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Vol. 16 of Story Time, featuring an author reading aloud from her work. In this episode, Deb Olin Unferth reads from her new novel, Earth 7, now available from Graywolf Press. Deb is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes, and was a National Book Critics Circle Award finalist. Her work has appeared in Granta, Harper's, McSweeney's, and The Paris Review. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jess Row is the author of the novels The New Earth and Your Face in Mine as well as a collection of essays, White Flights: Race, Fiction, and the American Imagination. His short story collections include The Train to Lo Wu, Nobody Ever Gets Lost and the newly published Storyknife. His fiction has appeared in The New Yorker, The Atlantic, Tin House, Conjunctions, Ploughshares, Granta, n+1, and elsewhere, has been anthologized three times in The Best American Short Stories, and has won two Pushcart Prizes and a PEN/O. Henry Award. He has received a Guggenheim fellowship, an NEA fellowship in fiction among other honors. He directs the undergraduate creative writing program in the Department of English at NYU and is an ordained senior dharma teacher in the Kwam Um School of Zen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Deb Olin Unferth is the author of the novel Earth 7, available from Graywolf Press. Unferth is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes, and was a National Book Critics Circle Award finalist. Her work has appeared in Granta, Harper's, McSweeney's, and The Paris Review. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit www.rula.com/otherppl to get started. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today on the program, a trip into the archive and a return to Episode 761, my conversation with Cara Blue Adams, author of the debut story collection You Never Get It Back (University of Iowa Press). Air date: March 2, 2022. Adams's fiction appears in Granta, the Kenyon Review, American Short Fiction, EPOCH, and Narrative. She is an assistant professor of creative writing at Seton Hall University and lives in Brooklyn, New York. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit www.rula.com/otherppl to get started. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Dimitry Elias Léger is the author of God Loves Haiti, a finalist for the PEN Open Book Award. His writing has appeared in The New York Times, Time, Fortune, Granta, The Miami Herald, Literary Hub, The Millions, and The Source. Beyond his writing, Léger studied geopolitics at Harvard's Kennedy School of Government and served as an advisor to the United Nations for a decade. He lives between Brooklyn, Geneva, and Martinique. Death of the Soccer God is his most recent release. The Ishiguro article mentioned!
Cal Flyn is an award-winning writer from the Highlands of Scotland. She writes creative nonfiction, literary criticism, and long-form journalism. Cal's journalistic writing has been published in Granta, National Geographic, The Wall Street Journal, The Sunday Times, The Economist, and others. On this episode of Nature Revisited, Flyn poses the question "What is Wilderness"? For thousands of years, people have sought out uncontrolled, unknown, or uncharted nature in search of religious epiphany, self-actualization, and an escape from modern life. But having traversed the most forbidding, untamed and inhospitable wild lands—the supposedly uninhabited wilds of the world—she found that such truly untouched lands don't exist: Nearly every wilderness has been or is actively inhabited by humans. By viewing the notion of wilderness as a human construct, Flyn reveals how much we can still discover in wilderness, both as an idea and a vital part of the living world. www.calflyn.com/ www.penguinrandomhouse.com/books/761751/the-savage-landscape-by-cal-flyn/ Listen to Nature Revisited on your favorite podcast apps, on YouTube, or at https://noordenproductions.com Subscribe on Spotify: https://tinyurl.com/bdz4s9d7 Subscribe on Apple Podcasts: https://tinyurl.com/5n7yx28t Subscribe on Youtube Podcasts: https://tinyurl.com/bddd55v9 Podlink: https://pod.link/1456657951 Support Nature Revisited https://noordenproductions.com/support Nature Revisited is produced by Stefan van Norden and Charles Geoghegan. We welcome your comments, questions and suggestions - contact us at https://noordenproductions.com/contact
Claire Vaye Watkins was born in Bishop, California and raised in the Mojave Desert on the Amargosa River. A graduate of the University of Nevada Reno, she earned her MFA from the Ohio State University in 2010. Claire is the author of three novels—Gold Fame Citrus, I Love You but I've Chosen Darkness, and Yellow Pine—and the short story collection Battleborn. She has received the Story Prize, the Dylan Thomas Prize, the New York Public Library's Young Lions Fiction Award, the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, the Silver Pen Award from the Nevada Writers Hall of Fame, as well as fellowships from the Lannan Foundation and the Guggenheim Foundation. Her fiction and essays have appeared in Alta, One Story, The Believer, The Paris Review, Tin House, McSweeny's, BOMB, The New Republic,Either/Or, Freeman's, New York Magazine, The Nevada Independent, The New York Times and elsewhere. She is was included in Granta's “Best Young American Novelists” and the National Book Foundation's “5 Under 35.” Claire is on the board of the Amargosa Conservancy and a professor in the Programs in Writing at the University of California, Irvine. She lives in Orange County and the Mojave Desert. Claire joins Barbara DeMarco-Barrett to talk about voice, perfectionism, weaving in backstory, plotting, writing climate fiction, maintaining stamina, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guests, as well as our personal favorites. And on Spotify, you'll find an album's worth of Travis Barrett's typewriter music like what you hear on the show. There's no lyrics, making It perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded on June 12, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
Jess Row is the author of the novel Your Face in Mine, the essay collection White Flights: Race, Fiction, and the American Imagination, and two collections of short stories, The Train to Lo Wu and Nobody Ever Gets Lost. His fiction has appeared in The New Yorker, The Atlantic, Tin House, Conjunctions, Ploughshares, Granta, n+1, and elsewhere, has been anthologized three times in The Best American Short Stories, and has won two Pushcart Prizes and a PEN/O. Henry Award. He has received a Guggenheim fellowship, an NEA fellowship in fiction, a Whiting Writers Award, and a Whiting Creative Nonfiction Grant. In 2007, he was named a “Best Young American Novelist” by Granta. His nonfiction and criticism appear often in The New Yorker, The New Republic, The New York Times Book Review, Bookforum, Threepenny Review, and Boston Review, among other venues. He directs the undergraduate creative writing program in the Department of English at NYU and lives in New York City and Plainfield, Vermont. His latest is the shortstory collection titled, Storyknife. Learn more at jessrow.com Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.
Send us Fan MailCor what a scorcher! Time to bask in the company of Will Harris. You will delight in his fresh and distinct style, with cuttlefish-fast leaps of metaphor and imagery as we explore his two Granta volumes, RENDANG published in 2020 and Brother Poem (2023). His multileveled work finds inspiration in Jakarta and London, the contemporary experience of a dual heritage, and by looking sideways at an imagined brother. Expect the usual poetic bants from Robin and Peter as we check into Hotel Petroleum (Broken Sleep Books) by Mark Fiddes. Enjoy the subtleties of Intimate Architecture (Blue Diode) by Tess Jolly, and explore the Cuckmere Pilgrim Path with Judith Shaw's pamphlet, The Land Called Me Back. Plus we enjoy Martha Sprackland's fine translation for Penguin: Dark Night, by John of the Cross.Support the showPlanet Poetry is a labour of love!If you enjoy the podcast, please show your support and Buy us a Coffee!
Claire Vaye Watkins was born in Bishop, California and raised in the Mojave Desert on the Amargosa River. A graduate of the University of Nevada Reno, she earned her MFA from the Ohio State University in 2010. Claire is the author of three novels—Gold Fame Citrus, I Love You but I've Chosen Darkness, and Yellow Pine—and the short story collection Battleborn. She has received the Story Prize, the Dylan Thomas Prize, the New York Public Library's Young Lions Fiction Award, the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, the Silver Pen Award from the Nevada Writers Hall of Fame, as well as fellowships from the Lannan Foundation and the Guggenheim Foundation. Her fiction and essays have appeared in Alta, One Story, The Believer, The Paris Review, Tin House, McSweeny's, BOMB, The New Republic, Either/Or, Freeman's, New York Magazine, The Nevada Independent, The New York Times and elsewhere. She was included in Granta's “Best Young American Novelists” and the National Book Foundation's “5 Under 35.” Claire is on the board of the Amargosa Conservancy and a professor in the Programs in Writing at the University of California, Irvine. She lives in Orange County and the Mojave Desert.
I had the good fortune to be joined on this episode by the redoubtable Sheila Heti, award-winning novelist, avant-garde memoirist, incisive essayist, and all-around Canadian woman of letters. I asked Sheila to come on the show after I read “Good Medicine,” her recent essay in Granta, which is the report of her experience taking a series of guided psychedelic trips. It is also, though she didn't set out with this in mind, a kind of midlife crisis essay, reflecting on where she's been, where she's going, what's left for her, and so on.One thing that really struck me about the essay is that it really is, in the most basic way, a report on her experience. It's here's what she did, here's what she felt, here's who she met, here's what came up psychologically during her trips, here's what she felt like in its aftermath. And when a piece of writing feels so plain but so effortlessly holds your interest and propels you through the length of it, you know, if you're somebody who's tried your hand at writing yourself, that you're in the hands of someone who has an exquisite command of language, and also that it's who doesn't need to prove it to you with every sentence she writes or every essay or story or novel. So I just appreciated that. I appreciated the craft of it. It also just vibed for me because a lot of the issues that she ends up confronting during the course of her trips are ones that I face, too. We also had some great conversation about other topics of interest to both of us, including clothing and fashion, class, money, success, and our mutual affection for the late, great essayist and critic Dave Hickey, who was a benevolent, generous, cantankerous spirit in both of our lives. So I really enjoyed this conversation, which was the official first episode of the second phase of an anticipated eight-phase journey of this podcast. As of this episode, Eminent Americans is produced in collaboration with the John C. Danforth Center on Religion and Politics at Washington University in St. Louis, and is distributed through its publication, Arc Magazine . You can find all of Arc's podcasts and much more online at arcmag.org. This won't change much about what I'm doing here. You'll now get some dulcet-toned promos for Arc and its flagship podcast. The occasional guest on my podcast will be someone who's written something recently for the magazine, or otherwise has something interesting or compelling to say about a topic the magazine has covered. Otherwise, though, we'll keep on keeping on Eminent Americans style. Peace. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit danieloppenheimer.substack.com/subscribe
For many, parasites elicit feelings of disgust or fear, but today's guest has developed an affection for these small and mighty creatures. Award winning entomologist and evolutionary biologist Dino Martins joins host Patty Peltekos to discuss his new book, Hidden Creatures: Luscious Leeches, Bashful Botflies, and the Wondrous, History-Shaping World of Parasites. Martins grew up in rural Kenya where he was surrounded by animal and insect life and cultivated a fascination with mango worms and bot flies. He says we humans are just one of the organisms on this planet and that there's plenty to learn from parasites because they hold the fabric of life together. They're present in all areas of the cycle of life, even in our microbiome. He says, “One must truly love and seek to understand all of nature or, alas, you will come to love or understand none of it.” They discuss the rise of ticks in Wisconsin and around the world, and how these vectors of disease pose serious health problems. Martins says that ticks are resilient and adaptive and they're simply taking advantage of growth opportunities that humans have created for them through habitat disruptions, loss of biodiversity, and climate change. Invertebrates and insects are in decline all over the world, but parasites are on the rise due to human interference in natural systems. Martins has a fascination with the minimalist but deeply feeling tapeworm, and describes how some parasites manipulate their hosts and how others are mutualists. Storytelling and art go hand in hand with Martin's scientific work. He drew the art in Hidden Creatures and asks his students to draw insects when he takes them into the field. Dino Martins is an award-winning entomologist and evolutionary biologist. A professor at Stony Brook University, he has served as the director of the Turkana Basin Institute in Kenya, founded by Dr. Richard Leakey, and previously as the director of the Mpala Research Centre. He holds a PhD in organismic and evolutionary biology from Harvard University. His research and writing have been featured in Smithsonian Magazine, The Guardian, TED, the BBC, Granta, and National Geographic. He lives on Long Island and in Malindi, Kenya. Featured image of the cover of Hidden Creatures: Luscious Leeches, Bashful Botflies, and the Wondrous, History-Shaping World of Parasites. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Parasites Hold the Fabric of Life Together appeared first on WORT-FM 89.9.
Today on the program, a trip into the archive and a return to Episode 491, my conversation with Carmen Maria Machado, author of the award-winning debut story collection Her Body and Other Parties. Air date: November 8, 2017. Carmen is also the author of the bestselling memoir In the Dream House and the graphic novel The Low, Low Woods. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."Her essays, fiction, poetry, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, Harper's Bazaar, Tin House, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers' Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, The Pew Center for Arts & Heritage, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the former Abrams Artist-in-Residence at the University of Pennsylvania. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of The Writing Life Podcast, debut novelist Jem Calder shares insights into developing the complex central relationship in his novel, I Want You to Be Happy – a sharp-eyed tale of two people searching for meaning and connection in modern times, missing the mark maybe, but trying. Jem Calder was born in Cambridge, and lives and works in London. His fiction has been published in The Stinging Fly and Granta, and his debut short story collection, Reward System, was published by Faber in 2022. I Want You to Be Happy is his debut novel. He sat down with NCW's Lucy May to discuss his approach to crafting the novel's relationship, from shaping two distinct characters to exploring the dynamic that unfolds between them. Their conversation also covers writing with the reader in mind, the appeal of writing about writers, and his advice for creating convincing relationships in fiction.
Bestselling authors William Bernhardt (The Superman Wars) and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview WriterCon keynote speaker William Martin, the New York Times-bestselling author of twelve novels, a PBS documentary, book reviews, magazine articles, and a cult-classic horror movie. His most recent book is December '41, which Steve Berry (who has also keynoted at WriterCon), called “Another masterpiece from a master, and that's exactly what William Martin is.”0:00 Opening ThoughtsUpdates on the Commonwealth Prize controversy—and WriterCon '26!5:11 News1) Self-Published Book Sells Over 2.5 Million Copies!2) AI Stories Favor Elias Thorne and Lighthouses16:53 Craft CornerChristina Kaye discusses how to treat your books like a business, not a hobby20:17 Interview with William Martin49:46 Parting WordsBill's book The Superman Wars is about a writer, just like you, and the struggles he suffered are still with us today. Jerry Siegel, the kid who came up with the idea for Superman, was the first American writer to sue his publishers, and many other writers now benefit from what became the most important creator-rights battle of modern times.WriterCon is September 4-7, in Oklahoma City at the historic and haunted Skirvin Hilton. Lara and I will be there, plus Jesse, plus William Martin, plus about sixty other writers, agents, publishers, and people connected to the publishing industry. You can review the schedule on our website, www.writercon.com.If you haven't joined the WriterCon Facebook Group yet, do it today and join this wonderful community of writers. Click here!Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardt www.williambernhardt.com www.writercon.com
In this debut story collection Patchwork Dolls (Blair, 2026), Ysabelle Cheung weaves an eerie fabulism with tales that cross continents, technology, and time. Set in Hong Kong and America--between the present day and an uncannily altered future--this story collection warps the familiar rules of our world to ask: what does it mean to be Asian and a woman--living under the specter of state and technological surveillance--or trying to break free from it? In the title story, a young woman of color realizes she can make her fortune by surgically selling her facial features to whiter, wealthier clients. In "Please, Get Out and Dance," a group of rebels escapes a city that is literally disappearing around them--building by building, person by person--to migrate to a new home beneath the ocean, defying their government's mandate. "Herbs" follows an elderly widow who, when the clones of her dead husband start to appear uninvited in her home, must grapple with her memories. In each of these stories, Cheung tilts the world just slightly off its axis to bring together a haunting meditation on what it means to survive within our increasingly digitized and mechanized world. Ysabelle Cheung is a writer and art critic based in Hong Kong. Her Fiction has appeared in Granta, Slate, and The Rumpus. She was awarded the 2023 Aspen Words Fellowship and was in residence at the Jan Michalski Foundation in 2024. Her essays and criticism have appeared in The Atlantic, Artforum, and Lit Hub. She is the co-founder of a contemporary art gallery in Hong Kong called the PhD Group. Recommended Books: Merlin Sheldrake, Entangled Life Sayumi Kamakura, Applause for a Cloud Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this debut story collection Patchwork Dolls (Blair, 2026), Ysabelle Cheung weaves an eerie fabulism with tales that cross continents, technology, and time. Set in Hong Kong and America--between the present day and an uncannily altered future--this story collection warps the familiar rules of our world to ask: what does it mean to be Asian and a woman--living under the specter of state and technological surveillance--or trying to break free from it? In the title story, a young woman of color realizes she can make her fortune by surgically selling her facial features to whiter, wealthier clients. In "Please, Get Out and Dance," a group of rebels escapes a city that is literally disappearing around them--building by building, person by person--to migrate to a new home beneath the ocean, defying their government's mandate. "Herbs" follows an elderly widow who, when the clones of her dead husband start to appear uninvited in her home, must grapple with her memories. In each of these stories, Cheung tilts the world just slightly off its axis to bring together a haunting meditation on what it means to survive within our increasingly digitized and mechanized world. Ysabelle Cheung is a writer and art critic based in Hong Kong. Her Fiction has appeared in Granta, Slate, and The Rumpus. She was awarded the 2023 Aspen Words Fellowship and was in residence at the Jan Michalski Foundation in 2024. Her essays and criticism have appeared in The Atlantic, Artforum, and Lit Hub. She is the co-founder of a contemporary art gallery in Hong Kong called the PhD Group. Recommended Books: Merlin Sheldrake, Entangled Life Sayumi Kamakura, Applause for a Cloud Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this debut story collection Patchwork Dolls (Blair, 2026), Ysabelle Cheung weaves an eerie fabulism with tales that cross continents, technology, and time. Set in Hong Kong and America--between the present day and an uncannily altered future--this story collection warps the familiar rules of our world to ask: what does it mean to be Asian and a woman--living under the specter of state and technological surveillance--or trying to break free from it? In the title story, a young woman of color realizes she can make her fortune by surgically selling her facial features to whiter, wealthier clients. In "Please, Get Out and Dance," a group of rebels escapes a city that is literally disappearing around them--building by building, person by person--to migrate to a new home beneath the ocean, defying their government's mandate. "Herbs" follows an elderly widow who, when the clones of her dead husband start to appear uninvited in her home, must grapple with her memories. In each of these stories, Cheung tilts the world just slightly off its axis to bring together a haunting meditation on what it means to survive within our increasingly digitized and mechanized world. Ysabelle Cheung is a writer and art critic based in Hong Kong. Her Fiction has appeared in Granta, Slate, and The Rumpus. She was awarded the 2023 Aspen Words Fellowship and was in residence at the Jan Michalski Foundation in 2024. Her essays and criticism have appeared in The Atlantic, Artforum, and Lit Hub. She is the co-founder of a contemporary art gallery in Hong Kong called the PhD Group. Recommended Books: Merlin Sheldrake, Entangled Life Sayumi Kamakura, Applause for a Cloud Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
In this episode of The Archive Project, we feature a discussion on late writer Ursula K. Le Guin's legacy of pacifism and environmentalism. Our moderator is Theo Downes-Le Guin, Ursula's son and literary executor. Theo is in conversation with Oregon-based writers Juhea Kim, author of the novel Beasts of a Little Land, a finalist for the 2022 Dayton Literary Peace Prize, and Michelle Ruiz Keil, author most recently of the young adult novel Summer in the City of Roses, which was a finalist for the inaugural Ursula K. Le Guin Prize for Fiction. In her speech at the 2014 National Book Awards, accepting the Medal for Distinguished Contribution to American Letters, Ursula said: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.” Juhea Kim and Michelle Ruiz Keil are two of those voices that we need now. In this conversation, Juhea and Michelle discuss how they came—and returned—to Le Guin's work, her influence on their writing, and how they are carrying her legacy forward, including the responsibility of the artist as a humanitarian. This conversation was recorded in front of a live audience at Literary Arts on July 15, 2022. “It is good to have an end to journey toward; but it is the journey that matters, in the end.” ― Ursula K. Le Guin Ursula K. Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children's books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA's Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America. Michelle Ruiz Keil is an author, playwright, and tarot reader with an eye for the enchanted and way with animals. She is the author of the critically acclaimed young adult novels All of Us With Wings and Summer In The City of Roses. Her writing for adults can be found most recently in Bitch, Cosmonauts Avenue, and the anthology Dispatches From Anarres: Tales in Tribute to Ursula K. Le Guin. She is a 2021 Tin House Scholar and the recipient of residencies from Hedgebrook, The Sitka Center for Art and Ecology, and the Bloedel Reserve. Born in San Francisco, Michelle has lived in Portland, Oregon for many years where she curates the fairytale reading series All Kinds of Fur and lives with her family in a cottage where the forest meets the city. Juhea Kim is a writer, artist, and advocate based in Portland, Oregon. Her bestselling debut novel Beasts of a Little Land was named a finalist for the 2022 Dayton Literary Peace Prize and a Best Book of 2021 by Harper’s Bazaar, Real Simple, Ms., and Portland Monthly. Her writing has been published in Granta, Slice, The Massachusetts Review, Zyzzyva, Guernica, Catapult, Times Literary Supplement, The Independent, Sierra Magazine, and elsewhere. She is the founder and editor ofPeaceful Dumpling, an online magazine at the intersection of sustainable lifestyle and ecological literature. She has received fellowship support from the Bread Loaf Environmental Writers' Conference, the Regional Arts & Culture Council, and Virginia G. Piper Center for Creative Writing at Arizona State University. She earned her BA in Art and Archaeology from Princeton University.
Paulina Flores nació en Santiago de Chile y llegó hace 5 años a Barcelona como parte del Máster de Escritura creativa, primero como estudiante y ahora como docente. Su vida en la literatura empezó con el cuento, que define como un género económico en términos de técnica, dinero y tiempo. Una de sus lecturas es Chejov. Su reflexión profunda sobre los problemas que ha generado un capitalismo desbordado y gobiernos que pasan por los derechos de los ciudadanos, así como un consumo excesivo se ven en sus tres libros y en los temas que aborda. Sus libros son: en relatos Qué vergüenza (Hueders, 2015), sus novelas Isla Decepción (Seix Barral, 2021) y La próxima vez que te vea, te mato (Anagrama, 2025). Ha ganado premios como el Premio Roberto Bolaño, Premio Bauer Giovanni Venecia y el Premio LINC al mejor libro de ficción. En 2021 fue seleccionada por Granta como una de las 25 mejores narradoras en español para escritores menores de 35 años.
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Guest BioDimitry Elias Léger is an award-nominated novelist whose work blends global storytelling with deeply human themes of identity, resilience, and belonging. A finalist for the PEN Open Book Award, his writing has appeared in leading publications including The New York Times, Time, Fortune, Granta, The Miami Herald, Literary Hub, and The Millions.Before focusing on fiction, Léger built a career in international affairs, studying geopolitics at Harvard's Kennedy School of Government and spending a decade advising the United Nations. His work took him across regions facing political instability, humanitarian crises, and cultural transformation—experiences that now inform the emotional depth and global perspective of his novels.Drawing inspiration from his Haitian roots and a life lived across continents, Léger splits his time between Brooklyn, Geneva, and Martinique. His books, including God Loves Haiti and Death of the Soccer God, explore the intersection of personal stories and historical forces, often set against vivid international backdrops.Show SummaryIn this episode of the Big World Made Small Adventure Travel Podcast, host Jason Elkins speaks with Dimitry about his journey from global humanitarian work to becoming an internationally recognized novelist. Dimitry shares how his early experiences—growing up between cultures and later working with the United Nations—shaped his worldview and ultimately influenced the stories he felt compelled to tell.The conversation dives into the origins of his first novel, inspired by his time in Haiti following the devastating 2010 earthquake. Rather than focusing solely on tragedy, Dimitry chose to explore the unexpected presence of love, humor, and human connection in the aftermath of disaster. That same lens carries into his latest work, Death of the Soccer God, a story rooted in migration, identity, and the global journey of a Haitian athlete navigating life between countries and cultures.Along the way, Dimitry reflects on the creative process, the realities of life as a writer, and the personal sacrifices that often come with pursuing meaningful work. The episode also explores how travel, displacement, and distance from home can sharpen one's sense of identity—and why some of the most powerful stories emerge when we are far outside our comfort zones. Big World Made Small guest features are invitation-only and selected based on story, experience, and fit with the show. Some guests support the show through paid production features, cross-promotion, referrals, or other partnerships. This helps keep the show free of third-party ads and interruptions while keeping the focus on real, story-driven conversations.Learn more about the Big World Made Small Podcast and join our private community to get episode updates, special access to our guests, and exclusive adventure travel offers on our website.
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Ik pa laikam dzirdam par kādas retas putnu sugas novērojumu – ar unikālu foto vai video dalās ļaudis gan sociālajos medijos, gan pētnieki zinātniskos apskatos, taču tā laime pašam savām acīm ieraudzīt retu putnu sugu tik tiešām nav katram no mums. Kā tos pamanīt, atpazīt un cik tad mums tādu retu sugu ir? Raidījumā Zināmais nezināmajā skaidro Vidzemes augstskolas profesors, Latvijas Ornitoloģijas biedrības biedrs Andris Klepers un Latvijas Ornitoloģijas biedrības pārstāvis, putnu vērotājs Mareks Kilups. Reizēm putns var nonākt konfliktā ar cilvēku Lai arī cilvēks un putni līdzās pastāv mierīgi jau daudzus tūkstošus gadu, ik pa laikam dzirdam, ka putni ligzdošanas sezonā mēdz uzbrukt garāmgājējiem. Šim stāstam ir arī vēl skarbāka nodaļa par gadījumiem, kad putni medī cilvēkus. Par putniem-medniekiem un uzbrucējiem stāsta ornitologs, Latvijas Ornitoloģijas biedrības priekšsēdētājs Viesturs Ķerus. "..milzīgais putns parādījās atkal, gausi celdamies augšup ar kādu smagu nastu. Atskanēja šaušalīgs kliedziens. Kondora nagos šūpojās nedzīvs ķermenis – Roberta Granta ķermenis. Putns bija satvēris zēnu aiz drēbēm un tagad balansēja gaisā vismaz simt piecdesmit pēdas virs nometnes." Tā Žils Verns savā romānā "Kapteiņa Granta bērni" apraksta gadījumu, kad milzīgais Andu kondors nolaupa novārgušo zēnu, domādams, ka Roberts ir jau miris. Arī reālajā dzīvē var notikt šādi atgadījumi, kad putni uzbrūk cilvēkiem, vai nu barības meklējumos, vai aizsargājot savu teritoriju un mazuļus. Pirms vairāk nekā 15 gadiem Sarkandaugavas apkaimē no gulbja uzbrukumiem gāja bojā vīrietis, jo viņš glāba savu sievu, kura bija piepeldējusi pārāk tuvu gulbja ligzdai. Kad un no kādiem putniem ir jāuzmanās, lai nekļūtu par lidoņu upuri, un kādu motīvu vadīti putni var uzbrukt cilvēkiem, to skaidro ornitologs Viesturs Ķerus. Jāpiebilst, ka gadījumi, kad putni dzen prom cilvēkus, ir reti, lielākoties cilvēki ir tie, kas traucē putniem
Priznana literarna revija Granta je pred meseci v Veliki Britaniji objavila nagrajeno zgodbo, ki je bila napisana z umetno inteligenco. V Združenih državah pa odmeva primer velike založbe, ki je tik pred izidom ustavila izdajo romana, in to po pritisku bralcev in novinarjev, da avtorica knjige ni napisala sama, ampak ob pomoči umetne inteligence. Zakaj strokovna javnost, ki podeljuje nagrade, ne loči med strojem in človekom? Kako se na pojav umetne inteligence v literaturi in založništvu odzivajo domače založbe in kako bralci sprejemamo spremenjena pravila igre?Aljoša Harlamov je bralec, pisec in urednik. Letos je izdal kriminalko Dohtar in povodni mož, ki jo je v celoti napisal sam. Zapiski: Odbit Discord Oglasite se lahko na odbita@rtvslo.si Poglavja: 00:02:41 Nagrajena kratka zgodba, ki jo je napisala umetna inteligenca 00:05:29 Razmere v založniški industriji in vpliv tehnologije 00:09:49 Kako UI vpliva na slog pisanja in moralna panika 00:15:19 Primer umaknjene knjige Shy Girl 00:22:16 Kako slovenska literarna stroka sprejema umetno inteligenco 00:25:34 Primer Super!založbe in normalizacija tehnologije 00:31:00 Raziskovanje z UI vs. človeška izkušnja (Primer Olge Tokarczuk)
Misha Glenny and guests discuss one of the great writers on Central Europe after the first world war and on the dying of the old orders with the collapse of the Austro-Hungarian empire. As a German speaking Jew from Brody in the north-eastern edge of that Empire, which was then in Galicia, next in Poland and is now in Ukraine, Roth (1894 - 1939) was to spend his short life moving first to Lviv then to Vienna and finally to Paris via Berlin without ever finding a settled home. Roth explored the loss of homeland and anticipated the dangers of the new nationalism through his journalism and in his novels including Radetzky March, Job, Rebellion and Flight Without End, and his books were among the first the Nazis burned.With Helen Chambers Emeritus Professor of German at the University of St AndrewsDeborah Holmes Associate Professor of Modern German Literature at the University of SalzburgAnd Jon Hughes Reader in German and Cultural Studies at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:Jon Hughes, Facing Modernity: Fragmentation, Culture and Identity in Joseph Roth's Writing in the 1920s (MHRA, 2006) Heinz Lunzer and Victoria Lunzer-Talos, Joseph Roth: Leben und Werk in Bildern (Kiepenheuer & Witsch, 1994)Keiron Pim, Endless Flight: The Life of Joseph Roth (Granta, 2022)Joseph Roth (trans. Deborah Holmes, ed. Helen Constantine), Vienna Tales (Oxford University Press, 2014)Joseph Roth (trans. and ed. Michael Hofmann), A Life in Letters (Granta, 2012)Joseph Roth (trans. Michael Hofmann), Collected Shorter Fiction (Granta, 2001)Joseph Roth (trans. Michael Hofmann), Rebellion (Granta, 2000)Joseph Roth (trans. Michael Hofmann), The Radetzky March (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Legend of the Holy Drinker (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Wandering Jews (Granta, 2001)Joseph Roth (trans. Michael Hofmann), What I Saw: Reports from Berlin 1920-1933 (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Hotel Years: Wanderings in Europe Between the Wars (Granta, 2015)Joseph Roth (trans. Michael Hofmann), Reports from a Parisian Paradise: Essays from France 1925-1939 (Granta, 2004)Joseph Roth (trans. Michael Hofmann), The Emperor's Tomb (Granta, 2013)Joseph Roth (trans. Michael Hofmann), The String of Pearls (Granta, 1999)Joseph Roth (trans. Michael Hofmann), The White Cities: Reports From France 1925-1939 (Granta, 2013)Joseph Roth (trans. David Le Vay), Weights and Measures (Pushkin Press, 2024)Joseph Roth (trans. Daved Le Vay and Beatrice Musgrave), Flight Without End (Pushkin Press, 2024)Joseph Roth (trans. Ruth Martin), The Coral Merchant: Essential Stories (Pushkin Press, 2020)Joseph Roth (trans Will Stone), On the End of the World (Pushkin Press, 2019)Joseph Roth (trans. Dorothy Thompson), Job: The Story of a Simple Man (Granta, 2022)Wilhelm Von Sternburg, Joseph Roth: Eine Biographie (Kiepenheuer & Witsch, 2009)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
In this episode, we feature an event with Colm Tóibín in conversation with Garth Risk Hallberg, held at the Montclair Literary Festival for the launch of Toibin's latest book, The News from Dublin.Colm Tóibín is the author of eleven novels, including Long Island, an Oprah's Book Club Pick; The Magician, winner of the Rathbones Folio Prize; The Master, winner of the Los Angeles Times Book Prize; Brooklyn, winner of the Costa Book Award; and Nora Webster, winner of the Hawthornden Prize, as well as three story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and was named the 2022–2024 Laureate for Irish Fiction by the Arts Council of Ireland. In 2021, he was awarded the David Cohen Prize for Literature.Garth Risk Hallberg's first novel, City on Fire, was a New York Times and international bestseller and was selected as one of the best books of 2015 by The Washington Post, Los Angeles Times, San Francisco Chronicle, The Wall Street Journal, NPR, and Vogue. It was the basis for the Apple TV+ series of the same name. His second novel, The Second Coming, about a troubled teen whose father is a recovering addict, was released in 2024 and is in paperback now. He is also the author of the novella A Field Guide to the North American Family. In 2017, Granta named him one of the Best of Young American Novelists. His work has been translated into seventeen languages.Resources:Seamus Heaney 1995 Nobel Prize Speech ( Poetry in Conflict quote)Thomas Mann's Brother Hitler EssayBooks:A full list of the books and authors mentioned in this episode is available here.Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell.Original music is composed and performed by Violet Mujica. Research and show notes by Caroline Shurtleff.Thanks to all the staff at Watchung Booksellers and The Kids' Room!If you liked our episode please like, follow, and share!Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
Taiye Selasi reads her story “Firstborn Immigrant Daughter,” from the July 8, 2026, issue of the magazine. Selasi is an author and photographer. Her début novel, “Ghana Must Go,” a New York Times best-seller, was published in 2013, the year she was named one of the best young British novelists by Granta. Learn about your ad choices: dovetail.prx.org/ad-choices
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
Taiye Selasi reads her story “Firstborn Immigrant Daughter,” from the July 8, 2026, issue of the magazine. Selasi is an author and photographer. Her début novel, “Ghana Must Go,” a New York Times best-seller, was published in 2013, the year she was named one of the best young British novelists by Granta. Learn about your ad choices: dovetail.prx.org/ad-choices
Award-winning novelist Missouri Williams on writing strange and ambitious fiction, treating doubt as a generative force, and why idleness is essential to creative work. We discuss How a destabilising illness and a new language can reshape a writer's whole relationship to words. Why style isn't something you construct so much as a way of seeing you're partly stuck with. The case for drafting without thinking about the end result and keeping the stakes low. What an image you can't stop returning to can reveal about the book you need to write. When idleness and empty, unproductive time become the most essential part of the work. How doubt can function as a generative engine rather than a block. A method for layering instability into a narrator who sounds completely in control. What a chorus can do on the page that a single narrator can't. Why being placed outside your depth, where everything has to be relearned, can sharpen a writer. The difference between doubting your work and doubting your right to do it at all. Resources & Links
We've invited friend of the show Cory Doctorow back to discuss the matryoshka doll of Elon Musk's corporate money-losing endeavours. We also had a chance to discuss that short story in Granta. You know, the one. Check out Cory's work (and upcoming books!) here! Get the whole episode on Patreon here! RILEY ALERT Check out No Gods, No Mayors here! HUSSEIN ALERT Check out 10k Posts here! MILO ALERT Check out Milo's tour dates here: https://www.miloedwards.co.uk/liveshows NATE ALERT Lions Led By Donkeys will be performing live in London on 29th May and you can get tickets here! Also, Nate's band Second Homes has just released their debut album, which includes the song used in this episode's outro, and you can stream it for free here! Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and November (@postoctobrist)
In this episode of the Granta podcast, we are joined by Olga Ravn, author of The Employees, My Work and, most recently, The Wax Child. We discuss Tove Ditlevsen, technology, the difference between consciousness and intelligence, as well as her short story 'The High Priestess', which appeared in Granta 175: Scandinavia.Thomas Meaney is the editor of Granta.
Hello!Today we're talking about the controversy over at Granta, who published a story from the winner of the Commonwealth Prize that appears, at least right now, to be written by AI. We talk about why this is kinda funny but also obviously distressing and whether writers should be experimenting with AI. We also talk about Thomas Massie's election loss last night and the new crop of short form video that's been coming out of the Washington Post and why it's probably worse than AI slop. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit goodbye.substack.com/subscribe
Lisa Wells is a poet, essayist, and documentarian. She is the author, most recently, of The Fire Passage, selected by Diane Seuss as the winner of the Levis Poetry Prize (Four Way Books, 2025). Her debut poetry collection, The Fix, won the Iowa Poetry Prize. She is also the author of Believers: Making a Life at the End of the World, (Farrar, Straus & Giroux), a finalist for the 2022 PEN E.O. Wilson Literary Science Writing Award. Her work has been published in Granta, The Believer, N+1, The New York Times, Harper's Magazine, and in The Best American Science and Nature Writing and The Best American Food and Travel Writing. She has taught for The University of Iowa, The University of Arizona, Portland State University, Yale-NUS and currently serves as co-editor of the Kuhl House Poets Series at the University of Iowa Press. Find more here: https://www.lisawellswriter.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write an after poem to one of the Rattle Poetry Prize finalist poems. Make sure not to take the magic from the source poem. Instead, create your own transformation! Next Week's Prompt: Write a poem that's all about taste! Include a scent, but not the word “delicious.” The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.
Thank you to Feedspot.com for making Emotional Detox was voted as one of the top 30 Best Podcasts for detoxing! Today on Emotional Detox, author Anne Tashi Slater about her latest book, Traveling in Bardo: The Art of Living in an Impermanent World. Anne is a brilliant writer and speaker. Her work has been published by The New Yorker, The Paris Review, Tin House, AGNI, Catapult, Granta, and the HuffPost, among others. Listen in as she shares teachings and insights about the art of acceptance. Don't forget to subscribe to the show! Purchase her book: Traveling in Bardo: The Art of Living in an Impermanent World Purchase: The Emotional Detox 50 Card Deck
On tending to our interdependence, living life fully, and dying with attention and equanimity. 0:00 — Introduction 1:34 — Overview of Ann's Book "Traveling in Bardo" 3:55 — Personal Reflections on Grandmother's Funeral 7:20 — The Role of Practice in Embracing Impermanence 16:15 — Living with Attention and Interdependence 34:57 — Authenticity and True Nature 42:09 — Conclusion and Final Thoughts Ann Tashi Slater writes for The New Yorker, The New York Times, The Washington Post, The Paris Review, and Granta, among others, and is a contributing editor at Tricycle. She presents and teaches workshops at Princeton, Columbia, Oxford, Asia Society, and The American University of Paris, and was a regular speaker at NYC's Rubin Museum of Art during the museum's 20-year run. Ann's new book, Traveling in Bardo: The Art of Living in an Impermanent World was released by Balance/Hachette in September, 2025. TRAVELING IN BARDO explores how we can find meaning and happiness in a world where change is the only certainty. Interweaving explorations of "bardo" between-states in relation to marriage and friendship, parents and children, and work and creativity with stories of her Tibetan ancestors and Buddhist teachings on the fleeting nature of existence, Slater illuminates what the teachings have to tell us in our contemporary lives. She relays vital wisdom from Tibetan culture, giving us a bold, new framework to navigate moments of change and live life fully. With a foreword by Dani Shapiro, the book has been praised by Elizabeth Gilbert, Melissa Febos, Sharon Salzberg, and Julia Alvarez, among others, and has been selected as a "Must-Read" by the Next Big Idea Club, co-curated by Malcolm Gladwell. In the midst of this shifting landscape, Slater invites us to embrace impermanence in a powerful way, rooted in ancient wisdom. During over forty years of writing and speaking about her Tibetan-American heritage and the relevance of Buddhism in Western society, Slater has come to see how Tibetan bardo views on impermanence can transform the way we live. A luminous guide to navigating transition and impermanence, it offers us the opportunity to find happiness in an impermanent world.
In this episode of What Are You Reading? debut novelist Stephanie Sy-Quia shares what she's been reading and talks about her new book, A Private Man. Stephanie Sy-Quia was born in California in 1995 and is based in London. Her writing and criticism have been published in The Guardian, The White Review, The Boston Review, Granta, and elsewhere. Her debut poetry collection Amnion, published in the UK by Granta Poetry in 2021, received a Somerset Maugham Award and was a Poetry Book Society Winter Recommendation; was longlisted for the Rathbones Folio and RSL Ondaatje Prizes; and won the Forward Prize for Best First Collection. She is the recipient of an Eric Gregory Award and is a fourth-generation teacher.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.
You're listening to Burnt Toast! I'm Virginia Sole-Smith. Today my conversation is with Emma Copley Eisenberg.Emma is the author of the nationally bestselling novel Housemates and the story collection Fat Swim. Her essays, literary criticism and reporting have appeared in The New Republic, Granta, and Esquire among others, and she writes the Substack newsletter Frump Feelings. She lives in Philadelphia.Emma joined me to chat about her new short story collection Fat Swim, fat characters in fiction, what thin authors get wrong, why we're over Jonathan Franzen and so much more.And become a paid subscriber to get Indulgence Gospel — our new bonus segment, running after every episode!Corinne is going to hop on to debrief this interview with me. We're talking about fat kids in fiction, our Default Outfits and MORE! Paid subscribers all get commenting privileges and a full episode transcript. JOIN US HERE. Photo by Kenzi CrashBecome a paid subscriber here, and unlock even more Burnt Toast! Another great way to support Burnt Toast is to MAKE SURE you are following us for free in your podcast player! Can you take two seconds to follow us on Apple, Spotify, or wherever you listen?And if you have two more seconds, please leave us a rating and/or review! Just scroll down wherever you're listening and tap the stars, five of them please, and leave a little note about why you love Burnt Toast. Both of these things really help new listeners find conversations like these! EPISODE CREDITSCo-hosts: Virginia Sole-Smith and Corinne Fay. Producer: Kim Baldwin. Logo design: Deanna Lowe.Theme Song: Farideh.Video Editor: Elizabeth AyikuAudio Engineer: Tommy HarronFollow us on social! Virginia is on Instagram and Threads as @v_solesmith and on Bluesky at @virginiasolesmith. Corinne is on Instagram at @selfiefay, on Bluesky at @corinnefay and on Patreon at Big Undies.Support the Me Little Me Foundation, a virtual food pantry supporting multiply marginalized folks recovering from eating disorders.Thanks for listening and supporting anti-diet, body liberation journalism!
When it comes to talking about food, we often to choose to look at what people are eating rather than how. And it's this distinction that today's guest, Amber Husain, explores more fully in her new book, Tell Me How You Eat: Food, Power and the Will to Live. Amber is a writer based in South London, UK. In addition to Tell Me How You Eat, she has also written Meat Love and Replace Me. Her essays on politics, literature, and art have been published in Granta, The New York Times, Baffler, and more. She has a PhD from UCL in the history of art and mind-body medicine in the late 20th-century Britain. She teaches history of art, creative writing, and criticism. In today's conversation, Amber explores some of the ways that appetites can be re-examined, and challenge persistent tropes of eating that narrow down to individual choices. Using socialist and feminist lenses, she speaks to food movements and moments in history that have revealed reasons to eat and live, and the empowerment that comes from using food as a question rather than an answer. Resources: Book: Tell Me How You Eat: Food, Power and the Will to Live Amber's Website: https://amberhusain.com/ Instagram: @amberhusa1n
Why are some writers and publishers so excited to automate their work? Author Carmen Maria Machado joins Alex and Emily to unpack what writers are missing when they hand off their work to chatbots, and the underlying issues this reveals in the publishing industry. Plus, we resolve to keep fan fiction a human endeavor!Carmen Maria Machado is the author of the bestselling memoir In the Dream House and the award-winning short story collection Her Body and Other Parties. Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, The Believer, Guernica, and elsewhere.Find tickets to our April 30th live show here!References:- "I wrote a novel using AI. Writers must accept artificial intelligence."- AFT shares tips for "Harnessing the Best of AI"Fresh AI Hell:- "With Teens Comfortable Confiding in AI, Should Schools Embrace It for Mental Health Care?"- Longread on the use of automation by the British government- "OpenAI Backs Bill That Would Limit Liability for AI-Enabled Mass Deaths or Financial Disasters"- UN brief on "AI Deception"- Reader's Digest cover on "Making Friends with AI"- The only good "AI acceptance" policyCheck out future streams on Twitch. Meanwhile, send us any AI Hell you see.Find our book The AI Con here, and MAIHT3k merch here.Subscribe to our newsletter via Buttondown.Follow us!EmilyBluesky: emilymbender.bsky.socialMastodon: dair-community.social/@EmilyMBenderAlexBluesky: alexhanna.bsky.socialMastodon: dair-community.social/@alexTwitter: @alexhannaMusic by Toby Menon.Artwork by Naomi Pleasure-Park. Production by Ozzy Llinas Goodman.
Noo Saro-Wiwa is an author and journalist. Born in Port Harcourt, Nigeria, and raised in England, she attended King's College London and Columbia University in New York. Her first book, Looking for Transwonderland: Travels in Nigeria (Granta), was published to critical acclaim in 2012. It was selected as BBC Radio 4's Book of the Week in 2012; named The Sunday Times Travel Book of the Year, 2012; shortlisted for the Author's Club Dolman Travel Book of the Year in 2013; nominated by The Financial Times as one of the best travel books of 2012. Looking for Transwonderland has been translated into French and Italian, and was awarded the Albatros Travel Literature Prize in Italy in 2016. Noo's second book, Black Ghosts (Canongate, 2023) explores the African community in China and was named Edward Stanford Travel Book of the Year in 2025. Her latest publication, The Burning Ground: Oil and Militancy in Nigeria (Columbia Global Reports) examines the social and environmental effects of the insurgency that arose in the oil-rich Niger Delta after the death of her father, the environmental activist Ken Saro-Wiwa. In the report, Noo highlights the undervalued role of women and meets individuals who are working towards sustainable development. It will be published in the US on 14th April 2026, and in the UK on 28th May 2026. Noo has also contributed to the following anthologies: Go Girl 2: The Black Woman's Book of Travel and Adventure (2024); An Unreliable Guide to London (Influx Press, 2016); A Place of Refuge (Unbound, 2016), an anthology of writing on asylum seekers; and La Felicità Degli Uomini Semplici, an Italian-language anthology based around football. Noo is a staff writer for Condé Nast Traveller magazine, and she has contributed book reviews, travel, opinion and analysis articles for various publications including The Guardian newspaper, The Financial Times, The Times Literary Supplement, City AM, and Chatham House. She lives in London and supports Liverpool FC. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Noo Saro-Wiwa is an author and journalist. Born in Port Harcourt, Nigeria, and raised in England, she attended King's College London and Columbia University in New York. Her first book, Looking for Transwonderland: Travels in Nigeria (Granta), was published to critical acclaim in 2012. It was selected as BBC Radio 4's Book of the Week in 2012; named The Sunday Times Travel Book of the Year, 2012; shortlisted for the Author's Club Dolman Travel Book of the Year in 2013; nominated by The Financial Times as one of the best travel books of 2012. Looking for Transwonderland has been translated into French and Italian, and was awarded the Albatros Travel Literature Prize in Italy in 2016. Noo's second book, Black Ghosts (Canongate, 2023) explores the African community in China and was named Edward Stanford Travel Book of the Year in 2025. Her latest publication, The Burning Ground: Oil and Militancy in Nigeria (Columbia Global Reports) examines the social and environmental effects of the insurgency that arose in the oil-rich Niger Delta after the death of her father, the environmental activist Ken Saro-Wiwa. In the report, Noo highlights the undervalued role of women and meets individuals who are working towards sustainable development. It will be published in the US on 14th April 2026, and in the UK on 28th May 2026. Noo has also contributed to the following anthologies: Go Girl 2: The Black Woman's Book of Travel and Adventure (2024); An Unreliable Guide to London (Influx Press, 2016); A Place of Refuge (Unbound, 2016), an anthology of writing on asylum seekers; and La Felicità Degli Uomini Semplici, an Italian-language anthology based around football. Noo is a staff writer for Condé Nast Traveller magazine, and she has contributed book reviews, travel, opinion and analysis articles for various publications including The Guardian newspaper, The Financial Times, The Times Literary Supplement, City AM, and Chatham House. She lives in London and supports Liverpool FC. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
“Python's Kiss” by Louise Erdrich (Turtle Mountain Band of Chippewa) is a collection of short stories that are just as poignant and rich as her novels. In “Domain,” Erdrich imagines an afterlife run like a corporate business. In “Wedding Dresses”, the protagonist relives her past marriages and what led to pain and heartbreak. Each creative story is brilliantly told through Erdrich's wide range of compelling characters and illustrated by Aza Erdrich Abe, Louise's daughter and long-time book cover artist. Louise and Aza join us on Native Bookshelf, our regular literary feature. Some stories in “Python's Kiss” made previous appearances in The New Yorker, Granta, and other literary publications. Two of them are slated to appear in forthcoming prize-winning collections “The Best American Short Stories 2026” and “The Best Short Stories 2026: The O. Henry Prize Winners”. Erdrich is the author of many books that earned her multiple literary awards including the Pulitzer Prize and National Book Award.
Sophie Mackintosh is the author of four novels, including The Water Cure and Cursed Bread. She has been longlisted for the Man Booker Prize and the Women's Prize, has won a Betty Trask Award, and has been selected as one of Granta's Best of Young British Novelists. She has been published in Granta, The White Review and TANK magazine among others. On this episode of Little Atoms she talks to Neil Denny about her latest novel, Permanence. Hosted on Acast. See acast.com/privacy for more information.
Charlotte and Jo revisit Rebecca Novack's Murder Bimbo before taking a quick tour of the Russian Civil War and comrade crushes through Nikolai Ostrovsky's How The Steel Was Tempered. They're then joined by the scintillating Brittany Newell, who meditates on contemporary fiction, cities at night, and Samuel R. Delany's indelible Times Square Red, Times Square Blue. Also discussed in this episode: Emma Cline's The Guest and Vincenzo Latronico's Perfection.Brittany Newell is a writer and performer living in San Francisco. Her debut novel Oola was published in 2017 at the age of 21 in the US, UK, and Germany. You can find her written work in Granta, n+1, McSweeney's, The New York Times, and others. Her second novel Soft Core was published by FSG in February 2025 in the US, UK, and France. She is at work on a third novel about love addiction, emotional vampires, and cannibalism. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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