Podcasts about Granta

Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Guest BioDimitry Elias Léger is an award-nominated novelist whose work blends global storytelling with deeply human themes of identity, resilience, and belonging. A finalist for the PEN Open Book Award, his writing has appeared in leading publications including The New York Times, Time, Fortune, Granta, The Miami Herald, Literary Hub, and The Millions.Before focusing on fiction, Léger built a career in international affairs, studying geopolitics at Harvard's Kennedy School of Government and spending a decade advising the United Nations. His work took him across regions facing political instability, humanitarian crises, and cultural transformation—experiences that now inform the emotional depth and global perspective of his novels.Drawing inspiration from his Haitian roots and a life lived across continents, Léger splits his time between Brooklyn, Geneva, and Martinique. His books, including God Loves Haiti and Death of the Soccer God, explore the intersection of personal stories and historical forces, often set against vivid international backdrops.Show SummaryIn this episode of the Big World Made Small Adventure Travel Podcast, host Jason Elkins speaks with Dimitry about his journey from global humanitarian work to becoming an internationally recognized novelist. Dimitry shares how his early experiences—growing up between cultures and later working with the United Nations—shaped his worldview and ultimately influenced the stories he felt compelled to tell.The conversation dives into the origins of his first novel, inspired by his time in Haiti following the devastating 2010 earthquake. Rather than focusing solely on tragedy, Dimitry chose to explore the unexpected presence of love, humor, and human connection in the aftermath of disaster. That same lens carries into his latest work, Death of the Soccer God, a story rooted in migration, identity, and the global journey of a Haitian athlete navigating life between countries and cultures.Along the way, Dimitry reflects on the creative process, the realities of life as a writer, and the personal sacrifices that often come with pursuing meaningful work. The episode also explores how travel, displacement, and distance from home can sharpen one's sense of identity—and why some of the most powerful stories emerge when we are far outside our comfort zones. Big World Made Small guest features are invitation-only and selected based on story, experience, and fit with the show. Some guests support the show through paid production features, cross-promotion, referrals, or other partnerships. This helps keep the show free of third-party ads and interruptions while keeping the focus on real, story-driven conversations.Learn more about the Big World Made Small Podcast and join our private community to get episode updates, special access to our guests, and exclusive adventure travel offers on our website.

With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies.  She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies.  She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies.  She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Ik pa laikam dzirdam par kādas retas putnu sugas novērojumu – ar unikālu foto vai video dalās ļaudis gan sociālajos medijos, gan pētnieki zinātniskos apskatos, taču tā laime pašam savām acīm ieraudzīt retu putnu sugu tik tiešām nav katram no mums. Kā tos pamanīt, atpazīt un cik tad mums tādu retu sugu ir? Raidījumā Zināmais nezināmajā skaidro Vidzemes augstskolas profesors, Latvijas Ornitoloģijas biedrības biedrs Andris Klepers un Latvijas Ornitoloģijas biedrības pārstāvis, putnu vērotājs Mareks Kilups. Reizēm putns var nonākt konfliktā ar cilvēku Lai arī cilvēks un putni līdzās pastāv mierīgi jau daudzus tūkstošus gadu, ik pa laikam dzirdam, ka putni ligzdošanas sezonā mēdz uzbrukt garāmgājējiem. Šim stāstam ir arī vēl skarbāka nodaļa par gadījumiem, kad putni medī cilvēkus. Par putniem-medniekiem un uzbrucējiem stāsta ornitologs, Latvijas Ornitoloģijas biedrības priekšsēdētājs  Viesturs Ķerus. "..milzīgais putns parādījās atkal, gausi celdamies augšup ar kādu smagu nastu. Atskanēja šaušalīgs kliedziens. Kondora nagos šūpojās nedzīvs ķermenis – Roberta Granta ķermenis. Putns bija satvēris zēnu aiz drēbēm un tagad balansēja gaisā vismaz simt piecdesmit pēdas virs nometnes." Tā Žils Verns savā romānā "Kapteiņa Granta bērni" apraksta gadījumu, kad milzīgais Andu kondors nolaupa novārgušo zēnu, domādams, ka Roberts ir jau miris.  Arī reālajā dzīvē var notikt šādi atgadījumi, kad putni uzbrūk cilvēkiem, vai nu barības meklējumos, vai aizsargājot savu teritoriju un mazuļus. Pirms vairāk nekā 15 gadiem Sarkandaugavas apkaimē no gulbja uzbrukumiem gāja bojā vīrietis, jo viņš glāba savu sievu, kura bija piepeldējusi pārāk tuvu gulbja ligzdai. Kad un no kādiem putniem ir jāuzmanās, lai nekļūtu par lidoņu upuri, un kādu motīvu vadīti putni var uzbrukt cilvēkiem, to skaidro ornitologs Viesturs Ķerus. Jāpiebilst, ka gadījumi, kad putni dzen prom cilvēkus, ir reti, lielākoties cilvēki ir tie, kas traucē putniem

Priznana literarna revija Granta je pred meseci v Veliki Britaniji objavila nagrajeno zgodbo, ki je bila napisana z umetno inteligenco. V Združenih državah pa odmeva primer velike založbe, ki je tik pred izidom ustavila izdajo romana, in to po pritisku bralcev in novinarjev, da avtorica knjige ni napisala sama, ampak ob pomoči umetne inteligence. Zakaj strokovna javnost, ki podeljuje nagrade, ne loči med strojem in človekom? Kako se na pojav umetne inteligence v literaturi in založništvu odzivajo domače založbe in kako bralci sprejemamo spremenjena pravila igre?Aljoša Harlamov je bralec, pisec in urednik. Letos je izdal kriminalko Dohtar in povodni mož, ki jo je v celoti napisal sam. Zapiski: Odbit Discord Oglasite se lahko na odbita@rtvslo.si Poglavja: 00:02:41 Nagrajena kratka zgodba, ki jo je napisala umetna inteligenca 00:05:29 Razmere v založniški industriji in vpliv tehnologije 00:09:49 Kako UI vpliva na slog pisanja in moralna panika 00:15:19 Primer umaknjene knjige Shy Girl 00:22:16 Kako slovenska literarna stroka sprejema umetno inteligenco 00:25:34 Primer Super!založbe in normalizacija tehnologije 00:31:00 Raziskovanje z UI vs. človeška izkušnja (Primer Olge Tokarczuk)

In May 2026, an award-winning short story turned out to be likely written by AI, and none of the editors who published it noticed. Lauren and Tobias talk about the scandal and what most writers, even good ones, get wrong about the technology and what it takes to keep writing human.

Misha Glenny and guests discuss one of the great writers on Central Europe after the first world war and on the dying of the old orders with the collapse of the Austro-Hungarian empire. As a German speaking Jew from Brody in the north-eastern edge of that Empire, which was then in Galicia, next in Poland and is now in Ukraine, Roth (1894 - 1939) was to spend his short life moving first to Lviv then to Vienna and finally to Paris via Berlin without ever finding a settled home. Roth explored the loss of homeland and anticipated the dangers of the new nationalism through his journalism and in his novels including Radetzky March, Job, Rebellion and Flight Without End, and his books were among the first the Nazis burned.With Helen Chambers Emeritus Professor of German at the University of St AndrewsDeborah Holmes Associate Professor of Modern German Literature at the University of SalzburgAnd Jon Hughes Reader in German and Cultural Studies at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:Jon Hughes, Facing Modernity: Fragmentation, Culture and Identity in Joseph Roth's Writing in the 1920s (MHRA, 2006) Heinz Lunzer and Victoria Lunzer-Talos, Joseph Roth: Leben und Werk in Bildern (Kiepenheuer & Witsch, 1994)Keiron Pim, Endless Flight: The Life of Joseph Roth (Granta, 2022)Joseph Roth (trans. Deborah Holmes, ed. Helen Constantine), Vienna Tales (Oxford University Press, 2014)Joseph Roth (trans. and ed. Michael Hofmann), A Life in Letters (Granta, 2012)Joseph Roth (trans. Michael Hofmann), Collected Shorter Fiction (Granta, 2001)Joseph Roth (trans. Michael Hofmann), Rebellion (Granta, 2000)Joseph Roth (trans. Michael Hofmann), The Radetzky March (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Legend of the Holy Drinker (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Wandering Jews (Granta, 2001)Joseph Roth (trans. Michael Hofmann), What I Saw: Reports from Berlin 1920-1933 (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Hotel Years: Wanderings in Europe Between the Wars (Granta, 2015)Joseph Roth (trans. Michael Hofmann), Reports from a Parisian Paradise: Essays from France 1925-1939 (Granta, 2004)Joseph Roth (trans. Michael Hofmann), The Emperor's Tomb (Granta, 2013)Joseph Roth (trans. Michael Hofmann), The String of Pearls (Granta, 1999)Joseph Roth (trans. Michael Hofmann), The White Cities: Reports From France 1925-1939 (Granta, 2013)Joseph Roth (trans. David Le Vay), Weights and Measures (Pushkin Press, 2024)Joseph Roth (trans. Daved Le Vay and Beatrice Musgrave), Flight Without End (Pushkin Press, 2024)Joseph Roth (trans. Ruth Martin), The Coral Merchant: Essential Stories (Pushkin Press, 2020)Joseph Roth (trans Will Stone), On the End of the World (Pushkin Press, 2019)Joseph Roth (trans. Dorothy Thompson), Job: The Story of a Simple Man (Granta, 2022)Wilhelm Von Sternburg, Joseph Roth: Eine Biographie (Kiepenheuer & Witsch, 2009)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

In this episode, we feature an event with Colm Tóibín in conversation with Garth Risk Hallberg, held at the Montclair Literary Festival for the launch of Toibin's latest book, The News from Dublin.Colm Tóibín is the author of eleven novels, including Long Island, an Oprah's Book Club Pick; The Magician, winner of the Rathbones Folio Prize; The Master, winner of the Los Angeles Times Book Prize; Brooklyn, winner of the Costa Book Award; and Nora Webster, winner of the Hawthornden Prize, as well as three story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and was named the 2022–2024 Laureate for Irish Fiction by the Arts Council of Ireland. In 2021, he was awarded the David Cohen Prize for Literature.Garth Risk Hallberg's first novel, City on Fire, was a New York Times and international bestseller and was selected as one of the best books of 2015 by The Washington Post, Los Angeles Times, San Francisco Chronicle, The Wall Street Journal, NPR, and Vogue. It was the basis for the Apple TV+ series of the same name. His second novel, The Second Coming, about a troubled teen whose father is a recovering addict, was released in 2024 and is in paperback now. He is also the author of the novella A Field Guide to the North American Family. In 2017, Granta named him one of the Best of Young American Novelists. His work has been translated into seventeen languages.Resources:Seamus Heaney 1995 Nobel Prize Speech ( Poetry in Conflict quote)Thomas Mann's Brother Hitler EssayBooks:A full list of the books and authors mentioned in this episode is available here.Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell.Original music is composed and performed by Violet Mujica. Research and show notes by Caroline Shurtleff.Thanks to all the staff at Watchung Booksellers and The Kids' Room!If you liked our episode please like, follow, and share!Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

Taiye Selasi reads her story “Firstborn Immigrant Daughter,” from the July 8, 2026, issue of the magazine. Selasi is an author and photographer. Her début novel, “Ghana Must Go,” a New York Times best-seller, was published in 2013, the year she was named one of the best young British novelists by Granta. Learn about your ad choices: dovetail.prx.org/ad-choices

Taiye Selasi reads her story “Firstborn Immigrant Daughter,” from the July 8, 2026, issue of the magazine. Selasi is an author and photographer. Her début novel, “Ghana Must Go,” a New York Times best-seller, was published in 2013, the year she was named one of the best young British novelists by Granta. Learn about your ad choices: dovetail.prx.org/ad-choices

Award-winning novelist Missouri Williams on writing strange and ambitious fiction, treating doubt as a generative force, and why idleness is essential to creative work. We discuss How a destabilising illness and a new language can reshape a writer's whole relationship to words. Why style isn't something you construct so much as a way of seeing you're partly stuck with. The case for drafting without thinking about the end result and keeping the stakes low. What an image you can't stop returning to can reveal about the book you need to write. When idleness and empty, unproductive time become the most essential part of the work. How doubt can function as a generative engine rather than a block. A method for layering instability into a narrator who sounds completely in control. What a chorus can do on the page that a single narrator can't. Why being placed outside your depth, where everything has to be relearned, can sharpen a writer. The difference between doubting your work and doubting your right to do it at all. Resources & Links

We've invited friend of the show Cory Doctorow back to discuss the matryoshka doll of Elon Musk's corporate money-losing endeavours. We also had a chance to discuss that short story in Granta. You know, the one. Check out Cory's work (and upcoming books!) here! Get the whole episode on Patreon here! RILEY ALERT Check out No Gods, No Mayors here! HUSSEIN ALERT Check out 10k Posts here! MILO ALERT Check out Milo's tour dates here: https://www.miloedwards.co.uk/liveshows NATE ALERT Lions Led By Donkeys will be performing live in London on 29th May and you can get tickets here! Also, Nate's band Second Homes has just released their debut album, which includes the song used in this episode's outro, and you can stream it for free here! Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and November (@postoctobrist)

In this episode of the Granta podcast, we are joined by Olga Ravn, author of The Employees, My Work and, most recently, The Wax Child. We discuss Tove Ditlevsen, technology, the difference between consciousness and intelligence, as well as her short story 'The High Priestess', which appeared in Granta 175: Scandinavia.Thomas Meaney is the editor of Granta.  

Hello!Today we're talking about the controversy over at Granta, who published a story from the winner of the Commonwealth Prize that appears, at least right now, to be written by AI. We talk about why this is kinda funny but also obviously distressing and whether writers should be experimenting with AI. We also talk about Thomas Massie's election loss last night and the new crop of short form video that's been coming out of the Washington Post and why it's probably worse than AI slop. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit goodbye.substack.com/subscribe

Lisa Wells is a poet, essayist, and documentarian. She is the author, most recently, of The Fire Passage, selected by Diane Seuss as the winner of the Levis Poetry Prize (Four Way Books, 2025). Her debut poetry collection, The Fix, won the Iowa Poetry Prize. She is also the author of Believers: Making a Life at the End of the World, (Farrar, Straus & Giroux), a finalist for the 2022 PEN E.O. Wilson Literary Science Writing Award. Her work has been published in Granta, The Believer, N+1, The New York Times, Harper's Magazine, and in The Best American Science and Nature Writing and The Best American Food and Travel Writing. She has taught for The University of Iowa, The University of Arizona, Portland State University, Yale-NUS and currently serves as co-editor of the Kuhl House Poets Series at the University of Iowa Press. Find more here: https://www.lisawellswriter.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write an after poem to one of the Rattle Poetry Prize finalist poems. Make sure not to take the magic from the source poem. Instead, create your own transformation! Next Week's Prompt: Write a poem that's all about taste! Include a scent, but not the word “delicious.” The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Thank you to Feedspot.com for making  Emotional Detox was voted as one of the top 30 Best Podcasts for detoxing!  Today on Emotional Detox, author Anne Tashi Slater about her latest book, Traveling in Bardo: The Art of Living in an Impermanent World. Anne is a brilliant writer and speaker. Her work has been published by The New Yorker, The Paris Review, Tin House, AGNI, Catapult, Granta, and the HuffPost, among others. Listen in as she shares teachings and insights about the art of acceptance. Don't forget to subscribe to the show! Purchase her book: Traveling in Bardo: The Art of Living in an Impermanent World Purchase: The Emotional Detox 50 Card Deck

On tending to our interdependence, living life fully, and dying with attention and equanimity. 0:00 — Introduction  1:34 — Overview of Ann's Book "Traveling in Bardo" 3:55 — Personal Reflections on Grandmother's Funeral 7:20 — The Role of Practice in Embracing Impermanence 16:15 — Living with Attention and Interdependence 34:57 — Authenticity and True Nature 42:09 — Conclusion and Final Thoughts Ann Tashi Slater writes for The New Yorker, The New York Times, The Washington Post, The Paris Review, and Granta, among others, and is a contributing editor at Tricycle. She presents and teaches workshops at Princeton, Columbia, Oxford, Asia Society, and The American University of Paris, and was a regular speaker at NYC's Rubin Museum of Art during the museum's 20-year run. Ann's new book, Traveling in Bardo: The Art of Living in an Impermanent World was released by Balance/Hachette in September, 2025. TRAVELING IN BARDO explores how we can find meaning and happiness in a world where change is the only certainty. Interweaving explorations of "bardo" between-states in relation to marriage and friendship, parents and children, and work and creativity with stories of her Tibetan ancestors and Buddhist teachings on the fleeting nature of existence, Slater illuminates what the teachings have to tell us in our contemporary lives. She relays vital wisdom from Tibetan culture, giving us a bold, new framework to navigate moments of change and live life fully. With a foreword by Dani Shapiro, the book has been praised by Elizabeth Gilbert, Melissa Febos, Sharon Salzberg, and Julia Alvarez, among others, and has been selected as a "Must-Read" by the Next Big Idea Club, co-curated by Malcolm Gladwell. In the midst of this shifting landscape, Slater invites us to embrace impermanence in a powerful way, rooted in ancient wisdom. During over forty years of writing and speaking about her Tibetan-American heritage and the relevance of Buddhism in Western society, Slater has come to see how Tibetan bardo views on impermanence can transform the way we live. A luminous guide to navigating transition and impermanence, it offers us the opportunity to find happiness in an impermanent world.

In this episode of What Are You Reading? debut novelist Stephanie Sy-Quia shares what she's been reading and talks about her new book, A Private Man. Stephanie Sy-Quia was born in California in 1995 and is based in London. Her writing and criticism have been published in The Guardian, The White Review, The Boston Review, Granta, and elsewhere. Her debut poetry collection Amnion, published in the UK by Granta Poetry in 2021, received a Somerset Maugham Award and was a Poetry Book Society Winter Recommendation; was longlisted for the Rathbones Folio and RSL Ondaatje Prizes; and won the Forward Prize for Best First Collection. She is the recipient of an Eric Gregory Award and is a fourth-generation teacher.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.

You're listening to Burnt Toast! I'm Virginia Sole-Smith. Today my conversation is with Emma Copley Eisenberg.Emma is the author of the nationally bestselling novel Housemates and the story collection Fat Swim. Her essays, literary criticism and reporting have appeared in The New Republic, Granta, and Esquire among others, and she writes the Substack newsletter Frump Feelings. She lives in Philadelphia.Emma joined me to chat about her new short story collection Fat Swim, fat characters in fiction, what thin authors get wrong, why we're over Jonathan Franzen and so much more.And become a paid subscriber to get Indulgence Gospel — our new bonus segment, running after every episode!Corinne is going to hop on to debrief this interview with me. We're talking about fat kids in fiction, our Default Outfits and MORE! Paid subscribers all get commenting privileges and a full episode transcript. JOIN US HERE. Photo by Kenzi CrashBecome a paid subscriber here, and unlock even more Burnt Toast! Another great way to support Burnt Toast is to MAKE SURE you are following us for free in your podcast player! Can you take two seconds to follow us on Apple, Spotify, or wherever you listen?And if you have two more seconds, please leave us a rating and/or review! Just scroll down wherever you're listening and tap the stars, five of them please, and leave a little note about why you love Burnt Toast. Both of these things really help new listeners find conversations like these! EPISODE CREDITSCo-hosts: Virginia Sole-Smith and Corinne Fay. Producer:  Kim Baldwin. Logo design: Deanna Lowe.Theme Song: Farideh.Video Editor: Elizabeth AyikuAudio Engineer: Tommy HarronFollow us on social! Virginia is on Instagram and Threads as @v_solesmith and on Bluesky at @virginiasolesmith.  Corinne is on Instagram at @selfiefay, on Bluesky at @corinnefay and on Patreon at Big Undies.Support the Me Little Me Foundation, a virtual food pantry supporting multiply marginalized folks recovering from eating disorders.Thanks for listening and supporting anti-diet, body liberation journalism! 

When it comes to talking about food, we often to choose to look at what people are eating rather than how. And it's this distinction that today's guest, Amber Husain, explores more fully in her new book, Tell Me How You Eat: Food, Power and the Will to Live. Amber is a writer based in South London, UK. In addition to Tell Me How You Eat, she has also written Meat Love and Replace Me. Her essays on politics, literature, and art have been published in Granta, The New York Times, Baffler, and more. She has a PhD from UCL in the history of art and mind-body medicine in the late 20th-century Britain. She teaches history of art, creative writing, and criticism.  In today's conversation, Amber explores some of the ways that appetites can be re-examined, and challenge persistent tropes of eating that narrow down to individual choices. Using socialist and feminist lenses, she speaks to food movements and moments in history that have revealed reasons to eat and live, and the empowerment that comes from using food as a question rather than an answer. Resources: Book: Tell Me How You Eat: Food, Power and the Will to Live Amber's Website: https://amberhusain.com/   Instagram: @amberhusa1n

Why are some writers and publishers so excited to automate their work? Author Carmen Maria Machado joins Alex and Emily to unpack what writers are missing when they hand off their work to chatbots, and the underlying issues this reveals in the publishing industry. Plus, we resolve to keep fan fiction a human endeavor!Carmen Maria Machado is the author of the bestselling memoir In the Dream House and the award-winning short story collection Her Body and Other Parties. Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, The Believer, Guernica, and elsewhere.Find tickets to our April 30th live show here!References:- "I wrote a novel using AI. Writers must accept artificial intelligence."- AFT shares tips for "Harnessing the Best of AI"Fresh AI Hell:- "With Teens Comfortable Confiding in AI, Should Schools Embrace It for Mental Health Care?"- Longread on the use of automation by the British government- "OpenAI Backs Bill That Would Limit Liability for AI-Enabled Mass Deaths or Financial Disasters"- UN brief on "AI Deception"- Reader's Digest cover on "Making Friends with AI"- The only good "AI acceptance" policyCheck out future streams on Twitch. Meanwhile, send us any AI Hell you see.Find our book The AI Con here, and MAIHT3k merch here.Subscribe to our newsletter via Buttondown.Follow us!EmilyBluesky: emilymbender.bsky.socialMastodon: dair-community.social/@EmilyMBenderAlexBluesky: alexhanna.bsky.socialMastodon: dair-community.social/@alexTwitter: @alexhannaMusic by Toby Menon.Artwork by Naomi Pleasure-Park. Production by Ozzy Llinas Goodman.

Noo Saro-Wiwa is an author and journalist. Born in Port Harcourt, Nigeria, and raised in England, she attended King's College London and Columbia University in New York.​ Her first book, Looking for Transwonderland: Travels in Nigeria (Granta), was published to critical acclaim in 2012. It was selected as BBC Radio 4's Book of the Week in 2012; named The Sunday Times Travel Book of the Year, 2012; shortlisted for the Author's Club Dolman Travel Book of the Year in 2013; nominated by The Financial Times as one of the best travel books of 2012. Looking for Transwonderland has been translated into French and Italian, and was awarded the Albatros Travel Literature Prize in Italy in 2016. Noo's second book, Black Ghosts (Canongate, 2023) explores the African community in China and was named Edward Stanford Travel Book of the Year in 2025. Her latest publication, The Burning Ground: Oil and Militancy in Nigeria (Columbia Global Reports) examines the social and environmental effects of the insurgency that arose in the oil-rich Niger Delta after the death of her father, the environmental activist Ken Saro-Wiwa. In the report, Noo highlights the undervalued role of women and meets individuals who are working towards sustainable development. It will be published in the US on 14th April 2026, and in the UK on 28th May 2026. Noo has also contributed to the following anthologies: Go Girl 2: The Black Woman's Book of Travel and Adventure (2024); An Unreliable Guide to London (Influx Press, 2016); A Place of Refuge (Unbound, 2016), an anthology of writing on asylum seekers; and La Felicità Degli Uomini Semplici, an Italian-language anthology based around football. ​​ Noo is a staff writer for Condé Nast Traveller magazine, and she has contributed book reviews, travel, opinion and analysis articles for various publications including The Guardian newspaper, The Financial Times, The Times Literary Supplement, City AM, and Chatham House. She lives in London and supports Liverpool FC. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Noo Saro-Wiwa is an author and journalist. Born in Port Harcourt, Nigeria, and raised in England, she attended King's College London and Columbia University in New York.​ Her first book, Looking for Transwonderland: Travels in Nigeria (Granta), was published to critical acclaim in 2012. It was selected as BBC Radio 4's Book of the Week in 2012; named The Sunday Times Travel Book of the Year, 2012; shortlisted for the Author's Club Dolman Travel Book of the Year in 2013; nominated by The Financial Times as one of the best travel books of 2012. Looking for Transwonderland has been translated into French and Italian, and was awarded the Albatros Travel Literature Prize in Italy in 2016. Noo's second book, Black Ghosts (Canongate, 2023) explores the African community in China and was named Edward Stanford Travel Book of the Year in 2025. Her latest publication, The Burning Ground: Oil and Militancy in Nigeria (Columbia Global Reports) examines the social and environmental effects of the insurgency that arose in the oil-rich Niger Delta after the death of her father, the environmental activist Ken Saro-Wiwa. In the report, Noo highlights the undervalued role of women and meets individuals who are working towards sustainable development. It will be published in the US on 14th April 2026, and in the UK on 28th May 2026. Noo has also contributed to the following anthologies: Go Girl 2: The Black Woman's Book of Travel and Adventure (2024); An Unreliable Guide to London (Influx Press, 2016); A Place of Refuge (Unbound, 2016), an anthology of writing on asylum seekers; and La Felicità Degli Uomini Semplici, an Italian-language anthology based around football. ​​ Noo is a staff writer for Condé Nast Traveller magazine, and she has contributed book reviews, travel, opinion and analysis articles for various publications including The Guardian newspaper, The Financial Times, The Times Literary Supplement, City AM, and Chatham House. She lives in London and supports Liverpool FC. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

“Python's Kiss” by Louise Erdrich (Turtle Mountain Band of Chippewa) is a collection of short stories that are just as poignant and rich as her novels. In “Domain,” Erdrich imagines an afterlife run like a corporate business. In “Wedding Dresses”, the protagonist relives her past marriages and what led to pain and heartbreak. Each creative story is brilliantly told through Erdrich's wide range of compelling characters and illustrated by Aza Erdrich Abe, Louise's daughter and long-time book cover artist. Louise and Aza join us on Native Bookshelf, our regular literary feature. Some stories in “Python's Kiss” made previous appearances in The New Yorker, Granta, and other literary publications. Two of them are slated to appear in forthcoming prize-winning collections “The Best American Short Stories 2026” and “The Best Short Stories 2026: The O. Henry Prize Winners”. Erdrich is the author of many books that earned her multiple literary awards including the Pulitzer Prize and National Book Award.

Sophie Mackintosh is the author of four novels, including The Water Cure and Cursed Bread. She has been longlisted for the Man Booker Prize and the Women's Prize, has won a Betty Trask Award, and has been selected as one of Granta's Best of Young British Novelists. She has been published in Granta, The White Review and TANK magazine among others. On this episode of Little Atoms she talks to Neil Denny about her latest novel, Permanence. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Granta podcast, we are joined by the Danish author Helle Helle, author of multiple novels and two collections. Her work has been translated into twenty-four languages and her novel they was published in English this year, translated by Martin Aitken. Six short stories by Helle Helle will be appearing in our forthcoming issue, Granta 175: Scandinavia.We discuss writing about familiar places, Raymond Carver and the process of being translated.Leo Robson is a cultural journalist whose work has appeared in the London Review of Books, the New Yorker, and the New Left Review, among other publications. He is the author of The Boys (2025).Josie Mitchell is a senior editor at Granta.Referenced in this episode:The short stories of Raymond Carver. Short Cuts (1993), a film by Robert Altman, which adapted the nine short stories by Carver.Short fiction from the Norwegian writer Kjell Askildsen. A translated collection of his writings, Everything Like Before (2021), was published by Archipelago. Writing by the Danish writer Herman Bang. You can find his short fiction in the translated anthology Some Would Call This Living (2022).

In this episode of Diverse Voices Book Review, host Hopeton Hay speaks with novelist Karan Mahajan about his latest novel, THE COMPLEX. Mahajan discusses how the book examines immigration, marriage, family hierarchies, and the unspoken emotional lives that shape personal relationships. Set primarily in the late 1970s, 1980s, and 1990s in India and the United States, the conversation explores how private family dynamics intersect with larger political and social forces.Karan Mahajan is also the author of THE ASSOCIATION OF SMALL BOMBS, which was a finalist for the 2016 National Book Award. His writing has appeared in The New Yorker and The New York Times, and he was named one of Granta's Best Young American Novelists. He is an associate professor of literary arts at Brown University.Follow Diverse Voices Book Review on Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_reviewBluesky - @diversevoicesbooks.bsky.socialEmail: hbh@diversevoicesbookreview.com

In this episode we have with us Padma Viswanathan.Padma Viswanathan is a Canadian-American writer and translator.Her novels have been published in eight countries and shortlisted for the PEN USA Prize, the Scotiabank Giller Prize, and others. She has published short fiction, essays and translations in Granta, The Boston Review, BRICK, and elsewhere. Full-length translations include São Bernardo, by Brazilian novelist Graciliano Ramos and Where We Stand, by Djamila Ribeiro. Her most recent novel, The Charterhouse of Padma, was published in 2024.She is Professor of Creative Writing at the University of Arkansas-Fayetteville, where she is Founding Director of the Arkansas International Writer-at-Risk Residency Program.Her English language translation of On Earth As it is Beneath by Ana Paula Maia was longlisted for the International Booker Prize 2026.Author photo © Alex TranThis podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

On this month's episode, The Stinging Fly poetry editor Annemarie Ní Churreáin is joined by poets Simon Costello and Jane Robinson to read from and discuss their poems that appear in The Stinging Fly Issue 53 Volume Two, the climate issue.Simon Costello is from Tullamore, Co. Offaly. His poetry has been published in The Poetry Review, Poetry London, Poetry Ireland Review, The Stinging Fly, bath magg, New England Review, The London Magazine, The North, The Moth, Magma, The Rialto, The Irish Times and RTÉ. He has been awarded first prize in The Patrick Kavanagh Award for Poetry (2024), Southword Editor's Poetry Award (2023), The Rialto Nature Competition; Place Poetry Prize (2021). In 2021, he was highly commended in The Moth Poetry Prize. In 2024, his poetry chapbook Saturn Devouring was published by The Lifeboat Press. He is currently a Government of Ireland IRC Scholar and PhD candidate. He teaches at the Mary Lavin Centre/School of English in University College Dublin and also works for Granta magazine. He lives in Dublin.Jane Robinson's collections, Journey to the Sleeping Whale (Salmon, 2018) and Island and Atoll (Salmon, 2023), as well as other poems and essays, reflect her deep ecological awareness. With a doctorate in Biology from Caltech, Jane is also a recipient of the Shine-Strong and Strokestown Poetry awards. She lives in Dublin.Annemarie Ní Churreáin is a poet from northwest Donegal. Her books include Bloodroot (Doire Press, 2017), The Poison Glen (The Gallery Press, 2021) and Ghostgirl (Donegal County Archives, 2023). Her work has been shortlisted for the Shine Strong Award for Best Debut Collection (IRE) and for the Ledbury Hellens Best Second Collection (UK). She is a recipient of the Arts Council's Next Generation Artist Award, The Markievicz Award, and a forthcoming 2025 Hawthornden Foundation Residency (NYC). Ní Churreáin is a former fellow of Akademie Schloss Solitude Fellowship (GR). Her writing for stage has appeared at the Abbey National Theatre of Ireland.  Her poetry has been toured widely through Ireland, Europe and America. She is the poetry editor at The Stinging Fly Magazine. www.studiotwentyfive.comThe Stinging Fly Podcast invites writers from the latest issue of The Stinging Fly to read and discuss their work. Previous episodes of the podcast ⁠⁠can be found here⁠⁠. The podcast's theme music is ⁠⁠‘Sale of Lakes', by Divan⁠⁠. All of the ⁠⁠Stinging Fly archive⁠⁠ is available to ⁠⁠subscribers.⁠⁠

Amber Husain returns to discuss the experience of being diagnosed with anorexia after struggling to find the will to eat. She discusses the experience of diagnosis, treatment, and her reengagement with questions of food, community, and hunger that came as a result. We talk about wartime starvation experiments, psychedelic assisted therapy, and why we need a politics of pleasure that isn't about capitalist consumption.   Amber Husain is the author of Replace Me (2021) and Meat Love (2023). Her essays have been published in Granta, New Left Review, The White Review, The Believer, Bookforum LA Review of Books and New York Times Magazine. She has a PhD in art history from UCL and teaches critical and creative writing. Her newest book is titled Tell Me How You Eat.  SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/

Larissa Pham's writing has appeared in The Nation, the New York Times Book Review, Aperture, Bookforum, Art in America, Granta, the Paris Review Daily, and elsewhere. Her essays and short fiction have been anthologized in Kink (Simon and Schuster, 2021); Wanting: Women Writing on Desire (Catapult, 2023); and Critical Hits, an anthology of writing on video games (Graywolf, 2023). She holds an MFA in fiction from Bennington. She is an Assistant Professor of Writing at the New School. Her debut novel, just published, is Discipline. Larissa joins Barbara DeMarco-Barrett to talk about plot, narrative tense, the freedom of writing without quotation marks, metafiction, revision, naming characters, themes, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded February 6, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

In this episode of the Granta podcast, we speak with Christopher Bollas, a leading figure in contemporary psychoanalytic theory and author of the forthcoming Essential Aloneness and Streams of Consciousness. A wide-ranging interview about his life and work appeared in Granta 174: Therapy.In this further conversation, Bollas reflects on the relationship between psychoanalysis and literature, the significance of daydreams, and whether analysis can speak to the great crises of our time.Thomas Meaney is the editor of Granta.

An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-david-szalayThis week Adam Biles sits down with Booker Prize–winner David Szalay to discuss his novel Flesh — a work that begins in post-Soviet Hungary and expands into a stark portrait of Europe over the last three decades.Szalay describes writing a book that takes almost nothing for granted, grounding experience in the physical body rather than psychology. They explore the novel's emotionally charged yet morally unresolved relationships, its refusal of overt judgment, and its spare, withholding prose style.The conversation covers masculinity, violence, agency, and the seductive fantasy of “the West,” asking whether István is passive — or simply shaped by forces larger than himself. What happens when a novel resists explanation? When language reaches its limits? And how can restraint intensify emotional impact rather than diminish it?Buy Flesh: https://www.shakespeareandcompany.com/books/flesh-2*Winner of the Booker Prize 2025 for Flesh. David Szalay was born in Canada, grew up in London and now lives in Vienna. He is the author of six works of fiction that have been translated into over 20 languages, as well as several BBC radio dramas. His debut novel, London and the South-East, won Betty Trask and Geoffrey Faber Memorial prizes. All That Man Is was awarded the Gordon Burn Prize and Plimpton Prize for Fiction, and was shortlisted for the Booker Prize in 2016. He was selected for the 2013 edition of Granta's Best of Young British Novelists, and in 2010 appeared in the Telegraph's list of the top 20 British writers under 40. In November 2025, Flesh won the Booker Prize.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

Larissa Pham's writing has appeared in The Nation, the New York Times Book Review, Aperture, Bookforum, Art in America, Granta, the Paris Review Daily, and elsewhere. Her essays and short fiction have been anthologized in Kink (Simon and Schuster, 2021); Wanting: Women Writing on Desire (Catapult, 2023); and Critical Hits, an anthology of writing on video games (Graywolf, 2023). She holds an MFA in fiction from Bennington. She is an Assistant Professor of Writing at the New School. Her debut novel, just published, is Discipline. Larissa joins Barbara DeMarco-Barrett to talk about plot, narrative tense, the freedom of writing without quotation marks, metafiction, revision, naming characters, themes, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded February 6, 2026) Host: Barbara DeMarco-Barrett Host: Marrie StoneMusic: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Charlotte and Jo revisit Rebecca Novack's Murder Bimbo before taking a quick tour of the Russian Civil War and comrade crushes through Nikolai Ostrovsky's How The Steel Was Tempered. They're then joined by the scintillating Brittany Newell, who meditates on contemporary fiction, cities at night, and Samuel R. Delany's indelible Times Square Red, Times Square Blue. Also discussed in this episode: Emma Cline's The Guest and Vincenzo Latronico's Perfection.Brittany Newell is a writer and performer living in San Francisco. Her debut novel Oola was published in 2017 at the age of 21 in the US, UK, and Germany. You can find her written work in Granta, n+1, McSweeney's, The New York Times, and others. Her second novel Soft Core was published by FSG in February 2025 in the US, UK, and France. She is at work on a third novel about love addiction, emotional vampires, and cannibalism. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Notes and Links to Lillian Li's Work      Lillian Li is the author of the novel Number One Chinese Restaurant, which was an NPR Best Book of 2018, and longlisted for the Women's Prize and the Center for Fiction's First Novel Prize. Her work has been published in the New York Times, Granta, One Story, Bon Appetit, Travel & Leisure, The Guardian, and Jezebel. Originally from the D.C. metro area, she lives in Ann Arbor. Buy Bad Asians   Kirkus Reviews for Bad Asians   Lillian Li's Website     At about 1:30, Lillian talks about her mindset as Pub Day is a day away, and she shares heartening feedback she's received on Bad Asians At about 3:00, Lillian talks about her early relationship with language and literature, including Amy Tan's Joy Luck Club, and coins a great term, a “Borders Kid” At about 4:40, Lillian describes growing up in a Chinese-American and Asian-American community in connection with ideas of representation  At about 6:30, Lillian reflects on “growing pains” with Joy Luck Club and having ambivalent feelings towards the book's lasting impact At about 8:50, Lillian highlights How to Commit a Postcolonial Murder as a standout text she's reading currently  At about 10:10, Lillian highlights Literati Bookstore as a great place to buy her book and interesting tour events coming up At about 12:05, Lillian gives background on starting the book with a map At about 13:10, Lillian talks about North Potomac, MD, and growing up there  At about 14:50, Pete sets the book's exposition through discussion of the Prologue, and Lillian comments on her interest in the experience of those who have gone viral At about 16:30, Grace as the “golden child” is discussed in terms of Lillian's childhood seeing comparison and "competitive friendships” At about 18:10, the two continue to describe the book's opening and main characters  At about 21:40, Lillian describes the original video that Grace recorded that morphs into the foundation for the “Bad Asians” viral video(s) At about 23:00, Lillian responds to Pete's asking about a middle-of-the-book scene with a caring/boundary-overstepping teacher  At about 25:20, Grace and her gilded rich girl life is described  At about 27:20, Lillian and Pete describe the ways in which the friends like Errol and Justin feel “unburdened” and free in filming with Grace, but also how Grace gets some controversial footage At about 28:55, “Going to the Mall on Molly” and its ramifications is discussed At about 30:40, Lillian describes how Vivían's phone call leads to Grace “running away” to LA At about 32:25, Lillian gives background on the plan that the group hatches in collaboration with Carrie Yang At about 35:00, Vivían and Errol and their post-vows life and rave culture are discussed by Lillian; she talks about MDMA as a sort of emotional regulation   At about 36:30, Lillian talks about the scenes in the book as emblematic of the 2008 recession and recovery in Detroit At about 37:20, Lillian riffs on “self-medication,” with regards to an article she read about overdoses in the Asian-American community/rave culture At about 38:40, Errol's dangerous “pranks” are analyzed  At about 40:00, Lillian discusses the “gilded cage” and “success trap” for Grace and her creative pursuits At about 42:10, the two discuss the notoriety that comes with leaked cell phone footage from the New York At about 42:45, Lillian talks about Justin's sexuality and provides background on her research on bisexuality, intimacy and love for his character  At about 46:00, Pete compliments the ending of the book, and Lillian expands on her mindset in ending the book that way        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 325 with Grant Ginder, the author of the novels Let's Not Do That Again, Honestly, We Meant Well, The People We Hate at the Wedding, Driver's Education, and This is How It Starts, a few of which have been made into movies. His latest is So Old, So Young.     The episode airs on February 20, three days after Pub Day for So Old, So Young.     Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.     You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

At last, the audio from December's Bookforum x Reading Writers live holiday event! The justly celebrated novelist Stephanie Wambugu joins Charlotte and Jo to talk about the controversial and inescapable Perfection by Vincenzo Latronico.Stephanie Wambugu is the author of the novel Lonely Crowds. Her work has appeared in The Drift, The Nation, Granta, Frieze, Bookforum. She lives and works in New York. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ocean Vuong, poet, essayist, novelist, educator, and photographer, joins PhotoWork with Sasha Wolf for an in-depth conversation about his solo photography exhibition Sõng and the accompanying photobook, presented at CPW. In this episode, Vuong reflects on storytelling across mediums, creative practice, and the discipline behind writing and photography. Drawing from his life experience, he speaks candidly about process, vulnerability, and the courage required to share work publicly. This episode offers grounded insight for artists who question their creative voice or the value of presenting their work. https://www.oceanvuong.com/ https://cpw.org/exhibition/song/ Writer, professor, and photographer Ocean Vuong is the author of On Earth We're Briefly Gorgeous, winner of the American Book Award, The Mark Twain Award, and The New England Book Award. The novel debuted for six weeks on The New York Times bestseller list and has since sold more than a million copies in 41 languages. A nominee for the National Book Award and a recipient of a MacArthur "Genius" Grant, he is also the author of the poetry collections, Time is a Mother, a finalist for the Griffin prize, and Night Sky with Exit Wounds, a New York Times Top 10 Book, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award.  Selected by Time magazine as one of its 100 Rising Cultural Influencers, Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets.  Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU.  He currently splits his time between Western Massachusetts and New York City, where he serves as a Professor in Modern Poetry and Poetics in the MFA Program at NYU.

Julian Barnes and Ian McEwan are widely celebrated as two of the finest writers of their generation. Along with Salman Rushdie and Kazuo Ishiguro, they were included on Granta's prescient Best Young British Novelists list in 1993 and have gone on to write some of the most memorable novels of the past three decades. In January 2026 they came together to discuss the book that Barnes says will be his last, Departure(s). It follows a man named Stephen and a woman called Jean who fall in love when they are young and again when they are old. Barnes and McEwan will draw on the themes of the book to discuss topics including philosophy, art, the slipperiness of memory, the passage of time, mortality and grief.This was a rare opportunity to hear two of the most celebrated voices in contemporary British literature discussing their craft and reflections on life. This event was presented in partnership with Waterstones. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Julian Barnes and Ian McEwan are widely celebrated as two of the finest writers of their generation. Along with Salman Rushdie and Kazuo Ishiguro, they were included on Granta's prescient Best Young British Novelists list in 1993 and have gone on to write some of the most memorable novels of the past three decades. In January 2026 they came together to discuss the book that Barnes says will be his last, Departure(s). It follows a man named Stephen and a woman called Jean who fall in love when they are young and again when they are old. Barnes and McEwan will draw on the themes of the book to discuss topics including philosophy, art, the slipperiness of memory, the passage of time, mortality and grief. This was a rare opportunity to hear two of the most celebrated voices in contemporary British literature discussing their craft and reflections on life. This event was presented in partnership with Waterstones. --- This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Canadian writer Sarah Bernstein speaks to a Bookclub audience about her Booker-shortlisted 2023 novel, Study For Obedience. Published by Granta, the story follows an unnamed protagonist who is moved to a remote northern country to be a housekeeper for her brother, but as soon as she arrives a series of unfortunate events occur. The novel won the Giller prize in 2023.Producer: Dominic Howell Editor: Gillian Wheelan This was a BBC Audio Scotland production.

Daniyal Mueenuddin was brought up in Lahore, Pakistan, and Elroy, Wisconsin. A graduate of Dartmouth College and Yale Law School, his stories have appeared in The New Yorker, Granta, Zoetrope, and The Best American Short Stories 2008, selected by Salman Rushdie. His collection In Other Rooms, Other Wonders was a finalist for the Pulitzer Prize and the National Book Award. For a number of years he practiced law in New York. He now divides his time between Oslo, Norway, and his farm in Pakistan's South Punjab. His new novel is called This is Where the Serpent Lives. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this wide-ranging and deeply thoughtful conversation, writer Emily LaBarge speaks with host Adam Biles about Dog Days, her groundbreaking new work of nonfiction. Rooted in the 2009 hostage event she and her family survived while on holiday in the Caribbean, the book explores not the incident itself but the psychic “mark” it left—its shape, depth, and resistance to narrative. Emily discusses the instability of storytelling after trauma, the pressure to produce coherent versions for police, insurers, or therapists, and the unsettling sense that the world itself had changed in the aftermath. She reflects on the limits of therapy, the body's relationship to memory, and how literature, art, and cinema became “fellow travelers” in her attempt to understand the experience. Adam and Emily also consider genre, experiment, and the essay's capacity to hold fractured thought. Dog Days emerges as a radical, erudite, and emotionally exacting exploration of what it means to live on after rupture.Buy Dog Days: https://www.shakespeareandcompany.com/books/dog-days-13*Emily LaBarge is a Canadian writer based in London. Her essays and criticism have appeared in Granta, The London Review of Books, Artforum, Bookforum, Frieze, and The Paris Review, amongst others. She is a regular contributor to The New York Times and 4Columns. Dog Days is her first book.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

2026 reading has started off strong. This week on You Are What You Read, we are thrilled to host Ben Markovitz with his novel, THE REST OF OUR LIVES, which has been one of the biggest novels this January. THE REST OF OUR LIVES was a finalist for the Booker Prize, a Barnes & Noble Book Club Pick, a Late Show Book Club Pick, and a national best seller. Ben Markovits is the author of eleven novels, including Fathers and Daughters, You Don't Have to Live Like This, and The Sidekick. He has also published essays, stories, poetry, and reviews in The Guardian, Granta, The Paris Review, and The New York Times, among others. THE REST OF OUR LIVES is all the buzz this winter, and we can't wait to talk about it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sir Salman Rushdie is a writer who has written over 20 books, seven of which have been nominated for the Booker Prize. In 1981 he won with his novel Midnight's Children which also topped the polls for the 25th and 40th anniversaries of the prize, making it the most lauded novel in Booker history.He was born in Bombay in 1947 and educated at Rugby School in Warwickshire. After studying history at the University of Cambridge he worked as a copywriter at various advertising agencies before publishing his first novel Grimus in 1975. His breakthrough came with Midnight's Children and he was one of 20 writers named on Granta magazine's inaugural list of Best Young British novelists alongside writers including Martin Amis and AN Wilson.He attracted considerable controversy with his fourth novel the Satanic Verses which won the Whitbread Award and was shortlisted for the Booker. Some Muslims considered the subject matter blasphemous and Iran's Supreme Leader Ayatollah Khomeini issued a fatwa calling for the death of Salman and the publishers of the book. Salman spent the following decade in hiding under police protection.In 2022 he was stabbed multiple times while on stage at the Chautauqua Institution in upstate New York. He had been invited there to talk about keeping writers safe from harm. He survived devasting injuries – including the loss of his right eye – and wrote about the attack and its aftermath in his memoir Knife.That same year he was awarded a Companion of Honour for services to literature.Salman is married to the poet and novelist Rachel Eliza Griffiths and they live in New York. He has two grown up sons and two grandchildren.DISC ONE: Walk on the Wild Side - Lou Reed DISC TWO: Yeh Hai Bombay Meri Jaan - Mohammed Rafi and Geeta Dutt DISC THREE: Blowin' in the Wind - Bob Dylan DISC FOUR: (I Can't Get No) Satisfaction - The Rolling Stones DISC FIVE: I Wanna Dance with Somebody (Who Loves Me) - Whitney Houston DISC SIX: Me and Julio Down by the Schoolyard - Paul Simon DISC SEVEN: Isn't She Lovely – Stevie Wonder DISC EIGHT: For the Love of You, Pts. 1 & 2 - The Isley Brothers BOOK CHOICE: Homer's Odyssey (Translated by Emily Wilson) LUXURY ITEM: A bed with a mosquito net CASTAWAY'S FAVOURITE: For the Love of You, Pts. 1 & 2 - The Isley Brothers Presenter Lauren Laverne Producer Paula McGinley