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Richard Kicks off this jam packed episode with Simona Jobbagy of NICA and Sam Jacob, CEO of Collarts as they talk about Australia's only Bachelor of Circus Arts finding a new home for 2025.We have Tilly Boleyn, Science Gallery Melbourne's Curator & Gail Chin Curator from Art/Science Museum Singapore as they introduce new exhibition SCI-FI Mythologies Transformed, on-now at Science Gallery Melbourne.Curator Vipoo Srivilasa & Artist Zhu Ohmu join Richard in studio to discuss Generation Clay - Reimagining Asian Heritage Curated at Bunjil Place.Nicola Gunn Writer, director and performer also jumps into the studio to talk about her new play ‘Apologia' premiering at the Beckett Theatre on 6-18 August 2024.Band members Liam Óg Ó hAnnaidh & Naoise Ó Cairealláin of Irish rap outfit KneeCap chat about the new film, in which they star and play as themselves, which premieres at MIFF later this month.hJames Jackson, Castmember and Artistic Director for Bloomshed productions has a yarn about their new production, ‘The Importance of Being Earnest', and lastly, in preparation for Poetry Month 2024 we are joined over the phone by Creative Producer Izzy Roberts-Orr for Red Room Poetry.
Frank Ruda and Agon Hamza sit down with the Slovenian philosopher, psychoanalytical theorist and cultural theorist, Mladen Dolar to discuss his forthcoming books on rumours and “The Riskiest Moments” reading(s) of Marx, limits or the end of psychoanalysis, Hegel, film and series, music and opera, theatre… and many other things. You can listen to our podcast here: https://anchor.fm/crisisandcritique If you like this and other episodes, please consider subscribing and supporting us at our Patreon page: https://www.patreon.com/user?u=71723553
On a drizzly morning in July 1915, thousands of people watched the S.S. Eastland turn over in the Chicago River while tied to the Clarke Street dock. 844 passengers, including 21entire families, died in less than 20 minutes in the middle of the fourth-largest city in the United States. Playwright Jocelyn Clarke is here to tell us the story which is portrayed in a new play. Eastland previews in the Samuel Beckett Theatre on 30th August.
Alan Mandell (in his 90s and still working!) is an actor and director, and he's also been a general manager of multiple theatres. He's considered one of the leading interpreters of Samuel Beckett's work, and he even collaborated directly with the playwright several times! It was really fascinating to hear all about Alan's career—his story is a combination of being in the right place at the right time, and being willing to do whatever it took to make theatre happen, which is such a great attitude! Just a bit of what we cover in this episode: Growing up in Canada during the Depression Doing radio drama and theatre in Toronto How he got involved with The Actor's Workshop through volunteer office work His initial reaction and confusion when he first read Waiting for Godot Teaching acting classes and helping out with the San Quentin Drama Workshop Being involved in the early days of Hedwig and the Angry Inch What success has meant to him and mentoring young actors in the theatre Plus a whole lot more, and Alan also shares some direct acting notes from Samuel Beckett himself on Waiting for Godot, so don't miss that! Click here for full show notes and links. Get your copy of "12 Top Acting Tips from Season One" See additional content on Facebook, Twitter, Instagram, and YouTube.
“The Price of Thomas Scott” Tickets & Information Theatre Row – The Beckett Theatre 410 West 42nd Street Between 9th and 10th Avenues New York NY 10036 View on map Add to My Event ListShare Event Overview Seating Chart Schedule &... Read More ›
Ste is a photographer and an actor from Dublin. He studied Architecture in UCD, getting involved with the Drama Society during his time there. Since graduating, Ste has been a freelancing as a photographer at www.ste.ie, and as an actor on stage and screen projects. His recent work includes ‘BlackCatfishMusketeer’ at Camden People’s Theatre and Summerhall Edinburgh Fringe with Malaprop , ‘Sunder’ with Anu Productions, ‘Carmen Disruption’ at the Beckett Theatre, ‘Panned’ at Theatre Upstairs, a tour of ‘Angels in the Park’, ‘Cornerstones’ at Civic Theatre, ‘The 24 Hour Plays’ at The Abbey, ‘Fused’ at Project Arts Centre, ‘Tales from Briar Hall’ at Theatre Upstairs, and Fishamble’s Tiny Plays for Dundrum. Previous work with WeGetHigh Collective includes ‘Narf!’ and ‘Sluts’ at Smock Alley and Edinburgh Fringe Festival, respectively. On screen, he has appeared in TV Series ‘Eipic’ and ‘Corp + Anam’, short films ‘Summon Her Children’, ‘A Long Shot’, as well as web series ‘The Goo’. His next appearance will be in Caitriona Daly's 'Panned' - a one man show that looks at mental health issues. It runs at Project Arts Centre from the 12th-17th of November 2018. ***
Hosts Erin and Michaela had the chance to chat to designer and visual artist, CALLUM MORTON from Ranters Theatre Company to discuss Come Away with Me to the End of the World. Come Away with Me to the End of the World is being performed at Malthouse Theatre – the Beckett Theatre from the 5th – 24th July.See omnystudio.com/listener for privacy information.
Hosts Erin and Michaela had the chance to chat to designer and visual artist, CALLUM MORTON from Ranters Theatre Company to discuss Come Away with Me to the End of the World. Come Away with Me to the End of the World is being performed at Malthouse Theatre – the Beckett Theatre from the 5th – 24th July.
Tony Taccone: On January 17, 2011, SDCF hosted its third One-on-One Conversation of the 2010-2011 season at in the Beckett Theatre at Theatre Row with Berkeley Repertory Theatre Artistic Director Tony Taccone, moderated by SDCF Associate Director Ellen Rusconi. Mr. Taccone discusses his journey from discovering theatre through "happenings" in during college in the 1960s to his most recent foray into writing a play, including his experiences running the Eureka Theater started by Robert Woodruff and eventually becoming Artistic Director of Berkeley Rep. Anecdotes include discovering Tony Kushner and the original production of Angels in America, the burning down of the Eureka and working with Sarah Jones on Bridge and Tunnel. This conversation provides fascinating stories and unique insight into the artistic mind of a director on the forefront of American Theatre. Originally recorded - January 17, 2011. Running Time - 1:16:06 © 2011 SDCF
Rob Ashford and Michael Grandage: On December 18, 2010, SDCF hosted their second One-on-One Conversation of the 2010-2011 season in the Beckett Theatre at Theatre Row with Donmar Warehouse Artistic Director Michael Grandage (Red, Hamlet) and Broadway Director/Choreographer Rob Ashford (How To Succeed In Business..., Promises, Promises) and moderated by SDCF Executive Director Laura Penn. The two directors discuss their trajectories from small town upbringings to the big city and from performing careers to directing. Other topics include the story of their professional relationship with each other, their rehearsal processes from first day to opening night and their views on mentorship. Full of humorous anecdotes, this conversation provides a unique opportunity to hear the voices of two trans-Atlantic masters of the craft in the prime of their careers. Originally recorded - December 18, 2010. Running Time - 1:08:35 © 2010 SDCF
Kathleen Marshall: On February 9, 2004, Tony Award winning choreographer and director Kathleen Marshall sat down for a One-on-One Conversation with Ted Chapin, President and Executive Director of the Rodgers and Hammerstein Organization, at the Beckett Theatre. The discussion traced her meteoric rise from Broadway gypsy, to assisting her brother Rob Marshall on Kiss of the Spiderwoman, to winning a Tony award for her choreography for the Broadway revival of Wonderful Town. The following is a recording of this wonderful conversation. Originally recorded - February 9, 2004. Running Time - 1:35:02 ©2004 SDCF
Robin Amos Kahn, playwright, television writer, and performer, joins host Michele Mattia to discuss her personal journey of Starting Over "Post 50" during a time of tremendous loss and experiencing an extraordinary "re-growth". Robin is a contributing blogger for The Huffington Post's Women, Comedy and Post 50 sections, as well as the playwright for Scrambled Eggs, opening at the Beckett Theatre in Manhattan on April 27, 2013. Join Michele and Robin at 2pm ET for a conversation about starting over, consciously creating the dynamic and delicious life you deserve, and daring to be audacious thoughts, words and actions! To participate in the show:, send email to Connect@MicheleMattia.com or call the studio line (714) 333-3349.
Robin Amos Kahn, playwright, television writer, and performer, joins host Michele Mattia to discuss her personal journey of Starting Over "Post 50" during a time of tremendous loss and experiencing an extraordinary "re-growth". Robin is a contributing blogger for The Huffington Post's Women, Comedy and Post 50 sections, as well as the playwright for Scrambled Eggs, opening at the Beckett Theatre in Manhattan on April 27, 2013. Join Michele and Robin at 2pm ET for a conversation about starting over, consciously creating the dynamic and delicious life you deserve, and daring to be audacious thoughts, words and actions! To participate in the show:, send email to Connect@MicheleMattia.com or call the studio line (714) 333-3349.
On January 17, 2011, SDCF hosted its third One-on-One Conversation of the 2010-2011 season at in the Beckett Theatre at Theatre Row with Berkeley Repertory Theatre Artistic Director Tony Taccone, moderated by SDCF Associate Director Ellen Rusconi. Mr. Taccone discusses his journey from discovering theatre through "happenings" in during college in the 1960s to his most recent foray into writing a play, including his experiences running the Eureka Theater started by Robert Woodruff and eventually becoming Artistic Director of Berkeley Rep. Anecdotes include discovering Tony Kushner and the original production of "Angels in America", the burning down of the Eureka and working with Sarah Jones on "Bridge and Tunnel". This conversation provides fascinating stories and unique insight into the artistic mind of a director on the forefront of American Theatre.
On December 18, 2010, SDCF hosted their second One-on-One Conversation of the 2010-2011 season in the Beckett Theatre at Theatre Row with Donmar Warehouse Artistic Director Michael Grandage ("Red", "Hamlet") and Broadway Director/Choreographer Rob Ashford ("How To Succeed In Business...", "Promises, Promises") and moderated by SDCF Executive Director Laura Penn. The two directors discuss their trajectories from small town upbringings to the big city and from performing careers to directing. Other topics include the story of their professional relationship with each other, their rehearsal processes from first day to opening night and their views on mentorship. Full of humorous anecdotes, this conversation provides a unique opportunity to hear the voices of two trans-Atlantic masters of the craft in the prime of their careers.
On February 9, 2004, Tony Award winning choreographer and director Kathleen Marshall sat down for a One-on-One Conversation with Ted Chapin, President and Executive Director of the Rodgers and Hammerstein Organization, at the Beckett Theatre. The discussion traced her meteoric rise from Broadway gypsy, to assisting her brother Rob Marshall on "Kiss of the Spiderwoman", to winning a Tony award for her choreography for the Broadway revival of "Wonderful Town". The following is a recording of this wonderful conversation.