Podcasts about Massart

Welcome Tracy Barbosa, a local glass artist. She is the owner-operator at Duende Studio and a Community Development TDI Fellow Attleboro at MassDevelopment. Tracy is a multi-media artist and community organizer. She has a bachelor's degree from Massachusetts College of Art and Design. (AKA MassArt) Tracy was involved with organizing the Love the Ave initiative in New Bedford's North End. Her artwork is in private and public collections all over the world. Tracy Barbosa began working with glass in 1997 at MassArt in Boston. Shortly after she began working at John Lewis Glass assisting with glass projects such as the OK City Memorial in Oklahoma City, Oklahoma, and at One World Trade (One World Trade Center) in New York. Her most recent work, "Equinox," is an integrated glass elevator tower that will be featured at the New Bedford MBTA South Coast Rail Station, Barbosa is dedicated to designing unique and inspiring environments for public transit users. On this podcast, Tracy Barbosa speaks with The Artists Index's cofounder, documentarian, and podcast host, Ron Fortier, about her continuing mission in equity-based collaborative public art and community-building projects across New England. This episode was recorded at our recording studio at Spectrum Marketing Group at Howland Place in New Bedford.   Tracy Sylvia Barbosa New Bedford, Massachusetts 02745 Email | Website | Facebook | Instagram | LinkedIn | Other   Please consider donating whatever you can to help and assure us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!  

L'industrie entre dans une nouvelle ère : plus complexe, plus technologiques, mais aussi plus contrainte. Au cœur de cette transformation, le métier d'ingénieur qui évolue. L'ingénieur(e) de demain devra toujours maîtriser un haut niveau d'expertise scientifique mais aussi être en mesure d'utiliser des technologies qui innovent toujours plus vite tout en appréhendant les enjeux sociétaux. Face aux défis de la réindustrialisation et de la décarbonation, les équipes doivent réinventer l'ingénierie pour concevoir les solutions de demain, voire d'après-demain.Dans cet épisode d'Écoutons le Futur consacré aux évolutions du métier d'ingénieur, nos invités échangent sur la véritable renaissance que l'industrie opère en ce moment sous l'influence des technologies numérique, alors même qu'elle souffre d'un déficit d'attractivité - les jeunes s'éloignent des filière d'ingénierie par manque de connaissance. Il faut réinventer la place de l'industrie dans la société face aux enjeux actuels de souveraineté, de santé et d'impact environnemental. Pour cela, les ingénieurs doivent dépasser le cadre historique d'une rationalité de sciences dures et imaginer des rationalités nouvelles de type sciences humaines pour rendre le progrès désirable, et le métier d'ingénieur attractif, en particulier chez les jeunes femmes.Autour de la table : Godefroy Beauvallet, Directeur de l'École des Mines de Paris PSL Sébastien Massart, Directeur de la stratégie de Dassault SystèmesAnne-Laure Meynial-Coumaros, Déléguée générale de la Fondation Viva FabricaEtienne Piollet, Directeur associé en charge de l'Intelligent Industry chez Capgemini Invent​Une émission animée par Valère Corréard 

Explore the life and legacy of graphic design pioneer Jacqueline Casey, whose bold, modernist posters defined MIT's visual identity for decades — with insights from designer Michael Bierut, we uncover how Casey infused Swiss design principles with American ingenuity, led campus-wide design efforts, and created work that remains timeless and influential._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Article: Eye Magazine Feature "Jacqueline Casey. Science and design"Article on Thérèse MollAbout Jacqueline (Jackie)Jacqueline Casey was a pioneering graphic designer whose work defined the visual identity of MIT for over three decades. Born in 1927 in Quincy, Massachusetts, she studied fashion design and illustration at MassArt before finding her way into graphic design. In 1955, her lifelong friend Muriel Cooper recruited her to the MIT Office of Publications, where Casey absorbed the principles of Swiss modernism and gave them her own twist—infusing wit, visual metaphors, and bold typography into her work.As Director of MIT's Design Services Office, she led campus-wide design efforts, creating posters and materials for scientific conferences, exhibitions, and cultural events. Her ability to simplify complex ideas with elegance and playfulness made her work timeless and celebrated globally. Today, her posters are held in the collections of MoMA, the Cooper Hewitt, and the MIT Museum, solidifying her as a quiet yet powerful force in modernist design history. About MichaelMichael Bierut is one of the most influential graphic designers of our time. A partner at Pentagram since 1990, his work spans iconic logos, brand identities, and campaigns for clients like The New York Times, Mastercard, and Saks Fifth Avenue. Bierut has been a longtime educator at Yale, co-founded Design Observer, and authored celebrated books, including How to Use Graphic Design to Sell Things. His work is held in the permanent collections of MoMA and the Cooper Hewitt, and his thought leadership continues to shape the design world.Follow Michael:Instagram: @mbierutWebsite: Pentragram.comThreads: @mbierut ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

We sat down with Colin and Antoine Massart from Massart Biketrails as well as our former guest and fan favourite Greg Jolliffe.Earlier in 2024, the boys were building the “Dreamline” for a Kriss Kyle edit in Glassie Bike Park and that video got released later in the summer to much fanfare. The trail itself is part of the bike park now and open to the public for everyone to enjoy!In our chat, we get to hear some more insights into the build of the line, about working with Kriss and the many challenges of digging trail in the Scottish countryside. But the conversation turns into much more than that as we dive into the “heart in the art” of trail building, the inspiration and influences coming from the community, competing builders, multi-faceted athletes like Kriss, different disciplines or other sports altogether, progression in the sport and what it means to actually put these very diverse “dreams” of what a trail should be into the dirt.MentionsAll of our "trail building" episodes Greg Jolliffe: Instagram, Jolliffe Builds, Ep17 Massart Biketrails: Instagram, Website, Colin, Antoine Dreamline videos: Edit, Build series Ep1, Ep2, Ep3 and Ep4 Kriss Kyle: Instagram, Youtube Glassie Bike Park: Instagram, Trailforks, Ray Will

In this installment of TAB Storytellers, Abi and Jen sit down with Julie Toole, K-8 art teacher at Baker Demonstration School and faculty member of the renowned TAB Institute at MassArt. Julie, whose career spans a remarkable 34 years, shares her journey with us from special education to discipline-based art education to discovering TAB at an NAEA conference and beyond. Among the topics discussed are the power of learning in community, the critical DEIJB (diversity, equity, inclusion, justice, and belonging) work we do in teaching and learning, and the small but powerful steps we can take to “move the needle” in our classrooms. For more information about TAB, please visit the TAB website: www.teachingfor artisticbehavior.org. Also, you are invited to join us on Mighty Networks (https://teaching-for-artistic-behavior.mn.com/), an online platform dedicated to everything TAB! Here are resources to more information discussed in the TABcast:  SEED - https://www.nationalseedproject.org/ Rudine Sims Bishop - https://cynthialeitichsmith.com/2018/04/video-rudine-sims-bishop-on-mirrors/ Here is a link to the unedited transcript of this episode. We recognize that there are probably errors and grammatical issues. If anyone with the time or inclination to edit this wants to do so, please email us at storytellers@teachingforartisticbehavior.org

Students at MassArt have been relocated into temporary housing after a dorm sprinkler issue. It's back to school today for Newton students and teachers. The Celtics welcome back Marcus Smart last night before hammering the Grizzlies. Five minutes of news to keep you in “The Loop”.

Cap sur Gaza avec Emmanuel Massart de MSF qui rentre de la région où les conditions sanitaires sont catastrophiques et les conditions d'évacuation sont très difficiles pour les réfugiés gazaouis. Merci pour votre écoute Le fin Mot c'est également en direct tous les jours de la semaine de 18h30 à 19h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Le fin Mot sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/23283 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Host: Sana Raoof, MD, PhD Guest: Candace T. Westgate, DO, MPH, FACOG Guest: Mylynda Massart, MD, PhD The last five years have seen exciting progress with liquid biopsy tests, with one of them being a screening tool for multi-cancer early detection that looks for methylation patterns that can detect more cancers earlier, even before symptoms appear.1,2 Learn how you can incorporate this screening tool into clinical practice with Drs. Sana Raoof, Candace Westgate, and Mylynda Massart. Dr. Raoof is a physician scientist at Memorial Sloan Kettering Cancer Center, Dr. Westgate is the Medical Director of the AHEAD Program and Chief of Staff at Adventist Health Saint Helena in Northern California, and Dr. Massart is the Founder and Director of the UPMC's Primary Care Precision Medicine Center. References: Nadauld LD, McDonnell CH 3rd, Beer TM, et al. The PATHFINDER Study: Assessment of the implementation of an investigational multi-cancer early detection test into clinical practice. Cancers (Basel). 2021;13(14):3501. Published 2021 Jul 13. doi:10.3390/cancers13143501 Liu MC, Oxnard GR, Klein EA, Swanton C, Seiden MV; CCGA Consortium. Sensitive and specific multi-cancer detection and localization using methylation signatures in cell-free DNA. Ann Oncol. 2020;31(6):745-759. doi:10.1016/j.annonc.2020.02.011

Host: Sana Raoof, MD, PhD Guest: Candace T. Westgate, DO, MPH, FACOG Guest: Mylynda Massart, MD, PhD The last five years have seen exciting progress with liquid biopsy tests, with one of them being a screening tool for multi-cancer early detection that looks for methylation patterns that can detect more cancers earlier, even before symptoms appear.1,2 Learn how you can incorporate this screening tool into clinical practice with Drs. Sana Raoof, Candace Westgate, and Mylynda Massart. Dr. Raoof is a physician scientist at Memorial Sloan Kettering Cancer Center, Dr. Westgate is the Medical Director of the AHEAD Program and Chief of Staff at Adventist Health Saint Helena in Northern California, and Dr. Massart is the Founder and Director of the UPMC's Primary Care Precision Medicine Center. References: Nadauld LD, McDonnell CH 3rd, Beer TM, et al. The PATHFINDER Study: Assessment of the implementation of an investigational multi-cancer early detection test into clinical practice. Cancers (Basel). 2021;13(14):3501. Published 2021 Jul 13. doi:10.3390/cancers13143501 Liu MC, Oxnard GR, Klein EA, Swanton C, Seiden MV; CCGA Consortium. Sensitive and specific multi-cancer detection and localization using methylation signatures in cell-free DNA. Ann Oncol. 2020;31(6):745-759. doi:10.1016/j.annonc.2020.02.011

The Massachusetts College of Art and Design (MassArt) is launching a new course this fall that the school says will "meet the demands of Boston's burgeoning comic arts scene."

Welcome, Roger Kizik, to In-Focus Podcast Number 159. Painter Roger Kizik was born in Boston, and raised in Medford, Massachusetts. He was in the US Navy between 1964 and 1968. He “transitioned joyfully” to MassArt where he attended from 1968 to 1972. Roger has exhibited widely in New England, New York marginally, and elsewhere around the US. He was also the preparator at the Rose Art Museum at  Brandeis for 25 years. He says the job was, “tailored to suit my painting life” He has also been the recipient of  Multiple Fellowships from Mass Cultural Council and through NEA grants. Roger has also rebuilt a “couple of sailboats” in Winthrop, Massachusetts, which he says was “part of my education, but glad to be rid of them”. He has also traveled fairly extensively to Europe to broaden his horizon, which also includes tennis, hockey, and biking. Roger Kizik also says he's, “Lucky in health and network of phenomenal friends”. The Artist Index co-founder and host, Ron Fortier, talks to Roger Kizik about his background, passion for art, and rise as an established artist. The Artists Index continues using Zoom and occasionally at our studio at the Spectrum Marketing Group in Howland Place in New Bedford. The In-Focus Podcasts are up close and personal conversations with the makers, performers, supporters, and cultural impresarios of the remarkable creative community of South Coast Massachusetts including New Bedford, Dartmouth, Fairhaven, Westport, and beyond.  

Alison Judd is a multi-media artist whose work is rooted in themes relating to nature, the passage of time, and mothering. Recent shows include Vitality, Abigail Ogilvy, Boston, MA; Be-tween, Brandeis University Alumni Art Gallery, Waltham, MA; Sweet Season, Provincetown, MA; Raw Emotion, Boston, MA; Reprise, 13forest, Arlington, MA. Alison grew up in New York City, studied painting and art history at Brandeis University and received her Masters of Fine Arts in painting and printmaking at MassArt. She currently works out of her home studio in the Boston area where she lives with her husband, three children, and her dog. Garden Observer, oil on canvas, 40" x 30" 2023 Nighttime Reading, oil on canvas, 40" x 30" 2023 Back Home, oil on canvas, 40" x 30" 2023

This special bonus TABcast features a variety of art educators from across the country sharing their takeaways, stand-out moments, and other thoughts from the 2023 TAB Institute. The Institute is a professional development opportunity that features cohort-based collaborative learning, instructional workshops, community building, and open studio time. It is held annually in July at the Massachusetts College of Art and Design in Boston. For more information about the Institute, check out https://massart.edu/teaching-artistic-behavior-tab. Even though this year's Institute has ended, you can sign up for information about next year's Institute at the link above. We were very fortunate this year to have as keynote speakers Elena Belle White and Ekua Holmes of the Center for Art and Community Partnerships (CACP) at MassArt. To find out more about their incredible organization, please visit the following link: https://massart.edu/cacp *Due to the constraints of technology, no transcript is available for this episode.

durée : 00:03:09 - Le Label Bleu FB Picardie

Topics Discussed in this Episode:How teaching and doing justice work at a college of art and design is different.Lyssa's work as the Dean of the Office of Justice, Equity, and Transformation.The history of MassArt,  the first public independent art college in the United StatesLyssa's career journey. Resources Discussed in this Episode:Lyssa at MassArtMusic Credits: Magic by Six UmbrellasSound Engineer: Ernesto Valencia

Le Dr Nicolas Massart, qui est médecin réanimateur au Centre Hospitalier de Saint-Brieuc, nous parle de la place de la décontamination digestive en réanimation en 2023. Aucun conflit d'intérêt n'est déclaré. Sommaire : Que représente la décontamination digestive ? Dans quelles indications faut-il faire une décontamination digestive ? Quelle est l'efficacité de la décontamination digestive ? et y a-t-il un risque de sélection de germes résistants ?

Si te gusta nuestro contenido, apoyamos comentando, compartiendo y ahora también puedes invitarnos un café https://www.buymeacoffee.com/info0V GRACIAS por ayudarnos a sostener nuestro proyecto! Síguenos también en: https://www.youtube.com/watch?v=y7GM6BMglCE&t=70s En el programa de #palabraderudolfsteiner nos acompaña Ester G. Mecías, una artista visual e Investigadora Independiente de espiritualidades heterodoxas, quien nos comparte un poco de la vida y obra de Hilma Af Klint y todo lo que se conoce hasta ahora de esta fascinante artista quien además pertenecía a la Sociedad Antroposófica y conoció a Rudolf Steiner. Ester G, Mecías (Barcelona) es Artista Visual e Investigadora Independiente de espiritualidades heterodoxas. Licenciada por la Universidad de Bellas Artes de Barcelona, beca Bilateral en MassArt, Massachusetts College of Art and Design, Boston, USA, entre otras Becas, Ayudas y Residencias. Ha cursado Estudios Internacionales en Antroposofía, Goetheanum, Suiza 2019-20. Forma parte de V-W –Visionary Women Research Group—, donde investiga sobre la obra de Hilma af Klint y Emma Kunz. Co-fundadora del colectivo artístico indisciplinar Les Salonnières, Barcelona 2006-2018. Actualmente su obra explora el sonido o vibración como génesis de la creación, crea proyectos transdisciplinares con colectivos diversos utilizando diferentes formatos como la pintura, dibujo, escultura, performance, fotografía, sonido, entre otros. Esperando como siempre que te sea de utilidad.

La Cugnette 2023 - Franck Massart (Domaine Huellas, Priorat) by RadioVino

Welcome to the 8th TAB Storytellers TABcast! Join hosts Jen Ferrari (she/her) and Abi Paytoe Gbayee (she/her) as we interview Marc Holland, the chair and professor of the studio foundation program at MassArt, in Boston, Massachusetts. Marc is also a parent of a student in Jen's classroom, so we will talk about TAB from two lenses. Join us for a great conversation! For more information about TAB start here - www.teachingforartisticbehavior.org and join us on MightyNetworks by requesting to join through this page https://teaching-for-artistic-behavior-inc.mn.com/ Here is an unedited transcript taken from the auto transcript feature of Zoom, we recognize there are probably errors and grammatical issues. If anyone with the time or inclination to edit this wants to do so please email us at storytellers@teachingforartisticbehavior.org. https://docs.google.com/document/d/1OtZ4PxzATNgX-mfIE1LHgayJX-4aOrbNObDfCPI41t0/edit?usp=sharing

SEASON 3 / EPISODE 12: Community oriented visual artist Jordan Parks took a quick break from the surf to sit down and chat bike stories for the final episode of Season 3. From her first memories of receiving the pure magic of a Lion King bike at the age of 5, through her most recent bike-packing adventure across New England, Jordan has a very wonderful and happy connection to bikes. We hear fun stories of learning about the “turnaround point” while riding with her mom as a kid, to being a pedicab operator while attending college at MassArt, and how she's found “her people” and a great home base living in Maine. Jordan is also an amazing visual artist, surfer, adventurer, tinkerer and advocate for making riding bikes accessible and approachable for everyone. She even brought along a surprise guest — Gordie the dog — to keep Louie the dog company as they played in the background. CHECK IT OUT: Tune in early 2023 to hear Jordan on an episode of BIKE SHORTS, where we hear of a super-natural experience while on a ride in Ojai. -- Included in the "Best 40 Cycling Podcasts" on Feedspot: https://blog.feedspot.com/cycling_podcasts/ Follow on INSTAGRAM Follow on FACEBOOK Visit iRIDEaBIKE.com -- A Production of I RIDE, LLC Theme Song by Spencer Albee. Want to hear more? Visit @SpencerAlbee on social media and streaming platforms. PLEASE NOTE: Generally speaking, episodes of I RIDE A BIKE are NOT "explicit"... but due to the passionate nature of our guests, there may be language and stories that aren't appropriate for all listeners. Therefore, sometimes we are required to label as explicit. This episode of I RIDE A BIKE is supported in part by Allspeed, the Official Bike Shop of the Podcast. With convenient locations in Portland, Bethel and Carrabassett Valley Maine, Allspeed is THE local shop for everything bike. For more information, and to check out their latest hot deals, please visit Allspeed.com --- Support this podcast: https://anchor.fm/irideabike/support

We're live on the pod!! Join us as we just chat about Tatte, MassArt, and we go LIVE ON INSTAGRAM FOR THE FIRST TIME! Oliver also establishes that he is part Jennifer Coolidge. www.girlbossingpod.com --- Follow us! The Pod @girlbossingpod on insta! Oliver: @oliverworner04 Charlotte: @chartaylor123 Nora: @nor4r4 @Oliver-Worner on Venmo ;) --- Executive Producer: Oliver Worner Editor: Charlotte Taylor Instagram: Nora Finck Cover Art by Oliver Worner --- Send in a voice message: https://podcasters.spotify.com/pod/show/charlotte-taylor69/message

Hi slays! We're back this week with a girlboss from Nora's school MassArt! We're so excited for you to listen! NOTE: THIS EPISODE CONTAINS SPOILERS FOR GAME OF THRONES. PLS BE ADVISED! www.girlbossingpod.com --- Follow us! The Pod @girlbossingpod on insta! Oliver: @oliverworner04 Charlotte: @chartaylor123 Nora: @nor4r4 @Oliver-Worner on Venmo ;) --- Executive Producer: Oliver Worner Editor: Charlotte Taylor Instagram: Nora Finck Cover Art by Oliver Worner --- Send in a voice message: https://podcasters.spotify.com/pod/show/charlotte-taylor69/message

Guarionex Rodriguez, Jr.  was born and raised in Lynn MA. Graduated from MassArt in 2011. Currently based out of Brooklyn creating work about community and personal connections.Links mentioned:https://www.itsnicethat.com/articles/guarionex-rodriguez-jr-photography-310321https://www.guarionexjr.comhttps://www.nts.live/shows/bergsonist/episodes/bargsonist-7th-november-2020https://twitter.com/Guari1xhttp://between.global--------------Website:https://www.guarionexjr.comIG: https://www.instagram.com/guarionex_jr/TW:https://twitter.com/Guari1x --------------Access Daily Opportunities via PUTF's IG:Support this podcast by:leaving a nice review on Apple Podcast

In this episode, Anna (https://twitter.com/AnnaRRose) and Guillermo (https://twitter.com/guilleangeris) chat with David Tse (https://twitter.com/dntse) about his career and research spanning from early Networking, Mobile Networking, P2P, all the way up to his work on formalizing Blockchain systems. Along the way, they touch on topics like David's paper 'The Price of Anarchy', the Prism work, his work with the Ethereum Foundation and his new project Babylon. Here are some links for this episode: * Episode 127: Consensus Algorithms & HotStuff with Ittai Abraham (https://zeroknowledge.fm/127-2/) * Episode 217: Information Theory & Blockchain with Sreeram Kannan (https://zeroknowledge.fm/217-2/) * The Price of Anarchy (https://www.mit.edu/~jnt/Papers/N-2004-PoA.pdf) * Babylon (https://www.babylon.finance/) * Prism (https://prism.ag/) * Bram Cohen's Twitter (https://twitter.com/bramcohen) * Everything is a Race and Nakamoto Always Wins (https://arxiv.org/abs/2005.10484) * Three Attacks on Proof of Stake Ethereum (https://arxiv.org/abs/2110.10086) * Ebb-and-Flow Protocols: A Resolution of the Availability-Finality Dilemma (https://arxiv.org/abs/2009.04987) * More of David Tse's Papers (https://arxiv.org/search/cs?searchtype=author&query=Tse%2C+D) * A Mathematical Theory of Communication - C. E. Shannon 1948 (https://people.math.harvard.edu/~ctm/home/text/others/shannon/entropy/entropy.pdf) * Hidden Hamiltonian Cycle Recovery via Linear Programming (https://pubsonline.informs.org/doi/10.1287/opre.2019.1886) * Concentration Inequalities and Model Selection - P. Massart (http://home.ustc.edu.cn/~liweiyu/documents/Massart_Concentration_Inequalities.pdf) * John Tsitsiklis Bio (https://www.mit.edu/~jnt/home.html) * Fundamentals of Wireless Communication - David Tse 2005 (https://web.stanford.edu/~dntse/wireless_book.html) * Qualcomm Website (https://www.qualcomm.com/home) * Cosmoverse Event Link (https://cosmoverse.org/) * Devcon Event Link (https://devcon.org/) ZK Whiteboard Sessions (https://zkhack.dev/whiteboard/) – as part of ZK Hack and powered by Polygon – a new series of educational videos that will help you get onboarded into the concepts and terms that we talk about on the ZK front. ZK Jobs Board (https://jobsboard.zeroknowledge.fm/) – if you are looking to find a new job, or if you are a team hiring, we have a fresh batch of open roles at ZK focused projects. This is a great place to learn about relevant projects and the types of roles they are looking for. Today's episode is sponsored by Aleo (https://aleo.org/). Aleo is a new Layer-1 blockchain that achieves the programmability of Ethereum, the privacy of Zcash, and the scalability of a rollup. If you're interested in building private applications then check out Aleo's programming language called Leo. Leo enables non-cryptographers to harness the power of ZKPs. Visit leo-lang.org (http://leo-lang.org) to start building. You can also join Aleo's incentivized testnet3 by downloading and running a snarkOS node. No sign-up is necessary to participate.For questions, join their Discord (https://aleo.org/discord). If you like what we do: * Find all our links here! @ZeroKnowledge | Linktree (https://linktr.ee/zeroknowledge) * Subscribe to our podcast newsletter (https://zeroknowledge.substack.com) * Follow us on Twitter @zeroknowledgefm (https://twitter.com/zeroknowledgefm) * Join us on Telegram (https://zeroknowledge.fm/telegram) * Catch us on Youtube (https://zeroknowledge.fm/) * Head to the ZK Community Forum (https://community.zeroknowledge.fm/) * Support our Gitcoin Grant (https://zeroknowledge.fm/gitcoin-grant-329-zkp-2)

On this episode of 8111, Maggie Oh. Maggie was an only child and grew up in Chicago. She was always interested in animation from an early age, thanks in part to Batman: The Animated Series. She attended MIT and studied computer science and electrical engineering as an undergrad. But she also took illustration, drawing and painting courses at MassArt. Maggie went to SIGGRAPH for the first time though a co-op project for the MIT Media Lab. After school she worked as an interactive programmer at a web company in Boston. She then decided to enroll at art school to earn an MFA. But she landed a Summer internship at Pixar and decided to drop out of art school to continue to work in industry and study independently online and though professional work. In October 2003 Maggie landed a job at ILM. She started in render support working in the trailer and had an interesting run in with a family of raccoons working the graveyard shift. She later worked as a technical director on films including; Star Wars: Episode III, Evan Almighty, Chicken Little 3D, Lions for Lambs, Lemony Snicket, Pirates of the Caribbean, and many others. She also worked developing the HDR pipeline. In 2008 Maggie left to work at the California Academy of Sciences to work on their first planetarium show. She then moved over to doing freelancing for various visual effects companies including Polygon, Cafe FX, Spy Post, and then Image Movers Digital. Then Maggie went to 343 Industries to work on Halo 4 & 5 followed by time at Microsoft helping develop the HoloLens. From there she spent a year at NVIDIA and then returned to ILM for a few years working with the ILMxLAB. Today Maggie is working at Google alongside Dan Goldman on Project Starline. Maggie is brilliant. Her career journey is a who's who of high-end technology. Her love of working in the space where art meets engineering has guided her choices. It was great fun to chat and hear about her story. 

Episode 29 of Feel Free to Deviate features Chris Nelson. When he was a child he decided that he wanted to be a toy or game designer, and he proceeded to do everything he could to make that happen. Shortly after graduating from MassArt he mostly achieved his goal by landing a job working for a company that is synonymous with board games, and now he's working as an independent game designer/inventor. Side note: he also seems to live a happy and well balanced life. It's a fun episode.  Topics include: Board games and the board game industry Focus and determination Realizing childhood goals Sandwiches A magical ride in a Mini Cooper Marshfield, MA So much more! Check out Chris's portfolio website to see some of his work: https://cnillustration.myportfolio.com/ Feel Free to Deviate is the podcast about people, their careers, and their relationships with success. My name is Jim Turbert, and I am the host. You can find me at https://feelfreetodeviate.com or on Instagram @feelfreetodeviate  https://instagram.com/feelfreetodeviate https://facebook.com/feelfreetodeviate Feel free to send inquiries to mail@feelfreetodeviate.com

Today, I'm talking to Mike Mai.-Mike is currently the principal UI designer at Pegasystems primarily working on design systems. He started out with a strong design background, graduating with a BFA in Graphic Design at Massachusetts College of Art. There, he learned all the design fundamentals that helped him become the accomplished designer he is today.-Last spring, he was my mentor when I was a Design Intern on his team at Pega. And if you've checked out the thumbnail of this episode, you know this is gonna be a fun one. And can I just say: Mike is a designer with personality and swag, no kidding. We talked about his epic senior design project at MassArt, the importance of code to designers, accessibility, and so much more. I was really excited about this one, and it sure did not disappoint. So without further ado, here's my conversation with Mike Mai.===Highlights⭐ The three fundamentals of design⭐ Mike's senior design project (epic)⭐ Should designers code at all⭐ How to get started with coding as a designer⭐ Importance of accessibility in design===Links

Ce mercredi 15 juin 2022, Charlotte Maréchal profite une nouvelle fois du soleil pour visiter le jardin botanique Jean Massart, qui célèbre son centenaire, à Auderghem. Il s'agit d'un jardin expérimental cogéré par Bruxelles Environnement et par l'ULB.

Guest Lisa Sears' is the embodiment of our podcast themes; connection, community, conversation and art. She's also a hoot.    Artist and curator of the recent Lines Connecting Lines exhibit, Lisa has so much to share. Discover behind the scenes insight into how this collaboration came together. Learn about Lisa's passion for curating inspiration, her artistic process and what inspires her to create.    Inspire, create, do. We are all artists. Don't let anyone tell you otherwise. Including yourself. Lisa L. Sears is a fine artist creating paintings and drawings in water-based media on paper and canvas. She earned her BFA in studio art at the School of Visual Arts, University of North Texas, with additional painting and photography study at University of Texas and mixed media painting at Art New England through MassArt. Her work has been described as symbolic, mythic, emotional, colorful, dream-like and nightmarish, which mixed all together might equal the moniker “whimsical depression.”  Dedicated to making art available to the community, Sears has been involved in Malden public arts projects including several years with Windows Art Malden, the Switchbox Project, “Pictures at an Exhibition Reframed” (a free piano concert and art exhibit organized by Malden Creates), and a recipient of a Malden Cultural Council grant for “Lines Connecting Lines”— a collaboration between area poets and artists—which she created and curated. Additionally, she was involved in the workings of Malden Pops Up, and participated in its later restructuring as The Gallery Inc., serving as Exhibit Coordinator and Curator for six-months. She has also enjoyed exhibiting her work locally at Malden Public Library and UMA Gallery. Sears is once again involved with Malden arts through The Gallery@57 on Pleasant Street in Malden. Lisa Sears' Art on FB

durée : 00:05:36 - L'info vue par France Bleu Maine

Chaque semaine, une femme ou un homme politique la métropole lilloise est l'invité spécial de BFM Lille pour répondre aux questions d'Adrien Lanoy.

One would be hard-pressed to think of any other artist working with glass whose work reflects as many varied and compelling styles as Dan Dailey's. From vessel forms to his Individuals to lamps, sconces and chandeliers, these beautiful, sometimes humorous pieces dazzle through a combination of colored glass and intricate metal work. No matter the format, Dailey's work expresses humanity, historical reference, and reverence for the natural world.  Dailey credits his successful career to his education in the arts. Born in Philadelphia in 1947, he attended Philadelphia College of Art, where he encountered glass through ceramic teacher, Roland Jahn, and discovered a mentor in William P. Daley, who taught basic design and color to his freshman class. Dailey, who completed graduate studies at Rhode Island School of Design (RISD) as Dale Chihuly's first graduate student, says: “Under Chihuly's influence, I focused totally on glass. That was a breakthrough for me. It was a lucky time for me to be there.'' Following graduate school, with the support of a Fulbright fellowship, Dailey moved to Italy and worked in Murano's famed Venini Factory during 1972 and 1973 as an independent artist/designer. He later worked with other established glass companies such as Critsallerie Daum in Nancy, France, and Steuben Glass Works, in Corning, New York. In 1973, Dailey returned to the US and established the glass program at the Massachusetts College of Art and Design in Boston, which he headed until 1985. Now Professor Emeritus, he transitioned into a new relationship with MassArt, creating a lecture series titled Materialism, in collaboration with Joe Rapone, a professor of design at the University of the Arts in Philadelphia. Dailey continues his role as independent designer at both Venini and Daum, and serves on the National Advisory Board for The University of the Arts.  Among his many awards, Dailey received a Fulbright Hayes Fellowship, Venice, Italy, 1972-1973 and a Fellowship at the MIT Center for Advanced Visual Studies, Cambridge, Massachusetts, 1975-1983. He was elected a Fellow of the American Craft Council in 1998, honored in 2000 with the Libensky Award, and in 2001 with the Masters of the Medium Award by the James Renwick Alliance. Shown in over 300 exhibitions, including a retrospective at the Renwick Gallery, his work is included in more than 50 museum and public collections internationally, and currently represented by Schantz Galleries, Stockbridge, Massachusetts; Hawk Galleries, Columbus, Ohio; Habatat Galleries, Royal Oak, Michigan; and Sandra Ainsley Gallery, Toronto, Canada.  Dailey's process for transforming glass into compelling and unexpected forms is almost as interesting on paper as it is in three dimensions. Drawings and watercolors are used to refine ideas, but also to direct his team, which can include glassblowers in Seattle; acid polishing in West Virginia; waterjet cutters in local machine shops; and cutting, grinding, metal working, and assembling assistants at his New Hampshire studio. Working from his titles forward, the artist keeps a list of thoughts and key phrases, illustrating words with the objects he makes.  He states: “I emphasized drawing as a teacher for many years, because it would help me to help somebody realize their own ideas. It doesn't have to be a beautiful drawing. It just needs to include information. However, in my own work, I make accurate drawings that really represent the piece.” Focusing part of his time on producing sculptural lighting and large installations for residences and public buildings, Dailey says being diversified has kept him continuously busy, though he notes, not everyone makes a connection between all of his work. “Someone interviewed me at an exhibition in Chicago and did not realize that I made all of the work on exhibit. She thought it was three different artists. It was the first time I considered that perhaps my work wasn't clearly all mine, even though to me it all looked like it belonged. If you look through my sketchbooks and see the black-and-white ink on paper drawings, you can see that as different as the finished work can be, it is all connected by my stylistic approach.” Emerging from the Studio Glass movement initiated by Harvey Littleton, Dailey's work goes beyond its historical glass roots to combine with metal in a variety of formats, all of which communicate a subjective, narrative message. A vast array of forms has always been required to express the multitudes of ideas generated by Dailey's mind, and style is the common thread that binds them.  

Fill your cup with us while we get nostalgic about the purest high in life, when your teacher rolls in the big TV and you get to watch movies IN SCHOOL. Fish shares his Da Vinci level note making techniques while Meg tries Guinness for the first time and tries to remember which giant baby movie stars Tom Hanks. As a designer, educator, and expert doodler, you can find Fish teaching at MassArt, getting creative in his studio or adventuring with his family. Learn more about Fish and his artwork and be sure to check out his 10 Steps to Make Something to get inspired. --- Send in a voice message: https://anchor.fm/fillmycup/message

Chaque matin à 7h30, Pascal Goffaux et François Caudron font le tour de la scène culturelle, agrémenté de reportages et de rencontres.

Jacqueline Casey was born in Quincy, Massachusetts in 1927 and  grew up with a passion for art. While her parents encouraged her to study bookkeeping, she pursued art against their wishes by entering the Massachusetts College of Art. It was at MassArt that Casey met and befriended Muriel Cooper. In 1949, Casey graduated from MassArt with a degree in fashion design and illustration. She entered the workforce which was very gradually becoming more accepting of women and worked in fashion design, advertising, and interior design. Except none of them felt quite right. Frustrated, Casey took three months to travel across Europe and clear her head. In 1955, Muriel Cooper hired Casey to work with her at MIT's Office of Publications. Casey would soon become responsible for posters, catalogs, and other promotional materials. In 1958, Casey worked with Thérèse Moll, an assistant to seminal Swiss designer Karl Gerstner. Moll introduced Casey to the International Typographic Style. Casey was later appointed director of the Office of Publications, and MIT's public image became recognizably influenced by the International Typographic Style. Under Casey's directorship, the MIT Office of Publications adapted ITS and went on to play a critical role in popularizing Swiss modernism across America.TIMELINE1927 –  b Jacqueline Casey in Quincy, Massachusetts.1949 – Casey graduates from Massachusetts College of Art with a Bachelor's degree in Fine Arts and a focus in design/illustration.1955 – Casey is hired by friend and fellow MassArt alumna Muriel Cooper to work at MIT's Office of Publications.1957 – Cooper leaves MIT and Jacqueline Casey takes on a larger, more active role within MIT's Office of Publications.1958 – Casey that summer works with Thérèse Moll, friend and assistant to famous Swiss designer Karl Gerstner. Moll introduces Jacqueline Casey to the International Typographic Style, which Casey adopts.1972  – Casey is appointed director of the Office of Publications at MIT and under her influence MIT's public image becomes recognizably influenced by the International Typographic Style. MIT goes on to influence American graphic design, spreading ITS and Swiss modernism across the country.1989 – Jacqueline Casey retires but continues to work with MIT as a visiting scholar.1992 – d Jacqueline Casey at age 65 in Brookline, Massachusetts from cancer.REFERENCES07. Jacqueline S. Casey. (n.d). History of Graphic Design. Retrieved 25 May 2021 from https://edpacheco16.wordpress.com/jacqueline-s-casey/Jacqueline Casey. (2021). San Francisco Museum of Modern Art. Retrieved 25 May 2021 from https://www.sfmoma.org/artist/jacqueline_casey/Jacqueline Casey. (n.d.). Cooper Hewitt. Retrieved 25 May 2021 from https://collection.cooperhewitt.org/people/18053543/Jacqueline Casey. (n.d.). Designing women. Retrieved 25 May 2021 from https://designingwomen.readymag.com/profiles/jacqueline-casey/Jacqueline Casey. (n.d.). Rochester Institute of Technology. Retrieved 25 May 2021 from https://www.rit.edu/carycollection/jacqueline-caseyJacqueline Casey: A forgotten design hero. (2018, April 12). Documenting Design. Retrieved 25 May 2021 from https://wordpress91977.wordpress.com/2018/04/12/jacqueline-casey-a-forgotten-design-hero/Jacqueline Casey research. (n.d.). Jacqueline Casey Research. Retrieved 25 May 2021 from https://samsgraphicresearch.weebly.com/history.htmlReinfurt, D. (2017). Muriel Cooper. MIT Press.Resnick, E. (2008). Women at the edge of technology. Eye Magazine. Retrieved 25 May 2021 from http://www.eyemagazine.com/feature/article/woman-at-the-edge-of-technologyThe Humanistic Designer: Jacqueline Casey. (2016). Massachusetts Institute of Technology. Retrieved 25 May 2021 from https://mit2016.mit.edu/campus-cambridge/century-employees/caseySherin, A. (2012, February 6). Casey, Jacqueline. In_ Grove Encyclopedia of Classical Art and Architecture_. https://doi.org/10.1093/gao/9781884446054.article.T2021558

Support the BroomWagon Podcast: https://ko-fi.com/broomwagonpodcast Or Subscribe to the newsletter https://mailchi.mp/5422fde41249/broomwagon-newsletter-form And take part in the BroomWagon + Gravel Epic giveaway to win a free spot at the Gravel Epic Switzerland and a BroomWagon skinsuit https://info.gravelepic.com/gravel-epic-broomwagon-giveawayJumping on the BroomWagon

« En faisant ces courses, tu as une autre approche de ce qu'est faire du vélo de route » - Xavier MASSART« Les prochains défis seront plutôt orientés gravel » - Xavier MASSARTXavier MASSART est un Belge expatrié en Haute Savoie pour sa nouvelle vie et pouvoir allier travail - dans un magasin de vélo à Genève - et Sport - l'Ultra Cyclisme -.Pour ce dernier épisode de la série avec Xavier Massart, et de la semaine, ce dernier revient avec nous sur son parcours cycliste après la TransAm, avec notamment un passage à la TCR, une course qui traverse l'Europe. Son expérience est cette-fois complètement différente, il raconte.Pour suivre notre invité sur Instagram : https://www.instagram.com/xaviermassartPour le retrouver sur Linkedin : https://www.linkedin.com/in/xavier-massartPour contacter Xavier sur Facebook : https://www.facebook.com/xavier.massartInterpeller Xavier sur Twitter par ici : https://twitter.com/xaviermassartEt pour visiter son site : https://www.xaviermassart.euEnfin, pour scruter ses exploits sur Strava : https://www.strava.com/athletes/10956093Ce podcast animé par Olivier DE SCHUTTER et Ermanno DI MICELI est proposé par Ohana Triathlon (@ohana_tri), et vous accompagne dans votre démarche pour Devenir Triathlète.#Ohana #Triathlon #OhanaTriathlon #Sport #Gear #Textile #Ultra #Textile--- Send in a voice message: https://anchor.fm/devenir-triathlete/message Notre politique de confidentialité GDPR a été mise à jour le 8 août 2022. Visitez acast.com/privacy pour plus d'informations.

« En faisant ces courses, tu as une autre approche de ce qu'est faire du vélo de route » - Xavier MASSART « Les prochains défis seront plutôt orientés gravel » - Xavier MASSART Xavier MASSART est un Belge expatrié en Haute Savoie pour sa nouvelle vie et pouvoir allier travail - dans un magasin de vélo à Genève - et Sport - l'Ultra Cyclisme -. Pour ce dernier épisode de la série avec Xavier Massart, et de la semaine, ce dernier revient avec nous sur son parcours cycliste après la TransAm, avec notamment un passage à la TCR, une course qui traverse l'Europe. Son expérience est cette-fois complètement différente, il raconte. Pour suivre notre invité sur Instagram : https://www.instagram.com/xaviermassart Pour le retrouver sur Linkedin : https://www.linkedin.com/in/xavier-massart Pour contacter Xavier sur Facebook : https://www.facebook.com/xavier.massart Interpeller Xavier sur Twitter par ici : https://twitter.com/xaviermassart Et pour visiter son site : https://www.xaviermassart.eu Enfin, pour scruter ses exploits sur Strava : https://www.strava.com/athletes/10956093 Ce podcast animé par Olivier DE SCHUTTER et Ermanno DI MICELI est proposé par Ohana Triathlon (@ohana_tri), et vous accompagne dans votre démarche pour Devenir Triathlète. #Ohana #Triathlon #OhanaTriathlon #Sport #Gear #Textile #Ultra #Textile --- Send in a voice message: https://anchor.fm/devenir-triathlete/message

« [Avec et sans assistance] c'est deux philosophies différentes, deux mondes qui se côtoient et qui s'approchent dans certaines courses, mais ça restera toujours deux approches et deux courses différentes » - Xavier MASSART « Après 36 heures de course, ton cardio ressemble à un tracé plat » - Xavier MASSART Xavier MASSART est un Belge expatrié en Haute Savoie pour sa nouvelle vie et pouvoir allier travail - dans un magasin de vélo à Genève - et Sport - l'Ultra Cyclisme -. La Trans America, ou la course cycliste qui traverse les Etats-Unis de l'Ouest à l'Est et qui en a fait rêver plus d'un… Xavier Massart l'a faite, et il nous raconte son vécu, ses ressentis, son expérience. Mais aussi la pression (ou non) d'être en tête d'une telle course, et sa préparation. Pour suivre notre invité sur Instagram : https://www.instagram.com/xaviermassart Pour le retrouver sur Linkedin : https://www.linkedin.com/in/xavier-massart Pour contacter Xavier sur Facebook : https://www.facebook.com/xavier.massart Interpeller Xavier sur Twitter par ici : https://twitter.com/xaviermassart Et pour visiter son site : https://www.xaviermassart.eu Enfin, pour scruter ses exploits sur Strava : https://www.strava.com/athletes/10956093 Ce podcast animé par Olivier DE SCHUTTER et Ermanno DI MICELI est proposé par Ohana Triathlon (@ohana_tri), et vous accompagne dans votre démarche pour Devenir Triathlète. #Ohana #Triathlon #OhanaTriathlon #Sport #Gear #Textile #Ultra #Textile --- Send in a voice message: https://anchor.fm/devenir-triathlete/message

« [Avec et sans assistance] c'est deux philosophies différentes, deux mondes qui se côtoient et qui s'approchent dans certaines courses, mais ça restera toujours deux approches et deux courses différentes » - Xavier MASSART« Après 36 heures de course, ton cardio ressemble à un tracé plat » - Xavier MASSARTXavier MASSART est un Belge expatrié en Haute Savoie pour sa nouvelle vie et pouvoir allier travail - dans un magasin de vélo à Genève - et Sport - l'Ultra Cyclisme -.La Trans America, ou la course cycliste qui traverse les Etats-Unis de l'Ouest à l'Est et qui en a fait rêver plus d'un… Xavier Massart l'a faite, et il nous raconte son vécu, ses ressentis, son expérience. Mais aussi la pression (ou non) d'être en tête d'une telle course, et sa préparation.Pour suivre notre invité sur Instagram : https://www.instagram.com/xaviermassartPour le retrouver sur Linkedin : https://www.linkedin.com/in/xavier-massartPour contacter Xavier sur Facebook : https://www.facebook.com/xavier.massartInterpeller Xavier sur Twitter par ici : https://twitter.com/xaviermassartEt pour visiter son site : https://www.xaviermassart.euEnfin, pour scruter ses exploits sur Strava : https://www.strava.com/athletes/10956093Ce podcast animé par Olivier DE SCHUTTER et Ermanno DI MICELI est proposé par Ohana Triathlon (@ohana_tri), et vous accompagne dans votre démarche pour Devenir Triathlète.#Ohana #Triathlon #OhanaTriathlon #Sport #Gear #Textile #Ultra #Textile--- Send in a voice message: https://anchor.fm/devenir-triathlete/message Notre politique de confidentialité GDPR a été mise à jour le 8 août 2022. Visitez acast.com/privacy pour plus d'informations.

« Ça commençait déjà à faire un bout de chemin de me dire y'a moyen de faire plus long en autonomie » - Xavier MASSART « J'ai toujours trouvé grisant de se déplacer à la force des jambes et de faire des distances aussi longues » - Xavier MASSART Xavier MASSART est un Belge expatrié en Haute Savoie pour sa nouvelle vie et pouvoir allier travail - dans un magasin de vélo à Genève - et Sport - l'Ultra Cyclisme -. Dans l'épisode du jour, Xavier Massart nous parle de ses premières expériences à vélo. D'une traversée du Canada avec une amie, à la rencontre de cyclotouristes à la course d'ultra-cyclisme Biking Man en Corse, que de chemin parcouru… sans mauvais jeu de mots. Avec toutes ces expériences, Xavier trace en réalité une voie vers la fameuse TransAm, mais ça, il nous en parlera demain ! PS : pour ré-écouter la série avec Olivier VAN ELMBT dont nous avons parlé à plusieurs reprises : https://ermanno.fr/olivier_ohana Pour suivre notre invité sur Instagram : https://www.instagram.com/xaviermassart Pour le retrouver sur Linkedin : https://www.linkedin.com/in/xavier-massart Pour contacter Xavier sur Facebook : https://www.facebook.com/xavier.massart Interpeller Xavier sur Twitter par ici : https://twitter.com/xaviermassart Et pour visiter son site : https://www.xaviermassart.eu Enfin, pour scruter ses exploits sur Strava : https://www.strava.com/athletes/10956093 Ce podcast animé par Olivier DE SCHUTTER et Ermanno DI MICELI est proposé par Ohana Triathlon (@ohana_tri), et vous accompagne dans votre démarche pour Devenir Triathlète. #Ohana #Triathlon #OhanaTriathlon #Sport #Gear #Textile #Ultra #Textile --- Send in a voice message: https://anchor.fm/devenir-triathlete/message

« Ça commençait déjà à faire un bout de chemin de me dire y'a moyen de faire plus long en autonomie » - Xavier MASSART« J'ai toujours trouvé grisant de se déplacer à la force des jambes et de faire des distances aussi longues » - Xavier MASSARTXavier MASSART est un Belge expatrié en Haute Savoie pour sa nouvelle vie et pouvoir allier travail - dans un magasin de vélo à Genève - et Sport - l'Ultra Cyclisme -.Dans l'épisode du jour, Xavier Massart nous parle de ses premières expériences à vélo. D'une traversée du Canada avec une amie, à la rencontre de cyclotouristes à la course d'ultra-cyclisme Biking Man en Corse, que de chemin parcouru… sans mauvais jeu de mots. Avec toutes ces expériences, Xavier trace en réalité une voie vers la fameuse TransAm, mais ça, il nous en parlera demain !PS : pour ré-écouter la série avec Olivier VAN ELMBT dont nous avons parlé à plusieurs reprises : https://ermanno.fr/olivier_ohanaPour suivre notre invité sur Instagram : https://www.instagram.com/xaviermassartPour le retrouver sur Linkedin : https://www.linkedin.com/in/xavier-massartPour contacter Xavier sur Facebook : https://www.facebook.com/xavier.massartInterpeller Xavier sur Twitter par ici : https://twitter.com/xaviermassartEt pour visiter son site : https://www.xaviermassart.euEnfin, pour scruter ses exploits sur Strava : https://www.strava.com/athletes/10956093Ce podcast animé par Olivier DE SCHUTTER et Ermanno DI MICELI est proposé par Ohana Triathlon (@ohana_tri), et vous accompagne dans votre démarche pour Devenir Triathlète.#Ohana #Triathlon #OhanaTriathlon #Sport #Gear #Textile #Ultra #Textile--- Send in a voice message: https://anchor.fm/devenir-triathlete/message Notre politique de confidentialité GDPR a été mise à jour le 8 août 2022. Visitez acast.com/privacy pour plus d'informations.

« J'ai toujours été passionné d'aventure, d'exploration, de grandes distances donc le Triathlon est un peu passé au deuxième plan » - Xavier MASSARTXavier MASSART est un Belge expatrié en Haute Savoie pour sa nouvelle vie et pouvoir allier travail - dans un magasin de vélo à Genève - et Sport - l'Ultra Cyclisme -.Dans ce premier épisode, Xavier accompli depuis le plus jeune âge nous parler de sa découverte du sport : Escalade, Badminton, du Basket, des blessures en escalade et un ami qui lui parle de Triathlon. La graine est plantée, il va s'y lancer pendant quelques années … avant de découvrir LE sport qui le fait véritablement vibrer au détour d'un voyage avec une amie.Pour suivre notre invité sur Instagram : https://www.instagram.com/xaviermassartPour le retrouver sur Linkedin : https://www.linkedin.com/in/xavier-massartPour contacter Xavier sur Facebook : https://www.facebook.com/xavier.massartInterpeller Xavier sur Twitter par ici : https://twitter.com/xaviermassartEt pour visiter son site : https://www.xaviermassart.euEnfin, pour scruter ses exploits sur Strava : https://www.strava.com/athletes/10956093Ce podcast animé par Olivier DE SCHUTTER et Ermanno DI MICELI est proposé par Ohana Triathlon (@ohana_tri), et vous accompagne dans votre démarche pour Devenir Triathlète.#Ohana #Triathlon #OhanaTriathlon #Sport #Gear #Textile #Ultra #Textile--- Send in a voice message: https://anchor.fm/devenir-triathlete/message Notre politique de confidentialité GDPR a été mise à jour le 8 août 2022. Visitez acast.com/privacy pour plus d'informations.

« J'ai toujours été passionné d'aventure, d'exploration, de grandes distances donc le Triathlon est un peu passé au deuxième plan » - Xavier MASSART Xavier MASSART est un Belge expatrié en Haute Savoie pour sa nouvelle vie et pouvoir allier travail - dans un magasin de vélo à Genève - et Sport - l'Ultra Cyclisme -. Dans ce premier épisode, Xavier accompli depuis le plus jeune âge nous parler de sa découverte du sport : Escalade, Badminton, du Basket, des blessures en escalade et un ami qui lui parle de Triathlon. La graine est plantée, il va s'y lancer pendant quelques années … avant de découvrir LE sport qui le fait véritablement vibrer au détour d'un voyage avec une amie. Pour suivre notre invité sur Instagram : https://www.instagram.com/xaviermassart Pour le retrouver sur Linkedin : https://www.linkedin.com/in/xavier-massart Pour contacter Xavier sur Facebook : https://www.facebook.com/xavier.massart Interpeller Xavier sur Twitter par ici : https://twitter.com/xaviermassart Et pour visiter son site : https://www.xaviermassart.eu Enfin, pour scruter ses exploits sur Strava : https://www.strava.com/athletes/10956093 Ce podcast animé par Olivier DE SCHUTTER et Ermanno DI MICELI est proposé par Ohana Triathlon (@ohana_tri), et vous accompagne dans votre démarche pour Devenir Triathlète. #Ohana #Triathlon #OhanaTriathlon #Sport #Gear #Textile #Ultra #Textile --- Send in a voice message: https://anchor.fm/devenir-triathlete/message

As part of our monthly Design is Everywhere live series, we learn more about launching a startup and how to design startups for success. Sam is joined by Sara Hartmann, an educator and arts entrepreneurship change agent who has designed costumes for The History Channel, The Boston Conservatory, and more. Sara chats about combining her background in design to the startup world and MassArt's Creative Economy Workshop Series. Later on in the show, they are joined by Steve Hoffman, the CEO of Founders Space, one of the world's leading startup accelerators. He's also a venture investor, serial entrepreneur, and author of several award-winning books, including Make Elephants Fly and Surviving a Startup: Practical Strategies for Starting a Business, Overcoming Obstacles, and Coming Out on Top. Together, they discuss the importance of good design and how to build a successful startup team.  For links to resources we discuss on this episode, visit our show page:  Live Show: Unlock Your Inner Design-preneur  

Celia Feldberg graduated with a BFA in ceramics from MassArt in 2019. Celia is currently focusing on wheel thrown and sgraffitoed red clay pottery. Celia draws animals to tell stories about our everyday lives and emotions.

Marketing for Humans: Bringing the Human Back into Marketing. Hello. I’m Christina Frei, founder of Innate Marketing Genius, where how you love to help people informs how you get business. Do you know your deepest why in serving others?  I have identified 5 Innate Marketing Genius types, and knowing your type answers this question. The types  include Nurturers, Adventure Guides, Door Openers, Steady Presences, and Celebrators.  Discover your genius type here.Season 5: Marketing HotseatsI decided that I needed to show the magic of people’s deepest why in action.  In Season 5 of Marketing for Humans, I get to do this. I put myself in a Marketing Hotseat,  invite dynamic entrepreneurs as my guests, and act as my guest’s marketing consultant for 45 minutes or so.  If you want some calmer, more authentic marketing ideas, these are your episodes. Sometimes, you’ll even get the input of my colleague, Jenn Wentworth, a digital marketing expert based in New Hampshire. Today we talk to Stephanie Audette Connor, a graphic designer based in Worcester County, Massachusetts.  Stephanie does beautiful work with clients, a great person to hire for a re-design, and she started with a BFA in graphic design from MassArt.  Then after working at a few agencies, Stephanie stuck out on her own and hasn’t looked back since.  In my Pepperlane community, I hear good things about Stephanie consistently, and today we’re going to look at her marketing through the lens of a Nurturer. That means Stephanie loves to make it safe for others to thrive. This factors into her work as a graphic designer and her marketing decisions, which you will see in a moment.  Please welcome, Stephanie Audette Connor.Meet with ChristinaStephanie Audette Connor 

**Silent Bob is Silent no more! Director Kevin Smith brings his Mooby's Pop-up to Boston at House of Blues for a limited engagement. We got a chance to sit down with him and talk all the nerdy tidbits about Stan Lee, his upcoming Masters of the Universe: Revelation, helping restaurant workers in the pandemic, and his shot-from home sitcom, Son in Lockdown featuring his entire family and introducing Austin Zajur.** Snootch to the Bootch! Do617: So good to see you. you don't mind being on video, do you?. Kevin Smith: Not at all. That's why I wore the funny hat! By the way, I'm still happy to see you. Trying to stay alive, man. The restaurant business doesn't make it easy though. Because, suddenly, you get access to free food where you're like, "I'll take three orders of Hater Tots"! "I'm the man" Why not? It's my place. Free food! How are you feeling? Feeling good? I'm feeling fantastic. It's been, just past the three-year mark since the heart attack knocks wood you know, so far so good. Thanks for coming to Boston. Lovely to be here, man. Boston has always been a big part of everything. I was just telling my wife today. I was like, the first time I came to the Commonwealth was with Clerks. Like even though I lived in New Jersey, I'd never come up to Massachusetts. There was no call for it and stuff. Yeah. It was from Philly to New York. They're close. Boston's like a three-hour drive. So it wasn't until Clerks that I came to the city with the Boston Film Festival and then I kept going back and like, Chasing Amy and Dogma and stuff like that. And the boys are from here. And the boys being from here! You know, me and Scott (Moser) were involved with Good Will Hunting as well. So there's, always a wonderful tie to the city, to the community. Also, this is a big college town and at one point in my career, I was "The College Guy". Yeah. You're my "College Guy", I suppose. I went to MassArt right down the street from here. In the Nineties, we were looking up to you, man. You've been inspiring people forever. You were so close with Stan Lee, I got to interview Stan it was an honor. an honor. You've always said good things and, and you were taking care of him. And I just want to say, I appreciate that you did that. What a great life. So the thing about the loss that breaks the heart is he was a vital 90-year-old and he didn't have that the last year or two years of his life, the way. He was kind of tossed around and literally suffered from elder abuse. That shaved years off his life. He was so vital, but there came a certain point where he's not only was he has physically beaten down but just the thought of like, "this is what it's come to". How could you do that to everyone's Grampa? So, you know what I'm saying, who gave so much joy in his lifetime, but at least, you know, he had that entire ten-year period of Marvel cameos, where at the end of his life, he got celebrated by the entire world. Everybody knows his name, even people that never heard of him before were, "Oh, that's Spider-Man's baby daddy". You know, maybe it was your idea to put him in the films? I remember seeing them in a movie years ago. Yeah. That was, for us, it was a no-brainer. Cause you got a movie about a guy that loves comic books. You got to Stan... Perfect marriage. And when we did it, I remember the movie came out in '95, there was just like, "Oh, Who? Stan Lee? That's quaint". You know, years later it became. A stamp of quality. I love seeing him in that movie. He's younger, obviously. I remember when he came to work with us, they were telling us "you gotta be careful, man, because this man is 73 years and he can go at any point". And he lasted another 23 years! *God bless him, man. Well, another thing, you've come here to Boston, to the restaurant at the House of Blues, which is a great venue. Lots of people, we've been out of work, but there are ways that people can keep it going. I appreciate that you came here to help us out. * I first heard of the Mooby's Pop-Up in the show that you did, Son in Lockdown and, that was just such a great thing to have your wife at that and Harley and Austin. Was it fun to just shoot if you're own your house? It was so adorable, especially considering it was in the middle of the quarantine and nobody was doing anything. So this TBS show Celebrity Show-Off presented itself as an opportunity. And they were like, "you can do anything you want, we're gonna give you a camera, shoot, whatever you want". And I was like, "can I shoot a sitcom"? They're like, "absolutely go ahead". So the entire town was shut down and you know, it's dopey to say, but we were literally the only sitcom in town that was shooting. It was a weird moment and it was fun to do it. It's the best job in the world, you don't even have to get dressed and drive to the studio. You wake up and you weren't in the studio. So it was such a good time! But it was a Kevin Smith joint, man! It was really, really funny Austin is such a rockstar! He's great. I put him in Clerks III... Do you have any updates, about Masters of the Universe: Revelation? I think the first time folks are going to see any imagery is coming up in May. We're in April right now. So next month. Do you like animation? I love it. It's phenomenal. The boys at Powerhouse Animation did a wonderful, wonderful job. They do_ Castlevania_ on Netflix, Seis Manos, Blood of Zeus. So all the characters look exactly the way they're supposed to. They just look like they were drawn now as opposed to the '80s. And so hey, if you want to talk about people who elevate it, man. I love the scripts that we came up with, but Powerhouse absolutely knocked it out of the park. They elevated our scripts and made far better cartoons than we provided them the "word power" to do so. Watching the whole thing come together, man. Because so many people work on it from your writing staff to then, your recording, and the vocal tracks. Then it all gets handed over to the animators and they do. iI's like movie making and it's like comic books at the same time. What's really wonderful about it is when you're working on a movie or something or a TV show, you know, you're seeing results on a regular basis because you're doing it. You got this window of time to do it when you're just the writer or showrunner on this animated series. My main job of just "let's get this thing written" was done early for us, it was the first job done. So I go about my life and then every few days there's a delivery of an art pack and you're like, "Holy shit". They drew all the characters and then as time goes on, it's like, "here's the first animatic". "Here's the second animatic". "This animatic is locked. Here's the automatics for episode two". Episode three, four. Oh my God. The finished animation for episode one is coming in. So it's this, this waterfall of productivity that you have nothing to do, with, other than getting to appreciate it. You wrote and your part is done. I mean, you can't go and make a script change. We can, as long as "lip flap" is off-camera. That continued and as much as periodically, we need to pick up these lines, we need to add new lines. Netflix thinks this needs clarity. So then you come up with that stuff and make that work and stuff. So you might need to even make new scenes, etc... Generally, it's not too deep in the process and going like, "Oh, I'm gonna write a whole new scene". if you do that, it's a big deal because the process is eight to ten months in. And once it starts going, it starts going, but being at the receiving end of all, the joy, the here's what Battle Cat looks like, you know, Oh my God, this is what Evil-Lyn looks like. This is what Evil-Lyn looks like with the helmet off. Every design before actually beginning to see the animatics and the animatics is the barest form. It's a digital storyboard or a moving storyboard. And even those were so pretty. I was like, "we could air this, fuck finishing, let's air this"! Let's just say thankfully Powerhouse push to finish it because the finished product is gorgeous. You can't just put out the pencils, you gotta ink this thing! I would! I come from comics, so I like when they do. So I love when they do Batman Black and White and just letters inked and pencils version. So I could have dealt with it, but people will be delighted to see how colorful the whole thing is. *Not for nothing. I love your Green Hornet. It was so great, I didn't expect to like the character, I mean, I liked what you did in comics, but I was just like, "Oh, this is a really great thing". It was drawn really awesome. * Jonathan Lau, man. He made that him and Phil. Phil Hester took my stuff and then he broke it down. Um, but wow. They turned it into a beautiful book. What was so satisfying about that for me was at the end of when I read all the books together, all the comics together... I was like, "It would have worked. We could have pulled that off as a movie!" Somebody could have, not me! *Absolutely. And coming up with comics and you are reading Batman, you are reading Spider-Man. You don't think of Green Hornet for comics, but you can do something cool with it. I could talk to you all day! * I tried to come up with the best "Cantina" question for you, one that I would ask on your podcast Fatman Beyond and not be embarrassed. But before I get to that, I watched the scene last night with the Ball Lickers, on the "Mooby's Internet" internet. So, you know, people get a chance to come down here and they can... ...and actually relive it. You are the ones who are the Ball Lickers! They can just do that from their phones! That was just so funny. But my, my "Ultimate Cantina Question" is about the Snyder Cut! Let's say Warner or whoever gives you $30 million dollars to redo a Kevin Smith movie, or to redo the CGI. What Kevin Smith movie would you give the #SnyderCut treatment to? Is it Tusk? I would go Red State. I would just shoot the ending. We cheaped out at the ending because we don't have any money. So, the ending was supposed to be the apocalypse. Angels showing up, slaying people and shit like that, these giant angels. So at a certain point, we were like "Alright, do you want to shoot the ending of that movie and that ending?" "Do you want to wait to shoot that movie in that ending for however long it takes to find the money for it?" "...or do you want to shoot a version of the movie now where you've let go of the supernatural element that was in the last scene?" So then I changed it to him being over the loudspeaker and "it was a hoax and blah, blah, blah". So if I had like #SnyderCut money, I'd go back and I would shoot the angels show up, ending like the apocalyptic world ending. I'd have a lot of money left over! But I think that would be the one that I would love to take in the direction of the original vision. And I love Red State what it became and stuff, but that ending would have been so fucking weird. Do617: Well, you know, when people after seeing this interview, they might demand the release of the #SnyderCut of Red State. KS: Release the #RedderCut! Yes! Well, I'm just so happy to talk to you, man. I'm really excited to be here at Mooby's. Thanks for helping out Boston. Thanks for helping out everybody here at the House of Blues Restaurant and, everybody makes a couple of bucks and people can have some fun doing it because you came here. I think this is a perfect time. just about to open up. This is like a preview. This is a preview of the good time for the summer that's going to come. They were asking me when I rented the car today, when I was leaving Logan, the lady was like "You're from, California, how is it about there? I was like "the exact same thing as it is here. You guys are about to open". That's been the fun part of taking Mooby's around the country is that it's always at a restaurant that's been closed for a while. So it's good for the business. It's also good for the staff morale. You can forget when you're in the restaurant business, your friends are your coworkers, you see them every day. A lot of folks haven't seen their friends for a year and stuff. "Zoom Cocktail Hour" just doesn't cut it. It really, really doesn't at the end of the day. At the end of the day, being in a room with people, human interaction, I'm not saying you got to lick each other's faces and shit..being in a room with people and talking and nothing will replace it. Well, thanks so much, Kevin. It's an honor, man! Damn pleasure man! ** BUY TICKETS AT THE LINK ABOVE AND LEARN MORE: http://moobyspopup.com (http://moobyspopup.com)** Special Guest: Kevin Smith.

Rencontre avec l’artiste plasticienne belge Cécile Massart qui, depuis 1994, travaille à la question de l’identification des sites de stockage de déchets radioactifs dans le paysage. Son exposition Sarcophagi-radioactive Waste est à découvrir au Botanique jusqu’au 25 avril. L’ISELP et La Verrière accueillent, jusqu’au 13 mars, l’exposition Forgiven by Nature consacrée à l’anarchitecte Gianni Pettena, figure majeure de l’architecture radicale. Activiste, artiste, poète, observateur de la Nature, il nous invite à questionner le caractère normatif et dominant de l’architecture traditionnelle. Réalisation: Fanny Lacrosse.

Chaque matin à 7h30, Pascal Goffaux et François Caudron font le tour de la scène culturelle, agrémenté de reportages et de rencontres.

Grand Angle de Pascal GOFFAUX - L’expo Sarcophagi. Radioactive Waste de Cécile MASSART au Botanique

Grand Angle de Pascal GOFFAUX - L’expo Sarcophagi. Radioactive Waste de Cécile MASSART au Botanique

L'invité culture

L'invité culture

While on an extended maternity leave, Meg Staples found herself at a running event, frustrated by the lack of quality women's athletic wear at affordable prices and inclusive sizes. Without any prior business experience, Meg used her textiles and design education to solve the problem through the business she's founded, Her Tribe Athletics. In today's episode, I'm talking with Meg about starting a business with no business experience, and growing slow while she maintains her career as an art teacher. The focus seems to be on growing fast these days, but you don't have to quit your day job to start a business. A slow start can be the best way to work through the initial challenges of a new business without blowing your budget.   About the Guest: Meg is a passionate runner and yogi. She found her love of exercise through her weight loss journey of 70 pounds and has been hitting the pavement ever since. Running and exercise have shown her that she has a body that can do amazing things - including have two children! Meg majored in textile design & art education at MassArt, and is full time elementary art teacher. She loves incorporating her passion for exercise with her art background - personally designing everything that comes through Her Tribe Athletics. She is excited to build a tribe of amazing, strong women here who want to have fun while working out in affordable and comfortable athletic clothes. Her Tribe Athletics began with a vision to provide affordable, comfortable workout clothing for women of all shapes and sizes. Clothing that doesn't move around and fits the way you need it to! Her Tribe Athletics supports women who are runners, cyclists, yogis, gym rats, walkers, aerialists, spin enthusiasts, and any woman who is or wants to be active. Connect with Meg Staples and shop Her Tribe Athletics at: www.hertribeathletics.com www.facebook.com/hertribeathletics/ www.instagram.com/hertribeathletics/   About the Host Janice Scholl helps moms navigate the money and career transitions that come with the different stages of motherhood through her work as coach, speaker, workshop facilitator, and host of The Money, Career & Motherhood Podcast. Janice is passionate about helping mothers gain confidence and understanding about money, career & business topics as they relate to motherhood and family – the way many women actually think about money.  Her key areas of focus to help mothers succeed are navigating maternity leave, career breaks & transitions, and  values-based budgeting.   Sign up for a FREE 30-minute strategy session with Janice here. Connect with  the Money, Career, & Motherhood podcast at www.moneycareermotherhood.com or on Instagram at https://www.instagram.com/moneycareermotherhood/.   Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on iTunes or Stitcher. You can also subscribe from the podcast app on your mobile device. Leave us an iTunes review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on iTunes, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on iTunes.

Lewis Morris shares a piece of advice from a boss he had at MassArt on a good way to live life. We also discuss what authenticity means in music and he explains his thoughts in cynical optimism!  Also, as you've heard us talk about... Lewis is a well respected beat maker that's worked with many other artists. He recently did the all the beats for ToadStool's latest album "A Reptile Dysfunction" so I wanted to share a song off that release entitled "IMMACULATE FT. DAN POMFRET" to demonstrate how great his collaboration work is. Make sure to pick up the instrumentals of this album from Lewis and IF YOU NEED BEATS... hit him up on INSTAGRAM or email him at lewis.morris[at]flatlinepoetry[dot]com!!!   // Interview recorded October 12th, 2020 via Zoom// Intro music by Cedros// Hosted by James Toomey // /// If you enjoy the episode please leave a rating or review wherever you're listening right now! ///

  Salut les Sportifs ! C'est Ermanno. Après avoir échangé avec Stéven LE HYARIC, j’ai eu envie d’en savoir plus sur l’ultra-cyclisme. Et comme Olivier, le fondateur de la marque Ohana avait Xavier MASSART dans ses contacts, j’ai sauté sur l’occasion. Ca fait partie intégrante de ces courses d'avoir une espèce d'ascenseur émotionnel sur une […]

  Salut les Sportifs ! C'est Ermanno. Après avoir échangé avec Stéven LE HYARIC, j'ai eu envie d'en savoir plus sur l'ultra-cyclisme. Et comme Olivier, le fondateur de la marque Ohana avait Xavier MASSART dans ses contacts, j'ai sauté sur l'occasion. Ca fait partie intégrante de ces courses d'avoir une espèce d'ascenseur émotionnel sur une […]

  Salut les Sportifs ! C’est Ermanno. Après avoir échangé avec Stéven LE HYARIC, j’ai eu envie d’en savoir plus sur l’ultra-cyclisme. Et comme Olivier, le fondateur de la marque Ohana avait Xavier MASSART dans ses contacts, j’ai sauté sur l’occasion. Ca fait partie intégrante de ces courses d’avoir une espèce d’ascenseur émotionnel sur une […]

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.11.05.369389v1?rss=1 Authors: Barbuti, P. A., Santos, B. F., Antony, P. M., Massart, F., Cruciani, G., Dording, C. M., Pavelka, L., Kwon, Y.-J., Krueger, R. A. Abstract: Parkinson's disease is characterised by the degeneration of A9 dopaminergic neurons and the pathological accumulation of alpha-synuclein. In a patient-derived stem cell model, we have generated dopaminergic neurons from an individual harbouring the p.A30P SNCA mutation and compared those neurons against gene-corrected isogenic control cell lines. We have used confocal microscopy to assess the neuronal network, specifically segmenting dopaminergic neurons and have identified image-based phenotypes showing axonal impairment and reduced neurite branching. We show using multi-electrode array (MEA) technology that the neurons carrying the endogenous p.A30P alpha-synuclein mutation are functionally impaired and identified mitochondrial dysfunction as a pathogenic cellular phenotype. We report that against gene-corrected isogenic control cell lines the neurons carrying the p.A30P SNCA mutation have a deficit and are susceptible to the mitochondrial toxin and environmental pesticide Rotenone. Our data supports the use of isogenic cell lines in identifying image-based pathological phenotypes that can serve as an entry point for future disease modifying compound screenings and drug discovery strategies. Copy rights belong to original authors. Visit the link for more info

Whether it's childhood trauma, battles with self-esteem, or navigating relationship dramas there is bound to come a time in life where you feel “Broken”… Join the ladies of GOOSDTOCK Consulting as they discuss with Dr. Brathwaite on how to cope, heal, and grow into loving your newfound self. Make sure to grab a box of Kleenex and your journal as you dive into this session. We are bound to push you to put in that work of self healing! Dr. Nicole Brathwaite: Well Minds Psychiatry & Consulting Sources ● Laplante DP, Brunet A, Schmitz N, Ciampi A, King S. Project Ice Storm: prenatal maternal stress affects cognitive and linguistic functioning in 5 1/2-year-old children. J Am Acad Child Adolesc Psychiatry. 2008;47(9):1063-1072.doi:10.1097/CHI.0b013e31817eec80 (https://pubmed.ncbi.nlm.nih.gov/18665002/) Cao-Lei, L., Elgbeili, G., Massart, R. et al. Pregnant women's cognitive appraisal of a natural disaster affects DNA methylation in their children 13 years later: Project Ice Storm. Transl Psychiatry 5, e515 (2015). https://doi.org/10.1038/tp.2015.13 (https://www.nature.com/articles/tp201513) https://www.statista.com/statistics/205106/number-of-black-families-with-a-female-householder-in-the-us/ https://en.wikipedia.org/wiki/African-American_family_structure https://americanspcc.org/child-abuse-statistics/

Dans ce podcast Maïté Massart nous partage son parcours de découverte de la pleine conscience d'abord pour elle-même et ensuite elle nous explique sa pratique auprès des enfants dans les écoles et les bienfaits de cette pratique sur les apprentissages des petits. Retrouvez Maïté en formation sur www.psychoeducation.be

Guest Description: Kristen Mallia is a multimedia artist, a graphic designer, and a college lecturer for Boston University, MassArt, Suffolk University and School of Museum of Fine Arts at Tufts University. Kristen is also a founder of her own creative studio called Mallia Design where she consults creative advice and provides multiple design services to a wide range of clientele in the Greater Boston area. The Paris Bar + Creperie, The Stone Gallery at Boston University, and the Humanist Hub at Harvard and MIT, to name a few, are her outstanding work collection. She graduated from Boston University with an MFA in 2018. Prior to that, she earned her BFA in Graphic Design from Corcoran School of Art + Design at George Washington University. Kristen has won several awards throughout her education in the art as well as professional life. That includes her Senior Graphic Design Thesis Project Award while attending Corcoran school, a project on typographic revolution. She is also often invited as a high-profile Thesis panelist at Suffolk University where she shares her experience and advice on students' design work.   Disclaimer: In the last couple of months, we have continued to interview guests and we had been saving it up until the time is right. It appears the time is right now to share this with the world! We are so excited!    In late 2019, the @pixelperfecttalk team had been planning on starting this podcast where we interviewed creatives about how they learn from their mistakes and how it helped with their success. But then the pandemic hit, and we created this Instagram account with the following podcast.   Social Media Links: Visit us at pixelperfect.blog Follow us @pixelperfecttalk on Instagram Subscribe to us on Apple Podcasts + Spotify — Season 1: Pixel Perfect with Kristen Malia

Brussels, Wisconsin's Darrell Massart grew up in the Kewaunee and Door County racing scene starting in the late '60s and into the '70s. His Dad Wally Massart was car owner and crew chief for "The Golden Boy" Irv Ettien." Massart went on to wheel late models and IMCA modifieds where he racked up multiple feature wins and track titles. We caught up with Darrell at 'The Burg Speedway in Luxemburg and talked about the past.

durée : 00:04:45 - Invité de 07h45 France Bleu Limousin

Architect Shauna Gillies-Smith discusses the process of designing the landscape surrounding the Massachusetts College of Art and Design Residence Hall. Students at MassArt led the design process, collaborating to create a landscape that sought to exemplify the values of their school.

Architect Shauna Gillies-Smith discusses the materials and constructions of the Massachusetts College of Art and Design Residence Hall, and the landscape that surrounds it.

As we continue to work remotely, we are trying to bring you interesting content related to Teaching for Artistic Behavior. Please excuse some of the audio. Zoom sometimes does not play well. In this episode, Clyde and I are joined by Roni Rohr to talk about the idea of "Am I TAB enough? It's a question many of us ask ourselves when beginning this journey.    Roni Rohr (she, her, hers) teaches at El Dorado Community School K-8 in Santa Fe, NM. She serves as the Santa Fe Public Schools Visual Arts Mentor and is a faculty member of the TAB Institute at MassArt... advocating for student voice.  Roni is a designer and artist and is passionate about collaboration, social justice, and advocacy within her own work and that of her students.  As an educational consultant, she collaborates on professional development for the New Mexico Museums, Meow Wolf, and others. Roni presents locally and nationally on topics of TAB, choice-based and play education, Design Thinking, and creating community; she was the 2020 keynote speaker for Colorado TAB. Roni is Nationally Board Certified in early and middle school art, a 2016 NM Golden Apple Fellow, the 2015 NM Middle School Art Educator of the Year, and the 2011 NM Art Educator of the Year.  

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.04.27.053470v1?rss=1 Authors: Barbuti, P. A., Antony, P., Novak, G., Larsen, S. B., Berenguer-Escuder, C., Santos, B. F., Massart, F., Grossmann, D., Shiga, T., Ishikawa, K.-i., Akamatsu, W., Finkbeiner, S., Hattori, N., Krueger, R. Abstract: Parkinson's disease (PD) is characterized by the loss of A9 midbrain dopaminergic neurons and the accumulation of alpha-synuclein aggregates in remaining neurons. Many studies of the molecular and cellular basis of neurodegeneration in PD have made use of iPSC-derived neurons from patients with familial PD mutations. However, approximately half of the cells in the brain are glia, and their role facilitating neurodegeneration is unclear. We developed a novel serum-free protocol to generate midbrain astrocytes from patient-derived iPSCs harbouring the pathogenic p.A30P, p.A53T mutations in SNCA, as well as duplication and triplication of the SNCA locus. In our cellular model, aggregates of alpha-synuclein occurred only within the GFAP+ astrocytes carrying the pathogenic SNCA mutations. Assessment of spontaneous cytosolic calcium (Ca2+) release using Fluo4 revealed that SNCA mutant astrocytes released excess Ca2+ compared to controls. Unbiased evaluation of 3D mitochondrial morphometric parameters showed that these SNCA mutant astrocytes had increased mitochondrial fragmentation and decreased mitochondrial connectivity compared to controls, and reduced mitochondrial bioenergetic function. This comprehensive assessment of different pathogenic SNCA mutations derived from PD patients using the same cellular model enabled assessment of the mutation effect, showing that p.A53T and triplication astrocytes were the most severely affected. Together, our results indicate that astrocytes harbouring the familial PD mutations in SNCA are dysfunctional, suggesting a contributory role for dysfunctional astrocytes in the disease mechanism and pathogenesis of PD. Copy rights belong to original authors. Visit the link for more info

Today Clyde and I welcome a very special guest: Julie Toole. During our conversation, we look at what is white privilege and how we can practice DEI+J in the TAB studio,   Julie has been a teacher for 30 years, 20+ in Chicago Public schools and is currently teaching art at a private progressive school, pre-k-8th grade. She has been a TAB teacher and TAB mentor for the last 10 years and co-lead at the elementary level group at the TAB Summer Institute at MassArt and part of the Executive Board for TAB, INC. As a transracially adoptive mother of two children of color, She has been on a personal journey on understanding her whiteness and privilege in order to be actively anti-racist in her work and life. This has led her to participate in SEED (Seeking Educational Equity and Diversity) cohorts and then to do the training to become a SEED facilitator at her school. She has co-led groups for parents and for staff. She is also part of the EQaT (equate) team at her school (Equity in Action), the parent EqAT group, and teaches an elective course for her middle schoolers called Artist as Activist. Five years ago she started a GSA (Gender Sexuality Alliance) club at her school and together they do school-wide events such as Day of Silence and Ally Week.  Show Notes: White Privilege  Unpacking the Invisible Knapsack Windows and Mirrors of Your Child's Bookshelf - Ted Talk William Pinar - What is Curriculum Theory? Johan Huizinga - Homo Ludens - A Study of the Play Element in Culture Leading Equity Podcast

Rencontre avec l'artiste Cécile Massart dans son « Shelter Studio » (FR) à la CENTRALE for contemporary art. Cécile Massart concentre son travail sur la recherche d'un mode de transmission de la mémoire des sites de déchets radioactifs dans le paysage. Suite à de nombreux voyages dans les pays nucléarisés, elle expose dès 1994 et publie ses travaux sous le titre Un site archivé pour alpha, bêta, gamma. En 2008, l'artiste dessine un ensemble de marqueurs et publie un livre aux éditions de La Lettre volée sous le nom de Cover. Le but est de rendre lisible à la surface cette strate archéologique des XXe et XXIe siècles et appeler à la responsabilité de tous. Quelle politique adopter pour l'avenir ? Quel patrimoine voulons-nous transmettre ? Concernant plus spécifiquement les déchets hautement radioactifs, l'artiste ouvre de nouveaux champs d'investigation avec le « laboratoire ». Situé sur le périmètre du site naissent ainsi de nouveaux espaces collectifs pour la création et un renouveau du rôle de l'artiste pour la sécurité du monde vivant. www.centrale.brussels/events/rencont…ecile-massart/

Seconde partie de la rencontre avec l'artiste Cécile Massart dans son « Shelter Studio » (FR) à la CENTRALE for contemporary art. Cécile Massart concentre son travail sur la recherche d'un mode de transmission de la mémoire des sites de déchets radioactifs dans le paysage. Suite à de nombreux voyages dans les pays nucléarisés, elle expose dès 1994 et publie ses travaux sous le titre Un site archivé pour alpha, bêta, gamma. En 2008, l'artiste dessine un ensemble de marqueurs et publie un livre aux éditions de La Lettre volée sous le nom de Cover. Le but est de rendre lisible à la surface cette strate archéologique des XXe et XXIe siècles et appeler à la responsabilité de tous. Quelle politique adopter pour l'avenir ? Quel patrimoine voulons-nous transmettre ? Concernant plus spécifiquement les déchets hautement radioactifs, l'artiste ouvre de nouveaux champs d'investigation avec le « laboratoire ». Situé sur le périmètre du site naissent ainsi de nouveaux espaces collectifs pour la création et un renouveau du rôle de l'artiste pour la sécurité du monde vivant. www.centrale.brussels/events/rencont…ecile-massart/

Jessica Massart is the Senior Performance Lead for dance and theater projects at Kickstarter (@Kickstarter). Her job is to help artists achieve their crowdfunding goal before and during a campaign and then offer as much aftercare as possible to deliver the rewards to the backers. Stream - http://simoncaine.co.uk/ATI/JessicaMassartiTunes - https://itunes.apple.com/us/podcast/ask-the-industry-podcast/id946220937?mt=2 YouTube - https://youtu.be/gfqMEBWLlOo Spotify - https://open.spotify.com/show/12wdMpotKGDpFvShobeaoy If you’ve enjoyed the pod please send me (@thismademecool) or Jess a thank you tweet and you can support the pod by…If you’d like to support the podcast please do via - PayPal - http://simoncaine.co.ukOr Patreon - https://www.patreon.com/AskTheIndustryPodcast Buy my book about building your own online community - https://amzn.to/35EWT7B You can email Jess on - jessica@kickstarter.comAnd here’s the EdFringe housing petition - https://www.change.org/p/scottish-government-secure-affordable-accommodation-for-performers-at-edinburgh-fringeCome see me in Australia or New Zealand in 2020 - Perth (Feb) - https://fringeworld.com.au/whats_on/simon-caine-every-room-becomes-a-panic-room-when-you-overthink-enough-fw2020Adelaide (Feb) - https://adelaidefringe.com.au/fringetix/simon-caine-every-room-becomes-a-panic-room-when-you-overthink-enough-af2020Wellington (March) - https://fringe.co.nz/show/42461Dunedin (March) - coming soon.OR at the Dog-friendly comedy club at The Bloomsbury (London) - 18th Jan 2020 - https://www.ucl.ac.uk/event-ticketing/booking?ev=19174Glasgow Fringe - 15th, 22nd, 29th March 2020 - http://www.glasgowcomedyfestival.com/shows/2949 See acast.com/privacy for privacy and opt-out information.

Beth Balliro and Lyssa Palu-ay, both at Massachusetts College of Art and Design, discuss the challenges and triumphs in their institution's efforts to diversify its student body. Beth Balliro, Ph.D is an artist and scholar whose work is grounded in over twenty years of teaching in urban public schools, community settings, and museums. Her studio practice investigates the poetics and materialism of social debris while her video work seeks to uncover the many ways that social exchange is mired in concerns of race, class, gender and power. Her scholarship draws from critical pedagogy to investigate public schooling and its import for artists. She is an Associate Professor of Art Education at the Massachusetts College of Art & Design. Lyssa Palu-ay is the Dean of the Office of Justice, Equity and Transformation (JET). JET is focused on achieving systemic equity related to access, opportunity and dignity at MassArt through the areas of transformative learning and teaching, pathways to art and design education, and retention and mentoring. Lyssa is an alumna of MassArt and a well-established member of the campus community. She is a full Professor and has served on the Studio Foundation faculty since 2001, and in 2001 assumed leadership of the Boston Public Schools mentoring program, which later became the Academic Compass Mentoring Program. Her scholarship and research interests include the history of institutes of art and design, critical race theory, and experiences of students of color in art and design education.

hello hello hello wonderful listeners, I want you to know that if you are spending the time to read this. you get +3 on your Massart awareness skill. TODAY IS A QUICKI. THE SHOW RIGHT NOW BY MORDY AND NINA | 1:40 BEST BECCA BY BECCA SHUSTERMAN | 14:33 SH** YOU SHOULD KNOW: THE RAT SLAP INTERVIEW BY EVENTWORKS | 17:25

Today on Octopus sounds my Massart friends, we have a few new shows! Follow these people on instagram you've probably seen them and they work hard! 0:23 - news on campus 2:09 - Today on Octo Sounds: Randy Aguilar @pyump 3:35 - Best Becca: Becca Shusterman @domorecrimes 6:00 - Pleasure Coffin vinyl mix: Sofia Re @pleasure coffin 16:09 - Noise Enjoyment ep 2 : Anthony iovino 19:24 - Next Stop : PARK STREET : Anthony fader. 38:05 - Green Line Tunes: Bianca tracanna @heyBiancagabrielle ----------SONGS INCLUDE IN ORDER Lilith - Lines Align Honeycutt - Weather Girl Ladypills - Daddy Warbucks pushflowers - bed song DUMP HIM - What's Yr Deal with Kim The Water Cycle - Mom Jeans Bowling Shoes - Black Car Squitch - The Fenway Halfsour - Blurred Camera Phone Raavi & The Houseplants - All Over Again ------------------------------------------------------ 67:50 - Sh** You Should Know ep3 ||| SERENA GABRIELS @bean_baberiels or at serenagabriels.com email at smgabriels@massart.edu for contact!

This is a recording of the panel conversation from Textile Society of America’s New Professionals Convening: Envisioning Textiles Futures, held on July 27, 2019 at the Fabric Workshop and Museum in Philadelphia. Panelists include Joy Davis, Regan de Loggans, Lynnette Miranda and Karen Hampton. The panel was moderated and organized by Caroline Hayes Charuk. Program Description: At the Fabric Workshop and Museum in Philadelphia, TSA presented a panel discussion devoted to envisioning a field that approaches cultural production with justice and equity, and to examine the ways that structures within museums, universities, and informal spaces can support or hinder movement towards a vibrant future in line with these goals. Panelists: Karen Hampton has shown her woven and stitched narrative artwork nationally since 1994 and has been teaching college since 2008. Her specialties are surface design, embroidery, weaving and courses that address Art and the African Diaspora. Karen is currently an Assistant Professor of Fiber at MassArt, and a board member of the Textile Society of America. Pronouns: she/her Regan de Loggans (Mississippi Choctaw/ Ki’Che’ Maya) is an art historian, curator, and educator based in Brooklyn on Lenape land. Their work relates to decolonizing, indigenizing, and queering institutions and curatorial practices. They are also one of the founders of the Indigenous Womxn’s Collective: NYC. Pronouns: they/themme Lynnette Miranda’s ongoing research focuses on the social and cultural impact of contemporary art and media, critically examining social practice, contemporary craft, performance, new media and video work. She is passionate about centering artists and practitioners of color, not only through representation, but through building support systems and redistributing resources. Lynnette is currently the Program Manager at United States Artists in Chicago. She has worked at leading arts institutions including Creative Time, ART21, and the Art Institute of Chicago. Pronouns: she/her Joy Davis is an independent scholar of fashion and cultural studies. She has B.A.s in History and Media Theory from University of Maryland Baltimore County (UMBC). She is a pending Masters candidate at FIT’s Fashion Studies program. In 2016 she joined Unravel Podcast as a host and producer. In 2018 she launched her own contemporary gallery in Baltimore, MD that has a majority focus on artists of color. She writes about subject matter that is underdeveloped in academia and with the public. Her work transcends many fields of study which includes: fashion, history, art, media, and performance among people of color through history. Her current research focuses on fashion and race analysis in Spanish colonial paintings. www.wallergallery.com www.unravelpodcast.com Moderator: Caroline Hayes Charuk approaches sculpture, printmaking and video from a background in textiles, ceramics, and hobbyist craft materials. She is a former member of CTRL+SHFT Collective in Oakland, CA, a studio and exhibition space focused on supporting women, nonbinary and trans-spectrum artists. She has taught workshops at the Berkeley Arts Museum, the De Young Museum, Richmond Art Center, and numerous other community arts organizations. She is currently the General Manager of the Textile Society of America. Pronouns: she/her

We talk a lot about wellness and work-life balance, but most of us in the world of student housing are just not very good at it. So, how can we learn to prioritize our emotional and spiritual health? How can we develop the courage to ask what’s really important to us and align our choices accordingly? And if that means choosing a new path, how can we apply the skills we learn in student housing to other roles? Jen Oliver is the former Director of Facilities and Conference Services with COCM at the Massachusetts College of Art and Design and current Membership Recruitment Specialist for the Girl Scouts of Eastern Massachusetts. Prior to joining the Girl Scouts team in 2018, she spent two years at home with her young daughters, serving her family and getting involved in the local community. On this edition of the Student Housing Matters Alumni Series, Jen sits down with Tara Wilkinson to discuss how her role with COCM at MassArt rounded out her experience in student housing, exposing her to the facilities side of the space. She shares her gratitude for the relationships she developed with partners, vendors, COCM colleagues as well as the MassArt team. Listen in to understand Jen’s decision to step away from her career at Capstone and prioritize her family and community—and learn how she is applying the skills she honed in student housing to other roles that fit her lifestyle and align with her values! Topics Covered How Jen’s role with COCM rounded out her student housing experience Jen’s responsibilities as Director of Facilities and Conference Services The trust Jen had to build with her team at MassArt in Boston The relationships Jen valued with vendors, partners and colleagues Jen’s decision to prioritize her wellness through family + community Having the courage to search for work that truly aligns with your values Jen’s advice around making the decision to step away from your career How wellness is encouraged among the employees at Capstone Articulating how skills in student housing apply to other kinds of work Jen’s insight around the concerns people have with privatized housing Connect with Jen Jen on LinkedIn Connect with Tara Student Housing Matters Student Housing Matters on Facebook Student Housing Matters on Twitter Capstone On-Campus Management Tara on LinkedIn

Joy and Jasmine discuss their summers, self care as fashion scholars and Joy's experience on the TSA panel "New Professionals ConVening: Envisioning Textiles Futures." Image: textilesocietyofamerica.org For more information about the panel and the TSA: https://textilesocietyofamerica.org/community/event-list/#!event/2019/7/27/tsa-new-professionals-convening-envisioning-textiles-futures Panelists: Karen Hampton has shown her woven and stitched narrative artwork nationally since 1994 and has been teaching college since 2008. Her specialties are surface design, embroidery, weaving and courses that address Art and the African Diaspora. Karen is currently an Assistant Professor of Fiber at MassArt, and a board member of the Textile Society of America. Pronouns: she/her Regan de Loggans (Mississippi Choctaw/ Ki'Che' Maya) is an art historian, curator, and educator based in Brooklyn on Lenape land. Their work relates to decolonizing, indigenizing, and queering institutions and curatorial practices. They are also one of the founders of the Indigenous Womxn's Collective: NYC. Pronouns: they/themme Lynnette Miranda’s ongoing research focuses on the social and cultural impact of contemporary art and media, critically examining social practice, contemporary craft, performance, new media and video work. She is passionate about centering artists and practitioners of color, not only through representation, but through building support systems and redistributing resources. Lynnette is currently the Program Manager at United States Artists in Chicago. She has worked at leading arts institutions including Creative Time, ART21, and the Art Institute of Chicago. Pronouns: she/her Joy Davis is an independent scholar of fashion and cultural studies. She has B.A.s in History and Media Theory from University of Maryland Baltimore County (UMBC). She is a pending Masters candidate at FIT's Fashion Studies program. In 2016 she joined Unravel Podcast as a host and producer. In 2018 she launched her own contemporary gallery in Baltimore, MD that has a majority focus on artists of color. She writes about subject matter that is underdeveloped in academia and with the public. Her work transcends many fields of study which includes: fashion, history, art, media, and performance among people of color through history. Her current research focuses on fashion and race analysis in Spanish colonial paintings. www.wallergallery.com www.unravelpodcast.com Moderator: Caroline Hayes Charuk approaches sculpture, printmaking and video from a background in textiles, ceramics, and hobbyist craft materials. She is a former member of CTRL+SHFT Collective in Oakland, CA, a studio and exhibition space focused on supporting women, nonbinary and trans-spectrum artists. She has taught workshops at the Berkeley Arts Museum, the De Young Museum, Richmond Art Center, and numerous other community arts organizations. She is currently the General Manager of the Textile Society of America. Pronouns: she/her Find us here: Website: www.unravelpodcast.comPatreon: www.patreon.com/unravelpodcast PayPal: www.paypal.me/unravelpodcast Instagram: @unravelpodcast Twitter:@unravelpodcast Facebook: www.facebook.com/unravelpodcast/ Pinterest: Unravel: A Fashion Podcast www.pinterest.com/afashionpodcast/ Stitcher: www.stitcher.com/podcast/unravel-podcastWaller Gallery Website www.wallergallery.com/ Waller Gallery Instagram: @wallergallery Jasmine's Nicaragua Instagram: @recuerdosdenicaragua

Cela fait des mois que je discute avec Xavier, nous avons présenté par le génial Andrea Braga et vous pourrez lire le récit de Xavier sur Bikingman Corse dans le numéro de Spotzle magazine fin aout. Avant de commencer la discussion avec Xavier, commencez par suivre Fabrizio qui sera au départ de Paris-Brest-Paris pour faire connaître l'association Cassandra, en faveur des enfants malades. - www.associationcassandra.org/ - www.facebook.com/profile.php?id=100009013926349 - www.facebook.com/eamteamer/ Au moment de notre conversation, Xavier est en Bulgarie, prêt à prendre le départ de la Transcontienentale Race. Nous avons disséqué ensemble son équipement et sa préparation et abordé brièvement la préparation mentale ainsi que la recherche de sponsors et partenaires. Pour suivre Xavier : - www.xaviermassart.eu - www.facebook.com/xavier.massart - www.instagram.com/xaviermassart/ - www.facebook.com/xaviermassartultracyclist/ -------------------------------------- Spotzle : spotzle.cc Facebook : www.facebook.com/spotzlecycling/ Instagram : www.instagram.com/spotzle/ Richard sur Strava : https://www.strava.com/athletes/3633934 Richard sur Instagram : https://www.instagram.com/richard_delaume/ --------------------------------------

Now this is what we call a crossover episode! Cam is in the studio this week with Janina Yutkins-Kennedy, Kayla Rich, and Cara Tarmey - all students at MassArt who we met at Interventions in 2018. Since then, they've been hard at work bringing student-led design to MassArt. The group catches up with Cam to talk about their progress, roadblocks, and what drives them to put on so many hats and keep pushing for what they believe in. + View audio transcript for this episode Audio and transcripts for this season of Interventions: the Podcast are sponsored in part by Juno Design. To learn more about Interventions, find us at interventions.design The Interventions podcast is written and recorded entirely by students from Scout, Northeastern University's student led design studio. Scout aims to foster the design community in the greater Boston area and beyond through real client work, weekly speaker series, and our annual student led design conference. To learn more about Scout, visit our website at northeastern.edu/scout.

How do you find your unicorn job? Heather O’Leary-Agosta argues that rather than getting caught up in titles, it’s more important to consider what you love about your current role and make decisions that facilitate more of THAT. Though she was hesitant to make a career move that seemed like a step back, Heather focused on the quality of her work and the impact she made on the students she served, and that led to an ideal role that fits her passion and education. Heather found her unicorn job as Resident Services Manager at Showa Boston Institute for Language and Culture, a study abroad campus for a university based in Tokyo. In her role, Heather supports the international students who comprise 100% of the student population, familiarizing them with American culture, creating a culturally-sensitive environment, and working with facilities and food services to meet student expectations. Prior to Showa, Heather served as Property Manager for the YWCA in Cambridge, Massachusetts, and General Manager of two residence halls at MassArt for COCM. Today, Heather joins Tara to reminisce about their time together at MassArt, sharing her responsibilities with COCM and the value in helping plan new construction on campus. Heather describes the deep support and diverse perspectives she valued at COCM and explains how she fostered lasting connections with colleagues who continue to be resources. Listen in for Heather’s advice around making strategic career moves and learn how her passion for supporting international students led to her current role at Showa. Topics Covered Heather’s responsibilities working for COCM at MassArt The value in being involved in planning new construction The support + diverse perspectives Heather valued at COCM Heather’s career transition to property managing a YWCA How working with international students led Heather to Showa Heather’s role as Resident Services Manager at Showa Boston Heather’s advice around making strategic career moves Heather’s appreciation for lasting connections from COCM Connect with Heather Showa Boston Heather on LinkedIn Connect with Tara Student Housing Matters Student Housing Matters on Facebook Student Housing Matters on Twitter Capstone On-Campus Management Tara on LinkedIn

We sit down with Derek Cascio, assistant professor at Wentworth Institute of Technology and co-founder of 4th Law Labs. Derek tells a bit of his backstory about going to school for animation then discovering industrial design through concept art. After attending MassArt for ID, he goes on to a rich and busy career working for Philips, Staples and Hasbro as well as Co-founding Design Museum Boston, teaching at Wentworth and co-founding 4th Law Labs. We dive into his thoughts on the future of design education and how instagram has affected students and young professionals. Derek then sheds some light on the “save the world” notion in industrial design. Give us a call on our google voicemail 1-646-494-4011 or send in a question to minordetailspodcast@gmail.com. You can find us on instagram @minordetailspod, @nickpbaker, @idrawonreciepts, and @derekcascio

Mylynda Massart’s career in medicine did not take a traditional route. Her education took her all over the country, and world, finally landing her in Pittsburgh. Throughout her travels and research, she never lost an interest in molecular genetics, in fact, it only grew. Mylynda recognized the importance of incorporating genetics into family medicine to provide the best care possible, especially to those in underrepresented populations.

Betsy Schneider is a photographer and filmmaker who explores and documents transformations of individuals and families over time and place. Her work has been exhibited nationally and internationally and is featured in collections at the Museum of Fine Arts Houston, The Nelson-Atkins Museum in Kansas City, and the Museet for Fotokunst in Denmark. In her most recent work, she photographed and filmed thirteen-year-olds across North America on a Guggenheim Fellowship. This work entitled "To Be Thirteen" will be a major exhibition originating at the Phoenix Art Museum in May of 2018 and it will be accompanied by a book and a feature length film "Triskaidekaphobia". I met Betsy when she was a guest speaker in a photography course I took at MassArt taught by Rania Matar. I was immediately drawn to Betsy's openness and her ability to discuss the multiple layers of her approach to her work and ideas, and found her photography expressive, touching, and memorable. Betsy invited me to her home studio near Boston where we talked about parenting through divorce, the meditative state of driving cross-country, failure's impact on her approach to life, and what it means to age. And, yep, she answered Five Questions. Meet Betsy.

In this episode, Clyde and I talk about some of the incredible acts of creativity we've seen in our classroom. These acts include a 6ft dragon that was displayed at the Arnheim Gallery at MassArt, A 16ft Eifle Tower made from plastic soda straws, a cardboard Dalek with lights and sound as well as an interactive war drawing.  LuckyTown    PAPER SMACHE!!

Exactly HOW much Neanderthal is Tom Hinueber? We find out LIVE, along with a primary for primary care folks on genetic testing with UPMC Family Medicine doc, Dr. Mylynda Massart. Learn more at http://zdoggmd.com/incident-report-126

Lois Hetland is a MassArt professor and among the nation’s leading scholars on the value of arts education. She discusses her research into the Studio Habits of Mind, eight dispositions that students develop through meaningful education in the visual arts. Lois Hetland, Ed.D., is Professor and Graduate Coordinator in the Art Education Department at the … Continue reading "Episode 47: The Real Benefits of Visual Arts Education"

Stefaan Massart from Chateau Vilatte on the estate and antique winery equipment

(http://www.advanceyourart.com/wp-content/uploads/2016/09/samaquillano_1302790971_56.jpg) Sam Aquillano is an Industrial Designer and Founder of The Design Museum Foundation. “My advice to any entrepreneur is to get a co-founder and open up to your friends and family about what you’re about to do.” – Sam AquillanoWhat does it take to launch a museum from scratch? If you’re like me you believe that you need to find a cool building in a great location and get a bunch of donors. That’s what Sam Aquillano and his business partner Derek Casio thought at first but when they looked closer and that model they decided to pivot and think differently. Using their expertise in creating events and looking at the business models of New York City pop-up shops they focused on a new concept for a museum and launched the Design Museum Foundation. MEET SAM: Sam Aquillano is Founder and Executive Director of Design Museum Foundation, a national network of local design museums. What started as Design Museum Boston, now includes Design Museum Portland in Oregon, and is growing across the country. Their mission is to educate the world about the importance of design in our lives. Design is everywhere, so the museum has no permanent address — instead, Sam and his team turn the museum inside out and turn entire cities into locally-focused, nomadic design museums. Sam earned a BFA in Industrial Design from Rochester Institute of Technology and went on to design consumer electronics at Bose Corporation, as well as to teach design at Wentworth Institute of Technology, MassArt, and Babson College — where he recently earned his MBA. With a passion for design, creativity, and learning, Sam creates a long-term vision for the museum. He leads a dedicated team while managing key programs and strategic operations. In 2013 Sam and his team were named one of BostInno’s 50 on Fire. Sam routinely speaks at conferences, keynotes, and workshops about design, entrepreneurship, innovation, branding, placemaking, and business strategy. Recent speaking engagements include IBM SmartCamp, Future M, TEDxBoston, TEDxFenway, Portland Monthly’s Bright Lights, MIT Hacking Arts, and Harvard iLab. What is Design Museum Boston? We’re a new kind of museum focused on educating the world about design. We’re based in Boston, but we don’t have our own gallery space. We’re a distributed museum with exhibits & events all over town. What is a nomadic museum? We turn the museum inside out, turning the entire city into the museum. We put exhibitions and events in places where people already go: retail space, public space—even outside. What will I learn at Design Museum Boston? From architecture to video game design, furniture to fashion, products to graphics, design is more than an industry: it’s a process and way of thinking that solves complex problems. Do I need to be a designer to visit the museum? Absolutely not! Design is for everyone! We offer the most accessible, inclusive way to engage with design and designers. Our exhibitions and events are open to all. BOOKS: How to Form a Nonprofit Corporation (http://amzn.to/2cQLxCE) -Anthony Mancuso Attorney How To Start A Nonprofit: The Ultimate Guide to Forming a Nonprofit Organization. (http://amzn.to/2c9MgjA) (http://amzn.to/2c9MgjA) -A.J. Knight EXTRAS: http://www.idsa.org/ (http://www.idsa.org/) (http://www.idsa.org/) CONTACT: http://designmuseumfoundation.org/boston/ (http://designmuseumfoundation.org/boston/) (http://designmuseumfoundation.org/boston/) BONUS: This podcast is brought to you by Audible. I have used Audible for years, and I love audiobooks. Click on the link to get a 30-day free trial, complete with a credit for a free audiobook download Audible.com (http://www.audibletrial.com/Yuri) QUESTION(S) OF THE DAY: What was your favorite quote or lesson from this episode? Please let me know in...

Nick Sherman is a typo­grapher and typographic consultant based in New York City, co-founder of Fonts In Use and columnist at A List Apart, serves on the board of directors for the Type Directors Club, the Adobe Typography Customer Advisory Board, as well as the artistic board for the Hamilton Wood Type & Printing Museumh He is both a graduate of and consultant for the typeface design program at Cooper Union. He graduated with honors from the Graphic Design pro­gram at MassArt in Boston, where he also taught undergraduate typography and letterpress printing. Nick has worked at Font Bureau, Webtype, and MyFonts, directing web design and promotional material for typefaces in print and digital media. In this interview we talk about Nick’s rituals involving pizza. We wonder if there’re any similarities between pizza and type. Nick explains how he got interested in graphic arts at an early age through music. And how he later on started focussing more on typography. We also talk about the project he did for the Hamilton Wood Type Museum and his work for MyFonts, Font Bureau, Webtype and Fonts in Use. We wonder if Nick can see how type trends go, where it’s getting influenced by, and if he thinks that we’re reaching some sort of a saturation point? Recorded at the Robothon 2015 Conference in The Hague, the Netherlands. Nick Sherman :: Nick at Font Bureau :: Webtype :: Nick at A List Apart :: Nick at Fonts In Use :: A month of pizza :: File Download (31:24 min / 58 MB)

The idea of selecting a model via penalizing a log-likelihood type criterion goes back to the early seventies with the pioneering works of Mallows and Akaike. One can find many consistency results in the literature for such criteria. These results are asymptotic in the sense that one deals with a given number of models and the number of observations tends to infinity. A non asymptotic theory for these type of criteria has been developed these last years that allows the size as well as the number of models to depend on the sample size. For practical relevance of these methods, it is desirable to get a precise expression of the penalty terms involved in the penalized criteria on which they are based. We will discuss some heuristics to design data-driven penalties, review some new results and discuss some open problems.

Résumé : Nous rappelons les bases de l'approche du problème de la classification non supervisée par les modèles de mélange. La méthode usuelle repose sur le maximum de vraisemblance et le choix du nombre de classes à former se fait par des critères pénalisés. Nous nous intéressons particulièrement au critère ICL (Biernacki, Celeux et Govaert, 2000), adapté à ce contexte et pertinent en pratique. L'étude de ce critère et de la notion de classe sous-jacente est abordée dans le cadre de la méthode de minimisation d'un contraste adapté à l'objectif de classification non supervisée. Ce faisant, nous définissons un nouvel estimateur et une nouvelle famille de critères de sélection de modèles dont nous étudions les propriétés - notamment la consistance. La calibration de ces critères par l'heuristique de pente (Birgé et Massart, 2006) est envisagée. Divers aspects pratiques de leur mise en oeuvre sont discutés et leur comportement pratique illustré par des simulations. Vous pouvez entendre l'intervention, tout en visualisant le Power Point, en cliquant sur ce lien : http://epn.univ-paris1.fr/modules/UFR27semSAMOS/SemSamos20091009_Baudry/SemSamos20091009_Baudry.html. Ecouter l'intervention : Bande son disponible au format mp3 Durée : 1H10

This week on the show we had a conversation with Nick Sherman of MyFonts. We got a chance to talk to him about his work at MyFonts, woodtype, pizza, and his move from student to teacher at MassArt. As always you can email us at readbetweentheleading@gmail.com and find us on twitter @rbtlshow. You can find more detailed shownotes at http://rbtl.us/post/133836685