Podcasts about Vibrato

Charlie Mellor joins Go To Food for a brilliant, booze-soaked, risotto-fuelled conversation from inside his acclaimed new Soho restaurant, Osteria Vibrato. Once hailed as the king of London's wine scene — and still very much hailed by us — Charlie's journey has taken him from Australian-born, classically trained opera singer to sommelier, restaurateur and one of the most charismatic hospitality minds in the capital.In this episode, Charlie talks about the rise and closure of The Laughing Heart, why neighbourhood restaurants have become such a brutal game, and why Soho felt like the right place to return with something romantic, generous and unmistakably Italian. He explains the thinking behind Vibrato's £3 coperto, its olive oil obsession, late-night ambitions, boozy lunches, and a wine list built to make serious bottles genuinely drinkable.We also get into the realities of opening a restaurant in 2026: linen bills, no-shows, soft-launch chaos, risotto sections, assembling a front-of-house Avengers squad, and the importance of making every guest feel like everything is going to be okay. Along the way, Charlie shares stories from opera, Melbourne dining, late-night London, and his family's legendary Cornish pasties.Expect strong views, big hospitality energy, Palermo tips, plenty of wine chat, and one of the best explanations you'll hear of what makes a restaurant truly generous. Charlie is thoughtful, theatrical, sweary, deeply hospitable — and Osteria Vibrato sounds like exactly the kind of place London needs right now.Watch and Subscribe To Our Youtube Videos Here - https://www.youtube.com/@gotofoodOrder Ben's Incredible Book - All You Can Eat - By Clicking Here - https://www.amazon.co.uk/All-You-Can-Eat-British/dp/1805221523Get 2 Months of Blinq For Free - With Code - GOTOBLINQ - https://blinqme.com/Order The Greatest Meat In The Country From HG Walter Here & Have Restaurant Quality Meals From Home - www.hgwalter.com Hosted on Acast. See acast.com/privacy for more information.

This week, I'm joined by bass Barnaby Rea for a longer-than-usual opera special I mean if we're doing opera, we've gotta go long, right?!), recorded backstage at the Royal Opera House, London.Barnaby is a British/Irish bass who trained at the Guildhall School of Music & Drama and the National Opera Studio. He was a Harewood Artist at English National Opera and a member of the Oper Frankfurt solo ensemble. He has also appeared with companies including the Royal Opera House, Deutsche Oper Berlin, Zurich Opera, Teatro Real, Opéra de Lyon, Scottish Opera and Opera North.We recorded this while Barnaby was performing Doctor Grenvil in Verdi's La traviata, in Richard Eyre's long-running Royal Opera production.This episode was also partly inspired by a recent visit to Milan and the extraordinary Teatro alla Scala, which got me thinking about opera not just as music, but as architecture, social ritual, commerce, class, spectacle and power.So this is partly a conversation about opera singing, partly a look at the machinery of a major opera house, and partly an attempt to understand why opera can feel both thrillingly immediate and socially intimidating.We talk about opera vs musical theatre, why singers train for so long, how a voice can fill a huge theatre without amplification, what “placement” and resonance mean, and why vibrato is not just decorative wobbling.We also get into opera's social context: boxes, gods, stalls, ticket prices, access, prestige, and whether opera's elitist reputation is entirely fair.There's also a wider reflection on live music now: why huge arena shows can dominate the public story of the music industry while smaller venues, grassroots promoters, festivals and independent musicians are struggling.This is a longer episode than usual, but that feels fitting for opera: there is a lot of voice, history, scale and backstage machinery to get into.In this episode00:00 – Steve introduces the opera special, Barnaby Rea, the Royal Opera House and the Milan / La Scala inspiration01:35 – Barnaby's route into opera: school swing band, musical theatre, Sweeney Todd, Guys and Dolls and early training07:30 – Guildhall, opera school, learning the craft, and why opera takes so long to train for properly12:30 – Singing in different languages and understanding what you are actually saying15:40 – Opera vs musical theatre: amplification, stamina, acting, dancing and vocal demands20:45 – Inside the Royal Opera House: backstage scale, sets, docks, ballet and multiple productions24:45 – La Scala, opera boxes, social hierarchy, standing tickets and opera as mass entertainment30:05 – Arena economics, struggling grassroots venues, festivals and why smaller gigs matter36:50 – Is opera elitist? Ticket prices, access, class, prestige and opera culture in Europe42:35 – Entertaining Noises: Barnaby demonstrates the bass voice43:00 – Breath, resonance, placement, formant, range and preparing different roles50:15 – Show days, double casting, vocal recovery, travel, jump-ins and the pressure of saying yes55:00 – Berg, volume, singing without microphones, working with the room, and breathing with the orchestra01:00:30 – Vibrato: what it is, why it exists, and why it is not just decorative wobbling01:03:10 – Steve attempts a brief opera lesson01:07:40 – Learning roles, memory, punctuality, preparation and what performers can control01:12:45 – What is music for? Barnaby on release, escape, connection and performance01:15:50 – Music as personal soundtrack, film scoring, galleries, headphones and emotional recontextualising01:16:40 – Barnaby's links, La traviata and walking into productions with decades of history01:18:35 – Outro: Peter Grimes, Wilton's Music Hall, Ocean Songs, the website and what's coming nextGuestFind Barnaby Rea at barnabyrea.com and on Instagram at @barnabyrea_bass.Support the show on Patreon: patreon.com/StevePrettyOnTheOriginofthePiecesStay musically curious! Hosted on Acast. See acast.com/privacy for more information.

The true essence of beauty is comfort with your own imperfection.

In this episode of The Choral Director's Toolbox, Dr. Jamea Sale explores a critical and often misunderstood aspect of vocal pedagogy in "When Vibrato Is Manufactured." Drawing on voice science and practical observation, she challenges the common impulse to “teach” vibrato through physical manipulation, instead reframing it as a natural byproduct of efficient vocal coordination. With clarity and precision, Dr. Sale offers valuable insight for both voice teachers and choral directors seeking healthy, sustainable sound development. In today's listener question, Dr. William Baker addresses the increasing use of iPads and tablets in choral settings, offering a balanced perspective on their usefulness in rehearsal alongside important considerations for maintaining professionalism and visual integrity in performance. Today's inspiration is "Ain't No Grave Can Hold My Body Down," arranged by Paul Caldwell and Sean Ivory, a vibrant and rhythmically compelling gospel setting that brings both challenge and energy to advanced choral ensembles. Join us for a thoughtful and practical conversation on vocal health, pedagogy, and the evolving tools of the choral art. Submit your question to The Choral Director's Toolbox by writing to us at Toolbox@FestivalSingers.org.

Wie die Luft zum Atmen empfindet Mariza den Fado. Gesangsstunden hatte sie nie – Mariza hat das Singen auf der Strasse aufgeschnappt in ihrer Kindheit im traditionellen Quartier Moureria in der Nähe des Hafens in Lissabon. Heute ist die 52jährige Sängerin die wichtigste Fado-Stimme Portugals. Sie bleibt den Wurzeln des Fado treu, öffnet aber das Genre weit über Portugal hinaus, indem sie Elemente von Jazz, Flamenco, Bossa Nova und afrikanische Einflüsse in den Fado integriert. Mariza hat das traditionelle Genre erneuert und global relevant gemacht. 00:18 – Talk Mariza erzählt von ihrer unbändigen Liebe für den Fado und teilt ihre Kindheitserinnerungen in Mosambik und Lissabon. Sie verrät, dass sie sich immer stärker nach einem ruhigen Familienleben sehne. Und warum es dann dennoch nicht infrage kommt, aufzuhören. 26:47 – Musikfrage Mit der Sopranistin Sylvia Nopper: Wann und wo wird im Gesang heutzutage Vibrato als Gestaltungsmittel eingesetzt? 34.21 – Wochenrückblick (Zeitpunkt der Aufnahme: Freitag, 13.03., 12 Uhr) Wenn Timothée Chalamet über Ballett und Oper schnödet, dann schiessen die Opernhäuser kreativ zurück: Wie die unbeabsichtigte Beleidigung zum PR-Erfolg wurde. 45:36 – Neu in meiner Playlist Shabaka – Of the Earth: Der Londoner Jazzmusiker produziert sich sein eigenes spannendes Klanguniversum zwischen allen Genres. 45:16 – Konzert-Tipp Extraterrestrisch: Robert Laidlows Werk «Exoplanets» am Interfinity Festival verspricht moderne Orchestermusik der Spitzenklasse.

Episode 623A is brought to you by:Lewitt Microphones (⁠⁠⁠⁠GIVEAWAY HERE⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10%⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126Did you know we give away a gift card every week?00:00 Intro02:30 24 fret Jackson conversion12:24 Aria Violin Wiggle Stick (vibrato)23:39 Thanks Patreon!24:19 Nepco Astro28:25 Let's give away a gift card! ----------------------------------60CH on Patreon: https://www.patreon.com/60CycleHumcastAffiliate Links: https://60cyclehum.com/affiliate-links/Social Media: https://60cyclehum.com/social-links/

Een vibrato is onherroepelijk verbonden aan het levenslied. Elke volkszanger zorgt voor een heerlijk trillend stemmetje om wat extra emotie toe te voegen aan een prachtig lied. Maar waarom doen ze dat? Dat hoor je van Frans Duijts en zang- en stemcoach Roos van der Broek!

In Teil 2 unseres Podcasts mit den Gründern von Klang.io sprechen wir offen über die aktuellen Grenzen der KI-Transkription – speziell bei E-Gitarren, Solos und komplexen Spieltechniken.Wir gehen u. a. darauf ein:- warum E-Gitarren für KI deutlich schwieriger sind als Klavier oder Akustikgitarre- welche Techniken wie Bendings, Slides, Vibrato, Deadnotes oder Palm Muting echte Herausforderungen darstellen- warum „richtige“ Gitarrentabs mehr sind als nur die richtigen Noten- wie nah wir realistisch an perfekte Solo-Transkriptionen herankommen- und wo menschliches Gehör aktuell noch unersetzlich bleibtDiese Folge ist ein ehrlicher Deep Dive für alle, die wissen wollen, was KI heute wirklich kann – und was (noch) nicht.

A follow up to the vibrato episode, this time talking about the physical process of creating it, the bits of your body not to shake, and how the diaphragm isn't what you think it is. All with the accompanying ASMR background hums of my washing machine on a fast 40. Grma xInline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:00:00 - Spotify Wrapped Results04:35 - The Entire Body 20:37 - Bob Cratchitt25:13 - Producing Vibrato Physically

Hating vibrato and using “historical accuracy” to justify it is virgin behaviour, and I'm here to call it out (using historical accuracy.) Grma xInline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:0:00 - AI Cats2:52 - History of Vibrato12:38 - Roger Norrington and Cults21:51 - Money, Money, Money24:23 - A Love Letter to Vibrato

In dieser Folge spielt Tommi mal wieder einen Diago auf Fabi Klos. Sie sprechen über Arminia Bielefeld, die Bayern und das Ende von Borussia Mönchengladbachs Durststrecke. Außerdem erfahrt ihr, wieso Fabi Klos früher immer auf den Badewannenrand geklettert ist. Über Vancouver gehts in die Champions League, bis hin zum Herz des Fußballs. Und wenn ihr wissen wollt, was Tommi von Steffen Baumgarts Frau geschenkt bekommen und wieso Fabi ein Vibrato in der Stimme hat, dann solltet ihr euch diese Folge anhören, die es in sich hat wie ein Kick in der Jugend mit Toren aus Rucksäcken. Hier geht´s zum großen COPA TS Gewinnspiel und zu allen Infos & Rabatten unserer Werbepartner: https://linktr.ee/copa_ts

Ti extrait du 5ème Quart d'Heure, "Camille tombe love d'une IA"Pour écouter le 5ème Quarts d'Heure, abonnez-vous à Supercast comme ceci : https://4quartsdheure.supercast.com/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A la primera part del Voltant i Girant parlem amb Oriol Llambrich, director de Vibrato Produccions, una nova associació cultural i productora musical nascuda a les Terres de l'Ebre amb l’objectiu de donar veu i oportunitats als artistes del territori.

On this episode of Talking Guitars, we kick things off with the brand-new YouTube Hype feature! For the first 7 days after a video goes live, you can now Hype it up — giving it points that push it higher on YouTube's brand-new leaderboard. You only get 3 Hypes per week on this channel, so choose wisely… and why not start with THIS video?

What makes a great tech infrastructure startup? And how do the best ones successfully navigate, and stand out from, the overcrowded market?In this episode, Yaniv is joined by Joseph Ruscio, General Partner at Heavybit and former CTO of Vibrato, to unpack the dos and don'ts of tech infrastructure startups, how open source fuels growth, and why AI is changing the way software is built.With over 20 years in system software and a portfolio including LaunchDarkly, Netlify, and PagerDuty, Joe brings a front-row perspective to the future of startup building. The conversation dives into bottom-up growth, developer adoption, and the open source strategies that give founders leverage—and how AI agents are reshaping the role of the software engineer.In this episode, you will:Understand why bottom-up adoption often beats enterprise sales for startup growthLearn how AWS scaled from startups to Fortune 500s—and what founders can copyDiscover the power of open source as a go-to-market strategy (and its pitfalls)See why giving away your product can actually accelerate growth and community adoptionExplore how AI is changing developer workflows and the future role of engineersIdentify the risks of being “too close to your own pain” as a technical founderApply practical guidelines for choosing your startup's tech stack without overthinkingDevGuild Open Source: http://heavybit.com/devguild/open-source The Pact Honor the Startup Podcast Pact! If you have listened to TSP and gotten value from it, please:Follow, rate, and review us in your listening appSubscribe to the TSP Mailing List to gain access to exclusive newsletter-only content and early access to information on upcoming episodes: https://thestartuppodcast.beehiiv.com/subscribe Secure your official TSP merchandise at https://shop.tsp.show/  Follow us here on YouTube for full-video episodes: https://www.youtube.com/channel/UCNjm1MTdjysRRV07fSf0yGg Give us a public shout-out on LinkedIn or anywhere you have a social media followingKey linksGet your question in for our next Q&A episode: https://forms.gle/NZzgNWVLiFmwvFA2A The Startup Podcast website: https://www.tsp.show/episodes/Learn more about Chris and YanivWork 1:1 with Chris: http://chrissaad.com/advisory/  Follow Chris on Linkedin: https://www.linkedin.com/in/chrissaad/  Follow Yaniv on Linkedin: https://www.linkedin.com/in/ybernstein/Producer: Justin McArthur https://www.linkedin.com/in/justin-mcarthurIntro Voice: Jeremiah Owyang https://web-strategist.com/

In this episode John Ericson continues his series on fundamentals with stories and a look at vibrato and various extended techniques. In addition, the final segment looks at how to speed up your slow valves. Length 18:57

"I praise you, for I am fearfully and wonderfully made!" (Psalm 139:14)

نكمل سماع الجزء الثاني من الحلقة الثالثة. كاركترات بتغني فيبراتو. شاي بوبا. شاي كرك. دكتور بيعوض أهالي المرضى. مزمار عبدالسلام. فزورة جديدة. واحد في استوديوهات المصرية عايز يعيد كل حاجة. هنشيل رقم ٧ من العالم. فلفل. نحاول نسمي البودكاست. هالة سرحان. عنواني الكرة الأرضية. أغنية عمو علي.Second part of listening to a 10 year old recording. Vibrato characters. Boba tea. Karak tea. Overcompensating doctor. New riddle. Removing the number 7 from the world. My address is Earth. Old Macdonald song.

Aufführungspraxis. Sperriges Wort, aber absolut essenziell. Denn sobald jemand ein Notenblatt in die Hand gedrückt bekommt, stellt sich die Frage: Wie soll das eigentlich klingen? Schnell oder langsam? Laut oder leise? Mit oder ohne Vibrato? Im 20. Jahrhundert hat man begonnen, Musik der Vergangenheit wieder aufzuführen - und plötzlich waren diese Fragen nicht nur spannend, sondern auch strittig: Wer bestimmt, was "richtig" ist? Und kann es mehr als eine Wahrheit geben? Laury und Uli graben sich durch historische Dogmen, stilistische Freiheiten und ganz persönliche Klangvorstellungen. Unterstützung kommt von Jakob Lehmann, einem der spannendsten jungen Dirigenten der historischen Aufführungspraxis, der heute seine ganz eigene Haltung zur Interpretation entwickelt - zwischen Tradition und Zeitgeist.

Roman je fokusiran na pet ženskih sudbina koje se u završnici romana dodiruju i isprepliću, kako na narativnoj, tako i na simboličnoj razini. Podijelivši roman na tri veća dijela koja obuhvaćaju dramatične situacije u životu pet žena (Glissando, Pizzicato, Vibrato), autorica provodi lajt-motiv gitare koja se začinje u sjemenki drveta, nastaje iz smreke i palisandrovine, prelazi iz ruke u ruku formirajući ljudske sudbine i stvarajući glazbu koja se nalazi i u samoj potki romana. Suptilno štivo koje u sebi sjedinjuje stvarnosne, bajkovite i simbolične elemente, a dinamična radnja i osebujni likovi mogu privući i širu čitateljsku publiku. Kristina Gavran dobila je za djelo 'Gitara od palisandra' Nagradu Mirko Kovač za najbolje djelo mladog autora 2019.-te. Redateljica Silva Ćapin, tonmajstorica : Lana Deban, glazbeni urednik MAro Market, Igrali su: Dijana Vidušin, Hrvojka Begović, Dean Krivačić, Mia Krajcar, Slavko Juraga, Iva Mihalić, Helena Buljan, Frano Mašković,Vanda Winter, Ivan Jončić, Natalija Đođević, Asja Jovanović, Biserka Ipša, Igor Kovač i Jerko Marčić.

Roman je fokusiran na pet ženskih sudbina koje se u završnici romana dodiruju i isprepliću, kako na narativnoj, tako i na simboličnoj razini. Podijelivši roman na tri veća dijela koja obuhvaćaju dramatične situacije u životu pet žena (Glissando, Pizzicato, Vibrato), autorica provodi lajt-motiv gitare koja se začinje u sjemenki drveta, nastaje iz smreke i palisandrovine, prelazi iz ruke u ruku formirajući ljudske sudbine i stvarajući glazbu koja se nalazi i u samoj potki romana. Suptilno štivo koje u sebi sjedinjuje stvarnosne, bajkovite i simbolične elemente, a dinamična radnja i osebujni likovi mogu privući i širu čitateljsku publiku. Kristina Gavran dobila je za djelo 'Gitara od palisandra' Nagradu Mirko Kovač za najbolje djelo mladog autora 2019.-te. Redateljica Silva Ćapin, tonmajstorica : Lana Deban, glazbeni urednik MAro Market, Igrali su: Dijana Vidušin, Hrvojka Begović, Dean Krivačić, Mia Krajcar, Slavko Juraga, Iva Mihalić, Helena Buljan, Frano Mašković,Vanda Winter, Ivan Jončić, Natalija Đođević, Asja Jovanović, Biserka Ipša, Igor Kovač i Jerko Marčić.

Please welcome to our show, Eden Alpert, partner at Vibrato Grill Jazz in Bel Air, which remains one of the most outstanding places in LA to hear LIVE music while enjoying amazing food and drink. But it's the story behind Vibrato that really steals the show, and it's all about Eden. Eden grew up in LA, the adopted daughter of jazz great Herb Alpert and his then wife, Sharon. She was adopted through Vista Del Mar, an all Jewish Family and Child non-profit service agency at the time. But as Eden tells it, her early years were far from perfect, describing her mother as a raging alcoholic and drug addict, while her dad was on the road. Which was a lot. Her parents divorced when she was three. But Eden decided she didn't want to be a victim to her past, she did A LOT of therapy to find peace and balance. She also went on a journey to find her birth mother, but that didn't quite work out as expected, and we'll talk about it. When her father opened Vibrato, Eden worked as a hostess, but after her dad saw how customers gravitated towards her, she not only managed the place, she eventually became partner. Let's just Eden is who people ask for when they walk through the door, she keeps it going as the vibrant, A-list venue that it's known for. Yet it's tucked away in a quiet neighborhood, so locals love it, too. Eden has one daughter, the light of her life, and when we spoke she was busy planning her wedding. And she was also on her way to a board meeting. She is big into philanthropy, and serves on four boards. Yet she still found time to call me for a preinterview, because that's how Eden rolls. Please find my full conversation with Eden on all video and audio platforms of #DeborahKobyltLIVE, and invite your friends, too. I'm your host, #DeborahZaraKobylt, and I thank you for joining us.

Whilst not technically a St Patrick's Day Special, this week's episode was recorded in Dublin, at the Royal Irish Academy of Music, on St Paddy's Weekend, with Irish flute royalty.Professor William Dowdall, former principal flute of the National Symphony Orhcestra of Ireland, joins me to chat about vibrato, flutter tongue, The Cleveland Orchestra, blending, orchestral excerpts and Guinness. Sláinte lads, Éirinn go Brách xInline G Merch

Vandaag een speciale uitzending van Diskotabel. De uitzending staat volledig in het teken van het fenomeen Vibrato. Violist Peter Brunt en mezzosopraan Xenia Meijer hebben zich voor hun vak helemaal verdiept in de verschillende typen vibrato. Zij vertellen erover in de uitzending en lichten alle aspecten toe aan de hand van fragmenten. Wie weet doen Peter Brunt en Xenia Meijer ook nog wel zelf iets voor!

Why do we even bother listening to music? What's the kiki-bouba effect? What is our role as performers in the elegant cog of music making, and why is American vibrato so awful? Your old pal Inline G has it all covered in this week's episode. grma x Inline G Merch

Er war der erste, der es immer tat: Fritz Kreisler, der Wiener Charmeur mit dem gepflegten Schnurrbart und dem schlanken Ton. Kreisler gilt als erster Geiger, der ununterbrochen vibrierte. Doch die Vertreter der Historischen Aufführungspraxis haben dem Gewackel den Kampf angesagt - allen voran Roger Norrington, der mit seinem Radio-Sinfonie-Orchester Stuttgart selbst die spätromantische Musik absolut vibratolos spielt. Unser ZOOM erzählt die Geschichte einer Infektion.

Barbra Streisand ist Schauspielerin und Sängerin und sowohl mit der Musik als auch der Schauspielerei unglaublich erfolgreich. "Guilty" war Barbra Streisands erfolgreichste Platte überhaupt. Und mit auf dem Album war auch ihr größter Hit "Woman In Love", spannend ist, dass das Album eigentlich vielleicht nicht so ganz typisch für die Sängerin und Schauspielerin war. Eigentlich, so erklärt unser ehemaliger Kollege Christian Pfarr im Podcast, kommt Barbra Streisand ja aus der Musicalecke, wo sie schon in den 60ern sehr erfolgreich gewesen ist. In den 70ern hat sie dann einen musikalischen Ausflug in die Discomusik gemacht und hier auf dem Album "Guilty" hat sie sich mit Barry Gibb von den Bee Gees dann noch einen echten Disco-King und sehr gefragten Songwriter aus der Zeit zu der Arbeit an ihrem Album dazugeholt. Der größte Hit ihrer Karriere und des Albums war der Song "Woman In Love". Christian Pfarr erklärt sich den großen Erfolg des Songs "Woman In Love" so: "Man hat nicht das Gefühl, sie schlüpft hier in eine Rolle, sondern das ist sie". Ihre Stimme und das intensive Vibrato gehen hier perfekt ineinander, ohne aber dabei übertrieben zu wirken, das macht den Song aus. Sie legt sich mit ihrer ganzen Stimmgewalt in diese in Moll-gehaltenen Melodien und das wirkt intensiv und einfach sehr echt. Außerdem hat Barbra Streisand in dem Song einen Rekord aufgestellt, nämlich den Ton in einem Popsong, der am längsten gehalten wurde. Zwölf Jahre lang wurde der Rekord nicht gebrochen. Wer Barbra Streisand dann schlussendlich doch noch übertroffen hat, das verraten wir euch im Meilensteine Podcast. __________ Über diese Songs vom Album "Guilty" wird im Podcast gesprochen (03:04) – "Guilty"(12:40) – "What Kind Of Fool"(17:04) – "Woman In Love"(24:52) – "Promises"(29:36) – "The Love Inside" __________ Über diese Songs wird außerdem im Podcast gesprochen: (04:48) – "Enough Is Enough" von Barbra Streisand und Donna Summer(07:42) – "Nightfever" von den Bee Gees(20:47) – "I Will Always Love You" von Whitney Houston(23:20) – "You Don't Bring Me Flowers" von Barbra Streisand und Neil Diamond__________ Alle Shownotes und weiterführenden Links zur Folge "Guilty" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/barbra-streisand-guilty-102.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Making a concerted effort to avoid the election, Dee and Kate chat about the many deaths and mutilations that occur at amusement parks, in particular the notorious Action Park in New Jersey. Vibrato calls in with a history lesson. Sign up for the Sick and Wrong Patreon to hear Second Show, SW archives, and the...

The Curse of the 9th Symphony, Verdi's Huanted Opera and the Principal Flutist Eaten by The Orchestra Board; just a few of the spooky stories on this week's Halloween Special as I dress up as a haunted Rudi Völler and sip on a cocktail.Happy Samhain everyone, go practice your scales xInline G Merch:Inlineg.myshopify.comInline G Patreon:patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:00:00 - Halloween's Irish Roots09:40 - MacBeth to Forza18:24 - The Tritone and The Devil21:42 - The Curse of the 9th27:12 - Baker's Vibrato and ChatGPT31:06 - Flute Cannibalism Hosted on Acast. See acast.com/privacy for more information.

Andy Vargas, acclaimed successor to the throne of Latino soul music in the U.S., has been making waves in the music industry for over two decades. As Santana's lead vocalist since 2000, he has collaborated with musical titans such as Juanes, Mana, Chris Perez, Frankie J, The Black Eyed Peas, Beyonce, and Enrique Iglesias. Given his first shot by legendary producer and managers Terry Melcher, Bruce Johnston of the Beach Boys, and Lou Adler, Andy inked a record deal at the age of 16 to Ron Fair at RCA, BMG. Here, he wrote and recorded Pop, Latin funk, and R&B Soul music. This caught the interest of Clive Davis and Carlos Santana, who asked him to support the worldwide smash “Supernatural” record. Vargas has crafted a unique music genre, earning him widespread recognition and acclaim. He has also expanded his professional reach by co-founding Malaspalabras Records (MPR) alongside acclaimed comedian George Lopez and music distribution giant, United Masters. MPR is committed to safeguarding artists' rights and launching fresh talents in both conventional distribution and the evolving Web3 arena. This year marks a significant milestone in Andy's journey as a musician. He has earned solo recognition, securing a coveted spot among the illustrious lineup of the Dave Koz Friends at Sea Cruise. For two weeks of musical bliss sailing through the Mediterranean, he'll share the stage with fellow superstar musicians, promising an unforgettable experience for all aboard.% But Andy's musical odyssey doesn't end there. He's set to join his mentor, the legendary Carlos Santana, and the Santana Band for the 2024 Oneness tour, featuring the iconic Counting Crows. This collaboration with musical giants is a testament to Andy's talent and unwavering dedication to his craft. Beyond his musical pursuits, Vargas is dedicated to giving back. In 2015, he founded The Andy Vargas Foundation (AVF), a non-profit organization with a mission to inspire, mentor, and educate underprivileged youth with dreams of making it in the music industry. AVF offers a host of free community programs, such as instrument training, vocal coaching, music composition and production workshops, music business courses, and college scholarships. Amidst these grand ventures, Andy remains deeply connected to his roots, finding solace and joy in performing on his favorite local So Cal stages, Spaghettini in Seal Beach and Herb Alpert's Vibrato, throughout the year. Here, amidst the cozy ambiance and intimate setting, he shares his gift with fans, creating moments of magic that linger long after the last note fades. --- Support this podcast: https://podcasters.spotify.com/pod/show/matt-brown57/support

Ben Vaughn es cantante, guitarrista y compositor. Productor de leyendas como Nancy Sinatra, Charlie Feathers o Arthur Alexander. Autor de bandas sonoras para películas, documentales o series de televisión. Ha grabado discos con Alex Chilton o Kim Fowley. Incluso grabó un álbum dentro de un coche. Un auténtico omnívoro musical con cuarenta años de trayectoria a sus espaldas y un legado de canciones brillantes que van de los sonidos experimentales al sonido acústico más intimista pasando por todos los estilos que ha dado el viejo rock’n’roll. Lo cazamos junto a su guitarra en medio de una gira española que a partir de hoy continúa sin banda.Playlist;BEN VAUGHN “Too sensitive for this world” (Vaughn sings Vaughn vol. 2, 2007)BEN VAUGHN “In my own reality” (The world of Ben Vaughn, 2022)THE MORELLS “You’re gonna hurt yourself” (You’re gonna hurt yourself, 2024)BEN VAUGHN “The man who has everything” (Dressed in black, 1990)BEN VAUGHN COMBO “Sleepless nights” (The many moods of Ben vaughn, 1986)BEN VAUGHN “Heavy machinery” (Rambler 65, 1995)BEN VAUGHN “7 days without love” (Rambler 65, 1995)BEN VAUGHN “Miss me when I’m gone” (Texas road trip, 2014)BEN VAUGHN “Six by six” (Texas road trip, 2014)BEN VAUGHN and KIM FOWLEY “Kings of saturday night” (Kings of Saturday night, 1995)ALAN VEGA, ALEX CHILTON and BEN VAUGHN “Candy man” (Cubist blues, 1996)BEN VAUGHN COMBO “Vibrato in the grotto” (single, 1985)BEN VAUGHN “Bushfire” (Designs in music, 2006)THE BEN VAUGHN QUINTET “Jukebox jukebox” (Five by five EP, 2015)BEN VAUGHN “Darlene” (Directo en El Sótano)BEN VAUGHN “Google translate” (Directo en El Sótano)BEN VAUGHN “Clothes don’t make the man” (Beautiful thing, 1987)Escuchar audio

Our guest this week is none other than Team USA's Olympic medal-winning gymnast @asher_hong04! Now, amidst the Olympic glory, a video of Asher discussing his love of fragrance went viral on social media. In an interview during the games, Asher revealed he uses specific fragrances for competitions, AND revealed a super-sniffer ability to detect which scent the interviewer was wearing. Clearly… he's one of us! So, we were thrilled to welcome Asher to On the Scent…Asher has also posted videos on his Instagram, where a roommate challenged him to smell randomly picked fragrances from his collection, while blindfolded. Asher completely nailed the world's most difficult vault during the U.S. Olympic Gymnastics Trials, then went on and WON a bronze medal for Team USA during the Paris Olympics! From a Reuters news report on Asher:“Most gymnasts would prioritise packing items such as uniforms, tape and hand grips when preparing to compete on the world's biggest stage but inspirational fragrances were on top of American Asher Hong's mind heading to Paris. The 20-year-old has over 70 bottles of perfume in his collection and has brought seven with him to the Games, reflecting the recent social-media-driven rise in fragrance enthusiasm among young adults…”Asher's dedication to his sport *and* to somehow finding time for his love of fragrance is quite remarkable, and we can't wait to hear what fragrances he discovers next. Plus, who else thinks a fragrance brand needs to sponsor Asher?! During this episode, Asher talks about…@givenchybeauty Gentleman @sospirointernational Vibrato@mancera Instant Crush @yslbeauty Y eau de parfum @mancera Cedrat Boise@bvlgari Man in Black @bvlgari Le Gemme Tygar@montale Intense Café@louisvuitton Ombre Nomade (We also mention these fragrances we think Asher would love…)@diptyque Eau de Sens@marcanotinebarrois Ganymede@akrofragrances Infuse Thank you for being such a great guest, Asher! 

The essence of beauty is being comfortable in your imperfection!

Today we're joined by Joel Korte of Chase Bliss! Joel's an inspiring figure in the gear industry, both for his engineering and his being-a-great-human. We get to know his story through the lens of the ZVEX Lo-Fi Loop Junky, a unique design using the ChipCorder voice recording chip to create short, compressed, warbling loops. We learn how Joel found himself at ZVEX, how he went from being a fan of the pedal to reinterpreting its sound as the Instant Lo-Fi Junky, and how he eventually went on to create Chase Bliss. This episode is about perseverance, engineering, and some goofs along the way - get in!Buy Chase Bliss pedals: https://www.chasebliss.com/Listen to Mostly Trees: https://mostlytrees.bandcamp.com/Buy Old Blood pedals: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us on the socials: @chasebliss, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Vibrato Series 1/3. Did you know that certain styles of vibrato can be controversial? This episodes explores the most common mistakes violinists make at every level of their playing.In this episode, you'll learn about what issues are most prevalent when violinists are learning vibrato in beginner, intermediate, and advanced stages of their studies.Links:Vibrato Masterclass - Live online class April 13th Free vibrato ebookAccompanying blog post | video versionViolin Class newsletterOther vibrato episodes: Part 2 | Part 1For lesson inquiries, contact me here or email me at violinclasspod@gmail.com.For lesson inquiries, contact me at violinclass.co/contact or violinclasspod@gmail.com.Violin Class Website | Instagram | Lesson inquiriesFor lesson inquiries, contact me at violinclass.co/contact or violinclasspod@gmail.com.Violin Class Website | Instagram | Lesson inquiries

Matt had the guys listen to Madison Cunningham's 2022 album Revealer. We discuss, review, and then play a music game pinning Matt against JJ in who can get the closest to when certain popular songs released. For more of Matt and Jason playing that game check out the podcast Mind Grenade. Recommendations: Tyler, the Creator: Flower BoyHazbin Hotel on Amazon Prime Caravan Palace (Band)Coming Soon:Movie: The Art of the StealAlbum: Green Day: SaviorsSeries: Masters of the AirInformation:You can follow this podcast on Twitter @impossible_podEmail: listenimpossible@gmail.comWebsite: Listen Impossible (buzzsprout.com)Try and give this podcast five stars. We dare you

Vibrato series 2/3Learning vibrato is such an important rite of passage when it comes to learning the violin.  It's something that every violin student strives for and something that sometimes feels impossible to learn.However, vibrato is not a beginner technique, and I completely understand the frustration when it comes to wanting to play with a beautiful sound but not having vibrato in your toolbox.Here are some things that you can start doing even as a beginner, even in your first year of violin playing to get ready to learn vibrato.Links:Vibrato Masterclass - Live online class April 13th:Free vibrato ebookAccompanying blog postViolin Class newsletterOther vibrato episodes: Part 1 | Part 3 For lesson inquiries, contact me here or email me at violinclasspod@gmail.com. For lesson inquiries, contact me at violinclass.co/contact or violinclasspod@gmail.com.Violin Class Website | Instagram | Lesson inquiries

Vibrato Series 1/3. Learning vibrato is a long process, but there is a method to it. With the right guidance, a lot of practice and a whole lot of patience, you can learn vibrato and add it to your playing.Download free vibrato guide: violinclass.co/vibrato-ebookThis is part 1/3 of my series on vibrato in anticipation of my upcoming live vibrato masterclass on April 13th, 2024.Live Vibrato Masterclass info: https://www.violinclass.co/vibratoIn this episode, you'll learn about:What vibrato is and how it worksArm vs. wrist vibratoThe 4 stages of learning vibratoExamples of different styles of vibratoVideo version: https://youtu.be/S_YIDfr2TI4Blog post: violinclass.co/episodes/41For lesson inquiries, contact me at violinclass.co/contact or violinclasspod@gmail.com. For lesson inquiries, contact me at violinclass.co/contact or violinclasspod@gmail.com.violinclass.co

Vibrations and rhymes Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Vibrations and rhymes Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to episode 128 of the Truth About Vintage Amps podcast, the call-in show where amp tech Skip Simmons fields your questions on all things tube amp repair. The first hour of this show probably belongs on our Patreon, but I'm feeling generous and sharing it with everyone. Reminder: You should join our Patreon. (The amp questions kick in around 49 minutes.) 2:10 Skip goes to the Bay Area Guitar Show: Fancy Gibson ukes, a Martin 00-28, lots of amps, a shopworn Grez, Jimboys Tacos, the bar on San Clemente Island (Yelp), pupusas 33:46 Gibson reissues the Falcon (link) 40:03 Skip fixes a refrigerator 43:51 Skip loses his dentist and finds Trader Joe's; musician/illustrator Robert Armstrong (link) 48:52 A 1961 Harmony H322 bass amp that isn't loud enough 53:38 A vintage Gibson Falcon with a flickering pilot light; D-cell batteries 56:18 Using a thermistor to slowly ramp up voltage on old amps, the new Toyota Landcruiser 59:17 Do you want to be an old car guy? Skip's 1961 Mercury Comet; Jason needs a body shop 1:04:17 My house's dimmer switches are driving me nuts 1:07:47 Why did Fender change the plate resistors on the Bassman? 1:11:44 Using the signal from just before the phase inverter on a push-pull amp to drive another amp 1:15:31 Skip sees a bobcat 1:15:58 Draw differences between matched pairs of the same tubes 1:20:41 Distortion on the Normal channel vs Vibrato channel on vintage Fender amps 1:23:51 How to expand the volume range on a Masco PA; the Necromancer cocktail recipe; Groove Tube tube adapters 1:31:22 A low-watt amp for bedroom playing; power-adjusting amps; music recommendation: Issa Juma And Super Wanyika's 'World Defeats the Grandfathers' 1:36:39 A push-pull output transformer in a single-ended amp Our sponsors: Emerald City Guitars, Amplified Parts, Stringjoy Strings, Izotope, and Grez Guitars. Love the show? We have a Patreon where you can support us, get to the front of the line with questions, and get exclusive bonus content and surprises:  https://www.patreon.com/vintageamps

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In this episode, Dr. Hettie V. Williams is in discussion about Martin Luther King, Jr. with Dr. Maurice O. Wallace. Williams is Director of the Trotter Institute at UMass Boston and Wallace is Professor of English at Rutgers University-New Brunswick, author of Constructing the Black Masculine: Identity and Ideality in African American Men's Literature and Culture, 1775-1995, and coeditor of Pictures of Progress: Early Photography and the Making of African American Identity. Williams and Wallace discuss his latest book King's Vibrato: Modernism, Blackness, and the Sonic Life of Martin Luther King, Jr. (Duke University Press, 2022) in which he explores the history of sound in the Black experience through an analysis of King's vibrato. In this text, Wallace conjoins history and critical theory to discuss the “modernist soundscapes” that shaped King's voice and expression. He further argues that King's vibrato was produced out of a series of elements including ecclesiastical architecture, instrumentation (the organ), the audience, song, and technology. For more about Wallace click here Maurice O. Wallace and to order his book click on this link King's Vibrato: Modernism, Blackness, and the Sonic Life of Martin Luther King, Jr. 

Virtuoso Fritz Kreisler was known and is remembered for his artistry as a violinist and composer -- and, also, as an unashamed showman. He was one of the most beloved and best known of the early recording-era artists, and a household name in his day. In fact, he was so adored by his audiences that when he revealed some of the pieces he'd performed and attributed to composers such as Vivaldi, Pugnani, and Couperin were, actually, his own compositions, the critics were irate, but his fans continued to pack concert halls.See omnystudio.com/listener for privacy information.

In this episode, John Henny discusses vibrato with voice professor and researcher, John Nix. Episode Highlights: How emotions and physiology affect vibrato Adjusting the speed of vibrato The potential to sing vibrato To know more about John Nix, visit: johnnixvoiceteacher.com To learn more about John Henny, his best-selling books, online courses, Vocal Assessments and Voice Lessons with his Teaching Team of Experts, Speaker Training, and the Contemporary Voice Teacher Academy, visit: JohnHenny.com.