POPULARITY
Categories
This five-week series is not a typical “how to have a perfect Christian family” talk. It's raw, real, and multi-generational. Pastor and his wife will co-lead, joined on stage by all four of their children (including two married adult children). The goal is to create an honest conversation about the ecosystem and culture of family life — the invisible atmosphere we create in our homes, the boundaries we set (or don't), and the legacy we're actually passing on. Expect laughter, tears, vulnerability, and practical wisdom. The series will feel like a family dinner table conversation — only louder and with all of you watching.
This five-week series is not a typical “how to have a perfect Christian family” talk. It's raw, real, and multi-generational. Pastors Michael & Heather will co-lead, joined on stage by all four of their children. The goal is to create an honest conversation about the ecosystem and culture of family life — the invisible atmosphere we create in our homes, the boundaries we set (or don't), and the legacy we're actually passing on. Expect laughter, tears, vulnerability, and practical wisdom. The series will feel like a family dinner table conversation — only louder and with all of you watching.
ESPELEOLOGIA (s.f.) “é o estudo das cavernas, de sua gênese e evolução, do meio físico que elas representam, de seu povoamento biológico atual ou passado, bem como dos meios ou técnicas que são próprias ao seu estudo”. Na Raphus Press, no canal RES FICTA, os episódios de “Espeleologia” são comentários sobre questões que escapam do livro, envolvendo discussões teóricas mais amplas de poéticas e formas narrativas.Bibliografia do episódio de hoje: “Critical Writings”, F. T. Marinetti (Farrar, Straus and Giroux, 2006); “The Life of Tomorrow”, Fillia (Snuggly Books, 2019); “La Morte della Donna”, Fillia (Edizione Sindacati Artistici, 1925); “Zanguézi”, Velimir Khlébnikov (Nauta, 2025).Segunda chance para conhecer a nova e luxuriosa decadência na ficção brasileira: https://www.catarse.com.br/crepusculares2Descubra outras visões do futuro: https://www.catarse.com.br/futurologiasVISITE NOSSA LOJA VIRTUAL: https://linknabio.gg/raphuspress Entre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html
Today, we're putting The Tonearm's needle on George Grella, one of the sharpest music critics working today.George is the music editor of The Brooklyn Rail and has written for The Wire, the New York Times, and, luckily for us, The Tonearm.George just published Minimalist Music, part of Bloomsbury's 33⅓ Genre series. His central argument is that minimalism isn't defined by sparse materials or specific harmonies; it's defined by how it uses time. Understanding that distinction impacts how we approach and hear the music, and what happens to this music when its originators are gone.We talk about that thesis, the line between minimalism and post-minimalism, and what it takes to build a life in music writing. We also take a detour into John Zorn's visual art.The musical excerpts heard in the interview are Terry Riley - “In C” (performed by Bang on a Can All-Stars on the album In C ), Philip Glass - "Music in Twelve Parts: Part 1" (performed by The Philip Glass Ensemble on the album Music in Twelve Parts), and Steve Reich - “Drumming: Pt III” (performed by Steve Reich and Musicians on the album Drumming).—Dig DeeperGuest and BookVisit George Grella Jr. at The Brooklyn Rail where he serves as music editor, and on The Tonearm, where he is a contributorSubscribe to his Substack newsletter, Kill Yr Idols,, and follow him on BlueskyPurchase Minimalist Music (Bloomsbury Academic, 2026) from Bloomsbury, Bookshop.org, Powell's Books, Barnes & Noble, Amazon, or your other retailer of choiceRead Grella's Substack post "Minimalism at the End" — the piece discussed in this episodeGeorge Grella Jr.'s previous book: Miles Davis' Bitches Brew (Bloomsbury, 2015) — part of the 33⅓ seriesKey ComposersSteve Reich — official websitePhilip Glass — official websiteMeredith Monk — official websiteMorton Feldman — WikipediaLa Monte Young — WikipediaArvo Pärt — official websiteLouis Andriessen — WikipediaJohn Zorn — Tzadik websiteKey Works DiscussedMusic for 18 Musicians — Steve ReichElectric Counterpoint — Steve ReichDrumming — Steve ReichDifferent Trains — Steve ReichEinstein on the Beach — Ictus, Suzanne Vega, Collegium Vocale Gent (VLEK, 2025) — the recording discussed in this episodeGlassworks — Philip GlassPanthalassa: The Music of Miles Davis 1969–1974 — reconstructed and mixed by Bill Laswell (Sony, 1998)Kind of Blue — Miles DavisEnsembles and OrganizationsBang on a Can — including the Bang on a Can All-Stars and the annual Long Play FestivalSō Percussion — Grammy-winning percussion quartetIctus Ensemble — Brussels-based contemporary music ensembleReferenced BooksOn Minimalism: Documenting a Musical Movement — Kerry O'Brien and William Robin (University of California Press, 2023)Kerry O'Brien and William Robin on The Tonearm PodcastThe Rest Is Noise: Listening to the Twentieth Century — Alex Ross (Farrar, Straus and Giroux, 2007)ExhibitionJohn Zorn: Hermetic Cartography — The Drawing Center, New York (February 7–May 11, 2025). The exhibition featured drawings, graphic scores, and visual works spanning seven decades of Zorn's practice.—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today, we're putting The Tonearm's needle on George Grella, one of the sharpest music critics working today.George is the music editor of The Brooklyn Rail and has written for The Wire, the New York Times, and, luckily for us, The Tonearm.George just published Minimalist Music, part of Bloomsbury's 33⅓ Genre series. His central argument is that minimalism isn't defined by sparse materials or specific harmonies; it's defined by how it uses time. Understanding that distinction impacts how we approach and hear the music, and what happens to this music when its originators are gone.We talk about that thesis, the line between minimalism and post-minimalism, and what it takes to build a life in music writing. We also take a detour into John Zorn's visual art.The musical excerpts heard in the interview are Terry Riley - “In C” (performed by Bang on a Can All-Stars on the album In C ), Philip Glass - "Music in Twelve Parts: Part 1" (performed by The Philip Glass Ensemble on the album Music in Twelve Parts), and Steve Reich - “Drumming: Pt III” (performed by Steve Reich and Musicians on the album Drumming).—Dig DeeperGuest and BookVisit George Grella Jr. at The Brooklyn Rail where he serves as music editor, and on The Tonearm, where he is a contributorSubscribe to his Substack newsletter, Kill Yr Idols,, and follow him on BlueskyPurchase Minimalist Music (Bloomsbury Academic, 2026) from Bloomsbury, Bookshop.org, Powell's Books, Barnes & Noble, Amazon, or your other retailer of choiceRead Grella's Substack post "Minimalism at the End" — the piece discussed in this episodeGeorge Grella Jr.'s previous book: Miles Davis' Bitches Brew (Bloomsbury, 2015) — part of the 33⅓ seriesKey ComposersSteve Reich — official websitePhilip Glass — official websiteMeredith Monk — official websiteMorton Feldman — WikipediaLa Monte Young — WikipediaArvo Pärt — official websiteLouis Andriessen — WikipediaJohn Zorn — Tzadik websiteKey Works DiscussedMusic for 18 Musicians — Steve ReichElectric Counterpoint — Steve ReichDrumming — Steve ReichDifferent Trains — Steve ReichEinstein on the Beach — Ictus, Suzanne Vega, Collegium Vocale Gent (VLEK, 2025) — the recording discussed in this episodeGlassworks — Philip GlassPanthalassa: The Music of Miles Davis 1969–1974 — reconstructed and mixed by Bill Laswell (Sony, 1998)Kind of Blue — Miles DavisEnsembles and OrganizationsBang on a Can — including the Bang on a Can All-Stars and the annual Long Play FestivalSō Percussion — Grammy-winning percussion quartetIctus Ensemble — Brussels-based contemporary music ensembleReferenced BooksOn Minimalism: Documenting a Musical Movement — Kerry O'Brien and William Robin (University of California Press, 2023)Kerry O'Brien and William Robin on The Tonearm PodcastThe Rest Is Noise: Listening to the Twentieth Century — Alex Ross (Farrar, Straus and Giroux, 2007)ExhibitionJohn Zorn: Hermetic Cartography — The Drawing Center, New York (February 7–May 11, 2025). The exhibition featured drawings, graphic scores, and visual works spanning seven decades of Zorn's practice.—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
This summer, HRP is reading Pedagogies of Collapse: A Hopeful Education for the End of the World As We Know It, by Ginie Servant-Miklos, and we're inviting you to join us. Visit humanrestorationproject.org/book-club to sign up for our summer book club, where we'll meet to discuss the ideas and implications of Pedagogies of Collapse and be joined by the author, for a Q&A on July 31. I'll include a link to the book in the show notes, which is available on Open Access through Bloomsbury. Hope to see you there!I'm back this week with another narrated piece from our upcoming Progressive Education Primer. If you like this format and want to have more narrated essay content, or if you can't stand it, leave a comment on YouTube or Discord to let us know. This one is written by our Executive Director, Chris McNutt, titled Teaching in the Wreckage of the Real.HRP Book ClubPedagogies of Collapse, Bloomsbury Open AccessTeaching in the Wreckage of the Real, Chris McNuttAdditional music credits: Dandelion by | e s c p | https://www.escp.space | https://escp-music.bandcamp.com
内容简介本期聊“为什么要追求卓越”。增长往往不是线性的,真正的跃迁来自少数关键时刻;卓越工作不仅带来更高回报,更重要的是让人有机会提出更好的问题、完成更好的价值对齐。平庸的工作会被市场和记忆迅速遗忘,而卓越,是个体与组织面对世界最坦诚的行动方式。参考文献* Deutsch, D. (2011). *The Beginning of Infinity: Explanations That Transform the World*. Viking.* Christian, B. (2020). *The Alignment Problem: Machine Learning and Human Values*. W. W. Norton & Company.* Taleb, N. N. (2012). *Antifragile: Things That Gain from Disorder*. Random House.* Kahneman, D. (2011). *Thinking, Fast and Slow*. Farrar, Straus and Giroux.* J.P. Morgan Asset Management. (2024). *Guide to the Markets*. J.P. Morgan Asset Management.* S&P Dow Jones Indices. (2024). *S&P 500 Index Methodology*. S&P Global.
Bright on Buddhism - Episode 140 - Who is Bodhidharma? What is his significance to East Asian Buddhism? What are some legends about him?Resources: charya, Raghu (2017), Shanon, Sidharth (ed.), Bodhidharma Retold – A Journey from Sailum to Shaolin, New Delhi: Motilal Banarsidass, ISBN 978-81-208-4152-9Broughton, Jeffrey L. (1999), The Bodhidharma Anthology: The Earliest Records of Zen, Berkeley: University of California Press, ISBN 0-520-21972-4Buswell, Robert E., ed. (2004), Encyclopedia of Buddhism, vol. 1, Macmillan, ISBN 0-02-865718-7Cole, Alan (2009), Fathering Your Father: The Zen of Fabrication in Tang Buddhism, Berkeley, Los Angeles, London: University of California Press, ISBN 978-0-520-25485-5Dumoulin, Heinrich; Heisig, James; Knitter, Paul F. (2005). Zen Buddhism: India and China. World Wisdom, Inc. ISBN 978-0-941532-89-1.Faure, Bernard (1986), "Bodhidharma as Textual and Religious Paradigm", History of Religions, 25 (3): 187–198, doi:10.1086/463039, S2CID 145809479, archived from the original on 2007-09-28, retrieved 2007-02-13Ferguson, Andrew (2000), Zen's Chinese Heritage: The Masters and their Teachings, Somerville: Wisdom Publications, ISBN 0-86171-163-7Garfinkel, Perry (2006), Buddha or Bust, Harmony Books, ISBN 978-1-4000-8217-9Henning, Stanley (1994), "Ignorance, Legend and Taijiquan" (PDF), Journal of the Chenstyle Taijiquan Research Association of Hawaii, 2 (3): 1–7, archived from the original on 2011-02-23, retrieved 2019-10-19Henning, Stan; Green, Tom (2001), "Folklore in the Martial Arts", in Green, Thomas A. (ed.), Martial Arts of the World: An Encyclopedia, Santa Barbara, CA: ABC-CLIOJorgensen, John (2000), "Bodhidharma", in Johnston, William M. (ed.), Encyclopedia of Monasticism: A-L, Taylor & FrancisKambe, Tstuomu (2012), Bodhidharma. A collection of stories from Chinese literature (PDF), archived from the original (PDF) on 2015-11-06, retrieved 2011-11-23McRae, John R. (2000), "The Antecedents of Encounter Dialogue in Chinese Ch'an Buddhism", in Heine, Steven; Wright, Dale S. (eds.), The Kōan: Texts and Contexts in Zen Buddhism, Oxford University Press, archived from the original on 2012-07-25, retrieved 2006-11-30.McRae, John R. (2003), Seeing Through Zen. Encounter, Transformation, and Genealogy in Chinese Chan Buddhism, The University Press Group Ltd, ISBN 978-0-520-23798-8McRae, John R. (2004), Seeing through Zen: Encounter, Transformation, and Genealogy in Chinese Chan Buddhism, University of California PressPine, Red, ed. (1989), The Zen Teaching of Bodhidharma: A Bilingual Edition, New York: North Point Press, ISBN 0-86547-399-4Pine, Red, ed. (2009), The Zen Teaching of Bodhidharma, Farrar, Straus and Giroux, ISBN 978-0-86547-399-7Sekida, Katsuki (1996). Two Zen Classics. Mumonkan, The Gateless Gate. Hekiganroku, The Blue Cliff Records. Translated with commentaries by Katsuki Sekida. New York / Tokyo: Weatherhill.Shahar, Meir (2008). The Shaolin Monastery: history, religion, and the Chinese martial arts. University of Hawaii Press. ISBN 978-0-8248-3110-3.Sutton, Florin Giripescu (1991), Existence and Enlightenment in the Laṅkāvatāra Sūtra: A Study in the Ontology and Epistemology of the Yogācāra School of Mahāyāna Buddhism, Albany: State University of New York Press, ISBN 0-7914-0172-3.Williams, Paul (1989), Mahayana Buddhism: The Doctrinal Foundations, Psychology Press, ISBN 0-415-02537-0_________________________________If you like our show and would like to support us, we encourage you to give your money or resources to a worthy cause. We can get through this. Our strongest weapon is solidarity. Stay strong and help where you can. Thank you.Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host
Send us Fan MailFirst published in 1983 after being championed by Toni Morrison, Nettie Jones's Fish Tales recounts one woman's trauma-filled, hedonistic quest for personal freedom amidst a “Disco-Era,” drug-fuelled backdrop — one inspired by Jones's own lived experiences in 1970s Detroit and New York City. Nigerian-American author and Lit Club founder Hannah Eko joins us to discuss the ways power, pleasure and pain converge in Jones's transgressive work, which was reissued by Farrar Straus and Giroux in 2025Mentioned in this episode:Fish Tales by Nettie JonesHoney is the Knife by Hannah EkoThe Lit Club's 2026 event calendarToni MorrisonVillage Well bookstoreLucumiOshunCharles AbramsonJean ToomerLongreads article on Nettie Jones by Michael GonzalezNuma PerrierZola filmLess Than Zero by Bret Easton EllisBright Lights, Big City by Jay McInernyHunter S. ThompsonAnais NinGayl JonesThe Hitachi Magic WandYoruba ArtLost Ladies of Lit Patreon pageSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter.Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast
We're going underground — literally and spiritually. A tree looks impressive above ground, but its survival depends on what no one sees: the root system. This series takes us into the hidden places where real faith is formed. Rooted is a six-week series strategically designed for new believers and seasoned saints who want to be rooted and grounded in the non-negotiable essentials that turn Sunday excitement into lifelong fruitfulness.
Writer and Frieze editor-in-chief Andrew Durbin talks about: His book tour for "The Wonderful World That Almost Was," which has been hectic; how he became familiar with Peter Hujar's work initially, and why his and Paul Tek's legacies really took off after their deaths; Peter's persona and personality as someone who could be as charming and engaging as can be, but also someone who flew off the handle with a volatile anger at some in his life, and how he actually using photography to deal with some of that anger; how Paul Tek appeared to be thoroughly charming and quintessentially hippie-ish from the various television footage of him in interviews, despite his ultimate distaste for and rebellion against the hippie archetype, and how he had an ongoing contradiction in wanting to be around people and then wanting to get away (he often questioned the love of those who loved him), which he did prolifically, from Miami right out of school to various parts of Italy throughout his adulthood; Peter's troubled relationship with his mother, who was emotionally abusive and neglectful, and whom was described by a boyfriend of Peter's at the time as "very good at being unsatisfied;" how Peter learned much of his photography skills working in commercial photos studios in the '60s and '70s (including that of Richard Avedon) and eventually applied and expanded them in the darkroom for his own work, and to what extent Gar Schneider, his friend and the printer of the work in his estate, will make prints posthumously from the estate; In the 2nd half of the conversation, available to Patreon supporters, he covers: The legacies of Peter and Paul, including via Linda Rosenkranz's book "Peter Hujar's Day," which became a film by Ira Sachs, and how Andrew's book may just be part of the rise in their respective public profiles; how he was more interested in and relied on their own memories of their childhoods (and adulthoods) as opposed to thru the lenses of family; how Andrew melded with his subjects, and how consuming and surprisingly somatic the experience of writing the book became, leaving him unsure how to re-fill his time once the writing finally ended; how thru writing the book he had to confront his own fears of AIDS, of death, and his insecurities, and the therapist who guided him gracefully through that process; how, despite the book being published by Farrar, Straus and Giroux, he still maintained his full-time job (editor of Frieze magazine), and in fact how much the book strained his finances, as biographies turn out to be expensive endeavors (with almost no opportunity for grants to support them); how the reason that Andrew's book and Ira Sachs' film (Peter Hujar's Day) are coinciding has to do with a hunger for authenticity, including especially a yearning for a time (the '70s) in New York when artists could live together in a community and scrape by financially on whatever they made, a time long-gone but one that even some young people are aware of; iconic writer/cultural critic Susan Sontag's relationships with Peter and Paul, the latter of whom became infatuated with her, and how Andrew showed her as 'an intoxicating' individual, and what that feels like; Paul's complex relationship with his sexuality, to the extent that he often pursued relationships with women, whom he dated quite often but never got serious with, and how sexuality was something he may have tormented himself over; how the actor who played Peter in "Peter Hujar's Day" could never fill Peter's robust shoes, but at the same time how happy Andrew is for how many people the film has brought to Peter's work; the differences between living in New York and London (where he lives now), including how London actually has more in common with Los Angeles in terms of its size and its more deliberate social dynamics whereas in New York you're constantly running into people everywhere; and how he'll finally be ready to transition to his next project once this one if finally done, as it's been such an immersive, somatic experience.
In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices
In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review
In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies
Like the palm tree, the Everglades, Disney World, and the “Florida Man,” the orange is a classic symbol of the Sunshine State. But maybe not for much longer. Production has declined to catastrophic levels, a decrease of more than 95% in less than 25 years. It's a produce murder mystery—and Decoder Ring is tagging along with reporter Alex Sammon to crack the case. The suspects include insects, hurricanes, mortgage-backed securities, and the American habit of not reckoning with enormous, load-bearing flaws until it's way too late.In this episode, you'll hear from Alex, a feature writer at Slate, who visited Florida to check on the orange and write about its demise. You'll also hear from Gary Mormino, Florida lover, expert, and professor emeritus of Florida Studies at the University of South Florida.This episode was produced by Katie Shepherd and Evan Chung, Decoder Ring's supervising producer. It was edited by Josh Levin. Decoder Ring is also produced by Willa Paskin and Max Freedman. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Sources for This EpisodeHamilton, Alissa. Squeezed: What You Don't Know about Orange Juice, Yale University Press, 2010.Hussey, Scott D. “The Sunshine State's Golden Fruit: Florida And The Orange,1930-1960,” USF Tampa Graduate Theses and Dissertations, Apr. 2, 2010.McPhee, John. Oranges, Farrar, Straus and Giroux, 1967.Mormino, Gary. “The enduring but endangered symbol of Florida,” The Gainesville Sun, Apr. 3, 2016.Sammon, Alex. “Who Killed The Florida Orange?” Slate, Apr. 20, 2026.Walkey, Will and Amory Sivertson. “The fall of Florida citrus,” On Point, Aug. 19, 2025Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.
Like the palm tree, the Everglades, Disney World, and the “Florida Man,” the orange is a classic symbol of the Sunshine State. But maybe not for much longer. Production has declined to catastrophic levels, a decrease of more than 95% in less than 25 years. It's a produce murder mystery—and Decoder Ring is tagging along with reporter Alex Sammon to crack the case. The suspects include insects, hurricanes, mortgage-backed securities, and the American habit of not reckoning with enormous, load-bearing flaws until it's way too late.In this episode, you'll hear from Alex, a feature writer at Slate, who visited Florida to check on the orange and write about its demise. You'll also hear from Gary Mormino, Florida lover, expert, and professor emeritus of Florida Studies at the University of South Florida.This episode was produced by Katie Shepherd and Evan Chung, Decoder Ring's supervising producer. It was edited by Josh Levin. Decoder Ring is also produced by Willa Paskin and Max Freedman. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Sources for This EpisodeHamilton, Alissa. Squeezed: What You Don't Know about Orange Juice, Yale University Press, 2010.Hussey, Scott D. “The Sunshine State's Golden Fruit: Florida And The Orange,1930-1960,” USF Tampa Graduate Theses and Dissertations, Apr. 2, 2010.McPhee, John. Oranges, Farrar, Straus and Giroux, 1967.Mormino, Gary. “The enduring but endangered symbol of Florida,” The Gainesville Sun, Apr. 3, 2016.Sammon, Alex. “Who Killed The Florida Orange?” Slate, Apr. 20, 2026.Walkey, Will and Amory Sivertson. “The fall of Florida citrus,” On Point, Aug. 19, 2025 Hosted on Acast. See acast.com/privacy for more information.
Like the palm tree, the Everglades, Disney World, and the “Florida Man,” the orange is a classic symbol of the Sunshine State. But maybe not for much longer. Production has declined to catastrophic levels, a decrease of more than 95% in less than 25 years. It's a produce murder mystery—and Decoder Ring is tagging along with reporter Alex Sammon to crack the case. The suspects include insects, hurricanes, mortgage-backed securities, and the American habit of not reckoning with enormous, load-bearing flaws until it's way too late.In this episode, you'll hear from Alex, a feature writer at Slate, who visited Florida to check on the orange and write about its demise. You'll also hear from Gary Mormino, Florida lover, expert, and professor emeritus of Florida Studies at the University of South Florida.This episode was produced by Katie Shepherd and Evan Chung, Decoder Ring's supervising producer. It was edited by Josh Levin. Decoder Ring is also produced by Willa Paskin and Max Freedman. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Sources for This EpisodeHamilton, Alissa. Squeezed: What You Don't Know about Orange Juice, Yale University Press, 2010.Hussey, Scott D. “The Sunshine State's Golden Fruit: Florida And The Orange,1930-1960,” USF Tampa Graduate Theses and Dissertations, Apr. 2, 2010.McPhee, John. Oranges, Farrar, Straus and Giroux, 1967.Mormino, Gary. “The enduring but endangered symbol of Florida,” The Gainesville Sun, Apr. 3, 2016.Sammon, Alex. “Who Killed The Florida Orange?” Slate, Apr. 20, 2026.Walkey, Will and Amory Sivertson. “The fall of Florida citrus,” On Point, Aug. 19, 2025 Hosted on Acast. See acast.com/privacy for more information.
Lisa Wells is a poet, essayist, and documentarian. She is the author, most recently, of The Fire Passage, selected by Diane Seuss as the winner of the Levis Poetry Prize (Four Way Books, 2025). Her debut poetry collection, The Fix, won the Iowa Poetry Prize. She is also the author of Believers: Making a Life at the End of the World, (Farrar, Straus & Giroux), a finalist for the 2022 PEN E.O. Wilson Literary Science Writing Award. Her work has been published in Granta, The Believer, N+1, The New York Times, Harper's Magazine, and in The Best American Science and Nature Writing and The Best American Food and Travel Writing. She has taught for The University of Iowa, The University of Arizona, Portland State University, Yale-NUS and currently serves as co-editor of the Kuhl House Poets Series at the University of Iowa Press. Find more here: https://www.lisawellswriter.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write an after poem to one of the Rattle Poetry Prize finalist poems. Make sure not to take the magic from the source poem. Instead, create your own transformation! Next Week's Prompt: Write a poem that's all about taste! Include a scent, but not the word “delicious.” The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.
NCPA Past President and PAC Chairman Steve Giroux joins host John Beckner in the studio during NCPA's 2026 fly-in for a conversation about political advocacy. They discuss the impact NCPA's PAC has in combination with our grassroots advocacy efforts. Giroux outlines how contributing to the PAC can enhance your relationships with your elected officials and increase their engagement with issues that matter to community pharmacists. To learn more about the PAC, click here.
Happy Mother's Day! We honor & celebrate all of the moms, grandmas & mother figures in our lives. Be encouraged as we learn from 5 mothers in the Bible... from Lois and Eunice's quiet consistency, to Bathsheba's redeemed story, to Jochebed's courageous trust, and Mary's surrendered yes, we all can apply these lessons to our lives!
This episode continues our series on the aubade (a morning love song) with a dramatic turn. Larkin reinvents the tradition as waking to the fact that every new day brings a person one day closer to death. To see the tradition that Larkin reimagines, see our previous episode on John Donne, "The Sun Rising." For the text of Larkin's "Aubade" see the Poetry Foundation. For more on Larkin, see the Poetry Foundation. Thanks to Farrar, Straus, and Giroux, as well as Faber and Faber, for permission to read Larkin's "Aubade" for this episode. Photo by Barry Wilkinson/Radio Times via Getty Images
This time on Making Stitches Podcast, I'm joined by Kit Giroux, semi-finalist from the 2025 series of The Great British Sewing Bee. In our chat, Kit talks about their sewing journey, from first learning as a child to rediscovering a love of making a year or so before appearing on national television. We also chat about what it was really like to take part in series 11 of The Great British Sewing Bee.Kit shares some brilliant behind-the-scenes insights from their time in the Sewing Bee sewing room, including the story behind the unforgettable paper dress created for Pop Art Week, which went on to win Garment of the Week. We talk about the pressure of choosing and getting your hands on the right fabric when the challenges start, stepping through the screen to appear on a show you've loved for years, and the joy of making clothes that truly reflect personal style.As well as looking back on Sewing Bee, Kit also talks about their hopes for the future, including plans to release an original range of sewing patterns. Thank you so much Kit for allowing me to come and visit you and for speaking to me for Making Stitches!You can find Kit on Instagram and TikTok.Thank you for listening to Making Stitches Podcast!For full show notes, please visit https://makingstitchespodcast.com/To join the mailing list for the Making Stitches Newsletter, please click onto this linkThe theme music is Make You Smile by RGMusic from Melody Loops.The Making Stitches logo was designed by Neil Warburton at iamunknown.You can support Making Stitches Podcast with running costs through Ko-fi.Making Stitches Podcast is supported by the Making Stitches Shop which offers Making Stitches Podcast merchandise for sale as well as Up the Garden Path crochet patterns designed by me & illustrated by Emma Jackson.Making Stitches Podcast is presented, recorded and edited by Lindsay Weston.
Jean-Sébastien Giroux porte un appel à mieux encadrer l'accès des mineurs aux réseaux sociaux, dans un contexte d'inquiétudes croissantes sur la santé mentale et le développement cognitif. Il souligne que des technologies d'estimation d'âge existent déjà, avec un traitement local des données pour limiter les enjeux de vie privée. L'objectif est de passer du constat à l'action, en mettant en place un cadre légal, possiblement sous la supervision du CRTC. L'enjeu dépasse les plateformes elles-mêmes et touche les usages, notamment le défilement continu de contenus. Le défi sera d'agir rapidement tout en évitant les effets de contournement par les jeunes utilisateurs.
Suzy Hansen on “From Life Itself: Turkey, Istanbul, and a Neighborhood in the Age of Erdoğan” (Farrar, Straus and Giroux). The book focuses on Istanbul's Karagumruk to explore the everyday impact of geopolitical upheaval, economic turbulence and the arrival of Syrian migrants in Turkey. Please support Turkey Book Talk on Patreon or Substack. Supporters get a 35% discount on all Turkey/Ottoman History books published by Bloomsbury Academic, transcripts of every interview, and links to articles related to each episode.
We're going underground — literally and spiritually. A tree looks impressive above ground, but its survival depends on what no one sees: the root system. This series takes us into the hidden places where real faith is formed. Rooted is a five-week series strategically designed for new believers and seasoned saints who want to be rooted and grounded in the non-negotiable essentials that turn Sunday excitement into lifelong fruitfulness.
In this bonus episode, cohosts Jason Christian and Anthony Ballas speak with the literary critic Ryan Ruby about New German Cinema, particularly the directors Rainer Werner Fassbinder and Alexander Kluge, and the film movement's fascination with the Red Army Faction (Rote Armee Fraktion) A.K.A. the Baader–Meinhof Gang, an ultra-left militant group in West Germany that existed in various forms from 1970 to 1998. Ryan Ruby is the author of Context Collapse: A Poem Containing a History of Poetry (Seven Stories Press, 2024) and The Zero and the One: A Novel (Twelve Books, 2017). For his essays and reviews, which have recently appeared in such venues as Harper's, Bookforum, and the New Left Review, he has received the Silvers Prize in Literary Criticism. He lives in Berlin, where he is working on a book of creative nonfiction about the city's mass transit system, tentatively titled Ringbahn: On Berlin Time, which will be published by Farrar, Straus and Giroux in late 2027. _____________________ Ryan Ruby's forthcoming book on the cultural history of Berlin, with particular interest in the music scene and cinema of the 1970s The films Germany in Autumn (1978) and The Third Generation (1979) The Red Army Faction and 1960s/'70s militancy The political climate in Berlin today V.I. Lenin's critique of "adventurism" _____________________ We love to give recommendations on the podcast, so here are ours for this episode: Tony recommends the two-volume book The Magic of Robert-Houdin An Artist's Life The Watchmaker, Mechanician and Conjurer by Christian Fechner Ryan recommends the books Baader-Meinhof: The Inside Story of the R.A.F. by Stefan Aust and Fassbinder: Thousands of Mirrors by Ian Penman Jason recommends Bruce LaBruce's 2004 satirical RAF film The Raspberry Reich. [Warning: the film contains explicit sex scenes] _____________________ Find past guest Andrew Nette's Letterboxd list of films inspired by or about the Red Army Faction here. Check out our interview with Nette here. Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema. For more from your hosts and guest: Find Ryan Ruby's work at www.ryanruby.info Follow Jason on Bluesky @JasonAChristian.bsky.social, on X @jasonachristian, or on Letterboxed at @exilemagic. Jason also writes an occasional newsletter called Notes on Radical Cinema. Follow Anthony on Bluesky @tonyjballas.bsky.social, on X @tonyjballas, or on Letterboxed @tonyjballas. Follow Paul on Bluesky @ptklein.com, or on Letterboxed @ptklein. Paul also writes about movies at www.howotreadmovies.com Logo by Jason Christian Theme music by DYAD (Charles Ballas and Jeremy Averitt). Happy listening!
We're going underground — literally and spiritually. A tree looks impressive above ground, but its survival depends on what no one sees: the root system. This series takes us into the hidden places where real faith is formed. Rooted is a five-week series strategically designed for new believers and seasoned saints who want to be rooted and grounded in the non-negotiable essentials that turn Sunday excitement into lifelong fruitfulness.
Hugh Douglas and Joe Giglio revisit the intense 2012 playoff rivalry between the Flyers and Penguins, highlighting Claude Giroux's legendary shift. They also take calls on a potential 76ers upset over the Celtics and debate whether the Flyers should prioritize physicality in their upcoming series. 01:04 - Flyers and Penguins Rivalry Review 02:54 - Reliving the 2012 Giroux Shift 06:35 - Analyzing the Famous 2012 Brawl 13:00 - Predicting a Sixers-Celtics Upset 20:51 - Maintaining a Physical Hockey Tone
Send us Fan MailEpisode 206Sorry I am late today -love yaThis week, I'm opening up a conversation that many of us avoid—but all of us feel.Money.Not the polished, curated version we see online… but the real, behind-the-scenes truth about what's coming in, what's going out, and the quiet stress it can carry.If things feel tight right now… if you've been avoiding your numbers… if you've ever wondered whether you need to earn more or spend less—but haven't wanted to face the answer—this episode is for you.We're not talking about complicated strategies or financial jargon.We're talking about honesty.The kind that changes everything.I'll walk you through the two levers we actually have, the one question that can shift your entire financial direction, and why understanding who you are with money matters more than any perfect plan.We'll also connect something we don't talk about enough:how money stress shows up in our bodies, our eating, our sleep, and our relationships.Because this isn't just about dollars.It's about your life.If you've been feeling the weight of it all…this conversation might be the place where things start to feel a little lighter.Press play when you're ready to tell yourself the truth.Quote of the Week“Do not save what is left after spending, but spend what is left after saving.” — Warren BuffettCitations Kahneman, D. (2011). Thinking, Fast and Slow. Farrar, Straus and Giroux.Consumer Financial Protection Bureau (CFPB). Research on financial habits and automatic savings systems.American Psychological Association (APA). (2023). Stress in America reports on financial stress and health impacts.Epictetus. Enchiridion (translated works on Stoic philosophy).Let's go, let's get it done.Get more information at: http://projectweightloss.org
Noam Scheiber, New York Times reporter focusing on white-collar workers and the author of Mutiny: The Rise and Revolt of the College-Educated Working Class (Farrar, Straus and Giroux, 2026), talks about the conditions leading young college-education workers to lead unionization efforts. Photo: Attendees cheer at the ''Union Now'' rally in New York City, United States, on April 12, 2026. The event features Sen. Bernie Sanders (I-VT) and New York City Mayor Zohran Mamdani. Organizers state the rally is planned to support union power and unite labor leaders. (Photo by Matthew Hoen/NurPhoto via Getty Images)
We're going underground — literally and spiritually. A tree looks impressive above ground, but its survival depends on what no one sees: the root system. This series takes us into the hidden places where real faith is formed. Rooted is a five-week series strategically designed for new believers and seasoned saints who want to be rooted and grounded in the non-negotiable essentials that turn Sunday excitement into lifelong fruitfulness.
DescriptionYour media dashboard looks confident. Clicks up. Conversions tracked. Reach reported. But according to three years of evidence built on 1,265 global campaigns, that dashboard may be the single biggest obstacle standing between you and real business growth.Andrew Tindall is Chief Growth Officer at System1 and the author of The Creative Dividend, a landmark publication built on the Effie Awards global case library representing $139 billion in market share. His finding is blunt: the more short-term digital metrics you chase, the less profit and market share you report. Not because measurement is the problem, but because marketers have been measuring the wrong things and the platforms selling those metrics have every incentive to keep it that way.In this conversation, Marc and V dig into the data behind that claim: what Excess Share of Creativity (ESOC) actually measures and why it predicts profit growth exponentially, why all four dimensions of effective advertising: emotion, distinctiveness, showmanship, and consistency, are declining simultaneously, and why creator content outperformed TV as a builder of long-term brand demand in the research.If you've ever sat in a room where the digital dashboard was treated as gospel and felt something was off — this episode is the evidence you were looking for.Timestamps00:00: Introduction — The Wanamaker problem and why digital metrics created a vicious cycle11:35: Defending the research — methodology, the awards-database critique, and what the FE case library actually proves20:10: ESOC: Excess Share of Creativity — the new metric that pairs creative quality with media spend29:10: What marketers are actually measuring vs. what drives profit and market share35:50: The four creative qualities — emotion, distinctiveness, showmanship, consistency — and why all four are declining43:15: The non-negotiables — how to prioritise when budget is tight49:35: Super Touch Points and creators — why creator content beat TV for building future demand54:58: Closing — the one thing every marketer should take from The Creative DividendReferencesPrimary Source — Episode FocusTindall, A. (2026). The creative dividend: Advertising that pays back. System1 & Effie Worldwide. https://system1group.com/the-creative-dividendIPA Effectiveness ResearchBinet, L., & Field, P. (2013). The long and the short of it: Balancing short and long-term marketing strategies. Institute of Practitioners in Advertising.Field, P. (2019). The crisis in creative effectiveness. Institute of Practitioners in Advertising. https://ipa.co.uk/knowledge/publications-reports/the-crisis-in-creative-effectivenessField, P. (2016). Selling creativity short. Institute of Practitioners in Advertising.System1 ResearchWood, O. (2019). Lemon: How the advertising brain turned sour. Institute of Practitioners in Advertising.Agency EconomicsFarmer, M. (2019). Madison Avenue manslaughter: An inside view of fee-cutting clients, profit-hungry owners and declining ad agencies (3rd ed.). Lioncrest Publishing.Referenced in Discussion (Contextual)Kahneman, D. (2011). Thinking, fast and slow. Farrar, Straus and Giroux.
We serve a God who specializes in turning unexpected moments into unexpected movements into unimaginable miracles. In our Easter sermon series, Living Hope, you will discover a hope that remains steady even when life takes unexpected turns, when plans fall apart or when God's answers look different than we imagined. This series invites us to trust that our hope is not in circumstances, but in a living Savior who meets us right in the middle of the unexpected.
“That's my story, but not where it ends.” — Bob Dylan, “Key West (Philosopher Pirate)”Fitzgerald said there were no second acts in the American story. But it is, of course, a narrative of second chances. And there's no more of an American story than Bob Dylan, whose second act may be more memorable than his first.Robert Polito — poet, National Book Critics Circle Award-winning biographer, and former director of creative writing at the New School — has written what may be the (anti) definitive book on Dylan's second act. After the Flood: Inside Bob Dylan's Memory Palace covers the years from “Time Out of Mind” in 1997 through “Rough and Rowdy Ways” in 2020. It's structured as an abecedarium — twenty-six chapters, A to Z — because Polito explains, he wanted a form that acknowledged the limits of what anyone can know about Dylan. There is no rosebud sled buried in the Tulsa archive. So an alphabet book as good as we are gonna get.Digging into Dylan's Tulsa archive, Polito found much blood on the tracks — multiple drafts for every work, songs ripped up and redistributed line by line. The freewheeling spontaneity of Dylan's first act, Polito suggests, was replaced by something more deliberate: an American folk process merging into literary modernism. A hostage to his own memory palace, Dylan weaves Civil War poetry, Ovid's exile poems, Homer, and nineteenth-century speeches into songs that know more than any single listener can interpret.Polito argues that “Rough and Rowdy Ways” is Bob Dylan's real Nobel Prize speech — his self-reflection on his own art, delivered in his own forms and idioms. This pinnacle of Dylan's second act is his story, but not where it ends. Five Takeaways• Rough and Rowdy Ways Is Dylan's Real Nobel Prize Speech: The 2020 album is Dylan's self-reflection on his own art, delivered in his own forms and idioms. Every song addresses his craft, his legacy, his audience. I Contain Multitudes, Key West, Murder Most Foul, My Own Version of You — each one a chapter in the speech the Nobel committee was waiting for. That's when Polito knew he could write the book.• Dylan Works Harder Than Anyone Would Expect: The Tulsa archive reveals multiple drafts of songs that change radically from version to version. For Time Out of Mind, Dylan completed three or four songs, then ripped them up and redistributed the lines across different tracks. The spontaneity of the first act gave way to something more deliberate — folk process merging into literary modernism. Eliot, Joyce, Gertrude Stein.• The Memory Palace Is Real: Dylan embeds Civil War poetry, Ovid's exile poems, Homer, nineteenth-century speeches, and movies into his late songs. The classical mnemonic device — depositing memories in specific rooms — became Polito's image for how much those songs know. There is no rosebud sled buried in the Tulsa archive. The memory palace is the art itself.• That's My Story, But Not Where It Ends: The last line of Key West — probably Polito's favourite song on Rough and Rowdy Ways. If the song had ended with “that's my story,” there would have been a definitiveness about it. Instead, Dylan subverts the line in the very next breath. Tentativeness and self-skepticism, all the way through.• The Police Didn't Believe He Was Bob Dylan: Wandering around New Jersey in the rain, looking for where Springsteen grew up. The police pick him up. What's your name? Bob Dylan. What's your real name? Robert Zimmerman. Where do you live? That's a good question. The more precisely he told the truth, the more they assumed he was lying. Knowing innocence. About the GuestRobert Polito is a poet, critic, and biographer. His biography of Jim Thompson, Savage Art, won the National Book Critics Circle Award. He is a former director of creative writing at the New School. After the Flood: Inside Bob Dylan's Memory Palace is published by Farrar, Straus and Giroux.References:• After the Flood: Inside Bob Dylan's Memory Palace by Robert Polito (FSG) — the book under discussion.• Episode 2849: How Stories Can Save Us — Colum McCann on Narrative Four. McCann's “that's his story, but not where it ends” is also Dylan's line.About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - (00:31) - Introduction: Fitzgerald, second acts, and A Complete Unknown (02:57) - Team Dylan? No — tentativeness and self-skepticism (04:00) - The abecedarium: twenty-six chapters, A to Z, no rosebud sled (06:13) - Dylan the movie guy: always watching films on the tour bus (07:13) - The memory palace: how much those late songs know (09:26) - The interlude: the Grammy lifetime achievement speech and starting over (12:11) - Time Out of Mind and the Tulsa archive: how hard Dylan works (15:55) - Folk process meets literary modernism: Eliot, Joyce, Stein (18:34) - Lanois, the spoken vs. written word, and why albums are just a stage (21:41) - Rough and Rowdy Ways as Dylan's real Nobel Prize speech (24:19) - Key West: that's my story, but not where it ends (26:04) - The sacrificial quality: he was given something and shouldn't squander it (30:24) - Race, the civil war, and Love and Theft as minstrel acknowledgment (34:32) - Murder Most Foul: take me back to Tulsa, to the scene of the crime (40:56) - Picked up by police in New Jersey looking for Springsteen's house
AbbeyoftheArts.com Abbey of the Arts Wisdom Council member Michael Moore reads Thomas Merton and invites you into 5 minutes of contemplative silence to hold a loving intention for peace, justice, and compassion to flourish in the world. Credits: All texts under fair use or with permission. Thomas Merton, “Prayer of Unknowing” from Thoughts In Solitude. (New York: Farrar, Straus & Giroux, 1999), pg. 79 AbbeyoftheArts.com
Dois países que hoje são carne e unha! Mas onde que começou essa parceria? Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a relação entre EUA e Israel.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okAssista meu outro podcast, o História pros brother!https://open.spotify.com/show/04a8C8gXTLj68lmZiQD8vmCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre a camisa do História em Meia Hora: https://www.blablalogia.com/blablalojinha/akiralampiaoh30PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- OREN, Michael B. Power, Faith, and Fantasy: America in the Middle East, 1776 to the Present. New York: W. W. Norton, 2007.- MEARSHEIMER, John J.; WALT, Stephen M. The Israel Lobby and U.S. Foreign Policy. New York: Farrar, Straus and Giroux, 2007.- KISSINGER, Henry. World Order. New York: Penguin Press, 2014.- HOBSBAWM, Eric J. Era dos Extremos: o breve século XX. São Paulo: Companhia das Letras, 1995.- ROGAN, Eugene. The Arabs: A History. New York: Basic Books, 2009.- SHLAIN, Avi. The Iron Wall: Israel and the Arab World. New York: W. W. Norton, 2000.- HAASS, Richard. A World in Disarray. New York: Penguin Press, 2017.
Daniel Immerwahr, historian, contributing writer at The New Yorker, the Bergen Evans Professor in the Humanities at Northwestern University and the author of How to Hide an Empire (Farrar, Straus and Giroux, 2019) offers historical context on the war in Iran and Trump's overall foreign policy. Photo: The aftermath of a US-Israeli strike on Tehran, Iran on March 3, 2026. Credit: محمدعلی برنو/Avash Media via Wikimedia Commons/CC 4.0
On Today's Show:Daniel Immerwahr, historian, contributing writer at The New Yorker, the Bergen Evans Professor in the Humanities at Northwestern University and the author of How to Hide an Empire (Farrar, Straus and Giroux, 2019), offers historical context on the war in Iran and Trump's overall foreign policy.
What does it mean to give yourself fully to something — a marriage, a calling, a city, a cause — and still make peace with the fact that you won't get everything you hoped for? In this episode of The Upwards Podcast, host John Terrill sits down with professor, author, and longtime friend Steve Garber for a wide-ranging conversation about vocation, faithfulness in a particular place over time, and the trap of dualism.Drawing on literature, theology, biography, and lived experience, Steve invites listeners into the central question of his new book, Hints of Hope: Essays on Making Peace with the Proximate - Is it worth doing something that matters, even when you don't get everything you hoped for?WHAT YOU'LL LEARN00:00 — Introduction: Steve Garber and the questions that have shaped his life and writing03:26 — Steve's father, plant pathology, and the question of germination: how a scientist's work became a metaphor for vocation07:52 — Dropping out of college, living in communes, and what those years taught Steve about the nature of learning11:40 — “Common grace for the common good”: why a theology of common grace matters for how we work in the world16:40 — “Vocation is integral, not incidental”: what it means to live seamlessly, without dualism17:59 — Can you know the world and still love it? Making peace with the proximate: the essay that became a life philosophy21:31 — Who is this book written for? How Steve's audience has grown from university students to the whole world28:39 — Telos and praxis: the fundamental question of the book — is it worth doing something that matters if you don't get everything you hoped for?33:19 — Already but not yet: Tolkien, Frodo, and what the last pages of The Return of the King taught Steve in his 60s that he missed at 2036:36 — The Clapham Community, Wendell Berry, and why commitment to a people and a place matters41:26 — NT Wright on joy and sorrow woven into the fabric of a life44:45 — The perennial question: What does it mean to be human in 2026?49:23 — What Steve may write next: pedagogy and learning “over the shoulder and through the heart”ABOUT STEVE GARBERSteven Garber was professor of marketplace theology and leadership at Regent College, Vancouver, and the principal of The Washington Institute for Faith, Vocation & Culture. A consultant to foundations, corporations, and schools, he is a teacher of many people in many places. His books include Visions of Vocation and The Fabric of Faithfulness, and he is a contributor to the books Faith Goes to Work: Reflections from the Marketplace and Get Up Off Your Knees: Preaching the U2 Catalogue.BOOKS REFERENCED IN THIS EPISODEHints of Hope: Essays on Making Peace with the Proximate by Steve Garber (Paraclete Press, 2026)The Fabric of Faithfulness: Weaving Together Belief and Behavior by Steve Garber (IVP, 1996; revised ed. 2007)Visions of Vocation: Common Grace for the Common Good by Steve Garber (IVP, 2014)The Lord of the Rings (The Return of the King) by J.R.R. Tolkien (George Allen & Unwin, 1955)The Moviegoer by Walker Percy (Knopf, 1961)Lost in the Cosmos: The Last Self-Help Book by Walker Percy (Farrar, Straus and Giroux, 1983)The Homeless Mind: Modernization and Consciousness bCONNECT WITH USSubscribe to The Upwards Podcast wherever you listen to podcasts and visit slbf.org/studio to learn more about our work at the intersection of faith, the academy, and the marketplace.This episode was created by the SLBF STUDIO at Upper House.Produced by Daniel Johnson and Dave ConourEdited by Dave Conour
Welcome to the Social-Engineer Podcast: The Doctor Is In Series – where we discuss understandings and developments in the field of psychology. In today's episode, Chris and Dr. Abbie discuss decision fatigue—how making too many choices throughout the day drains mental energy and affects judgment. They explain how stress and lack of sleep make it worse, how it differs from burnout, and why leaders and parents are especially vulnerable. The episode also shares simple, practical strategies to reduce daily decisions, protect mental energy, and prioritize recovery. [Mar 2, 2026] 00:00 - Intro 00:56 - Show Updates and Sponsors 02:35 - What Decision Fatigue Is 03:34 - Stress, Sleep, and Mental Energy 05:12 - Mental vs. Physical Limits 07:13 - Decision Fatigue vs. Burnout 10:22 - Leadership, Empathy, and Hard Decisions 14:33 - Prevention: Routines and Breaks 20:43 - Advisors and AI Caution 24:38 - Everyday Life and Parenting Load 27:23 - Recovery Outlets and Wrap-Up 28:49 - Closing and Next Month's Topic (Diet Culture) Find us online: LinkedIn: linkedin.com/in/dr-abbie-maroño-phd Instagram: @DoctorAbbieofficial LinkedIn: linkedin.com/in/christopherhadnagy References: Baumeister, R. F., Bratslavsky, E., Muraven, M., & Tice, D. M. (1998). Ego depletion: Is the active self a limited resource? Journal of Personality and Social Psychology, 74(5), 1252–1265. https://doi.org/10.1037/0022-3514.74.5.1252 Baumeister, R. F., & Tierney, J. (2011). Willpower: Rediscovering the greatest human strength. Penguin Press. Danziger, S., Levav, J., & Avnaim-Pesso, L. (2011). Extraneous factors in judicial decisions. Proceedings of the National Academy of Sciences, 108(17), 6889–6892. https://doi.org/10.1073/pnas.1018033108 Davidson, R. J., & McEwen, B. S. (2012). Social influences on neuroplasticity: Stress and interventions to promote well-being. Nature Neuroscience, 15(5), 689–695. https://doi.org/10.1038/nn.3093 Fleming, S. M., & Dolan, R. J. (2012). The neural basis of metacognitive ability. Philosophical Transactions of the Royal Society B: Biological Sciences, 367(1594), 1338–1349. https://doi.org/10.1098/rstb.2011.0417 Hagger, M. S., Wood, C., Stiff, C., & Chatzisarantis, N. L. D. (2010). Ego depletion and the strength model of self-control: A meta-analysis. Psychological Bulletin, 136(4), 495–525. https://doi.org/10.1037/a0019486 Kahneman, D. (2011). Thinking, fast and slow. Farrar, Straus and Giroux.