Podcasts about berlin radio choir

André J. Thomas is an Associate Artist with the London Symphony Orchestra.Thomas is Professor Emeritus of Music at Florida State University. He was visiting Professor of Choral Conducting at Yale University from 2020-2022. He also served as faculty member at the University of Texas, Austin.Dr. Thomas received his degrees from Friends University (B.A.), Northwestern University (M. M.), and The University of Illinois (D.M.A). He is in demand as a choral adjudicator, clinician, and director of Honor/All-State Choirs throughout North America, Europe, Asia, New Zealand, Australia, and Africa Dr. Thomas has conducted choirs at the state, division, and national conventions of the Music Educators National Conference (NAFME) and the American Choral Directors Association (ACDA). His international conducting credits are extensive. They include conductor/clinician for the International Federation of Choral Musicians' summer residency of the World Youth Choir in the Republic of China and the Philippines. He was also the conductor of the World Youth Choir's winter residency in Europe and a premier performance by an American choir (Florida State University Singers) in Vietnam.He is a highly respected guest conductor who has led numerous prestigious orchestras and choirs around the world, including the Birmingham Symphony Orchestra in England, the Berlin Radio Choir and the North German Radio Choir in Germany, the Netherlands Radio Choir, The Bulgarian Radio Choir and Orchestra, the Seoul Metropolitan Chorus, Ansan City Choir, Jeju Provincial Seogwipo Chorale in South Korea, the Charlotte Symphony, China's People's Liberation Orchestra, the Czech National Symphony Orchestra, and the London Symphony. He also served as the Artistic Director of the Tallahassee Community Chorus for 31 seasons.Thomas has also distinguished himself as a composer/arranger. Hinshaw Music Company, Mark Foster Music Company, Fitzsimons Music Company, Lawson Gould, Earthsongs, Choristers Guild, and Heritage Music Company publish his compositions and arrangements. Dr. Thomas has produced two instructional videos—What They See Is What You Get on choral conducting, with Rodney Eichenberger, and Body, Mind, Spirit, Voice on adolescent voices, with Anton Armstrong. His recent book, Way Over in Beulah Lan': Understanding and Performing the Negro Spiritual, has quickly become a significant source in this area of study.Various musical organizations have recognized Thomas. The African Diaspora Sacred Music honored Dr. Thomas as a Living Legend. In 2011, Chorus America recognized Thomas' dedication to and accomplishments in the choral arts, presenting him with its Distinguished Service Award. In March 2017, ACDA presented Thomas with its highest honor, the Robert Shaw Award, and in November of 2017, NCCO (National Collegiate Choral Organization) presented Thomas with its Lifetime Achievement Award. In January 2019, he was inducted into the Florida Music Educator's Hall of Fame. In 2022 he was presented with the Award of Excellence from the Southern Region of ACDA. Yale University School of Music presented Thomas with the Samuel Simons Sanford Medal, the most prestigious honor conferred by the Yale School of Music.He is a past president of the Florida ACDA, a past president of the Southern Division of ACDA, and the current  Past President of the National ACDA.To get in touch with André, you can email him at athomas@acda.org or find him on Facebook (@andre.thomas.52).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our

Jonas Timm is a Leipzig-based pianist, composer und improviser. He grew up in Berlin in within his parental background of Choir music. Trained in classical Piano and Voice starting in the age of 5, he discovered improvised music in his early teens and went to study Music in Leipzig with Grandmaster Richie Beirach, Albert Bover and Michael Wollny. Besides he learned from: Alexander von Schlippenbach, Sebastian Schunke and Nils Klein among others... As formative part of Leipzigs prospering young Jazz scene, he tries to develop new spaces in intercultural exchange between people and continents. Jonas is currently collaborating and touring with several Ensembles like the Berlin Radio Choir and the Gewandhaus Choir Leipzig and played with Norma Winstone, Theo Bleckmann, Johannes Enders to list a few... He is a current scholarship holder of the State of Saxony, the German Foundation of Orchestra, the Performing Rights Society and the Foundation of the Castle of Rheinsberg. Furthermore he does curate the anually MJUZIK Festival and the „Reihe 22“ in Leipzig On April 22, 2022, Jonas released his Debut CD “Morbu” as JazzThing Next Generation Vol. 90 with Diego Pinera (drums), Tino Derado (accordion), Bertram Burkert (acoustic guitar), Lorenz Heigenhuber (Doublebass), where he combines the rhythms of Latin-American Dances with the harmonic heritage of the post-impressionistic composers of Spain and France. In this episode, Jonas shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jess Gillam and cellist Sheku Kanneh-Mason share the music they love. Mozart takes us to heavenly plains with his Great Mass, Leroy Anderson plays a typewriter, Max Richter sends us to sleep and we'll hear some heart-wrenching cello playing from Jacqueline du Pré in Dvorak's Silent Woods. Plus Jess and Sheku discuss the iconic voices of legends Bob Marley and Nina Simone. Playlist: Dvořák - Silent Woods for cello and orchestra, Op. 68 No. 5 (Jacqueline du Pré - cello, Chicago Symphony Orchestra, Daniel Barenboim - conductor) Sam Cooke – Falling in Love Mozart - Mass in C minor, K427 'Great' – Kyrie (Barbara Bonney - soprano, Berlin Radio Choir, Berlin Philharmonic, Claudio Abbado - conductor) Margaret Bonds – Troubled Water (Samantha Ege - piano) Leroy Anderson – The Typewriter (Eastman Rochester Pops Orchestra, Frederick Fennell) Bob Marley & The Wailers – African Herbsman Max Richter – Dream 1 Nina Simone – I Wish I Knew How it Would Feel to be Free (Nina Simone - vocals/piano, Studio Orchestra, Sammy Lowe - conductor)

The internationally acclaimed Berlin Radio Choir has joined forces with American theater director and visual artist Robert Wilson for a production that marries Martin Luther’s writings and translations with the music of Johann Sebastian Bach. Wilson’s image theater conjures both anxiety and hope in a timeless statement that places Luther among the great thinkers of history.

Simon Halsey, Chief Conductor of the Berlin Radio Choir and Choral Director of the London Symphony Orchestra and London Symphony Chorus, joins Westminster Choir Conductor Joe Miller to reflect choral conducting, choral teaching and choral music’s relevance in today’s world.

How Brahms' German Requiem, written as a tribute to his mother and designed to comfort the grieving, has touched and changed peoples lives. Stuart Perkins describes how the piece arrived at the right time in his life, after the death of his aunt. Axel Körner, Professor of Modern History at University College London, explains the genesis of the work and how the deaths of Brahms' friends and family contributed to the emotional power of the piece. Daniel Malis and Danica Buckley recall how the piece enabled them to cope with the trauma of the Boston marathon bombings. Simon Halsey, Chief Conductor of the Berlin Radio Choir, explores how Brahms' experience as a church musician enabled him to distil hundreds of years of musical history into this dramatic choral work. For Imani Mosley, the piece helped her through a traumatic time in hospital. Rosemary Sales sought solace in the physical power of Brahms' music after the death of her son. And June Noble recounts how the piece helped her find her voice and make her peace with her parents. Producer: Melvin Rickarby.

Dr. Andre J. Thomas drops in on Patrick D. McCoy, The African-American Voice in Classical Music to discuss his journey as one of the most sought after choral conductors in the world.  André J. Thomas, the Owen F. Sellers Professor of Music, is Director of Choral Activities and Professor of Choral Music Education at The Florida State University. A previous faculty member at the University of Texas, Austin, Dr. Thomas received his degrees from Friends University (B.A.), Northwestern University (M. M.), and the University of Illinois (D.M.A). He is in demand as a choral adjudicator, clinician, and director of Honor/All-State Choirs throughout the United States, Europe, Asia, New Zealand, and Australia.  Dr. Thomas has conducted choirs at the state, division,and national conventions of the Music Educators National Conference (MENC) and American Choral Directors Association (ACDA). His international conducting credits are extensive. They include conductor/clinician for the International Federation of Choral Musicians, summer residency of the World Youth Choir in the Republic of China and the Philippines, winter residency of the World Youth Choir in Europe, and a premier performance by an American choir (The Florida State University Singers) in Vietnam. He has been the guest conductor of such distinguished orchestras and choirs as the Birmingham Symphony Orchestra in England, and guest Conductor for the Berlin Radio Choir in Germany. Since 1988 he has also served as Artistic Director of the Tallahassee Community Chorus.  Thomas has also distinguished himself as a composer/arranger. Hinshaw Music Company, Mark Foster Music Company, Fitzsimmon Music Company, Lawson Gould, Earthsongs, and Heritage Music Company publish his compositions and arrangements.