Podcast appearances and mentions of Tony Kushner

Drew Barr has directed productions of new, modern, and classical plays and musicals for theaters across the United States and around the world. He directed the Dutch-language premiere of the National Theatre of London's War Horse, which opened at Amsterdam's Royal Carré Theatre before a year-long tour of the Netherlands and Belgium. For the National Theatre, he also directed the Australian premiere of War Horse, which ran in Melbourne, Sydney and Brisbane. He was the Resident Director for War Horse on Broadway at Lincoln Center Theater. Also on Broadway, Drew served as associate director for Nicholas Hytner's productions of Sweet Smell of Success, starring John Lithgow, Kelli O'Hara and Brian D'Arcy James and Twelfth Night, starring Helen Hunt, Paul Rudd and Kyra Sedgwick, as well as for Simon McBurney's acclaimed revival of All My Sons by Arthur Miller, starring John Lithgow, Dianne Wiest, Patrick Wilson and Katie Holmes. Drew was associate director and dramaturg for Simon McBurney's production of The Kid Stays in the Picture at the Royal Court Theatre in London.Drew has directed and guest taught for many of the country's leading actor training programs, including the Juilliard School, NYU's Graduate Acting Program, USC's School of Dramatic Arts, SUNY Purchase, the University of Delaware's PTTP, the University of Washington's School of Drama and the Department of Dramatic Art at the University of North Carolina Chapel Hill. He is on the acting faculty of AMDA College of the Performing Arts in Los Angeles. As an actor, Drew appeared on Broadway in Wendy Wasserstein's An American Daughter. He was a founding member of East Coast Artists, a performance collective under the leadership of Richard Schechner, with whom Drew devised and performed in Faust/gastronome, The Three Sisters and Amerika. He toured the country as a member of Maurice Sendak's national children's theater, The Night Kitchen, playing the role of Alligator in the Sendak/Carol King musical, Really Rosie. Drew moved to Lexington with his filmmaker husband, Tim Kirkman, in June of 2024Drew is directing ANGELS IN AMERICA, a play written by Tony Kushner debuted in 1991, that will be presented by ACT OUT THEATRE GROUP and open at the Black Box Theatre in the Pam Miller Downtown Arts Center on 6th June and play the 7th, 13th, 14th and 15th June.A complex and at times metaphorical examination of AIDS and its social impact - this play, that won 3 Tony Awards and a Pulitzer, has been called "a turning point in the history of gay drama."For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

We are taking on the heaven-sent HBO television event of 2003, “Angels in America” and specifically the first two episodes this week. Not only is it a Big Important Gay Story, it's directed by Mike Nichols and stars Meryl Streep, Mary Louise Parker, Emma Thompson and a series of straight men playing impeccably gay, especially Jeffrey Wright. And then there's Al Pacino as Roy Cohn, in one of the biggest performances we've ever gotten to queen out on. Plus Thomas Newman's score, the scope of Tony Kushner's storytelling, that prosthetic work on Meryl as the rabbi and a lightning fast pace for a six hour miniseries. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

This week, Emilio, Madeline, and Julian have the privilege of speaking to Jess LeProtto, an accomplished Broadway performer whose triple threat talents earned him the role of the thorny yet memorable Jet "A-Rab" in Steven Spielberg's 2021 remake of 'West Side Story'.  Jess talks about his unusual first exposure to the music of West Side Story, the development and audition process, receiving character backstory from the film's Pulitzer Prize winning writer Tony Kushner, and the new historical context specific to the remake.  He also talks about performing in the film's immersive sets, working with Rita Moreno, what it's like to take direction from Steven Spielberg, and the unexpected ways his skill set proved quite useful on set.  It's a deep dive into all things 'West Side Story' you won't want to miss!In addition to his work in the film, Jess LeProtto has performed on Broadway in Cats, Hello Dolly!, A Beautiful Noise, Carousel, On The Town, Newsies, Bye Bye Birdie, and more.  You can follow him on IG at the_jess_leprottoIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats   

Patrick Wilson wears many show-business hats. Fans of his Tony-nominated work on Broadway may not know of his involvement in the spooky Insidious and The Conjuring  movies. (He even made his directorial debut on Insidious: The Red Door.) And horror/supernatural fans might have missed his star performances in the celebrated arthouse hit Little Children and the Mike Nichols-directed miniseries version of Tony Kushner's Angels in America for HBO. Leonard and Jessie are longtime fans of his—even more so after this congenial conversation.

For our "Two Shot" episode of Best Supporting Acting Winners, Madeline, Julian and Emilio keep things local, and with the help of actor/teacher/fight director Ron Piretti, they dive into both film adaptations of the beloved musical 'West Side Story'.  Both the Jerome Robbins original and the Steven Spielberg remake have the distinction of earning the Best Supporting Actress Oscar in their respective years for their portrayals of the same character, Anita, by Rita Moreno in 1961 and Ariana DeBose in 2021.  In addition to exploring what makes Anita such an indelible and celebrated character, the group explores the ways in which the remake expands the world its characters inhabit, discuss which character portrayals they enjoyed the most, how the climactic "Rumble" is depicted on stage vs on film, the effect that differences in the order of musical numbers has on the greater narrative, and much more! Ron Piretti is a teaching artist for The Barrow Group in NYC, and you can find him and his work at ronpiretti.netIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats       

It was supposed to be “the cheerful Games.” That was the motto of the 1972 Munich Olympics, which was meant to usher in a peaceful new era on the world stage after the horrors in Germany just three decades earlier. Instead, on September 5th 1972, just after 4am. eight men in tracksuits jumped the fence at Munich's Olympic Village, armed with rifles and grenades. These men belonged to Black September — a group associated with the Palestine Liberation Organization – and their plan was to take the Israeli Olympic team hostage and hold them at gunpoint until 328 prisoners detained by Israel were released. The standoff ended in confusion and bloodshed. All eleven hostages died, as did a policeman and five members of the Black September group. This, despite media reports – broadcast to 900m people around the world – that the prisoners had been rescued. Today on Script Apart, we talk with the writer-director, Tim Fehlbaum, and co-writer, Moritz Binder, of a newly Oscar-nominated drama that contemplates what the Munich massacre might tell us about media complicity in acts of terrorism. The pair wrote this film with writer Alex David focused not on depicting the overall events of that terrible day – Steven Spielberg covered that with 2005's Munich, written by past Script Apart guests Eric Roth and Tony Kushner. Instead, Tim and Mortiz's angle on the story is through the American sports broadcasters who suddenly find themselves tasked with covering the situation live as it unfolds – a world first. Never before had an event like this played out on television as it happened. Today, we're very much used to consuming terrible atrocities as they happen on our digital devices. But in 1972, such a thing was unheard of. September 5 – which stars a great ensemble cast – puts the ethical questions involved with live-streaming terror under the microscope. It's a period piece that resonates with disturbing power today not least because, since the film was finished, a harrowing new chapter in the history of violence between Israel and Palestine has been written. Maybe, the film seems to wonder, when you have a form of media that rewards being first and being loudest instead of being accurate, any type of live coverage is doomed to inflame and exploit rather than inform. This episode, as ever, contains spoilers.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

* Palestine awaits freedom of 369 citizens from Israeli jails Israel is set to free 369 Palestinians as part of the sixth exchange since the Gaza ceasefire, often breached by Tel Aviv, that took effect on January 19. In a statement, the Palestinian Prisoners' Media Office, affiliated with Hamas resistance group, said the released will include 36 Palestinians serving life sentences and 333 from Gaza who were abducted by Israel after October 7, 2023. Twenty-four of the released will be sent abroad. In return, Al-Qassam Brigades, the military wing of Hamas, announced the names of three Israeli captives scheduled for release as part of the swap deal. * Erdogan warns of US 'miscalculation' on Gaza Turkish President Recep Tayyip Erdogan has called the approval of forced displacement completely unacceptable and described it as pure brutality, referring to US President Donald Trump's proposal for the future of Palestine's Gaza. Discussing the United States' approach to the Middle East, Erdogan criticised its miscalculations, remarking, "One should not disregard the region's history, values, and heritage." "We expect Trump to fulfil the promise he made before the election. He should take steps to build peace, not start a new war," Erdogan said * Jewish People Say No to Ethnic Cleansing' — 350+ rabbis sign NYT ad More than 350 rabbis, alongside Jewish creatives and activists, have signed a full-page ad in The New York Times condemning President Donald Trump's controversial proposal for the forced expulsion of over 2 million Palestinians from Gaza. The ad features signatories from diverse Jewish denominations and notable figures such as Tony Kushner, Ilana Glazer, Joaquin Phoenix and Peter Beinart. The text of the ad on NYT's page A7 reads: "Trump has called for the removal of all Palestinians from Gaza. Jewish people say NO to ethnic cleansing!" * M23 rebels enter eastern DRC's Bukavu city M23 rebels in eastern Democratic Republic of Congo (DRC) have entered the region's second-largest city of Bukavu, the latest ground gained since a major escalation of their yearslong fighting with government forces. The M23 rebels entered the city's Kazingu and Bagira zone and were advancing towards the centre of the city of about 1.3 million people. Videos posted online appeared to show rebels marching toward the Bagira area. * Roadside bomb kills multiple mine workers in Pakistan's Balochistan A bomb targeting a vehicle carrying coal miners in southwestern Pakistan killed at least 11 people and wounded six others. The truck had brought the workers to a mine in the Harnai area of Balochistan province, where Pakistan is battling insurgency. A military official has said that an improvised explosive device was planted at the roadside which exploded when truck carting coal miners reached the site.

This week Reid is vomiting in Miami as Jeremy prepares to go to Cleveland. Topics include "Angels in America" with two more chapters of Adam Moss' “The Work of Art” and "Paquita" at New York City Ballet. ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠ ◦⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠➩ SUPPORT:⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠➩ withdanceandstuff@gmail.com⁠

Listen in as Dan Kitrosser, playwright and performer of HOMOS! A Solo Disaster Musical, Bitch, discusses eerie timing, controlling the audience, fun Tony Kushner references, integrating children's theatre performing techniques, the need for clowns, finding where you fit in the … Continue reading →

This week Jeremy and Reid are exploring topics to deal with and distract from the boom boom doom and gloom. Topics include the Grammy Awards and Tony Kushner. ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠ ⁠➩ SUPPORT: ⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠ ⁠➩ withdanceandstuff@gmail.com⁠

CW: This episode discusses cinematic sexual violence. The film writer Corey Atad returns to the pod for a two-parter on Steven Spielberg's 2005 masterpiece Munich, which turns 20 years old this year and yet has barely aged a day. Spielberg starts the film with Black September's terror attack on the Israeli team at the 1972 Munich Olympics and then follows a secret team of Israelis dispatched by their government to hunt down and kill 11 Palestinians around Europe said to have played a role in the massacre. But as their violent mission continues, Avner (Eric Bana) and his team start to doubt the nobility of their task as the compounding violence they commit corrodes their souls. In this first episode, Corey and I discuss Spielberg as a master filmmaker at the height of his powers, the brilliant, clear-eyed screenplay by Tony Kushner and how a film understood to be a comment on the 9/11 attacks when first released can be seen better now as a film about the harsh truths of the Israel/Palestine conflict and the futility of fighting terrorism with counter-terrorism. We contrast this look at Munich with another adaptation of the source material, the forgotten 1986 Canadian TV movie Sword of Gideon based on George Jonas' 1984 non-fiction book Vengeance, a more openly Zionist interpretation of the text. And we discuss some of our favourite parts of Munich including the notorious sex scene! Part two of this discussion is available on the Patreon feed: more about Munich and Sword of Gideon, the documentary One Day In September and an extended discussion of the new film about the Munich Olympics massacre, September 5. Consider becoming a patron of the podcast to access this and dozens of exclusive bonus episodes for only $5 (US) a month! patreon.com/junkfilter Follow Corey Atad on Twitter and visit coreyatad.com Extended international trailer for Munich (Spielberg, 2005)  Commercial for Sword of Gideon (Michael Anderson, 1986) A breakdown of one of the complex camera movements in Munich.

Isabel Allende and Tony Kushner

The turbulent events of 2024 in Israel had a significant impact around the world. The ongoing war in Gaza and other fronts had a particularly deep and emotional effect on the lives of Diaspora Jews, who coped with angry protests against Israel on campuses and in city centers, and with soaring rates of antisemitic violence. The new and disturbing environment ignited “a feeling of vulnerability and exile that came back to us,” said Paris Rabbi Delphine Horvilleur, one of the important voices from the Diaspora who joined the Haaretz Podcast over the course of the year. Excerpts from the conversation between podcast host Allison Kaplan Sommer and Horvilleur, along with insights from interviews with other leading thinkers from the Jewish world like writers Franklin Foer, Ayelet Waldman, and Masha Gessen and award-winning playwright and screenwriter Tony Kushner are featured on this special year-end edition of the podcast.See omnystudio.com/listener for privacy information.

Katie checks in with founder, and Executive Artistic Director, of the Jewish Plays Project, David Winitsky.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture With the upcoming release of "September 5," in theaters on December 13th from Paramount Pictures, Josh Parham, Brendan Hodges, and I went back to 2005 to review and discuss Steven Spielberg's "Munich" starring Eric Bana, Daniel Craig, Ciarán Hinds, Mathieu Kassovitz, Hanns Zischler & Geoffrey Rush. Tony Kushner and Eric Roth adapted the 1984 book "Vengeance" by George Jonas, which is an account of a series of Mossad assassinations following the Munich massacre, and it was heavily controversial upon its release. Have the years been kinder to it since its release? Tune in as we discuss the writing, direction, performances, set pieces, themes, political commentary, its awards season run, and more in our SPOILER-FILLED review. Thank you for all your support, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of Kermode On Film you can hear the second half of the MK3D show recorded on 5th December 2022 —the 75th MK3D show live at the BFI Southbank.Mark is joined by screenwriter Tony Kushner to talk about his collaboration with Steven Spielberg on The Fabelmans. Tony reflects on the deeply personal nature of the film and the process of working with Spielberg to bring this autobiographical story to life. And he talks about his guilty pleasure – it's a true Hollywood Classic!Actress Aimee Lou Wood and producer Stephen Woolley talk to Mark about their film Living, in which Aimee stars. Stephen shares how this remake of Akira Kurosawa's Ikiru came to fruition, and Aimee discusses working with the brilliant Bill Nighy.You can hear the first half of this MK3D show on last week's Kermode On Film.If you've enjoyed this podcast, remember to like, subscribe, and tell your friends. And if you want to experience MK3D live, head over to the BFI website for tickets to our next show.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.-Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.-Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.-The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again. They are masterpieces!Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#markkermode #kermodeonfilm #MK3D #BFI #TonyKushner #StevenSpielberg #TheFabelmans #RobertAldrich #BetteDavis #JoanCrawford #WhateverHappenedToBabyJane #AimeeLouWood #StephenWoolley #BillNighy #Living #AkiraKurosawa #Ikuru #TheirFinest #OliverHermanus Hosted on Acast. See acast.com/privacy for more information.

We're students of the creative process, and so is Adam Moss, author of The Work of Art: How something comes from nothing. Formerly the editor-in-chief of New York magazine, these days Moss is on a quest in his studio to understand painting and through it the mysteries of the act of creation.  Questions about why people create—and the diversity of process across mediums—led Adam to write his book, which features interviews with a host of inspiring folks. Kara Walker, Tony Kushner, Sofia Coppola, Stephen Sondheim, Barbara Kruger, Ira Glass, Samin Nosrat, Marc Jacobs, David Simon, and many more share their approach to the work they do in the book.  We talk with Adam about the red threads that run through such varied creative expressions, finding the right creative partners, how to feed creativity, and how his own work has been influenced by his investigation into how creativity unfolds.  Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/adam-moss Bio Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to our monthly AMAs with former guests, ad-free episodes, early and discounted access to workshops, and our new enhanced newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show.   Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Wix Studio: With Wix Studio, agencies and enterprises can create, develop and manage exceptional web projects with hyper efficiency. And if you're worried about the learning curve eating into time you don't have, don't be. Wix Studio is intuitive by design, so your entire team can hit the ground running. For your next project, check out wixstudio.com. Wine Access: We love wine, but often feel overwhelmed by the options out there. But we recently joined Wine Access who not only ship to your door some of the world's most inspiring wines, they also educate subscribers with full color information cards that accompany each bottle. You should totally join The Waitlist Wine Club. Just visit wineaccess.com/waitlist and use Promo Code: DESIGNBETTER for $25 off your first shipment. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's episode of Kermode On Film takes us to Christmas 2022, and a special milestone —the 75th MK3D show, recorded live at the BFI Southbank on Monday 5 December 2022You can hear the first half of that MK3D show on this podcast.Mark welcomes a great lineup of guests, starting with director Hassan Nazer, who talks about his award-winning, aptly named film Winners. Hassan also shares stories of his Iranian heritage, the films that influenced him, and his journey to becoming a filmmaker in the UK.Next, Mark talks to Mark Jenkin and Mary Woodvine about their Cornish folk horror Enys Men, and about the BFI season that Mark Jenkin curated: “The Cinematic DNA of Enys Men”.And finally, Mark is joined by Oscar-winning director Edward Berger, to discuss his powerful remake of All Quiet on the Western Front. Edward talks about what drew him to retelling this classic, about his connection to the original novel, and the challenges of depicting visceral scenes on screen.In next week's episode, you'll hear the next half of the show, featuring screenwriter Tony Kushner, who talks about his collaboration with Steven Spielberg on The Fabelmans, and Aimee Lou Wood and Stephen Woolley who talk about Living, the remake of Akira Kurosawa's Ikiru.If you've enjoyed this podcast, remember to like, subscribe, and tell your friends.And if you want to experience MK3D live, head over to the BFI website for tickets to our next show.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.-Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.-Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.-The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again. They are masterpieces!———————Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #KermodeonFilm #MK3D #BFI #MarkJenkin #MaryWoodvine #EnysMen #HassanNazer #Winners #EdwardBerger #AllQuietOnTheWesternFront #AbbasKiarostami #AndWhereIsTheFriendsHouse #MajidMajidi #ChildrenOfHeaven #LawrenceGordonClark #Stigma #BBCGhostStories #NottingHill #JuliaRoberts Hosted on Acast. See acast.com/privacy for more information.

This book gave me an understanding of the queer community that I hadn't found anywhere else.Today we meet David Reddish and we're talking about the queer book that saved his life: Angels in America by Tony Kushner.Self proclaimed uber-geek David Reddish is the award-winning author of Sex, Drugs & Superheroes trilogy. The third novel in the series, The Wrath of Comic-Con, came out earlier in 2024. His novel The Passion of St. Sergius & St. Bacchus celebrates its 10th anniversary this year. David is also a noted entertainment journalist having written for such publications as MovieWeb, ScreenRant, Queerty, and Playboy.One of the most honored American plays in history, Angels in America was awarded two Tony Awards for Best Play and the Pulitzer Prize for Drama. It was made into an Emmy Award-winning HBO film directed by Mike Nichols. This two-part epic, subtitled "A Gay Fantasia on National Themes," has received hundreds of performances worldwide in more than twenty-six languages.Connect with Davidmuck rack: muckrack.com/david-reddish-5instagram: @thegaymagnetoBuy David's books here and at your local bookstores.Our BookshopVisit our Bookshop for  new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your own copy of Angels in America here: https://bookshop.org/a/82376/9781559363846Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: J.P. Der BoghossianExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Jonathan Fried, Paul Kaefer, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Find out how to vote at vote.orgHelp get out the vote by going to swingleft.org, voteforward.org, and with the National LGBTQ Taskforce: thetaskforce.orgSupport the show

Today, I'm thrilled to announce my interview with Tony nominated actress Kathleen Chalfant. Tune in to hear some of the stories of her legendary career, including how Tony Kushner invited her to be part of ANGELS IN AMERICA, a letter from Larry Kramer during JUST SAY NO, how a fight broke out during her Broadway debut in DANCE WITH ME, the enormous difficulties of working with John Dexter on M. BUTTERFLY, taking on the role of Ronald Reagan in Sarah Ruhl's PASSION PLAY, how she ended up on staff at Playwrights Horizons, the production of MILLENNIUM APPROACHES that was dubbed MR. TOAD'S WILD RIDE, performing in workshops of FINDING NEVERLAND and FIRST DAUGHTER SUITE, and her most memorable reviews from John Simon, Michael Feingold, and more. You won't want to miss this conversation with a true theater veteran. 

This episode is available for free on 7/1, and is available early and ad-free for MSNBC Premium subscribers on Apple Podcasts.In a live conversation recorded at the Provincetown, MA Town Hall on May 26, Rachel and Pulitzer Prize-winning playwright and screenwriter Tony Kushner discuss “Ultra,” her book “Prequel,” and the rise of fascism both throughout history and in our current political moment. 

This week, for Pride season, the Oscar-nominated playwright and screenwriter Tony Kushner. Known most recently for his movie collaborations with Steven Spielberg, including Lincoln, Westside Story and The Fablemans, Kushner's breakout hit was his epic play Angels in America, the winner of multiple Tonys and a Pulitzer Prize, among many other awards. Fuelled by the AIDS crisis and Reaganism in the 1980s, the play was made into an opera and an HBO miniseries starring Meryl Streep, Al Pacino and Emma Thompson. In this conversation with Eleanor Wachtel from 2011, Kushner also talks about his later work, The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, a family drama that evokes George Bernard Shaw and Mary Baker Eddy.

Our NATHAN LANE PRIDE 2024 programming concludes as we're once again joined by McKenzie's partner Rachel to continue the great work with National Theatre's 2016 production of Tony Kushner's ANGELS IN AMERICA PART TWO: PERESTROIKA. Some additional references from the episode below: Pat's review of Part Two that we reference a few times. Robert Meerpol's blog post about the Kaddish scene. Slate's Oral History of Angels in America. - Connect with us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show! Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kev⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠McKenzie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. Listen to Kev's other podcast, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ammonite Movie Nite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Listen to McKenzie's other podcasts ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Criterion Connection⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ON LYNCH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEXT WEEK: We're back to our regularly scheduled program, finally covering INTOLERABLE CRUELTY.

In Episode 149, Gen and Jette continue to celebrate Pride Month with Tony Kushner's award-winning play, Angels in America. We had to cut ourselves off eventually because we could talk about this play forever.Show NotesWe went to see this play last December at Buddies in Bad Times Theatre in Toronto. It was produced by That Theatre Company and directed by Craig Pike. (Yes, Torontonians, Craig Pike of Craig's Cookies.) It was phenomenal and we knew we had to read the play and dedicate an episode to it. The play runs about 7 hours long in total and is technically two separate plays: Millennium Approaches and Perestroika.HBO made a mini series, adapted for the screen by Tony Kushner, in 2003.In 2017, The National Theatre produced a revival starring Andrew Garfield and Nathan Lane and it eventually went to Broadway. This play has won a lot of awards and it's very clear why. We'll definitely make it a point to see any production of this that we can get to.This spring, Gen went to see another 7-hour long play called The Inheritance, put on by Canadian Stage Company. It's a reimagining of E.M. Forester's novel Howard's End and also deals with AIDS and being gay in America, but in a contemporary setting that takes place before and after the election of Donald Trump. Our next episode is our 150th! Appropriately, it is a book club episode. We'll be talking about Jette's pick, The Daughter of Doctor Moreau by Silvia Moreno Garcia. Other Media MentionedThe Inheritance by Matthew LopezCaroline, or ChangeMunich (2005)Lincoln (2012)West Side Story (2021)The Fabelmans (2022) Don't forget to follow us on Instagram, TikTok, and Twitter or email us at hello@anotherbookontheshelf.com. We'd love to hear from you! Sign up for our newsletter and add us to Pinterest!  

Our NATHAN LANE PRIDE 2024 programming continues as we're joined by McKenzie's partner Rachel to discuss the National Theatre's 2016 production of Tony Kushner's ANGELS IN AMERICA PART ONE: MILLENNIUM APPROACHES — where Nathan Lane stars as Roy Cohn. - Connect with us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show! Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kev⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠McKenzie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. Listen to Kev's other podcast, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ammonite Movie Nite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Listen to McKenzie's other podcasts ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Criterion Connection⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ON LYNCH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEXT WEEK: We're joined again by Rachel to discuss ANGELS IN AMERICA PART TWO: PERESTROIKA

In Episode 148, Gen and Jette are kicking off Pride Month with Maia Kobabe's graphic novel memoir, Gender Queer. Show NotesThis graphic novel memoir was such a great entry point for talking about gender and sexuality. Maia Kobabe uses Spivak pronouns, e/em/eir.You can check out Kobabe's other work in a number of anthologies, including Gothic Tales of Haunted Love and Be Gay, Do Comics.Super into all the required classes that Kobabe took in High School at the Waldorf School.Watch our Instagram for some Pride book recs this month, and check out some of our queer reading lists on the blog:A Queer Reading List to Keep Pride Going All Year LongTop 7 Pride Month Books to Celebrate Queer JoyOur love for The Storygraph is never ending, especially the reading stats. In our next episode we'll be talking about Angels in America by Tony Kushner. We went to see the play last December, so now we're going to read it, and probably watch the HBO mini series and/or the National Theatre production.Other Books and Media MentionedPet by Akweke EmeziTranny by Laura Jane GraceThe Laramie Project Don't forget to follow us on Instagram, TikTok, and Twitter or email us at hello@anotherbookontheshelf.com. We'd love to hear from you! Sign up for our newsletter and add us to Pinterest!

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comAdam is the best magazine editor of my generation, and an old friend. From 2004 to 2019, he was the editor-in-chief of New York Magazine, and before that he edited the New York Times Magazine, and 7 Days — a weekly news magazine covering art and culture in NYC. His first book is The Work of Art: How Something Comes from Nothing.For two clips of our convo — on the bygone power of magazines, and the birth of the great and powerful performance artist Dina Martina — pop over to our YouTube page. Other topics: his upbringing on Long Island; fantasizing about NYC through the cosmopolitanism of magazines; being a “magazine junky extremely early”; the literary journalism of the ‘60s; Gay Talese; Joan Didion; Tom Wolfe; Adam's early start at The Village Voice; 18-hour workdays; joining Rolling Stone then Esquire; commissioning Frank Rich's groundbreaking piece on gay culture; the visual strength of mags; 7 Days “doomed from the start” because of a stock market crash; the NYT's Joe Lelyveld hiring Adam to “make trouble” with creative disruption; Tina Brown; “the mix” of magazines like a dinner party; the psychodrama of writers clashing with colleagues; how the Internet killed magazines; the blogosphere; podcasting; the artist Cheryl Pope and her series on miscarriages; Tony Kushner's Angels in America; when creation is tedious and painful; Leaves of Grass and its various versions; Montaigne's essays; Pascal and the incompleteness of The Pensées; Amy Sillman painting over her beautiful work; Steven Sondheim; choreographer Twyla Tharp; poetry as the concentration of language and the deconstruction of how we speak; poets Marie Howe and Louise Gluck; the fiction writer George Saunders; how weed suppresses the ego; and Adam's preternatural calm.Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Oren Cass on Republicans moving left on class, Noah Smith on the economy, Bill Maher on everything, George Will on Trump and conservatism, Lionel Shriver on her new novel, Elizabeth Corey on Oakeshott, and the great Van Jones! Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

Seth takes a closer look at Donald Trump coming face to face with Stormy Daniels in his criminal trial while his top VP contender Kristi Noem is grilled about lying in her book.Then, Cole Escola talks about doing less than zero research when creating their play Oh, Mary!, the artistic liberties they took with certain characteristics and performing in front of Steven Spielberg, Sally Field and Tony Kushner.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Theory from Theater" (Season 4, Episode 2), the new episode of our season, dropped Monday, May 6. We called to the Bimah director, playwright, and performance artist Jesse Freedman (he/him). Based in New York City, Jesse is the Artistic Director of Meta-Phys Ed., a multidisciplinary performance group that grapples with philosophical and political ideas through a Jewish lens. His genre-defying works often blend theater, dance, music, and absurdist humor to interrogate questions of morality, identity, and power. We spoke with Jesse about his recent production "The Banality of Evil", which went up at The Brick Theater in Brooklyn last month. Inspired by the seminal writings of political theorist Hannah Arendt, the show uses neo-noir aesthetics and vaudevillian spectacle to wrestle with the disturbing implications of Arendt's coverage of the Eichmann trial. Jesse shared his process for physicalizing intellectual debates on stage, and how Jewish thought and performance traditions inform his approach to such challenging material. As the founder of Meta-Phys Ed., Jesse also reflected on the company's evolution over the past decade, from its origins to its current explorations of secular Jewish identity through experimental performance. We discussed the unique possibilities of using theater as a form of philosophical inquiry. Looking ahead, Jesse gave us a preview of Meta-Phys Ed.'s upcoming projects, including a new devised work that will use machine learning to generate a fragmented, dystopian take on Hamlet. He shared his hopes for inspiring more artists to engage with the spiritual and cultural dimensions of Jewishness in their practices. "On the Bimah" continues to illuminate the heart, soul, and diversity of contemporary Jewish theatre, guided by your host Danielle Levsky. This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman, and our logo is by Alize Francheska Rozsnyai. CORRECTION: In this episode, we mistakenly referred to a specific project being inspired by the work of Tony Kushner. The correct attribution would be to Moises Kaufman. We apologize for any confusion this may have caused in your listening experience.

The Harvard academic Elisa New is host of the much acclaimed PBS series POETRY IN AMERICA. Now in Season Four, the show has featured conversations about American poetry with Joe Biden, Herbie Hancock, Gloria Estefan, Shaquille O'Neal, Bill Clinton and Al Gore. While America isn't normally considered a poetic nation, New's show has brought poetry into the homes of millions of Americans. So when I caught up with New, I asked her whether there was such a thing as an American poem and what it is about America that inspires memorable poetry. Elisa New is the Director and Host of Poetry in America, director of the Center for Public Humanities at Arizona State University, director of Verse Video Education, and Powell M. Cabot Professor of American Literature at Harvard University. New created Poetry in America, a PBS series, to bring poetry beyond classrooms into living rooms and onto screens of all kinds. The show can be seen on public television and streaming platforms, in schools and libraries, and on airlines. Guests include Joe Biden, Herbie Hancock, Gloria Estefan, Shaquille O'Neal, Elena Kagan, Nas, John McCain, Sonia Sanchez, Tony Kushner, Bill Clinton, Julia Alvarez, Bono, Cynthia Nixon, John Kerry, LisaGay Hamilton, Caroline Kennedy, Bill T. Jones, Katie Couric, and Al Gore and dozens of others. Alongside the PBS series, New produces educational materials on American poetry for all ages—from middle- and high-school students, to K-12 teachers, to lifelong learners—distributed by Harvard University, Amplify Education, and Arizona State University.  In her capacity as Director of the newly established Center for the Public Humanities at ASU, New will partner with ASU faculty and with partners from an array of other institutions to create relevant, engaging interdisciplinary content that extends beyond poetry: content that will broaden access to the highest quality learning experiences in the Humanities and adjacent fields. New is the author of The Regenerate Lyric: Theology and Innovation in American Poetry (Cambridge University Press, 1992); The Line's Eye: Poetic Experience, American Sight (Harvard University Press, 1999); Jacob's Cane: A Jewish Family's Journey from the Four Lands of Lithuania to the Ports of London and Baltimore: A Memoir in Five Generations (Basic Books, 2009); and New England Beyond Criticism: In Defense of America's First Literature, A Wiley Blackwell Manifesto (Wiley Blackwell 2014).Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

This week, No Script explores the moving, imaginative musical by Tony Kushner and Jeanine Tesori: Caroline, or Change! Talking washing machines, apocalyptic buses, and singing moons feature prominently in this through-composed character study.  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

Jack Viertel has the kind of knowledge I wish I had about Broadway history, having studied the various journeys of great shows for his book The Secret Life of the American Musical, but he's also worked with playwrights like August Wilson and Tony Kushner. He's even conceived the long running Smokey Joe's Café and the critically acclaimed After Midnight and served as dramaturg as well for Hairspray and Dear Evan Hansen. And through his many colleagues over the years he's learned the fine art of collaboration.  Subscribe or Donate to WINMI Subscribing helps support this podcast, while also giving early access to extended conversations and other bonus content. Donating can be done on a one-time on ongoing basis. So whether you subscribe or donate, your financial contribution to this podcast is greatly appreciated! If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.   Follow WINMI: Website | Instagram | Twitter | YouTube ---------- Why I'll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License. Learn more about your ad choices. Visit megaphone.fm/adchoices

Not a lot of lawyers can say that they helped create a whole new legal field, but William Shernoff can. On this week's episode, Ralph welcomes trailblazing attorney William Shernoff to discuss predatory insurance practices, and how consumers can protect themselves. This special episode was co-presented by The American Museum of Tort Law, and was recorded in front of a live virtual audience.William Shernoff is the founding partner of Shernoff Bidart Echeverria, a law firm specializing in insurance bad faith litigation. A longtime consumer advocate, he has made a career of representing insurance consumers in their cases against insurance companies. Often called the “father” of bad faith insurance law, in 1979, Mr. Shernoff persuaded the California Supreme Court to establish new case law that permits plaintiffs to sue insurance companies for bad faith seeking both compensatory and punitive damages when they unreasonably handle a policyholder's claim (Egan v. Mutual of Omaha).A frequent lecturer and writer, Mr. Shernoff co-authored the legal textbook, Insurance Bad Faith Litigation, which has become the field's definitive treatise, as well as How to Make Insurance Companies Pay Your Claims . . . . And What To Do If They Don't, Fight Back and Win – And How To Make Your HMO Pay Up, and Payment Refused. Under bad faith law in California and in most states, you not only could get the benefits you deserve under the insurance policy—whether it be life insurance or disability insurance or health insurance. But you can also get damages over and above the policy limits, which are emotional distress damages…Not only can you get the emotional distress damages, but any aggravation of your medical condition. And then punitive damages are on top of that. And attorney's fees are on top of that. So all of these damages are coming from insurance bad faith if the insurance bad faith law applies. And punitive damages are designed to punish the insurance company so that they correct their wrongful conduct in the future, and deter them from unfair claims practices. William ShernoffMost people, if they get a letter from an insurance company—which they consider to be an authoritative source— and the insurance company says, “Your claim is denied because…” and then they cite all kinds of fine print in the insurance policy, most people accept that and don't do anything. They don't see a lawyer. They just accept what their insurance company told them because it sounded quite official to them.William ShernoffInsurance regulation is state-controlled. The federal government has been blocked for decades and the Congress has imposed itself on the federal Federal Trade Commission and said that they can't even investigate the insurance companies without being allowed to by a committee in the House or the Senate that has jurisdiction over such matters. So the privileges of the insurance lobby are quite extraordinary even by comparison with other corporate lobbies.Ralph Nader More people should know about bad-faith cases rights—and use them. And not take whatever is dealt to them by insurance companies—denials, rescission of insurance policies, refusing to renew, other delays, or other crazy obstructions. Learn about your rights.Ralph Nader In Case You Haven't Heard with Francesco DeSantisNews 3/27/241. CNN reports the United Nations Security Council has passed a Gaza ceasefire resolution. The resolution itself is imperfect, calling only for a ceasefire during the month of Ramadan, but this watered down language paved the way for the United States to allow the resolution to pass. The U.S. has vetoed every previous ceasefire resolution before the Security Council and disputes the extent to which this resolution is legally binding. For its part, Israel's Foreign Minister stated unequivocally that Israel “will not cease fire,” per CNN.2. Following the passage of the Security Council resolution, Prime Minister Netanyahu canceled a planned high-level Israeli delegation visit to Washington, per CNBC. The planned visit, which would have included an address to Congress, was staring down scathing criticism from Congressional Progressives. Axios reports Representative Rashida Tlaib, the only Palestinian member of Congress and the most outspoken on the Israeli campaign of terror, said “[Netanyahu] shouldn't come to Congress, he should be sent to the Hague.”3. In another sign of the rift between the Biden Administration and Netanyahu, Haaretz reports that Congressional Democrats are sending formal warnings to the administration stating that Israel is not in compliance with U.S. laws governing the dispensation of military aid.  Joaquin Castro, a Democrat from Texas, said “Congress and [the] White House need to make clear to Israel that we will enforce US law to protect Palestinian children from starvation in Gaza.”4. Professor Jana Silverman, co-chair of the Democratic Socialists of America International Committee, reports “After a totally last-minute, ad-hoc, no-budget campaign, 13.2% of voters in the Democrats Abroad primary said no to genocide in Gaza and voted Uncommitted!” This impressive performance signals that the Uncommitted electoral protest movement isn't going anywhere. The next major test for the movement will be Pennsylvania, where Uncommitted PA is aiming for at least 40,000 votes in the state's April primary, per Lancaster Online.5. In an open letter, over 100 prominent American Jews condemned AIPAC. The letter reads “We are Jewish Americans who have…come together to highlight and oppose the unprecedented and damaging role of AIPAC…in U.S. elections, especially within Democratic Party primaries. We recognize the purpose of AIPAC's interventions in electoral politics is to defeat any critics of Israeli Government policy and to support candidates who vow unwavering loyalty to Israel, thereby ensuring the United States' continuing support for all that Israel does, regardless of its violence and illegality.” Signatories include the Ralph Nader Radio Hour's own Alan Minsky, celebrated academic Judith Butler, Postal Workers Union president Mark Dimondstein, Ben Cohen of Ben & Jerry's, and the actor Wallace Shawn among many others. The full letter is available at USJewsOpposingAipac.org.6. Oscar winning director Jonathan Glazer continues to be the target of phony outrage by pro-Israel groups like the Anti-Defamation League. Coming to the defense of the filmmaker however are other prominent Jewish organizations, like Jewish Voice for Peace and the Auschwitz Memorial, whose director said “In his Oscar acceptance speech, Jonathan Glazer issued a universal moral warning against dehumanization,” per the Guardian. Decorated Jewish playwright Tony Kushner, a signatory on the anti-AIPAC letter, told Haaretz “There's been a concerted attempt by right wing American Jews to sort of sell the idea that American college campuses are awash with virulent antisemites – professors and students and so on. And the Jewish students are walking these campuses in terror for their lives. I think this is nonsense. I see no evidence of it.”7. Both the Gannett and McClatchy newspaper companies have announced they will no longer use AP journalism in their publications, AP reports. This is yet another indication of the dire financial straits the news business finds itself in. The AP notes “Gannett's workforce shrank 47% between 2020 and 2023 because of layoffs and attrition…The company also hasn't earned a full-year profit since 2018… Since then, it has lost $1.03 billion.”8. In Honduras, the Intercept reports “an almost-impossible-to-believe scenario: A group of libertarian investors teamed up with a former Honduran government — which was tied at the hip with narco-traffickers and came to power after a U.S.-backed military coup — in order to implement the world's most radical libertarian policy, which turned over significant portions of the country to those investors through so-called special economic zones. The Honduran public, in a backlash, ousted the narco-backed regime, and the new government repealed the libertarian legislation. The crypto investors are now using the World Bank to force Honduras to honor the narco-government's policies.” While this story has certain unique angles – crypto and narco-trafficking chief among them – the key element is actually quite familiar: international ‘free trade' regimes superseding sovereign governments. We offer Honduras solidarity against these contemporary crypto-filibusters.9. On March 11th, Congressmen Jimmy Gomez and Joaquin Castro sent a letter to the heads of the CIA and FBI demanding disclosures of surveillance efforts on Latino civil rights leaders during the 1960s and ‘70s, citing the well-documented pattern of surveillance on Black civil rights leaders during that period and the wealth of circumstantial evidence indicating that these organs of national security did the same toward prominent Latino figures such as Cesar Chavez. The following day, in a hearing before the House Permanent Select Committee on Intelligence, Rep. Castro pressed CIA Director Bill Burns on the matter, and Burns committed to working with his office to bring these activities to light. We hope that further transparency will beget further transparency and that some day the complete account of the CIA and FBI's domestic surveillance programs will be a matter of public record.10. Finally, in Mississippi, CBS reports that authorities have successfully convicted all six members of a police gang calling themselves the “Goon Squad.” These six white officers plead guilty to “breaking into a home without a warrant and torturing two Black men…The assault involved beatings, the repeated use of stun guns and assaults with a sex toy before one of the victims was shot in the mouth in a mock execution.” Lawyers representing the criminal cops allege that “their clients became ensnared in a culture of corruption that was not only permitted, but encouraged by leaders within the sheriff's office.” If true, then a federal investigation – and likely more than a few exonerations of individuals victimized by this “Goon Squad” – are in order. Justice demands it.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

On this edition of Parallax Views, last week a number of prominent Jewish Americans came together to sign an open letter voicing opposition to AIPAC (American Israel Public Affairs Committee) and its influence on both major American political parties. A statement in the leader reads, "Given that Israel is so isolated internationally that it could not continue its inhumane treatment of the Palestinians without U.S. political and military support, AIPAC is an essential link in the chain that holds in place the unbearable tragedy of Israel/Palestine. In coming U.S. elections, we need to break that chain in order to help free the people of Israel/Palestine to pursue peaceful coexistence." This open letter comes at a crucial time given Israel's war in Gaza and mounting concerns over the humanitarian crisis faced by Palestinians at this very moment. Prominent signees include actors Elliot Gould and Wallace Shawn, journalist Martin A. Lee, playwright Tony Kushner, and previous Parallax Views guests such as Ariel Gold, Dave Zirin, Mitchell Plitnick, and Samuel Moyn. Given AIPAC activities against progessive candidates in the Democratic Party, this letter should catch the eye of progressive voters and activists. Alan Minsky, executive director of Progressive Democrats of America and one of the main forces behind the letter, joins the show to discuss the letter, AIPAC, and related issues. Full text of the open letter below: A Statement from Jewish Americans Opposing AIPAC's Intervention in Democratic Party Politics We are Jewish Americans who have varying perspectives. We've agreed to come together to highlight and oppose the unprecedented and damaging role of AIPAC (American Israel Public Affairs Committee) and allied groups in U.S. elections, especially within Democratic Party primaries. We recognize the purpose of AIPAC's interventions in electoral politics is to defeat any critics of Israeli Government policy and to support candidates who vow unwavering loyalty to Israel, thereby ensuring the United States' continuing support for all that Israel does, regardless of its violence and illegality. Given that Israel is so isolated internationally that it could not continue its inhumane treatment of the Palestinians without U.S. political and military support, AIPAC is an essential link in the chain that holds in place the unbearable tragedy of Israel/Palestine. In the coming U.S. elections, we need to break that chain in order to help free the people of Israel/Palestine to pursue peaceful coexistence. In the same 2021-22 election cycle in which AIPAC endorsed Republican extremists and dozens of Congress members who'd voted against certifying Biden's victory over Trump, the AIPAC network raised millions from Trump donors and spent the money inside Democratic primaries against progressives, mostly candidates of color. AIPAC is now vowing to spend even more millions in the 2024 Democratic primaries, targeting specific Democrats in Congress – initially all legislators of color – who've advocated for a Gaza ceasefire, a position supported by the vast majority of Democratic voters. AIPAC's election spending increasingly works to defeat candidates who criticize the racist policies of Israel. In contrast to AIPAC, we are American Jews who believe that U.S. support for foreign governments should only be extended to those that respect the full human and civil rights, and right to self-determination, of all people. We oppose all forms of racism and bigotry, including antisemitism – and we support the historic alliance in our country of Jewish Americans with African Americans and other people of color in the cause of civil rights and equal justice. Therefore, we strongly oppose AIPAC's attempts to dominate Democratic primary elections. We call on Democratic candidates to not accept AIPAC network funding, and demand that the Democratic leadership not allow Republican funders to use that network to deform Democratic primary elections. We will support candidates who are opposed by AIPAC, and who are advocates for peace and a new, just U.S. policy toward Israel/Palestine.

On this edition of Parallax Views, freelance writer Corey Atad, who has written in such publications as Esquire, Slate, Hazlitt, and The Baffler, joins the show to discuss his piece in Welcome to Hellworld on Jonathan Glazer's Oscar speech and the reaction to said speech. Glazer decided to bring up the Gaza War when accepting the award for his Holocaust drama The Zone of Interest. He was accused of saying he was "refuting his Jewishness and the memory of the Holocaust" even though the clip was taken out of context. What he said was actually a commentary on the hijacking of Jewish identity and Holocaust memory for political purposes (which is what he sought to refute), a warning/call to resistance against dehumanization. As Glazer explained, he felt that Zone of Interest was not just a film about the past, but also the present. In other words: we need to be aware of where dehumanization has led in the past and where it could lead in the present. Glazer also made reference to Israel's Occupation of Palestinian territories during this speech. This has all sparked backlash and the aforementioned distortion of Glazer's words. A letter signed by at least a thousand people in Hollywood (some, like Jennifer Jason Leigh, recognizable, but many not) denouncing Glazer. Other, such as playwright Tony Kushner and the Auschwitz Memorial director Piotr Cywiński, have come to Glazer's defense. Corey joins the show to give his take on the speech as well as to offer his commentary on The Zone of Interest and relaying the tale of actress Vanessa Redgrave's 1978 Oscar speech which cause a similar controversy when she called out the extremist Jewish Defense League (referring to them as "Zionist hoodlums). We'll also delve into The Zone of Interest from the perspective of Hannah Arendt's "banality of evil" concept, Corey's criticism of The Zone of Interest, and the themes of alienation at the heart of The Zone of Interest's story centered on Auschwitz commandant Rudolf Höss, his wife Hedwig, and their family against the backdrop of the Third Reich's exterminatory horrors. All that and more on this edition of Parallax Views.

Award-winning playwright and screenwriter Tony Kushner, one of the first high-profile American Jewish artists to sharply and publicly criticize Israel's treatment of Palestinians, speaks to Haaretz Podcast host Allison Kaplan Sommer about Jonathan Glazer's Oscar speech, the Gaza War, antisemitism in the U.S., and the current production of "Angels in America" in Tel Aviv. He calls the events of October 7 "gutting" and as the months have passed since, has been horrified by the "unimaginable proportions" of the civilian death toll in Gaza and the result of actions by Israel which, he says "really looks a lot like ethnic cleansing to me" and explains the level of "passion and rage" in denunciations of the war around the world. "If you had asked me, even on October 7, would Israel allow, 30,000 people, many of them civilians, to be killed by the IDF I would have said no. Or what the UN is warning of now and imminent famine, I would have said no." He confesses on the podcast that over the five months since October 7, he has "moved closer to the idea that maybe boycott [of Israel] is is necessary." At the same time, he says: "I can't do it. I don't want to do it. I can't separate myself from Israel in that way. It just doesn't feel right."  See omnystudio.com/listener for privacy information.

Lapidus Pour Homme by Ted Lapidus (1987) + Angels in America: A Gay Fantasia on National Themes by Tony Kushner (1991) with Paul Suda 3/18/24 S6E24

Vintage Contemporaries by Dan Kois is a fiction debut that blends a coming-of-age story with the themes of lasting friendship and what it takes to be an artist. Kois joins us to talk about the publisher that inspired the novel's title, some of the important influences on his work, what he does in his day jobs and more with Miwa Messer, host of Poured Over.    This episode of Poured Over was hosted by Executive Producer Miwa Messer and mixed by Harry Liang.                   New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.         Featured Books (Episode):  Vintage Contemporaries by Dan Kois  Asa, as I Knew Him by Susanna Kaysen  Bad Behavior by Mary Gaitskill   Home Cooking by Laurie Colwin  Happy All the Time by Laurie Colwin   I Am Homeless If This Is Not My Home by Lorrie Moore  Angels in America by Tony Kushner  The World Only Spins Forward by Isaac Butler & Dan Kois  Eat Your Mind by Jason McBride  The Zone of Interest by Martin Amis  The Fraud by Zadie Smith  The Heaven & Earth Grocery Store by James McBride 

Tremors from Russia's large-scale attacks are also impacting Poland, neighbor to both Ukraine and Russia and a critical NATO ally. Just last week, fighter jets scrambled after Warsaw reported a Russian missile entered Polish airspace headed for Ukraine. Polish Foreign Minister Radek Sikorski joins the show to discuss.  Also on today's show: Senior Political Analyst John Avlon; award-winning playwright and screenwriter Tony Kushner; Ugandan opposition leader Bobi Wine  Learn more about your ad choices. Visit megaphone.fm/adchoices

Thinking Cap Theatre's Artistic Director Nicole Stodard talks with Alisa Solomon, professor at the Graduate School of Journalism at Columbia University, writer, and dramaturg about Fornes' relationship with Susan Sontag. ALISA SOLOMON'S BIO Alisa Solomon is a teacher, writer, and dramaturg in New York City. She is a professor at the Graduate School of Journalism at Columbia University, where she directs the Arts & Culture concentration in the MA program. A theater critic and general reporter for the Village Voice from 1983 to 2004, she has also contributed to The Nation, Jewish Currents, ⁠newyorker.com⁠, The Intercept, The New York Times, American Theater, Howlround.com, TDR, and other publications. Her award-winning books include Re-Dressing the Canon: Essays on Theater and Gender, and Wonder of Wonders: A Cultural History of Fiddler on the Roof. Alisa has also edited several books: The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping by Savitri D and Bill Talen; Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict (co-edited with Tony Kushner); The Queerest Art: Essays on Lesbian and Gay Theater (co-edited with Framji Minwalla), a special issue of the journal Theater on theater and social change, and a forthcoming volume of plays and essays by and about Robbie McCauley, The Struggle Continues (co-edited with Elin Diamond and Cynthia Carr). As dramaturg, Alisa's most recent projects are Anna Deavere Smith's Love All and Pipeline Project. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

Ali Velshi is joined by former Trump lawyer Michael Cohen, California Rep. Ro Khanna, Yale international law professor Oona Hathaway, Tufts University international law professor Tom Dannenbaum, Pulitzer Prize-winning playwright Tony Kushner, New York Times Investigative Reporter Susanne Craig, NBC's Ali Arouzi, NBC's Meagan Fitzgerald & NBC's Josh Lederman

EPISODE 1802: In this KEEN ON show, Andrew talks to best-selling writer and Hollywood actress Annabelle Gurwitch on her experience of taking in a homeless couple in Los AngelesANNABELLE GURWITCH is a New York Times Bestselling author, actress and activist whose most recent collection of essays "You're Leaving When? Adventures in Downward Mobility" is a 2021 New York Times Favorite Book for Healthy Living, a Good Morning America Must Read and a finalist for The Thurber Prize for American Humor Writing 2022. ​Annabelle uses personal stories and humor to illuminate issues in the social zeitgeist including "harnessing resilience and learning how life's disappointments can teach you about the things that matter most” (Tara Parker Pope, New York Times). She's written for The New Yorker, New York Times, Washington Post, Wall Street Journal, Los Angeles Times, Los Angeles Magazine, and Hadassah amongst other publications. Her five books include the New York Times bestseller and Thurber Prize finalist "I See You Made an Effort." She was the longtime cohost of the fan favorite "Dinner & a Movie" on TBS and a regular commentator on NPR. She's performed on the Moth Mainstage, at Carolines on Broadway, and at arts centers around the country. Her acting credits include: "Seinfeld,""Murphy Brown,""Boston Legal," and "Dexter." Once in while she returns to acting playing a rabbi on "Better Things" on FX or a therapist for an FBI agent in Michael Bay's "Ambulance." Time Magazine featured Annabelle in their “Ten Ideas that are Changing the World” annual series. Her media appearances include: GMA, The Today Show, Real Time with Bill Maher, CBS Early Morning, Oprah, and PBS Newshour. Annabelle is honored to be featured as a notable Southern Jewish author alongside Tony Kushner and Lillian Hellman in the Museum of the Southern Jewish Experience in New Orleans. Annabelle has been chronicling living with stage iv lung cancer and inequities in healthcare in the New York Times and Washington Post since her out-of-the-blue diagnosis during covid. She's given patient advocate talks at scientific conferences around the globe including: Vienna, Rome, Singapore, and Brisbane. She co-hosts the podcast, "Tiny Victories," dedicated to appreciating small mercies and minor triumphs on the Maximum Fun Podcast Network. She's guest lectured,taught essay writing and storytelling at The School of the New York Times, University of CA Redlands graduate writing program, Miami Dade Community College, Thurber House, George Washington U, Maine Media College, and University of Dayton, Ohio. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

And now for something truly and genuinely completely different. Tony Kushner and Jeanine Tesori's Caroline, or Change first premiered on Broadway in 2004, and while the show wasn't a success either at the box office or the Tonys, it made an impact. Another recent Broadway production similarly failed to enflame the ticket-buying public, but it helped cement the show as something of a modern classic. Today, we discuss the musical's 11 o'clock number "Lot's Wife" to try to understand why. All clips are from 2021's Caroline, or Change The New Broadway Cast Recording featuring Sharon D. Clarke as Caroline and are used in accordance with the Fair Use Exemption for criticism and commentary. Buy/stream the album on Amazon! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

Today's Talmud page, Sotah 21, shares a parable of a man walking in the dark unsure of where he is and what is out there that can hurt him. The rabbis explore how mitzvot and Torah can serve as a light to help him find his way. Steven Spielberg and Tony Kushner also explore this idea in their film Lincoln. What did Americas sixteenth president think about relying too heavily on a compass? Listen and find out. Like the show? Subscribe to our weekly newsletter. Send us a note at takeone@tabletmag.com. Follow us on Twitter at @takeonedafyomi and join the conversation in the Take One Facebook group. Take One is a Tablet Studios production. The show is hosted by Liel Leibovitz, and is produced and edited by Darone Ruskay, Quinn Waller and Elie Bleier. Our team also includes Stephanie Butnick, Josh Kross, Mark Oppenheimer, Robert Scaramuccia, and Tanya Singer.  Check out all of Tablet's podcasts at tabletmag.com/podcasts.

A special compilation of this year's Oscar nominees talking about their nominated works. Hear excerpts from Marc's interviews with Michelle Yeoh, Daniels, Brendan Fraser, Hong Chau, Austin Butler, Andrea Riseborough, Sarah Polley, Todd Field, Rian Johnson, Judd Hirsch and Tony Kushner. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast. Hosted on Acast. See acast.com/privacy for more information.

For the long weekend, we return to one of our favorite talks with actor Pedro Pascal! At the top, we discuss his role in The Unbearable Weight of Massive Talent (5:02), working with childhood idol Nicolas Cage (6:50), why his parents left Chile (11:40), the John Hughes classic his dad wouldn't let him watch (17:00), and the Tony Kushner play (20:21) that inspired him to give acting a go in New York City (25:07).  On the back-half, Pedro reflects on his first jobs on screen (27:52), the story of his mother's passing (29:50), the friends who kept him afloat (36:20) as he built a career in theater (36:48), redefining childhood dreams in adulthood (42:34), and what really matters to him at age 47 (47:37).See omnystudio.com/listener for privacy information.

With THE FABLEMANS, what appeared to be Steven Spielberg's portrait of the filmmaker as a young man turns out to be a more complicated autopsy of a family coming apart at the seams—that happens to have a budding filmmaker there to document it. Adam and Josh have lots of praise for Spielberg, his co-conspirator/co-screenwriter Tony Kushner, and the film's cast, but a few minor issues may reflect a weakness that appears more broadly in the director's work. Director Joanna Hogg has worked almost exclusively in an autobiographical vein: her acclaimed 2019 film “The Souvenir” and last year's sequel “The Souvenir, Part II,” had Hogg revisiting and re-examining her film student days. Her latest, THE ETERNAL DAUGHTER, continues the director's audacious self-reflexivity, this time casting Tilda Swinton in a double role as Hogg surrogate Julie and also as Julie's mother, Rosalind. Hogg's film is both a meta-meditation on what it means to be an artist—and a ghost story. Plus, Adam recommends Sr., a new doc about filmmaker - and Robert Downey Jr.'s dad - Robert Downey, Sr. 1:06 - Review: "The Fablemans" 36:35 - Next Week / Notes  43:44 - Polls 51:22 - Review: “The Eternal Daughter" 1:03:01 - Review (AK): “Sr.” 1:08:41 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are proud to present the first fiction podcast created by me, Joseph Fink, and my Night Vale co-creator Jeffrey Cranor since Welcome to Night Vale. It is called Unlicensed and we are about to play you the first episode. This is a project that is very close to my heart, and one that we have been working on for years. All twelve episodes of the first season are available right now only on Audible. There is a free trial, so feel free to use that to listen to it at audible.com/unlicensed. That said, I have spent the last two years listening to Audible Originals and here are a few personal recommendations if you want to keep exploring once you're there: Hot White Heist - A very queer, very funny heist story that's premise is too explicit for me to say here. Featuring more celebrity voices than I can list, it's the kind of show where Tony Kushner shows up as himself to give a 5 minute monologue on how he thinks the story is going so far. I Will Never Lie to You - A 70s road trip written by Brie Williams, frequent Night Vale writer and also writer on Unlicensed, along with James Urbaniak, of Venture Brothers and Night Vale, who also stars in it. A funny and sweet two hours of your time. Romance Road Test - Two real Brooklyn women and their real husbands try out real romantic advice in their relationships and record what happens. Everyone involved is candid and charming, and it's a lot of fun. I listened to this one in the car with my wife. Hear all episodes of Unlicensed and a bunch of other cool shows at audible.com/unlicensed.

Today we are proud to present the first fiction podcast created by me, Joseph Fink, and my Night Vale co-creator Jeffrey Cranor since Welcome to Night Vale. It is called Unlicensed and we are about to play you the first episode. This is a project that is very close to my heart, and one that we have been working on for years. All twelve episodes of the first season are available right now only on Audible. There is a free trial, so feel free to use that to listen to it at audible.com/unlicensed. That said, I have spent the last two years listening to Audible Originals and here are a few personal recommendations if you want to keep exploring once you're there: Hot White Heist - A very queer, very funny heist story that's premise is too explicit for me to say here. Featuring more celebrity voices than I can list, it's the kind of show where Tony Kushner shows up as himself to give a 5 minute monologue on how he thinks the story is going so far. I Will Never Lie to You - A 70s road trip written by Brie Williams, frequent Night Vale writer and also writer on Unlicensed, along with James Urbaniak, of Venture Brothers and Night Vale, who also stars in it. A funny and sweet two hours of your time. Romance Road Test - Two real Brooklyn women and their real husbands try out real romantic advice in their relationships and record what happens. Everyone involved is candid and charming, and it's a lot of fun. I listened to this one in the car with my wife. Hear all episodes of Unlicensed and a bunch of other cool shows at audible.com/unlicensed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ariana DeBose knows there was no way for her to prepare for what's happening right now. There's no instruction booklet for being a professional dancer at age 18 and suddenly becoming an Academy Award-nominated actress. Ariana and Marc talk about how getting voted off So You Think You Can Dance changed her life and how she checked herself by watching The Devil Wears Prada. Ariana also goes into the details of making West Side Story, including her collaborations with Steven Spielberg, Tony Kushner and Rita Moreno.  See omnystudio.com/listener for privacy information.