Podcast appearances and mentions of Kathleen Marshall

Tame that Mediterranean mane and strap on your black, chonky-heeled boots as we spin into 2001's The Princess Diaries. Can we get more late-in-life romance between Julie Andrews and Héctor Elizondo, please? Is Anne Hathaway the supreme evolution of the ultra sincere theater kid? And did you know about the deadly properties of tonka beans? Ask Bryce sometime. 

Samuel Edwards is In The Frame! Most recently, Sam played Stuart in the original West End cast of Mrs Doubtfire (Shaftesbury Theatre) and starred as Billy Crocker in Kathleen Marshall's revival of Anything Goes (Barbican Centre). After making his West End debut understudying Sam Wheat in Ghost The Musical, Sam covered Enjolras in Les Misérables, Rolf in The Sound of Music (Regent's Park Open Air Theatre) and Fiyero in Wicked (Apollo Victoria). Impressively, Sam took over as Fiyero in Wicked's UK & Ireland Tour and returned to the West End production of Les Misérables to star as Enjolras. He also returned to Ghost as Carl (Asia Tour). Some of Sam's additional theatre roles include Sonny in the UK premiere of Xanadu (Southwark Playhouse) and Ozzie in On The Town (Regent's Park Open Air Theatre). On screen he has appeared in Ted Lasso, Brave New World, Doctors and Hollyoaks. In this episode, Sam discusses how overwhelming it was to make his West End debut understudying Richard Fleeshman in Ghost, his trend of returning to shows and how he almost missed out on playing Billy Crocker... plus lots more! Follow Sam on Instagram: @samjedwards Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Kathleen Marshall was a well respected and much loved Vet from Brisbane, who adored cats. When she was found dead the investigation that followed was one which would see the a local Australian palm reader found guilty using DNA. Join me in my latest true crime episode where I take you through this sad and tragic story. Please hit the subscribe button if you enjoy my channel . Em xx

ANYTHING GOES  Music & Lyrics by Cole Porter | Original Book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse | New Book by Timothy Crouse & John WeidmanWorks Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"You're the Top" from  Anything Goes (New Broadway Cast Recording (1987))  | Music & Lyrics by Cole Porter | Performed by Patti LuPone and Howard McGillin"Cherry Pies Ought to Be You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by LaChanze, Peter Scolari, Andrea Martin, & Ernie Sabella"They Couldn't Compare to You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by Peter Scolari & Female Ensemble"Brush Up Your Shakespeare" from Kiss Me, Kate! (The New Broadway Cast Recording) | Music & Lyrics by Cole Porter | Performed by Lee Wilkof & Michael Mulheren"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

#BRNAM #1622 | A new ‘calming space' for neurodiverse travelers |  Kathleen Marshall, Director of Program Services, Anderson Center for Autism | #Tunein: broadcastretirementnetwork.com #JustTheFacts

This is the second half of my conversation with author Liza Gennaro, whose fascinating book is titled: Making Broadway Dance.  If you missed part one you may want to catch up on that episode before listening to this one. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and she also has had a very active and successful career as a dancer and choreographer. Interestingly, she is closely related to this subject matter of her book because her father was the Tony Award winning choreographer and star dancer, Peter Gennaro. He is profiled in the book as well as in this episode. By the end of Part 1, we had made it to the late 1940s when Agnes de Mille was dominating the field of Broadway choreography. Between 1943 and 1945, De Mille had four hits in a row – Oklahoma!, One Touch of Venus, Bloomer Girl, and Carousel – and three of them choreographed in her signature “Americana” style. This unprecedented string of successes made her the most powerful choreographer in the commercial theater, and soon led to her becoming the first director-choreographer of the “Golden Age” with Rodgers & Hammerstein's Allegro. De Mille's most significant contribution to the Broadway Musical was breaking the mold of the traditional Broadway chorus girl by insisting on hiring actor/dancers who could fully embody the characters that they were playing.  This new approach to Broadway dance, and this new kind of Broadway dancer, would be adopted by everyone who followed in her footsteps – especially Jerome Robbins – who years later would write, “Agnes broke the conception of what the Broadway dancer could be in the Broadway Musical. What they looked like, what was desired of them, and what their contribution to the show was.” And, as you will hear, Robbins took that idea and ran with it, just as De Mille's “Americana” style was starting to lose its luster. That's just the beginning Later in the episode Liza and I discuss Michael Kidd, Bob Fosse, Gower Champion, Michael Bennett, Graciela Daniele, Susan Stroman, Kathleen Marshall, Bill T. Jones, Stephen Hoggett, Lorin Latarro, Kelly Devine, Sergio Trujillo, Jerry Mitchell and more! Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as John Schroeder and Alan Brodie whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Our Julia Roberts streak continues this week with Runaway Bride! This unlikely spiritual successor to Pretty Woman reunites Julia Roberts, Richard Gere, Hector Elizondo,  Larry Miller, Patrick Richwood (the elevator operator!), Kathleen Marshall and director Gary Marshall.Journalist Ike Graham is a columnist for USA Today. Short on time, he decides to write a scathing piece about a woman in a small town in Maryland who has left men at the altar 7 or 8 times. She's even got another one on the hook! He doesn't bother to check his sources (or source. He's been talking to one guy in a bar), and is promptly fired when the subject of his story sends her own blistering letter to the editor, pointing out numerous factual errors. In an attempt to save his career, Ike goes to Maryland to meet this woman, her family and her friends, and report on his findings to the world. So noble. Listen to our recap and review of this movie today! You can find Runaway Bride on Netflix. Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

Claiming to tell unknown stories about the iconic singer, alongside songs some of his much-loved songs, this world premiere musical hopes to reflect his enduring legacy. His youngest daughter Tina, one of the producers, and the director and choreographer of the show, Kathleen Marshall join Emma Barnett. We discuss the possible decision to cancel another part of the high speed rail link - HS2 - and the impact it could have on women with Dr Mary-Ann Stephenson, co-director of the Women's Budget Group, a Feminist Economic Think Tank and Zoe Billingham, Director of the IPPR North - based in Manchester. Between 1975 and 1980, Peter Sutcliffe murdered 13 women and attempted to murder at least seven more across the North of England.  A new ITV drama series, The Long Shadow, portrays the women who were killed, and their families, as well as the hardworking but flawed and misogynist police investigation.  Joining Emma are Willow Grylls, executive producer of the show and Meg Winterburn, who worked on the investigation as a police sergeant. Exclusive research shared with Woman's Hour claims that £60m is ‘wasted' in England every year on Tribunals for children with Special Educational Needs and Disabilities. Local authorities ‘fight' thousands of parents of disabled children about what support the child gets and where they go to school  – but 'lose' 96% of those cases. This comes on the day that one of the country's leading experts delivers a valedictory lecture after a 40 year career advocating for disabled children. Dame Christine Lenehan, Director of the Council of Disabled Children, part of the National Children's Bureau, Presenter: Emma Barnett Producer: Lisa Jenkinson Studio Manager: Duncan Hannant

Today on another encore bonus edition of the Rarified Heir Podcast, we talk to last week's guests Kathleen Marshall and Scott Marshall, again this week. And again we learn first-hand what it was like to grow up the daughter and son of director Garry Marshall & the niece and nephew of actor director Penny Marshall. This episode picks up where last week's episode ends with tales about school nap time and Lord of the Flies, growing up in Hollywood and the hermits of the Hollywood Hills and the importance of the next generation making their mark. Take a listen to the Rarified Heir Podcast. Everyone has a story.

Today on another encore edition of the Rarified Heir Podcast, we talk to Kathleen Marshall and Scott Marshall, the daughter and son of director Garry Marshall & the niece and nephew of actor/director Penny Marshall. We loved talking to two fellow albums of the Oakwood School which host Josh Mills attended with them because it was a great chance to reconnect and talk about all things Happy Days, Laverne and Shirley, Mork and Mindy and a few pilots that didn't really make the grade. We did get to talk about Garry's films like Pretty Womanand The Flamingo Kid as well as Penny's film A League of Their Own. Kathleen and Scott give us first hand looks into what it was like being on set in the 70s and into the 90s, how they were not allowed on one set due to their age but another was pretty much a second home when growing up. What's more, we learned how their mother, Barbara kept the kids feet on the ground as she was not one who loved the limelight and wanted to make sure the kids had a regular, everyday family life. Of course we talk about Garry's passion for sports and why he pushed it on his kids, we hear Scott's spot on impression of his dad from Albert Brooks Lost in America, tales of Scott's post college indie band Chavez who once played the Hollywood Bowl & much more. It was a pleasure to reconnect with both Kathleen and Scott on this edition of the Rarified Heir Podcast Take a listen.

  David Saint is in his 25th season as Artistic Director of George Street Playhouse. He has directed 43 mainstage productions at GSP, having most recently helmed Ken Ludwig's Dear Jack, Dear Louise. Additional productions include Fully Committed and Tiny Beautiful Things for the GSP virtual season, Midwives, and Conscience, in addition to The Trial of Donna Caine, American Hero, American Son, I Love You, You're Perfect, Now Change and An Act of God starring the legendary Kathleen Turner in the 2017-18 season. His time here has been marked by collaborations with such artists as Keith Carradine, Tyne Daly, Rachel Dratch, Sandy Duncan, Boyd Gaines, A.R. Gurney, Uta Hagen, Jack Klugman, Dan Lauria, Kathleen Marshall, Elaine May, Anne Meara, David Hyde Pierce, Chita Rivera, Paul Rudd, Stephen Sondheim, Marlo Thomas, Eli Wallach, and many others including a remarkable partnership with Arthur Laurents. In addition, many new award-winning works have begun their life here during his tenure such as The Toxic Avenger, Proof, The Spitfire Grill, Joe DiPietro's Clever Little Lies, and It Shoulda Been You. He has directed Final Follies at Primary Stages, Clever Little Lies at Guild Hall in East Hampton, NY and off-Broadway at West Side Theatre, as well as the National tour of West Side Story. In July 2016, he directed a two-night concert performance of West Side Story at the legendary Hollywood Bowl. In Summer 2019, he directed a revolutionary new production of West Side Story for IHI Stage Around in Tokyo and served as Associate Producer for the new film version of West Side Story directed by Steven Spielberg. 

Alena received her Bachelor of Music in Music Education from Michigan State University in 2011 as well as a certification in Music Learning Theory at the Early Childhood Level from University of South Carolina. Alena began working as the Music Director at the renowned Los Angeles Elementary and Early Childhood educational institution: Hollywood Schoolhouse in 2011. In June 2019 Alena premiered her critically acclaimed and highly reviewed “Swiped The Musical,” an inspiring musical romantic comedy about online dating, which premiered June 21st at The Hudson Theatre in Hollywood for the 2019 Hollywood Fringe Festival. Swiped The Musical received the Fringe's Encore's extension award for the success of its initial run.Alena co-founded Unicorn Music Academy in January 2020 to open up the young people's hearts and minds to the music around them and give them the tools they ned to organize their ideas and create freely. Most recently Alena has been writing, recording and producing with artists at Homegrown Recording Collective. In November 2021 Alena and her writing partners Catriona Fray and Danny Pravder traveled to New York City to produce a new work titled “Divine Feminine Soul” at The Duplex. CATRIONA FRAY is an artist, teacher, and one of the co-creators and producers of Homegrown Recording & Collective. Her music transcends the spirit into an earthy, soulful Gospel/Worship/R&B/Pop experience. Her first single “Do I Believe In Love” was released in August 2021, recorded at Homegrown Recording, and is available on Spotify, Apple Music, YouTube! Her NEW single “No Fear In Love” is now released on all platforms as well! ​ She is a graduate of UCLA's School of Theater, Film, and Television, where was she was a featured soprano in the UCLA ScatterTones a cappella group, traveled around the country singing at the White House, opened for Grammy Award winning Pentatonix, and filmed with recording artist Jojo in a national commercial for Freeform. ​ She has worked on two Kathleen Marshall (three-time Tony Award director/choreographer) productions Mamma Mia at the Hollywood Bowl and Sweet Charity as Rosie. Her favorite leading roles include the Witch in Into the Woods, Audrey in Little Shop of Horrors, and Lucy in Jekyll and Hyde. NYC Off-Broadway concert credits include, Swing 46, Town Hall, Feinstein's/54 Below, (Le) Poisson Rouge, and The Duplex, where she produced, created, and starred in her own cabaret The Melody Plays On: No One is Alone to help raise awareness and donations for the local domestic violence awareness non-profit "Never Alone Again,” and more recently debuted a piece of original material “Divine Feminine Soul”. During the pandemic, she directed/choreographed/music directed a musical revue for a children's theater (socially distanced and masked), taught musical theater classes, and founded Catriona Fray Studios for the Performing Artist. She teaches piano, guitar, voice, acting, dance, musical theater script writing/songwriting, and yoga to students of all ages! Manoela is a native of Rio de Janeiro, violinist and multi-instrumentalist who has established herself in LA as an exceptionally versatile artist. Classically trained, she has a strong passion for improvisation in jazz, blues, and rock genres and is an active composer and arranger. Notable live performances and recordings include Janelle Monáe, David Foster, Katharine McPhee, Kygo, Renée Fleming, The Tenors, Common, Deltron 3030, Amanda Palmer, Amanda Palmer & The Grand Theft Orchestra, Frank Ocean, Marco Antonio Solís, Gloria Trevi, and a Quincy Jones benefit with Lang Lang. In addition, Manoela has been featured in films, TV shows and commercials, and regularly plays as a solo guest violinist with local acts. Her music has been heard in the most prominent halls across the country, including Hollywood Bowl, The Forum, Greek Theatre, and Walt Disney Concert Hall. Website: https://www.homegrownrecording.com/

Tony and Emmy Winning Production Designer Derek McLane and Eila Mell have come together to create the new hit book Designing Broadway, available wherever books are sold! This episode is incredible for all artists – especially theatre designers who are beginning to explore their multi-hyphenate identities.  Together with other leading set design and theatre talents, McLane invites us into the immersive and exhilarating experience of building the striking visual worlds that have brought so many of our favorite stories to life. Discover how designers generate innovative ideas, research period and place, solve staging challenges, and collaborate with directors, projectionists, costume designers, and other artists to capture the essence of a show in powerful scenic design. With co-writer Eila Mell, McLane and contributors discuss Moulin Rouge!, Hamilton, Hadestown, Beautiful, and many more of the most iconic productions of our generation. Among the Broadway luminaries who contribute are John Lee Beatty, Danny Burstein, Cameron Crowe, Ethan Hawke, Moisés Kaufman, Carole King, Kenny Leon, Santo Loquasto, Kathleen Marshall, Lynn Nottage, David Rabe, Ruben Santiago-Hudson, Wallace Shawn, John Leguizamo, and Robin Wagner. Filled with personal sketches and photographs from the artists' archives, this stunningly designed book is truly a behind-the-scenes journey that theatre fans will love. Derek McLane is an Emmy and Tony Award winning production designer for Broadway and television, who's nearly 350 designs include: Broadway credits such as MJ, The Michael Jackson Musical, Moulin Rouge! (Tony Award), A Soldier's Play (Tony Nomination), American Son, Parisian Woman, The Price, Beautiful, Fully Committed, Noises Off, Gigi, 33 Variations (with Jane Fonda) (Tony Award), China Doll (with Al Pacino), How to Succeed in Business Without Even Trying (with Daniel Radcliffe), Follies, Anything Goes, Bengal Tiger at the Baghdad Zoo (with Robin Williams), Ragtime, The Pajama Game, I Am My Own Wife. Off-Broadway: Buried Child, Jerry Springer The Opera, Merrily We Roll Along, The Spoils, If I Forget, Love, Love, Love; The Night of the Iguana, Sweet Charity, Buried Child, Into the Woods, Ruined, The Last Five Years, Television 6 years of Academy Awards, NBC Musicals: The Sound of Music, Peter Pan, The Wiz & Hairspray. Derek is the Chairman of the Board of The New Group Theatre. His many awards include: 2 Tony Awards, 2 Emmy's, 2 Obie's, 2 Drama Desks, 3 Lucille Lortel Awards, and 3 Art Directors Guild Awards. @derekmclane Eila Mell is the author of Designing Broadway as well as the official guide to the hit television series Project Runway, titled Project Runway: The Show That Changed Fashion. Among her other books are New York Fashion Week and, with Ty Hunter, Makeover from Within: Lessons in Hardship, Acceptance, and Self-Discovery. Mell has been featured in the New York Times, Marie Claire, Glamour, and CBS's The Insider, as well as in the documentary Scatter My Ashes at Bergdorf's. She is the co-host of the podcast Jiffy Pop Culture with comedian Frank Liotti. @eilamell Learn more about your ad choices. Visit megaphone.fm/adchoices

This weekend's 1 in 44 guest is Kathleen Marshall! Kathleen is the Director of Program Services at Anderson Center for Autism. Recently, our Consultation Department unveiled a new brand for their consulting and training programs - Anderson Center Consulting and Training (ACCT). ACCT is deeply committed to empowering all service and training recipients with tools and strategies that can help carry out Anderson Center for Autism's mission of optimizing the quality of life for people with autism. Trainings & Services include: Educational Consultation Services, Family Services, Autism Supportive Programs which includes: Autism Supportive Environment℠ (Autism Supportive First Responder & Autism Supportive Healthcare), Autism Supportive College, and Autism Supportive Community and MORE! Tune in to learn about Anderson Center Consulting & Training, or visit: https://www.andersoncenterforautism.org/autism-community/consulting-services

An actress and filmmaker, Jennifer Westfeldt is perhaps best known for writing, producing and starring in the indie films Kissing Jessica Stein (Indie Spirit Nomination, Golden Satellite Award, GLAAD Media Award, multiple Audience Awards), Ira & Abby (Best Actress/HBO Comedy Festival, multiple Audience Awards), and Friends with Kids (Top Ten Films of 2012, New York Magazine, NPR), which also marked her directorial debut. Her television credits include Younger,This Is Us, Girls, 24, Grey's Anatomy, Private Practice, Notes from the Underbelly, and Children's Hospital, among others.  Jennifer made her Broadway debut opposite Donna Murphy in Wonderful Town, directed by Kathleen Marshall, for which she received a Tony nomination, a Theater World Award and a Drama League Award. Other notable stage work includes the world premieres of Scott Z. Burns' The Library at the Public Theater, directed by Stephen Soderbergh; Nell Benjamin's The Explorer's Club at Manhattan Theater Club; Nicky Silver's Too Much Sun opposite Linda Lavin at The Vineyard Theater; Joe Gilford's Finks at NYSAF; Cusi Cram's A Lifetime Burning at Primary Stages; and Alexandra Gersten-Vassilaros' Big Sky at The Geffen Playhouse.  On the writing side, Jennifer recently adapted Robinne Lee's novel The Idea of You to the screen; the film, starring Anne Hathaway and directed by Michael Showalter, is shooting this fall for Amazon Studios. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Happy Birthday to Kathleen Marshall! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Carly is currently reprising her Olivier nominated performance as Erma in Kathleen Marshall's production of Anything Goes at the Barbican Theatre. Since previously joining us on Series 2 Episode 6 of In The Frame, Carly hasn't stopped! She was cast as Jane Seymour in the UK tour of Six, but sadly never made her debut due to a lockdown. Her recent credits include Shug Avery in The Color Purple (Leicester Curve - Digital), June in Gypsy in Concert (Alexandra Palace Theatre) and Cassie in A Chorus Line (Leicester Curve). Carly received huge acclaim for her performance as Erma in Anything Goes, winning a WhatsOnStage Award and receiving an Olivier Award nomination. Carly's extensive credits also include: Anita in West Side Story (Leicester Curve), Helene in Sweet Charity (Nottingham Playhouse), Fate in Hadestown (National Theatre), Henri in The View Upstairs (Soho Theatre) and Charlaine in Ain't Misbehavin' (Southwark Playhouse & Mercury Colchester). Carly's West End credits include Rock of Ages, Dirty Dancing, Chicago, Memphis and Dreamgirls where she understudied and regularly played the role of Lorelle. She has also appeared in Hair, High School Musical, Dance Til Dawn and The Lorax.Anything Goes completes its run at the Barbican Theatre on 3rd September. Visit www.anythinggoesmusical.co.uk for info and tickets. Follow Carly on Instagram: @carlymdyerHosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Direct from backstage between shows at the Barbican, the First Lady of the West End on taking the reins are Reno Sweeney in Kathleen Marshall's Olivier and Tony-Award winning musical Anything Goes. Plus, how Wicked has and continues to impact her life, learning to own the difference in her vocals thanks to the love and support of Dr Brian May, singing with Barry Manilow and performing for The Queen. Host: William J Connolly Produced by: William J Connolly/Darren Bell anythinggoesmusical.co.uk Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hailing from the San Francisco Bay Area Johnny Orenberg is an accomplished performer who has been in the entertainment industry for over 25 years. He's been a proud Member of Actors' Equity since 2007 and owner of a private acting studio. He has shared the stage with such stars as Sutton Foster, Kathleen Marshall, Michael Rafter, and Kate Mcgary while performing at the some of the most prestigious theaters in the United States including the Barnstormers Theatre, Cleveland Playhouse, Great Lakes Theatre Company, 42nd Street Moon Theatre and The Walt Disney Company. However, this is not everything he does. He is also the founder of Care Life Services which is the leading provider of home health care, life style benefiting services across the San Francisco Bay Area. Johnny Orenberg is no stranger to the healthcare field. After graduating from Baldwin-Wallace Musical Conservatory, he decided to follow in the footsteps of his father, an emergency room physician and medical director, and his mother, a registered nurse. Johnny went on to become a CNA and certified Senior Fitness Specialist. As a new father, Johnny has learned to harness his gifts (Anxiety, ADHD and Dyslexia) as superpowers into fuel for his entrepreneurial spirit and mindfulness in the toll that hyperfocus can take on family life in the battle of business goals and personal values. Make sure you check out this incredible episode with this amazing dad. Dad Up! https://youtube.com/c/DadUpPodcast https://linktr.ee/Daduptribe https://www.daduptribe.com/ https://www.instagram.com/daduppodcast/ https://podcasts.apple.com/us/podcast/dad-up-podcast/id1486764562 https://www.thejonathanlakin.com/ https://www.carelifeservices.com/ https://instagram.com/thejonathanlakin https://instagram.com/carelifeservices https://www.facebook.com/jonathan.orenberg.9 --- Support this podcast: https://anchor.fm/bryan-ward8/support

Mike Isaacson, Currently in his ninth season and only the third person to hold this position in The Muny's 103-year history. To date, he has produced 56 Muny shows, 23 of which had never been on the Muny stage before. He has collaborated at The Muny with many Tony award winners and breakthrough talents, including Christian Borle, Colin Donnell, Marcia Milgrom Dodge, Gary Griffin, Heather Headley, Jennifer Holliday, Denis Jones, Laura Michelle Kelly, Dan Knecht- ges, Beth Leavel, Norm Lewis, Beth Malone, Kathleen Marshall, Patti Murin, Josh Rhodes, Emily Skinner and Ken Page. The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson, the quality of Muny productions rose like the proverbial phoenix.” The St. Louis Post-Dispatch named him “Theatre Artist of the Year,” noting that by “staging one impressive production after another, he made The Muny simultaneously hip and – be- lieve it – important to our community.” During Isaacson's tenure, The Muny has produced new developmental productions of Irving Berlin's Holiday Inn, Lerner and Loewe's Paint Your Wagon and The Unsinkable Molly Brown. During its record-breaking 100th season, The Muny became the first theatre in the world to produce the legendary Jerome Robbins' Broadway, doing unprecedented archival work on both the artistic and business side. During that same season, The Muny produced the U.S. regional premiere of Jersey Boys. Isaacson has changed the look and feel of a Muny production, overseeing a transformation in every aspect of pro- duction that culminated in 2019 with the arrival of the theatre's extraordinary James S. Mc- Donnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets and a host of other innovations. During the summer of 2020, when The Muny was closed due to COVID-19, Mike produced and created The Muny 2020 Variety Hour Live!, an online show that reached more than a worldwide audience of over 400,000.   With Kristin Caskey, Isaacson has produced more than 23 Broadway musicals and plays, national tours, off-Broadway and London productions. All told, his productions have received more than 122 Tony nominations and 34 Tony Awards. Last year, he produced the highly ac- claimed David Byrne's American Utopia, which made every major “Top 10” list, and became a highly acclaimed film by Spike Lee on HBO, for which he also served as an executive produc- er. Just as the COVID-19 shutdown of Broadway began, he was awaiting the first preview of Neil Simon's Plaza Suite, starring Mathew Broderick and Sarah Jessica Parker.   Also, during the shutdown, Isaacson served as a supporting producer of the acclaimed re- vival of The Unsinkable Molly Brown at New York's Transport Group. Other career highlights include: Fun Home (2015 Tony Award, Best Musical; 2018 Olivier nominee for Best Musical), Legally Blonde the Musical (2011 Olivier Award, Best Musical), Thoroughly Modern Millie (2002 Tony Award, Best Musical), Red (2010 Tony Award, Best Play), The Humans (2016 Tony Award, Best Play), If/Then, starring Idina Menzel, Lanford Wilson's Burn This, starring Adam Driver and Kerri Russell (2019 Tony nomination for Best Revival of a Play), Bring It On: The Musical (2013 Tony nomination for Best Musical), A Doll's House 2 (2017 Tony nomination for Best Play), You're a Good Man, Charlie Brown (1999 Tony nomination for Best Revival of a Musical), The Seagull, starring Kristin Scott Thomas, Carey Mulligan and Peter Sarsgaard, Caroline, or Change (Tony nomination for Best Musical); One Flew Over the Cuckoo's Nest (2001 Tony Award, Best Revival of a Play) and Death of a Salesman (1999 Tony Award, Best Revival of a Play). For the Independent Presenters Network, Isaacson served as producer for Spamalot (2005 Tony Award, Best Musical), Ragtime (revival) and The Color Purple (2006 Tony nomination for Best Musical).   He has received the St. Louis Arts and Education Council's Award for Excellence in the Arts and has been awarded The Broadway League's and Theatre Development Fund's Commercial Theater Institute “Robert Whitehead” Award for excellence in producing. He has served on the board of governors and executive committee of The Broadway League and received the Samuel J. L'Hommedieu Award. He has also received the Equality Award from the St. Louis Chapter of Human Rights Campaign.

Mike Isaacson, Currently in his ninth season and only the third person to hold this position in The Muny's 103-year history. To date, he has produced 56 Muny shows, 23 of which had never been on the Muny stage before. He has collaborated at The Muny with many Tony award winners and breakthrough talents, including Christian Borle, Colin Donnell, Marcia Milgrom Dodge, Gary Griffin, Heather Headley, Jennifer Holliday, Denis Jones, Laura Michelle Kelly, Dan Knecht- ges, Beth Leavel, Norm Lewis, Beth Malone, Kathleen Marshall, Patti Murin, Josh Rhodes, Emily Skinner and Ken Page. The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson, the quality of Muny productions rose like the proverbial phoenix.” The St. Louis Post-Dispatch named him “Theatre Artist of the Year,” noting that by “staging one impressive production after another, he made The Muny simultaneously hip and – be- lieve it – important to our community.” During Isaacson's tenure, The Muny has produced new developmental productions of Irving Berlin's Holiday Inn, Lerner and Loewe's Paint Your Wagon and The Unsinkable Molly Brown. During its record-breaking 100th season, The Muny became the first theatre in the world to produce the legendary Jerome Robbins' Broadway, doing unprecedented archival work on both the artistic and business side. During that same season, The Muny produced the U.S. regional premiere of Jersey Boys. Isaacson has changed the look and feel of a Muny production, overseeing a transformation in every aspect of pro- duction that culminated in 2019 with the arrival of the theatre's extraordinary James S. Mc- Donnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets and a host of other innovations. During the summer of 2020, when The Muny was closed due to COVID-19, Mike produced and created The Muny 2020 Variety Hour Live!, an online show that reached more than a worldwide audience of over 400,000.   With Kristin Caskey, Isaacson has produced more than 23 Broadway musicals and plays, national tours, off-Broadway and London productions. All told, his productions have received more than 122 Tony nominations and 34 Tony Awards. Last year, he produced the highly ac- claimed David Byrne's American Utopia, which made every major “Top 10” list, and became a highly acclaimed film by Spike Lee on HBO, for which he also served as an executive produc- er. Just as the COVID-19 shutdown of Broadway began, he was awaiting the first preview of Neil Simon's Plaza Suite, starring Mathew Broderick and Sarah Jessica Parker.   Also, during the shutdown, Isaacson served as a supporting producer of the acclaimed re- vival of The Unsinkable Molly Brown at New York's Transport Group. Other career highlights include: Fun Home (2015 Tony Award, Best Musical; 2018 Olivier nominee for Best Musical), Legally Blonde the Musical (2011 Olivier Award, Best Musical), Thoroughly Modern Millie (2002 Tony Award, Best Musical), Red (2010 Tony Award, Best Play), The Humans (2016 Tony Award, Best Play), If/Then, starring Idina Menzel, Lanford Wilson's Burn This, starring Adam Driver and Kerri Russell (2019 Tony nomination for Best Revival of a Play), Bring It On: The Musical (2013 Tony nomination for Best Musical), A Doll's House 2 (2017 Tony nomination for Best Play), You're a Good Man, Charlie Brown (1999 Tony nomination for Best Revival of a Musical), The Seagull, starring Kristin Scott Thomas, Carey Mulligan and Peter Sarsgaard, Caroline, or Change (Tony nomination for Best Musical); One Flew Over the Cuckoo's Nest (2001 Tony Award, Best Revival of a Play) and Death of a Salesman (1999 Tony Award, Best Revival of a Play). For the Independent Presenters Network, Isaacson served as producer for Spamalot (2005 Tony Award, Best Musical), Ragtime (revival) and The Color Purple (2006 Tony nomination for Best Musical).   He has received the St. Louis Arts and Education Council's Award for Excellence in the Arts and has been awarded The Broadway League's and Theatre Development Fund's Commercial Theater Institute “Robert Whitehead” Award for excellence in producing. He has served on the board of governors and executive committee of The Broadway League and received the Samuel J. L'Hommedieu Award. He has also received the Equality Award from the St. Louis Chapter of Human Rights Campaign.

In March 1998, members of the Cat Protection Society in Brisbane, Australia were shocked at the murder of one of their own, a 52-year-old Veterinarian named Dr Kathleen Marshall. An outspoken crusader for animal rights, Kathleen seemed an unlikely target for such a brutal assault... --- Narration – Anonymous Host Research & writing – Jessica Forsayeth Creative direction – Milly Raso Production and music – Mike Migas Music – Andrew D.B. Joslyn This episode's sponsors: DoorDash – Get $10 off and FREE delivery for your first order of $20 or more with promo code ‘CASEFILEAUS' Beam Dream – Get up to 35% off of Dream Powder with promo code ‘CASEFILE' BetterHelp – Get 10% off your first month of professional counselling with a licensed therapist Best Fiends – Download Best Fiends for free For all credits and sources please visit casefilepodcast.com/case-217-kathleen-marshall

In this episode, Eric is joined by Jonathan Orenberg from the San Francisco Bay area.  As the founder of Care Life Services, Jonathan is no stranger to the healthcare field.  After graduating from Baldwin Wallace University: , he decided to follow in the footsteps of his father - an emergency room physician and medical director - and his mother, a registered nurse.  Jonathan went on to become a CNA and certified senior fitness specialist and is also an accomplished Bay-area bass performer who has been in the industry for over 25 years, proud member of Actors' Equity since 2008, and owner of a private acting studio.  Johnny has shared the stage with such stars as Sutton Foster, Kathleen Marshall, Michael Rafter, and Kate McGarry, while performing at some of the most prestigious theaters in the United States, including the Barnstormers Theatre, Cleveland Play House, Great Lakes Theater Company, 42nd Street Moon Theatre Company, and The Walt Disney Company.  Johnny has learned how to harness his ADHD and dyslexia-superpowers into fuel for his entrepreneurial spirit and mindfulness in the toll that hyperfocus can take on family life in the battle of business goals and personal values.  Johnny is also an Alum of !  Connect with Johnny:  Instagram:  Website: Discover the ADHD reWired Podcast Family: with Brendan Mahan with Will Curb with MJ Siemens

This is the second half of my recent conversation with author Liza Gennaro, whose fascinating new book is titled: Making Broadway Dance.  If you missed part one you may want to catch up on that episode before listening to this one. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and she also has had a very active and successful career as a dancer and choreographer. Interestingly, she is closely related to this subject matter of her book because her father was the Tony Award winning choreographer and star dancer, Peter Gennaro. He is profiled in the book as well as in this episode. By the end of Part 1, we had made it to the late 1940s when Agnes de Mille was dominating the field of Broadway choreography. Between 1943 and 1945, De Mille had four hits in a row – Oklahoma!, One Touch of Venus, Bloomer Girl, and Carousel – and three of them choreographed in her signature “Americana” style. This unprecedented string of successes made her the most powerful choreographer in the commercial theater, and soon led to her becoming the first director-choreographer of the “Golden Age” with Rodgers & Hammerstein's Allegro. De Mille's most significant contribution to the Broadway Musical was breaking the mold of the traditional Broadway chorus girl by insisting on hiring actor/dancers who could fully embody the characters that they were playing.  This new approach to Broadway dance, and this new kind of Broadway dancer, would be adopted by everyone who followed in her footsteps – especially Jerome Robbins – who years later would write, “Agnes broke the conception of what the Broadway dancer could be in the Broadway Musical. What they looked like, what was desired of them, and what their contribution to the show was.” And, as you will hear, Robbins took that idea and ran with it, just as De Mille's “Americana” style was starting to lose its luster. That's just the beginning Later in the episode Liza and I discuss Michael Kidd, Bob Fosse, Gower Champion, Michael Bennett, Graciela Daniele, Susan Stroman, Kathleen Marshall, Bill T. Jones, Stephen Hoggett, Lorin Latarro, Kelly Devine, Sergio Trujillo, Jerry Mitchell and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca Katz Harwood's eclectic career has included work as a performer,choreographer, teacher, researcher, and arts administrator. She received herundergraduate degree in Religious Studies and Anthropology from MacalesterCollege, and her MFA in Dance from New York University's Tisch School of the Arts(NYU Tisch). Her work as a performer has taken her around the Midwest, to bothcoasts of the US, as well as to Germany, England, France, Hungary, and Bulgaria. Herartistic palate is broad and draws on ballet, modern, jazz, folk and social dancetraditions in varying degrees and combinations based on the needs and impulses ofthe work being created. The common threads are a belief in the power of movementto viscerally capture the beauty and variety of human experience, expressedthrough a deep musicality and the motivation to communicate and connect with theaudience. Her concert dance choreography has been seen in Minnesota at venuesincluding MDA/Walker Art Center Choreographers' Evenings, The Minnesota FringeFestival, and the Minnesota Ballet. In New York, her work has been presented byBallet Builders, Dixon Place, Symphony Space, DanceNow/NYC and at MadisonSquare Garden as part of the NYU Tisch Salute Graduation Celebration of 2005.In the realm of musical theatre, Ms. Katz Harwood has been fortunate to receive twoSociety of Directors and Choreographers Foundation Observerships, in 2002 toassist John Carrafa on A Little Night Music at the Kennedy Center, and in 2005 toassist Kathleen Marshall on Two Gentlemen of Verona at the Public Theatre'sShakespeare in the Park in New York City. Her own theatre choreography has beenseen at venues in Minnesota, New York, South Dakota, and Seattle, Washington. As ateacher, Rebecca has been on the faculties of St. Olaf College, Marymount ManhattanCollege, and for the past sixteen years, the University of Minnesota Duluth (UMD)Department of Theatre. She has taught master classes and workshops in modern,jazz, and various social dances of the swing era in Minnesota, Nebraska, at variousAmerican College Dance Association North Central Regional Conferences, as well asabroad in England and Germany. The fall of 2011 took her to Munich, Germany,where she was featured as a co-lead instructor with social dance historian LanceBenishek, for the filming of a teaching DVD on The Big Apple, a famous dance of theSwing Era, nearly lost but now the subject of renewed interest from swing dancersaround the world.Rebecca lived in the Cities from 1988 to 2001 (mostly in St. Paul's Mac Grovelandand Merriam Park neighborhoods). As a performer she worked as an independentdancer with various choreographers including Sandy Agustin, Brad and CyndiGarner, Heidi Geier/Soft Eyed Collaborations, Jill Heaberlin, Marge Maddux,Christine Maginnis, Paula Mann, and Cathy Young, among others, and was acompany member of Ethnic Dance Theatre and Lance Benishek's American CulturalArts Society Dancers. She taught ballet at Zenon and St. Olaf College, andadministrated for Work and Work Associates, Marge Maddux for the Society ofDance History Scholars, Cathy Young Dance, and for James Sewell Ballet as theirOperations Manager.Since the fall of 2006, Ms. Katz Harwood has been based back in her native Duluth,Minnesota at UMD, where she teaches studio and academic classes in dance andmusical theatre as well as providing choreography for dance concerts and musicaltheatre productions. In the spring of 2012, she was awarded Tenure and promotedto her current rank of Associate Professor. Theatre Choreography credits include AYear with Frog and Toad, Urinetown!, Sugar, South Pacific, Little Shop of Horrors,Cinderella, She Loves Me, Time's Up, and the world premiere of Maxa: The Maddest

Tyrone Davis Jr / @tyronedavisjr Tyrone Davis Jr stepped into the role of Ogie in Waitress after having performed as an ensemble member and understudy in the production since 2017. Before the shutdown, he was last seen in the off-Broadway revival of The Unsinkable Molly Brown, helmed by Kathleen Marshall and starring Beth Malone. Tyrone originated the role of Ronny Lule in the 2015 off-Broadway production of Invisible Thread. He also toured the country in the first national tour of Shrek The Musical, directed by Jason Moore. In this episode we chat making the character Ogie, mental health, Nickelodean in the 90's and more! https://builtforthestage.com/subscribe - $1 coaching for your first month + unlocking a 20% discount code on apparel! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Tyrone Davis Jr / @tyronedavisjr Tyrone Davis Jr stepped into the role of Ogie in Waitress after having performed as an ensemble member and understudy in the production since 2017. Before the shutdown, he was last seen in the off-Broadway revival of The Unsinkable Molly Brown, helmed by Kathleen Marshall and starring Beth Malone. Tyrone originated the role of Ronny Lule in the 2015 off-Broadway production of Invisible Thread. He also toured the country in the first national tour of Shrek The Musical, directed by Jason Moore. In this episode we chat making the character Ogie, mental health, Nickelodean in the 90's and more! https://builtforthestage.com/subscribe - $1 coaching for your first month + unlocking a 20% discount code on apparel! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

You're the top! You're the Coliseum! It's time to set sail and say Bon Voyage, as we embrace some nautical nonsense for the 2021 London Revival of Anything Goes! With Sutton Foster and Robert Lindsay aboard the S.S. American, we're going to learn all about Friendship as we sail the high seas. Kathleen Marshall is the Captain for this experience; will this make the production Easy To Love? Will Danny find it de-lightful, de-licious and de-lovely? Or will it become Public Enemy Number One? Do you hear that playin'? Download now and you sure will! Music: purple-planet.com

Broadway star Sutton Foster and director and choreographer Kathleen Marshall talk to Samira Ahmed about staging the musical Anything Goes, one of the hottest tickets of the year at The Barbican, ahead of a Boxing Day screening on BBC 2. In light of the increasing uncertainty facing the performance sector because of the Omicron variant, we talk to Mark Davyd, CEO of the Music Venues Trust and Shadow Secretary of State for Digital, Culture, Media and Sport, Lucy Powell. And Stephen Keyworth has adapted cult classic novel and film The Princess Bride for BBC Radio 4, beginning on Christmas Day. He joins Samira to discuss the challenges of creating satisfying swordfights for radio. Presenter: Samira Ahmed Producer: Tim Prosser Photo: Sutton foster and the cast of Anything Goes, performing at The Barbican, London Photo credit: Tristram Kenton

We are excited to bring you our next episode featuring Adam Cates!Adam Cates has built a career as a theatre artist working as a choreographer, director, performer, educator and writer. He created choreography for a new production of Puccini's La Boheme at The Santa Fe Opera and provided choreography for the American premiere of the Olivier-winning play Jeeves Wooster in Perfect Nonsense at Hartford Stage for UK director Sean Foley. He collaborated with Larry Grossman, Andrew Lippa, director Kaitlin Hopkins, and Peanuts Worldwide to create The World According to Snoopy as both the choreographer and co-book writer.In New York, Adam's work has been performed at Lincoln Center, The Juilliard Opera, and the New York Musical Festival off-Broadway. Adam is on the faculty of Pace University and wrote the guidebook for young professionals: The Business of Show. Adam has choreographed musicals and opera for Arkansas Rep, Music Theatre Wichita, Gulfshore Playhouse, Theatre Under the Stars, Theatre Aspen, Anchorage Opera, Memphis Playhouse on the Square, Pacific Conservatory Theatre, Bard Music Festival, New London Barn Playhouse, and commercial work in Reno/Lake Tahoe, Atlantic City, Las Vegas, Orlando, Walt Disney World, and Barcelona. He choreographed and appeared on the TV series Chicas de Viaje in Argentina, and associate choreographed episodes of 90210 (CW Network) and Live from Lincoln Center (PBS). On Broadway, Adam was the associate choreographer of the musical Anastasia by Lynn Ahrens, Stephen Flaherty and Terrence McNally. He also associate- choreographed the Tony-winning “Best Musical” A Gentleman's Guide to Love Murder (also the First and Second national tours), and was an assistant to Kathleen Marshall on the Tony-winning revival of Anything Goes starring Sutton Foster and Joel Grey. He assisted and was the dance captain for Tommy Tune's Doctor Dolittle national tour.Our conversation with Adam was inspiring, authentic and informative.  We hope you enjoy this weeks episode!Follow us on Facebook: JAM Joe and Michelle's Dance PodcastFollow us on Instagram: @jam_dance_ podcastFollow Adam Cates on Instagram: @adamcnyc

Special Guest, Sara Robinson, joins your hosts Dustin Melbardis and Chad Robinson for the Retro Movie Roundtable as they revisit Runaway Bride (1999) [PG] Genre: Rom-Com, Romance, Comedy   Starring: Julia Roberts, Richard Gere, Joan Cusack, Hector Elizondo, Rita Wilson, Paul Dooley, Christopher Meloni, Donal Logue, Reg Rogers, Yul Vazquez, Jane Morris, Lisa, Roberts Gillan, Kathleen Marshall, Jean Schertler, Tom Hines   Director: Garry Marshall Recoded on 2021-09-19

Today on the Rarified Heir Podcast we are talking to sister & brother Kathleen Marshall and Scott Marshall, the children of writer/producer/director/actor Garry Marshall. Having grown up with Kathi and Scotty at elementary school in the valley in the free range seventies at the Oakwood School, Josh dives into this episode which is chalk full of arcane memories and bizarre moments. Garry Marshall, of course, was the creator of such TV blockbusters as The Odd Couple, Happy Days, Laverne & Shirley and Mork and Mindy. He also was the director of major motion pictures like Pretty Woman, The Princess Dairies and Beaches among many others. As an actor, his amazing Bronx accent and personality steals scenes in Lost in America, A League of Their Own, Murphy Brown and the psychotronic sixties film Psych-Out among others. The man never stopped moving and we hear why on this episode.   As free-range seventies kids, you couldn't escape The Fonz's “eeehhh,” Mork's Laverne's “Vodeo-do”  or Mork's “Shazbot, Nanu nanu” catch phrases. Even AC/DC's Bon Scott referenced Robin Williams on the song “Night Prowler” from the 7 x platinum album Highway to Hell. Marshall's shows made an indelible make on popular culture worldwide. So what was it like growing up with the man who helped define said pop culture? We hear about a Beatlemania-like crowd that almost killed Scotty at a Happy Days promotional event in Milwaukee, how their mother Barbara kept the kids grounded with her midwestern roots, how aunt Penny Marshall gave salt-n-pepper shakers away at Thanksgiving parties, Garry's almost two decade long obsession with basketball games in his back yard and a truly bonkers story about how Eddie Van Halen saved the day by bringing a flying V guitar to Scott's band Fred Zeppelin at a performance at the Oakwood Arts Festival. The “Atomic Punk” to the rescue! I ask you, what other podcast covers Frank Zappa, Jackie Gleason, cinematographer Haskell Wexler & Rob Reiner? It was a rollicking good time reconnecting with Kathi and Scotty as you will soon hear. So take a listen to the Rarified Heir Podcast.

In episode 67 we review Kathleen Marshall's smash hit Broadway production of Anything Goes which is currently playing in London, with Sutton Foster reprising her Tony Award winning performance as Reno Sweeney. We also went to see Bagdad Cafe, directed by Emma Rice for her new company Wise Children at The Old Vic Theatre. We also have Alice's top tip, a fabulous cocktail and some birthday surprises for Oscar! - Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License 

Yesterday the audience was on its feet – more than once - to applaud the cast, the band and the design of Anything Goes at the Barbican Theatre in London. On Front Row today Samira Ahmed talks to Kathleen Marshall, the director and choreographer about the appeal of the show today, and to Sutton Foster, the American star making her UK debut as Reno Sweeney, who gets to sing some of Cole Porter's greatest songs including I Get a Kick Out of You which she has recorded especially for Front Row. Co-written by Tim Renkow and Shaun Pye, the BBC Three black-comedy series Jerk revolves around the character Tim who uses the fact that he has cerebral palsy to try and get away with anything. Tim Renkow joins us to discuss the new second series and representation of disability in television. It was announced at the end of last week that Scarlett Johansson is suing Disney for breach of contract over the Marvel film Black Widow, with its scaled-back cinema release. Rebecca Rubin from Variety in New York considers the case and whether there might be further fallout as streaming is now such a significant income-generator for the major studios. Presenter Samira Ahmed Producer Jerome Weatherald

Gerianne Pérez made her Broadway debut as Kathy in Broadway's first a cappella musical, In Transit, at the Circle in the Square Theatre. With a book, music and lyrics by Academy Award winner Kristen Anderson-Lopez (Frozen), James-Allen Ford, Russ Kaplan and Sara Wordsworth, and vocal arrangements by Deke Sharon (Pitch Perfect), In Transit was directed and choreographed by three-time Tony Award winner, Kathleen Marshall. Gerianne has also been seen performing roles in Guys and Dolls, Grease, In the Heights, and Newsies. She also opened and closed the First National Tour of the critically acclaimed musical Waitress, with music by Grammy nominee, Sara Bareilles, and direction by Tony Award winner, Diane Paulus.  Gerianne has been praised by critics for her sultry vocals and was hailed by the New York Times as "an impressive singer...seemingly effortless." Her voice can be heard on the tracks of "Fever," "Locked out of Heaven," and "Hallelujah" on the Vocalosity cast album, as well as the entirety of the Original Broadway Cast album of In Transit. She has appeared on stages from New York City to Shanghai, and venues including 54 Below, Joe's Pub, Town Hall, the Beacon Theater, Lincoln Center, and Carnegie Hall. She is a proud graduate of NYU's Tisch School of the Arts. In this episode, Gerianne chats with host Maggie Bera about college, tour life, audition stories, side jobs, Actors' Equity, Broadway and performance anxiety. To join the Actor Aesthetic Alliance Facebook group, click here. Spread love and don't forget to rate, review and subscribe to the Actor Aesthetic Podcast on your favorite podcast app. Visit actoraesthetic.com for more info. Follow Maggie Bera on social media Instagram: @actoraesthetic / @maggiebera Facebook: www.facebook.com/ActorAesthetic/ Email: maggie@actoraesthetic.com

Andy and Howie talk with Music Director Cynthia Meng and Director Kathleen Marshall about Shame the Musical.

Tune in to hear from Kathleen, Anderson's Director of Program Services and Mayor Bassett of the Village of Rhinebeck! This year, ACA collaborated with the Village to support their effort to establish the Village of Rhinebeck as an Autism Supportive Community. They are the first in our region to earn this distinction! Learn more about the ASC committee & initiative and what the future holds for this partnership!

Queen Clarisse had to survive 30 minutes without her assistant Charlotte because she was too busy speaking to us! That’s right, actress Kathleen Marshall a.k.a the woman who invented headsets (sorry Britney) gives us the low-down on her favourite memories working alongside Director (and father) Garry Marshall, as well as discussing what it was like shooting scenes with Julie Andrews and Anne Hathaway! The tea is TRULY served, ma’am. Pro tip: best listened to with a bowl of pear sorbet a.k.a. a Genovian palette cleanser.Consider a donation to The Garry Marshall Theatre: https://www.garrymarshalltheatre.org/donateBe sure to like, subscribe, rate and review, and also go to joeandsephs.co.uk for 10% off delicious gourmet popcorn (just use our promo code: HEYNOW at checkout). *Tired of pears? Enjoy the Toffee Apple and Cinnamon flavour!Instagram: Hey Now! Hey Now! @heynowheynow Emily Sandford: @sandfordemilyBarney Leigh: @barneyleigh93Produced by: Podcast Design (London), Graphics by: @junkmail See acast.com/privacy for privacy and opt-out information.

THE MUSIC MAN Music & Lyrics by Meredith Willson | Story by Meredith Willson & Franklin Lacey Episode Segments:1:20 - Speed Test3:54 - Why God Why5:50 - Back to Before20:36 - What's Inside44:08 - How Do You Solve a Problem Like Maria?1:07:34 - Our Favorite Things1:17:29 - Corner of the Sky1:21:53 – What Comes Next?Works Consulted:The Music Man (Original Libretto) by Meredith Willson & Franklin LaceyThe Music Man (1961 Film) Directed by Morton da Costa, Screenplay by Marion Hargrove, Produced by Morton DaCostaThe Music Man (2003 Telefilm) Directed by Kathleen Marshall, Screenplay by Sally RobinsonAnd There I Stood With My Piccolo by Meredith WillsonBut He Doesn't Know the Territory by Meredith WillsonMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"My White Knight” from The Music Man (Original Broadway Cast Recording) | Music & Lyrics by Meredith Willson | Performed by Barbara Cook"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording)  | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

When the president of the Queensland Cat Protection Society, Kathleen Marshall, was murdered in a frenzied stabbing attack in 1998, everyone thought her arch rival and nemesis Virginia Houston was responsible.But this proved to be a more complicated investigation, involving the two warring factions of the Cat Protection Society, who would stop at nothing to seize power. Forensic Science would eventually reveal the stranger than fiction truth of Australia’s answer to Tiger King.TCNT: Tracey Stewart reviews the book "Working Stiff" by Tanya Eby.Aussie As: A man smuggling drugs from South Australia to the Northern Territory puts himself on the police's radar by speeding while filming himself masturbateFor sources, see our website www.bloodymurderpodcast.com.Become a Bloody Murder Patron (for as little as $1 per month, which you can cancel at anytime) and have access to dozens of Patron only episodes (including our whole first season and AD FREE episodes released early!) with new patron only content added every month!Go to https://www.patreon.com/bloodymurderLevels $5 and over go into our monthly merchandise draws and get stickers and hand-made Barney Badges!See our website! bloodymurderpodcast.com for all our social media links, contact details, a gallery, fabulous merchandise.True Crime Nerd Time, a segment on Bloody Murder, needs your help because it stars you! We want you, our listeners, to submit your recommendations for anything true or fiction crime related! Email here! bloodymurderpodcast@gmail.com. Oh and if you give us your postal address we'll send you some stickers as a reward!We love our patrons and to show them how much we do them we're holding monthly give-aways. The winner of our May prize is Lindsay Tanaka, a pair of Bloody Murder Leggings is on their way to you! For our June prize we’re giving away a Hey Baby! Pack. Consisting of a tshirt, face mask and badge!For a chance to win just be a Bloody Murder Patron at a level of $5 or above.Bloody Murder is supported by BetterHelpBetterHelp offers licensed professional counselors who are specialized in issues, such as depression, stress, anxiety, relationships, sleeping, trauma, anger, family conflicts, grief, self esteem and more. You can connect with a professional counselor in a safe and private online environment. Anything you share is confidential and it's so convenient. You can now get help at your own time and at your own pace. You can schedule secure video or phone sessions plus chat and text with your therapist. As a Bloody Murder listener you get 10% off your first month with the Discount code: BLOODYMURDERSo why not get started today? Go to betterhelp.com/bloodymurderSimply fill out a questionnaire to help them assess your needs and get matched with a counselor you’ll love. That’s: betterhelp.com/bloodymurder With the discount code: BLOODYMURDER See acast.com/privacy for privacy and opt-out information.

Ashley Loren is currently the standby for Satine in Moulin Rouge! The Musical! She has worked with artists such as Kathleen Marshall, Bono of U2, and Yoko Ono; and has sung backup for artists like Carly Rae Jensen, Melissa Etheridge and Iggy Azalea. She made her Broadway debut in the revival of Jekyll and Hyde, and followed it up with the national tour. You may have seen her on American Idol season 8, or season two of NBC’s This is Us. She currently has a film in post production called Be The Light.  Ashley was born and raised in Central Jersey, where she started her journey in musical theater at the age of 6, at summer camps, and in community and regional theater. She signed her first production contract as a solo artist in middle school, sang at open mics in NYC throughout high school, and deferred her acceptance to Berklee College of Music to sign with Universal and record music. Ashley went on to work and tour with Carly Rae Jepsen, calling it “one of the most transformative” things she’s done.  Ashley opens up about her chronic Lyme Disease diagnosis as a child, and the neurological complications she dealt with as a result. She stresses the need for more common knowledge about this tricky, complicated, and multi-faceted illness. But she also says her struggle led her to a life in the arts, as theater and music became her outlets. Connect with Ashley: IG @ashleyoren Twitter @msashleyloren Ashleyloren.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

Jason Styres (IG:@jasonstyrescsa)(jasonstyrescsa.com) is a casting director whose work is currently represented internationally. He has, in a relatively short time, come to work in every facet of the industry: theatre, film, television, commercials, live events, company consultation, and more.  He and his team place an emphasis on creating an environment for teams, producers, and performers to effectively and efficiently put together exemplary groups of collaborative artists in order for a project realize its fullest potential. All the while never sacrificing the humanity of the process.Most recently, he was appointed to the New York board for the Casting Society of America, in addition to being named one of the "industry players you need to know" by Backstage.  He cast such projects as the Tony Award Best Musical A Gentleman’s Guide to Love & Murder (Broadway & 1st National Tour, and 2nd National Tour), the hit Off-Broadway comedy Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic, the current national tours of Bartlett Sher’s productions of Fiddler on the Roof and The King & I, Josh Prince’s breakthrough Dance Lab NY (FKA, Broadway Dance Lab), Magic Mike Live in both Las Vegas and London (alongside Channing Tatum & Alison Faulk), Rodgers + Hammerstein's Cinderella (National Tour), Dames at Sea (Broadway), The Lion King (Broadway & National Tour), Irving Berlin’s White Christmas (National Tour), Trip of Love (Off-Broadway), Nice Work If You Can Get It (Broadway), and for over 15 different productions for the prestigious New York City Center Encores! series. He has worked with such directors and choreographers as Darko Tresnjak, Camille A. Brown, Josh Prince, Warren Carlyle, Josh Bergasse, Ruben Santiago-Hudson, Marc Bruni, Casey Nicholaw, Kathleen Marshall, Josh Rhodes, John Doyle, Randy Skinner, and James Lapine — amongst many, many others. Other credits include Hartford Stage, New York Philharmonic, the York Theatre Company, Shakespeare Theatre Company (DC), San Francisco Symphony, Theatre Under the Stars (TUTS), TUTS Underground, Queensbury Theatre, Florida Studio Theatre, and various other theatres. He cast the three-time Emmy nominated production of Carousel (NY Philharmonic/PBS), the smash-hit television show So You Think You Can Dance, and the highly praised HBO documentary Six by Sondheim. Some recent favorite projects include Last Week Tonight with John Oliver, The Prancing Elites Project, and How You Look At It — a brand new dance short by Wendy Seyb, currently gathering awards across the country in various film festivals.  He also worked with Nathan Mitchell and Alexander McQueen/Document Journal on their highly lauded immersive project for New York Fashion Week (S/S 2017). His upcoming projects include The Apple Boys (HERE Arts Center), Midnight at the Never Get (York Theatre), a brand new developmental work with Camille A. Brown (in conjunction with the Jerome Robbins Foundation and the Baryshnikov Arts Center), a collaboration with the Astoria Performing Arts Center, the next incarnation of the award-winning show Pedro Pan (previously seen at NYMF and Fringe)... as well as some other exciting new projects yet to be announced.Outside of his normal work in casting, he is a proud supporter/friend of the Cancer Support Community, serving as their casting consultant for their galas and benefits, serves as guest faculty for Broadway Dance Center and the Quest Intensive, as well as several universities and colleges across the nation.

On this week's Through the Eyes of Women , Kathleen Marshall connects with local author Amy Stewart. Amy Stewart has recently released the fourth book in her fiction series about the real-life Kopp Sisters. The Kopp sisters, particularly Constance, jumped from the headlines of 1914 newspapers right into Amy Stewart's life. Join Kathy and Amy for this engaging conversation.

Sharonne Blanck, Interim President of the Eureka, California unit of the NAACP (the National Association for the Advancement of Colored People) talks with Kathleen Marshall about bias of people in power - from store clerks to police to Humboldt State University administration in Humboldt County. If you live in Humboldt County, Sharonne invites you to join the Euereka NAACP. In addition to its Legal Redress Committee, there is also a group examining white fragility, and social activities for expanding your cultural competency and expand the boundries of your community.

On this week's Through the Eyes of Women , Kathleen Marshall spoke with author Barbara Kingsolver. Kingsolver says when she was little she was a storyteller, but thought growing up to be an author was like growing up to be a fairy; impossible. Her newest novel, Unsheltered , was released on October 15, 2018. It is the story of two families, one in 1875 and the other in 2016. With alternating chapters between 1875 and 2016 Unsheltered is beautifully crafted. The characters, including the real-life Darwin pen-pal and science writer, Mary Treat are rich and nuanced. To learn more about Barbara Kingsolver, go to : www.kingsolver.com

Tony Award Nominated, Beth Malone, currently stars as “The Angel” in the Tony-award winning play Angels in America, with Andrew Garfield and Nathan Lane. Beth Malone was nominated for her game-changing role of “Alison” in Fun Home. Writing for the New York Times, Ben Brantley singled out Beth’s performance as one that “expertly turns seeming self-effacement into penetrating presence.” Steve Suskin, reviewing for the Huffington Post, called Beth “powerful…the glue that holds the show together.” CBS New York added to the chorus of praise by publishing an entire article, frankly headlined, “Why Beth Malone Should Win the Tony.” Malone grew up on Haystack Road in Castle Rock and got her Equity card at The Country Dinner Playhouse under the loving guidance of Bill McHale. She attended Loretto Heights College in its final year of existence and went on to work at Arvada Center, Denver Center, Boulder’s Dinner Theater and Little Theater of the Rockies at UNC, where she graduated. Malone starred as the titular character in the world premiere of a wholly reimagined version of The Unsinkable Molly Brown, directed by Kathleen Marshall. She recently reprised her role at The MUNY in St. Louis this past July. She originated the role of “June Carter Cash” in Ring of Fire on Broadway, as well as the roles of “Betty Jean” in The Marvelous Wonderettes and Alison in Bingo off-Broadway. Malone’s previous film credits include The Comedian with Robert DeNiro, Hickwith Eddie Redmayne, Twist of Faith and The Interview. Select television credits include a large recurring role on Braindead , a Guest Starring role on Bull and The Good Wife, all for CBS. Comedy Central’sReno 911 and Wanda Does It, along with the Fox pilot Second Nature. Other past television roles include Laying Low, Judging Amy, What’s On andOne Minute Soaps. She is the author and star of the critically acclaimed one-woman show Beth Malone: So Far.

Andrew Keenan-Bolger is an actor, director, author and filmmaker. He recently starred as “Jesse Tuck” in Tuck Everlasting on Broadway (Drama League Award nominee). He created the role of "Crutchie" in the Original Broadway Cast of Newsies (Outer Critics Circle nominee) and in the record-breaking Newsies: The Broadway Musical film. Other Broadway: Mary Poppins, Seussical, Beauty and the Beast, A Christmas Carol. 1st Nat'l Tours: Spelling Bee, How The Grinch Stole Christmas, Mary Poppins, Ragtime. Theater: “Jesse Tuck” in Tuck Everlasting at The Alliance Theater (dir. Casey Nicholaw), Ever After at Papermill Playhouse (dir. Kathleen Marshall), Family Furniture at The Flea Theater (dir. Thomas Kail). Film: “Billy Frazier” in The Rewrite starring Hugh Grant, To Dust (2018), Marci X, Are You Joking? TV: Three Rivers (ABC Pilot), Nurse Jackie (Showtime), Looking (HBO), Naked Brothers Band (Nickelodeon), One Life to Live. Podcast: Bobby in Marvel's Wolverine: The Long Night. B.F.A. from the University of Michigan. His work as a filmmaker has been profiled in The New York Times, The Wall Street Journal, Entertainment Weekly, Rolling Stone, The Associated Press and New York Magazine. Director of the award-winning short films Sign and The Ceiling Fan. Along with collaborator, Kate Wetherhead, he is the co-creator the critically acclaimed webseries, Submissions Only (www.submissionsonly.com) and co-author of the children’s series Jack & Louisa (Penguin Random House).

On this week’s special episode, Krystal and Kristen sit down with three-time TONY Award Winning director Kathleen Marshall and Tony-nominated actress, singer, writer, producer Laura Bell Bundy to discuss motherhood, marriage, finding your way on the bright lights of Broadway and creating the life of your dreams! Also, Krystal & Kristen discuss Beyonce, bad politics, and why one of them is having a baby. Tune in to find out who...

Joining the cast of players in Deborah Grace Winer's Classic American Songbook series at Feinstein's 54 Below is Broadway actor/singer, Matt Doyle. Celebrating famed choreographer Jerome Robbins in his centennial year, three-time Tony Award winner, director/choreographer Kathleen Marshall creates and hosts this celebration of how a legendary director/choreographer shaped some of Broadway’s greatest musical scores. Matt talks to me about his relationship with Kathleen Marshall and so much more. More on Matt Doyle: http://www.mattdoylemusic.com/ Matt Doyle at Feinstein's 54 below: https://54below.com/events/jerome-robbins-centennial-concert-directed-kathleen-marshall/ Support Keith Price's Curtain Call on Patreon: http://www.patreon.com/keithpricecurtaincall Subscribe to Keith Price's Curtain Call on Itunes: www.keithpricecurtaincall.com Follow @keithpricecurtaincall on Instagram Follow @kpcurtaincall @comedydaddy Like me on FB: https://www.facebook.com/Keith-Prices-Curtain-Call-1380539615593807/ Subscribe on You Tube: https://www.youtube.com/channel/UCduwJ3ytmAwdJMQtGllk1Ig

Lift up your head, wash off your mascara, and get ready to be entertained by the original Seymour from Little Shop of Horrors, Tony nominee Lee Wilkof. While audiences are familiar with Lee's counltess stage appearances in such shows as Little Shop of Horrors with Ellen Greene, Sweet Charity with Debbie Allen, Assassins with Victor Garber, She Loves Me with Boyd Gaines, Kiss Me Kate with Brian Stokes Mitchell, The Odd Couple with Nathan Lane and Matthew Broderick, Lee is also a familiar face on screen having appeared in Delta House, Law & Order, Private Parts, and Before The Devil Knows You're Dead and, behind the camera, as the director of the fabulous No Pay, Nudity. Lee pulls back the curtain on his career to discuss how his performance as Seymour won him a trip down the aisle, what it was like collaborating with Howard Ashman, and why Brushing Up His Shakespeare led him to tears and a Tony nomination! Also, Lee shines the spotlight on Nathan Lane, Kathleen Marshall, and Norman Lear! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Brush Up Your Marshall because we have three time Tony Award winning director and choreographer, Kathleen Marshall, to discuss all things theatre, dance, and musical theatre history! From an actress in the chorus of the Pittsburgh Civic Light Opera to associate choreographer, from reality TV show judge to Artistic Director, Kathleen has held every job imaginable and is still raring to do more! Her Broadway credits include Kiss Me Kate, Wonderful Town, Grease, Nice Work If You Can Get It, and so many more! Kathleen pulls back the curtain on her career to discuss how she and her brother, Rob, fell in love with the business living in Pittsburgh, PA, what it was like to bring a contemporary lens to Golden Age musicals, and why her first Broadway visit involved strippers and animals chilling in a hotel room. Also, Kathleen shines the spotlight on Michael Blakemore, Hal Prince, Chita Rivera, Graciela Daniele, and Donna Murphy! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Welcome to Masters of the Stage Replay, which revisits podcasts that seem especially relevant this season. As we approach the 2017 “Mr. Abbott” Award Gala honoring director Kenny Leon, we will be featuring discussions by previous “Mr. Abbott” Award recipients. Also, in acknowledgement of Women’s History Month, this week’s podcast features two directors at the top of their game who also happen to be women; SDC President Pam MacKinnon and 2005 “Mr. Abbott” Award honoree Kathleen Marshall. Originally recorded – June 12, 2013

Kathleen Marshall is a director, choreographer, and creative consultant. She began her Broadway career as an assistant to her brother Rob, the choreographer of Kiss of the Spider Woman, in 1993. The two also collaborated on She Loves Me, Damn Yankees, Victor/Victoria, and Seussical. She was the artistic director for the Encores! series of staged musical revivals from 1996 through 2000. During that time, she choreographed The Boys from Syracuse, Li'l Abner and Call Me Madam and both directed and choreographed Babes in Arms and Wonderful Town. The Encores! production of Wonderful Town transferred to Broadway in November 2003 and ran until January 2005 for which she won the Tony Award for Best Choreography. She was the director and choreographer of the Broadway revival of Pajama Game which opened in February 2006. She directed and choreographed a Broadway revival of Cole Porter's Anything Goes in 2011. She was the director and choreographer of the musical Nice Work If You Can Get It which opened on Broadway in April 2012. Like most in demand and successful choreographers, she quickly transitioned to the role of Director/Choreographer and helmed shows like Anything Goes, The Pajama Game, Nice Work If You Can Get It and this season’s a capella In Transit.  Kathleen told me how she comes up with those killer numbers in this week’s podcast, as well as . . . How her Director in summer stock knew she was going to direct someday. What it’s like to have an older brother who is also a successful Director/Choreographer, and what she learned from him. What it’s like to be married (!) to a Producer . . . and the three roles she thinks every Producer must fill. The downside of long-running shows on Broadway. Why non-profit and commercial theater are more similar than not. Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam is the author of the popular guidebook for performers The Business of Show (www.BusinessOfShow.info). He has taught convention and master classes across North America and in Europe. Adam has been a guest artist-in-residence and lecturer for university programs including The Juilliard School, Texas State University, Pace University, North Carolina School of the Arts, The Hartt School, University of Wisconsin-Stevens Point, and University of Nevada-Reno. He has taught in Barcelona (BIDSI), Toronto (Metro Movement), and is a regular guest faculty member at Broadway Dance Center, Steps On Broadway, Broadway Artists Alliance, and Rosie O'Donnell's Theater Kids in New York City.     Adam Cates was the Associate Choreographer of the Tony Award-winning “Best Musical” A Gentleman's Guide to Love & Murder on Broadway and the current First National Tour. He assisted Kathleen Marshall on the Tony-winning Broadway revival of Anything Goes, and Tommy Tune on the national tour of Doctor Dolittle. He is the Associate Choreographer for the new Ahrens/Flaherty/McNally musical Anastasia, arriving on Broadway in 2017. 

On June 12, 2013, directors Pam MacKinnon and Kathleen Marshall spoke with SDCF Producing Director Ellen Rusconi about their work and career.

One on One with Pam MacKinnon and Kathleen Marshall:On June 12, 2013, award-winning directors Pam MacKinnon and Kathleen Marshall spoke with SDCF Producing Director Ellen Rusconi about their work and career. They discuss the nuts and bolts of the rehearsal process from the Illuminating qualities of auditions and early design meetings to the continuous evolution of a piece as gauged by audience, producers, and associates. Both speak to theatre as an apprentice art and the significance of mentor relationships when transitioning to different phases of career. Listen as they unveil where to find worthwhile material to direct and how one man's dramatic trash can be another's theatrical gold. These directors discuss the impact of geography on a production and the trust they place in their actors when shaping a piece. This candid conversation offers practical knowledge about creating career inroads, aligning collaborators and continuously developing craft. Originally recorded - June 12, 2013. Running Time - 1:37:25 © 2013 SDCF

Kathleen Marshall: On February 9, 2004, Tony Award winning choreographer and director Kathleen Marshall sat down for a One-on-One Conversation with Ted Chapin, President and Executive Director of the Rodgers and Hammerstein Organization, at the Beckett Theatre. The discussion traced her meteoric rise from Broadway gypsy, to assisting her brother Rob Marshall on Kiss of the Spiderwoman, to winning a Tony award for her choreography for the Broadway revival of Wonderful Town. The following is a recording of this wonderful conversation. Originally recorded - February 9, 2004. Running Time - 1:35:02 ©2004 SDCF

In a One-on-One Conversation on June 12, 2013, award-winning directors Pam MacKinnon and Kathleen Marshall spoke with SDCF Producing Director Ellen Rusconi about building their artistic careers. Listen as they discuss the nuts and bolts of the rehearsal process, from the Illuminating qualities of auditions and early design meetings to the continuous evolution of a piece as gauged by audience, producers, and associates. This candid conversation offers practical knowledge about creating career inroads, aligning collaborators and continuously developing craft.

On November 20, 1996, SDCF in partnership with The Drama League explored the subject of Career Transitions with a panel of four Directors and Choreographers - Seth Barrish, Kathleen Marshall, Richard Sabellico, and Marlies Yearby - who had recently reached a new point in career. Listen to this discussion to discover how their transitions came about, the experiences and encounters that led these artists to new opportunities on projects with higher profiles, and the challenges to process that come with working on a larger platform. This honest and informative conversation, led by David Diamond of SDCF and Roger Danforth of the The Drama League, is a great tool for those seeking to take their artistic career in a different direction or to a new level.

Join Candi & Randy as we welcome some of this year's celebrated Tony Award nominees as they discuss the process, success and joys of being a part of the 2011-2012 Broadway theatrical season. We celebrate the best of Broadway this year by inviting Tony nominated directors, choreographers, actors and composers to talk about their work, nominations and their thoughts on the current Broadway season. Our guests include 2012 Tony Award winners Judith Light (Other Desert Cities) and Chris Gattelli (Newsies), plus nominees Kathleen Marshall (Nice Work If You Can Get It), Norm Lewis (The Gershwin's Porgy & Bess) and Wayne Barker (Peter and the Starcatcher),  

Kathleen Marshall, nominated for Best Direction of a Musical for Roundabout Theatre Company's Anything Goes, talks about her experience working with Susan Schulman, the first director she worked with when she was acting at the Pittsburg Civic Light Opera.

In April 2010, Edie Cowan moderated an hour-long roundtable discussion with Broadway choreographers Kathleen Marshall and Jerry Mitchell and dance arrangers David Chase and Mark Hummel. They discuss the role of the dance arranger, who works with the choreographer to take what the composer has written and changes it to fit the choreographer's vision of each dance. Jerry Mitchell talks about choreographing a dance for "The Full Monty" before hearing the music and then having the arranger fit music to it, while some choreographers will have the dance arranger write something before choreographing anything. Other topics include period research, the involvement of the composer, and the role of estates in revivals. The nature of collaboration is at the heart of this lively discussion along with anecdotes from a dozen Broadway shows.

On February 9, 2004, Tony Award winning choreographer and director Kathleen Marshall sat down for a One-on-One Conversation with Ted Chapin, President and Executive Director of the Rodgers and Hammerstein Organization, at the Beckett Theatre. The discussion traced her meteoric rise from Broadway gypsy, to assisting her brother Rob Marshall on "Kiss of the Spiderwoman", to winning a Tony award for her choreography for the Broadway revival of "Wonderful Town". The following is a recording of this wonderful conversation.

The panelists -- playwright Douglas Carter Beane (As Bees In Honey Drown), director/choreographers Kathleen Marshall (Kiss Me Kate and two-time winner for her choreography of Wonderful Town and The Pajama Game) and Rob Marshall (Damn Yankees, She Loves Me), director Vivian Matalon (Tony Award for Morning's At Seven), and playwright John Pielmeier (Agnes of God) -- discuss the impact of efficient cast sizes, casting for multi-talented performers, respectfully auditionining and rejectioning performers, their individual performing backgrounds, compromising with producers, and collaborating with playwrights and directors.

The panelists -- playwright Douglas Carter Beane ("As Bees In Honey Drown"), director/choreographers Kathleen Marshall ("Kiss Me Kate") and Rob Marshall ("Damn Yankees", "She Loves Me"), director Vivian Matalon ("Morning's At Seven"), and playwright John Pielmeier ("Agnes of God") -- discuss the impact of efficient cast sizes, casting for multi-talented performers, respectfully auditionining and rejectioning performers, their individual performing backgrounds, compromising with producers, and collaborating with playwrights and directors.

Director-choreographer Kathleen Marshall discusses remounting "Wonderful Town" for Broadway following its resounding success at Encores! two seasons earlier, growing up in Pittsburgh with her director-choreographer brother Rob, and making the transition from choreographer to director. Original air date - June 4, 2004.

Director-choreographer Kathleen Marshall discusses remounting "Wonderful Town" for Broadway following its resounding success at Encores! two seasons earlier, growing up in Pittsburgh with her director-choreographer brother Rob, and making the transition from choreographer to director. Original air date - June 4, 2004.

Director-choreographer Kathleen Marshall discusses remounting "Wonderful Town" for Broadway following its resounding success at Encores! two seasons earlier, growing up in Pittsburgh with her director-choreographer brother Rob, and making the transition from choreographer to director. Original air date - June 4, 2004.