Podcast appearances and mentions of Theo Bleckmann

We got songs of all sorts tonight and non-songs for most sorts too. Take your pick! LISTEN AGAIN – you can stream on demand @ fbi.radio or podcast here. Abigail Snail – Good Grief [Romac Puncture Repairs] Abigail Snail – Attach Bayonets [Romac Puncture Repairs] You can get an idea of the experimental roots background of London guitarist Stef Ketteringham, usually known as Stef Kett, from his 10-year-old Guitar Arrangements (2016) and its sequel More Guitar Arrangements from the following year – a loose, free jazz approach to bluesy guitar, the outer limits of American Primitive. It’s not that far from there to punk rock, but nor is it far from the swamp. Garage rock is more the touchstone with Abigail Snail though, when Kett, on vox, guitar & bass, teams up with the incredibly versatile drummer Will Glaser, who’s played with the likes of Sly & the Family Drone, Yazz Ahmad, Ruth Goller and many other luminaries of the London jazz scene, and released an incredible solo album last year. The music’s a kind of hysterical, broken-down form of garage rock, dragged into swampy blues-jazz with the addition of James Allsopp on tenor sax & bass clarinet, a fixture of London’s jazz & experimental scenes for the last 2 decades. The album bio describes them as “London spray band Abigail Snail”, and the raucous-yet-vulnerable music here could well suit this new genre (as you know, we at Utility Fog love ridiculous new genres). Anyway, stick this on your boombox and scare pedestrians as you cycle to work next week. Jungstötter – Overturn [Unguarded/Bandcamp] Fabian Altstötter founded his solo project Jungstötter some years after his postpunk band Sizarr went on hiatus. Solo, his music draws from the dramatic experimental songwriting of Scott Walker & David Sylvian – on 2023’s One Star, his rich vocals were offset by industrial rumblings and shifting electronics, muddled in pitch-shifted shadows of themselves, mashed beats interrupting the flow, horn and string arrangements that grow raucous. New album Sustained is now announced, and single “Overturn” is very pared down – just that voice, some percussion, sparse electric piano, field recordings of children’s voices and occasional single note hits from horns. Oh, and the scrabbling guitar at the end, all suggesting something creepy around the corner. No doubt this will be an excellent album. Massive Attack x Tom Waits – Boots on the Ground [PIAS Records/Bandcamp] The most unexpected release of the century? Given that Tom Waits‘ last solo album Bad As Me came out in 2011, we could have been forgiven for expecting that was the end, but Massive Attack (who have stuck to random singles with feature artists for the last decade) convinced him to create this anti-war anthem, clattering percussion straight out of Tom’s Bone Machine, piano straight out of many of 3D’s productions, and Tom’s barked vocals which could refer to ICE or US troops in Venezuela, Iran, or heck, Vietnam. It’s proper chilling stuff. Loraine James – Flatline ft. Miho Hatori [Hyperdub/Bandcamp] From her soon-forthcoming album Detached From The Rest OF You, Loraine James here works with Miho Hatori of Cibo Matto on absolute thriller of a song, the beats a Loraine glitch-bass special and Hatori’s vocals spoken and sung but always cut-up. This is her “pop” album lol… Well, it’s full of great singers and James herself sings on more than a few tracks, but it’s still super experimental. Naavikaran & Simo Soo – For You Page (FYP) [Naavikaran Bandcamp] On her new EP MYSTIQ DISCOTHEQ, Naarm-based rapper Naavikaran puts a South Asian spin on her EDM-influenced rap & pop, enlisting Simo Soo to help bring out the deconstructed club vibes. Across the EP, Naavikaran raps and sings in Tamil, Marathi, Hindi and English, covering life as a disabled, LGBTQI+ refugee. Impressive and entertaining. deafkids – REFLEXO [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. james K – Doom Bikini (Hesaitix Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Hesaitix is the alias of James Whipple, better known as M.E.S.H, pioneer of “deconstructed club”. Here, though, he’s taking james K’s “Doom Bikini” and adding accelerated breakbeats in a lightweight jungle style. Very nice. Zoë Mc Pherson – Bang Bang (Nziria remix) [SFX/Bandcamp] Zoë Mc Pherson – Ambient Snake (Yushh remix) [SFX/Bandcamp] One of the leading lights of deconstructed club music (as we probably don’t call it anymore), Zoë Mc Pherson, releases the remix collection from last year’s Upside Down album, via their own SFX label. A great collection of various sorts of experimental bass music, including here some frenetic jungle/breakcore from Italian DJ & producer Nziria, and some ambient technoid lushness from Bristol’s Yushh, who will be playing here soon – at the Sydney Opera House, no less – for DUNJ’s Vivid Live event, also featuring Carrier and our own gi and Autogenesis. ARTISOMA – Boraq [YUKU/Bandcamp] Ravensburg, Germany-based producer Sarah Rendle ARTISOMA, debuting on YUKU with the Mobilya EP, exploring various configurations of UK bass and percussive techno. Quality production, as expected from anything on YUKU. OD Bongo – crystallinoron [Carton Records/Bandcamp] It’s almost inevitable that whatever is next released by French label Carton Records will be unlike whatever you’ve previously heard. Amédée de Murcia (aka Somaticae) on synths and Édouard Ribouillault aka C_C on drum machines, samplers & fx make up OD Bongo, whose second album Bongoville is technically co-released by Carton, zamzamrec, Prix Libre Record and basalte (whoever they are). This multiplicity of co-presentations is quite common in France it seems. Whoever you’re encountering it via, you’re in for a treat: hardware samplers, synths & drum machines produce a psychedelic cacophany of dance music styles, drawing in trap, juke and gqom with their bass-heavy techno – and a dub sensibility is ever-present. That’s got to hit the spot if you’re a Utility Fog listener! Haydn Douet Lukies – Amolador [Colectivo Casa Amarela/Bandcamp] Colectivo Casa Amarela are one of those Portuguese labels that you know will come through with the goods, even if you’re not sure what those goods will be. In the case of Old Dark Champagne, percussionist Haydn Douet Lukies uses his environment as his instruments – in this case the watery soundscape of Cacilhas, an industrial area in the estuary of Tagus River (Lisbon is built around that estuary), along with rusting chains, architectural surfaces and so on. But from these ingredients he makes music whose rhythms and sounds are linked to the beats of jungle, UK drill, industrial dub and other bass musics, as well as Arabic percussion and the Lisbon-centred, Afro-diasporic sounds of batida. It’s only an EP, and leaves us wanting more. Tristan Arp – Forking Paths [Kapsela/Bandcamp] Objekt‘s label Kapsela continues to be essential, now releasing an EP, Re-Weave, from the brilliant percussive techno sound-artist Tristan Arp. Case in point, tonight’s track “Forking Paths” starts with blissful synth arpeggios, but a minute and a bit in, rolling snares and a light but prominent “tok” on the 2nd & 4th beats drop in, switching into a syncopated bassline, and these various parts undulate and shuffle through the course of the track. The title is a reference to Borges’ classic story “The Garden of Forking Paths”, but also to the EP’s dedication to weaving mycelial networks and labyrinths. Beautiful. Yunzero – Cool Skunk [Yunzero Bandcamp] Naarm’s Jim Sellars makes some of the most weirdly crunchy, alternate-reality sample-based music of the last decade or so, under the name Yunzero. As the quote says on this new 2-tracker, “there’s something off”. If you wanted a summary of Utility Fog’s favourite kinds of music, “there’s something off” is a pretty good one, and it’s not a bad description of the jittery, rhythmic pieces on show here. Hora Lunga – Hearing through the Wall ft. Junge Eko [Hora Lunga Bandcamp] One album I loved from last year came from Argentinian cellist Violeta García working with the Swiss composer/producer Hora Lunga. The two musicians melded sound-art and noise with acoustic gestures, post-club sub-bass and glitched ambiences. Now Hora Lunga presents his New Age Music Vol. 2-3, which couches new agey soundscapes in post-modern irony (check the CD-R edition, which comes enclosed in repurposed pop album packaging). Deliberately awkward edits cultivate a sense of unease, only emphasised with guest vocals from the likes of Junge Eko aka Catia Lanfranchi, whispering over stop-start breaks. García appears with a vocal performance that pairs with industrial beats reminiscent of Atari Teenage Riot; meanwhile there’s angelic voice and distortion on “Doom Metal”, which is actually more like shoegaze, while Sam Portugal brings something more like black metal vocals to the dubbed-out “When I”. The double-album lurches from one genre to the next, never alighting on “new age” as such, but embodying the new, the post-, at all times. Joseph Branciforte & Jozef Dumoulin – ⊐ [greyfade/Bandcamp] With his greyfade label, NY composer, sound-artist & designer Joseph Branciforte presents music at the crossroads of contemporary classical, contemporary jazz and experimental electronic, especially where they meet in minimalism. This has led to some remarkable ideas, like the Folio edition of an acoustic reconstruction of Taylor Deupree‘s ambient-glitch classic Stil. Glitch, though, is a hallmark of the label, especially with Branciforte’s own works like the label’s debut release LP1 and its follow-up, which paired Branciforte with brilliant jazz singer Theo Bleckmann, with Branciforte on electronics and Fender Rhodes. That instrument brings us to this new collaboration, with Belgian Rhodes player Jozef Dumoulin. Both artists play their own Fender Rhodes, re-sampling and processing in realtime, and the music is (re)constructed from small fragments – but don’t think this is austere studio deconstruction; Joseph & Jozef are seasoned improvisers, and their intuitive connection is found throughout. In addition, a lot of the “editing” was done live in Branciforte’s realtime editing software. The album is released in a special deluxe edition with the whole 70 minute work on one CD, and an additional 4 CDs which contain the tracks spread out across them, to be re-sequenced or even layered if the listener wishes. Jonas Cambien – Tre – RADIO EDIT [Sonic Transmissions Records/Bandcamp] Rhythmic sounds here which hint at glitch-edits but are purely prepared piano, from Oslo-based Belgian pianist Jonas Cambien, whose Man Eating Tree is released by Norwegian label Sonic Transmissions Records. The release consists of four pieces, I believe part improvised and part composed, of rhythmic movement and minimalist gestures on prepared & unprepared piano and electric organ. Lovely stuff. Microfiche – Number 7 [Earshift Music/Bandcamp] One of Eora/Sydney’s best jazz bands, Microfiche, have their third album With Time coming out on June 12th. The album marks 10 years together as a band, and bids farewell to pianist/keyboardist Novak Manojlovic – replaced live now by the brilliant guitarist Hilary Geddes, although Novak still plays on the album, along with clarinettist/violist Phillippa Murphy-Haste, bassist Max Alduca, trumpeter Nick Calligeros, saxophonist Sam Gill (recently awarded the 2025 Freedman Jazz Fellowship) and drummer Holly Conner (who you’ve heard filling in on this show on a number of occasions). All of them are interested in music across genre, all are composers and improvisers and producers one way or other. The first single from the album is composed by Novak, and it’s a beautifully restrained piece with subtle details, clusters of virtuosity inside small musical gestures. The whole album’s special, stay tuned for more! Mariam Wallentin & Vestnorsk Jazzensemble – Basel [Hubro] Here’s a new single from an album that’s coming… sometime… from the great Norwegian label Hubro. Mariam Wallentin is one of the most extraordinary singers of our age – known for her postrock/pop/experimental duo Wildbirds & Peacedrums with her husband, drummer Andreas Werliin, and for her immense, emotive vocals with Fire! Orchestra, the Nordic free jazz big band centred around the Swedish trio Fire! formed by Werliin along with bassist Johan Berthlin and saxophonist Mats Gustafsson. Wallentin also has a solo project as Mariam The Believer which is perhaps more pop but still involves many experimental/jazz musicians. Here she is working with the Vestnorsk Jazzensemble, a jazz ensemble based in Bergen in the west of Norway, who commissioned a collaboration with Wallentin which reworks material from Mariam The Believer and even going back to Wildbirds & Peacedrums. However, “Basel” is a new song, a slow jazz groove with a pensive melody. Can’t wait to hear the rest. Claire Dickson – Waterfeel [New Amsterdam Records/Bandcamp] New York’s New Amsterdam Records are notionally a classical label, who tend to put out contemporary classical-adjacent pop, indie and experimental music as much as full-blown orchestral/ensemble work such as Sarah Kirkland Snider‘s compositions. On her second NewAm album Balance, Berlin-based Claire Dickson writes beautiful, laid-back songs around patient synth & piano patterns, fluttering strings, twinkling harp… Even when Lesley Mok‘s drums and Zoh Amba‘s sax are in the picture, it’s the slow-paced ostinati that call the shots. Dreamy & lovely stuff. Freda D’Souza – unravel (when ya comin back?) [Freda D’Souza Bandcamp] Speaking of low-key… Freda D’Souza is a London-based singer/songwriter/multi-instrumentalist who you may have heard me bugging you about before – or not, because she is the exact opposite of prolific. Her Windowledge EP from 2023 is small but perfectly formed and “The Love Song of J Alfreda D’Souza” speaks to me both on the pun level and also just as a wondrous song & performance. Anyway, how lucky are we then that she’s just pushed out a tiny single, with the lovely “lullabye” as the lead but backed up with a blissful Björk cover! The glitched, twinkling electronics of Vespertine (still my favourite Björk era) are replaced by layers of her voice and strings. Then again, if you like doom & post-metal, Freda’s band Wēven have just released their Wychelm EP, which is highly worth your time too. Listen again — ~214MB

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Theo Bleckmann is an vocalist with a penchant for creating experimental, boundary-pushing recordings drawing on a wide range of musical styles. His latest recording, called "Love and Anger," is no exception. It includes highly personal and sometimes radical arrangements of two Kate Bush songs, Sylvester's disco hit “Mighty Real,” “Hide Your Love Away” by the Beatles, “Dido's Lament” by Henry Purcell, and other songs by Massive Attack, Frank Ocean, Janis Ian, and more. Peter Solomon speaks with Bleckmann about the new recording, and Bleckmann discusses his musical origin story, including his close musical and personal relationship with the legendary singer Sheila Jordan.

Theo Bleckmann is an vocalist with a penchant for creating experimental, boundary-pushing recordings drawing on a wide range of musical styles. His latest recording, called "Love and Anger," is no exception. It includes highly personal and sometimes radical arrangements of two Kate Bush songs, Sylvester's disco hit “Mighty Real,” “Hide Your Love Away” by the Beatles, “Dido's Lament” by Henry Purcell, and other songs by Massive Attack, Frank Ocean, Janis Ian, and more. Peter Solomon speaks with Bleckmann about the new recording, and Bleckmann discusses his musical origin story, including his close musical and personal relationship with the legendary singer Sheila Jordan.

Julia Keefe (Nez Perce) is an internationally acclaimed Native American jazz vocalist, actor, activist, and educator currently based in New York City. You'll hear how her Indigenous Big Band project started, the history behind jazz in Native American communities and inspiration from Delbert Anderson to Jim Pepper. A special influence in her life has been Mildred Bailey and you'll be hearing some clips from Julia's Mildred Bailey Project album throughout this podcast; the track names are in the timestamps. Mildred was a very important figure in jazz and Julia is also working on a film about her life and career. Julia spoke about some of the sexual harassment she has experienced and how she was affected by the experience of sexual assault by a professor when she was in graduate school. She opened up about how she got through that time with the support of her vocal teacher Jo Lawry . In the shadow of this challenging time, Julia shared some fascinating specifics into how her voice teachers Jo, Theo Bleckmann and also Kate McGarry helped push her artistic and expressive boundaries, and later what a transformative experience it was to be mentored by Esperanza Spalding. Julia's identity as an Indigenous jazz musician shapes her creative life in so many affirming and inspirational ways; I'm so happy to share this meaningful conversation with you. Complete Show NotesIn the show notes: links to other suggested episodes, newsletter, buy me a coffee, podcast merch, link to Indigenous Big Band video, transcript and of course Julia Keefe's music!Julia Keefe website photo: Don Hamilton(00:00) Intro(02:38) Indigenous Big Band, Delbert Anderson(10:21) clip of Jim Pepper's “Water”, video linked in show notes (12:24) Mildred Bailey Project(14:19) clip of “Thanks for Memory" track 8 (15:08) Mildred Bailey Project album release(18:10) Mildred Bailey with clip of Rockin' Chair opener track 1 (25:28) clip of track 9 Rockin' Chair, Mildred Bailey film project with Lily Gladstone, Gary Farmer(39:23) clip of track 2 “Lover, Come Back to Me” Sterlin Harjo film “Love and Fury”(41:51) linked episodes and ways to support this podcast(42:56) Jim Pepper(49:06) Julia's childhood, Kamia, learning Nimipuutimt(55:00) residential schools bands history(01:00:24) Master's at Manhattan, Kate McGarry, Jo Lawry, Theo Bleckmann(01:05:35) personal challenges including sexual assault, support of Jo Lawry(01:19:11) Esperanza Spalding mentorship

Laura Camacho Tango Project, Theo Bleckmann, Timo Vollbrecht, Billy Hart, Aaron Parks, Kelsey Mines, Erin Rogers, Brandon Suarez, Zoh Amba, Fieldwork Steve Lehman, Bellbird, Leslie Ting, Way Ahead Trio and Midnight ChannelPlaylist: Laura Camacho Tango Project - Running Up That HillTheo Bleckmann - Love and AngerTimo Vollbrecht, featuring Ralph Alessi, Elias Stemeseder, Chris Tordini, Thomas Stronen - DarkBilly Hart, featuring Mark Turner, Ethan Iverson and Ben Street - Sonnet for StevieAaron Parks, featuring Ben Solomon, Ben Street and Billy Hart - Parks LopeKelsey Mines - AteErin Rogers, Kelsey Mines - Scratching at the SurfaceBrandon Suarez - BarbadosZoh Amba - Fruit GatheringFieldwork - DomainSteve Lehman, featuring Mark Turner, Damion Reid and Matt Brewer - L.A. GenesBellbird - The CallLeslie Ting - Dirt Road - Movements 4 & 5Way Ahead Trio - ObsesionMidnight Channel - Mallard

Voya (2025, Clap Your Hands) is the new album by saxophonist Tineke Postma and her band, featuring Theo Bleckmann on vocals. In this interview, they talk about working Theo into the existing quartet; the difference between identity and ego; the tears that were shed at their first live performance together; and much more. PATREON Become a Patreon supporter for $5 a month to get a bonus show called This I Dig Of You, on which the guest from the main episode talks about something non-musical that’s bringing them joy. You’ll also get early access to every episode, a thank you on an episode, and behind-the-scenes news. Join at https://patreon.com/thejazzsession. CREDITS Theme Music: The Respect Sextet (respectsextet.com) Logo: Sarah Walter Intro Voice: Chuck Ingersoll (hearchucknow.com)

durée : 00:58:58 - Tineke Postma "Voya" - par : Nicolas Pommaret - Avec son neuvième album en tant que leader, “Voya”, la saxophoniste et compositrice Tineke Postma ouvre un nouveau chapitre dans son parcours, en invitant le chanteur Theo Bleckmann à se joindre à elle. Parution chez Clap Your Hands. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Here is your weekly antidote to background music, where we lean in, listen close, and find what's truly worth hearing. And there's plenty of gems worth hearing in here, with a special focus on remarkable singers like Rufus Wainwright, Theo Bleckmann and Terry Callier. The playlist also features Tineke Postma, Anne Mette Iversen, Theo Croker and Sullivan Fortner. Detailed playlist at https://spinitron.com/RFB/pl/21516856/Mondo-Jazz [up to "As We Are"]. Photo credit: Tony Hauser.

The latest guest on Leo Sidran's "The Third Story" podcast is Theo Bleckmann

Singer and composer Theo Bleckmann has spent his career between categories - jazz and avant-garde, improvisation and composition, structure and discovery. Born in Germany, he began as a boy soprano and figure skater before discovering jazz and moving to New York to study with Sheila Jordan. Since then, he's built a singular life in music, collaborating with artists like Meredith Monk, Laurie Anderson, and Ben Monder. Here he talks about community, teaching, queerness, and the meaning of "a life in music" rather than "a career in jazz." He also talks about his new album Love & Anger, produced by Ulysses Owens Jr., which bridges Kate Bush and the Beatles, Frank Ocean and original compositions - all infused with curiosity, empathy, and mystery. This episode is supported by Musication, providing in-home music lessons in Brooklyn and Manhattan to children ages 3yrs old and up. Email lessons@musication.nyc and mention "The Third Story" to receive two free trial lessons.  www.third-story.com https://leosidran.substack.com/ https://www.wbgo.org/podcast/the-third-story

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durée : 00:59:21 - Banzzaï du vendredi 05 septembre 2025 : Bien le bonjour - rediffusion - par : Nathalie Piolé -

durée : 01:59:14 - par : Laurent Valero - Quelques hommages pour clore la saison estivale de Retour de plage : à l'acteur "ange et démon" Terence Stamp avec Nino Rota, Ennio Morricone et Ted Curson, à la chanteuse Nancy King, à Sheila Jordan, Theo Bleckmann et d'autres grandes voix comme Ethel Ennis, Sue Raney, Janis Siegel… - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:59:14 - Retour de plage du vendredi 22 août 2025 - par : Laurent Valero - Quelques hommages pour clore la saison estivale de Retour de plage : à l'acteur "ange et démon" Terence Stamp avec Nino Rota, Ennio Morricone et Ted Curson, à la chanteuse Nancy King, à Sheila Jordan, Theo Bleckmann et d'autres grandes voix comme Ethel Ennis, Sue Raney, Janis Siegel… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

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Today, the Spotlight shines On saxophonist and composer Ingrid Laubrock.Ingrid's just released Purposing The Air, a double album that sets 60 brief poems by Erica Hunt to music through four different vocal-instrumental duos. It's an ambitious project that transforms Hunt's emotionally sharp koans into what Ingrid calls "a library of moods”—each piece capturing a different feeling, from the everyday to the searching.The project began during Ingrid's master's studies, when she met Hunt through a friend and immediately connected with the poet's work. What started as writing for one duo became something much larger: a collection where poems float through musical space, each tailored for specific performers, such as Fay Victor and Mariel Roberts, or Theo Bleckmann and Ben Monder.(The musical excerpts heard in the interview are from Ingrid Laubrock's album Purposing the Air)–Dig DeeperVisit Ingrid Laubrock at ingridlaubrock.com and follow her on Bluesky, Facebook and YouTubePurchase Purposing the Air from Pyroclastic Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On saxophonist and composer Ingrid Laubrock.Ingrid's just released Purposing The Air, a double album that sets 60 brief poems by Erica Hunt to music through four different vocal-instrumental duos. It's an ambitious project that transforms Hunt's emotionally sharp koans into what Ingrid calls "a library of moods”—each piece capturing a different feeling, from the everyday to the searching.The project began during Ingrid's master's studies, when she met Hunt through a friend and immediately connected with the poet's work. What started as writing for one duo became something much larger: a collection where poems float through musical space, each tailored for specific performers, such as Fay Victor and Mariel Roberts, or Theo Bleckmann and Ben Monder.(The musical excerpts heard in the interview are from Ingrid Laubrock's album Purposing the Air)–Dig DeeperVisit Ingrid Laubrock at ingridlaubrock.com and follow her on Bluesky, Facebook and YouTubePurchase Purposing the Air from Pyroclastic Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

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Featuring tracks from a Mount Rushmore of Erik's most influential teachers, friends, bandmates, and mentors including Charlie Hunter, Ron Miles, Art Lande, Theo Bleckmann, Tony Mason, and Dean Johnson.

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Featuring a special episode showcasing music from the new release “Reason”. Recorded live at Dazzle in Denver, CO in December of 2021, this recording features Theo Bleckmann on vocals, Erik Deutsch on keys, and Sly5th Ave on reeds. Dig in and enjoy the ride!

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Send us your thoughts! Hailed as a “fully committed saxophonist and visionary” by The New Yorker, Ingrid Laubrock has evolved a distinctive, fascinatingly complex and richly layered sonic vocabulary that spans her efforts as an improviser, as leader of her own diverse ensembles or, as in the case of her captivating new album Purposing The Air, as composer and conceptualist for other musicians.Out April 11, 2025, Purposing The Air marks yet another adventurous exploration in a career marked by bold innovations. The album continues Laubrock's engagement with the voice, following the blend of orchestra and choir on Contemporary Chaos Practices (2018). Purposing the Air is an expansive collection of 60 miniatures setting the words of poet Erica Hunt and her emotionally incisive piece “Mood Librarian – a poem in koan.” Approaching the poem's succinct two- or three-line fragments as separate compositions, Laubrock tailored each of them for one of four duos: vocalist Fay Victor with cellist Mariel Roberts, vocalist Sara Serpa with pianist Matt Mitchell, vocalist Theo Bleckmann with guitarist Ben Monder, and mezzo-soprano Rachel Calloway with violinist Ari Streisfeld, aka the contemporary classical music ensemble Duo Cortona.While she's never before so fully integrated words and voice into her work, Laubrock has enjoyed a lifelong appreciation for poetry and literature. Her father was a Goethe scholar, while her mother instilled a love for language in her children from an early age. During the early years of her career in London, Laubrock was a member of the Brazilian-influenced band Nois 4, which featured the Brazilian singer Mônica Vasconcelos as well as vocal contributions by Laubrock herself.Support the show

Featuring the big sky, open road jams of BG and Coyote Radio; vibey new indie pop from international chanteuse Victoria Reed; vocal sensation Theo Bleckmann with Erik and Sly5thAve live in Denver; Brooklyn bassist/composer extraordinaire Arthur Kell; CDMX improvisational moments aka the Scorpio Sessions; spacey Colorado 2000's jams from County Road X; and Argentina meets Mexico with Siames.

GEORGE ADAMS / DON PULLEN “THE VILLAGE VANGUARD” New York City, August 19, 1983DianneGeorge Adams (st) Don Pullen (p) Cameron Brown (b) Dannie Richmond (dr) APRIL VARNER “APRIL” Paramus, NJ, August 29 & 30, 2023April blues, I'll remember April, Joy of April, April in ParisApril Varner (vcl,comp) acc by Benny Benack, III (tp,vcl) Dayna Stephens (ts,sop) Caelan Cardello (p) Russell Malone (g) Reuben Rogers (b) Miguel Russell (d) Theo Bleckmann (vcl) DUKE PEARSON WAHOO! Continue reading Puro Jazz 08 de octubre, 2024 at PuroJazz.

A fascinating and frankly bonkers translation has taken place Taylor Deupree's original album Stil., released in 2002 was made with 100% digital techniques with a heavy dose of microsound, layering and looping. It now exists as something wildly different and yet painstakingly based on that work. This new iteration is a 100% acoustic version which takes it from Stil. to Sti.ll This is a rare form of digital to analog conversion and should only be attempted by festidious and slightly insane people! Sti.ll, released in 2024, is a complete reimagining of Stil., recorded entirely with acoustic instruments, such as clarinets, vibraphones, and cellos, played by live musicians. This new version abandons digital sound manipulation in favor of human performance, where sounds previously made with software are recreated through physical instruments and microphones. The transformations go beyond just switching mediums; the acoustic textures bring warmth and depth, making it an entirely new and distinct experience, while retaining the essence of the original. Who would attempt such madness? Taylor Deupree (wiki-ish) is a prolific electronic musician, sound artist, and founder of the record label 12k. Known for his contributions to the microsound and minimalist electronic music movements, Taylor's work often blends digital and acoustic elements. His music is characterized by its delicate, detailed textures and use of repetition to create slowly evolving soundscapes. Joe Branciforte (wiki-ish) is a multi-instrumentalist, composer, and Grammy award-winning recording engineer and producer based in New York. He is the founder of the record label Greyfade, which focuses on process-based composition, electronic and acoustic minimalism, and alternative tuning systems. Joe's expertise spans both electronic and acoustic music, making him adept at bridging these worlds in innovative ways. His work often involves live electronic processing of acoustic instruments, and he has collaborated with renowned artists like Kenneth Kirschner and Theo Bleckmann. His technical mastery and creative vision were key to bringing Taylor Deupree's acoustic reimagining of Stil. to life in Sti.ll, where he played an integral role in transcribing and arranging the complex digital compositions for live instrumentation. So good to chat with these masters about a project of such huge scope. We discuss this album at length and also Taylor's collaboration with the late, great Ryuichi Sakamoto links: https://www.taylordeupree.com https://josephbranciforte.com MUSIC from the show: from the email I received: Last year Miet Warlop and me (Micha Volders) went to Dhaka, Bangladesh to make a visceral musical performance with young students. It opened the Dhaka Art Summit and we played for a curious Bengali crowd of thousands. This city is a whole other universe, it's loud, it's overcrowded, it's vibrant. I work on a daily basis with young artists but I rarely experienced this kind of hunger, joy and motivation from these young students. We rehearsed 3 weeks in a row on this huge ghetto sound system placed middle on the road in the city, to a point where local residents were fed up and sabotaged our (already super shabby) P;A system by cutting all the wires,  It was challenging, it was exciting and it was touching. So one year later we made a record out of the recordings of this venture : it's called ICCHĀ ——> check it out here

Featuring a couple of NYC legends from the compilation “With Love”: Kimbra and Ian Chang; Buenos Aires/CDMX super diva Barbie Williams; new and old music from Erik Deutsch (with Theo Bleckmann and Art Lande among others); jazz drumming legend of the northwest Chris Lee; a fresh release from a vintage cat…the one and only Charlie Parker; beautiful stuff from the “Saltburn” soundtrack courtesy of Anthony Willis; and straight outta Memphis and Stax Records—the Van-Dells.

Featuring a debut cut from Erik and Theo Bleckmann's upcoming release “Reason”; the new single off Victoria Reed's latest LP; the brilliance of Siamese and Barbie Williams; ethereal soundscapes courtesy of Spencer Zahn and Dawn Richard; more jams from the great, the one and only, Jim Campilongo; bay area piano master Jon Dryden; new music on the ECM label from Italian pianist Giovanni Guidi; and finally, the fresh single from Rome-based indie legend GIampaolo Speziale's solo record.

JAMIE BAUM SEPTET+ WHAT TIMES ARE THESE c. 2023In the light of day, What kind of times are these (ss vcl), I am wrestling with despair (ss vcl)Jonathan Finlayson (tp,spoken-word) Chris Komer (fhr) Jamie Baum (fl,spoken-word) Sam Sadigursky (as,cl,b-cl) Luis Perdomo (p,el-p) Brad Shepik (g,singing bowls) Ricky Rodriguez (b,el-b-g) Jeff Hirshfield (d) Keita Ogawa (perc) Theo Bleckmann, KOKAYi, Sara Serpa, Aubrey Johnson (vcl) MICHAEL ATTIAS SPUN TREE Brooklyn, NY, April 11, 2012Calendar song, Bad lucidRalph Alessi (tp) Michael Attias (as) Matt Mitchell (p) Sean Conly (b) Tom Rainey (d) GLOD/RAMOND/KUGEL NO TOXIC Bonn, Germany, June 21-23, 2022Unconscious superglitzer, Carol's dream, BottlefishRoby Glod (as,sop) Christian Ramond (b) Klaus Kugel (d,perc) Continue reading Puro Jazz 10 Mayo 2024 at PuroJazz.

Featuring new music from “Happiness Bastards” (The Black Crowes); the mesmerizing compositions of bassist Todd Sickafoose; the vibrant sound of Baja courtesy of Kelsey Garcias' new single; punk meets jazz on the fresh Messthetics and James Brandon Lewis collab; Theo Bleckmann, Sly5thAve, and Erik live in Denver from their latest limited edition release; bassist/producer Benjamin Rubin and his lo-fi solo project; the sound of CDMX improv courtesy of Erik's Scorpio Session release; and a modern folk supergroup, the High Hawks.

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This my conversation with recording engineer & multi-instrumentalist Joseph Branciforte. I had been a fan of his work on albums by Ben Monder, Caroline Davis, Matt Mitchell, Jen Shyu & Kate Gentile and loved his duo work with Theo Bleckmann. So naturally I was excited when Joseph reached out to me and said that he … Continue reading Joseph Branciforte

We may regret not having been around when some of our idols were writing the pages that have now become foundations of the music we love. There is not much we can do about that, other than fantasizing about those times and those musicians. What we can do however is feeling lucky to live at a time when there is a number of modern masters in action. One of them is trumpeter Ambrose Akinmusire [pictured], for whom 2023 was a remarkable year. Here we focus on the wide range of releases he has worked on, as well as on those of other adventurous musicians. The playlist also features ; Michael Yezerski; Cautious Clay; Dhafer Youssef; Bill Frisell, Herlin Riley; ladyybirdd; Enji; Joseph Branciforte, Theo Bleckmann [from "Brickdrop Mashup" onwards]. Detailed playlist at https://spinitron.com/RFB/pl/18366352/Mondo-Jazz Happy listening! Photo credit: Tim Dickeson.

durée : 00:58:37 - Bien le bonjour - par : Nathalie Piolé -

Nicky Schrire is a multitalented and inventive British-South African vocalist and composer based in Toronto, Canada. Her work has seen her likened to vocalists Joni Mitchell, Norma Winstone, and Esperanza Spalding with The BostonGlobe's Jon Garelick noting that “though her approach has earned her comparisons to Gretchen Parlato and Becca Stevens, the similarities are superficial…she's got her own thing, and it's very much worth listening to.”A graduate of the South African College of Music and New York's Manhattan School of Music, she studied with Anthea Haupt, Peter Eldridge, Theo Bleckmann, and Dave Liebman. Schrire has performed in New York, Los Angeles, Boston, London, Dublin and South Africa, with musicians including Ben Wendel, Gerald Clayton, Fabian Almazan, Nir Felder, and Taylor Eigsti. She released three critically acclaimed jazz albums-2012's "Freedom Flight", 2013's "Space and Time", and the 2014 EP "To The Spring"-which earned her comparisons to songwriters like Joan Baez and Mary Chapin Carpenter. Her duo album “Space & Time” featured Grammy-nominated pianists Gerald Clayton, Gil Goldstein and Fabian Almazan. The Ottawa Citizen's Peter Hum described the recording as “fifty minutes of emotionally eventful, richly crafted music”.Support the show

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"I fall in Love too easily" (gravaci

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Jonas Timm is a Leipzig-based pianist, composer und improviser. He grew up in Berlin in within his parental background of Choir music. Trained in classical Piano and Voice starting in the age of 5, he discovered improvised music in his early teens and went to study Music in Leipzig with Grandmaster Richie Beirach, Albert Bover and Michael Wollny. Besides he learned from: Alexander von Schlippenbach, Sebastian Schunke and Nils Klein among others... As formative part of Leipzigs prospering young Jazz scene, he tries to develop new spaces in intercultural exchange between people and continents. Jonas is currently collaborating and touring with several Ensembles like the Berlin Radio Choir and the Gewandhaus Choir Leipzig and played with Norma Winstone, Theo Bleckmann, Johannes Enders to list a few... He is a current scholarship holder of the State of Saxony, the German Foundation of Orchestra, the Performing Rights Society and the Foundation of the Castle of Rheinsberg. Furthermore he does curate the anually MJUZIK Festival and the „Reihe 22“ in Leipzig On April 22, 2022, Jonas released his Debut CD “Morbu” as JazzThing Next Generation Vol. 90 with Diego Pinera (drums), Tino Derado (accordion), Bertram Burkert (acoustic guitar), Lorenz Heigenhuber (Doublebass), where he combines the rhythms of Latin-American Dances with the harmonic heritage of the post-impressionistic composers of Spain and France. In this episode, Jonas shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Featuring the glassy new jams of bassist/keyboardist Spencer Zahn; the debut of a young Brazilian guitar virtuoso, Plinio Fernandes; LA drummer Mark Guiliana and Beat Music; master vocalist Theo Bleckmann from his interpretations of Kate Bush; Parisian reedsman Robby Marshall channels multiple continents on a track from his upcoming release; free jazz pioneer James Blood Ulmer and his collaboration with George Adams, Phalanx; pianist Keith Jarrett serenades us in his home studio on this 1999 release; the retro-electronic pop pride of France, Air; and finally, saxophonist Gene Ammons preaches to the choir.

This is definitely Preston's most personal episode, yet! His guest today is one of his FAVORITE people in the world--his husband, Theo Bleckmann! Theo is a massively accomplished musician with two Grammy nominations under his belt. And, in this episode, they take you down memory lane--sharing how they met and also discussing what makes a couple work, their own relationship challenges, supporting each other's demanding careers, and so much more. Listen in and enjoy... Links & Resources: Link to Sound File for Visually Impaired: Click Here Host: Preston Bailey Guest: Theo Bleckmann Follow Kaitlin on Social: Instagram (@AllTheBestMoments_ATBM) | Facebook | Pinterest | LinkedIn Show Info, Episodes, and Notes: StopAndSmellTheRosesPodcast.com Title Sponsor: On the Move Entertainment Have a question for Preston? Record a voice message and be featured on his “Dear Preston” segment! Want to be part of TWB's exclusive podcast community? Join in and support the show by clicking here! Executive Producer: Andy Kushner of The Wedding Biz Network and Kushner Entertainment | Check out Andy's Podcasts: The Wedding Biz | The Music Makers Follow Preston on social media: Instagram: @PrestonRBailey | Facebook: Facebook.com/PrestonBaileyOnline | Twitter: @PrestonRBailey Additional Support Provided By: Listeners, like you! Preston's Book: Dear Preston Join in on Preston's Ongoing Live In-person Seminars: Preston Bailey Live Stop and Smell the Roses Theme Music Composed by: Theo Bleckmann -- Podcast Network: The Wedding Biz Network Production House: Flint Stone Media Copyright of The Wedding Biz, LLC. 2022.

Vocalist Theo Bleckmann is in a league and a category of his own. Equally dazzling when interpreting the music of Kate Bush or singing the songs of Charles Ives, he made his ECM Records leader debut in 2017 with his album “Elegy”. More recently, he collaborated with the brass quartet The Westerlies for their haunting record “This Land.” Theo and I talked about his approach to recording versus performing live, his cherished collaborations with drummer John Hollenbeck and pianist Shai Maestro, and why clarity and authenticity are so important in creativity. Show Notes: Tracklisting: - Take My Life (from Elegy) - Elegy (from Elegy) - Knows Only God (God Only Knows) (from Songs You Like A Lot) - Comedy Tonight (from Elegy) - Look for the Union Label (from This Land) - Suspended In Gaffa (from Hello Earth!) - Army Dreamers (from Hello Earth!) Buy “This Land” here Buy “Elegy” here Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel upport The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Vocalist Theo Bleckmann is in a league and a category of his own. Equally dazzling when interpreting the music of Kate Bush or singing the songs of Charles Ives, he made his ECM Records leader debut in 2017 with his album “Elegy”. More recently, he collaborated with the brass quartet The Westerlies for their haunting record “This Land.” Theo and I talked about his approach to recording versus performing live, his cherished collaborations with drummer John Hollenbeck and pianist Shai Maestro, and why clarity and authenticity are so important in creativity. Show Notes: Tracklisting: - Take My Life (from Elegy) - Elegy (from Elegy) - Knows Only God (God Only Knows) (from Songs You Like A Lot) - Comedy Tonight (from Elegy) - Look for the Union Label (from This Land) - Suspended In Gaffa (from Hello Earth!) - Army Dreamers (from Hello Earth!) Buy “This Land” here Buy “Elegy” here Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel upport The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

A singer and composer of eclectic tastes and prodigious gifts, Grammy-nominated Theo Bleckmann makes music that is accessibly sophisticated, unsentimentally emotional, and seriously playful. Theo spent 15 years as a member of Meredith Monk's ensemble and appeared on 2002's Mercy and 2008's Impermanence. He has also worked with Philip Glass, John Zorn, Kenny Wheeler, and David Lang, to name a few. Theo has released a series of irreverent albums on Winter & Winter, including recordings of Las Vegas standards, of Weimar art songs, and of popular “bar songs” (all with pianist Fumio Yasuda).Theo shares how his curiosity for sound began at a young age. We chat about how his music is based in jazz, how he maintains his instrument, and his “messy” practice routine. Theo shares about his move from Germany to New York City. We discuss his time working with Laurie Anderson and Meredith Monk, his favorite vocalists, and even indulge in some coffee talk. 

John Hollenbeck is a drummer and percussionist possessed of a playful versatility and a virtuosic wit. Whether charting new territory with his long-standing Claudia Quintet or bringing to life popular songs for the Frankfurt Radio Big Band, he is forever seeking to surprise himself and his audiences. I caught up with John to discuss both his most recent, Grammy-nominated recording with the Frankfurt Radio Big Band, featuring guests Theo Bleckmann, Kate McGarry, and Gary Versace, and his new Claudia Quintet album “Evidence-based” which came out in September 2021 and features American poet Eileen Myles. Show Notes: Tracklisting: - Canvas - Knows Only God (God Only Knows) - Wichita Lineman - Evidence-Based - Diversity https://johnhollenbeck.bandcamp.com/ Interview with John about his McGill Teaching Award Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

John Hollenbeck is a drummer and percussionist possessed of a playful versatility and a virtuosic wit. Whether charting new territory with his long-standing Claudia Quintet or bringing to life popular songs for the Frankfurt Radio Big Band, he is forever seeking to surprise himself and his audiences. I caught up with John to discuss both his most recent, Grammy-nominated recording with the Frankfurt Radio Big Band, featuring guests Theo Bleckmann, Kate McGarry, and Gary Versace, and his new Claudia Quintet album “Evidence-based” which came out in September 2021 and features American poet Eileen Myles. Show Notes: Tracklisting: - Canvas - Knows Only God (God Only Knows) - Wichita Lineman - Evidence-Based - Diversity https://johnhollenbeck.bandcamp.com/ Interview with John about his McGill Teaching Award Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.