Podcasts about Allen Ginsberg

What do you pray when life hurts so much that ordinary words no longer feel adequate?In this reflection on Psalm 69, John Ortberg explores one of the most emotionally intense prayers in all of Scripture.Drawing a surprising connection to Howl, John examines how the Psalms give voice to grief, despair, loss, betrayal, injustice, addiction, depression, and suffering.This episode explores:- Psalm 69 and honest prayer- The language of anguish- Why God welcomes our deepest pain- Jesus and "zeal for Your house"- The danger of bitterness and despair-  Protecting the soul in suffering- Learning to live in a howling worldFeaturing reflections on:- Allen Ginsberg- John Steinbeck's The Grapes of WrathScriptures:- Psalm 69- John 2:13–17#Psalm69 #JohnOrtberg #Prayer #Suffering #Grief #SpiritualFormation #ChristianFaith #BibleStudy #Hope #psalms

The controversial American poet Allen Ginsberg arrives in New Brunswick for the only Canadian date on his legendary sold out 1967 tour reading his historic epic poem: Howl. The reaction to his Easter reading of that poem in a Saint John church was, shall we say ... mixed!   backyardhistory.ca

Em cada dia, Luís Caetano propõe um poema na voz de quem o escreveu.See omnystudio.com/listener for privacy information.

Political activist Abbie Hoffman, speaking at the Jack Kerouac Festival in 1982, said that the social movements of the 1960s would not have happened without the cultural revolution of the 1950s. Poet Allen Ginsberg was the spokesman for the Beat Generation literary movement, and a powerful voice for civil rights, free speech, and the peace movement, his entire life. Ginsberg and Kagyu Tibetan lineage holder, Chogyam Trungpa Rinpoche, founded Naropa Institute – now University in Boulder, Colorado. Allen's Buddhist meditation practice and poetics entailed keen observations of the ordinary. We've gone into the AR Archive, and recordings from a few musical performances in celebration of his one-hundredth birthday.

On this week's Talkhouse Podcast we've got a couple of old friends who are both multi-hyphenates: film directors, actors, writers, musicians, and perhaps most importantly, opinionated rabble-rousers who've spent decades pushing at the edges of culture—especially sexual politics—and gleefully widening its scope. It's John Cameron Mitchell and Sook-Yin Lee. Mitchell is perhaps best known for co-writing and starring in Hedwig and the Angry Inch, the late-'90s stage musical that became a cult-classic movie. It was the beginning of a career that has championed queerness and otherness, pushing those things into a mainstream that has sometimes been welcoming, but most times not so much. He followed Hedwig with Shortbus, whose frank depictions of sexuality were probably a little too intense for wider audiences. Mitchell has also done really interesting work as an actor in other people's projects, including playing Tiger King Joe Exotic in a miniseries not too long ago. As you'll hear in this chat, he's working on a project about Alan Ginsberg in 1968, a time that should be more distant than it feels like at the moment. Mitchell is heading out on a Hedwig anniversary tour that will include screenings of the film plus live performance and conversation; check out hedwig25.com for info. The other half of today's chat, Sook-Yin Lee, met Mitchell way back when, as you'll hear, when she auditioned for him—sort of. She had roles in both Hedwig and Shortbus, but has also lived other lives as a TV presenter in Canada and a prolific film director. For the past couple of years she's taken her latest film, Paying For It, straight to audiences along with her friend Chester Brown, whose graphic novel is the film's basis. It's a comedy about a couple that opens their relationship, and one of them decides to experiment by paying for sex. You can stream it most anywhere now, but that's not all Lee has been up to: She just released a new album of catchy, skewed electro-pop called 72RHR. Check out the song “A Hollow” right here. In this funny, fiery conversation, Mitchell and Lee talk about their early days together, about Alan Ginsberg and how the times he lived through don't seem to be over, about Mitchell's adopted New Orleans home, the power of art and lots more. Enjoy. 0:00 — Intro 2:39 — Start of Conversation 3:13 — On celebrating Pride, and Allen Ginsberg 5:34 — On their first collaborations, why their earlier projects couldn't be made in today's climate and industry, and branching out with new projects 10:43 — On promoting their latest film collaboration, "Paying For It" 13:11 — On their musical backgrounds and finding inspiration from different styles and genres of art 14:10 — On up-and-coming cities and scenes for artists, marginalized communities, and progressive and punk cultures 16:57 — Comparing and contrasting modern times and today's art to 1968 18:42 — On making a living as an artist, funding for the arts, and affordability 20:23 — On art movements in small regions, and protecting DIY art spaces, and regional culture in New Orleans 22:03 — On promoting “Paying For It” in the US 23:36 — On the frustrations of a digital world, and building connection and attention spans 25:27 — On doing screenings and gigs for the 25th anniversary of “Hedvig,” and screening “Short Bus” 26:13 — On using art to bring people together again to re-connect to reality 28:58 — On fighting ICE and data centers, and uniting over shared issues 31:46 — On using technology to connect, and young peoples' changing identities 34:23 — On how young people are creating DIY art, and the tools that make art more accessible for creators 38:13 — On the connections between punk culture, art distribution, and resistance 42:29 — On AIDS activism and “applied punk” within the queer community 44:03 — Where you can find their work Thanks for listening to the Talkhouse Podcast and thanks to Sook-Yin Lee and John Cameron Mitchell for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the other great shows in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Nick Hennegan celebrates the birthday of American 'beat' poet Allen Ginsberg. With some of his most famous poems. www.BohemianBritain.com 

Em cada dia, Luís Caetano propõe um poema na voz de quem o escreveu.See omnystudio.com/listener for privacy information.

Vor 100 Jahren, am 3. Juni 1926, wurde der US-amerikanische Dichter Allen Ginsberg geboren, der mit Werken wie „Howl“ zu einer der prägenden Stimmen der Beat Generation wurde. Sein Übersetzer Michael Kellner beschreibt die besondere Wirkung des berühmten Gedichts so: „Bei Howl ist das Interessante, es besteht im Hauptteil aus langen Atemzügen.“ Diese Verbindung von Sprache und Rhythmus lasse sich auch aus dem Englischen übertragen, denn „das kann man auch auf Deutsch machen“, sagte Kellner im Gespräch mit SWR Kultur. Ginsberg habe sich zeitlebens nicht nur als Schriftsteller, sondern auch als politischer Aktivist verstanden und mit seinen Gedichten gegen Krieg und gesellschaftliche Zwänge protestiert. Für Kellner ist die Faszination des Autors bis heute ungebrochen, weil „es immer wieder Menschen gibt, die sich dafür interessieren, dass jemand eine andere Haltung hat, eine kritische gesellschaftliche Haltung“.

Em cada dia, Luís Caetano propõe um poema na voz de quem o escreveu.See omnystudio.com/listener for privacy information.

Mengeringhaus, Max www.deutschlandfunkkultur.de, Lesart

Mengeringhaus, Max www.deutschlandfunkkultur.de, Lesart

Heute vor 100 Jahren wurde der Schriftsteller und Beatpoet Allen Ginsberg geboren.

Mengeringhaus, Max www.deutschlandfunkkultur.de, Lesart

Allen Ginsberg gilt als eine der wichtigsten Stimmen der Beat Generation und wurde mit seinem Gedicht „Howl“ weltberühmt. Er rebellierte gegen Kapitalismus und gesellschaftliche Konventionen der Nachkriegszeit. Seine Texte verbanden Literatur mit Themen wie Sexualität, Drogen, Spiritualität und fernöstliche Philosophie. Ginsberg experimentierte mit LSD, beschäftigte sich intensiv mit Zen-Buddhismus und reiste auf der Suche nach Erkenntnis durch Asien und Südamerika. Als politischer Aktivist engagierte er sich unter anderem gegen den Vietnamkrieg, für die Rechte Homosexueller und für eine liberale Drogenpolitik.

P1 Kultur tar sig an vårens teaterdebatt med ett nytt perspektiv. Dessutom: Hur fungerar konst som tvång, och kan Rosengård utmana Scenskolan? Allt detta på plats live från Sveriges största scenkonstbiennal för barn och unga. Lyssna på alla avsnitt i Sveriges Radios app. HELA SVERIGES BARN- OCH UNGDOMSTEATER SAMLAS I HELSINGBORGSveriges största mötesplats för barn- och ungdomsscenkonst, Bibu, är igång! Vår reporter Nora Makander är på plats i Helsingborg.Med henne är Ellinor Viktoria Lidén, barnkulturforskare vid Stockholms universitet, som undersökt barn som tvingas se teater i skolan. Vad händer när en konstform blir ett obligatoriskt moment? Gästar gör även Ung Scen Östs konstnärliga ledare Paula McManus, och berättar hur man gör konst för en publik som inte valt att se den.Reporter Rasmus Grosin har också gett sig ut på stan med mic. Finns några teaterintresserade barn där? Vad krävs för att de ska gå på teater, och vad hade de velat se?ROSENGÅRD OCH MALMÖ STADSTEATER UTMANAR SCENSKOLANI Rosengård har Malmö stadsteaters nya satsning, en ungdomsensamble och skådespelarutbildning, haft sin allra första teaterpremiär. Syftet är att introducera ungdomar utan tidigare erfarenhet av teaterarbete eller skådespeleri till teatern.Nora Makander besökte repetitionerna inför premiären, och pratade med ungdomar som aldrig stått på en scen innan, men nu börjar fundera på konstnärliga banor.ÄR BARN- OCH UNGDOMSTEATERN LÖSNINGEN I VÅRENS TEATERDEBATT?För en månad sedan kritiserade Jonas Gardell svensk teater. Sedan dess har en teaterdebatt fortsatt att växa på kultursidorna. Vad handlar den om? Vad säger de olika lägren? Kulturredaktionens teaterkritiker Jenny Teleman gästar studion och reder ut.Gästar live från Helsingborg gör också dramatikern och manusförfattaren EliSophie Andrée och Olof Hanson, konstnärlig ledare för Kulturhuset Stadsteatern i Vällingby/Husby – båda specialiserade på teater för barn och unga och insatta i debatten. Vad tycker de om det som sagts? Finns det något positivt med tiktokifiering? Har barn- och ungdomsteatern kanske till och med svaret på det problem som Jonas Gardell presenterat?ESSÄ: ALLEN GINSBERG SOM VÄGLEDAREI år är det hundra år sen beatpoeten Allen Ginsberg föddes. Författaren Ulf Peter Hallberg tar med oss på promenader i Paris och Berlins parker, och tänker tillbaka på när Allen Ginsberg lärde honom om "negativ kapacitet".Programledare: Jack LantzProducent: Sara Ek

Författaren Ulf Peter Hallberg vandrar genom Tiergarten i Berlin, minns sina möten med Allen Ginsberg och känner hur livet måste förändras. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Essän sändes första gången 2021.Den här berättelsen utspelar sig under den så kallade coronakrisen år 2020, när du som lyssnar hör den så befinner du dig kanske i någon mutation av samma kris eller så har den avlösts av en helt ny. Kanske upplever du någon form av lättnad, en lite ljusare tid. Vår tillvaro är en pendel mellan dessa poler som inte kan existera utan varandra. En oväntad händelse utlöser en kris, hela planeten ligger i spasmer. Hur ska vi höra ihop, om allt är kaos? Vi drar i nödbromsen, resten beror på oss.Lärdomarna i denna berättelse är inte nya, de är alla erfarenheter som många gjorde detta år: Vi behöver våra minnen, vi behöver poesin – och vi behöver träden. Men varje människa har sina egna hågkomster, dikter och parker. Detta är mina.När president Macron släckte ner Paris på kvällen torsdagen den 12 mars 2020 kände jag mig som den amerikanske poeten Allen Ginsberg. Denne var överallt när han levde, över hela jordklotet, och han tyckte om att undervisa. Och så älskade han livet. Jag identifierade mig med honom som lärare och författare. Därför var jag på Sorbonne, mot alla odds.Trots varningar från omvärlden hade jag tagit mig till Paris och mådde som alltid bättre än de flesta, den vita yang-pricken i den svarta yin-halvan, det är Pariseffekten. I Luxembourgträdgården, min viktigaste plats på jorden, höll jag och mina elever på med ett skrivprojekt som var en reaktion på situationen, smittan: hur man berättar en historia när allting är hotat, när allt står på spel, när man inte kan tro på nånting längre. Undantagstilltåndet! Plötsligt var grindarna till parken låsta. Alla kaféer och mötesplatser – ja, hela staden! – nedstängd. Ett enda tal från Macron till franska nationen; alla hade förstått, det är sista chansen.Ginsberg hade sprungit omkring i Luxembourgträdgården 1957-58 när han bodde på The Beat Hotel. Sommaren 1980 besökte jag honom några dagar i Boulder, Colorado, där han undervisade om de engelska romantikerna för unga studenter som ville lära sig skriva. Han lärde mig något som han kallade ”negativ kapacitet”. Hur man kommer vidare med det osäkra, mysteriet. I mars 2020, stod vi plötsligt inför ett osynligt virus, en kallhamrad egoist. Covid-19, partikeln utan spegelbild, en trojansk häst på bröstet till varje människa.Några dagar senare kom jag iväg från Paris med ett av de sista planen som lämnade staden just då, mot Berlin. Paris var stängt, Luxembourgträdgården stängd. Jag sökte mig till Berlins stora park, Tiergarten och började gå runt en timme före mörkrets inbrott. Nästa dag gjorde jag samma sak och nästa samma igen. Det skulle pågå hela året och fortsätta nästa.Tiergarten skapades som jaktmark 1527 och när jag går där så tänker jag på allt de här träden har sett sedan 1945. Äldre än så är de inte. Vid andra världskrigets slut fälldes nämligen nästan alla träd och förvandlades till ved; av 200 000 praktfulla träd på 210 hektar återstod 700 ensamma, brandskadade små dvärgträd lite här och där.Tanken på att träden i Tiergarten planterades och växte ur ruinstaden Berlin hjälper mig. Om jag inte går dit varje dag känner jag mig sjuk.Jag har upptäckt att jag inte är ensam. Bland de många träd som talar till mig finns också människor som lyssnar till samma budskap, bara en bit bort, vid nästa träd. Efter några veckors kringströvande urskiljer jag återkommande par och enstöringar som jag, på samma platser, unga människor som tränar, gör gymnastiska övningar, vid ett speciellt träd, varenda dag. Barn som följer sina föräldrar genom parken på väg hem. Alltid samma väg.När jag går på gångarna hör jag hela tiden fragment av samtal mellan vänner och kärlekspar, om ditt och datt. Dessa samtal återskapar betydelsen av vänskap, promenader, förtroende och förhoppningar. Det låga ljudet av två vänner som samtalar förtroligt om någon detalj i livet på en av parkens gångar talar samma språk som Allen Ginsbergs poesi.I Colorado 1980 deklamerade Ginsberg Shelleys ”Hymn to Intellectual Beauty” för att lära oss att älska konsten och livet. Vi pratade om allt under sena eftermiddagar i hans trähus i Boulder.När han talade lät det som dikten Sång i ”Howl och andra dikter”, här i översättning av Per Planhammar:Världens tyngd är kärlek.Under ensamhetens börda,under missnöjets börda så är tyngden,tyngden vi bär kärlek.Beatpoeten Allen Ginsbergs poesi var uppmärksamhet på livet, utvecklad ur inre osäkerhet, ”nederlagets vrål” som William Carlos Williams skrev i förordet till ”Howl”.I den mediokra aggressionens tid, när existensen har satts inom parentes och allt präglas av sönderfall, ensamhet och skyddsanordningar, då går jag bland de kraftfulla trädstammarna i Tiergarten och tänker på vad Allen Ginsberg sa på verandan till trähuset i Boulder 1980:”Det som gör en till författare är förmågan till inlevelse i chocktillstånden. Som Virginia Wolf skrev: konsten är ett dolt mönster, vi är alla delar av ett konstverk. Hamlet och Beethovens stråkkvartetter är sanningar om det vi kallar världen. Det finns ingen Shakespeare, ingen Beethoven, och ingen Gud; vi är orden; vi är musiken; vi är tinget i sig.”Sen satt vi tysta och rökte, och så sa Allen:”Det bästa i oss uppstår ur vår sårbarhet.””Ingen vila utan kärlek – ”Jag tänker i Tiergarten:Katastrofen är att historien förlorar sin mening om var och en bara arbetar på sin historia,söker kontakt utan förpliktelser –Beatpoeterna ville se allt i den amerikanska natten, ingen människa var för liten –Deras anslag var gemenskap, visioner, Baudelaires korrespondenser:Deras store fotograf och filmare Robert Frank sa att han kunde se Big Ben i London från Coney Island.När han var ung kunde han se timvisarna också.Ferlinghetti vill som poet rädda alla bortsprungna katter, han säger att poesin är det sista fyrtornet på ett stormigt hav.Krisen är uppfostraren, utvecklaren av det nya jaget.När Allen Ginsberg fick reda på att han hade kort tid kvar att leva ville han bygga en inspelningsstudio i sin lägenhet så att hans vänner Bob Dylan och Paul McCartney skulle ha professionell utrustning att spela på när de kom förbi.När min mamma fick en inoperabel hjärntumör så sa hon:”I det mörkaste finns bättringen. Jag tar operationen.”. Vad menade hon? Ginsberg visste.Han gjorde t'ai chi i sitt kök och tackade gud för att poeten Rimbaud blickade ner på honom från ovanför diskbänken.Min mamma levde elva år till efter operationen.När de sista solstrålarna får Victoria att lysa klart i guld över mig och alla andra som släntrar genom Tiergarten, deklamerar jag för träden och de förbipasserande en rad skriven av Lawrence Ferlinghetti till vännen Allen Ginsberg, och lovar mig själv att bli en bättre människa:”Poesin är själens energi, om själen existerar.”Då hör jag plötsligt någon säga:”Du glömde oss.”Så jag tillägger:”Träden är livets energi, och ni existerar.””Danke!” säger träden Yin och Yang, med en och samma röst.Ulf Peter Hallberg, författare och översättare

Hablamos de las trampas del discurso de los cuidados, el peso de la clase social, las servidumbres del trabajo y la importancia de sospechar del lenguaje con Valentín Roma a propósito de Los trillizos (Ed. Periférica), su nueva novela, en la que ironiza sobre las circunstancias de un tipo que con cincuenta años asume el papel de padre postizo de los hijos de su novia.Luego, Javier Lostalé lee unos versos de Duermevela (Ed. Pie de página), antología esencial del sevillano Abelardo Linares en la que se aprecia el carácter onírico de su poesía. En su sección, Ignacio Elguero nos recomienda varias lecturas: Tea rooms (Ed. Hoja de lata), novela social en la que la escritora sinsombrero Luisa Carnés aborda la precariedad de las mujeres trabajadoras de principios de siglo pasado y La bailarina (Ed. Anagrama), la nueva obra del Premio Nobel francés Patrick Modiano traducida, como ya viene siendo costumbre, por María Teresa Gallego Urrutia. En Peligro en La estación nuestro colaborador Sergio C. Fanjul pone sobre la mesa Cómo hablar de los hechos que no han sucedido (Ed. Cátedra), ensayo en el que Pierre Bayard defiende el uso de la fabulación en las obras de no ficción, anteponiendo la verdad literaria a la fáctica. Terminamos el programa en compañía de Mariano Peyrou, que hoy nos habla de Balada de esqueletos (Ed. La Bella Varsovia), colección de pequeños poemas de crítica social y espíritu juguetón que Allen Ginsberg escribió poco antes de morir y que ahora podemos leer en una traducción de Andrés Neuman.Escuchar audio

Del Potter, PhD is an ethnopsychopharmacologist, chemist, and psychedelic pioneer whose career has moved across some of the most consequential and unconventional edges of the field, from Mesoamerican field research and underground manufacturing to cutting-edge pharmaceutical development and clinical trials. He brings a rare perspective to the psychedelic renaissance: not as a commentator, but as someone who was inside the apparatus that produced these compounds long before the current wave had a name. Dr. Potter holds a PhD from a joint program between the UCSF Medical School and UC Berkeley's Department of Anthropology, specializing in psychiatric anthropology, ethnopsychopharmacology, and neuropharmacology, with additional clinical training at the San Francisco Psychoanalytic Institute. His postdoctoral fieldwork examined shamanic traditions and indigenous psychotherapeutic practice across multiple lineages, including ceremonial psilocybin and Salvia divinorum use among the Mazatec of central Mexico, ayahuasca and yagé ritual among the Shuar of Ecuador, and parallel traditions among the Yanomami of Brazil and the Cofán of Colombia, contributing to Richard Evans Schultes' comprehensive survey of psychotropic botanicals worldwide. A formative mentorship with Alexander Shulgin oriented his chemistry toward novel tryptamine compounds, particularly in the DMT and 5-MeO-DMT structural classes, and he has since developed a portfolio of compounds that retain the neuroplasticity associated with psychedelic receptor activity while producing no psychedelic effect. On the pharmaceutical and biotech side, Dr. Potter served as Chief Science Officer at Leef Holdings, designing what became California's largest fully automated medical cannabis manufacturing facility, and later directed first-in-human 5-MeO-DMT clinical trials at UCSF through his work with Alvarius Pharmaceuticals, followed by a Phase 1 trial at Trinity College Dublin. At University College Dublin, he developed and validated the use of human stem cell-derived brain organoids to assess how psychedelic compounds reverse epigenetic changes caused by substance abuse. In 2023 he founded Spiritus Bioscience to develop novel delivery formats for psilocin, DMT, and 5-MeO-DMT, with the first product entering clinical trials in Australia targeting Alcohol Use Disorder. He currently serves as founder and CSO of BioUnbound Inc., exploring the intersection of psychedelics and bioactive peptides for mental health and longevity applications. Dr. Potter is currently completing his memoir, whose working title is Was a Different Time: Chronicles of a Psychedelic Pioneer in the Reign of the Cartels.Episode Highlights ▶ Del's background supplying California cannabis genetics to the Guadalajara cartel and working at Rancho Bufalo  ▶ Meeting cartel figures Miguel Felix Gallardo and Rafael Caro Quintero, and the fallout from the Kiki Camarena murder  ▶ Manufacturing LSD in Marin County using precursor chemicals sourced through cartel connections  ▶ How a DEA sting led to a federal task force, a stunning offer, and a get-out-of-jail-free card  ▶ Mentorship under Alexander Shulgin and the countercultural milieu of Esalen, Claudio Naranjo, Allen Ginsberg, and Terence McKenna  ▶ Why psychedelics have no intrinsic politics: the compound is the same, the container decides everything  ▶ The retreat economy as product development: when one medicine stops differentiating, operators start stacking  ▶ How the clinical and pharmaceutical models convert ceremony into a billable procedure  ▶ The psychoplastogen pipeline: engineering the experience out so the worker is back at their desk by Wednesday  ▶ Indigenous cosmological governance as a technical achievement, not a romanticized ideal  ▶ The concept of restraint and reciprocity as regulatory systems, and what Western culture has lost  ▶ Why patenting psilocybin protocols and dosing postures is a winnable legal argument  ▶ Publicly funded, community-governed clinics as the only container that can hold what these compounds require  ▶ The mental health crisis as inseparable from the housing, wage, care, and climate crises  ▶ Building a parallel infrastructure: cooperatives, commons defense, and indigenous benefit sharing as models    Dr. Del Potter's Links & Resources ▶ https://delpotterphd.substack.com ▶ https://www.facebook.com/del.potter.75 ▶ @drdelpotter.bsky.social ▶ www.biounbound.com ▶ https://www.instagram.com/potter_del/ Download Beth's free trainings here:  Clarity to Clients: Start & Grow a Transformational Coaching, Healing, Spiritual, or Psychedelic Business:  https://bethaweinstein.com/grow-your-spiritual-business Integrating Psychedelics & Sacred Medicines Into Business: https://bethaweinstein.com/psychedelics-in-business ▶ Beth's Coaching & Guidance: https://bethaweinstein.com/coaching  ▶ Beth's Offerings & Courses: https://bethaweinstein.com/services ▶ Instagram:  @bethaweinstein  ▶ FB: / bethw.nyc + bethweinsteinbiz  Download Beth's free trainings here: Clarity to Clients: Start & Grow a Transformational Coaching, Healing, Spiritual, or Psychedelic Business: https://bethaweinstein.com/grow-your-spiritual-businessIntegrating Psychedelics & Sacred Medicines Into Business: https://bethaweinstein.com/psychedelics-in-business▶ Beth's Coaching & Guidance: https://bethaweinstein.com/coaching ▶ Beth's Offerings & Courses: https://bethaweinstein.com/services▶ Instagram: @bethaweinstein ▶ FB: / bethw.nyc + bethweinsteinbiz

Episode: 3370 A Look at Poetry and the Importance of Rhythmic Metre.  Today, the rhythm of poetry.

Gary Lachman in conversation with David Eastaugh https://www.amazon.co.uk/Touched-Presence-Blondies-Bowery-Occult/dp/B0DSV388DQ https://www.gary-lachman.com/ https://garylachman.co.uk/ In this memoir, Lachman recounts how he went from being a successful rock and roller to a writer on consciousness and the Western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, and Iggy Pop and also his time with Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from CBGB, the birthplace of punk rock, Lachman discovered occultism via a follower of Aleister Crowley. Post rock and roll, Lachman's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff 's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a science writer while managing a famous metaphysical bookshop at the height of the New Age movement. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines and pilgrimages to Colin Wilson's home in Cornwall are a few of the highlights of this introspective, often humorous account of a nascent writer's struggle from rock and roll to individuation.

THIS IS PART TWO - Listen to part one hereCONTENT HEADS UP:  This episode contains discussions of death, dying, end-of-life care, and sensitive topics related to mortality, including chosen suicide and medicalization of death and illness. Listener discretion is advised, especially for individuals who may find these topics distressing or triggering. Please prioritize your emotional well-being while engaging with this content.Also, Ali wants to note that when she asks Karen about her thoughts on suicide, she meant to make a disctinction between “chosen” suicide (when someone wants to live but they are in too much physical pain/their body is too deteriorated without hope of recovery) and “suicide under duress” (meaning due to emotional/psychological/spiritual pain, that may or may not be accompanied by an unavoidably dying body, the person does not want to live). Of course facing a death someone does not want can also be considered duress!  SYNOPSIS:What does good acting and dying have in common? In this episode, Ali discusses all things death, dying, and living as bodies with Karen Bellone, Certified End-of-Life Doula and Death Educator. They focus on the interconnectedness of life and death, the significance of conscious living, and the complexities of end-of-life care. Karen shares her experiences working with dying individuals, highlighting the challenges of the dying process, including issues related to dementia and Alzheimer's. They discuss the importance of compassionate and holistic approaches to end-of-life care, emphasizing the need for conscious decision-making aligned with personal values to achieve a good death without regrets. Throughout the conversation, they reflect on the essence of embodiment and the importance of being present in the moment, trusting the intelligence of the body to embrace a richer life and ultimately a better death.  ALI & KAREN EXPLORATION POINTS:-  The concept of a 'good death,' this discussion emphasizes the significance of conscious decision-making and holistic approaches to end-of-life care, challenging societal norms and perceptions surrounding death.  -  The complexities, ethical considerations and medicalization surrounding end-of-life decisions, highlighting the need for open dialogue and support for individuals facing such choices.-  The role of a Death Doula, illuminating the profound support and guidance provided by these compassionate professionals in assisting individuals and families through the dying process, fostering a sense of empowerment and comfort.-  How our physical and emotional bodies communicate and play integral roles in the dying process, highlighting the importance of listening to and honoring the body's wisdom. -  Insights into embracing conscious living, pursuing meaningful experiences, and aligning actions with personal values to cultivate a sense of fulfillment and purpose.-  Sensory experiences shape our perception of life and death, emphasizing the significance of sensory elements in the dying process and fostering connections with loved ones.To be an angel to the podcast, click here: To read more about the podcast, click here: MORE ALI MEZEY:Website BODY MAPPING VIDEO LIBRARYPersonal Geometry® and the Magic of Mat Work Course informationTransgenerational Healing FilmsMORE KAREN BELLONE:Film Website: Website: The Seventh Sense BIO:Founder, Doula, Educator: Karen Bellone, MFA, is a Certified End-of-Life Doula and Death Educator. She is the founder of The Seventh Sense in NY's Hudson Valley, where she is an integral part of a worldwide community that is reigniting the wisdom of death within our modern lives. She is also founder of Exit Strategy for Dying, a monthly Death, Arts and Culture Readers supporting a resource hub to educate and refocus the narrative around death and grief through the lens of arts, culture, storytelling and innovation. Prior to embracing her passion for end-of-life work, Karen has had a long career as an award-winning filmmaker and internationally collected photographer. She received a BFA in Film Production from New York University, and did graduate work with the world-renowned Actors Studio, through their inaugural program at the New School for Social Research.After training and becoming certified with INELDA (International End of Life Doula Association), Karenworked with an innovative hospice in Los Angeles where her skills as a death doula were developed and broadened. In addition to working with patients in various stages of their life journeys, she was responsible for training the volunteer staff, nurses and other hospice and medical professionals to bring more understanding, humanity and compassion into their work with the dying. She spoke regularly with groups, such as the Alzheimer's Project, about the role of the doula at end-of-life, and the space that can be held to bring about ‘a good death'. She believes strongly in the ability to demystify and assuage the fear that surrounds death in our culture and to foster safe passage for the dying, as well as to aid the families and loved ones through grief and bereavement.As a visual artist and storyteller, Karen acquired a multitude of skills throughout her career that unlocked a deep passion for the healing power of visual and auditory perception on human consciousness. She integrated these strengths and resources into tools to bring aid and comfort for those imminently facing their mortality. Working with somatic and sensory awareness, Karen utilizes visual, sound and meditation therapy, personalized guided imagery, and commemoration of the sacred in the form of ritual, legacy and memory work, in order to bring comfort - physically, emotionally, spiritually to celebrate and commemorate the life of the individual. In addition to her ongoing private practice, Karen is currently directing a feature film about living American artist Michelle Stuart, whose work also engages with the elemental and ineffable nature of existence.RESOURCES:Edgar Allan PoeErik EriksonExit strategy for dying (Karen's monthly newsletter)Omega Home NetworkAll...

National Poetry Month revisits the 1979 March on Washington with poetry from the rally stage recited by Allen Ginsberg, Paula Gunn Allen, and Audre Lorde. Audre Lorde also reads a poem to close the program from 1980 recorded at a feminist event in New York City. (Produced by Brian DeShazor) Music by Elizabeth Clyde and Blackberri And in Newswrap: Hungary's political shift as Viktor Orbán is unseated by Péter Magyar, an Australian court allows trans exclusion at lesbian events, Montana affirms transgender legal recognition, and the Pride flag is restored at Stonewall National Monument. All this on the April 20, 2026 Edition of This Way Out!

Another Earth Day, and world ecosystems continue to face imminent danger from humanity's ecological overreach and climate systems rapidly reaching the point of fossil-fueled no-return to the old predictable stable planet we once knew. Following the original 1970 theme of a national teach-in, promoting awareness of the acute problems, we must pose solutions to advance environmental sustainability, building movements to work toward its implementation. Support the Podcast via PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url In this episode, we explore the profound connection between humanity and Mother Earth with original Earth Day organizer and present day energy expert Morey Wolfson. He shares insights on how nature serves as our greatest teacher and the importance of respecting our environment. We hear from wisdom keeper Wendsler Nosie Sr., poets Andrea Gibson and Allen Ginsberg's original 1970 Earth Day poem. Indigenous activist Lydia Ponce provides an Earth Day blessing. Buddhist monk Thich Nhat Hanh provides instructions on walking the land meditation. Native American activist David Buffalo Horse Starnes spoke in 1972 about how to keep connected to the ground in an urbanizing landscape. And environmental attorney Mel Nutter speaks on the establishment of the California Coastal Commission as a response to the 1969 blowout of the Union oil platform in the Santa Barbara Channel. As Earth Day approaches, we reflect on its origins, the environmental challenges we face today, and the critical need for collective action. Join us on this journey to reconnect with the planet and reignite our commitment to ecojustice. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Resources/Articles: Morey Wolfson has spent his career in energy and environmental policy. He is a Former Colorado Public Utilities Commission (PUC) regulator, National Renewable Energy Laboratory (NREL) employee, and governors' energy policy advisor. Mel Nutter has practiced law in Long Beach since 1965 with an emphasis on coastal land use, environmental, estate planning and trust law. From 1977 through 1985, he was a member of the California Coastal Commission and served as its Chair and member of the State Coastal Conservancy during the last three years of his tenure. He has a long history working with the Sierra Club, Amigos de Bolsa Chica, and the Los Angeles League of Conservation Voters. Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes for a PBS SoCal Artbound project called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. He also publishes articles and podcasts on Substack [https://jackeidt.substack.com/]. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 284 Photo credit: Rawpixels

Numerosi scrittori, artisti e musicisti hanno trovato ispirazione in Marocco. Potremmo cominciare dal viaggio fondativo del pittore Eugène Delacroix nel 1832, la cui eco ancora risuona nel soggiorno a Tangeri di Henri Matisse, tra il 1912 e il 1913. Con Alessandro Tamburini ripercorriamo le trame letterarie tessute da numerosi scrittori: Paul Bowles naturalmente e poi ancora Mark Twain, Pierre Loti, Edmondo De Amicis, Edith Wharton, Jean Genet, Tennessee Williams, Truman Capote. Il Marocco fu spesso letto da questi autori nella chiave dell'orientalismo. Negli anni Sessanta e Settanta la Beat Generation (William S. Burroughs, Allen Ginsberg) utilizzò invece registri diversi: esilio, marginalità, libertà, sperimentazione. Ricordiamo quella stagione con Gianni De Martino, protagonista e storico della controcultura beat italiana. E le sonorità ipnotiche della musica marocchina lasciarono una traccia nei brani di Ornette Coleman, Brian Jones, Jimi Hendrix. Per lungo tempo le voci marocchine hanno avuto meno spazio nella costruzione e soprattutto nella circolazione internazionale di questa narrazione, che pure li riguardava da vicino, come spiega Karima Moual. Solo in tempi più vicini a noi una nuova generazione ha fatto sentire la propria voce, proponendo una visione del Paese forse meno poetica, ma più vera. 

Numerosi scrittori, artisti e musicisti hanno trovato ispirazione in Marocco. Potremmo cominciare dal viaggio fondativo del pittore Eugène Delacroix nel 1832, la cui eco ancora risuona nel soggiorno a Tangeri di Henri Matisse, tra il 1912 e il 1913. Con Alessandro Tamburini ripercorriamo le trame letterarie tessute da numerosi scrittori: Paul Bowles naturalmente e poi ancora Mark Twain, Pierre Loti, Edmondo De Amicis, Edith Wharton, Jean Genet, Tennessee Williams, Truman Capote. Il Marocco fu spesso letto da questi autori nella chiave dell'orientalismo. Negli anni Sessanta e Settanta la Beat Generation (William S. Burroughs, Allen Ginsberg) utilizzò invece registri diversi: esilio, marginalità, libertà, sperimentazione. Ricordiamo quella stagione con Gianni De Martino, protagonista e storico della controcultura beat italiana. E le sonorità ipnotiche della musica marocchina lasciarono una traccia nei brani di Ornette Coleman, Brian Jones, Jimi Hendrix. Per lungo tempo le voci marocchine hanno avuto meno spazio nella costruzione e soprattutto nella circolazione internazionale di questa narrazione, che pure li riguardava da vicino, come spiega Karima Moual. Solo in tempi più vicini a noi una nuova generazione ha fatto sentire la propria voce, proponendo una visione del Paese forse meno poetica, ma più vera. 

Gary Lachman - Touched by the Presence: From Blondie's Bowery and Rock and Roll to Magic and the OccultA memoir of magic, rock and roll, and becoming who you are• Traces the author's journey from bassist and founding member of Blondie to writer on consciousness and the esoteric tradition• Explores his involvement in Gurdjieff's Fourth Way, Crowley's Thelema, and his relationship with the bestselling author Colin Wilson• Reveals how an early love of comic books, science fiction, and fantasy led him to the esoteric traditionNot many members of the Rock and Roll Hall of Fame are also recognized authorities on the western inner tradition. Gary Lachman is. In 1978, Blondie released the top-ten hit, “(I am Always Touched by Your) Presence, Dear.” Gary Lachman (then Gary Valentine) had written the song for his girlfriend after the series of shared dreams and telepathic experiences they had. Thus started his life-long obsession with the potentials of consciousness.In this memoir, Gary recounts how he went from being a successful rock and roller to a writer on consciousness and the western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, Iggy Pop and also Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from the birthplace of punk rock, CBGB, Gary discovered occultism via a follower of Aleister Crowley. Post rock and roll, Gary's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a Science Writer, while managing a famous metaphysical bookshop at the height of the New Age. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines, and pilgrimages to Colin Wilson's home in Cornwall, are a few of the highlights of this introspective, humorous account of a nascent writer's struggle from rock and roll to individuation.BookBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Show Notes Mike Freiling was born in San Francisco. His interest in poetry was first kindled in the mid-‘60's, when he attended high school near the Haight Ashbury district, and attended readings by American Beat poets Gary Snyder, Allen Ginsberg, and Lenore Kandel. Freiling attended University of San Francisco and MIT and helped co-found MIT's literary magazine Rune. He studied poetry under David Ferry at Wellesley. After receiving his PhD, he was named a Luce Scholar with an appointment to Kyoto University, In 2014, Freiling returned to Kyoto where he and his wife Satsuki Takikawa co-translated They Never Asked, an anthology of senryu poetry written by Japanese Americans incarcerated during World War II. Today we're going to talk about his translation of the 100 Poems From Old Japan published by Tuttle in 2025, some 46 years after Freiling's first draft.   The Books on Asia Podcast is co-produced with Plum Rain Press. Podcast host Amy Chavez is author of The Widow, the Priest, and the Octopus Hunter: Discovering a Lost Way of Life on a Secluded Japanese Island. and Amy's Guide to Best Behavior in Japan.The Books on Asia website posts book reviews, podcast episodes and episode Show Notes. Subscribe to the BOA podcast from your favorite podcast service. Subscribe to the Books on Asia newsletter to receive news of the latest new book releases, reviews and podcast episodes.

Gary Lachman - Touched by the Presence: From Blondie's Bowery and Rock and Roll to Magic and the OccultA memoir of magic, rock and roll, and becoming who you are• Traces the author's journey from bassist and founding member of Blondie to writer on consciousness and the esoteric tradition• Explores his involvement in Gurdjieff's Fourth Way, Crowley's Thelema, and his relationship with the bestselling author Colin Wilson• Reveals how an early love of comic books, science fiction, and fantasy led him to the esoteric traditionNot many members of the Rock and Roll Hall of Fame are also recognized authorities on the western inner tradition. Gary Lachman is. In 1978, Blondie released the top-ten hit, “(I am Always Touched by Your) Presence, Dear.” Gary Lachman (then Gary Valentine) had written the song for his girlfriend after the series of shared dreams and telepathic experiences they had. Thus started his life-long obsession with the potentials of consciousness.In this memoir, Gary recounts how he went from being a successful rock and roller to a writer on consciousness and the western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, Iggy Pop and also Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from the birthplace of punk rock, CBGB, Gary discovered occultism via a follower of Aleister Crowley. Post rock and roll, Gary's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a Science Writer, while managing a famous metaphysical bookshop at the height of the New Age. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines, and pilgrimages to Colin Wilson's home in Cornwall, are a few of the highlights of this introspective, humorous account of a nascent writer's struggle from rock and roll to individuation.BookBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Composer & host Charlie Morrow in conversation down memory lane with Charlemagne Palestine, Brooklyn-born polymath artist & musician, early champ of NY- minimalist music but also a self-described MAXimalist, stuffed animal aficionado, percussionist, carilloneur, [church] organist – & entertaining storyteller.  © photo: Plamen Hubenov. He got his start singing Jewish traditional songs but quickly moved at age 12 to performing for more unorthodox performers such as the Beats, playing back up percussion for the likes of Allen Ginsberg, Gregory Corso, Kenneth Anger, Tiny Tim. He also emerged as a sought-after carillonneur @ NY's St. Thomas Episcopal Church & others.  He has collaborated with Tony Conrad, Morton Subotnik, Simone Forti, electronica duo Pansonic, Michael Gira, Janek Schaefer, Rhys Chatham, David Coulter … He is often accompanied by his menagerie of stuffed animals. Palestine has performed all over the globe & has put out LPs on renowned labels such as Staalplaat, Baroni, New World Records, Sub Rosa, Algha Marghen. He moved to Brussels in the late 1990s. Subject matter: “Palestine: My name & the should-be country,” carillons, mutual friends, Moondog, Tony Conrad, Allen Ginsberg, Dutch Schultz, the Jewish Mafia, Queens, Laguardia, Tiny Tim, bongos, weed dealer, Moses Asch, Folkways,  gamelan, Charlemagne – holy Roman emperor, Charlotte Moorman, Morton Subotnik, Jerome Rothenberg, Vito Acconci, Belgium, tramping around, Pansonic, Mike Vainio, CM Hausswolff, Magoos Bar in Tribeca, David Toop, dimensional sound, Johnny Ray [“Little White Cloud That Cried”], Children's Hour television program, falsetto, CBS documentary studios, NYC record libraries, Warhol, Taylor Mead, Jack Smith, Dick Higgins, Herbert Marcuse & Disney, drone organ works, Sibelius Museum – Finland …

durée : 00:44:55 - Les Nuits de France Culture - par : Albane Penaranda - En 1996, Alain Veinstein recevait Allen Ginsberg dans "Du jour au lendemain" à l'occasion de l'édition en français de "Cosmopolitan Greetings : poèmes 1986-1992". - réalisation : Virginie Mourthé - invités : Allen Ginsberg Poète américain

This is an excerpt of a patrons-only episode. To hear the full thing, and dozens more like it, visit Patreon.com/LoveMessagePod to sign up from just £3 a month.In this patrons episode we continue to unspool our mini-series on the great Arthur Russell. We rejoin the composer on the West Coast in the early 1970s, leaving him a few years later at the Manhattan School of Music as he prepares to move downtown. Along the way Tim and Jeremy discuss Arthur's friendship with Allen Ginsberg, his experiences of Buddhism, and an early recording session with the poet and one Bob Dylan. Elsewhere we hear about William Blake, ‘beginner's mind', Ginsberg's devotional music, hippie cowboys and Indian influences, and take a trip to Wales. In addition to his playing on the Ginsberg recordings, we also hear some of the first music composed by our subject.Tracklist:Allen Ginsberg - Wales VisitationAllen Ginsberg - Pacific High Studio Mantras - Om Ah Hum Vajra Guru Padma Siddhi HumAllen Ginsberg - A DreamArthur Russell - Goodbye Old Paint 

Hi, everybody. It's an episode full of sports games, comic books, prose books, movies, TV shows, fun, and excitement. All this plus Rich and Kristin school George on...Allen Ginsberg?! "Follow your inner moonlight; don't hide the madness." Let the games begin! #SvenPleaseComeBack Thank you for listening. Connect with Meanwhile At The Podcast on social media. Don't forget to #livetweet (we're still calling it that)! Share the show, subscribe so you don't miss an episode, and rate us on your podcast apps. Those much coveted five stars are always appreciated. Stay safe out there. NOW ON BLUESKY @MeanwhileATP https://x.com/meanwhileatp https://www.meanwhileatthepodcast.libsyn.com Rodney (AKA Art Nerrd): https://x.com/artnerrd https://www.instagram.com/theartnerrd/ https://facebook.com/artnerrd https://shop.spreadshirt.com/artnerrd Kristin: https://www.facebook.com/kristing616 https://www.instagram.com/kristing616 Rich: https://x.com/doctorstaypuft

It's New York's hellacious summer of '77. Rampant crime, a city-wide blackout and the Son of Sam murders have knocked Gotham on its ass. When Lucien Lowe, a young poet on the downtown scene, is found dead in his East Village tenement with a heroin needle in his arm, overworked cops rule it an accidental overdose. But Ike's wealthy girlfriend Julie Baroda suspects murder and urges Ike's best friend, the artist and punk rock fashion designer Finn Burdon, to investigate.Despite Finn's own issues with heroin, he shows an uncanny talent for detective work. As Julie, Finn and police detective Benny Cherin dig deeper, their investigation ultimately encompasses some of the most famous names of 1970s New York, including William S. Burroughs, Jean-Michel Basquiat, CBGB owner Hilly Kristal, Allen Ginsberg, Lou Reed, Truman Capote, Roy Cohn, Fat Tony Salerno, Holly Woodlawn, Steve Rubell, Andrew Crispo, Bella Abzug, Leonard Cohen and many others. In the process, they begin to glimpse the outlines of a violent plot to sabotage the opening night of Hilly Kristal's highly anticipated new venue, The CBGB 2nd Avenue Theater, when Patti Smith is playing and it's packed with thousands.Set during the glory days of New York's downtown music, art, literary and fashion scenes, The CBGB Conspiracy mixes fiction with a host of real events and historical figures. Behind them all looms a character just as visceral and ultimately doomed: the crumbling New York of 1977.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

In our ongoing memorial tribute to Kenosha's own Michael Schumacher, a nationally-published author many times over, we are replaying a 2020 conversation about Schumacher's long friendship with Allen Ginsberg. (Schumacher passed away on December 29th at the age of 75. He was a guest on the Morning Show more than a dozen times over the course of three decades.).

In this episode, Jack Eidt interviews author Max Talley on his book called Peace, Love, and Haight, set in the wild San Francisco district of Haight-Ashbury in 1969. The hippie counterculture clashes with the capitalist society in the era of the Vietnam War, the push for civil rights, and the sexual revolution. We feature clips from LSD guru and CIA turncoat Dr. Timothy Leary, poet Allen Ginsberg, psychonaut Terence McKenna, political activist Eldridge Cleaver, and of course the sounds of the Grateful Dead. Support the Podcast via PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Max Talley [https://maxtalley.com/] is an author, editor, musician, visual artist, and writing teacher – he's doing it all – who has published multiple novels, essays, and short stories and won awards for his mix of literary, psychedelic-dystopian, crime, sci-fi, and satirical works. His latest which we will discuss today are the story collection, Destroy Me Gently, Please by Serving House Books, and Peace, Love & Haight – as in San Francisco's Haight-Ashbury – from Three Rooms Press. He resides in Santa Barbara where we encountered him in, of all places, a noisy hotel lounge. Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes for a PBS SoCal project called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 276 Photo credit: Max Talley

On this episode of Lipps Service, Scott sits down with hardcore punk icon Harley Flanagan, founder of Cro Mags, for a raw and wide ranging conversation on Lipps Service. From Harley's chaotic early life and growing up in 1970s New York City to encounters with Allen Ginsberg, Andy Warhol, and Anthony Bourdain, the interview traces the cultural collision that shaped one of hardcore's most influential figures. Harley dives into his first musical memories, discovering punk rock and The Clash, starting out as a drummer, and surviving the Lower East Side scene as it exploded. He reflects on early bands like The Stimulators, the formation of Cro Mags, and the possibility of reunions, while also discussing new Cro Mags music. The episode closes with Harley's top five bass players and top five metal records, making this a must-listen deep dive into punk, metal, and New York underground history.Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain00:11:06 - Growing up in New York00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley00:44:12 - The formation of the Cro Mags 00:47:30 - The downfalls of the band 00:48:00 - Possible reunion?00:49:51 - The night at Webster hall1:00:21 - New cro mags music 1:01:52 - Top 5 bass players 1:06:22 - Top 5 metal records

Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain 00:11:06 - Growing up in New York 00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley 00:44:12 - The formation of the Cro Mags 00:47:30 - The downfalls of the band 00:48:00 - Possible reunion? 00:49:51 - The night at Webster hall 1:00:21 - New cro mags music 1:01:52 - Top 5 bass players 1:06:22 - Top 5 metal records Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Lipps Service, Scott sits down with hardcore punk icon Harley Flanagan, founder of Cro Mags, for a raw and wide ranging conversation on Lipps Service. From Harley's chaotic early life and growing up in 1970s New York City to encounters with Allen Ginsberg, Andy Warhol, and Anthony Bourdain, the interview traces the cultural collision that shaped one of hardcore's most influential figures. Harley dives into his first musical memories, discovering punk rock and The Clash, starting out as a drummer, and surviving the Lower East Side scene as it exploded. He reflects on early bands like The Stimulators, the formation of Cro Mags, and the possibility of reunions, while also discussing new Cro Mags music. The episode closes with Harley's top five bass players and top five metal records, making this a must-listen deep dive into punk, metal, and New York underground history.Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain00:11:06 - Growing up in New York00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley00:44:12 - The  formation of the Cro Mags  00:47:30 - The downfalls of the band 00:48:00 - Possible reunion?00:49:51 - The night at Webster hall1:00:21 -  New cro mags music 1:01:52 -  Top 5 bass players 1:06:22 - Top 5 metal records 

Patti Smith, “the Godmother of Punk,” has lived a wild life and accumulated so much wisdom in the process. In the 1960s and '70s, Smith was a fixture of the New York City creative scene — hanging out with the likes of Bob Dylan, Janis Joplin, Allen Ginsberg and Robert Mapplethorpe. Merging her own poetry with an ace backing band, she became a global rock star. Then she gave it up, moved to Michigan, raised a family, and remade herself into a best-selling author. Her stunning memoir “Just Kids” won the National Book Award and is one of the books that I've kept returning to, again and again.There is clearly something unusual about Smith. People who know her have described her as “shamanistic.” But even for those of us who will never become rock stars, there's something inspiring — and oddly relatable — in how she thinks about life. So I was excited to have the opportunity to sit down with her and learn more.Smith is out with a new memoir, “Bread of Angels,” and is on tour for the 50th anniversary of her breakthrough album, “Horses.” We talk about that book and that album and so much more: the boundless curiosity that drives her; the books that shaped her; her childhood communion with a snapping turtle; what Andy Warhol was like; what color she thinks the soul is; and a lot more that's hard even to describe.This episode contains strong language.Mentioned:“Pan's Labyrinth” by Guillermo del ToroGrimm's Complete Fairy Tales by Jacob Grimm and Wilhelm GrimmBread of Angels by Patti SmithJust Kids by Patti Smith“The Dark Blot” by Gérard de Nerval“Genie” by Arthur Rimbaud“Guernica” by Pablo Picasso“The Last Supper” by Andy WarholBook Recommendations:The Adventures of Pinocchio by Carlo CollodiFrankenstein by Mary ShelleyThe Poetry of Sylvia Plath Edited by Claire Brennan2666 by Roberto BolañoThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Annika Robbins. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Michelle Harris, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Caryn Rose and Annika Robbins. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

The Evolution and Future of Sound Healing: A Panel Discussion With guests Lana Ryder, Rian McGonigal, Rich Goodhart. Hosted by Natalie Brown. Lana Ryder has been sharing the healing power of sound, voice, and music for fifty years, beginning with her use of voice as a healing instrument in music ministry. After 25 years in the allopathic medical field, she transitioned full-time into holistic practice in 1995. Known widely as a sound therapy educator, mentor—affectionately called “Sound Mama”—and practitioner, Lana continues her studies with globally renowned masters of sound. She has developed innovative approaches to working with sound in energy healing and bodywork, including ReikiSound, ReikiVoice, Sonic Massage, and Soundwise Voice, as well as foundational training programs, manuals, and curriculum. She is the founding director and senior instructor of Soundwise School of Harmonic Therapy in Lancaster, Pennsylvania. https://soundwisehealth.com/ https://www.instagram.com/soundwise_woman https://www.facebook.com/profile.php?id=100057499117700 Rian McGonigal is a pioneer in Acoustic Sound Therapy and healing, active since the late 1980s. Twice a cancer survivor, he developed and directed therapeutic sound programs at the Cancer Treatment Centers of America, the Simonton Cancer & Counseling Center, and the Philosophical Research Society. His work has been featured nationally on FOX News and internationally on CNN. A lifelong musician, Rian trained in classical guitar in Europe and later explored rock, drumming, crystal and Tibetan singing bowls, and the Aboriginal didgeridoo. He has created innovative sound therapy programs for hospitals, rehabilitation centers, and youth programs, integrating a wide range of instruments and therapeutic techniques. Rian has trained thousands of practitioners and advised holistic medical professionals on incorporating sound therapy into their practices, blending ancient traditions with modern healing approaches. https://www.mariamcgonigal.com/sound-color-certification Rich Goodhart is an internationally recognized world music multi-instrumentalist, composer, and Master Shamanic Sound Healing practitioner. He has composed and produced eight albums of progressive world music, including Forest River Pathway and the acclaimed Never Give a Sword to a Man Who Can't Dance, and is the author of two books, including The Sound Inside The Sound. Over the past 35 years, Rich has performed and collaborated with renowned musicians, writers, and dancers, including Allen Ginsberg, Jon Anderson, Deepak Chopra, Krishna Das, and Bill T. Jones. He plays a wide array of instruments—from African and Middle Eastern hand drums to Native American flute, Himalayan bowls, gongs, and voice—and blends shamanic sound healing, meditation, Qigong, and Tai Chi in his work. Rich has also taught extensively at the Omega Institute, Kripalu Center, and other venues, leading immersive workshops in shamanic sound, transformational sound practices, and energy work. His work bridges tradition and innovation, offering transformative experiences through sound. http://www.richgoodhart.com https://richgoodhart.bandcamp.com/ Natalie Brown, host of Sounds Heal Podcast: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Music by Natalie Brown, Hope & Heart http://www.youtu.be/hZPx6zJX6yA

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Artist, actor, poet and social activist Saul Williams has 101 full time jobs. On this episode Saul remembers his first lightning bolt moment that led to performing poetry with Allen Ginsberg and The Last Poets, the cultural messages in his new album 'Saul Williams meets Carlos Niño & Friends at Treepeople', visiting and co-creating a film about the West Bank with his wife, his platform as an artist to share the stories of others, and the real life haunted energy in Sinners. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 359: Ira Sachs on Peter Hujar's Day Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I spoke with filmmaker Ira Sachs about his latest movie, Peter Hujar's Day. It's a fascinating chronicle of a 1974 conversation between New York photographer Peter Hujar and writer Linda Rosenkrantz, whose asks Hujar to recount a day in his life in great detail, including visits by friends, an encounter with Allen Ginsberg (whom The New York Times assigned him to photograph for a portrait), Chinese food orders, and much else. Based on actual transcripts, it's a beautiful demonstration of craft—the actors', and the photographer and writer they play. Sachs talked about making the film with Whishaw and Hall, the apartment they shot in, the directors whose work inspired him, and the new movie he has been shooting. Peter Hujar's Day is in theaters now. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

On a very special First Concert Memories we welcome two extraordinary guests to not only tell us all about a series of concerts from 50 years ago but for an upcoming show that will celebrate a very special tour in music history. The enchanting Scarlet Rivera, a world renowned violinist who toured with Bob Dylan's Rolling Thunder Revue in the 1970s's and played the haunting violin on Hurricane, is teaming up with Stu Allen to celebrate that historic tour. Stu is a veteran of jam band heavyweights in Northern California (Phil Lesh & Friends, Mars Hotel, Dark Star Orchestra) and is leading Scarlet and his friends in concert on November 4, 2025 at The Junction in Mill Valley (get tickets here ⁠www.thejunc.com/music-calendar⁠). Scarlet regales us with tales from the road when Bob Dylan decided he wanted to play live again but wanted to play in smaller venues and connect with people along the way. With greats like Mick Ronson onboard, Dylan also collected poets (Allen Ginsberg), playwrights (Sam Shepard), folk legends (Joan Baez, Joni Mitchell, Roger McGuinn) and a cast of characters to create not only incredible music on stage but to feed his own creativity and curiosity. The scene was captured by Stefan van Dorp and Martin Scorsese created a film for Netflix in 2019 that gave context to this unique tour. Scarlet was along for the ride after Dylan flagged her down while she was crossing the street in Greenwich Village. Hear who she befriended on tour and the rock legend she was dating at the time without knowing what his stage shows were all about (she ended it after seeing him live). If you can make it to The Junc in Mill Valley on November 4, please do and tell em The Wolf sent ya! If you can't we know you'll still love hearing from Scarlet Rivera about her fond memories of The Rolling Thunder Revue and why she's excited to play with Stu to enjoy those tunes live once again. ⁠www.thejunc.com⁠ ⁠www.scarletriveramusic.com⁠ Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Curiosity That Moves Us with Ann Carlson At the heart of every great artistic work is the exploration of curiosity and a commitment to the process of creation. Today on Movers & Shapers, Ann Carlson joins us to discuss her illustrious career in interdisciplinary arts and shares the deep curiosity she possesses about movement, meaning, and the human experience, with work borrowing from the disciplines of dance and performance as well as visual, conceptual, and social art practices. In this conversation, Ann reflects on how she first discovered her love of dance, how working with Meredith Monk and exploring performance art shaped her creativity, and the thriving performance scenes in NYC in the 90s that opened doors for experimentation. She shares the inspiration behind her work with animals, the reality of supporting herself financially as an artist, and how she navigated motherhood and her dance career. She also dives into the delicate marriage between process and product in creation before discussing her dance project, The Symphonic Body. Finally, Ann reveals what is piquing her interest today and shares a glimpse of what the future will hold for her in her career. Thanks for listening!  Key Points From This Episode: A brief overview of today's guest, Ann Carlson, and how she found her love of dance.   How performance art and working with Meredith Monk inspired Ann's own creations.  Cross-connecting dance with other performance scenes during her time in NYC.  What inspired Ann's animal series and how she managed to support herself.  How Ann's dance career pivoted when she started a family. The beautiful amalgamation of process and product in dance creation. What Ann learned about art from the poet Allen Ginsberg.  Ann looks back on her career and some of the most meaningful projects she did.  Ann tells us what she is curious about today and what her next project will be.   For more on Ann and Show Notes & Links: The Moving Architects Follow the podcast on Instagram & Facebook

Jake and Phil are joined by Amy Sohn, author of The Man Who Hated Women: Sex, Censorship, and Civil Liberties in the Gilded Age, to discuss the 1967 anti-war manifesto A Call to Resist Illegitimate Authority and Allen Ginsberg's 1956 poem Howl. The Manifesto: A Call to Resist Illegitimate Authority https://vietnamwar.lib.umb.edu/warHome/docs/1967CallToResistIllegit.html The Art: Allen Ginsberg, Howl https://www.poetryfoundation.org/poems/49303/howl

This week, as Trump works to dismantle government-funded scientific research, Michael Oreskes reveals how top researchers are now putting their work—and sometimes their retirements—on hold in order to fight for truth in science. Then, these are indeed strange days, and you may be struggling to find words of comfort. Gerard deGroot has a thought: read Allen Ginsberg's masterpiece, “Howl.” Published 70 years ago, this shocking poem was a powerful rebuke to conformists in 1950s America. And finally, Joan Juliet Buck has a look at a new book about how a British woman named Jane became the French bag named Birkin.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Like many hip youngsters of my generation, at some point in my twenties I got Jazz-pilled by Beat literature, with writers like Jack Kerouac and Allen Ginsberg name-dropping bop-era musicians like Miles Davis, Thelonious Monk, John Coltrane, Charlie Parker, and many more, sending me to Limewire to download mp3s of 1950s and 1960s Jazz. In recent years, my casual appreciation has turned into a more intense investigation of music history and practice, particularly after discovering “The Grape,” a Jazz club in my neighborhood that's overflowing with colorful characters and musical adventure. My guest today is one of those characters: Monte Montgomery is a multi-instrumentalist, former touring funk guitarist, and all around hip music dude. In this conversation, he shares highlights from his decades in music, from playing funk with a group of Black GIs on a military base in Germany at the age of 17, to entertaining celebrities and insanely rich people on the Beverly Hills philanthropic event circuit, to his current gig holding court on piano, guitar, and drums every Tuesday night at The Grape. Check out my new ‘90s music podcast/video series with John Lombardo, 120 MONTHS: https://substack.com/@120months Listen to our special News Trap episode on the 20th anniversary of Hurricane Katrina with Justin Rogers-Cooper: https://www.patreon.com/posts/news-trap-8-30-w-137726055  Subscribe to the Nostalgia Trap Patreon for FREE to get updates on all our podcasts, videos, and writing:  patreon.com/nostalgiatrap    

Not only is John a multi-instrumentalist who's played with Violent Femmes, Allen Ginsberg, Hal Willner, John Prine, et al, but he's released around 24 albums as a solo artist or with groups including the NYC world music outfit TriBeCaStan. We discuss "(Be Careful What You Say to) An Armed Lady" by Folklorkestra from A Strange Day in June (2023), the title track from Forever Ago (with La Societe; del Musici) (2018), "Bed Bugs" by TriBeCaStan from New Deli (2012), and listen to "Back Country" by The Electric Chairmen from Toast (1995). Intro: "Grim Reaper's Song" from Midnight Snack (1986). More at kruthworks.com. Hear more Nakedly Examined Music. Support us on Patreon. Sponsor: Visit functionhealth.com/NAKEDLY to take control of your health through testing and get $100 off your membership.