Podcast appearances and mentions of Max Richter

What happens when a camera company starts thinking less about lenses and specifications and more about how people actually capture and share their lives? In this episode of Tech Talks Daily, I spoke with Max Richter from Insta360 about the company's journey from pioneering 360-degree cameras to building a much broader ecosystem of hardware, software, AI tools, and creator-focused workflows. While many people still associate Insta360 with immersive 360 content, the company has steadily expanded into action cameras, wearable cameras, webcams, creator tools, and enterprise applications that reach far beyond social media. Our conversation explored how Insta360's philosophy of "shoot first, frame later" challenged traditional assumptions about photography and video creation. Rather than worrying about angles, framing, or missing a moment, users can focus on the experience itself and decide later how they want to tell the story. That approach has helped shape products that are now used everywhere from family vacations and sports adventures to construction sites, virtual tours, education, and live broadcasting. We also discussed the growing role of artificial intelligence in the creative process. Instead of replacing creativity, Insta360 is using AI to remove many of the technical hurdles that often prevent people from sharing the content they capture. From automated editing and intelligent reframing to enhanced low-light performance and future cloud-based experiences, AI is becoming an important part of making professional-quality content creation accessible to a much wider audience. A major focus of our discussion was Luna, Insta360's new pocket gimbal camera developed in partnership with Leica. Max explained why this launch represents an important step for the company as it expands further into the creator market. Combining premium imaging capabilities, advanced stabilization, AI-powered features, and a highly portable design, Luna reflects Insta360's belief that creators increasingly care about the entire workflow, from capture through editing and publishing, rather than camera specifications alone. We also explored an increasingly common question: if modern smartphones are so capable, why would anyone need a dedicated camera? Max shared his perspective on why purpose-built devices still matter for travelers, vloggers, filmmakers, and everyday users who want a more immersive and intentional way to capture life's moments. From AI-powered storytelling and creator workflows to the future of wearable cameras and intelligent imaging, this conversation offers an interesting look at how one company is trying to shape the next chapter of visual content creation. How do you think AI will change the way we capture, edit, and share our stories over the next few years?

In just twelve months, the conversation around Agentic AI in insurance has changed dramatically.  What began as curiosity about autonomous AI agents has evolved into a much more practical discussion about implementation, governance, economics and competitive advantage.  In this special solo episode, InsTech's Zoja Wojcik reflects on the developments that have shaped the market since InsTech's first Agentic AI event in November 2025. Drawing on conversations with insurers, brokers, MGAs, technology providers and industry leaders, she explores how the industry has moved beyond experimentation and towards a more challenging question: where does the commercial value actually come from?  Along the way, you'll hear insights from Simon Torrance, Erdal Atakan, Gina Gill, Elena Maran, Max Richter and Ian Thompson, alongside examples of how organisations including CFC, McGill & Partners, AIG, Duck Creek and hyperexponential are bringing Agentic AI into real insurance operations.  Whether you're still trying to understand what Agentic AI means for insurance or already evaluating deployment opportunities, this episode offers a practical snapshot of where the market stands today and the questions leaders should be asking next.  Want to continue the conversation? Join us in London on July 7 for 'The age of Agentic AI: from strategy to commercial value'. In this episode:  00:00 - What is Agentic AI and why has it become one of insurance's most discussed technologies?  03:15 - Looking back at the industry's first major Agentic AI event in November 2025  05:45 - Simon Torrance on why Agentic AI should be viewed as a new workforce, not simply another software tool  06:20 - Early deployment examples from across the insurance market:  CFC's Lane Assist   McGill & Partners and Salesforce Agentforce   AIG's AI-driven underwriting initiatives   Federato's agentic underwriting platform   hyperexponential and Banyan Risk   Duck Creek's insurance-native Agentic AI platform   08:15 - Why moving from pilot projects to production remains difficult  10:00 - The defining question of 2026: proving commercial value and ROI  12:15 - Intelligence Capital, competitive advantage and why buying AI tools may only create parity  13:30 - Orchestration, governance and maintaining trust in agentic systems  15:00 - Workforce transformation and practical lessons for insurance leaders  16:00 - What questions should insurance organisations be asking next?  Key takeaways:  The industry conversation has shifted from experimentation towards implementation and measurable business outcomes.   Many of the biggest barriers to adoption are organisational rather than technical.   Boards increasingly expect clear economic justification for AI investment.   Competitive advantage may come less from AI models themselves and more from institutional knowledge and decision-making expertise.   Governance frameworks must evolve alongside increasingly autonomous systems.   Organisations that focus on specific business problems are more likely to succeed than those pursuing AI for its own sake.   Featured contributors:  Simon Torrance, AI Risk   Erdal Atakan, Inigo   Gina Gill, Apollo   Elena Maran, Alethesis AI   Max Richter, Mea platform   Ian Thompson, IMT Advisory  Further reading:  For listeners looking to explore the themes discussed in this episode:  Agentic AI & insurance  Podcast episode: Where is the industry today? – a view from the C-suite (A rare C-suite perspective on Agentic AI: what it is, how it's being deployed and why senior leaders are walking a tightrope between bold innovation and operational risk.)  CFC launches Lane Assist, a live agentic underwriting pilot  McGill & Partners becomes first London Market broker to deploy Agentic AI  McGill + AIG collaboration using AI-driven underwriting  Duck Creek launches insurance-native Agentic AI Platform  Federato RiskOps and Agentic underwriting platform  MGA Banyan Risk deploys hx's full agentic underwriting suite  Strategy & commercial value  Simon Torrance's work on Intelligence Capital   AI Risk research on Agentic AI and enterprise transformation   InsTech & ServiceNow New York event: The future of insurance will be orchestrated, not built  Governance & Responsible AI  Article: The New Frontier: Managing and insuring generative and agentic AI risks with Edinburgh Futures Institute  Podcast episode: Creating a new kind of assurance & insurance framework for AI-related risks (This episode unpacks one of the most ambitious research initiatives currently shaping the future of AI risk in insurance.) 

Hace unas semanas hablamos en la sección sobre ciencia-ficción a cuenta de la película "Project Hail Mary" (en España, "Proyecto Salvación"), y la criticamos moderadamente por su falta de interés en la faceta científica de la historia. Hoy hacemos todo lo contrario: hablamos sobre películas que sí tienen interés en la ciencia, y más importante todavía: en las emociones que la ciencia puede aportar a una historia. Hablamos de películas que incorporan la fascinación del descubrimiento y el proceso mental que nos permite llegar a él. Tomamos como botón de muestra dos filmes: La llegada (Denis Villeneuve, 2016) The Man from Earth (Richard Schenkman, 2007) Sin hacer muchos espóilers comentamos qué hay en cada una de estas películas que las convierte en "ciencia-ficción pata negra", y dejamos para otro día hablar de alguna otra. FE DE ERRORES: Durante la sección decimos varias veces que la música de "La llegada" es de Max Richter, cuando en realidad es de Jóhann Jóhannsson. Nuestros respetos al maestro islandés, que nos dejó demasiado pronto. Si os interesa la ciencia en el cine hay varios episodios que podéis reescuchar para ir tomando nota de elementos interesantes. El capítulo en el que criticamos a "Project Hail Mary" es el s08e31. Además, en este mismo pódcast hemos comentado "Oppenheimer", de Christopher Nolan (s05e22) y "El problema de los tres cuerpos", la serie basada en los libros de Liu Cixin (s06e15). Durante la sección comentamos que ya habíamos hablado sobre "Interstellar", de Christopher Nolan: fue en nuestro pódcast hermano, La Brújula de la Ciencia, en el capítulo s04e10. También, si os interesa simplemente el cine, podéis escuchar a Alberto Aparici analizar películas en el pódcast "Esto salía en una peli francesa", disponible en todas las plataformas. Este programa se emitió originalmente el 4 de junio de 2026. Podéis escuchar el resto de audios de Más de Uno en la app de Onda Cero y en su web, ondacero.es

In this episode, some different introduction music. This is Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1 (from 1832), and the reason is that today's conversation is with Susan Tomes, a celebrated pianist, an author of Nocturnes and the Fascination of Night Music, an engrossing history of the music of twilight and sleep, from the nocturnes of John Field and Chopin to Max Richter. In an insomniac age, ambient and sleep music have become increasingly popular. But our association between music and sleep is not new: lullabies may be the oldest form of music and are instantly recognisable across peoples and cultures. Why does the night hold such musical fascination for us, and what forms do its sounds take? Enjoyed what you heard? Click here to purchase the book: https://www.readings.com.au/product/9780300278897/nocturnes--susan-tomes--2026--9780300278897

Season Six of The Film Scorer Podcast is almost here! The new season launches on Sunday, May 31st, with new episodes continuing every other Sunday after that (more or less). Season five had some huge interviews, like Oscar winner Daniel Blumberg, Max Richter, Oneohtrix Point Never, Thomas Newman, and even the noise rock band Chat Pile, so you never who will show up this time around. But I'll give you a taste of what's to come - Season six kicks off with Colin Stetson and Cristobal Tapia de Veer, and it only goes from there. So subscribe on your favorite podcast platform, follow The Film Scorer on Instagram, Twitter, Threads, and Bluesky, and keep those ears open!

In this episode of the What About The Music? podcast, host Beto Azout sits down with Jane Cronk, Executive Creative Director at BBH USA, to talk about the role music plays in creating unforgettable advertising. Jane shares insights from her work across creative production, music supervision, and sound design, including the making of a Schick campaign and what it takes to collaborate with editors, composers, and clients to bring bold creative ideas to life. The conversation also explores how music can shape brand memory, why custom scoring can create deeper emotional impact, and how to sell a brave music choice when clients are unsure. Jane also discusses her experience working with Max Richter on a Super Bowl spot, the importance of giving creative partners room to experiment, and practical advice for reviewing music in an edit. sostereo.com

In a recent class with three intermediate students (8th-11th grade), we compared the music of Franz Schubert and Max Richter. Schubert was a prolific Austrian composer, writing at the end of the Classical period and the beginning of the Romantic period. During his brief life, he wrote over 1,500 works. He was known for his storytelling abilities: long, singing lines, dramatic mood swings, an improvisatory style that seems to wander at times, and emotional intensity.Max Richter is a contemporary German-born pianist and composer known for blending classical techniques with electronic, ambient, and minimalist styles. He names J.S. Bach as a key influence, and has championed the works of minimalists such as Arvo Pärt and John Cage. He drew inspiration from Schubert's Winterreise when creating his 2010 album Infra.In this episode, I'm taking you behind the scenes of this studio class, sharing the repertoire I introduced to my students, the discussion questions that guided our conversation, and a composition activity that students didn't want to end.For show notes + a full transcript, click here.Resources Mentioned*Disclosure: Some of the links in this episode are affiliate links, which means if you decide to purchase through any of them, I will earn a small commission. This helps support the podcast and allows me to continue creating free content. Thank you for your support!Ep. 083 - Bernstein & Bill Evans: Inside My Recent Intermediate Studio ClassEp. 077 - A New Approach to Teaching Group ClassesSchubert Piano Sonata No. 20 in A Major, D. 959: II. Andantino (Mitsuko Uchida)Richter “Andante” from In a Landscape (Max Richter)Schubert Impromptu No. 3 and Richter Infra 3 (Coversart)Songs Without Words(Felix Mendelssohn)Schubert Moments Musicaux No. 6 in A-flat Major (Alfred Brendel)Vladimir's Blues (Max Richter)Max Richter Piano Works(Max Richter)If you enjoyed this episode, please leave a review in Apple Podcasts >>Find me on Instagram: @ashleydanyewWhenever you're ready, here are three ways we can work together:1️⃣ Need fresh teaching ideas? In this quick 25-min. call, you'll get focused answers, creative ideas, and personalized advice for one teaching or business topic of your choice. Bring your questions for an ask-me-anything style session, and let's brainstorm strategies together.2️⃣ Have questions about teaching, running your studio, or managing your music career? In this 60-min call, you'll get personalized advice, creative ideas, and step-by-step strategies on up to 3-4 teaching/business topics of your choice. This session gives you the space to talk through your goals, ask questions, and get expert guidance.3️⃣ Develop the skills and strategies you need to plan the year, refine your teaching methods, and manage your time more effectively with a suite of online courses for music educators.

Introduction  In this episode, Robin Merttens is joined by Max Richter, EMEA CEO and Global Growth Leader at the mea Platform, to explore why AI in insurance is finally moving from theory into real operational impact.  After years advising insurers on transformation at Accenture, Max made the shift to building technology inside the workflows he once analysed. His view is clear: the industry doesn't need more AI strategy, it needs systems that actually execute work.  The conversation focuses on a fundamental shift, from using AI to generate insights to using it to get work done. From underwriting to claims and servicing, the opportunity is no longer about reading data faster, but about automating the workflows that sit behind it.  Max also shares why previous waves of automation fell short, what's changed in the technology landscape, and why this moment feels different. With stronger models, better integration and growing cost pressure, AI is becoming an operating model question, not just a technology one.  In this conversation, Max shares:  Why the industry is moving from AI experimentation to execution   The shift from automating tasks to automating entire workflows   Why “ingestion” is only the starting point, not the end goal   Where AI agents are already delivering real impact in underwriting and claims   How incumbents and new entrants are approaching adoption differently   Why starting with a clear pain point is key to scaling AI successfully   The difference between AI theatre and production-grade outcomes   Why collaboration with underwriters and operations teams is becoming essential  If you like what you're hearing, please leave us a review on whichever platform you use or contact Robin Merttens on LinkedIn.  Sign up to the InsTech newsletter for a fresh view on the world every Wednesday morning.

Zoveel mensen, zoveel slaappatronen en -gewoonten. Max Richter schreef een jaar of tien geleden het muziekstuk Sleep. In maar liefst 8,5 uur volgt hij alle onderdelen van de menselijke nachtrust. Vandaag hoor je twee delen. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Fosforo 1982: I brani della striscia numero 2 della settimana: Tandem Playlist; Pullman - Barefoot; Muslimgauze - Assam Tea Jar (2025er version); Bill Frisell - Home on the Range; Untethered - Look Up, Banana Brains All About; Dee Sharp - Let`s Dub It Up; Max Richter, Louisa Fuller, Max Ruisi - Dream 11 / Moth-Like Stars (Pt. 3); Gaudi - Cool Jazztice; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

Highlights from the past week on Monocle Radio, including: Argentine duo Ca7riel & Paco Amoroso, the founder and CEO of Knatchbull, Daisy Knatchbull, and the Germany-born British composer Max Richter.See omnystudio.com/listener for privacy information.

Solénoïde (30.03.2026) - Pour ce 24e Périple, Vincent Arquillière reprend les commandes du vaisseau Solénoïde et trace une trajectoire libre entre chanson décalée, post-rock, mi-nimalisme et échappées électroniques. De Rien Faire à Philippe Laurent, en passant par Ceramic Dog, Yalla Miku, Tortoise, Coldcut ou Max Richter, ce voyage musical relie les deux rives de l'Atlantique et fait glisser peu à peu les matières sonores du jeu collectif et des instruments incarnés vers des pay-sages plus abstraits, nocturnes et rétrofuturistes. Un périple dense, curieux et sensoriel, pensé comme une dérive exigeante pour oreilles aventureuses.

We meet composer Max Richter, who has translated taste, time and terroir into sound with Krug. Then we meet chef Dara Klein at Tiella Trattoria and Bar. Plus: Jasmin Kherzi on Irmasworld.See omnystudio.com/listener for privacy information.

"Sinners" set the record for most Oscar nominations with 16. "One Battle After Another" isn't far behind with 13. "One Battle" was considered the early favorite for many awards, but "Sinners" has been coming on strong during awards season. Which film will win the night? Will Paul Thomas Anderson finally win an Oscar? Can Timothée Chalamet top Leonardo DiCaprio and Michael B. Jordan? We'll know soon enough with the 98th Academy Awards airing Sunday night (ABC and Hulu, 7 p.m. EDT). On this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz discuss the two films and the favorites to win the major categories.  Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Our third installment of calming songs includes Max Richter's tribute to the Universal Declaration of Human Rights, ambient sounds from Ryuichi Sakamoto, Brazilian jazz from Wayne Shorter and more.Note: This episode originally ran in April, 2025Artists and songs featured on this episode:(00:00) Intro(02:20) The Choir: “You Don't Have To Smile,” from ‘Translucent'(05:58) Orbital Patterns: “Can't Tell If I'm Awake,” from ‘Extended Impostor Syndrome'(10:11) Ryuichi Sakamoto & Alvo Noto: “Logic Moon,” From ‘Insen'(15:46) Lea Bertucci: “Vapours,” From ‘Of Shadow And Substance'(20:25) Hayden Pedigo: “Long Pond Lily,” From ‘I'll Be Waving As You Drive Away'(25:57) Max Richter: “All Human Beings,” from ‘Voices'(31:17) Wayne Shorter: “Tarde,” From ‘Native Dancer'(36:15) Mabe Fratti: “El Sol Sigue Ahí,” From ‘Pies Sobre La Tierra'(41:08) Ida: “Don't Get Sad,” from ‘Will You Find Me?'(46:10) David Zinman, Dawn Upshaw & London Sinfonietta:  “Lento,” from Henryk Górecki's ‘Symphony No. 3, Op. 36 - Symphony Of Sorrowful Songs'Support the show with a review on Apple, Spotify, or wherever you listen to podcasts. And tell a friend!Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgTo manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Show 238 - Groomed by Ted! - 2nd March 2026Ted Salmon and Aidan Bell Contributions and Feedback Impossible-to-assemble 2-Tier Vinyl Record Storage Holder Rack Instead… IKEA Kallax Range Rude Chocolate EZ Cooldown Complete Performers PCM Cooling Vest Phillip Wray on last show's Better Before's Autograph Books Wayne Keeling on last show's Artdot LED Magnifying Glass Wayne Keeling on Zionbrock 3D Printed Radio Elizabeth Everly on Fabric Shaver (USA) Daniel B on The Ridge Key Organiser Daniel B on Metal Masters Titanium Wedding Rings Ted's Salmagundi From FOMO to JOSH: Why Staying In Is the New Going Out! I Wonder Who Bought It Heavy Duty Boxing Punch Bag Pink Floyd The Dark Side Of The Moon T-Shirt Still Using Sisal Soap Bag with Drawstring (these gone but plenty of others) USB-A LEDs Judge Barton's Cheap as Chips Sanquell Soft Disposable Foam Ear Plugs (38db) I Want One of Those Wooden Cartridge for Record Player Tonearm Better Before VTech VM3250 Video Monitor with Camera - Ted's Review The need for Petrol Stations Whatever Worked Show 89 - Pale Blue Warts - 24th August 2019Julie Wills on Sistema Microwave Steamer or this one or this one Keith Bartlett on The Squidgy Thing Room 101 Steve Litchfield Good White Goods spoiled! Max Richter's On The Nature Of Daylight being used in so many films! Gold Star Max Richter's On The Nature Of Daylight (!) Nothing Phone Customer Service

"Hamnet" is a biographical period film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on O'Farrell's 2020 novel. The film dramatizes the family life of William Shakespeare and his wife Agnes, as they cope with the death of their 11-year-old son Hamnet. It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson, Joe Alwyn, and Noah Jupe in supporting roles. The film had its world premiere at the 52nd Telluride Film Festival and received glowing reviews, with Buckley's performance receiving particular praise. The film has received numerous accolades, including winning the Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama for Buckley at the 83rd Golden Globe Awards, and eight nominations at the 98th Academy Awards, including Best Picture, Best Director for Zhao, and Best Actress for Buckley. It was listed among the top ten films of 2025 by the American Film Institute. Zhao, Mescal, and composer Max Richter were all kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia, while Ema Sasic got the chance to speak with Jacobi Jupe, production designer Fiona Crombie spoke with Dan Bayer, and Cody Dericks had the opportunity to chat with costume designer Malgosia Turzanska. Please be sure to check out the film, now playing in select theaters from Focus Features and available to watch from home. The film is up for your consideration for the 98th Academy Awards for Best Picture, Best Director, Best Actress, Best Adapted Screenplay, Best Casting, Best Costume Design, Best Production Design, and Best Original Score. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Welcome To The Party Pal hosts Michael Shields and Ryan O'Connell celebrate Hamnet, the 2025 period drama film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on the 2020 novel by O'Farrell. The film dramatises the family life of William Shakespeare and his wife Anne Hathaway as they cope with the death of their 11-year-old son Hamnet. It stars Jessie Buckley and Paul Mescal as Anne and William, alongside Emily Watson, Joe Alwyn, and Noah Jupe in supporting roles. In this episode Michael and Ryan discuss the riveting acting in Hamnet, Max Richter's infectious score, how art has the power to heal and awe, and so much more. Hosted on Acast. See acast.com/privacy for more information.

Awards season is nearing its end, with the BAFTAs later today, February 22, and the Oscars coming on March 15. I'll always say that, although I'm by no means a massive fan (or detractor) of film awards, I'm always happy that it's the one time of year where film music gets to be widely celebrated. The nominee slates also provide great peaks into the state of modern, mainstream film music, and this year's selections are a great cross-section of style and approach. And of course, it gives me an excuse to talk about them a little bit, so read below then listen on. Of the nominees, I interviewed Max Richter for Hamnet and also interviewed Jerskin Fendrix near the end of 2023 for Poor Things (which I would have swore was not that long ago...). This year, the nominees for both sets of awards are the same: Bugonia – Jerskin Fendrix (Interview) Frankenstein – Alexandre Desplat Hamnet – Max Richter (Interview) One Battle After Another – Jonny Greenwood Sinners – Ludwig Göransson

Schwesig, Oliver www.deutschlandfunkkultur.de, Fazit

durée : 01:00:04 - Jeanne Cherhal, auteur, compositeur, interprète - par : Priscille Lafitte - Jeanne Cherhal aborde la musique par la danse et par les images, au travers des polyphonies de Philip Glass et de Meredith Monk, au travers des revisitations du XVIIIe siècle que proposent Max Richter et Marina Baranova, au travers du piano d'Anne Queffelec et de Chilly Gonzales. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We speak to Joe Bloom, the man behind the social media account 'A View From A Bridge' which shares people's meaningful conversations to millions online. The idea is simple: an old-school phone is placed on a bridge and strangers are invited to pick it up and share their stories. Famous faces such as Max Richter, Cynthia Erivo, Paul Smith and many more have all bared their souls. Plus, the 13-year-old boy who saved his family after they were swept out to sea off the coast of Australia - Austin Appelbee has been described as a 'hero' by emergency services. We meet Leo Gottesman, the 82-year-old goalkeeper. We also hear from the first female mayor of Addis Ababa who has pledged to make it the best city in Africa to be a mother and raise a child -- and, as the Winter Olympics get underway in Milan, we look at the hotel in Scotland producing the world's best curlers. Our weekly collection of inspiring, uplifting and happy news from around the world.Presenter: Celia Hatton. Music composed by Iona Hampson.(Image: Cynthia Erivo contributing to A View from a Bridge. Credit Joe Bloom/@aview.fromabridge)

Min 5: MARTY SUPREME: 4 estrellas "Marty Supreme" es el retrato nervioso y febril de un talento desbordado que se abre paso en los márgenes del sueño americano, una historia de ambición, ego y supervivencia ambientada en el competitivo y poco glamurizado mundo del ping-pong profesional. Dirigida por Josh Safdie (Diamantes en bruto, Good Time), la película sigue el ascenso, caída y reinvención de Marty Mauser, un joven prodigio obsesionado con ganar —a los demás y a sí mismo—, al que da vida Timothée Chalamet, en una interpretación física, sudorosa y permanentemente al borde del estallido. Safdie aplica su ya reconocible estilo de cámara inquieta y pulso acelerado para construir una fábula moderna sobre la masculinidad competitiva y la autoexplotación, rodeando al protagonista de personajes que funcionan como espejos deformantes de su ambición, interpretados por Gwyneth Paltrow y Tyler, The Creator. Más que una película deportiva, Marty Supreme es una disección casi clínica del éxito entendido como obsesión, una huida hacia delante filmada con la electricidad y el caos que han convertido a Safdie en uno de los cronistas más incómodos y certeros del fracaso contemporáneo. Min 15: AÍDA Y VUELTA (4 estrellas) Aída y vuelta es un regreso amable a un barrio que muchos conocen de memoria. Dirigida por Paco León (Carmina o revienta, Rainbow), la película recupera a Aída García, de nuevo con Carmen Machi, que vuelve a Esperanza Sur después de años fuera. El reencuentro sirve para mirar con humor y cierta ternura cómo han cambiado las vidas, el barrio y el país, sin esconder el paso del tiempo ni las cicatrices. El tono mezcla comedia reconocible y momentos más calmados, con la familia y los vecinos como refugio frente a la precariedad y el cansancio acumulado. Junto a Machi regresan Paco León y Eduardo Casanova, entre otros rostros habituales, en una historia que no intenta repetir la serie ni competir con ella. Aída y vuelta funciona mejor como despedida que como relanzamiento: una visita corta, cercana y emocional a un lugar que fue casa para muchos espectadores. Min 21: LA CHICA ZURDA (3,5 estrellas) La chica zurda es una película taiwanesa pequeña y muy cercana que pone el foco en una familia que intenta volver a empezar. Dirigida por Shih-Ching Tsou y con guión de Sean Baker (The Florida Project, Tangerine), la historia sigue a Shu-Fen, una madre soltera que regresa a Taipéi con sus dos hijas para montar un modesto puesto de comida en un mercado nocturno. La mirada se centra especialmente en la hija pequeña, I-Jing, una niña zurda a la que su entorno asocia con antiguas supersticiones, y que empieza a cuestionar, casi sin saberlo, las normas que la rodean. La película observa la vida diaria sin prisa, con escenas sencillas y muy pegadas a los personajes, y habla de trabajo, maternidad y tradición sin subrayados ni grandes discursos. Min 26: SEND HELP (ENVÍA AYUDA) 3 estrellas Send Help es un thriller de supervivencia con mala leche que usa una situación límite para hablar de poder y de relaciones tóxicas. Dirigida por Sam Raimi (Posesión infernal, Spider-Man), la película arranca con un accidente de avión que deja aislados en una isla a dos compañeros de trabajo que apenas se soportan. Rachel McAdams y Dylan O'Brien encarnan a una empleada ninguneada y a su jefe soberbio, obligados a colaborar para sobrevivir mientras salen a la superficie viejas tensiones y resentimientos. Min 31: FRANZ (2,5 estrellas) Franz es un biopic checo-alemán-polaco sobre el escritor Franz Kafka, dirigido por Agnieszka Holland y coescrito con Marek Epstein, que se presenta como un retrato distinto al clásico de vida y obra de un autor. Está rodado en Praga y otras localizaciones de Europa central, con Idan Weiss en el papel de Kafka y un reparto internacional que incluye a Jenovéfa Boková, Peter Kurth, Ivan Trojan y Sandra Korzeniak. Min 34: LA PELÍCULA DE TU VIDA, CON PABLO CONDE El periodista y director de cine manchego Pablo Conde es el invitado de esta semana en la sección "La película de tu vida". El creador del corto "la piscina vacía", uno de los trabajos castellano-manchegos más premiados de 2025, nos confiesa por qué la película "Regreso al futuro", de Robert Zemeckis es su título favorito y el que marcó su amor por el cine y su fascinación por contar historias. Min 39: ESPECIAL BSO "HAMNET": Max Richter toca el cielo y el infierno de Zhao (4 estrellas) La banda sonora de Hamnet es una parte central del tono emocional de la película, y está compuesta por Max Richter, uno de los nombres más reconocidos de la música contemporánea para cine. El álbum Hamnet (Original Motion Picture Soundtrack) reúne 18 piezas originales que se mueven entre lo íntimo, lo contemplativo y lo dramático, con títulos como Of Agnes, Of Orpheus, Of Remembrance o Of the Undiscovered Country, que acompañan cada una de las secciones narrativas de la historia y subrayan el viaje emocional de los personajes a lo largo del filme.

If there's one recurring theme each year, it's to expect the unexpected. "Sinners" earned a record 16 nominations for the 98th Academy Awards. And then there was the blockbuster "Wicked: For Good," which was shut out. It was a day of extremes and surprises when the Oscar nominations came out on Thursday. In this week's episode, co-hosts Bruce Miller and Terry Lipshetz talk about the biggest snubs and which films could dominate when statuettes are handed out on Sunday, March 15. And we wrap the show with the new "Game of Thrones" spinoff series on HBA, "A Knight of the Seven Kingdoms." Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

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Filmkomponist Alexandre Desplat kann sich für "Frankenstein" über eine weitere Oscar-Nominierung freuen. Auch Scores von Max Richter und Ludwig Göransson sind im Rennen.

Actor Jason O'Mara has just moved home to Dublin after over 20 years in L.A. He's acted in DC's Batman, Band of Brothers, Life on Mars, The Good Wife, The Lincoln Lawyer and will be in RTE's These Sacred Vows next month. He chose five songs to represent his life ranging from Simon & Garfunkel to The Jesus and Mary Chain to Max Richter.

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

תרגול להתבוננות בזרם המחשבות ובחירה מודעת בדרך שמיטיבה.שיר סיום מאת Vivaldi and Max Richter.למיקסטייפ המלא | To full mixtapeמדיטציה זו הוקלטה בשידור חי בזום באהנגמה, סרי לנקה בתאריך 8 בינואר 2026אם אתם מכירים מישהו שיכול להפיק תועלת מהמדיטציה הזו, אנא העבירו אותה הלאה.וגם,קבוצת וואטסאפ שקטה בה אני שולח הקלטות והזמנות לתרגולים שבועיים בזוםארכיון מתעדכן של מדיטציות לפי נושאים ומצבים בספוטיפייוגם באפל פודקאסטסערוץ היוטיוב שלי, עם ארכיון תרגולים בוידאושלכםעופר ✨About this podcastPractice and frequency for vibration management ///////////////// Free guided meditations for the benefit of all ///////////////// Ofer Shani is an International Meditation Recording Artist and a Tech Entrepreneur ///////////////// His sessions are unique and combine music with teachings of Mindfulness, Zen, Shamanism, Quantum physics and Neuroscience ///////////////// Linktree https://linktr.ee/ofershani An important noticeThis podcast celebrates music as a tool for transformation and well being.Each episode includes a link to a dedicated mixtape with all the tracks played during the meditation. If you don't want your music to be played here - please contact us oshani@gmail.com

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

We have a Hamnet special for you on Soundtracking, as first writer / director Chloe Zhao and stars Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel - who also worked on the script - it tells the story of how the horrendous tragedy that strikes Shakespeare and his wife, Agnes, inspires him to write Hamlet. Hamnet is scored by friend of the show Max Richter, and we'll hear plenty of his music throughout the episode.

On episode 323 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, TV Editor Tyler Doster, Associate TV Editor Karen Peterson, as well as AwardsWatch contributors Mark Johnson and Dan Bayer to discuss their favorite films of 2025 in part one of the AW end of the year show. As we are about to begin an exciting new year of cinema in 2026, we say goodbye to 2025 with our AW team's favorite films of the year. Instead of having everyone on one call together, the show is split up into two episodes this year, each covering a selection of the nine films the team loved the most. On this first installment of the end of the year show, the movies discussed were Sinners (Mark), Sorry, Baby (Tyler), The Secret Agent (Karen), Resurrection (Dan), and Hamnet (Erik). In each segment, each person talks about why they selected the film as their favorite of the year, as well as an in-depth discussion over the film. At the end, the team gave honorable mentions for other films that they loved that included One Battle After Another, Weapons, Sentimental Value, Train Dreams, Pillion, The Naked Gun, The History of Sound, F1, and many more. Please enjoy this wonderful part one episode to wrap up 2025. Thank you all for reading everything on the website as well as listening to the show this past year. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen to it on our AwardsWatch YouTube page. This podcast runs 2h53m. We will be back soon with part two of the best films of 2025, end of the year show. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), 'I Lied to You' from Sinners, 'Sorry, Baby (Piano)' from Sorry, Baby, 'Transfusão de Sangue' from The Secret Agent, 'Clamor of Time' from Resurrection, 'On the Nature of Daylight' by Max Richter, 'Silver Dagger' by Paul Mescal from The History of Sound (outro).

durée : 02:28:19 - France Musique est à vous du samedi 20 décembre 2025 - par : Gabrielle Oliveira-Guyon - Au programme ce samedi, Mendelssohn, Beethoven, Brahms, en passant par Max Richter, Bourvil ou encore l'air "I could have danced all night" du film My Fair Lady. - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Our next guest needs no introduction. He's one of my all time favorite composers and today we chat about his score for Hamnet, On The Nature Of Daylight, and SRM sounds among other topics! And the composer is... Max Richter Hosted on Acast. See acast.com/privacy for more information.

Composer Max Richter joins guest host Jon Burlingame to discuss his luminous, emotionally rich score for “Hamnet,” the new film from director Chloé Zhao. In their conversation, Richter shares how early musical sketches shaped the production, how he blended period instruments with processed textures, and how the film's psychological and natural landscapes guided his approach. And as Richter explains, Elizabethan-era music became a key creative touchstone for capturing the film's folkloric sensibility.“Elizabethan music is one of my great passions, really. It's an amazing moment in English music history where you have this community of composers writing just extraordinary things, both instrumental and chorally. It was a wonderful opportunity for me to go back and connect to that material… Which evoked what [director] Chloé [Zhao] called the witchy sensibility of the sort of folkloristic… maybe dark fairytale quality of the relationship with nature and the connection between human beings and nature.”—Max Richter, Composer, “Hamnet”Be sure to check out “Hamnet,” now playing in theaters in Dolby Vision® and Dolby Atmos®, where available.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Odeal. Snarky Puppy. The return of Tobias Jesso Jr. Stephen Thompson from NPR Music is joined by Justus Sanchez from KNKX in Seattle and Tacoma to chat about their favorite new albums out Friday, Nov. 21.The Starting 5:- Tobias Jesso Jr., 's h i n e'- Haley Heynderickx and Max Garcia Conover, 'What of Our Nature'- SHOLTO, 'The Sirens'- Snarky Puppy with Metropole Orkest, 'Somni'- Odeal, 'The Fall That Saved Us'The Lightning Round:- Keaton Henson, 'Parader'- John Scofield and Dave Holland, 'Memories of Home'- Fabiano do Nascimento, 'Cavejaz'- Magic Fig, 'Valerian Tea'- Max Richter, 'Hamnet (OST)'See the long list of albums out Nov. 21 and sample dozens of them via our New Music Friday playlist on NPR.org.Credits:Host: Stephen ThompsonGuest: Justus Sanchez, KNKXAudio Producer: Noah CaldwellDigital Producer: Elle MannionEditor: Otis Hart Executive Producer: Suraya MohamedLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The end is here! Well, the end of season 5 at least. That's right, after over twelve months the season is finally over (making it, I think, the longest season of The Film Scorer yet), and what better wait to celebrate than to chat with Max Richter? Max's (Ad Astra, The Leftovers) latest score is for the incredible historical drama Hamnet, a fictionalized account of the death of William Shakespeare and his wife Agnes's son Hamnet and how it inspired the creation of Hamlet. Unsurprisingly, we spend most of our conversation on Hamnet, but despite the quick interview we manage to cover a lot of other ground too, such as the use of "On the Nature of Daylight" over the years, the troubled production of Ad Astra, and how a musician's intent goes only so far once their music reaches an audience. Max's score for Hamnet is forthcoming (though having heard an advance version, I can vouch that it's great) and the rest of his music is available on all major platforms. You can find out more about Max on his website. In addition to Hamnet's pending release, Max just announced some 2026 tour dates.

In the spring of 1990, families across Britain began reporting visits from strangers claiming to be social workers.  They spoke with authority, carried clipboards, even asked to photograph or examine children — and then vanished. Police launched Operation Childcare, a nationwide manhunt involving more than twenty forces, but no arrests were ever made. Were these criminals, insiders, or the product of a moral panic born from fear and mistrust? Join John Williamson by the fireside as we unravel one of the strangest unsolved mysteries of late-20th-century Britain — a story where rumor met authority, and where fear itself became the evidence.    

Max Richter grew up in Stuttgart, Germany, surrounded by cameras—his father was a photographer with a Leica who ran an advertising business. After studying engineering and business, Max found himself restless in corporate life, eventually making his way to Shenzhen, China, where he met a campus legend named JK who had borrowed $2,000 from his father to start a camera company. What happened next was a decade-long journey of near-bankruptcy, pivotal pivots, and ultimately building Insta360 into a company that challenged GoPro and partnered with the very camera brand that filled Max's childhood home. Today, Max serves as a co-founder of Insta360, a company that's redefined how millions of people capture and share their lives. In this episode, you'll discover: The "dark year" of 2017 when Insta360 had over 100 employees, was running out of cash, and Samsung had just entered their market—and the unexpected user behavior that saved the company Why the moment you're closest to giving up is often the exact moment you need to push through, and how this principle turned a struggling startup into a company that makes $30+ million annually The career advice Max wishes he'd known at 25 about the dangers of overthinking and why "just starting" beats perfect planning every single time How immersing yourself in uncomfortable, foreign environments shapes you into a more open-minded person—and why Max believes traveling early is one of the most underrated career accelerators The sacrifices nobody talks about when building a global company, and why finding the intersection of passion, profit, and societal impact matters more than any single factor alone

Originally Aired October 20, 2020The Wildlings are south of the wall, the robots are rising up, Seventh Kavalry's on the move, and two percent of the world's population has vanished. Time for another edition of Strong TV Songs!This time around the focus is on HBO, a network that has defined much of the broader TV landscape over the past couple of decades. So let's dig into a bunch of great music from a bunch of good shows, with themes for Dothraki raiders, Alethiometers, robot farmgirls, nuns with guns, monstrous moguls, and lost souls.Special thanks to the key of C minor for making this episode possible.REFERENCED/DISCUSSED:“Woke Up This Morning” by Alabama 3 from Exile on Coldharbour Lane, 1997“Six Feet Under” by Thomas Newman, 2001“Deadwood” by David Schwartz, 2004“Way Down In The Hole” by Tom Waits from Franks Wild Years, 1987. Performed by Waits, The Blind Boys of Alabama, The Neville Brothers, DoMaJe, and Steve Earle“Game of Thrones” by Ramin Djawadi, 2011"Game of F***in' Thrones" by Anamanaguchi, 2012“Pacific Rim” by Ramin Djawadi feat. Tom Morello from Pacific Rim, 2013“Doom Patrol” by Clint Mansell and Kevin Kiner, 2019“His Dark Materials” by Lorne Balfe, 2019“Westworld” and “Sweetwater” by Ramin Djawadi, 2016“Ezio's Family” by Jesper Kyd from Assassin's Creed II, 2009"How The West Was Really Won,” “Nun With a Motherf***ing Gun,” and “Children of Krypton” by Trent Reznor and Atticus Ross, 2019“Succession” by Nicholas Britell, 2018"Kiss from Daddy" by Demi Adejuyigbe, 2019“The Departure” and “Dona Nobis Pacem” by Max Richter from The Leftovers, 2014OUTRO SOLOIST: Luke PriceThis episode's outro soloist is Portland fiddle player Luke Price. When he's not working as a side man in a variety of killer bands, Luke joins his wife Rachael to form the excellent songwriting duo DEAN!. You can follow them on Instagram and listen to some of their stuff on their website, wearedean.com.----LINKS-----

Helicopters are being used in eastern Afghanistan where hundreds have been killed in a powerful earthquake. The Taliban government say there have been at least a hundred rescue flights to the quake's epicentre in Kunar and Nangahar provinces.Also, Israel has been accused of genocide by a group of the world's leading experts on the subject.And composer Max Richter on performing his eight hour long piece 'Sleep'!(Photo: Matiullah Shahab helped dig graves in the village of Andarlachak Tangi, which was among those hit by Sunday's earthquake. Credit: Matiullah Shahab)

Our third installment of calming songs includes Max Richter's tribute to the Universal Declaration of Human Rights, ambient sounds from Ryuichi Sakamoto, Brazilian jazz from Wayne Shorter and more.Featured artists and songs:01. The Choir: "You Don't Have To Smile," from 'Translucent'02. Orbitalpatterns: "Cant Tell If Im Awake," from 'Extended Impostor Syndrome'03. alva noto & Ryuichi Sakamoto: "Logic Moon," from 'Insen'04. Lea Bertucci: "Vapours," from 'Of Shadow And Substance'05. Hayden Pedigo: "Long Pond Lily," from 'I'll Be Waving As You Drive Away'06. Max Richter: "All Human Beings," from 'Voices'07. Wayne Shorter & Milton Nascimento: "Tarde," from 'Native Dancer'08. Mabe Fratti: "El Sol Sigue Ahí," from 'Pies sobre la tierra'09. Ida: "Don't Get Sad," from 'Will You Find Me?'10. David Zinman, Dawn Upshaw & London Sinfonietta: "Lento," from Henryk Górecki's 'Symphony No. 3'Weekly Reset: Walking through Okazaki neighborhood at nightEnjoy the show? Share it with a friend and leave us a review on Apple or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org Hear songs featured on this episode and previous episodes of music to calm the nerves in Apple Music and Spotify.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy