 years. His impressive career began in 1978 drawing letterforms for the Haas, Mergenthaler, Linotype, and Stempel type foundries, before he went on to work at Apple, Bitstream, and later founded the Font Bureau with Roger Black.  A self-described “loose cannon” and “boat rocker,” Berlow has been at the center of type innovation for decades, consulting for companies like Apple and Google, all whilst designing some of the world's most celebrated and recognizable fonts, including custom designs for iconic publishers such as The New York Times Magazine, Newsweek, Esquire Magazine and The Wall Street Journal and brands including Apple Computer Inc., Google Inc. and Microsoft Corporation.  In this week's episode Tom Rickner, the Senior Director of the Studio at Monotype, sits down with Berlow. Fun fact: Berlow hired Rickner at the Font Bureau, kicking off his career as a type designer. You'll hear the two reminisce, talk shop, and explore Berlow's influences, predictions, and perspectives on mentorship and team building.   Read more about this episode and our past guests at monotype.com/podcast.   

Steve Jobs loved typefaces and typography. He says his love began when he audited a calligraphy course at Reed College. I'm glad he did because one of the things that have distinguished the Mac since its beginning is its beautiful typefaces.macOS comes with hundreds of beautiful fonts, but you may be interested to learn that if you have macOS Catalina, and I know you do by now, there are a dozen more hidden fonts that are just a download away. Some of these fonts are for other languages, Korean and Arabic, but most are beautiful fonts Apple licensed from prominent font works but didn't actually install, possibly to save space.You can browse them by opening Font Book. When you see a font that's grayed out, you can install it by right-clicking and selecting Download from the menu.I particularly like Canela, Publico, and Quotes. If you're worried about space you can also use font book to delete any fonts you don't want, especially any non-Roman fonts you know you won't need.In the past having too many fonts could slow down machines considerably, but our modern Macs seem to be able to handle the giant library with aplomb. My system has nearly 300 fonts installed. Some of which I added myself. I collect Fixed Width fonts, because, as you know, I like to code. My current favorite programmers' font is the free Input from David Jonathan Ross and Font Bureau.If like me, you love fonts, and if you feel like you have too many, or your Mac boot times are suffering, you can remove all but the official set using the Font book File→Restore Standard Fonts... command. It won't delete your added fonts forever, just move them into a folder. You can re-add them one by one or in one fell swoop at any time. There's also a Validate command that you might use if ever a font gives you trouble. Modern fonts are essentially little programs, and a poorly or maliciously designed font can wreak havoc on your system, so always get fonts from trusted sources, and validate them before installing.And if you ever want to start a conversation with a programmer, just ask her what her favorite coding font is. Then grab a cup of tea, it's going to take some time.For extra typography goodness, I recommend the book "Stop Stealing Sheep" by Erik Spiekermann and E.M. Ginger.And most importantly, a profound thank you to Steve Jobs, whose love for calligraphy got this all started.Leo Laporte gives you helpful tips to get the most from your Mac every week on Hands-On Mac Host: Leo Laporte Download or subscribe to this show at https://twit.tv/shows/hands-on-mac Discuss episodes in the TWiT Community. Sponsor: expressvpn.com/hom

Steve Jobs loved typefaces and typography. He says his love began when he audited a calligraphy course at Reed College. I'm glad he did because one of the things that have distinguished the Mac since its beginning is its beautiful typefaces.macOS comes with hundreds of beautiful fonts, but you may be interested to learn that if you have macOS Catalina, and I know you do by now, there are a dozen more hidden fonts that are just a download away. Some of these fonts are for other languages, Korean and Arabic, but most are beautiful fonts Apple licensed from prominent font works but didn't actually install, possibly to save space.You can browse them by opening Font Book. When you see a font that's grayed out, you can install it by right-clicking and selecting Download from the menu.I particularly like Canela, Publico, and Quotes. If you're worried about space you can also use font book to delete any fonts you don't want, especially any non-Roman fonts you know you won't need.In the past having too many fonts could slow down machines considerably, but our modern Macs seem to be able to handle the giant library with aplomb. My system has nearly 300 fonts installed. Some of which I added myself. I collect Fixed Width fonts, because, as you know, I like to code. My current favorite programmers' font is the free Input from David Jonathan Ross and Font Bureau.If like me, you love fonts, and if you feel like you have too many, or your Mac boot times are suffering, you can remove all but the official set using the Font book File→Restore Standard Fonts... command. It won't delete your added fonts forever, just move them into a folder. You can re-add them one by one or in one fell swoop at any time. There's also a Validate command that you might use if ever a font gives you trouble. Modern fonts are essentially little programs, and a poorly or maliciously designed font can wreak havoc on your system, so always get fonts from trusted sources, and validate them before installing.And if you ever want to start a conversation with a programmer, just ask her what her favorite coding font is. Then grab a cup of tea, it's going to take some time.For extra typography goodness, I recommend the book "Stop Stealing Sheep" by Erik Spiekermann and E.M. Ginger.And most importantly, a profound thank you to Steve Jobs, whose love for calligraphy got this all started.Leo Laporte gives you helpful tips to get the most from your Mac every week on Hands-On Mac Host: Leo Laporte Download or subscribe to this show at https://twit.tv/shows/hands-on-mac Discuss episodes in the TWiT Community. Sponsor: expressvpn.com/hom

Steve Jobs loved typefaces and typography. He says his love began when he audited a calligraphy course at Reed College. I'm glad he did because one of the things that have distinguished the Mac since its beginning is its beautiful typefaces.macOS comes with hundreds of beautiful fonts, but you may be interested to learn that if you have macOS Catalina, and I know you do by now, there are a dozen more hidden fonts that are just a download away. Some of these fonts are for other languages, Korean and Arabic, but most are beautiful fonts Apple licensed from prominent font works but didn't actually install, possibly to save space.You can browse them by opening Font Book. When you see a font that's grayed out, you can install it by right-clicking and selecting Download from the menu.I particularly like Canela, Publico, and Quotes. If you're worried about space you can also use font book to delete any fonts you don't want, especially any non-Roman fonts you know you won't need.In the past having too many fonts could slow down machines considerably, but our modern Macs seem to be able to handle the giant library with aplomb. My system has nearly 300 fonts installed. Some of which I added myself. I collect Fixed Width fonts, because, as you know, I like to code. My current favorite programmers' font is the free Input from David Jonathan Ross and Font Bureau.If like me, you love fonts, and if you feel like you have too many, or your Mac boot times are suffering, you can remove all but the official set using the Font book File→Restore Standard Fonts... command. It won't delete your added fonts forever, just move them into a folder. You can re-add them one by one or in one fell swoop at any time. There's also a Validate command that you might use if ever a font gives you trouble. Modern fonts are essentially little programs, and a poorly or maliciously designed font can wreak havoc on your system, so always get fonts from trusted sources, and validate them before installing.And if you ever want to start a conversation with a programmer, just ask her what her favorite coding font is. Then grab a cup of tea, it's going to take some time.For extra typography goodness, I recommend the book "Stop Stealing Sheep" by Erik Spiekermann and E.M. Ginger.And most importantly, a profound thank you to Steve Jobs, whose love for calligraphy got this all started.Leo Laporte gives you helpful tips to get the most from your Mac every week on Hands-On Mac Host: Leo Laporte Download or subscribe to this show at https://twit.tv/shows/hands-on-mac Discuss episodes in the TWiT Community. Sponsor: expressvpn.com/hom

Steve Jobs loved typefaces and typography. He says his love began when he audited a calligraphy course at Reed College. I'm glad he did because one of the things that have distinguished the Mac since its beginning is its beautiful typefaces.macOS comes with hundreds of beautiful fonts, but you may be interested to learn that if you have macOS Catalina, and I know you do by now, there are a dozen more hidden fonts that are just a download away. Some of these fonts are for other languages, Korean and Arabic, but most are beautiful fonts Apple licensed from prominent font works but didn't actually install, possibly to save space.You can browse them by opening Font Book. When you see a font that's grayed out, you can install it by right-clicking and selecting Download from the menu.I particularly like Canela, Publico, and Quotes. If you're worried about space you can also use font book to delete any fonts you don't want, especially any non-Roman fonts you know you won't need.In the past having too many fonts could slow down machines considerably, but our modern Macs seem to be able to handle the giant library with aplomb. My system has nearly 300 fonts installed. Some of which I added myself. I collect Fixed Width fonts, because, as you know, I like to code. My current favorite programmers' font is the free Input from David Jonathan Ross and Font Bureau.If like me, you love fonts, and if you feel like you have too many, or your Mac boot times are suffering, you can remove all but the official set using the Font book File→Restore Standard Fonts... command. It won't delete your added fonts forever, just move them into a folder. You can re-add them one by one or in one fell swoop at any time. There's also a Validate command that you might use if ever a font gives you trouble. Modern fonts are essentially little programs, and a poorly or maliciously designed font can wreak havoc on your system, so always get fonts from trusted sources, and validate them before installing.And if you ever want to start a conversation with a programmer, just ask her what her favorite coding font is. Then grab a cup of tea, it's going to take some time.For extra typography goodness, I recommend the book "Stop Stealing Sheep" by Erik Spiekermann and E.M. Ginger.And most importantly, a profound thank you to Steve Jobs, whose love for calligraphy got this all started.Leo Laporte gives you helpful tips to get the most from your Mac every week on Hands-On Mac Host: Leo Laporte Download or subscribe to this show at https://twit.tv/shows/hands-on-mac Discuss episodes in the TWiT Community. Sponsor: expressvpn.com/hom

Steve Jobs loved typefaces and typography. He says his love began when he audited a calligraphy course at Reed College. I'm glad he did because one of the things that have distinguished the Mac since its beginning is its beautiful typefaces.macOS comes with hundreds of beautiful fonts, but you may be interested to learn that if you have macOS Catalina, and I know you do by now, there are a dozen more hidden fonts that are just a download away. Some of these fonts are for other languages, Korean and Arabic, but most are beautiful fonts Apple licensed from prominent font works but didn't actually install, possibly to save space.You can browse them by opening Font Book. When you see a font that's grayed out, you can install it by right-clicking and selecting Download from the menu.I particularly like Canela, Publico, and Quotes. If you're worried about space you can also use font book to delete any fonts you don't want, especially any non-Roman fonts you know you won't need.In the past having too many fonts could slow down machines considerably, but our modern Macs seem to be able to handle the giant library with aplomb. My system has nearly 300 fonts installed. Some of which I added myself. I collect Fixed Width fonts, because, as you know, I like to code. My current favorite programmers' font is the free Input from David Jonathan Ross and Font Bureau.If like me, you love fonts, and if you feel like you have too many, or your Mac boot times are suffering, you can remove all but the official set using the Font book File→Restore Standard Fonts... command. It won't delete your added fonts forever, just move them into a folder. You can re-add them one by one or in one fell swoop at any time. There's also a Validate command that you might use if ever a font gives you trouble. Modern fonts are essentially little programs, and a poorly or maliciously designed font can wreak havoc on your system, so always get fonts from trusted sources, and validate them before installing.And if you ever want to start a conversation with a programmer, just ask her what her favorite coding font is. Then grab a cup of tea, it's going to take some time.For extra typography goodness, I recommend the book "Stop Stealing Sheep" by Erik Spiekermann and E.M. Ginger.And most importantly, a profound thank you to Steve Jobs, whose love for calligraphy got this all started.Leo Laporte gives you helpful tips to get the most from your Mac every week on Hands-On Mac Host: Leo Laporte Download or subscribe to this show at https://twit.tv/shows/hands-on-mac Discuss episodes in the TWiT Community. Sponsor: expressvpn.com/hom

Steve Jobs loved typefaces and typography. He says his love began when he audited a calligraphy course at Reed College. I'm glad he did because one of the things that have distinguished the Mac since its beginning is its beautiful typefaces.macOS comes with hundreds of beautiful fonts, but you may be interested to learn that if you have macOS Catalina, and I know you do by now, there are a dozen more hidden fonts that are just a download away. Some of these fonts are for other languages, Korean and Arabic, but most are beautiful fonts Apple licensed from prominent font works but didn't actually install, possibly to save space.You can browse them by opening Font Book. When you see a font that's grayed out, you can install it by right-clicking and selecting Download from the menu.I particularly like Canela, Publico, and Quotes. If you're worried about space you can also use font book to delete any fonts you don't want, especially any non-Roman fonts you know you won't need.In the past having too many fonts could slow down machines considerably, but our modern Macs seem to be able to handle the giant library with aplomb. My system has nearly 300 fonts installed. Some of which I added myself. I collect Fixed Width fonts, because, as you know, I like to code. My current favorite programmers' font is the free Input from David Jonathan Ross and Font Bureau.If like me, you love fonts, and if you feel like you have too many, or your Mac boot times are suffering, you can remove all but the official set using the Font book File→Restore Standard Fonts... command. It won't delete your added fonts forever, just move them into a folder. You can re-add them one by one or in one fell swoop at any time. There's also a Validate command that you might use if ever a font gives you trouble. Modern fonts are essentially little programs, and a poorly or maliciously designed font can wreak havoc on your system, so always get fonts from trusted sources, and validate them before installing.And if you ever want to start a conversation with a programmer, just ask her what her favorite coding font is. Then grab a cup of tea, it's going to take some time.For extra typography goodness, I recommend the book "Stop Stealing Sheep" by Erik Spiekermann and E.M. Ginger.And most importantly, a profound thank you to Steve Jobs, whose love for calligraphy got this all started.Leo Laporte gives you helpful tips to get the most from your Mac every week on Hands-On Mac Host: Leo Laporte Download or subscribe to this show at https://twit.tv/shows/hands-on-mac Discuss episodes in the TWiT Community. Sponsor: expressvpn.com/hom

Steve Jobs loved typefaces and typography. He says his love began when he audited a calligraphy course at Reed College. I'm glad he did because one of the things that have distinguished the Mac since its beginning is its beautiful typefaces.macOS comes with hundreds of beautiful fonts, but you may be interested to learn that if you have macOS Catalina, and I know you do by now, there are a dozen more hidden fonts that are just a download away. Some of these fonts are for other languages, Korean and Arabic, but most are beautiful fonts Apple licensed from prominent font works but didn't actually install, possibly to save space.You can browse them by opening Font Book. When you see a font that's grayed out, you can install it by right-clicking and selecting Download from the menu.I particularly like Canela, Publico, and Quotes. If you're worried about space you can also use font book to delete any fonts you don't want, especially any non-Roman fonts you know you won't need.In the past having too many fonts could slow down machines considerably, but our modern Macs seem to be able to handle the giant library with aplomb. My system has nearly 300 fonts installed. Some of which I added myself. I collect Fixed Width fonts, because, as you know, I like to code. My current favorite programmers' font is the free Input from David Jonathan Ross and Font Bureau.If like me, you love fonts, and if you feel like you have too many, or your Mac boot times are suffering, you can remove all but the official set using the Font book File→Restore Standard Fonts... command. It won't delete your added fonts forever, just move them into a folder. You can re-add them one by one or in one fell swoop at any time. There's also a Validate command that you might use if ever a font gives you trouble. Modern fonts are essentially little programs, and a poorly or maliciously designed font can wreak havoc on your system, so always get fonts from trusted sources, and validate them before installing.And if you ever want to start a conversation with a programmer, just ask her what her favorite coding font is. Then grab a cup of tea, it's going to take some time.For extra typography goodness, I recommend the book "Stop Stealing Sheep" by Erik Spiekermann and E.M. Ginger.And most importantly, a profound thank you to Steve Jobs, whose love for calligraphy got this all started.Leo Laporte gives you helpful tips to get the most from your Mac every week on Hands-On Mac Host: Leo Laporte Download or subscribe to this show at https://twit.tv/shows/hands-on-mac Discuss episodes in the TWiT Community. Sponsor: expressvpn.com/hom

为什么要请一个去过敌台不止一次的嘉宾来我们这儿再聊一下？你只需要听前 17 秒钟的节目就知道原因了。当然大家也不要被我们的「哄堂大笑」给吓尿，汉仪字体设计师夜玫瑰还是在之后的节目里非常正经地跟我们探讨了一下作为字体设计师的自豪、哭闹和日常，而且从本集极长的参考链接列表长度你就可以发现，我们并不是单纯聊屎尿屁了~PS. 本年度上海站线下活动继续预订中，同时也再需要 1 - 2 名志愿者朋友~ 有兴趣和我们一起组织活动的请点此报名~ 继续谢谢大家的支持！ # 本期嘉宾张暄，汉仪字库西文字体设计师。学术端正，为人粗野，吃的是屎，挤的是字体。# 内容提要00:10 · 请不要被一上来的「哄堂大笑」劝退，本期大部分主题还是很专业的04:27 · 张暄的职业生涯从「一期一会」开始13:13 · 方正和造字工房是如何错过本期嘉宾的故事17:56 · 字体公司一般的产品开发流程25:25 · 本期节目聊了很多关于可变字体的内容54:30 · 话题开始「屎尿屁」化57:46 · 凭本事花的钱，凭什么我要去玩65:20 · 夜玫瑰英文 ID 的出处# 参考链接嘉宾的微博以及很多平台常用 ID 是 DrizztVII 0:08苏州河边小测老的出处是这一集 1:41教育机构火星时代 5:38水晶石 5:45嘉宾的导师 Charles Bigelow 7:43Bigelow 非常重要的作品 Lucida 家族 9:46更正口误（给 Eric 看）：Office 的数学字体是 Cambria Math 11:29本期的 BGM 均来自嘉宾的歌单《夜玫瑰上头严选》 11:29美国 H-1B 签证 13:40Hoefler&Co 字体公司 13:53Monotype 字体公司 13:56方正出品的字体管理软件字加 17:40汉仪的字体客户端软件字由 17:42汉仪尚巍手书字体 18:08非常流行的字体设计软件 Glyphs 20:14另一款字体设计软件 FontLab 20:15方正字迹系列字体 20:31我台聊到纪录片《Abstract》的那一期节目 23:12字体设计公司 Font Bureau 24:50可变字体 25:08HD DVD 和蓝光的格式之争 27:42Adobe MM 多母版字体 28:05老一辈的字体设计大师 Matthew Carter 28:25大师主要作品之 Georgia 28:34大师主要作品之 Tahoma 28:36大师主要作品之 Verdana 28:37在 Font Playground 上可以体验到很多可变字体，包括嘉宾说的 Decovar 和 Amstervar 30:39目前各大浏览器对可变字体的兼容性 34:33大厂之间关于字体格式的斗争：《参数化设计与字体战争：从 OpenType 1.8 说起》 37:01「You have phones?」梗的出处 38:24在 MIUI 11 的介绍页面里你就能体验这个假的「无极可调」字重 39:19参数化字体设计工具 Prototypo 50:26FontLab 新版中的 Power Brush 功能 53:58ATypI 2019 东京大会 的介绍可移步友台节目《江户城下阿蒂皮》 56:26嘉宾张暄在大会上的发言《To Be, or Not to Be Read?》 56:29We are dicks 的出处《美国战队：世界警察》57:34小岛秀夫今年的新游戏《死亡搁浅》 58:07MGS 即是小岛秀夫的成名作品《合金装备》 58:30RPG 巨制《巫师 3》 59:10动作 RPG 游戏《怪物猎人》 59:30被遗忘的国度 63:38被遗忘的国度战役设定衍生作品主人公崔斯特 63:50罐头笑声 67:52假面骑士 68:01假面骑士的这个必杀技出处 68:05假面骑士的原作者石森章太郎 68:33疯狂怪医芙兰 68:58# 会员计划在本台官网(Anyway.FM) 注册会员即可 14 天试用 X 轴播放器和催更功能~ 开启独特的播客互动体验，Pro 会员更可加入听众群参与节目讨(hua)论(shui)~

Michelle wants to know some stuff about type and who Brandi looks to for inspiration for type, or letters, or typography, or.. ..lettering? It's a fun time you guys. :50 Welcome!!! Michelle’s week was super productive. She went to a wedding AND listened to an entire season of a podcast. NPR’s Invisibilia…AND binged the latest season of OITNB. Dang. 3:07 Michelle’s song for the week: Selena Gomez, Bad Liar 6:20 Brandi’s week was very similar to Michelle’s. Wedding times, 4th of July, and then it was time to straight veg. She camped out on the couch and watched a new show… Handmaids Tale, iZombie and Fear The Walking Dead. 7:00 Handmaids Tale has so many great uses of coloring, Grays and reds!

Victoria Rushton and Annie Yiling-Wang join us to discuss criticism in a professional context. For many of us, what was once formal critiques with peers during our education has been replaced by a confusing array of criticism from a variety of people. How does feedback differ when it comes from our clients, our peers, or our superiors? Links Orange is the New Black Font Bureau IDEO Telephone (aka “Chinese Whispers”) User Research Rule of Thumb Clients from Hell Fan Fiction

Nick Sherman is a typo­grapher and typographic consultant based in New York City, co-founder of Fonts In Use and columnist at A List Apart, serves on the board of directors for the Type Directors Club, the Adobe Typography Customer Advisory Board, as well as the artistic board for the Hamilton Wood Type & Printing Museumh He is both a graduate of and consultant for the typeface design program at Cooper Union. He graduated with honors from the Graphic Design pro­gram at MassArt in Boston, where he also taught undergraduate typography and letterpress printing. Nick has worked at Font Bureau, Webtype, and MyFonts, directing web design and promotional material for typefaces in print and digital media. In this interview we talk about Nick’s rituals involving pizza. We wonder if there’re any similarities between pizza and type. Nick explains how he got interested in graphic arts at an early age through music. And how he later on started focussing more on typography. We also talk about the project he did for the Hamilton Wood Type Museum and his work for MyFonts, Font Bureau, Webtype and Fonts in Use. We wonder if Nick can see how type trends go, where it’s getting influenced by, and if he thinks that we’re reaching some sort of a saturation point? Recorded at the Robothon 2015 Conference in The Hague, the Netherlands. Nick Sherman :: Nick at Font Bureau :: Webtype :: Nick at A List Apart :: Nick at Fonts In Use :: A month of pizza :: File Download (31:24 min / 58 MB)

Originally from Southern California, David Jonathan Ross started drawing type at Hampshire College in Western Massachusetts. He joined The Font Bureau in 2007, where he draws letters of all shapes and sizes for custom and retail typeface designs. After a decade of living in New England, David recently relocated to sunny Venice, California. We talk with David about the difficulties of font naming and the importance of having a good name for a typeface. David also speaks about his reversed stress Wild West font Manicotti and the process behind it. Like to what extend he does research for such a project. We wonder what David enjoys more, working on general or more specific orientated projects. We end the interview with an early typographic memory. Recorded at Otis College of Art and Design in Los Angeles, California. David Jonathan Ross :: Font Bureau :: Manicotti project :: Input project :: File Download (19:03 min / 18 MB)

David Berlow entered the type industry in 1978 as a designer for the respected Mergenthaler, Linotype, Stempel, and Haas type foundries. He joined the newly formed digital type supplier Bitstream in 1982 and in 1989 founded The Font Bureau, with Roger Black. David gives us an insight in his working methods. How does he start making a new typeface? Mostly it’s listening from his part and figuring out what it is people are actually saying. We also talk about things he learned along the way, like being a good manager. We wonder how often he rejects new proposals or submissions for typefaces? And his vision on coming trends in type design. Recorded at the ATypI 2010 conference in Dublin, Ireland. The Font Bureau :: Web Type :: Ready Media :: Fonts in Use :: David Berlow WWWord interview :: David Berlow twitter :: File Download (38:21 min / 53 MB)

This week on the show we talk all about type on the web. We discuss recent developments like Typekit, Font Bureau’s Permission table, and Spiekermann’s new typeface Axel. We also talk a bit about our own idea for a non-profit type foundry, a foundry based on donations that commissions type designers to design web fonts we can release for free on the web. We’d love to hear your feedback about our non-profit type foundry idea. We’d also love to hear any news (or any corrections) about some of this new technology we’re talking about. Feel free to leave us a comment here, email us at readbetweentheleading@gmail.com, or find us on twitter @rbtlshow. More detailed shownotes can be found at http://rbtl.us/post/119503764