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9 Hours and 55 MinutesPG-13Thomas777 is a revisionist historian and a fiction writer.This is the first 10 episodes of our ongoing Continental Philosophy series with Thomas777. He covers Aristotle, Thucydides, Socrates, Plato, Hobbes, Machiavelli, Grotius, and Hegel.Thomas' SubstackRadio Free Chicago - T777 and J BurdenThomas777 MerchandiseThomas' Book "Steelstorm Pt. 1"Thomas' Book "Steelstorm Pt. 2"Thomas on TwitterThomas' CashApp - $7homas777Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.
Auris: Puls der Angst ist der sechste und finale Band von Vincent Klieschs Auris-Reihe, geschrieben von Vincent nach der Idee von Sebastian Fitzek. Diesmal stehen Jula, Hegel und die anderen einer Bedrohung gegenüber, die mit der Vergangenheit von Julas Familie und auch von Hegel zu tun hat. Wie mir der letzte Band der Reihe um … „2403: Vincent Kliesch – Auris. Puls der Angst“ weiterlesen
William Desmond explains his reading of the Metaxological as the recovery of metaphysics as a being between, and he describes his deep reading of Hegel and points out the failure of the positive reading of Hegel in Rowan William and Gillian Rose, and debunks the Žižekian reading as untrue to Hegel. If you enjoyed this podcast, please consider donating to support our work. Become a Patron!
55 MinutesPG-13Thomas777 is a revisionist historian and a fiction writer.Thomas continues a series on the subject of Continental Philosophy, which focuses on history, culture, and society. In this episode Thomas concludes his talk on Georg Wilhelm Friedrich Hegel.Thomas' SubstackRadio Free Chicago - T777 and J BurdenThomas777 MerchandiseThomas' Book "Steelstorm Pt. 1"Thomas' Book "Steelstorm Pt. 2"Thomas on TwitterThomas' CashApp - $7homas777Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.
Courtenay Turner joins us for a great chat about the Spiritual Conclave and the coming of Lord Maitreya on World Invocation Day - coincidentally. She connects ancient wisdom occultism with current day tyranny and control attempts. We chat about Theosophy and syncretism, the new age conspiracy and ONE Humanity, the Age of Aquarius, the Stanford study, Changing Man, Luciferianism, and materialism. In the second half we get into the Bible - was it the original NWO? And techno politics, third way politics, game B vs Dark Enlightenment, Fabian Socialists and war, breeding chaos, dark web, Stassi, stable coins, useless eaters, and the techno singularity. Many today know her as the host of “The Courtenay Turner Podcast” where she boldly seeks truth, diving into a myriad of deep topics surrounding issues of health, fitness, medicine, philosophy, psychology, politics, geopolitics & sociocultural zeitgeist. However, she was born with a rare set of circumstances that has greatly impacted her perspective on life. https://courtenayturner.substack.com/p/hegels-dialectic-a-gnostic-jacobs?r=lphy5&utm_medium=ios&triedRedirect=true https://courtenayturner.com/ To gain access to the second half of show and our Plus feed for audio and podcast please clink the link http://www.grimericaoutlawed.ca/support. For second half of video (when applicable and audio) go to our Substack and Subscribe. https://grimericaoutlawed.substack.com/ or to our Locals https://grimericaoutlawed.locals.com/ or Rokfin www.Rokfin.com/Grimerica Patreon https://www.patreon.com/grimericaoutlawed Support the show directly: https://grimericacbd.com/ CBD / THC Tinctures and Gummies https://grimerica.ca/support-2/ Eh-List Podcast and site: https://eh-list.ca/ Eh-List YouTube: https://www.youtube.com/@TheEh-List Our Adultbrain Audiobook Podcast and Website: www.adultbrain.ca Our Audiobook Youtube Channel: https://www.youtube.com/@adultbrainaudiobookpublishing/videos Darren's book www.acanadianshame.ca Check out our next trip/conference/meetup - Contact at the Cabin www.contactatthecabin.com Other affiliated shows: www.grimerica.ca The OG Grimerica Show www.Rokfin.com/Grimerica Our channel on free speech Rokfin Join the chat / hangout with a bunch of fellow Grimericans Https://t.me.grimerica https://www.guilded.gg/chat/b7af7266-771d-427f-978c-872a7962a6c2?messageId=c1e1c7cd-c6e9-4eaf-abc9-e6ec0be89ff3 Leave a review on iTunes and/or Stitcher: https://itunes.apple.com/ca/podcast/grimerica-outlawed http://www.stitcher.com/podcast/grimerica-outlawed Sign up for our newsletter http://www.grimerica.ca/news SPAM Graham = and send him your synchronicities, feedback, strange experiences and psychedelic trip reports!! graham@grimerica.com InstaGRAM https://www.instagram.com/grimericashow/ https://x.com/Grimerica Darren Purchase swag, with partial proceeds donated to the show www.grimerica.ca/swag Send us a postcard or letter http://www.grimerica.ca/contact/ ART - Napolean Duheme's site http://www.lostbreadcomic.com/ MUSIC Tru Northperception, Felix's Site sirfelix.bandcamp.com
In this conversation with Terry Pinkard, I discuss Hegel's famous Phenomenology of Spirit. Terry recently published a brilliant introductory guide to this famously difficult book [Hegel's Phenomenology of Spirit: A Guide (2023)] which we use as our jumping off point. We discuss the origin of Hegel's book against the backdrop of its turbulent historical moment - the aftermath of the French Revolution and Napoleon's decisive victory at the Battle of Jena. At Jena Hegel too was writing alongside figures like Hölderlin, Schelling, Goethe, and Schiller. Terry clarifies common misreadings of Hegel, particularly the idea of Geist [spirit] as some kind of cosmic spirit or divine substance, emphasizing instead how Hegel understands his notion of Geist as something very concrete and social. Geist is the collective activity of reason unfolding in history. We also discuss Hegel's engagement with the scientific thought of his time, including the influence of Newton and Leibniz, and how their debates about force shaped his philosophy. The conversation traces key stages in the Phenomenology, from sense-certainty to understanding, and examines Hegel's distinctive view of freedom - not as mere individual choice, but as embedded in institutional and social practices. Finally, we consider what Terry might ask Hegel himself if given the chance. Prof. Terry Pinkard is a leading American philosopher and Hegel scholar, known for his influential work on German Idealism, phenomenology, and social philosophy. A professor at Georgetown University, he has written the definitive biography of Hegel (Hegel: A Biography 2000) and key interpretive works like Hegel's Phenomenology: The Sociality of Reason (1994) and Hegel's Naturalism (2011). If you would like to study with me you can find more information about our online education MAs in Philosophy here at Staffordshire University. You can find out more information on our MA in Continental Philosophy via this link. Or, join our MA in Philosophy of Nature, Information and Technology via this link. Find out more about me here. September intakes F/T or January intakes P/T. You can listen to more free back content from the Thales' Well podcast on TuneIn Radio, Player Fm, Stitcher and Pod Bean. You can also download their apps to your smart phone and listen via there. You can also subscribe for free on iTunes. Please leave a nice review.
9 marzo 2025 - Annarosa Buttarelli e Silvia Neonato
In this episode, we discuss Alasdair MacIntyre's landmark book After Virtue. MacIntyre, an ex-Marxist and committed anti-liberal, offers a defense of the Aristotelian tradition and its search for the truly common good against the dominant tendency of liberal societies to reduce morality to individual preferences. Modern society, MacIntyre believes, is one where we live fragmented lives, unable to narrate a coherent story of the relationship between morality and politics. Our invocations of morality ring increasingly hollow as we cannot even imagine what it would mean to convince others of what is good. We explore how the loss of morality coincides with all of us becoming moralists, why it seems we have to choose between Nietzsche and Aristotle, the costs of teaching morality like a choose-your-own-adventure buffet, and whether MacIntyre offers a compelling solution to our nihilistic times. The least we can say is that living without virtue is a real bummer!GET YOUR TICKETS FOR THE LIVE SHOW HERE:https://epiphanychi.com/events/whats-left-of-philosophy-live-show-karl-marxs-communist-manifesto/This is just a short teaser of the full episode. To hear the rest, please subscribe to us on Patreon:patreon.com/leftofphilosophyReferences:Alasadair MacIntyre, After Virtue: A Study in Moral Theory, 3rd Edition (Notre Dame: University of Notre Dame Press, 2007).Émile Perreau-Saussine, Alasdair MacIntyre: An Intellectual Biography. trans. Nathan J. Pinkski (Notre Dame: University of Notre Dame Press, 2022).Michael Lazarus, Absolute Ethical Life: Aristotle, Hegel and Marx (Stanford: Stanford University Press, 2025). Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN
In this final discussion of Hegel and Anselm, the contrast between the two in the personal and propositional is brought out, with the idea that God's person is given to us in Christ (poured out in kenotic love) and in this sense can be known. If you enjoyed this podcast, please consider donating to support our work. Become a Patron!
Zásadní zlom v dějinách západu? Podle kanadského antropologa a evolučního biologa Josepha Henricha to možná nebyl rozum, renesance ani reforma, ale církevní zákaz sňatků mezi bratranci. Právě ten prý rozbil klanové vazby a otevřel prostor pro menší, svobodnější rodiny – a s nimi i pro individualismus, důvěru v pravidla a vznik západního typu myšlení. Detaily církevní regulace se tak mění ve stavební kámen civilizační revoluce. Výsledkem byli „nejpodivnější lidé na světě“, jak píše ve svém světovém bestselleru z roku 2022 –jednotlivci, kteří se orientují na normy, důvěřují cizincům a chtějí žít sami za sebe.Feministická teoretička Sophie Lewis s tím nesouhlasí. Rodina není počátkem svobody, ale jejím koncem, přesněji: je továrnou na únavu, nerovnost a násilí. V manifestu Zrušte rodinu, rovněž z roku 2022, vyzývá k jejímu zničení, nikoli z nenávisti k vztahům, ale ve jménu jejich osvobození. Unavená matka za dveřmi malého bytu podle ní není obrazem péče, ale systémového selhání. A moderní technologie prý umožní vysvobodit reprodukci z pasti binarity a heteronormativity. Nejen péče se má kolektivizovat – dítě si přece může každý pořídit bez nutnosti zatěžovat se heteronormativním útlakem.Navzdory podobným radikálním vizím – o které není ve filozofii nouze – se nezdá, že by rodiny mizely. Sice přibývá lidí žijících o samotě, klesá počet sňatků a narůstá podíl jedináčků, výzkumy však rovněž ukazují, že mladí lidé se ideje rodiny nevzdávají – nadále ji vnímají jako hodnotný a žádoucí cíl. Spíše než ústup rodiny sledujeme její proměnu, která někdy připomíná rozpad, jindy rozrůstání.Socioložka Matilda White Rileyová – jejíž práci rozvíjí i současná autorka Eva Illouzová – popsala už před desetiletími pozoruhodný fenomén narůstající „rodinné hustoty“. V důsledku prodlužujícího se života, rozvodů, opakovaných sňatků a patchworkových uspořádání dnes můžeme žít až ve čtyřech generacích současně. Tento trend se už promítá i do domácností – zatímco v Česku převažují dosud ty menší, ve Spojených státech se počet těch, kde spolu žijí tři a více generací, za poslední dekádu téměř zčtyřnásobil. Ukazuje se, že ani rozvod nemusí být jen koncem, také může stát na počátku nové, rozšířené rodiny. Jinými slovy: zažíváme víc vztahů, víc konců – ale i víc začátků. A máme také víc času sledovat, jak vztahy stárnou, zanikají – a někdy nečekaně ožívají. Nežijeme v době po rodině, ale v éře její zahuštěné, mnohovrstevnaté přítomnosti.KapitolyI. Rodina základ konfliktu [začátek až 15:55]II. Zákaz bratranců změnil svět [15:55 až 27:00]III. Dítě je svobodou rodičů [27:00 až 45:25]IV. Rodina? Továrna na vyčerpání [45:25 až 01:03:10]V. Doba po rodině? Kdeže [01:03:10 až konec]BibliografieČeská mládež v roce 2021, in: Friedrich Ebert Stiftung, katalog.vupsv.cz+7library.fes.de+7cvvm.soc.cas.cz+7.Anthony Giddens, Living in a Post-Traditional Society, in: U. Beck – A. Giddens – S. Lash, Reflexive Modernization: Politics, Tradition, and Aesthetics in the Modern Social Order, Cambridge: Cambridge University Press, 1996, str. 56–109.Georg W. F. Hegel, Základy filosofie práva, přel. Vladimír Špalek, Praha: Academia – Nakladatelství Československé akademie věd, 1992.Joseph Henrich, The WEIRDest People in the World: How the West Became Psychologically Peculiar and Particularly Prosperous, New York: Farrar, Straus and Giroux, 2020.Pavel Kovář, Miroslav Plzák osobně, Praha: Nakladatelství xyz, 2011.Sophie Lewis, Abolish the Family: A Manifesto for Care and Liberation. London – New York: Verso Books, 2022 (přel. Olga Pek, Praha: tranzit.cz, 2023).Niklas Luhmann, Láska jako vášeň, přel. Miroslav Petříček, Praha: Prostor 2002.Matilda White Riley, The Family in Aging Society. A Matrix of Latent Relationships, in: Journal of Family Issues, 4, 3, 1983, str. 439–454.Rodney Stark, The Rise of Christianity: A Sociologist Reconsiders History, Princeton: Princeton University Press, 1996.
Paul Axton preaches: Christ, in the kenotic love of the cross and incarnation, opens God to knowing and by imitating Christ there is a suspension of the oppressive understanding of God, the law, and the self, and the experience of the Spirit. The background to this kenotic interpretation is in Hegel's philosophy which is characterized by this kenotic understanding. If you enjoyed this podcast, please consider donating to support our work. Become a Patron!
BBQ Judging, Scythe Harvesting, and Christian MarriageBarbecue Competition Judging: Adam shares his first experience as a barbecue competition judge at a local Catholic church and school fundraiser in Tulsa, where he was joined by his son Jude (assistant judge) and two priests.Judged four categories: chicken, pulled pork, ribs, and brisket (Adam insists brisket is the primary measure; David (wrongly) argues for ribs).12 pit masters competed; judged on appearance, taste, tenderness, texture, uniqueness, and overall (max score 25).Advice from Joe Martin's son: Take one bite per entry to avoid overeating (48 bites total across 40 minutes).Adam judged strictly (e.g., scores as low as 14, zero for appearance), while priests gave higher scores (23–24), highlighting differing standards.Event fostered camaraderie among pit masters (12 hours together) and service to attendees, teaching kids sacrifice, friendship, and craft articulation.Shout-out to Brian Schooley for organizing; Adam and David plan to enter as The Catholic Man Show next year, with Jim in a dunk tank.Main DiscussionWheat Harvest with a ScytheDavid's Experience: David harvested two 45x45-foot wheat plots using a scythe, finding it soothing, peaceful, and in tune with nature despite being exhausting.Quotes Wendell Berry: “The means we use to do our work almost certainly affects the way we look at the world” (via an X account, @minahan8).Compared to last year's sickle (felt “commie”), the scythe was efficient for small-scale farming; not practical for large-scale but satisfying.Kids raked straw (post-harvest, nutritionless due to seeding) for pig bedding or garden mulch; straw vs. hay explained (hay retains nutrition).Adam plans to borrow David's scythe for his own wheat harvest, nervous about back strain.Wendell Berry Reflection: Hosts revisit Berry's essays, appreciating his beautiful, idealistic conclusions but finding his reasoning insufficient (e.g., abandoning tractors would starve people).Compare Berry's idealism to J.R.R. Tolkien and Guardini's Letters at Lake Como; both depict lovely worlds but lack practical solutions for modern challenges.Christian Marriage and Pope Leo XIIIIntroduction to Pope Leo XIII: Adam introduces Pope Leo XIII (1810–1903), a prophetic figure who addressed modernity's challenges (secularism, communism, liberalism) in the late 19th century.Known for Rerum Novarum (1891, Catholic social teaching), reviving Thomism in seminaries (to counter Nietzsche, Hegel, and communism), and engaging modern society.His encyclical Arcanum Divinae Sapientiae (1880) emphasizes Christian marriage as a divine, not secular, institution, foundational to society.Critiqued rise of divorce, moral relativism, and civil interference undermining marriage's sanctity; argued church, not state, holds primary authority over marriage.Marriage as Trinitarian Image: Marriage mirrors the Trinity's relational society, where spousal love is so real it produces a third (child), reflecting Father, Son, and Holy Spirit.Secular view (Enlightenment-era and today) reduces marriage to a consensual contract, ignoring its sacramental, stable, and permanent nature.State has a role in regulating marriage per natural law, but church's supernatural authority supersedes.Ephesians 5 and Mutual SubmissionScriptural Basis: Leo XIII references Ephesians 5 (footnoted), where St. Paul instructs mutual submission out of reverence for Christ, with specific roles: wives submit to husbands, husbands love wives as Christ loved the church.Secular society fixates on “wives submit,” ignoring mutual submission and...
Friedrich Hegel: biografia, pensiero e filosofia dell'autore con spiegazione della più importante delle sue opere, la Fenomenologia dello spirito.
64 MinutesPG-13Thomas777 is a revisionist historian and a fiction writer.Thomas continues a series on the subject of Continental Philosophy, which focuses on history, culture, and society. In this episode Thomas begins his talk on Georg Wilhelm Friedrich Hegel.Thomas' SubstackRadio Free Chicago - T777 and J BurdenThomas777 MerchandiseThomas' Book "Steelstorm Pt. 1"Thomas' Book "Steelstorm Pt. 2"Thomas on TwitterThomas' CashApp - $7homas777Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.
Another week, another slightly chaotic result. Bay FC lost 1-0 at home to the Orlando Pride, but not without producing some scintillating stuff in the game-state-driven closing stage of the match. Might Bay be turning the corner in spite of the result? Might Orlando be just fine despite some regression from last year? The guys puzzle it over (21:06). Then, they chat with new Angel City FC head coach Alex Straus about his coaching philosophy, his ambitions for this season, and what the team can accomplish in years to come. Somehow, some way, Hegel gets referenced (39:45). Subscribe to our Patreon for only $6/month ($60/year) to get all of our exclusive bonus content! Art by Eli Elbogen Music by Devin Drobka's Bell Dance Songs
In this lecture Paul Axton traces the early church's understanding of the Logos as the incarnate Christ, the sensibility preserved best in the East and taken up in Hegel's doctrine of atonement. If you enjoyed this podcast, please consider donating to support our work. Become a Patron!
Agon Hamza and Frank Ruda sit with the Americanphilosopher Todd McGowan to discuss the nature of comedy, perversion and hysteria, psychoanalysis as a philosophicalorientation, political nonbelonging, alienation, Hegelian philosophy.. and a lot more!You can listen to our podcast here: https://anchor.fm/crisisandcritique If you like this and other episodes, please consider subscribing and supporting us at our Patreon page: https://www.patreon.com/user?u=71723553
Può un computer diventare cosciente? La mente umana è solo un sofisticato algoritmo? In questo episodio de "La mia vita spaziale" esploriamo le rivoluzionarie tesi di Federico Faggin nel suo libro "Irriducibile".Faggin non è solo l'inventore del microprocessore e pioniere della Silicon Valley: è un pensatore che ha osato sfidare il riduzionismo dominante nella scienza contemporanea. Come dice lui stesso: "Gli scienziati riduzionisti materialisti non ammetteranno mai un mistero nelle cose che vedono, sempre rinviando di volta in volta aspettando una spiegazione riduzionista per ciò che è ancora ignoto... è esso stesso un atto di fede".Cosa scoprirai in questo episodio:• Il percorso personale di Faggin: da ingegnere dei microprocessori a filosofo della mente• L'autoconoscenza come impulso cosmico: non solo processo psicologico individuale, ma forza fondamentale dell'universo• Il rovesciamento materialista: non è la materia che genera coscienza, ma la coscienza che usa la materia come "inchiostro" per scrivere la sua conoscenza di sé• La critica al dogmatismo scientifico: perché il materialismo diventa paradossalmente una nuova forma di misticismo razionalista"Noi esseri umani non siamo gli unici pensanti in un universo che è cieco, meccanico, ma siamo protagonisti consapevoli di una grandiosa sinfonia di autorealizzazione universale" - una visione che ricorda Hegel, Spinoza e le filosofie mistiche orientali.Come sottolinea Andrea Brugnoli: "Questa teoria secondo me è decisiva per capire meglio anche l'intelligenza artificiale" - una riflessione quanto mai attuale nell'era dell'AI generativa.Timestamp principali:00:00 - Introduzione: Federico Faggin e il libro "Irriducibile"02:30 - L'autoconoscenza come impulso cosmico universale05:20 - La critica al materialismo scientifico08:10 - Il paradosso del riduzionismo come atto di fede12:00 - L'universo come autobiografia cosmica15:45 - La materia come "inchiostro della coscienza"18:30 - Frattali, ologrammi e il tutto nel frammentoTi sei mai chiesto se ci sia qualcosa di irriducibilmente umano che nessuna tecnologia potrà mai replicare? Condividi la tua esperienza nei commenti e iscriviti per non perdere i prossimi episodi!Parole chiave: coscienza, intelligenza artificiale, filosofia della mente, Federico Faggin, materialismo
Paul Axton describes Rowan Williams' reinterpretation of Hegel, which accords with Axton's reading of Hegel's work on the philosophy of religion and Anselm's ontological argument. In this understanding, Hegel provides an orthodox Eastern-like sensibility of the necessity of Trinity for thought. If you enjoyed this podcast, please consider donating to support our work. Become a Patron!
Ad Verbrugge in gesprek met dominee Paul Visser over de betekenis en achtergrond van Pinksteren.Dit is een herhaling van een uitzending uit 2024.--Kom op 28 juni naar De Nacht van De Nieuwe Wereld. Bestel je kaarten hier: https://dnw.eventgoose.com/--Bronnen en links bij deze uitzending:- Een eerder gesprek met dominee Visser over Kerst: https://www.youtube.com/watch?v=rSdsTVci8mo- Een eerder gesprek met dominee Visser over Pasen: https://www.youtube.com/watch?v=VQlNJCGx50E--Steun De Nieuwe Wereld. Word patroon op https://petjeaf.com/denieuwewereld of doneer op NL61 RABO 0357 5828 61 t.n.v. Stichting De Nieuwe Wereld.Alvast bedankt.--0:00 Intro3:01 De Joodse achtergrond van Pasen en Pinksteren8:21 Bijbellezing en -exegese16:54 Vuur, verschijning, openbaring en metanoia28:17 Hegel en de God van de filosofen 36:56 "Want waar twee of drie vergaderd zijn in Mijn Naam, daar ben Ik in het midden van hen"49:31 Terug naar de Bijbel: wijsheid van de wereld en Gods verborgen wijsheid58:41 De astrologische zin van Pinksteren1:05:59 Afronding--De Nieuwe Wereld TV is een platform dat mensen uit verschillende disciplines bij elkaar brengt om na te denken over grote veranderingen die op komst zijn door een combinatie van snelle technologische ontwikkelingen en globalisering. Het is een initiatief van filosoof Ad Verbrugge in samenwerking met anchors Jelle van Baardewijk en Marlies Dekkers. De Nieuwe Wereld TV wordt gemaakt in samenwerking met de Filosofische School Nederland. Onze website: https://denieuwewereld.tv/ DNW heeft ook een Substack. Meld je hier aan: https://denieuwewereld.substack.com/
Jeffrey Madoff is, as you will discover, quite a fascinating and engaging person. Jeff is quite the creative entrepreneur as this episode's title says. But he really is so much more. He tells us that he came by his entrepreneurial spirit and mindset honestly. His parents were both entrepreneurs and passed their attitude onto him and his older sister. Even Jeffrey's children have their own businesses. There is, however, so much more to Jeffrey Madoff. He has written a book and is working on another one. He also has created a play based on the life of Lloyd Price. Who is Lloyd Price? Listen and find out. Clue, the name of the play is “Personality”. Jeff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year. My conversation with Jeff is a far ranging as you can imagine. We talk about everything from the meaning of Creativity to Imposture's Syndrome. I always tell my guests that Unstoppable Mindset is not a podcast to interview people, but instead I want to have real conversations. I really got my wish with Jeff Madoff. I hope you like listening to this episode as much as I liked being involved in it. About the Guest: Jeffrey Madoff's career straddles the creative and business side of the arts. He has been a successful entrepreneur in fashion design and film, and as an author, playwright, producer, and adjunct professor at Parsons School of Design. He created and taught a course for sixteen years called “Creative Careers Making A Living With Your Ideas”, which led to a bestselling book of the same name . Madoff has been a keynote speaker at Princeton, Wharton, NYU and Yale where he curated and moderated a series of panels entitled "Reframing The Arts As Entrepreneurship”. His play “Personality” was a critical and audience success in it's commercial runs at People's Light Theater in Pennsylvania and in Chicago and currently waiting for a theater on The West End in London. Madoff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year. Ways to connect Jeffrey: company website: www.madoffproductions.com LinkedIn: https://www.linkedin.com/in/b-jeffrey-madoff-5baa8074/ www.acreativecareer.com Instagram: @acreativecareer About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone. Welcome to another episode of unstoppable mindset. We're glad to have you on board with us, wherever you happen to be. Hope the day is going well for you. Our guest today is Jeffrey Madoff, who is an a very creative kind of person. He has done a number of things in the entrepreneurial world. He has dealt with a lot of things regarding the creative side of the arts. He's written plays. He taught a course for 16 years, and he'll tell us about that. He's been a speaker in a variety of places. And I'm not going to go into all of that, because I think it'll be more fun if Jeffrey does it. So welcome to unstoppable mindset. We are really glad you're here and looking forward to having an hour of fun. And you know, as I mentioned to you once before, the only rule on the podcast is we both have to have fun, or it's not worth doing, right? So here Jeffrey Madoff ** 02:13 we are. Well, thanks for having me on. Michael, well, we're really glad Michael Hingson ** 02:17 you're here. Why don't we start as I love to do tell us kind of about the early Jeffrey growing up, and you know how you got where you are, a little bit or whatever. Jeffrey Madoff ** 02:28 Well, I was born in Akron, Ohio, which at that time was the rubber capital of the world. Ah, so that might explain some of my bounce and resilience. There Michael Hingson ** 02:40 you go. I was in Sandusky, Ohio last weekend, nice and cold, or last week, Jeffrey Madoff ** 02:44 yeah, I remember you were, you were going to be heading there. And, you know, Ohio, Akron, which is in northern Ohio, was a great place to grow up and then leave, you know, so my my childhood. I have many, many friends from my childhood, some who still live there. So it's actually I always enjoy going back, which doesn't happen all that often anymore, you know, because certain chapters in one's life close, like you know, when my when my parents died, there wasn't as much reason to go back, and because the friends that I had there preferred to come to New York rather than me go to Akron. But, you know, Akron was a great place to live, and I'm very fortunate. I think what makes a great place a great place is the people you meet, the experiences you have. Mm, hmm, and I met a lot of really good people, and I was very close with my parents, who were entrepreneurs. My mom and dad both were so I come by that aspect of my life very honestly, because they modeled the behavior. And I have an older sister, and she's also an entrepreneur, so I think that's part of the genetic code of our family is doing that. And actually, both of my kids have their own business, and my wife was entrepreneurial. So some of those things just carry forward, because it's kind of what, you know, what did your parents do? My parents were independent retailers, and so they started by working in other stores, and then gradually, both of them, who were also very independent people, you know, started, started their own store, and then when they got married, they opened one together, and it was Women's and Children's retail clothing. And so I learned, I learned a lot from my folks, mainly from the. Behavior that I saw growing up. I don't think you can really lecture kids and teach them anything, yeah, but you can be a very powerful teacher through example, both bad and good. Fortunately, my parents were good examples. I think Michael Hingson ** 05:14 that kids really are a whole lot more perceptive than than people think sometimes, and you're absolutely right, lecturing them and telling them things, especially when you go off and do something different than you tell them to do, never works. They're going to see right through it. Jeffrey Madoff ** 05:31 That's right. That's right. And you know, my kids are very bright, and there was never anything we couldn't talk about. And I had that same thing with my parents, you know, particularly my dad. But I had the same thing with both my parents. There was just this kind of understanding that community, open communication is the best communication and dealing with things as they came up was the best way to deal with things. And so it was, it was, it was really good, because my kids are the same way. You know, there was always discussions and questioning. And to this day, and I have twins, I have a boy and girl that are 31 years old and very I'm very proud of them and the people that they have become, and are still becoming, Michael Hingson ** 06:31 well and still becoming is really the operative part of that. I think we all should constantly be learning, and we should, should never decide we've learned all there is to learn, because that won't happen. There's always something new, Jeffrey Madoff ** 06:44 and that's really what's fun. I think that you know for creativity and life at large, that constant curiosity and learning is fuel that keeps things moving forward, and can kindle the flame that lights up into inspiration, whether you're writing a book or a song or whatever it is, whatever expression one may have, I think that's where it originates. Is curiosity. You're trying to answer a question or solve a problem or something. Yeah, Michael Hingson ** 07:20 and sometimes you're not, and it's just a matter of doing. And it doesn't always have to be some agenda somewhere, but it's good to just be able to continue to grow. And all too often, we get so locked into agendas that we don't look at the rest of the world around us. Jeffrey Madoff ** 07:41 I Well, I would say the the agenda in and of itself, staying curious, I guess an overarching part of my agenda, but it's not to try to get something from somebody else, right, other than knowledge, right? And so I guess I do have an agenda in that. That's what I find interesting. Michael Hingson ** 08:02 I can accept that that makes sense. Jeffrey Madoff ** 08:06 Well, maybe one of the few things I say that does so thank you. Michael Hingson ** 08:10 I wasn't even thinking of that as an agenda, but just a way of life. But I hear what you're saying. It makes sense. Oh, there are Jeffrey Madoff ** 08:17 people that I've certainly met you may have, and your listeners may have, also that there always is some kind of, I wouldn't call it agenda, a transactional aspect to what they're doing. And that transactional aspect one could call an agenda, which isn't about mutual interest, it's more what I can get and or what I can sell you, or what I can convince you of, or whatever. And I to me, it's the the process is what's so interesting, the process of questioning, the process of learning, the process of expressing, all of those things I think are very powerful, yeah, Michael Hingson ** 09:03 yeah, I hear what you're saying. So for you, you were an Akron did you go to college there? Or what did you do after high school? So Jeffrey Madoff ** 09:11 after high school, I went to the University of Wisconsin, ah, Madison, which is a fantastic place. That's right, badgers, that's right. And, and what really cinched the deal was when I went to visit the school. I mean, it was so different when I was a kid, because, you know, nowadays, the kids that my kids grew up with, you know, the parents would visit 18 schools, and they would, you know, they would, they would file for admission to 15 schools. And I did one in my parents. I said to them, can I take the car? I want to go check out the University. I was actually looking at Northwestern and the University of Wisconsin. And. And I was in Evanston, where Northwestern is located. I didn't see any kids around, and, you know, I had my parents car, and I finally saw a group of kids, and I said, where is everybody? I said, Well, it's exam week. Everybody's in studying. Oh, I rolled up the window, and without getting out of the car, continued on to Madison. And when I got to Madison, I was meeting somebody behind the Student Union. And my favorite band at that time, which was the Paul Butterfield blues band, was giving a free concert. So I went behind the Student Union, and it's a beautiful, idyllic place, lakes and sailboats and just really gorgeous. And my favorite band is giving a free concert. So decision made, I'm going University of Wisconsin, and it was a great place. Michael Hingson ** 10:51 I remember when I was looking at colleges. We got several letters. Got I wanted to major in physics. I was always science oriented. Got a letter from Dartmouth saying you ought to consider applying, and got some other letters. We looked at some catalogs, and I don't even remember how the subject came up, but we discovered this University California campus, University California at Irvine, and it was a new campus, and that attracted me, because although physically, it was very large, there were only a few buildings on it. The total population of undergraduates was 2700 students, not that way today, but it was back when I went there, and that attracted me. So we reached out to the chair of the physics department, whose name we got out of the catalog, and asked Dr Ford if we could come and meet with him and see if he thought it would be a good fit. And it was over the summer between my junior and senior year, and we went down, and we chatted with him for about an hour, and he he talked a little physics to me and asked a few questions, and I answered them, and he said, you know, you would do great here. You should apply. And I did, and I was accepted, and that was it, and I've never regretted that. And I actually went all the way through and got my master's degree staying at UC Irvine, because it was a great campus. There were some professors who weren't overly teaching oriented, because they were so you research oriented, but mostly the teachers were pretty good, and we had a lot of fun, and there were a lot of good other activities, like I worked with the campus radio station and so on. So I hear what you're saying, and it's the things that attract you to a campus. Those count. Oh, Jeffrey Madoff ** 12:35 yeah. I mean, because what can you really do on a visit? You know, it's like kicking the tires of a car, right? You know? Does it feel right? Is there something that I mean, sometimes you get lucky and sometimes you do meet a faculty member or someone that you really connect with, and that causes you to really like the place, but you don't really know until you're kind of there, right? And Madison ended up being a wonderful choice. I loved it. I had a double major in philosophy and psychology. You know, my my reasoning being, what two things do I find really interesting that there is no path to making a good income from Oh, philosophy and psychology. That works Michael Hingson ** 13:22 well you possibly can from psychology, but philosophy, not hardly Jeffrey Madoff ** 13:26 No, no. But, you know, the thing that was so great about it, going back to the term we used earlier, curiosity in the fuel, what I loved about both, you know, philosophy and psychology used to be cross listed. They were this under the same heading. It was in 1932 when the Encyclopedia Britannica approached Sigmund Freud to write a separate entry for psychology, and that was the first time the two disciplines, philosophy and psychology, were split apart, and Freud wrote that entry, and forever since, it became its own discipline, but the questions that one asks, or the questions that are posed in Both philosophy and psychology, I still, to this day, find fascinating. And, you know, thinking about thinking and how you think about things, I always find very, very interesting. Michael Hingson ** 14:33 Yeah, and the whole, the whole process, how do you get from here to there? How do you deal with anything that comes up, whether it's a challenge or just fulfilling the life choices that you make and so on. And philosophy and psychology, in a sense, I think, really are significantly different, but they're both very much thinking oriented. Jeffrey Madoff ** 14:57 Oh, absolutely, it. And you know, philosophy means study of life, right? What psychology is, yeah, so I understand why they were bonded, and now, you know, understand why they also separated. Yeah, Michael Hingson ** 15:15 I'll have to go look up what Freud said. I have never read that, but I will go find it. I'm curious. Yeah, Jeffrey Madoff ** 15:23 it's it's so interesting. It's so interesting to me, because whether you believe in Freud or not, you if you are knowledgeable at all, the impact that he had on the world to this day is staggeringly significant. Yeah, because nobody was at posing those questions before, yeah, Michael Hingson ** 15:46 yeah. And there's, there's no doubt that that he has had a major contribution to a lot of things regarding life, and you're right, whether you buy into the view that he had of a lot of things isn't, isn't really the issue, but it still is that he had a lot of relevant and interesting things to say, and he helps people think that's right, that's right. Well, so what did you do? So you had a double major? Did you go on and do any advanced degree work? No, Jeffrey Madoff ** 16:17 you know it was interesting because I had thought about it because I liked philosophy so much. And I approached this professor who was very noted, Ivan Saul, who was one of the world Hegelian scholars, and I approached him to be my advisor. And he said, Why do you want me to be your advisor? And I said, because you're one of the most published and respected authors on that subject. And if I'm going to have an advisor, I might as well go for the person that might help me the most and mean the most if I apply to graduate schools. So I did in that case certainly had an agenda. Yeah, and, and he said, you know, Jeff, I just got back from the world Hegelian conference in Munich, and I found it very depressing as and he just paused, and I said, why'd you find it depressing? And he said, Well, there's only one or two other people in the world that I can speak to about Hegel. And I said, Well, maybe you want to choose a different topic so you can make more friends. That depressing. That doesn't sound like it's a mix, you know, good fit for life, right? But so I didn't continue to graduate studies. I took graduate courses. I started graduate courses the second semester of my sophomore year. But I thought, I don't know. I don't want to, I don't want to gain this knowledge that the only thing I can do is pass it on to others. It's kind of like breathing stale air or leaving the windows shut. I wanted to be in a world where there was an idea exchange, which I thought would be a lot more interesting. Yeah. And so there was a brief period where I thought I would get a doctorate and do that, and I love teaching, but I never wanted to. That's not what I wanted to pursue for those reasons. Michael Hingson ** 18:35 So what did you end up doing then, once you got Jeffrey Madoff ** 18:37 out of college? Well, there was a must have done something I did. And there's a little boutique, and in Madison that I did the buying for. And it was this very hip little clothing store. And Madison, because it was a big campus, you know, in the major rock bands would tour, they would come into the store because we had unusual things that I would find in New York, you know, when I was doing the buying for it, and I get a phone call from a friend of mine, a kid that I grew up with, and he was a year older, he had graduated school a year before me, and he said, Can you think of a gig that would earn more than bank interest? You know, I've saved up this money. Can you think of anything? And I said, Well, I see what we design. I mean, I see what we sell, and I could always draw. So I felt like I could design. I said, I'll start a clothing company. And Michael, I had not a clue in terms of what I was committing myself to. I was very naive, but not stupid. You know, was ignorant, but not stupid. And different. The difference between being ignorant and being stupid is ignorant. You can. Learn stupids forever, yeah, and that started me on this learning lesson, an entrepreneurial learning lesson, and there was, you know, quite formative for me. And the company was doubling in size every four months, every three months, and it was getting pretty big pretty quick. And you know, I was flying by the seat of my pants. I didn't really know what I was doing, but what I discovered is I had, you know, saleable taste. And I mean, when I was working in this store, I got some of the sewers who did the alterations to make some of my drawings, and I cut apart a shirt that I liked the way it fit, so I could see what the pieces are, and kind of figure out how this all worked. So but when I would go to a store and I would see fabric on the bolt, meaning it hadn't been made into anything, I was so naive. I thought that was wholesale, you know, which it wasn't and but I learned quickly, because it was like you learn quickly, or you go off the edge of a cliff, you go out of business. So it taught me a lot of things. And you know the title of your podcast, the unstoppable, that's part of what you learn in business. If you're going to survive, you've gotta be resilient enough to get up, because you're going to get knocked down. You have to persevere, because there are people that are going to that you're competing with, and there are things that are things that are going to happen that are going to make you want to give up, but that perseverance, that resilience, I think probably creativity, is third. I think it's a close call between perseverance and resilience, because those are really important criteria for a personality profile to have if you're going to succeed in business as an entrepreneur. Michael Hingson ** 22:05 You know, Einstein once said, or at least he's credited with saying, that the definition of insanity is doing the same thing over and over again and expecting different results, right and and the reality is that good, resilient. People will look at things that didn't go right, and if they really look at them, they'll go, I didn't fail. Yeah, maybe I didn't go right. I may have made a mistake, or something wasn't quite right. What do I do to fix it so that the next time, we won't have the same problem? And I think that's so important. I wrote my book last year, live like a guide dog, true stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith. And it's all about learning to control fear, but it's also all about learning from dogs. I've had eight guide dogs, and my wife had a service dog, and it's all about learning from dogs and seeing why they live in an environment where we are and they feed off of us, if you will. But at the same time, what they don't do is fear like we do. They're open to trust, and we tend not to be because we worry about so many things, rather than just looking at the world and just dealing with our part of it. So it is, it is interesting to to hear you talk about resilience. I think you're absolutely right that resilience is extremely important. Perseverance is important, and they do go together, but you you have to analyze what it is that makes you resilient, or what it is that you need to do to keep being resilient. Jeffrey Madoff ** 23:48 Well, you're right. And one of the questions that you alluded to the course that I taught for 16 years at Parsons School of Design, which was my course, was called creative careers, making a living with your ideas. And I would ask the students, how many of you are afraid of failing? And probably more than three quarters of the class, their hands went up, and I said to them, you know, if that fear stops you, you'll never do anything interesting, because creativity, true creativity, by necessity, takes you up to and beyond the boundaries. And so it's not going to be always embraced. And you know, failure, I think everyone has to define it for themselves. But I think failure, to me, is and you hear that, you know, failure is a great way to learn. I mean, it's a way. To learn, but it's never not painful, you know, and it, but it is a way to learn if you're paying attention and if you are open to that notion, which I am and was, because, you know, that kind of risk is a necessary part of creativity, going where you hadn't gone before, to try to find solutions that you hadn't done before, and seeing what works. And of course, there's going to be things that don't, but it's only failure if you stop doing what is important to you. Yeah, Michael Hingson ** 25:39 well, I think you're absolutely right. And one of the things that I used to do and still do, but it started when I was working as program director of our radio station at UC Irvine, was I wanted people to hear what they sounded like on the radio, because I always listened to what I said, and I know it helped me, but getting the other radio personalities to listen to themselves was was well, like herding cats, it just wasn't doable. And what we finally did is we set up, I and the engineer of the radio station, set up a recorder in a locked cabinet, and whenever the board went on in the main studio, the microphone went on, it recorded. So we didn't need to worry about the music. All we wanted was what the people said, and then we would give people the cassettes. And one of the things that I started saying then, and I said it until, like about a year ago, was, you know, you're your own worst critic, if you can learn to grow from it, or if you can learn to see what's a problem and go on, then that's great. What I learned over the last year and thought about is I'm really not my own worst critic. I'm my own best teacher, because I'm the only one who can really teach me anything, and it's better to shape it in a positive way. So I am my own best teacher. And so I think you're right. If you really want to talk about the concept of failure, failure is when you won't get back up. Failure is when you won't do anything to learn and grow from whatever happens to you, even the good stuff. Could I have done it better? Those are all very important things to do. Jeffrey Madoff ** 27:19 No, I agree. So why did you think it was important for them to hear their voice? Michael Hingson ** 27:25 Because I wanted them to hear what everyone else heard. I wanted them to hear what they sounded like to their listeners. And the reality is, when we got them to do that, it was, I say it was incredible, but it wasn't a surprise to me how much better they got. And some of those people ended up going into radio broadcasting, going into other kinds of things, but they really learned to hear what everyone else heard. And they they learned how to talk better. They learn what they really needed to improve upon, or they learn what wasn't sounding very good to everyone else, and they changed their habits. Jeffrey Madoff ** 28:13 Interesting, interesting. So, so part of that also helps them establish a certain on air identity. I would imagine finding their own voice, so to speak, right, Michael Hingson ** 28:30 or finding a better voice than they than they had, and certainly a better voice than they thought they had. Well, they thought they had a good voice, and they realized maybe it could be better. And the ones who learned, and most of them really did learn from it, came out the better for it. Jeffrey Madoff ** 28:49 So let me ask you a personal question. You have been sightless since birth? Is that correct? Michael Hingson ** 28:56 Yeah, I've been blind since birth. And Jeffrey Madoff ** 28:59 so on a certain level, I was trying to think about this the other night, and how can I phrase this? On a certain level, you don't know what you look like, Michael Hingson ** 29:15 and from the standpoint of how you look at it, yeah, yeah. Jeffrey Madoff ** 29:19 And so, so two, that's two questions. One is so many of us for good and bad, our identity has to do with visual first, how do you assess that new person? Michael Hingson ** 29:39 I don't look at it from a visual standpoint as such. I look at it from all the other senses that I have and use, but I also listen to the person and see how we interact and react to. Each other, and from that, I can draw pretty good conclusions about what an individual is like, so that I can decide if that's a a lovely person, male or female, because I'm using lovely in the sense of it's the kind of person I want to know or not, and so I don't obviously look at it from a visual standpoint. And although I know Helen Keller did it some, I'm not into feeling faces. When I was in college, I tried to convince girls that they should let me teach them Braille, but they had no interest in me showing them Braille, so we didn't do that. I actually a friend of mine and I once went to a girls dorm, and we put up a sign. Wanted young female assistant to aid in scientific Braille research, but that didn't go anywhere either. So we didn't do it. But so Braille pickup. Oh, Braille pickup. On the other hand, I had my guide dog who was in in my current guide dog is just the same chick magnet right from the get go, but, but the the reality is that visual is, I think there's a lot to be said for beauty is only skin deep in a lot of ways. And I think that it's important that we go far beyond just what one person looks like. People ask me all the time, well, if you could see again, would you? Or if you could see, would you? And my response is, I don't need to. I think there's value in it. It is a sense. I think it would be a great adventure, but I'm not going to spend my life worrying about that. Blindness isn't what defines me, and what defines me is how I behave, how I am, how I learn and grow, and what I do to be a part of society and and hopefully help society. I think that's more important. Jeffrey Madoff ** 31:53 You know, I agree with you, and it's it's also having been blind since birth. It's not like you had a you had an aspect that you lost for some reason, right? Michael Hingson ** 32:04 But I know some people who became blind later in life, who attended centers where they could learn about what it was like to be blind and learn to be a blind person and and really adapted to that philosophy and continue to do what they did even before they lost their their eyesight, and were just as successful as they ever were, because it wasn't so much about having eyesight, although that is a challenge when you lose it, but it was more important to learn that you could find alternatives to do the same things that you did before. So Jeffrey Madoff ** 32:41 if you ever have read Marvel Comics, and you know Daredevil has a heightened sense of a vision, or you know that certain things turn into a different advantage, is there that kind of in real life, compensatory heightened awareness of other senses. Michael Hingson ** 33:08 And the answer is not directly. The answer is, if you choose to heighten those senses and learn to use them, then they can be a help. It's like SEAL Team Six, or Rangers, or whatever, they learn how to observe. And for them, observing goes far beyond just using their eyesight to be able to spot things, although they they certainly use that, but they have heightened all of their other senses because they've trained them and they've taught themselves how to use those senses. It's not an automatic process by any definition at all. It's not automatic. You have to learn to do it. There are some blind people who have, have learned to do that, and there are a number that have not. People have said, well, you know, could any blind person get out of the World Trade Center, and like you did, and my response is, it depends on the individual, not necessarily, because there's so many factors that go into it. If you are so afraid when something like the World Trade Center events happen that you become blinded by fear, then you're going to have a much harder time getting out than if you let fear be a guide and use it to heighten the senses that you have during the time that you need that to occur. And that's one of the things that live like a guide dog is all about, is teaching people to learn to control fear, so that in reality, they find they're much more effective, because when something happens, they don't expect they adopt and adapt to having a mindset that says, I can get through this, and fear is going to help. Jeffrey Madoff ** 34:53 That's fascinating. So one I could go on in this direction, I'll ask you, one, one other. Question is, how would you describe your dreams? Michael Hingson ** 35:08 Probably the same way you would, except for me, dreaming is primarily in audio and other interactions and not using eyesight. But at the same time, I understand what eyesight is about, because I've thought about it a lot, and I appreciate that the process is not something that I have, but I understand it, and I can talk about light and eyesight all day. I can I when I was when it was discovered that I was blind for the first several years, I did have some light perception. I never as such, really even could see shadows, but I had some light perception. But if I were to be asked, How would you describe what it's like to see light? I'm not sure how I would do that. It's like asking you tell me what it's like to see put it into words so that it makes me feel what you feel when you see. And it's not the excitement of seeing, but it's the sensation. How do you describe that sensation? Or how do you describe the sensation of hearing their their senses? But I've yet to really encounter someone who can put those into words that will draw you in. And I say that from the standpoint of having done literally hundreds or 1000s of speeches telling my story about being in the World Trade Center, and what I tell people today is we have a whole generation of people who have never experienced or had no memory of the World Trade Center, and we have another generation that saw it mainly from TV and pictures. So they their, their view of it was extremely small. And my job, when I speak is to literally bring them in the building and describe what is occurring to me in such a way that they're with me as we're going down the stairs. And I've learned how to do that, but describing to someone what it's like to see or to hear, I haven't found words that can truly do that yet. Oh, Jeffrey Madoff ** 37:15 fascinating. Thank you. Michael Hingson ** 37:20 Well, tell me about creativity. I mean, you do a lot of of things, obviously, with with creativity. So what is creativity? Jeffrey Madoff ** 37:29 I think that creativity is the compelling need to express, and that can manifest in many, many, many different ways. You have that, you know, just it was fascinating here you talk about you, describing what happened in Twin Towers, you know. And so, I think, you know, you had a compelling need to process what was a historic and extraordinary event through that unique perception that you have, and taking the person, as you said, along with you on that journey, you know, down the stairs and out of the Building. I think it was what 78 stories or something, right? And so I think that creativity, in terms of a trait, is that it's a personality trait that has a compelling need to express in some way. And I think that there is no such thing as the lightning bolt that hits and all of a sudden you come up with the idea for the great novel, The great painting, the great dance, the great piece of music. We are taking in influences all the time and percolating those influences, and they may come out, in my case, hopefully they've come out in the play that I wrote, personality and because if it doesn't relate to anybody else, and you're only talking to yourself, that's you know, not, not. The goal, right? The play is to have an audience. The goal of your book is to have readers. And by the way, did your book come out in Braille? Michael Hingson ** 39:31 Um, yeah, it, it is available in Braille. It's a bit. Actually, all three of my books are available in with their on demand. They can be produced in braille, and they're also available in audio formats as well. Great. Jeffrey Madoff ** 39:43 That's great. So, yeah, I think that person, I think that creativity is it is a fascinating topic, because I think that when you're a kid, oftentimes you're told more often not. To do certain things than to do certain things. And I think that you know, when you're creative and you put your ideas out there at a very young age, you can learn shame. You know, people don't like what you do, or make fun of what you do, or they may like it, and it may be great, but if there's, you know, you're opened up to that risk of other people's judgment. And I think that people start retreating from that at a very young age. Could because of parents, could because of teachers, could because of their peer group, but they learn maybe in terms of what they think is emotional survival, although would never be articulated that way, at putting their stuff out there, they can be judged, and they don't like being judged, and that's a very uncomfortable place to be. So I think creativity is both an expression and a process. Michael Hingson ** 40:59 Well, I'll and I think, I think you're right, and I think that it is, it is unfortunate all too often, as you said, how children are told don't do this or just do that, but don't do this, and no, very few people take the next logical step, which is to really help the child understand why they said that it isn't just don't. It should be. Why not? One of my favorite stories is about a student in school once and was taking a philosophy class. You'll probably have heard this, but he and his classmates went in for the final exam, and the instructor wrote one word on the board, which was why? And then everybody started to write. And they were writing furiously this. This student sat there for a couple of minutes, wrote something on a paper, took it up, handed it in, and left. And when the grades came out, he was the only one who got an A. And the reason is, is because what he put on his paper was, why not, you know, and, and that's very, very valid question to ask. But the reality is, if we really would do more to help people understand, we would be so much better off. But rather than just telling somebody what to do, it's important to understand why? Jeffrey Madoff ** 42:22 Yeah, I remember when I was in I used to draw all the time, and my parents would bring home craft paper from the store that was used to wrap packets. And so they would bring me home big sheets I could do whatever I wanted on it, you know, and I would draw. And in school I would draw. And when art period happened once or twice a week, and the teacher would come in with her cart and I was drawing, that was when this was in, like, the middle 50s, and Davy Crockett was really a big deal, and I was drawing quite an intricate picture of the battle at the Alamo. And the teacher came over to me and said she wanted us to do crayon resist, which is, you know, they the watercolors won't go over the the crayon part because of the wax and the crayon. And so you would get a different thing that never looked good, no matter who did it, right? And so the teacher said to me, what are you doing? And I said, Well, I'm drawing. It's and she said, Why are you drawing? I said, Well, it's art class, isn't it? She said, No, I told you what to do. And I said, Yeah, but I wanted to do this. And she said, Well, you do what I tell you, where you sit there with your hands folded, and I sat there with my hands folded. You know I wasn't going to be cowed by her. And I've thought back on that story so often, because so often you get shut down. And when you get shut down in a strong way, and you're a kid, you don't want to tread on that land again. Yeah, you're afraid, Michael Hingson ** 44:20 yeah. Yeah. And maybe there was a good reason that she wanted you to do what she wanted, but she should have taken the time to explain that right, right now, of course, my question is, since you did that drawing with the Alamo and so on, I'm presuming that Davy Crockett looked like Fess Parker, right? Just checking, Jeffrey Madoff ** 44:42 yeah, yep, yeah. And my parents even got me a coon Michael Hingson ** 44:47 skin hat. There you go, Daniel Boone and David Crockett and Jeffrey Madoff ** 44:51 Davy Crockett and so there were two out there. Mine was actually a full coon skin cap with the tail. And other kids had it where the top of it was vinyl, and it had the Disney logo and a picture of Fess Parker. And I said, Now I don't want something, you know, and you are correct, you are correct. It was based on fess Barker. I think Michael Hingson ** 45:17 I have, I had a coons kid cap, and I think I still do somewhere. I'm not quite sure where it is, but it was a real coonskin cap with a cake with a tail. Jeffrey Madoff ** 45:26 And does your tail snap off? Um, no, yeah, mine. Mine did the worst thing about the coonskin cap, which I thought was pretty cool initially, when it rained, it was, you know, like you had some wet animal on your Well, yes, yeah, as you did, she did, yeah, animal on your head, right? Wasn't the most aromatic of the hub. No, Michael Hingson ** 45:54 no, it's but Huh, you got to live with it. That's right. So what is the key to having great creative collaborations? I love collaborating when I wrote my original book, Thunder dog, and then running with Roselle, and then finally, live like a guide dog. I love the idea of collaborating, and I think it made all three of the books better than if it had just been me, or if I had just let someone else do it, because we're bringing two personalities into it and making the process meld our ideas together to create a stronger process. Jeffrey Madoff ** 46:34 I completely agree with you, and collaboration, for instance, in my play personality, the director Sheldon apps is a fantastic collaborator, and as a result, has helped me to be a better writer, because he would issue other challenges, like, you know, what if we looked at it this way instead of that way? What if you gave that power, that that character, the power in that scene, rather than the Lloyd character? And I loved those kinds of challenges. And the key to a good collaboration is pretty simple, but it doesn't happen often enough. Number one is listening. You aren't going to have a good collaboration if you don't listen. If you just want to interrupt and shut the other person down and get your opinion out there and not listen, that's not going to be good. That's not going to bode well. And it's being open. So people need to know that they're heard. You can do that a number of ways. You can sort of repeat part of what they said, just so I want to understand. So you were saying that the Alamo situation, did you have Davy Crockett up there swinging the rifle, you know? So the collaboration, listening, respect for opinions that aren't yours. And you know, don't try to just defeat everything out of hand, because it's not your idea. And trust developing a trust with your collaborators, so that you have a clearly defined mission from the get go, to make whatever it is better, not just the expression of one person's will over another. And I think if you share that mission, share that goal, that the other person has earned your trust and vice versa, that you listen and acknowledge, then I think you can have great collaboration. And I've had a number of great collaborators. I think I'm a good collaborator because I sort of instinctively knew those things, and then working with Sheldon over these last few years made it even more so. And so that's what I think makes a really great collaboration. Michael Hingson ** 49:03 So tell me about the play personality. What's it about? Or what can you tell us about it without giving the whole thing away? Jeffrey Madoff ** 49:10 So have you ever heard of Lloyd Price? Michael Hingson ** 49:14 The name is familiar. So that's Jeffrey Madoff ** 49:16 the answer that I usually get is, I'm not really sure. Yeah, it's kind of familiar. And I said, Well, you don't, probably don't know his name, but I'll bet you know his music. And I then apologize in advance for my singing, you know, cause you've got walk, personality, talk, personality, smile, oh yeah, yeah. I love that song, you know. Yeah. Do you know that song once I did that, yes, yeah. So Lloyd was black. He grew up in Kenner, Louisiana. It was he was in a place where blacks were expected to know their place. And. And if it was raining and a white man passed, you'd have to step into a mud puddle to let them pass, rather than just working by each other. And he was it was a tough situation. This is back in the late 1930s and what Lloyd knew is that he wanted to get out of Kenner, and music could be his ticket. And the first thing that the Lloyd character says in the play is there's a big dance opening number, and first thing that his character says is, my mama wasn't a whore. My dad didn't leave us. I didn't learn how to sing in church, and I never did drugs. I want to get that out of the way up front. And I wanted to just blow up all the tropes, because that's who Lloyd was, yeah, and he didn't drink, he didn't learn how to sing in church. And, you know, there's sort of this baked in narrative, you know, then then drug abuse, and you then have redeemed yourself. Well, he wasn't like that. He was entrepreneurial. He was the first. He was the it was really interesting at the time of his first record, 1952 when he recorded Lottie, Miss Claudia, which has been covered by Elvis and the Beatles and Bruce Springsteen and on and on. There's like 370 covers of it. If you wanted to buy a record by a black artist, you had to go to a black owned record store. His records couldn't get on a jukebox if it was owned by a white person. But what happened was that was the first song by a teenager that sold over a million copies. And nobody was prejudiced against green, which is money. And so Lloyd's career took off, and it The story tells about the the trajectory of his career, the obstacles he had to overcome, the triumphs that he experienced, and he was an amazing guy. I had been hired to direct, produce and direct a short documentary about Lloyd, which I did, and part of the research was interviewing him, and we became very good friends. And when I didn't know anything about him, but I knew I liked his music, and when I learned more about him, I said, Lloyd, you've got an amazing story. Your story needs to be told. And I wrote the first few scenes. He loved what I wrote. And he said, Jeff, I want you to do this. And I said, thank you. I want to do it, but there's one other thing you need to know. And he said, What's that? And I said, You're the vessel. You're the messenger, but your story is bigger than you are. And he said, Jeff, I've been waiting for years for somebody to say that to me, rather than just blowing more smoke up my ass. Yeah. And that started our our collaboration together and the story. And it was a great relationship. Lloyd died in May of 21 and we had become very close, and the fact that he trusted me to tell his story is of huge significance to me. And the fact that we have gotten such great response, we've had two commercial runs. We're moving the show to London, is is is really exciting. And the fact that Lloyd, as a result of his talent and creativity, shattered that wall that was called Race music in race records, once everybody understood on the other side that they could profit from it. So there's a lot of story in there that's got a lot of meat, and his great music Michael Hingson ** 54:04 that's so cool and and so is it? Is it performing now anywhere, or is it? No, we're Jeffrey Madoff ** 54:12 in between. We're looking actually, I have a meeting this this week. Today is February 11. I have a meeting on I think it's Friday 14th, with my management in London, because we're trying to get a theater there. We did there in October, and got great response, and now we're looking to find a theater there. Michael Hingson ** 54:37 So what are the chance we're going to see it on Broadway? Jeffrey Madoff ** 54:41 I hope a very good chance Broadway is a very at this point in Broadway's history. It's it's almost prohibitively expensive to produce on Broadway, the West End has the same cache and. Yeah, because, you know, you think of there's that obscure British writer who wrote plays called William Shakespeare. You may have heard of Michael Hingson ** 55:07 him, yeah, heard of the guy somewhere, like, like, I've heard of Lloyd Price, yeah, that's Jeffrey Madoff ** 55:15 it. And so I think that Broadway is certainly on the radar. The first step for us, the first the big step before Broadway is the West End in London. Yeah, Michael Hingson ** 55:30 that's a great place to go. It is. Jeffrey Madoff ** 55:32 I love it, and I speak the language, so it's good. Well, there you Michael Hingson ** 55:35 are. That helps. Yes, well, you're a very creative kind of individual by any standard. Do you ever get involved with or have you ever faced the whole concept of imposter syndrome? Jeffrey Madoff ** 55:48 Interesting, you mentioned that the answer is no, and I'll tell you why it's no. And you know, I do a fair amount of speaking engagements and that sort of thing, and that comes up particularly with women, by the way, imposter syndrome, and my point of view on it is, you know, we're not imposters. If you're not trying to con somebody and lying about what you do, you're a work in progress, and you're moving towards whatever it is that your goals are. So when my play became a produced commercial piece of theater and I was notarized as a playwright, why was that same person the day before that performance happened? And so I think that rather than looking at it as imposter, I look at it as a part of the process, and a part of the process is gaining that credibility, and you have to give yourself permission to keep moving forward. And I think it's very powerful that if you declare yourself and define yourself rather than letting people define you. So I think that that imposter syndrome comes from that fear, and to me, instead of fear, just realize you're involved in the process and so you are, whatever that process is. And again, it's different if somebody's trying to con you and lie to you, but in terms of the creativity, and whether you call yourself a painter or a musician or a playwright or whatever, if you're working towards doing that, that's what you do. And nobody starts off full blown as a hit, so to speak. Yeah, Michael Hingson ** 57:44 well, I think you're absolutely right, and I think that it's all about not trying to con someone. And when you are doing what you do, and other people are involved, they also deserve credit, and people like you probably have no problem with making sure that others who deserve credit get the credit. Oh, absolutely, yeah, I'm the same way. I am absolutely of the opinion that it goes back to collaboration. When we're collaborating, I'm I'm very happy to talk about the fact that although I started the whole concept of live like a guide dog, carry Wyatt Kent and I worked on it together, and the two of us work on it together. It's both our books. So each of us can call it our book, but it is a collaborative effort, and I think that's so important to be able to do, Jeffrey Madoff ** 58:30 oh, absolutely, absolutely, you know, the stuff that I was telling you about Sheldon, the director, you know, and that he has helped me to become a better writer, you know, and and when, as as obviously, you have experienced too, when you have a fruitful collaboration, it's fabulous, because you're both working together to create the best possible result, as opposed to self aggrandizement, right? Michael Hingson ** 59:03 Yeah, it is. It is for the things that I do. It's not about me and I and I say it all the time when I'm talking to people who I'd like to have hire me to be a speaker. It's not about me, it's about their event. And I believe I can add value, and here's why I think I can add value, but it's not about me, it's about you and your event, right? And it's so important if, if you were to give some advice to somebody starting out, or who wants to be creative, or more creative and so on, what kind of advice would you give them? Jeffrey Madoff ** 59:38 I would say it's more life advice, which is, don't be afraid of creative risk, because the only thing that you have that nobody else has is who you are. So how you express who you are in the most unique way of who you are? So that is going to be what defines your work. And so I think that it's really important to also realize that things are hard and always take more time than you think they should, and that's just part of the process. So it's not easy. There's all these things out there in social media now that are bull that how people talk about the growth of their business and all of this stuff, there's no recipe for success. There are best practices, but there's no recipes for it. So however you achieve that, and however you achieve making your work better and gaining the attention of others, just understand it's a lot of hard work. It's going to take longer than you thought, and it's can be incredibly satisfying when you hit certain milestones, and don't forget to celebrate those milestones, because that's what's going to give you the strength to keep going forward. Michael Hingson ** 1:01:07 Absolutely, it is really about celebrating the milestones and celebrating every success you have along the way, because the successes will build to a bigger success. That's right, which is so cool. Well, this has been a lot of fun. We've been doing this for an hour. Can you believe it? That's been great. It has been and I really appreciate you being here, and I I want to thank all of you who are listening, but please tell your friends to get into this episode as well. And we really value your comments, so please feel free to write me. I would love to know what you thought about today. I'm easy to reach. It's Michael M, I C H, A, E, L, H i at accessibe, A, C, C, E, S, S i b, e.com, or you can always go to our podcast page, which is Michael hingson, M, I C H, A, E, L, H i N, G, s o n.com/podcast, where you can listen to or access all the of our podcasts, but they're also available, as most likely you've discovered, wherever you can find podcasts, so you can get them on Apple and all those places and wherever you're listening. We do hope you'll give us a five star review. We really value your reviews, and Jeff has really given us a lot of great insights today, and I hope that you all value that as well. So we really would appreciate a five star rating wherever you're listening to us, and that you'll come back and hear some more episodes with us. If you know of anyone who ought to be a guest, Jeff, you as well. Love You to refer people to me. I'm always looking for more people to have on because I do believe that everyone in the world is unstoppable if you learn how to accept that and move forward. And that gets back to our whole discussion earlier about failure or whatever, you can be unstoppable. That doesn't mean you're not going to have challenges along the way, but that's okay. So we hope that if you do know people who ought to be on the podcast, or if you want to be on the podcast and you've been listening, step up won't hurt you. But again, Jeff, I want to thank you for being here. This has been a lot of fun, and we really appreciate your time. Thank Jeffrey Madoff ** 1:03:16 you, Michael, for having you on. It was fun. You **Michael Hingson ** 1:03:23 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.
It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In Karl Marx and the Actualization of Philosophy (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution. Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In Karl Marx and the Actualization of Philosophy (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution. Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In Karl Marx and the Actualization of Philosophy (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution. Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In Karl Marx and the Actualization of Philosophy (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution. Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In Karl Marx and the Actualization of Philosophy (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution. Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In Karl Marx and the Actualization of Philosophy (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution. Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Introdução - Módulo 02 No coração do cristianismo, e particularmente no ethos adventista, está a convicção de que a ordem não é uma imposição administrativa, mas um dom espiritual e profético. O Módulo 2 da série A Ordem e a Representação propõe uma leitura profunda e orgânica das estruturas de liderança da IASD a partir das lentes da filosofia política, da tradição patrística, da teologia da história e das críticas modernas à autoridade. Mais do que apenas discutir modelos de governo, este módulo busca iluminar o sentido teológico, simbólico e escatológico da ordem na vida comunitária e representativa da Igreja.
Continuation of my reading of Chesterton's biography and reflection on St. Thomas Aquinas. This is part 6, and focuses on his common-sense philosophy as opposed to Hegel or Berkely.
Jonathan Pageau ( @JonathanPageau ) & John Vervaeke ( @johnvervaeke ) have a conversation about the nature of Spirit and the importance of fellowship. We mention Paul Vanderklay ( @PaulVanderKlay ), Elizabeth Oldfield ( @thesacredpodcast ), Kale Zelden, Rod Dreer, James Filler, William Desmond, Iamblichus, Dionysius the Areopagite, Johannes Hoffken, Greg Enriqueus, Eric Hull, Dan Chappie, Mike Levin, Jordan Peterson, Jacques Derrida, Hilary Putnam, Willard Van Orman Quine, Catherine Pickstock, Immanuel Kant, Friedrich Schelling, Owen Barfield, Alfred North Whitehead, Edwin Hutchins, Tanya Luhrmann, L.J. Savage, Parmenides, G.W.F. Hegel, Evan Thompson, St. Maximus the Confessor, St. Gregory of Nyssa, Aristotle, Martin Heidegger, Pavel Florensky, Alex O'Connor, Jesus Christ, Ezekiel, Moses, Muhammad, Michael Jordan, Sebastian Melmoth and more. Midwestuary Conference - https://www.midwestuary.com/What is Spirit Part 1 - https://www.youtube.com/watch?v=sMjEY3BOPPI&t=909sWhat is Spirit Part 2 - https://www.youtube.com/watch?v=iiTAI_r31Ts00:00:00 - Introduction & Midwestuary Conference Announcement00:01:50 - What is Spirit? The Central Question00:03:30 - John's Opening: Relational Ontology & Com-unity00:09:15 - Jonathan's Opening: Synergy, St. Maximus, & the One and the Many00:14:50 - Spiritual Dualism vs. Monism: Deconstructing Modern Dichotomies00:22:30 - Jonathan on Traditional Views of Spirit & Angels00:29:08 - John: Non-Psychological Descriptors of Spirit (Mike Levin's work)00:30:50 - Jonathan: Spirit Animates All Things (St. Maximus)00:34:15 - Where is Self-Consciousness? Persons, Cities, and God-Man00:40:50 - Is Spirit Dependent on Humans? Perception vs. Projection00:44:50 - Going Back & Going Forward: Post-Kantian Neoplatonism00:50:20 - Exaptation, Incarnation, and Levels of Understanding00:53:40 - Barfield, Post-Contian Neoplatonism, and Integrating Science & Myth01:03:30 - Spirit and Fellowship: Superorganisms & Hyperobjects01:09:49 - Liturgy as Theurgy: Making Receptive to Theophany01:15:08 - Prophecy: Channeling the Group or Transcendent Knowledge?01:25:07 - Fellowship in the Digital Age: Breath, Fiber Optics, and AI01:30:00 - John: The Virtual Coming Alive & The Future of Theology (Claude AI)01:40:55 - Final Thoughts: Prioritizing Embodied Fellowship
In this continued discussion of imaginative apologetics it is argued that the possibility of knowing is not contained within thought, the possibility and impossibility posed from Anselm, Descartes, and Kant, but as Hegel argues, it is contained in the personhood of God revealed in Christ. (Register now for the course Colossians and Christology which will run from June 3rd to July 29th https://pbi.forgingploughshares.org/offerings) If you enjoyed this podcast, please consider donating to support our work. Become a Patron!
In this episode of Chasing Leviathan, PJ and Dr. Christopher Yeomans discuss his book, The Politics of German Idealism, focusing on the philosophical underpinnings of Hegel, Fichte, and Kant. Together they explore the estate structure in Hegel's philosophy, the impact of the French Revolution, and the evolution of social classes in Germany during a time of significant transition. Yeomans emphasizes the importance of understanding the historical context of these ideas, particularly in relation to urbanization, social mobility, and the role of status in society. The conversation concludes with reflections on modern citizenship and the relevance of pluralism in contemporary political discourse.Make sure to check out Dr. Yeomans' book: The Politics of German Idealism
Ferruccio Andolfi"Nietzsche. Profilo di un filosofo morale"Georg SimmelOrthotes Editricewww.orthotes.comSimmel si è confrontato a più riprese con Nietzsche sviluppando un'originale interpretazione della sua dottrina morale, da cui attinge elementi per la propria stessa etica, contrassegnata dal tema della «legge individuale». Il lettore trova qui raccolti Friedrich Nietzsche. Un profilo filosofico-morale, la recensione de Il culto di Nietzsche di Ferdinand Tönnies, la brillante presentazione delle categorie centrali dell'etica nietzschiana Per comprendere Nietzsche, gli scritti dedicati al confronto del pensatore con Kant e Schopenhauer. La posizione di Nietzsche viene definita personalismo etico. L'elevazione dell'umanità gli sta a cuore, tuttavia la divaricazione tra l'interesse umano e quello sociale costituisce il dramma di cui non è cosciente.L'univocità dei concetti non è di solito la qualità dei grandi pensatori. Da Eraclito e Platone fino a Kant e Hegel, essi hanno ogni volta lasciato spazio a una moltitudine di interpretazioni contrapposte, simili in questo al mare, da cui ciascuno può attingere quello che gli permettono le dimensioni e la forma del contenitore di cui dispone. La loro efficacia non sarebbe mai stata altrettanto ampia se essi avessero dato luogo a un solo tipo di comprensione, se non avessero parlato, come fa la natura, a ciascuno nella sua lingua e non avessero offerto all'anelito di ogni anima individuale una parola di liberazione in qualche maniera modulata per lei sola. Forse soltanto questa pluralità di intendimenti riesce a circoscrivere la loro grandezza, non attingibile da un singolo uomo. Ciò che sta accadendo a Nietzsche è una sorta di caricatura di questo destino dei grandi: egli deve fama ed efficacia non a una molteplicità di letture tutte ugualmente giustificate, bensì a letture che sono, tutte, ugualmente ingiustificate. Lo si reputa un predicatore del godimento egoistico – ma lui insegna il disprezzo del puro godimento e che ogni grandezza è condizionata da parte della sofferenza; l'indisciplina anarchica ricorre a lui per giustificarsi – ma per lui nessuna severità e disciplina riesce a essere abbastanza dura; gli si rimprovera l'indifferenza per l'umanità all'infuori dell'io – mentre in realtà l'evoluzione del nostro genere, l'innalzamento del tipo umano è il suo interesse più profondo, che abbraccia tutti gli altri.Ferruccio Andolfi ha insegnato Filosofia della Storia all'Università degli Studi di Parma. Si occupa dei rapporti tra umanesimo e individualismo, con particolare riguardo alla storia del pensiero del XIX secolo. Dirige la rivista "La società degli individui".IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
The ACFM crew offer a weird-left perspective on the role of the hero (and heroine) in politics and culture. Nadia, Jem and Keir assess theories of Great Men, the myth of the hero's journey and the lure of the anti-hero with ideas from Weber and Hegel and music from Tina Turner and Sonic Youth. Find […]
Die US-amerikanische Philosophin Susan Neiman über Weltpolitik und Philosophie, von Voltaire bis Donald Trump, und warum sich die Linke statt auf Wokeness auf ihre traditionellen Werte besinnen muss. Die amerikanische Philosophin Susan Neiman springt für die Aufklärung in die Bresche. Die europäische Ideenwelt des 18. Und dann 19.Jahrhunderts von Rousseau, Voltaire, Hegel bis Marx muss das Fundament des Engagements der Linken bleiben, argumentiert sie. Susan Neiman ist von Donald Trump empört, bei dem sie Faschismus ortet. Und sie wendet sich bei der Verteidigung der Aufklärung gegen das postkoloniale Denken und ganz allgemein Wokeness in der akademischen Welt. “Links ist nicht Woke” ist der Titel ihrer jüngsten Streitschrift.Was Susan Neiman darunter versteht und wo Wokeness reaktionär wird, bespricht sie in einer Wiener Vorlesung. Im Gespräch mit dem Journalisten Günter Kaindlstorfer bietet sie einen Parforceritt durch Weltpolitik und Philosophie. Es geht um den französischen Philosophen Foucault und Donald Trump, um die Instrumentalisierung von Antisemitismus und die umstrittene Autorin Judith Butler. Hören Sie das Lob der Aufklärung und warum sich die Linke ihrer traditionellen Werte besinnen muss von der Philosophin Susan Neiman. Hosted on Acast. See acast.com/privacy for more information.
The ACFM crew offer a weird-left perspective on the role of the hero (and heroine) in politics and culture. Nadia, Jem and Keir assess theories of Great Men, the myth of the hero's journey and the lure of the anti-hero with ideas from Weber and Hegel and music from Tina Turner and Sonic Youth. Find […]
In this second part of their conversation, PJ and Dr. Thomas Raysmith continue to discuss his book: Hegel and the Problem of the History of Philosophy: The Logical Structure of Exemplarity. Together they explore the methodologies in philosophy, the historical context of Hegel's thought, and the misconceptions surrounding his ideas. Dr. Raysmith emphasizes the importance of understanding Hegel's logical structure and the concept of exemplarity, culminating in the idea that philosophy is a dynamic and historically-situated process. Make sure to check out Dr. Raysmith's book: Hegel and the Problem of the History of Philosophy: The Logical Structure of Exemplarity
Send us a textJoin us for an engaging conversation with Dr. Sebastian Ostritsch as we explore the foundational ideas of Hegel's philosophy. From his dialectical method to his views on history, reason, and absolute knowing, this discussion provides a clear and accessible introduction to one of the most influential thinkers in Western philosophy. Whether you're new to Hegel or looking to deepen your understanding, this interview offers valuable insights into his complex yet profound ideas.The Balance of GrayGod, doubt, and proof walk into a podcast... it goes better than you'd expect!Listen on: Apple Podcasts SpotifySupport the show--------------------------If you would want to support the channel and what I am doing, please follow me on Patreon: www.patreon.com/christianityforall Where else to find Josh Yen: Philosophy YT: https://bit.ly/philforallEducation: https://bit.ly/joshyenBuisness: https://bit.ly/logoseduMy Website: https://joshuajwyen.com/
Invitée: Anne-Cécile Robert. "Rien de grand ne se fait sans passion", disait le philosophe Hegel. Mais aujourdʹhui, les émotions semblent avoir pris le dessus sur la réflexion. Comment en sommes-nous arrivés-là? Comment les émotions sont-elles utilisées et dans quel but? Tribu en parle en compagnie dʹAnne-Cécile Robert, journaliste et professeure à lʹInstitut de relations internationales et stratégiques. Elle publie une nouvelle édition de son livre "La stratégie de lʹémotion" aux éditions Lux.
In this episode of Chasing Leviathan, PJ and Dr. Thomas Raysmith discuss his book: Hegel and the Problem of the History of Philosophy: The Logical Structure of Exemplarity. Together they explore the methodologies in philosophy, the historical context of Hegel's thought, and the misconceptions surrounding his ideas. Dr. Raysmith emphasizes the importance of understanding Hegel's logical structure and the concept of exemplarity, culminating in the idea that philosophy is a dynamic and historically-situated process. Make sure to check out Dr. Raysmith's book: Hegel and the Problem of the History of Philosophy: The Logical Structure of Exemplarity
I've been in London this week talking to America watchers about the current situation in the United States. First up is Edmund Fawcett, the longtime Economist correspondent in DC and historian of both liberalism and conservatism. Fawcett argues that Trump's MAGA movement represents a kind of third way between liberalism and conservatism - a version of American populism resurrected for our anti-globalist early 21st century. He talks about how economic inequality fuels Trumpism, with middle-class income shares dropping while the wealthy prosper. He critiques both what he calls right-wing intellectual "kitsch" and the left's lack of strategic vision beyond its dogma of identity politics. Lacking an effective counter-narrative to combat Trumpism, Fawcett argues, liberals require not only sharper messaging but also a reinvention of what it means to be modern in our globalized age of resurrected nationalism. 5 Key Takeaways* European reactions to Trump mix shock with recognition that his politics have deep American roots.* Economic inequality (declining middle-class wealth) provides the foundation for Trump's political appeal.* The American left lacks an effective counter-narrative and strategic vision to combat Trumpism.* Both right-wing intellectualism and left-wing identity politics suffer from forms of "kitsch" and American neurosis.* The perception of America losing its position as the embodiment of modernity creates underlying anxiety. Full TranscriptAndrew Keen: Hello everybody, we are in London this week, looking westward, looking at the United States, spending some time with some distinguished Englishmen, or half-Englishmen, who have spent a lot of their lives in the United States, and Edmund Fawcett, former Economist correspondent in America, the author of a number of important books, particularly, Histories of Liberalism and Conservatism, is remembering America, Edmund. What's your first memory of America?Edmund Fawcett: My first memory of America is a traffic accident on Park Avenue, looking down as a four-year-old from our apartment. I was there from the age of two to four, then again as a school child in Washington for a few years when my father was working. He was an international lawyer. But then, after that, back in San Francisco, where I was a... I kind of hacked as an editor for Straight Arrow Press, which was the publishing arm of Rolling Stone. This was in the early 70s. These were the, it was the end of the glory days of Haight-Ashbury, San Francisco, the anti-war movement in Vietnam. It was exciting. A lot was going on, a lot was changing. And then not long after that, I came back to the U.S. for The Economist as their correspondent in Washington. That was in 1976, and I stayed there until 1983. We've always visited. Our son and grandson are American. My wife is or was American. She gave up her citizenship last year, chiefly for practical reasons. She said I would always feel American. But our regular visits have ended, of course. Being with my background, my mother was American, my grandfather was American. It is deeply part of my outlook, it's part of my world and so I am always very interested. I read quite a bit of the American press, not just the elite liberal press, every day. I keep an eye on through Real Clear Politics, which has got a very good sort of gazetteer. It's part of my weather.Andrew Keen: Edmund, I know you can't speak on behalf of Europe, but I'm going to ask a dumb question. Maybe you'll give me a smarter answer than the question. What's the European, the British take on what's happening in America? What's happened in this first quarter of 2025?Edmund Fawcett: I think a large degree of shock and horror, that's just the first reaction. If you'll allow me a little space, I think then there's a second reaction. The first reaction is shock and terror, with good reason, and nobody likes being talked to in the way that Vance talked to them, ignorantly and provocatively about free speech, which he feels he hasn't really thought hard enough about, and besides, it was I mean... Purely commercial, in largely commercial interest. The Europeans are shocked by the American slide from five, six, seven decades of internationalism. Okay, American-led, but still internationalist, cooperative, they're deeply shocked by that. And anybody who cares, as many Europeans do, about the texture, the caliber of American democracy and liberalism, are truly shocked by Trump's attacks on the courts, his attacks on the universities, his attack on the press.Andrew Keen: You remember, of course, Edmund, that famous moment in Casablanca where the policeman said he was shocked, truly shocked when of course he wasn't. Is your shock for real? Your... A good enough scholar of the United States to understand that a lot of the stuff that Trump is bringing to the table isn't new. We've had an ongoing debate in the show about how authentically American Trump is, whether he is the F word fascist or whether he represents some other indigenous strain in US political culture. What's your take?Edmund Fawcett: No, and that's the response to the shock. It's when you look back and see this Trump is actually deeply American. There's very little new here. There's one thing that is new, which I'll come to in a moment, and that returns the shock, but the shock is, is to some extent absorbed when Europeans who know about this do reflect that Trump is deeply American. I mean, there is a, he likes to cite McKinley, good, okay, the Republicans were the tariff party. He likes to say a lot of stuff that, for example, the populist Tom Watson from the South, deeply racist, but very much speaking for the working man, so long as he was a white working man. Trump goes back to that as well. He goes back in the presidential roster. Look at Robert Taft, competitor for the presidency against Eisenhower. He lost, but he was a very big voice in the Republican Party in the 1940s and 50s. Robert Taft, Jr. didn't want to join NATO. He pushed through over Truman's veto, the Taft-Hartley bill that as good as locked the unions out, the trade unions out of much of the part of America that became the burgeoning economic America, the South and the West. Trump is, sorry, forgive me, Taft, was in many ways as a hard-right Republican. Nixon told Kissinger, professors are the enemy. Reagan gave the what was it called? I forget the name of the speech that he gave in endorsing Barry Goldwater at the 1964 Republican Convention. This in a way launched the new Republican assault on liberal republicanism. Rockefeller was the loser. Reagan, as it were, handed the palm to Rocket Goldwater. He lost to Johnson, but the sermon they were using, the anti-liberal went into vernacular and Trump is merely in a way echoing that. If you were to do a movie called Trump, he would star, of course, but somebody who was Nixon and Reagan's scriptwright, forgive me, somebody who is Nixon and Reagan's Pressman, Pat Buchanan, he would write the script of the Trump movie. Go back and read, look at some of Pat Buchanan's books, some of his articles. He was... He said virtually everything that Trump says. America used to be great, it is no longer great. America has enemies outside that don't like it, that we have nothing to do with, we don't need allies, what we want is friends, and we have very few friends in the world. We're largely on our, by our own. We're basically a huge success, but we're being betrayed. We're being ignored by our allies, we're being betrayed by friends inside, and they are the liberal elite. It's all there in Pat Buchanan. So Trump in that way is indeed very American. He's very part of the history. Now, two things. One is... That Trump, like many people on the hard right in Europe, is to some extent, a neurotic response to very real complaints. If you would offer a one chart explanation of Trumpism, I don't know whether I can hold it up for the camera. It's here. It is actually two charts, but it is the one at the top where you see two lines cross over. You see at the bottom a more or less straight line. What this does is compare the share of income in 1970 with the share of the income more or less now. And what has happened, as we are not at all surprised to learn, is that the poor, who are not quite a majority but close to the actual people in the United States, things haven't changed for them much at all. Their life is static. However, what has changed is the life for what, at least in British terms, is called the middle classes, the middle group. Their share of income and wealth has dropped hugely, whereas the share of the income and wealth of the top has hugely risen. And in economic terms, that is what Trumpism is feeding off. He's feeding off a bewildered sense of rage, disappointment, possibly envy of people who looked forward, whose parents looked forward to a great better life, who they themselves got a better life. They were looking forward to one for their children and grandchildren. And now they're very worried that they're not those children and grandchildren aren't going to get it. So socially speaking, there is genuine concern, indeed anger that Trump is speaking to. Alas, Trump's answers are, I would say, and I think many Europeans would agree, fantasies.Andrew Keen: Your background is also on the left, your first job was at the New Left Reviews, you're all too familiar with Marxist language, Marxist literature, ways of thinking about what we used to call late-stage capitalism, maybe we should rename it post-late-stage-capitalism. Is it any surprise, given your presentation of the current situation in America, which is essentially class envy or class warfare, but the right. The Bannonites and many of the others on the right fringes of the MAGA movement have picked up on Lenin and Gramsci and the old icons of class warfare.Edmund Fawcett: No, I don't think it is. I think that they are these are I mean, we live in a world in which the people in politics and in the press in business, they've been to universities, they've read an awful lot of books, they spend an awful lot of time studying dusty old books like the ones you mentioned, Gramsci and so. So they're, to some extent, forgive me, they are, they're intellectuals or at least they become, they be intellectualized. Lenin called one of his books, What is to be Done. Patrick Deneen, a Catholic right-wing Catholic philosopher. He's one of the leading right-wing Catholic intellectuals of the day, hard right. He named it What is To Be Done. But this is almost kitsch, as it were, for a conservative Catholic intellectual to name a book after Vladimir Lenin, the first Bolshevik leader of the Russian Revolution. Forgive me, I lost the turn.Andrew Keen: You talk about kitsch, Edmund, is this kitsch leftism or is it real leftism? I mean if Trump was Bernie Sanders and a lot of what Trump says is not that different from Sanders with the intellectuals or the few intellectuals left in. New York and San Francisco and Los Angeles, would they be embracing what's happening? Thanks, I've got the third again.Edmund Fawcett: No, you said Kitsch. The publicists and intellectuals who support Trump, there is a Kitsch element to it. They use a lot of long words, they appeal to a lot of authorities. Augustine of Hippo comes into it. This is really kind of intellectual grandstanding. No, what matters? And this comes to the second thing about shock at Trump. The second thing is that there is real social and economic dysfunction here that the United States isn't really coping with. I don't think the Trumpites, I don't think the rather kitschy intellectuals who are his mature leaders. I don't think they so much matter. What I think matters here is, put it this way, is the silence of the left. And this is one of the deep problems. I mean, always with my friends, progressive friends, liberal friends, it's terribly easy to throw rocks at Trump and scorn his cheerleaders but we always have to ask ourselves why are they there and we're here and the left at the moment doesn't really have an answer to that. The Democrats in the United States they're strangely silent. And it's not just, as many people say, because they haven't dared to speak up. It's not that, it's a question of courage. It's an intellectual question of lacking some strategic sense of where the country is and what kinds of policy would help get it to a better place. This is very bleak, and that's part of, underlies the sense of shock, which we come back to with Trump after we tell ourselves, oh, well, it isn't new, and so on. The sense of shock is, well what is the practical available alternative for the moment? Electorally, Trump is quite weak, he wasn't a landslide, he got fewer percentage than Jimmy Carter did. The balance in the in the congress is quite is quite slight but again you could take false comfort there. The problem with liberals and progressives is they don't really have a counter narrative and one of the reasons they don't have a counter-narrative is I don't sense they have any longer a kind of vision of their own. This is a very bleak state of affairs.Andrew Keen: It's a bleak state of affairs in a very kind of surreal way. They're lacking the language. They don't have the words. Do they need to reread the old New Left classics?Edmund Fawcett: I think you've said a good thing. I mean, words matter tremendously. And this is one of Trump's gifts, is that he's able to spin old tropes of the right, the old theme music of the hard right that goes back to late 19th century America, late 19th century Europe. He's brilliant at it. It's often garbled. It's also incoherent. But the intellectuals, particularly liberals and progressives can mishear this. They can miss the point. They say, ah, it doesn't, it's not grammatical. It's incoherent. It is word salad. That's not the point. A paragraph of Trump doesn't make sense. If you were an editor, you'd want to rewrite it, but editors aren't listening. It's people in the crowd who get his main point, and his main point is always expressed verbally. It's very clever. It's hard to reproduce because he's actually a very good actor. However, the left at the moment has nothing. It has neither a vocabulary nor a set of speech makers. And the reason it doesn't have that, it doesn't have the vocabularies, because it doesn't have the strategic vision.Andrew Keen: Yeah, and coming back to the K-word you brought up, kitsch. If anything, the kitsch is on the left with Kamala Harris and her presentation of herself in this kitschification of American immigration. So the left in America, if that's the right word to describe them, are as vulnerable to kitsch as the right.Edmund Fawcett: Yes, and whether it's kitsch or not, I think this is very difficult to talk to on the progressive left. Identity politics does have a lot to answer for. Okay, I'll go for it. I mean, it's an old saying in politics that things begin as a movement, become a campaign, become a lobby, and then end up as a racket. That's putting it much too strongly, but there is an element in identity politics of which that is true. And I think identity politics is a deep problem for liberals, it's a deep problem for progressives because in the end, what identity politics offers is a fragmentation, which is indeed happened on the left, which then the right can just pick off as it chooses. This is, I think, to get back some kind of strategic vision, the left needs to come out of identity politics, it needs to go back to the vision of commonality, the vision of non-discrimination, the mission of true civic equality, which underlay civil rights, great movement, and try to avoid. The way that identity politics is encouraged, a kind of segmentation. There's an interesting parallel between identity politics and Trumpism. I'm thinking of the national element in Trumpism, Make America Great Again. It's rather a shock to see the Secretary of State sitting beside Trump in the room in the White House with a make America it's not a make America great cap but it says Gulf of America this kind of This nationalism is itself neurotic in a way that identity politics has become neurotic.Andrew Keen: Yeah, it's a Linguistic.Edmund Fawcett: Neurosis. Both are neurotic responses to genuine problems.Andrew Keen: Edmund, long-time viewers and listeners to the show know that I often quote you in your wonderful two histories of conservatism and liberalism when you, I'm not sure which of the books, I think it may have been in conservatism. I can't remember myself. You noted that this struggle between the left and the right, between liberalism and conservatives have always be smarter they've always made the first move and it's always been up to the liberals and of course liberalism and the left aren't always the same thing but the left or progressives have always been catching up with conservatives so just to ask this question in terms of this metaphorical chess match has anything changed. It's always been the right that makes the first move, that sets the game up. It has recently.Edmund Fawcett: Let's not fuss too much with the metaphor. I think it was, as it were, the Liberals made the first move for decades, and then, more or less in our lifetimes, it has been the right that has made the weather, and the left has been catching up. Let's look at what happened in the 1970s. In effect. 30-40 years of welfare capitalism in which the state played ever more of a role in providing safety nets for people who were cut short by a capitalistic economy. Politics turned its didn't entirely reject that far from it but it is it was said enough already we've reached an end point we're now going to turn away from that and try to limit the welfare state and that has been happening since the 1970s and the left has never really come up with an alternative if you look at Mitterrand in France you look at Tony Blair new Labor in you look at Clinton in the United States, all of them in effect found an acceptably liberal progressive way of repackaging. What the right was doing and the left has got as yet no alternative. They can throw rocks at Trump, they can resist the hard right in Germany, they can go into coalition with the Christian Democrats in order to resist the hard right much as in France but they don't really have a governing strategy of their own. And until they do, it seems to me, and this is the bleak vision, the hard right will make the running. Either they will be in government as they are in the United States, or they'll be kept just out of government by unstable coalitions of liberal conservatives and the liberal left.Andrew Keen: So to quote Patrick Deneen, what is to be done is the alternative, a technocracy, the best-selling book now on the New York Times bestseller list is Ezra Klein, Derek Thompson's Abundance, which is a progressive. Technocratic manifesto for changing America. It's not very ideological. Is that really the only alternative for the left unless it falls into a Bernie Sanders-style anti-capitalism which often is rather vague and problematic?Edmund Fawcett: Well, technocracy is great, but technocrats never really get to do what they say ought to be done, particularly not in large, messy democracies like Europe and the United States. Look, it's a big question. If I had a Leninist answer to Patrick Deneen's question, what is to be done, I'd be very happy to give it. I feel as somebody on the liberal left that the first thing the liberal left needs to do is to is two things. One is to focus in exposing the intellectual kitschiness, the intellectual incoherence on the one hand of the hard right, and two, hitting back in a popular way, in a vulgar way, if you will, at the lies, misrepresentations, and false appeals that the hard-right coasts on. So that's really a kind of public relations. It's not deep strategy or technocracy. It is not a policy list. It's sharpening up the game. Of basically of democratic politics and they need to liberals on the left need to be much tougher much sharper much more vulgar much more ready to use the kinds of weapons the kinds of mockery and imaginative invention that the Trumpites use that's the first thing the second thing is to take a breath and go back and look at the great achievements of democratic liberalism of the 1950s, 60s, 70s if you will. I mean these were these produced in Europe and the United States societies that by any historical standard are not bad. They have terrible problems, terrible inequities, but by any historical standard and indeed by any comparative standard, they're not bad if you ask yourself why immigration has become such a problem in Western Europe and the United States, it's because these are hugely desirable places to live in, not just because they're rich and make a comfortable living, which is the sort of the rights attitude, because basically they're fairly safe places to live. They're fairly good places for your kids to grow up in. All of these are huge achievements, and it seems to me that the progressives, the liberals, should look back and see how much work was needed to create... The kinds of politics that underpinned that society, and see what was good, boast of what was and focus on how much work was needed.Andrew Keen: Maybe rather than talking about making America great again, it should be making America not bad. I think that's too English for the United States. I don't think that should be for a winner outside Massachusetts and Maine. That's back to front hypocritical Englishism. Let's end where we began on a personal note. Do you think one of the reasons why Trump makes so much news, there's so much bemusement about him around the world, is because most people associate America with modernity, they just take it for granted that America is the most advanced, the most modern, is the quintessential modern project. So when you have a character like Trump, who's anti-modernist, who is a reactionary, It's bewildering.Edmund Fawcett: I think it is bewildering, and I think there's a kind of bewilderment underneath, which we haven't really spoken to as it is an entirely other subject, but is lurking there. Yes, you put your absolutely right, you put your finger on it, a lot of us look to America as modernity, maybe not the society of the future, but certainly the the culture of the future, the innovations of the future. And I think one of the worrying things, which maybe feeds the neurosis of Make America Great Again, feeds the neurosis, of current American unilateralism, is a fear But modernity, talk like Hegel, has now shifted and is now to be seen in China, India and other countries of the world. And I think underlying everything, even below the stuff that we showed in the chart about changing shares of wealth. I think under that... That is much more worrisome in the United States than almost anything else. It's the sense that the United States isn't any longer the great modern world historical country. It's very troubling, but let's face it, you get have to get used to it.Andrew Keen: The other thing that's bewildering and chilling is this seeming coexistence of technological innovation, the Mark Andreessen's, the the Musk's, Elon Musk's of the world, the AI revolution, Silicon Valley, who seem mostly in alliance with Trump and Musk of course are headed out. The Doge campaign to destroy government or undermine government. Is it conceivable that modernity is by definition, you mentioned Hegel and of course lots of people imagine that history had ended in 1989 but the reverse was true. Is it possible that modernity is by-definition reactionary politically?Edmund Fawcett: A tough one. I mean on the technocracy, the technocrats of Silicon Valley, I think one of their problems is that they're brilliant, quite brilliant at making machines. I'm the machinery we're using right here. They're fantastic. They're not terribly good at. Messy human beings and messy politics. So I'm not terribly troubled by that, nor your other question about it is whether looming challenges of technology. I mean, maybe I could just end with the violinist, Fritz Kreisler, who said, I was against the telegraph, I was against the telephone, I was against television. I'm a progressive when it comes to technology. I'm always against the latest thing. I mean, I don't, there've always been new machines. I'm not terribly troubled by that. It seems to me, you know, I want you to worry about more immediate problems. If indeed AI is going to take over the world, my sense is, tell us when we get there.Andrew Keen: And finally, you were half-born in the United States or certainly from an American and British parent. You spent a lot of your life there and you still go, you follow it carefully. Is it like losing a lover or a loved one? Is it a kind of divorce in your mind with what's happening in America in terms of your own relations with America? You noted that your wife gave up her citizenship this year.Edmund Fawcett: Well, it is. And if I could talk about Natalia, my wife, she was much more American than me. Her mother was American from Philadelphia. She lived and worked in America more than I did. She did give up her American citizenship last year, partly for a feeling of, we use a long word, alienation, partly for practical reasons, not because we're anything like rich enough to pay American tax, but simply the business of keeping up with the changing tax code is very wary and troublesome. But she said, as she did it, she will always feel deeply American, and I think it's possible to say that. I mean, it's part of both of us, and I don't think...Andrew Keen: It's loseable. Well, I have to ask this question finally, finally. Maybe I always use that word and it's never final. What does it mean to feel American?Edmund Fawcett: Well, everybody's gonna have their own answer to that. I was just... What does it mean for you? I'm just reading. What it is to feel American. Can I dodge the question by saying, what is it to feel Californian? Or even what is to be Los Angelino? Where my sister-in-law and brother-in-law live. A great friend said, what it is feel Los Angeles you go over those mountains and you put down your rucksack. And I think what that means is for Europeans, America has always meant leaving the past behind.Edmund Fawcett was the Economist‘s Washington, Paris and Berlin correspondent and is a regular reviewer. His Liberalism: The Life of an Idea was published by Princeton in 2014. The second in his planned political trilogy – Conservatism: The Fight for a Tradition – was published in 2020, also by Princeton University Press. The Economist called it ‘an epic history of conservatism and the Financial Times praised Fawcett for creating a ‘rich and wide-ranging account' that demonstrates how conservatism has repeated managed to renew itself.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Paul Axton preaches: Wittgenstein, Hegel, and Moltmann unite in describing the resurrection as opening up the life of Christ as the story of God, and the central interpretive key of faith. If you enjoyed this podcast, please consider donating to support our work. Become a Patron!
Extrait de l'épisode SARTRE - On a la vie qu'on mériteCet épisode sera publié sur YouTube et en podcast vendredi prochain le 2 maiIl est d'ores et déjà disponible en intégralité sur ma page Patreon : https://www.patreon.com/posts/127269685Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
First-time GTAA guest Borna Radnik and frequent GTAA guest Matt McManus join Ben Burgis to chat about Borna's book "Freedom, in Context:Time, History, and Necessity in Hegel." Before that, in lieu of an Opening Argument and for the first time on YouTube, we'll play a talk Ben gave a while back called "Karl Marx Deserves Better Critics."...and, last but not least, Jason Myles hangs out in the postgame for patrons!Check out Borna's book:https://www.amazon.com/Freedom-Context-History-Necessity-Hegel/dp/1350430048Follow Borna on Twitter: @BornaRadnikFollow Matt on Twitter: @MattPolProfFollow Ben on Twitter: @BenBurgisFollow GTAA on Twitter: @Gtaa_ShowBecome a GTAA Patron and receive numerous benefits ranging from patron-exclusive postgames every Monday night to our undying love and gratitude for helping us keep this thing going:patreon.com/benburgisRead the weekly philosophy Substack:benburgis.substack.com
The boys (featuring the return of Mir) return to the slaughter-bench to finish discussing Terry Pinkard's article "The Spirit of History."The Spirit of History by Terry Pinkardhttps://aeon.co/essays/what-is-history-nobody-gave-a-deeper-answer-than-hegelSend us a message (sorry we can't respond on here). Support the show
Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
The episode explores Hegel's complex understanding of freedom as self-determination and its historical evolution through time, juxtaposed with Kant and Rousseau's perspectives. It emphasizes that freedom is a relational and collective struggle that necessitates recognition and social action, questioning the practical implications of Hegel's thought in contemporary movements for change. - Examining Hegel's definition of freedom as self-determination- Historical context: freedom's evolution through societies- The importance of temporality in understanding freedom- Comparing Hegel with Kant and Rousseau on freedom- Duns Scotus' radical contingency vs. Hegel's causal necessity- Practical implications: social struggles for freedom today - Connecting Hegelian philosophy to contemporary movementsSend us a text Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan
Bishop Robert Barron’s Sermons - Catholic Preaching and Homilies
Friends, happy Easter! Many of you probably know that I've spent much of my life reading philosophers and spiritual writers—Plato, Aristotle, Confucius, Cicero, Marcus Aurelius, Anselm, Aquinas, Kant, Hegel. What all those figures have in common is a kind of calm, musing detachment as they talk about high ideas. Well, there's all of that—and then there's the Gospel, the “Good News.” Yes, the Gospels have inspired philosophers and spiritual teachers, but at their heart, they're not abstracted philosophical musing; they're the urgent conveying of news. Something happened—and I need you to know about it!
On Friday's Mark Levin Show, Rep Alexandria Ocasio-Cortez (AOC) and Sen Bernie Sanders are staunch Marxists, even though AOC shows she has never deeply read the texts of Marx or Hegel. Marxism is all about slogans, skills Sanders excels at while AOC is still developing. There isn't one place where Marxism has worked, yet this is what they push. Later, there is this fusion between Marxism and Islamism. The People's Forum, a pro-Communist Chinese Party (CCP) Marxist group, is orchestrating protests to free Mahmoud Khalil. The group has ties to radical left-wing organizations like Code Pink and has a history of supporting anti-Israel and pro-Palestinian causes, including celebrating Hamas attacks. Also, the mainstream media is downplaying the fact that Badar Khan Suri, a Georgetown University student facing deportation by the Trump administration, is the son-in-law of a senior Hamas official, Yousef Saleh. The media portray Suri as merely a researcher or student caught in a legal dispute, ignoring his alleged ties to Hamas and his promotion of antisemitic propaganda on social media. Afterward, Jim Trusty calls in to discuss the Trump administration facing an unprecedented number of legal injunctions, far surpassing those of any previous president. This is the continuing of lawfare. In addition, leftwing conflicted Obama judge, James Boasberg, is looking to hold the Trump administration in contempt. That's what he's doing, and he wants to make a big splash, get lots of media headlines, and try to sabotage the Trump administration. He wants to create the impression that Trump is lawless when, in fact, Boasberg is lawless. He wants to play into the Democrat Party narrative that Trump is a dictator, when it is Boasberg who is the autocrat. Finally, Jim Simpson joins the conversation to talk about his new book, Manufactured Crisis: The War to End America. https://www.amazon.com/Manufactured-Crisis-War-End-America/dp/B0DGD854FS/ Learn more about your ad choices. Visit podcastchoices.com/adchoices