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ExplicitNovels
The Time Riders: Part 2

ExplicitNovels

Play Episode Listen Later Nov 10, 2025


The Time Riders: Part 2 When you've got a time machine, practice makes perfect. Based on a post by BiscuitHammer, in 16 parts. Listen to the Podcast at Explicit Novels. Always The Student. Mark was lying on his back, panting while Becky squirmed and writhed on top of him, moaning in pleasure. His hands were on her opulent tits, kneading them just how she loved it. The lovers were covered in sweat as she ground her cunt down onto his cock, taking him deep inside. He matched her sensual rhythm, pushing up while she pressed down, squeezing his shaft with each thrust he made. "Yes, Mark;” she gasped, her hands resting on his chest while she writhed on him shamelessly. It didn't matter that she was his former high school Physics teacher, or even that she still was, in a sense, she was committed to fucking him because she'd promised herself she'd enjoy this, and Becky did her damdest to always follow her own advice. "Yes, baby, right there;” Becky now began gyrating her hips in a circle on top of him, interrupting the rhythm that would certainly had led to both of them cumming and she wanted to prolong this session. She felt Mark regain control of himself, adapting to the new pace, although he continued to molest her tits, pinching and tugging on her nipples. Her flawless skin glistened with her exertions, the wonderful scent of a woman making love permeating the air. "Hmm, good boy," she purred, smiling down at him. "You're learning." "I've got the best teacher I could ask for." Mark replied, grinning back. "Forget all the time travel stuff you're helping me figure out, you're amazing in bed, Becky. I've never cum so hard before, not like when I'm with you." "You're so sweet, darling," she cooed, reveling in the feel of his throbbing cock deep inside her. Ever since that night he'd snuck into her home and failed so miserably at trying to seduce her so she would change his Physics grade, they'd become ardent lovers, with her being nearly as addicted to their sex as he was. "You make me cum really hard too, just so you know. And the gift you brought me back from London was so thoughtful. How would you like to fuck me next?" Mark nodded, pondering her question. He had indeed brought her back a gift, from London in the 1880's. He'd come back with a lovely dress from the period and a bottle of Italian wine. Even though she had never accompanied him on a temporal trip (except that very first one, to prove he had a time machine at all), she seemed to have an innate understanding of how to time travel without screwing things up, which was very easy. He took hold of her hips and slowly rolled her onto her stomach. She purred as she pushed her legs together and then knelt over her thighs. She put her chin on her arms and sighed as he pulled her ass cheeks apart and pushed his cock down into her cunt. Her clamped legs made her feel tighter than ever and he groaned in pleasure as he bottomed out. Keeping himself up on his hands, his back arched so that she was pinned beneath him, he began to piston his hips, fucking his teacher. "Oh, Mark;” she murmured. "It's so good this way. Your cock feels so wonderful inside me." "Uh, God;” he breathed, shuddering as she squeezed her cheeks together, clamping her cunt around him as he thrust. "I never wanna stop fucking you." "I don't want you to," she gasped as he hit her sweet spot. "And because you; oh; have your time machine; we can find a way; to fuck forever;” She squirmed and writhed beneath him while he pushed up and down on her, both of them getting slick with sweat. They groaned and panted together. He leaned down and bit her shoulder Becky keened in pleasure. Trembling, she arched her hips, pushing up against him. She could feel his cock twitching and swelling inside her. "Gonna cum;” he breathed, pushing down and straining. "Uh! Yes, cum in me, Mark!" she wailed. She pressed her face into a pillow as she screamed, feeling her student's cum spurting inside and filling her spasming cunt. Mark shook and groaned loudly, so glad they were in her house and could be as loud as they needed to be. Her slammed his hips down onto her, tingling pleasure blossoming through him. Mark collapsed on top of her, both of them limp and breathing heavily. He reached under Becky and put his hands on her tits, squeezing gently. She hummed and undulated her soft cheeks beneath him, milking his cock for all of his cum, her wet cunt wanting every last drop. They said nothing for several minutes, just lying there in bliss. Becky finally slowly turned over, Mark's cock slipping out of her and they wrapped their arms around each other, kissing deeply. He pushed his still-hard cock back in and moved back and forth gently inside her and she squeezed him in rhythm. Tongues tangled and they hummed contentedly into one another's mouths. "God, I want to find a way to have multiples of you fucking me all at once," she purred, smiling into his eyes and caressing his cheek. "One in my cunt, one in my ass, another in my mouth; hmm, that sounds heavenly." "Yeah, but won't I, like, blow up spontaneously, or collapse the universe if I encounter myself?" he asked somewhat warily. He liked the idea of fucking all Becky's holes, but not if it made everything go boom. She giggled and bopped his nose. "Silly. Why are you asking me? You're the one with access to this time-travel police force. What did you say they were called? TEA?" "Yeah, they said they're called the Temporal Enforcement Agency." Mark confirmed. "I called them Teabaggers and they didn't think that was funny." "Oh, be nice to them, darling," she chided gently. "After all, they're protecting the timeline for crazy kids like you." "Yeah, I guess," he admitted, knowing she was infinitely more sensible than him about these things. She was already so much smarter at this temporal stuff than he was. The only reason his little trip to 1800's London went well was because she'd prepped him and made him think it through. "Getting myself killed is apparently pretty easy." "Boo, and then we couldn't fuck anymore," she said, sounding sad. "And even if you stopped time-travelling tomorrow, I'd still want to fuck you. You've unleashed a demon in me." "I know it," he laughed. "I have to rest a few days after our marathon fuck sessions, only to come back in your next day to keep up with your libido. Not that I'm complaining, mind." She giggled. "Well I do love to fuck," she agreed. "Maybe one day, I'll go with you. I'd love to fuck in a harem bath house or a Parisian brothel." Mark rolled off her and lay on his back, staring at the ceiling. He could almost see the steam rising off them. As tricky as time travel was, he never would have ended up in bed with his Physics teacher if it hadn't been for his time machine. "That chronometer the agents gave me comes in really handy," he said, his thoughts drifting. "It actually gives me little warnings if I'm getting too close to another temporal event. It means I can't do some things I'd like to do, but things get complicated." She smiled. "You said they called it 'the Limelight Effect' or getting clock hammered, depending on what you were trying to do." He nodded. "They didn't like it when I called it 'clock-blocking'." "You said they had no sense of humor." Becky mused. "But maybe practicing with your Holmes Field Device in minor ways will help." He turned and looked at her. "How so?" "Well," she began, turning on her side to look at him, her hand propping up her head. Her nipples gently kissed the skin of his arm. "How about you take me out for dinner? We'll pick a low-traffic area, somewhere time travelers don't go. You said that your chronometer dials are difficult to physically turn and the Holmes Field device always skews numbers if you're trying to get anywhere that would prove troublesome." He considered what she was saying. "So, take you to some remote village in the past where no one else is ever interested in going. We can try finessing my control of the device." She nodded. "Precisely. I don't know about you, but I speak flawless French, we could visit a little village in France's past and we could get some dinner. You could learn how to deal with the locals, get a feel for what you'll have to do if you keep travelling the time stream." "It's weird how you can say words like 'time stream' so naturally, like it's normal," he sighed. "Still, you're right, careful practice is probably a good thing." "It'll be fun," she said, reaching over and taking hold of his hip to turn him into her. Her tits were now squashed to his chest, his soft cock against her gooey cunt. "How bad a teacher can I be for this? You made it through my physics class without tearing a hole in reality." "And yet I failed," he sighed. "I doubt I can fuck my way out of every bit of trouble I get myself into." She giggled and took his hand, pulling him off the bed and leading him to the bathroom. She sat down on the toilet to pee while she stroked his cock gently, She shivered as she peed, feeling his cum trickling of her, pulling him closer and taking him in her mouth. She hummed as she bobbed back and forth, enjoying their mingled taste. Mark had to admit that he was enjoying how relaxed she was around him now that they were lovers. "So," she said finally, pulling his cock out of her mouth with a quiet pop. "We'll shower and get cleaned up. Then we'll head to the public library to figure out where and what we're doing. Anybody asks, I'll say I'm helping you with your schoolwork." He smiled slyly, feeling a familiar tingle in his cock at the thought of showering with her. This was going to be a good night. "So here's a question," she remarked as she watched Mark get dressed in the outfit they'd bought for the occasion, hidden from prying eyes in her basement, where he kept the Holmes Field Device. They'd visited a costume shop and found clothing that was a good fit for the period they were visiting, that being France in the 1600's. "Did they ever tell you about any contacts you can make in the time stream? You know, like dealers?" He looked at her quizzically. "Dealers?" "Sure," she said, nodding. "There must be time-travelers who make their living by providing goods and services to other travelers. I mean, you need to be able to get money and supplies somewhere, so that you don't stick out like a sore thumb, right?" "Yeah, that'd make sense," he admitted. "I mean, I got lucky when I tried going to London and got that dress, I managed to pawn off some knick-knacks I'd brought with me, because I didn't know how else to pay for anything. And they thought I was just some ignorant American. I got out a lot quicker than I thought I would." "I think we should find out," she reasoned. "If you're going to do this, you should really learn how to find what you need." "Exactly how much time-travelling do you think I'm gonna be doing?" he asked, giving her a wry look before continuing to put on his new outfit. "Well, we know you have no future as a physicist, maybe you'll find something you're good at in the time stream," she giggled, making him sigh. She moved forward to help him get into his clothes, since he clearly had no idea what he was doing. "And even if you don't know how to find a dealer, I'm willing to bet that they'll know how to find a traveler." He couldn't argue with that logic and stood still while she corrected his attire, kissing his nose as she finished. He then watched as she got into her own period garb, doing so much more efficiently than he had done. She saw him looking at her and winked. "In spite of my physics major, I also did a lot of work in theater," she quipped, holding her top loosely in place over her opulent tits. "I've been in Les Mis a few times, so I know my way around period garb." "I feel bad about you bringing that jewelry to trade for money," he said, wishing he had more to offer. He didn't just yet, however. "Oh, they're nothing, it's just old gold I never wear," she said dismissively. "I'd probably just end up selling them in a pawn shop at some point. This way, at least it's getting some use. I sell these things I never wear, we get the proper currency, then we go and have some fun. I don't see how this can be a bad thing." "I guess I just feel like it should be me paying." Mark murmured, trying not to blush. "Silly," she giggled again. "You're an eighteen year-old boy. What one earth could you possibly have accumulated that the time stream would be interested in?" "Well, you got me there," he sighed, giving up and letting her continue. "Maybe I'll make it big in the time stream and then I can keep you buying you the presents you deserve." "Ooh, you honey-dripper," she cooed, smiling and kissing his nose before stepping back and examining him. "Well, you're starting to look the part. I'll use some gel in your hair to tousle it a little and then I think we're probably as close as we can get, since neither of us has syphilis or tuberculosis." He waited while she fixed his hair and then took care of her own, pulling her golden locks back in a bow. She was wearing a peasant dress, one that accentuated her small waist and large bust. His outfit, was more akin to a gentleman of northern Europe, with a blue vest and white breeches that he found rather tight, especially around the crotch. "So, milord," she lilted, threading her arm through his and smiling at him. "Shall we sally forth?" He nodded and walked over toward the time machine, his chronometer in hand. 17th Century, France. "Combien allez-vous me donner pour ce pendentif?" Becky asked the owner of the dingy little shop they were standing in. Candles flickered on the walls, dimly illuminating the musty room. The shop-owner, a wizened little man wearing crooked spectacles, looked up her with rheumy eyes. He held out a gnarled hand and she gently put the dull gold bangle into it. Her brought it close to his face, examining it intently. He weighed it in his palm and then scratched the inner surface, testing its contents. He licked his lip as he considered her offering. Finally he put it down. "Onze Louis," he declared, nodding. "Onze Louis, quatre livres, douze sous et vingt-et-trois deniers." Mark looked at Becky, who was considering what he had told them. After a few seconds, she seemed to think he was being reasonable. "Bien. Tout en livres et sous, s'il vous plait." The man counted out one hundred and sixty-six sous and pushed them across the counter. His eyes widened slightly as she pushed a gold necklace and two rings to him for appraisal. Half an hour later, they exited the shop with a small purse containing the equivalent of nearly fifty Louis, a small fortune by the standards of the period and their locale. "Here you go, milord," she said sweetly, pressing the purse into his palm. "It's only appropriate that you carry our funds, since you're the one cosplaying as the aristocracy." "Except my French sucks balls." Mark muttered as they walked down the dirt road. It was mid-morning and they'd arrived in a fallow field outside the town. Google maps indicated that it was empty in the modern day and online archive maps from France in 1652 indicated that it was much the same way back then. With careful calculations of time and distance, they'd arrived without incident. "Well, you speak Spanish, so we'll pretend you're from Madrid or something," she said simply, holding his arm again. "And I'll be the lusty French tart from Rouen who travels with you, keeping you enamored with our fair country." "You'd be stupidly good at Larp, you're really getting into this," he sighed. Larp?” Live action role playing. Any other hidden talents I should know about?" Mark inquired. "If I told you then they wouldn't be surprises," she pointed out. "We women love to be mysterious." "Well, at least you're a woman, most of the girls I know who do that stuff are just crazy." "That's because they're teenage girls, who are, by definition, 'bugfuck insane'." Becky added. "A lot of women are too, I suppose, but at least there's a chance our hormones have straightened out. Probably not much different here, except for the mortality rate." They walked down the cobblestone rode, attracting the occasional stare as they walked into the town. They stopped a stout, middle-aged man and asked where they might get some decent food and accommodations. "You are dressed rather unusually to be walking," he said, looking at Mark. "You seem to be a gentleman of quality, sir. I am the town's physician and apothecary, my name is Henri. And yours, monsieur?" Mark stuttered. "Mark, uh; mon nom; es;” "Marco," Becky interjected suddenly, relieving him of the burden of struggling to make his name known in French. "He is Senor Marco Del Strade, and he is a baron from Valencia." "I thought I was from Madrid." Mark whispered out of the side of his mouth. "Shut the fuck up, I'm thinking on the fly here!" she hissed back. "What did the Spaniard say?" asked the portly physician. "That didn't sound Spanish." "A curse of our association," she said sweetly, beaming a radiant smile at him. "The baron speaks no French, and I no Spanish, so we communicate en Anglais, with which we both have some facility." "A rather unusual arrangement," grunted the man. "Nonetheless, it would not do for our humble town to allow a gentleman of quality to not be looked after. I would recommend L'Auberge Des Loups." "The Wolves' Inn?" Mark muttered out loud, knowing enough French to get that translation. "That doesn't sound too safe." "Be at ease, my friends," Henri said, chuckling. "The wolf is on our town coat of arms, and the Inn is our most reputable establishment. If you have the money, they will give you what you need." He turned and pointed down the road. "There, you can see the inn from this spot. The two-story building with the gambrel roof and all the smoke coming out of the chimney. See it?" "Yes, good sir, and we thank you." Becky said, curtseying before smiling at the man and putting his rather fat, gout-ridden hand in hers. "For all of your help." "Ah, well, yes," he said, blushing and withdrawing his hand from hers. "When you go to the inn, tell the proprietor that Henri sent you. This will make things easier for you." And with that, the man waddled off. "He seemed nice, I guess," Mark mused as they resumed their trek into the town. "I mean, I missed a lot of what you two said, but it seemed to agree with you." "We just need to mention his name when we get to the inn and that'll apparently make our lives easier." Becky replied, thinking how quaint everything was. She couldn't believe she was actually in seventeenth century France! But then, she was fucking her former student who was a time-traveler, so clearly anything was possible. She had already promised herself she would enjoy every moment of this experience. She'd chosen the year as carefully as possible, noting that there were no major Plague outbreaks mentioned and she had insisted they bring very discretely concealed medications with them. Ignoring the stares of the townsfolk, they continued down the main street until they reached the inn. They tacitly avoided stepping in the various effluences that trickled between the cobblestones and stepped over the unconscious peasants who were sprawled in the middle of the street before opening the faded green doors and entering. Dark and musty, lit by wall sconces and an ancient wrought-iron chandelier overhead in which guttered many candles, the large common room was like something out of an HBO special, minus the lighting budget. Large, round table dominated the space, while a great hearth and a long counter encompassed most of the back wall. Lots of sun-browned peasant faces turned to look at them while some stringed instrument plunked away from a corner. The place smelled of smoke and what was probably body odor. Still ignoring the stares, Becky led Mark up to the counter, behind which stood a surly-looking man with a black moustache and beard. He observed them with interest as they approached. Mark stood silently while Becky addressed the man in French. "My lord the Baron is looking for clean and welcoming accommodations for the night," she began, indicating Mark. "Henri sent us to you, saying that you were the establishment in this town worthy of his business." "If you can pay, then yes, we will be able to room you comfortably," he answered, looking at Mark. "Our best room is one livre per night. I assume the baron can afford this?" She looked at Mark now. "A single night is one livre. Those'd be the silver coins. Get one out and just give it to him, without showing how much you actually have." Mark nodded and fished out one of the coins indicated, putting it on the counter for the proprietor to inspect. Satisfied, the man nodded. "This will cover the room. If his lordship has need of a bath or food, we can provide these things as well." "Fresh food?" she asked pointedly. "Only the freshest for the lord," laughed the man loudly, causing people nearby to chuckle. "Is he a mute?" "No, he is Spanish and speaks no French," she said flatly, fixing the man with a hard look. "You can speak to me, his servant, if you feel the need to communicate. You can bring him food now, and your finest wine, good sir." She then turned and took Mark's arm, leading him over to an empty table in the corner, once again ignoring the gazes that followed them. She sat down and sighed, nodding. "We'll eat and then see about the room and a bath," she declared, looking around and taking everything in. "If it's big enough, I'm sure we can get into all sorts of trouble in the tub." "I'd like that," he said, finally relaxing. "I'm glad you're taking to this so easily, because I'm way out of my element. London in the 1880's was hard enough, and all I was doing was pretending I was an American traveler. France in the time of the Louis the Sun King, that's a little out of my league." "Don't worry, once you hit your stride, you'll do fine," she said gently, patting his hand. "I've just had more weird experiences over the course of my life than you have and am adapting a little quicker is all." A jug of wine, two goblets, some hearty bread with butter and some onions and cheese was brought over by a wench who looked like John Rhys-Davies in drag. She belched and tottered off, having delivered her goods. "Although I'm not so sure about adapting to that." Becky said, shaking her head to clear it of the image. She unstopped the jug and poured the dark red wine into their goblets while Mark portioned out the bread, butter, cheese and onions. They both dug in, finally realizing how hungry they were. "Oh, wow, that's good," Becky remarked, looking into her goblet, having tried the wine. "Just remember to eat a lot of bread and butter, Mark, or you'll have the hangover from hell." He'd never had a wine quite like this before and they quickly polished off the jug before ordering another. They finished their bread and cheeses before being presented with a roasted suckling pig and two pheasants, stuffed with local herbs. They enjoyed eating, but the wine was strong enough to eventually get through all the food they'd lined their stomachs with. Becky was giggling and tipsy within the hour. "I can't beli; believe we're here in France," she said, her head tilted to one side. "An' we're gonna fuck; in the tub; an' then in our room, because; because; defiling the timeline; sounds like fun. It's fun, you know, to fuck across history;” "It is," Mark agreed, not as drunk as Becky but still feeling rather buzzed. His tongue felt thick from the wine, which she had explained was not treated with any modern pasteurization process and therefore would be full of tannins and sediments they would need to account for or suffer an assured hangover. "And you're the person I'd want to do it with, Becks;” Becky giggled and slid her hand along his leg, finally arriving at his crotch and giving the bulged contained in the tight breeches a squeeze. "You're not; not a time cop; you're a time cock; timeless cock;” Some musicians had come in a few minutes earlier and were sitting in another corner of the common room. They struck up a lively tune on their lutes, fiddles and a small drum. Becky's eyes lit up as the music reached them. "Oh, I love this song!" she said loudly in English before hopping up from the table and dancing her way with abandon into the middle of the room. People watched on and began to clap and cheer as she stood on a table and began capering. "How the hell does she know this song?" Mark wondered, frowning as he watched his Physics teacher begin to dance and sing. Ah! Si mon moine voulait danser! Ah! Si mon moine voulait danser! Un capuchon je lui donnerais Un capuchon je lui donnerais Danse, mon moine, danse! Tu n'entends pas la danse Tu n'entends pas mon moulin, lon la Tu n'entends pas mon moulin marcher. Mark watched in wonder as she tottered back over and flopped onto the bench next to him, breathing heavily and perspiring. She grinned at him lopsidedly and winked, still obviously rather inebriated. "Why did you know the lyrics to that song?" he asked, utterly baffled. She poured herself more wine and drained her goblet in one gulp, with a very loud Gluck! noise. Clearly, she was intent on partying. "Went to; a Catholic school; run by nunsh;” she slurred, trying to fill her cup again. "Lotsh of shingin' to; keep our little teen girl mindsh; off sheksh; Fuckin' love that shong, used to shing that shong; all the' time; fuckin'; great to dansh to;” "Yes, I noticed," he said, nodding and smiling. "You were almost flashing your tits and your cunt at the; the patrons;” "They can peek; but no touchy;” she said, taking another drink. "Thish pushy; only for you; I think; we'll shee;” She turned and looked at him, her eyes glazed and her skin flush from her exertions. "We're here; together, Mark, but; if you; ya' shee a girl ya' wanna fuck; I'm okay with; with that. "Jus' don' get the crabs!" She had broken into a snickering fit, pressing her forehead against the table as she tried to not fall over completely. Mark was chuckling and feeling really good watching how silly his teacher was being. She looked up suddenly, trying to wear a serious expression. "But one thing," she cautioned, holding up a finger and wagging it at one of the Marks she was looking at. There were three of them, so she chose the one in the middle. "No, moren one thing, but th' one thing'sh; important;” She leaned forward to whisper to him. "Keep your dicky in your pantsh unlesh; unlesh you know she'sh eighteen; 'cush the lawsh right now; 'she prolly legal to fuck 'em younger; but; you're from our time; our time;” She glowered at him drunkenly. "An' we don' fuck 'em if they're not eighteen; ya' got it?" He nodded. "Eighteen or older. Got it. And you can; miss, you can' "Not mish," she interrupted, waving away his comment. "Becky. Not fuckin' mish, remember?" "Sorry," he intoned, letting out a belch and patting his chest. The wine and cheese tasted great but were really fucking with him. "I'll be better; remember;” "Well, what wash it I can do?" she asked. "You were gonna; shay; I could do; what wash it?" Mark thought about that for a moment, unable to push through the wine-induced haze in his head. "I don' remember;” They both broke into laughter, much to the amusement of nearby patrons. Becky had her head on the table again, giggling until Mark slammed his palm on it in an expression of entertainment, shocking her and making her yelp. They looked at one another and burst into more fits of laughter. They'd drained another jug and polished off the pig and pheasants. Mark felt incredibly full, and drunk. Becky could barely stand up and she asked Mark to take her arm and lead them over to the proprietor behind the long counter once again. She shook her head a few times to clear it and he waited patiently for her to speak. "Shir, we'll be needing the bath now, and our room," she said slowly, making sure she could be understood. "Would you be so kind ash to show ush the way?" He tilted his head slightly. "Comment?" "You just spoke to him in English, Becks." Mark told her. Her glassy eyes widened and she squeezed her eyes shut, willing herself not to die of embarrassment. "For fuck's sakes;” she muttered. She took a deep breath and repeated herself in labored French. He nodded and led them up the back, away from the common room. It took Becky fifteen minutes to get up the single flight of stairs because it wouldn't stop spinning. Mark sighed as he sat in the large, round wooden tub, his arms resting on the side while his hands gripped the rim. The steaming water splashed over the side as he shuddered and groaned loudly, cumming. Spent, he sank back onto the small ledge and breathed heavily. The water stirred and Becky surfaced, exhaling. Her golden hair clung to her wetly and her glorious tits glistened. She grinned at her student. "See?" she declared, obviously pleased as she pulled her hair over her shoulders. "Told you I could make you cum before having to surface for air." "Jesus, you must've been down there over two minutes," he breathed, never ceasing to be stunned by her carnal skills. "How the hell do you hold your breath that long?" Becky cricked her neck and settled onto Mark's lap, her arms around his neck. She gave him a peck on the nose. "Lots of cardio and physical training." "Obviously." Mark agreed. "Not that I'm complaining, mind." "Hmm, didn't think you would," she purred. "But only half of this equation has been solved, big boy. I haven't cum yet. Since you're friend down there is taking a nap, how good are you at holding your breath?" "Not that good," he chuckled. "I'm happy to lick your cunt, but you'll need to keep it above water." She smiled and rolled her eyes before getting off his lap. He moved aside and allowed her to kneel on the little ledge he'd been sitting on, leaning over the rim of the tub and resting her forearms on it. She looked back at him and winked while wiggling her sexy, toned behind him. Her cuntlips were dripping and looked inviting. Mark knelt in the middle of the tub, behind Becky's ass and took hold of it, kissing the wet cheeks. Becky cooed and squirmed under the attention, one of her hands cupping a tit and squeezing it. She could feel Mark's lips and tongue moving slowly inward toward her core. She bit her lip and sighed. He touched her cunt, kissing it gently and sliding his tongue up and down the twat, which parted easily before him. Her heard her moan and tasted her tang as he pushed inside her while using his thumbs to pull her inner thighs apart so he could get further into his teacher's snatch. She shivered and pushed back against him, eager for more. "Hmm, Mark;” she cooed, her eyes shut as she felt his tongue inside her. "Yes, right there, lover. Oh, you really know how to use your tongue;” He smiled at her compliment and pulled his tongue out to massage her clit with it, rolling around the little bud and making her gasp sharply. He slid a finger inside her, followed by another and she groaned. He could feel her cunt tightening around his digits and began to push them back and forth slowly while he nibbled and sucked her clit. Becky shuddered again and leaned down, biting at her knuckle while squeezing her tit harder, massaging it vigorously. Mark lashed her clit while fingering her tight twat and then slid a single finger into her ass. Her breath caught in her throat and she gripped the ledge of the tub, her fingers raking along the iron-bound wood. "Fuck, Mark," she whimpered. "Yes, make me cum. I want to cum in your mouth!" Mark worked her cunt harder, sliding the fingers back and forth, pushing in deeper each time. His tongue massaged her clit relentlessly or he sucked on it. She was squirming and writhing back against him, groaning unashamedly. He was beyond caring if anyone heard them at this point. Becky was panting heavily now, her eyes glazing over as she ground her ass against Mark's face, feeling his fingers in her cunt and her ass, wiggling and pushing her closer and closer to orgasm. She would miss his cum inside her, but she would surely get it before long, Mark was developing good stamina under her guidance. She arched her back and moaned loudly as she began to cum, pleasure blossoming through her from her cunt and out to her fingers and toes. Her body shook while she climaxed, the wet, gooey ecstasy of colors in her mind letting her; Invasion. There was a smash, like wood splintering, the creak of worn metal. Her eyes snapped open in confusion, the unreal delight of her orgasm draining away as men in masks and dark clothes surged into the room, at least five of them and more shadows in the hallway. Most were holding knives or small clubs, but she saw the one in front carrying a heavy flintlock pistol. Even in the darkness of the room, lit only by candles around the wall, she could see the wicked scar on his cheek. "Arrêtez! Reste tranquille et je ne te tuerai pas!" he rasped, pointing his pistol at her while his comrades moved into the room and began searching for something. "Qui es-tu?" Becky demanded, getting angry not only about the intruders, but the fact that her orgasm was slipping away. She could feel Mark still kneeling behind her, looking on in shock at what was happening. "Tais-toi, salope!" the man barked, moving toward her and drawing a wicked knife from his belt, his men now ransacking the room. He placed the point of the knife at her throat and Mark felt a cold fear run up his spine. "Do not speak to me in that tone if you' He never finished the sentence as Becky grabbed the wrist of the hand holding the knife and twisted, hard. The man with the scar yelped as he lost his grip on the knife and the blonde woman leapt out of the tub, her knee smashing into his face. He staggered backward and then went flying as her foot slammed into his ribcage. He crashed through a table and this got the attention of the thugs he'd brought with him. They all looked in shock at the naked blonde tigress for a moment and then surged in on her, knives and cudgels ready. "A little help here, hero!" Becky shrilled as she scampered away from the incoming bandits. "This isn't sex, don't make me do all the work!" "Hey now!" Mark protested, half-rising out of the relative protection of the tub because of her taunt. "It's not like you do all' "Goddammit, Mark!" Becky shouted as she ducked the swing of a club and punched her attacker in the balls. "You'd better hope they kill us, because if I survive, I'm going to crack open your skull and suck your brain out with a straw! Help me!" Mark came to his senses and vaulted over the side of the tub, trying not to think about the fact that he was buck naked and rushing toward his teacher and her assailants. He crashed into the smallest man, bearing him to the ground and winding him. Not sure what else to do, he began punching the bandit, knocking his cloth mask askew so he could not see. The man struggled wildly to get out from underneath his naked foe. "Huh!" Mark choked out as another thug grabbed him by the throat from behind and started pulling him off the man he was on top of. He could feel his tongue beginning to bulge out of his mouth and was thinking he must look incredibly foolish, like Jabba the Hutt when Princess Leia strangled him with the chain. He couldn't die like that. He couldn't. With a limp dick and a swollen tongue? In front of Becky? He'd taken some karate, although he was no expert. His skin was still wet and he went limp, using sudden deadweight to break his attacker's hold on his throat, although he hissed in pain when he felt the man's ragged nails crease through his skin as he lost his grip. With a thud! Mark hit the floor and did the only thing he could think of doing; he grappled onto the man and took him down in a rough tumble. He desperately rolled until he was on top and rammed his knee into the man's stomach. He heard the man wheeze but then sparks exploded behind his eyes as something cracked across the back of his head. He didn't fall over but scrambled away in a panic, wishing he could see in the darkness or that the room would stop spinning. Becky landed in a heap on top of him, knocking him back to the floor. She was still naked and incredibly angry from the sounds of her. "That's it, buster!" she roared as she surged back to her feet and charged her attacker. Mark dazedly looked over and watched as his teacher sprinted across the room, her foe giving chase. She leapt in the air and to the wall, her foot making contact. Before anyone was ready, she sprang backward, smashing her foot across the man's jaw in a roundhouse kick that they must have heard on the edge of town. The man went down like a sack of flour. "Alright, who's next?" she shouted, standing in the middle of the room, naked and scratched up. She grabbed a pewter jug and slammed it backward into the head of a man coming up behind her. He went down. "I didn't know you did parkour!" Mark called out as he tackled another thug from behind, taking him to the floor. "I do a lot of things to take out my sexual frustrations!" she snapped back, picking up a bench and throwing it at two assailants to keep them off-balance. "Parkour, jiu-jutsu, archery, Krav-Maga. I was kind of hoping that fucking would allow me to vent a little steam!" "I can see why!" Mark said as he smashed the man's face into the floor repeatedly. Even in his weirdest dreams, he'd never imagined fighting French bandits while buck naked. He wondered if the Temporal Enforcement Agency would be up his ass about this incident. "Oh, shut up!" she shrilled, kicking a man between the legs from behind and then suplexing him after he doubled over in pain. The floor splintered with the impact, but Becky rolled to her feet and grabbed his cudgel. "You still owe me an orgasm, mister!" "Okay, okay!" Mark said hastily. A sallow man confronted him, wearing an eye-mask, who brandished a knobbed club. The bandit grinned at him, clearly intent on bashing his head in. Thinking quickly, Mark stood and looked somber, clasping his fist in his hand and bowing, like they did in his mom's tai chi class. The bandit looked confused for a moment before Mark bowed again and then made a motion urging the bandit to do the same. Still not sure what was happening but wanting to get on with things, the bandit bowed at the waist clumsily. Mark broke a chair over his head before grabbing the cudgel and rushing to Becky's side. "So very nice of you to join me," Becky panted as they faced off against the three remaining intruders, who were trying to surround them. Mark and Becky backed up toward the outer wall, the window behind them. The men closed in. There was a groan and a clatter as the man with the scar on his cheek slowly got to his feet from the pile of broken furniture he'd been laying in and approached them, his henchmen parting to make way for him. "Pour votre arrogance, je vous verrai mort." he growled, pointing his pistol at Mark. Trapped, Mark squeezed his eyes shut; click! Mark blinked and opened his eyes. The scar-faced man was scowling at his pistol, which was letting off a small tuft of smoke but had failed to go off. Was the powder wet? With a roar of fury, Becky was on him. "Get the other three!" she yelled as she rearranged his face. "I've got this one!" Too bewildered to be afraid and exhilarated to be alive, Mark charged the remaining three thugs, who were all backing away in confusion. None of this had gone according to plan, the majority of their fellow bandits were strewn around the room, beaten unconscious by a naked man and a crazy blonde hellion with big tits and a shaved cunt. "C'est des conneries!" she raged as she beat the man around the room, showing no mercy. "I came to the Sun King's France to drink wine, have a good time and get laid! And you fuckers just had to try and rob me, didn't you? All sorts of peasants to pick on, but no! You thought you'd get lucky with two strangers! Well va te faire enculer, pal!" Mark lost track of the whirlwind of violence his teacher had become while he ducked the swipe of a knife and then kicked the leg out from under a thug, dislocating his knee and dropping him. He whirled around and got lucky with the cudgel, cracking it across the jaw of another man, who spun like a top and fell to the ground. He was beginning to notice that he was taller than just about all these men, often by a significant margin. Some were barely taller than Becky. Had nutrition really been that bad in this era? The last one got desperate and lunged at him, but Mark twisted and used his foe's momentum to send him sailing past and smashing into the window. The unconscious man slumped halfway through the shutter and the sounds of commotion in the street below reached him. He shouldn't have been surprised that they were causing a stir. He looked around the room to see if any other foes were standing, but saw only sprawled bodies everywhere, some stirring slightly. The only other sound was that of a face being punched. He looked over to see Becky squatting on the scarred man's chest, grappling into his collar and socking him repeatedly in the mouth while swearing in French. "Nique ta mere!" thump! "Oh, you really pissed me off!" she growled as she huiled the man up by the shirt and dragged him stumbling over to the tub, where she pushed his head under the water. He thrashed about in a panic before she let him back up, gasping for air. "You like that?" she shouted, thumping his head off the side of the tub several times for emphasis. "Ya' think it's funny to barge into a girl's room when she's about to get her rocks off? Is that it?" She shoved his head back underwater again, waiting until he was thrashing around in terror again before pulling him back out and dragging him over to the bed. She threw him against it so that he was kneeling, supported by the straw-stuffed mattress as he swooned. "Hold him down, Mark;” she growled. Unsure of what to do aside from comply, Mark got on the bed and pinned the man's arms against the mattress, putting all his weight on them to keep him in place. He watched in growing confusion as Becky knelt behind the man and yanked his breeches down, exposing his pock-marked behind. She found his flintlock pistol and glared at it for a moment before fiddling with the mechanism, cocking it. The man's eye flared wide and he howled in pain and horror as she pushed the barrel inside his ass. "Alright, buttercup," she said with a sweetness that oozed cruelty. "You're going to explain who told you to come and rob us. And if you don't, I pull the trigger and put your brains on the ceiling." Mark warily shuffled aside on the bed, away from the top of the man's skull. "Do you understand me?" Becky asked quietly, giving the pistol a jiggle. "Probably not," Mark said, trying to sound conciliatory. "You're speaking English again." Becky realized he was right and swore under her breath. Rather than say it all again in French, she decided to just get to the point. She pressed the pistol in an inch further, ignoring the resistance she encountered. "Dites-mois qui vous a envoye," she growled. "Tell me or I blow an asshole in the top of your head." "Henri!" the scar-faced man gasped and whimpered. "He told us you would be here and you have much money!" "Oh, did he now?" Becky growled, forgetting to speak French as she glared at the bandit. "I am going to eat that man's children;” She roughly grabbed the man and spun him around to face her, without removing the pistol muzzle from his ass. His face was pale with fright and artfully rearranged by her fist. He was still leaning back against the bed, not daring to move, breathing heavily. "Maintenant," Becky began, still glowering at him. "You're going to tell me where to' She paused as she looked down at the man's crotch and saw that he was sporting a throbbing erection. "Are you fucking kidding me?" she shouted angrily, yanking the pistol out of his ass and then slamming the grip across his head with a loud crack! The bandit's eyes rolled into his head and he slumped to the ground, very unconscious. "Huh," Mark said as he glanced down at the prone villain. "I guess guys really can get erections from that sort of thing. I thought it was bullshit." "It ought to be, under these circumstances," Becky groused, folding her arms and looking pissed off. "You don't spring wood when a girl's got a gun shoved up your ass, especially after you try to rob her! I don't feel the least bit bad about not giving him a reach-around. Fucker;” "Would you really have pulled the trigger and blown his brains out?" he asked somewhat nervously. "Oh, of course, not," she snorted, giving him a wry look. "I'm not a monster." "You sure fight like one." Mark said, using his hand to indicate the carnage around the room. Bad guys were strewn everywhere, and he was pretty sure he couldn't claim most of them. "Well, they had it coming," she sniffed. "They interrupted my orgasm. It's just rude." She then turned and looked at him, her expression much softer. "Thank you, Mark, for all your help. You saved me, I couldn't have done it on my own." "Yeah, well, you wouldn't have been in danger if I hadn't brought you here in that damn time machine." Mark said, a feeling of guilt washing over him. She knelt next to him on the bed and hugged him close, their bodies pressing together. She smiled at him and kissed his nose. "Don't be sad," she cooed. "I haven't had this much adventure in ages." Mark smirked. "If you've got romps in your past that compare to this, I wanna hear about them." "Oh, you'll need to do a lot more fucking to coax those out of me, young man," she whispered, reaching down between them to take gentle hold of his cock and begin stroking. "But maybe I won't make it too difficult for; Mark, it's very rude to stare off into space while a girl is trying to seduce you. Mark?" "I'm not staring off into space, Becks." Mark said, staring past her shoulder. "Oh, really?" she asked, putting her hands on her hips and looking annoyed, still kneeling in front of him. "Then what is so fascinating that even my tits can't distract you?" He indicated a direction behind her with a nod. "Voyeurs." Becky turned her head slowly and looked across the room at the door. Her eyes narrowed as she noticed several dark shapes in the hallway, gazing into the room in astonishment. With a sigh, she got off the bed, grabbed a candle that hadn't been destroyed and walked over to the door, clearly beyond caring that she was still naked. She could see men and women now, backing up uncertainly at her approach. She also spied one particular silhouette, large and with a big beard, lurking near the back and trying to not be seen. "Oh no you don't, pal," she called out, snapping her fingers and then pointing at the man before making a beckoning motion. "Get your sorry ass over here;” Henri, the peasant girls, and hospitality. Mark sighed in pleasure and took another drink from the jug of wine he was holding, trying to not spill any. He pulled his lips away and looked down his body. He was sitting in a large, plush bed, blissfully naked. Between his legs, a local girl with dark brown hair girl was bobbing her mouth up and down on his cock ardently, clearly interested in pleasing him. "This one's the innkeeper's daughter?" he mused, enjoying her mouth. She paused sucking on him for a moment to look up and smile eagerly before returning to her task. "She loves cock for sure." "She's one of his daughters," Becky agreed, propped up beside him, equally naked and holding the head of a girl who was lying between her legs, her face buried in the blonde's cunt, which she was licking hungrily. "This is the other one." "You frightened him so badly that he's letting us fuck his daughters?" Mark laughed. "He's given us his personal quarters, given us all the food and drink we want and we can fuck his daughters?" "What can I say, I'm persuasive." Becky grunted, shivering and grinding herself into the face of the daughter. "He'll let us stay for the week, he doesn't want word getting around that a noble had a fiasco in his inn. He'd probably give us his wife, too, if I demanded it. We're too close to Paris and word would get around and wreck his business." "If trashing that room and leaving bandits everywhere doesn't, nothing would." Mark breathed, holding the girl by the hair. "Seriously, it looks like Metallica stayed in that room now. What'll we do about that Henri asshole?" "I'll think of it later, I'm a little busy." Becky hissed, squirming and knotting her fingers in the peasant girl's hair. "Uh, it's been so long, since a girl ate me." "You had a sexy phase? I didn't know you liked girls." Mark said, smirking at her. "Back in high school, maybe," Becky admitted. "Haven't been with one since then." "But I do have a question," he said, focusing past the daughter's wicked mouth. "In all the hassle and afterward, I never asked the innkeeper how old his daughters were." "So?" Becky gasped, eyes squeezed shut and bucking her hips. "Well, what if they're not eighteen? You said yourself that we have to hold ourselves to the standards of the time we come from, right?" "You're thinking of that now?" she groaned through clenched teeth. "I; fuck; Mark, it's 1640 right now. That means these girls can't be any less than three hundred and ninety-two in our time. Good enough?" "Good enough!" he laughed. Rationalization seemed to be a handy skill when you were time travelling. He looked over and saw Becky pull the girl away from her crotch and rustle over to him. He stayed still while she straddled his lap, facing down his body. With one hand, she took hold of his cock and held it steady while she positioned herself above it. The two sisters, every bit as naked as them, nestled on the bed below his legs, pressing against one another's sides. They grinned at one another and kissed, their tongues tangling as they waited for Becky to continue. With a sigh, his teacher lowered herself onto his cock, the mushroom head splitting her wet lips before sliding inside her. She sunk down with a groan until he was in to the hilt. She then slowly laid herself back against him, allowing Mark fondle her tits while she squirmed and writhed on him. The sisters moved in and began licking at his cock or kissing her cunt lips and clit while the two guests fucked. "Oh, Heaven;” Becky purred as she caressed his cheek, turning her head to kiss him, their tongues slithering around while she undulated slowly on his lap. "This is what time travel's all about;” Mark held her with one hand, fondling her tits and pinching her nipples while his other hand found the wine jug and poised it just over her torso. She hummed in pleasure as he trickled the dark red liquid over her fair skin, letting it cascade down her exquisite form. One of the sisters noticed and knelt up, beginning to lick it off Becky's tits and stomach while the other noisily slurped it from the Mark's cock and Becky's cunt. "God, forget the Sun King's France, we belong in Caligula's Rome," Becky moaned, shivering in delight at how decadent they were being. "We'll need to; hmm; we'll need to find time to attend an orgy, Mark; how's your Latin?" "Not as good as yours, I imagine," he replied, his tongue still swirling around with hers while they fucked. "But I'd be happy to learn it if we can attend a real orgy." He put the jug of wine aside and used both hands to molest her again, squeezing her tits and gripping her skin. Becky writhed and him, pressing down with her hips, shuddering as the two sisters licked her and nipped at her skin. She begged the universe n

Geeks OUT
I Spy: A Happyend Review

Geeks OUT

Play Episode Listen Later Nov 4, 2025 11:33


Miranda and Clayton talk about the Japanese dystopian drama, Happyend, in cinemas after a run at MIFF. The post I Spy: A Happyend Review appeared first on Geeks OUT.

Backyard Stories
Episode 108 - Michael Sun - MIFF 2025

Backyard Stories

Play Episode Listen Later Oct 28, 2025 11:06


Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Backyard Stories
Episode 109 - Sophie Somerville - MIFF 2025

Backyard Stories

Play Episode Listen Later Oct 28, 2025 10:38


Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Backyard Stories
Episode 110 - Sue Thomson - MIFF 2025

Backyard Stories

Play Episode Listen Later Oct 28, 2025 15:36


Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Backyard Stories
Episode 111 - Maria Angelico - MIFF 2025

Backyard Stories

Play Episode Listen Later Oct 28, 2025 17:24


Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Backyard Stories
Episode 112 - Lazy Susan - MIFF 2025

Backyard Stories

Play Episode Listen Later Oct 28, 2025 13:40


Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Radio Sunnmøre
Anmeldelse mot leiar i MIFF Sunnmøre henlagt

Radio Sunnmøre

Play Episode Listen Later Oct 22, 2025 5:32


MIFF Sunnmøre inviterte Kolvikbakken ungdomsskole til ei temasamling onsdag 8. oktober halde av Henrik Beckheim, om temaet "Er det plass til jødar i Noreg etter 7. oktober?". Svaret Marit Heggen Stokke, leiar for MIFF Sunnmøre, fekk på invitasjonen frå ein avdelingsleiar ved skulen, rysta henne, og ho la svaret ut på MIFF Sunnmøre sine facebooksider. Avdelingsleiaren ved Kolvikbakken ungdomsskole anmeldte Heggen Stokke og saka er no blitt henlagt av politiet. Høyr heile intervjuet med Marit Heggen Stokke.

Art Smitten - The Podcast
Artist Interview - Nur Aishah Kenton + MIFF 2025 Film Reviews

Art Smitten - The Podcast

Play Episode Listen Later Oct 21, 2025 49:25


We are joined by photographer, artist and co-founder of the Pacific Centre for Photographic Arts Aishah Kenton in this episode of Art Smitten. Listen to hear all about the workshops and programs that PCPA facilitate along with Aishah’s own photographic art practice! In the second half of the show, the team review films seen in the final weeks of the Melbourne International Film Festival (MIFF) for 2025. Movies covered include Sorry, Baby (dir. Eva Victor), Peter Hujar's Day (dir. Ira Sachs) and Urchin (dir. Harris Dickinson). Art Smitten airs on SYN 90.7fm @synmedia from 3-5pm on Mondays

Henrik Beckheim Podcast
Jan Benjamin Rødner – Jødiske stemmer sesong II - Episode 2

Henrik Beckheim Podcast

Play Episode Listen Later Oct 19, 2025 109:12


Jan Benjamin Rødner er advokat og en sentral skikkelse i organisasjonen Med Israel for fred (MIFF). Han var organisasjonens første styreleder fra 1978 og er fortsatt aktiv som nestleder i MIFFs hovedstyre. Rødner har vært engasjert i å fremme Israel-vennlig politikk i Norge i flere tiår, og han deler ofte sine innsikter om Israels situasjon, mediedekningen av Israel, internasjonal politikk og juridiske aspekter ved konflikten i Midtøsten. Hans bakgrunn kombinerer juridisk ekspertise med et langvarig engasjement for fredsarbeid og menneskerettigheter i konflikten mellom Israel og Palestina. Han har holdt foredrag og deltatt i paneldebatter om disse temaene, og han har også erfaring med ytringsfrihet og sensurspørsmål i Norge. Rødner trekkes ofte frem som en vokal og kunnskapsrik aktør i debatten om Midtøsten-konflikten i norsk kontekst.Denne programserien heter Jødiske Stemmer, og er støttet av Stiftelsen Fritt Ord. Programserien er nå i sesong II på 12 episoder, og handler om å la nettopp jødiske stemmer komme til orde i Norge. Tusen takk til Fritt Ord for støtten.► NY BOK UTE NÅ: Frykt og Stillhet - jødiske stemmer i Norge etter 7. oktober. Bestill her:  https://bok.norli.no/frykt-og-stillhet► STØTT ARBEIDET PÅ VIPPSOm du ønsker å støtte arbeidet med denne podcasten, kan du bidra med et stort eller lite beløp, etter eget ønske. All støtte settes pris på, og du bidrar til arbeidet med å lage flere episoder. Bruk Vippsnummer: #823278►  ⁠BLI ⁠⁠⁠⁠MEDLEM⁠⁠⁠⁠⁠ Fremover vil de som er støttemedlemmer få tilgang til episodene først. Da støtter du podcasten med det samme som prisen av en kaffe hver måned. Setter stor pris på om du blir støttemedlem. Tusen takk.► Annonsere på Henrik Beckheim Podcast?Send en mail til post@henrikbeckheim.no ► MERCH: Kjøp klær, kopper, capser og mer: https://henrikbeckheim.com/store► Linker:⁠⁠Youtube⁠⁠ | ⁠⁠Nettside⁠⁠ | ⁠⁠TikTok⁠⁠ | ⁠⁠Instagram⁠⁠ | Podimo | ⁠⁠Facebook⁠⁠ | ⁠⁠Apple

In Competition
#20 - Melbourne International Film Festival (MIFF) 2025

In Competition

Play Episode Listen Later Aug 31, 2025 122:55


Jim and Sean discuss their experience at the Melbourne International Film Festival (MIFF). Plus, a recap of the Locarno Film Festival. Films discussed include: Sound of Falling, Resurrection, Black Ox, Omaha, A Useful Ghost, Two Prosecutors, Renoir, Lucky Lu, Left-Handed Girl, Blue Moon, Dreams (Sex Love), Romería, Exit 8, Woman and Child, Harvest, Magic Farm, Late Shift, What Does That Nature Say to You & more

The Screen Show
Three of the most exciting filmmakers from MIFF's Bright Horizons Competition

The Screen Show

Play Episode Listen Later Aug 27, 2025 54:03


A panel discussion of talented international directors with films in competition at the Melbourne International Film Festival discuss their journeys with Jason, including American filmmaker Andrew Patterson (The Vast of Night), whose second feature The Rivals of Amziah King, starring Matthew McConaughey, premiered at SXSW this year; Chie Hayakawa (Plan 75) from Japan, whose second feature, Renoir, premiered in Competition at Cannes; and James J. Robinson, a Filipino/Australian artist based in Los Angeles whose feature debut, First Light, had its World Premiere at MIFF.CREDITSPresenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross Richardson and Riley MelissExecutive producer, Rhiannon Brown

Document.no
MIFF møte Drammen

Document.no

Play Episode Listen Later Aug 27, 2025 71:09


Vi var invitert til MIFF Drammen og det er alltid en opplevelse å komme ut og møte levende mennesker. Det gir en egen nerve til fremføringen. Det er mange ting å undre seg over ved hva som skjer i Norge. Israel står i en krig. De har på mange måter ikke noe valg. De må føre den til sin logiske konklusjon. Men det vil ikke våre myndigheter. De mener de har rett til å gripe inn.Dette preller selvsagt av på israelerne. Danmarks Mette Frederiksen mente hun hadde rett til ikke bare å si sin mening om Netanyahu, men også at hun kunne anbefale at han ble skiftet ut. Hun mente hun visste best hva som var godt for Israel. Hun fikk svar fra utenriksminister Gideon Saar: Israels regjering er valgt av israelerne. Hva gir Danmarks statsminister rett til offentlig å ønske en utskiftning?Dette er et utslag av hybris og Frederiksen deler den med mange andre vesteuropeiske ledere, for ikke å snakke om mediene og "eksperter".Denne ovenfra-og-ned-holdningen har gått myndighetene og mediene i blodet. De føler de har rett til å dømme Israels politikk og fortelle dem hva de burde gjøre.De kaller det folkerett.

The Screen Show
Three of the most exciting filmmakers from MIFF's Bright Horizons Competition

The Screen Show

Play Episode Listen Later Aug 27, 2025 54:03


A panel discussion of talented international directors with films in competition at the Melbourne International Film Festival discuss their journeys with Jason, including American filmmaker Andrew Patterson (The Vast of Night), whose second feature The Rivals of Amziah King, starring Matthew McConaughey, premiered at SXSW this year; Chie Hayakawa (Plan 75) from Japan, whose second feature, Renoir, premiered in Competition at Cannes; and James J. Robinson, a Filipino/Australian artist based in Los Angeles whose feature debut, First Light, had its World Premiere at MIFF.CREDITSPresenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross Richardson and Riley MelissExecutive producer, Rhiannon Brown

SBS Italian - SBS in Italiano
Un film "ibrido" sull'impresa di Fiume di D'Annunzio, al MIFF

SBS Italian - SBS in Italiano

Play Episode Listen Later Aug 21, 2025 4:46


Arriva anche al Melbourne International Film Festival, attualmente in corso, il film documentario e di finzione "Fiume o Morte!", diretto da Igor Bezinović, e vincitore del premio Tiger al 54° International Film Festival Rotterdam.

SBS Hindi - SBS हिंदी
MIFF 2025: Indian cinema shines with three films, 'Homebound', 'I, Poppy' included

SBS Hindi - SBS हिंदी

Play Episode Listen Later Aug 21, 2025 9:24


The Melbourne International Film Festival (MIFF) 2025 celebrates global storytelling, showcasing diverse cultures, ideas, and cinematic excellence. Among this year's selections are three Indian films- 'Cactus Pears', 'Homebound' and the award-winning documentary 'I, Poppy'. SBS Hindi spoke with filmmaker Vivek Chaudhary about his debut feature documentary, shot over four years, which explores generational divides, shifting class dynamics, and political corruption.

Showreel
The World Came Flooding In

Showreel

Play Episode Listen Later Aug 21, 2025


We talk with Isobel Knowles and Van Sowerwine  about their fantastic new production XR Instrallation The World Came Flooding In being launch with the support of MIFF and Now or Never Festival 21-24 August and playing at ACMI Swinburne Studio. Go to the MIFF for tickets. 

Bad Movie Reviews
The Ballad of Wallis Island (MIFF 2025) - Movie Review!

Bad Movie Reviews

Play Episode Listen Later Aug 20, 2025 3:57


The best ballad loving man in town is back and here to review a film that was much needed in my MIFF program!

Thursday Breakfast
Footscray Safety Forum, 'Stranger, Brother' MIFF Short Film, Uyghur Forced Labour & Legal Action Filed Against Kmart, Supporting Victims of Sexual Assault at Trial, End to Unfair Tax Concessions

Thursday Breakfast

Play Episode Listen Later Aug 20, 2025


Acknowledgement of Country//Headlines//Footscray Safety Forum// CW: Police violenceWe heard a statement from three trans queer disabled people with a lived experience of homelessness in response to the footscray safety forum held last week on Thursday. Learn more by visiting crisis housing reform and footscray hospo on instagram.// Tiaki Teremoana - Stranger, Brother// Tiaka Teremoana spoke to Inez about starring in the moving and tender short film, Stranger, Brother. Currently premiering at MIFF, the 2025 short film drama showcases millennial manchild Adam who leads a self-absorbed life of partying and casual hookups – until his little half-brother is dropped at his doorstep. In our interview, we discuss trust exercise the director made them play, what it means to find community amongst the avoidance, and find a way back to yourself, and how Tiaki landed the role! // Freya Dinshaw - Human Rights Law Centre// CW: Modern slaveryWe spoke to Freya Dinshaw, the Associate Legal Director for Human Rights Law Centre following a report released by the UN Special Rapporteur for Contemporary Forms of Slavery published last week. Human Rights Law Centre has amplified longstanding calls on the Australian Government to take action on inadequate anti-slavery laws and increase safeguards for migrant workers. The report from the Special Rapporteur outlined previously known supply chain concerns flagged by the The Australian Uyghur Tangritagh Women's Association in their case brought against Kmart this month, read more about this here // Jacinta Masters - Fair Agenda//CW: Sexual Assault, and Court System Violence. For support you can call 1800 RESPECT on 1800 737 732 - 24 hour, 7 days a week. Jacinta Masters from Fair Agenda spoke to us about the campaign to allow sexual assault survivors to pre-record their testimony for trials. Pre-recorded testimony is already an option in QLD and NT and right now there's growing momentum for the standing council of attorneys-general to make this law across all states and territories, supporting survivor agency and reducing the trauma of testifying again and again in open court. To sign the petition and support the campaign, click here.// Maiy Azize - Everybody's Home// Lastly, we were joined by Maiy Azize, the National Spokesperson from Everybody's Home - a campaign to fix Australia's housing crisis made up of 500 housing, homeless and welfare organisations. On August 18, prior to the kickoff of the Albanese Government's Economic Reform Round Table, housing sector advocates, economists, and union leaders submitted an open letter urging for an end to unfair tax concessions. Maiy Azize helped us understand the social consequences of tax cuts for the rich and what needs to change.// Song:Thinking About You - Desert Mulga

The Curb | Culture. Unity. Reviews. Banter.
MIFF Missive: Iron Winter & Romería

The Curb | Culture. Unity. Reviews. Banter.

Play Episode Listen Later Aug 19, 2025 57:26


In their first conversation Nadine and Virat speak about two films which are pilgrimages of a sort. Kasimir Burgess' Iron Winter, a documentary that takes the viewer into a land rarely seen — that of the nomadic Mongolian horse herders. An immersive and intimate piece of cinema which invites people to see a dying ancient tradition undertaken on the Mongolian Steppes during a five month journey herding horses to viable snow covered pastures. Transcendentally lensed by Benjamin Bryan Iron Winter is almost elegiac. The ravages of the climate crisis are making extreme conditions significantly more brutal and two young herders have to come to terms not only with the elements but also their futures.Romería by Carla Simón translates to Pilgramage in English. An autobiographical fiction about Simón's parents and the quest for an orphaned 18 year old woman to find remnants and memories about her father and his family in Vigo, Galicia. Simón's avatar Marina (Llúcia Garcia) needs documentation for a university scholarship to study film in 2004, but whether she can convince her father's patrician and evasive parents to accept her as Fon's daughter is complicated by the way he died and their shame.With her mother's diary from 1984 through to 1986 guiding her she imagines their lives as young lovers, but it is a bittersweet imagining as Fon's family obfuscate truths and misremember because his life has been erased. Again, a film that is spectacularly lensed by Hélène Louvart capturing Vigo and its islands. Will Marina be claimed or rejected? Will she find vestiges of her parents? Will she be able to prove she is more than a reminder of the hidden ghosts of the past?Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Awards Don't Matter
MIFF Missive: Iron Winter & Romería

Awards Don't Matter

Play Episode Listen Later Aug 19, 2025 57:26


In their first conversation Nadine and Virat speak about two films which are pilgrimages of a sort. Kasimir Burgess' Iron Winter, a documentary that takes the viewer into a land rarely seen — that of the nomadic Mongolian horse herders. An immersive and intimate piece of cinema which invites people to see a dying ancient tradition undertaken on the Mongolian Steppes during a five month journey herding horses to viable snow covered pastures. Transcendentally lensed by Benjamin Bryan Iron Winter is almost elegiac. The ravages of the climate crisis are making extreme conditions significantly more brutal and two young herders have to come to terms not only with the elements but also their futures.Romería by Carla Simón translates to Pilgramage in English. An autobiographical fiction about Simón's parents and the quest for an orphaned 18 year old woman to find remnants and memories about her father and his family in Vigo, Galicia. Simón's avatar Marina (Llúcia Garcia) needs documentation for a university scholarship to study film in 2004, but whether she can convince her father's patrician and evasive parents to accept her as Fon's daughter is complicated by the way he died and their shame.With her mother's diary from 1984 through to 1986 guiding her she imagines their lives as young lovers, but it is a bittersweet imagining as Fon's family obfuscate truths and misremember because his life has been erased. Again, a film that is spectacularly lensed by Hélène Louvart capturing Vigo and its islands. Will Marina be claimed or rejected? Will she find vestiges of her parents? Will she be able to prove she is more than a reminder of the hidden ghosts of the past?Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Bad Movie Reviews
Sorry, Baby (MIFF 2025) - Movie Review!

Bad Movie Reviews

Play Episode Listen Later Aug 19, 2025 4:06


Ben is back continuing his MIFF coverage and feels sorry for anyone who hasn't seen this phenomenal movie!

The Curb | Culture. Unity. Reviews. Banter.
MIFF Interview: 'Art is labour' - Jung Jae-il on the job of composing for Parasite

The Curb | Culture. Unity. Reviews. Banter.

Play Episode Listen Later Aug 18, 2025 38:31


'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Awards Don't Matter
MIFF Interview: 'Art is labour' - Jung Jae-il on the job of composing for Parasite

Awards Don't Matter

Play Episode Listen Later Aug 18, 2025 38:31


'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

The Saturday Quiz
Listening to Paint Dry with Duncan Fellows

The Saturday Quiz

Play Episode Listen Later Aug 15, 2025 45:59


Duncan Fellows is a dear old friend who I have known since we were both teenagers. His effortless charm has endeared him to audiences of tv shows like Deadloch and The Messenger and will no doubt do so again in the soon to be released tv series He Had it Coming and Reckless. He was even married to my partner in the excellent tv series The Letdown.Next week sees the Melbourne International Film Festival screening of a movie he's in, Zombucha - A hilarious and big-hearted horror comedy about a couple whose hopes of striking it rich in the fermented beverage game, are shattered when their homemade kombucha attains sentience and a thirst for blood.Get tickets to the two MIFF screenings of Zombucha here:https://miff.com.au/program/film/zombucha#topSupport this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

The Curb | Culture. Unity. Reviews. Banter.
MIFF Interview: Shalom Almond on putting humanity at the core of Songs Inside

The Curb | Culture. Unity. Reviews. Banter.

Play Episode Listen Later Aug 13, 2025 30:54


When documentarian Shalom Almond received access to document a group of women prisoners training retired greyhounds to become house-friendly pets for her 2017 film Prisoners and Pups, she opened up a door to be able to capture the hidden stories of women prisoners in Australian jails. Prisoners and Pups is a gentle film that shows the power of rehabilitation programs in prisons, not just for the prisoners, but also for the greyhounds.Now, in 2025, she is back with her essential documentary Songs Inside. Here Shalom captures the lives of women in the Adelaide Women's Prison, becoming part of their lives for six-months as she documents their participation in a music program which sees prisoners learn how to play the ukulele, write songs, and sing, all in preparation for a performance with the Adelaide Symphony Orchestra in front of 200 inmates. The climactic performance became the largest concert staged within an Australian correctional facility.Along the journey, Shalom sits in the cells of the prisoners listening to their stories, accompanies them to hearings, and captures their rehearsal processes. Art becomes a salvation for those inside, a release that is given to the prisoners who show good behaviour. But Shalom is not alone in this process, with Barkindji singer-songwriter Nancy Bates guiding their process to becomes singers and songwriters in their own right.There's a beautiful charm to Songs Inside that never detracts the reality that these are women who have found themselves on the wrong side of the law. But Shalom also never focuses on what crimes they may have done to find themselves in this situation. Instead, she taps into the notion of redemption, showing in the process that their futures are in their hands and this musical process is a part of the healing journey they find themselves on.Ahead of Songs Inside's screenings at the Melbourne International Film Festival, I had a chat with Shalom about her work on the film, what it means to be a supportive filmmaker for her subjects, and more. With a career that spans over two decades, Shalom is someone I know I could talk for much longer about her work, and hopefully one day I will.Songs Inside also screens in competition at CinefestOz, with a full release to come down the line.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

SBS Korean - SBS 한국어 프로그램
인터뷰: 정재일, '기생충 라이브 콘서트'로 멜번국제영화제 대미 장식

SBS Korean - SBS 한국어 프로그램

Play Episode Listen Later Aug 13, 2025 18:33


칸 황금종려상과 아카데미 4관왕에 빛나는 영화 '기생충'이 2025 멜번국제영화제(MIFF)에서 한국어 오리지널 상영과 함께, 정재일 음악감독이 지휘하는 오케스트라 빅토리아의 라이브 연주 'Parasite Live in Concert'로 영화제의 대미를 장식합니다.

Awards Don't Matter
MIFF Interview: Shalom Almond on putting humanity at the core of Songs Inside

Awards Don't Matter

Play Episode Listen Later Aug 13, 2025 30:54


When documentarian Shalom Almond received access to document a group of women prisoners training retired greyhounds to become house-friendly pets for her 2017 film Prisoners and Pups, she opened up a door to be able to capture the hidden stories of women prisoners in Australian jails. Prisoners and Pups is a gentle film that shows the power of rehabilitation programs in prisons, not just for the prisoners, but also for the greyhounds.Now, in 2025, she is back with her essential documentary Songs Inside. Here Shalom captures the lives of women in the Adelaide Women's Prison, becoming part of their lives for six-months as she documents their participation in a music program which sees prisoners learn how to play the ukulele, write songs, and sing, all in preparation for a performance with the Adelaide Symphony Orchestra in front of 200 inmates. The climactic performance became the largest concert staged within an Australian correctional facility.Along the journey, Shalom sits in the cells of the prisoners listening to their stories, accompanies them to hearings, and captures their rehearsal processes. Art becomes a salvation for those inside, a release that is given to the prisoners who show good behaviour. But Shalom is not alone in this process, with Barkindji singer-songwriter Nancy Bates guiding their process to becomes singers and songwriters in their own right.There's a beautiful charm to Songs Inside that never detracts the reality that these are women who have found themselves on the wrong side of the law. But Shalom also never focuses on what crimes they may have done to find themselves in this situation. Instead, she taps into the notion of redemption, showing in the process that their futures are in their hands and this musical process is a part of the healing journey they find themselves on.Ahead of Songs Inside's screenings at the Melbourne International Film Festival, I had a chat with Shalom about her work on the film, what it means to be a supportive filmmaker for her subjects, and more. With a career that spans over two decades, Shalom is someone I know I could talk for much longer about her work, and hopefully one day I will.Songs Inside also screens in competition at CinefestOz, with a full release to come down the line.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

RRR FM: Plato's Cave
Conversation with Zoe Pepper on Birthright, Conversation with James Litchfield and Lucinda Reynolds about Alphabet Lane

RRR FM: Plato's Cave

Play Episode Listen Later Aug 11, 2025 44:49


Flick Ford is joined this episode by Cerise Howard. The duo are joined in the studio by the writer and director of Birthright, Zoe Pepper, to discuss the black comedy. Later, the duo are joined by James Litchfield (writer and director) and Lucinda Reynolds (Producer) to discuss their latest offbeat drama, Alphabet Lane. Flick and Cerise finish off with a brief discussion of some of their favorutie screenings they have been to at MIFF 2025 so far.

Deep Fought
Episode 260: Gone Viral

Deep Fought

Play Episode Listen Later Aug 11, 2025 74:59


G'day mates, and strewth, what a week! Nick got the old covidy-wovidy, so we used it as a launching pad to pick up an interesting Science News about the most dangerous species for spreading viruses. Otherwise, it's a bit of a good old-fashioned grab bag, with talk of beards, banks, and brain chips. Plus, lots of talk about films, including our mate Eddie's flick Iron Winter, which just debuted at MIFF. Grab a cocoa and get ready to go-goa. This episode's mistakes includes: Post-viral voice timbre. Erratic topic changes. Another extended discussion of Friendship, but sorry not sorry. Egregious factual inaccuracies. See your friends on the big screen, then like us on Facebook, follow us on Instagram, rate us on Apple Podcasts and Spotify, and send your questions to deepfought@gmail.com.

RRR FM
Chatbot Therapy, Scared Sick Brains & Miffed Mums

RRR FM

Play Episode Listen Later Aug 7, 2025 57:32


Author Patrick Marlborough shoots straight with his screwball revenge comedy, Nock Loose; Dr Jen joins the dots between our immune systems and brains; Nat lays out her self-imposed rules; Dr Ahona Guha tells us how she feels about the rise of ChatGPT therapy; and US filmmaker Mary Bronstein walks us through her MIFF opening night film, If I Had Legs I'd Kick You. With presenters Jas Moore, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Instagram - https://www.instagram.com/breakfasters/

Showreel
Never Get Busted

Showreel

Play Episode Listen Later Aug 7, 2025


David Ngo talks to us about the Winner of a Sundance Directing Award Never Get Busted which is having it's Australian Premier at MIFF.

The Curb | Culture. Unity. Reviews. Banter.
MIFF Interview: William Jaka and Fraser Pemberton on dismantling the class system with their short film Faceless

The Curb | Culture. Unity. Reviews. Banter.

Play Episode Listen Later Aug 6, 2025 65:13


Dogmilk Films is a collective based between Naarm-Melbourne, Makassar Indonesia, and Paris, France. Founded in 2017, Dogmilk brings alternative and ambitious films to life on screen with impactful screenings of world cinema. In addition to their screenings, Dogmilk has also expanded into filmmaking, with their searing short film Faceless being a prime example of risk-tasking Australian cinema that actively pushes boundaries and questions the status quo of this nations history.Faceless is a piece of co-authored cinema, with co-directors William Jaka and Fraser Pemberton working alongside co-writer, producer and editor Chris C.F., cinematographer Alexandra Walton, composer Josh Peters, production designer Anna Ross, and many more all working together to critique, question, and examine the class system that lives on the Birrarung-Ga (the Yarra River).In the film, William plays an Indigenous man through three parallel realities; in one world he's on the banks of the Birrarung-Ga, encountering a rough sleeper who reveals himself to be a war veteran. Heading up the steps into an art gallery, William takes on the role of an aspiring actor encountering a world of fellow artists utilising pain, distortion, and the recurring motif of fish, to turn anguish into art - or is it entertainment? Finally, as they head up the lift to the heights of Naarm, overlooking the city in a luxurious restaurant, William embodies the role of alpha-male stockbrokers and mining companies, lavishly devouring seafood and guzzling wine, all the while mocking his engagement with Andrew Forrest's Mindaroo mining corporation.There's an acidity to Faceless that, once splashed on the surface of this land, exposes it for what it is: a fractured home of unresolved issues. In turn, those issues have become an unhealthy source of income or salvation.Faceless screens as part of the Accelerator Shorts sessions at MIFF on 13 and 23 August. William received a nomination for the Uncle Jack Charles Award, in collaboration with the Kearney Group, which recognises an outstanding Australian First Nations creative whose film is screening at MIFF 2025. Visit MIFF.com.au for tickets. To find out more about Dogmilk Films, visit DogmilkFilms.com.In the above interview, Fraser and William talk about what their co-authorship process looks like, how exploring pain on screen plays out, and what they're hoping to see from the upcoming screenings at MIFF.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New intervie Hosted on Acast. See acast.com/privacy for more information.

SBS Spanish - SBS en español
Programa | SBS Spanish | 6 agosto 2025

SBS Spanish - SBS en español

Play Episode Listen Later Aug 6, 2025 53:20


Hablamos de la situación judicial del expresidente brasileño Jair Bolsonaro, la sentencia judicial contra el chileno acusado de espiar a sus co-inquilinas y conversamos con una guatemalteca que protagoniza un documental que participa del MIFF.

Awards Don't Matter
MIFF Interview: William Jaka and Fraser Pemberton on dismantling the class system with their short film Faceless

Awards Don't Matter

Play Episode Listen Later Aug 6, 2025 65:13


Dogmilk Films is a collective based between Naarm-Melbourne, Makassar Indonesia, and Paris, France. Founded in 2017, Dogmilk brings alternative and ambitious films to life on screen with impactful screenings of world cinema. In addition to their screenings, Dogmilk has also expanded into filmmaking, with their searing short film Faceless being a prime example of risk-tasking Australian cinema that actively pushes boundaries and questions the status quo of this nations history.Faceless is a piece of co-authored cinema, with co-directors William Jaka and Fraser Pemberton working alongside co-writer, producer and editor Chris C.F., cinematographer Alexandra Walton, composer Josh Peters, production designer Anna Ross, and many more all working together to critique, question, and examine the class system that lives on the Birrarung-Ga (the Yarra River).In the film, William plays an Indigenous man through three parallel realities; in one world he's on the banks of the Birrarung-Ga, encountering a rough sleeper who reveals himself to be a war veteran. Heading up the steps into an art gallery, William takes on the role of an aspiring actor encountering a world of fellow artists utilising pain, distortion, and the recurring motif of fish, to turn anguish into art - or is it entertainment? Finally, as they head up the lift to the heights of Naarm, overlooking the city in a luxurious restaurant, William embodies the role of alpha-male stockbrokers and mining companies, lavishly devouring seafood and guzzling wine, all the while mocking his engagement with Andrew Forrest's Mindaroo mining corporation.There's an acidity to Faceless that, once splashed on the surface of this land, exposes it for what it is: a fractured home of unresolved issues. In turn, those issues have become an unhealthy source of income or salvation.Faceless screens as part of the Accelerator Shorts sessions at MIFF on 13 and 23 August. William received a nomination for the Uncle Jack Charles Award, in collaboration with the Kearney Group, which recognises an outstanding Australian First Nations creative whose film is screening at MIFF 2025. Visit MIFF.com.au for tickets. To find out more about Dogmilk Films, visit DogmilkFilms.com.In the above interview, Fraser and William talk about what their co-authorship process looks like, how exploring pain on screen plays out, and what they're hoping to see from the upcoming screenings at MIFF.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New intervie Hosted on Acast. See acast.com/privacy for more information.

Out Takes
MIFF 2025: ‘I’m The Most Racist Person I Know’, Chantal Akerman: Traces and ‘High Art’

Out Takes

Play Episode Listen Later Aug 5, 2025 56:13


We continue celebrating the return of the Melbourne International Film Festival this August with two special guests and a look at a wonderful homegrown queer short film, a retrospective from... LEARN MORE The post MIFF 2025: ‘I'm The Most Racist Person I Know', Chantal Akerman: Traces and ‘High Art' appeared first on Out Takes.

RRR FM: Plato's Cave
Primal Screens Top 20 Films of MIFF 2025

RRR FM: Plato's Cave

Play Episode Listen Later Aug 4, 2025 48:03


Flick Ford is joined this week by Cerise Howard and Thomas Caldwell. In this episode, the trio discuss and delve into the curation of the Primal Screen teams Top 20 films of the 2025 Melbourne International Film Festival. Tune in to hear some fantastic recommendations.

The Curb | Culture. Unity. Reviews. Banter.
MIFF Interview: Lorin Clarke on sharing her dad with the world in But Also John Clarke

The Curb | Culture. Unity. Reviews. Banter.

Play Episode Listen Later Jul 30, 2025 45:31


'The front fell off.' The 94 metre 100 metre track. Fred Dagg. 24 years of political satire with Bryan Dawe. These are just a handful of the impactful comedic works from the one and only John Clarke.For over 40 years, John Clarke brought an unparalleled level of wit, politically astute comedic understanding, and pitch perfect timing to Australian and New Zealand audiences. John Clarke's work as a comedian wasn't just to entertain, but to also make audiences sit and think. Whether it be utilising the landmark comedy series The Games as a way of presenting an apology to the Stolen Generation of Australia, or by calling out the hypocrisy of the colonial state we live in, John Clarke utilised his comedic genius to masterful effect.In 2017, the world lost John Clarke, and Lorin Clarke lost her father.Now, after having explored over 200 boxes of John Clarke's work and letters, having written about book about her relationship with her dad, and having interviewed countless fellow comedic masters like Sam Neill, Rhys Darby, and Ben Elton, Lorin has crafted a documentary about her dad called But Also John Clarke.It's just about one of the most enriching and delightful experiences you'll have this year, even if you're not familiar with John Clarke's work - and I kind of almost envy you if you aren't, as you've got decades of work to be entertained by. For a film that could quite easily have become a hagiography or a maudlin experience, Lorin manages to balance the film with a delightful level of charm and compassion. Compassion not only for the loss of her father, but also for the audience who loved him, her mother, and most importantly, herself.In the following interview, recorded ahead of But Also John Clarke's world premiere at the Melbourne International Film Festival, Lorin talks about getting the balance right for a film like this, while also touching on the process she undertook to be vulnerable this way.I had an absolute blast and shed more than a few tears watching But Also John Clarke, as I'm sure you will too.It screens at MIFF from 15 August to 24 August, with select Q&A sessions with Lorin in attendance. To buy tickets, visit MIFF.com.au. Hosted on Acast. See acast.com/privacy for more information.

Awards Don't Matter
MIFF Interview: Lorin Clarke on sharing her dad with the world in But Also John Clarke

Awards Don't Matter

Play Episode Listen Later Jul 30, 2025 45:31


'The front fell off.' The 94 metre 100 metre track. Fred Dagg. 24 years of political satire with Bryan Dawe. These are just a handful of the impactful comedic works from the one and only John Clarke.For over 40 years, John Clarke brought an unparalleled level of wit, politically astute comedic understanding, and pitch perfect timing to Australian and New Zealand audiences. John Clarke's work as a comedian wasn't just to entertain, but to also make audiences sit and think. Whether it be utilising the landmark comedy series The Games as a way of presenting an apology to the Stolen Generation of Australia, or by calling out the hypocrisy of the colonial state we live in, John Clarke utilised his comedic genius to masterful effect.In 2017, the world lost John Clarke, and Lorin Clarke lost her father.Now, after having explored over 200 boxes of John Clarke's work and letters, having written about book about her relationship with her dad, and having interviewed countless fellow comedic masters like Sam Neill, Rhys Darby, and Ben Elton, Lorin has crafted a documentary about her dad called But Also John Clarke.It's just about one of the most enriching and delightful experiences you'll have this year, even if you're not familiar with John Clarke's work - and I kind of almost envy you if you aren't, as you've got decades of work to be entertained by. For a film that could quite easily have become a hagiography or a maudlin experience, Lorin manages to balance the film with a delightful level of charm and compassion. Compassion not only for the loss of her father, but also for the audience who loved him, her mother, and most importantly, herself.In the following interview, recorded ahead of But Also John Clarke's world premiere at the Melbourne International Film Festival, Lorin talks about getting the balance right for a film like this, while also touching on the process she undertook to be vulnerable this way.I had an absolute blast and shed more than a few tears watching But Also John Clarke, as I'm sure you will too.It screens at MIFF from 15 August to 24 August, with select Q&A sessions with Lorin in attendance. To buy tickets, visit MIFF.com.au. Hosted on Acast. See acast.com/privacy for more information.

Out Takes
‘When Fall Is Coming’ and our first picks for MIFF 2025

Out Takes

Play Episode Listen Later Jul 29, 2025 51:47


For this program, we looked at the latest film from revered French filmmaker François Ozon film that is a very timely tale of secrets, murder, and mushrooms, plus we discussed... LEARN MORE The post ‘When Fall Is Coming' and our first picks for MIFF 2025 appeared first on Out Takes.

RRR FM: Plato's Cave
Interview with Michael Shanks on Together, Fantastic Four: First Steps

RRR FM: Plato's Cave

Play Episode Listen Later Jul 28, 2025 47:39


This week on Primal Screen, host Flick Ford is joined by culture writer Will Cox and writer, audio producer, and filmmaker Silvi Van-Wall. Flick sits down with filmmaker Michael Shanks to talk about his latest body horror release "Together". Then, the trio reviews and unpacks "Fantastic Four: Four Steps". Finally, they wrap up with a brief chat on MIFF 2025 and what to keep your eyes peeled on.

The Curb | Culture. Unity. Reviews. Banter.
MIFF Interview: Domini Marshall and Josie Baynes on the searing drama Howl

The Curb | Culture. Unity. Reviews. Banter.

Play Episode Listen Later Jul 23, 2025 53:26


Writer-director Domini Marshall is a talent on the rise. With short films like Go with Grace, Slap, and now her finest work yet, Howl, under her belt, Marshall is a force to be reckoned with. Her work is deeply personal, written from a perspective that invites audiences to engage with the internal mindset of her characters, and through that process, we're able to see the world differently.Guiding Domini's creative output is producer Josie Baynes, a equally impressive talent on the rise. Alongside Domini, Josie has worked with emerging talents like Annelise Hickey on her films Stranger, Brother. and Hafekasi, while also allowing cinematographer Matthew Chuang to build a body of work that is also reshaping how Australian stories are seen on screen.I highly recommend you seek out Domini's work on her website, DominiMarshall.com, where you can also seek out her web series her words, released during 2017-2019. It's a deeply informative series, one that pairs well with books like Taboo by Hannah Ferguson.In the following conversation, Domini and Josie talk through their creative process, how they manage to bring us into the internal mindset of their characters, and a lot more.Howl is screening at the Melbourne International Film Festival as part of the Aussie shorts package, alongside Stranger, Brother., I'm the Most Racist Person I Know, Mango Seed, and more. Screenings are held on 11 and 22 August, with online screenings taking place from 24 August. Visit MIFF.com.au for more details. Hosted on Acast. See acast.com/privacy for more information.

Awards Don't Matter
MIFF Interview: Domini Marshall and Josie Baynes on the searing drama Howl

Awards Don't Matter

Play Episode Listen Later Jul 23, 2025 53:26


Writer-director Domini Marshall is a talent on the rise. With short films like Go with Grace, Slap, and now her finest work yet, Howl, under her belt, Marshall is a force to be reckoned with. Her work is deeply personal, written from a perspective that invites audiences to engage with the internal mindset of her characters, and through that process, we're able to see the world differently.Guiding Domini's creative output is producer Josie Baynes, a equally impressive talent on the rise. Alongside Domini, Josie has worked with emerging talents like Annelise Hickey on her films Stranger, Brother. and Hafekasi, while also allowing cinematographer Matthew Chuang to build a body of work that is also reshaping how Australian stories are seen on screen.I highly recommend you seek out Domini's work on her website, DominiMarshall.com, where you can also seek out her web series her words, released during 2017-2019. It's a deeply informative series, one that pairs well with books like Taboo by Hannah Ferguson.In the following conversation, Domini and Josie talk through their creative process, how they manage to bring us into the internal mindset of their characters, and a lot more.Howl is screening at the Melbourne International Film Festival as part of the Aussie shorts package, alongside Stranger, Brother., I'm the Most Racist Person I Know, Mango Seed, and more. Screenings are held on 11 and 22 August, with online screenings taking place from 24 August. Visit MIFF.com.au for more details. Hosted on Acast. See acast.com/privacy for more information.

Total Reboot with Cameron James & Alexei Toliopoulos
Marlon Williams & Ursula Grace Williams – Two Worlds, Many Movies

Total Reboot with Cameron James & Alexei Toliopoulos

Play Episode Listen Later Jul 17, 2025 53:04


Aotearoa’s own Marlon Williams steps into the Last Video Store alongside filmmaker Ursula Grace Williams to talk about Marlon Williams: Two Worlds – Ngā Ao E Rua, a stunning portrait documentary about the making of Marlon’s most ambitious musical project yet, an album sung entirely in te reo Māori. Host Alexei Toliopoulos calls it not only one of his favourite films of the year, but one of the greatest music documentaries he's ever seen (and this a guy that has seen a lot of fricking movies). The film is screening at MIFF this August - tickets here BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in CANBERRA, SYDNEY ENCORE and MELBOURNE ENCORE in JULY Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. GUEST PICKS: Marlon Williams: Two Worlds - Ngā Ao E Rua (Documentary), Kill List (horror), The Eternal Memory (Documentary)STAFF PICKS: Woodlands Dark and Days Bewitched: A History of Folk Horror (Documentary)See omnystudio.com/listener for privacy information.

RRR FM
Lefties, Trendies & Trophies

RRR FM

Play Episode Listen Later Jul 17, 2025 63:17


Dr Jen weighs up the weird science of left-handedness and creativity; Artistic Director Al Cossar dives into upcoming movies at MIFF; the team judges the best trophy designs; Michael Harden lifts the lid on the latest restaurant trends; the team are driven to Distraction at the Science Gallery, and Friday Funnybugger Belal Hassoun gets the blues. With presenters Jas Moore, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Insta: https://www.instagram.com/breakfasters/

The Screen Show
John Lilly and the Earth Coincidence Control Office + My Father's Shadow

The Screen Show

Play Episode Listen Later Jul 9, 2025 54:07


Two stand-outs from the Melbourne International Film Festival:Filmmaker Courtney Stephens on dolphin intelligence, sensory deprivation and the psychedelic experience...her new documentary looks at the strange and often confronting work of twentieth-century utopian neuroscientist John Lilly.British-Nigerian director Akinola Davies Jr remembers the father he barely knew in his debut feature My Father's Shadow, a Lagos-set family drama that unfolds during a tumultuous period in Nigeria's political history. Presenter, Jason Di RossoProducer, Tony NortonSound engineer, Matthew SigleyExecutive producer, Rhiannon BrownMusic from My Father's Shadow score by CJ Mirra & Duval Timothy

The Screen Show
My Undesirable Friends + experimental filmmaker Dirk de Bruyn

The Screen Show

Play Episode Listen Later Jul 2, 2025 54:05


A first glance at the Melbourne International Film Festival...Russian American filmmaker Julia Loktev on her fascinating five and a half hour documentary about journalists in Russia, My Undesirable Friends: Part I — Last Air in Moscow.One of the luminaries of Australian avant-garde filmmaking Dirk de Bruyn talks about two of his profoundly personal films, appearing as part of a career retrospective at the Melbourne Cinematheque.Presenter, Jason Di RossoProducer, Tony NortonSound engineer, Ross RichardsonExecutive producer, Rhiannon Brown

Out Takes
2025 HSBC Spanish Film Festival and MIFF 2025: First Glance

Out Takes

Play Episode Listen Later Jun 10, 2025 48:13


For this Out Takes, we welcomed the return of two of our favourite film festivals that will be entertaining us in cinemas over the winter months here in Melbourne. We... LEARN MORE The post 2025 HSBC Spanish Film Festival and MIFF 2025: First Glance appeared first on Out Takes.

melbourne hsbc miff first glance spanish film festival
RRR FM: Plato's Cave
First Glance at MIFF 2025,Ballerina, Bring Her Back

RRR FM: Plato's Cave

Play Episode Listen Later Jun 2, 2025 56:30


On this episode of Primal Screen, Flick is joined in the studio by Cerise Howard and Anthony Carew for a lively discussion packed with cinematic insights. They're also joined by special guest Kate Jinx, Senior Programmer at MIFF, who shares an exclusive sneak peek into the 2025 Melbourne International Film Festival lineup. Later in the show, the trio reviews the latest entry in the John Wick universe, Ballerina, and dives into Bring Her Back, the newest film from Aussie horror auteurs Danny and Michael Philippou

The 20 Minute Call
Greg "Miff" Smith - DZO South Australia Skydiving

The 20 Minute Call

Play Episode Listen Later Mar 31, 2025 71:10


Text Me Your Thoughts On This EpisodeIn this episode, I'm joined by Greg “Miff” Smith—a true pioneer in Australian skydiving. With nearly five decades in the sport and more than 12,000 jumps to his name, Miff has been a driving force behind the growth and evolution of skydiving in South Australia and beyond.Since making his first jump in 1977, Greg has become one of the country's most respected Chief Instructors. In 1986, alongside Gavin Northsworthy and Kevin Taylor, he helped introduce tandem skydiving to South Australia, making the sport more accessible to newcomers. Over the years, his leadership has helped advance safety protocols and raise equipment standards across the region.At SA Skydiving—founded in 1989—Greg serves as Director, Senior Pilot, Drop Zone Safety Officer, Examiner, and Instructor for both Tandem and AFF. His contributions have helped shape SA Skydiving into one of Australia's premier drop zones, offering breathtaking experiences and high-quality training.Beyond his professional achievements, Greg has mentored generations of skydivers—including his own children—creating a tight-knit community rooted in passion and progression.Join me as I speak with Greg “Miff” Smith about his journey, his impact on the sport, and the legacy he continues to build in Australian skydiving.