Podcasts about Clarinet

微信公众号：「潮羽读书」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；2.Arthur Rubinstein - Sonata No. 8 in C Minor, Op. 13, ＂Pathétique＂： II. Adagio cantabile；3.Ludwig van Beethoven - Adagio Cantabile from Sonata Op.13 (Pathetique)；4.松下奈緒 - 足迹。

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Stupid News Extra 12-16-2025 …Someone was Brandishing a Clarinet

It's your Ill-Advised News, the stupid criminals of the day. Support the show and follow us here Twitter, Insta, Apple, Amazon, Spotify and the Edge! See omnystudio.com/listener for privacy information.

Playlist: Lara Weaver, Crash Ensemble - Singing SandsKalevi Aho, Stenhammer Quartet - String Quartet No. 1Ernest Kanitz, ARC Ensemble - Concertino for Clarinet, Violin, Viola, Double Bass, & PianoMarc Mellits, Splinter Reeds - SplinterDaniel Haas, Renaissance String Quartet - String Quartet No. 1 'Love & Levity'John Oswald, Marc-André Hamelin - Tip

Host Tim Phillips sits down with Michael Thrasher, a clarinetist and Dean of Troy University's College of Arts and Humanities.

Vad räknas som sanning och kan konsten hitta den? Utställningen Art and truth-telling löper parallellt med Sanningskommissionen för det samiska folket och söker konstens sätt att berätta sanningen om Sápmis historia. Lyssna på alla avsnitt i Sveriges Radio Play. Samtal med P1 Kulturs konstkritiker Mårten Arndtzén om Bildmuseet och Gaaltije Saemien Museumes utställning. PORTRÄTTETS VÄSEN I CENTRUM I NY UTSTÄLLNING PÅ NATIONALMUSEUMVad är ett porträtt? Nationalmuseum öppnar i veckan vinterns utställning Porträtt! – en utställning med ett urval bilder ut Statens porträttsamling, grundad 1822. Reporter Kajsa Sander undersöker porträttkonstens väsen och vad ett porträtt egentligen försöker göra?MÅNADENS BÄSTA KLASSISKA ALBUM: CARL NIELSEN Månadens bästa klassiska skiva? Karin Birgersson vaskar fram oktobers starkast gnistrande pärla ur musikfloden som heter Musikrevyn i P2: Carl Nielsens Helios/Symphony 5/Clarinet concerto – med Bergens filharmoniska orkester och dirigent Edward Gardner.ATLANTIS HYPERBOREA: TEORIN OM SVERIGE SOM MÄNSKLIGHETENS VAGGA BLIR TEATERI slutet av 1600-talet tyckte sig vetenskapsmannen Olof Rudbeck att han hittat bevis för att civilisationens vagga låg i Sverige och att gamla Uppsala var platsen för det sjunkna, gyllene idealsamhället Atlantis. I helgen är det premiär för pjäsen ”Atlantis Hyperborea” på Moment Teater - en lekfull satir och folkbildande föreläsningsfars om människans sökandet efter ärofylda fornstora dagar.ESSÄ: MYSTIKENS SPRÅK – TYSKAN GAV SVENSKAN GEMYT OCH INBILLNINGSKRAFTIdealister och mystiker förändrade tyskan och därmed svenskan. Thomas Steinfeld spårar ett abstrakt inflytande över vårt tungomål.Programledare: Lisa WallProducent: Eskil Krogh Larsson

Akropolis will perform at Howland Cultural Center After meeting at the University of Michigan, five classically trained musicians formed an unusual ensemble and called themselves the Akropolis Reed Quintet. They will perform on Sunday (Nov. 2) at the Howland Cultural Center in Beacon as part of the Howland Chamber Music Circle series. Founded in 2009, Akropolis is one of the country's first reed quintets. As the group's star began rising, the clarinetist and saxophonist married and it became a nonprofit to apply for grants and expand educational outreach. Earlier this year, Akropolis won a Grammy for best instrumental composition, singling out the song "Strands." Written by pianist and collaborator Pascal La Beouf, the song fuses jazz and classical. Drummer Christian Euman is all smiles in a video made during the recording session. The title is apt because the reed instruments reel off call-and-response passages during the beginning and end, weaving the snippets together. During an interlude, the piano drifts off to dreamland before the players build back into a heavy progressive rock-style tsunami of sound that pulls the plug abruptly. Most wind quintets include flute and French horn, along with oboe, clarinet and bassoon. The repertoire for this grouping stretches to the late 18th century. Akropolis is different because, in addition to two instruments with long jazz pedigrees (sax and clarinet), it includes an oboe, bassoon and bass clarinet, which adds heft at the low end. Clarinet player Kari Landry credits the 40-year-old Calefax Reed Quintet from the Netherlands for creating the format and nurturing it through commissions and rearrangements of existing works. "They're our mentors," says Landry. "We're trying to expand the wind-based color palette and classical music in any way we can." Except for jazzy touches in George Gershwin's symphonic composition "An American in Paris" (arranged by Raaf Hekkema of Calefax), other selections being performed on Sunday will skew toward classical with world influences. "These few specks of time," by Oswald Huynh (born 1997), presents a "flashy opening that then pulls from his Vietnamese heritage, working in a folk song with stunning compositional technique," says Landry. The quintet will also perform "A Soulful Nexus," by Derrick Skye (born 1982), who is "coming up on some fame, uses the Persian classical scale system and adds percussive, fun elements," she says. The group's website is awash in pink, "a visual representation of how we stand out," says Landry. "We use that colorful joy and energy to show that we're not about presenting scary, esoteric or off-putting new music." Akropolis has commissioned more than 200 works. Its members are in their mid-30s, and Landry foresees a bright future for the configuration. "There are now hundreds of us - it's a big network," she says. "Other people are creating more music because it's a niche within chamber music, but we hope that in 100 years this instrumentation becomes commonplace, like the string quartet." The Howland Cultural Center is located at 477 Main St. in Beacon. The concert begins at 4 p.m. For tickets, which are $35 ($10 for students 25 and younger), see howlandmusic.org/tickets. There is pay-what-you-wish pricing.

Victoria Astuto is a musician, composer, videographer, and educator based in the Hudson Valley. Her debut EP, The Place features clarinet, saxophone, flute, bass clarinet, synthesizers, and vocals to create dreamy, lush, and atmospheric textures. The album is inspired by a cross country trip she took which influenced many of the themes ranging from loneliness to finding a place in the world to escaping a place you're already in. Additionally, Victoria scores films for indie filmmakers in NYC, utilizing her large palette of instruments to create dense orchestration inspired by the works of Johnny Greenwood, Gerald Busby, and Bernard Herrmann. You can find her album and music videos on YouTube, Tidal, Apple Music, Spotify, and Band Camp.Band CampSpotifyTidalApple MusicYouTubeSRTN Podcast

Sam Sadigursky is a renowned clarinetist, composer, and member of the Philip Glass Ensemble. In this episode, we explore his latest project The Solomon Diaries with Nathan Koci, his work on Broadway in The Band's Visit, and his career spanning jazz, classical, and contemporary music. Sam shares stories from touring with Philip Glass, mentors Brad Mehldau and Lee Konitz, and his upbringing in a musical immigrant family.We also dive into improvisation beyond music, the impact of streaming algorithms, and the cultural legacy of the Borscht Belt. Listen to insights into Sam's unique voice as a composer and performer, and hear excerpts from some of his wonderful creative output. Sam Sadigursky's websitePodcast website: episode page with YouTube, TranscriptNewsletter sign-up Podcast merch Buy me a coffee?Other episodes you'll love: Meg Okura Tasha Warren Yale Strom Colleen Allen Rachel Eckroth and John Hadfield(00:00) Intro(02:11)Sam's musical family and early influences(08:02) jazz, hearing heroes play teen years in L.A.(10:12) Isaac Sadigursky, VNP Hora with clip(14:26) move out to New York(17:05) about Six Miles at Midnight with clip, Nathan Koci, Satie influence (21:07) Touring with Philip Glass Ensemble(25:23) influence of Glass, Migrations Vol. 5 Solomon Diaries(28:59) clarinet music, Eleven from 24 Rhythmic Duets for Clarinet, teaching, Vince Trombetta(33:54) other linked episodes you'll love and ways to spread the word!(34:33) about “Lucky” vol. V The Solomon Diaries, wife Sarah, Danny Fox(40:10) early jazz mentors and opportunities, Brad Mehldau, Bill Berry(42:31) parenting, streaming and music industry challenges(45:44) Broadway: The Band's Visit and beyond(51:18) solo piano music, Incidentalee dedicated to Lee Konitz, from Figures/Broken Pieces performed Nick Sanders(54:39) many instruments, decision to focus on clarinet(57:38) Borsht Belt history, Marisa Scheinfeld, The Solomon Diaries(01:03:24) Guy Klucevsek, “Secondhand” The Solomon Diaries Vol. IV by Nathan Koci(01:08:17) creative output, music industry challenges, Words Project, upcoming projects

Charlie Zimmermann hosts a showcase of news features.

The first time Nina ventures out as our roaming reporter. She has a ball with Phipps NBC, brewers of first rate ales, Northampton, I quiz her on her great passion - the clarinet, and we explore the healing properties of crystals.Additional music by SergeQuadrado, AlexiAction, Muzaproduction, Ashot-Danielyan, Julius H, RomanSenykMusic, AudioCoffee, SoundGalleryBy, Grand_Project, geoffharvey, Guitar_Obsession, Lexin_Music, AhmadMousavipour, melodyayresgriffiths, DayNigthMorning, litesaturation, 1978DARK, lemonmusicstudio, Onoychenkomusic, soundly, Darockart, Nesrality, ShidenBeatsMusic, PaoloArgento, Music_For_Videos, Boadrius, ScottishPerson, Good_B_Music, Music_Unlimited, lorenzobuczek, The_Mountain, SoundMakeIT, Onetent, Stavgag, leberchmus, Alban_Gogh, geoffharvey, nakaradaalexander - All can be found on Pixabay.Main Reclining Pair theme by Robert John Music. Contact me for details.

...aka The Chapin Gateway, aka The Tennant Easter Egg. It's results time! Hosted on Acast. See acast.com/privacy for more information.

This month at Mosaic, we hosted a very important set of conversations, spurred on by a very important essay: “The Enchantment of the Arab Mind,” by the Egyptian-American writer Hussein Aboubakr Mansour. Mansour traces the roots of jihadism to European, and especially German, philosophy, transmitted through 20th-century Arab radicalism. Earlier this week, we broadcast a conversation about the essay with Hussein and two eminent professors: Bernard Haykel from Princeton University and Ze'ev Maghen from Bar-Ilan University. The discussion was at times contentious in the best, and most illuminating, of ways. For anyone interested in intellectual history and the history of the Middle East, this is one of the most fascinating conversations we've ever convened.   Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.  

This week, Columbia University reached a $200 million settlement with the Trump administration to resolve multiple federal civil-rights investigations. The deal—which the White House characterized as the largest anti-Semitism-related settlement in U.S. history—will also release hundreds of millions of dollars in suspended federal grants that had been withheld from Columbia as the administration sought to guarantee the rights of Jewish students and faculty at an institution that has become, since October 7, a hotbed of anti-Jewish and anti-Israel activism. Since taking office, the Trump administration has acted aggressively against anti-Semitism and anti-Americanism at America's elite universities—taking aim at some of the most storied names in higher education: Harvard, Penn, Brown, Columbia. And this effort shows no signs of slowing down. What are the legal tools that the executive branch departments and agencies—especially the Departments of Justice and Education—have at their disposal to protect the rights of Jews on campus? Is there a tension between the protection of Jewish civil rights, on the one hand, and the free speech of students and the academic freedom of faculty, on the other? Last December, just before the new administration took office, Mosaic published an important essay by the lawyer Tal Fortgang, asking how the incoming Trump team could vigorously protect Jewish civil rights. Later that month, Tal joined the legal scholar David E. Bernstein of George Mason University for a conversation about his essay, which was originally made exclusively available to Mosaic subscribers. Today, as the Trump administration implements some of the very principles and strategies that Tal raised in the pages of Mosaic, we are pleased to share that discussion with you. You can also read the transcript here. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.    

Today, the Spotlight shines On clarinetist Glenn Dickson and electronic musician Bob Familiar.When a cutting-edge klezmer artist meets a former rock synthesist, you might expect creative tension. Instead, Glenn and Bob found something else entirely—a shared language that turns clarinet and electronics into the most unlikely yet inspired pairings.Their new album All the Light of Our Sphere layers acoustic clarinet with synthesizers and loop devices to create what they describe as orchestral ambient music. The tracks were recorded live with no overdubs, no click tracks, just two musicians finding their way through inspired improvisations.Glenn brings decades of experience from klezmer to microtonal jazz, while Bob's electronic landscapes draw from science fiction and years in Boston's rock scene. Together, they're creating something that sits between Brian Eno and Eastern European folk traditions.(The musical excerpts heard in the interview are from Dickson and Familiar's album All the Light of Our Sphere)–Dig DeeperVisit Glenn Dickson at GlennDicksonMusic.com and follow him on Bandcamp, Instagram, and FacebookFollow Bob Familiar on Bandcamp, Instagram, and FacebookPurchase All the Light of Our Sphere from Bandcamp or Qobuz and listen on your streaming platform of choiceDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On clarinetist Glenn Dickson and electronic musician Bob Familiar.When a cutting-edge klezmer artist meets a former rock synthesist, you might expect creative tension. Instead, Glenn and Bob found something else entirely—a shared language that turns clarinet and electronics into the most unlikely yet inspired pairings.Their new album All the Light of Our Sphere layers acoustic clarinet with synthesizers and loop devices to create what they describe as orchestral ambient music. The tracks were recorded live with no overdubs, no click tracks, just two musicians finding their way through inspired improvisations.Glenn brings decades of experience from klezmer to microtonal jazz, while Bob's electronic landscapes draw from science fiction and years in Boston's rock scene. Together, they're creating something that sits between Brian Eno and Eastern European folk traditions.(The musical excerpts heard in the interview are from Dickson and Familiar's album All the Light of Our Sphere)–Dig DeeperVisit Glenn Dickson at GlennDicksonMusic.com and follow him on Bandcamp, Instagram, and FacebookFollow Bob Familiar on Bandcamp, Instagram, and FacebookPurchase All the Light of Our Sphere from Bandcamp or Qobuz and listen on your streaming platform of choiceDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Woodwind enthusiasts and light sleepers alike may appreciate the clarinet, a single-reed instrument with far too many keys and just enough trivia to lull you into a restful fog. Expect a slow drift through pitch ranges, embouchure tips, and bedtime-level acoustics. Want More? Request a Topic: https://www.icantsleeppodcast.com/request-a-topic Ad-Free Episodes: https://icantsleep.supportingcast.fm/ Shop Sleep-Friendly Products: https://www.icantsleeppodcast.com/sponsors Join the discussion on Discord: https://discord.gg/myhGhVUhn7 This content is derived from the Wikipedia article on Clarinet, available under the Creative Commons Attribution-ShareAlike (CC BY-SA) license. Read the full article: Wikipedia - Clarinet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Monetizing your blog doesn't have to mean chasing trends or writing product reviews for things you've never even used. Just ask Dr. Tonya Lawson, a musician turned blogger, passive income strategist, and SEO educator who's built a business by sharing what she truly cares about.In this episode of the Ultimate Blog Podcast, we interview Dr. Tonya Lawson about how she's turned her blogs into income streams through passive affiliate income. From coffee to clarinets to garden beds, Tonya has figured out how to make affiliate marketing work in a way that feels both authentic and sustainable. 

(Jun 13, 2025) NY's Governor testified in front of Congress about immigration policies; NY-21's Stefanik is supporting a northern border bill; St. Lawrence County hosted an open house to show the community all the ways the government serves them this spring, with few attendees; Emily Russell takes us on a trail run on Wellesley Island; Elizabethtown concerts this weekend feature an oddball instrument combo: the saxophone and clarinet; and, NoCo communities are out and proud this Pride Month. We'll get a preview of events in Potsdam, Plattsburgh, Lake George and beyond.

Doreen Ketchens reflects on growing up in New Orleans historic Treme neighborhood, her development as a jazz clarinetist, and playing music with her family on the streets of New Orleans and in concerts and festivals around the world. Ketchens plays the Twin Cities Jazz Festival Friday June 20th at 6 PM on the Jazz88 Main Stage in St. Paul.

Benjamin Law is an Australian writer and broadcaster. He's the author of two books, The Family Law and Gaysia, and has written for over 50 publications in Australia and worldwide, including Good Weekend, frankie and The Monthly. Benjamin is also an AWGIE Award-winning screenwriter. In this episode, our new fwend Ben talks about queer friendship, intergenerational friendship, late-night spirals, avoiding bullies by being funny and filthy, friends whose values change, realising life is short through the loss of friends, getting back into the clubs, and bible belt band camp.CONTACTText - 0431 345 145Email - fwendspod@gmail.comMail - PO Box 24144, Melbourne, Vic, 3001RATE AND REVIEWOf course you've already subscribed or followed the show, now we'd love you to leave a rating and a review. In whatever podcast app you're in right now, just throw down the 5 stars. Will make our day, and help to get the podcast into more people's ears (which will ultimately mean even bigger name guests for you!)INSTAGRAMFwends PodGeorgia MooneyRhys NicholsonKyran NicholsonYOUTUBESoon (how soon we don't know) you will be able to watch clips of the show on YouTube, click through and hit subscribe now to get them the second they appear: Fwends Pod YouTubeSKIP AHEAD00:00 - Georgia, Kyran and Rhys catch up32:55 - Interview Hosted on Acast. See acast.com/privacy for more information.

Matt Crawford speaks with author David Singer about his book, From Cab Driver to Carnegie Hall. David and I talk about his eclectic careers and how he managed to end up playing Clarinet for two U.S Presidents; one the same day as he was driving a cab. Resilience and gratitude is the overarching message of this book and everyone can take something from this story.

Born in 1928 in Manchester, Paul Johnson was a British Catholic who while at the helm of the New Statesman liked to boast that he had met every British prime minister from Churchill to Blair and every American president from Eisenhower to George W. Bush—the latter of whom awarded Paul Johnson with the Presidential Medal of Freedom in 2006. After publishing a fascinating, spanning history of Christianity, Paul Johnson grew ever more curious about Judaism, Christianity's elder brother in faith. That fascination led, in 1987, to the publication of his A History of the Jews, which until now is perhaps the best paced, best written single-volume history of the Jewish idea in English. It was sometimes quipped that it was given as a gift to half the bar mitzvahs in America. Paul Johnson died at the age of ninety-four in January 2023. Shortly after Johnson's death, the Jewish historian J.J. Kimche published an analysisA History of the Jews. Kimche provokes some very fascinating questions, including why this lifelong Catholic took such a sympathetic view and lively interest—theological, historical, social, cultural—in the Jews. What does such a non-Jew see in Jewish history, and what can we, as Jews, learn from his external perspective on our own past? Kimche joins Mosaic's editor Jonathan Silver to discuss these questions. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Donald Macleod colours in Bruch's life story and reveals the breadth of his output“Only true melody outlasts all changes and shifts of time” – so said this week's composer, Max Bruch, the creator of what may be the world's best-loved violin concerto. But Bruch would hate us to think of him as a one hit wonder. He even came to resent the very sound of his first Violin concerto, the only piece by which he's often remembered. This week, Donald Macleod colours in Bruch's life story and reveals the breadth of his output, including some of his lesser-heard music.Music Featured: Frühlingslied, Op 7 No 5 (arr. for violin and piano) Septet, Op Posth (3rd mvt, Scherzo) Klavierstücke, Op 12 (excerpt) Piano Trio, Op 5 Die Loreley Overture String Quartet No 2 in E major, Op 10 (1st mvt, Allegro maestoso) Swedish Dances (No 10, Frisch, nicht zu schnell) Musicaklang, Op 71 No 5 Symphony No 1 (5th mvt, Finale) Schön Ellen, Op 24 Violin Concerto No 1 in G minor 12 Scottish Folksongs (No 2, Johnie und Jenny) Songs, Op 49 No 4 – Serenade Piano Quintet in G minor (3rd & 4th mvts) Gruss an die Heilige Nacht (Greeting to the Holy Night) Kol Nidrei Scottish Fantasy for violin and orchestra (4th mvt, Allegro guerriero) 8 Pieces for Clarinet, viola and piano, Op 83 No 2 In der Nacht, Op 72 4 Pieces, Op 70 (No 1, Aria) Concerto for Two Pianos (4th mvt) Double Concerto for clarinet and viola Sommerlust im Walde, Op 71 No 1 String Quartet No 1 (3rd mvt) Das Lied von der Glocke (final movements) Odysseus Prelude In Memoriam, Op 65Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Max Bruch (1839-1920) https://www.bbc.co.uk/programmes/m002br0dAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐： 1.Xeuphoria - But You're Already Gone；2.John Lenehan - Dolce Droga；3.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；4.V.A. - ロマンス ト長調；5.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 19 in E Minor, Op. 72, No. 1。

A Clarinet of fortune blows, as Lizzie checks in from Spain and Ned prepares to bid farewell to Tirana.BIKMO ARE THE BEST! SERIOUSLY! Hosted on Acast. See acast.com/privacy for more information.

On May 4, 2025, a ballistic missile traveling up to sixteen times faster than the speed of sound struck ground close to the terminal at Ben-Gurion airport, halting flight traffic and leaving a crater at the point of impact. It was the first time that the airport buildings themselves have been so close to a successful missile attack. This particular missile was fired from a distance of 1,300 miles, from Yemen, the Arab nation situated to the south of Saudi Arabia, whose coastline opens up to the Red Sea, the Gulf of Aden, and the crucial Bab al-Mandab Straight, a narrow chokepoint in global shipping that allows ships to travel from India and points east through the Suez Canal and into the Mediterranean. The missile was shot by the Houthis, a Shiite Islamist organization that is supported by, and operates in coordination with, Iran and its Islamic Revolutionary Guard Corps. They have been firing rockets at Israel for many months. Back in July 2024, they successfully struck an apartment building near the U.S. embassy's Tel Avi branch. And since October 2023, they have been targeting commercial naval craft in the Red Sea. Since March 2025, the United States has been conducting a campaign of air and naval strikes against the Houthis. But after the Ben-Gurion airport attack of May 4, the Israelis took matters into their own hands. On May 5, some 30 Israeli military aircraft attacked targets in Houthi-controlled Yemen, including the al-Imran cement factory and the Hodeidah port. On May 6, the Israelis destroyed the airport in Sana'a. This week, we focus on the Houthis, their place in Yemen, their relationship to Iran, and the threats they pose towards global shipping and Israel. Discussing these topics with us is Ari Heistein, who works in business development in Israel, is a close intellectual collaborator with the former Israeli chief of defense intelligence Amos Yadlin, and until recently served as chief of staff at Israel's Institute for National Security Studies. This podcast was recorded on Tuesday morning, May 6, 2025. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

President Trump and his team came into the White House determined to reverse the course of American foreign policy. Most every president does. It's what President Obama wished to do vis-à-vis President Bush, President Trump vis-à-vis President Obama, and President Biden vis-à-vis President Trump. Where Biden was for, Trump would be against; where Biden was left, Trump would be right; where Biden was blue; Trump would be red. Every question of foreign policy with any relevance whatsoever to the cut and thrust of domestic American politics would henceforth be set in the opposite direction. In the Middle East, President Trump thought that his predecessor was too acquiescent to Iran, too squeamish about empowering the Israelis to protect themselves, and too untroubled by Houthi attacks. For President Trump and many of his supporters, the quintessential act of the Biden administration was the withdrawal from Afghanistan in the fall of 2021—a symbol of American weakness, incompetence, fecklessness, and delusion. With the start of his second term as president, Donald Trump set about restoring the maximum-pressure campaign on Iran. He confronted—with aggressive military force—the Houthis. He restored the American supply of materiel to Israel. And yet, these decisions do not tell the whole story of the Trump administration's conduct of American foreign policy during its first hundred days. The foreign-policy record, the disorder, the personnel, and some possible future steps of the administration seem confused. To bring forth some clarity from this confusion, and to shed light on the murky picture of the Trump administration's approach to the Middle East, Michael Doran joins this week's podcast. Doran is a senior fellow at the Hudson Institute, contributor to Mosaic, Tablet, the Wall Street Journal, and the Free Press, and the co-host, with Gadi Taub, of a new podcast called Israel Update. This conversation was recorded live for an audience of members of the Tikvah Society. If you'd like to learn more about supporting our work, and joining the Tikvah Society, please visit Tikvah.org/Society. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Ross Tucker thinks it's ridiculous the Steelers are waiting for Aaron Rodgers. Ross doesn't think Rodgers really wants to play, but Rodgers wants to stay relevant. What do we think of Rodgers and his plan? Joe still is fascinated by Austin playing the clarinet.

Hour 2 with Joe Starkey: Ray thinks the wide receiver and cornerback draft wasn't all that deep in the draft and why the Steelers went to Metcalf and Slay. Ray and Austin think the QB room will be slightly improved than last season. Ross Tucker thinks it's ridiculous the Steelers are waiting for Aaron Rodgers

The voters are undecided, Lorna Palethorpe is unclear, Peregrine Haste is unable to comment, and Tony gets a guilt trip from his chiropractor. Monthly support | One-off support Merch Store | Official Website

This year marks the one hundred and fiftieth anniversary of Maurice Ravel's birth. So we have been hearing a lot of him. Jay plays two pieces by him—two of his best, and most typical. There are also Spanish songs, by Obradors and Rodrigo. Some Schumann, some Vaughan Williams, and so on. Plus several stories—personal ones. An enriching, smile-making program. Obradors, “Del cabello más sutil” Rodrigo, “De ronda” Bernstein, Sonata for Clarinet and Piano Beethoven, “Leonore” Overture No. 3 Vaughan Williams, “Linden Lea” Ravel, “Pavane for a Dead Princess” Schumann, Sonata in D minor for Piano and Violin Handel, “Son nata a lagrimar,” from “Giulio Cesare” Ravel, “The Fairy Garden” from the “Mother Goose” Suite

The Catholic cardinal Jorge Mario Bergolio ascended to the papacy in 2013. In honor of Saint Francis of Assisi, he chose as his papal name Francis. For a dozen years he was the head of the Catholic Church and a major figure in the moral and cultural life of the West. After a prolonged illness, Pope Francis died on April 21 of this year. There are over 1.4 billion Catholics in the world, and they play a significant role in the production of Western culture and Western opinion. The foundational structures of Europe are derivative of, or inseparably woven into, the history of the Catholic Church. And whether the pope strengthens or undermines the moral confidence of Western nations matters: it mattered during the papacy of John Paul II during the cold war; it mattered in the confrontation with jihadist terror during the papacy of Benedict XVI; and it cannot but be a factor in the horizons of Western civilization. This podcast focuses on a particular dimension of the late Pope Francis's legacy, namely, how he engaged the Jewish people, Israel, and the Middle East. To discuss the legacy of Pope Francis, the Church's engagement in the Middle East, and who might be the next Catholic pope, Mosaic's editor Jonathan Silver sat down with Father Benedict Kiely. Kiely was born in London, ordained a Catholic priest in Canterbury, and has spent most of his ministry in the United States. In 2014, he founded Nasarean.org, a charity that supports persecuted Christians around the world, and especially in Iraq, Syria, and Lebanon. One of his aims is to see the church grow closer to its Middle Eastern roots, and that means, in some grand spiritual way, closer too to its Jewish roots. For Catholics, the question of the Church's attitude toward Zionism and Israel is not perhaps among the most pressing of ecclesiastical priorities. One would not expect it to weigh heavily on the Vatican's conclave in the election of the next pope. This conversation thus takes the perspective of an outsider. Moreover, there are very deep theological matters that will always divide the Catholic Church from the Jewish people. And some of those very deep theological matters also shape the way that Catholics tend to think about Zionism and the modern state of Israel. The Jewish people are animated by a belief in covenantal chosenness, and a sense of sacred obligation to uphold God's ways in their actions, in their families, and in their nation. That obligation is structured by tradition and law, and it is expressed nationally in the people of Israel, which, after a long hiatus in exile, again has a sovereign state in the land of its fathers. For Catholics, of course, the Church is the new Israel, and despite very welcome and laudable developments since the promulgation of Nostra Aetate in 1965, that is an unbridgeable theological chasm. Nonetheless, friendship between Christians and Jews is essential to revitalizing our shared civilization and passing it on to future generations. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In this inspiring episode of REJUVENAGING with Dr. Ron Kaiser, world-renowned clarinetist David Singer shares the extraordinary highs and humble beginnings of his life and career. From overcoming an abusive childhood and working odd jobs—including driving a cab in New York City—to performing for President Jimmy Carter at the White House and earning a Grammy with the Orpheus Chamber Orchestra, David's story is a powerful testament to perseverance, passion, and purpose.David reflects on pivotal moments in his life—from his childhood crush that introduced him to the clarinet, to his magical year studying in Vienna, and the struggles of trying to make it in the competitive world of classical music without compromising his individuality. Despite setbacks, he chose an unconventional route, building a celebrated career through unique collaborations and by impacting others through music education.Listeners will walk away with timeless life lessons: follow your passion, take small daily steps toward your goals, and never give up. David's book From Cab Driver to Carnegie Hall captures this journey in rich detail, offering humor, history, and hope. This conversation is not just for music lovers, but for anyone striving to live with enthusiasm and make a meaningful impact.More info on David:https://singerclarinet.com/https://www.amazon.com/Cab-Driver-Carnegie-Hall/dp/B0D6THBZGK/ref=sr_1_1?crid=1DPA5VCH17YVC&dib=eyJ2IjoiMSJ9.27Fyjaoak3ON0nmB2MbIYw.pFeHtK8rd6EiY6_az2jQsQ9-vPybbAiHJqI3Tb89Nyo&dib_tag=se&keywords=from+cab+driver+to+carnegie+hall&qid=1719257751&sprefix=from+cab%2Caps%2C393&sr=8-1&ccs_id=9981d16b-4d98-4d03-b6c4-1e6a592e7c1chttps://www.barnesandnoble.com/w/from-cab-driver-to-carnegie-hall-david-singer/1145768669?ean=9798822935211 Hosted on Acast. See acast.com/privacy for more information.

David had a freak accident and was pulled under the wheels of a speeding train. In the hospital afterwards, he had my amazing near-death experience (NDE). The NDE changed everything for him and inspired him to reach a level of musical and artistic creativity that he had never been capable of achieving before. At first, he felt compelled to produce paintings of what he'd seen in the Afterlife and then he felt moved to compose classical music, even though he'd never received any training in classical music and never composed such music before his NDE (in fact, to this day, he still cannot read or write a single note of music at all).His debut symphony, The Divine Light, was inspired by his NDE and he was lucky enough to have it premiered at a sell-out performance. Since then, he has composed a follow-up symphony, 'The Falcon', which was also premiered at a sell-out concert, as was his Cambridge Clarinet Choir commissioned piece 'Awake', conducted by renowned Clarinet player Andrew Webster. He is currently composing a new symphony entitled 'I Wasn't Expecting This'. He came back from the Afterlife charged with an incredible energy, a burning desire to tell everyone there is nothing to fear after death, life continues on. Before his NDE, his life had been completely ruled by guilt and lack of self-worth. But his NDE gave him the self-love and confidence to go and try whatever he wanted to do in life and that's a wonderful feeling and he wants everyone to feel that way.Across thousands of years, people have described one of the most astonishing of all human phenomena: the near-death experience (NDE), the subjective experience of an Afterlife, a place where we apparently survive death. The more powerful the NDE, the more profound the after effects. The ambitious reset their priorities. Atheists change their values. Doctors rethink their beliefs. But what if the after effects of an NDE were undeniable? What if someone suddenly developed the ability to produce high quality paintings of their NDE, a new-found skill that went far beyond the artistic ability they had before? And what if that same person then suddenly acquired the ability to compose classical symphonies after their NDE? And their symphonies were then premiered at sell out orchestral concerts, even though, to this day, they are unable to read or write a single note of musical notation. Wouldn't this be proof that even a cynic would have a hard time explaining? After his NDE, this is exactly what happened to David. And this is his story.https://www.amazon.com/dp/B088TF4RPW/https://www.shineonthestory.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlifeMy book 'Verified Near Death Experiences' https://www.amazon.com/dp/B0DXKRGDFP

New York City in the 1970s and 1980s was, to put it lightly, not a very safe or nice place to live. Drugs, crime, and public-sector mismanagement made it dangerous and unpleasant, and even the very wealthy were not entirely immune from the disorder. In the 1990s and early 2000s, the city rebounded in an incredible way, and a great deal of that civic revitalization found its roots in the policy research of a small think tank focused on urban affairs, the Manhattan Institute. Utilizing new approaches to law enforcement and other governance matters that scholars at the Manhattan Institute incubated, Mayors Rudy Giuliani and Mike Bloomberg restored and improved New York. Then came a wave of politicians in city hall and in Albany who forgot the hard-won lessons of the 90s revival, and the city in the last fifteen or so years has experienced a resurgence of crime, drug abuse, untreated mental illness, homelessness, and violence, along with the tell-tale signs of urban decay and disorder. In all of this, as ever, the Jewish community of New York served as the canary in the coal mine, and a spate of anti-Semitic violence preceded and then coincided with the general unraveling. To discuss how this breakdown of order can be halted and reversed, Mosaic's editor Jonathan Silver is joined by the irrepressible policy entrepreneur and conservative visionary, the fifth president of the Manhattan Institute, Reihan Salam. Together they address the civic health of New York, the most Jewish city in America; what it takes to re-moralize the culture; what urban conservatism is; and why Salam believes that the work he and his colleagues are doing at the Manhattan Institute could lay the groundwork for New York's next come back. This conversation was recorded live in Manhattan, in front of an intimate audience of members of the Tikvah Society, so you may hear sirens and street sounds—the soundtrack of New York. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

On February 8, 2025, three hostages ascended from the dungeons of Hamas and returned to freedom in Israel: Eli Sharabi, age fifty-two; Or Levy, age thirty-four; and Ohad Ben Ami, age fifty-six. They had been held captive for sixteen months. When the three men were first seen, and their images instantly projected onto social media and news sites and television sets across the world, many viewers had a similar reaction. They were so gaunt, so emaciated, so frail, that they reminded Israeli government ministers, news analysts, even the president of the United States, of Holocaust survivors. Survivors of the Nazi war against the Jews were, upon their liberation in 1945, indeed often starved and skeletal, and when we think of the women and men who endured the miserable slavery of the concentration camps, we think of their suffering. There are vanishingly few survivors of the Shoah still alive with us now some 80 years after the camps were liberated. And of course we who are their children and grandchildren and great-grandchildren have an obligation to redeem their suffering with life, with holiness, and with strength. Even so, alongside and among the suffering victims, the prisoners, the Jews who were oppressed by the Nazis and their collaborators, there were countless examples of Jewish resistance, of Jewish heroism and courage that tell a very different story about the Shoah. Today's podcast traces the life and defiant wartime story of Joseph Scheinmann, born in Munich in 1915, who fled with his family to France in 1933, where he was assigned a new identity and a new name. From that moment on, Joseph—now Andre—would work to undermine, sabotage, subvert, surveil, and debilitate the Nazis. Andre, the name he kept even after the war, the name he used to build a life in America, is the grandfather of Gabriel Scheinmann, a foreign-policy analyst and the executive director of the Alexander Hamilton Society. He joins the podcast alongside Diana Mara Henry, the author of a new book about Gabriel's grandfather, I am Andre: German Jew, French Resistance Fighter, British Spy, based on Andre's own recollections and memoir. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

9am- Gen Wars, Omar's Clarinet and MORE full 1603 Fri, 07 Feb 2025 18:13:13 +0000 VdUrVTgHnDPtpHjvdShZz2zUO1sUpB1G society & culture Klein/Ally Show: The Podcast society & culture 9am- Gen Wars, Omar's Clarinet and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=http

9am- Ally's 5 Reasons, Omar's Clarinet and MORE full 1280 Mon, 03 Feb 2025 18:14:43 +0000 ScZFaIdJ8SEn15SyzcftPqWDWa5nYEuN society & culture Klein/Ally Show: The Podcast society & culture 9am- Ally's 5 Reasons, Omar's Clarinet and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-l

8am- Tom Morello, Omar's Clarinet and MORE full 1585 Thu, 30 Jan 2025 17:49:50 +0000 miobA3GQo7APev7Z4Cq3YkEBnOED2enX society & culture Klein/Ally Show: The Podcast society & culture 8am- Tom Morello, Omar's Clarinet and MORE Klein: This east coast transplant, has built and hosted successful morning radio shows on both coasts. He has also written jokes for Comedy Central Roasts and Howard Stern. His biggest claim to fame, however, was when he was born eight minutes after midnight on January 1st and named ‘Baby New Year.' Ally: Sketch comedian, voice-over artist, and comedy writer. Ally has co-hosted radio shows in San Francisco and Los Angeles and had her voice featured in numerous commercials, cartoons, and video games. DJ OMAR KAHN: Audio specialist and ‘self-made millionaire.' Omar spent years as part of the Hall of Fame Kevin & Bean Show. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=h