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Send us a textOn today's episode we travel to IMMA and the Dublin Book Festival to meet and talk with İlhan Sami Çomak, a Kurdish Turkish poet who has spent almost thirty years imprisoned in Turkey. He was arrested in 1994 and charged with membership of the banned Kurdistan Workers' Part. In jail, Çomak released eight books of poetry and became one of Turkey's longest serving political prisoners. He is here in Dublin to mark the Day of the imprisoned Writer at the invitation of Irish PEN which followed an extensive international campaign for his release. Ilhan is accompanied by his interpreter Ipak Özel.Also in this episode writer, filmmaker and lecturer Ferdia MacAnna joins us the breakfast table to talk to us about Every One Still Here by Liadan Ní Chuinn, the widely acclaimed collection of short stories published by the Stinging Fly Press, and now by Granta as well. This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon.Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. Logo designed by Freya Sirr.Support the show
Following a young woman over the course of one outrageous and insufferable downtown dinner party at the home of her estranged best friends—an artist and curator couple, whom she now realizes stands for everything she detests—Happiness and Love (Scribner, 2025) is a piercing debut novel about brazen materialism, self-obsession, and the empty careerism of so-called cultural elites.Years after escaping New York and the center of its artistic world—a group of self-important, depraved, and unscrupulous artists, curators, and hangers-on—our narrator is back in town. With no plans to see anyone she once knew, she's wandering around the Lower East Side, thinking about the recent death of her former best friend, Rebecca, when she runs into Eugene, one half of the artist-curator couple at the heart of her old social set. Despite her better judgement, she accepts his invitation to a dinner party. And though the party is held only hours after Rebecca's funeral, it not a memorial of Rebecca but a dinner held in honor of a young, newly famous actress whose lateness delays the party by hours.As the guests sip their natural wine and await the actress's arrival, the narrator, from her perch on the corner seat of a white sofa, silently, systematically, and mercilessly eviscerates them—their manners, their relationships, their delusions and failures, and the complete moral poverty that brings them here, to Nicole and Eugene's loft on the Bowery. When the guest of honor finally does arrive, she sets in motion a disastrous end to the evening, laying bare the depravity and decadence of the hosts' empty little lives—a hollowness that the narrator herself knows all too well. Zoe Dubno is a writer from New York. She attended Oberlin College and has an MFA from Rutgers University, Newark. Her writing has appeared in Granta, The New York Times Magazine, The New York Review of Books, The Guardian, The Nation, Vogue, and elsewhere. Happiness and Love is her first novel. Recommended Books: Simone de Beauvoir, The Mandarins Learn more about your ad choices. Visit megaphone.fm/adchoices
Following a young woman over the course of one outrageous and insufferable downtown dinner party at the home of her estranged best friends—an artist and curator couple, whom she now realizes stands for everything she detests—Happiness and Love (Scribner, 2025) is a piercing debut novel about brazen materialism, self-obsession, and the empty careerism of so-called cultural elites.Years after escaping New York and the center of its artistic world—a group of self-important, depraved, and unscrupulous artists, curators, and hangers-on—our narrator is back in town. With no plans to see anyone she once knew, she's wandering around the Lower East Side, thinking about the recent death of her former best friend, Rebecca, when she runs into Eugene, one half of the artist-curator couple at the heart of her old social set. Despite her better judgement, she accepts his invitation to a dinner party. And though the party is held only hours after Rebecca's funeral, it not a memorial of Rebecca but a dinner held in honor of a young, newly famous actress whose lateness delays the party by hours.As the guests sip their natural wine and await the actress's arrival, the narrator, from her perch on the corner seat of a white sofa, silently, systematically, and mercilessly eviscerates them—their manners, their relationships, their delusions and failures, and the complete moral poverty that brings them here, to Nicole and Eugene's loft on the Bowery. When the guest of honor finally does arrive, she sets in motion a disastrous end to the evening, laying bare the depravity and decadence of the hosts' empty little lives—a hollowness that the narrator herself knows all too well. Zoe Dubno is a writer from New York. She attended Oberlin College and has an MFA from Rutgers University, Newark. Her writing has appeared in Granta, The New York Times Magazine, The New York Review of Books, The Guardian, The Nation, Vogue, and elsewhere. Happiness and Love is her first novel. Recommended Books: Simone de Beauvoir, The Mandarins Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Following a young woman over the course of one outrageous and insufferable downtown dinner party at the home of her estranged best friends—an artist and curator couple, whom she now realizes stands for everything she detests—Happiness and Love (Scribner, 2025) is a piercing debut novel about brazen materialism, self-obsession, and the empty careerism of so-called cultural elites.Years after escaping New York and the center of its artistic world—a group of self-important, depraved, and unscrupulous artists, curators, and hangers-on—our narrator is back in town. With no plans to see anyone she once knew, she's wandering around the Lower East Side, thinking about the recent death of her former best friend, Rebecca, when she runs into Eugene, one half of the artist-curator couple at the heart of her old social set. Despite her better judgement, she accepts his invitation to a dinner party. And though the party is held only hours after Rebecca's funeral, it not a memorial of Rebecca but a dinner held in honor of a young, newly famous actress whose lateness delays the party by hours.As the guests sip their natural wine and await the actress's arrival, the narrator, from her perch on the corner seat of a white sofa, silently, systematically, and mercilessly eviscerates them—their manners, their relationships, their delusions and failures, and the complete moral poverty that brings them here, to Nicole and Eugene's loft on the Bowery. When the guest of honor finally does arrive, she sets in motion a disastrous end to the evening, laying bare the depravity and decadence of the hosts' empty little lives—a hollowness that the narrator herself knows all too well. Zoe Dubno is a writer from New York. She attended Oberlin College and has an MFA from Rutgers University, Newark. Her writing has appeared in Granta, The New York Times Magazine, The New York Review of Books, The Guardian, The Nation, Vogue, and elsewhere. Happiness and Love is her first novel. Recommended Books: Simone de Beauvoir, The Mandarins Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Stewart O'Nan's award-winning fiction includes Snow Angels, A Prayer for the Dying, Last Night at the Lobster, and Emily, Alone. His 2007 novel, Last Night at the Lobster, was a national bestseller and a finalist for the Los Angeles TimesBook Prize. Granta named him one of America's Best Young Novelists. His new novel is Evensong. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of the Granta Podcast we speak to Zoe Dubno, author of Happiness and Love (2025), whose short story ‘The Full Package' appeared in Granta 166: Generations.We discuss her novel, Happiness and Love, its relationship to Thomas Bernhard's Woodcutters, and the differences between homage and appropriation.Leo Robson is a cultural journalist whose work has appeared in the London Review of Books, the New Yorker, and the New Left Review, among other publications. He is the author of The Boys (2025).Josie Mitchell is senior editor at Granta.
Notes and Links to Jeff Pearlman's Work Jeff Pearlman is the New York Times bestselling author of ten books. His subjects include the '80s Los Angeles Lakers (Showtime), the 1986 New York Mets (The Bad Guys Won), the '90s Dallas Cowboys (Boys Will Be Boys), and NFL legends Walter Payton (Sweetness) and Brett Favre (Gunslinger). HBO adapted Showtime into the dramatic series Winning Time, produced and directed by Adam McKay. A former Sports Illustrated senior writer and ESPN.com columnist, Pearlman is the host of the Two Writers Slinging Yang podcast and blogs regularly at jeffpearlman.com. Buy Only God Can Judge Me: The Many Lives of Tupac Shakur Jeff's Website NPR Coverage of Only God Can Judge Me: The Many Lives of Tupac Shakur At about 3:15, Jeff talks about writing against hagiography and how he doesn't “bring bias” into his writing, whether about Tupac or sports At about 5:25, Pete compliments the structure of the book, as it examines each of the places that shaped Tupac's life At about 5:55, Rapid-fire questions! *Best Tupac collab? Best movie role? At about 8:45, A beautiful shout-out to friend Curtis Dorsey and Jeff's dad, Stan At about 10:20, Jeff shouts out some favorite lines from Tupac's songs At about 10:50, Pete and Jeff discuss Tupac's “layering songs” and wondrous laugh At about 12:55, Jeff responds to Pete's question about Jeff's “in”/entry point for writing about someone who has been written about so much At about 15:45, Jeff expands on writing his biography of Tupac as a type of "layering" and the importance of specificity At about 17:00, Jeff talks about how interviewing 652 people for his Tupac book is actually something that “[he] is supposed to do” At about 19:55, Jeff reflects a bit on book promotion and book release At about 21:25, Jeff shouts out Dusty Baker as “maybe the coolest human being who's ever walked the planet” At about 22:20, Pete asks Jeff about Set Shakur's quote that Tupac died “alone”; Jeff reflects on the “isolation” of fame At about 24:00, Jeff talks about Suge Knight and his indifference and his intriguing story At about 25:45, Jeff talks about Tupac's connection or lack thereof to the Mob Piru gang At about 26:45, Pete gives an incomplete and rambling answer to the best Tupac song At about 28:10, Davonn Hodge and his mother reuniting due to great work by Jeff Pearlman and Michelle Soulli is discussed, as Jeff gives the background on the reunification At about 30:20, Jeff gives background on Afeni Shakur's hometown, Lumberton, NC, and he gives a shoutout to Howard Bryant's book on Ricky Henderson At about 31:30, Jeff recounts a story about going to Lumberton to use the microfiche, but wound up seeing Tupac's grave At about 32:10, Jeff gives background on Afeni Shakur's amazing life and highlights her accomplishments and travails At about 33:30, Jeff and Pete discuss “Dear Mama” as aspirational and the sadness of Afeni's substance abuse and how Tupac dealt with this horrible disappointment and “trauma” At about 35:15, Jeff talks in awe of Afeni's defending herself in the “Panther 21” trial At about 36:20, Jeff discusses Tupac's name origins At about 37:45, Jeff responds to Pete's question about Tupac's dad Billy Garland and male role models At about 39:40, The two discuss horrible athletic performances in movies and Tupac's unfortunate basketball shooting motion At about 41:00, Jeff gives some background on Tupac's birth name At about 41:40, Jeff talks about the impression that New York made on Tupac, musically and personally At about 43:00, The two discuss Tupac's time in Baltimore and at the Baltimore School for the Arts, and Tupac as an actor and singer; Jeff calls Baltimore his “favorite Tupac era” At about 45:10, The two talk about Tupac's Baltimore time and struggles and how “shapeshifter” didn't quite fit him At about 47:10, Jeff traces the Shakurs' move to Marin City and connections to Geronimo Pratt and his family At about 48:15, Jeff shares a profound statement from Set Shakur about moving vs. “relocating” At about 48:50, Jeff talks about Marin City and recreating the Marin City of when Tupac lived there At about 50:50, Jeff expands on similarities between Tupac's time in the creative worlds of performing arts high schools in Baltimore and Marin City/ and his mother's downward spiral At about 51:55, The two discuss the significance of Marin City's Festival on the Green 1992 and further reporting on the tragedy as a “turning point” At about 55:50, Jeff responds to Pete's observation about Tupac's first albums not being highly-received and focuses on the changes that led to his second album being disappointing for Tupac At about 57:20, Jeff traces an almost parallel life for Tupac as a revolutionary leader in Atlanta At about 58:45, Jeff talks about the awkward time with Tupac working to become a community leader At about 1:00:20, Jeff responds to Pete's question about the reactions from people who were wowed by Tupac's raps in person At about 1:03:00, Jeff shares what he learned in his interviews about Tupac the actor At about 1:06:00, Jeff shares his thoughts on the alleged second sexual assault by Tupac At about 1:08:15, Pete and Jeff discuss the “fan[ning] of the hip hop media/media and Tupac's At about 1:09:35, Pete compliments the skillful ways in which the last hours and days (the “banal”) were rendered in the way At about 1:11:10, Pete asks Jeff about how much Death Row changed Tupac/brought out tendencies in him At about 1:12:55, Jeff shares information from the book on two or three parallel universes where Tupac almost avoided being in Las Vegas At about 1:13:55, Jeff reflects on Tupac as a 54 year old You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 309 with Amber Sparks, the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. Her book Happy People Don't Live Here was published in October 2025. The episode drops on November 18. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.
Feeling stuck in the unsettling space between who you were and who you're becoming? If you're navigating midlife transitions—whether it's empty nest, perimenopause, aging parents, or shifting identity—this episode of Pleasure in the Pause offers a transformative perspective on living consciously through change.Host Gabriela Espinosa sits down with Ann Tashi Slater to explore the Buddhist concept of "bardo"—the in-between state—as a powerful model for midlife transformation. If you've been resisting change, clinging to what was, or feeling overwhelmed by uncertainty, this conversation reveals how accepting impermanence can actually open the door to deeper peace, creativity, and joy. Discover practical daily practices for meeting life's transitions with awareness instead of resistance, and learn how to live fully awake in the great in-between of midlife.Are you ready to awaken your sensuality and feel more empowered in your body? Access the FREE Pleasure Upgrade Bundle at https://www.pleasureinthepause.com/gift.Ann Tashi Slater is the author of Traveling in Bardo: The Art of Living in an Impermanent World. She contributes to The New Yorker, The New York Times, The Washington Post, The Paris Review, Oprah Daily, Guernica, Granta, and many others. Her speaking engagements include Princeton, Columbia, Oxford, the American University of Paris, and Asia Society. Highlights from our discussion include:Bardo as a midlife model: The Buddhist concept of bardo—the in-between state—perfectly describes midlife when we're no longer who we were but not yet who we're becoming.Acceptance unlocks action: True acceptance doesn't mean giving up—it allows meaningful action. We must acknowledge reality before we can move forward through any transition.Resistance causes suffering: It's not change itself that threatens us, but our resistance to it. Clinging to what was creates additional suffering on top of natural grief.Practice noticing transitions: Build comfort with impermanence by observing daily beginnings and endings—the start and end of each day, changing seasons, how you've evolved over time.This week, notice one beginning and one ending in your day. Then ask yourself: If things could be exactly as I wanted, what would my life look like? Remember—wanting to be happy isn't selfish, it's human.If you're seeking to reclaim your pleasure and vitality, join Gabriella at www.pleasureinthepause.com for this enlightening journey into the heart of female pleasure and empowerment.CONNECT WITH ANN TASHI SLATER:Traveling In BardoWebsiteCONNECT WITH GABRIELLA ESPINOSA:InstagramLinkedInWork with Gabriella! Go to https://www.gabriellaespinosa.com/ to book a call.Full episodes on YouTube. The information shared on Pleasure in the Pause is for educational and informational purposes only and is not intended as medical advice. Always consult your healthcare provider before making any decisions about your health or treatment. The views expressed by guests are their own and do not necessarily reflect the views of the host or Pleasure in the Pause.
This week on Sinica, I chat with Daniel Kurtz-Phelan, editor of Foreign Affairs, about how the journal has both shaped and reflected American discourse on China during a period of dramatic shifts in the relationship. We discuss his deliberate editorial choices to include heterodox voices, the changing nature of the supposed "consensus" on China policy, and what I've called the "vibe shift" in how Americans across the political spectrum think about China. Daniel also reflects on his own intellectual formation, including his work on George Marshall's failed mission to mediate China's Civil War and the cautionary lessons that history holds for today's debates. We explore the challenges of bringing Chinese voices into Foreign Affairs, the balance between driving and reflecting policy debates, and whether we're witnessing a genuine opening of the Overton window on China discussions.7:15 – Foreign Affairs in the era of Iraq and "China's peaceful rise" 12:09 – The Marshall mission and the "Who Lost China?" debate 17:17 – China's changing role and the journal's coverage density 19:43 – The Campbell-Ratner "China Reckoning" and subsequent debates 25:00 – The challenge of including authentic Chinese voices 29:42 – How Chinese leadership perceives and reads Foreign Affairs 32:12 – The "vibe shift" on China across the American political spectrum 35:56 – Cultivating contrarian voices: Van Jackson, Jonathan Czin, and David Kang 40:17 – Avoiding the trap of making everything about U.S.-China competition 43:12 – Diversifying perspectives beyond the Washington-Beijing binary 48:18 – The big questions: American exceptionalism and Chinese identity in a new era 51:42 – The dangers of cutting off U.S.-China scholarly conversations 56:26 – The uses and misuses of historical analogies 58:09 – Spain's Golden Age and late Qing memes as contemporary analogiesPaying it forward: The unsung editorial staff at Foreign AffairsRecommendations: Daniel: Equator.org; The Rise of the Meritocracy by Michael Young; Granta's new India issue; The Party's Interests Come First by Joseph Torigian; The Coming Storm by Odd Arne Westad Kaiser: The Spoils of Time by C.V. WedgwoodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Francesca Wade is the author of the biography Gertrude Stein: An Afterlife, available from Scribner. Francesca Wade is the author of Square Haunting: Five Writers in London Between the Wars (2020). She has received fellowships from the Dorothy and Lewis B. Cullman Center, the Leon Levy Center for Biography and the Harvard Radcliffe Institute, and her writing has appeared in The New York Review of Books, London Review of Books, Paris Review, Granta, and elsewhere. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Winner 2022 BCLF Elizabeth Nunez Award for Writers in the Caribbean “The Fix” is a story of love, obsession, and obeah that follows a young woman as she seeks advice from an obeah practitioner. She has fallen in love with her neighbor, but rather than compete with his current lover directly, she looks to magic to steal him for herself. The obeah woman teachesthe young woman how to infuse her food with stronger and stronger spells until she fixes her man for good.Alexia Tolas is a Bahamian writer whose narratives explore the intricacies of small-island life, drawing heavily from local folktales and mythology. Her writing has been featured in literary journals including Womanspeak, Granta, Windrush, Adda, and in forthcoming issues of The Caribbean Writer. She won the Commonwealth Short Story Regional Award for the Caribbean in 2019, shortlisted for the 2020 Sunday Times Audible Short Story Award, and in 2022, she received the Brooklyn Caribbean Literary Festival's Elizabeth Nunez for Writer's in the Caribbean. She is currently working on her first novel.
Anna Rusconi"Nella carne"David SzalayAdelphiwww.adelphi.it«Forse è a quell'età, pensa István, che hai la prima percezione di non coincidere esattamente con il tuo corpo, di occupare lo stesso spazio senza essere proprio la stessa cosa, perché una parte di te resta indietro rispetto alla trasformazione fisica e ne è sorpresa come potrebbe esserlo un osservatore esterno, e a quel punto non ti senti più in totale armonia, ma ti viene da parlare del tuo corpo come fosse un'entità leggermente separata, benché ti riesca sempre meno di opporti ai suoi desideri».Traduzione del romanzo "Nella carne" a cura di Anna Rusconi.È un cerchio perfetto la vita di István, che si dipana in un'alternanza di successi e disfatte sullo sfondo della storia europea degli ultimi quarant'anni. Dall'Ungheria a Londra e ritorno, dal crollo della Cortina di ferro alla pandemia, passando per la seconda guerra del Golfo e l'ingresso nell'Unione Europea dei Paesi dell'ex blocco sovietico, la sua è la parabola di un uomo in balìa di forze che non è in grado di controllare: non solo quelle all'opera sullo scacchiere politico del Vecchio Continente, che lo manovrano come un fantoccio, ma anche quelle – istintive – che ne governano la carne, spesso imprimendo svolte decisive alla sua esistenza. Tutto – i traumi e i lutti, i traguardi raggiunti e le potenziali soddisfazioni – lo lascia ugualmente impassibile, pronto a fronteggiare ogni accadimento, dal più fortunato al più tragico, con l'arma del suo laconico: «Okay». E forse è davvero questa l'unica ricetta per attraversare incolumi il tempo che ci è concesso in sorte: solcarlo senza illusioni, abbandonandosi alla corrente. Con questo romanzo David Szalay ci consegna un personaggio insieme magnetico e respingente, un discendente ideale della stirpe di Barry Lyndon e Meursault – e si conferma uno dei più singolari e ironici cantori del nostro acuto smarrimento.David Szalay, nato a Montreal nel 1974, è cresciuto nel Regno Unito, e si è laureato a Oxford. Esordisce con il romanzo London and the South-East, per il quale vince il Betty Trask Award, al quale seguono Innocent (2009) e Spring (2011). Nel 2013 è stato inserito da «Granta» nella lista dei Best Young British Novelists. Tra gli altri titoli, pubblicati in Italia da Adelphi, Turbolenza (2019), Tutto quello che è un uomo (2017), Nella carne (2025), entrambi finalisti del Man Booker Prize. Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
Dame Rose Tremain is one of Britain's most prolific and popular writers, having written 17 novels and five collections of short stories over the last 50 years. She was one of only six women on Granta magazine's inaugural 1982 list of the best young British novelists, alongside Martin Amis, Ian McEwan, Salman Rushdie and others. Her fifth novel Restoration was nominated for the Booker Prize in 1989, she won the Whitbread Prize for Music And Silence in 1999, and was awarded the 2008 Orange Prize - the precursor to the Women's Prize for Fiction - for her novel The Road Home. Having already been made a CBE in 2007, she became Dame Rose Tremain in 2020 for services to writing. Her most recent work is a short story called The Toy Car.Rose Tremain tells John Wilson how her father, a largely unsuccessful playwright called Keith Thomson, inspired her childhood interest in storytelling, although he never encouraged her to write. She recalls how she first started writing fiction to help her cope with loneliness in a household where there was little parental affection. Rose recalls how it was a teacher at her boarding school who first recognised her ability and encouraged her to apply for an Oxbridge university place, only to be dissuaded by her mother, who sent her to a finishing school in France instead. She credits the novelist Angus Wilson, one of her English Literature tutors at the University Of East Anglia, for giving her the confidence to write her first novel. She also chooses The Diary Of Samuel Pepys as a major inspiration on her 1989 Booker-shortlisted novel Restoration, which was later turned into a Hollywood film starring Robert Downey Jnr. and Meg Ryan.Producer: Edwina Pitman
Amber Sparks is the author of the debut novel Happy People Don't Live Here, available from Liveright Publishing. Sparks is the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. She lives in Washington, D.C., with her husband, daughter, and cats. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this *spoiler free* conversation, host Jason Blitman talks to author Victoria Redel about her book I AM YOU, the November Gays Reading Book Club pick with Allstora.I AM YOU subverts the idea of a 17th-century historical novel — it's intimate, modern, and deeply queer in the way it explores gender, art, and identity. The characters feel so alive and complex that you can't help but get pulled into their world, which makes it a perfect book for thoughtful, layered discussion. It's the kind of book that lingers — beautifully written, emotionally charged, and full of questions about power, love, and what it means to truly see and be seen.Victoria Redel has written four books of poetry and six books of fiction. Her short stories, poetry, and essays have appeared in Granta, The New York Times, Los Angeles Times, and BOMB, and she's received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Fine Arts Work Center. Victoria is a professor at Sarah Lawrence College and splits her time between New York City and Utah.What do you get when you join the Gays Reading Book Club?Curated book delivered monthly to your door (at a discount!) – the books we'd call “accessibly literary”30% Off Allstora's websiteAccess to the book club “Kiki” to talk about the booksExclusive author Q&AsAllstora donates a children's book to an LGBTQIA+ youthThis club exclusively supports LGBTQIA+ authorsAnd more!Support the showBOOK CLUB!Sign up for the Gays Reading Book Club HERE October Book: Middle Spoon by Alejandro Varela SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com
Thomas McMullan lives and works in London. His debut novel, The Last Good Man, won the 2021 Betty Trask Prize. His short fiction has been published in Ploughshares, The Dublin Review, Granta, 3:AM Magazine, Lighthouse and Best British Short Stories, and his journalism has appeared in The Guardian, The Times Literary Supplement, frieze, ArtReview and BBC News. On this episode of Little Atoms he talks to Neil Denny about his latest novel Groundwater. Hosted on Acast. See acast.com/privacy for more information.
Notes and Links to Ellen Birkett Morris' Work Ellen Birkett Morris is the author of Beware the Tall Grass, winner of the Donald L. Jordan Award for Literary Excellence, judged by Lan Samantha Chang, published by CSU Press. She is also the author of Lost Girls: Short Stories, winner of the Pencraft Award and finalist for the Clara Johnson, IAN and Best Book awards. Her fiction has appeared in Shenandoah, Antioch Review, Saturday Evening Post, and South Carolina Review, among other journals. She is a winner of the Bevel Summers Prize for short fiction. Morris is a recipient of an Al Smith Fellowship for her fiction from the Kentucky Arts Council. Morris is also the author of Abide and Surrender, poetry chapbooks. Her poetry has appeared in The Clackamas Literary Review, Juked, Gastronomica, and Inscape, among other journals, and in eight anthologies. Morris won top prize in the 2008 Binnacle Ultra-Short Edition and was a finalist for the 2019 and 2020 Rita Dove Poetry Prize. Her poem “Abide” was featured on NPR's A Way with Words. Her essays have appeared in The New York Times, Newsweek, AARP's The Ethel, Oh Reader magazine, and on National Public Radio. Morris holds an MFA in creative writing from Queens University-Charlotte. She attended the Kentucky Women Writers Conference on fellowship and teaches creative writing at The Virginia Piper Center at ASU in Tempe, Arizona and The Carnegie Center for Literacy and Learning in Lexington, Kentucky. Morris has spoken and taught at the 2018 Antioch Writers Workshop, 2019 Kentucky Women Writers Conference, 2022 Writer's Block Festival and 2022 Louisville Book Festival. Buy Beware the Tall Grass Ellen's Website Review of Beware the Tall Grass from Heavy Feather Review At about 3:40, Ellen responds to Pete's question about receiving the Donald L. Jordan Award for Beware the Tall Grass At about 5:30, Ellen talks about the different resonance the book has a year plus after its publication; she highlights feedback from people with interesting comments about the continuing resonance of the Vietnam War At about 7:10, Ellen provides a summary of the novel At about 8:20, Ellen relays seeds for the book, particularly based on a NPR segment from 2014 At about 10:30, Ellen responds to Pete's questions about any cynicism in exploring the stories of past lives' remembrance, and she expands on how she dealt with the spiritual/reincarnation At about 12:45, Pete and Ellen stan over Andrew Porter's (Episode 294 guest) The Imagined Life At about 13:25, Ellen speaks beautifully of her mother as an “advocate” At about 14:50, Ellen talks about how she put into practice the saying about “put your characters into trouble,” particularly with regard to Eve, one of two protagonists, and her mother At about 16:05, The two discuss the exposition for main character and one of two narrators, Thomas, and how the loss of his horse affects him At about 18:00, Ellen describes the agony in writing a particularly brutal and sad scene from the book At about 19:00, The two discuss Eve's friend, Amy, and ideas of peace and tranquility At about 20:00, Ellen reflects on the “hasty decision” pointed out by Pete, made by both Thomas in the novel and in real-life, for those who signed up for the army At about 21:30, Ellen talks about Dan in the novel and his family history that makes him act more logical even when the surreal comes out At about 23:00, The two discuss Thomas' decision to enlist for Vietnam, and how it was perhaps subtly influenced by his father's past service At about 24:00, We Were Soldiers Once and Young and Ellen's uncle and soldiers' logs are cited as inspirations for Ellen's writing At about 26:00, Pete lays out some of Charlie's At about 27:00, Ellen reflects on Carrie's faith in Thomas' coming back safe from Vietnam At about 27:40, The two reflect on connections in the novel to Tim O'Brien's The Things They Carried At about 28:50, The two discuss two crises that bring much stress to Eve At about 29:50, Ellen talks about a caustic and “sinister” fellow soldier of Thomas' and giving him some “roundness” At about 31:30, Ellen talks about the emotional difficulty in writing a death in the novel At about 34:40, Ellen cites her poet background as she discusses the book's titular metaphor and its multiple uses, and she describes the background of the book's cover At about 37:45, The two discuss family histories and shared traits over the generations in discussing Charlie's channeling of past traumas At about 39:00, At about 41:00, Pete asks Ellen about regression theory and therapists who deal with those thought to be experiencing past lives At about 43:20, Ellen responds to Pete's question about how home and Carrie and his child on the way inspire Thomas; Ellen tells an anecdote about almost changing POVs in the novel At about 44:30, Ellen talks about balancing the personal and the geopolitical in drawing up the Vietnam War scenes At about 46:40, The two discuss the idea of the story that repeats itself throughout the generations, and Ellen describes a moving and profound trip to Ireland that shows the “continuity of history” You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 303 with Amber Sparks, the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. This episode airs on October 14, Pub Day for her novel Happy People Don't Live Here. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.
In this episode of the Granta Podcast we speak to Guadalupe Nettel, author of four novels and three collections of short stories, including the most recent collection The Accidentals.We discuss her novel, Still Born, as well as her stories, ‘The Wanderers', ‘Divination' and ‘Bonsai', as well as her approach to the politics of motherhood, realism and exile in her writing.Leo Robson is a cultural journalist whose work has appeared in the London Review of Books, the New Yorker, and the New Left Review, among other publications. He is the author of The Boys (2025).Josie Mitchell is senior editor at Granta.
America is a place that has compelled countless writers to travel its vast and varied landscapes. Perhaps you've done it yourself. But what happens when you feel compelled to do it all again? That's the question at the heart of Joanna Pocock's essay, Greyhound (Fitzcarraldo Editions). Named after the iconic bus company whose intercity network carries passengers from Detroit to Los Angeles — and which Joanna relies on for her own journey — Greyhound revisits familiar motels, crossings, and bus stations she first encountered years before. Joanna's writing has appeared in Granta, The Los Angeles Times, The Nation, and The London Review of Books, among others. GREYHOUND is her second book, and her first, SURRENDER, won the Fitzcarraldo essay prize. Remember to like, share, follow, subscribe or leave a review if you enjoy the show. Reference Points - 1.40 - is Joanna a city or a country writer - 3.20 - where the journey starts - 6.15 - why are there not more women on the road? - 09.00 - starting in Canada. - 11.05 - Borders - 12.15 - the people Joanna meets - 16.05 - the sense of perspective. - 17.50 - people Joanna sees - 19.30 - Amarillo and fecal dust - 23.00 - rippling pages podcast - 24.05 - the cost of travel - 26.35 - the bus as a political space - 30.30 - the enduring appeal of the American road. ***** Tickets for Agnes Lidbeck in Conversation https://www.nextchapterleeds.co.uk/events/p/theripplingpagesliveoctober ***** Remember, if you buy from Rippling Pages Bookshop all books are all sourced from indie bookshops! https://uk.bookshop.org/shop/ripplingpagespod Support the Rippling Pages on a new Patreon https://patreon.com/RipplingPagesPod?utm_medi Interested in hosting your own podcast? Follow this link and find out how: https://www.podbean.com/ripplingpages Reference Points Ansel Adams Lewis Baltz Simone de Beauvoir - America Day by Day Jack Kerouac - On the Road Irma Kirtz - The Great American Bus Ride Ethel Mannin - An America Journey Benjamin Markovits - The Rest of Our Lives William Least Heat-Moon - Blue Highways Ed Ruscha The Salt Path - Raynor Winn
Emily Adrian is the author of Seduction Theory (Little, Brown, 2025) Daughterhood, The Second Season, and Everything Here Is Under Control, as well as two critically acclaimed novels for young adults. Her work has appeared in Granta, The Point, Joyland, EPOCH, Alta Journal, Los Angeles Review of Books, and The Millions. Originally from Portland, Oregon, Emily currently lives in New Haven, Connecticut. Recommended Books: Muriel Spark, Loitering with Intent Justin Taylor, Reboot Erin Somers, Ten Year Affair Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Patrick Ryan's short story collection The Dream Life of Astronauts was named one of the Best Books of the Year by the St. Louis Times-Dispatch, LitHub, Refinery 29 and Electric Literature, and was longlisted for The Story Prize. His debut collection of linked short stories, Send Me, was chosen for Barnes & Noble's Discover New Writers program. His work has appeared in The Best American Short Stories, the anthology Tales of Two Cities, and elsewhere. The former associate editor of Granta, he is the editor-in-chief of the literary magazine One Story. On this episode of Little Atoms he talks to Neil Denny about his new novel Buckeye. Hosted on Acast. See acast.com/privacy for more information.
Emily Adrian is the author of Seduction Theory (Little, Brown, 2025) Daughterhood, The Second Season, and Everything Here Is Under Control, as well as two critically acclaimed novels for young adults. Her work has appeared in Granta, The Point, Joyland, EPOCH, Alta Journal, Los Angeles Review of Books, and The Millions. Originally from Portland, Oregon, Emily currently lives in New Haven, Connecticut. Recommended Books: Muriel Spark, Loitering with Intent Justin Taylor, Reboot Erin Somers, Ten Year Affair Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Host Jason Blitman talks to Patrick Ryan about his new novel, Buckeye, which is this month's Read with Jenna Book Club selection. They talk about writing inspirations, father-son relationships, and Ryan's love for pinball. Jason is then joined by Guest Gay Reader, Rabih Alameddine (The True True Story of Raja the Gullible (and His Mother)) his perspective on dealing with trauma, devotion, and forgiveness. Patrick Ryan is the author of the novel Buckeye. He is also the author of the story collections The Dream Life of Astronauts (named one of the Best Books of the Year by the St. Louis Times-Dispatch, LitHub, Refinery 29, and Electric Literature, and longlisted for The Story Prize) and Send Me. His work has appeared in The Best American Short Stories, the anthology Tales of Two Cities, and elsewhere. The former associate editor of Granta, he is the editor of the literary magazine One Story and lives in New York City.Rabih Alameddine is the author of the novels The Wrong End of the Telescope; Angel of History; An Unnecessary Woman; The Hakawati; I, the Divine; Koolaids; the story collection, The Perv; and one work of nonfiction, Comforting Myths. He has won the PEN/Faulkner Award for Fiction and was a finalist for the National Book Award. He received the Dos Passos Prize in 2019 and a Lannan Award in 2021.Support the showBOOK CLUB!Sign up for the Gays Reading Book Club HERE September Book: The Sunflower Boys by Sam Wachman SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com
Raghu Markus and Ann Tashi Slater dive into The Tibetan Book of the Dead, bardo states, and how embracing death and impermanence can help us live with greater presence and purpose.Pick up a copy of Ann's September 2025 book, Traveling in BardoThis week on Mindrolling, Raghu and Ann discuss:The Tibetan Book of the Dead and how it can help us in modern Western cultureBardo states: the in-between, liminal spaces between death and rebirth, birth and death.How we regularly experience metaphorical death through the impermanence of relationships, identities, and momentsAccepting the reality of death and impermanence to avoid struggle and sufferingFinding grace in life-lessons and why Ram Dass initially thought his guru gave him the strokeAnn's Tibetan lineage and strong connection to her grandmother Ensuring that we are living in alignment with the things we care most about Why reflecting on death while alive can lead to more conscious, intentional livingMaintaining traditions as a way to accept reality, process grief, and find meaning in lossRecognizing our interdependence and having compassion for other peopleCheck out the film The Tibetan Book of the Dead: A Way of Life, narrated by Leonard CohenAbout Ann Tashi Slater:Ann Tashi Slater has written for The New Yorker, The New York Times, The Washington Post, The Paris Review, Tin House, Guernica, AGNI, Granta, and many others. Her work has been featured in Lit Hub and included in The Best American Essays. In her Darjeeling Journal column for Catapult, she writes about her Tibetan family history and bardo, and she blogged for HuffPost about similar topics. She presents and teaches workshops at Princeton, Columbia, Oxford, Asia Society, and The American University of Paris, among others, and was a regular speaker at NYC's Rubin Museum of Art during the museum's 20-year run. You can learn more about Ann and sign up for her newsletter at http://www.anntashislater.com. “The really fundamental lesson of the bardo teachings is that awareness of impermanence allows us to actually, counterintuitively, find the happiness that we're looking for. When we struggle against it, we make ourselves miserable because there's nothing we can do to change it. Things end.” – Ann Tashi SlaterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Weekly shoutout: Check out Lynchpins, our ongoing David Lynch tribute series! Hi there, we're back! Today I am delighted to be arts calling Camille U. Adams once again! (https://www.camilleuadams.com/) About our guest: CAMILLE U. ADAMS, Ph.D. was born and raised in beautiful Trinidad and Tobago. She is the author of the explosive memoir How To Be Unmothered: a Trinidadian memoir, finalist in the Restless Books Prize in New Immigrant Writing 2023. (https://linktr.ee/Camille_U_Adams) Camille is a memoirist, a poet, and a nature writer. Camille has been awarded Best of The Net—nonfiction 2024. She has received five Pushcart Prize nominations and three Best of the Net nominations for her memoir writing. Camille's work has also received recognition as a notable essay in Best American Essays 2022. Her writing has been long-listed in the Graywolf Creative nonfiction Prize 2022 and selected as a finalist for The 2021 Orison Anthology Award in Nonfiction. Her other honours include an awarded fellowship as an inaugural Tin House Reading Fellow, an inaugural Granta nature writing workshop fellowship, an inaugural Anaphora Arts Italy Writing Retreat Fellowship, a McKnight Doctoral Fellowship, a Community of Writers Fellowship, A VONA scholarship, and a Roots Wounds Words Fellowship. A Tin House Summer Workshop alum, Camille has served as a juried reader for Tin House for two consecutive years and as a moderator for two author panels. She has also received support from Kenyon Writers Workshop, Grubstreet, and others. In addition, Camille has been an associate CNF editor at Variant Lit and an assistant memoir editor at Split Lip Magazine and at The Account. She has long taught English and creative writing, emphasising the importance of strong craft, beautiful prose, and ugly truths. Having earned her MFA in Poetry from City College CUNY and her Ph.D. in Creative Nonfiction from FSU, Camille currently teaches creative writing and literature in New York City. She is at work on her second memoir. Thanks for this amazing conversation, Camille! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND THANK YOU FOR TAKING THE TIME TO LISTEN. Much love, j artscalling.com
Mike talks with Rana Dasgupta, recipient of a 2025 Windham-Campbell Prize in Nonfiction, about the pleasures of the 1958 novel The Leopard as well as its Visconti-directed film adaptation and how both projects reflect on our present tenuous moment. Born in Canterbury, United Kingdom, Rana Dasgupta has lived in the United States, India, and France. His work includes Tokyo Cancelled (2005), a collection of contemporary folktales, and a novel, Solo (2009), which won the Commonwealth Writers' Prize (2010). In 2014, he published his first nonfiction work, Capital: The Eruption of Delhi. His clear-eyed observation of 21st-century crises lies at the heart of his highly anticipated forthcoming book, After Nations (2026), which explores the dissipation of the powers of the nation-state and seeks ways for us to navigate the resulting confusion. As an essayist, Dasgupta has contributed to distinguished outlets such as Harper's, Granta, and The New Statesman. For several years, he taught a course on 21st-century culture and ideas at Brown University. His lectures on the nation-state, and the possibilities beyond it, have been hosted by the Berggruen Institute, the Serpentine Gallery, the House of World Cultures, and elsewhere. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's our second week of “cucumber season” programming, and fair warning: we're really leaning into the late-summer goofiness. This week, we go hard on German gastronomy, with a deep dive into Europe's declining alcohol consumption and a recap of the utterly absurd row over the origins of Bratwurst. Because we don't want you to think we've totally lost the plot, we also had a perfectly civilised conversation with Robert Winder, the prolific author and sometime editor of The Independent and Granta whose new book, Three Rivers, comes out next week. Robert spoke with our producer Katz about the waterways that shape Europe as we know it—and about their future in a warming climate. You can purchase the book here on 28 August. This week's Inspiration Station recommendations are the Danish film The Guilty and the audio recordings of Colm Tóibín's novels Brooklyn and Long Island. Our Happy Ending comes from Helsinki, which managed to go an entire year with no traffic fatalities! You can read more about the milestone achievement here and how they did it here. This podcast was brought to you in cooperation with Euranet Plus, the leading radio network for EU news. But it's contributions from listeners that truly make it all possible—we could not continue to make the show without you! If you like what we do, you can chip in to help us cover our production costs at patreon.com/europeanspodcast (in many different currencies), or you can gift a donation to a superfan. We'd also love it if you could tell two friends about this podcast. We think two feels like a reasonable number. 00:00:47 Welcome back to cucumber season! 00:03:09 Good Week: European livers 00:16:29 Bad Week: Bratwurst ensnared in national feud 00:31:16 Interview: Robert Winder reconnects us with the poetry of rivers 00:44:00 The Inspiration Station: the film The Guilty and Colm Tóibín's novels Brooklyn and Long Island 00:49:11 Happy Ending: Helsinki successfully stamps out road deaths Producers: Morgan Childs, Katz Laszlo, and Wojciech Oleksiak Mixing and mastering: Wojciech Oleksiak Music: Jim Barne and Mariska Martina YouTube | Bluesky | Instagram | Mastodon | hello@europeanspodcast.com
In this episode Adam speaks with translator Frank Wynne and Argentinian writer Samanta Schweblin about the first-ever English edition of Mafalda, the beloved Argentine comic strip by Quino (Archipelago Books). Together, they explore how this precocious, principled six-year-old girl—who challenged everything from soup to capitalism—shaped generations of readers in Argentina and beyond. Frank discusses the joys and puzzles of translating Mafalda's quick wit and political edge, while Samanta recalls how the strip introduced her to feminism, philosophy, and satire as a child. The conversation touches on cartooning as subversion, and why Mafalda's questions still matter today. Whether you're meeting Mafalda for the first time or grew up with her, this episode is a moving celebration of one of the 20th century's most enduring comic heroines.Buy Mafalda: https://www.shakespeareandcompany.com/books/mafalda-3*Samanta Schweblin won the 2022 National Book Award for Translated Literature for her story collection, Seven Empty Houses. Her debut novel, Fever Dream, was shortlisted for the International Booker Prize, and her novel Little Eyes and story collection Mouthful of Birds have been longlisted for the same prize. Her books have been translated into more than forty languages, and her stories have appeared in English in The New Yorker, The Paris Review, Granta, Harper's Magazine and elsewhere. Originally from Buenos Aires, Schweblin lives in Berlin. Good and Evil and Other Stories is her third collection.Frank Wynne is a writer and award-winning literary translator. Born in Ireland he has lived and worked in Dublin, Paris, Amsterdam, London, Buenos Aires and currently lives in San José, Costa Rica. He has translated more than a dozen major novels, among them the works of Michel Houellebecq, Frédéric Beigbeder, Pierre Mérot and the Ivorian novelist Ahmadou Kourouma. A journalist and broadcaster, he has written for the Sunday Times, the Independent, the Irish Times, Melody Maker, and Time Out.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.
Notes and Links to Camille Adams' Work CAMILLE U. ADAMS, Ph.D. was born and raised in beautiful Trinidad and Tobago. She is the author of the explosive memoir How To Be Unmothered: a Trinidadian memoir, finalist in the Restless Books Prize in New Immigrant Writing 2023. Camille is a memoirist, a poet, and a nature writer. She has been awarded Best of The Net—nonfiction 2024. She has received five Pushcart Prize nominations and three Best of the Net nominations for her memoir writing. Camille's work has also received recognition as a notable essay in Best American Essays 2022. Her writing has been long-listed in the Graywolf Creative nonfiction Prize 2022 and selected as a finalist for The 2021 Orison Anthology Award in Nonfiction. Her other honours include an awarded fellowship as an inaugural Tin House Reading Fellow, an inaugural Granta nature writing workshop fellowship, an inaugural Anaphora Arts Italy Writing Retreat Fellowship, a McKnight Doctoral Fellowship, a Community of Writers Fellowship, A VONA scholarship, and a Roots Wounds Words Fellowship. A Tin House Summer Workshop alum, Camille has served as a juried reader for Tin House for two consecutive years and as a moderator for two author panels. She has also received support from Kenyon Writers Workshop, Grubstreet, and others. In addition, Camille has been an associate CNF editor at Variant Lit and an assistant memoir editor at Split Lip Magazine and at The Account. She has long taught English and creative writing, emphasising the importance of strong craft, beautiful prose, and ugly truths. Having earned her MFA in Poetry from City College CUNY and her Ph.D. in Creative Nonfiction from FSU, Camille currently teaches creative writing and literature in New York City. She is at work on her second memoir. Buy How to Be Unmothered: A Trinidadian Memoir Camille U. Adams' Website Excerpt from How to Be Unmothered At about 2:55, Camille talks about her ideal writing environments and she and Pete bond over Pete's At about 5:00, Camille responds to Pete's question about what books and stories resonate with her students-she references Javier Zamora and Derek Walcott and Jamaica Kincaid At about 8:00, the two discuss purchasing details for How to Be Unmothered At about 9:15, Camille shares great early feedback for the memoir At about 11:35, Camille responds to Pete's question about her early reading loves At about 14:30, Pete cites Jamaica Kincaid's masterful work and Camille shouts out George Lanning, Samuel Selvon, Paul Keyes Douglas, and other masterful Caribbean writers At about 16:50, Camille responds to Pete's questions about the “push-and-pull” of colonialist language and history in Trinidad At about 21:00, Camille highlights Daniel José Older's brilliant work as the two discuss evocative language At about 22:25, Camille cites calypso and its performances as a keen example of the dynamic nature of language At about 24:05, Camille and Pete discuss the book's dedication and epigraph (eek-Pete first calls it an “epitath”), with Camille sharing an insightful story on an idea's generative appearance in her head At about 28:40, Camille responds to Pete's question about the significance of her memoir's chapter titles as different trees At about 31:05, Pete and Camille set out the exposition for the memoir, especially the pivotal opening scene; Camille expounds on the long drive recounted and how it serves as a sort of cultural and historical tour of Trinidad At about 35:00, Camille talks about her At about 36:25, Camille talks about the Trinidian term “hotfoot,” as the two discuss double standards for men and women At about 38:20, No spoilers! as Pete highlights an evocative and creative section about rum At about 40:55, Camille reflects on an “initiation” and on ideas of dominion over nature At about 44:00, Camille examines ideas of being a child and expectations and tropes around parent-child alienations At about 46:50, The two discuss an evocative series of scenes and ideas of intimacy and forced burdens At about 49:40, Camille responds to Pete's musings about the somatic sensations depicted in the book, including introducing the wise, apt saying: “there is no past tense in the body” At about 54:00, Camille describes traumatic experiences heaped on children in general and on herself, as she reflects on ideas of “property” and a lack of agency At about 58:00, Camille talks about why she can't and won't live with “unlove” At about 1:00:00, Camille discusses ideas of joy and resilience and vulnerability and “strip[ping] words of meaning and connections to political and psychological consciousness At about 1:04:50, Camille highlights a meaningful song, The Journey” by Chris “Tambu” Herbert At about 1:07:40, Camille teases her second book You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 289 with Jahmal Mayfield, who writes gritty crime novels that touch on large social issues. His stellar SMOKE KINGS was inspired by Kimberly Jones' passionate viral video, “How can we win?” This episode airs on August 26. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.
Nell Stevens is an award-winning author of memoir and fiction. Her work has been awarded the Somerset Maugham Award, longlisted for the Dylan Thomas Prize and shortlisted by the BBC National Short Story Award. She is the author of two novels, The Original and Briefly, a Delicious Life, and two memoirs: Bleaker House and Mrs Gaskell & Me. Her writing is published in The New Yorker, The New York Times, Vogue, The Paris Review, The New York Review of Books, The Guardian, Granta and elsewhere. Nell is an Associate Professor of Creative Writing at the University of Warwick. Nell lives in Oxfordshire with her wife and two children. Recommended Books: Barbara Kingsolver, Demon Copperhead Ali Smith, Gliff Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Nell Stevens is an award-winning author of memoir and fiction. Her work has been awarded the Somerset Maugham Award, longlisted for the Dylan Thomas Prize and shortlisted by the BBC National Short Story Award. She is the author of two novels, The Original and Briefly, a Delicious Life, and two memoirs: Bleaker House and Mrs Gaskell & Me. Her writing is published in The New Yorker, The New York Times, Vogue, The Paris Review, The New York Review of Books, The Guardian, Granta and elsewhere. Nell is an Associate Professor of Creative Writing at the University of Warwick. Nell lives in Oxfordshire with her wife and two children. Recommended Books: Barbara Kingsolver, Demon Copperhead Ali Smith, Gliff Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Nell Stevens is an award-winning author of memoir and fiction. Her work has been awarded the Somerset Maugham Award, longlisted for the Dylan Thomas Prize and shortlisted by the BBC National Short Story Award. She is the author of two novels, The Original and Briefly, a Delicious Life, and two memoirs: Bleaker House and Mrs Gaskell & Me. Her writing is published in The New Yorker, The New York Times, Vogue, The Paris Review, The New York Review of Books, The Guardian, Granta and elsewhere. Nell is an Associate Professor of Creative Writing at the University of Warwick. Nell lives in Oxfordshire with her wife and two children. Recommended Books: Barbara Kingsolver, Demon Copperhead Ali Smith, Gliff Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Michael Clune is the author of the debut novel Pan, available from Penguin Press. It is the official August 2025 pick of the Otherppl Book Club. Clune is the critically acclaimed author of the memoirs Gamelife and White Out: The Secret Life of Heroin. His academic books include A Defense of Judgment, Writing Against Time, and American Literature and the Free Market. Clune's work has appeared in venues ranging from Harper's Magazine, Salon, and Granta to Behavioral and Brain Sciences, PMLA, and The Chronicle of Higher Education. His work has been recognized by fellowships and awards from the John Simon Guggenheim Memorial Foundation, the Mellon Foundation, the Baker-Nord Center for the Humanities, and others. He is currently a professor at the Salmon P. Chase Center for Civics, Culture, and Society at the Ohio State University and lives in Chagrin Falls, Ohio. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
A scholar remains behind as pestilence silences the college. The gates are locked, the chapel dim, and a single window glows with the light of something unfinished. In the stillness of old stone, a man pursues his solitary work—methodical, precise, and unknowable. What follows is not a tale of horror in the usual sense, but something quieter, older, and threaded with the weight of ritual. Memory lingers in the cloisters. The dead are not always absent. *The True History of Anthony Ffryar* was first published in *Tedious Brief Tales of Granta and Gramarye* (W. Heffer & Sons, 1919), under the pen name “Ingulphus.” The story was reissued in the Ghost Story Press edition of 1993 with an additional tale. Arthur Gray (1852–1940) was Master of Jesus College, Cambridge, and a scholar of Shakespeare and local history. He wrote ghost stories rooted in the architecture, liturgy, and institutional memory of the university he called home. Learn more about your ad choices. Visit megaphone.fm/adchoices
Diverse Voices Book Review host Hopeton Hay interviewed Madeleine Thien, author of the novel THE BOOK OF RECORDS. The novel tells a time-bending, seven-year philosophical journey of a young girl named Lina, who is taught by her father and neighbors about the lives of three historical figures. They live in a surreal enclave, where Lina and her father have sought refuge after escaping a disaster in China. In the interview, we talked about how she weaves together the stories of three historical figures: Du Fu, an 8th-century Chinese poet; Baruch Spinoza, a 17th-century Dutch Jewish philosopher; and Hannah Arendt, a mid-20th-century German-American Jewish philosopher and political theorist. Lina learns about their theories and ideas and the grief, love, and tragedy they have experienced. Madeleine Thien is the author of four books, including Do Not Say We Have Nothing, which was shortlisted for the Booker Prize. Her work has appeared in The New Yorker, Granta, The New York Review of Books, and elsewhere. Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review X - @diversebookshay Email: hbh@diversevoicesbookreview.com
In this episode of the Granta Podcast we speak to Diane Williams, author of eleven books of fiction, including the short story collection I Hear You're Rich.We discuss the four short stories Diane Williams contributed to the summer issue, Granta 172: Badlands, as well as her various collections, her love of surprise in fiction and the porosity between her identity as a writer and an editor.Leo Robson is a cultural journalist whose work has appeared in the London Review of Books, the New Yorker, and the New Left Review, among other publications. He is the author of The Boys (2025).Josie Mitchell is senior editor at Granta.
Amy Silverberg is a comedian and writer based in Los Angeles. Her stand-up comedy has been featured on Comedy Central, Hulu, NPR, and Amazon Prime. Her short fiction has appeared in Best American Short Stories, The Paris Review, Granta, and The New Yorker. She holds a Ph.D. in Creative Writing from USC, where she now teaches. Prior to publication, Amy's debut novel First Time, Long Time was hailed by Oprah Daily as “a funny, high-spirited novel…the book humorously describes a lesser-seen side of Los Angeles: the unglamorous neighborhood of Van Nuys, the humiliations of fame, the agony of trying—and failing—to be someone else, and the thrill of discovering yourself along the way.” “Somebody is always going through something,” she writes in the novel, just published by Grand Central Publishing. “Somebody is always reading a book and finding himself there.” Join us for a funny, thoughtful look at the ways Amy's comedy informs her writing, the ways her writing fuels her comedy, and the many ways she finds herself in her work. Learn more about Amy Silverberg: Website Instagram Threads TikTok Twitter Please support the sponsors who support our show: Gotham Ghostwriters' Gathering of the Ghosts Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Heaven Help Us by John Kasich Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount
This week we're going way back in The Shift archives, to one of the earliest episodes I recorded with novelist Esther Freud. This summer Esther will be a guest of The Shift bookclub, to talk about her new novel, My Sister and Other Lovers - her long-awaited sort-of-sequel to her smash hit autofiction, Hideous Kinky, about her childhood with her sister Bella Freud (who was on The Shift podcast last autumn - listen here). Here's the chat Esther and I had back in 2021... ---- How does it feel to come from a family with a legend? If you're today's guest, novelist and playwright Esther Freud (daughter of painter Lucian Freud and great granddaughter of Sigmund Freud) you work with that legacy to produce some of the finest novels of the last thirty years. Her first Hideous Kinky, based on her unusual childhood, was made into a film starring Kate Winslet and after the follow-up, Peerless Flats, she was named one of Granta's Best Young Novelists. Scroll forward a couple of decades and her ninth novel, I Couldn't Love You More, comes full circle, this time exploring aspects of her family's history through the lens of three generations of mothers. (Bring tissues!) Over the next 40 minutes Esther talks candidly about motherhood, guilt, shame, the way women are constantly judged, her own entangled family history, how the onset of menopause made her question everything and why now 57 she's happier than ever. CONTENT WARNING: There's some conversation about forced adoption and Ireland's mother and baby homes that some people may find upsetting. * You can buy all the books mentioned in this podcast at The Shift Bookshop on bookshop.org including I Couldn't Love You More and My Sister and Other Lovers and the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at https://theshiftwithsambaker.substack.com. • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker. This episode was edited by Emily Sandford. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this rich conversation, Francesca Wade joins Adam Biles to discuss her biography Gertrude Stein: An Afterlife. Wade explores the complexities of Stein's life, legacy, and literary innovations, foregrounding Stein's long-overlooked partner, Alice B. Toklas, as a powerful and persistent force behind the myth. They dive into questions of biography, erasure, performance, and gender, as well as Stein's fraught political affiliations during WWII. Wade's approach is both formally inventive and deeply human, highlighting unpublished interviews and fresh archival finds that illuminate the tension between public persona and private life. Whether you're a Stein devotee or merely curious about modernism's most elusive icon, this episode offers a fascinating entry point into the world of radical art, language, and love.Buy Gertrude Stein: An Afterlife: https://www.shakespeareandcompany.com/books/gertrude-steinFrancesca Wade's first book, Square Haunting, was longlisted for the Baillie Gifford Prize and shortlisted for the RSL Ondaatje Prize. She has held fellowships at the New York Public Library's Cullman Center and the Harvard Radcliffe Institute. Her work has appeared in The New York Review of Books, London Review of Books and Granta, among other places.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.
Hello, my name is Eric LeMay, a host on New Books in Literature, a channel on the New Books Network. Today I interview Jennifer Kabat. Kabat is writer I've followed and admired for decades. T.S. Eliot once said of Henry James, "He had a mind so fine that no idea could violate it." Kabat has a mind so sweeping, so generous that no detail escapes it. She writes of history, ecology, art, science, time, place, and epochs with a painter's attention and a poet's heart. Her latest book is called Nightshining: A Memoir in Four Floods (Milkweed, 2025). She is also the author of The Eighth Moon: A Memoir of Belonging and Rebellion. Her writing has appeared in McSweeney's, BOMB, The New York Review, Los Angeles Review of Books, The Believer, Virginia Quarterly Review, Granta and The White Review, among many others. Today, she takes us from the first trees to appear on our plant to the aspirations of scientists amid the Cold War to the floods that ravaged her hometown, where she also serves on her local fire department. Enjoy my conversation with Jennifer Kabat. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Hello, my name is Eric LeMay, a host on New Books in Literature, a channel on the New Books Network. Today I interview Jennifer Kabat. Kabat is writer I've followed and admired for decades. T.S. Eliot once said of Henry James, "He had a mind so fine that no idea could violate it." Kabat has a mind so sweeping, so generous that no detail escapes it. She writes of history, ecology, art, science, time, place, and epochs with a painter's attention and a poet's heart. Her latest book is called Nightshining: A Memoir in Four Floods (Milkweed, 2025). She is also the author of The Eighth Moon: A Memoir of Belonging and Rebellion. Her writing has appeared in McSweeney's, BOMB, The New York Review, Los Angeles Review of Books, The Believer, Virginia Quarterly Review, Granta and The White Review, among many others. Today, she takes us from the first trees to appear on our plant to the aspirations of scientists amid the Cold War to the floods that ravaged her hometown, where she also serves on her local fire department. Enjoy my conversation with Jennifer Kabat. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Kate Folk, Sky Daddy (Random House, 2025) Kate Folk is the author of the novel Sky Daddy and the short story collection Out There. Her short fiction and essays have appeared in the New Yorker, n+1, the New York Times, Granta, and The Baffler, among other venues. A former Stegner Fellow, she's also received fellowships and residencies from MacDowell, the Headlands Center for the Arts, and Willapa Bay AiR. She lives in San Francisco. Recommended Books:Katie Kitamura, AuditionDon Carpenter, Hard Rain FallingLydi Conklin, Songs of No ProvenanceChris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kate Folk, Sky Daddy (Random House, 2025) Kate Folk is the author of the novel Sky Daddy and the short story collection Out There. Her short fiction and essays have appeared in the New Yorker, n+1, the New York Times, Granta, and The Baffler, among other venues. A former Stegner Fellow, she's also received fellowships and residencies from MacDowell, the Headlands Center for the Arts, and Willapa Bay AiR. She lives in San Francisco. Recommended Books:Katie Kitamura, AuditionDon Carpenter, Hard Rain FallingLydi Conklin, Songs of No ProvenanceChris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This week Grant and Brooke consider images as enhancements to memoir. Historically publishers have tended to regard images in memoir with reservation, but that's been changing in recent years. Guest Jennifer Croft's recent memoir, Homesick, is accompanied by her own Polaroids. When should photos be included, or central? And what are some other memoirs that have been improved by the addition of images? Whether to include images involves many considerations—from your reader, to style, to the interplay between words and image, and Jennifer Croft offers thoughtful insights around this and more. Jennifer Croft is the author of the illustrated memoir, Homesick, and the translator of Polish of Nobel laureate Olga Tokarczuk's Flights, for which she won the 2018 International Booker Prize. She won a 2022 Guggenheim Fellowship for her novel The Extinction of Irena Rey, the 2020 William Saroyan International Prize for Writing for Homesick. She is a founding editor of The Buenos Aires Review and has published her own work and numerous translations in The New York Times, The Los Angeles Review of Books, Granta, VICE, n+1, Electric Literature, Lit Hub, BOMB, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week Grant and Brooke consider images as enhancements to memoir. Historically publishers have tended to regard images in memoir with reservation, but that's been changing in recent years. Guest Jennifer Croft's recent memoir, Homesick, is accompanied by her own Polaroids. When should photos be included, or central? And what are some other memoirs that have been improved by the addition of images? Whether to include images involves many considerations—from your reader, to style, to the interplay between words and image, and Jennifer Croft offers thoughtful insights around this and more. Jennifer Croft is the author of the illustrated memoir, Homesick, and the translator of Polish of Nobel laureate Olga Tokarczuk's Flights, for which she won the 2018 International Booker Prize. She won a 2022 Guggenheim Fellowship for her novel The Extinction of Irena Rey, the 2020 William Saroyan International Prize for Writing for Homesick. She is a founding editor of The Buenos Aires Review and has published her own work and numerous translations in The New York Times, The Los Angeles Review of Books, Granta, VICE, n+1, Electric Literature, Lit Hub, BOMB, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoices
Adam Weymouth is a writer and journalist whose work has been widely published, appearing in Granta, The Atlantic, The Observer, and the BBC. Adam's features have covered subjects as diverse as illegal cedar logging in Malawi, the politics of oil in Alaska, migration in Greece, flooding in Wales, and depopulation on the Outer Hebrides. His […] Read full article: Episode 151: Tracing The Epic Journey Of Europe's Most Famous Wolf With Adam Weymouth
In this episode of the Shakespeare and Company Podcast, Adam Biles speaks with acclaimed author Catherine Lacey about her daring new work The Möbius Book. Structured as a "Tête-bêche"—two intertwined texts printed back-to-back—the book pairs a memoir chronicling the fallout of a painful breakup with a novella that spirals into the psychological suspense of a possible murder next door. As the narratives bend and mirror each other, Lacey explores the porous boundary between fiction and nonfiction, faith and doubt, intimacy and estrangement.The conversation dives deep into Lacey's creative process, her early entanglement with religion, the disorienting legacy of male anger, and how the pandemic shaped her understanding of confinement and rupture. Candid and philosophical, Lacey reflects on memory's distortions, the ethics of writing memoir, and the liberating act of leaving questions unanswered. Buy The Möbius Book: https://www.shakespeareandcompany.com/books/the-mobius-bookCatherine Lacey is the author of the novels Nobody Is Ever Missing, The Answers, Pew, and Biography of X, and the short story collection Certain American States. She has received a Guggenheim Fellowship, a Whiting Award, the New York Public Library's Young Lions Fiction Award and twice been shortlisted for the Dylan Thomas Prize, and was named one of Granta's Best of Young American Novelists.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.
Madeleine Thien is the author of four books, including Do Not Say We Have Nothing, which was shortlisted for the Booker Prize. Her work has appeared in The New Yorker, Granta, The New York Review of Books, and elsewhere. She lives in Montreal. Her new novel is The Book of Records. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kate Folk is the author of the debut novel Sky Daddy, available from Random House. Folk is also the author of the debut short story collection Out There. Her work has appeared in The New Yorker, The New York Times, Granta, McSweeney's Quarterly Concern, and Zyzzyva. A former Stegner Fellow at Stanford University, she's also received support from the Headlands Center for the Arts, MacDowell, and Willapa Bay AiR. She lives in San Francisco. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
J. Robert Lennon is the author of the novel Buzz Kill, available from Mulholland Books. It is the official May pick of the Otherppl Book Club. Lennon is the author of two story collections, Pieces For The Left Hand and See You in Paradise, and eight novels, including Mailman, Castle, Familiar, Broken River, and most recently, Hard Girls. He holds an MFA from the University of Montana, and has published short fiction in The New Yorker, Harper's, Playboy, Granta, The Paris Review, Electric Literature, and elsewhere. He has been anthologized in Best American Short Stories, Best American Nonrequired Reading, and Prize Stories: The O. Henry Awards. His book reviews have appeared in The New York Times Book Review, The Guardian, and The London Review of Books, and he lives in Ithaca, New York, where he teaches writing at Cornell University. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices