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Flying Fred Feldman was dad's favorite and reminds me of spending time with him.
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will tell the story of Saves The Day featuring interviews with Chris Conley & Steve Evetts. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This week we have the founder of Triple Crown Records Fred Feldman on for a very special 20th episode discussing Cro-Mags legendary debut The Age of Quarrel. We talk about Indie Week's patient zero, Fred's last interview, pizzaiolos, Rick Ta Life, squat living, friend of the pod John Varvatos, the Mushmouth 7", how The Secret Handshake shaped Dan's entire future, beards and baseball hats, clearing up who Into It. Over It. is singing about, Foxing worship, raising the bar, wedding band Converge covers, Death Spells, Brand New in a small room, Harley's poetry book forward by Allen Ginsberg, Downtown Brooklyn chat, Mr. Beet, Age of Quarrel vs. Best Wishes, Krishnacore, John Joseph the hat salesman, evil UPCs, litmus test records, dry recordings, Promise Ring foam finger, and pizza chat. // Follow us at @danbassini, @mysprocalledlife, @triplecrownrec and @runintotheground. Listen to our RITG Mixtape Vol. 5 here and our Best of RITG Vol. 2 playlist here.
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we turn to the world of food to talk to of the world's best chefs who are fans of the Vagrant's artists so we turn to Danny Bowien & Graham Elliot to talk about the influence the music had on their food. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will talk to two of the insiders who toured with Vagrant Records acts featuring interviews with Kevin Devine & Manchester Orchestra's Andy Hull who also play together in the group Bad Books. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will tell the story of Balance And Composure & Murder By Death featuring interviews with Jon Simmons & Adam Turla. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will talk to some of the insiders, as we bring on two former Vagrant employees Kevin Kusatsu & Amy Fleisher Madden. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will tell the story of Face To Face & No Motiv featuring interviews with Trever Keith & Pat Pedraza. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will tell the story of Moneen & Black Rebel Motorcyle Club featuring interviews with Kenny Bridges, Robert Levon Bean & Brian McTernan. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will tell the story of The Hold Steady & Rocket From The Crypt featuring interviews with John Reis and Craig Finn. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will tell the story of The Bled, From Autumn To Ashes & Biology featuring interviews with Jeremy Talley, Francis Marks and Brian McTernan. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we will finish the story of Senses Fail featuring interviews with Buddy Nielson, Heath Sacreno and Brian McTernan. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans, and insiders. In this episode, we begin to tell the story of Senses Fail featuring interviews with Buddy Nielson and Steve Evetts. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans and insiders. In this episode, we tell the story of Alkaline Trio featuring interviews with Matt Skiba and Derek Grant. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans and insiders. In this episode, we tell the story of Dashboard Confessional featuring interviews with Chris Carraba and Rich Egan. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans and insiders. In this episode, we tell the story of two beloved Vagrant Records artists Hot Rod Circuit & Hey Mercedesx featuring interviews with Andy Jackson, Jay Russel, Bob Nanna, Brian McTernan & more. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans and insiders. In this episode we tell the story of two beloved Vagrant Records artists The Anniversary & Koufax featuring interviews with Josh Berwanger, Adrianne deLanda, Robert Suchan & more. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans and insiders. In this episode we finish the story of The Get Up Kids featuring interviews with Jim Suptic, Ryan Pope, Rob Pope, Rich Egan, & more. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans and insiders. In this episode we begin to tell the story of The Get Up Kids featuring interviews with Jim Suptic, Ryan Pope, Rob Pope, Rich Egan, Kevin Kusatsu & more. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans and insiders. This episode features interviews with Mark Hoppus (Blink 182), Chad Gilbert (New Found Glory), Max Bemis (Say Anything), Danny Bowien (Mission Chinese), Trevor Keith (Face To Face), Rich Egan, Amy Fleisher Madden, Kevin Kusatsu & more. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
This is Vagrant Records: 25 Years On The Streets, where we tell the oral history of the label by the artists, fans and insiders. Vagrant had a lasting impact on the world of music and this is the story as told by the people who lived it. Hosted by Matt Pryor of The Get Up Kids. Produced by Jesse Cannon. Executive Produced by Fred Feldman & Andrew Ellis
Triple Crown Records is a New York-based rock music record label created in 1997 by Fred Feldman. The label features such artists as The Receiving End of Sirens and The Dear Hunter, and launched the career of Brand New in 2001. It is a part of the Eastwest family of record labels, a subsidiary of Warner Music Group, and is distributed by the Alternative Distribution Alliance. Here's what we chatted about: How are the current state of affairs effecting the label Starting at a hip hop label E Town Concrete In Reverie Lounge Folly Brand New Outline And a ton more Feel free to support the podcast for as little as $1 a month through Patreon.
The philosopher (and 1972 presidential candidate) John Hospers once wrote, “justice is getting what one deserves. What could be simpler?” As it turns out, this seemingly simple idea is in the opinion of many contemporary political philosophers complicated enough to be implausible. According to many these theorists, the question of what one deserves is no less vexed than the question of what justice requires. Some even hold that the question of what one deserves can be answered only by reference to a conception of justice. Accordingly, it seems as if a defense of Hospers' simple idea requires a lot of effort. In Distributive Justice: Getting What We Deserve from Our Country (Oxford University Press, 2016), Fred Feldman provides an original version of desertism, the view according to which justice prevails in a society when all of its members get what they deserve from whatever entity has the job of enacting justice. He forcefully argues that, once it is articulated with the requisite nuance and precision, desertism is an attractive conception of distributive justice.
The philosopher (and 1972 presidential candidate) John Hospers once wrote, “justice is getting what one deserves. What could be simpler?” As it turns out, this seemingly simple idea is in the opinion of many contemporary political philosophers complicated enough to be implausible. According to many these theorists, the question of what one deserves is no less vexed than the question of what justice requires. Some even hold that the question of what one deserves can be answered only by reference to a conception of justice. Accordingly, it seems as if a defense of Hospers’ simple idea requires a lot of effort. In Distributive Justice: Getting What We Deserve from Our Country (Oxford University Press, 2016), Fred Feldman provides an original version of desertism, the view according to which justice prevails in a society when all of its members get what they deserve from whatever entity has the job of enacting justice. He forcefully argues that, once it is articulated with the requisite nuance and precision, desertism is an attractive conception of distributive justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
The philosopher (and 1972 presidential candidate) John Hospers once wrote, “justice is getting what one deserves. What could be simpler?” As it turns out, this seemingly simple idea is in the opinion of many contemporary political philosophers complicated enough to be implausible. According to many these theorists, the question of... Learn more about your ad choices. Visit megaphone.fm/adchoices
The philosopher (and 1972 presidential candidate) John Hospers once wrote, “justice is getting what one deserves. What could be simpler?” As it turns out, this seemingly simple idea is in the opinion of many contemporary political philosophers complicated enough to be implausible. According to many these theorists, the question of what one deserves is no less vexed than the question of what justice requires. Some even hold that the question of what one deserves can be answered only by reference to a conception of justice. Accordingly, it seems as if a defense of Hospers’ simple idea requires a lot of effort. In Distributive Justice: Getting What We Deserve from Our Country (Oxford University Press, 2016), Fred Feldman provides an original version of desertism, the view according to which justice prevails in a society when all of its members get what they deserve from whatever entity has the job of enacting justice. He forcefully argues that, once it is articulated with the requisite nuance and precision, desertism is an attractive conception of distributive justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
The philosopher (and 1972 presidential candidate) John Hospers once wrote, “justice is getting what one deserves. What could be simpler?” As it turns out, this seemingly simple idea is in the opinion of many contemporary political philosophers complicated enough to be implausible. According to many these theorists, the question of what one deserves is no less vexed than the question of what justice requires. Some even hold that the question of what one deserves can be answered only by reference to a conception of justice. Accordingly, it seems as if a defense of Hospers’ simple idea requires a lot of effort. In Distributive Justice: Getting What We Deserve from Our Country (Oxford University Press, 2016), Fred Feldman provides an original version of desertism, the view according to which justice prevails in a society when all of its members get what they deserve from whatever entity has the job of enacting justice. He forcefully argues that, once it is articulated with the requisite nuance and precision, desertism is an attractive conception of distributive justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we welcome Triple Crown Records owner Fred Feldman! We chat about his start in the music industry, the hardcore beginnings of the label, Brand New, how the label has survived all these years, Triple Crown’s recent signings and what’s in store in the future. I really enjoyed chatting with Fred excepttttttt when it deviated to ska, that was horrible. Love you Fred. Support the show (https://www.patreon.com/washedupemo)
We kickoff the month of record label profiles with one of the more interesting cases of success with Fred Feldman and his Triple Crown Records. We spend a lot of time discussing eclectic taste and how that reflected in the labels beginnings, working with hip-hop with his previous label and of course, Brand New. It's a really insightful conversation with a person who I have always admired and respected his work. Won't you join us? Visit Squarespace to start your own website and get 10% off your purchase by entering the code WORDS! Build it beautiful with Squarespace. MONTHLY DONATIONONE TIME DONATION Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers
The discussion of the badness of death continues by asking whether it is bad that we do not exist before our birth. The views of a number of contemporary philosophers, such as Tom Nagle, Fred Feldman, and Derek Parfit, are introduced. Then Professor Kagan turns to the subject of immortality. Would it be desirable to live forever, and if so, under what circumstances one might enjoy such a prolonged existence? The lecture concludes with Bernard Williams' take on immortality which posits that no kind of human life can continue to be enjoyable and attractive for eternity.
The discussion of the badness of death continues by asking whether it is bad that we do not exist before our birth. The views of a number of contemporary philosophers, such as Tom Nagle, Fred Feldman, and Derek Parfit, are introduced. Then Professor Kagan turns to the subject of immortality. Would it be desirable to live forever, and if so, under what circumstances one might enjoy such a prolonged existence? The lecture concludes with Bernard Williams' take on immortality which posits that no kind of human life can continue to be enjoyable and attractive for eternity.