Podcasts about Clarinet

Driven by the cause of the development and showcasing of uniquely Canadian Jazz compositions, the Canadian Jazz Collective features a dozen JUNO Awards across the group – and another nomination for their 2023 album SEPTOLOGY. This performance is the first US appearance from the full collective and it features Kirk MacDonald on Saxophone, Derrick Gardner on Trumpet, Virginia MacDonald on Clarinet, Lorne Lofsky on Guitar, Brian Dickinson on Piano, Neil Swainson on Bass and Bernard Reiter on Drums. From a March 22nd, 2024 performance, it's the American debut of the Canadian Jazz Collective – Live at the Bop Stop.

David had a freak accident and was pulled under the wheels of a speeding train. In the hospital afterwards, he had my amazing near-death experience (NDE). The NDE changed everything for him and inspired him to reach a level of musical and artistic creativity that he had never been capable of achieving before. At first, he felt compelled to produce paintings of what he'd seen in the Afterlife and then he felt moved to compose classical music, even though he'd never received any training in classical music and never composed such music before his NDE (in fact, to this day, he still cannot read or write a single note of music at all).His debut symphony, The Divine Light, was inspired by his NDE and he was lucky enough to have it premiered at a sell-out performance. Since then, he has composed a follow-up symphony, 'The Falcon', which was also premiered at a sell-out concert, as was his Cambridge Clarinet Choir commissioned piece 'Awake', conducted by renowned Clarinet player Andrew Webster. He is currently composing a new symphony entitled 'I Wasn't Expecting This'. He came back from the Afterlife charged with an incredible energy, a burning desire to tell everyone there is nothing to fear after death, life continues on. Before his NDE, his life had been completely ruled by guilt and lack of self-worth. But his NDE gave him the self-love and confidence to go and try whatever he wanted to do in life and that's a wonderful feeling and he wants everyone to feel that way.Across thousands of years, people have described one of the most astonishing of all human phenomena: the near-death experience (NDE), the subjective experience of an Afterlife, a place where we apparently survive death. The more powerful the NDE, the more profound the after effects. The ambitious reset their priorities. Atheists change their values. Doctors rethink their beliefs. But what if the after effects of an NDE were undeniable? What if someone suddenly developed the ability to produce high quality paintings of their NDE, a new-found skill that went far beyond the artistic ability they had before? And what if that same person then suddenly acquired the ability to compose classical symphonies after their NDE? And their symphonies were then premiered at sell out orchestral concerts, even though, to this day, they are unable to read or write a single note of musical notation. Wouldn't this be proof that even a cynic would have a hard time explaining? After his NDE, this is exactly what happened to David. And this is his story.https://www.amazon.com/dp/B088TF4RPW/https://www.shineonthestory.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlifeMy book 'Verified Near Death Experiences' https://www.amazon.com/dp/B0DXKRGDFP

There are two opportunities to watch the string quartet perform pieces from many decades featuring the clarinet.

Episode 375 Dante Villagomez: Pocket Piano, Percussion, Flutes, Clarinet, and Effects Night at Sea is an avant-garde music podcast aiming to shift the mind towards a meditative state. Collaborating with Pittsburgh and Denver musicians, Spices Peculiar presents a weekly improvised instrumental deep listening journey. Turn On, Tune In, Drop Out Produced by Dante Villagomez New episode uploaded every Tuesday @ 9 P.M. Eastern Explore the full array of music, videos, and art at www.spicespeculiar.com/ spicespeculiar.bandcamp.com/ Instagram: @spicespeculiar -true wisdom is only heard in silent darkness

Featuring:Jimmy Lyons/"Premonitions"/Other Afternoons/1969Mary Lou Williams/"Corny Rhythm"/Jazz Pioneers Comp/1936Duke Jordan/"Dexterity"/East and West of Jazz/1962Oliver Nelson/"Ostinado"/Meet Oliver Nelson/1959Henry Red Allen/"Everybody Shout"/With Luis Nelson Vol 3/1930Richard Groove Holems/"Blues For Yna Yna"/Living Soul/1966Ma Rainey/"Honey, Where You Been So Long"/Broken Hearted Blues/1923Red Garland/"Solar"/Crossings/1978Tad Dameron/"Tiny's Blues"/Tad Dameron Band/1948Nat Adderley/"Ann Springs"/That's Nat/1955Jimmy Giuffre/"Clarinet"/Quiet Song/1976Ted Curson/"Kassim"/Tears For Dolphy/1964

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Comedians Mark Bailey and Mike Miller talk funny about the nerdiest instrument in school bands to play, the saxophone trap, Mark's school band stories courtesy of Mr. Buda, how to be first string clarinet without being in the first string, and remembering Steve Allen and Frank Zappa. Brought to you by Nagoyaradio.com, Nagoyacomedy.com, and stand up comic Mark Bailey.

durée : 00:13:38 - Contemporary Clarinet Concertos : Orchestre Philharmonique Royal de Liège - C'est l'oeuvre d'un « classique » du XXe siècle, le Kammerkonzert pour clarinette, quatuor à cordes et orchestre à cordes de Karl Amadeus Hartmann (1930) que Jean-Luc Votano, clarinette solo de l'Orchestre Philharmonique Royal de Liège, enregistre avec deux compositions du XXIe siècle.

durée : 00:13:38 - Contemporary Clarinet Concertos : Orchestre Philharmonique Royal de Liège - C'est l'oeuvre d'un « classique » du XXe siècle, le Kammerkonzert pour clarinette, quatuor à cordes et orchestre à cordes de Karl Amadeus Hartmann (1930) que Jean-Luc Votano, clarinette solo de l'Orchestre Philharmonique Royal de Liège, enregistre avec deux compositions du XXIe siècle.

durée : 00:13:38 - Contemporary Clarinet Concertos : Orchestre Philharmonique Royal de Liège - C'est l'oeuvre d'un « classique » du XXe siècle, le Kammerkonzert pour clarinette, quatuor à cordes et orchestre à cordes de Karl Amadeus Hartmann (1930) que Jean-Luc Votano, clarinette solo de l'Orchestre Philharmonique Royal de Liège, enregistre avec deux compositions du XXIe siècle.

New York City in the 1970s and 1980s was, to put it lightly, not a very safe or nice place to live. Drugs, crime, and public-sector mismanagement made it dangerous and unpleasant, and even the very wealthy were not entirely immune from the disorder. In the 1990s and early 2000s, the city rebounded in an incredible way, and a great deal of that civic revitalization found its roots in the policy research of a small think tank focused on urban affairs, the Manhattan Institute. Utilizing new approaches to law enforcement and other governance matters that scholars at the Manhattan Institute incubated, Mayors Rudy Giuliani and Mike Bloomberg restored and improved New York. Then came a wave of politicians in city hall and in Albany who forgot the hard-won lessons of the 90s revival, and the city in the last fifteen or so years has experienced a resurgence of crime, drug abuse, untreated mental illness, homelessness, and violence, along with the tell-tale signs of urban decay and disorder. In all of this, as ever, the Jewish community of New York served as the canary in the coal mine, and a spate of anti-Semitic violence preceded and then coincided with the general unraveling. To discuss how this breakdown of order can be halted and reversed, Mosaic's editor Jonathan Silver is joined by the irrepressible policy entrepreneur and conservative visionary, the fifth president of the Manhattan Institute, Reihan Salam. Together they address the civic health of New York, the most Jewish city in America; what it takes to re-moralize the culture; what urban conservatism is; and why Salam believes that the work he and his colleagues are doing at the Manhattan Institute could lay the groundwork for New York's next come back. This conversation was recorded live in Manhattan, in front of an intimate audience of members of the Tikvah Society, so you may hear sirens and street sounds—the soundtrack of New York. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

DARK MYSTERIES Tuesday and Friday at 2am CET - Wednesday and Friday at 1pm CET (podcast on Sundays). This program is hosted by Madeleine d'Este. This week, Madeleine talks about the book "Mr Clarinet" by Nick Stone.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On February 8, 2025, three hostages ascended from the dungeons of Hamas and returned to freedom in Israel: Eli Sharabi, age fifty-two; Or Levy, age thirty-four; and Ohad Ben Ami, age fifty-six. They had been held captive for sixteen months. When the three men were first seen, and their images instantly projected onto social media and news sites and television sets across the world, many viewers had a similar reaction. They were so gaunt, so emaciated, so frail, that they reminded Israeli government ministers, news analysts, even the president of the United States, of Holocaust survivors. Survivors of the Nazi war against the Jews were, upon their liberation in 1945, indeed often starved and skeletal, and when we think of the women and men who endured the miserable slavery of the concentration camps, we think of their suffering. There are vanishingly few survivors of the Shoah still alive with us now some 80 years after the camps were liberated. And of course we who are their children and grandchildren and great-grandchildren have an obligation to redeem their suffering with life, with holiness, and with strength. Even so, alongside and among the suffering victims, the prisoners, the Jews who were oppressed by the Nazis and their collaborators, there were countless examples of Jewish resistance, of Jewish heroism and courage that tell a very different story about the Shoah. Today's podcast traces the life and defiant wartime story of Joseph Scheinmann, born in Munich in 1915, who fled with his family to France in 1933, where he was assigned a new identity and a new name. From that moment on, Joseph—now Andre—would work to undermine, sabotage, subvert, surveil, and debilitate the Nazis. Andre, the name he kept even after the war, the name he used to build a life in America, is the grandfather of Gabriel Scheinmann, a foreign-policy analyst and the executive director of the Alexander Hamilton Society. He joins the podcast alongside Diana Mara Henry, the author of a new book about Gabriel's grandfather, I am Andre: German Jew, French Resistance Fighter, British Spy, based on Andre's own recollections and memoir. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

This week over Zoom, Suzi and Maisie chat all things FA Cup and Subway League Cup, Women's football themed games and Suzi's got YET ANOTHER new shirt in anticipation of the North London Derby this weekend. For questions or comments, please email us @ bigkickpod@gmail.com   Follow us @ https://www.instagram.com/bigkickenergypod/   Check out our new Patreon page @ https://www.patreon.com/BigKickEnergy   Enter your Fantasy League team @ https://www.fantasywsl.net/ using the league code BIGKICKLEAGUE   A Vibrant Production.  For sales, advertising and general enquiries: HELLO@VIBRANTTELEVISION.COM Learn more about your ad choices. Visit podcastchoices.com/adchoices

9am- Gen Wars, Omar's Clarinet and MORE full 1603 Fri, 07 Feb 2025 18:13:13 +0000 VdUrVTgHnDPtpHjvdShZz2zUO1sUpB1G society & culture Klein/Ally Show: The Podcast society & culture 9am- Gen Wars, Omar's Clarinet and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=http

9am- Ally's 5 Reasons, Omar's Clarinet and MORE full 1280 Mon, 03 Feb 2025 18:14:43 +0000 ScZFaIdJ8SEn15SyzcftPqWDWa5nYEuN society & culture Klein/Ally Show: The Podcast society & culture 9am- Ally's 5 Reasons, Omar's Clarinet and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-l

8am- Tom Morello, Omar's Clarinet and MORE full 1585 Thu, 30 Jan 2025 17:49:50 +0000 miobA3GQo7APev7Z4Cq3YkEBnOED2enX society & culture Klein/Ally Show: The Podcast society & culture 8am- Tom Morello, Omar's Clarinet and MORE Klein: This east coast transplant, has built and hosted successful morning radio shows on both coasts. He has also written jokes for Comedy Central Roasts and Howard Stern. His biggest claim to fame, however, was when he was born eight minutes after midnight on January 1st and named ‘Baby New Year.' Ally: Sketch comedian, voice-over artist, and comedy writer. Ally has co-hosted radio shows in San Francisco and Los Angeles and had her voice featured in numerous commercials, cartoons, and video games. DJ OMAR KAHN: Audio specialist and ‘self-made millionaire.' Omar spent years as part of the Hall of Fame Kevin & Bean Show. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=h

Today, the Spotlight shines On clarinetist Anat Cohen.Anat's been bringing her joyful spirit to jazz venues worldwide for two decades, blending swing, Brazilian rhythms, and melodies from her native Israel. Her 2024 album Bloom pairs her musical warmth with that of her quartet Quartetinho - Portuguese for "little quartet" - creating intimate conversations between clarinet, piano, bass, and percussion.Anat will mark her 50th birthday this spring with four special nights at Lincoln Center's Appel Room, sharing the stage with her equally talented brothers, Avishai and Yuval Cohen.Today, we'll hear about Anat's musical journey, from family jam sessions in Tel Aviv to becoming the first Israeli artist to headline the Village Vanguard and plenty of stories in between.(The musical excerpts heard in the interview are from Anat Cohen's album with Quartetinho, Bloom)–Dig DeeperVisit Anat Cohen at anatcohen.comPurchase Anat Cohen and Quartetinho's Bloom from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Anat Cohen on Instagram, Facebook, and YouTubeAnat Cohen: Journeys A 50th Birthday CelebrationAnat Cohen: 'Clarinetwork' At The VanguardAnat Cohen Quartetinho - Live from Jazz St. LouisDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On clarinetist Anat Cohen.Anat's been bringing her joyful spirit to jazz venues worldwide for two decades, blending swing, Brazilian rhythms, and melodies from her native Israel. Her 2024 album Bloom pairs her musical warmth with that of her quartet Quartetinho - Portuguese for "little quartet" - creating intimate conversations between clarinet, piano, bass, and percussion.Anat will mark her 50th birthday this spring with four special nights at Lincoln Center's Appel Room, sharing the stage with her equally talented brothers, Avishai and Yuval Cohen.Today, we'll hear about Anat's musical journey, from family jam sessions in Tel Aviv to becoming the first Israeli artist to headline the Village Vanguard and plenty of stories in between.(The musical excerpts heard in the interview are from Anat Cohen's album with Quartetinho, Bloom)–Dig DeeperVisit Anat Cohen at anatcohen.comPurchase Anat Cohen and Quartetinho's Bloom from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Anat Cohen on Instagram, Facebook, and YouTubeAnat Cohen: Journeys A 50th Birthday CelebrationAnat Cohen: 'Clarinetwork' At The VanguardAnat Cohen Quartetinho - Live from Jazz St. LouisDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

CLIP- Omar's Clarinet full 532 Wed, 29 Jan 2025 16:48:31 +0000 ksqbfRKGxz8ISP6sXHqjp8vsK9g6Tcj4 society & culture Klein/Ally Show: The Podcast society & culture CLIP- Omar's Clarinet Klein: This east coast transplant, has built and hosted successful morning radio shows on both coasts. He has also written jokes for Comedy Central Roasts and Howard Stern. His biggest claim to fame, however, was when he was born eight minutes after midnight on January 1st and named ‘Baby New Year.' Ally: Sketch comedian, voice-over artist, and comedy writer. Ally has co-hosted radio shows in San Francisco and Los Angeles and had her voice featured in numerous commercials, cartoons, and video games. DJ OMAR KAHN: Audio specialist and ‘self-made millionaire.' Omar spent years as part of the Hall of Fame Kevin & Bean Show. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.ampe

7am- Petty Claims Court, Omar's Clarinet and MORE full 2006 Wed, 29 Jan 2025 17:05:13 +0000 h0KBjqcrYNQRcgzdBkEQpo3Y9zWx92Wp society & culture Klein/Ally Show: The Podcast society & culture 7am- Petty Claims Court, Omar's Clarinet and MORE Klein: This east coast transplant, has built and hosted successful morning radio shows on both coasts. He has also written jokes for Comedy Central Roasts and Howard Stern. His biggest claim to fame, however, was when he was born eight minutes after midnight on January 1st and named ‘Baby New Year.' Ally: Sketch comedian, voice-over artist, and comedy writer. Ally has co-hosted radio shows in San Francisco and Los Angeles and had her voice featured in numerous commercials, cartoons, and video games. DJ OMAR KAHN: Audio specialist and ‘self-made millionaire.' Omar spent years as part of the Hall of Fame Kevin & Bean Show. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed

Plans of emerged on how we can travel to the nearest star system in just 20 to 40 years, and we look at what a good night's sleep can do for your mind. Plus, on This Day in History, the wind instrument family gets a bit larger with the addition of the clarinet. Scientists Have a Radical Plan to Travel to the Nearest Star System Within a Human Lifetime | Popular Mechanics Revolutionary Plan to Reach Nearest Star System in Our Lifetime! - Jurnal Time Physicists Unveil Radical Plan to Send a Probe Into Interstellar Space : ScienceAlert A Deep Sleep Clears the Mind at Night Like a Dishwasher Cleaning–But Beware of Sleeping Pills | Good News Network Johann Denner | Inventor of The Clarinet | All Things Denner A Brief History of the Clarinet Contact the show - coolstuffcommute@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

National hot pastrami sandwich day. Entertainment from 1981. Clarinet invented, Mt. Aconcagua climbed, 1st successful Cesarean section baby delivery. Todays birthdays - Jack Jones, Billie Jo Spears, Faye Dunaway, Holland Taylor, Carl Weathers, Geoff Tate, LL Cool J, Dave Grohl, Jason Bateman. Humphrey Bogart died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Pastrami sandwich - Money BoyJust like starting over - John LennonI love a rainy night - Eddie RabbittBirthdays - In da club - 50 Cent     http://50cent.com/Lollipops & roses - Jack JonesLove boat TV themeBlanket on the ground - Billie Jo SpearsRocky movie theme songI don't believe in love - QueensrycheMama said knock you out - LL Cool JLearn to fly - Foo FightersExit - It's not love - Dokken      http://dokken.net/

Video Version Here!https://youtu.be/OjpzA9nbLKw

Over 33,000 undergraduates are enrolled at the University of California, Los Angeles, known universally by its acronym, UCLA. It's one of the most competitive schools in the country, accepting less than 9 percent of its applicants. Among the current undergraduate student body, Hillel International estimates that there are about 2,500 Jewish students. The story of informal discrimination against Jewish students on prestigious campuses is, by now, a sad and familiar story. And in fact, that story is not foreign to Jewish students at UCLA. Worse still, an undergraduate Jewish leader on campus, Bella Brannon, has recently filed a motion with the student government alleging not informal, social discrimination, but formal employment discrimination against Jewish students. Here some background is necessary. UCLA has an active student government: the Undergraduate Students Association Council, known by its acronym, USAC. USAC is organized in various offices and commissions, one of which is the Cultural Affairs Commission, or CAC. According to CAC's website, it is “meant to ignite conversation regarding current events” and “facilitate exhibitions of creativity.” It supports dance, art, music, culinary festivals, poetry readings, and tours of culturally significant areas of Los Angeles. An elected member of the student body is charged with administering each of these commissions, and receives from the university a modest honorarium or payment of some kind for that service as well as a budget to hire fellow students to manage the commission's many programs. Because UCLA is a public university, a good deal of that money comes from California taxpayers. Brannon's motion claims that the current CAC commissioner has made explicit a policy to disqualify Jewish students, described as Zionists, from employment at the commission. Her motion was recently described in an article in UCLA's Jewish newspaper, Ha'Am, by the undergraduate writer Benjie Katz. This week, these two students, Bella Brannon and Benjie Katz—who are both leaders of the campus Tikvah chapter—join Mosaic's editor Jonathan Silver to discuss their experiences. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

America has just elected a new president, or rather, a new-old president. Donald Trump will be the first American president since Grover Cleveland to be elected to non-consecutive terms. All transitions between presidential administrations have an awkward aspect, felt especially during the months between the election and when the incumbent takes office. This period, when the successor has already been named by the electorate but does not yet have any official power, is when a lame-duck session of Congress meets, and the president himself is called a lame-duck president. During this period, the president—while retaining all of his constitutional authority—nevertheless tends to diminish in the power hierarchy of Washington. Presidential power is based, to a very large degree, on the possibility of promising something in the future, and lame-duck presidents don't have a future in which they can fulfill any promises. It can also be a period when, unconstrained by the need to run for office again, a president can put executive orders and other kinds of policies in place without worrying about their political consequences. So it can be a period of troublemaking. Mark Dubowitz, the chief executive of the Foundation for Defense of Democracies (FDD), fears that a lame-duck Biden administration might decide to target Israel with executive action in very damaging ways. Dubowitz has spent decades working on financial warfare and sanctions in and out of government, and he is an expert on Iran's nuclear program. In order to follow this conversation, there are a couple of things it helps to know. First, in December 2016, during President Obama's lame-duck period, the UN Security Council passed Resolution 2334, which conveyed that all Israeli settlements in the West Bank and east Jerusalem are illegal. The U.S. could have vetoed the resolution, but instead abstained. The second is Executive Order 14115, which President Biden signed back in February, which gives the State and Treasury Departments authorization to sanction individuals and entities who undermine peace and security in the very areas Security Council Resolution 2334 determined Israelis may not live in. Sanctions have already been levied against some Israelis—some of whom genuinely do undermine peace, and some of whom do not. Dubowitz joins Jonathan Silver to warn of the danger that the president will use the last weeks of his term to take accelerated action under these authorities. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Heleen is opgegroeid met het idee: als je er als klarinettist iets bij moet gaan doen, dan heb je gefaald. Wil jij een keer een verhaal vertellen tijdens een Echt Gebeurd-middag? Ga dan naar onze website, want we zijn altijd op zoek naar nieuwe vertellers. Onze redactie leest alle inzendingen en neemt contact op als je verhaal geschikt lijkt. De thema's voor alle verhalenmiddagen van dit seizoen vind je hier.Dit is het Instagram-account van Echt Gebeurd. We zijn ook te volgen op Facebook en Twitter.Voor mensen die het kunnen missen hebben we Vriend van de Show. Wil je donateur worden voor € 2,50 per maand of een eenmalige donatie doen, dan kan dat hier.Om te adverteren in onze podcast kun je contact opnemen met Dag en Nacht Media.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Just in time for Halloween, Host Tim Phillips interviews two intrepid trick or treaters. And, we'll listen to some terrifying tunes.

RED MCKENZIE & EDDIE CONDON:“THE CHICAGOANS” Chicago, December 8 & 16, 1927Sugar, China boy, Nobody's sweetheart (1), Liza (1)Jimmy McPartland (cnt) Frank Teschmacher (cl) Bud Freeman (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu,b) Gene Krupa (d) Mezz Mezzrow (cymbals -1) “CHICAGO RHYTHM KINGS” Chicago, March 27, 1928I've found a new babyMuggsy Spanier (cnt) Frank Teschmacher (cl) Mezz Mezzrow (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu) Gene Krupa (d) Red McKenzie (vcl) BUD FREEMAN Chicago, December 3, 1928Crazeology, Can't help lovin' dat man (rmk vcl)Johnny Mendell (tp) Floyd O'Brien (tb) Bud Jacobson (cl,as) Bud Freeman (ts) Dave North (p) Herman Foster (bj) Johnny Mueller (b) Gene Krupa (d) Red McKenzie (vcl) New York, December 4, 1935What is there to say ?, The buzzard, Tillie's downtown now, Keep smiling at troubleBunny Berigan (tp) Bud Freeman (cl,ts) Claude Thornhill (p) Eddie Condon (g) Grachan Moncur (b) Cozy Cole (d) FRANKIE TRUMBAUER New York, February 4, 1927Singin' the blues (1), Trumbology, Clarinet marmalade,Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Jimmy Dorsey (cl,as) Paul Mertz (p) Howdy Quicksell (bj) Eddie Lang (g-1) Chauncey Morehouse (d) New York, August 25, 1927Three blind mice, Blue river (se vcl), There's a cradle in Caroline (se vcl)Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Doc Ryker (as) Don Murray (cl,bar) Adrian Rollini (bassax) Itzy Riskin (p) Eddie Lang (g) Chauncey Morehouse (d) Seger Ellis (vcl) Continue reading Puro Jazz 25 de octubre, 2024 at PuroJazz.

References Signal Transduct Target Ther. 2024 Mar 15;9:60. Nature Reviews Molecular Cell Biology2022 23,:715–731 Kierkegaard, S. 1846. The Present Age. Jon Anderson, Chris Squire, and Bill Bruford 1971. "Heart of the Sunrise" on Fragile [lp] Tartini, G. 1730. Concerto for Clarinet and Strings https://open.spotify.com/track/07ZIuFZe7LCkOsAZURkRqs?si=eb4c096081854068 --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Bruce Turner was a largely self-taught clarinet player who picked up alto sax in the navy during WWII. He became an in demand clarinetist in trad bands (Freddy Randall, Humphrey Lyttleton) but became even more valued for his swinging, Benny Carter styled alto playing. This podcasts presents him leading his Jump Band -John Chilton or Teddy Brown on trumpet, Pete Strange on trombone, Al Mead or Colin Bates on piano and others. Great swing playing with a varied repertoire! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

That the Jews have survived is one of the great mysteries of history, and for some theologians, Jewish survival is even an indication of God's providence. The stronger the force against the Jews, the more miraculous their resilience and endurance. But that mystery has another dimension to it–because in America, the Jewish community is not doing well at all. And that's not because America is like Egypt or Spain or Germany–in fact it's precisely because America is so decent, so good, and so welcoming that the Jewish community finds itself contracting and growing shallower. There is a powerful countertrend among the Orthodox subpopulations of American Jewry. Their rates of generational retention and inmarriage are high. Jewish education is advanced, and even flourishing. The U.S.-Israel relationship tends to be a salient issue in their approach to public affairs. But the Orthodox segment of American Jewry is very small. What about the other 85 or 90 percent? Elliott Abrams, the chairman of Tikvah and a distinguished foreign-policy expert, is the author of a new book addressing these topics, If You Will It: Rebuilding Jewish Peoplehood for the 21st Century. Abrams takes comprehensive stock of the available data on American Jewish communal life and then poses a question. The Orthodox Jews of America have a formula that works. But what can be done to strengthen the Jewish attachments and Jewish identities of the non-Orthodox? What do the data tell us? Abrams joins Mosaic‘s editor Jonathan Silver to discuss If You Will It. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Dave and Ethan interview musician Joel C. Peskin (aka iReedMan) about working with Weird Al and playing clarinet on his polka medley tracks for the past 40+ years - including the recently-released Polkamania! ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanTheme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2024 | Dave & Ethan's 2000" Weird Al Podcast

From exploding pagers to airstrikes and a possible ground invasion, what are the IDF's goals in Lebanon? Everyone knows that on October 7, Hamas perpetrated a horrible, genocidal attack on Israel. In response to that attack, Israel committed itself to neutralizing the military threat from Gaza. On October 8, not wanting to seem any less committed to the eradication of the Jewish state, the Lebanon-based terror group Hizballah began to shoot rockets and missiles into Israel's northern territories. Nearly a full year later, Israeli towns and villages within Hizballah rocket range remain empty, and many tens of thousands of Israelis live as evacuees in hotels and apartments. Week after week, month after month, the rockets from Lebanese territory have not stopped. Israel has conducted occasional defensive operations, but about one week ago, the Israelis unmistakably increased the tempo and intensity of their own attacks, taking the fight to the territory of the adversary rather than continuing to bear its missile barrage. The retired Israeli brigadier general and defense strategist, Assaf Orion, joins Mosaic's editor Jonathan Silver to discuss this situation. Assaf is the Liz and Mony Rueven International Fellow at the Washington Institute for Near East Policy, and a prolific author and thinker not only on the security architecture of the Middle East and Israeli military planning and strategy, but also on China and great-power competition.   Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

A few weeks ago on Manhattan's Upper East Side, a new school opened its doors and welcomed its inaugural classes of students. Emet Classical Academy is America's first Jewish classical school and a project of Tikvah. It's designed for 5th- to 12th-grade students, and is an animated by a vision of the importance of Western civilization, the responsibilities of American citizenship, high standards of excellence in classical languages, math and science, and the power of music, poetry, and the visual arts. Joining that is a full curriculum in the Hebrew language, the Hebrew Bible and rabbinic literature, and the history, politics, and meaning of modern Israel. The establishment of Emet is even more significant given the current cultural, political, and ideological moment. Many of its pillars are deemed irrelevant, if not shameful, at the country's elite, ideologically charged private schools, many of which were abandoned by students in Emet's first classes. To discuss all this, Emet's founding head of school, Abe Unger, joins host Jonathan Silver. Together, they talk about Emet's founding, the cultural and educational questions to which Emet holds itself forth as an answer, and what it's like to learn in Emet. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Episode #223 Cody Carson is the lead singer of Set It Off who is getting ready to head out on The Deathless Tour Part 2 this Fall with From Ashes To New, New Years Day, and If Not For Me. The tour hits the North East in time for Halloween so they talked Salem, Aerosmith, Jazz, Clarinet, Taylor Swift, band t-shirts, The Olympics, Breaking, Flag Football, songwriting, touring and so much more!  Episode Notes Check out the custom playlist for Episode #223 here! See Set It Off The Deathless Tour Part 2 at The Palladium 10/27/2024 See Set It Off The Deathless Tour Part 2 at Aura 10/30/2024 Find Cody Carson online: Instagram Facebook Twitter Find Set It Off online: YouTube Instagram Facebook Twitter Website Find Mistress Carrie Online: Official Website The Mistress Carrie Backstage Pass on Patreon X Facebook Instagram Threads YouTube Cameo Pantheon Podcast Network Find The Mistress Carrie Podcast online: Instagram Threads Learn more about your ad choices. Visit megaphone.fm/adchoices

Suddenly, Vice President Kamala Harris is the Democratic party's candidate for president. She's been in the public eye for much less time than Joe Biden or Donald Trump, and much less is known about her views on many subjects—including on the U.S.-Israel relationship or America's posture in the Middle East. For instance, as Israel's war in Gaza ramped up earlier this year, Harris became an outspoken critic of it, and a champion of a ceasefire arrangement between Israel and Hamas on the grounds of humanitarian concern for Palestinian civilians. But it's possible that these attitudes were a product of her role in the Biden administration, that she was assigned the role of bad cop to the president's good cop. So what does Harris really think about the subject? What role might her Jewish family members play in her views? How does she understand the politics of the U.S.-Israel relationship? To answer those questions, host Jonathan Silver speaks here with Noah Rothman, a senior writer at National Review and the author of a recent essay there called “The Left Thinks It's Getting an Anti-Israel Radical in Kamala Harris.” Together, the two also survey the wide coalition of the Democratic party—its elected officials, its voting base, its NGOs and operatives—and try to understand the pressures, the points of leverage, the incentives, and the political vulnerabilities to avoid on questions related to Israel. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In April 2024, a court in Argentina ruled that the 1994 bombing of the AMIA, a Jewish community center in Buenos Aires, was directed by Iran and carried out by Hezbollah. It was an official government acknowledgement of what was long thought to be true, and certainly the conclusion that the Argentinian prosecutor Alberto Nisman had arrived at prior to being assassinated the day before he was due to testify. Today, July 18, on the thirtieth anniversary of the AMIA bombing, Argentina's current president, Javier Milei, announced his intention to prosecute Iranian leaders involved in the attack. To commemorate the anniversary, we're rebroadcasting this week a conversation from 2019 that Jonathan Silver had with the rabbi Avi Weiss, author of a Mosaic essay on the subject from the same year. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

This month, Keir Starmer was elected prime minister of the UK. He is something of a reformer in the Labor party, which, before him, had been led by Jeremy Corbyn. The two have a different public temperament and different public persona. They have a different attitude toward the Jewish people and the Jewish state. Corbyn normalized a degree of anti-Semitism within mainstream Labor politics that was so odious it forced ideologically committed Labor members who are Jewish to leave the party. Since Starmer took over, the party has made a conscious effort to put forward a different, more welcoming face toward Jews. And what about beneath the surface? Is Starmer different in practice and policy toward Israel and the Jewish people? To answer that question, host Jonathan Silver speaks here with British journalist Melanie Phillips, who wrote an essay on the subject recently called "All Change." Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

For years, the Reform movement in America has allowed marriage between a Jewish and non-Jewish spouse, as long as the couple commits to raising their children as Jews. But a cultural taboo against intermarriage remained for Reform clergy, a taboo reinforced by admissions and ordination standards at the Hebrew Union College, the movement's main seminary. Applicants who were in a long-term relationship with a non-Jewish partner were denied, on the grounds that modeling a Jewish home was expected of rabbis. That changed this year. “Moving forward,” a recent letter from the president, provost, and board chair of the seminary announced, “the religious identity of a student's or applicant's partner will no longer disqualify students for admission or ordination.” The letter goes on to explain that this decision is the result of a process of internal deliberation, and that it brings what's expected of the clergy in line with the reality of the broader Reform community. In reaction, the longtime Reform rabbi Mark Cohn took to the Times of Israel with an article, called “The Anguished Dilemma of a Reform Rabbi,” lamenting the decision. In today's conversation, Cohn joins Jonathan Silver to discuss the Reform movement's attitude toward interfaith couples, the relation between clergy and congregation, the purpose and nature of religious leadership, and in this case, who is leading whom, why this decision was made, and what it could mean for the future of Reform clergy in America. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Shmuel Yosef Agnon is one of the masters of modern Hebrew fiction, who helped to spark the revival of modern Hebrew literature in Israel and around the world. His work is not only beloved, but also profound, laden with many allusions to the vast canon of traditional Jewish text that shaped his literary imagination: one hears in Agnon's work echoes of the siddur, the Hebrew Bible, and an astonishing array of rabbinic literature. He was awarded the Nobel Prize in literature in 1966.   Yesterday, Tikvah released a five-part, online video course introducing students to S.Y. Agnon's short stories, novels, and anthologies—​writing that strengthened the Jewish people in those pivotal 20th-century years when the state of Israel was reborn. The course is taught by Rabbi Jeffrey Saks, director of research at the Agnon House in Jerusalem, series editor of the S.Y. Agnon Library at the Toby Press, editor of the journal Tradition, and the founding director of the Academy for Torah Initiatives and Directions in Jewish Education – ATID. This week, we bring you the audio from the first episode of Rabbi Saks's forthcoming video course on the writings of Shay Agnon. To register for the course, go to tikvahfund.org/agnon.   Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.