Podcasts about Evensong

Jasmine Habgood from Gonville & Caius College joins Julian Clover to listen to the winner of Caius Choir's State School Composition Prize, performed live by Caius Choir at Evensong in […]

An Evensong meditation by the Rev. Canon George Maxwell on the Second Sunday of Easter (April 27, 2025) at the Episcopal Cathedral of St. Philip, Atlanta

An Evensong meditation by the Rev. Canon David Boyd for Feast of Dietrich Bonhoeffer (April 6, 2025) at the Episcopal Cathedral of St. Philip, Atlanta

Listen to Bishop Doyle's sermon, "Evensong, the Bread of Life is with us" held at All Saint's Episcopal Church. Fort Worth, TX.  More at www.texasbishop.com

An Evensong meditation by the Very Rev. Sam Candler for Feast of Óscar Romero (March 23, 2025) at the Episcopal Cathedral of St. Philip, Atlanta

An Evensong meditation by the Rev. Canon David Boyd for Feast of St. David of Wales (March 2, 2025) at the Episcopal Cathedral of St. Philip, Atlanta

Der Geistliche Chor Hürth singt den Evensong. Das klingt neumodisch, ist aber ganz alt. Die liturgische Traditiona aus der klösterlichen Gebetszeit hat Chorleiter Nikolaus Wolters auf einer Reise durch die Kathedralen Cornwalls kennengelernt und vor zwei Jahren umgesetzt. Diesen Beitrag produzierte Jan Sting für die Medienwerkstatt Katholisches Bildungsforum Rhein-Erft.

An Evensong meditation by the Rev. Dr. Thee Smith on the Eve of the Feast of Martin Luther (February 16, 2025) at the Episcopal Cathedral of St. Philip, Atlanta

Church of England revs with a difference Daniel French and Jamie French are joined by former Old Bailey judge and lay minister Charles Wide KC for a deep dive into the shady world of Project Spire: the Church Commissioners' project to give £100 million rising to £1 billion of Church of England money to communities and people ostensibly disadvantaged by the historic legacy of slavery. But has this project been carried out ethically and with proper legal and intellectual safeguards and are its representatives being fully transparent about what is really going on behind the scenes? Do the Church Commissioners even have the legal right to give away money that was never intended for such usage?All that plus our take on who the next Archbishop of Canterbury should be and all the usual banter.Please enjoy and thanks for listening to the podcast!Livestream for Evensong at Pusey House, Weds. 19th Feb 5.30pm, with Rev Jamie SermonArticles Mentioned:The Case Against Reparations - Charles Wide KC, The Rev'd Professor Lord Biggar and Dr Alka Sehgal CuthbertProject Spire: A Dubious Waste of the Church of England's Money - Charles Wide, KCThe Church of England's Historic Links to the Transatlantic Slave Trade - Lawrence Goldman and Robert TombsDaniel French Substack: https://undergroundchurch.substack.com/Jamie Franklin Substack: https://jamiefranklin.substack.comIrreverend Substack: https://irreverendpod.substack.comPre-order Jamie's new book The Great ReturnPlease Support the Podcast!You make Irreverend possible. Please support us on Patreon (https://www.patreon.com/irreverend) or Buy Me a Coffee (https://www.buymeacoffee.com/irreverend). Subscribe to Jamie's Blog here: https://jamiefranklin.substack.comNotices:Follow us on Twitter: https://x.com/IrreverendPodFind me a church: https://irreverendpod.com/church-finder/Join our Irreverend Telegram group: https://t.me/irreverendpodFind links to our episodes, social media accounts and ways to support us at https://www.irreverendpod.com!Thursday Circles: httpSupport the show

“Seek him who made the Pleiades and Orion, and turns deep darkness into the morning, and darkens the day into night.” That verse, from Amos 5:8, is one of the opening sentences in our Evensong liturgy. Dean Sam Candler talks about Orion  in a special “Dean's Forum,” presentation about the constellation, Orion! Watch the video with slides at https://youtu.be/mIh6lsaEfxE

Sunday Evensong (The First Sunday after the Epiphany 2025) from Trinity Anglican Church (Connersville, IN): Psalms 65-67; Isaiah 46; Romans 10 and a brief reading from the Book of Homilies To read along, visit: https://ie.dailyoffice1662.com/ To own a Bible, visit: https://www.thomasnelsonbibles.com/product/kjv-center-column-reference-bible-with-apocrypha/ To own a prayer book, visit: https://anglicanway.org/product/the-1662-book-of-common-prayer-international-edition-hardcover-march-2-2021/ To own a hymnal, visit: https://anglicanhousepublishers.org/shop/the-book-of-common-praise-of-the-reformed-episcopal-church/

Sunday Evensong (The First Sunday after the Epiphany 2025) from Trinity Anglican Church (Connersville, IN): Psalms 65-67; Isaiah 46; Romans 10 and a brief reading from the Book of Homilies To read along, visit: https://ie.dailyoffice1662.com/ To own a Bible, visit: https://www.thomasnelsonbibles.com/product/kjv-center-column-reference-bible-with-apocrypha/ To own a prayer book, visit: https://anglicanway.org/product/the-1662-book-of-common-prayer-international-edition-hardcover-march-2-2021/ To own a hymnal, visit: https://anglicanhousepublishers.org/shop/the-book-of-common-praise-of-the-reformed-episcopal-church/

Wandering Works for Us PodcastDate: 21 December 2024Title: Christmas in London (our first trip!)Summary of EpisodeWe went to London to catch the Christmas Markets and hang with our niece Katey. London was definitely “Giving Christmas.”The Christmas decorations and markets were great but we also got to see the London Tower, Tower Bridge, Buckingham Palace, the changing of the guard and King Charles!!We also enjoyed the pubs and afternoon tea at the Dalloway Terrace. Find out what else we did on our first trip to London (together).Key Topics[02:30] Christmas Markets in London and everywhere [7:45] Christmas lights tour[11:00] Fortnam and Mason (Yikes)[13:00] Changing of the Guard at Buckingham Palace[16:00] Tower of London and Tower Bridge[10:00] The British Museum[21:50] Big Ben, St. James Park, pelicans, Royal Opera House, and other fun stuff[24:00] Evensong in Westminster[27:00] Pubs–George Inn and Blackfriars (we've listed more on the blog)[31:15] Cahoots bar[33:00] Afternoon Tea  [35:00] Things we will do next time Important Links To follow all our antics and adventures, please visit our social media pages and website at wwforus.com! You can send us a message at any of these places and feel free to email us at wandering@wwforus.comLike what we are doing? Buy us a gin and tonic and help us keep going!InstagramFacebookTiktokYouTubeLooking for a tour guide in Portugal? I have a whole list!Blog post for this episode: Christmas in London--will link as soon as it is finished!Thanks to Everyone who has been so supportive!Special thanks to all of you who have listened, subscribed, followed us on social media and just took the time to say hello and tell us how much you enjoy our podcast and blog. YOU GUYS ARE THE BEST!!Support this podcast at — https://redcircle.com/wandering-works-for-us/donations

Jenna helps a nervous choirmaster.Based on a post by Blacksheep, in 2 parts. Listen to the ► Podcast at Steamy Stories.Reverend Simon Morris scanned through a long list of church notices. Holy Week was such a busy time for the parish vicar, and he still hadn't finished his special sermon ready for Easter Sunday."Palm Sunday was really well-attended," he said, typing something on his laptop. "Now there are one or two church notices I need to read through."His wife Jenna walked into the living room. "Oh before I forget, Simon, Judith Anderson from the Sunday School had a word with me after the service. She wishes it to be known that her grandson Kyle is trans, and now wants to be known as Ellie.John Pollard from the Men's Society has split up from his wife and wishes for her name to be removed from the church hall coffee rotation, too.""Ah, right, thanks. I'd better make a note of that. Are Gordon and Myah up to speed on the Maundy Thursday service's music? I know he normally does a choir and organ practice then, but;""Already emailed them, Simon," Jenna replied. "Relax. Everything is under control.""Choir practice for you tonight? I must say, I think it was a genius idea of Gordon's to combine our church's choir with the Guild Voices, just for our Easter service. Our choir is small, so it'll be nice to have a bigger group of singers for the holiest day in our Christian calendar.""Oh yes, the bigger the better," Jenna replied with a smirk. She'd just joined the Guild Voices, a mixed-voice choir of around twenty-five singers who performed several concerts a year. The choir was formed with the aim of singing the whole range of music both accompanied and acapella; both religious and secular, from the renaissance pieces of Byrd and Tallis to great oratorios such as Handel's "Messiah." In addition to traditional works, they also performed classical versions of popular music. Jenna was enjoying the weekly recitals, and not just because of the music. The choirmaster was a chap called Derek Blackledge, and on more than one occasion, Jenna had noticed him staring at her."Last year, the Guild Voices performed at Evensong at York Minster," Reverend Morris said. "Gosh, I'm so looking forward to our Easter Sunday Service! We'll definitely have a bigger congregation than St. Peter's;""Ooh, do I sense a rivalry between churches, Simon?""Well, a bit unChristian of me to say, but I can't stand that Reverend Conway. He completely blanked me at annual clergy conference last month. I don't know what his problem is.""Not all vicars are as wonderful as you, my love."He smiled and resumed typing. "They've just got a new organist there too. Conway was raving about him. Younger bloke, seems to have the women of St. Peter's all hot and bothered. Edward, I think his name is.""Ha, he won't be anywhere near as good as Gordon is," Jenna said. "Nobody plays organ as good as he does.""I don't think it's his playing they're interested in! Apparently he resembles the actor Robert Pattinson. I suppose that's one way to get more younger people attending church services."Jenna almost dropped the cup of coffee she was holding. "Fancy that." She stifled a gasp. I can't believe it. That was the organist who played for the King at Liverpool Cathedral last year! She thought. He was a cutie for sure; had a nice cock too, as I recall. Small world. Never imagined he'd end up here in our town.The Guild Voices choir practices took place every Wednesday evening in a function room at the town hall. The room was spacious and blessed with good acoustics, a piano and a box organ. Jenna arrived earlier than normal, and gathered up her music books off the car's passenger seat."Hope none of the others are there yet," she smiled to herself.Derek Blackledge was alone in the function room, adjusting a music stand. He was a tall, stocky man, around sixty years of age. He was wearing a pale blue open-necked shirt, black trousers and rimless glasses. His buzz-cut silver hair was balding. He had a round face and a wide, flat nose, which as Jenna had overheard another member of the choir unkindly say, "made him look like he'd been bashed in the face with a frying pan." That wasn't strictly true, and Jenna didn't think him that bad looking at all. He spoke in a clipped, staccato sort of way.Derek looked up as Jenna entered the room. In the four weeks she'd been a member of the Guild Voices, the stunning redhead had certainly livened up the group of mostly boomer-age singers. Jenna was one of the most beautiful and charming women he had ever met, and he couldn't understand what she saw in her husband, the much-older Reverend Morris. The good vicar was a kind and decent chap, but seemed duller than Skegness in January."Uh; evening Jenna! You're very early! I was just;""Hello Derek. Yes, didn't realize just how early I was!""Nothing wrong with that. I admire your dedication. Would you like a brew?" He walked over to a small table in the corner of the room where there was a coffee machine and a kettle."Yes please. Tea. White, no sugar."He made some more idle chatter whilst he waited for the kettle to boil. Glancing round, he noticed she'd seated herself on a chair and crossed her legs. The black dress she was wearing was quite short and had ridden up nicely, exposing a generous amount of thigh. A most welcome sight for the long-divorced choirmaster who'd had zero success in the world of dating since going back on the market."This our last rehearsal before Easter Sunday," Derek prattled, pouring the hot water into a mug. "It just seems to have crept up all at once. I'm looking forward to performing in St Michael's Church, with your choir. I hear your organist is very good.""Oh Gordon? Yes he's brilliant. He won't let you down.""Great to hear. Now I just need to ensure that the Guild doesn't let everyone down."Looking at the stocky choirmaster whom possessed a definite lack of confidence, Jenna realized that she would have to take control of the situation if the choir was going to put on their best performance on Easter Sunday. She had always been aware of Derek's interest in her physical attributes. In fact, she could see his eyes lingering on her breasts and her bare legs crossed in front of her. Perhaps it was now time to play her trump card."I know we've had a few setbacks.""Setbacks? Do you know how much George and Alice being off sick is going to set us back? George is the best tenor we have." He handed her the mug of tea and sat opposite her."Perhaps I could do something to make things better." Jenna slowly uncrossed her legs and recrossed them, allowing her skirt to hike up her thigh watching Derek as his eyes were glued to her legs, straining to see up higher. He swallowed heavily as he shifted in his chair."Oh? Like what?""I could help relieve some of your pressure," she replied as she glanced at his crotch. The bulge tenting his black trousers already broadcasting his state of arousal.Jenna stood up and walked over to him. "You're a wonderful choirmaster, Derek. I just want you to know that. You go the extra mile and know how to bring out the best in people.""Thanks for the vote of confidence," he mumbled, turning red. He swallowed, feeling his erection straining against his trousers and underpants. It had been quite some time since a woman had got him worked up like this."Music really does bring people together," she continued."Yes, indeed it does;"Jenna leaned forward so that her face was close to his and placed her right hand on Derek's groin and squeezed. The choirmaster's voice shot up several octaves, then he let out a groan."Jah, Jenna; what are you doing?""Just inspecting your crotchets and quavers, Derek." she added naughtily. "Oh, feels like you've got a bassoon in your pants!"Before he could protest, she knelt and unzipped his black trousers, revealing his underwear - y-fronts, which had a musical notes pattern on them."Nice!" Jenna said out loud. She'd always had a fondness for men who wore y-fronts. She pulled them down, freeing his delightfully large cock. Grasping the base of the shaft, she took the bulbous head in her mouth and started to move up and down taking him deeper and deeper.Derek gasped, unable to speak. Instinctively, he grabbed the back of her head and pushed down, forcing himself deeper until he felt her lips around the base of his shaft. Holding her head, he pumped his engorged organ deep into the mouth of the vicar's wife, scarcely believing that his private fantasy was coming true. Her warm soft mouth aroused him further as he felt the blood pumping into his groin, making him harder than he could remember. He leaned back and enjoyed the incredible sensations as Jenna sucked his manhood. She was good, very good. Her husband may not have been very interesting, but bloody hell, he was a lucky bastard!Derek glanced warily at the conference room's door. At any moment, other members of the choir could come in. How the hell would he be able to explain himself?"Oh, Mrs. Morris here was just helping me with a very hard; piece of music!"As the stunning redhead continued to bob up and down in his lap, he leaned over and pulled down the top of her knit black dress to expose her pert breasts."Oh;" he sighed. "Not just; blessed with a fine voice."Jenna glanced up at him and winked."How about; I try and hit the high notes?" Derek pulled out of her mouth, stood up and turned her so that her arse was bent over his chair. He pushed his trousers and y-fronts down to his ankles. After jerking down her knickers he moved behind her, flipped up her black dress, lined himself up, then thrust abruptly into her tight wet tunnel, burying himself to the hilt."Oh God Derek, your musical instrument feels amazing!"He chuckled at this, and relished the fantastic feeling as he grasped her hips and slowly moved in and out of her hot passage, slick with her arousal. The illicit nature of the situation and doing it in a public place where they could be easily discovered added to the thrill and made both of them even more aroused. Jenna's nerves were hypersensitive and as the choirmaster plunged into her again and again she could feel the waves of pleasure build quickly.Derek slid his hands forward to cup her hanging breasts, squeezing and pinching her nipples. He delighted in feeling the curved contour of the soft skin of her breasts in his hands as he pounded his rock-hard shaft into her. The pressure built quickly in his balls with the fantastic feeling of Jenna's tight vaginal walls clamped around his cock. It had been too long since he had really enjoyed such a sensuous treat and all too quickly he felt the pressure come to a head. He slammed his throbbing member as deep as he could and felt himself erupt as spurt after spurt of cum shot deep into his target.Jenna felt Derek tense and his final thrusts pushed her over the edge and she too felt waves of pleasure course through her body as she was wracked with the spasms of her orgasm."Hmm! Oh Derek! Feels so good!""Fuck; I needed that!" He sighed, slowly withdrawing and collapsing in the chair, pulling Jenna down on top of him. "Not sure if I have the energy to conduct a choir practice now!""Well you'll just have to try your best, Derek. Because I have a feeling others will be arriving soon, so you'd better get your baton out.""It's already out," he replied, taking a tissue from the box and wiping then stroking his softening cock, and pulling his underpants and trousers up. "Jenna that was; that was; lovely.""Awe, you seem so much happier now, Derek. You're a really brilliant choirmaster." She flung her arms around him and kissed him."And you; are a very dedicated member of the choir!" He stammered. "Um, well, I guess I'd better; compose myself!" He stood up and hurriedly fastened his belt. Jenna straightened her dress and pulled her knickers up.Just as Derek was zipping up the fly of his trousers, the door opened and Edna and Lawrence Draper, two members of the choir, came rushing in, as fast as they could, given that both had arthritic hips."Not too late are we Derek?" Edna said. "Only our bus was late.""Uh, not at all, plenty of time. Please, help yourselves to a hot drink whilst I get organized." Derek said. Seconds later, more people filed into the room."What piece of music have you and Derek been working on?" Lawrence asked Jenna, as he sat next to her."Oh; just some scales and arpeggios," came her reply. "We were going up and down quite a lot!"Bare feet thrill the vicar during Maundy Thursday."Brothers and Sisters. Today is Maundy Thursday, the fifth day of Holy Week. It gets its name from the Latin word 'mandare', from which we get the word 'command'. Christians remember Jesus' command: "Love one another as I have loved you."Though each of the days leading up to Easter Sunday are significant in their own ways, Maundy Thursday surrounds the events that led directly to Jesus' betrayal, arrest, and ultimately, His being put to death the next day on Good Friday."Reverend Morris continued. "The circumstances surrounding Maundy Thursday can be read in Matthew 26:17-75. The events that unfolded include the Last Supper that Jesus had with His disciples and betrayal of Jesus by Judas."The weather had become more spring-like and milder, which was a blessing to some of the older members of the congregation. March had blown in like a lion and was going out like a lamb. St Michael's church was often chilly and draughty during the winter months, even with the heating on. Today, it was pleasantly warm, helped in part due to the church being full for once.At the organ, Myah slipped her feet out of her shoes, ready to play a hymn before the start of the foot washing service. She rather liked the feel of the organ's pedalboard against her bare skin, and her feet felt hot and uncomfortable today. Earlier, she'd suffered cramp in the arch of her left foot. She reclined slightly on the stool, crossed her legs and idly flexed her toes as the vicar continued with his sermon. Gordon sat on a small bench behind her, admiring her shapely calves. He liked the way she raised her legs to slide onto the organ stool. Even more, he loved it when those legs were wrapped around him; something he was looking forward to later."Their time spent on the Mount of Olives, where Jesus prayed earnestly in the Garden of Gethsemane, and where He was ultimately betrayed with a kiss by Judas who came to seize Him with the temple guards. Peter's denial of Jesus;" Up in the pulpit, Reverend Morris glanced to his right and became more and more fixated on a certain something. One of his long-repressed kinks was rising to the surface at the most inappropriate of times. Women's feet, younger women's feet in particular, had always aroused him. He'd never told anyone about his foot fetish, not even Jenna. He'd never had such a reaction as this and certainly not during a church service. But the way his wife's cousin kept wiggling her toes like that, dear Lord, it was driving his imagination to commit all kinds of sin! It's Holy Week for heaven's sake; must fight this, he told himself."On the first day of the Festival of Unleavened Bread, the disciples came to Jesus and asked, "Where do you want us to make preparations for you to eat the Passover?" The vicar's voice trembled slightly, as he struggled to remain composed.Abruptly, he noticed Myah wince and reach for her foot. The cramp had returned."What's wrong?" Gordon whispered."Damn cramp's back again," she replied. "Ah, it's agony! Can you play the hymn for me?""No problem," he said, as his girlfriend hobbled off the stool and sat on the bench. "Massage your foot slowly. Try putting it on the cold stone floor. That might help. I've gotten cramp loads of times in the past when playing. It's bloody torture!""Thanks, Gordy-Pie!"Poor Myah, Reverend Morris thought. Now he had an even better view of her bare feet. Such slim and elegant feet. So nimble against the organ's pedalboard. He took a deep breath as he imagined he was cupping the arch of her foot, his hand slotted in the tender space between the heel and the upper sole. After an awkward pause, he continued his sermon."He replied, "Go into the city to a certain man and tell him, 'The Teacher says: My appointed time is near. I am going to celebrate the Passover with my disciples at your house.'" So the disciples did as Jesus had directed them and prepared the Passover."Some young children were shifting uncomfortably in the pews."How will we show that God is King when we're tempted, to abandon the way God call us to live? Knowing God is our King should change everything but we can't change everything all at once! So what one small step of obedience can we take this week to demonstrate with our lives that God is King all of the time? Take time to pray, and then seek to obey as Jesus obeyed. Amen!"Reverend Morris ended his sermon abruptly, no doubt to the relief of many, but most importantly, to himself. He descended from the pulpit and sat down beside the organ, as a member of the choir stepped up to the lectern to do a reading. He hardly heard a word the woman said, for his eyes were fixated on Myah's bare feet. She was still gently massaging her left foot. Oh dear, this was going to be unbearable. He knew she'd volunteered to take part in the ceremonial foot washing.Myah suddenly glanced at the vicar and smiled at him. He jolted and cleared his throat, before smiling back. He could feel a familiar burning in his cheeks, not to mention a throbbing in his cock, which was now at full stand, and forcing its way up against his trousers and vestments. He had never been more grateful to be wearing a cassock and surplice. He cast his mind back to last year when he'd allowed himself to be seduced by her. All in the past of course and they'd moved on. Besides, she was blissfully happy in a relationship with Gordon. The organist had slept with Jenna on numerous occasions before Myah had come along. Hmm, well best not to dwell on that tangled web of carnal relations right now.The reading came to an end and everyone stood up. "Please stand for our hymn, Sweet Sacrament Divine." Reverend Morris said, his voice faltering.On the front row of pews, Jenna tilted her head at her husband's shaky delivery, wondering what was wrong with him. It wasn't like Simon to be nervous when speaking in front of an audience. Something was bothering him though. She could see a line of sweat above his upper lip and a blush on his cheeks.After the hymn, came the ceremonial washing of feet, a reminder of how Jesus served others. As Myah sat before the vicar, her delicate hands folded in prayer, he could feel his heart race with anticipation. He took a deep breath, steadying his nerves, and began to wash her feet, using a soft, damp cloth to clean each toe, each inch of her soles. As his fingers brushed against her skin, he felt a surge of desire course through him, making it difficult to concentrate on anything but the feel of her feet against his palms. His erection began to ache, straining against his clothing, and he fought the urge to reach down and adjust himself, lest he give anything away.

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

An Evensong meditation by the Rev. Canon David Boyd on the Feast of Leo of Rome (November 10, 2024) at the Episcopal Cathedral of St. Philip, Atlanta

"We are connected by so much more than our senses." Homily by Dean Nathan LeRud, delivered at the Evensong of Remembrance for the Feast of All Souls, Sunday, November 3, 2024.

The sermon for October 25th's Evensong service, Philippians 2:1-11, by the Rev. Bo Ubbens. This sermon was preached at the ordination of the Rev. Dr. Steele Brand and the installation of the Rev. Bo Ubbens as vicar of All Souls Anglican Church. Support the show

An Evensong meditation by the Rev. Canon George Maxwell on the Feast of St. Francis (October 6, 2024) at the Episcopal Cathedral of St. Philip, Atlanta

TOPICS: Ryan and Gideon King talk about the Miley Cyrus “Flowers” copyright case and the rising influence of private equity in music copyright; acclaimed Broadway actor and musician Donnie Kehrdrops in to talk about the annual Rockers on Broadway benefit event. Our guest this week is new-age musician Kevin Keller. You can find out more about Kevin's latest ambitious album project “Evensong” by visiting www.kevinkeller.com.Tickets for Rockers on Broadway are available at rockersonbroadway.comRate/review/subscribe to the Break the Business Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair and the Break the Business Podcast @thebtbpodcast. Like Break the Business on Facebook and tell a friend about the show. Visit www.ryankairalla.com to find out more about Ryan's entertainment, education, and business projects.” Hosted on Acast. See acast.com/privacy for more information.

An Evensong meditation by the Rev. Dr. Thee Smith on the Feast of St. Michael and All Angels (September 29, 2024) at the Episcopal Cathedral of St. Philip, Atlanta

Music Matters host Darrell Craig Harris speaks with popular ambient/new-age music artist Kevin Keller about the release of his latest album "Evensong" Darrell and Kevin also cover composing, collaboration, and more in this fun and insightful episode!    More on Kevin Keller and his latest release   Evensong is an 8-movement album that not only revives Hildegard's sacred music but also brings her transcendental visions into the contemporary world, offering an immersive experience that blurs the lines between past and present, mysticism and music. Keller enriches her ancient compositions with layers of modern textures—combining strings, vocals, and analog synthesizers—to transform these chants into vivid soundscapes that feel simultaneously timeless and contemporary. At the heart of Evensong is an ambitious attempt to channel Hildegard's spiritual visions, offering audiences a way to experience them in a way that wasn't possible in her time. Kevin has been a leading figure in the new-age music scene for over 30 years, with 14 albums that fuse classical and electronic music in deeply evocative ways. This milestone release represents a significant leap in his artistic journey, and with the GRAMMY's “New Age” category recently expanding to include ambient and chant music, Evensong is primed to make a powerful impact.   www.KevinKeller.com www.Instagram.com/kevinkellerpro https://open.spotify.com/artist/1MpofLeuema5D0edeUEoAD?si=vV7MQgcHSSaMBEG_o75CFw Music Matters with Darrell Craig Harris is sponsored by Shure Microphones. Voice overs provided by Nigel John Farmer from his studio VoiceWrapStudio.com in France. Our thanks to Rodney Hall FAME Recording Studios in Muscle Shoals, Alabama for our intro and outro backing music clip. A Big Shout and thanks to our friends at  @Shure for their support! Contact us at inquiry@darrellcraigharris.com  Social: www.Instagram.com/musicmatterspodcastofficial  www.MusicMattersPodcast.com 

This week we're talking ambient music with Kevin Keller. If you don't fully get the genre, we talk more about it and try to deconstruct what it is and how you make it.Kevin has a really engrossing and fascinating album out now called Evensong, available wherever quality music is sold. For more information, check out his website.

An Evensong meditation by the Rev. Salmoon Bashir on the Sixteenth Sunday after Pentecost, Proper 18, Year B (September 8, 2024) at the Episcopal Cathedral of St. Philip, Atlanta

In this episode of the poetry edition of the Reformed Journal Podcast, Rose Postma interviews Nathaniel A. Schmidt about his poem “Thou shalt get kings, though thou be none.” Schmidt is an ordained minister in the Christian Reformed Church and serves as a hospice chaplain. He holds degrees from Calvin Theological Seminary, Calvin University, and the University of Illinois Springfield. His newest collection of poems, Transfiguring, is available from Wipf & Stock, as is his first collection, An Evensong. He lives with his librarian wife, Lydia, and their daughter in southwest Michigan, meaning life is a perpetual story time.

Gail Godwin has written 18 books. Many of her novels were best sellers including Evensong. Three of them were finalists for the National Book Award. Her book Grief Cottage features a boy who has a relationship with a ghost. Godwin says she herself has seen ghosts. When she was a reporter, an apparition dressed in a medical uniform used to visit her in the middle of the night. Godwin's new book is a memoir. It opens with the story of how the writer, who's 87, went into her back yard to water her dogwood tree, wound up falling on her face and breaking her neck. We talk about how curiosity saved her in her darkest moments. “Now What?” is produced with help from Steve Zimmer, Lucy Little and Jackie Schwartz. Audio production is by Nick Ciavatta.

Gyles and Alexander Armstrong reminisce about Alexander's idyllic childhood in Northumberland, the son of a country GP. They talk about his school years, when he was an 'odd little boy' who sang in the school choir and was obsessed with Gilbert and Sullivan. They discuss the joy of Evensong, and the delights of PG Wodehouse, and Gyles finds out what it was like to live on Imogen Stubbs's barge in Chiswick. This episode was recorded on a sunny day in May, and we hope you can feel the sunshine as you listen to it - enjoy. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Gyles and Alexander Armstrong reminisce about Alexander's idyllic childhood in Northumberland, the son of a country GP. They talk about his school years, when he was an 'odd little boy' who sang in the school choir and was obsessed with Gilbert and Sullivan. They discuss the joy of Evensong, and the delights of PG Wodehouse, and Gyles finds out what it was like to live on Imogen Stubbs's barge in Chiswick. This episode was recorded on a sunny day in May, and we hope you can feel the sunshine as you listen to it - enjoy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Justin and Bekah discuss the practice of the daily offices with sub-deacon Andrew West, a member of the Julian Way with a passion for daily prayer. Andrew explains the practice of morning and evening prayer, his own relationship to the practice, and some of the ways set prayers and Psalms can draw worshipers deeper into love of God and love of neighbor.

An Evensong meditation by the Rev. Canon Cathy Zappa on the Sixth Sunday of Easter (May 5, 2024) at the Episcopal Cathedral of St. Philip, Atlanta  

I read from even to evensong.     The word of the episode is "even-keeled".     Theme music from Jonah Kraut https://jonahkraut.bandcamp.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube   "The Dictionary - Letter E" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     https://linktr.ee/spejampar dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://www.threads.net/@dictionarypod https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Take heart; rise, he is calling you.

The cup that I drink you will drink; and with the baptism with which I am baptized, you will be baptized

With men it is impossible, but not with God; for all things are possible with God.

Let the children come to me, do not hinder them; for to such belongs the kingdom of God.

Know the love of Christ which surpasses knowledge

He that is not against us is for us

If I said, I do not know him, I should be a liar like you; but I do know him and I keep his word.

I believe; help my unbelief!

It is well that we are here

But who do you say that I am?