Podcasts about Typeface

Send us a textMeet emerging typeface designers, Paulina Marin and Darrab Qureshi! Paulina designed a typeface called Funky Pants and Darrab designed an Arabic typeface called Qalam in GCM 806 Advanced Typography at Toronto Metropolitan University. In the following conversation, you'll get to hear about each typeface. You'll also hear their perfect type pairings, sensory descriptions of each (sight, smell, touch, sound and even taste), as well as what was easy and difficult about the process. Let the type geekery begin! I'm all about interesting projects with interesting people! Let's Connect on the web or via Instagram. :)

What if the next big wave in marketing isn't about targeting people at all—but impressing their AI agents instead?Abhay Parasnis, CEO of Typeface and former CTO at Adobe, joins us to explain why the future of brand discovery is less “search bar” and more “autonomous agents doing your shopping.” Abhay makes a bold case that most traditional marketing (think SEO strategies, AB tests, and static brand books) is already becoming obsolete. Instead, the brands that win will be the ones building content systems smart enough to speak directly to intelligent agents that buy and sell on our behalf.But this conversation doesn't stop at marketing disruption. Abhay pulls back the curtain on Typeface's meteoric rise, driven in large part by early, strategic partnerships with companies like Microsoft, Salesforce, and Google. He argues that AI startups don't need to outcompete the giants… they need to build what the giants can't, and then let those giants bring them customers. It's a refreshing take on B2B growth that flips the usual “go it alone” startup myth on its head.From identifying watermelon metrics to replacing agency workflows with AI copilots, Abhay brings sharp insight, grounded optimism, and just enough heresy to keep it interesting. If you're trying to navigate the chaos of modern marketing, or just wondering what comes after search, this episode is your map. Key Moments:00:00 Abhay Parasnis: CEO of Typeface & Ex-Adobe CTO06:48 Typeface's Vision and Genesis14:03 The Role of AI in Brand Management17:29 The Future of Agencies in an AI-Driven World25:06 Change Management and the Adoption of AI37:46 AI in Campaign Creation and Performance Measurement40:34 The Future of Search and SEO46:53 Identifying High-Quality Content in AI-Driven Marketing48:16 Offline Relationships and Physical Experiences50:47 The Future of Partnerships in Tech59:45 Transformation in the C-Suite01:04:15 Relevant or Not Relevant: Quick Takes01:05:49 The Future of Digital Content Marketing in an AI-Driven World Mission.org is a media studio producing content alongside world-class clients. Learn more at mission.org.

Last year Spotify launched a big update to the app: a new typeface. For most of us, changing fonts is easy. It's just a dropdown menu away. But creating a whole new typeface and then rolling it out across 45 unique platforms, and over 2,000 types of devices spread across 200 brands – that's not so simple. This brand new font is called Spotify Mix and it was made just for Spotify. From playlists to microsites and billboards, it's what you'll see everywhere you see Spotify, representing the brand's distinctive voice. In this episode, we'll get into the technical and aesthetic challenges that go into creating and deploying a new typeface as well as what made its release possible: Spotify's internal design system, known as Encore. Host and principal engineer Dave Zolotusky speaks with two people on Spotify's design platform team who helped bring Spotify Mix to the world: an iOS engineer and “Spotify's one and only typographer” — a designer who specializes in type and fonts.Learn more about Spotify Mix and our internal design system, Encore:Introducing Spotify Mix, Our New and Exclusive Font — SpotifyCreating coherence: How Spotify's design system goes beyond platforms — FigmaDesign Systems Podcast, Ep. 84: Digital typography: Suggesting, not dictatingRead what else we're nerding out about on the Spotify Engineering Blog: engineering.atspotify.comYou should follow us on Twitter @SpotifyEng, LinkedIn, and YouTube!

Send us a textFrom the middle ages to the Middle East, From Futura to Freight, join us on a journey across the type universe and go where no designer has gone before...Welcome to An Incomplete History of Type (Part 5!)This episode is guest hosted by Natalie Annabelle.Name: LoraRelease Date: 2022Designers: Cyreal, (Type Designer) Alexei Vanyashin, (Photographer) Olga KarpushinaClassification: Serif fontOwned By: Open Source / SIL Open Font LicenseClaim to Fame: A classic serif typeface that exudes sophistication and readability.I'm all about interesting projects with interesting people! Let's Connect on the web or via Instagram. :)

Your brand name isn't just a name: it's your gateway to capital, credibility, and growth! From culture shock to capital gains, your brand could be the key to unlocking major opportunities or keeping you stuck in the hustle. In this masterclass episode Part 2 with branding expert Evante Daniels, we break down the branding science Black businesses need to succeed!We dive deep into:Why your brand name can be the difference between getting funded or forgottenThe two ways to create demand (and why most fail)How to position your brand for growth without losing cultural authenticityThe branding mistakes that cost Black businesses capital and credibilityThe power of strategic naming, perception, and Cultural IP in breaking business barriersThink about how Beyoncé built an empire, how Nike's branding made them legendary, and how companies like Apple and Adidas have mastered the art of brand perception. These aren't just names—they're strategic assets rooted in Cultural IP, market psychology, and identity positioning that drive influence and revenue.If you want to elevate your brand beyond the culture and into boardrooms, bank accounts, and billion-dollar opportunities, this episode is for you. Too often, Black entrepreneurs brand based on passion rather than positioning. But your brand must speak the language of capital if you want to break barriers and build generational wealth. If you're serious about turning your culture into capital and your brand into a business that thrives, and not just survives, this episode is a must-listen.Listen to Part 1 of our conversation here.Beyond The Episode Gems:Follow Evante Daniels On LinkedIn For Creative & Brand Insights, Strategy, Content, & MemesInterested In Working With Evante and Seeqer? Visit Seeqer Website For Services, Case Studies, & Getting StartedBuy Evante's Book "Power, Beats, & Rhymes: Reclaiming Our Cultural Voice"Subscribe To My New Weekly LinkedIn Newsletter: Strategize. Market. Grow.Buy My Book, Strategize Up: The Blueprint To Scale Your Business: StrategizeUpBook.comDiscover All Podcasts On The HubSpot Podcast NetworkTry GetResponse For FREE On Me To Monetize Your Content: GetResopnse Content Monetization Plan Support The Podcast & Connect With Troy: Rate & Review iDigress: iDigress.fm/ReviewsFollow Troy's LinkedIn @FindTroyNeed Growth Strategy, A Keynote Speaker, Or Want To Sponsor The Podcast? Go To FindTroy.comFollow Troy's Instagram @FindTroySubscribe to Troy's YouTube Channel 

Branding is NOT just your logo, colors, or typography. It is perception. It is how people see you, interpret you, and experience you.In this masterclass episode, creative strategist and brand expert Evante Daniels, CSO & Founder of Seeqer, breaks down his biggest branding pet peeves, why marginal market differentiation is the key to success, and how trying to be too different can actually hurt your brand. If your brand stands out more than 5% from the standard, you risk losing connection with your audience. Think of it like seasoning—too much, and no one wants to eat it.We dive into brand standards, color theory, market framing, positioning, and consumer psychology to help you build a brand that resonates while infusing culture to influence brand perception to expand community and loyalty. You do not need to reinvent everything. You need to find your lane. Your brand should reflect who you are becoming, not just where you are today.It is not about faking it until you make it. It is about positioning yourself with passion, potential, and power.This is Part 1 of a must-listen branding conversation.Beyond The Episode Gems:Follow Evante Daniels On LinkedIn For Creative & Brand Insights, Strategy, Content, & MemesInterested In Working With Evante and Seeqer? Visit Seeqer Website For Services, Case Studies, & Getting StartedBuy Evante's Book "Power, Beats, & Rhymes: Reclaiming Our Cultural Voice"Subscribe To My New Weekly LinkedIn Newsletter: Strategize. Market. Grow.Buy My Book, Strategize Up: The Blueprint To Scale Your Business: StrategizeUpBook.comDiscover All Podcasts On The HubSpot Podcast NetworkTry GetResponse For FREE On Me To Monetize Your Content: GetResopnse Content Monetization Plan Support The Podcast & Connect With Troy: Rate & Review iDigress: iDigress.fm/ReviewsFollow Troy's LinkedIn @FindTroyNeed Growth Strategy, A Keynote Speaker, Or Want To Sponsor The Podcast? Go To FindTroy.comFollow Troy's Instagram @FindTroySubscribe to Troy's YouTube Channel 

Abhay Parasnis is founder and CEO of Typeface, is former CTO/CPO at Adobe, and sits on the board of Dropbox and Schneider Electric. He joined Ben Casnocha, co-founder and partner at Village Global, for a live masterclass for Village Global founders.Takeaways:If you can break into the top tier of the enterprise market, it's hard to dislodge you.Big platforms like Microsoft, Google, and OpenAI are eager to prove their tech's power. If you position your startup as a prime showcase for their platform, you become a strategic asset.When selling to enterprise, understand the company's macro strategy in the market, but also know what the on-the-ground person needs to close deals.With the rise of agents and agentic automation, even the workflow layer isn't safe. As these systems gain richer context, they'll redefine automation in SaaS. Just like today's platform vs. app debate, tomorrow's battle will be legacy workflows vs. agents.Success in AI isn't just about top-tier products—it's about being a consultative partner to help them with change management.There's a common fear about embracing a custom data training strategy — it's expensive, complex, and feels like the domain of big players. But starting narrow and accumulating distinct data early is key. It drives real AI differentiation and builds critical internal muscle in engineering and product.Value-based pricing means customers are less price-sensitive because it ties directly to their top-line business, unlike commodity pricing, which faces constant cost pressure. Instead of charging per word, image, or seat—models that AI disrupts—pricing should align with outcomes, ensuring long-term sustainability.Thanks for listening — if you like what you hear, please review us on your favorite podcast platform.Check us out on the web at www.villageglobal.vc or get in touch with us on Twitter @villageglobal.Want to get updates from us? Subscribe to get a peek inside the Village. We'll send you reading recommendations, exclusive event invites, and commentary on the latest happenings in Silicon Valley. www.villageglobal.vc/signup

Imagine Dolly Parton's Jolene. Now, imagine Miley Cyrus singing it. It's the same song and the same lyrics—but they feel completely different, right? That's exactly how typefaces work. A typeface sets the tone before a single word is read. It tells your audience who you are—before they even realize it. And whether your brand feels classic and trustworthy like Dolly's Jolene or bold and modern like Miley's version depends on the choices you make in your typography.” Today, we're diving into the world of fonts, branding, and first impressions. We'll break down: The difference between a typeface and a font (spoiler: Jolene analogy included

Abhay Parasnis, founder of Typeface, is making a big bet on where artificial intelligence will truly reshape the marketing industry. After experience at Adobe and other large organizations, Parasnis ventured out on his own in 2022 to work on a tool to solve the fundamental problem in marketing today, the “content paradox.” He explains why there's a gap between data and cloud technologies, and the ability to use those to effectively make and distribute content. He walks Greg and Rex through some of the cutting-edge functionality that Typeface offers its partners. For Further Reading:Abhay Parasnis showcases Typeface on CNN “De-coded” w/Host Anna StewartAdobe Alum takes AI-enables marketing beyond the promptTransition from solo acts to a complete symphony with AIAbhay Parasnis Keynote at VivaTech 2024 Listen on your favorite podcast app: https://pod.link/1715735755

The quirky, rounded, nominally sans-serif font of Comic Sans became a cultural phenomenon when it first burst onto the scene as a free option in Windows 95. Used in memes, kindergarten classrooms and sometimes even official signage, it's become “the font everyone loves to hate.” So says Simon Garfield, author of a new biography of Comic Sans. And over its 30 years, the font became recommended by dyslexia organizations and can be used to chart a micro-history of online irony, comedy and backlash cycles. Garfield joins us to share why “no other font gets people so worked up” and how Comic Sans says a lot about how we express ourselves, online and off. Guests: Simon Garfield, author, “Comic Sans: The Biography of a Typeface” and “Just My Type: A Book About Fonts”

This episode features an in-person conversation at Canada's largest graphic design conference with type aficionado, Carl Shura! In this episode you'll hear LOTS of excellent type geekery, such as: The history of the typeface Cooper Black and the ways it's connected to Carl as a personThe idea that letterforms are just ‘blobs with defects'How Carl worked backwards from a few letters to reconstruct an iconic Toronto building signHow to approach the development of a revival typefaceThe ways that tools and our physical human bodies shape our understanding of how type should lookCarl's delightful views on Comic SansAnd so much more!If you'd like to see some of the visuals related to what's discussed in this episode, please check out the show notes at www.talkpaperscissors.info. This conversation is part of a guest lecture series in GCM 230 - Typography at The Creative School at Toronto Metropolitan University.I'm all about interesting projects with interesting people! Let's Connect on the web or via Instagram. :)

The Biography of a Typeface. Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

This week, typographer Tom Cook on the fonts of all knowledge; and Graham Daseler explores Billy Wilder and Raymond Chandler's firecracker relationship.'Albertus: The Biography of a Typeface', by Simon Garfield'Baskerville: The Biography of a Typeface', by Simon Garfield'Comic Sans: The Biography of a Typeface', by Simon Garfield'From the Moment They Met it was Murder: Double Indemnity and the Rise of Film Noir', by Alain Silver and James UrsiniProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

非常久违的两位主播的研究对谈来了！在 ChatGPT 诞生近一年半的时间里，生成式 AI 领域几乎每天都在发生激动人心的变化。从大模型到应用，从软件到机器人，从文字到图片、视频、声音，从全新的商业模式到对现有业务的赋能。比起很久之前那一期对谈，不只是 AI，两位主播也都分别开始了新的征程，过去一年有了很多机会在中美一线市场频繁穿梭，终于有机会分享一些我们沉淀下来的观察与思考。 Hello world, who is OnBoard!? Monica 去年加入了另一家美元 VC，更聚焦地关注海外的早期投资机会。GN从美元机构离开，创立了 SaaS/AI 社区 Linkloud（公众号同名），帮助越来越多中国软件和科技公司走向全球。AI 无疑是这个时代里边最大的变量之一，近两个小时，过去一年在中美频繁奔波的我们，探讨了你关心的各种问题： AI应用落地真的不及预期吗？ 从应用到infra有哪些有意思的落地案例？ 如何看待国内AI的进展和弯道超车的机会？ 中美差异背后的原因是什么？ AI公司出海有什么最佳实践与建议？ 一些拙见，抛砖引玉，希望对大家有一些些启发~！Enjoy! 我们都聊了什么 03:11 两位主播的自我介绍，以及最近半年日常使用的AI产品。 15:54 一年以来，哪些AI产品或落地超预期或不及预期？ 20:24 为什么还在成长期的SaaS公司最容易将AI落地？ 23:11 AI在全球其他地区的渗透有什么不一样的地方？ 26:00 为什么在美国大模型和Infra层的进展会超预期？ 30:16 对苹果Siri的预期，以及可能面临的限制在那里？ 35:31 Soundhound是如何结合Voice AI来落地点餐场景，并完成商业化的？ 40:42 EvolutionIQ是如何在保险领域结合AI并促进业务增长的？ 49:08 Monica错过的一家初创公司是如何将AI融入销售人员工作流的？ 55:47 为什么AI代码生成领域在今年会百花齐放？ 65:38 国内AI的进展与美国有什么不同，为什么在C端会出现更多产品？ 76:07 中美资本市场的差异在哪里，以及创业者该如何在市场下行时树立长期愿景？ 81:58 为什么中美差异最大的是AI在B端的发展，以及机器人是否是个变量？ 92:55 为什么“单点极致”可能是中国AI公司出海最重要的方式？ 97:33 为什么出海第一步要走出国门，感受并融入开放的生态？ 100:55 作为投资人，如何看待面对大模型公司下创业公司的壁垒和竞争力？ 106:41 两位主播对今年AI的“大胆”预测和期待有哪些？ 119:02 最后，奉上我们这一年新种草的播客和Newsletter，希望对听众有帮助！ 提到的公司 Devin (by Cognition Lab): cognitionlab.com SWE-agent: swe-agent.com DBRX by Databricks: github.com Jamba: A Hybrid Transformer-Mamba Language Model Hume AI: www.hume.ai Monica.im: www.youtube.com Gemini Advanced: www.cnn.com Perplexity: www.perplexity.ai Kimi Chat: asianwiki.com Six助手（目前还在灰度测试，微信不接受新用户啦） Workstream: www.workstream.us Klarna: www.klarna.com Speak: https://www.speak.com/ Lepton.ai: www.lepton.ai Soundhound: www.soundhound.com EvolutionIQ: evolutioniq.com Siro: siro.ai Magic.dev: magic.dev Codium: www.roboleary.net Cursor: www.cursor.app Augment: www.augment.co Sweep: www.sweep.io Typeface: www.typeface.ai Sierra AI: www.siera.ai Physical intelligence: www.bloomberg.com Skild: www.skild.ai Covariant: covariant.ai Figure: www.figure.ai Cobot: www.tm-robot.com Deepmind RT-X: deepmind.google 推荐的播客和newsletter Latent Space | swyx & Alessio | Substack Bg2 Pod Interconnected | Where Tech, Investing, Geopolitics Come ... Elad Gil First Round Review What's

Meet emerging typeface designers, Max Berardi and Cecilia Ly! Max designed a typeface called League Gothic and Cecilia designed a typeface called Verre Fondu and in the following conversation, you'll get to hear about each typeface. You'll also hear their perfect type pairings, sensory descriptions of each (sight, smell, touch, sound and even taste), what was easy and difficult about the process, including what they'd do differently next time. Let the type geekery begin! I'm all about interesting projects with interesting people! Let's Connect on the web or via Instagram. :)

Today's guest is Franz Hoffman, designer-turned-entrepreneur and cofounder of Fontself, which brings easy type-making capabilities into the hands of all creatives.In this conversation you'll learn why Fontself was created and more about Fontself as a tool and its evolution, hearing about some interesting projects from around the globe with the Fontself toolset at their centre. Experimentation, iteration and democratization are all themes explored throughout the following 40 minutes. This episode is not sponsored by Fontself; I believe that it's just a really great tool that I was excited to learn more about from Franz directly.This episode is co-hosted by Graphic Designer, Michael Young. I'm all about interesting projects with interesting people! Let's Connect on the web or via Instagram. :)

Vishal Sood, Head of Product at Typeface, explores the debate between automation and creativity and dissects the significance of each in marketing. In the ever-changing world of content, it's crucial to identify what truly connects with your audience and leverage it across different channels. Yet, personalizing content for each channel, audience group, and geographical location can be a daunting task, but this is precisely where generative AI steps in as a game-changer. Today, Vishal discusses the level of content personalization that can be expected. Show NotesConnect With: Vishal Sood: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vishal Sood, Head of Product at Typeface, explores the debate between automation and creativity and dissects the significance of each in marketing. In the ever-changing world of content, it's crucial to identify what truly connects with your audience and leverage it across different channels. Yet, personalizing content for each channel, audience group, and geographical location can be a daunting task, but this is precisely where generative AI steps in as a game-changer. Today, Vishal discusses the level of content personalization that can be expected. Show NotesConnect With: Vishal Sood: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vishal Sood, Head of Product at Typeface, explores the debate between automation and creativity and dissects the significance of each in marketing. Creative thinking is what generates innovative ideas, connects emotionally with the audience, and builds a brand's identity. While there is a fear that automation may eventually replace the creative elements of marketing, automation alone cannot replicate the depth of human creativity. Today, Vishal discusses automation versus creativity in marketing. Show NotesConnect With: Vishal Sood: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vishal Sood, Head of Product at Typeface, explores the debate between automation and creativity and dissects the significance of each in marketing. Creative thinking is what generates innovative ideas, connects emotionally with the audience, and builds a brand's identity. While there is a fear that automation may eventually replace the creative elements of marketing, automation alone cannot replicate the depth of human creativity. Today, Vishal discusses automation versus creativity in marketing. Show NotesConnect With: Vishal Sood: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, you'll meet designer and illustrator, Ben O'Neil, who worked for 70 days to create a typeface based on visual prompts from images online to create an alphabet of whimsical and wonderful letterforms. You'll hear Ben discuss this project (called ‘Type Alike'), including his thoughts on creative constraint, as well as creative consistency. I'm all about interesting projects with interesting people! Let's Connect on the web or via Instagram. :)

Are Google fonts a Graphic Designers best friend, or Graphic Design Trap?On one hand, they provide Graphic Designers with free use of responsive, high quality fonts for use in print or online, with the most open commercial font licenses available. On the other hand...it's Google? A company that hasn't always been known for it's business ethics.Join The Angry Designers as they debate what is either a Graphic Designers best friend, or worst nightmare: Google Fonts. In this episode, the not-so dynamic duo cover:- Ridiculous font prices- Typeface vs Font - Open source fonts vs paid license - what's best for the customerBy the end of this episode you will either pledge your allegiance to using Google fonts for Graphic Design - or swear against the tyrannical regime that is Alphabet?Stay Angry our Friends –––––––––––Want to see more? See uncut episodes on our YouTube channel at youtube.com/theangrydesigner Read our blog posts on our website TheAngryDesigner.comJoin in the conversation on our Instagram Instagram.com/TheAngryDesignerPodcast

本期继续讨论如何打造面向海外市场的AI 应用！上一期节目我们从不同角度探讨了技术如何推动 AI 应用落地，以及嘉宾在各自领域做应用和产品的所见所闻。如果你还没有听过上一期，欢迎先补课！ Hello World, who is OnBoard!? 本期我们邀请到了横跨中美的几位嘉宾，在各自的领域也非常有代表性。包括Monica.im 这个用户过百万的 AI 工具的创始人，也有 Typeface 这样由 Adobe 前 CPO 创建的、针对企业级用户的美国本土 AI 创业公司的早期员工，还有经历过移动互联网时代的大厂 to C 方向探索者。他们不同视角和经验的碰撞，非常精彩，这次的内容分成两期给大家放送。 第二部分，我们将着重探讨 AI 产品从0到1的增长，产品长期竞争力和未来展望。都是来自一线的实践和思考干货，大家 Enjoy! 嘉宾介绍 肖弘：Monica.im 创始人 & CEO。之前在国内 To B SaaS 领域创业。 张涛：古典产品经理，工具、内容、SaaS都做过，目前探索 AI 应用场景中。 赵鑫宇：Typeface 早期员工，负责产品后端研发以及大模型调优，此前在 Meta 和 Tiktok 等参与 growth engineering 和机器学习工作。 OnBoard! 主持：Monica：美元 VC 投资人，前 AWS 硅谷团队+ AI 创业公司打工人，公众号M小姐研习录 (ID: MissMStudy) 主理人 | 即刻：莫妮卡同学 我们都聊了什么 02:31 Monica.im海外增长是如何0到1的？为什么建立一个学习型组织很关键？ 13:13 五年后，Red希望Monica.im会是一个什么样的定位？ 19:07 从企业服务落地角度，为什么Agents和对专业知识的抽象会有很大价值？ 23:43 现在AI互动还有哪些“改良”空间以及张涛团队正在尝试哪些小实验？ 29:30 什么样的AI产品出海对国内来说有优势？ 32:06 如何构建应用产品的壁垒？为什么团队至少需要有很“懂”模型的成员？ 43:50 如何看待与也做Killer app的大模型公司的竞合关系？海内外大模型公司差异在哪里？ 60:33 Google Gemini真正的差距为什么在开发者生态上？ 63:55 最后，大家未来一年工作的重心在哪里，以及还有什么期待？ 欢迎关注M小姐的微信公众号，了解更多中美软件、AI与创业投资的干货内容！ M小姐研习录 (ID: MissMStudy) 如果你用 Apple Podcasts 收听，也请给我们一个五星好评，这对我们非常重要。 OnBoard! 终于成立听友群啦！新年新气象，加入Onboard听友群，结识到高质量的听友们，我们还会组织线下主题聚会，开放实时旁听播客录制，嘉宾互动等新的尝试。添加任意一位小助手微信，onboard666, 或者 Nine_tunes, 发送你的姓名、公司和职位，小助手会拉你进群。期待你来！

大家好，欢迎来到 Onboard！这一期是几个月前拖欠的作业，不过即使在 AI 发展日新月异的今天，如何打造 AI 应用这个主题，倒也仍然不过时。毕竟打造伟大产品，本身就是一个需要长期探索和耕耘的过程。过去一年，我们就 AI 和大模型技术做了很多深度探讨，但是一方面，大家看到大模型能力突飞猛进，英伟达等“买水”生意也蒸蒸日上另一方面，又普遍感觉 AI 应用落地的速度低于预期。 到底现在国内外应用产品真实落地的情况是怎样的？ 从太薄的 “GPT wrapper”, 到轻量级产品工具，到企业级应用，一线的创业者和从业者有哪些心得？ 出海已经是 AI 应用不得不谈的主题之一，做一个面向海外的产品，从0到1的增长应该怎么做？ 大模型底层技术的演进，又给产品的设计带来哪些机会和挑战？ Hello World, who is OnBoard!? 本期我们邀请到了横跨中美的几位嘉宾，在各自的领域也非常有代表性。包括Monica.im 这个用户过百万的 AI 工具的创始人，也有 Typeface 这样由 Adobe 前 CPO 创建的、针对企业级用户的美国本土 AI 创业公司的早期员工，还有经历过移动互联网时代的大厂 to C 方向探索者。他们不同视角和经验的碰撞，非常精彩，这次的内容分成两期给大家放送。 第一部分，我们讨论了不同 AI 产品形态，不同场景的应用，以及技术发展对于应用产品的影响。第二部分，我们将着重探讨 AI 产品从0到1的增长，产品长期竞争力和未来展望。都是来自一线的实践和思考干货，大家 Enjoy! 嘉宾介绍 肖弘：Monica.im 创始人 & CEO。之前在国内 To B SaaS 领域创业。 张涛：古典产品经理，工具、内容、SaaS都做过，目前探索 AI 应用场景中。 赵鑫宇：Typeface 早期员工，负责产品后端研发以及大模型调优，此前在 Meta 和 Tiktok 等参与 growth engineering 和机器学习工作。 OnBoard! 主持：Monica：美元 VC 投资人，前 AWS 硅谷团队+ AI 创业公司打工人，公众号M小姐研习录 (ID: MissMStudy) 主理人 | 即刻：莫妮卡同学 我们都聊了什么 02:43 各位嘉宾的自我介绍，以及自己正在做的或公司的AI产品是怎样的？ 10:27 为什么国内创业者选择在to C方向上居多，而海外更多面向to B？ 12:27 为什么Monica.im选择插件形态以及前两次创业对这次新征程的帮助。 21:57 为什么Monica.im的定位是Copilot for web？ 27:14 一开始就服务企业级客户的Typeface在产品和Go-to-market上有什么特别之处？ 35:31 为什么Typeface需要做得足够“深”才能满足企业对Onboarding和品牌风格上的需求？ 39:51 为什么对大多数来说信息不存在过载，以及用AI来处理并“消费”人类生产的内容有什么机会？ 49:13 为什么未来人与AI的互动将变成一件非常正常的事情？ 58:17 为什么从全行业角度，现在AI的渗透率比从业者眼里其实要低很多？ 63:12 对于Monica.im，如何通过提升执行力和用户体验来加快产品渗透率的？ 67:21 企业级客户对各类型AI产品的使用意愿如何，以及阻碍在什么地方？ 73:04 为什么例如LCM等技术是文生图领域非常重要的里程碑？ 82:38 在企业里，为什么从产品Demo到真正落地间的跨度还很大？ 92:45 在做To C产品中，有哪些技术问题是Monica.im最关注的？ 106:26 现在主流的LLM Ops工具有哪些，以及嘉宾有什么推荐？ 欢迎关注M小姐的微信公众号，了解更多中美软件、AI与创业投资的干货内容！ M小姐研习录 (ID: MissMStudy) 如果你用 Apple Podcasts 收听，也请给我们一个五星好评，这对我们非常重要。 OnBoard! 终于成立听友群啦！新年新气象，加入Onboard听友群，结识到高质量的听友们，我们还会组织线下主题聚会，开放实时旁听播客录制，嘉宾互动等新的尝试。添加任意一位小助手微信，onboard666, 或者 Nine_tunes, 发送你的姓名、公司和职位，小助手会拉你进群。期待你来！

Welcome to the Marketing Technology Podcast, hosted by Elias Crum (digital strategist and owner of Marketing Guys). In this insightful episode of the Marketing Technology Podcast, Elias Crum hosts Arushi Jain, the innovative Marketing Director at Typeface. This dialogue navigates the transformative role of AI in marketing, exploring its myriad opportunities, potential threats, and its undeniable impact on the future of creative professions. This discussion, rich in depth and scope, provides a lens through which CMOs and B2B marketing professionals can view the evolving landscape of digital marketing.  Arushi, fresh from joining the AI revolution at Typeface, shares her seasoned insights into how artificial intelligence is reshaping the field of marketing. As a precursor to a thought-provoking session, the conversation delves into the utility of AI for marketers, discussing not just the tools at their disposal but the broader implications of adopting such technologies in strategy formulation and execution. **AI: Threat or Opportunity for Marketers?** Arushi offers a balanced perspective on the duality of AI as both a potential disruptor and an unparalleled advantage for marketers. The heart of the matter, as Jain illustrates, is how marketers choose to adapt to and adopt AI. Far from being a harbinger of obsolescence for marketing professionals, Arushi posits AI as a catalyst that can elevate the strategic aspects of marketing, automating the mundane to allow for an increased focus on creative and strategic planning. It's about harnessing AI to enhance human ingenuity, not replace it. **Joining the AI Revolution** Arushi's enthusiasm for joining the AI revolution at Typeface encapsulates the momentum gathering in the sector. Her narrative underscores AI's power to transform product marketing and partnerships. She draws from her experiences, illustrating how AI solutions like Typeface's offerings can drive efficiency, creativity, and personalized marketing at scale. Arushi emphasizes the necessity for marketers to become adept in leveraging AI for content creation, audience targeting, and analytics to remain competitive in the digital era. **Standing Out in Content** The discussion then transitions to one of the modern marketer's greatest challenges: standing out in an era of content abundance. Here, Arushi offers a treasure trove of insights on leveraging AI to create content that not only resonates with target audiences but also aligns perfectly with brand narratives. The emphasis is on the intelligent use of AI to generate unique, engaging content that breaks through the noise. AI, as Arushi articulates, is a powerful tool for identifying and leveraging nuances that make content distinct and compelling. **Why Demand for Creatives Will Surge** Perhaps one of the most fascinating parts of the conversation revolves around the future of creatives in the AI era. Contrary to the narrative of displacement, Arushi forecasts a surge in demand for creative professionals. In her view, the infusion of AI in marketing workflows will amplify the need for human creativity. AI excels in efficiency and personalization, but the imaginative, emotional depth that humans bring to storytelling and brand building remains unparalleled. The future, as envisioned by Jain, is one where AI and human creativity coalesce, opening new vistas of marketing innovation. **Engaging Insights for B2B CMOs** For CMOs in the B2B space, Arushi's message is clear: the time to integrate AI into marketing strategies is now. Beyond the technological integration, she emphasizes the importance of fostering a culture of innovation and continuous learning within organizations. This approach ensures teams are not only proficient in using AI tools but are also able to think critically about how these technologies can be applied to solve complex marketing challenges uniquely. **Conclusion** As the episode wraps up, listeners are left with a deep understanding of AI's pivotal role in marketing's future. Arushi Jain, with her insightful contributions, makes a compelling case for the strategic integration of AI in marketing. Her perspectives offer much-needed clarity on navigating the complexities of digital marketing, ensuring CMOs and marketing professionals are well-equipped to leverage AI for creating meaningful, impactful marketing strategies.  For those looking to connect with Arushi and delve deeper into her insights, her LinkedIn profile offers a gateway to further discussion: https://www.linkedin.com/in/jain-arushi/ **Engagement and Continuing the Conversation** Elias Crum's conversation with Arushi Jain on the Marketing Technology Podcast is not just a standalone episode but a springboard for ongoing dialogue in the marketing community. Listeners are encouraged to explore how they can contribute to the evolving narrative of AI in marketing, sharing thoughts, experiences, and predictions for what the future holds.   Website Typeface and 30-day trial: https://typeface.ai/  LinkedIn Arushi Jain: https://www.linkedin.com/in/jain-arushi/    ** Are you a Martech Enthusiast? Subscribe to our 2-weekly newsletter at clubmartech.com ** If you want to be on this podcast or would like to know more about Marketing Technology, visit our website at marketingguys.com or contact Elias Crum at e.crum@marketingguys.nl

Witness the evolution of marketing with Typeface, GrowthLoop, and Google Cloud unveiling a transformative GenAI solution. Dive into the collaborative initiatives reshaping marketing strategies for unprecedented growth. Get on the AI Box Waitlist: AIBox.ai Join our ChatGPT Community: Facebook Group Follow me on Twitter: Jaeden's Twitter

Delve into the strategic partnership as Typeface, GrowthLoop, and Google Cloud pioneer GenAI marketing. Explore the collaborative efforts driving innovative solutions and redefining marketing strategies. Get on the AI Box Waitlist: AIBox.ai Join our ChatGPT Community: Facebook Group Follow me on Twitter: Jaeden's Twitter

Experience the synergy of GenAI marketing as Typeface, GrowthLoop, and Google Cloud trailblaze a collaborative journey. Uncover the transformative impact of their partnership on the marketing landscape. Get on the AI Box Waitlist: AIBox.ai Join our ChatGPT Community: Facebook Group Follow me on Twitter: Jaeden's Twitter

Over the summer, Gartner placed generative AI at the peak of inflated expectations on its hype cycle covering emerging technologies. Sounds about right. But at the same time, marketers are getting more serious about AI adoption, says Abhay Parasnis, CEO and founder of Typeface.ai.

In this episode, we delve into the pioneering efforts of Typeface, GrowthLoop, and Google Cloud as they spearhead the GenAI Marketing Solution. Tune in for a solo discussion on the strategic moves and potential disruptions in the marketing industry fueled by this transformative partnership. Invest in AI Box: ⁠https://Republic.com/ai-box⁠ Get on the AI Box Waitlist: ⁠https://AIBox.ai/⁠ ⁠AI Facebook Community Learn About ChatGPT Learn About AI at Tesla

On-device AI is coming to all of our devices. But, do we need it? From the potential benefits of increased productivity and seamless integration with our devices to concerns about privacy, resource consumption, and the lack of a "kill switch," we explore the untold side of on-device AI that no one's talking about. Join us as we uncover the hidden truths of this technological trend, discuss the impact on companies like Microsoft and Apple, and anticipate the release of llama 2 and its intriguing offline integration. Stay with us to be in the know about generative AI, and its far-reaching implications in our everyday lives.Newsletter: Sign up for our free daily newsletterMore on this Episode: Episode page Join the discussion: Ask Jordan and Nancy questions on GPTsUpcoming Episodes: Check out the upcoming Everyday AI Livestream lineupWebsite: YourEverydayAI.comEmail The Show: info@youreverydayai.comConnect with Jordan on LinkedInTimestamps: 00:00 Welcome to the show! 03:12 Daily AI News06:54 Trend towards bringing generative AI to devices.10:50 Speculation on Apple's offline/on-device AI plans.13:59 Personal AI reduces latency, making tasks instant.16:25 On-device AI enhances productivity, seamless integration.20:28 GPT-3 technology requires significant resources and testing.24:20 On-device AI downsides include lack of control.27:06 Speech describes potential impact of AI technology.32:36 Reduced cloud prompting by 90% using on-device AI.33:31 Enjoyed learning about on device AI, share ideas.Topics Covered in This Episode: 1. Concerns about implications of on-device AI2. Anticipation around llama 2 release3. Speculations on Apple's generative AI project4. Benefits and drawbacks of on-device AI 5. Integration of large language models with smart assistants6. New AI-powered hardware devices7. Challenges and drawbacks of on-device AI8. Purpose of podcast and recent AI newsKeywords: On-device AI, Kill switch, User consent, Opt-out option, Accessibility, Environmental impact, AI programs, AI technologies, Microsoft, NVIDIA, Qualcomm, Meta, Apple, Llama 2, Offline integration, Market adoption rates, Generative AI, Cloud-based AI, Large language models, Smart assistants, Alexa, Google Home, Rabbit r one, Meta Ray Ban glasses, Resource consumption, Battery life, Skynet factor, Podcast, Livestream, ChatGPT, Typeface.Get more out of ChatGPT by learning our PPP method in this live, interactive and free training! Sign up now: https://youreverydayai.com/ppp-registration/

In this episode, we unravel the collaborative efforts of Typeface, GrowthLoop, and Google Cloud, as they join forces to introduce a groundbreaking GenAI Marketing Solution, exploring the key features and potential impact on the marketing landscape. Invest in AI Box: https://Republic.com/ai-box Get on the AI Box Waitlist: https://AIBox.ai/ AI Facebook Community

Episode 319 of The VentureFizz Podcast features Peter Berg, Managing Partner at M12, Microsoft's venture capital fund. I've had lots of investors as guests on the podcast, but I was excited to interview Peter because I've never interviewed an investor from a CVC or a Corporate Venture Capital fund. I'm not sure what the number is today, but according to a 2023 report about CVCs, it counts 1,100 active CVCs. Based on this scale, it is a very meaningful opportunity for entrepreneurs in terms of raising capital. Thus, Peter and I pretty much get right into the details towards the beginning of our conversation about the world of CVCs… from what they are, differentiators, strategic advantages of raising capital from a CVC, how to evaluate a CVC, and other topics. As previously stated, M12 is Microsoft's VC fund. The firm invests in Seed, Series A, and Series B rounds of funding across different categories like Cloud Infrastructure, AI, Cybersecurity, Web 3 & Gaming, Vertical SaaS, and Developer Tools. In this episode of our podcast, we cover: * How Peter landed a first name @peter handle on Twitter / X.com. * A walk through Peter's career including his investment into Square and the creation of Visa Ventures which scaled to a global organization and went on to invest in Stripe, LoopPay (a Boston startup that was acquired by Samsung), and many other companies. * All the details on Peter's area of focus at M12 and what he is targeting for investments. * M12 portfolio company examples like Inworld and Typeface. * His thoughts and opinions on the current state of the market for raising capital. * And so much more.

译著《卡尔·格斯特纳：设计程序》近期上市，由郦亭亭翻译、主播 Eric 监修。今天，我们有幸邀请译者郦老师做客嘉宾，讲述卡尔·格斯特纳多面化的职业生涯及其富于创造性的作品和思想，以及新书翻译、出版的幕后故事。 参考链接 学习组（Study Group），一个以融通视觉研究、设计考古、活动分享、展览及写作出版为目的的团体 卡尔·格斯特纳（Karl Gerstner）著，郦亭亭译，刘庆监修．《卡尔·格斯特纳：设计程序》 ．岭南美术出版社，2023 年 Karl Gerstner, & Lars Müller (Ed.). Designing Programmes: Programme as Typeface, Typography, Picture, Method. Lars Müller Publishers, 2019 瓦西里·康定斯基（Wassily Kandinsky）著，T-Lab 译．《从点、线到面》．重庆大学出版社，2011 年 克里斯托弗·格伦伯格（Christoph Grünberger）著，郦亭亭译 ．《算法即设计》 ．岭南美术出版社，2022 年 约瑟夫·米勒–布罗克曼（Josef Müller-Brockmann）著，徐宸熹、张鹏宇译，杨林青、刘庆监修．《平面设计中的网格系统（经典版）》．上海人民美术出版社，2022 年 卡尔·格斯特纳（Karl Gerstner，1930—2017），瑞士字体排印师、平面设计师、艺术家 约瑟夫·米勒–布罗克曼（Josef Müller-Brockmann，1914—1996），瑞士平面设计师、教育家 Emil Ruder，瑞士字体排印师、平面设计师、教育家 Fritz Zuber-Buhler，瑞士画家 Armin Hofmann，瑞士平面设计师、教育家 嘉基（Geigy），瑞士制药厂；后被合并为汽巴–嘉基集团（Ciba-Geigy AG），后再被合并为诺华集团（Novartis AG） Markus Kutter，瑞士历史学家、广告人、政治家 乌力波（Oulipo），由法语作家、数学家组成的文学运动团体 GGK (Gerstner, Gredinger + Kutter)，瑞士广告代理机构 具体艺术（concrete art），始于 1930 年代的抽象艺术运动 Armin Medosch. New Tendencies: Art at the Threshold of the Information Revolution (1961–1978). MIT Press, 2016 Max Bense，德国哲学家、作家 Umberto Eco，意大利哲学家、符号学家、小说家 卡尔·格斯特纳于 2006 年将个人作品存档捐赠给了瑞士国家图书馆 Karl Gerstner. kalte Kunst? zum Standort der heutigen Malerei (Cold Art). Arthur Niggli GmbH, 1957 沃夫冈·魏因加特（Wolfgang Weingart），德国平面设计师、字体排印师 Designing Programs/Programming Designs: An Exhibition of Karl Gerstner，MoMA 于 1973 年举办的展览 嘉宾 郦亭亭：独立学者、设计研究与写作者，兼任设计批评、翻译与教学；译作有《从点、线到面》《算法即设计》与《设计程序》等；T-Lab 创始人，学习组组员 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

“The characteristics of jazz help. Its sense of improvisation, individualism, sound, and rhythm are all present and important in graphic design, too.” - Niklaus Troxler, who have been improvising with letterforms like Jazz Musicians since 1960s. In my opinion, a Poster is a mix of typeface and graphics communicating something. In here, typeface matters a lot. To discuss this and more, today we have Sarang Kulkarni with us. Sarang is a type designer and co-founder of Ektype. He also has his own agency called as The White Crow where he does branding and typography work. This Audiogyan will be in English and Marathi. Questions What according to you is Type / Akshar? Massimo Vignelli said that he is comfortable with half a dozen typefaces lasting a lifetime. Rest all is visual pollution. What's the need for more typefaces? What triggers a need for new typefaces? Medium, Language, Expression, Enhancement, Technology, Content? Are there ways to systematically study and distinguish between an improvisation of a typeface versus a different typeface? For eg, Mukta and Modak have different anatomy, so we can say that they are 2 different fonts. But can we say that Inter is an improvised version of Helvetica? You deal with a lot of abstract forms as well. At letterbox, for eg: “k” (Marathi) can be identified if one looks at the flow or series of iterations of representing ‘k'. Can a letter form be identified in isolation? What's the extent of improvisation? How abstract one can go and still make it palatable? When can one start improvising on a typeface? When the base font is registered in everyone's mind. For eg: Can we improvise on a newly launched font set? Does improvisation in a typeface done only as an experiment can transform into the usage of mass communication? What's going on with 365 days of type and more such practices and movements? Are those improvisations? How easy or hard is it today to experiment and improvise on open-source fonts? When does the author know that the improvisation is done? Reference Reading https://www.instagram.com/1sarangkulkarni/?hl=en https://www.instagram.com/ektype/?hl=en https://www.instagram.com/letterbox.india/?hl=en https://www.linkedin.com/in/sarang-kulkarni-5898857/ https://www.behance.net/SarangKulkarni https://www.dandad.org/profiles/person/664731/sarang-kulkarni/ https://www.youtube.com/watch?v=LXwkZaIRLI4 https://whitecrow.in/ https://twitter.com/sarangkulkarni7 https://www.typoday.in/2014/sarang.html http://luc.devroye.org/fonts-86975.html https://eyeondesign.aiga.org/being-a-mumbai-type-designer-is-about-more-than-great-work-you-gotta-get-the-lingos-and-theres-hundreds-of-them/ https://design.google/library/anek-multiscript https://kyooriusdesign.awardsengine.com/?action=ows:entries.details&e=135402&project_year=2023 https://homegrown.co.in/homegrown-voices/ek-type https://www.adi.org.in/events/adiamd-many-worlds-of-type https://vimeo.com/133792269

Vishal Sood, Head of Product at Typeface, explores the debate between automation and creativity and dissects the significance of each in marketing. In the ever-changing world of content, it's crucial to identify what truly connects with your audience and leverage it across different channels. Yet, personalizing content for each channel, audience group, and geographical location can be a daunting task, but this is precisely where generative AI steps in as a game-changer. Today, Vishal discusses the level of content personalization that can be expected. Show NotesConnect With: Vishal Sood: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vishal Sood, Head of Product at Typeface, explores the debate between automation and creativity and dissects the significance of each in marketing. In the ever-changing world of content, it's crucial to identify what truly connects with your audience and leverage it across different channels. Yet, personalizing content for each channel, audience group, and geographical location can be a daunting task, but this is precisely where generative AI steps in as a game-changer. Today, Vishal discusses the level of content personalization that can be expected. Show NotesConnect With: Vishal Sood: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vishal Sood, Head of Product at Typeface, explores the debate between automation and creativity and dissects the significance of each in marketing. Creative thinking is what generates innovative ideas, connects emotionally with the audience, and builds a brand's identity. While there is a fear that automation may eventually replace the creative elements of marketing, automation alone cannot replicate the depth of human creativity. Today, Vishal discusses automation versus creativity in marketing. Show NotesConnect With: Vishal Sood: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vishal Sood, Head of Product at Typeface, explores the debate between automation and creativity and dissects the significance of each in marketing. Creative thinking is what generates innovative ideas, connects emotionally with the audience, and builds a brand's identity. While there is a fear that automation may eventually replace the creative elements of marketing, automation alone cannot replicate the depth of human creativity. Today, Vishal discusses automation versus creativity in marketing. Show NotesConnect With: Vishal Sood: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, discover the groundbreaking partnership between Typeface, GrowthLoop, and Google Cloud as they introduce the game-changing GenAI Marketing Solution. Join us as we delve into the future of marketing and explore how this innovative collaboration harnesses the power of AI to revolutionize marketing strategies and campaigns. Tune in to learn how GenAI is poised to reshape the landscape of digital marketing. Get on the AI Box Waitlist: https://AIBox.ai/Join our ChatGPT Community: ⁠https://www.facebook.com/groups/739308654562189/⁠Follow me on Twitter: ⁠https://twitter.com/jaeden_ai⁠

In this episode, we delve into the groundbreaking partnership between Typeface, GrowthLoop, and Google Cloud, which aims to revolutionize the marketing landscape with their unified 'GenAI Marketing Solution.' We discuss the unique capabilities of this integrated platform and explore its potential to offer data-driven, AI-enhanced marketing solutions for businesses of all sizes. Get on the AI Box Waitlist: ⁠https://AIBox.ai/⁠ Facebook Community: ⁠⁠https://www.facebook.com/groups/739308654562189/⁠⁠ Discord Community: ⁠https://aibox.ai/discord⁠ Follow me on X: ⁠https://twitter.com/jaeden_ai⁠

In this episode, Madrona Managing Director Soma Somasegar talks with Typeface Founder and CEO Abhay Parasnis. Typeface combines generative AI platforms with its own brand-personalized AI, so all businesses can create content that is multimodal and on-brand. Typeface just announced $100 million in new funding, and Madrona couldn't have been happier to participate in the round. Abhay and Soma have known each other for almost 20 years from their time at Microsoft. But In 2022, Abhay left Adobe, where he was CTO and CPO, because he saw an inflection point coming that he wanted to be a part of. This was, of course, before ChatGPT and all the other popular GenAI tools that we've all been playing with this year even came out. Typeface has made waves quickly, attracting Fortune 500 customers and partnering with Salesforce and Google Cloud. In this week's episode, Abhay shares about the need to balance your passion and recklessness for going after a dream with a product that you know will resonate with customers. He explains that people relationships are the real currency when launching a new company, and how advisers are just as important as what he calls the flag planters and road builders that founders need to seek out, to help them on their startup journey. These two industry veterans share all of this and so much more.

AI startup Typeface announced today it raised $100 million at a $1 billion valuation. It's the latest in a string of new AI unicorns – a bright spot amid a wider slowdown in startup funding. Plus, the FTC is gearing up for its biggest suit against Amazon yet, according to Bloomberg. What it could mean for Amazon's already razor-thin e-commerce margins. 

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/douglas_thomas_how_a_typeface_helped_launch_apollo ■Post on this topic (You can get FREE learning materials!) https://englist.me/162-academic-words-reference-from-douglas-thomas-how-a-typeface-helped-launch-apollo-ted-talk/ ■Youtube Video https://youtu.be/6N-n9dv4L3g (All Words) https://youtu.be/GPoiQGZGYE4 (Advanced Words) https://youtu.be/r1cbcuBPUBw (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

今天我们邀请老朋友张暄和微梨做客嘉宾，介绍亲身参与 ATypI 2023 的体验。本期节目将继续为大家分享嘉宾和主播印象深刻的演讲、讨论及参观活动——在国际化与包容性被反复讨论的设计思潮中，字体排印同样不可缺席。 参考链接 Unicode 15.1 开放公共测评（beta review） TikTok 于今年 5 月发布品牌字体 TikTok Sans，由 Grilli Type 协同设计 Discord 于去年 12 月起，启用新字体 gg sans TDC Ascenders 2023（新升奖）公布评奖结果 大曲都市著、刘育黎译．《街机游戏字体》．同济大学出版社，2021 年 ATypI 2023 法国国家印刷所参观活动（Imprimerie Nationale visit） 法国国家印刷所（Imprimerie nationale） 蒙纳铸排机（Monotype system） 用树莓派控制蒙纳铸排机 弗兰克·雅洛（Franck Jalleau），法国最后一位字冲雕刻师 “The Weight of the Ink”（油墨的重量），Véronique Vienne 在 ATypI 2023 开幕式后的主题演讲 “VR Calligraphy Performance: New medium, new possibilities, new perspectives on the art of writing”（VR 书法表演），ATypI 2023 开幕式现场表演 “Designing Fonts for 2 Billion People”，Héctor Mangas 和 Peter Biľak 在 ATypI 2023 的演讲 Typotheque 的文章集合，包括天城文各种区域不同字形的调查报告 国王的希腊字（Grecs du roi） Paul Shaw. Revival Type: Digital Typefaces Inspired by the Past. Yale University Press, 2017 Michael S. Macrakis. Greek Letters: From Tablets to Pixels. Oak Knoll Press, 1996 “Decolonizing Ascenders and Descenders: Resisting homogenization and encouraging diversity”，Borna Izadpanah 在 ATypI 2023 的演讲 “Typeface Legibility and Low-vision Readers”，Sofie Beier 在 ATypI 2023 的演讲 “Titans of Transfer Type”，Dan Rhatigan 在 ATypI 2023 的演讲 字谈字畅 106：观看《平面之道》之道 “It Started as a Typeface for Post-digital Letterpress Printing, and Then it Became Much More”，Ana Sofia Mariz 在 ATypI 2023 的演讲 微软公司的 ClearType 技术 “Power in the World of Type”，Ann Bessemans、Laura Meseguer、Lynne Yun、Nadine Chahine 和 Veronika Burian 在 ATypI 2023 的演讲 “OpenType 2.0 Panel, 2023 Edition”，ATypI 2023 的专题讨论 Boring Expansion，HarfBuzz 起草的字体格式规范扩展第一部分 “Script Meets Tech: Responses to materiality in some ancient and medieval letterforms”，Marc Smith 在 ATypI 2023 的演讲 “Filiation: Nurturing a pedagogy of type design in France”，Alice Savoie 和 Thomas Huot-Marchand 在 ATypI 2023 的演讲 本次巴黎年会举办地点为由巴黎第四与第六大学于 2018 年新合并而成的索邦大学朱西厄校区 阿拉伯世界文化中心（Institut du monde arabe），为法国建筑师让·努维尔（Jean Nouvel）设计 ATypI 2024 年会将于 6 月 3 至 8 日在澳大利亚布里斯班举办 ATypI 2023 off program（非正式活动） 法国国家图书馆举办的特展 “Imprimer ! l'Europe de Gutenberg” 拉雪兹神父公墓 普朗坦–莫雷图斯博物馆位于比利时安特卫普 嘉宾 张暄：前「燕京城外夜玫瑰」，汉仪字库资深字体设计师 刘育黎（微梨）：字体设计师、平面设计师，atelierAnchor 锚坞联合创始人 主播 Eric：字体排印研究者，译者，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

In this episode, Gary speaks with leading figures in the AI industry. The discussion spotlights the transformative potential of generative AI in digital marketing. they delve into the challenges businesses face in rapidly crafting personalized, high-quality content while maintaining their unique brand voice. The solution? The integration of generative models into enterprise systems. They explore how platforms such as Typeface are paving the way with multimodal capabilities, allowing enterprises to generate, fine-tune, and control the content across different formats - text, image, and video. Gary also shares how his company has been utilizing AI on a day-to-day basis. The conversation doesn't shy away from tackling important concerns around brand safety and governance, offering reassurance about safeguards to prevent the creation of offensive or inappropriate content. The episode wraps up with a hopeful vision for the future - a world where generative AI democratizes creative expression and unlocks new avenues for communication. If you're interested in the intersection of AI, digital marketing, and enterprise solutions, this episode is a must-listen! My website: www.garyvaynerchuk.comCheck out my NFT project: veefriends.com Join the VeeFriends Discord: https://discord.gg/veefriends Tweet Me! @garyvee Text Me! 212-931-5731 My Newsletter: garyvee.com/newsletter

Jessica once again talks with Liron Lavi Turkenich, typeface designer & productivity expert — and a self-described multi-passionate. Since graduating from the University of Reading with a masters degree in typeface design, Liron has been designing custom multilingual typefaces for global companies specializing in Hebrew. She is the founder of Aravrit, a hybrid writing system that merges Hebrew and Arabic, and has received wide recognition for its ingenuity and scope. She's spoken at TedX Vienna, SXSW, London Design Museum and more. As a productivity expert, Liron writes and speaks about Visual Productivity, a system for visual processors to help navigate through the personal and work overwhelm of modern life. You can check out her work at lironlavi.com or you can follow her on Instagram at lironlav and aravrit. Listen to her Ted X talk here. Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work? Jessica works with people just like you. She coaches individuals and leadership teams to rise to new challenges - with a unique blend of analytical & creative approaches, plus 18 years of invaluable experience working in companies and startups. Visit jessicawan.com or BOOK AN INTRO CALL: https://calendly.com/jessicawancoaching/intro-call-coaching Credits Produced and Hosted by Jessica Wan Co-produced, edited, and sound design by Naomi Tepper Theme music by Denys Kyshchuk and Stockaudios from Pixabay

I had Laura Worthington on today and it became one of the most interesting podcasts I've ever had because I know so little about this field, even though it's an art form. Laura makes fonts.  She comes from a calligraphy background and it's so unique because at a very young age, she knew exactly what she wanted to do. She was focused and completely obsessed with the written word.Laura is one of probably 1500 people in the world that actually makes their entire living from designing fonts. It turns out that she's done fonts for everything. In fact, in my gallery, one of the fonts on the wall for Shonot Begay's work is one of hers. The movie 'Joker' with Joaquin Phoenix has some of her fonts in it as well.You can almost go down just about any road and see her fonts, either on billboards or on your newspaper and so it's a fascinating world she lives in. It's technical too, but that's the interesting part - trying to understand (for me, somebody who is really a neophyte with all of this) what you do to curate and create fonts and just the technology and the language of what it is to be somebody who does this for a living.I hope everyone enjoys it as much as I did. She's very dynamic and I would recommend watching this on YouTube if you can because she is very animated and that just adds to the whole joy of the podcast. So Laura Worthington on episode 238 of Art Dealer Diaries Podcast.

Story of failure: Spilling green matcha all over my new white shirt.Hi, I'm Ian Barnard, a hand lettering artist and calligrapher. I have a passion for inspiring, entertaining and helping people to get better at their lettering skills through videos on my Instagram and Youtube channels and also creating and selling digital lettering brushes for the iPad.I also am co-host of a popular creative podcast called The Honest Designers Show, where we give you a transparent look into life as a modern designer. You can find us on most podcasting platforms or check out our website honestdesigners.comI live in a small town just outside London, England with my wife and 2 kids. Attend and help out at my local church and try to balance my love of food by running and riding my mountain bike.In today's episode Ian talks about:originally being a graphic designerleaving his job to freelance on the same day his son was borndecided to teach himself a hobbyteaching himself calligraphyusing Instagram to get feedback on his progressstarting to get work inquiries after he improvedgetting paid for his hobbygetting paid not based on client incomestarting into the world of stock design assetsmaking products to sell on Creative Marketfiguring out effects on certain productsgoing all in on selling products onlineprogressing to typefaces and Procreate assetsthe journey of setbacksself-critiquing your workbeing ok with a product not doing well and moving onsense of being down and working through itlearning through the process to get to the higher mountainloving the adrenaline of releasing a productseeing further into the hope of the futurea healthy competitionproducing things that he likes and not what will necessarily just sellgetting inspiration from Pinterestrealizing he's good a problem solvinglessons from the spinning beach ballbeing ok with the fact that there may not be a solutionthe journey of hits and flopshard to stay positive when you're down in the valleyhis willingness to trya teacher being a mentor growing up, Big Zachhis dad being a head master growing upthe mentorship of a man from Ugandacreating a font, releasing it, and making another onefailures with fontslearning shortcuts and learning how to build“You think you failed…and then you realize it was worth it in the end.”free font that was given away being the most popularstory of a free font showing up on a store windowstory of his font showing up on Krispy Kreme and getting free donutsthe skill of typography and learning the processteaching lettering in the UKteaching his own kids letteringhis son playing soccer and not forcing him to do anythingplaying in the park during the middle of the pandemichis son not wanting to train, just playing for fun“I think that's where you learn the best, when you're having fun.”“The best ideas have come when I'm just having fun.”making lettering out of rubix cubesrealizing your creativity through playingdoing courses online and making his own leather walletbeing intimidated by a custom typeface for a clientnot being great with client relations“I just want to create and deliver the goods.”the back and forth battle of an artistclient liaisons and the trickiness of not having themthe pandemic breaking his consistencymore natural being on video and hearing his voicethe steps to good YouTube videosthe laborious process of videosreleasing a video every week and a product every three weeksthe anxiety of the pandemicfamiliar things feeding his creativity and the lack thereof during the last couple of yearssome people not being affectedshould have started the cat typography videos sooner!Instagram - @ianbarnardTwitter - @ian_barnardYouTube - Ian BarnardDribbblewww.ianbarnard.comwww.ianbarnard.netThe Honest Designers Show Podcast---Learn more at www.professional-failure.com!