Podcasts about MIFF

Jim and Sean discuss their experience at the Melbourne International Film Festival (MIFF). Plus, a recap of the Locarno Film Festival. Films discussed include: Sound of Falling, Resurrection, Black Ox, Omaha, A Useful Ghost, Two Prosecutors, Renoir, Lucky Lu, Left-Handed Girl, Blue Moon, Dreams (Sex Love), Romería, Exit 8, Woman and Child, Harvest, Magic Farm, Late Shift, What Does That Nature Say to You & more

A panel discussion of talented international directors with films in competition at the Melbourne International Film Festival discuss their journeys with Jason, including American filmmaker Andrew Patterson (The Vast of Night), whose second feature The Rivals of Amziah King, starring Matthew McConaughey, premiered at SXSW this year; Chie Hayakawa (Plan 75) from Japan, whose second feature, Renoir, premiered in Competition at Cannes; and James J. Robinson, a Filipino/Australian artist based in Los Angeles whose feature debut, First Light, had its World Premiere at MIFF.CREDITSPresenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross Richardson and Riley MelissExecutive producer, Rhiannon Brown

A panel discussion of talented international directors with films in competition at the Melbourne International Film Festival discuss their journeys with Jason, including American filmmaker Andrew Patterson (The Vast of Night), whose second feature The Rivals of Amziah King, starring Matthew McConaughey, premiered at SXSW this year; Chie Hayakawa (Plan 75) from Japan, whose second feature, Renoir, premiered in Competition at Cannes; and James J. Robinson, a Filipino/Australian artist based in Los Angeles whose feature debut, First Light, had its World Premiere at MIFF.CREDITSPresenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross Richardson and Riley MelissExecutive producer, Rhiannon Brown

Vi var invitert til MIFF Drammen og det er alltid en opplevelse å komme ut og møte levende mennesker. Det gir en egen nerve til fremføringen. Det er mange ting å undre seg over ved hva som skjer i Norge. Israel står i en krig. De har på mange måter ikke noe valg. De må føre den til sin logiske konklusjon. Men det vil ikke våre myndigheter. De mener de har rett til å gripe inn.Dette preller selvsagt av på israelerne. Danmarks Mette Frederiksen mente hun hadde rett til ikke bare å si sin mening om Netanyahu, men også at hun kunne anbefale at han ble skiftet ut. Hun mente hun visste best hva som var godt for Israel. Hun fikk svar fra utenriksminister Gideon Saar: Israels regjering er valgt av israelerne. Hva gir Danmarks statsminister rett til offentlig å ønske en utskiftning?Dette er et utslag av hybris og Frederiksen deler den med mange andre vesteuropeiske ledere, for ikke å snakke om mediene og "eksperter".Denne ovenfra-og-ned-holdningen har gått myndighetene og mediene i blodet. De føler de har rett til å dømme Israels politikk og fortelle dem hva de burde gjøre.De kaller det folkerett.

Arriva anche al Melbourne International Film Festival, attualmente in corso, il film documentario e di finzione "Fiume o Morte!", diretto da Igor Bezinović, e vincitore del premio Tiger al 54° International Film Festival Rotterdam.

The Melbourne International Film Festival (MIFF) 2025 celebrates global storytelling, showcasing diverse cultures, ideas, and cinematic excellence. Among this year's selections are three Indian films- 'Cactus Pears', 'Homebound' and the award-winning documentary 'I, Poppy'. SBS Hindi spoke with filmmaker Vivek Chaudhary about his debut feature documentary, shot over four years, which explores generational divides, shifting class dynamics, and political corruption.

We talk with Isobel Knowles and Van Sowerwine  about their fantastic new production XR Instrallation The World Came Flooding In being launch with the support of MIFF and Now or Never Festival 21-24 August and playing at ACMI Swinburne Studio. Go to the MIFF for tickets. 

The best ballad loving man in town is back and here to review a film that was much needed in my MIFF program!

Acknowledgement of Country//Headlines//Footscray Safety Forum// CW: Police violenceWe heard a statement from three trans queer disabled people with a lived experience of homelessness in response to the footscray safety forum held last week on Thursday. Learn more by visiting crisis housing reform and footscray hospo on instagram.// Tiaki Teremoana - Stranger, Brother// Tiaka Teremoana spoke to Inez about starring in the moving and tender short film, Stranger, Brother. Currently premiering at MIFF, the 2025 short film drama showcases millennial manchild Adam who leads a self-absorbed life of partying and casual hookups – until his little half-brother is dropped at his doorstep. In our interview, we discuss trust exercise the director made them play, what it means to find community amongst the avoidance, and find a way back to yourself, and how Tiaki landed the role! // Freya Dinshaw - Human Rights Law Centre// CW: Modern slaveryWe spoke to Freya Dinshaw, the Associate Legal Director for Human Rights Law Centre following a report released by the UN Special Rapporteur for Contemporary Forms of Slavery published last week. Human Rights Law Centre has amplified longstanding calls on the Australian Government to take action on inadequate anti-slavery laws and increase safeguards for migrant workers. The report from the Special Rapporteur outlined previously known supply chain concerns flagged by the The Australian Uyghur Tangritagh Women's Association in their case brought against Kmart this month, read more about this here // Jacinta Masters - Fair Agenda//CW: Sexual Assault, and Court System Violence. For support you can call 1800 RESPECT on 1800 737 732 - 24 hour, 7 days a week. Jacinta Masters from Fair Agenda spoke to us about the campaign to allow sexual assault survivors to pre-record their testimony for trials. Pre-recorded testimony is already an option in QLD and NT and right now there's growing momentum for the standing council of attorneys-general to make this law across all states and territories, supporting survivor agency and reducing the trauma of testifying again and again in open court. To sign the petition and support the campaign, click here.// Maiy Azize - Everybody's Home// Lastly, we were joined by Maiy Azize, the National Spokesperson from Everybody's Home - a campaign to fix Australia's housing crisis made up of 500 housing, homeless and welfare organisations. On August 18, prior to the kickoff of the Albanese Government's Economic Reform Round Table, housing sector advocates, economists, and union leaders submitted an open letter urging for an end to unfair tax concessions. Maiy Azize helped us understand the social consequences of tax cuts for the rich and what needs to change.// Song:Thinking About You - Desert Mulga

In their first conversation Nadine and Virat speak about two films which are pilgrimages of a sort. Kasimir Burgess' Iron Winter, a documentary that takes the viewer into a land rarely seen — that of the nomadic Mongolian horse herders. An immersive and intimate piece of cinema which invites people to see a dying ancient tradition undertaken on the Mongolian Steppes during a five month journey herding horses to viable snow covered pastures. Transcendentally lensed by Benjamin Bryan Iron Winter is almost elegiac. The ravages of the climate crisis are making extreme conditions significantly more brutal and two young herders have to come to terms not only with the elements but also their futures.Romería by Carla Simón translates to Pilgramage in English. An autobiographical fiction about Simón's parents and the quest for an orphaned 18 year old woman to find remnants and memories about her father and his family in Vigo, Galicia. Simón's avatar Marina (Llúcia Garcia) needs documentation for a university scholarship to study film in 2004, but whether she can convince her father's patrician and evasive parents to accept her as Fon's daughter is complicated by the way he died and their shame.With her mother's diary from 1984 through to 1986 guiding her she imagines their lives as young lovers, but it is a bittersweet imagining as Fon's family obfuscate truths and misremember because his life has been erased. Again, a film that is spectacularly lensed by Hélène Louvart capturing Vigo and its islands. Will Marina be claimed or rejected? Will she find vestiges of her parents? Will she be able to prove she is more than a reminder of the hidden ghosts of the past?Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

In their first conversation Nadine and Virat speak about two films which are pilgrimages of a sort. Kasimir Burgess' Iron Winter, a documentary that takes the viewer into a land rarely seen — that of the nomadic Mongolian horse herders. An immersive and intimate piece of cinema which invites people to see a dying ancient tradition undertaken on the Mongolian Steppes during a five month journey herding horses to viable snow covered pastures. Transcendentally lensed by Benjamin Bryan Iron Winter is almost elegiac. The ravages of the climate crisis are making extreme conditions significantly more brutal and two young herders have to come to terms not only with the elements but also their futures.Romería by Carla Simón translates to Pilgramage in English. An autobiographical fiction about Simón's parents and the quest for an orphaned 18 year old woman to find remnants and memories about her father and his family in Vigo, Galicia. Simón's avatar Marina (Llúcia Garcia) needs documentation for a university scholarship to study film in 2004, but whether she can convince her father's patrician and evasive parents to accept her as Fon's daughter is complicated by the way he died and their shame.With her mother's diary from 1984 through to 1986 guiding her she imagines their lives as young lovers, but it is a bittersweet imagining as Fon's family obfuscate truths and misremember because his life has been erased. Again, a film that is spectacularly lensed by Hélène Louvart capturing Vigo and its islands. Will Marina be claimed or rejected? Will she find vestiges of her parents? Will she be able to prove she is more than a reminder of the hidden ghosts of the past?Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Your favourite secret loving film fan is back covering films at the Melbourne International Film Festival!

Ben is back continuing his MIFF coverage and feels sorry for anyone who hasn't seen this phenomenal movie!

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Ben is back with his MIFF coverage reviewing the most recent winner of the Jury Prize at the Cannes film festival!

Ben has taken a short break from MIFF to time travel to Eddington in peak covid times!

Duncan Fellows is a dear old friend who I have known since we were both teenagers. His effortless charm has endeared him to audiences of tv shows like Deadloch and The Messenger and will no doubt do so again in the soon to be released tv series He Had it Coming and Reckless. He was even married to my partner in the excellent tv series The Letdown.Next week sees the Melbourne International Film Festival screening of a movie he's in, Zombucha - A hilarious and big-hearted horror comedy about a couple whose hopes of striking it rich in the fermented beverage game, are shattered when their homemade kombucha attains sentience and a thirst for blood.Get tickets to the two MIFF screenings of Zombucha here:https://miff.com.au/program/film/zombucha#topSupport this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Ben continues his MIFF coverage with Twinless - led by an incredible performance from Dylan O'Brien

What a way to kick of the start of the Melbourne International Film Festival (MIFF) for 2025 with this film led by a powerhouse performance from Rose Byrne!

When documentarian Shalom Almond received access to document a group of women prisoners training retired greyhounds to become house-friendly pets for her 2017 film Prisoners and Pups, she opened up a door to be able to capture the hidden stories of women prisoners in Australian jails. Prisoners and Pups is a gentle film that shows the power of rehabilitation programs in prisons, not just for the prisoners, but also for the greyhounds.Now, in 2025, she is back with her essential documentary Songs Inside. Here Shalom captures the lives of women in the Adelaide Women's Prison, becoming part of their lives for six-months as she documents their participation in a music program which sees prisoners learn how to play the ukulele, write songs, and sing, all in preparation for a performance with the Adelaide Symphony Orchestra in front of 200 inmates. The climactic performance became the largest concert staged within an Australian correctional facility.Along the journey, Shalom sits in the cells of the prisoners listening to their stories, accompanies them to hearings, and captures their rehearsal processes. Art becomes a salvation for those inside, a release that is given to the prisoners who show good behaviour. But Shalom is not alone in this process, with Barkindji singer-songwriter Nancy Bates guiding their process to becomes singers and songwriters in their own right.There's a beautiful charm to Songs Inside that never detracts the reality that these are women who have found themselves on the wrong side of the law. But Shalom also never focuses on what crimes they may have done to find themselves in this situation. Instead, she taps into the notion of redemption, showing in the process that their futures are in their hands and this musical process is a part of the healing journey they find themselves on.Ahead of Songs Inside's screenings at the Melbourne International Film Festival, I had a chat with Shalom about her work on the film, what it means to be a supportive filmmaker for her subjects, and more. With a career that spans over two decades, Shalom is someone I know I could talk for much longer about her work, and hopefully one day I will.Songs Inside also screens in competition at CinefestOz, with a full release to come down the line.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

칸 황금종려상과 아카데미 4관왕에 빛나는 영화 '기생충'이 2025 멜번국제영화제(MIFF)에서 한국어 오리지널 상영과 함께, 정재일 음악감독이 지휘하는 오케스트라 빅토리아의 라이브 연주 'Parasite Live in Concert'로 영화제의 대미를 장식합니다.

When documentarian Shalom Almond received access to document a group of women prisoners training retired greyhounds to become house-friendly pets for her 2017 film Prisoners and Pups, she opened up a door to be able to capture the hidden stories of women prisoners in Australian jails. Prisoners and Pups is a gentle film that shows the power of rehabilitation programs in prisons, not just for the prisoners, but also for the greyhounds.Now, in 2025, she is back with her essential documentary Songs Inside. Here Shalom captures the lives of women in the Adelaide Women's Prison, becoming part of their lives for six-months as she documents their participation in a music program which sees prisoners learn how to play the ukulele, write songs, and sing, all in preparation for a performance with the Adelaide Symphony Orchestra in front of 200 inmates. The climactic performance became the largest concert staged within an Australian correctional facility.Along the journey, Shalom sits in the cells of the prisoners listening to their stories, accompanies them to hearings, and captures their rehearsal processes. Art becomes a salvation for those inside, a release that is given to the prisoners who show good behaviour. But Shalom is not alone in this process, with Barkindji singer-songwriter Nancy Bates guiding their process to becomes singers and songwriters in their own right.There's a beautiful charm to Songs Inside that never detracts the reality that these are women who have found themselves on the wrong side of the law. But Shalom also never focuses on what crimes they may have done to find themselves in this situation. Instead, she taps into the notion of redemption, showing in the process that their futures are in their hands and this musical process is a part of the healing journey they find themselves on.Ahead of Songs Inside's screenings at the Melbourne International Film Festival, I had a chat with Shalom about her work on the film, what it means to be a supportive filmmaker for her subjects, and more. With a career that spans over two decades, Shalom is someone I know I could talk for much longer about her work, and hopefully one day I will.Songs Inside also screens in competition at CinefestOz, with a full release to come down the line.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Tamzyn, Clayton and Miranda discuss the film, It Ends, which is streaming at this year's MIFF. The post A Road To Nowhere: It Ends Review appeared first on Geeks OUT.

G'day mates, and strewth, what a week! Nick got the old covidy-wovidy, so we used it as a launching pad to pick up an interesting Science News about the most dangerous species for spreading viruses. Otherwise, it's a bit of a good old-fashioned grab bag, with talk of beards, banks, and brain chips. Plus, lots of talk about films, including our mate Eddie's flick Iron Winter, which just debuted at MIFF. Grab a cocoa and get ready to go-goa. This episode's mistakes includes: Post-viral voice timbre. Erratic topic changes. Another extended discussion of Friendship, but sorry not sorry. Egregious factual inaccuracies. See your friends on the big screen, then like us on Facebook, follow us on Instagram, rate us on Apple Podcasts and Spotify, and send your questions to deepfought@gmail.com.

Author Patrick Marlborough shoots straight with his screwball revenge comedy, Nock Loose; Dr Jen joins the dots between our immune systems and brains; Nat lays out her self-imposed rules; Dr Ahona Guha tells us how she feels about the rise of ChatGPT therapy; and US filmmaker Mary Bronstein walks us through her MIFF opening night film, If I Had Legs I'd Kick You. With presenters Jas Moore, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Instagram - https://www.instagram.com/breakfasters/

David Ngo talks to us about the Winner of a Sundance Directing Award Never Get Busted which is having it's Australian Premier at MIFF.

Dogmilk Films is a collective based between Naarm-Melbourne, Makassar Indonesia, and Paris, France. Founded in 2017, Dogmilk brings alternative and ambitious films to life on screen with impactful screenings of world cinema. In addition to their screenings, Dogmilk has also expanded into filmmaking, with their searing short film Faceless being a prime example of risk-tasking Australian cinema that actively pushes boundaries and questions the status quo of this nations history.Faceless is a piece of co-authored cinema, with co-directors William Jaka and Fraser Pemberton working alongside co-writer, producer and editor Chris C.F., cinematographer Alexandra Walton, composer Josh Peters, production designer Anna Ross, and many more all working together to critique, question, and examine the class system that lives on the Birrarung-Ga (the Yarra River).In the film, William plays an Indigenous man through three parallel realities; in one world he's on the banks of the Birrarung-Ga, encountering a rough sleeper who reveals himself to be a war veteran. Heading up the steps into an art gallery, William takes on the role of an aspiring actor encountering a world of fellow artists utilising pain, distortion, and the recurring motif of fish, to turn anguish into art - or is it entertainment? Finally, as they head up the lift to the heights of Naarm, overlooking the city in a luxurious restaurant, William embodies the role of alpha-male stockbrokers and mining companies, lavishly devouring seafood and guzzling wine, all the while mocking his engagement with Andrew Forrest's Mindaroo mining corporation.There's an acidity to Faceless that, once splashed on the surface of this land, exposes it for what it is: a fractured home of unresolved issues. In turn, those issues have become an unhealthy source of income or salvation.Faceless screens as part of the Accelerator Shorts sessions at MIFF on 13 and 23 August. William received a nomination for the Uncle Jack Charles Award, in collaboration with the Kearney Group, which recognises an outstanding Australian First Nations creative whose film is screening at MIFF 2025. Visit MIFF.com.au for tickets. To find out more about Dogmilk Films, visit DogmilkFilms.com.In the above interview, Fraser and William talk about what their co-authorship process looks like, how exploring pain on screen plays out, and what they're hoping to see from the upcoming screenings at MIFF.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New intervie Hosted on Acast. See acast.com/privacy for more information.

Hablamos de la situación judicial del expresidente brasileño Jair Bolsonaro, la sentencia judicial contra el chileno acusado de espiar a sus co-inquilinas y conversamos con una guatemalteca que protagoniza un documental que participa del MIFF.

Dogmilk Films is a collective based between Naarm-Melbourne, Makassar Indonesia, and Paris, France. Founded in 2017, Dogmilk brings alternative and ambitious films to life on screen with impactful screenings of world cinema. In addition to their screenings, Dogmilk has also expanded into filmmaking, with their searing short film Faceless being a prime example of risk-tasking Australian cinema that actively pushes boundaries and questions the status quo of this nations history.Faceless is a piece of co-authored cinema, with co-directors William Jaka and Fraser Pemberton working alongside co-writer, producer and editor Chris C.F., cinematographer Alexandra Walton, composer Josh Peters, production designer Anna Ross, and many more all working together to critique, question, and examine the class system that lives on the Birrarung-Ga (the Yarra River).In the film, William plays an Indigenous man through three parallel realities; in one world he's on the banks of the Birrarung-Ga, encountering a rough sleeper who reveals himself to be a war veteran. Heading up the steps into an art gallery, William takes on the role of an aspiring actor encountering a world of fellow artists utilising pain, distortion, and the recurring motif of fish, to turn anguish into art - or is it entertainment? Finally, as they head up the lift to the heights of Naarm, overlooking the city in a luxurious restaurant, William embodies the role of alpha-male stockbrokers and mining companies, lavishly devouring seafood and guzzling wine, all the while mocking his engagement with Andrew Forrest's Mindaroo mining corporation.There's an acidity to Faceless that, once splashed on the surface of this land, exposes it for what it is: a fractured home of unresolved issues. In turn, those issues have become an unhealthy source of income or salvation.Faceless screens as part of the Accelerator Shorts sessions at MIFF on 13 and 23 August. William received a nomination for the Uncle Jack Charles Award, in collaboration with the Kearney Group, which recognises an outstanding Australian First Nations creative whose film is screening at MIFF 2025. Visit MIFF.com.au for tickets. To find out more about Dogmilk Films, visit DogmilkFilms.com.In the above interview, Fraser and William talk about what their co-authorship process looks like, how exploring pain on screen plays out, and what they're hoping to see from the upcoming screenings at MIFF.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New intervie Hosted on Acast. See acast.com/privacy for more information.

We continue celebrating the return of the Melbourne International Film Festival this August with two special guests and a look at a wonderful homegrown queer short film, a retrospective from... LEARN MORE The post MIFF 2025: ‘I'm The Most Racist Person I Know', Chantal Akerman: Traces and ‘High Art' appeared first on Out Takes.

MIFF  as always serves up all the wild, weird, and wonderful this year, and we've been soaking it all in. LISTEN IN TO HEAR — From queer cosmic chaos to... LEARN MORE The post MIFF Seen and Anticipated (Melbourne International Film Festival) appeared first on Geeks OUT.

'The front fell off.' The 94 metre 100 metre track. Fred Dagg. 24 years of political satire with Bryan Dawe. These are just a handful of the impactful comedic works from the one and only John Clarke.For over 40 years, John Clarke brought an unparalleled level of wit, politically astute comedic understanding, and pitch perfect timing to Australian and New Zealand audiences. John Clarke's work as a comedian wasn't just to entertain, but to also make audiences sit and think. Whether it be utilising the landmark comedy series The Games as a way of presenting an apology to the Stolen Generation of Australia, or by calling out the hypocrisy of the colonial state we live in, John Clarke utilised his comedic genius to masterful effect.In 2017, the world lost John Clarke, and Lorin Clarke lost her father.Now, after having explored over 200 boxes of John Clarke's work and letters, having written about book about her relationship with her dad, and having interviewed countless fellow comedic masters like Sam Neill, Rhys Darby, and Ben Elton, Lorin has crafted a documentary about her dad called But Also John Clarke.It's just about one of the most enriching and delightful experiences you'll have this year, even if you're not familiar with John Clarke's work - and I kind of almost envy you if you aren't, as you've got decades of work to be entertained by. For a film that could quite easily have become a hagiography or a maudlin experience, Lorin manages to balance the film with a delightful level of charm and compassion. Compassion not only for the loss of her father, but also for the audience who loved him, her mother, and most importantly, herself.In the following interview, recorded ahead of But Also John Clarke's world premiere at the Melbourne International Film Festival, Lorin talks about getting the balance right for a film like this, while also touching on the process she undertook to be vulnerable this way.I had an absolute blast and shed more than a few tears watching But Also John Clarke, as I'm sure you will too.It screens at MIFF from 15 August to 24 August, with select Q&A sessions with Lorin in attendance. To buy tickets, visit MIFF.com.au. Hosted on Acast. See acast.com/privacy for more information.

'The front fell off.' The 94 metre 100 metre track. Fred Dagg. 24 years of political satire with Bryan Dawe. These are just a handful of the impactful comedic works from the one and only John Clarke.For over 40 years, John Clarke brought an unparalleled level of wit, politically astute comedic understanding, and pitch perfect timing to Australian and New Zealand audiences. John Clarke's work as a comedian wasn't just to entertain, but to also make audiences sit and think. Whether it be utilising the landmark comedy series The Games as a way of presenting an apology to the Stolen Generation of Australia, or by calling out the hypocrisy of the colonial state we live in, John Clarke utilised his comedic genius to masterful effect.In 2017, the world lost John Clarke, and Lorin Clarke lost her father.Now, after having explored over 200 boxes of John Clarke's work and letters, having written about book about her relationship with her dad, and having interviewed countless fellow comedic masters like Sam Neill, Rhys Darby, and Ben Elton, Lorin has crafted a documentary about her dad called But Also John Clarke.It's just about one of the most enriching and delightful experiences you'll have this year, even if you're not familiar with John Clarke's work - and I kind of almost envy you if you aren't, as you've got decades of work to be entertained by. For a film that could quite easily have become a hagiography or a maudlin experience, Lorin manages to balance the film with a delightful level of charm and compassion. Compassion not only for the loss of her father, but also for the audience who loved him, her mother, and most importantly, herself.In the following interview, recorded ahead of But Also John Clarke's world premiere at the Melbourne International Film Festival, Lorin talks about getting the balance right for a film like this, while also touching on the process she undertook to be vulnerable this way.I had an absolute blast and shed more than a few tears watching But Also John Clarke, as I'm sure you will too.It screens at MIFF from 15 August to 24 August, with select Q&A sessions with Lorin in attendance. To buy tickets, visit MIFF.com.au. Hosted on Acast. See acast.com/privacy for more information.

For this program, we looked at the latest film from revered French filmmaker François Ozon film that is a very timely tale of secrets, murder, and mushrooms, plus we discussed... LEARN MORE The post ‘When Fall Is Coming' and our first picks for MIFF 2025 appeared first on Out Takes.

Writer-director Domini Marshall is a talent on the rise. With short films like Go with Grace, Slap, and now her finest work yet, Howl, under her belt, Marshall is a force to be reckoned with. Her work is deeply personal, written from a perspective that invites audiences to engage with the internal mindset of her characters, and through that process, we're able to see the world differently.Guiding Domini's creative output is producer Josie Baynes, a equally impressive talent on the rise. Alongside Domini, Josie has worked with emerging talents like Annelise Hickey on her films Stranger, Brother. and Hafekasi, while also allowing cinematographer Matthew Chuang to build a body of work that is also reshaping how Australian stories are seen on screen.I highly recommend you seek out Domini's work on her website, DominiMarshall.com, where you can also seek out her web series her words, released during 2017-2019. It's a deeply informative series, one that pairs well with books like Taboo by Hannah Ferguson.In the following conversation, Domini and Josie talk through their creative process, how they manage to bring us into the internal mindset of their characters, and a lot more.Howl is screening at the Melbourne International Film Festival as part of the Aussie shorts package, alongside Stranger, Brother., I'm the Most Racist Person I Know, Mango Seed, and more. Screenings are held on 11 and 22 August, with online screenings taking place from 24 August. Visit MIFF.com.au for more details. Hosted on Acast. See acast.com/privacy for more information.

Writer-director Domini Marshall is a talent on the rise. With short films like Go with Grace, Slap, and now her finest work yet, Howl, under her belt, Marshall is a force to be reckoned with. Her work is deeply personal, written from a perspective that invites audiences to engage with the internal mindset of her characters, and through that process, we're able to see the world differently.Guiding Domini's creative output is producer Josie Baynes, a equally impressive talent on the rise. Alongside Domini, Josie has worked with emerging talents like Annelise Hickey on her films Stranger, Brother. and Hafekasi, while also allowing cinematographer Matthew Chuang to build a body of work that is also reshaping how Australian stories are seen on screen.I highly recommend you seek out Domini's work on her website, DominiMarshall.com, where you can also seek out her web series her words, released during 2017-2019. It's a deeply informative series, one that pairs well with books like Taboo by Hannah Ferguson.In the following conversation, Domini and Josie talk through their creative process, how they manage to bring us into the internal mindset of their characters, and a lot more.Howl is screening at the Melbourne International Film Festival as part of the Aussie shorts package, alongside Stranger, Brother., I'm the Most Racist Person I Know, Mango Seed, and more. Screenings are held on 11 and 22 August, with online screenings taking place from 24 August. Visit MIFF.com.au for more details. Hosted on Acast. See acast.com/privacy for more information.

Aotearoa’s own Marlon Williams steps into the Last Video Store alongside filmmaker Ursula Grace Williams to talk about Marlon Williams: Two Worlds – Ngā Ao E Rua, a stunning portrait documentary about the making of Marlon’s most ambitious musical project yet, an album sung entirely in te reo Māori. Host Alexei Toliopoulos calls it not only one of his favourite films of the year, but one of the greatest music documentaries he's ever seen (and this a guy that has seen a lot of fricking movies). The film is screening at MIFF this August - tickets here BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in CANBERRA, SYDNEY ENCORE and MELBOURNE ENCORE in JULY Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. GUEST PICKS: Marlon Williams: Two Worlds - Ngā Ao E Rua (Documentary), Kill List (horror), The Eternal Memory (Documentary)STAFF PICKS: Woodlands Dark and Days Bewitched: A History of Folk Horror (Documentary)See omnystudio.com/listener for privacy information.

Dr Jen weighs up the weird science of left-handedness and creativity; Artistic Director Al Cossar dives into upcoming movies at MIFF; the team judges the best trophy designs; Michael Harden lifts the lid on the latest restaurant trends; the team are driven to Distraction at the Science Gallery, and Friday Funnybugger Belal Hassoun gets the blues. With presenters Jas Moore, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Insta: https://www.instagram.com/breakfasters/

Two stand-outs from the Melbourne International Film Festival:Filmmaker Courtney Stephens on dolphin intelligence, sensory deprivation and the psychedelic experience...her new documentary looks at the strange and often confronting work of twentieth-century utopian neuroscientist John Lilly.British-Nigerian director Akinola Davies Jr remembers the father he barely knew in his debut feature My Father's Shadow, a Lagos-set family drama that unfolds during a tumultuous period in Nigeria's political history. Presenter, Jason Di RossoProducer, Tony NortonSound engineer, Matthew SigleyExecutive producer, Rhiannon BrownMusic from My Father's Shadow score by CJ Mirra & Duval Timothy

Two stand-outs from the Melbourne International Film Festival:Filmmaker Courtney Stephens on dolphin intelligence, sensory deprivation and the psychedelic experience...her new documentary looks at the strange and often confronting work of twentieth-century utopian neuroscientist John Lilly.British-Nigerian director Akinola Davies Jr remembers the father he barely knew in his debut feature My Father's Shadow, a Lagos-set family drama that unfolds during a tumultuous period in Nigeria's political history. Presenter, Jason Di RossoProducer, Tony NortonSound engineer, Matthew SigleyExecutive producer, Rhiannon BrownMusic from My Father's Shadow score by CJ Mirra & Duval Timothy

A first glance at the Melbourne International Film Festival...Russian American filmmaker Julia Loktev on her fascinating five and a half hour documentary about journalists in Russia, My Undesirable Friends: Part I — Last Air in Moscow.One of the luminaries of Australian avant-garde filmmaking Dirk de Bruyn talks about two of his profoundly personal films, appearing as part of a career retrospective at the Melbourne Cinematheque.Presenter, Jason Di RossoProducer, Tony NortonSound engineer, Ross RichardsonExecutive producer, Rhiannon Brown

A first glance at the Melbourne International Film Festival...Russian American filmmaker Julia Loktev on her fascinating five and a half hour documentary about journalists in Russia, My Undesirable Friends: Part I — Last Air in Moscow.One of the luminaries of Australian avant-garde filmmaking Dirk de Bruyn talks about two of his profoundly personal films, appearing as part of a career retrospective at the Melbourne Cinematheque.Presenter, Jason Di RossoProducer, Tony NortonSound engineer, Ross RichardsonExecutive producer, Rhiannon Brown

For this Out Takes, we welcomed the return of two of our favourite film festivals that will be entertaining us in cinemas over the winter months here in Melbourne. We... LEARN MORE The post 2025 HSBC Spanish Film Festival and MIFF 2025: First Glance appeared first on Out Takes.

On this episode of Primal Screen, Flick is joined in the studio by Cerise Howard and Anthony Carew for a lively discussion packed with cinematic insights. They're also joined by special guest Kate Jinx, Senior Programmer at MIFF, who shares an exclusive sneak peek into the 2025 Melbourne International Film Festival lineup. Later in the show, the trio reviews the latest entry in the John Wick universe, Ballerina, and dives into Bring Her Back, the newest film from Aussie horror auteurs Danny and Michael Philippou

Text Me Your Thoughts On This EpisodeIn this episode, I'm joined by Greg “Miff” Smith—a true pioneer in Australian skydiving. With nearly five decades in the sport and more than 12,000 jumps to his name, Miff has been a driving force behind the growth and evolution of skydiving in South Australia and beyond.Since making his first jump in 1977, Greg has become one of the country's most respected Chief Instructors. In 1986, alongside Gavin Northsworthy and Kevin Taylor, he helped introduce tandem skydiving to South Australia, making the sport more accessible to newcomers. Over the years, his leadership has helped advance safety protocols and raise equipment standards across the region.At SA Skydiving—founded in 1989—Greg serves as Director, Senior Pilot, Drop Zone Safety Officer, Examiner, and Instructor for both Tandem and AFF. His contributions have helped shape SA Skydiving into one of Australia's premier drop zones, offering breathtaking experiences and high-quality training.Beyond his professional achievements, Greg has mentored generations of skydivers—including his own children—creating a tight-knit community rooted in passion and progression.Join me as I speak with Greg “Miff” Smith about his journey, his impact on the sport, and the legacy he continues to build in Australian skydiving.

One of Alexei's absolute favourite contemporary filmmakers David Lowery jumps into the Last Video Store to pick up a stack of his favourite films. David's feature films include Sundance Grand Jury Prize winner Ain't Them Bodies Saints, the live-action adaptation of Pete's Dragon, A Ghost Story, The Old Man & the Gun starring Robert Redford and Sissy Spacek; and the Dev Patel–led fantasy epic The Green Knight. We talk about some of his first memories of films before even seeing them, the surrealist horror of Freddy Krueger, horror cinema, the genre-bending of Jim Jarmusch, the modern fables of Aki Kaurismäki and Indigenous ghost story anthology. Pick up tickets to catch Alexei in conversation with DAVID LOWERY at MIFF here Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here's David Lowery's combo on Letterboxd.See omnystudio.com/listener for privacy information.

We're living in the era of the music documentary. From the big screen to streaming to social media, films about our favourite artists are everywhere. But where to start? Well, Myf and Zan have done God's work and watched a bunch of them.Inspired by the great lineup of music docos on the Melbourne International Film Festival program, this week Myf and Zan are talking about some of their faves.There's new films about electro punk pioneer Peaches and cult Irish hip-hop act Kneecap; films that chart the rise and fall of icons like ABBA and Whitney Houston; and there's those goosebump-inducing moments on film that capture transcendent performers at their peak.Melbourne International Film Festival: https://miff.com.au/Double J's 19 music documentaries you can (legally) stream for free right now: https://www.abc.net.au/news/2020-04-23/stream-music-documentaries-free/12178630ABBA: Against the Odds: https://iview.abc.net.au/show/abba-against-the-oddsFreddie Mercury: The Great Pretender: https://www.sbs.com.au/ondemand/tv-program/freddie-mercury-the-great-pretender/1350182979700Whitney: https://iview.abc.net.au/show/whitney20 Feet From Stardom: https://www.sbs.com.au/ondemand/movie/20-feet-from-stardom/1985674819552Blasko: https://iview.abc.net.au/show/blasko/video/AC1541H001S00The Greatest Night In Pop: https://www.netflix.com/au/title/81720500?src=tudumWham: https://www.netflix.com/au/title/81137188?src=tudumABC Logie Awards Nominees 2024: https://iview.abc.net.au/collection/1374Bang Back to us: bangon.podcast@abc.net.auBang On Live: https://www.abc.net.au/abceventsBang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Wurundjeri, Gadigal and Turrbal peoples. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

Danny Beus from the Aussie rock band Dune Rats finally goes on the record on whether the Muad'Dib (the rat from DUNE) inspired the name of his band (Dune Rats). Their hectic new album is out now IF IT SUCKS, TURN IT UP and they're about to set out on a huge tour with DARTZ + PURPLE PINGERS. Pick up tickets to catch Alexei in conversation with DAVID LOWERY at MIFF here Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here's Danny's combo on Letterboxd.See omnystudio.com/listener for privacy information.