Podcasts about monotype

时隔八年，《西文排版（增补修订版）》的简体中文译本付梓。此版由主播 Eric 同时负责翻译及内文排版。 本期节目，我们特别请到本书编辑许梦蕾，与大家分享「增补修订版」在翻译、编辑、设计流程中的幕后趣事。 参考链接 The Type 微信公众号发布了 BITS 活动的现场回顾：首日、次日、第三日、第四日 Fontworks 早前于 2023 年 9 月被 Monotype 收购，计划将于 2025 年 3 月 31 日起不再使用原公司名称 Adobe MAX Japan 2025 于 2 月 13 日在东京举办 Adobe Originals 发布日语可变字体 Momochidori（百千鳥），由西塚涼子和 Frank Grießhammer 主创设计 众筹字体项目「北魏真书体」正式版发布 高冈昌生（著），刘庆（译）．《西文排版：字体排印的基础与规则（增补修订版）》．上海人民美术出版社，2025 年 高冈昌生（著），刘庆（译），陈嵘（监修）．《西文排版：排版的基础和规范》．中信出版社，2016 年 高冈昌生，嘉瑞工房现任社长，西文活字排版、印刷专家，英国皇家艺术学会会员 高冈昌生先生 2019 年在广州国际汉字创意大会发表主题演讲 嘉瑞工房，西文活字印刷公司；最初由印刷爱好者井上嘉瑞创办，后由高冈重藏继承 《西文排版（增补修订版）》使用的中文字体包括蒙纳简中宋、蒙纳简黑宋、翔鹤黑体、蒙纳简正楷书 《西文排版（增补修订版）》使用的西文字体包括 Minion 3、Aldus Nova Pro 嘉宾 许梦蕾：上海人民美术出版社图书编辑 主播 Eric：字体排印研究者，译者，The Type 执行编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

Typography is more than just choosing cool fonts — it gives designers and brands the power to take action and spark change. This episode of Creative Characters is all about shaking things up in the design world with Monotype's Re:Vision, a transformative approach to our annual Type Trends report. Host Carl Unger joins report creators, Phil Garnham and Charles Nix, along with design leader and futurist, Lisa Gralnek, to discuss how typography can impact big cultural topics like AI, climate change, and aging. Get insights on how brands can step up and stand out, and learn about our bimonthly activations (kicking off at SXSW!) that'll explore these ideas throughout the year. Read the full report and sign up for the exclusive webinar at monotype.com/type-trends You can find blog posts for this and all our past episodes at monotype.com/podcast

Connect with Sandra Wasko-FloodSandra Wasko-Flood is an artist, poet, teacher and founder of the national non-profit organization: Living Labyrinths for Peace. Elizabeth Bishop is responsible for the publishing of this, her first book of art and poetry.Wasko-Flood received a BA from UCLA (University of California, Los Angeles) in English, and a Standard Secondary Teaching Credential from California State College, Los Angeles. After teaching Junior High School for three years, she became disappointed with the school system, and became a full time artist. She chose artistic luminaries with whom to study wherever she lived: at UCLA, in Rio de Janeiro, Brazil, University of Wisconsin, Madison, Smithsonian Institution Washington DC, and UNM Taos.Specializing in printmaking and art/technology labyrinths, as director of the printmaking center at the Lee Arts Center in Arlington, VA, she invited Keith Howard to teach his new safe etching methods there. She then taught Safe Etching as well as Monotype printmaking, one of the first to update this form of one copy prints, at her home studio in Alexandria, VA.An ardent feminist since college days, she was a founding member of the Washington Women's Arts Center, the Washington Printmakers Gallery, the International Labyrinth Society and the founder of the Women's Art Spirit group (discusses art and spirituality), and Living Labyrinths for Peace.She discovered labyrinths from a seminal experience in the Great Kiva Civic/Ceremonial Center in Chaco Nature National Historical Park, NM, in which she saw figures of all races and cultures ascending an underground spiral, to do a Dance of Peace on the Kiva floor, and ascend a spiral to the skies. Afterwards, she went straight to a book store and found newly published book on labyrinths. She knew a labyrinth belonged in that kiva. Returning to her Washington DC studio, she was inspired to create “Dance of the Labyrinth:” computer programmed light box image faces of people and animals (Life), mummies (Death) and icons (Spirits) that lit up to your steps.Due to an invitation from the Washington Performing Arts Society, (WPAS), based at the Kennedy Center, she conducted her “Labyrinths for Creativity and Peace” workshops in local schools. Inspired to change the school system, she related the labyrinth to all subjects or intelligences. In her soon to be published book—“The Labyrinth Instructors Handbook,” she will receive contributions from teachers in every field.This teaching experience led her to co-directing the Labyrinth Society's first project: “Labyrinths for Peace: 2000,” a labyrinth demonstration for inner peace on the East Lawn of the U.S. Capitol. Shortly afterwards, she founded Living Labyrinths for Peace (LL4P). This national organization, has the mission to inspire healing and transformation within and among people through labyrinth creation and education. Its goal is to establish a permanent LL4P center based on her vision in Chaco's Great Kiva to unite peoples of all cultures, races and beliefs.You are invited to view her art and LL4P websites:www.waskoart.comwww.livinglabyrinthsforpeace.orgContact Sandrawaskoart@gmail.comConnect with Host Terry LohrbeerIf you are a Boomer and feel you would make a great guest please email Terry with your bio and any other info you would like to share at: terry@kickassboomers.comConnect with Host Terry LohrbeerFacebook: https://www.facebook.com/groups/2658545911065461/LinkedIn: https://www.linkedin.com/in/terrylohrbeer/Instagram: kickassboomersTwitter: @kickassboomersWebsite: kickassboomers.comTerry's editing company:Connect to Premiere Podcast Pros for podcast editing:premierepodcastpros@gmail.com LEAVE A REVIEW and join me on my journey to become and stay a Kickass Boomer!Visit http://kickassboomers.com/ to listen to the previous episodes. Also check us out on Facebook, Twitter, Instagram, and LinkedIn. Email terry@kickassboomers.com

In s3e66 of Platemark, host Ann Shafer talks with Jennifer Roberts, an art historian and professor at Harvard, about her latest book, Contact: Art and the Pull of Print, which explores the intersection of intellectual and technical richness in print. Jennifer's book offers a fresh perspective on printmaking, synthesizing simple maneuvers like reversal and pressure to account for the medium's expansive influence. Based on her acclaimed Mellon Lectures delivered during the pandemic, the book is both conversational and accessible, aiming to engage a wide audience beyond the traditional confines of print expertise.   They also talk about Jennifer's journey into the world of print, which began during her research into the movement and dissemination of images within the Anglo-American world during the 18th and 19th centuries. Initially focused on the path of oil paintings, she inadvertently found herself immersed in the world of prints, specifically currency engraving—an intricate craft demanding the production of unreplicable reproductive objects to combat counterfeiting.   Jennifer shares insights from her 20+ years of teaching where she emphasizes long looking at objects (3 hours!) and integrates studio and theoretical learning. Additionally, Jennifer discusses an exciting collaboration with artist Dario Robleto. Their joint work delves into the fascinating realm of printed sound, specifically examining the Golden Record—a phonographic record sent into space on the Voyager probes. This project exemplifies Jennifer's penchant for exploring the intersections of materiality, meaning, and communication within both earthly and cosmic contexts, as well as the intersections of art, science, and the evolution of visual culture. Cover photo: Sharona Jacobs. USEFUL LINKS Bio https://haa.fas.harvard.edu/people/jennifer-roberts IG @jenniferrrrrroberts Jennifer Roberts's books and lectures Contact: Art and the Pull of Print, 2024 https://press.princeton.edu/books/paperback/9780691255859/contact-art-and-the-pull-of-print?srsltid=AfmBOoq_6iSOwrkK9suakEqQRn7TWwBvOj4zyh0Gf3zLcw4gvTpA2uC3 Mellon Lectures, National Gallery of Art https://www.nga.gov/research/casva/meetings/mellon-lectures-in-the-fine-arts/roberts-2021.html Transporting Visions: The Movement of Images in Early America, 2014 https://www.ucpress.edu/books/transporting-visions/hardcover Jasper Johns/In Press: The Crosshatch Works and the Logic of Print, 2012 https://shop.harvardartmuseums.org/products/jasper-johns-in-press-the-crosshatch-works-and-the-logic-of-print The Metamorphic Press: Jasper Johns and the Monotype, 2017 https://www.academia.edu/35947545/The_Metamorphic_Press_Jasper_Johns_and_the_Monotype_2017_   Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook  

In this week's episode, Monotype's Executive Creative Director, Tom Foley, sits down with renowned graphic designer Astrid Stavro to explore her captivating journey. Astrid grew up amidst the hum of printing presses in her father's print shop in Trieste, Italy. She recounts the profound influence of her family's publishing heritage, her deep-seated love for books, and pivotal moments such as her studies at St. Martins and her discovery of Interview magazine. Astrid opens up about her recent ADHD diagnosis, the delicate dance between chaos and tranquility in her creative process, and her responsibilities as Chair of the International Society of Typographic Designers (ISTD). Throughout the conversation, she reflects on her insatiable curiosity and endless pursuit of knowledge, the value of learning from mistakes, and the wealth of inspiration she finds in everyday experiences. Learn more about Astrid at https://astridstavro.design. You can find blog posts for this and all our past episodes at monotype.com/podcast.

It's August. Many of us on the podcast team are trying to wring out the last drops of summer. Others are hard at work getting ready for Monotype's visit to Adobe Max. So this week, we're replaying an oldie episode from our first season. Monotype Creative Type Director Charles Nix talks with Scott Starrett, Co-Founder and Principal of NYC design firm Tandem. Scott shares his story of a serendipitous introduction to a young bartender named Alexandria Ocasio-Cortez, which led to Tandem designing the branding for her transformational 2018 Congressional campaign. To learn more about Scott and the work Tandem is doing, visit: https://www.tandem.nyc/. To see this episode's blog post and other past episode, head over to https://www.monotype.com/podcast

In the final edition of our new podcast miniseries series, Behind the Font, we answer your questions about font licensing [cue Jeopardy theme]! Once again, Monotype's Vice President and Assistant General Counsel, Phil Carey-Bergren wades into the intricacies of font licensing with our host, Carl Unger. Topics include the implications of breaching font licenses, the significance of copyright, and what to do if you accidentally breach a contract or misuse a font license. Behind the Font is exactly what it sounds like - a podcast miniseries that looks behind the creative work we love to better understand how creative work gets done. Have a question or topic you'd like us to explore? Email us at podcast@monotype.com and we may cover it!

This episode of Creative Characters is hosted by Livia, our Social Media Manager at Monotype. Livia interviews designer Kat Romulo about her unconventional journey into design, beginning with a serendipitous flyer at UC Berkeley. Kat shares her rise from posting personal projects on Instagram to acquiring client work, her experiences with public speaking, and her thoughts on the pros and cons of social media for creatives. The conversation emphasizes the importance of designing for oneself to combat burnout, as well as Kat's philosophy of seeking client work that aligns with her values. Additionally, Kat talks about her evolving creative process, the significance of artistic experimentation, and the impact of building a close-knit community through social media. You can find blog posts for this and all our past episodes at monotype.com/podcast.

This week Nick talks to Marc AdamsMarc Adams is the CEO of Acquisitions4you, a specialized business consultancy firm that focuses on facilitating mergers and acquisitions (M&A) for small to mid-sized companies. They provide end-to-end support throughout the acquisition process, ensuring that their clients achieve strategic growth objectives. The firm's services include identifying potential acquisition targets, conducting comprehensive due diligence, negotiating terms, and managing the integration process post-acquisition. By leveraging their extensive network and industry expertise, Acquisitions4you helps businesses navigate the complexities of M&A transactions, ensuring that both the financial and operational aspects are thoroughly addressed to maximize value and minimize risks.Before Acquisitions4you, Marc served as an Advisor at Flatworld Solutions, having significantly enhanced client profitability by outsourcing specialized tasks in financial service and insurance, creating over $100M in value. As a NED at JBTM Group, Marc achieved similar value creation through strategic growth and productivity improvements. As MD EMEA at RSA Security, Marc led a team to deliver $25M in software sales with significant year-over-year growth. Marc's tenure at Thomson Reuters involved turning around the EMEA business and expanding in emerging markets. Earlier roles include senior sales and engineering positions at Centennial Software, Clearswift, EMC Corporation, Sun Microsystems, Monotype, and Intersolve, where they consistently drove successful mergers and acquisitions, brand equity, and exit strategies.Nick and Mark talk about Marc's life and his career and focus on Marc's new book - Secrets to 10xing Your Business and Cashing Out Tax-Free, the book gives guidance on how you can reshape the destiny of your business with strategies proven to not only multiply its worth but also to ensure a lucrative exit when the time is ripe. They cover chapters from the book, Power of Digital Marketing and Tax-Free Selling: Preparing for the Exit.  Marc's book choices where -  Secrets to 10xing Your Business and Cashing Out Tax by Marc Adamshttps://www.amazon.co.uk/Secrets-10Xing-Your-Business-Tax-Free/dp/B0CRXPBB4TDotCom Secrets: The Underground Playbook for Growing Your Company Online by Russell Brunsonhttps://www.amazon.co.uk/DotCom-Secrets-Underground-Playbook-Growing/dp/1630474770This content is issued by Zeus Capital Limited (“Zeus”) (Incorporated in England & Wales No. 4417845), which is authorised and regulated in the United Kingdom by the Financial Conduct Authority (“FCA”) for designated investment business, (Reg No. 224621) and is a member firm of the London Stock Exchange. This content is for information purposes only and neither the information contained, nor the opinions expressed within, constitute or are to be construed as an offer or a solicitation of an offer to buy or sell the securities or other instruments mentioned in it. Zeus shall not be liable for any direct or indirect damages, including lost profits arising in any way from the information contained in this material. This material is for the use of intended recipients only.

GVOZD vibez: 1.Dimension & Alison Wonderland - Satellite 2.[IVY] - All I Need 3.Olly Alexander (Years & Years) - Dizzy (MONSS Remix) 4.Grafix/Andromedik - Comedown 5.Clarkey, Ekstatic - OMG 6.ShockOne - Hey Boy Hey Girl (AC13 Remix) 7.Dj Art - Космический Астероид 8.Tengu & Acelin - Nothing I Can Do 9.Koven & A.M.C - Hooked 10.Andromedik/Luka - Paradise 11.Irontype & Delia Laven - Весна 12.Ozma - Lazy 13.Basement Jaxx - Good Luck (Circadian Remix) 14.Theezer - Catch Me (Feat. Charli B) 15.Karacha - Back to the Criminal 16.[BORDERS] & Puzzle - Grounded (Extended Mix) 17.Dropset - Dark Tower (Glitch City Remix) 18.Dj 10sion f/ Fernquest - Bassline Man (TRCD Remix) 19.oneBYone & Aznok - Star System 20.Noisia/The Upbeats - Dead Limit (Teddy Killerz Remix) 21.Dizelkraft, Gancher & Ruin - DEATHTROY 22.Vecster - Feel The Drum 23.Sick Run - Donkey Rave 24.Critical Matter - Cyan 25.Dextems - Blindsight 26.NKZ - Terra Incognito (Original Mix) 27.Fre4knc - Teratornis 28.Hugh Hardie - Brawler [NTM Mastered v2] 29.Articulated Movement - Unchained 30.NoisiaShaking - Hands (SMG Remix) 31.Kimyan Law - Coltan 32.Creatures, Minor Forms - Minotaur 33.Reknek - Slip Away 34.Cern - Balancing Act (Original Mix) 35.Nemy - Remote Control (Original Mix) 36.JHunna & Ragga Twins - Rising Machine 37.Bass Hunterz - Empire 38.LVB - Warfare 39.Kenji DnB - Wise Guy 40.Jam Thieves - Loko (Original Mix) 41.Trauma DBC - Biological Machine 42.Sili, MC Mota, MC Fava - Left Right 43.Corrupted Mind & Shockzino - Wonderland 44.Morty, JAX, X4, Messe - High Life 45.Vintage Culture, Maverick Sabre, Tom Breu - Weak (CLIPZ Remix) 46.Macky Gee - Psychopath 47.Sub Killaz & Profile - Ganja (Master Error Remix) 48.Jamie Bostron, Shroomz - Wake & Bake (Rowney Remix) 49.Temple/Obbley - Move 50.Spaow - The Corner 51.Toxinate - Release yourself 52.Kontakt/MadRush MC - Start Barkiing (Serial Killaz Remix) 53.Crystal Clear - Temper 54.Fabric8 - That Leedz Dub 55.Xoneout & Talisman - Realness 56.Vektah, Freddy B - Mainframe 57.Pharoah & Flat T - Tiers 58.Mikkim - Hot Gyal Slang 59.General Levy & Serial Killaz - Badboy Sound (Serial Killaz Remix) 60.Perplex - It's The Vibe (Original Mix) 61.General Levy & Serial Killaz - Can't Stop Blaze Up 62.Monotype & NDOE - Good Vibe (Vocal Mix) 63.R3dX - Squiggle 64.Creatures, Joe Raygun - Strix 65.Dj Hazard/Vague - Panic 66.Rainforest - Stoicism 67.Sleepnet/Lumen/Noisia - Finality 68.Martyn Nytram - Step by Step 69.Nia Archives - F.A.M.I.L.Y 70.DIP VERTIGO & Dr. Apollo - Movin' 71.Nia Archives - Crowded Roomz 72.BCee & [ K S R ] - Life, Money (Paul T & Edward Oberon Remix) 73.Rafau Etamski - Hold Me 74.Motiv - Limerence 75.Baska - Running Away (Original Mix) 76.Gardna, Zoro, Eljé - Butterflies (Zoro Remix) 77.DPR & Luke Truth - Get By 78.Pharoah and Flat T feat Ella - Hypnotherapy

01. Dimension & Alison Wonderland - Satellite 02. [Ivy] - All I Need 03. Olly Alexander (Years & Years) - Dizzy (Monss Remix) 04. Grafix/Andromedik - Comedown 05. Clarkey, Ekstatic - Omg 06. Shockone - Hey Boy Hey Girl (Ac13 Remix) 07. Dj Art - Космический Астероид 08. Tengu & Acelin - Nothing I Can Do 09. Koven & A.M.C - Hooked 10. Andromedik/Luka - Paradise 11. Irontype & Delia Laven - Весна 12. Ozma - Lazy 13. Basement Jaxx - Good Luck (Circadian Remix) 14. Theezer - Catch Me (feat. Charli B) 15. Karacha - Back To The Criminal 16. [Borders] & Puzzle - Grounded (Extended Mix) 17. Dropset - Dark Tower (Glitch City Remix) 18. Dj 10Sion F/ Fernquest - Bassline Man (Trcd Remix) 19. Onebyone & Aznok - Star System 20. Noisia/The Upbeats - Dead Limit (Teddy Killerz Remix) 21. Dizelkraft, Gancher & Ruin - Deathtroy 22. Vecster - Feel The Drum 23. Sick Run - Donkey Rave 24. Critical Matter - Cyan 25. Dextems - Blindsight 26. Nkz - Terra Incognito (Original Mix) 27. Fre4Knc - Teratornis 28. Hugh Hardie - Brawler [Ntm Mastered V2] 29. Articulated Movement - Unchained 30. Noisia Shaking - Hands (Smg Remix) 31. Kimyan Law - Coltan 32. Creatures, Minor Forms - Minotaur 33. Reknek - Slip Away 34. Cern - Balancing Act (Original Mix) 35. Nemy - Remote Control (Original Mix) 36. Jhunna & Ragga Twins - Rising Machine 37. Bass Hunterz - Empire 38. Lvb - Warfare 39. Kenji Dnb - Wise Guy 40. Jam Thieves - Loko (Original Mix) 41. Trauma Dbc - Biological Machine 42. Sili, Mc Mota, Mc Fava - Left Right 43. Corrupted Mind & Shockzino - Wonderland 44. Morty, Jax, X4, Messe - High Life 45. Vintage Culture, Maverick Sabre, Tom Breu - Weak (Clipz Remix) 46. Macky Gee - Psychopath 47. Sub Killaz & Profile - Ganja (Master Error Remix) 48. Jamie Bostron, Shroomz - Wake & Bake (Rowney Remix) 49. Temple/Obbley - Move 50. Spaow - The Corner 51. Toxinate - Release Yourself 52. Kontakt/Madrush Mc - Start Barkiing (Serial Killaz Remix) 53. Crystal Clear - Temper 54. Fabric8 - That Leedz Dub 55. Xoneout & Talisman - Realness 56. Vektah, Freddy B - Mainframe 57. Pharoah & Flat T - Tiers 58. Mikkim - Hot Gyal Slang 59. General Levy & Serial Killaz - Badboy Sound (Serial Killaz Remix) 60. Perplex - It's The Vibe (Original Mix) 61. General Levy & Serial Killaz - Can't Stop Blaze Up 62. Monotype & Ndoe - Good Vibe (Vocal Mix) 63. R3Dx - Squiggle 64. Creatures, Joe Raygun - Strix 65. Dj Hazard/Vague - Panic 66. Rainforest - Stoicism 67. Sleepnet/Lumen/Noisia - Finality 68. Martyn Nytram - Step By Step 69. Nia Archives - F.A.M.I.L.Y 70. Dip Vertigo & Dr. Apollo - Movin' 71. Nia Archives - Crowded Roomz 72. Bcee & [ K S R ] - Life, Money (Paul T & Edward Oberon Remix) 73. Rafau Etamski - Hold Me 74. Motiv - Limerence 75. Baska - Running Away (Original Mix) 76. Gardna, Zoro, Eljé - Butterflies (Zoro Remix) 77. Dpr & Luke Truth - Get By 78. Pharoah And Flat T feat. Ella - Hypnotherapy

01. Dimension & Alison Wonderland - Satellite 02. [Ivy] - All I Need 03. Olly Alexander (Years & Years) - Dizzy (Monss Remix) 04. Grafix/Andromedik - Comedown 05. Clarkey, Ekstatic - Omg 06. Shockone - Hey Boy Hey Girl (Ac13 Remix) 07. Dj Art - Космический Астероид 08. Tengu & Acelin - Nothing I Can Do 09. Koven & A.M.C - Hooked 10. Andromedik/Luka - Paradise 11. Irontype & Delia Laven - Весна 12. Ozma - Lazy 13. Basement Jaxx - Good Luck (Circadian Remix) 14. Theezer - Catch Me (feat. Charli B) 15. Karacha - Back To The Criminal 16. [Borders] & Puzzle - Grounded (Extended Mix) 17. Dropset - Dark Tower (Glitch City Remix) 18. Dj 10Sion F/ Fernquest - Bassline Man (Trcd Remix) 19. Onebyone & Aznok - Star System 20. Noisia/The Upbeats - Dead Limit (Teddy Killerz Remix) 21. Dizelkraft, Gancher & Ruin - Deathtroy 22. Vecster - Feel The Drum 23. Sick Run - Donkey Rave 24. Critical Matter - Cyan 25. Dextems - Blindsight 26. Nkz - Terra Incognito (Original Mix) 27. Fre4Knc - Teratornis 28. Hugh Hardie - Brawler [Ntm Mastered V2] 29. Articulated Movement - Unchained 30. Noisia Shaking - Hands (Smg Remix) 31. Kimyan Law - Coltan 32. Creatures, Minor Forms - Minotaur 33. Reknek - Slip Away 34. Cern - Balancing Act (Original Mix) 35. Nemy - Remote Control (Original Mix) 36. Jhunna & Ragga Twins - Rising Machine 37. Bass Hunterz - Empire 38. Lvb - Warfare 39. Kenji Dnb - Wise Guy 40. Jam Thieves - Loko (Original Mix) 41. Trauma Dbc - Biological Machine 42. Sili, Mc Mota, Mc Fava - Left Right 43. Corrupted Mind & Shockzino - Wonderland 44. Morty, Jax, X4, Messe - High Life 45. Vintage Culture, Maverick Sabre, Tom Breu - Weak (Clipz Remix) 46. Macky Gee - Psychopath 47. Sub Killaz & Profile - Ganja (Master Error Remix) 48. Jamie Bostron, Shroomz - Wake & Bake (Rowney Remix) 49. Temple/Obbley - Move 50. Spaow - The Corner 51. Toxinate - Release Yourself 52. Kontakt/Madrush Mc - Start Barkiing (Serial Killaz Remix) 53. Crystal Clear - Temper 54. Fabric8 - That Leedz Dub 55. Xoneout & Talisman - Realness 56. Vektah, Freddy B - Mainframe 57. Pharoah & Flat T - Tiers 58. Mikkim - Hot Gyal Slang 59. General Levy & Serial Killaz - Badboy Sound (Serial Killaz Remix) 60. Perplex - It's The Vibe (Original Mix) 61. General Levy & Serial Killaz - Can't Stop Blaze Up 62. Monotype & Ndoe - Good Vibe (Vocal Mix) 63. R3Dx - Squiggle 64. Creatures, Joe Raygun - Strix 65. Dj Hazard/Vague - Panic 66. Rainforest - Stoicism 67. Sleepnet/Lumen/Noisia - Finality 68. Martyn Nytram - Step By Step 69. Nia Archives - F.A.M.I.L.Y 70. Dip Vertigo & Dr. Apollo - Movin' 71. Nia Archives - Crowded Roomz 72. Bcee & [ K S R ] - Life, Money (Paul T & Edward Oberon Remix) 73. Rafau Etamski - Hold Me 74. Motiv - Limerence 75. Baska - Running Away (Original Mix) 76. Gardna, Zoro, Eljé - Butterflies (Zoro Remix) 77. Dpr & Luke Truth - Get By 78. Pharoah And Flat T feat. Ella - Hypnotherapy

Each year, for over a week, the city of Austin, Texas erupts into a cacophony of life, music, film premieres, comedy showcases, interactive tech demonstrations, and world-class exhibitions for the annual South by Southwest (SXSW). This year, amongst the chaos, community, and creativity of the festival, we recorded our first-ever episode of the podcast on stage in front of a live audience. Monotype's Bill Connolly gathered guests from different corners of the branding world and settled on stage in the balmy, Austin air to talk branding, design, and customer experience through each of their unique lenses. Tune in for a masterclass in branding that explores the visual elements and innovative technology driving how brands, advertising, and experiences influence our responses. Read more about the event here: monotype.com/resources/expertise/brandtalks-sxsw

听众来信是对《字谈字畅》最好的回顾和延展：或关于网页字体排印技术，或关于西文字体设计方法，或探讨学术用语的翻译，或交流字体产品的体验。 今天分享的来信中还有一个特别的彩蛋——通过数据分析，听众或许也能观察到我们幕后的细节。 参考链接 Monotype 主办的讲座「别让字体毁掉你的网站：网页字体初探」于 2 月 28 日、3 月 6 日、3 月 13 日晚八点至九点在线上直播，由 Eric 主讲 Unicode 15.1 新增 emoji 字符 字谈字畅 220：「我们是不是要先哭一把」 Chrome 开始支持四项 CSS Text Module Level 4 的新特性 《CSS 文本模块第三级》（候选推荐标准草案）中关于 word-break 属性的定义 铭刻学用语：squeeze、Abklatsch、estampage Squeeze paper 拓 Paul Shaw, ed. The Eternal Letter: Two Millennia of the Classical Roman Capital. MIT Press, 2015 字谈字畅 216：你的眼睛背叛了你的心 小林章著，刘庆译．《西文字体设计方法：如何打造优美的曲线与舒适的排版》．上海人民美术出版社，2024 年 字谈字畅 090：巴黎城内加拉蒙 Adobe 设计软件内部分与数字相关的 OpenType 特性 Lining figures (lnum) Oldstyle figures (onum) Proportional figures (pnum) Tabular figures (tnum) 数字相关 OpenType 特性在 CSS 中的调用接口 font-variant-settings font-feature-settings W3C 国际化文档《从右向左显示从左向右书写的文字》 Google 开源的 WOFF2 转换工具 HTML dir 属性 HTML 和 标签 锦华明朝体，薛天盟设计，茉莉字型出品 字谈字畅 176：茉莉芬芳沁锦华 GB/T 2312—1980《信息交换用汉字编码字符集　基本集》 日文长音符 听众 YDX-2147483647 为《字谈字畅》show notes 统计的链接数据关系图和引用网站排名，源码在 GitHub 开源 xkcd 1726: Unicode The Type 关于 ATypI 年会的报道专栏 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

This week we spend our life savings on numerological sports betting meal deal life hacks at whop.com; and we quit school to work on our sports betting meal deal life hack startup with a grant from Molly Mielke's Moth Fund; and then we bathe in the bisexual lighting cast by a full screen view of Monotype's neuroscience type reports. Turns out we were right all along!

年岁更替，字体公司的「趋势报告」陆续出炉——或是回顾性地总结潮流，或是前瞻性地预测风向。那么，字体趋势报告折射了「字体」作为商业产品的哪些特质？——是过往的市场规律，又或是未来的市场期望？ 参考链接 第十二届「方正奖」设计大赛将于今年 2 月 29 日截止征稿 GRANSHAN 字体设计竞赛延期至今年 2 月 29 日截止征稿 TDC70 延期至今年 3 月 1 日截止征稿 Monotype 主办的讲座「别让字体毁掉你的网站：网页字体初探」将于 2 月 28 日、3 月 6 日、3 月 13 日晚八点至九点在线上直播，由 Eric 主讲 三言主办的「从字体到排印」系列讲座将于 3 月 8 日、3 月 9 日、3 月 10 日在线上直播；Eric 在 3 月 9 日主讲的主题为《当你按下「两端对齐」时究竟发生了什么？》 《设计师们的 2023 有何不一样？》，Monotype 组织的字体设计和应用主题访谈 Monotype 于今年年初发布了《2024 字体趋势报告》，另有中文版可供下载 Monotype 往年发布的《2023 字体趋势报告》和《2022 字体趋势报告》 Pantone 的年度色彩系列 年度「汉语盘点」活动；2023 年度由国家语言资源检测与研究中心、商务印书馆、新华网等主办 汉仪字库去年发布的《2023 字体设计趋势报告》 方正字库去年发布的《2023 字体趋势报告》 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

In episode s3e48, Platemark host Ann Shafer speaks with Deb Chaney, Tamarind-trained master printer specializing in lithography. She has an eponymous imprint, Deb Chaney Editions and has started a new venture with Stéphane Guilbaud—D&S Fine Art Editions—to whom she is fairly recently married. They have studios in Upstate New York (studio to be built), Paris, and LaForce, France. Ann and Deb talk about the beauty of litho stones, common problems that come with printing lithographs, why litho inks are more saturated than other types of inks, how the Tamarind program works, why printers are the nexus of the whole system, and the surprising differences between the print ecosystem in France versus the United States. Deb is a delight and super knowledgeable. You'll learn more about the chemistry of lithography (adding to the history of litho we got from Michael Barnes in episode 25), and so much more.   Ethan Murrow (American, born 1975). Quietude, 2022. 4-color stone lithograph. 62 ½ x 47 in. Published by D&S Fine Art Editions. Dasha Shishkin (American, born Moscow, 1977). 9 Pickles, 2020. Portfolio of 9 stone lithographs. Each: 16 x 12 in. Published by Deb Chaney Editions. Deb Chaney sponging the stone for Dasha Shishkin's lithograph Good Night and Good Luck, 2021. Art Spiegelman (American, born Stockholm, 1948). Trump L'oeil, 2018. 7-color stone lithograph. 30 x 22 in. Published by MEL Publisher; printed by Deb Chaney Editions. Beauvais Lyons (American, born 1957). Flea Circus, 2015. Lithograph. Hokes Archives, University of Tennessee, Knoxville. Anita Jung (American, born 1960). Hole in the Sky, 2019. Acrylic on paper. 30 x 22 in. A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. Dread Scott and Jenny Polak at work in D&S Fine Art Editions's studio, Paris. Dread Scott (American, born 1964) and Jenny Polak (American, born 1974). Délivré, 2023. 8-color stone lithograph. 37 1/2 x 28 ½ in. (96 x 72 cm.). Published by D&S Fine Art Editions. D&S Fine Art Editions's studio in La Force, Bergerac, France. Ethan Murrow at work in D&S Fine Art Editions's studio.  Deb Chaney (American, born 1978). La Habana, 2014. Monotype collage. 20 x 32 in. Publisher Spotlight: D&S Fine Art Editions. Installation at Print Center New York, 2023, featuring lithographs by Dread Scott and Jenny Polak, Ethan Murrow, and Dasha Shishkin. Stéphane Guilbaud (left) and team in the D&S Fine Art Editions's Paris studio. The giant Voirin Press in D&S Fine Art Editions's Paris studio with Ethan Murrow's Quietude, 2022.

Chrome 浏览器即将支持的四项 CSS 新特性，与用户界面国际化及东亚文字排版相关。本期节目，我们将围绕这些 CSS 特性，讨论相关的技术信息及字体排印原理。 参考链接 锦华明朝体发布会「早冬暖阳」于 2023 年 12 月 16 日在上海印刷技术研究所「字空间」举办 扬·米登多普（Jan Middendorp，1956—2023）于 2023 年 12 月 9 日逝世；米登多普 2023 年获授 TDC 奖章，Eric 主播在 ATypI 2023 巴黎年会上为其主持了颁奖仪式 Monotype 于 2023 年 12 月 9 日公布收购字体设计公司 Colophon Foundry（另有中文版新闻可供阅读） Colophon（书籍版权页） 森泽字体设计大赛 2024（Morisawa Type Design Competition）公布开办消息，新增简体中文、繁体中文、韩文竞赛分组 东京 TDC 2024 公布获奖结果及提名作品（另有中文版新闻可供阅读） Chrome 开始支持四项 CSS Text Module Level 4 的新特性 公开邮件组 blink-dev 上关于 Blink 引擎最小字号行为的信息 《CSS 文本模块第三级》（候选推荐标准草案）中关于 word-break 属性的定义；另可通过 MDN 参考目前主流实作的情况 《CSS 文本模块第四级》（工作草案）中关于 word-break 属性中新增了auto-phrase 属性 字谈字畅 014：​□□␣□□ 《CSS 文本模块第四级》（工作草案）中关于 text-autospace 属性的定义 Adobe Blog 日文版 HTML 标签 可提供断行机会 零宽空格（zero width space ，U+200B） 零宽连接符（zero width joiner，U+200D） 《CSS 文本模块第四级》（工作草案）中关于 text-spacing-trim 属性的定义 macOS 新功能文档英语版及中文版 《中文排版需求》3.1.6.2 节对连续标点符号调整的阐述 「孔雀计划」关于标点符号排版的文章： 《全角半角碎碎念》一文中对标点宽度调整「加法模式」「减法模式」的阐述 《挤进推出避头尾》第六节第二点中对word-break 属性对中文排版相关影响的阐述 IE 8/9 浏览器曾支持 CSS 属性 -ms-text-autospace 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

It's a very special book club edition of the show! We brought some book club friends who may or may not have read the new Britney Spears book! Find out what we all thought! Find us on IG @lisaohandemshow Music: Higher by Monotype

We didn't want to, but we're talking about T——- again. Check out our theories on why the Kardashians have devoted an entire season to such a garbage human being and let us know which one you think is right! Find us on IG @lisaohandemshow Music: Higher by Monotype

2023 Monotype⁺ 秋季巡讲上海站，于 11 月 14 日在上海科学会堂卢浮厅举办。主播 Eric 在现场发表演讲，主题关于跨文化沟通中的字体使用。本期节目播出演讲录音，以飨未能到场的听众。 参考链接 2023 Monotype⁺ 秋季巡讲： 北京站，2023 年 11 月 13 日，中央美术学院美术馆 上海站，2023 年 11 月 14 日，上海科学会堂卢浮厅 香港站，2023 年 11 月 15 日，香港知专设计学院 小林章著，刘庆译．《西文字体设计方法：如何打造优美的曲线与舒适的排版》．上海人民美术出版社，2024 年 字谈字畅 216：你的眼睛背叛了你的心 Eric 所撰《Wǒ ài pīnyīn!》，2017 年刊于 The Type 字谈字畅 200：两百次重返初心 翔鹤黑体（日文版 Tazugane Gothic、韩文版 Seol Sans），中文黑体家族，小林章领衔设计，蒙纳出品 Eric 所撰《西文字体设计方法》译后记原稿全文，刊于 The Type 主讲 Eric：字体排印研究者，译者，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

Now that the Adobe MAX dust has settled, we bring you our second annual recap of the inspiring event that brought 10,000 from around the world to Los Angeles in October. Between emotional, soul-baring presentations that went much deeper than design, to the “font connection” game at the Monotype booth, there was a palpable sense of community and connection at MAX this year. In this episode, you'll hear from twenty or so voices, including type designers, animators, comic book designers, students, and even a specialty letterpress printer, all of whom were kind enough to share their time and their stories with us on the mic. Read more about Adobe MAX here: monotype.com/adobe-max-2023-follow-up      Follow our guests: Zipeng Zhu - instagram.com/zzdesign John Roshell - swelltype.com, comicbookfonts.com Chris Hoffman - velleitystudios.com Cam Sherrill - camsherrill.com Nubia Navarro - nubikinistudio.com Eph Gerard Cruz - instagram.com/quantumeph, xfinitycreative.com Joshua Ariza - instagram.com/joshua_ariza, joshuaariza.com Ben Levitz - instagram.com/STUDIOONFIRE, studioonfire.com Kelsey Slay - instagram.com/kelseyslaydesign 

Recorded in our newish Sardine Studios, we are rejoicing in the return of Lord Disick, following Kim on her stupid soccer trip and ranting about Khloe's idiotic friends and family! Find us on IG @lisaohandemshow Music: Higher by Monotype

Esta semana tenemos como invitado especial en el Jueves de Itnig a Pau Sabrià, cofundador de Olapic y Remotely.works. Pau nos relata su experiencia desde arrancar Olapic, vender la empresa a Monotype, hasta comenzar Remotely con un enfoque distinto. Además, Pau vive en Nueva York y nos comparte sus impresiones sobre el ecosistema startup de la Gran Manzana, en comparación con el de Sillicon Valley. El recorrido por la actualidad nos lleva a comentar la adquisición del proveedor de mensajería de vídeo Loom por casi 1.000 millones de dólares. Debatimos también sobre el controvertido manifesto tecnooptimista de Marc Andreessen y César vuelve con su corner de producto.

Can you remember a time you had an emotional reaction to type? Have fonts ever made you feel some type of way? This week, we dive into Monotype's scientific research on the emotional power of typography. Marie Boulanger, Senior Brand Designer at Monotype, joins as a guest and shares some of the thinking, methodology, and insights behind the global studies. You'll also hear stories about fonts and feelings from designers, creative directors, and producers we spoke with at Brand Talks Chicago and Brand New Conference. Learn more about the research at monotype.com/typography-matters

The Kardashians are back for season 4 and they are finally giving us a family vacay. We talk boobies, Khloe's weird whale phobia, and we throw in a tarot reading for our little knife dancer Brittany Spears. IG @lisaohandemshow Music: Higher by Monotype

Chris Strahl sits with Juli Sombat from Spotify and Jason Pamental from Chewy as they unravel the evolution of digital typography, emphasizing the shift from dictation to suggestion. They explore the dynamic between designers and users and the transformative power of user customization.View the transcript of this episode here.Register here for our upcoming webinar, ‘What Really Matters in Design Systems' on October 25th.GuestsJuli Sombat is the design lead for Encore, Spotify's family of design systems. Her passion for cross-functional collaboration and her deep understanding of the principles and practices that underpin successful design systems help her evangelize for systems thinking at all levels. Prior to Encore, she led the multi-brand design system at Conde Nast.Jason Pamental is a Principal Designer at Chewy working on their design system, an Invited Expert on the W3C's Web Fonts Working Group, and a deeply nerdy fan of variable fonts and web typography. Or just another hack with a camera phone, walking around at sunrise posting pictures of a really photogenic collie.Link to the Monotype article Jason wrote: https://labs.monotype.com/caseco-a-case-for-variable-fonts-2d86960a0c19HostChris Strahl is co-founder and CEO of Knapsack, host of @TheDSPod, DnD DM, and occasional river guide. You can find Chris on Twitter as @chrisstrahl and on LinkedIn.Sponsored by Knapsack, the design system platform that brings teams together. Learn more at knapsack.cloud.

In s3e35, Platemark host Ann Shafer talks with Larissa Goldston, director and owner of Universal Limited Art Editions, usually referred to by its acronym ULAE. We talk about ULAE's founder Tatyana Grosman, and her harrowing escape from first Siberia following the assassination of Czar Nicholas, and then from the Nazis in France. Larissa talks about the early days of ULAE, growing up there, how they find artists to work with, and all her favorite print projects. Larissa‘s father, Bill Goldston, was its printer and director for many years. With his retirement, Larissa has taken the reigns. It's hard work, but the combination of the creative process and collaborative printmaking is where the magic happens. Larry Rivers (American, 1923–2002). Stones, 1957–59. Portfolio of 12 lithographs with poetry by Frank O'Hara. Each sheet: 19 x 23 1/4 in. (48.26 x 59.06 cm). Published by Universal Limited Art Editions, West Islip, NY. James Siena (American, born 1957). Backs, 2007. Set of 5 framed lithographs. Each: 23 ½ x 24 ½ in. (59.7 x 62.2 cm.). Published by Universal Limited Art Editions, West Islip, NY. Barnett Newman (American, 1905–1970). Untitled Etching #1, 1968–69. Intaglio with etching and aquatint. on J.B. Green Hayle Mill English paper. 22 1/2 x 31 3/4 in. (57.15 x 80.65 cm). Published by Universal Limited Art Editions, West Islip, NY. Lee Bontecou (American, ). Ninth Stone, 1965–68. Lithograph in 1 color on Chatham British paper. 20 in. x 25 in. (50.8 cm x 63.5 cm) Published by Universal Limited Art Editions, West Islip, NY. Helen Frankenthaler (American, 1928–2011). First Stone, 1961. Lithograph in 5 colors on Arches Satine paper. 30 x 22 in. (76.2 x 55.88 cm). Published by Universal Limited Art Editions, West Islip, NY. Cy Twombly (American, 1928–2011). Untitled I, 1967–74, 1967. Intaglio with etching, open bite, and aquatint on handmade J. Green paper. 27 1/2 x 40 1/2 in. (69.85 x 102.87 cm). Published by Universal Limited Art Editions, West Islip, NY. Jasper Johns (American, born 1930). 0 through 9, 1960. Lithograph on Arches paper. 30 x 22 in. (76.2 x 55.88 cm). Published by Universal Limited Art Editions, West Islip, NY. Jasper Johns (American, born 1930). Decoy, 1971. Lithograph with die-cut on Rives BFK paper. 41 x 29 in. (104.14 x 73.66 cm). Published by Universal Limited Art Editions, West Islip, NY. Jasper Johns (American, born 1930). Passage I, 1966. Lithograph on Italia paper. 28 x 36 in. (71.12 x 91.44 cm). Published by Universal Limited Art Editions, West Islip, NY. Bill Jensen (American, born 1945). Vanquished, 1989. Intaglio in 5 colors on Fabriano Esportazione paper. 22 1/2 x 17 3/4 in. (57.15 x 45.09 cm). Published by Universal Limited Art Editions, West Islip, NY. Terry Winters (American, born 1949). Knot, 2004. Lithograph in 4 colors on Rives BFK 280 gsm paper. 22 x 30 in. (55.88 x 76.2 cm). Published by Universal Limited Art Editions, West Islip, NY. Carroll Dunham (American, born 1949). Accelerator, 1985. Lithograph in 4 colors on Rives BFK paper. 42 x 29 3/4 in. (106.68 x 75.57 cm). Published by Universal Limited Art Editions, West Islip, NY. Christopher Wool (American, born 1955). Untitled, 2013. Lithograph in 2 colors on J. Whatman handmade paper. 30 1/2 x 22 1/2 in. (77.47 x 57.15 cm). Published by Universal Limited Art Editions, West Islip, NY. Charline von Heyl (German, born 1960). Shenanigan, 2020. Intaglio with relief and lithography on En Tout Cas paper. 24 5/8 x 20 1/8 in. (62.5 x 51.1 cm). Published by Universal Limited Art Editions, West Islip, NY. Jane Hammond (American, born 1950). Clown Suit, 1995. Three-dimensional lithograph and silkscreen in 24 colors on handmade Chiri paper. 55 x 39 x 10 in. (139.7 x 99.06 x 25.4 cm). Published by Universal Limited Art Editions, West Islip, NY. Elizabeth Murray (American, 1940–2007). Shack, 1994. Three-dimensional lithograph in 20 colors. Overall: 63 x 51 x 2 in. (160 x 129 x 5 cm.). Published by Universal Limited Art Editions, West Islip, NY.   Wyatt Kahn (American, born 1983). New Houston Street (9-color woodcut), 2022. Woodcut in 9 colors on Saunders Waterford paper. 71 1/2 x 55 3/4 in. (181.6 x 141.6 cm. Published by Universal Limited Art Editions, West Islip, NY. Wyatt Kahn carving woodblock at ULAE. Bruce Wankel printing Wyatt Kahn's woodcut, New Houston Street (9 color woodcut), 2022. Robert Rauschenberg (American, 1925–2008). Soviet/American Array I, 1988–89. Intaglio in 14 colors with collage on Saunders with Oriental rice paper. 88 1/2 x 53 1/2 in. (224.79 x 135.89 cm). Published by Universal Limited Art Editions, West Islip, NY. Suzanne McClelland (American, born 1959). Tea Leaves, 1996. Lithograph and screenprint in 4 colors with collage on Torinoko paper. 86 x 108 in. (218.44 x 274.32 cm). Published by Universal Limited Art Editions, West Islip, NY. Christopher Wool (American, born 1955). Untitled 1, 2021. Portfolio of four intaglios on Arches En Tout Cas paper. 20 x 17 in. (50.8 x 43.18 cm). Published by Universal Limited Art Editions, West Islip, NY. James Rosenquist (American, 1933–2017). Dog Descending a Staircase, 1980–82. Lithograph and intaglio on Arches Cold Press paper. 42 x 70 in. (106.68 x 177.8 cm). Published by Universal Limited Art Editions, West Islip, NY. Eddie Martinez (American, born 1977). Untitled, 2021. Monotype on En Tout Cas paper. 13 x 17 in. (33 x 43.2 cm). Published by Universal Limited Art Editions, West Islip, NY. Julia Rommel (American, born 1980). Untitled (Gowanus, March 2018), 2018. Intaglio in 9 colors on Revere Felt White paper. 13 3/16 x 10 3/8 in. (33.5 x 26.35 cm). Published by Universal Limited Art Editions, West Islip, NY. Sam Moyer (American, born 1983). R.R. Echo, 2022. Lithograph in 4 colors on Rives BFK Grey paper. 44 x 30 in. (111.8 x 76.2 cm). Published by Universal Limited Art Editions, West Islip, NY. Martin Puryear (American, born 1941). Untitled, 2022. Intaglio on Arches En Tout Cas paper. 28 ¾ x 29 ½ in. (73 x 74.9 cm.). Published by Universal Limited Art Editions, West Islip, NY. Joe Bradley (American, born 1975). 5 Lithographs, 2015. Set of 5 lithographs on various papers. 24 x 28 in. (60.96 x 71.12 cm). Published by Universal Limited Art Editions, West Islip, NY. Robert Rauschenberg (American, 1925–2008). Accident, 1963. Lithograph in 2 colors on Rives BFK paper. 41 x 29 in. (104.14 x 73.66 cm). Published by Universal Limited Art Editions, West Islip, NY. Helen Frankenthaler (American, 1928–2011). Savage Breeze, 1974. Woodcut in 7 colors on handmade laminated Nepalese buff paper. 31 1/2 x 27 in. (80.01 x 68.58 cm). Published by Universal Limited Art Editions, West Islip, NY. Helen Frankenthaler (American, 1928–2011). East and Beyond, 1972–73. Woodcut in 7 colors on handmade laminated Nepalese buff paper. 31 1/2 x 21 1/2 in. (80.01 x 54.61 cm). Published by Universal Limited Art Editions, West Islip, NY. Riva Castleman. Tatyana Grosman: A Scrapbook. West Islip, NY: Universal Limited Art Editions, 2008. USEFUL LINKS ULAE's website https://www.ulae.com/artists/ ULAE's Instagram @ulaestudio ULAE's Facebook https://www.facebook.com/ulaestudio  

David Berlow has been at the forefront of type design, publishing, and technology for 45 years. His impressive career began in 1978 drawing letterforms for the Haas, Mergenthaler, Linotype, and Stempel type foundries, before he went on to work at Apple, Bitstream, and later founded the Font Bureau with Roger Black.  A self-described “loose cannon” and “boat rocker,” Berlow has been at the center of type innovation for decades, consulting for companies like Apple and Google, all whilst designing some of the world's most celebrated and recognizable fonts, including custom designs for iconic publishers such as The New York Times Magazine, Newsweek, Esquire Magazine and The Wall Street Journal and brands including Apple Computer Inc., Google Inc. and Microsoft Corporation.  In this week's episode Tom Rickner, the Senior Director of the Studio at Monotype, sits down with Berlow. Fun fact: Berlow hired Rickner at the Font Bureau, kicking off his career as a type designer. You'll hear the two reminisce, talk shop, and explore Berlow's influences, predictions, and perspectives on mentorship and team building.   Read more about this episode and our past guests at monotype.com/podcast.   

You may not think about it often, but it's everywhere—on billboards, in your emails, on your favorite websites, and perhaps even your company's logo. Yes, we're talking about fonts and, more specifically, Helvetica. Our latest Business Design Teardown explores the iconic typeface used by businesses worldwide for over half a century. Created in 1957, this Swiss-born font has become one of the world's most used and recognized fonts. Today, we'll explore the intricate details that have propelled Helvetica to its iconic status. But that's not all. We'll also pull back the curtain on Monotype, the powerhouse font foundry behind Helvetica, and many fonts that define our visual landscape. How did Monotype come to wield such influence in the world of commercial fonts? And how do they monetize typefaces, an asset that most of us use daily but seldom think about?  Together, we'll explore the combination of aesthetics and commerce that's turned simple lines and curves into a multi-million-dollar enterprise, including… How Helvetica was successfully rebranded to appeal to a wider English-speaking market Monotype's most crucial strategic move; from typesetting hardware to font distribution Why big businesses are constantly developing Helvetica clones (hint: it's usually to cut licensing costs!) Threats and opportunities for the typeface industry, including AI font generation and virtual reality   If you enjoyed this dive into the world of Helvetica, join our new Teardown Slack (invite is on www.d.mba/slack) channel and let us know your favourite brands using this iconic font.  

In s3e34, Platemark host Ann Shafer speaks with Jason Scuilla, artist and professor at Kansas State University in Manhattan, KS. The university is hosting the Mid America Print Council conference in the fall of 2024, and Jason was eager to talk about the conference and its call for proposals of all sorts. The deadline is the end of September 2023; the link is https://fromtheashes.k-state.edu/. In addition to the MAPC conference, Ann was eager to speak with Jason about his research into electrolytic etching, a non-toxic method of creating superbly detailed, precise, and rich etchings. They also talk about teaching undergrad and grad students, sabbaticals, as well as Jason's own work.   Episode image: Melissa Scuilla   Konza Prairie, Flint Hills, Kansas. Mid America Print Council conference homepage. Hale Library Great Hall, Kansas State University, Manhattan, KS. Crayola's Colors of the World markers. Michelangelo (Italian, 1475–1564). The Last Judgment, 1536–41. Fresco. 13.7 m × 12 m (45 × 39 ft.). Sistine Chapel, Vatican City. Rembrandt (Dutch, 1606–1669). The Windmill, 1641. Etching. Sheet: 5 7/8 x 8 5/16 in. (15 x 21.1 cm.). Metropolitan Museum of Art, New York. Francisco de Goya (Spanish, 1746–1828). Plate 43 from Los Caprichos: The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799. Etching and aquatint. Plate: 8 3/8 x 5 15/16 in. (21.2 x 15.1 cm.); sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm.). Metropolitan Museum of Art, New York. Student interpretations of Goya Caprichos etchings for the first project in Intro to Printmaking Techniques class at Kansas State University. Student interpretations of Goya Caprichos etchings for the first project in Intro to Printmaking Techniques class at Kansas State University. Frank and Dorothy Getlein. The Bite of the Print: Satire and Irony in Woodcut, Engravings, Etchings, and Lithographs. New York: Bramhall House, 1963. Francisco de Goya (Spanish, 1746–1828). Plate 11 from The Disasters of War (Los Desastres de la Guerra): Neither do these (Ni por esas), c. 1810. Etching, drypoint, and burin. Plate: 6 5/16 × 8 3/8 in. (16.1 × 21.2 cm.); sheet: 8 3/8 × 12 3/4 in. (21.3 × 32.4 cm.). Metropolitan Museum of Art, New York. Jason Scuilla (American, born 1980). Veduta. Electrolytic etching. 12 x 9 in. Jason Scuilla (American, born 1980). Echoes of Rome: Villa with Spirits. Multiplate electrolytic etching. Plate: 16 x 12 in. Jason Scuilla (American, born 1980). Monk with Fantastic Digit. Electrolytic etching. 12 x 9 in. Jason Scuilla (American, born 1980). Proxy War Monument (King Covid). Electrolytic etching. Plate: 32 x 24 in. [DETAIL] Jason Scuilla (American, born 1980). Proxy War Monument (King Covid). Electrolytic etching. Plate: 32 x 24 in. Jason Scuilla (American, born 1980). Plate for Proxy War Monument (King Covid). Electrolytically etched copper plate. Plate: 32 x 24 in. Jason Scuilla (American, born 1980). Arsenale. Multi-plate electrolytic etching and acid etching. Plate: 12 x 9 in. Jason Scuilla (American, born 1980). Stone Head. Monotype, stencil, relief, and drawing. 22 x 15 in. Jason Scuilla (American, born 1980). Proxy War Monument with Abductee. Color etching. Plate: 16 x 12 in. Jason Scuilla (American, born 1980). Proxy War Monument (Self Portrait). Multiplate color electrolytic etching. Plate: 16 x 12 in. Large bath for electrolytic etching, Kansas State University. Testing area for electrolytic etching, Kansas State University. Didactic explaining the NEA grant for electrolytic etching, Kansas State University. Jason Scuilla welcoming members of the Print Council of America to the printshop at Kansas State University in 2019. Copper plate going into the bath for electrolytic etching, Kansas State University.   USEFUL LINKS Jason's website: www.jasonscuilla.com Instagram: @jscuilla Mid America Print Council:  www.mapc2024.com MAPC conference website: https://fromtheashes.k-state.edu/ KState grad program: https://art.ksu.edu/ Link to Leonardo article: https://direct.mit.edu/leon/article-abstract/54/4/427/97277/An-Optimized-Nontoxic-Electrolytic-Etching Link to MET lecture: https://www.metmuseum.org/events/programs/met-speaks/free-lectures/conversation-etchings The Bite of the Print book:  https://www.amazon.com/Woodcuts-Engravings-Etchings-Lithographs-Serigraphs/dp/B0006AY31Q Course Trailer: Printmaking during Civil Unrest and Challenging Times: https://youtu.be/5MNQiYl_xPk   This episode exists as a YouTube video as well. Here's the link: https://youtu.be/tjsvRWdC8V0   

This is a recap of the top 10 posts on Hacker News on August 27th, 2023.This podcast was generated by wondercraft.ai(00:37): Prisoners of Google Android developmentOriginal post: https://news.ycombinator.com/item?id=37280972&utm_source=wondercraft_ai(02:22): Where do fonts come from? Monotype, mostlyOriginal post: https://news.ycombinator.com/item?id=37283860&utm_source=wondercraft_ai(04:26): A new method to reprogram human cells to better mimic embryonic stem cellsOriginal post: https://news.ycombinator.com/item?id=37286860&utm_source=wondercraft_ai(06:03): Overthewire.orgOriginal post: https://news.ycombinator.com/item?id=37281745&utm_source=wondercraft_ai(07:38): Lie still in bedOriginal post: https://news.ycombinator.com/item?id=37281060&utm_source=wondercraft_ai(09:11): Some of the error messages produced by Apple's MPW C compiler (2006)Original post: https://news.ycombinator.com/item?id=37283375&utm_source=wondercraft_ai(11:02): I Can Eat GlassOriginal post: https://news.ycombinator.com/item?id=37283636&utm_source=wondercraft_ai(12:37): Python Type Hints – *args and **kwargs (2021)Original post: https://news.ycombinator.com/item?id=37282385&utm_source=wondercraft_ai(14:26): Mother is arrested in Bangladesh after son in US criticizes government onlineOriginal post: https://news.ycombinator.com/item?id=37283128&utm_source=wondercraft_ai(16:08): 111,111.1 meters is reliably 1 degree of latitudeOriginal post: https://news.ycombinator.com/item?id=37284487&utm_source=wondercraft_aiThis is a third-party project, independent from HN and YC. Text and audio generated using AI, by wondercraft.ai. Create your own studio quality podcast with text as the only input in seconds at app.wondercraft.ai. Issues or feedback? We'd love to hear from you: team@wondercraft.ai

Lots of tangents in this one! Kris Jenner turned 40 again and her party was Kris-tastic! And we're sending Britney to Kentucky for a healing weekend retreat! Come chat with us at lisaohandem@gmail.com Music:  Higher by Monotype

话接上回，今天的节目将继续回顾近期字体排印领域的要闻，并与大家分享听众们七月的来信。 参考链接 一派 vol. 111：探索播客世界：你的收听清单里都有哪些栏目？ GB 18030—2022《信息技术 中文编码字符集》计划于今年 8 月 1 日开始实施 GB 18030—2022《信息技术 中文编码字符集》第 1 号修改单（第二次征求意见稿）征求意见 字谈字畅 184：十七年等一回 阿里巴巴普惠体 3.0 的 regular 字重完整支持 GB 18030—2022 几经修改的「CJK 统一汉字扩展 I 区」议案在 Unicode 技术委员会第 176 次会议上获得通过 Unicode 15.1.0 计划于今年 9 月发布 ATypI Brisbane 2024 计划于 2024 年 4 月 16 至 20 日在澳大利亚布里斯本举办 Microsoft 在今年 7 月正式上线新版默认字体 Aptos Steve Matteson，美国字体设计师，曾任职于 Monotype；为 Microsoft 设计过多款系统字体，也是 Aptos 的设计师 蒙纳于今年 7 月 19 日宣布收购日本字体公司 Fontworks 字谈字畅 148：博物字（三）市谷之杜时钟台 佐佐木活字店去年报废的日文 Monotype 铸排机 日本「笹っぱ活字館」展出的日文 Monotype 铸排机 知乎上关于中国印刷历史中铸排机应用相关的讨论 字谈字畅 146：书名号居然是个九〇后 Bobo_alcazar 针对文言的字体显示给 Mozilla 报的 issue OpenType 规范中对文种、语种的定义以及特性与查找机制的解释 OpenType 规范：语言系统标签 W3C 国际化文档：HTML 与 XML 中的语言标签 HTML 规范对包括 em、strong 等文本级别语义元素的定义 字谈字畅 185：山外有山，字外有字 苟文手天在 Bilibili 发布的文章《方正字体在 InDesign 等软件里使用时，获得正常的标点间距的方法》 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

In Platemark s3e29, host Ann Shafer speaks with April Vollmer, an artist working in mokuhanga (Japanese color woodblock printing), who also wrote the indispensable guide to that form: Japanese Woodblock Print Workshop (Berkeley: Watson-Guptill Publications, 2015).   What's mokuhanga, you ask? It's a method developed in Japan that was used to print images that are probably familiar to you, like Hokusai's Great Wave. It allows artists to work with water-based inks (more environmentally friendly) on multiple blocks to build up images, which are printed by hand using a flat paddle called a baren. Each color is carried on a separately carved block and is layered during printing. It means a lot of carving, but it also means one doesn't need a press, chemicals, or a ton of equipment. In other words, it can be done at home in your kitchen.   The range of work made possible in mokuhanga is impressive. Once used for ukiyo-e prints (pictures of the floating world) in the Edo period, now contemporary artists from the world over are experimenting with its possibilities. Including April Vollmer. Episode image: Portia Shao Shiko Munakata (Japanese, 1903–1975). Night Birds (the fence of…), c. 1967. Sumizuri-e. 19.1 x 29.3 cm. Scholten Japanese Art, New York. April Vollmer in her studio. April Vollmer's studio. Yasu Shibata (Japanese, born 1968). 6 White Squares, 2014. Set of six mokuhanga prints. Sheet (each): 11 x 11 in. Aspinwall Editions, Hudson. Tetsuya Noda (Japanese, born 1940). Diary: April 24th '97, 1997. Woodblock and screenprint. Sheet: 74.1 x 52.8 cm. British Museum, London. Keiko Hara (Japanese, born 1942). Published by Lily Press. Verse Space—Light of Black Hole, Monotype with collaged mokuhanga woodblock print. Sheet: 30 x 26 in. Rebecca Salter (British, born 1955). Into the Light II, 2011. Woodblock on Japanese paper. 60 x 90 cm. (23 ½ x 35 ½ in.). Utagawa Kuniyoshi (Japanese, 1797–1861). Earth Spider Attacking Raiko, c. 1820. Color woodblock print. 14 5/8 x 29 5/8 in. Fuji Arts, Ann Arbor. April Vollmer (American, born 1951). Generation, 2002. Mokuhanga on washi. Sheet: 26 x 26 in. Beyshehir Seljuk rug, 13th century Turkey. Found in the Eshrefoglu Mosque in Beyshehir in 1929 by R.M. Riefshahl. Now in the Konya Museum of Ethnography, Konya, Turkey. April Vollmer (American, born 1951). Blackout, 2013. Mokuhanga on Gozen washi. Sheet: 38 x 26 in. April Vollmer (American, born 1951). Eye Cup (Counterfeit), 2008. Mokuhanga and rubber stamp on washi. Sheet: 26 x 11 in. April Vollmer (American, born 1951). Secret Flower, 2006. Mokuhanga. Sheet: 15 ½ x 15 ½ in. April Vollmer (American, born 1951). Migrating Gyre, 2008. Mokuhanga. Sheet: 26 x 26 in. April Vollmer (American, born 1951), printed by Art Print Residence and published by California Society of Printmakers. Great Egret Hunting, from the portfolio Birds on the Edge, 2021. Photo-etching. Sheet: 19 ½ x 15 in.   USEFUL LINKS April's website: https://www.aprilvollmer.com/ Mokuhanga resources: https://www.aprilvollmer.com/category/mokuhanga-resources/ April's Facebook: https://www.facebook.com/april.vollmer April's Instagram: https://www.instagram.com/aprilvollmer_artist/ April Vollmer. Japanese Woodblock Print Workshop: A Modern Guide to the Ancient Art of Mokuhanga. New York: Penguin Random House, 2015. https://www.penguinrandomhouse.com/books/231579/japanese-woodblock-print-workshop-by-april-vollmer/ April Vollmer. “Birds on the Edge: Collaboration and Change.” The California Printmaker: The Journal of the California Society of Printmakers. (2023 Changing Gears Edition) April 2023. https://www.aprilvollmer.com/wp-content/uploads/2023/04/CSP-Birds-on-the-Edge-Vollmer.pdf Nature in the Floating World: Images of Nature in Japanese and Chinese Art. Ulrich Museum of Art, Wichita State University. January 26–May 10, 2023. https://ulrich.wichita.edu/ulrich_exhibition/nature-in-the-floating-world-images-of-nature-in-japanese-and-chinese-art-from-the-ulrich-collection/ International Mokuhanga Conference website https://2021.mokuhanga.org/ International Mokuhanga Conference YouTube channel https://www.youtube.com/channel/UCthTUa5XbGaZsaFf_vDeosg Tuula Moilanen, Kari Laitinen, and Antti Tantuu. The Art and Craft of Woodblock Printmaking. Helsinki: Aalto ARTS Books, 2013. https://www.amazon.com/Art-Craft-Woodblock-Printmaking-Watercolour/dp/B01FIWQXL4 Frogman's Workshop http://frogmans.net/#workshops Anderson Ranch https://www.andersonranch.org/ Kentler International Drawing Space, Red Hook https://kentlergallery.org/ 11 Women of Spirit Part 7. Salon Zürcher, New York. May 15–21, 2023. https://www.galeriezurcher.com/salon-zrcher-28th-edition-11-women-of-spirit-part-7-may-15-21      

Kim and Kortney are fighting and we are taking sides. And Lisa gets a little hot and bothered. Is this our sexiest episode yet? Come chat with us at lisaohandem@gmail.com or on Twitter @LisaOhandEm  Music:  Higher by Monotype

Abstract, Berlow, and Color

今天我们邀请老朋友张暄和微梨做客嘉宾，介绍亲身参与 ATypI 2023 的体验。本期节目将继续为大家分享嘉宾和主播印象深刻的演讲、讨论及参观活动——在国际化与包容性被反复讨论的设计思潮中，字体排印同样不可缺席。 参考链接 Unicode 15.1 开放公共测评（beta review） TikTok 于今年 5 月发布品牌字体 TikTok Sans，由 Grilli Type 协同设计 Discord 于去年 12 月起，启用新字体 gg sans TDC Ascenders 2023（新升奖）公布评奖结果 大曲都市著、刘育黎译．《街机游戏字体》．同济大学出版社，2021 年 ATypI 2023 法国国家印刷所参观活动（Imprimerie Nationale visit） 法国国家印刷所（Imprimerie nationale） 蒙纳铸排机（Monotype system） 用树莓派控制蒙纳铸排机 弗兰克·雅洛（Franck Jalleau），法国最后一位字冲雕刻师 “The Weight of the Ink”（油墨的重量），Véronique Vienne 在 ATypI 2023 开幕式后的主题演讲 “VR Calligraphy Performance: New medium, new possibilities, new perspectives on the art of writing”（VR 书法表演），ATypI 2023 开幕式现场表演 “Designing Fonts for 2 Billion People”，Héctor Mangas 和 Peter Biľak 在 ATypI 2023 的演讲 Typotheque 的文章集合，包括天城文各种区域不同字形的调查报告 国王的希腊字（Grecs du roi） Paul Shaw. Revival Type: Digital Typefaces Inspired by the Past. Yale University Press, 2017 Michael S. Macrakis. Greek Letters: From Tablets to Pixels. Oak Knoll Press, 1996 “Decolonizing Ascenders and Descenders: Resisting homogenization and encouraging diversity”，Borna Izadpanah 在 ATypI 2023 的演讲 “Typeface Legibility and Low-vision Readers”，Sofie Beier 在 ATypI 2023 的演讲 “Titans of Transfer Type”，Dan Rhatigan 在 ATypI 2023 的演讲 字谈字畅 106：观看《平面之道》之道 “It Started as a Typeface for Post-digital Letterpress Printing, and Then it Became Much More”，Ana Sofia Mariz 在 ATypI 2023 的演讲 微软公司的 ClearType 技术 “Power in the World of Type”，Ann Bessemans、Laura Meseguer、Lynne Yun、Nadine Chahine 和 Veronika Burian 在 ATypI 2023 的演讲 “OpenType 2.0 Panel, 2023 Edition”，ATypI 2023 的专题讨论 Boring Expansion，HarfBuzz 起草的字体格式规范扩展第一部分 “Script Meets Tech: Responses to materiality in some ancient and medieval letterforms”，Marc Smith 在 ATypI 2023 的演讲 “Filiation: Nurturing a pedagogy of type design in France”，Alice Savoie 和 Thomas Huot-Marchand 在 ATypI 2023 的演讲 本次巴黎年会举办地点为由巴黎第四与第六大学于 2018 年新合并而成的索邦大学朱西厄校区 阿拉伯世界文化中心（Institut du monde arabe），为法国建筑师让·努维尔（Jean Nouvel）设计 ATypI 2024 年会将于 6 月 3 至 8 日在澳大利亚布里斯班举办 ATypI 2023 off program（非正式活动） 法国国家图书馆举办的特展 “Imprimer ! l'Europe de Gutenberg” 拉雪兹神父公墓 普朗坦–莫雷图斯博物馆位于比利时安特卫普 嘉宾 张暄：前「燕京城外夜玫瑰」，汉仪字库资深字体设计师 刘育黎（微梨）：字体设计师、平面设计师，atelierAnchor 锚坞联合创始人 主播 Eric：字体排印研究者，译者，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

The Kardashians are back for season three and we have some feelings! If the Kardashian drive-thru is open we have some orders to place! Let us know what your order would be at lisaohandem@gmail.com or on Twitter @LisaOhandEm  Music:  Higher by Monotype

“Modern creators know that pace rivals perfection.” Picsart, which provides photo and video editing tools and templates to the creator community, has lived this motto since it began more than a decade ago. Today, with more than 150 million monthly users, the company is helping to streamline the design process like never before. In this week's episode, Monotype's Bill Connolly sits down with Scott Walker, Executive Creative Director at Picsart, to learn about Scott's design process, which began in a print shop and has led him to work with some of the world's most popular brands. They also discuss artificial intelligence, the future of creativity, and why it's important for designers to always “follow the feels.” Read more about this episode and our past guests at monotype.com/podcast.

For decades, creative work has consolidated in traditional locations such as Los Angeles, New York, and London. Today, technology has opened the aperture on creativity, enabling brilliant producers, writers, and artists to work directly with brands and entertainment studios from anywhere. In this week's episode, Monotype's Bill Connolly sits down with James DeJulio, co-founder and CEO of Tongal, a "studio on demand" that boasts an impressive roster of clients like LEGO, PayPal, NBC Universal, and more. A former Hollywood producer, DeJulio shares his insight into the ever-changing world of content creation and outlines the recipe that has grown Tongal's community to more than 160,000 members. Read more about this episode and our past guests at monotype.com/podcast

Emily watched the new Kortney and Travis special so you don't have to, we have a date for Season 3 of the Kardashians, and Kim is on the next season of American Horror Story. How horrible will it be? Let us know what you think at lisaohandem@gmail.com or on Twitter @LisaOhandEm  Music:  Higher by Monotype

话接上回，嘉宾沛然继续为我们讲述扬·奇肖尔德的故事。本期节目，将从奇肖尔德移居瑞士后的经历开始，回顾其壮年直至晚年在平面、书籍及字体设计等各领域的作品及贡献。 参考链接 字谈字畅 198：莱比锡城杨清秋 扬·奇肖尔德（Jan Tschichold，1902—1974），德国著名字体排印师、书籍设计师 Jan Tschichold. Typographische Gestaltung (《文字排印的造型》). Benno Schwabe & Co., 1935 TM RSI SGM（《字体排印月刊》），自 1933 年起在瑞士发行，于 2014 年停刊 马克斯·比尔（Max Bill，1908—1994），瑞士建筑师、设计师、艺术家 Ruari McLean，英国字体排印师 Der Berufsphotograph，奇肖尔德于 1938 年设计的海报 Birkhäuser，瑞士出版社，成立于 1879 年，后被 Springer 收购 Penguin Composition Rules（企鹅排版规则），奇肖尔德为企鹅出版社制定的编辑设计指南 Anthony Froshaug，英国字体排印师、教育者 “This is a Printing Office”，Beatrice Warde 撰写的宣言 施腾佩尔铸字厂（Stempel Type Foundry），德国铸字厂，成立于 1895 年 莱诺铸排机（Linotype machine） 蒙纳铸排机（Monotype system） 字谈字畅 090：巴黎城内加拉蒙 Sabon，奇肖尔德于 1960 年代设计的著名衬线体，Linotype、Monotype、Stempel 联合发行 雅克·萨邦（Jacques Sabon），十六世纪法国字体刻字师，Sabon 字体因其命名 Sabon Next，让–弗朗索瓦·波尔谢（Jean François Porchez）于 2002 年复刻的 Sabon 字体家族，Linotype 出品 《十竹斋笺谱》，1644 年胡正言编印的一部古代笺谱 《芥子园画传》，康熙年间的一部著名画谱 嘉宾 谭沛然：The Type 编辑，交互和平面设计师、设计史研究者 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

We've got a special guest this week: the Official Hair Stylist of the LisaOh & Em Show Miss Nancy! Emily has some big feelings about Raquel Welch, Nancy tells us about her bff Heather Gay and we speculate about the next season of RHOSLC. And we find out what Emily's new secret podcast name is! Come chat with us at lisaohandem@gmail.com or on Twitter @LisaOhandEm  Music:  Higher by Monotype

This week, we take you behind the scenes of one of Monotype's biggest, and most anticipated campaigns of the year: the annual Type Trends report. Tune in to hear from the report's curators, Creative Type Directors Terrance Weinzierl and Emilios Theofanous on their experiences producing the report. Why do people make trends reports? What does the curation process entail? How do cultural and societal shifts influence patterns in typography and design? What should creatives do with this information? Download the report and sign up for the Type Trends virtual event at monotype.com/type-trends-2023. To read more about this episode and our past guests, head over to monotype.com/podcast.

The baby formerly known as Wolf has a new name and it's…better? We're also throwing in some royal family chat and congratulating Kayne on his wedding? Lots of shoulder shrugs in this one!Come chat with us at lisaohandem@gmail.com or on Twitter @LisaOhandEm  Music:  Higher by Monotype

一个多月前，开源美术字体「得意黑」正式发布，获得不同社区的关注，备受热议。今天我们有幸邀来「得意黑」的两位主创者，oooooohmygosh 和陈渚，亲身讲述作品的诞生背景，剖析设计的细节及难点，以及，关于「开源」的思考。 参考链接 锚坞 atelierAnchor，以技术为基石的设计事务，参与平面设计、字体设计等多元化的项目，关注跨学科跨文化的设计实践，位于上海 得意黑 Smiley Sans，一款在人文观感和几何特征中寻找平衡的中文黑体，以 SIL Open Font License 1.1 协议开源；另有视频介绍可供观看 陶帝，Monotype 上海工作室字体设计师 スーシャ，铃木勉设计的明朝体风格的斜体日文字体，写研 1979 年发布 腾讯字体，腾讯公司的品牌字体，由 Monotype 设计开发 美和园字社，字体设计研究团体 央视在 2022 年卡塔尔世界杯的直播画面中使用得意黑，oooooohmygosh 在知乎相关话题下发布了回应 嘉宾 oooooohmygosh：Bilibili 百大 UP 主，平面设计师 陈渚，在 atelierAnchor 锚坞工作，以字体为主要叙事语言的平面设计师 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。

Packaging Design Storytime: From Dieline to Production Line Settle down children, and pull up a comfy seat - it's story time. Join Olivia and Micah in the reading corner for this week's nerd alert where Olivia is talking all about the world of packaging design. She shares her early experience of doing bespoke event packaging, and then moving into more commercial packaging where she learnt all of the intricacies, politics, and legalities of big-brand packaging design. As usual, there's also practical tips if you are doing packaging design, or would like to add it to your design repertoire. As usual, we also chat about some other links and fun things. Monotype have gobbled up another collection of typefaces, our friend Elliot Jay Stocks has shared his experience of moving his website to use variable fonts, there's some chatter about blocking web fonts for privacy reasons, and the London Fire Brigade have a charming new custom typeface. You know the drill - if you've seen something cool on the internets that you think we should know about, you can let us know on Twitter or Instagram. You can find us @theleagueof on both platforms. Weekly Typographic Newsletter Links

In this episode of The Print Report, Deborah Corn and Pat McGrew talk to Bernie Gracy and Mary Catherine Pflug from Monotype about the wild world of fonts! We discuss licensing, how fonts keep up with rapidly evolving display modalities, and how Monotype is developing font integration and management tools. Plus, Deborah learns about the app, What The Font! Mentioned in Today's Episode: Bernie Grace on LinkedIn: https://www.linkedin.com/in/berniegracy/ Mary Catherine Pflug on LinkedIn: https://www.linkedin.com/in/mcpflug/ Monotype: https://www.monotype.com/ WhatTheFont: https://www.myfonts.com/pages/whatthefont Glyphs App: https://glyphsapp.com/ FontLab: https://www.fontlab.com/ Deborah Corn: https://www.linkedin.com/in/deborahcorn/ Pat McGrew: https://www.linkedin.com/in/patmcgrew/ McGrewGroup: https://www.mcgrewgroup.com Print Media Centr: https://printmediacentr.com Project Peacock: http://projectpeacock.tv Girls Who Print: https://girlswhoprint.net

Helaine Knapp is Founder & CEO of CITYROW, the fitness phenomenon that focuses on smart fitness for the modern consumer. CITYROW pairs rowing with strength and mobility exercises – creating a workout that works. But a workout only works if you do it, and consumers today need choice, motivation and accountability. CITYROW clients can take classes at any one of our studios nationwide, from the comfort of their own home via on-demand classes, and everything in between. It's top-notch programming combined with giving consumers the ability to participate when, where and how they want – giving CITYROW the ability to reach and impact more consumers. Prior to CITYROW, Knapp, spent a number of years climbing the corporate ladder in media and participated in two SaaS tech exits – Buddy Media (sold to Salesforce.com for $800MM in 2012) and Olapic (which sold to Monotype for $120MM in 2016). During this time, Knapp fell in love with group fitness. But, years of spinning and bootcamp classes left Knapp with lower back pain and minimal results. She set out to find a better and smarter way to maximize results and still enjoy group exercise. Here she uncovered a tried-and-true fitness tool, the rower. Knapp saw the opportunity for a smarter approach to fitness and thus CITYROW was born.   LINKS: https://cityrow.com/en-us/ INSIDETRACKER - Gift cards and clothes are impersonal and expected… so why not get your loved ones a gift that is truly special and unique to them. This Black Friday, save $200 on InsideTracker's Ultimate Plan—the most comprehensive way to get personalized insight into their body's wellbeing. Claim this offer HERE. ​ THE FITTECH CLUB - Brought to you by my good friends at the FitTech Summit, Europe's leading conference devoted to fitness and health technology, The FitTech Club is a unique offering entering North America. For those in fitness & health technology, the FitTech Club brings thought leaders together to inspire them: by making the right contacts at the right time and giving insights to the industry's most relevant and current trends. Equal parts accelerator, mastermind, investor group, and consultancy, I urge you to learn more HERE