Podcasts about Rondo

Wolfgang Amadeus Mozart (1756 - 1791) - Quintetto per pianoforte e fiati in mi bemolle maggiore, K 4521.       Largo - Allegro moderato2.       Larghetto [10:11]3.       Rondo. Allegretto [19:47] Alfred Brendel, pianoforteHeinz Holliger, oboeEduard Brunner, clarinettoHermann Baumann, cornoKlaus Thunemann, fagotto

From S.League showdowns to the floorball court and the whistle in the Singapore Premier League — meet Oswind Suriya Rosayro, a man who's done it all in Singapore sports. ⚽

Ben Criddle talks BYU sports every weekday from 2 to 6 pm.Today's Co-Hosts: Ben Criddle (@criddlebenjamin)Subscribe to the Cougar Sports with Ben Criddle podcast:Apple Podcasts: https://itunes.apple.com/us/podcast/cougar-sports-with-ben-criddle/id99676

durée : 00:05:06 - Spécial Bac 2/5 : La forme rondo de Bach à Werenoi - par : Max Dozolme - Ce matin on se penche sur le finale "Allegro Assai" du Concerto pour violoncelle en la majeur de Carl Philipp Emanuel Bach. La musique au programme du bac qui peut vous paraître peut-être la plus abstraite et qui se rapproche pourtant le plus des musiques les plus écoutées en France comme le rap !

Cuando no nos preocupamos por los acosados y los desamparados, no hacemos nada para hablarles de la esperanza y la paz que se encuentran en Cristo, lo cual es una hipocresía dolorosa, ya que alguien nos habló de esa misma esperanza que ahora guardamos para nosotros mismos. Desde que Cristo se hizo partícipe de nuestro dolor y nos sanó a través de la cruz, estamos en deuda con Él. Por lo tanto, debemos aceptar Su llamado y permitir que Él nos envíe a llevar paz y sanación a los demás. ¡Nuestra fe en el evangelio nos impulsa a ir! (2 Corintios 5:14-15)

This week, we're bringing you a special episode of Catalyst with Shayle Kann, a show about how to decarbonize the planet. In this episode: what it takes to secure investments for first-of-a-kind infrastructure projects.  First-of-a-kind projects need infrastructure investment, the kind of money that costs less than venture capital and usually comes in the form of deals worth tens or hundreds of millions of dollars. But infrastructure investors are notoriously conservative and convincing them to bite can be challenging.  So what do infrastructure investors really want? In this episode, Shayle talks to Mario Fernandez, head of Breakthrough Energy's FOAK finance program. It has worked with companies like Rondo, Form Energy, and Lanzajet to overcome challenges on the path to infrastructure investment. Coincidentally, the program is also called Catalyst (no relation to our show). Mario and Shayle talk about the journey from lab-proven technology to a fully de-risked infrastructure investment, covering topics like: Why investors want to see a path to multiple, repeatable projects Mario's prescription for a scale-up path: pilot, demo, and FOAK project The difficulty of following that path on a limited financial runway The commercial construct and the tension between negotiating a flexible offtake and securing a customer Developing the right capital stack and accurately estimating capital needs Credits: Hosted by Shayle Kann. Produced and edited by Daniel Woldorff. Original music and engineering by Sean Marquand. Stephen Lacey is executive editor.

Stāsta pianists Ventis Zilberts Vai zini, ka daudzu izcilu komponistu opusi dažkārt pie klausītājiem nonāk simtiem gadu pēc viņu nāves? Viens no autoriem, kura skaņdarbs tikai pēc apmēram 150 gadiem "ieraudzīja dienas gaismu", bija austriešu komponists Volfgangs Amadejs Mocarts. Runa ir par viņa Rondo klavierēm un orķestrim La mažorā ar Keheļa kataloga numuru 386. Pēc autoritatīva amerikāņu muzikologa-pētnieka Alfrēda Einšteina (nesajaukt ar fiziķi Albertu Einšteinu!) domām tas komponēts 1782. gada beigās. Lūk, īsa šīs partitūras likteņa biogrāfija. Šī Koncertrondo manuskriptu savulaik Mocarta atraitne pārdeva izdevējam Johanam Antonam Andrē, kurš to netika publicējis, jo trūka manuskripta pēdējo lappušu. Tāpēc viņš to pārdeva tālāk, un notis galu galā nonāca Anglijā kāda Sterndeila Beneta īpašumā. 1838. gadā cits anglis – komponists Cipriani Poters – izveidoja visa darba aranžējumu klavierēm solo, kurā pazudušo lappušu vietā bija iekļauts viņa paša radīts noslēgums. Pēc simt gadiem jau pieminētais Alfrēds Einšteins publicēja Rondo partitūras rekonstrukciju, izmantojot šo aranžējumu klavierēm solo. Tas bija 1936. gadā. Tad vēl dažu nozaudēto oriģinālo lapaspušu atradumi laiku pa laikam, un visbeidzot, 1980. gadā, gandrīz 200 gadus pēc skaņdarba radīšanas, Britu bibliotēkā tika atrastas četras no septiņām pēdējām partitūras lapām! Partitūras ērkšķainais ceļš, lai to pilnvērtīgi atskaņotu koncertzālēs vai veidotu ierakstus, bija noslēdzies! Bet kā pie mums, Latvijā? Mūzikas vēsture nesniedzas gadsimtu garumā, tomēr arī XX gadsimts devis vienu otru pārsteigumu klausītājiem, – gandrīz līdzīgi kā mazajā vēstījumā par Mocarta Rondo likteņgaitām. Stāsts ir par diriģentu un komponistu Leonīdu Vīgneru un viņa sacerēto Klaviersonāti. Tālajā 1928. gadā, divus gadus pirms Jāzepa Vītola kompozīcijas klases absolvēšanas Latvijas konservatorijā, Leonīds Vīgners sava kompozīcijas skolotāja vadībā sacerēja Sonāti klavierēm, ļoti apjomīgu darbu četrās daļās. Domājams, ka sonātes žanrā rakstīts darbs bija obligāta prasība visiem tā laika kompozīcijas klases studentiem, jo līdzīga veida opusi atrodami arī citu tā laika konservatorijas studentu skaņdarbu sarakstos  – te var minēt gan Haraldu Berino, gan Jāni Ivanovu, gan Ādolfu Skulti.  Pēc Sonātes nospēlēšanas eksāmenā, ko īsti nevar skaitīt par publisku atskaņojumu, Leonīda Vīgnera darbs pie klausītājiem nonāca tikai 60 gadus pēc uzrakstīšanas – 1988. gadā. Jutos ļoti pagodināts, kad Meistars man uzticēja pirmatskaņot to koncertā mūsu mūzikas augstskolas Lielajā zālē. Vēlāk mēģināju izzināt, kāds ir bijis pirmais publiskais skaņdarba eksponējums un kāpēc nošu materiāls tik ilgus gadus gulējis plauktā. Lūk, daži momenti no Leonīda Vīgnera paskopi stāstītā: vispirms par šo izvērstā opusa atskaņojumu viņa kompozīcijas eksāmenā. Kā jau tas studentiem visos laikos raksturīgi, sonātes pēdējās lappuses tapušas burtiski dažas stundas pirms priekšā spēlēšanas Jāzepam Vītolam. To atskaņojusi topošā diriģenta studiju biedrene Tatjana Babina – pēc Leonīda Vīgnera paustā – izcili talantīga pianiste. Saprotams, pēdējā brīdī rakstītais Sonātes noslēguma posms bijis jālasa no lapas. Vīgners pats atskaņojis skaņdarba lēno daļu. Viss izdevies lieliski, darbs novērtēts ar augstāko atzīmi. Vēlākajos gados autors, būdams aizņemts ar darbošanos diriģēšanas jomā, esot gluži vienkārši piemirsis par savu opusu. Piemirsis vairāk nekā pusgadsimtu! Skaņdarba atdzimšanas sākuma  impulss bija tik pat īss, cik maestro sacītais: "Es, krāmējoties pa šūflādi, atradu notis, – varbūt ņemsi nospēlēt!" Pēc pirmatskaņojuma tapa radio ieraksts, vēlāk Sonāti atskaņoja arī pianiste Jautrīte Putniņa, viņa par tās materiālu izsacījās visai jūsmīgi, kas nebūt nebija viņai raksturīgi. Sonāti iepazinis arī viens otrs students, atskaņojot atsevišķas daļas. Un, visbeidzot, vēl viens pārsteigums, atkal ar skatu uz plašo pasauli.  Pagājušā gada oktobrī masu medijos parādījās lakoniska ziņa: "Ņujorkas Morgana bibliotēkā atrasts manuskripts ar partitūru, kuru, domājams, 19. gadsimta 30. gados sarakstījis Šopēns." Tikai 24 taktis! Eksperti spriež, ka var dot 98% garantijas, ka šo miniatūru – Valsi – pirms gandrīz 200 gadiem rakstījusi slavenā poļa roka. Tikai trīs, manuprāt, saviļņojoši  gadījumi, bet līdzīgu mūzikas vēsturē ir gana daudz, bet par tiem – kādu citu reizi.

Cuando no creemos en los milagros de Dios, no hacemos nada para prepararnos para recibirlos. Si Jesús pudo vencer el pecado y la muerte, entonces no hay nada que no pueda hacer. Es hora de que ejerzamos una fe genuina, aquí y ahora, y nos preparemos para recibir lo que solo Él puede dar.

Hey Podtimists,This week David concludes his Indiana Jones journey and Chase plays a pokemon game where you catch mario stuff. It's really good.We also took a deeper look at the NDS game, Rondo of Swords. This game was suggested to us by Domino. Thanks Domino!---Timestamps:(0:00) - Intro(3:22) - What David has been playing(3:27) - Indiana Jones and the Great Circle(9:05) - What Chase has been playing(9:34) - The Slormancer(21:20) - Super Mariomon(41:02) - Chase's Podtimistic thing of the week(45:55) - David's Podtimistic thing of the week(50:23) - Good Games! Featuring Rondo of Swords(1:13:15) - Outro---Games mentioned:Indiana Jones and the Great CircleThe SlormancerSuper MariomonRondo of Swords

Tendemos a malinterpretar lo que más necesitamos de Dios. Pensamos que necesitamos que Él cumpla nuestras expectativas y cambie nuestras circunstancias. Cuando nuestra mayor necesidad es el perdón de nuestro pecado, ser llamados de la vida y ser traídos a una nueva vida en Él. Jesús vino a satisfacer nuestra mayor necesidad. Su vida demostró que tenía la autoridad para satisfacer nuestra mayor necesidad. El tiene autoridad en palabra y obra para perdonar el pecado, llamar a los pecadores a si mismo y traer una nueva forma de vida, en su reino, que no puede ser contenida en un viejo sistema religioso.

Medaria “Rondo” Arradondo, the Minneapolis police chief when George Floyd was killed, takes us inside the challenging days of leading the department and talks about his new book, “Chief Rondo: Securing Justice for the Murder of George Floyd.”Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

La vila és una de les seus principals de joc i allotjament, amb equips de futbol base de categories de Futbol 7.

Deze week in Rondo: Deze week in Rondo: Wie wordt er kampioen? Wesley Sneijder en Rafael van der Vaart over hun frustraties bij Ajax en de klasse van Noa Lang. Ook blikken we terug op een heerlijke voetbalweek met Barcelona, Inter en Real Madrid!Rondo met: Marco van Basten, Wesley Sneijder, Youri Mulder en Rafael van der Vaart

Cuando no reconocemos quién es Jesús y el poder que tiene, no acudimos a él con fe expectante para que haga lo que parece imposible de hacer. La muerte y la resurrección de Jesús nos demuestran tanto que Jesús tiene la voluntad de salir a nuestro encuentro en nuestra necesidad como el poder de hacer algo al respecto. Así que, si creemos que esto es verdad, nos veremos obligados a acudir a él con nuestras necesidades y experimentar su imposible poder de resurrección en esas necesidades.

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Niełatwo na nie wjechać, jeszcze trudniej zjechać – Rondo Wiatraczna to niezwykłe miejsce na mapie Warszawy i tytuł książki, o której opowie jej autor w tym odcinku Raportu o książkach.Ten autor – po warszawskim Grochowie, w którego centrum stoi Rondo Wiatraczna – chodzi własnymi drogami, i to takimi, których niekoniecznie można znaleźć na mapie. To znaczy: miejsca i ulice mają nazwy, ale w tej książce topografia ustępuje „terytorializmowi schizoidalnemu”. Co to takiego – za chwilę się Państwo dowiedzą. To nie jest książka pamiętnikarska, nie jest to autofikcja ani powieść z kluczem. Chyba że za klucz uznamy wyobraźnię autora. Jej wytwory są mgliste i wymykają się realności. I może to właśnie jest najbardziej charakterystyczną cechą Grochowa – i tej książki o nim.W tym odcinku Raportu o książkach zapraszamy na rozmowę Dariusza Rosiaka z Markiem Bieńczykiem.Prowadzenie: Dariusz RosiakGość: Marek BieńczykRealizacja: Kris WawrzakKsiążka: Rondo Wiatraczna Marka Bieńczyka / Wydawnictwo Karakter---------------------------------------------Raport o stanie świata to audycja, która istnieje dzięki naszym Patronom, dołącz się do zbiórki ➡️ ⁠https://patronite.pl/DariuszRosiak⁠Subskrybuj newsletter Raportu o stanie świata ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➡️ ⁠https://dariuszrosiak.substack.com⁠Koszulki i kubki Raportu ➡️ ⁠https://patronite-sklep.pl/kolekcja/raport-o-stanie-swiata/⁠ [Autopromocja]

Michael Haydn - Divertimento: RondoAlessandro Baccini, cor anglais Sandro Simoncini, violin Luca Simoncini, cello Luca Stevanato, double bassMore info about today's track: Naxos 8.570178Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Franz Anton Hoffmeister - Double Bass Quartet No. 2: RondoNorbert Duka, double bassErno Sebestyen, violin Helmut Nicolai, viola Martin Ostertag, celloMore info about today's track: Naxos 8.572187Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

The Walker West Music Academy recently celebrated the opening of its new space on Marshall Avenue in St. Paul. What started as a music program in the lower level of a duplex has grown into a beloved nonprofit music center and a pillar of St. Paul's Rondo community. Walker West provides community music education to more than 300 students a week. They hope to offer education to more students, kids and adults alike, at the new space. MPR News host Nina Moini talks with Executive Director Braxton Haulcy about Walker West's plans.

The Minnesota Legislature has a newcomer. Republican Senator-elect Keri Heintzeman has been elected to represent the Nisswa area. We talk to her about her priorities as she joins the capitol late in the session. As President Donald Trump celebrates his first 100 days, we hear about the economic impacts his policies have had on Minnesotans. Plus, Wednesday marks 50 years since the end of the Vietnam War. We talk to a poet who is working to commemorate the stories of Lao people who came to Minnesota in the aftermath. Paul Huttner shares how many tornadoes touched down in our region from this week's severe weather. And the Walker West Music Academy, a pillar of the Rondo community, is teaching music to all from a new home.

Episode 167 Chapter 27, Computer Music (1971–2014). Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 27, Computer Music (1971–2014) from my book Electronic and Experimental music.   Playlist: EARLY MUSIC FROM MICROPROCESSORS   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     David Behrman, “Figure in a Clearing” (1977). KIM- 1 computer- controlled harmonic changes for 33 electronic generators and accompanying cello. 19:10 01:40 2.     Dorothy Siegel, “Rondo from Sonata in B flat for Clarinet and Piano” (by Wanhal) (1979). Realized using an Altair S- 100 microcomputer. 03:53 20:52 3.     Larry Fast, “Artificial Intelligence” (1980). Music generated by a microcomputer self- composing program. 10:46 24:44 4.     Laurie Spiegel, “A Harmonic Algorithm” (1981). Created on an Apple II computer with Mountain Hardware oscillator boards. 03:05 35:30 5.     Nicolas Collins, “Little Spiders” (1982). For two microcomputers equipped with gestural sensing programs, that generated sounds based on analysis of keystrokes. 04:46 38:30 6.     Gordon Mumma, “Than Particle” (1985). For computer percussion and a percussionist. 10:16 43:30 7.     Morton Subotnick, “And the Butterflies Begin to Sing” (1988). For string quartet, bass, MIDI keyboard, and microcomputer. 06:38 53:50 8.     John Bischoff, Mark Trayle, Tim Perkis, “Dovetail” (1989). Three microcomputer programs interact and respond to each other in real time. 05:04 01:00:30 9.     Tim Perkis, “Wax Lips” (1992). Performed by The Hub, an electronic music ensemble networked by a Microcomputer. 04:37 01:05:32 10.   Jin Hi Kim, “Digital Buddha” (2014), recorded live at the Metropolitan Museum of Art.  Electric komungo, Jin Hi Kim; percussion, Gerry Hemingway; MAX/MSP programming, Alex Noyes. The world's first electric komungo that his equipped with MIDI and controlled using MAX. The komungo is a traditional 6-string instrument from Korea. 12:33 01:10:08   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

On this week's pod Morayo is joined by Ant, Disu and Semms GOTW: Newcastle vs Man Utd Premier League weekend Champions League Preview/Review Arsenal Expectations Listeners Questions Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shannon Sharpe, Chad “Ochocinco” Johnson and Pat Beverly react to Luka going for 45 in his return to Dallas, Denver fires their GM & coach, & why do Paul Pierce, Rondo & Ray Allen still have beef!04:18 - Show Start04:33 - Intro07:11 - Pat Beverly joins the show10:30 - Lakers vs. Mavs40:13 - Denver fires GM and head coach49:10 - Paul Pierce and Rajon Rondo57:10 - Ja Morant game celebration(Timestamps may vary based on advertisements.)#Volume #ClubSee omnystudio.com/listener for privacy information.

We start out the bonus show this week with a topic about floor generals, with a question centered on Chris Paul and other standout players like Rajon Rondo, Kyle Lowry, and Tony Parker. Despite Chris Paul frequently dominating such lists, Rob made a surprising nod to Rondo, highlighting his exceptional court vision and ability to facilitate plays, likening Rondo's significant impact during his Boston Celtics days as part of a "big four."   We then turn the focus to contemporary stars, sparked by Jeff Teague’s rankings on the Club 250 Podcast. His top picks included Nikola Jokic, Jason Tatum, Luka Dončić, and Shai Gilgeous-Alexander. This assembly fostered a debate, particularly about Luka's defense, with Rob pointing out the importance of two-way play—a relentless topic in basketball circles about offensive and defensive proficiency. Plus we get into others deserving mention, like Donovan Mitchell and the ageless LeBron James, who continues to impress with his performance at nearly 40 years old. Rob reserved particular praise for Mitchell, noting his all-around game and contributions to his team’s success.   We close it out with frequently quoted favorite films. Blending humor with nostalgia, the co-hosts shared lines from “Tommy Boy,” “Friday,” and “Talladega Nights,” underscoring how these movies remain entrenched in cultural memory. Such discussions illustrate how sports and popular culture often intertwine, offering listeners both laughter and a break from intense sports debates.   00:00 Introduction and Episode Overview 00:35 Debating the Best Floor Generals 03:08 Rondo vs. Ben Simmons: A Shooting Comparison 04:51 Jeff Teague's Top Four NBA Players 05:51 Discussing the Term 'Two-Way Player' 07:44 Top Four NBA Players: Personal Picks 12:05 The Tush Push Controversy in the NFL 14:09 The Controversial Tush Push Play 14:36 Defending Against Running Quarterbacks 15:27 LeBron and Brian Windhorst Relationship 16:24 Annoying TV Personalities 17:43 The Mindset of Athletes 20:32 Favorite Sports Reporters and Announcers 21:50 Most Quoted Movies 23:32 Friday Movie Quotes 25:26 Remembering John Witherspoon

Eine Funke zündet und breitet sich aus. Bei dieser Gedankenreise werden Glückshormone freigesetzt. Mit dabei im Gepäck: Pink und Andreas Bourani. Drei, zwei, eins, gute Laune! Diese Musikstücke hast Du in der Folge gehört: Ferdinand Hérold – "Klavierkonzert Nr. 4 (Rondo)" // Andreas Bourani – "Wunder" // Nigel Hess – "The Smile" // Florian Christl – "Tag am See" // Pink – "A Million Dreams" // Den Podcast "RendezVous Chanson" von SR Kultur findest Du hier: https://www.ardaudiothek.de/sendung/rendezvous-chanson/10578429/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

DJ & PK debated if the BYU Cougars are the "big dog" of the Big 12 Conference as former BYU athletic director Rondo Fehlberg says they are.

W 199 odcinku naszego podcastu donosimy, że Marek Bieńczyk powrócił z nową książką! „Rondo Wiatraczna” to wieloznaczna proza, której narrator, podatny na objawienia, krąży ulicami warszawskiego Grochowa, drogami własnych natchnień i wyobraźni. Trudno powiedzieć, co tu jest czystą fantazją, co mistyfikacją, a co śladem pamięci; jak poważny jest każdy żart i jak żartobliwa jest powaga. „Bieńczyk, uwolniony z gatunkowych więzów, kapryśnie przemierza czasy i przestrzenie, szuka ładnych zdań i obrazów, mitologizuje, ale i (wbrew deklaracjom) trochę socjologizuje; często kpi, ale o drogę nie pyta, bo każdy zaułek zna jak własną kieszeń” – tak o nowej książce Bieńczyka w „Gazecie Wyborczej” pisze Marcin Sendecki.U nas o tej warszawsko-podróżniczej i melancholijnej książce z autorem porozmawiał Irek Grin. Zapraszamy do słuchania!

Nos preocupamos porque no confiamos en que Dios atenderá nuestras necesidades. Esta mentalidad nos obliga a operar bajo la ilusión de que podemos controlar nuestras circunstancias, y cuando esas ilusiones resultan falsas, nos ponemos ansiosos. Nuestro Padre sabe lo que necesitamos, y hará lo que sea necesario para satisfacer esas necesidades. Podemos creer eso porque sabemos que Él estuvo dispuesto a pedirle a Su propio Hijo que muriera en una cruz para satisfacer nuestra necesidad de salvación. Cuando confiamos en Dios y lo buscamos, la ansiedad desaparece y aparece la provisión.

Rondo readers getting some great news!

On Thu.'s ep. of No Dunks, the guys discuss the Thunder's lineup versatility, Jrue Holiday turning into Rondo, the Wolves shutting down Jamal Murray, Mikal Bridges nailing a 3-pointer at the buzzer to give the Knicks the OT win, Scoot Henderson's development, Trae Young's free throws, and more. That, plus we hit the beach to answer questions about the most beloved teams of the 2000s, our basketball icks, whether the Nuggets should trade for Durant, and more.

On Thu.'s ep. of No Dunks, the guys discuss the Thunder's lineup versatility, Jrue Holiday turning into Rondo, the Wolves shutting down Jamal Murray, Mikal Bridges nailing a 3-pointer at the buzzer to give the Knicks the OT win, Scoot Henderson's development, Trae Young's free throws, and more. That, plus we hit the beach to answer questions about the most beloved teams of the 2000s, our basketball icks, whether the Nuggets should trade for Durant, and more.

Nuestro carácter es imperfecto por naturaleza. Por eso tendemos a tomar atajos en las relaciones y a utilizarlas para satisfacer nuestros propios deseos. El Evangelio nos enseña a relacionarnos con los demás para bendecirlos y no para perjudicarlos. Esto sólo es posible cuando Jesús transforma nuestro carácter para que refleje el suyo. Su carácter nos permite vivir una vida bendecida.

DJ & PK debated if the BYU Cougars are the big dog in the Big 12 Conference as former BYU AD Rondo Fehlberg asserted recently on the show.

Ludwig van Beethoven - Cello Sonata No. 2: RondoDavid Hardy, celloLambert Orkis, pianoMore info about today's track: Dorian Sono Luminus DSL-90910Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

During the era of Jim Crow laws and racial segregation, 87 locations in Minnesota were listed in the Green Book, a guidebook that helped Black travelers find lodgings, businesses and gas stations that would serve them. But less than a quarter of these sites in Minnesota remain standing today. Most of the state's Green Book sites were in the Twin Cities and many were demolished to make way for the construction of I35-W and I-94. Nieeta Presley is a native of the historic Rondo neighborhood, which was one of those demolished by highway construction. She published research on Rondo Green Book sites with the Ramsey County Historical Society and joins MPR News host Nina Moini to share what she found.

This week, we got the one and only Rajon Rondo up in here to chop it up! Rondo takes us back to getting drafted 21st overall and then making a name for himself alongside KG, Paul Pierce and Ray Allen in Boston. The guys dive deep into the legendary 2008 Celtics championship season and how Rondo's unmatched basketball IQ, masterful passing, and iconic moves made him a true fan favorite through the years. Two-time NBA champion Rajon Rondo everybody – tune in!About Our Hosts:NBA veterans Quentin Richardson and Darius Miles are lifelong friends and bona fide truth-tellers. Listen as they invite special guests, high-profile athletes, musicians and entertainers to get brutally honest about everything from current events to untold stories from the golden era of sports and culture. Named for the on-court celebration they made wildly popular, this unfiltered, hilarious and surprising podcast is like playing NBA 2K with no fouls.Other places to find Knuckleheads: Subscribe on YoutubeFollow on InstagramFollow on Facebook

Host Lee Hawkins investigates how a secret nighttime business deal unlocked the gates of a Minnesota suburb for dozens of Black families seeking better housing, schools, and safer neighborhoods. His own family included.TranscriptIntroLEE HAWKINS: This is the house that I grew up in and you know we're standing here on a sidewalk looking over the house but back when I lived here there was no sidewalk, and the house was white everything was white on white. And I mean white, you know, white in the greenest grass.My parents moved my two sisters and me in 1975, when I was just four years old. Maplewood, a suburb of 25,000 people at the time, was more than 90% white.As I rode my bike through the woods and trails. I had questions: How and why did these Black families manage to settle here, surrounded by restrictions designed to keep them out?The answer, began with the couple who lived in the big house behind ours… James and Frances Hughes.You're listening to Unlocking The Gates, Episode 1.My name is Lee Hawkins. I'm a journalist and the author of the book I AM NOBODY'S SLAVE: How Uncovering My Family's History Set Me Free.I investigated 400 years of my Black family's history — how enslavement and Jim Crow apartheid in my father's home state of Alabama, the Great Migration to St. Paul, and our later move to the suburbs shaped us.My producer Kelly and I returned to my childhood neighborhood. When we pulled up to my old house—a colonial-style rambler—we met a middle-aged Black woman. She was visiting her mother who lived in the brick home once owned by our neighbors, Mr. and Mrs. Hutton.LEE HAWKINS: How you doing? It hasn't changed that much. People keep it up pretty well, huh?It feels good to be back because it's been more than 30 years since my parents sold this house and moved. Living here wasn't easy. We had to navigate both the opportunities this neighborhood offered and the ways it tried to make us feel we didn't fully belong.My family moved to Maplewood nearly 30 years after the first Black families arrived. And while we had the N-word and mild incidents for those first families, nearly every step forward was met with resistance. Yet they stayed and thrived. And because of them, so did we.LEE HAWKINS: You know, all up and down this street, there were Black families. Most of them — Mr. Riser, Mr. Davis, Mr. White—all of us can trace our property back to Mr. Hughes at the transaction that Mr. Hughes did.I was friends with all of their kids—or their grandkids. And, at the time, I didn't realize that we, were leading and living, in real-time, one of the biggest paradigm shifts in the American economy and culture. We are the post-civil rights generation—what I call The Integration Generation.Mark Haynes was like a big brother to me, a friend who was Five or six years older. When he was a teenager, he took some bass guitar lessons from my dad and even ended up later playing bass for Janet Jackson when she was produced by Minnesota's own Jimmy Jam and Terry Lewis.Since his family moved to Maplewood several years before mine, I called him to see what he remembered.MARK HAYNES: "It's a pretty tight-knit group of people,"Mark explained how the community came together and socialized, often –MARK HAYNES: "they—every week, I think—they would meet, actually. I was young—maybe five or six.LEE HAWKINS: And what do you remember about it? I asked. What kind of feeling did it give you?MARK HAYNES: It was like family, you know, all of them are like, uh, aunts and uncles to me, cousins. It just felt like they were having a lot of fun. I think there was an investment club too."Herman Lewis was another neighbor, some years older than Mark—an older teenager when I was a kid. But I remember him and his brother, Richard. We all played basketball, and during the off-season, we'd play with my dad and his friends at John Glenn, where I'd eventually attend middle school. Herman talked to me about what it meant to him.HERMAN LEWIS: We had friends of ours and our cousins would come all the way from Saint Paul just to play basketball on a Friday night. It was a way to keep kids off the street, and your dad was very instrumental trying to make sure kids stayed off the street. And on a Friday night, you get in there at five, six o'clock, and you play till 9, 10 o'clock, four hours of basketball. On any kid, all you're going to do is go home, eat whatever was left to eat. And if there's nothing left to eat, you pour yourself a bowl of cereal and you watch TV for about 15 to 25-30, minutes, and you're sleeping there, right in front of the TV, right?LEE HAWKINS: But that was a community within the community,HERMAN LEWIS: Definitely a community within the community. It's so surprising to go from one side of the city to the next, and then all of a sudden there's this abundance of black folks in a predominantly white area.Joe Richburg, another family friend, said he experienced our community within a community as well.LEE HAWKINS: You told me that when you were working for Pillsbury, you worked, you reported to Herman Cain, right? We're already working there, right? Herman Cain, who was once the Republican front runner for President of the United States. He was from who, who was from the south, but lived in Minnesota, right? Because he had been recruited here. I know he was at Pillsbury, and he was at godfathers pizza, mm hmm, before. And he actually sang for a time with the sounds of blackness, which a lot of people would realize, which is a famous group here, known all over the world. But what was interesting is you said that Herman Cain was your boss, yeah, when he came to Minnesota, he asked you a question, yeah. What was that question?Joe Richburg: Well, he asked me again, from the south, he asked me, Joe, where can I live? And I didn't really understand the significance of that question, but clearly he had a sense of belonging in that black people had to be in certain geographic, geographies in the south, and I didn't have that. I didn't realize that was where he was coming from.Before Maplewood, my family lived in St. Paul's Rondo neighborhood—a thriving Black community filled with Black-owned businesses and cultural icons like photojournalist Gordon Parks, playwright August Wilson, and journalist Carl T. Rowan.Like so many other Black communities across the country, Rondo was destroyed to make way for a highway. it was a forced removal.Out of that devastation came Black flight. Unlike white flight, which was driven by fear of integration, Black flight was about seeking better opportunities: better funded schools and neighborhoods, and a chance at higher property values.Everything I've learned about James and Frances Hughes comes from newspaper reports and interviews with members of their family.Mr. Hughes, a chemist and printer at Brown and Bigelow, and Frances, a librarian at Gillette Hospital, decided it was time to leave St. Paul. They doubled down on their intentions when they heard a prominent real estate broker associate Blacks with “the ghetto.” According to Frances Hughes, he told the group;FRANCES HUGHES (ACTOR): “You're living in the ghetto, and you will stay there.”She adds:FRANCES HUGHES (ACTOR): “I've been mad ever since. It was such a bigoted thing to say. We weren't about to stand for that—and in the end, we didn't.”The Hughes began searching for land but quickly realized just how difficult it could be. Most white residents in the Gladstone area, just outside St. Paul, had informal agreements not to sell to Black families. Still, James and Frances kept pushing.They found a white farmer, willing to sell them 10 acres of land for $8,000.And according to an interview with Frances, that purchase wasn't just a milestone for the Hughes family—it set the stage for something remarkable. In 1957, James Hughes began advertising the plots in the Twin Cities Black newspapers and gradually started selling lots from the land to other Black families. The Hughes's never refused to sell to whites—but according to an interview with Frances, economic justice was their goal.FRANCES HUGHES (ACTOR): “Housing for Blacks was extremely limited after the freeway went through and took so many homes. We wanted to sell to Blacks only because they had so few opportunities.”By the 1960s, the neighborhood had grown into a thriving Black suburban community. The residents here were deeply involved in civic life. They attended city council meetings, started Maplewood's first human rights commission, and formed a neighborhood club to support one another.And over time, the area became known for its beautiful homes and meticulously kept lawns, earning both admiration and ridicule—with some calling it “The Golden Ghetto.”Frances said:FRANCES HUGHES (ACTOR): “It was lovely. It was a showplace. Even people who resented our being there in the beginning came over to show off this beautiful area in Maplewood.”And as I pieced the story together, I realized it would be meaningful to connect with some of the elders who would remember those early daysANN-MARIE ROGERS: In the 50s, Mr. Hughes decided he was going to let go of the farming. And it coincided with the with 94 going through the RONDO community and displacing, right, you know, those people. So, at that time, I imagine Mr. Hughes had the surveyors come out and, you know, divided up into, you know, individual living blocks.That is Mrs. Ann-Marie Rogers, the mother of Uzziel and Thomas Rogers, who I spent a lot of time with as a kid. I shared what I'd uncovered in the archives, hoping she could help bring those early experiences to life.ANN-MARIE ROGERS: So, everyone played in our yard, the front yard, the yard light that was where they played softball, baseball, because the yard light was the home plate, and the backyard across the back was where they played football.Throughout this project, we found similar stories of strength, including one from Jeson Johnson, a childhood friend with another Minnesota musical connection. His aunt, Cynthia Johnson, was the lead singer of Lipps Inc., whose hit song “Funkytown” became a defining anthem of its time when many of us were just kids. We were proud of her, but I now know the bigger star was his grandmother.JESON JOHNSON: She was actually one of the first black chemists at 3M. So what she told me is that they had told her that, well, you have to have so much money down by tomorrow for you to get this house. It was really, really fast that she had to have the money. But my grandmother was she was really smart, and her father was really smart, so he had her have savings bonds. So what she told him was, if you have it in writing, then I'll do my best to come up with the money. I don't know if I'll be able to. She was able to show up that day with all her savings bonds and everything, and have the money to get it. And they were so mad, yes, that when she had got the house, they were so mad that, but they nothing that they could do legally because she had it on paper, right, right? And then that kind of started out in generation out there. It was the NAACP that kind of helped further that, just because she was chemist, they got her in the 3M, and all their programs started there.Decades later, as my friends and I played, I had no concept of any of the struggles, sacrifices and steps forward made by the pioneers who came before us. I checked in with my friend, Marcel Duke.LEE HAWKINS: did they tell you that mister Hughes was the guy that started, that started it?MARCEL DUKE: It probably never was conveyed that way, right to us kids, right? I'm sure back then, it was looked as an opportunity, yes, to get out of the city. Mm, hmm, and and where people that look like us live. And obviously that's the backstory of Mister Hughes, yeah, ultimately, we went out there because he made it known in the city, inner city, that we could move out there and be a community out there.Marcel is about four years older, I figured he may have clearer memories of Mr. Hughes than I do.MARCEL DUKE: I used to cut mister Hughes grass. I was like, like the little hustler in the neighborhood. I wanted to cut because I wanted money to go to spend on candy.Mr. Hughes' significance transcends the extra cash he put in the pockets of neighborhood kids. His granddaughter, Carolyn Hughes-Smith, told us more his multigenerational vision for Black American wealth building. But before he became a historical figure, he was just...grandpa.CAROLYN HUGHES-SMITH: the things that I really remember about him. He could whistle like I not whistle, but he could sing like a bird, you know, always just chirping. That's how we know he was around. He was more of a, like a farmer.He didn't talk much with his grandchildren about how he and Frances had unlocked the gates for Blacks. But she was aware of some of the difficulty he faced in completing that transaction that forever changed Maplewood.HUGHES-SMITH: I just heard that they did not, you know, want to sell to the blacks. And they, you know, it was not a place for the blacks to be living. And so, what I heard later, of course, was that my grandpa was able to find someone that actually sold the land to him out there and it, you know, and that's where it all started, reallyThat someone was a white man named Frank Taurek. He and his wife, Marie, owned the farm that Mr. Hughes and Frances had set their sights on. But the purchase was anything but straightforward. They had to make the deal through “night dealing.” Frances explains in a 1970s interview.FRANCES HUGHES (ACTOR): "It was just after the war. There was a tremendous shortage of housing, and a great deal of new development was going on to try to fix that. But, my dear, Negroes couldn't even buy a lot in these developments. They didn't need deed restrictions to turn us away. They just refused to sell."She describes the weekend visit she and her husband made to put in an offer on the land. By Monday morning, a St. Paul real estate company had stepped in, offering the Taurek's $1,000 more to keep Blacks out.FRANCES HUGHES (ACTOR): "But he was a man of his word, which gives you faith in human nature. The average white person has no idea of how precarious life in these United States is for anybody Black at any level. So often it was a matter of happenstance that we got any land here. The farmer could have very easily accepted the $1,000 and told us no, and there would have been nothing we could have done."What led Frank Taurek to defy norms and his neighbors, to sell the land to a Black family?DAVIDA TAUREK: I'm already moved to tears again, just hearing about it, [but and] hearing you talk about the impact of my, you know, my lineage there. It seems so powerful.This perspective comes from his great-granddaughter, Davida Taurek, a California-based psychotherapist. When I tracked her down, she was astonished to hear the long-buried story of how her white great grandparents sold their land to a Black family, unwittingly setting into motion a cascade of economic opportunities for generations to come.DAVIDA TAUREK: When I received your email, it was quite shocking and kind of like my reality did a little kind of sense of, wait, what? Like that somehow I, I could be in this weird way part of this amazing story of making a difference. You know, like you said, that there's generational wealth that's now passed down that just didn't really exist.I've seen plenty of data about what happens to property values in predominantly white neighborhoods when a Black family moves in. The perception of a negative impact has fueled housing discrimination in this country for decades, you may have heard the phrase: “There goes the neighborhood.” It's meant to be a sneer—a condemnation of how one Black family might “open the door” for others to follow. In this case, that's exactly what the Taurek's facilitated.As Carolyn Hughes- Smith sees it, the power of that ripple effect had a direct impact on her life, both as a youngster, but later as well.CAROLYN HUGHES-SMITH: We were just fortunate that my grandfather gave us that land. Otherwise, I don't, I don't know if we would have ever been able to move out thereHer parents faced some tough times –CAROLYN HUGHES-SMITH: making house payments, keeping food in the house, and that type. We were low income then, and my dad struggled, and eventually went back to school, became an electrician. And we, you know, were a little better off, but that happened after we moved out to Maplewood, but we were struggling.But they persevered and made it through –CAROLYN HUGHES-SMITH: after I grow got older and teen and that, I mean, I look back and say, Wow, my grandfather did all of this out hereOn the Taurek side of the transaction, the wow factor is even more striking. As I dug deeper into his story, it wasn't clear that he Frank Taurek was driven by any commitment to civil rights.Davida never met her great grandfather but explains what she knows about him.DAVIDA TAUREK: What I had heard about him was through my aunt that, that they were, you know, pretty sweet, but didn't speak English very well so there wasn't much communication but when they were younger being farmers his son my grandfather Richard ran away I think when he was like 14 years old. his dad was not very a good dad you know on a number of levels. There's a little bit of an interesting thing of like where Frank's dedication to his own integrity or what that kind of path was for him to stay true to this deal and make it happen versus what it meant to be a dad and be present and kind to his boy.Carolyn Hughes-Smith still reflects on the courage of her family—for the ripple effect it had on generational progress.CAROLYN HUGHES-SMITH: Would the struggle be the same? Probably not. But what makes me like I said, What makes me happy is our family was a big part of opening up places to live in the white community.LEE HAWKINS: Next time on Unlocking The GatesCAROLYN HUGHES-SMITH: The one thing that I really, really remember, and it stays in my head, is cross burning. It was a cross burning. And I don't remember exactly was it on my grandfather's property?OUTRO THEME MUSIC/CREDITS.You've been listening to Unlocking the Gates: How the North led Housing Discrimination in America. A special series by APM Studios AND Marketplace APM with research support from the Alicia Patterson Foundation and Mapping Prejudice.Hosted and created by me, Lee Hawkins. Produced by Marcel Malekebu and Senior Producer, Meredith Garretson-Morbey. Our Sound Engineer is Gary O'Keefe.Kelly Silvera is Executive Producer.

Ludwig van Beethoven - Piano Sonata No. 2: RondoJeno Jando, pianoMore info about today's track: Naxos 8.550150Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Boston singer-songwriter Steve Rondo performs on the WATD Tiny Stage - Learn more at https://steverondomusic.com. 

Dionysio Aguado - Introduction and RondoAnabel Montesinos, guitarMore info about today's track: Naxos 8.557294Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

First-of-a-kind projects need infrastructure investment, the kind of money that costs less than venture capital and usually comes in the form of deals worth tens or hundreds of millions of dollars. But infrastructure investors are notoriously conservative and convincing them to bite can be challenging.  So what do infrastructure investors really want? In this episode, Shayle talks to Mario Fernandez, head of Breakthrough Energy's FOAK finance program. It has worked with companies like Rondo, Form Energy, and Lanzajet to overcome challenges on the path to infrastructure investment. Coincidentally, the program is also called Catalyst (no relation to our show). Mario and Shayle talk about the journey from lab-proven technology to a fully de-risked infrastructure investment, covering topics like: Why investors want to see a path to multiple, repeatable projects Mario's prescription for a scale-up path: pilot, demo, and FOAK project The difficulty of following that path on a limited financial runway The commercial construct and the tension between negotiating a flexible offtake and securing a customer Developing the right capital stack and accurately estimating capital needs Recommended resources The Green Blueprint: Rondo Energy's complicated path to building heat batteries CTVC: Venture to Project Finance Duolingo Catalyst: Financing first-of-a-kind climate assets Catalyst is brought to you by EnergyHub. EnergyHub helps utilities build next-generation virtual power plants that unlock reliable flexibility at every level of the grid. See how EnergyHub helps unlock the power of flexibility at scale, and deliver more value through cross-DER dispatch with their leading Edge DERMS platform, by visiting energyhub.com. Catalyst is brought to you by Antenna Group, the public relations and strategic marketing agency of choice for climate and energy leaders. If you're a startup, investor, or global corporation that's looking to tell your climate story, demonstrate your impact, or accelerate your growth, Antenna Group's team of industry insiders is ready to help. Learn more at antennagroup.com.

Gov. Tim Walz unveils his proposal for the state's two year budget amid a Capitol power struggle. An ugly opening to Minnesota's legislative session and a campaign season that won't end is fueling lawsuit after lawsuit.The City of St. Paul is clearing a large homeless encampment near the Mississippi River. We learn what's next for those being displaced.And with many people spending this month sober, a doctor talks about the mental and physical benefits of Dry January and taking a break from alcohol.Plus, a Double Dutch team from the Rondo neighborhood in St. Paul is spreading joy through jump rope. We hear about their efforts to share the tradition with a new generation.The Minnesota Music Minute was “Deserving” by AUTUMN and “Pride (In the Name of Love)” by U2 was the Song of the Day.

“Strawberry shortcake, blueberry pie. Rondo Double Dutch got a team, and we know why,” a group of young voices chant on a track the St. Paul organization made with artist Bionik.Rondo Double Dutch is the brainchild of Mercedes Yarbrough, an educator who wanted to bring Double Dutch to a new generation in her community. She joined up with Jelahn Prentiss, who goes by Coach Twist, to expand her vision for the program.Rondo Double Dutch now includes a class at 825 Arts in St. Paul as well as a team that participates in events around the metro. They are booked Monday for Powderhorn Park Neighborhood Association's Martin Luther King, Jr. Day celebration in south Minneapolis.Mizz Mercedez and Jelahn Prentiss joined Minnesota Now host Nina Moini to talk about the event and their passion for getting people of all ages on their feet.