Podcasts about adivasi frontier

Sumana Roy‘s first book How I Became a Tree (Aleph, 2017) is impossible to classify. Part-philosophical tract, part-memoir and part-literary criticism, the book is a record of her explorations in “tree-time.” Intrigued by the balance, contentment and rootedness of trees, Roy begins to delve into a corpus of human knowledge devoted to understanding the mysteries of plant life. Effortless and eclectic, she engages with the work of Buddha, Rabindranath Tagore, D.H. Lawrence, the photographs of Beth Moon, the art of Nandalal Bose, Indian folklore, Greek myths, the scientist Jagadish C. Bose’s pioneering work on plant stimuli, Deleuze and Guattari, Bengali novelist Bibhutibhushan Bandopadhyaya, O’Henry and Shakespeare alongside autobiographical vignettes about her own gradual awareness of the plant world’s mysteries. Our conversation ranged from the rigidity of scholarly prose and what it inevitably precludes, writing with all five senses, “research” as a search for answers both existential and intellectual, and the importance of cultivating a sensibility over mere scholarship. An essayist, novelist and poet, Roy is currently a Fellow at the Rachel Carson Center for Environment and Society in Munich, Germany. Her novel Missing was published in April 2018, and her poems and essays have appeared in Granta, Guernica, Los Angeles Review of Books, Drunken Boat, Prairie Schooner, Berfrois and The Common. She lives in Siliguri, India. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sumana Roy‘s first book How I Became a Tree (Aleph, 2017) is impossible to classify. Part-philosophical tract, part-memoir and part-literary criticism, the book is a record of her explorations in “tree-time.” Intrigued by the balance, contentment and rootedness of trees, Roy begins to delve into a corpus of human knowledge devoted to understanding the mysteries of plant life. Effortless and eclectic, she engages with the work of Buddha, Rabindranath Tagore, D.H. Lawrence, the photographs of Beth Moon, the art of Nandalal Bose, Indian folklore, Greek myths, the scientist Jagadish C. Bose’s pioneering work on plant stimuli, Deleuze and Guattari, Bengali novelist Bibhutibhushan Bandopadhyaya, O’Henry and Shakespeare alongside autobiographical vignettes about her own gradual awareness of the plant world’s mysteries. Our conversation ranged from the rigidity of scholarly prose and what it inevitably precludes, writing with all five senses, “research” as a search for answers both existential and intellectual, and the importance of cultivating a sensibility over mere scholarship. An essayist, novelist and poet, Roy is currently a Fellow at the Rachel Carson Center for Environment and Society in Munich, Germany. Her novel Missing was published in April 2018, and her poems and essays have appeared in Granta, Guernica, Los Angeles Review of Books, Drunken Boat, Prairie Schooner, Berfrois and The Common. She lives in Siliguri, India. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sumana Roy‘s first book How I Became a Tree (Aleph, 2017) is impossible to classify. Part-philosophical tract, part-memoir and part-literary criticism, the book is a record of her explorations in “tree-time.” Intrigued by the balance, contentment and rootedness of trees, Roy begins to delve into a corpus of human knowledge devoted to understanding the mysteries of plant life. Effortless and eclectic, she engages with the work of Buddha, Rabindranath Tagore, D.H. Lawrence, the photographs of Beth Moon, the art of Nandalal Bose, Indian folklore, Greek myths, the scientist Jagadish C. Bose’s pioneering work on plant stimuli, Deleuze and Guattari, Bengali novelist Bibhutibhushan Bandopadhyaya, O’Henry and Shakespeare alongside autobiographical vignettes about her own gradual awareness of the plant world’s mysteries. Our conversation ranged from the rigidity of scholarly prose and what it inevitably precludes, writing with all five senses, “research” as a search for answers both existential and intellectual, and the importance of cultivating a sensibility over mere scholarship. An essayist, novelist and poet, Roy is currently a Fellow at the Rachel Carson Center for Environment and Society in Munich, Germany. Her novel Missing was published in April 2018, and her poems and essays have appeared in Granta, Guernica, Los Angeles Review of Books, Drunken Boat, Prairie Schooner, Berfrois and The Common. She lives in Siliguri, India. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sumana Roy‘s first book How I Became a Tree (Aleph, 2017) is impossible to classify. Part-philosophical tract, part-memoir and part-literary criticism, the book is a record of her explorations in “tree-time.” Intrigued by the balance, contentment and rootedness of trees, Roy begins to delve into a corpus of human knowledge devoted to understanding the mysteries of plant life. Effortless and eclectic, she engages with the work of Buddha, Rabindranath Tagore, D.H. Lawrence, the photographs of Beth Moon, the art of Nandalal Bose, Indian folklore, Greek myths, the scientist Jagadish C. Bose’s pioneering work on plant stimuli, Deleuze and Guattari, Bengali novelist Bibhutibhushan Bandopadhyaya, O’Henry and Shakespeare alongside autobiographical vignettes about her own gradual awareness of the plant world’s mysteries. Our conversation ranged from the rigidity of scholarly prose and what it inevitably precludes, writing with all five senses, “research” as a search for answers both existential and intellectual, and the importance of cultivating a sensibility over mere scholarship. An essayist, novelist and poet, Roy is currently a Fellow at the Rachel Carson Center for Environment and Society in Munich, Germany. Her novel Missing was published in April 2018, and her poems and essays have appeared in Granta, Guernica, Los Angeles Review of Books, Drunken Boat, Prairie Schooner, Berfrois and The Common. She lives in Siliguri, India. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sumana Roy‘s first book How I Became a Tree (Aleph, 2017) is impossible to classify. Part-philosophical tract, part-memoir and part-literary criticism, the book is a record of her explorations in “tree-time.” Intrigued by the balance, contentment and rootedness of trees, Roy begins to delve into a corpus of human knowledge devoted to understanding the mysteries of plant life. Effortless and eclectic, she engages with the work of Buddha, Rabindranath Tagore, D.H. Lawrence, the photographs of Beth Moon, the art of Nandalal Bose, Indian folklore, Greek myths, the scientist Jagadish C. Bose’s pioneering work on plant stimuli, Deleuze and Guattari, Bengali novelist Bibhutibhushan Bandopadhyaya, O’Henry and Shakespeare alongside autobiographical vignettes about her own gradual awareness of the plant world’s mysteries. Our conversation ranged from the rigidity of scholarly prose and what it inevitably precludes, writing with all five senses, “research” as a search for answers both existential and intellectual, and the importance of cultivating a sensibility over mere scholarship. An essayist, novelist and poet, Roy is currently a Fellow at the Rachel Carson Center for Environment and Society in Munich, Germany. Her novel Missing was published in April 2018, and her poems and essays have appeared in Granta, Guernica, Los Angeles Review of Books, Drunken Boat, Prairie Schooner, Berfrois and The Common. She lives in Siliguri, India. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Transnational Reproduction: Race, Kinship, and Commercial Surrogacy in India (NYU Press, 2016), Daisy Deomampo explores relationships between Indian surrogates, their families, aspiring parents from all over the world, egg donors and doctors in a setting marked by hierarchies of income, race, nationality and gender. Based on three years of fieldwork in Mumbai, India, Deomampo shows how assisted reproductive technologies like IVF, sperm and egg donation, surrogacy and artificial insemination are not neutral scientific advances that enable parenthood, but in fact entrench “certain power relations, notions of gender, and particular constructions of the family.” The transnational surrogacy industry is an example of “stratified reproduction”, a term first coined by Shellee Cohen in her study of female immigrant domestic workers in New York City, to understand the deeply unequal political, economic and social conditions that shape women’s reproductive labor. Deomampo approaches gestational surrogacy as a site of racialization, where actors rely on “racial reproductive imaginaries” to make sense of their relationships and family-making practices across boundaries of race, kinship and class. Writing against narratives of victimhood, Deomampo centers the creative agency exercised by surrogate women in their attempts to eke out opportunities for themselves and their families, albeit within larger structures of power. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Transnational Reproduction: Race, Kinship, and Commercial Surrogacy in India (NYU Press, 2016), Daisy Deomampo explores relationships between Indian surrogates, their families, aspiring parents from all over the world, egg donors and doctors in a setting marked by hierarchies of income, race, nationality and gender. Based on three years of fieldwork in Mumbai, India, Deomampo shows how assisted reproductive technologies like IVF, sperm and egg donation, surrogacy and artificial insemination are not neutral scientific advances that enable parenthood, but in fact entrench “certain power relations, notions of gender, and particular constructions of the family.” The transnational surrogacy industry is an example of “stratified reproduction”, a term first coined by Shellee Cohen in her study of female immigrant domestic workers in New York City, to understand the deeply unequal political, economic and social conditions that shape women’s reproductive labor. Deomampo approaches gestational surrogacy as a site of racialization, where actors rely on “racial reproductive imaginaries” to make sense of their relationships and family-making practices across boundaries of race, kinship and class. Writing against narratives of victimhood, Deomampo centers the creative agency exercised by surrogate women in their attempts to eke out opportunities for themselves and their families, albeit within larger structures of power. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Transnational Reproduction: Race, Kinship, and Commercial Surrogacy in India (NYU Press, 2016), Daisy Deomampo explores relationships between Indian surrogates, their families, aspiring parents from all over the world, egg donors and doctors in a setting marked by hierarchies of income, race, nationality and gender. Based on three years of fieldwork in Mumbai, India, Deomampo shows how assisted reproductive technologies like IVF, sperm and egg donation, surrogacy and artificial insemination are not neutral scientific advances that enable parenthood, but in fact entrench “certain power relations, notions of gender, and particular constructions of the family.” The transnational surrogacy industry is an example of “stratified reproduction”, a term first coined by Shellee Cohen in her study of female immigrant domestic workers in New York City, to understand the deeply unequal political, economic and social conditions that shape women's reproductive labor. Deomampo approaches gestational surrogacy as a site of racialization, where actors rely on “racial reproductive imaginaries” to make sense of their relationships and family-making practices across boundaries of race, kinship and class. Writing against narratives of victimhood, Deomampo centers the creative agency exercised by surrogate women in their attempts to eke out opportunities for themselves and their families, albeit within larger structures of power. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

In Transnational Reproduction: Race, Kinship, and Commercial Surrogacy in India (NYU Press, 2016), Daisy Deomampo explores relationships between Indian surrogates, their families, aspiring parents from all over the world, egg donors and doctors in a setting marked by hierarchies of income, race, nationality and gender. Based on three years of fieldwork in Mumbai, India, Deomampo shows how assisted reproductive technologies like IVF, sperm and egg donation, surrogacy and artificial insemination are not neutral scientific advances that enable parenthood, but in fact entrench “certain power relations, notions of gender, and particular constructions of the family.” The transnational surrogacy industry is an example of “stratified reproduction”, a term first coined by Shellee Cohen in her study of female immigrant domestic workers in New York City, to understand the deeply unequal political, economic and social conditions that shape women’s reproductive labor. Deomampo approaches gestational surrogacy as a site of racialization, where actors rely on “racial reproductive imaginaries” to make sense of their relationships and family-making practices across boundaries of race, kinship and class. Writing against narratives of victimhood, Deomampo centers the creative agency exercised by surrogate women in their attempts to eke out opportunities for themselves and their families, albeit within larger structures of power. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Transnational Reproduction: Race, Kinship, and Commercial Surrogacy in India (NYU Press, 2016), Daisy Deomampo explores relationships between Indian surrogates, their families, aspiring parents from all over the world, egg donors and doctors in a setting marked by hierarchies of income, race, nationality and gender. Based on three years of fieldwork in Mumbai, India, Deomampo shows how assisted reproductive technologies like IVF, sperm and egg donation, surrogacy and artificial insemination are not neutral scientific advances that enable parenthood, but in fact entrench “certain power relations, notions of gender, and particular constructions of the family.” The transnational surrogacy industry is an example of “stratified reproduction”, a term first coined by Shellee Cohen in her study of female immigrant domestic workers in New York City, to understand the deeply unequal political, economic and social conditions that shape women’s reproductive labor. Deomampo approaches gestational surrogacy as a site of racialization, where actors rely on “racial reproductive imaginaries” to make sense of their relationships and family-making practices across boundaries of race, kinship and class. Writing against narratives of victimhood, Deomampo centers the creative agency exercised by surrogate women in their attempts to eke out opportunities for themselves and their families, albeit within larger structures of power. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Transnational Reproduction: Race, Kinship, and Commercial Surrogacy in India (NYU Press, 2016), Daisy Deomampo explores relationships between Indian surrogates, their families, aspiring parents from all over the world, egg donors and doctors in a setting marked by hierarchies of income, race, nationality and gender. Based on three years of fieldwork in Mumbai, India, Deomampo shows how assisted reproductive technologies like IVF, sperm and egg donation, surrogacy and artificial insemination are not neutral scientific advances that enable parenthood, but in fact entrench “certain power relations, notions of gender, and particular constructions of the family.” The transnational surrogacy industry is an example of “stratified reproduction”, a term first coined by Shellee Cohen in her study of female immigrant domestic workers in New York City, to understand the deeply unequal political, economic and social conditions that shape women’s reproductive labor. Deomampo approaches gestational surrogacy as a site of racialization, where actors rely on “racial reproductive imaginaries” to make sense of their relationships and family-making practices across boundaries of race, kinship and class. Writing against narratives of victimhood, Deomampo centers the creative agency exercised by surrogate women in their attempts to eke out opportunities for themselves and their families, albeit within larger structures of power. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Everyday Sustainability: Gender Justice and Fair Trade Tea in Darjeeling (SUNY Press, 2017), Debarati Sen analyzes the paradoxes and promises of Fair Trade-organic tea production in Darjeeling, India. Based on more than a decade of feminist longitudinal ethnographic research, Sen investigates why independent women small farmers growing tea on their own land experience market-based social justice regimes like Fair Trade differently from women wage laborers in tea plantations. Simultaneously circumspect and hopeful of the extent and kind of empowerment Fair Trade can bring about, women workers nonetheless use sustainable development as a space to mobilize for more favorable intra-household relations, collective bargaining and access to resources. Everyday Sustainability received the Global Development Studies Book Award from the International Studies Association in 2018. Sen is an Associate Professor of Anthropology and Conflict Management at the School of Conflict Management, Peacebuilding and Development in Kennesaw State University. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Everyday Sustainability: Gender Justice and Fair Trade Tea in Darjeeling (SUNY Press, 2017), Debarati Sen analyzes the paradoxes and promises of Fair Trade-organic tea production in Darjeeling, India. Based on more than a decade of feminist longitudinal ethnographic research, Sen investigates why independent women small farmers growing tea on their own land experience market-based social justice regimes like Fair Trade differently from women wage laborers in tea plantations. Simultaneously circumspect and hopeful of the extent and kind of empowerment Fair Trade can bring about, women workers nonetheless use sustainable development as a space to mobilize for more favorable intra-household relations, collective bargaining and access to resources. Everyday Sustainability received the Global Development Studies Book Award from the International Studies Association in 2018. Sen is an Associate Professor of Anthropology and Conflict Management at the School of Conflict Management, Peacebuilding and Development in Kennesaw State University. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Everyday Sustainability: Gender Justice and Fair Trade Tea in Darjeeling (SUNY Press, 2017), Debarati Sen analyzes the paradoxes and promises of Fair Trade-organic tea production in Darjeeling, India. Based on more than a decade of feminist longitudinal ethnographic research, Sen investigates why independent women small farmers growing tea on their own land experience market-based social justice regimes like Fair Trade differently from women wage laborers in tea plantations. Simultaneously circumspect and hopeful of the extent and kind of empowerment Fair Trade can bring about, women workers nonetheless use sustainable development as a space to mobilize for more favorable intra-household relations, collective bargaining and access to resources. Everyday Sustainability received the Global Development Studies Book Award from the International Studies Association in 2018. Sen is an Associate Professor of Anthropology and Conflict Management at the School of Conflict Management, Peacebuilding and Development in Kennesaw State University. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Everyday Sustainability: Gender Justice and Fair Trade Tea in Darjeeling (SUNY Press, 2017), Debarati Sen analyzes the paradoxes and promises of Fair Trade-organic tea production in Darjeeling, India. Based on more than a decade of feminist longitudinal ethnographic research, Sen investigates why independent women small farmers growing tea on their own land experience market-based social justice regimes like Fair Trade differently from women wage laborers in tea plantations. Simultaneously circumspect and hopeful of the extent and kind of empowerment Fair Trade can bring about, women workers nonetheless use sustainable development as a space to mobilize for more favorable intra-household relations, collective bargaining and access to resources. Everyday Sustainability received the Global Development Studies Book Award from the International Studies Association in 2018. Sen is an Associate Professor of Anthropology and Conflict Management at the School of Conflict Management, Peacebuilding and Development in Kennesaw State University. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Everyday Sustainability: Gender Justice and Fair Trade Tea in Darjeeling (SUNY Press, 2017), Debarati Sen analyzes the paradoxes and promises of Fair Trade-organic tea production in Darjeeling, India. Based on more than a decade of feminist longitudinal ethnographic research, Sen investigates why independent women small farmers growing tea on their own land experience market-based social justice regimes like Fair Trade differently from women wage laborers in tea plantations. Simultaneously circumspect and hopeful of the extent and kind of empowerment Fair Trade can bring about, women workers nonetheless use sustainable development as a space to mobilize for more favorable intra-household relations, collective bargaining and access to resources. Everyday Sustainability received the Global Development Studies Book Award from the International Studies Association in 2018. Sen is an Associate Professor of Anthropology and Conflict Management at the School of Conflict Management, Peacebuilding and Development in Kennesaw State University. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Everyday Sustainability: Gender Justice and Fair Trade Tea in Darjeeling (SUNY Press, 2017), Debarati Sen analyzes the paradoxes and promises of Fair Trade-organic tea production in Darjeeling, India. Based on more than a decade of feminist longitudinal ethnographic research, Sen investigates why independent women small farmers growing tea on their own land experience market-based social justice regimes like Fair Trade differently from women wage laborers in tea plantations. Simultaneously circumspect and hopeful of the extent and kind of empowerment Fair Trade can bring about, women workers nonetheless use sustainable development as a space to mobilize for more favorable intra-household relations, collective bargaining and access to resources. Everyday Sustainability received the Global Development Studies Book Award from the International Studies Association in 2018. Sen is an Associate Professor of Anthropology and Conflict Management at the School of Conflict Management, Peacebuilding and Development in Kennesaw State University. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the army brutally dispersed Red Shirts protestors in Bangkok's busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map. In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment. Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford. You may also be interested in: Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map. In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment. Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford. You may also be interested in: Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map. In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment. Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford. You may also be interested in: Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map. In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment. Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford. You may also be interested in: Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map. In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment. Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford. You may also be interested in: Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map. In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment. Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford. You may also be interested in: Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map. In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment. Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford. You may also be interested in: Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We take electricity for granted. But the material grids and wires that bring light to homes and connect places are also objects of moral concern, political freedoms and national advancement, suggests Leo Coleman in his new book A Moral Technology: Electrification as Political Ritual in New Delhi (Cornell University Press 2017). The book is structured around three historical and ethnographic case studies—the pomp and show at Viceroy Curzon’s 1903 Imperial Durbar that ultimately left no trace on Delhi’s physical landscape; Constituent Assembly debates on nationwide electrification legislation; and anti-privatization consumer activism pursued by New Delhi’s neighborhood associations in the mid 2000s. Coleman argues that technological infrastructures are never a purely technical matter and always already entangled in political, legal and moral processes. Electrification in each historical moment—colonial enclave, fledgling nation and global city—generates meaningful, moral reflection on what constitutes the public sphere, self-determination and collective wellbeing. Leo Coleman is an associate professor of anthropology at Hunter College, City University of New York. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We take electricity for granted. But the material grids and wires that bring light to homes and connect places are also objects of moral concern, political freedoms and national advancement, suggests Leo Coleman in his new book A Moral Technology: Electrification as Political Ritual in New Delhi (Cornell University Press 2017). The book is structured around three historical and ethnographic case studies—the pomp and show at Viceroy Curzon’s 1903 Imperial Durbar that ultimately left no trace on Delhi’s physical landscape; Constituent Assembly debates on nationwide electrification legislation; and anti-privatization consumer activism pursued by New Delhi’s neighborhood associations in the mid 2000s. Coleman argues that technological infrastructures are never a purely technical matter and always already entangled in political, legal and moral processes. Electrification in each historical moment—colonial enclave, fledgling nation and global city—generates meaningful, moral reflection on what constitutes the public sphere, self-determination and collective wellbeing. Leo Coleman is an associate professor of anthropology at Hunter College, City University of New York. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We take electricity for granted. But the material grids and wires that bring light to homes and connect places are also objects of moral concern, political freedoms and national advancement, suggests Leo Coleman in his new book A Moral Technology: Electrification as Political Ritual in New Delhi (Cornell University Press 2017). The book is structured around three historical and ethnographic case studies—the pomp and show at Viceroy Curzon’s 1903 Imperial Durbar that ultimately left no trace on Delhi’s physical landscape; Constituent Assembly debates on nationwide electrification legislation; and anti-privatization consumer activism pursued by New Delhi’s neighborhood associations in the mid 2000s. Coleman argues that technological infrastructures are never a purely technical matter and always already entangled in political, legal and moral processes. Electrification in each historical moment—colonial enclave, fledgling nation and global city—generates meaningful, moral reflection on what constitutes the public sphere, self-determination and collective wellbeing. Leo Coleman is an associate professor of anthropology at Hunter College, City University of New York. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We take electricity for granted. But the material grids and wires that bring light to homes and connect places are also objects of moral concern, political freedoms and national advancement, suggests Leo Coleman in his new book A Moral Technology: Electrification as Political Ritual in New Delhi (Cornell University Press 2017). The book is structured around three historical and ethnographic case studies—the pomp and show at Viceroy Curzon’s 1903 Imperial Durbar that ultimately left no trace on Delhi’s physical landscape; Constituent Assembly debates on nationwide electrification legislation; and anti-privatization consumer activism pursued by New Delhi’s neighborhood associations in the mid 2000s. Coleman argues that technological infrastructures are never a purely technical matter and always already entangled in political, legal and moral processes. Electrification in each historical moment—colonial enclave, fledgling nation and global city—generates meaningful, moral reflection on what constitutes the public sphere, self-determination and collective wellbeing. Leo Coleman is an associate professor of anthropology at Hunter College, City University of New York. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We take electricity for granted. But the material grids and wires that bring light to homes and connect places are also objects of moral concern, political freedoms and national advancement, suggests Leo Coleman in his new book A Moral Technology: Electrification as Political Ritual in New Delhi (Cornell University Press 2017). The book is structured around three historical and ethnographic case studies—the pomp and show at Viceroy Curzon’s 1903 Imperial Durbar that ultimately left no trace on Delhi’s physical landscape; Constituent Assembly debates on nationwide electrification legislation; and anti-privatization consumer activism pursued by New Delhi’s neighborhood associations in the mid 2000s. Coleman argues that technological infrastructures are never a purely technical matter and always already entangled in political, legal and moral processes. Electrification in each historical moment—colonial enclave, fledgling nation and global city—generates meaningful, moral reflection on what constitutes the public sphere, self-determination and collective wellbeing. Leo Coleman is an associate professor of anthropology at Hunter College, City University of New York. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We take electricity for granted. But the material grids and wires that bring light to homes and connect places are also objects of moral concern, political freedoms and national advancement, suggests Leo Coleman in his new book A Moral Technology: Electrification as Political Ritual in New Delhi (Cornell University Press 2017). The book is structured around three historical and ethnographic case studies—the pomp and show at Viceroy Curzon’s 1903 Imperial Durbar that ultimately left no trace on Delhi’s physical landscape; Constituent Assembly debates on nationwide electrification legislation; and anti-privatization consumer activism pursued by New Delhi’s neighborhood associations in the mid 2000s. Coleman argues that technological infrastructures are never a purely technical matter and always already entangled in political, legal and moral processes. Electrification in each historical moment—colonial enclave, fledgling nation and global city—generates meaningful, moral reflection on what constitutes the public sphere, self-determination and collective wellbeing. Leo Coleman is an associate professor of anthropology at Hunter College, City University of New York. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes. Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes. Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes. Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes. Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes. Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes. Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her searing book Ants among Elephants: An Untouchable Family and the Making of Modern India (Farrar, Straus and Giroux, 2017), Sujatha Gidla traces her family’s history over four generations in the southern state of Andhra Pradesh. From their conversion into Christianity by Canadian missionaries and her grandfather’s stint in the British army; her uncle Satyamurthy’s rise as a revolutionary poet, labor organizer and eventual founder of the Maoist People’s War Group (PWG) and her mother Manjula’s struggles raising three children in the face of everyday caste discrimination, to her own involvement with the PWG’s radical student wing that ended with brief imprisonment, it is the impossibility of transcending caste even in “modern” India that she circles back to. She writes, “Your life is your caste, your caste is your life.” Her book has been reviewed to critical acclaim in the New York Times, BBC, and Slate among others. Gidla lives in New York City and works as a subway conductor for the Metropolitan Transportation Authority. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation, titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier,” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her searing book Ants among Elephants: An Untouchable Family and the Making of Modern India (Farrar, Straus and Giroux, 2017), Sujatha Gidla traces her family’s history over four generations in the southern state of Andhra Pradesh. From their conversion into Christianity by Canadian missionaries and her grandfather’s stint in the British army; her uncle Satyamurthy’s rise as a revolutionary poet, labor organizer and eventual founder of the Maoist People’s War Group (PWG) and her mother Manjula’s struggles raising three children in the face of everyday caste discrimination, to her own involvement with the PWG’s radical student wing that ended with brief imprisonment, it is the impossibility of transcending caste even in “modern” India that she circles back to. She writes, “Your life is your caste, your caste is your life.” Her book has been reviewed to critical acclaim in the New York Times, BBC, and Slate among others. Gidla lives in New York City and works as a subway conductor for the Metropolitan Transportation Authority. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation, titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier,” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her searing book Ants among Elephants: An Untouchable Family and the Making of Modern India (Farrar, Straus and Giroux, 2017), Sujatha Gidla traces her family’s history over four generations in the southern state of Andhra Pradesh. From their conversion into Christianity by Canadian missionaries and her grandfather’s stint in the British army; her uncle Satyamurthy’s rise as a revolutionary poet, labor organizer and eventual founder of the Maoist People’s War Group (PWG) and her mother Manjula’s struggles raising three children in the face of everyday caste discrimination, to her own involvement with the PWG’s radical student wing that ended with brief imprisonment, it is the impossibility of transcending caste even in “modern” India that she circles back to. She writes, “Your life is your caste, your caste is your life.” Her book has been reviewed to critical acclaim in the New York Times, BBC, and Slate among others. Gidla lives in New York City and works as a subway conductor for the Metropolitan Transportation Authority. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation, titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier,” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her searing book Ants among Elephants: An Untouchable Family and the Making of Modern India (Farrar, Straus and Giroux, 2017), Sujatha Gidla traces her family’s history over four generations in the southern state of Andhra Pradesh. From their conversion into Christianity by Canadian missionaries and her grandfather’s stint in the British army; her uncle Satyamurthy’s rise as a revolutionary poet, labor organizer and eventual founder of the Maoist People’s War Group (PWG) and her mother Manjula’s struggles raising three children in the face of everyday caste discrimination, to her own involvement with the PWG’s radical student wing that ended with brief imprisonment, it is the impossibility of transcending caste even in “modern” India that she circles back to. She writes, “Your life is your caste, your caste is your life.” Her book has been reviewed to critical acclaim in the New York Times, BBC, and Slate among others. Gidla lives in New York City and works as a subway conductor for the Metropolitan Transportation Authority. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation, titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier,” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her searing book Ants among Elephants: An Untouchable Family and the Making of Modern India (Farrar, Straus and Giroux, 2017), Sujatha Gidla traces her family’s history over four generations in the southern state of Andhra Pradesh. From their conversion into Christianity by Canadian missionaries and her grandfather’s stint in the British army; her uncle Satyamurthy’s rise as a revolutionary poet, labor organizer and eventual founder of the Maoist People’s War Group (PWG) and her mother Manjula’s struggles raising three children in the face of everyday caste discrimination, to her own involvement with the PWG’s radical student wing that ended with brief imprisonment, it is the impossibility of transcending caste even in “modern” India that she circles back to. She writes, “Your life is your caste, your caste is your life.” Her book has been reviewed to critical acclaim in the New York Times, BBC, and Slate among others. Gidla lives in New York City and works as a subway conductor for the Metropolitan Transportation Authority. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation, titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier,” explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices