Podcasts about Angels in America

Angels In America was a huge success on stage and on TV. The HBO mini-series, adapted from the Tony Kushner play, was a huge critical and commercial hit. It won awards left, right and centre. It featured an incredible ensemble cast including Al Pacino, Meryl Streep, Emma Thompson, Justin Kirk, Mary-Louise Parker, Jeffrey Wright, Patrick Wilson and many more. Actor Brian Markinson appeared in many scenes with Al Pacino. He joins the podcast to discuss the mini-series, what it was like watching Pacino work, why it was such an impressive piece of work and how he was disarmed when first meeting Al.All About Al: The Pacino Podcast is written, produced and presented by Mark Searby. Hosted on Acast. See acast.com/privacy for more information.

Phil and Emily continue their deep-dive into Mike Nichols' work from the 2000s with Wit , the acclaimed HBO adaptation of Margaret Edson's Pulitzer Prize–winning play. Joined by writer and producer Eliza Clark (Y: The Last Man, Animal Kingdom), they explore how Nichols recalibrated his directorial voice after What Planet Are You From? with this intimate, emotionally devastating story of a scholar facing terminal illness.The conversation digs into the film's powerful performances led by Emma Thompson and the delicate balance Nichols strikes between theatricality and cinematic storytelling. Together, they unpack Wit's themes of mortality, intellect, vulnerability, and humanity, while tracing how this project set the stage for his monumental follow-up, Angels in America.If you want access to full video episodes, exclusive bonus content, and more conversations like this one, head over to our Patreon and join the community today. Hosted on Acast. See acast.com/privacy for more information.

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.  What's the rumpus? This week TGTPTU gives the Coen Brothers movie classic MILLER'S CROSSING (1990) the treatment as part of its Squib Season, see.  Lensed by Barry Sonnenfeld in his last frolic as the brothers' cinematographer, Ethan Coen told the man with a golden eye that Miller's Crossing should be a handsome film about men in hats, and Sonnenfeld delivers the goods with one spectacularly shot period piece from the Prohibition Era.  The picture stars Gabriel Byrne as Tom Reagan, the hard-drinking, harder-gambling Irish consigliere who knows all the angles, who's having an affair with his boss's skirt Verna Bernbaum (played by Marcia Gay Harden, who shortly after filming would originate the role of Harper Pitt in Tony Kushner's two-part play Angels in America, see Season 7 of TGTPTU for more!).  Pod favorite John Turturro plays her brother Bernie, a conniving low-life crook who causes the friction in the ranks and can turn on the waterworks when needed. Jon Polito plays a loving dad allergic to the high-hat and with his right-hand J. E. Freeman playing the Dane (same year he'd star in Wild at Heart, see Season 4) they plan to take over the town from Albert Finney in one of his two roles as Tom's boss Leo (the other appearance uncredited, spoilers during the episode for this Easter egg). Also, director and occasional second-unit-for-the-Coens-director Sam Raimi (and, can you believe it, brother of actor Ted Raimi from Hard Target covered earlier this Squib Games season!) shows up to plug a speakeasy patron grabbing air before himself getting gatted. And if you still haven't had your fill, at this buffet of talent we even get a smattering of Steve Buscemi delivering ratatat dialogue for a scene.   This ep, Jack brings the book report, Thomas the Danish facts, Ken reenacts the experience of watching Miller's Crossing with him by dropping movie quotes throughout the episode, Ryan brings up Gabriel Byrne's acting chops, and all four hosts harmonize on the greater good.   Now get outta here. You're stinking up the joint.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Send us a textAfter graduating from RADA, James McArdle became a darling of the National Theatre appearing in landmark productions of Platonov, James I and Angels in America, all in a relatively short span of time. Since then, James McArdle has established himself as one of the most compelling actors on stage and screen. Now, he returns to the Olivier stage for the first time since 2019 for newly appointed Artistic Director Indhu Rubasingham's inaugural show: a new adaptation of Euripides' Bacchae by Nima Taleghani. In the show, James takes on the role of Pentheus in a show which has been radically revamped for modern audiences. Taleghani's version includes rap verses and a thumping beat which helps build the tension of the piece that leads viscerally into the ultimate tragedy of the piece.In this brand new interview, James McArdle reflects on his numerous successes at the National Theatre and why it feels so fitting returning to the Olivier stage after a few years away. Indeed his last National Theatre project saw him taking on the title role in Peter Gynt, a thrilling update on Ibsen's original text where audiences saw James lead a 4 hour show with immense energy. Throughout our conversation, he also pays homage to Jonathan Kent who he describes as mentor who has helped shape him into the actor he is today. In our interview, we also touched on his critically acclaimed performances in Angels in America, Platonov and The Tragedy of Macbeth at the Almeida where he shares insights into his working relationship with Saoirse Ronan and also fight director Kate Waters who he reunited with on Bacchae. It's a fascinating conversation with one of the most exciting actors on stage and screen working today and it seems there's still more that we can look forward to.Bacchae runs in the Olivier Theatre, National Theatre until Saturday 1st November 2025.Support the show

In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with performance artist John Michael about his work, particularly his production 'Spank Bank Time Machine.' They discuss the themes of grief, loss, and the importance of addressing societal issues such as addiction and mental health through art. John Michael shares his personal experiences and the impact of his performances on audiences, emphasizing the need for empathy and understanding in the face of tragedy. The conversation also touches on the role of audience participation and the significance of Narcan in combating the overdose epidemic. Ultimately, the discussion highlights the transformative power of art and the responsibility of artists to engage with pressing social issues.Chapters* 00:00 Introduction to the Philly Fringe Festival and John Michael's Work* 02:27 The Inspiration Behind 'Spank Bank Time Machine'* 05:12 Exploring Identity and the Role of Art in Healing* 08:12 The Importance of Addressing Difficult Topics in Art* 10:49 Navigating the Challenges of Performance Art* 13:39 The Role of Narcan in the Community and Its Stigma* 16:01 The Impact of Overdose Epidemic on Society* 18:29 The Personal Connection to the Overdose Crisis* 21:23 The Role of Artists in Addressing Social Issues* 24:12 The Mechanics of Performance and Audience Engagement* 26:54 Reflections on the First Performance and Artistic Growth* 29:38 The Journey of 'Spank Bank Time Machine' and Its Evolution* 32:43 Engaging the Audience with Narcan* 35:39 Embracing the Unwanted in Performance* 37:19 The Bystander Effect and Audience Participation* 39:32 The Influence of Taylor Mac* 41:47 Theater's Role in Addressing Loneliness* 44:37 The Power of Audience Participation* 46:03 Navigating the Theater Landscape* 47:53 Sex Positivity and Public Health Advocacy* 50:12 The Impact of Sharing Names* 52:59 Funding and Support for Artistic WorkSpank Bank Time MachineQueer Fantasia Time Travel Adventure with trauma clown John Michael - it's Angels in America meets Snakes on a Plane, but with DRUGS! Time travel with John Michael and receive free lifesaving NARCAN time machines: learn how to go back in time after an overdose.“A celebration of life, ... Big belly laughs.... Art never dies!” ★★★★★ —Free Press“It's fun, raunchy, outrageous, touching, and incredible. Easily my favorite show at the entire festival.” —UMFM"A whirlwind of a journey delivered at a breakneck pace — full of gay sex, drugs, and charismatic performer John Michael in a mankini. A human example of the cost of the opioid epidemic.” —Orlando Sentinel“Wild, Raw, and quite Moving. Not everyone attending Fringe may be ready for Spank Bank Time Machine” —The League of Cincinnati Theatres"John Michael hits the stage like a popper-powered hurricane... If only one life is saved by his harrowing audience-participation Narcan demonstration, this carefully crafted yet bravely unbound show was worth it." —Orlando Weekly**We will have leftover NARCAN KITS, and if you want more to proliferate, please text me at 773-263-9284. Additionally, consider getting involved with Prevention Point PhiladelphiaMESSAGE FRON JOHN MICHAEL:As a professional artist, I believe it's important to talk finances, and at this moment, the show is making $500, which is 50% of the costs to be here. Other Ways you can support my work: Contribution to my venmo link here.Tax-deductible contributions can be found hereBuy a Narcan Time Machine t-shirt at this link hereA personal introduction to Universities, health organizations, or philanthropists who might want to book or support the young adult play. Check out this trailer for the young adult play here. Please reach out to me for copy/more information about the show's impact individually for you to forward to interested parties. FOR MORE INFORMATION: https://phillyfringe.org/events/spank-bank-time-machine/

Isaac Butler is an author, critic, theater director, and professor known for his books The Method: How The Twentieth Century Learned to Act and The World Only Spins Forward: The Ascent of Angels in America, co-written with Dan Kois. Butler’s writing has appeared in numerous publications such as New York magazine, The Guardian, the Los Angeles Review of Books, and Slate magazine. For Slate, he also created and hosted the podcast “Lend Me Your Ears”, about Shakespeare and politics, and currently co-hosts “Working”, a podcast about the creative process. Butler’s work as a theater director has been seen on stages throughout the United States and he is the co-creator of “Real Enemies”, which was named one of the best live events of 2015 by the New York Times. Butler currently teaches Theater History and Performance at NYU Tisch.See omnystudio.com/listener for privacy information.

Jack Viertel has quietly shaped Broadway for decades, guiding landmark productions from behind the scenes while rarely stepping into the spotlight himself. In this conversation, he opens up about the art and the business of theatre, reflecting on how shows get chosen, how failures and successes both shape a career, and why Broadway has always been in a cycle of decline and rebirth. We also wander into the bigger picture — what the industry is doing right, where it stumbles, and what it will take to keep live theatre thriving for future generations. Of course, Jack's influence isn't limited to the stage. He's also a writer with a brand-new crime thriller, The Glass Eel, co-written with his son Josh. Described as “Breaking Bad on the coast of Maine,” the novel dives into the murky world of baby eels, environmental stakes, and the dark edges of human ambition. Jack shares how the story came to life, what it was like to collaborate with family, and why storytelling — in any form — remains at the heart of his work. Jack Viertel served for decades as Senior Vice President and Creative Director at Jujamcyn Theaters, helping shepherd productions including Into the Woods, M. Butterfly, Angels in America, The Producers, Book of Mormon, and Dear Evan Hansen to Broadway. He was also Artistic Director of New York City Center's Encores! series, and is the author of The Secret Life of the American Musical, Broadway Melody, and now The Glass Eel, co-written with his son. Connect with Jack: Website: jackviertel.com Book site: jjviertel.com Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Struggling with CARS passages that feel more like vivid stories than arguments? In this episode, we'll show you how to stay engaged, avoid getting lost in the details, and uncover the author's arguments in story-based CARS Passages. Learn how to separate narrative from argument, and spot what's important despite being hidden in descriptive writing. These skills will help you raise your CARS score and stay interested, even when reading the toughest passages!

There is little doubt that the Pulitzer Prize and Tony Award  for Best Play-winning work Angels in America by Tony Kushner is one of the most important plays written in decades if not the last century. A seven hour-experience (separated into two parts: Part One: Millennium Approaches, and Part Two: Perestroika) can be seen over two days […]

Jahrhundertelang wurde auf der Opernbühne geliebt, heterosexuell geliebt. Seit wenigen Jahrzehnten erst stehen eine Handvoll schwule Paare, noch weniger lesbisch Liebende und bloss eine trans Person im Zentrum von ein paar wenigen Opern. Die universelle Kunstform Oper war doch eigentlich schon immer recht queer – oder doch nicht? Seit den ersten Werken der Gattung traten schliesslich Männer verkleidet als Frauen auf, Frauen verkleidet als Männer. Hohe Stimmen intonierten männliche Charaktere, tiefe weibliche. Stimm- und Kleidertravestie waren gang und gäbe. Lange fielen explizit queere Stoffe und Homoerotik aber der Zensur oder Verschleierung zum Opfer, gleichgeschlechtliche Liebe durfte auch auf der Bühne nicht sein. Doch seit der letzten Jahrtausendwende werden die Liebespaare in Opern nun allmählich diverser, und das Repertoire beginnt so, die gesellschaftliche Realität etwas adäquater abzubilden. Einer der Pioniere, der ein fesselndes Werk mit schwulem Protagonistenpaar komponiert hat, ist der Basler Andrea Scartazzini. In der Sendung erzählt er von der Entstehung seines hochdramatischen und gross besetzten «Edward II.» aus dem Jahr 2017 und von dessen musikalischen Besonderheiten. In St. Gallen feierte 2023 die erste abendfüllende Oper über eine trans Ikone ihre Uraufführung: «Lili Elbe» des US-Amerikaners Tobias Picker. Um die Geschichte der dänischen Landschaftsmalerin authentisch erzählen zu können, arbeitete Picker während des Kompositionsprozesses mit der Baritonistin Lucia Lucas zusammen, welche auch ihre eigenen Erfahrungen einbrachte. Philipp Venables schliesslich vertonte für die Opernfestivals in Aix-en-Provence und Bregenz ein queeres Kultbuch aus den 1970er-Jahren: «The Faggots & Their Friends Between Revolutions» und schuf damit ein weiteres schillerndes Werk, welches andere Lebenswelten als die heterosexuelle auf die Bühne bringt. Ein Streifzug durch die queere Operngeschichte bis heute. Gespielte Werke: W. A. Mozart: Apollo et Hyacinthus (1767) K. Szymanowski: Król Roger (1926) F. Poulenc: Les Mamelles de Tirésias (1947) B. Britten: Billy Budd (1951) St. Wallace: Harvey Milk (1995) P. Eötvös: Angels in America (2004) R. Gordon: 27 (Kammeroper über Gertrude Stein und Alice B. Toklas, 2014) Ch. Wuorinen: Brokeback Mountain (2014) A. Scartazzini: Edward II. (2017) K. Chemirani: Negar (2022) P. Venables: The Faggots & Their Friends Between Revolutions (2023) T. Picker: Lili Elbe (2023) - - Literaturhinweis: Casta Diva - Der schwule Opernführer Rainer Falk & Sven Limbeck Querverlag, 2019

On this edition of The Arts Section, host Gary Zidek visits the Museum of Contemporary Art's new exhibit, CITY IN A GARDEN, that explores Chicago's Queer art and activism communities. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review a new ambitious production of ANGELS IN AMERICA. Later in the show, it's all accordions, all the time, as the annual Accordions and Teaches Guild Fest returns to the area. And we'll discuss where to get the best Italian Beefs in the Chicago-area.

Click here to send us a message!This week we're finally discussing Tony Kushner's masterpiece, Angels in America. As Chicago's own Invictus Theater Company stages a new production, we welcome two actors from the show, Miguel Long and Ryan Hake, to discuss the 2004 HBO adaptation. They offer insight into playing these challenging roles, as we discuss the differences between the play and the movie, and how the play remains as relevant as ever. Click here for information about the Invictus Theater's production, running through September 7, 2025.

This month's two plays: The Guitarrón by Lynne Alvarez & The Girls from the Five and Ten (Les filles du 5-10-15) by Abla FarhoudIf you're looking for the hot queer drama and dreamy magical realism of Angels in America set against the beaches of Veracruz… look no further than The Guitarrón by Lynne Alvarez. During a cataclysmic fishing drought, six members of the local village fight to find their way out. Underscored by a mysterious cellist with a mesmerizing instrument, in this play each member of the community tries to save the ones they love while navigating the transactional nature of their own relationships. A story about the drought in our souls when the cruelty of reality keeps us from the seas of our dreams, The Guitarrón would be a fabulous addition to any season.If you're looking for the darkly vulnerable drama of Suburbia told through the lens of two sisters… The Girls from the Five and Ten gets to the heart of what it means to be overlooked as an immigrant in a new country. Trapped in their father's variety shop with never-ending work and rude customers, Sisters Amira and Kaokab sacrifice their personal lives in the hopes of someday selling the store and returning to Lebanon. But as their escape seems further and further away each day, the two must decide whether their dream of going home is actually worth the cost. Defiance, sisterhood, rebellion, and oppression are all at the forefront of Farhoud's heartbreakingly tender sister story.Hosted by Skye Pagon and Kalina KoSupport this podcast at — https://redcircle.com/this-is-a-classic-the-expand-the-canon-theatre-podcast/donations

Oskar Eustis is a theater director, dramaturg, and the current Artistic Director of the renowned Public Theater in New York City. Throughout his career, Oskar Eustis has been dedicated to making the theater more accessible, uplifting new voices in playwriting, and the development of new plays in addition to directing and producing the classics. Among the productions he has helped bring to life are “Angels in America” and the Tony-winning “Hamilton”. Oskar Eustis has worked as a director, dramaturg, and artistic director for theaters around the United States. He has also produced and directed Shakespeare productions nationwide, notably The Public Theater’s annual (and free) Shakespeare in the Park at the Delacorte Theater in Central Park. He is a professor of dramatic writing and arts and public policy at New York University and has held professorships at UCLA, Middlebury College and Brown University, where he founded and chaired the Trinity Rep/Brown University consortium for professional theater training.See omnystudio.com/listener for privacy information.

Drew Barr has directed productions of new, modern, and classical plays and musicals for theaters across the United States and around the world. He directed the Dutch-language premiere of the National Theatre of London's War Horse, which opened at Amsterdam's Royal Carré Theatre before a year-long tour of the Netherlands and Belgium. For the National Theatre, he also directed the Australian premiere of War Horse, which ran in Melbourne, Sydney and Brisbane. He was the Resident Director for War Horse on Broadway at Lincoln Center Theater. Also on Broadway, Drew served as associate director for Nicholas Hytner's productions of Sweet Smell of Success, starring John Lithgow, Kelli O'Hara and Brian D'Arcy James and Twelfth Night, starring Helen Hunt, Paul Rudd and Kyra Sedgwick, as well as for Simon McBurney's acclaimed revival of All My Sons by Arthur Miller, starring John Lithgow, Dianne Wiest, Patrick Wilson and Katie Holmes. Drew was associate director and dramaturg for Simon McBurney's production of The Kid Stays in the Picture at the Royal Court Theatre in London.Drew has directed and guest taught for many of the country's leading actor training programs, including the Juilliard School, NYU's Graduate Acting Program, USC's School of Dramatic Arts, SUNY Purchase, the University of Delaware's PTTP, the University of Washington's School of Drama and the Department of Dramatic Art at the University of North Carolina Chapel Hill. He is on the acting faculty of AMDA College of the Performing Arts in Los Angeles. As an actor, Drew appeared on Broadway in Wendy Wasserstein's An American Daughter. He was a founding member of East Coast Artists, a performance collective under the leadership of Richard Schechner, with whom Drew devised and performed in Faust/gastronome, The Three Sisters and Amerika. He toured the country as a member of Maurice Sendak's national children's theater, The Night Kitchen, playing the role of Alligator in the Sendak/Carol King musical, Really Rosie. Drew moved to Lexington with his filmmaker husband, Tim Kirkman, in June of 2024Drew is directing ANGELS IN AMERICA, a play written by Tony Kushner debuted in 1991, that will be presented by ACT OUT THEATRE GROUP and open at the Black Box Theatre in the Pam Miller Downtown Arts Center on 6th June and play the 7th, 13th, 14th and 15th June.A complex and at times metaphorical examination of AIDS and its social impact - this play, that won 3 Tony Awards and a Pulitzer, has been called "a turning point in the history of gay drama."For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

It's the end of the world, or at least the end of the world as Hannah, Prior, Louis, Harper and Joe know it. Roy is left with nothing but the haunting of Ethel Rosenberg in the end, who herself finds peace through tradition (and believe it or not, Louis). While Joe's fairy tale comes crashing around him, Prior chooses life, Harper chooses San Francisco, Belize chooses forgiveness, and Hannah chooses to stay in New York with her gays. Great Work, indeed.  Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

The Angel, some ghosts and Mother Pitt descend upon New York. Harper vanishes to Antarctica by way of Prospect Park, Prior turns prophet, Hannah ends up in the Bronx, and Joe and Louis kick off a situationship straight out of East Hell. Speaking of which, Roy Cohn has become the demon of St Vincent's, but Ethel Rosenberg has arrived to keep him company. Nevertheless, Belize persists. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

We are taking on the heaven-sent HBO television event of 2003, “Angels in America” and specifically the first two episodes this week. Not only is it a Big Important Gay Story, it's directed by Mike Nichols and stars Meryl Streep, Mary Louise Parker, Emma Thompson and a series of straight men playing impeccably gay, especially Jeffrey Wright. And then there's Al Pacino as Roy Cohn, in one of the biggest performances we've ever gotten to queen out on. Plus Thomas Newman's score, the scope of Tony Kushner's storytelling, that prosthetic work on Meryl as the rabbi and a lightning fast pace for a six hour miniseries. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

Musical Season continues, as the Siblings check out the classic and beloved musical West Side Story and…hey wait a second! Didn't we already do this last time? What do you mean Steven Spielberg directed this?Discussed:The Neverending West Side Story!Angels in America!The cursed 2020 revival!“When you're a Jet, you are ready to die!”Not Crazy, Not Cool!Recontextualization!Rita Moreno is back, baby!Chino and the Manic Pixie Dream Girl!Contact us at adultsiblingsversus@gmail.comTwitter: @AdultVersusInstagram: @adultsiblingsversusThreads: @adultsiblingsversusBluesky: @adultsiblingsvs.bsky.socialTheme Song: “Sellout” by Zombie Apocalypse NOW!https://antizombierock.bandcamp.com/

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 91 of the Director Watch Podcast, the boys discuss a miniseries event for their Mike Nichols series, the multi-Emmy winning Angels in America (2003). There were a lot of films and stage productions that made Mike Nichols the household name that he was in Hollywood, but when HBO's Angels in America came out in the early 2000s, he introduced himself to a brand new audience with one of the most important pieces of television to ever be created. Following the lives of multiple individuals as they navigate life in 1980s New York City during the AIDS epidemic, Nichols examined the social, sexual, and religious implications of the deadly illness, and delivered a profound piece of art that remains just as vital today as it was back in 2003. Led by an all-star Emmy-winning cast of Al Pacino, Meryl Streep, Jeffrey Wright and Mary-Louise Parker, who swept all four main acting wins, Angels in America is a definitive achievement found within Nichols' career and there was no way the boys were going to pass up the chance to talk about it. Ryan and Jay break down their thoughts on the six-hour television event, who they think gave the best performance, Nichols direction, what the show is trying to say about humans, AIDS, and forgiveness, and tease their upcoming series on the films of Elaine May. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h21m. The guys will be back next week with to begin their next movie series covering the films of Elaine May with a review of her first film, A New Leaf. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 90 of the Director Watch Podcast, the boys are joined by film critic Tom O'Brien to discuss the final film in their Mike Nichols series, Charlie Wilson's War (2007). For the last film in Mike Nichols' filmography, he attempts again to try and make a political commentary that will stand out as one of best to ever get made. As someone who has tackled the human condition so well throughout his films, Nichols has also chased the idea of making a political film from his films of the 70s, to even a film on this series in Primary Colors. This time working with a script from Aaron Sorkin, Nichols does his best to tell the story of a Texas congressman and the CIA who worked together on a covert operation to support the Afghan mujahideen during the Soviet–Afghan War. Led by Tom Hanks, Julia Roberts, and Philip Seymour Hoffman's stellar performances, Charlie Wilson's War is mostly the best political film Nichols made; you just wonder if he ever needed to chase this whale in the first place considering this film is still a lesser script from the acclaimed screenwriter behind it. Ryan, Jay, and Tom break down their thoughts on the film, Sorkin as a figure in Hollywood, how uneventful the film feels, Hanks wanting Nichols for this film, the greatness of Hoffman, as well as the guys final rankings of Nichols' filmography, and a reminder of the next film series the guys will be covering after their upcoming bonus episode for Nichols' Angels in America. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h. The guys will be back next week with a bonus episode for the Mike Nichols' series with a review of his acclaimed miniseries, Angels in America. You can rent it via iTunes and Amazon Prime rental or stream on Max in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

The boys have important conversations about space whales, angels in America, and where the hell has Elizabeth Olsen been. Plus this weeks issues and of course those juicy plugs. Make sure check out K R Blair St. Claire.

Patrick Wilson wears many show-business hats. Fans of his Tony-nominated work on Broadway may not know of his involvement in the spooky Insidious and The Conjuring  movies. (He even made his directorial debut on Insidious: The Red Door.) And horror/supernatural fans might have missed his star performances in the celebrated arthouse hit Little Children and the Mike Nichols-directed miniseries version of Tony Kushner's Angels in America for HBO. Leonard and Jessie are longtime fans of his—even more so after this congenial conversation.

This week Reid is splitting their shorts in search of bras while Jeremy journeys west to Cleveland and back again through a winter storm. Other topics include episode one of The White Lotus Season Three, Michael Cunningham in The Work of Art and Angels in America.◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠ ◦⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠➩ SUPPORT:⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠➩ withdanceandstuff@gmail.com⁠

This week Reid is vomiting in Miami as Jeremy prepares to go to Cleveland. Topics include "Angels in America" with two more chapters of Adam Moss' “The Work of Art” and "Paquita" at New York City Ballet. ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠ ◦⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠➩ SUPPORT:⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠➩ withdanceandstuff@gmail.com⁠

In the early 1980s a new, little understood disease was primarily affecting two marginalized groups of people; gay men and intravenous drug users. The deadly ailment which, at the time, had no known treatment, sparked widely varying reactions.Angels in America looks at the AIDS crisis in New York City in the mid 1980s. Cranford Radio spoke with five people involved in the Cranford Dramatic Club production; Michael Kidney (director), Richard J. Colonna (Roy Cohn), Molly Reinhardt (Harper Pitt), Corey Chichizola (Prior Walter) and Aaron Hancock (Belize).The play will run weekends from February 14 through March 1. Tickets are available online and at the box office on performance days.

Academy Award winning actor Marcia Gay Harden joins the show. Over sushi, Marcia Gay Harden tells me about being in the original cast of Broadway's “Angels in America,” going back to catering after Coen Brothers film “Miller's Crossing,” and a very good Mike Nichols apology story. This episode was recorded at Ocean Prime in Beverly Hills, CA. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we are re-airing an episode from 2023 that won an Excellence in Journalism Award for Education Reporting in the Radio/Audio/Podcast category, from the Society of Professional Journalists of Northern California. A high school drama teacher was removed from the classroom in Temecula Valley Unified, after a parent complained students were reading the Pulitzer-prize-winning play, “Angels in America,” about the AIDS epidemic in New York during the 1980s. What happened in the months after the teacher's removal? And how did it affect other teachers and students? Guests: Greg Bailey, Drama teacher, Temecula Valley High School Mallika Seshadri, Journalism resident, EdSource Read more from EdSource: Learning at Temecula Valley Unified suffers as censorship fears rise LGBTQ+ students in conservative crosshairs Temecula Valley Unified CRT ban has created a hostile school environment, lawsuit says Temecula Valley Unified reverses course and adopts state-approved social studies curriculum Temecula board again votes to reject textbooks, despite warnings from Newsom Conservatives are waging a war for control over California school boards Education Beat is a weekly podcast hosted by EdSource's Zaidee Stavely and produced by Coby McDonald.

  0:00 - Absentee CPS teachers   12:32 - Denver Mayor Mike Johnston: would be willing to go to jail to defend people in this country illegally   29:51 - Samantha Steele, Cook Co Board of Review...DUI stop   51:17 - Trump 47 cabinet: CDC   01:05:04 - Steven Bucci, visiting fellow in The Heritage Foundation's Allison Center for Foreign Policy Studies, responds to Sen Duckworth's statements on Hegseth & Gabbard    01:24:37 - Mamet   01:39:17 - Chris Jones, editorial page editor & chief theater critic for the Chicago Tribune and Broadway critic for the New York Daily News, joins Dan & Amy for a discussion on the Lyric Opera's "Blue" and a hopeful future for Chicago's theater scene. Chris is also the author of  Rise Up! Broadway and American Society from ‘Angels in America' to ‘Hamilton' 01:56:14 - Martin Gurri, former CIA analyst, presently a Visiting Fellow at the Mercatus Center of George Mason University, on Trump's victory and a "profound cultural shift" Check out Martin's book   The Revolt of the Public and the Crisis of Authority in the New Millennium  See omnystudio.com/listener for privacy information.

This book gave me an understanding of the queer community that I hadn't found anywhere else.Today we meet David Reddish and we're talking about the queer book that saved his life: Angels in America by Tony Kushner.Self proclaimed uber-geek David Reddish is the award-winning author of Sex, Drugs & Superheroes trilogy. The third novel in the series, The Wrath of Comic-Con, came out earlier in 2024. His novel The Passion of St. Sergius & St. Bacchus celebrates its 10th anniversary this year. David is also a noted entertainment journalist having written for such publications as MovieWeb, ScreenRant, Queerty, and Playboy.One of the most honored American plays in history, Angels in America was awarded two Tony Awards for Best Play and the Pulitzer Prize for Drama. It was made into an Emmy Award-winning HBO film directed by Mike Nichols. This two-part epic, subtitled "A Gay Fantasia on National Themes," has received hundreds of performances worldwide in more than twenty-six languages.Connect with Davidmuck rack: muckrack.com/david-reddish-5instagram: @thegaymagnetoBuy David's books here and at your local bookstores.Our BookshopVisit our Bookshop for  new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your own copy of Angels in America here: https://bookshop.org/a/82376/9781559363846Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: J.P. Der BoghossianExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Jonathan Fried, Paul Kaefer, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Find out how to vote at vote.orgHelp get out the vote by going to swingleft.org, voteforward.org, and with the National LGBTQ Taskforce: thetaskforce.orgSupport the show

This week's rounds are Music (Odd One Out), Galaxies, Movies and History. The music is Angels in America, with Free Galaxy.

Today, I'm thrilled to announce my interview with Tony nominated actress Kathleen Chalfant. Tune in to hear some of the stories of her legendary career, including how Tony Kushner invited her to be part of ANGELS IN AMERICA, a letter from Larry Kramer during JUST SAY NO, how a fight broke out during her Broadway debut in DANCE WITH ME, the enormous difficulties of working with John Dexter on M. BUTTERFLY, taking on the role of Ronald Reagan in Sarah Ruhl's PASSION PLAY, how she ended up on staff at Playwrights Horizons, the production of MILLENNIUM APPROACHES that was dubbed MR. TOAD'S WILD RIDE, performing in workshops of FINDING NEVERLAND and FIRST DAUGHTER SUITE, and her most memorable reviews from John Simon, Michael Feingold, and more. You won't want to miss this conversation with a true theater veteran. 

Today, I'm thrilled to announce the release of my episode with legendary director and actor Joe Mantello. Tune in to hear some of the stories of his legendary career, including why he decided to stop acting after ANGELS IN AMERICA, what it meant that Terrence McNally took a chance on him with LOVE! VALOUR! COMPASSION!, working with and without Stephen Sondheim on HERE WE ARE, what he learned from Glenda Jackson in THREE TALL WOMEN, why he had the sound designer in the rehearsal room during GREY HOUSE, the unique experience of I'LL EAT YOU LAST, the process of maintaining WICKED, his experience with CORPUS CHRISTI and the backlash that came with it, what has made him decide to act on Broadway in THE NORMAL HEART and THE GLASS MENAGERIE, staging sensitive scenes in TAKE ME OUT and FRANKIE AND JOHNNY IN THE CLAIR DE LUNE, what it was like making his Broadway debut with WHAT'S WRONG WITH THIS PICTURE?, and so much more. You won't want to miss this in-depth conversation with one of Broadway's most brilliant directors.

Seth addresses Trump praising his daughter-in-law and RNC co-chair Lara Trump, Bruce Springsteen endorsing Kamala Harris and more in his monologue for Monday, October 7, before taking a closer look at media outlets finally starting to accurately describe how weird and unhinged Trump's rallies are.Then, Andrew Garfield talks about him and Nathan Lane never missing a performance for Broadway's Angels in America, collaborating with director John Crowley for the first time since Boy A for We Live In Time and filming scenes with Florence Pugh.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

LOOK OUT HE"S GOT A GU- oh never mind, it's just a new episode of Riverdale Season Six: The Podcast!!! Steven Ray Morris (Jordan Jesse Go, SeeJurassicRight, Keanan and Lakin Give You Deja Vu) joins our brave co-hosts Omar and Sara as they take on the most timey-wimey wibbly-wobbly episode yet! No seriously y'all this one is crazy, you just have to see for yourself. There's jumping the shark, then there's this…

This week, for Pride season, the Oscar-nominated playwright and screenwriter Tony Kushner. Known most recently for his movie collaborations with Steven Spielberg, including Lincoln, Westside Story and The Fablemans, Kushner's breakout hit was his epic play Angels in America, the winner of multiple Tonys and a Pulitzer Prize, among many other awards. Fuelled by the AIDS crisis and Reaganism in the 1980s, the play was made into an opera and an HBO miniseries starring Meryl Streep, Al Pacino and Emma Thompson. In this conversation with Eleanor Wachtel from 2011, Kushner also talks about his later work, The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, a family drama that evokes George Bernard Shaw and Mary Baker Eddy.

Today TTP is thinking about...Pride Month In honor of Pride month, We are re-running a podcast from 2021 - Theater before and after Stonewall. Mark Spina and Harry Patrick Christian share their observations about changes in theater and film over the course of their lifetimes.Credits:Thanks for listening to this episode of “The Theater Project thinks about”.   Our Audio Engineer was Gary Glor and Our Theme music was by Gail Lou and Demien De SandiesVisit TheTheater Project.org to sign up for our mailing list, as well as check out all the links and resources in the show notes. And if you enjoyed what you heard, please consider leaving a comment on our FB or IG page.That's all for this episode, we'll see you next time!References:https://www.history.com/topics/gay-rights/the-stonewall-riotshttps://www.pridecenter.org/The Drag: https://stageagent.com/shows/play/22881/the-dragThe Nance: https://www.dramatists.com/cgi-bin/db/single.asp?key=4884Cat on a Hot Tin Roof: https://www.sparknotes.com/drama/cat/character/brick/A Streetcar Named Desire: https://www.sparknotes.com/lit/streetcar/quotes/theme/sexuality/Picnic: https://stageagent.com/shows/play/6305/picnicSeparate Tables: https://www.concordtheatricals.com/p/8967/separate-tablesTea And Sympathy: https://www.concordtheatricals.com/p/1038/tea-and-sympathyWho's Afraid of Virginia Woolf: https://www.dramatists.com/cgi-bin/db/single.asp?key=1623Take Me Out: https://www.dramatists.com/cgi-bin/db/multiple.asp?indexm=25&start=1&limitResult=all&options=all&limitResult1=allgenres&total=all&male=all&female=all&keysearch=take%20me%20outThe Front Runner: https://www.amazon.com/Front-Runner-Patricia-Nell-Warren/dp/0964109964Christopher Durang: http://www.christopherdurang.com/Nicky Silver: https://en.wikipedia.org/wiki/Nicky_SilverWill And Grace: https://en.wikipedia.org/wiki/Will_%26_GraceThe Boys in the Band: https://www.concordtheatricals.com/p/2499/the-boys-in-the-band-original-versionRoots: https://en.wikipedia.org/wiki/Roots_(1977_miniseries)Bent: https://www.concordtheatricals.com/p/2618/bentAngels in America: https://en.wikipedia.org/wiki/Angels_in_America_(miniseries)Michael Riedel: https://en.wikipedia.org/wiki/Michael_Riedel_(journalist)The Inheritance: https://theinheritanceplay.com/

Today, I'm thrilled to announce my interview with the brilliant director Michael Greif, who completed a rare trifecta this season, directing the Broadway productions of Hell's Kitchen, Days of Wine and Roses, and The Notebook. Tune in today to hear him share insights from his storied career, including the personal significance of directing at the Shubert Theater, how a production of MACHINAL jumpstarted his career, the challenges and rewards of reviving ANGELS IN AMERICA, what drove him to accept a position as the artistic director of the La Jolla Playhouse, developing and refocusing NEXT TO NORMAL with Tom Kitt and Brian Yorkey, why he uses music in many of his plays, why NEVER GONNA DANCE couldn't ultimately succeed, the joy of collaborating with Patti LuPone, his long tenure with The Public Theater, how he addresses the cast of every production of RENT, the special qualities he saw in Idina Menzel and Maleah Joi Moon at the beginning of their careers, why he decided to bring Schele Williams on as his co-director for THE NOTEBOOK, the play of his that almost moved to Broadway, the musical rule that he discovered while working on GIANT, WAR PAINT, and IF/THEN, and so much more. 

Our NATHAN LANE PRIDE 2024 programming concludes as we're once again joined by McKenzie's partner Rachel to continue the great work with National Theatre's 2016 production of Tony Kushner's ANGELS IN AMERICA PART TWO: PERESTROIKA. Some additional references from the episode below: Pat's review of Part Two that we reference a few times. Robert Meerpol's blog post about the Kaddish scene. Slate's Oral History of Angels in America. - Connect with us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show! Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kev⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠McKenzie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. Listen to Kev's other podcast, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ammonite Movie Nite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Listen to McKenzie's other podcasts ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Criterion Connection⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ON LYNCH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEXT WEEK: We're back to our regularly scheduled program, finally covering INTOLERABLE CRUELTY.

Jim Rider shares his VFX journey from shooting miniatures to virtual production, offering insights into the evolution of visual effects in filmmaking. Discover the cutting-edge VP setup at Pier59 Studios and learn about the challenges and opportunities in modern filmmaking.

Brian Markinson is a veteran performer who can boast multiple Star Trek roles on top of his already crowded resume. Trekkies know him as Vorin from Star Trek TNG "Homeworld," then an appearance as Lt. Durst in VOY "Cathexis" and "Faces," the latter of which he did double duty as the mad Vidiian scientist Sulan. Finally, he wrapped up his time in the cosmos on DS9 in the fifth season episode "In The Cards" as the wacky Dr. Elias Giger.Besides telling stories about his time on Trek, Markinson explains how he transitioned from theatre into TV and film, how that led to working on "Angels in America" on HBO with Al Pacino and Patrick Wilson, his unique "X-Files" episodes, "12 Rounds Reloaded" with WWE superstar with Randy Orton, working with Woody Allen and Wallace Shawn, and much more in this frenetic chat with a highly talented actor who has seen and done it all. Check out Trek Long Island 2024 this summer in Hauppauge, NY, from May 31 to June 2 to meet guests from multiple eras of Star Trek shows and more in this epic event. Details on www.treklongisland.comPlease subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold .There, you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future.Visit my Amazon shop to check out tons of Trek products andother things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel- https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold.Don't forget to subscribe to the podcast and leave a rating if you like us!Follow Trek Untold on Social MediaInstagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntoldFollow Nerd News Today on Social MediaTwitter: Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsTodayTrek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

Brian Markinson is a veteran performer who can boast multiple Star Trek roles on top of his already crowded resume. Trekkies know him as Vorin from Star Trek TNG "Homeworld," then an appearance as Lt. Durst in VOY "Cathexis" and "Faces," the latter of which he did double duty as the mad Vidiian scientist Sulan. Finally, he wrapped up his time in the cosmos on DS9 in the fifth season episode "In The Cards" as the wacky Dr. Elias Giger.Besides telling stories about his time on Trek, Markinson explains how he transitioned from theatre into TV and film, how that led to working on "Angels in America" on HBO with Al Pacino and Patrick Wilson, his unique "X-Files" episodes, "12 Rounds Reloaded" with WWE superstar with Randy Orton, working with Woody Allen and Wallace Shawn, and much more in this frenetic chat with a highly talented actor who has seen and done it all. Check out Trek Long Island 2024 this summer in Hauppauge, NY, from May 31 to June 2 to meet guests from multiple eras of Star Trek shows and more in this epic event. Details on www.treklongisland.comPlease subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold .There, you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future.Visit my Amazon shop to check out tons of Trek products andother things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel- https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold.Don't forget to subscribe to the podcast and leave a rating if you like us!Follow Trek Untold on Social MediaInstagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntoldFollow Nerd News Today on Social MediaTwitter: Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsTodayTrek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comAdam is the best magazine editor of my generation, and an old friend. From 2004 to 2019, he was the editor-in-chief of New York Magazine, and before that he edited the New York Times Magazine, and 7 Days — a weekly news magazine covering art and culture in NYC. His first book is The Work of Art: How Something Comes from Nothing.For two clips of our convo — on the bygone power of magazines, and the birth of the great and powerful performance artist Dina Martina — pop over to our YouTube page. Other topics: his upbringing on Long Island; fantasizing about NYC through the cosmopolitanism of magazines; being a “magazine junky extremely early”; the literary journalism of the ‘60s; Gay Talese; Joan Didion; Tom Wolfe; Adam's early start at The Village Voice; 18-hour workdays; joining Rolling Stone then Esquire; commissioning Frank Rich's groundbreaking piece on gay culture; the visual strength of mags; 7 Days “doomed from the start” because of a stock market crash; the NYT's Joe Lelyveld hiring Adam to “make trouble” with creative disruption; Tina Brown; “the mix” of magazines like a dinner party; the psychodrama of writers clashing with colleagues; how the Internet killed magazines; the blogosphere; podcasting; the artist Cheryl Pope and her series on miscarriages; Tony Kushner's Angels in America; when creation is tedious and painful; Leaves of Grass and its various versions; Montaigne's essays; Pascal and the incompleteness of The Pensées; Amy Sillman painting over her beautiful work; Steven Sondheim; choreographer Twyla Tharp; poetry as the concentration of language and the deconstruction of how we speak; poets Marie Howe and Louise Gluck; the fiction writer George Saunders; how weed suppresses the ego; and Adam's preternatural calm.Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Oren Cass on Republicans moving left on class, Noah Smith on the economy, Bill Maher on everything, George Will on Trump and conservatism, Lionel Shriver on her new novel, Elizabeth Corey on Oakeshott, and the great Van Jones! Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

Join us for an extraordinary deep dive inside the most transformative decade on Broadway through gripping behind-the-scenes accounts of shows such as Sunset Boulevard, Rent, Angels in America, Chicago, The Lion King, and The Producers - shows that changed the history of the American theater. Host Michael Riedel, author of the best-selling book Singular Sensation: The Triumph of Broadway, has created a companion podcast featuring his never-before-heard, taped audio interviews with legendary artists from Andrew Lloyd Webber, Stephen Sondheim, Patti LuPone, and so many more. Michael presents the drama behind the decade's mega-hits and shocking flops, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on. Enjoy Singular Sensation: The Podcast everywhere you get your podcasts or use http://bpn.fm/singularsensation to listen and learn more, and be sure to get the book here: https://amzn.to/4cNdfO3. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for an extraordinary deep dive inside the most transformative decade on Broadway through gripping behind-the-scenes accounts of shows such as Sunset Boulevard, Rent, Angels in America, Chicago, The Lion King, and The Producers - shows that changed the history of the American theater. Host Michael Riedel, author of the best-selling book Singular Sensation: The Triumph of Broadway, has created a companion podcast featuring his never-before-heard, taped audio interviews with legendary artists from Andrew Lloyd Webber, Stephen Sondheim, Patti LuPone, and so many more. Michael presents the drama behind the decade's mega-hits and shocking flops, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on. Enjoy Singular Sensation: The Podcast everywhere you get your podcasts or use http://bpn.fm/singularsensation to listen and learn more, and be sure to get the book here: https://amzn.to/4cNdfO3. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dylan and Connor are joined by Emmy nominee Zoe Kazan (Doubt, She Said, The Big Sick). The twins are gagged to be in the presence of this movie star, playwright, screenwriter, actress, and icon. After a wellness check, these fast friends chat about Zoe's return to Broadway in Doubt: A Parable. Zoe gives flowers to her inspiring cast-mates, especially the trio of women who donned the habit of Sister Aloysius: Tyne Daly, Isabel Keating, and Amy Ryan. Does she have Doubts? We go there, y'all! Our fabulous convo also gets into Zoe's experience working on She Said, and her beautiful friendship with Carey Mulligan, which goes back to being dressing roommates in The Seagull on Broadway. A full circle ring of keys with Tyne Daly, growing up in the city of stars, and Zoe's writing career are all covered. Other tidbits include a little Angels in America, if she'd do a play with her partner Paul Dano, and some scoop on her upcoming 8-part adaption of East of Eden (and Miss Flo's involvement!). Connor raves about his latest work project The Who's Tommy, while Dylan and Zoe plug RuPaul's The House of Hidden Meanings and Leslie Jaminson's Splinters, respectively. What an honor and a gift to have Zoe on DRAMA. Check out Doubt on Broadway through April 21.Follow Zoe on Twitter & InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Lapidus Pour Homme by Ted Lapidus (1987) + Angels in America: A Gay Fantasia on National Themes by Tony Kushner (1991) with Paul Suda 3/18/24 S6E24

Wright is up for an Oscar for best actor this year for the film American Fiction, where he plays a novelist who's frustrated with the publishing industry's expectations of Black authors. He cynically writes a book under a pseudonym that's full of clichés, like drug abuse, violence, and poverty — and it's a hit. Wright's first starring role was in the 1996 film Basquiat. He talks with us about his big break in the play Angels in America, and the time early in his career when he was acting opposite Sidney Poitier and asked for advice on acting.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week, host June Thomas talks to Jason Isaacs, an actor known for roles like Lucien Malfoy in the Harry Potter film series and Georgy Zhukov in The Death of Stalin. In the interview, Jason discusses the extensive research that went into his portrayal of Cary Grant in the Britbox series Archie, including the work of capturing Grant's accent, which changed over time. He also talks about his impressively long IMDB page and his life-changing experience working on the play Angels in America.  After the interview, June and co-host Ronald Young Jr. talk about accent work and thorough research.  In the exclusive Slate Plus segment, Jason talks more about Cary Grant's career. Then June asks Jason if he ever borrows clothing and style choices from his characters.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Jason Isaacs, an actor known for roles like Lucien Malfoy in the Harry Potter film series and Georgy Zhukov in The Death of Stalin. In the interview, Jason discusses the extensive research that went into his portrayal of Cary Grant in the Britbox series Archie, including the work of capturing Grant's accent, which changed over time. He also talks about his impressively long IMDB page and his life-changing experience working on the play Angels in America.  After the interview, June and co-host Ronald Young Jr. talk about accent work and thorough research.  In the exclusive Slate Plus segment, Jason talks more about Cary Grant's career. Then June asks Jason if he ever borrows clothing and style choices from his characters.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices