Podcasts about karg elert

Karg - Elert Marche Triomphale NUN DANKET (RosalesPortland) by Northminster Church

Let's take a dive into my 2005 Karg-Elert Caprice Study guide and hear some of the fun facts and interesting takes on performing these complicated caprices we call etudes. I think we can play them in concerts! Featured is audio from the Study Guide and presents Marie Herseth with an historical commentary as well as some of the lectures from Caprices #12,23,25 & 28. Thanks to Margaret Jane Radin for the seed money, to UMICH SMTD and UMICH CLRT for the grants. --- Support this podcast: https://anchor.fm/amy-porter9/support

"We need stimulating studies and not ones that crush or demoralise you!" In 'Talking Flutes' this week, Clare speaks again with the fabulous Elizabeth Walker this time on the important subject of study books.  In this hour long podcast they discuss many areas of flute studies for tone development, finger technique, articulation, sequences and take a look at their favourite  study books in each of these areas. From Moyse to Bernold, Karg-Elert to Robert Winn, Anderson to Robert Dick and so many more. We always love hearing from you so please continue to send in your comments and suggestions for future podcasts to flutepodcasts@gmail.com or via the 'Talking Flutes' Facebook page. 'Talking Flutes' and 'Talking Flutes Extra' are podcast productions by the TJ flute company.  For more information visit www.trevorjamesflutes.com

“You're crazy.” Yeah I am that crazy to see the future of my life and where I wanted to go with etudes. And that was in front of a camera, feeling happy to extol the wisdom of these amazing musical authors and bring it to the curriculum in an easy and accessible way. I'll address in this episode those questions from flute students about the more advanced etudes and featuring my recording of the 30 Caprices by Karg-Elert. --- Support this podcast: https://anchor.fm/amy-porter9/support

This question was sent by Andrew, and he writes: “I just wanted to say thank you for your "Mastering" series on YouTube. I am a percussionist turned organist, and every time I'm struggling to learn a new piece, it really helps to watch your videos. Even though I'm not learning the same music as you, the same principles of practicing apply, and I learn so much better when I remind myself to take things in small parts in repetition. You are doing a wonderful job of producing great content to help people like me. Right now, I'm working on "In dulci jubilo" by JM Bach, "Nun danket" by Karg-Elert, and "I Love Thee, My Lord" by Shearing, as well as some other long term Franck pieces that will be taking me a while to finish learning. The most challenging thing for me in playing organ is developing my kinesthetic sense between hands and feet, so I don't have to look away from the music and lose my place. I'm not a keyboard player by training, so I'm trying to take things slowly and learn from my mistakes as they happen, instead of just getting frustrated. Once the pandemic hit hard, I decided it was time to get an organ for my house so I could practice whenever it would be convenient for me. I also have a 2 year old son, so it's hard to get away from home for a long time to practice at church. I bought a nice custom package from Content Organs that I enjoy, but I also really like your creative setup and what you were able to put together from online stores. Looking forward to seeing more videos from you soon! Thanks! Andrew Fuhrman Austin, Texas, USA PS I will support you on Patreon!”

Choral Evensong with music by S. Karg-Elert and H. L. Hassler

GLOCKE Orgel digital - der neue Podcast authentisch (live) - persönlich - echt ORGEL - Felix Mende TON - Felix Epp FOTO - Pat Leo SAUER-Orgel (1928) Die Glocke - Das Bremer Konzerthaus

Flute 360 | Episode 81: “The Benefits of Extended Techniques with Robert Dick – Video” (1:23:45) In today’s episode, Heidi talks with Robert Dick about the benefits of using extended techniques while practicing the flute! Robert demonstrates a wide variety of extended techniques utilizing the standard flute repertoire. Check out today’s episode to hear all the details! As a friendly reminder, please listen to Series 17 in its entirety (E79-E82). Enjoy! Episode 81 – Main Points: 0:26 – Gold Sponsor: J&K Productions 1:20 – Welcome and thank you for your support! 1:49 – Today’s Topic: The Benefits of Extended Techniques 3:06 – Make your next practice session fun by experimenting with new methods! 10:15 – Singing & Playing within the French School 14:28 – Singing the syllable “OO.” 19:06 – “Never strain the voice. Of course, we are human and will make mistakes. If you do strain the voice, stop and rest. When you feel your voice getting tired from the very beginning of the tiredness...stop! You are done for the day. At first, it’s going to happen really fast, but that’s okay because that is normal!” – Robert 19:37 – Robert plays Taffanel & Gaubert No. 1 with singing and playing. 21:38 – “You have to hear YOUR voice. Since we are humans, when you hear your voice, your body changes. When you hear someone else’s voice, it’s wonderful, but nothing is changing.” – Robert 27:15 – Exercise in A minor – Listen Here! 30:00 – Robert advises to get yourself a keyboard to help with your singing abilities. 31:58 – Heidi: Up to this point, in our discussion, could you please give a summary for the listeners? 32:43 – Robert’s Answer 40:06 – Topic: Pursue Learning! 42:42 – Topic: Vocal Chords 43:18 – Repertoire: Concertino for Flute and Piano, Op. 107 by Chaminade 44:24 – Robert Dick’s YouTube Videos on Throat Tuning (Parts 1-3) 45:00 – Repertoire: Sonata Appassionata for Solo Flute, Op. 140 by Karg-Elert 53:55 – For clarification of sound, try this extended technique! 54:16 – Repertoire: Partita in A minor for Solo Flute by J.S. Bach 56:11 – Robert plays the passage slowly. 57:05 – Robert integrates natural harmonics into his practicing the Allemande. 1:02:47 – Topic: Natural Harmonics 1:11:21 – Heidi’s Summary 1:11:46 – Robert Comments 1:18:42 – 1970’s Music: Beatles, Jimi Hendrix 1:22:07 – Conclusion 1:22:34 – Bronze Sponsor: J&K Productions Episode 81 – Resources Mentioned: Flute 360 – Dr. Heidi Kay Begay’s Website Financially Support Flute 360! Robert Dick’s Website The Glissando Headjoint Book: Tone Development Through Extended Techniques by Robert Dick Book: The Other Flute by Robert Dick Follow Robert Dick via Facebook! Robert Dick’s Contemporary Flute Week Purchase a keyboard here! Episode 81 – Sponsors: Gold/Bronze: J&K Productions’ Website Silver: Contact Heidi for details!

Flute 360 | Episode 70: “Lessons from Romania” (54:21) In today’s episode, Heidi talks with Martin Godoy and Dr. Aileen Razey on their insights, strategies, and lessons learned through the Cluj International Music Competition (2019) in Romania. Topics vary from awareness, meditation, health, musicianship, and much more! Listen to today’s episode to hear all the details! Episode 70 – Main Points: 0:24 – Gold Sponsor: J&K Productions 1:20 – Welcome! 1:26 – Rate, Review & Subscribe in iTunes, please! 3:21 – Martin talks about the second round requirements for flute. 4:20 – Bozza’s Image for Solo Flute 5:05 – Aileen talks about repertoire and “living” with a piece. 6:36 – Karg-Elert’s Sonata Appassionata for Solo Flute, Op. 140 7:29 – Hindemith’s Act Stücke for Solo Flute (1927) 9:17 – Clarinet’s second round competition requirements. 9:49 – Aileen’s strategy. 10:50 – Be ready for last-minute changes! 11:39 – Martin comments on the jury’s changes with Telemann’s Fantasias. 13:20 – Aileen comments. 13:53 – Amy Porter, Episode 45 14:34 – Emotional aspect of performances. 16:05 – Aileen talks about what she does on performance day. 17:0 – Go for a run! 17:23 – Martin’s performance day strategy. 17:50 – belVita Biscuits 21:52 – Be aware of your physical body on performance day. 22:23 – Five-minute stretch via YouTube. 22:30 – The Headspace App: Meditation 23:17 – Aileen asks a question to the panel! 23:43 – Martin’s answer: Fake it till you make it, stand-up tall, notice the space, take a long bow, breathe, and be aware of time. 27:53 – Meditation apps can help you to stay present. 28:53 – Aileen talks about the moments before walking out onto the stage. 29:57 – Visualization Techniques 30:17 – Anxiety and how it affects the breath. 32:06 – Getting feedback from the judges. 33:11 – Judges from different nationalities. 34:22 – Aileen’s experience with the clarinet masterclasses. 35:38 – Martin’s experience with the flute masterclasses. 25:50 – Seiya Ueno, flutist 37:12 – Mozart’s Rondo in D Major, K. Anh. 184 39:14 – Aileen comments on requirements for the clarinet’s competition. 42:09 – Final Thoughts 42:21 – Martin shares his thoughts on growth and being courageous. 45:03 – Aileen: “The jury members want you to succeed and they are invested in you.” 48:29 – Martin: “Life isn’t peaches and cream.” 50:08 – Aileen: Remind yourself “why” you are playing and competing. 51:08 – Martin: Please be humble after your performance. 53:06 – Bronze Sponsor: J&K Productions Episode 70 – Resources Mentioned: Martin Godoy Dr. Aileen Razey "How to Visualize Success & Achieve Your Goals: An A-to-Z Guide" by Matthew Murphy Bozza’s Image for Solo Flute Karg-Elert’s Sonata Appassionata for Solo Flute, Op. 140 Hindemith’s Act Stücke for Solo Flute (1927) Amy Porter, Episode 45 Go for a run! belVita Biscuits Five-minute stretch via YouTube. The Headspace App: Meditation Visualization Techniques Seiya Ueno, flutist Mozart’s Rondo in D Major, K. Anh. 184 Flute 360 – Dr. Heidi Kay Begay’s Website Episode 70 – Sponsors: Gold/Bronze: J&K Productions’ Website Silver: Contact Heidi for details!

This question was sent by David, and I asked him how his organ practice is going, and he wrote: “Very well! And I played a full service - as substitute organist - last Sunday. And they applauded after the postlude. Miracles really do happen (when you practice)! Played ‘Lobet den Herren mit Pauken und Zimbeln - Alla Händel’ by Karg- Elert (also listed as ‘Festliche Musik Alla Händel’). For the prelude, I played ‘Heut‘ Triumphiert Gottes Sohn’ - using your very helpful fingering! This is the first time I’ve played as a substitute organist at a different church (beyond my own church) for many years. So it really is possible to relearn to play the organ (at age 64)!”

S. Karg-Elert: Nun Danket alle Gott by Nashotah House Music Office

Flute 360 | Episode 45: “Competition Repertoire Guides with Amy Porter” (40:41) In today’s episode, Heidi talks with Amy Porter (University of Michigan) about the piece, “East Wind” by Shulamit Ran and Telemann’s Fantasie in A Major. Both pieces are repertoire requirements for TFS’ Myrna Brown Competition. Amy goes into great detail about these flute solos and gives excellent advice on how one could approach these works. Check out today’s episode to hear all the details! Episode 45 – Main Points: 0:25 – William S. Haynes Co. Website 1:37 – Competition advice from Amy. 1:47 – Amy’s lecture: Competition Repertoire, Research, and Rewards. 2:02 – Why are you doing the competition? 2:20 – “Competition is a great way to expand your repertoire!” – Amy 2:46 – “Play repertoire that best suits you.” – Amy 3:15 – Check the editions. 4:18 – “You are representing your work, your heart, and your knowledge.” – Amy 4:50 – “The rewards...who is anyone to judge us in the end? When what we are doing is beautiful.” – Amy 5:17 – “Never give up and keep leaping.” – Amy 5:40 – Flutists: Galway, Baxtresser, Rampal, and Baker 6:40 – Ran’s East Wind for solo flute. 7:02 – Amy Porter as 2010’s Texas Flute Society’s Guest Artist 7:19 – Seth Allyn Morris, flutist 9:28 – The opening of Ran’s East Wind. 9:48 – Articulation suggestion. 10:05 – Bridge the breath. 10:45 – The first two lines of East Wind. 11:09 – Biblical references. 11:55 – Correspondence between Professor Ran and Heidi. 12:26 – The different sections of East Wind from the composer. 13:17 – Flute 360’s Composers Series 13:59 – Telemann’s Fantasie in A Major. 14:09 – “The G# key is meant to mess you up!” – Amy 15:09 – “I call it defense playing: put your boxing gloves on.” – Amy 15:31 – “The word ‘yes’ is super powerful!” – Amy 15:47 – Amy’s DVD on Telemann’s Fantasies 16:47 – Telemann ended all of his fantasias with a dance. 17:06 – Keith Underwood’s suggestion about trills. 17:34 – Italian and French ornamentation. 17:48 – French ornamentation: essential, light, and quick. 17:57 – Italian ornamentation: florid and scalic passages. 19:05 – Kuijken, Brown, Beznosiuk – Baroque flutists 19:46 – “I’m ‘going to’ is the wrong vocabulary. I ‘will’ do the ornament here.” – Amy 19:58 – J. J. Quantz, flutist, flute maker, and composer 21:04 – Amy’s DVD: 30 Caprices by Karg-Elert 21:25 – Amy’s DVD: Anatomy of Sound 21:43 – Vibrato and Telemann 23:18 – Amy’s exercise with her students – listen here! 25:33 – Amy’s physical trainer, Larry. 25:57 – Yoga 27:27 – Flexible Mind, Flexible Body 28:46 – “The heart is a muscle. It has to be taxed, trained, and pushed!” – Amy 31:00 – Survival of the physical flutist. 31:40 – Reverse aging. 33:16 – Picks! 37:27 – Flute 360’s Series 1: Health (Episodes 1-4) Picks: Amy My Pinterest Boards! Over My Shoulder VogueBooge Candles Marco Polo App Episode 45 – Resources Mentioned: Amy Porter’s Website Amy Porter’s Teaching Website Amy Porter’s CDs, DVDs, and more! Amy Porter’s CD: The 12 Fantasias for Flute Without Bass, TWV 40:2-13 Amy Porter’s Instagram “East Wind” for solo flute by Ran – purchase here! Shulamit Ran’s Biography Texas Flute Society’s Myrna Brown Competition William S. Haynes Company’s Instagram William S. Haynes Company’s Twitter Heidi Kay Begay’s Website Episode 45 – Sponsors: Gold Level: William S. Haynes Co. Website Silver Level: Contact Heidi for more details! Bronze Level: J&K Productions’ Website Program Notes: EAST WIND (l987) EAST WIND for solo flute was commissioned by the National Flute Association for its annual Young Artists Competition, and was first performed by the six semi-finalists at the l988 San Diego NFA Convention.  The work’s opening motif is a slightly varied treatment of the simplest of ideas – a single note which is then encircled in a flourish-like gesture by its neighboring tones, consisting of a half step above and whole step below.  It is this varied treatment, though, immediately conveying a hint of ecstasy and abandon, that imbues the motif with its distinctness and recognizable quality, maintained throughout the journey undertaken as the piece unfolds. EAST WIND’s central image -- from within its ornamented, inflected, winding, twisting, at times convoluted lines, a gentle melody gradually emerges... The work is dedicated to the memory of Karen Monson, a writer, critic and friend, who died in February 1988 at the age of 42, after the work was already fully composed. -Shulamit Ran

This week we have Flautist Philipp Eversheim performing the works of Karg-Elert and Dutilleux, as well as pianist Zhihan Jiang playing Chopin's Grande Polonaise Brilliante. Joing us on the panel are guest mentor and Arcadia Winds flautist Kiran Phatak and season mentor violinist Markiyan Melnychenko. Don't forget to subscribe to The Talent so you never miss an episode, and vote for your favourite performance our website at thetalent3mbs.com

This week we have Flautist Philipp Eversheim performing the works of Karg-Elert and Dutilleux, as well as pianist Zhihan Jiang playing Chopin's Grande Polonaise Brilliante. Joing us on the panel are guest mentor and Arcadia Winds flautist Kiran Phatak and season mentor violinist Markiyan Melnychenko. Don't forget to subscribe to The Talent so you never miss an episode, and vote for your favourite performance our website at thetalent3mbs.com

Wilhelm Friedemann Bach: Duo for fløjte og obo. Mozart: Fløjtekvartet, KV 285. Mozart: Obokvartet, KV 370. Reger: Serenade for fløjte, violin og bratsch. Britten: Phantasy Quartet for obo og strygetrio. Ensemble MidtVest. (Holstebro Valgmenighed 19. november). Ca. kl. 21.30: Klarinettisten Tine Maj Antonsen, der er debuteret fra Syddansk Musikkonservatorium, spiller Messiaën, og organisten Jesper Thimsen, der er debuteret fra Det Jyske Musikkonservatorium, spiller Karg-Elert og Widor. Vært: Benedikte Granvig.