Podcasts about MIFF

Tamzyn and Clayton, with some helpful notes from Miranda, talk about this year’s MIFF geek feature lineup, including Victorian Psycho, Ghost in the Cell, Mum I’m Alien Pregnant and more. The post MIFF 2026 Features appeared first on Geeks OUT.

Tamzyn and Clayton, with some helpful notes from Miranda, talk about this year’s MIFF geek shorts lineup, including Praying Mantis, Man Eating Pussy, Fingerbang, The Worm and more. The post MIFF 2026 Shorts appeared first on Geeks OUT.

We are officially at the halfway mark of the 74th Melbourne International Film Festival! Over 300 films, retrospectives, and red-carpet galas have been taking over Melbourne’s cinemas. But beyond the popcorn and packed theatres, what does the festival tell us about the state of cinema today—and where local Australian stories fit on the world stage? Joining us is MIFF Artistic Director, Al Cossar. The 74th edition features over 300 films, shorts, and XR experiences. Due to record audience demand, MIFF expanded into Southbank (Village Cinemas Crown) alongside staple venues like ACMI, The Capitol, Kino, and The Forum. There's a strong presence of Australian feature premieres (including The Fox and Sweet Milk Lake in the $140,000 Bright Horizons competition), plus queer cinema highlights like John Cameron Mitchell's live 25th-anniversary event for Hedwig and the Angry Inch. The post Sat, 15th, August, 2026: Al Cossar Artistic Director, Melbourne International Film Festival appeared first on Saturday Magazine.

Back to my MIFF schedule and starting with The Fox, starring the late great Sam Neill as a animatronic talking Magpie.. Couldn't get much better!Contact us: badmoviereviewspodcast@gmail.com

Una lunga notte sulla rotta balcanica della migrazione è al centro del documentario italiano girato da Federico Cammarata e Filippo Foscarini.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui. 

We speak with Alix Livingstone from Defend the Wild about a Film night & panel discussion St Kilda Town Hall Friday Aug 14th hereDefend the Wild and Dingo Culture teamed with The Dingo Conservancy to showMoort Calling Dingo Back to Country & Landholders for Dingos' film Wooleen: Utilising Dingoes as a Management ToolWe follow with a piece from the filmmaker Dan Jackson chat after the premiere screening of Death of a Shaman at MIFF here  

I'm back with a bit of a pallet cleanser, a break from MIFF for a theatrically released blockbuster... The End of Oak Street!Contact us: badmoviereviewspodcast@gmail.com

My MIFF coverage continues with a film fresh of a run at Berlin Film Festival with a stunning Sandra Hüller performance which won her the Silver Bear!

For this program, we celebrated the upcoming release of ‘STOP! THAT! TRAIN!’, arguably the queerest, campiest, and silliest film you'll see in cinemas this year that brings together a cast of some of your favourite RuPaul Drag Race queens fighting for their lives on a runaway train with a range of celebrity cameos that will leave you running to the movie theatre to make sure you don’t miss this wild ride. Obviously, we jumped at the chance to review the film and also speak with Drag Race icons Ginger Minj and Jujubee and director Adam Shankman. This hilarious and OTT cinematic tribute to disaster-parody films sees them faced with a catastrophic “Stormaganza” threatening to derail their train. With RuPaul as President Gagwell and celebrity cameos by Lisa Rinna, Sarah Michelle Gellar, and many more, ‘STOP! THAT! TRAIN!’ is a camp and crazy cinematic experience not to be missed. In speaking with the two lead queens of the film and its director, we discussed all the behind-the-scenes tea from their time on the film, plus we find out if we can get the ‘STOP! THAT! TRAIN’ sequel (a.k.a. the she-quel) filmed down under. We also continued on with our coverage of this year’s Melbourne International Film Festival, which is on right through August, by looking at some of the great queer films on offer. From a sweeping Spanish melodrama to documentaries about a young North American man’s transition to rodeo riding in the Australian outback, we literally found a selection of features and short films that are guaranteed to keep you engaged and entertained this winter. The post Stop! That! Train! with special guests Jujubee, Ginger Minj and Adam Shankman plus more 2026 MIFF recommendations appeared first on Out Takes.

Continuing my MIFF coverage and today is none other than the newest film from beloved director Gregg Araki!

Fresh off winning the Un Certain Regard at the Cannes Film Festival, Everytime has landed at MIFF... here are my thoughts!

Continuing my MIFF coverage and managed to catch the latest winner of the Directors' Fortnight Audience Award at Cannes... Here are my thoughts!

Continuing the coverage of MIFF comes with my review of the latest film from Ryusuke Hamaguchi!

Режисер Роман Волосевич, співсценарист Ігор Зайцев та продюсерка Злата Єфіменко розповідають про створення стрічки, яка представляє Україну на Melbourne International Film Festival і кінематограф у час війни.

Coming up on the pod, Bronwyn questions whether a first aid course is ever really worth the trouble; the always delightful Alice Pung drops in to talk about the importance of reading and writing; for Weird Science, Dr. Jen swipes up on scrolling; the directing duo behind Wicker, Eleanor Wilson and Alex Fisher, joins Breakfasters ahead of their film premiering at MIFF; and finally, the team investigate the merits of inviting AI to become a third in your relationship. With presenters Daniel Burt, Monique Sebire & Bronwyn Kuss, and guest presenter Jas Moore.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Instagram : https://www.instagram.com/breakfasters/

We talk with filmmakers with premieres at MIFF.Digby & Camille is a love story between two people with down syndrome - it is a fight for agency & a genuinely feel good story. We chat with filmmaker and star of the film Digby Webster & his side kick Trevor Graham here.Martin McKenna's film Wilderness takes us on a personal journey of grief that ties to a greater understanding of climate grief as his lead protangonist tries to get a grip of her life. here

Starting off the 2026 Melbourne International Film Festival with a bang... Literally!

At the dawn of his career, Tony Jones filmed Four Corners documentaries like Frozen Asset alongside producer Martin Butler. Now, for the first time in decades, Tony steps back into the world of documentary filmmaking with his animal advocacy film Sentient.Sentient is not an easy film by any measure. It's complex, harrowing, and simply devastating to experience. That is, quite clearly, by design. After all, Tony is asking us to empathise with the primates, all the while asking the ultimate question: how can we be better citizens of the world and stop inflicting this level of harm on fellow animals? When will we as a global society start to enact change that sees animals as sentient beings with choices and rights?These issues, and more, is what Tony unpacks in the following interview, recorded ahead of Sentient's screenings at the Revelation Perth International Film Festival in July 2026, and now released ahead of the films launch at the Melbourne International Film Festival.Tickets for screenings are available at MIFF.com.au, and Tony Jones will be in attendance at the festival. Screenings are held on 11 & 13 August 2026.the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

فیلم «درون امیر» ساخته امیر عزیزی، برنده جایزه کارگردانی بخش «روزهای ونیز» جشنواره فیلم ونیز، برای نخستین بار در استرالیا و در جشنواره فیلم بین‌المللی ملبورن (MIFF) به نمایش درمی‌آید. این فیلم روایتگر دغدغه یک جوان تهرانی میان ماندن در شهر زادگاهش یا مهاجرت به ایتالیا است.برنامه فارسی رادیو اس‌بی‌اس در روزهای شنبه و سه شنبه ساعت ۳ بعد از ظهر از طریق رادیو، به صورت آنلاین، کانال شماره ۳۰۲ تلویزیون‌های دیجیتال و از طریق اپ رایگان SBS Audio قابل دسترس است. برای شنیدن برنامه های زنده و پادکست های ما اپ SBS Audioرا از APP Store یا Google Play دانلود کنید. همچنین می‌توانید به اس بی اس فارسی از طریق اسپاتیفای، اپل پادکستز یا گوگل پادکستز گوش کنید.

At the dawn of his career, Tony Jones filmed Four Corners documentaries like Frozen Asset alongside producer Martin Butler. Now, for the first time in decades, Tony steps back into the world of documentary filmmaking with his animal advocacy film Sentient.Sentient is not an easy film by any measure. It's complex, harrowing, and simply devastating to experience. That is, quite clearly, by design. After all, Tony is asking us to empathise with the primates, all the while asking the ultimate question: how can we be better citizens of the world and stop inflicting this level of harm on fellow animals? When will we as a global society start to enact change that sees animals as sentient beings with choices and rights?These issues, and more, is what Tony unpacks in the following interview, recorded ahead of Sentient's screenings at the Revelation Perth International Film Festival in July 2026, and now released ahead of the films launch at the Melbourne International Film Festival.Tickets for screenings are available at MIFF.com.au, and Tony Jones will be in attendance at the festival. Screenings are held on 11 & 13 August 2026.the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

For this Out Takes, Out Takes, we featured two films that delve into the world of experimental filmmaking from a queer perspective. First up, ‘Teenage Sex and Death at Camp Miasma’ has been one of the most anticipated films of 2026 and it is finally coming to Aussie cinemas from August 6. Described as a new kind of horror remake from Jane Schoenbrun starring Hannah Einbinder and Gillian Anderson, the film picks up on the Camp Miasma slasher film franchise after years of slapdash sequels where it has been handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium. We confirm if this film lived up to the hype and whether or not it received the Out Takes Recommends seal of approval (spoiler alert – it did!). Then we were joined by Brisbane-based writer / director Adam C. Briggs whose latest film ‘Phillip Philadelphia' is having it's world premiere at MIFF on Friday August 7 and an encore screening on Sunday August 9. Briggs has often worked closely with non-professional actors to craft narratives whose blends of fact and fiction are as riotous as they are discomforting; he previously garnered acclaim for his 2024 feature ‘A Grand Mockery' which took out top honours at SXSW Sydney as well as the Best Director prize at Sitges. With ‘Phillip Philadelphia’, he captures the garish, grubby beauty of the Gold Coast on 16mm while also extending his own distinctively homegrown, eloquently vulgar style. In this discussion, we discussed his career, influences and his thoughts on being a queer filmmaker and what makes a film queer. Finally, we were joined by Mitu Bhowmick Lange AM, the founder and festival director of the Indian Film Festival of Melbourne (IFFM) which is the largest annual celebration of Indian cinema outside of India. This year the program has an expansive lineup of over 130 films in 38 languages screening from August 13 – 24 so we went straight to the source to find out more about what they have in store for the 2026 IFFM. The post Teenage Sex and Death at Camp Miasma review, Phillip Philadelphia with Adam C. Briggs and Indian Film Festival of Melbourne 2026 appeared first on Out Takes.

James Hunter is no stranger to the Melbourne International Film Festival, having participated in the MIFF Accelerator Lab for his short film Nest (2021). He now returns to MIFF with his feature film debut The Latcher, which he directs, co-writes, and produces.The Latcher follows Lucy Lovegrove's Alice, an out of work midwife haunted by her own personal loss and being plagued by waking nightmares that emerge from the remote land she lives in. Cinematographer Alex Serafini builds atmosphere through lingering shots and suggestive moments.In this interview with James and Lucy, they talk about their creative process, finding the atmosphere on set, and how to detach from the heavy emotions of the film.The Latcher has its world premiere at MIFF on Saturday 8 August 2026 with a follow up screening on 9 August 2026.the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

James Hunter is no stranger to the Melbourne International Film Festival, having participated in the MIFF Accelerator Lab for his short film Nest (2021). He now returns to MIFF with his feature film debut The Latcher, which he directs, co-writes, and produces.The Latcher follows Lucy Lovegrove's Alice, an out of work midwife haunted by her own personal loss and being plagued by waking nightmares that emerge from the remote land she lives in. Cinematographer Alex Serafini builds atmosphere through lingering shots and suggestive moments.In this interview with James and Lucy, they talk about their creative process, finding the atmosphere on set, and how to detach from the heavy emotions of the film.The Latcher has its world premiere at MIFF on Saturday 8 August 2026 with a follow up screening on 9 August 2026.the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Macca and Paul talk to Kate Fitzpatrick, Senior Programmer at MIFF; about this years Melbourne international Film Festival. Kate has worked in the Arts for over 15 years for organisations such as Australian Centre for the Moving Image. She has served on the jury for Melbourne Fringe, Melbourne Queer Film Festival, WA Screen Awards, Dome Under Film Festival, appeared on panels at SXSW Austin and Sydney, St Kilda Film Festival, Good Movie Mondays podcast, ABC radio and Triple R and was one of Screen International's Future Leaders in 2024. The post Sat, 1st August, 2026; Kate Fitzpatrick, Senior Programmer at MIFF; MIFF Programme 2026 appeared first on Saturday Magazine.

Melbourne International Film Festival (MIFF) is about to start. We chat with filmmaker James Hunter and actor Lucy Lovegrove about The Latcher which is premiering at MIFF. MIFF screenings:   Saturday August 8 @ 9pm (Kino 2) //  Sunday August 9 @ 6.30pm (Kino 2) 

In this episode of Out Takes we speak with Kate Jinx, senior programmer at Melbourne International Film Festival about the retrospective of German avant-garde filmmaker Ulrike Ottinger, titled Radical Travels. We hear from Screen Australia COO Grainne Brunsdon about their new innovation the Private Investment Toolkit to encourage more investment in Australian film. We also encore our interview with Bina Battacharya, the writer and director of From All Sides, which is now streaming on SBS On Demand. The post MIFF Ulrike Ottinger retrospective, Screen Australia Private Investment Toolkit, From All Sides writer/director Bina Battacharya appeared first on Out Takes.

The Melbourne International Film Festival is around the corner and senior programmer Kate Fitzpatrick joins us for her Annual MIFF round-up! #GoodMovieMonday #MIFF #KateFitzpatrick #BoneheadWeekly

The team chats with Hayden Green, founder and creative director of Hear My Eyes, and Michael Cavanagh, musician. They preview their re‑scoring of Christopher Nolan's Memento, presenting a newly composed percussive interpretation performed live with the film. Their collaboration has generated strong interest, particularly among audiences who follow Hear My Eyes' inventive film‑music projects. This event is scheduled for Hamer Hall on 8 and 9 August as part of MIFF. The post Hayden Green & Michael Cavanagh – July 19th, 2026 appeared first on Sunday Arts Magazine.

For this Out Takes, we speak with Jill Bilcock, the acclaimed editor of some of the most iconic films of Australian cinema, including Strictly Ballroom, Romeo + Juliet, Muriel’s Wedding and Head On, which are all currently screening at ACMI. We follow that up with our review of Heartstopper Forever, the final instalment of the much loved YA series, we talk Obsession and why it’s this year's phenomenal box office hit, and we make a first attempt at highlighting some of the queer- themed films in this year's Melbourne International Film Festival. The post Heartstopper Forever, special guest the acclaimed editor Jill Bilcock, MIFF picks, Obsession appeared first on Out Takes.

Christopher Nolan's The Odyssey arrives amid enormous anticipation. Jason considers whether the mythic epic can live up to the hype.A tribute to Sam Neill, who died this week, as we revisit a beautiful highlight from our archives: Neill reflecting on his favourite film - a clue, it was directed by Alfred Hitchcock.We speak with filmmaker Alain Gomis ahead of the Melbourne International Film Festival about Dao, his visually striking exploration of memory, history and identity; and MIFF Senior programmer Kate Jinx is in for a preview of this year's festival.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Angie GrantArts editor, Sarah L'Estrange

Christopher Nolan's The Odyssey arrives amid enormous anticipation. Jason considers whether the mythic epic can live up to the hype.A tribute to Sam Neill, who died this week, as we revisit a beautiful highlight from our archives: Neill reflecting on his favourite film - a clue, it was directed by Alfred Hitchcock.We speak with filmmaker Alain Gomis ahead of the Melbourne International Film Festival about Dao, his visually striking exploration of memory, history and identity; and MIFF Senior programmer Kate Jinx is in for a preview of this year's festival.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Angie GrantArts editor, Sarah L'Estrange

For this Out Takes, we were very excited to welcome back MIFF a.k.a the Melbourne International Film Festival which is back in cinemas and online this August. Our special guest was Al Cossar, the Artistic Director of the Melbourne International Film Festival, who discussed with us many of the queer highlights and special events on offer for this year’s festival. We also heard from Dr Patrick Kelly who has curated two films, My Own Private Idaho’ and ‘Scorpio Rising’, that are coming to the Capitol Theatre on Tuesday July 21 for ‘The Best Films You’ve Never Seen: Queer Edition’. The post MIFF 2026 with Al Cossar and the ‘Best Films You’ve Never Seen – Queer Edition’ with Dr Patrick Kelly appeared first on Out Takes.

Piran je ponovno zaživel v ritmih folklore. 22. Mednarodni folklorni festival MIFF predstavlja raznolikost svetovne folklorne dediščine, tradicionalne plese, noše in glasbe različnih kultur.Iz Pirana pa s Kulturnicami tudi v Rim. V muzeju Centrale Montemartini sta v središču razstave ''Moda v središču pozornosti 1955–1975 – Rim: Med glamurjem in industrijskimi inovacijami'' visoka moda in film v znamenitem obdobju sladkega življenja, ko so v italijansko glavno mesto in znameniti filmski studio Cinecitta prihajale največje filmske zvezde tistega časa. Do 15. novembra je razstavljeno arhivsko gradivo, redki filmski posnetki in izvirniki oblek znamenitih modnih oblikovalcev iz tistega časa.

For this Out Takes, we were very excited to bring you our review and interview with Adrian Chiarella, the writer and director of ‘Leviticus’, a new gay horror-supernatural film that is in cinemas now and is already being hailed as one of the best Australian films of the year. Set within a Christian community in regional Victoria, it takes the already-terrifying reality of conversion therapy and magnifies it into something supernatural: a haunting demon, visible only to its victims, which takes the shape of the person they most deeply desire. With a fantastic cast and an excellent premise that is explored specifically from a queer lens, Leviticus is one to definitely see on the big screen this Pride Month. Adrian Chiarella is a local award-winning screenwriter and director who has made his mark in television and delivered highly acclaimed short films at festivals around the world. We caught up with him recently on the promo trail for ‘Leviticus’ to discuss all aspects of the film including the development of his original idea into a feature film, his cinematic inspirations, the casting process and more. Also, with the recent announcement of the return of John Cameron Mitchell for the 2026 Melbourne International Film Festival for a special 25th anniversary celebration of ‘Hedwig and the Angry Inch’, we revisited our 2018 interview with the queer auteur to discuss the ongoing impact of this defiant and uncategorisable cult classic. The post ‘Leviticus’ with special guest Adrian Chiarella and John Cameron Mitchell for MIFF 2026 appeared first on Out Takes.

HL-Senterets event denne uken, og Hilde Henriksen Waages påstander – Med Condrad Myrland i MIFF, Louise Kahn og Dr. Leif KnutsenDr. Leif Knutsen er økonom, og filolog med bakgrunn som konsulent og rådgiver, med doktorgrad i ingeniørvitenskap. Leif har fått publisert sine analyser i både norske og internasjonale medier, blant annet i The Times of Israel, hvor han omtales slik: «Leif Knutsen has observed, reflected, and written on Israeli and Jewish issues since the late 70's and has personal experience from Jewish life in the US and Norway.»Leif er selv jødisk og driver i dag nettstedet B'emet i Norge, en uavhengig medieplattform med fokus på jødisk liv, Israel, antisemittisme og relatert tematikk i en norsk kontekst. Platformen utfyller, nyanserer, korrigerer og kritiserer norskspråklig dekning av disse emnene. Sjekk ut nettsiden til Leif her: https://www.bemet.no***► Skaff deg boken min: Frykt og Stillhet - jødiske stemmer i Norge etter 7. oktober. Bestill her:  https://bok.norli.no/frykt-og-stillhet► STØTT ARBEIDET PÅ VIPPSOm du ønsker å støtte arbeidet med denne podcasten, kan du bidra med et stort eller lite beløp, etter eget ønske. All støtte settes pris på, og du bidrar til arbeidet med å lage flere episoder. Bruk Vippsnummer: #823278►  ⁠BLI ⁠⁠⁠⁠MEDLEM⁠⁠⁠⁠⁠ Fremover vil de som er støttemedlemmer få tilgang til episodene først. Da støtter du podcasten med det samme som prisen av en kaffe hver måned. Setter stor pris på om du blir støttemedlem. Tusen takk.► Annonsere på Henrik Beckheim Podcast?Send en mail til post@henrikbeckheim.no ► MERCH: Kjøp klær, kopper, capser og mer: https://henrikbeckheim.com/store► Linker:⁠⁠Youtube⁠⁠ | ⁠⁠Nettside⁠⁠ | ⁠⁠TikTok⁠⁠ | ⁠⁠Instagram⁠⁠ | Podimo | ⁠⁠Facebook⁠⁠ | ⁠⁠Apple

A slightly belated Live Stream! As usual, we've had to cut out Bernard's songs for copyright reasons, but there were a couple of real doozies in this stream, so head on over to YouTube to check those out.You can still donate to this week's charity, Action Against Hunger, hereAnd tune in to the next stream on Sunday 29th March at 8pm UK time (3pm ET), hereSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A panel discussion of talented international directors with films in competition at the Melbourne International Film Festival discuss their journeys, including American filmmaker Andrew Patterson (The Vast of Night), whose second feature The Rivals of Amziah King, starring Matthew McConaughey, premiered at SXSW this year; Chie Hayakawa (Plan 75) from Japan, whose second feature, Renoir, premiered in Competition at Cannes; and James J. Robinson, a Filipino/Australian artist based in Los Angeles whose feature debut, First Light, had its World Premiere at MIFF.

Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Special edition - Backyard Stories at Melbourne International Film Festival 2025! This episode was recorded live at the MIFF Festival Hub, on August 11, 2025.The theme was SCREEN.© Long Story Short Broadcasting

Arriva anche al Melbourne International Film Festival, attualmente in corso, il film documentario e di finzione "Fiume o Morte!", diretto da Igor Bezinović, e vincitore del premio Tiger al 54° International Film Festival Rotterdam.

In their first conversation Nadine and Virat speak about two films which are pilgrimages of a sort. Kasimir Burgess' Iron Winter, a documentary that takes the viewer into a land rarely seen — that of the nomadic Mongolian horse herders. An immersive and intimate piece of cinema which invites people to see a dying ancient tradition undertaken on the Mongolian Steppes during a five month journey herding horses to viable snow covered pastures. Transcendentally lensed by Benjamin Bryan Iron Winter is almost elegiac. The ravages of the climate crisis are making extreme conditions significantly more brutal and two young herders have to come to terms not only with the elements but also their futures.Romería by Carla Simón translates to Pilgramage in English. An autobiographical fiction about Simón's parents and the quest for an orphaned 18 year old woman to find remnants and memories about her father and his family in Vigo, Galicia. Simón's avatar Marina (Llúcia Garcia) needs documentation for a university scholarship to study film in 2004, but whether she can convince her father's patrician and evasive parents to accept her as Fon's daughter is complicated by the way he died and their shame.With her mother's diary from 1984 through to 1986 guiding her she imagines their lives as young lovers, but it is a bittersweet imagining as Fon's family obfuscate truths and misremember because his life has been erased. Again, a film that is spectacularly lensed by Hélène Louvart capturing Vigo and its islands. Will Marina be claimed or rejected? Will she find vestiges of her parents? Will she be able to prove she is more than a reminder of the hidden ghosts of the past?Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

When documentarian Shalom Almond received access to document a group of women prisoners training retired greyhounds to become house-friendly pets for her 2017 film Prisoners and Pups, she opened up a door to be able to capture the hidden stories of women prisoners in Australian jails. Prisoners and Pups is a gentle film that shows the power of rehabilitation programs in prisons, not just for the prisoners, but also for the greyhounds.Now, in 2025, she is back with her essential documentary Songs Inside. Here Shalom captures the lives of women in the Adelaide Women's Prison, becoming part of their lives for six-months as she documents their participation in a music program which sees prisoners learn how to play the ukulele, write songs, and sing, all in preparation for a performance with the Adelaide Symphony Orchestra in front of 200 inmates. The climactic performance became the largest concert staged within an Australian correctional facility.Along the journey, Shalom sits in the cells of the prisoners listening to their stories, accompanies them to hearings, and captures their rehearsal processes. Art becomes a salvation for those inside, a release that is given to the prisoners who show good behaviour. But Shalom is not alone in this process, with Barkindji singer-songwriter Nancy Bates guiding their process to becomes singers and songwriters in their own right.There's a beautiful charm to Songs Inside that never detracts the reality that these are women who have found themselves on the wrong side of the law. But Shalom also never focuses on what crimes they may have done to find themselves in this situation. Instead, she taps into the notion of redemption, showing in the process that their futures are in their hands and this musical process is a part of the healing journey they find themselves on.Ahead of Songs Inside's screenings at the Melbourne International Film Festival, I had a chat with Shalom about her work on the film, what it means to be a supportive filmmaker for her subjects, and more. With a career that spans over two decades, Shalom is someone I know I could talk for much longer about her work, and hopefully one day I will.Songs Inside also screens in competition at CinefestOz, with a full release to come down the line.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Dogmilk Films is a collective based between Naarm-Melbourne, Makassar Indonesia, and Paris, France. Founded in 2017, Dogmilk brings alternative and ambitious films to life on screen with impactful screenings of world cinema. In addition to their screenings, Dogmilk has also expanded into filmmaking, with their searing short film Faceless being a prime example of risk-tasking Australian cinema that actively pushes boundaries and questions the status quo of this nations history.Faceless is a piece of co-authored cinema, with co-directors William Jaka and Fraser Pemberton working alongside co-writer, producer and editor Chris C.F., cinematographer Alexandra Walton, composer Josh Peters, production designer Anna Ross, and many more all working together to critique, question, and examine the class system that lives on the Birrarung-Ga (the Yarra River).In the film, William plays an Indigenous man through three parallel realities; in one world he's on the banks of the Birrarung-Ga, encountering a rough sleeper who reveals himself to be a war veteran. Heading up the steps into an art gallery, William takes on the role of an aspiring actor encountering a world of fellow artists utilising pain, distortion, and the recurring motif of fish, to turn anguish into art - or is it entertainment? Finally, as they head up the lift to the heights of Naarm, overlooking the city in a luxurious restaurant, William embodies the role of alpha-male stockbrokers and mining companies, lavishly devouring seafood and guzzling wine, all the while mocking his engagement with Andrew Forrest's Mindaroo mining corporation.There's an acidity to Faceless that, once splashed on the surface of this land, exposes it for what it is: a fractured home of unresolved issues. In turn, those issues have become an unhealthy source of income or salvation.Faceless screens as part of the Accelerator Shorts sessions at MIFF on 13 and 23 August. William received a nomination for the Uncle Jack Charles Award, in collaboration with the Kearney Group, which recognises an outstanding Australian First Nations creative whose film is screening at MIFF 2025. Visit MIFF.com.au for tickets. To find out more about Dogmilk Films, visit DogmilkFilms.com.In the above interview, Fraser and William talk about what their co-authorship process looks like, how exploring pain on screen plays out, and what they're hoping to see from the upcoming screenings at MIFF.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New intervie Hosted on Acast. See acast.com/privacy for more information.

Hablamos de la situación judicial del expresidente brasileño Jair Bolsonaro, la sentencia judicial contra el chileno acusado de espiar a sus co-inquilinas y conversamos con una guatemalteca que protagoniza un documental que participa del MIFF.

'The front fell off.' The 94 metre 100 metre track. Fred Dagg. 24 years of political satire with Bryan Dawe. These are just a handful of the impactful comedic works from the one and only John Clarke.For over 40 years, John Clarke brought an unparalleled level of wit, politically astute comedic understanding, and pitch perfect timing to Australian and New Zealand audiences. John Clarke's work as a comedian wasn't just to entertain, but to also make audiences sit and think. Whether it be utilising the landmark comedy series The Games as a way of presenting an apology to the Stolen Generation of Australia, or by calling out the hypocrisy of the colonial state we live in, John Clarke utilised his comedic genius to masterful effect.In 2017, the world lost John Clarke, and Lorin Clarke lost her father.Now, after having explored over 200 boxes of John Clarke's work and letters, having written about book about her relationship with her dad, and having interviewed countless fellow comedic masters like Sam Neill, Rhys Darby, and Ben Elton, Lorin has crafted a documentary about her dad called But Also John Clarke.It's just about one of the most enriching and delightful experiences you'll have this year, even if you're not familiar with John Clarke's work - and I kind of almost envy you if you aren't, as you've got decades of work to be entertained by. For a film that could quite easily have become a hagiography or a maudlin experience, Lorin manages to balance the film with a delightful level of charm and compassion. Compassion not only for the loss of her father, but also for the audience who loved him, her mother, and most importantly, herself.In the following interview, recorded ahead of But Also John Clarke's world premiere at the Melbourne International Film Festival, Lorin talks about getting the balance right for a film like this, while also touching on the process she undertook to be vulnerable this way.I had an absolute blast and shed more than a few tears watching But Also John Clarke, as I'm sure you will too.It screens at MIFF from 15 August to 24 August, with select Q&A sessions with Lorin in attendance. To buy tickets, visit MIFF.com.au. Hosted on Acast. See acast.com/privacy for more information.

Aotearoa’s own Marlon Williams steps into the Last Video Store alongside filmmaker Ursula Grace Williams to talk about Marlon Williams: Two Worlds – Ngā Ao E Rua, a stunning portrait documentary about the making of Marlon’s most ambitious musical project yet, an album sung entirely in te reo Māori. Host Alexei Toliopoulos calls it not only one of his favourite films of the year, but one of the greatest music documentaries he's ever seen (and this a guy that has seen a lot of fricking movies). The film is screening at MIFF this August - tickets here BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in CANBERRA, SYDNEY ENCORE and MELBOURNE ENCORE in JULY Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. GUEST PICKS: Marlon Williams: Two Worlds - Ngā Ao E Rua (Documentary), Kill List (horror), The Eternal Memory (Documentary)STAFF PICKS: Woodlands Dark and Days Bewitched: A History of Folk Horror (Documentary)See omnystudio.com/listener for privacy information.