Podcasts about Clarinet

(Jun 13, 2025) NY's Governor testified in front of Congress about immigration policies; NY-21's Stefanik is supporting a northern border bill; St. Lawrence County hosted an open house to show the community all the ways the government serves them this spring, with few attendees; Emily Russell takes us on a trail run on Wellesley Island; Elizabethtown concerts this weekend feature an oddball instrument combo: the saxophone and clarinet; and, NoCo communities are out and proud this Pride Month. We'll get a preview of events in Potsdam, Plattsburgh, Lake George and beyond.

Doreen Ketchens reflects on growing up in New Orleans historic Treme neighborhood, her development as a jazz clarinetist, and playing music with her family on the streets of New Orleans and in concerts and festivals around the world. Ketchens plays the Twin Cities Jazz Festival Friday June 20th at 6 PM on the Jazz88 Main Stage in St. Paul.

Doreen Ketchens reflects on growing up in New Orleans historic Treme neighborhood, her development as a jazz clarinetist, and playing music with her family on the streets of New Orleans and in concerts and festivals around the world. Ketchens plays the Twin Cities Jazz Festival Friday June 20th at 6 PM on the Jazz88 Main Stage in St. Paul.

Benjamin Law is an Australian writer and broadcaster. He's the author of two books, The Family Law and Gaysia, and has written for over 50 publications in Australia and worldwide, including Good Weekend, frankie and The Monthly. Benjamin is also an AWGIE Award-winning screenwriter. In this episode, our new fwend Ben talks about queer friendship, intergenerational friendship, late-night spirals, avoiding bullies by being funny and filthy, friends whose values change, realising life is short through the loss of friends, getting back into the clubs, and bible belt band camp.CONTACTText - 0431 345 145Email - fwendspod@gmail.comMail - PO Box 24144, Melbourne, Vic, 3001RATE AND REVIEWOf course you've already subscribed or followed the show, now we'd love you to leave a rating and a review. In whatever podcast app you're in right now, just throw down the 5 stars. Will make our day, and help to get the podcast into more people's ears (which will ultimately mean even bigger name guests for you!)INSTAGRAMFwends PodGeorgia MooneyRhys NicholsonKyran NicholsonYOUTUBESoon (how soon we don't know) you will be able to watch clips of the show on YouTube, click through and hit subscribe now to get them the second they appear: Fwends Pod YouTubeSKIP AHEAD00:00 - Georgia, Kyran and Rhys catch up32:55 - Interview Hosted on Acast. See acast.com/privacy for more information.

Un triple CD como banda sonora del libro del pianista, crítico de jazz y musicólogo francés Laurent Cugny, antiguo director de la Orquesta Nacional de Jazz y profesor emérito de la Sorbona, 'Une histoire du jazz': Original Dixieland Jazz Band ('Tiger rag'), King Oliver´s Creole Jazz Band ('Canal street blues'), Jelly Roll Morton Red Hot Peppers ('Black bottom stomp'), Louis Armstrong & His Hot Five ('Hotter than that'), Bix Beiderbecke Wolverine Orchestra ('Jazz me blues'), Fletcher Henderson ('New king porter stomp'), Lester Young ('These foolish things'), Count Basie and His Orchestra ('Jumpin´at the woodside'), Duke Ellington and His Orchestra ('Echoes of Harlem'), Benny Goodman Orchestra ('Clarinet a la king'), Dizzy Gillespie and His All Stars ('Hot house'), Charlie Parker Ribop Boys ('Roko'), Bud Powell ('Tempus fugit'), Miles Davis Nonet ('Boplicity'), The Stan Getz Quintet ('Thou swell'), Chet Baker Quartet ('I fall in love') y Dave Brubeck ('Take five').Escuchar audio

Episode 176 Chapter 35, Live Electronic Music— Historical Practices. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 35, Live Electronic Music— Historical Practices from my book Electronic and Experimental music.   Playlist: LIVE ELECTRONIC MUSIC—HISTORICAL PRACTICES   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Karlheinz Stockhausen, “Mikrophonie I” (1964) from Mikrophonie I · Mikrophonie II.   Mikrophonist 1, Johannes Fritsch; Mikrophonist 2, Harald Bojé; Electronic Filters and Potentiometers 1, Karlheinz Stockhausen; Electronic Filters and Potentiometers 2, Hugh Davies, Jaap Spek; Tam-tam, Aloys Kontarsky; Tam-tam, Fred Alings.  Brüsseler Version 1965 recorded at WDR, Cologne. 07:24 01:42 2.     AMM, “In The Realm Of Nothing Whatever” (1966) from AMMMusic 1966. Cello, Accordion, Clarinet, Transistor Radio, Lawrence Sheaff; Electric Guitar, Transistor Radio, Keith Rowe; Music by, Cardew, Prévost, Rowe, Sheaff, Gare; Percussion, Eddie Prévost; Piano, Cello, Transistor Radio, Cornelius Cardew; Tenor Saxophone, Violin, Lou Gare. Recorded on the 8th and 27th June 1966 at Sound Techniques. 13:22 09:06 3.     Musica Elettronica Viva (MEV), “SpaceCraft” (1967) from MEV 40. Mbira Thumb Piano Mounted On A Ten-litre Agip Motor Oil Can, Contact Microphones, Amplified Trumpet, Voice, Alvin Curran; Amplified Glass Plate With Attached Springs, Contact Microphones, Frederic Rzewski; Homemade Synthesizer from Electronic Organ Parts, Allan Bryant; Moog Modular Synthesizer, Contact Microphones, Voice, Richard Teitelbaum; Tenor Saxophone, Ivan Vandor; Voice, Carol Plantamura. 30:45 22:26 4.     David Tudor, “Rainforest Version One” (1968) from Rainforest. Live electronics, David Tudor, Takehisa Kosugi. Used transducers to amplify objects. Recorded by Rob Miller. 21:50 53:10 5.     Karlheinz Stockhausen, “Kurzwellen” (1968), excerpt from Festival of Hits. Composed By, Mixed By, Electronics, Filters, Potentiometers, Karlheinz Stockhausen; Electronium, Harald Bojé; Tamtam, Alfred Alings, Rolf Gehlhaar; Piano, Aloys Kontarsky; Electric Viola, Johannes G. Fritsch. This is the opening of this long work, excerpted for this strange collection of greatest “hits” by Stockhausen (you had to be in 1970 to understand this). Kurzwellen is a piece where the musicians need to improvise and react to signals they receive on randomly tuned shortwave radios. This is from the Cologne recording made in the Rhenus studio in Godorf for the Cologne Radio (WDR, Westdeutscher Rundfunk Köln) on the 8th and 9th of April 1969 (53'30), which was record 2 of the original 2-record set. By the way, this ensemble also featured the Electronium Pi, made by Hohner beginning in 1952. It was a monophonic, electronic keyboard instrument and was an add-on instrument for the piano mounted under the keyboard, which is the model used by Stockhausen. His keyboardist, while Harald Bojé used the accordion-like model. 06:19 01:14:56 6.     The Music Improvisation Company, “Tuck” (1970) from The Music Improvisation Company. Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. 03:00 01:21:14 7.     David Tudor, “Rainforest IV” (1973) from Rainforest IV.  Composed in 1973 by David Tudor; performed by Composers Inside Electronics (David Tudor, Martin Kalve, Philip Edelstein, Ralph Jones, Bill Viola, John Driscoll). Recorded at the exhibition "Für Augen und Ohren - Von der Spieluhr zum akustischen (Environment (For eyes and ears - from the mechanical clock to the acoustic environment)" at the Akademie der Künste, Berlin, January 1980. 25:12 01:24:24 8.     Maryanne Amacher, “"Head Rhythm 1" And "Plaything 2" (1999) from Sound Characters (Making The Third Ear). Electroacoustic composer of sound installations, best known for her incorporation of otoacoustic emissions -- sounds that seem to be emanating from inside one's own head. This track plays with that concept and sets your brain up to experience itself, so to speak. 10:04 01:49:36 9.     Caroline Park, “Grain 5” (2011) from Grain. This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed by Caroline Park. 09:05 01:59:32 10.   Caterina Barbieri. “This Causes Consciousness To Fracture” (2017) from Patterns Of Consciousness.  Italian composer and musician from Bologna. This album was created using analog synthesis. Barbieri has said, “In Patterns of Consciousness I was interested in exploring the power of sound on our consciousness. I wanted to explore how a pattern creates a certain state of consciousness and how the gradual transformation of that pattern can affect that state of consciousness. I believe that sound is a tool for the exploration, reconfiguration and expansion of human perceptions.” I find this to be in a similar psychological vein as the Amacher work also heard in this episode. 22:44 02:08:36 11.   Sarah Davachi, “First Cadence” (2021) from Antiphonals. Composed, recorded, performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. 05:48 02:31:20 12.   Asha Tamirisa, “Live Performance,”(2023) at the Waterworks 2023: Festival of Experimental Sound. Laptop synthesis, snare drums, Asha Tamirisa. Soundtrack for a video recorded by Wenhua Shi & Nick Stevens, video editing by Nick Stevens, and audio recording and mixing, Matthew Azevedo. 25:10 02:37:02   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

David Singer is an internationally acclaimed musician whose performances include the White House for President Jimmy Carter and later for President Bill Clinton. He was a guest artist for many seasons with the Lincoln Center Chamber Music Society and performed chamber music concerts with Yehudi Menuhin, Yo-Yo Ma, Rudolf Serkin and members of the Guarneri and Emerson String Quartets. David Singer is an Emeritus co-Principal Clarinetist of the multi-Grammy Award-winning Orpheus Chamber Orchestra. His performances have been seen on the BBC and heard on Sirius XM. In this episode I ask how a young man fell in love with baseball, the beach, girls and a clarinet. On this journey I discover a rich life, all of which is laid out in his book from From Cab Driver to Carnegie Hall. David Singer https://singerclarinet.com/book/buy-t...

One of the biggest stars of the swing era, the jazz clarinetist, composer, and bandleader scored dozens of hit records and was an early proponent of what came to be called Third Stream music, the blending of jazz with classical sounds. 

Matt Crawford speaks with author David Singer about his book, From Cab Driver to Carnegie Hall. David and I talk about his eclectic careers and how he managed to end up playing Clarinet for two U.S Presidents; one the same day as he was driving a cab. Resilience and gratitude is the overarching message of this book and everyone can take something from this story.

Welcome to Part 1 of the tutoREal series on the Classification of Musical Instruments! In this video, we explore the European Cultural Classification system, which categorizes instruments based on traditional orchestral families: woodwind, brass, percussion, string, and keyboard instruments.

Born in 1928 in Manchester, Paul Johnson was a British Catholic who while at the helm of the New Statesman liked to boast that he had met every British prime minister from Churchill to Blair and every American president from Eisenhower to George W. Bush—the latter of whom awarded Paul Johnson with the Presidential Medal of Freedom in 2006. After publishing a fascinating, spanning history of Christianity, Paul Johnson grew ever more curious about Judaism, Christianity's elder brother in faith. That fascination led, in 1987, to the publication of his A History of the Jews, which until now is perhaps the best paced, best written single-volume history of the Jewish idea in English. It was sometimes quipped that it was given as a gift to half the bar mitzvahs in America. Paul Johnson died at the age of ninety-four in January 2023. Shortly after Johnson's death, the Jewish historian J.J. Kimche published an analysisA History of the Jews. Kimche provokes some very fascinating questions, including why this lifelong Catholic took such a sympathetic view and lively interest—theological, historical, social, cultural—in the Jews. What does such a non-Jew see in Jewish history, and what can we, as Jews, learn from his external perspective on our own past? Kimche joins Mosaic's editor Jonathan Silver to discuss these questions. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Donald Macleod colours in Bruch's life story and reveals the breadth of his output“Only true melody outlasts all changes and shifts of time” – so said this week's composer, Max Bruch, the creator of what may be the world's best-loved violin concerto. But Bruch would hate us to think of him as a one hit wonder. He even came to resent the very sound of his first Violin concerto, the only piece by which he's often remembered. This week, Donald Macleod colours in Bruch's life story and reveals the breadth of his output, including some of his lesser-heard music.Music Featured: Frühlingslied, Op 7 No 5 (arr. for violin and piano) Septet, Op Posth (3rd mvt, Scherzo) Klavierstücke, Op 12 (excerpt) Piano Trio, Op 5 Die Loreley Overture String Quartet No 2 in E major, Op 10 (1st mvt, Allegro maestoso) Swedish Dances (No 10, Frisch, nicht zu schnell) Musicaklang, Op 71 No 5 Symphony No 1 (5th mvt, Finale) Schön Ellen, Op 24 Violin Concerto No 1 in G minor 12 Scottish Folksongs (No 2, Johnie und Jenny) Songs, Op 49 No 4 – Serenade Piano Quintet in G minor (3rd & 4th mvts) Gruss an die Heilige Nacht (Greeting to the Holy Night) Kol Nidrei Scottish Fantasy for violin and orchestra (4th mvt, Allegro guerriero) 8 Pieces for Clarinet, viola and piano, Op 83 No 2 In der Nacht, Op 72 4 Pieces, Op 70 (No 1, Aria) Concerto for Two Pianos (4th mvt) Double Concerto for clarinet and viola Sommerlust im Walde, Op 71 No 1 String Quartet No 1 (3rd mvt) Das Lied von der Glocke (final movements) Odysseus Prelude In Memoriam, Op 65Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Max Bruch (1839-1920) https://www.bbc.co.uk/programmes/m002br0dAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐： 1.Xeuphoria - But You're Already Gone；2.John Lenehan - Dolce Droga；3.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；4.V.A. - ロマンス ト長調；5.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 19 in E Minor, Op. 72, No. 1。

A Clarinet of fortune blows, as Lizzie checks in from Spain and Ned prepares to bid farewell to Tirana.BIKMO ARE THE BEST! SERIOUSLY! Hosted on Acast. See acast.com/privacy for more information.

On May 4, 2025, a ballistic missile traveling up to sixteen times faster than the speed of sound struck ground close to the terminal at Ben-Gurion airport, halting flight traffic and leaving a crater at the point of impact. It was the first time that the airport buildings themselves have been so close to a successful missile attack. This particular missile was fired from a distance of 1,300 miles, from Yemen, the Arab nation situated to the south of Saudi Arabia, whose coastline opens up to the Red Sea, the Gulf of Aden, and the crucial Bab al-Mandab Straight, a narrow chokepoint in global shipping that allows ships to travel from India and points east through the Suez Canal and into the Mediterranean. The missile was shot by the Houthis, a Shiite Islamist organization that is supported by, and operates in coordination with, Iran and its Islamic Revolutionary Guard Corps. They have been firing rockets at Israel for many months. Back in July 2024, they successfully struck an apartment building near the U.S. embassy's Tel Avi branch. And since October 2023, they have been targeting commercial naval craft in the Red Sea. Since March 2025, the United States has been conducting a campaign of air and naval strikes against the Houthis. But after the Ben-Gurion airport attack of May 4, the Israelis took matters into their own hands. On May 5, some 30 Israeli military aircraft attacked targets in Houthi-controlled Yemen, including the al-Imran cement factory and the Hodeidah port. On May 6, the Israelis destroyed the airport in Sana'a. This week, we focus on the Houthis, their place in Yemen, their relationship to Iran, and the threats they pose towards global shipping and Israel. Discussing these topics with us is Ari Heistein, who works in business development in Israel, is a close intellectual collaborator with the former Israeli chief of defense intelligence Amos Yadlin, and until recently served as chief of staff at Israel's Institute for National Security Studies. This podcast was recorded on Tuesday morning, May 6, 2025. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

The second of two episodes featuring Marie Ross, Senior Lecturer of Music at The University of Auckland!

Can Falk bring down an accounting firm with ties to organized crime? Can math lead to redemption? What's the Croatian equivalent of “bada boom, bada bing”? Listen to find out!No Accounting for Taste, episode 129 of This Gun in My Hand, was put in the red and written off by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Sisyphus, Eat Your Heart Out, available in paperback and ebook from Amazon. How do I move data from temporary accounts on an income statement to permanent accounts on a balance sheet? With This Gun in My Hand!Show Notes:1. The absurd street names and Mr. Bellechek's convoluted plan were inspired by/in homage to/ripped off from the public domain January 31, 1949 episode of Lux Radio Theatre titled “The Street With No Name.” A section of dialog with the boss and mugs repeating his plan were taken almost verbatim from there.https://archive.org/details/OTRR_Lux_Radio_Theatre_Season_15_Singles/Lux_Radio_Theatre_49-01-31_643_Street_with_No_Name.mp32. I have no opinion about the efficacy or personality of any sport team manager ever and intend no satirical commentary on them in this story. It's up to consumers of stories how to interpret them anyway. Don't get me started on “The Death of the Author” theory because I will go off. The audio and text of This Gun in My Hand are works of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places and events are products of the author's imagination, and any resemblance to actual events or places or persons or organized crime families, living or dead, is entirely coincidental. No managers were harmed in the making of this story.3. Most of the absurd street names are taken from titles of actual noir films or old songs.4. Here's the wikipedia entry on the Five Families who run the Mafia in NYC.https://en.wikipedia.org/wiki/Five_FamiliesCredits:The opening music clip was from The Sun Sets at Dawn (1950), and the closing music was from Killer Bait (1949), both films in the public domain. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Music Title (background for commercial): Clarinet SquawkComposed by Anton Lada, Yellow Nuņez and Joe CawleyPerformed by Louisiana FiveRecorded 12 September 1919, Edison 50609-RLicense: Public Domainhttps://freemusicarchive.org/music/Louisiana_Five/Edison_Blue_Amberol_3896/Clarinet_squawk/ Sound Effect Title: HARP GLISSANDO DOWN.WAVLicense: Public Domainhttps://freesound.org/people/olver/sounds/505064/Sound Effect Title: 38 Caliber Gun Shot 5xRecorded by Mike KoenigLicense: Creative Commons Attribution 3.0http://soundbible.com/375-38-Caliber-Gun-Shot-5x.htmlThe image accompanying this episode is a modified detail of the paperback cover of Down and Out by Les Masters, painted by Victor Olson, thought to be public domain.Image Alt text: Painting of a man in blue suit, white shirt, light blue striped tie, seated behind a desk. He's smiling slightly with his elbows on the desktop, his hands together in front of him with a lit cigarette. He has dark hair. The desk has a pencil cup and only one paper on it. Beside him is a sliver of window with a view of the nighttime cityscape and a vertical sign just outside the window that reads “ACCOUNT”. Presumably the rest of the word is cut off. Caption in upper right reads “NO ACCOUNTING FOR TASTE.”

President Trump and his team came into the White House determined to reverse the course of American foreign policy. Most every president does. It's what President Obama wished to do vis-à-vis President Bush, President Trump vis-à-vis President Obama, and President Biden vis-à-vis President Trump. Where Biden was for, Trump would be against; where Biden was left, Trump would be right; where Biden was blue; Trump would be red. Every question of foreign policy with any relevance whatsoever to the cut and thrust of domestic American politics would henceforth be set in the opposite direction. In the Middle East, President Trump thought that his predecessor was too acquiescent to Iran, too squeamish about empowering the Israelis to protect themselves, and too untroubled by Houthi attacks. For President Trump and many of his supporters, the quintessential act of the Biden administration was the withdrawal from Afghanistan in the fall of 2021—a symbol of American weakness, incompetence, fecklessness, and delusion. With the start of his second term as president, Donald Trump set about restoring the maximum-pressure campaign on Iran. He confronted—with aggressive military force—the Houthis. He restored the American supply of materiel to Israel. And yet, these decisions do not tell the whole story of the Trump administration's conduct of American foreign policy during its first hundred days. The foreign-policy record, the disorder, the personnel, and some possible future steps of the administration seem confused. To bring forth some clarity from this confusion, and to shed light on the murky picture of the Trump administration's approach to the Middle East, Michael Doran joins this week's podcast. Doran is a senior fellow at the Hudson Institute, contributor to Mosaic, Tablet, the Wall Street Journal, and the Free Press, and the co-host, with Gadi Taub, of a new podcast called Israel Update. This conversation was recorded live for an audience of members of the Tikvah Society. If you'd like to learn more about supporting our work, and joining the Tikvah Society, please visit Tikvah.org/Society. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Ross Tucker thinks it's ridiculous the Steelers are waiting for Aaron Rodgers. Ross doesn't think Rodgers really wants to play, but Rodgers wants to stay relevant. What do we think of Rodgers and his plan? Joe still is fascinated by Austin playing the clarinet.

Hour 2 with Joe Starkey: Ray thinks the wide receiver and cornerback draft wasn't all that deep in the draft and why the Steelers went to Metcalf and Slay. Ray and Austin think the QB room will be slightly improved than last season. Ross Tucker thinks it's ridiculous the Steelers are waiting for Aaron Rodgers

The voters are undecided, Lorna Palethorpe is unclear, Peregrine Haste is unable to comment, and Tony gets a guilt trip from his chiropractor. Monthly support | One-off support Merch Store | Official Website

This year marks the one hundred and fiftieth anniversary of Maurice Ravel's birth. So we have been hearing a lot of him. Jay plays two pieces by him—two of his best, and most typical. There are also Spanish songs, by Obradors and Rodrigo. Some Schumann, some Vaughan Williams, and so on. Plus several stories—personal ones. An enriching, smile-making program. Obradors, “Del cabello más sutil” Rodrigo, “De ronda” Bernstein, Sonata for Clarinet and Piano Beethoven, “Leonore” Overture No. 3 Vaughan Williams, “Linden Lea” Ravel, “Pavane for a Dead Princess” Schumann, Sonata in D minor for Piano and Violin Handel, “Son nata a lagrimar,” from “Giulio Cesare” Ravel, “The Fairy Garden” from the “Mother Goose” Suite

The Catholic cardinal Jorge Mario Bergolio ascended to the papacy in 2013. In honor of Saint Francis of Assisi, he chose as his papal name Francis. For a dozen years he was the head of the Catholic Church and a major figure in the moral and cultural life of the West. After a prolonged illness, Pope Francis died on April 21 of this year. There are over 1.4 billion Catholics in the world, and they play a significant role in the production of Western culture and Western opinion. The foundational structures of Europe are derivative of, or inseparably woven into, the history of the Catholic Church. And whether the pope strengthens or undermines the moral confidence of Western nations matters: it mattered during the papacy of John Paul II during the cold war; it mattered in the confrontation with jihadist terror during the papacy of Benedict XVI; and it cannot but be a factor in the horizons of Western civilization. This podcast focuses on a particular dimension of the late Pope Francis's legacy, namely, how he engaged the Jewish people, Israel, and the Middle East. To discuss the legacy of Pope Francis, the Church's engagement in the Middle East, and who might be the next Catholic pope, Mosaic's editor Jonathan Silver sat down with Father Benedict Kiely. Kiely was born in London, ordained a Catholic priest in Canterbury, and has spent most of his ministry in the United States. In 2014, he founded Nasarean.org, a charity that supports persecuted Christians around the world, and especially in Iraq, Syria, and Lebanon. One of his aims is to see the church grow closer to its Middle Eastern roots, and that means, in some grand spiritual way, closer too to its Jewish roots. For Catholics, the question of the Church's attitude toward Zionism and Israel is not perhaps among the most pressing of ecclesiastical priorities. One would not expect it to weigh heavily on the Vatican's conclave in the election of the next pope. This conversation thus takes the perspective of an outsider. Moreover, there are very deep theological matters that will always divide the Catholic Church from the Jewish people. And some of those very deep theological matters also shape the way that Catholics tend to think about Zionism and the modern state of Israel. The Jewish people are animated by a belief in covenantal chosenness, and a sense of sacred obligation to uphold God's ways in their actions, in their families, and in their nation. That obligation is structured by tradition and law, and it is expressed nationally in the people of Israel, which, after a long hiatus in exile, again has a sovereign state in the land of its fathers. For Catholics, of course, the Church is the new Israel, and despite very welcome and laudable developments since the promulgation of Nostra Aetate in 1965, that is an unbridgeable theological chasm. Nonetheless, friendship between Christians and Jews is essential to revitalizing our shared civilization and passing it on to future generations. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

If it weren't for Mozart, would we be sitting here talking about the clarinet? We'll tackle this question and more in the first of two episodes featuring Marie Ross, Senior Lecturer of Music at The University of Auckland!

In this inspiring episode of REJUVENAGING with Dr. Ron Kaiser, world-renowned clarinetist David Singer shares the extraordinary highs and humble beginnings of his life and career. From overcoming an abusive childhood and working odd jobs—including driving a cab in New York City—to performing for President Jimmy Carter at the White House and earning a Grammy with the Orpheus Chamber Orchestra, David's story is a powerful testament to perseverance, passion, and purpose.David reflects on pivotal moments in his life—from his childhood crush that introduced him to the clarinet, to his magical year studying in Vienna, and the struggles of trying to make it in the competitive world of classical music without compromising his individuality. Despite setbacks, he chose an unconventional route, building a celebrated career through unique collaborations and by impacting others through music education.Listeners will walk away with timeless life lessons: follow your passion, take small daily steps toward your goals, and never give up. David's book From Cab Driver to Carnegie Hall captures this journey in rich detail, offering humor, history, and hope. This conversation is not just for music lovers, but for anyone striving to live with enthusiasm and make a meaningful impact.More info on David:https://singerclarinet.com/https://www.amazon.com/Cab-Driver-Carnegie-Hall/dp/B0D6THBZGK/ref=sr_1_1?crid=1DPA5VCH17YVC&dib=eyJ2IjoiMSJ9.27Fyjaoak3ON0nmB2MbIYw.pFeHtK8rd6EiY6_az2jQsQ9-vPybbAiHJqI3Tb89Nyo&dib_tag=se&keywords=from+cab+driver+to+carnegie+hall&qid=1719257751&sprefix=from+cab%2Caps%2C393&sr=8-1&ccs_id=9981d16b-4d98-4d03-b6c4-1e6a592e7c1chttps://www.barnesandnoble.com/w/from-cab-driver-to-carnegie-hall-david-singer/1145768669?ean=9798822935211 Hosted on Acast. See acast.com/privacy for more information.

Episode 167 Chapter 27, Computer Music (1971–2014). Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 27, Computer Music (1971–2014) from my book Electronic and Experimental music.   Playlist: EARLY MUSIC FROM MICROPROCESSORS   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     David Behrman, “Figure in a Clearing” (1977). KIM- 1 computer- controlled harmonic changes for 33 electronic generators and accompanying cello. 19:10 01:40 2.     Dorothy Siegel, “Rondo from Sonata in B flat for Clarinet and Piano” (by Wanhal) (1979). Realized using an Altair S- 100 microcomputer. 03:53 20:52 3.     Larry Fast, “Artificial Intelligence” (1980). Music generated by a microcomputer self- composing program. 10:46 24:44 4.     Laurie Spiegel, “A Harmonic Algorithm” (1981). Created on an Apple II computer with Mountain Hardware oscillator boards. 03:05 35:30 5.     Nicolas Collins, “Little Spiders” (1982). For two microcomputers equipped with gestural sensing programs, that generated sounds based on analysis of keystrokes. 04:46 38:30 6.     Gordon Mumma, “Than Particle” (1985). For computer percussion and a percussionist. 10:16 43:30 7.     Morton Subotnick, “And the Butterflies Begin to Sing” (1988). For string quartet, bass, MIDI keyboard, and microcomputer. 06:38 53:50 8.     John Bischoff, Mark Trayle, Tim Perkis, “Dovetail” (1989). Three microcomputer programs interact and respond to each other in real time. 05:04 01:00:30 9.     Tim Perkis, “Wax Lips” (1992). Performed by The Hub, an electronic music ensemble networked by a Microcomputer. 04:37 01:05:32 10.   Jin Hi Kim, “Digital Buddha” (2014), recorded live at the Metropolitan Museum of Art.  Electric komungo, Jin Hi Kim; percussion, Gerry Hemingway; MAX/MSP programming, Alex Noyes. The world's first electric komungo that his equipped with MIDI and controlled using MAX. The komungo is a traditional 6-string instrument from Korea. 12:33 01:10:08   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Driven by the cause of the development and showcasing of uniquely Canadian Jazz compositions, the Canadian Jazz Collective features a dozen JUNO Awards across the group – and another nomination for their 2023 album SEPTOLOGY. This performance is the first US appearance from the full collective and it features Kirk MacDonald on Saxophone, Derrick Gardner on Trumpet, Virginia MacDonald on Clarinet, Lorne Lofsky on Guitar, Brian Dickinson on Piano, Neil Swainson on Bass and Bernard Reiter on Drums. From a March 22nd, 2024 performance, it's the American debut of the Canadian Jazz Collective – Live at the Bop Stop.

David had a freak accident and was pulled under the wheels of a speeding train. In the hospital afterwards, he had my amazing near-death experience (NDE). The NDE changed everything for him and inspired him to reach a level of musical and artistic creativity that he had never been capable of achieving before. At first, he felt compelled to produce paintings of what he'd seen in the Afterlife and then he felt moved to compose classical music, even though he'd never received any training in classical music and never composed such music before his NDE (in fact, to this day, he still cannot read or write a single note of music at all).His debut symphony, The Divine Light, was inspired by his NDE and he was lucky enough to have it premiered at a sell-out performance. Since then, he has composed a follow-up symphony, 'The Falcon', which was also premiered at a sell-out concert, as was his Cambridge Clarinet Choir commissioned piece 'Awake', conducted by renowned Clarinet player Andrew Webster. He is currently composing a new symphony entitled 'I Wasn't Expecting This'. He came back from the Afterlife charged with an incredible energy, a burning desire to tell everyone there is nothing to fear after death, life continues on. Before his NDE, his life had been completely ruled by guilt and lack of self-worth. But his NDE gave him the self-love and confidence to go and try whatever he wanted to do in life and that's a wonderful feeling and he wants everyone to feel that way.Across thousands of years, people have described one of the most astonishing of all human phenomena: the near-death experience (NDE), the subjective experience of an Afterlife, a place where we apparently survive death. The more powerful the NDE, the more profound the after effects. The ambitious reset their priorities. Atheists change their values. Doctors rethink their beliefs. But what if the after effects of an NDE were undeniable? What if someone suddenly developed the ability to produce high quality paintings of their NDE, a new-found skill that went far beyond the artistic ability they had before? And what if that same person then suddenly acquired the ability to compose classical symphonies after their NDE? And their symphonies were then premiered at sell out orchestral concerts, even though, to this day, they are unable to read or write a single note of musical notation. Wouldn't this be proof that even a cynic would have a hard time explaining? After his NDE, this is exactly what happened to David. And this is his story.https://www.amazon.com/dp/B088TF4RPW/https://www.shineonthestory.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlifeMy book 'Verified Near Death Experiences' https://www.amazon.com/dp/B0DXKRGDFP

There are two opportunities to watch the string quartet perform pieces from many decades featuring the clarinet.

Episode 375 Dante Villagomez: Pocket Piano, Percussion, Flutes, Clarinet, and Effects Night at Sea is an avant-garde music podcast aiming to shift the mind towards a meditative state. Collaborating with Pittsburgh and Denver musicians, Spices Peculiar presents a weekly improvised instrumental deep listening journey. Turn On, Tune In, Drop Out Produced by Dante Villagomez New episode uploaded every Tuesday @ 9 P.M. Eastern Explore the full array of music, videos, and art at www.spicespeculiar.com/ spicespeculiar.bandcamp.com/ Instagram: @spicespeculiar -true wisdom is only heard in silent darkness

Featuring:Jimmy Lyons/"Premonitions"/Other Afternoons/1969Mary Lou Williams/"Corny Rhythm"/Jazz Pioneers Comp/1936Duke Jordan/"Dexterity"/East and West of Jazz/1962Oliver Nelson/"Ostinado"/Meet Oliver Nelson/1959Henry Red Allen/"Everybody Shout"/With Luis Nelson Vol 3/1930Richard Groove Holems/"Blues For Yna Yna"/Living Soul/1966Ma Rainey/"Honey, Where You Been So Long"/Broken Hearted Blues/1923Red Garland/"Solar"/Crossings/1978Tad Dameron/"Tiny's Blues"/Tad Dameron Band/1948Nat Adderley/"Ann Springs"/That's Nat/1955Jimmy Giuffre/"Clarinet"/Quiet Song/1976Ted Curson/"Kassim"/Tears For Dolphy/1964

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

durée : 00:13:38 - Contemporary Clarinet Concertos : Orchestre Philharmonique Royal de Liège - C'est l'oeuvre d'un « classique » du XXe siècle, le Kammerkonzert pour clarinette, quatuor à cordes et orchestre à cordes de Karl Amadeus Hartmann (1930) que Jean-Luc Votano, clarinette solo de l'Orchestre Philharmonique Royal de Liège, enregistre avec deux compositions du XXIe siècle.

New York City in the 1970s and 1980s was, to put it lightly, not a very safe or nice place to live. Drugs, crime, and public-sector mismanagement made it dangerous and unpleasant, and even the very wealthy were not entirely immune from the disorder. In the 1990s and early 2000s, the city rebounded in an incredible way, and a great deal of that civic revitalization found its roots in the policy research of a small think tank focused on urban affairs, the Manhattan Institute. Utilizing new approaches to law enforcement and other governance matters that scholars at the Manhattan Institute incubated, Mayors Rudy Giuliani and Mike Bloomberg restored and improved New York. Then came a wave of politicians in city hall and in Albany who forgot the hard-won lessons of the 90s revival, and the city in the last fifteen or so years has experienced a resurgence of crime, drug abuse, untreated mental illness, homelessness, and violence, along with the tell-tale signs of urban decay and disorder. In all of this, as ever, the Jewish community of New York served as the canary in the coal mine, and a spate of anti-Semitic violence preceded and then coincided with the general unraveling. To discuss how this breakdown of order can be halted and reversed, Mosaic's editor Jonathan Silver is joined by the irrepressible policy entrepreneur and conservative visionary, the fifth president of the Manhattan Institute, Reihan Salam. Together they address the civic health of New York, the most Jewish city in America; what it takes to re-moralize the culture; what urban conservatism is; and why Salam believes that the work he and his colleagues are doing at the Manhattan Institute could lay the groundwork for New York's next come back. This conversation was recorded live in Manhattan, in front of an intimate audience of members of the Tikvah Society, so you may hear sirens and street sounds—the soundtrack of New York. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

DARK MYSTERIES Tuesday and Friday at 2am CET - Wednesday and Friday at 1pm CET (podcast on Sundays). This program is hosted by Madeleine d'Este. This week, Madeleine talks about the book "Mr Clarinet" by Nick Stone.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On February 8, 2025, three hostages ascended from the dungeons of Hamas and returned to freedom in Israel: Eli Sharabi, age fifty-two; Or Levy, age thirty-four; and Ohad Ben Ami, age fifty-six. They had been held captive for sixteen months. When the three men were first seen, and their images instantly projected onto social media and news sites and television sets across the world, many viewers had a similar reaction. They were so gaunt, so emaciated, so frail, that they reminded Israeli government ministers, news analysts, even the president of the United States, of Holocaust survivors. Survivors of the Nazi war against the Jews were, upon their liberation in 1945, indeed often starved and skeletal, and when we think of the women and men who endured the miserable slavery of the concentration camps, we think of their suffering. There are vanishingly few survivors of the Shoah still alive with us now some 80 years after the camps were liberated. And of course we who are their children and grandchildren and great-grandchildren have an obligation to redeem their suffering with life, with holiness, and with strength. Even so, alongside and among the suffering victims, the prisoners, the Jews who were oppressed by the Nazis and their collaborators, there were countless examples of Jewish resistance, of Jewish heroism and courage that tell a very different story about the Shoah. Today's podcast traces the life and defiant wartime story of Joseph Scheinmann, born in Munich in 1915, who fled with his family to France in 1933, where he was assigned a new identity and a new name. From that moment on, Joseph—now Andre—would work to undermine, sabotage, subvert, surveil, and debilitate the Nazis. Andre, the name he kept even after the war, the name he used to build a life in America, is the grandfather of Gabriel Scheinmann, a foreign-policy analyst and the executive director of the Alexander Hamilton Society. He joins the podcast alongside Diana Mara Henry, the author of a new book about Gabriel's grandfather, I am Andre: German Jew, French Resistance Fighter, British Spy, based on Andre's own recollections and memoir. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

This week over Zoom, Suzi and Maisie chat all things FA Cup and Subway League Cup, Women's football themed games and Suzi's got YET ANOTHER new shirt in anticipation of the North London Derby this weekend. For questions or comments, please email us @ bigkickpod@gmail.com   Follow us @ https://www.instagram.com/bigkickenergypod/   Check out our new Patreon page @ https://www.patreon.com/BigKickEnergy   Enter your Fantasy League team @ https://www.fantasywsl.net/ using the league code BIGKICKLEAGUE   A Vibrant Production.  For sales, advertising and general enquiries: HELLO@VIBRANTTELEVISION.COM Learn more about your ad choices. Visit podcastchoices.com/adchoices

9am- Gen Wars, Omar's Clarinet and MORE full 1603 Fri, 07 Feb 2025 18:13:13 +0000 VdUrVTgHnDPtpHjvdShZz2zUO1sUpB1G society & culture Klein/Ally Show: The Podcast society & culture 9am- Gen Wars, Omar's Clarinet and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=http

9am- Ally's 5 Reasons, Omar's Clarinet and MORE full 1280 Mon, 03 Feb 2025 18:14:43 +0000 ScZFaIdJ8SEn15SyzcftPqWDWa5nYEuN society & culture Klein/Ally Show: The Podcast society & culture 9am- Ally's 5 Reasons, Omar's Clarinet and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-l

8am- Tom Morello, Omar's Clarinet and MORE full 1585 Thu, 30 Jan 2025 17:49:50 +0000 miobA3GQo7APev7Z4Cq3YkEBnOED2enX society & culture Klein/Ally Show: The Podcast society & culture 8am- Tom Morello, Omar's Clarinet and MORE Klein: This east coast transplant, has built and hosted successful morning radio shows on both coasts. He has also written jokes for Comedy Central Roasts and Howard Stern. His biggest claim to fame, however, was when he was born eight minutes after midnight on January 1st and named ‘Baby New Year.' Ally: Sketch comedian, voice-over artist, and comedy writer. Ally has co-hosted radio shows in San Francisco and Los Angeles and had her voice featured in numerous commercials, cartoons, and video games. DJ OMAR KAHN: Audio specialist and ‘self-made millionaire.' Omar spent years as part of the Hall of Fame Kevin & Bean Show. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=h

Today, the Spotlight shines On clarinetist Anat Cohen.Anat's been bringing her joyful spirit to jazz venues worldwide for two decades, blending swing, Brazilian rhythms, and melodies from her native Israel. Her 2024 album Bloom pairs her musical warmth with that of her quartet Quartetinho - Portuguese for "little quartet" - creating intimate conversations between clarinet, piano, bass, and percussion.Anat will mark her 50th birthday this spring with four special nights at Lincoln Center's Appel Room, sharing the stage with her equally talented brothers, Avishai and Yuval Cohen.Today, we'll hear about Anat's musical journey, from family jam sessions in Tel Aviv to becoming the first Israeli artist to headline the Village Vanguard and plenty of stories in between.(The musical excerpts heard in the interview are from Anat Cohen's album with Quartetinho, Bloom)–Dig DeeperVisit Anat Cohen at anatcohen.comPurchase Anat Cohen and Quartetinho's Bloom from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Anat Cohen on Instagram, Facebook, and YouTubeAnat Cohen: Journeys A 50th Birthday CelebrationAnat Cohen: 'Clarinetwork' At The VanguardAnat Cohen Quartetinho - Live from Jazz St. LouisDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

CLIP- Omar's Clarinet full 532 Wed, 29 Jan 2025 16:48:31 +0000 ksqbfRKGxz8ISP6sXHqjp8vsK9g6Tcj4 society & culture Klein/Ally Show: The Podcast society & culture CLIP- Omar's Clarinet Klein: This east coast transplant, has built and hosted successful morning radio shows on both coasts. He has also written jokes for Comedy Central Roasts and Howard Stern. His biggest claim to fame, however, was when he was born eight minutes after midnight on January 1st and named ‘Baby New Year.' Ally: Sketch comedian, voice-over artist, and comedy writer. Ally has co-hosted radio shows in San Francisco and Los Angeles and had her voice featured in numerous commercials, cartoons, and video games. DJ OMAR KAHN: Audio specialist and ‘self-made millionaire.' Omar spent years as part of the Hall of Fame Kevin & Bean Show. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.ampe

7am- Petty Claims Court, Omar's Clarinet and MORE full 2006 Wed, 29 Jan 2025 17:05:13 +0000 h0KBjqcrYNQRcgzdBkEQpo3Y9zWx92Wp society & culture Klein/Ally Show: The Podcast society & culture 7am- Petty Claims Court, Omar's Clarinet and MORE Klein: This east coast transplant, has built and hosted successful morning radio shows on both coasts. He has also written jokes for Comedy Central Roasts and Howard Stern. His biggest claim to fame, however, was when he was born eight minutes after midnight on January 1st and named ‘Baby New Year.' Ally: Sketch comedian, voice-over artist, and comedy writer. Ally has co-hosted radio shows in San Francisco and Los Angeles and had her voice featured in numerous commercials, cartoons, and video games. DJ OMAR KAHN: Audio specialist and ‘self-made millionaire.' Omar spent years as part of the Hall of Fame Kevin & Bean Show. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed

Plans of emerged on how we can travel to the nearest star system in just 20 to 40 years, and we look at what a good night's sleep can do for your mind. Plus, on This Day in History, the wind instrument family gets a bit larger with the addition of the clarinet. Scientists Have a Radical Plan to Travel to the Nearest Star System Within a Human Lifetime | Popular Mechanics Revolutionary Plan to Reach Nearest Star System in Our Lifetime! - Jurnal Time Physicists Unveil Radical Plan to Send a Probe Into Interstellar Space : ScienceAlert A Deep Sleep Clears the Mind at Night Like a Dishwasher Cleaning–But Beware of Sleeping Pills | Good News Network Johann Denner | Inventor of The Clarinet | All Things Denner A Brief History of the Clarinet Contact the show - coolstuffcommute@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Over 33,000 undergraduates are enrolled at the University of California, Los Angeles, known universally by its acronym, UCLA. It's one of the most competitive schools in the country, accepting less than 9 percent of its applicants. Among the current undergraduate student body, Hillel International estimates that there are about 2,500 Jewish students. The story of informal discrimination against Jewish students on prestigious campuses is, by now, a sad and familiar story. And in fact, that story is not foreign to Jewish students at UCLA. Worse still, an undergraduate Jewish leader on campus, Bella Brannon, has recently filed a motion with the student government alleging not informal, social discrimination, but formal employment discrimination against Jewish students. Here some background is necessary. UCLA has an active student government: the Undergraduate Students Association Council, known by its acronym, USAC. USAC is organized in various offices and commissions, one of which is the Cultural Affairs Commission, or CAC. According to CAC's website, it is “meant to ignite conversation regarding current events” and “facilitate exhibitions of creativity.” It supports dance, art, music, culinary festivals, poetry readings, and tours of culturally significant areas of Los Angeles. An elected member of the student body is charged with administering each of these commissions, and receives from the university a modest honorarium or payment of some kind for that service as well as a budget to hire fellow students to manage the commission's many programs. Because UCLA is a public university, a good deal of that money comes from California taxpayers. Brannon's motion claims that the current CAC commissioner has made explicit a policy to disqualify Jewish students, described as Zionists, from employment at the commission. Her motion was recently described in an article in UCLA's Jewish newspaper, Ha'Am, by the undergraduate writer Benjie Katz. This week, these two students, Bella Brannon and Benjie Katz—who are both leaders of the campus Tikvah chapter—join Mosaic's editor Jonathan Silver to discuss their experiences. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.