Podcasts about Guernica

This was a terrific Wednesday crossword, with an exceedingly well timed  and executed theme, combined with some excellent cluing exsewhere, er, elsewhere.

Malinconia dei confini. Nord è l'ultimo romanzo dello scrittore francese Mathias Énard ed è il primo volume di una trilogia legata alle stagioni e ai punti cardinali. Il nuovo film di Pedro Almodóvar, Amarga Navidad, è una riflessione sull'autofinzione e sulla natura della creazione artistica. Alla fondazione Rovati di Milano una mostra curata dallo storico dell'arte e archeologo Salvatore Settis s'interroga sulla ricorrenza di un gesto che esprime dolore: dai sarcofagi romani a Guernica di Picasso.Yekatit 12 di Andrea Sestante è una graphic novel che racconta la resistenza etiope contro il colonialismo italiano fascista. CONYasmina Melaouah, traduttriceMaria Sole Colombo, critica e curatrice cinematografica Vincenzo Latronico, scrittoreAndrea Sestante, fumettistaCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Visto lo visto, yo me pregunto qué tendría que pasar para que el PNV apoyara esa moción instrumental que devolviera la voz al pueblo. Me pregunto cuál es el límite, si es que existe, cuál sería ese lugar de no retorno que les hiciera decidir que ya está bien, hasta aquí hemos llegado, que un segundo más de complicidad sería intolerable. En realidad, lo que me estoy preguntado es hasta qué punto el PSOE puede seguir humillando al Partido Nacionalista Vasco delante de sus votantes y cuántas genuflexiones ante el PSOE son capaces de soportar los vascos.Cuando yo era joven el PNV al menos era serio, tenía un discurso…digamos de dignidad, de orgullo. No me imagino yo a Arzalluz o a Ardanza sometidos a unos fontaneros corruptos, como hace ahora Aitor Esteban.De Junts no espero nada porque nada se puede esperar de un partido golpista. ¿Pero el PNV? No les parece suficiente dos secretarios generales del PSOE en la cárcel, ni con el fiscal general convertido en delincuente.Pero es que, por lo que vemos, tampoco es suficiente con que el expresidente, negociador, canciller, presidente honorifico, joyero, minero, rescatista y líder espiritual Zapatero lidere una organización de tráfico de oro y petróleo y tenga una caja fuerte como de dictadorzuelo centroamericano, a costa de la desgracia y la tortura de un pueblo especialmente unido al vasco, como es el venezolano.Hemos visto de todo, Carlos. Pero te reconozco que nunca pensé ver al PNV recibiendo órdenes del amo. Si esto se alarga, en Ferraz acabarán llamando batzoki a la caseta del perro. Y en vez de llevarse el Guernica a Bilbao, lo mismo se conforman con ir ellos a Ferraz a ver las colecciones reales de Sonsoles. Y, ya a la vuelta, cambiar el retrato de Sabino Arana por uno de Julito Martínez.

Visto lo visto, yo me pregunto qué tendría que pasar para que el PNV apoyara esa moción instrumental que devolviera la voz al pueblo. Me pregunto cuál es el límite, si es que existe, cuál sería ese lugar de no retorno que les hiciera decidir que ya está bien, hasta aquí hemos llegado, que un segundo más de complicidad sería intolerable. En realidad, lo que me estoy preguntado es hasta qué punto el PSOE puede seguir humillando al Partido Nacionalista Vasco delante de sus votantes y cuántas genuflexiones ante el PSOE son capaces de soportar los vascos.Cuando yo era joven el PNV al menos era serio, tenía un discurso…digamos de dignidad, de orgullo. No me imagino yo a Arzalluz o a Ardanza sometidos a unos fontaneros corruptos, como hace ahora Aitor Esteban.De Junts no espero nada porque nada se puede esperar de un partido golpista. ¿Pero el PNV? No les parece suficiente dos secretarios generales del PSOE en la cárcel, ni con el fiscal general convertido en delincuente.Pero es que, por lo que vemos, tampoco es suficiente con que el expresidente, negociador, canciller, presidente honorifico, joyero, minero, rescatista y líder espiritual Zapatero lidere una organización de tráfico de oro y petróleo y tenga una caja fuerte como de dictadorzuelo centroamericano, a costa de la desgracia y la tortura de un pueblo especialmente unido al vasco, como es el venezolano.Hemos visto de todo, Carlos. Pero te reconozco que nunca pensé ver al PNV recibiendo órdenes del amo. Si esto se alarga, en Ferraz acabarán llamando batzoki a la caseta del perro. Y en vez de llevarse el Guernica a Bilbao, lo mismo se conforman con ir ellos a Ferraz a ver las colecciones reales de Sonsoles. Y, ya a la vuelta, cambiar el retrato de Sabino Arana por uno de Julito Martínez.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.ESCUCHAR RADIO 

En esta columna, el profesor de historia Fabricio Machiñena relata cómo, el 26 de abril de 1937, los bombarderos alemanes de la Legión Cóndor, junto con la fuerza aérea italiana, lanzaron bombas sobre la ciudad española de Guernica. Cientos de civiles murieron y gran parte de la ciudad quedó destruida. El ataque provocó una gran conmoción en todo el mundo.

Hogyan került a Guernica az 1937-es világkiállítás spanyol pavilonjából a kortárs abortuszellenes gyűlésekre? Miért takarták le a képet az ENSZ-ben az iraki invázió idején? Miért dühítette fel a francia kommunista pártot Pablo Picasso Sztálin-portréja? Hogyan látták Picasso munkásságát a keleti blokk országaiban? Miért nem szerepelhetett egy 1956 utáni kiállításon a „Paraszt Marseilles” cím? Ezek és ehhez hasonló kérdések kerülnek terítékre a No pasarán! legújabb adásában, ahol András Edit művészettörténésszel, az MTA Művészettörténeti Intézetének nyugalmazott főmunkatársával beszélgettünk Pablo Picasso munkásságáról és a politikai művészetről.Támogasd te is a Partizánt adód 1%-ával!Név: Partizán Rendszerkritikus Tartalomelőállításért AlapítványAdószám: 19286031-2-42https://szja.partizan.hu/Legyél rendszeres támogató! https://cause.lundadonate.org/partizan/adomanyPartizán webshop:https://shop.partizan.hu/—Csatlakozz a Partizán közösségéhez, értesülj elsőként eseményeinkről, akcióinkról!https://csapat.partizanmedia.hu/forms/maradjunk-kapcsolatban—Legyél önkéntes!Csatlakozz a Partizán önkéntes csapatához:https://csapat.partizanmedia.hu/forms/csatlakozz-te-is-a-partizan-onkenteseihez—Iratkozz fel tematikus hírleveleinkre!Kovalcsik Tamás: Adatpont / Partizán Szerkesztőségi Hírlevélhttps://csapat.partizanmedia.hu/forms/iratkozz-fel-a-partizan-szerkesztoinek-hirlevelereHeti Feledyhttps://csapat.partizanmedia.hu/forms/partizan-heti-feledy—Írj nekünk!Ha van egy sztorid, tipped vagy ötleted:szerkesztoseg@partizan.huBizalmas információ esetén:partizanbudapest@protonmail.com(Ahhoz, hogy titkosított módon tudj írni, regisztrálj te is egy protonmail-es címet.)Támogatások, események, webshop, egyéb ügyek:info@partizan.hu

Kathy puts the kibosh on our introductory weather ramblings, Slushies. Instead we're sharing what makes us grateful. Seems like, with our combined love of coffee, we're keeping the baristas in business. Aside from java, Tobi's thankful for poetry podcasts (not just ours), including Poem Talk from Penn Sound. Lisa's grateful for the public library that gives her free access to novels like The Copywriter by Daniel Poppick. Eric appreciates his students. And we reveal the secret behind why we're not on YouTube. Of course we're thankful to YOU for listening, Slushies, and to the writers who allow us to discuss their work, like today's featured poet, Sarah Brockhaus.   In the first poem, “Still Here,” Eric notes the honest intertwining of the writing and teaching life. And Tobi remarks how the flexible nature of the English language, with its ability to shift nouns into verbs, is on display in the poem. The poem's nimble leaps reminds Jason of Richard Siken's valuable advice to “focus less on the lyric leap and more on the lyric landing.” The second poem challenges us with its frequent use of enjambment and caesura, but the ratio of challenge to pleasure is high. We end with Jason's sage advice on how to structure a submission. Thanks, as always, for listening, Slushies!   At the table: Eric Baker, Tobi Kassim, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, Lillie Volpe (Sound Engineer)   Author Bio: Sarah Brockhaus is an MFA student at Louisiana State University. She is a co-editor of The Shore Poetry. Her work has been nominated for Best of the Net and the Pushcart Prize and her poems are published or forthcoming in Guernica, The National Poetry Review, American Literary Review, The Greensboro Review and elsewhere. Website: sarahbrockhaus.com Social Media:    Instagram: @sarahb._23   Blue Sky: scbrock.bsky.social   Still Here   I try to teach  my students to exist outside  themselves and they email about double    spacing and panic apologize for 12:01 submissions  and I want to see them and say we're real  people, all of us, we're real. Do you see? But I stare    at my wall for hours and it means nothing. I've been losing  things in dreams, each shape afterimages on my lids  and I can't see the space around enough    to place them. Perhaps there never was a hairbrush, a magnet in the shape  of Louisiana, a letter written springs ago. Fingers trace    the handwriting by heart like revision,  same stories and script but the wrong  heart. I'm translating farther and farther   from the origin. My nails grow too long. I imagine  myself bodiless, avoid reflections. I hold still  and myself.    There are eight taxidermied ducklings at the craft fair. So like life and so  still. I want to break    them from the cage, find a way  for their bodies  to hold again.   Phonagnosia   A wasp taps again against  the window. I imagine the hollow  clunk communicating other causes: an acorn    slouching from a branch into a pool. A man's  head, drunk, hitting the wall lullabically, my hand  slid into the space between skin and cinder   -block, how one might protect a baby's soft  skull from a corner. I try to tell the wasp I am not  home and everything from my body sounds    human. To sleep I make lists on the uselessness  of language: the phrase how are you? and how your doing well is a wall I trace my own name    on like tally marks, how the sea swallows  song and estranges it, how without air I am voice -less, how I haven't trained my ear to echo locate,    and can't even vibrate some signal through a        pane  of glass, can't replay what you said years ago in any voice    but the one inside me, that won't go, won't sound  like anyone I know.

Pablo Picasso's Guernica is probably the most well known painting of the 20th century, and has become a universal symbol of the horrors of war. But it has also been the subject of renewed controversy in recent weeks in Spain - over a yet another request by the Basque government for the painting to be displayed at least temporarily in Bilbao. The current request comes ahead of the 90th anniversary of the bombing that the painting evokes - when during the Civil War the Nazi Condor Legion unleashed a relentless aerial assault on the Basque town.The long-running debate over moving the painting to the Basque Country centres on competing claims, with Basque sovereignists arguing that it should be displayed in the same location as the events it commemorates, against Spanish government's insistence it remain at Museo Reina Sofía in Madrid for reasons of conservation and national heritage. Today on Sobremesa, we discuss the controversy and the relationship between the work's power and universality and the concrete, historical atrocity inflicted on Gernika the town. To do so Eoghan is joined by Brittany Kennnedy, Senior Professor of Practice at Tulane University's Department of Spanish and Portuguese. Brittany is the author of Between Distant Modernities: Performing Exceptionality in Francoist Spain and the Jim Crow South.Please remember if you like what we are producing, consider making a donation to our buy me a coffee page:⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/thesobremey⁠

Vol. 9 of Story Time, a new series on the program featuring an author reading aloud from his work. In this episode,  Kim Samek reads the title story from her acclaimed debut collection, I Am the Ghost Here (The Dial Press). Samek's fiction has won the O.Henry Prize, the Pushcart Prize, and has been cited as a distinguished story in Best American Short Stories. Her stories appear in Zyzzyva, The Threepenny Review, Story, Guernica, and elsewhere. She works as a TV writer and producer, with credits including WordGirl and Catfish, and her writing has been nominated for an Emmy Award. A native of Seattle, she studied Creative Writing and German Literature at Stanford University. She lives in Los Angeles. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ⁠⁠⁠⁠⁠⁠⁠ulys.app/writeabook⁠⁠⁠⁠⁠⁠⁠ to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kim Samek is the author of the debut story collection I Am the Ghost Here, available from The Dial Press. Samek's fiction has won the O. Henry Prize, the Pushcart Prize and has been cited as a distinguished story in Best American Short Stories. Her stories appear in Zyzzyva, The Threepenny Review, Story, Guernica, and elsewhere. She works as a TV writer and producer, with credits including WordGirl and Catfish, and her writing has been nominated for an Emmy Award. She lives in Los Angeles. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

This book was a vivid portrayal of queer desire. It didn't have a happy ending, but it had a positive ending.Today we meet Lynette D'Amico and we're talking about the queer book that saved her life: Carol by Patricia Highsmith.Lynette D'Amico is an essayist and fiction writer whose work has appeared in The Gettysburg Review, The Ocean State Review and at Brevity, Slag Glass City, Short Reads, and Guernica. Her memoir in essays Men I Hate, won the Gournay Nonfiction Prize and was published by Mad Creek Books in 2026. She holds an MFA from the Program for Writers at Warren Wilson College. She makes her home in Rhode Island, but she has a prairie eye.Originally published as The Price of Salt, Carol is based on a true story plucked from Highsmith's own life. It tells the riveting drama of Therese Belivet, a stage designer trapped in a department-store day job, whose routine is forever shattered by a gorgeous epiphany--the appearance of Carol Aird, a customer who comes in to buy her daughter a Christmas toy. They fall in love and set out across the United States, ensnared by society's confines and the imminent disapproval of others, yet propelled by their infatuation.Patricia Highsmith was the author of more than twenty novels, including Strangers on a Train, The Price of Salt and The Talented Mr. Ripley, as well as numerous short stories.Connect with Lynettewebsite: lynettedamico.cominstagram: @sicilianblade2substack: substack.com/@lynettedamicoOur BookshopVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your copy of Carol here: https://bookshop.org/a/82376/9780393325997Buy your copy of Men I Hate: https://bookshop.org/a/82376/9780814259696Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: John ParkerExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Troy Ford, Jonathan Fried, Joe Perazzo, Bill Shay, Sean Smith, and Karsten VagnerPatreon Subscribers: Stephen D., Stephen Flamm, Ida Göteburg, Thomas Michna, Sofia Nerman, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Support the show

En juillet 1936 en Espagne, un putsch mené par les militaires tente de renverser la République. Son échec partiel annonce un conflit long de presque trois ans durant lequel la guerre devient totale et internationale. L'historiographie de cette guerre s'est beaucoup renouvelée ces dernières années et s'est départie du récit des vainqueurs, le camp franquiste. François GODICHEAU, Pierre SALMON et Mercedes YUSTA en proposent une synthèse bienvenue dans leur livre « La guerre d'Espagne, 1936-1939, la démocratie assassinée » parue aux éditions Tallandier.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Why are some writers and publishers so excited to automate their work? Author Carmen Maria Machado joins Alex and Emily to unpack what writers are missing when they hand off their work to chatbots, and the underlying issues this reveals in the publishing industry. Plus, we resolve to keep fan fiction a human endeavor!Carmen Maria Machado is the author of the bestselling memoir In the Dream House and the award-winning short story collection Her Body and Other Parties. Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, The Believer, Guernica, and elsewhere.Find tickets to our April 30th live show here!References:- "I wrote a novel using AI. Writers must accept artificial intelligence."- AFT shares tips for "Harnessing the Best of AI"Fresh AI Hell:- "With Teens Comfortable Confiding in AI, Should Schools Embrace It for Mental Health Care?"- Longread on the use of automation by the British government- "OpenAI Backs Bill That Would Limit Liability for AI-Enabled Mass Deaths or Financial Disasters"- UN brief on "AI Deception"- Reader's Digest cover on "Making Friends with AI"- The only good "AI acceptance" policyCheck out future streams on Twitch. Meanwhile, send us any AI Hell you see.Find our book The AI Con here, and MAIHT3k merch here.Subscribe to our newsletter via Buttondown.Follow us!EmilyBluesky: emilymbender.bsky.socialMastodon: dair-community.social/@EmilyMBenderAlexBluesky: alexhanna.bsky.socialMastodon: dair-community.social/@alexTwitter: @alexhannaMusic by Toby Menon.Artwork by Naomi Pleasure-Park. Production by Ozzy Llinas Goodman.

Por trás de aclamadas personalidades há um lado obscuro que ninguém está olhando. Neste programa documental e cheio de mistérios, abordaremos a face oculta das principais personalidades e instituições. Nesta edição: Pablo Picasso. __________ Pablo Picasso é amplamente reconhecido como um dos maiores gênios da arte moderna e o pioneiro do cubismo. Suas obras, como Guernica e As Jovens de Avignon, redefiniram a estética e a expressão artística do século XX. No entanto, por trás das telas consagradas e dos leilões milionários, esconde-se uma trajetória marcada por narcisismo, crueldade e destruição psicológica de entes próximos. Este documentário investiga o lado sombrio do pintor espanhol, detalhando o impacto devastador que ele exerceu sobre sua família e relacionamentos.

En este episodio de Arte compacto merendamos con Manuel Segade y charlamos sobre qué significa dirigir hoy el Museo Reina Sofía –cargo que ocupa desde 2023– y cómo un museo de arte contemporáneo se relaciona con la sociedad, las nuevas generaciones y los debates de nuestro tiempo.Nos centramos en la nueva planta 4 de la colección —dedicada al periodo que va desde 1975, desde la Transición española hasta la actualidad— y los nuevos relatos que el Reina propone sobre memoria, género, afectos y sida, con artistas como Maruja Mallo, Ocaña, Nazario, Esther Ferrer, David Wojnarowicz, Espaliú, Pepe Miralles o Barceló.Hablamos del Guernica como principal icono del museo y de la manera en que está escalando posiciones de popularidad nuestra amada Ángeles Santos Torroella con Un mundo, de cómo se plantean las adquisiciones en ARCOmadrid y fuera de las ferias, del futuro del museo… y –muy importante– de por qué el Reina quizá sea, efectivamente, el auténtico Prado del Gay.

"The Chronology of Water story was an 11-page story written in tiny fragments. And the MFA program I was in, they told me, that's not a story. It's a poem or something. It's a list of fragments. I'm like, 'Fuck you!' My whole enterprise has been to trouble the edges," says Lidia Yuknavitch, bestselling author of several books, most recently a memoir titled Reading the Waves.Lidia Yuknavitch makes her thrilling return to the podcast, this a live recording of the show at Gratitude Brewing in Eugene in partnership with the revival of the Northwest Review. My understanding is that there's a significant literary prize, including creative nonfiction essays. You might want to try you filthy animals. The Northwest Review was the first place that ever published Lidia, a short, 11-page story called the Chronology of Water, so, maybe YOU could be the next Lidia Yuknavitch, though we know that's impossible so don't even try.She's the author of eight books of fiction, nonfiction, and the editor of an essay collection on menopause called The Big M. She's best known for her memoir, or anti-memoir called The Chronology of Water, the novels Thrust, Verge, and The Small Backs of Children. And her most recent nonlinear, fractured memoir is the brilliant Reading the Waves.She won the Oregon Book Award in 2016 and also stood on the TED stage and delivered a beautiful talk about misfits. Her work has appeared in Guernica, Ms., and Another Chicago Magazine. She founded the workshop series Corporeal Writing in Portland, Oregon. She is a very good swimmer.We talk about: Getting rid of the good/bad binary Writing in a group setting Inventing your own rituals The beautiful and the brutal living next to each other Taking your turn Troubling the edges Being good compost And how her market days are over and she's cool with thatYou'll want to pair this episode with 217, Lidia's first time as well as: Episode 447: Brooke Champagne Sits Back from the Suckitude Episode 498: Sasha Bonet on Not Holding Back, and Episode 123: Elena Passarello on Listening to the book, Polaroids, and Self-DoubtDig it, friend.Order The Front RunnerWelcome to Pitch ClubShow notes: brendanomeara.com

Alex unpacks a charged cultural dispute over Guernica by Pablo Picasso, as Madrid clashes with Basque leaders over whether the iconic anti-war painting should be moved from Museo Reina Sofía—raising deeper questions about who “owns” national symbols. He then breaks down Spain's push, led by Pedro Sánchez, to suspend the EU–Israel agreement and why much of Europe isn't backing it. Finally, Alex covers the shocking bullring incident in Seville where matador José Antonio Morante de la Puebla was seriously gored mid-performance, turning a comeback into a crisis.

Als der Spanische Bürgerkrieg begann, brachen Freiwillige aus mehr als fünfzig Ländern auf, um vor Ort für die Demokratie zu kämpfen. Unter ihnen Dichter und Intellektuelle. Paul Ingendaay erklärt, was sie antrieb.

Esto viene a confrontar nuestra ubicación de los campos de batalla y sus resoluciones a través de edictos diplomáticos.

I never thought I'd be glued to my screen this early on a crisp April morning in 2026, but here I am, coffee in hand, scrolling through the latest legal fireworks swirling around President Donald Trump. Just days ago, on April 1st, the Supreme Court chambers in Washington, D.C., echoed with oral arguments in Trump v. United States, a blockbuster case challenging Executive Order 14160. Rutgers Law School professors are calling it one of the most pivotal issues of the year, as it questions whether Trump's order redefining birthright citizenship under the Fourteenth Amendment and the Immigration and Nationality Act holds water. Picture this: the justices grilling lawyers over who qualifies as a U.S. citizen by birth, with Trump's team arguing it bolsters national security while opponents cry foul on constitutional grounds. Rutgers Law highlights how this could reshape immigration law overnight, sending shockwaves through families across America.But that's not all keeping me up at night. Fast-forward to April 7th, and G37 Chambers' International Legal News roundup drops a bombshell from the White House. They're defending Trump amid Middle East tensions, stating outright that "the US President, Donald Trump was making the entire region safer." It's tied to broader foreign policy moves, like Syria's new Investment Arbitration Centre in Damascus, launched post-Assad to lure investors—moves Trump champions as stabilizing the chaos. Guernica 37's weekly updates from the International Criminal Court and European Court of Human Rights paint a picture of global legal chess, with Trump's administration pushing back hard.Shifting gears to the courts back home, the Southern District of New York is heating up with a wild twist on sanctions. The National Law Review reports that the U.S. Department of the Treasury's Office of Foreign Assets Control issued then revoked a license for legal fees to defend former Venezuelan President Nicolás Maduro and his wife, Cilia Flores de Maduro. They're on the SDN List, facing narcotics and firearms charges after a dramatic U.S. Army rendition via Operation Southern Spear. Maduro's lawyers are firing back, claiming it guts their Sixth Amendment right to counsel and Fifth Amendment due process—echoes that make you wonder if similar sanction snags could ever loop in U.S. political heavyweights like Trump.Meanwhile, the Supreme Court's fall 2025 arguments in Fernandez v. United States and Rutherford v. United States linger like a storm cloud, potentially curbing judges' power on compassionate releases for prisoners. Rutgers Law notes this could trap countless inmates in "extraordinary and compelling" limbo, a reform battle Trump-era policies have fueled.As the sun rises here on April 15th, these threads weave a tapestry of power, borders, and justice that's anything but sleepy. From the Supreme Court's marble halls to Damascus streets, Trump's legal orbit keeps the world spinning.Thanks for tuning in, listeners. Come back next week for more, and this has been a Quiet Please production. For more, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Kellner, Hans-Günter www.deutschlandfunk.de, Europa heute

Conocemos la actualidad del mañana de la mano de El Mundo Today

Conocemos la actualidad del mañana de la mano de El Mundo Today

Pablo Ortiz de Zárate, El Artesano, repasa la historia del cuadro más famoso de Pablo Picasso. Sus intenciones, sus decisiones, sus interpretaciones... hacen que tengamos una respuesta más acertada o más preguntas que plantear. 

Respetando la convivencia con las dudas, sanas e imprescindibles casi siempre, hemos repasado con Bob Pop algunas creencias notables para andar por la vida. En La Dupla, aprovechando la primera jornada retro de la competición, nos hemos preguntado con Galder Reguera y Rafa Cabeleira, que cosas del pasado deberían volver a formar parte de la comunidad del fútbol y cuáles están más que bien olvidadas y enterradas en el cementerio de la memoria. Con Pablo Ortiz de Zárate hablamos de los "pros" y los "contras" en la polémica ya antigua de dónde debe estar el Guernica. Por último, en Mitos hemos testado si será cierto eso de que "Ya no hay en este país una familia sin perro". 

José Luis Gallego, Antonio González Ron y Miguel Ángel Cajigal analizan los resultados científicos de la misión Artemis 2, denuncian la aparición de focas, morsas y otros animales marinos fuera de sus latitudes habituales y el deterioro que sufre el Guernica que desaconseja su traslado.

L'émission 28 minutes du 11/04/2026 Ce samedi, Renaud Dély décrypte l'actualité avec le regard international de nos clubistes : Meriem Amellal, journaliste à France 24, spécialiste du Moyen-Orient, Isabelle Durant, présidente du think tank Friends of Europe et experte au Conseil des Droits de l'Homme, Gil Mihaely, historien, directeur de publication de la revue “Conflits” et le dessinateur de presse Patrick Chappatte. 46% des Français victimes de discrimination : la France est-elle un pays raciste ? Le 9 avril, une enquête menée par l'Ifop sur le racisme en France a rendu ses conclusions. Ainsi, 80 % des individus perçus comme noirs ou arabes ont été victimes de violences ou de discriminations à caractère raciste au cours de leur vie. 37 % des juifs et 48 % des musulmans ont été victimes de discriminations en raison de leur religion au cours des 12 derniers mois. Action défensive ou fuite en avant destructrice : que cherche à faire Israël au Liban ? Malgré le cessez-le-feu conclu au Moyen-Orient le 8 avril, des frappes israéliennes ont fait, le jour même, de nombreux morts au sud-Liban et à Beyrouth en dix minutes : 303 morts dont 33 enfants, selon les autorités libanaises et l'Unicef. Alors qu'Israël continue son occupation du sud du Liban, des négociations sont prévues la semaine prochaine entre ces deux parties pour signer un cessez-le-feu. Nous recevons Jean Zeid, commissaire de l'exposition “Video Games et Music”, à la Philharmonie de Paris, jusqu'au 8 novembre 2026. Elle témoigne de la vitalité et de la créativité musicales du secteur des jeux vidéo. Valérie Brochard nous emmène chez nos voisins espagnols où le “Guernica” de Picasso est au cœur de tensions entre Madrid et le Pays basque espagnol. Le célèbre tableau, aujourd'hui présenté à Madrid, n'a jamais été exposé dans la région où se trouve pourtant la ville de Guernica. Olivier Boucreux décerne le titre d'employé de la semaine à Viktor Orbàn, le premier ministre hongrois. Il remet son titre en jeu le 12 avril lors d'élections législatives qui promettent d'être particulièrement disputées. Jean-Mathieu Pernin zappe sur les télévisions indienne et bangladaise. L'Inde a décidé de renforcer le contrôle de sa frontière fluviale avec son voisin en ayant recours à des serpents et des crocodiles pour dissuader les candidats à l'immigration. Natacha Triou nous invite à méditer sur notre future cohabitation avec des robots de plus en plus “humains”. Faudra-t-il leur donner des droits pour les protéger ? Enfin, ne manquez pas Dérive des continents de Benoît Forgeard. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 11 avril 2026 Présentation Renaud Dély Production KM, ARTE Radio

Por Yaiza Santos Debe tener cuidado siempre un periódico del desfase horario que hay entre las palabras que pronuncia Trump en su noche, porque pueden quedar deshechas en el kiosco de la mañana. Pensar, además, que Trump sabe lo que dice cuando dice civilización es no entender la naturaleza del presidente. Puede decir lo que quiera –¡él mismo ha contribuido a que las palabras no se puedan tener en cuenta!–: no se le debe escuchar.Estamos en un alto el fuego precario, repiten sin cesar los periódicos, incidiendo en el adjetivo. Pues claro. Todas las treguas son precarias, ¡la vida es precaria! Le molesta profundamente ese resabio en la prensa, que ni siquiera admite la niebla que acompaña a todas las guerras.Hay cosas, lo dijo cuando Adamuz y lo vuelve a decir, que puede que no se sepan nunca. Y sin embargo ahí estamos, como el primer día, prendidos de la misma orgía de causas y responsabilidades. El periodista no tiene la obligación de saber, sino de hacer las preguntas pertinentes.Ocuparse de Jésica es inevitable porque es parte de su trabajo; el gran reto es, claro, ¡llegar de Jésica al cielo! Y hay cosas que ni Geppetto ni Claude pueden hacer, como poner, una junto a otra, la imagen de la enviudada Jesi junto a la desparpajada Claudia Montes. ¿Qué ve ahí la IA? No ve nada.Hablando de inteligencia artificial, comentó el artículo de Jessica Grose en el Times y remitió al vídeo de Arcadio en motocicleta. El gran cambio que implanta el deepfake: hacer verosímil algo que no existió. Exactamente igual que las novelas. Propuso, por tanto, en lugar de demandas colectivas y gritos apocalípticos, una saludable adaptación cognitiva, la misma que por otra parte se necesitó con la invención de la imprenta. Y que nunca se olvide lo que lleva repitiendo veinte años: todo en internet es falso hasta que no se demuestre lo contrario.En contra de las opiniones mayoritarias, se mostró a favor del millón de Aena y de mover el Guernica.Y fue así que Espada yiró. Bibliografía: - Sergio del Molino, "El millón de Aena", El País. - Jaime Santirso, "Cómo remediar un desastre nuclear a base de chuletas", ABC. - Jessica Grose, "Deepfake Nudes Are Haunting America's Teens", The New York Times. - Para ver: Grizzly Man. - Banda sonora. Hosted on Acast. See acast.com/privacy for more information.

Santiago González comenta la exigencia del PNV con el Guernica y cómo han reaccionado insignes ignorantes y terroristas como Otegi.

El Gobierno Vasco exige a Madrid explorar nuevas vías para el traslado del Guernica

La vicelehendakari y consejera de Cultura, así lo ha defendido en Más de uno, donde ha explicado a Carlos Alsina que los avances técnicos abren la posibilidad de analizar más profundamente el caso.

Trump informó que había llegado a un acuerdo con Irán, que contempla un alto al fuego de dos semanas y la reapertura inmediata del estrecho de Ormuz. En medio de todo está Pakistán, quien básicamente fue el mediador entre ambos países. El secretario de Salud federal, David Kershenobich, informó que los sueros vitaminados que han provocado siete muertes en Sonora pudieron estar contaminados con bacterias, lo que habría provocado cuadros de sepsis en los pacientes.Los agricultores comenzaron un paro nacional para demandar mejores condiciones para el campo. Ojo, el Frente Nacional para el Rescate del Campo Mexicano denunció que agricultores fueron reprimidos por las autoridades tlaxcaltecas y federales el lunes. La petición para trasladar el “Guernica” de Pablo Picasso al País Vasco desató una fuerte polémica política en España.El fondo de inversión Pershing Square anunció una oferta millonaria para adquirir Universal Music Group.El festival Wireless fue cancelado, luego de que a Kanye West le prohibieron la entrada al Reino Unido. En el acuario de Nueva Inglaterra vive una foca de puerto llamada Reggae, que ama a sus patitos de plástico.Para enterarte de más noticias, suscríbete aquí a nuestro newsletter y síguenos en redes sociales. Estamos en todas las plataformas como Te lo cuento. Hosted on Acast. See acast.com/privacy for more information.

02 07-04-26 LHDW P. Serna: la misión Artemis y su viaje a la luna. E.Bolado, ¿Donde tiene que estar el cuadro Guernica?. Euskadi lo reclama

Entrevista a Genoveva Tusell, historiadora del arte, sobre el posible traslado del Guernica

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. Our guest is Dr Sarah Ward, a maritime archaeologist from the Australian National University. We start with the discovery of the sunken Terra Nova, Scott of the Antartic's ship.We hear from the Danish food entrepeneur Claus Meyer - a driving force behind New Nordic Cuisine.Then, the long journey that finally took Picasso's Guernica to Spain.Plus, the Chinese pharmacist who invented the e-cigarette.And, the life of Echo the elephant - the star of the world's longest-running study of wild elephants in Kenya.Finally, "fan man" James Miller and boxing's most bizarre night.Contributors: Leighton Rolley - oceanographer.Dr Sarah Ward - maritime archaeologist from the Australian National University. Claus Meyer - Danish food entrepeneur.Ambassador Rafael Fernandez-Quintanilla - Spanish diplomat (from BBC archive).Hon Lik - inventor of the e-cigarette.Dr Cynthia Moss - founder of the Amboseli Elephant Research Project.Marc Ratner - former representative of the Nevada State Athletic Commission.(Photo: The Terra Nova held up in the pack, Antarctica, 1910. Credit: Herbert Ponting/Royal Geographical Society via Getty Images)

Macher, Julia www.deutschlandfunkkultur.de, Fazit

In 1981 one of the world's most iconic works of art – Guernica - was finally handed to Spain after a 44-year exile.Pablo Picasso had created the huge mural in 1937 followed the bombing of the Basque town of Guernica during the Spanish civil war. And, after being shown in Paris, the painting went on tour in Europe and America, where it was loaned to the Museum of Modern Art in New York.At the time, Picasso swore the painting would never hang in Spain until the country returned to democracy.It wasn't until after the death of the dictator General Francisco Franco that discussions began to transfer the painting to Spain. Ambassador Rafael Fernandez-Quintanilla was one of the negotiators.Jane Wilkinson has been through the BBC archives to find out how Rafael helped end the exile. Additional archive from British Pathe.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by and curious about the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from how the Excel spreadsheet was developed, the creation of cartoon rabbit Miffy and how the sound barrier was broken.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: the moment Reagan and Gorbachev met in Geneva, Haitian singer Emerante de Pradines' life and Omar Sharif's legendary movie entrance in Lawrence of Arabia.You can learn all about fascinating and surprising stories, like the invention of a stent which has saved lives around the world; the birth of the G7; and the meeting of Maldives' ministers underwater. We cover everything from World War Two and Cold War stories to Black History Month and our journeys into space.(Photo: Guernica on display in Madrid, 1981. Credit: Gianni Ferrari/Getty Images)

O empréstimo da obra, reclamado a Madrid, está a tornar-se questão de Estado. Uma crónica de Francisco Sena Santos.See omnystudio.com/listener for privacy information.

Picasso's Guernica wrenches the cry, “How long, O Lord?”Year 2, Holy WeekMonday • 3/30/2026 •This morning's Scriptures are: Psalm 51; Lamentations 1:1-12; 2 Corinthians 1:1-7; Mark 11:12-25This morning's Canticles are: following the OT reading, Canticle 9 (“The First Song of Isaiah,” Isaiah 12:2–6, BCP, p. 86); following the Epistle reading, Canticle 19 (“The Song of the Redeemed,” Revelation 15:3–4, BCP, p. 94)

La Casa Blanca desmiente informaciones sobre el mercado petrolero, mientras Estados Unidos relaja sanciones a Venezuela para la reapertura de su embajada y Rusia lanza un ataque contra Leópolis. El Gobierno Vasco solicita el traslado del Guernica. Se revela la Operación Hades con un narcotúnel entre Marruecos y Ceuta, implicando a funcionarios. La Audiencia Nacional excarcela a 24 personas de esta trama por una sentencia del Tribunal Constitucional, generando un debate sobre la prisión preventiva y la dificultad de investigar el crimen organizado ante nuevas exigencias. En economía, se convalida el decreto de medidas fiscales antiinflación, que rebaja el IVA de carburantes, luz y gas, y se aprueba la exención del IVA para autónomos con ingresos inferiores a 85.000 euros. El Consejo de Estado pide abandonar la propuesta del registro horario por su alto coste para las PYMES. En el Día Mundial contra la Censura en Internet, se analiza su evolución, desde bloqueos hasta la inteligencia ...

durée : 00:10:54 - Le Fil de l'histoire - par : Stéphanie DUNCAN - En 1937 et 1938, la guerre d'Espagne devient une guerre longue, industrielle, où une suite de batailles décisives scellera bientôt le destin de la République. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode of the Straight White American Jesus Sunday Interview, host Leah Payne speaks with award-winning journalist and historian Caleb Gayle about his acclaimed book Black Moses: A Saga of Ambition and the Fight for a Black State. Caleb Gayle is an award-winning journalist and professor at Northeastern University. He is the author of We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power and a contributing writer at The New York Times Magazine. His work has also appeared in The Atlantic, TIME, The Guardian, Guernica, The New Republic, and The Boston Globe. Longlisted for the National Book Award for Nonfiction, named one of The Washington Post's Best Nonfiction Books of the Year, and selected as a New York Times Editors' Choice, Black Moses tells the remarkable story of Edward McCabe, a Black political leader who nearly succeeded in founding a Black-governed state in the Oklahoma Territory at the turn of the twentieth century. Together, Payne and Gayle explore McCabe's ambitious political vision, the racial politics of the American West, and the broader historical context of Reconstruction, westward expansion, and Indigenous displacement. The conversation also reflects on how forgotten stories like McCabe's challenge familiar narratives about American democracy, race, and political imagination. In this episode: The cinematic structure of Black Moses and how Gayle and his editor shaped the narrative Who Edward McCabe was and why his story has largely disappeared from mainstream American history McCabe's audacious plan to create a Black state in the Oklahoma Territory The Reconstruction-era search for Black self-determination and how McCabe's vision differed from projects in Liberia or Haiti The American West as a site of competing dreams—and conflicts—among Black settlers, white settlers, and Indigenous nations McCabe's political strategy: organizing, coalition building, and attracting Black migration to Oklahoma Why Oklahoma ultimately aligned itself with Jim Crow politics during statehood The unfinished project of American democracy and the importance of political imagination Black Moses: A Saga of Ambition and the Fight for a Black State by Caleb Gayle Can the Rodeo Save a Historic Black Town? One woman's quest to rescue Boley, Oklahoma, The Atlantic, by Caleb Gayle In This EpisodeLinks: We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power by Caleb GayleFind Professor Gayle at www.calebgayle.com, Instagram: @calebgayle, Twitter: @gaylecalebFind Dr. Leah Payne at drleahpayne.com, subscribe on Substack, follow her on most social media platforms at @drleahpayne, listen along at Spirit & Power: Charismatics & Politics in American Life & Rock that Doesn't Roll: the Story of Christian Rock, and read along: God Gave Rock and Roll to You: A History of Contemporary Christian Music. Subscribe for $3.65: ⁠https://axismundi.supercast.com/⁠ Subscribe to our free newsletter: ⁠https://swaj.substack.com/⁠ Order American Caesar by Brad Onishi: ⁠https://static.macmillan.com/static/essentials/american-caesar-9781250427922/⁠ Donate to SWAJ: https://axismundi.supercast.com/donations/new Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's show, host Esty Dinur is in conversation with writer Hooman Majd about the escalating Israel-US war on Iran and how these countries are expanding the war to Lebanon, the Gulf States, and beyond. Majd describes the constant barrage of bombs on Tehran, how Israel is displacing Lebanese people, and that the death toll is growing. This week, Iranian leaders marched in the streets of Tehran projecting unity and defiance as the war reaches two weeks.  Majd says there's no sign that Israel or the US are going to end the war, and there's no sign that Iran is going to surrender or negotiate a ceasefire. Despite Trump's claims that he would pick the next leader of Iran, Iranian leadership appointed Mojtaba Khamenei as the country's new Supreme Leader.  They also discuss the restrictions on foreign journalists in Iran, how the attacks on Iran come on the heels of Trump's assault on Venezuela, how fundamental religious figures are shaping the war, and the creation of a new refugee crisis in Lebanon and this crisis could spread to Iran if the US deploys ground troops. Hooman Majd is an Iranian-American writer, and the author of three books on Iran, including the New York Times bestseller The Ayatollah Begs to Differ. His new book, a memoir, is Minister Without Portfolio: Memoir of a Reluctant Exile. Majd has also written for The New Yorker, GQ, Newsweek, The New York Times, The New Republic, Time, Vanity Fair, The Financial Times, Foreign Policy, Foreign Affairs, Politico, and Interview Magazine, among others. He is a contributor to NBC News. He has published short fiction in literary journals such as Guernica and The American Scholar. He lives in New York City. Featured image of a protest against US war with Iran from 2020 via Wikimedia Commons (CC BY-SA 4.0). Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Analysis of the US-Israel War on Iran with Hooman Majd appeared first on WORT-FM 89.9.

İkili Görüş'ün Özel bölümünde Emrullah Özdemir moderatörlüğünde Reza Talebi, Aydın Selcen ve İlkan Dalkuç ABD ile İsrail'in İran'a operasyonunu, operasyonun muhtemel sonuçlarını, dünyaya, Türkiye'ye etkilerini tartışıyor.00:00 Giriş00:35 Guernica: İran "Bunu ben yapmadım, siz yaptınız efendim"04:00 İran'ın en üst düzey yönetim kademesinin öldürülmesinin İran'a etkileri09:35 Hasan Ruhani, Batı yanlılığıyla öne çıkan bir isim13:20 ABD-İsrail: İran'da rejim değişmeli; İran halkı, hadisenize...15:10 İrin Cumhurbaşkanı Pezeşkiyan seçilmedi, atandı çünkü...20:10 İran'ın komşularıyla ve bölgedeki ülkelerle ilişkilerine dair28:50 Türkiye'nin İran'a kısmi bile olsa bir müdahalesinin olası sonuçları32:20 Düşman/dost ateşiyle olması fark etmez 24 saatte 3 tane F-15 nasıl vurulur?37:30 İran hangi boyuttaki bir savaşı ne kadar sürdürebilir?44:40 İlkan Dalkuç ise devasa konular ikişer cümle ile 46:20 Demokrasiden hediye olmaz48:40 Nükleer silaha sahip bir İran, Türkiye için -NATO'ya rağmen- bir risktir...01:02:00 İran dağılabilir mi? Evet ama her etnik unsur hadi kendi devletimizi kuralım demez.01:07:10 İran'da rejim değişirse en büyük mağdurları Hamaney'in öldürümünü dansla kutlayanlar olacak01:09:20 İran'dan Türkiye'ye milyonlarca kişinin göç etme ihtimali01:19:40 İran'a müdahale Trump'ı ara seçimlerde kurtarabilir mi?01:29:50 ABD'de siyasetten Hollywood'a yüksek profilli bazılarının İran rejimini değiştirme biçimimiz Anayasa'mıza uygun olmalı söylemi01:33:50 MAGA'cılarda da Trump'ın eylemlerine karşı çıkanlar var ama halkı Demokratlarda halkı sandığa götürebilecek bir kapasite şu an yokDaktilo1984'e daha fazla destek olmak için KATIL üyesi ol:https://www.youtube.com/channel/UCWyDy24AfZX8ZoHFjm6sJkg/joinBizi Patreon'dan Destekleyin

Todd Miller, a journalist and author specializing in the militarization of the U.S. border, argues that the current expansion of CBP and ICE is a bipartisan trend spanning decades, rather than a phenomenon exclusive to any single administration. He describes a growing “border industrial complex” where private companies profit from surveillance technologies like robotic dogs, AI towers, and biometric databases. These advanced tools and “extra-constitutional powers” are increasingly moving from the borderlands into the interior of the United States, impacting major cities and American citizens. He warns of a transitioning police state where digital walls and mass detention facilities are becoming normalized global standards. Watch on BitChute / Brighteon / Rumble / Substack / YouTube *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Listen Ad-Free for $4.99 a Month or $49.99 a Year! Apple Subscriptions https://podcasts.apple.com/us/podcast/geopolitics-empire/id1003465597 Supercast https://geopoliticsandempire.supercast.com ***Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics American Gold Exchange https://www.amergold.com/geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape The Technocracy (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics Outbound Mexico https://outboundmx.com PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites The Border Chronicle https://www.theborderchronicle.com X https://x.com/memomiller About Todd Miller Todd Miller has researched and written about border issues for more than two decades, the last 10 as an independent journalist and writer. He is a longtime resident of Tucson, Arizona, but also spent many years living and working in Oaxaca, Mexico, and grew up in the Buffalo/Niagara Falls region (yes, a long-suffering Bills fan), staring across the U.S. border into Canada. His work has appeared in The New York Times, TomDispatch, The Nation, The San Francisco Chronicle, In These Times, Guernica, and Al Jazeera English, among others. Todd has authored four books: Build Bridges, Not Walls: A Journey to a World without Borders (City Lights, 2021); Empire of Borders: The Expansion of the U.S. Border around the World (Verso, 2019); Border Patrol Nation: Dispatches from the Front Lines of Homeland Security (City Lights, 2014); and Storming the Wall: Climate Change, Migration and Homeland Security (City Lights, 2017), which was awarded the 2018 Izzy Award for Excellence in Independent Journalism. He's a contributing editor on border issues for NACLA Report on the Americas. He's also a Scorpio, which at least partially explains the logo. *Podcast intro music used with permission is from the song “The Queens Jig” by the fantastic “Musicke & Mirth” from their album “Music for Two Lyra Viols”: http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Exploring the history of a monumental painting.

The Last Touch: Why AI Will Never Be an ArtistI had one of those conversations... the kind where you're nodding along, then suddenly stop because someone just articulated something you've been feeling but couldn't quite name.Andrea Isoni is a Chief AI Officer. He builds and delivers AI solutions for a living. And yet, sitting across from him (virtually, but still), I heard something I rarely hear from people deep in the AI industry: a clear, unromantic take on what this technology actually is — and what it isn't.His argument is elegant in its simplicity. Think about Michelangelo. We picture him alone with a chisel, carving David from marble. But that's not how it worked. Michelangelo ran a workshop. He had apprentices — skilled craftspeople who did the bulk of the work. The master would look at a semi-finished piece, decide what needed refinement, and add the final touch.That final touch is everything.Andrea draws the same line with chefs. A Michelin-starred kitchen isn't one person cooking. It's a team executing the chef's vision. But the chef decides what's on the menu. The chef check the dish before it leaves. The chef adds that last adjustment that transforms good into memorable.AI, in this framework, is the newest apprentice. It can do the bulk work. It can generate drafts, produce code, create images. But it cannot — and here's the key — provide that final touch. Because that touch comes from somewhere AI doesn't have access to: lived experience, suffering, joy, the accumulated weight of being human in a particular time and place.This matters beyond art. Andrea calls it the "hacker economy" — a future where AI handles the volume, but humans handle the value. Think about code generation. Yes, AI can write software. But code with a bug doesn't work. Period. Someone has to fix that last bug. And in a world where AI produces most of the code, the value of fixing that one critical bug increases exponentially. The work becomes rarer but more valuable. Less frequent, but essential.We went somewhere unexpected in our conversation — to electricity. What does AI "need"? Not food. Not warmth. Electricity. So if AI ever developed something like feelings, they wouldn't be tied to hunger or cold or human vulnerability. They'd be tied to power supply. The most important being to an AI wouldn't be a human — it would be whoever controls the electricity grid.That's not a being we can relate to. And that's the point.Andrea brought up Guernica. Picasso's masterpiece isn't just innovative in style — it captures something society was feeling in 1937, the horror of the Spanish Civil War. Great art does two things: it innovates, and it expresses something the collective needs expressed. AI might be able to generate the first. It cannot do the second. It doesn't know what we feel. It doesn't know what moment we're living through. It doesn't have that weight of context.The research community calls this "world models" — the attempt to give AI some built-in understanding of reality. A dog doesn't need to be taught to swim; it's born knowing. Humans have similar innate knowledge, layered with everything we learn from family, culture, experience. AI starts from zero. Every time.Andrea put it simply: AI contextualization today is close to zero.I left the conversation thinking about what we protect when we acknowledge AI's limits. Not anti-technology. Not fear. Just clarity. The "last touch" isn't a romantic notion — it's what makes something resonate. And that resonance comes from us.Stay curious. Subscribe to the podcast. And if you have thoughts, drop them in the comments — I actually read them.Marco CiappelliSubscribe to the Redefining Society and Technology podcast. Stay curious. Stay human.> https://www.linkedin.com/newsletters/7079849705156870144/Marco Ciappelli: https://www.marcociappelli.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We talk with Todd Miller about the militarization of the border. Todd Miller has researched and written about border issues for more than 15 years, the last eight as an independent journalist and writer. He resides in Tucson, Arizona, but also has spent many years living and working in Oaxaca, Mexico. His work has appeared in the New York Times, TomDispatch, The Nation, San Francisco Chronicle, In These Times, Guernica, and Al Jazeera English, among other places.Miller has authored three books: The forthcoming Empire of Borders: The Expansion of the U.S. Border Around the World (Verso, 2019), Storming the Wall: Climate Change, Migration, and Homeland Security (City Lights, 2017), and Border Patrol Nation: Dispatches from the Front Lines of Homeland Security (City Lights, 2014). Do you get the newsletter? A Correction Podcast Episodes RSS

Kavita Das is a an author and mother who has worked for social change for close to fifteen years, addressing issues ranging from community and housing inequities, to public health disparities, to racial injustice. Her first book Poignant Song: The Life and Music of Lakshmi Shankar tells the life story of Grammy-nominated Hindustani singer Lakshmi Shankar.Kavita has been a regular contributor to NBC News Asian America, Los Angeles Review of Books, and The Rumpus. In addition, her work has been published in Salon, WIRED, Poets & Writers, Catapult, LitHub, Tin House, Longreads, Kenyon Review, The Washington Post, The Atlantic, Guernica, McSweeney's, Fast Company, Quartz, Colorlines, Romper, and elsewhere. Kavita created the popular “Writing About Social Issues” nonfiction seminar, which inspired Craft and Conscience, and has taught at the New School and continues to teach across multiple venues and serve as a guest lecturer. Kavita Das is currently a Masters in Fine Arts candidate in creative nonfiction and screenwriting at Antioch University where she is the Eloise Klein Healy Scholar. Previously, she received a B.A. in Urban Studies from Bryn Mawr College. She lives in her hometown of New York City and tries to keep up with the city that never sleeps and her six-year-old daughter Daya.

The aerial bombardment that rained down on the Spanish city of Guernica in 1937 was one of the most shocking atrocities of the Spanish Civil War. Dan and David Brydan - historian of Modern Spain at King's College London - explain why this Basque town was targeted, how the attack unfolded and what it meant for civilians on the ground. They explore the political motives behind the raid as well as its enduring impact on Europe and trace how Guernica became a symbol of the horrors of modern warfare.Produced by James Hickmann and edited by Dougal Patmore.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.We'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.