Podcasts about Daniel Barenboim

This is a personal story about my first online interview at the end of the 1990s. It is a trip back in time with original sound snippets from the interview with famous conductor and pianist Daniel Barenboim in the Opéra Royale at Versailles. Find out how we did this technically and what questions the maestro was asked that came from the internet. This is another special episode where I experiment with different kinds of storytelling.  This time, it is also about pioneering the internet and music thinking. You hear original sounds from 1997 that might sound a bit bumpy but have historical value. It shows unreleased material from a great musician, an empathic, sympathetic person in a relaxed, collegial atmosphere. Show notes Europa Concert 1997: https://www.medici.tv/en/concerts/europakonzert-1997-chateau-de-versailles-paris-daniel-barenboim-conductor-and-piano-berliner-philharmoniker-ravel-mozart-beethoven Daniel Barenboim Wikipedia: https://en.wikipedia.org/wiki/Daniel_Barenboim  Show support Please choose one or more of the ‘three ways to support the show': Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only.​​  

Corría el año 1996 cuando se juntaron para grabar un larga duración que pasó a ser emblema tanguero, un concierto íntimo y extraordinario que perdurará por muchos años más, quizás hasta pase un siglo, como alguna de la piezas que ejecutan con maestría. Uno de ellos, que no vive en Argentina, tuvo que recorrer muchos kilómetros para encontrarse con los otros dos virtuosos y así conformar este trío de magníficos músicos. Este LP refrescó el aire porteño de los noventa, con temas cuidadosamente seleccionados para nuestro deleite y admiración. Cada una de las composiciones supera ampliamente cualquier expectativa exigente, porque los tres, pusieron su talento enorme en esta producción espectacular. Hicieron un mixer cuidadoso entre tangos de ayer y de hoy, cada uno de ellos guardan la nostalgia de quienes saben que nuestra música siempre tiene algo más para dar, porque los años pasan y estas melodías quedan grabadas en la memoria. Nos vestimos de gala en Tango Sensei para recibir, una vez más y para beneplácito de todos, a los maestros Daniel Barenboim, Rodolfo Mederos y Héctor Console que nos regalaron este Mi Buenos Aires querido!

Corría el año 1996 cuando se juntaron para grabar un larga duración que pasó a ser emblema tanguero, un concierto íntimo y extraordinario que perdurará por muchos años más, quizás hasta pase un siglo, como alguna de la piezas que ejecutan con maestría. Uno de ellos, que no vive en Argentina, tuvo que recorrer muchos kilómetros para encontrarse con los otros dos virtuosos y así conformar este trío de magníficos músicos. Este LP refrescó el aire porteño de los noventa, con temas cuidadosamente seleccionados para nuestro deleite y admiración. Cada una de las composiciones supera ampliamente cualquier expectativa exigente, porque los tres, pusieron su talento enorme en esta producción espectacular. Hicieron un mixer cuidadoso entre tangos de ayer y de hoy, cada uno de ellos guardan la nostalgia de quienes saben que nuestra música siempre tiene algo más para dar, porque los años pasan y estas melodías quedan grabadas en la memoria. Nos vestimos de gala en Tango Sensei para recibir, una vez más y para beneplácito de todos, a los maestros Daniel Barenboim, Rodolfo Mederos y Héctor Console que nos regalaron este Mi Buenos Aires querido!

Alain Lanceron est le Président de Warner Classics & Erato, seuls labels classiques d'une major du disque, poste qu'il occupe depuis 2014 suite au rachat d'EMI par le groupe Warner. Une multinationale au catalogue impressionnant : Maria Callas, Herbert Von Karajan, Nathalie Dessay, Martha Argerich, Gautier et Renaud Capuçon, Daniel Barenboim, Alexandre Tharaud, Laurence Equilbey, Elisabeth Schwarzkopg, Hélène Grimaud… Quand on l'interroge sur son enfance, on n'est pas surpris que ce Niçois d'origine de 75 ans ait fait une si longue carrière dans la musique classique. Musiques : Carmen “Habanera” Conchita Supervia “Overture” Verdi : Un Ballo In Maschera. Royal Opera House Covent Garden, Sir Colin Davis “Le Crépuscule des Dieux” de Richard Wagner, mis en scène par Patrice Chéreau et dirigé par Pierre Boulez à Bayreuth en 1980 Norma: Act I: Casta diva · Maria Callas, Orchestre National de l'Opéra de Paris dirigé par Georges Sebastian “Overture” d'Alcina de Handel, dirigé par William Christie avec les Arts Florissants Fauré: 3 mélodies, Op. 7, N°1, Après un rêve - Barbara Hendricks avec Michel Dalberto Grieg: Lyric Pieces, Book 2, Op. 38: N°1, Berceuse - Bertrand Chamayou Piano Concerto en ré majeur, Op. 61a. Allegro non troppo - Yehudi Menuhin, Sinfonia Varsovia, François-René Duchâble Musique originale : Léonie Pernet

De sol et de sang, c'est un mutant, un pacifiste qui fait la guerre, un guerrier qui veut la paix. C'est une histoire dans l'Histoire avec sa grande hache que celle de Xavier Le Clerc. Issu d'un récit colonial français invisibilisé et fils d'Un homme sans titre (son précédent roman), Le Clerc s'inscrit désormais sur le fronton de notre paysage littéraire en cheval de Troie. Mais attention, cet amoureux d'Albert Camus et d'Alexandre Dumas ne s'avance pas en spahi destructeur de nos consciences, mais en humaniste lettré qui doit tout à la France, sans se départir de sa mystique algérienne. Né Aït-Taleb en Kabylie, ayant grandi en France où porter un nom d'arabe est mortel, et vivant aujourd'hui la dignité d'un Le Clerc en Grande-Bretagne, on dira que l'altérité est sa table de travail. Il vous en donne aussi, du travail, avec son nouvel opus Gallimard intitulé Le pain des Français.  Programme musical :  Rachid Taha – Bent Sahra Jean-Sébastien Bach – Violin concerto n•1 in A minor BWV 1041 dirigé par Daniel BarenboimÀ écouter aussiXavier Le Clerc, au nom du père

De sol et de sang, c'est un mutant, un pacifiste qui fait la guerre, un guerrier qui veut la paix. C'est une histoire dans l'Histoire avec sa grande hache que celle de Xavier Le Clerc. Issu d'un récit colonial français invisibilisé et fils d'Un homme sans titre (son précédent roman), Le Clerc s'inscrit désormais sur le fronton de notre paysage littéraire en cheval de Troie. Mais attention, cet amoureux d'Albert Camus et d'Alexandre Dumas ne s'avance pas en spahi destructeur de nos consciences, mais en humaniste lettré qui doit tout à la France, sans se départir de sa mystique algérienne. Né Aït-Taleb en Kabylie, ayant grandi en France où porter un nom d'arabe est mortel, et vivant aujourd'hui la dignité d'un Le Clerc en Grande-Bretagne, on dira que l'altérité est sa table de travail. Il vous en donne aussi, du travail, avec son nouvel opus Gallimard intitulé Le pain des Français.  Programme musical :  Rachid Taha – Bent Sahra Jean-Sébastien Bach – Violin concerto n•1 in A minor BWV 1041 dirigé par Daniel BarenboimÀ écouter aussiXavier Le Clerc, au nom du père

durée : 01:29:23 - En pistes ! du jeudi 13 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - De belles découvertes ce matin : le rare "Christus" (un vaste oratorio de Franz Liszt), des trésors baroques par l'ensemble Il Sogno barocco, et des archives de grands concerts signés Carlos Kleiber ou Daniel Barenboim

durée : 01:29:23 - En pistes ! du jeudi 13 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - De belles découvertes ce matin : le rare "Christus" (un vaste oratorio de Franz Liszt), des trésors baroques par l'ensemble Il Sogno barocco, et des archives de grands concerts signés Carlos Kleiber ou Daniel Barenboim

Ursula Jones is “nothing short of a musical icon” – at least according to the Royal Philharmonic Society, who made her an honorary member last year at the age of 92. She has devoted her life to music, and has long championed the work of young performers – she gave Daniel Barenboim his first break as a conductor in London, when he was just 23. Ursula was born in Lucerne in 1932, where her father was one of the founders of the Lucerne Festival, so famous musicians, including the likes of Richard Strauss, were never far away. She came to London in 1954 and worked as a secretary for the Philharmonia Orchestra, moving on to co-found the English Chamber Orchestra in 1960. She married the eminent trumpet player Philip Jones, and later managed his Brass Ensemble. Music isn't her only fascination: she completed a doctorate in archaeology at the age of 60, and in 2021 she cycled 100km to raise money for the charity Brass for Africa. Ursula's choices include music by Britten, Mozart and Handel.

Dirigieren und Quantenfeldtheorie sind auf den ersten Blick zwei unterschiedliche Paar Stiefel. Und doch hat der in Dachau geborene Thomas Guggeis beides studiert. Mit der Physik wollte er auf Nummer sicher gehen, mit der Musik folgte er seiner Leidenschaft. Heute ist Guggeis Generalmusikdirektor an der Frankfurter Oper, hat 2023 an der MET in New York mit dem Fliegenden Holländer debütiert und war Assistent von Daniel Barenboim in Berlin. Im Interview mit Sylvia Schreiber verrät er unter anderem, wie sich seine Physik-Kenntnisse auf sein Künstlerdasein auswirken.

Looking forwards, looking back with our correspondents in Brussels, Paris, Kyiv and Berlin. Plus a special feature-length focus on The West-Eastern Divan Orchestra at 25.

Du Pr

Barenboim i "L'Emperador". Daniel Barenboim

Hauptwerk seines neuen Albums ist Schumanns Cellokonzert op. 129, das Kian Soltani zusammen mit der Salzburger Camerata und Konzertmeister Gregory Ahss aufgenommen hat. Eigene Transkriptionen von Liedern für Klavier und Cello kommen hinzu, außerdem neu orchestrierte Werke des Komponisten. Soltani fasziniert die Verbindung von strenger kompositorischer Form und lyrischer Freiheit in Schumanns Cellokonzert. Außerdem sieht er eine enge Verbindung zur Gattung des Kunstlieds, die der Komponist beherrschte wie kein anderer. 1992 geboren als Sohn einer persischen Musikerfamilie, in Bregenz aufgewachsen, wurde Kian Soltani der Musikerberuf quasi in die Wiege gelegt. Bereits mit 12 Jahren kam er in die Klasse von Ivan Monighetti an der renommierten Musik-Akademie in Basel, er wurde gefördert von der Anne-Sophie-Mutter-Stiftung und der Kronberg Academy und war Mitglied in dem von Daniel Barenboim mitgegründeten West Eastern Divan Orchestra. Heute ist Kian Soltani weltweit bekannt als Solist und Kammermusiker. Debuts gab er u.a. in der Berliner Staatsoper, der Elbphilharmonie Hamburg, der Carnegie Hall in New York sowie in der Royal Festival Hall und der Cadogan Hall in London.

Der Münchner Pianist und "Musikdurchdringer" Jürgen Plich stellt jeden Dienstag um 20 Uhr große klassische Musik vor. Er teilt seine Hör- und Spielerfahrung und seine persönliche Sicht auf die Meisterwerke. Er spielt selbst besondere, unbekannte Aufnahmen, erklärt, warum die Musik so und nicht anders klingt und hat eine Menge aus dem Leben der Komponisten zu erzählen. Sonntags um 10 Uhr in der Wiederholung. Radio München www.radiomuenchen.net/​ @radiomuenchen www.facebook.com/radiomuenchen www.instagram.com/radio_muenchen/ twitter.com/RadioMuenchen Radio München ist eine gemeinnützige Unternehmung. Wir freuen uns, wenn Sie unsere Arbeit unterstützen. GLS-Bank IBAN: DE65 4306 0967 8217 9867 00 BIC: GENODEM1GLS Bitcoin Cash (BCH): qqdt3fd56cuwvkqhdwnghskrw8lk75fs6g9pqzejxw Bitcoin (BTC): 3G1wDDH2CDPJ9DHan5TTpsfpSXWhNMCZmQ Ethereum (ETH): 0xB41106C0fa3974353Ef86F62B62228A0f4ad7fe9

durée : 01:29:12 - Daniel Barenboim à Berlin - par : Aurélie Moreau - Pour Daniel Barenboim, célèbre chef d'orchestre, pianiste et humaniste « Le miracle se produit lorsque le chef et l'orchestre partagent la même réaction émotionnelle et ne font plus qu'un » (Le Monde). Aujourd'hui Schumann, Mahler, Wagner, Brahms…

durée : 00:03:56 - Le Bach du matin du lundi 07 octobre 2024 - En ce 7 octobre, notre Bach du matin est en la mémoire des 1205 morts de l'attaque terroriste perpétrée par le Hamas en Israël, pour les 97 otages détenus à Gaza, les dizaines de milliers de civils tués à Gaza depuis le début de l'offensive militaire lancée par Israël en représailles.

durée : 00:03:56 - Le Bach du matin du lundi 07 octobre 2024 - En ce 7 octobre, notre Bach du matin est en la mémoire des 1205 morts de l'attaque terroriste perpétrée par le Hamas en Israël, pour les 97 otages détenus à Gaza, les dizaines de milliers de civils tués à Gaza depuis le début de l'offensive militaire lancée par Israël en représailles.

Anna Prohaska, eine Sopranistin mit unglaublicher Präsenz, stimmlich, darstellerisch, im Gespräch. In schwindelerregendem Tempo hat die gebürtige Neu-Ulmerin mit Wohnsitz in Berlin die großen Bühnen und Konzertpodien erobert, gab mit 17 ihr Debüt an der Komischen Oper Berlin, bevor Daniel Barenboim die 23-Jährige fest an seine Berliner Staatsoper engagierte. Aber sie ist Kind einer Künstlerfamilie und blickt deshalb gerne über die Grenzen des Gesangs hinaus.

Die Cellistin Kristin von der Goltz ist Initiatorin eines Benefizkonzerts für Gaza nächste Woche in der Himmelfahrtskirche in München-Sendling. Mit dabei sind prominente Musikerinnen und Musiker aus dem Münchner Raum. Ideengeber des ganzen ist aber Michael Barenboim, Sohn von Daniel Barenboim und Konzertmeister des West-Eastern Divan Orchestra, in dem junge Musiker aus Israel und den Ländern des Nahen Ostens spielen.

Tales From The Lane Podcast: Making Space for What Matters Welcome back to another episode of the Tales From The Lane Podcast with your host, Kate Kayaian. Join Kate as she discusses the pitfalls and importance of carving out space in our busy lives for what truly matters. In this thought-provoking episode, Kate reflects on the importance of strategically slowing down, prioritizing, and making room for the things that bring us joy and fulfillment. Drawing on personal anecdotes and insights from Cal Newport's latest book, Slow Productivity, Kate offers practical strategies for reclaiming your time and creating a life that aligns with your values. Key Takeaways: Reevaluating priorities and making intentional choices Embracing a slower pace to enhance productivity and creativity Letting go of the hustle culture and finding balance in life Identifying areas where space can be created for meaningful activities Transforming busy schedules into purposeful living   Download your free Quarterly Retreat Planning Guide. or your (also free!) 10 Habits for Successful Artists Guide Book a free 30-minute discovery call with Kate.   If you enjoyed today's episode, please don't forget to subscribe, rate, review, and share it with your friends!  Want more Tales From The Lane content? Check out the TFTL Blog, with 6+ years of past articles and interviews!  Let's hang out! IG: https://www.instagram.com/kkayaian FB: https://www.facebook.com/groups/Talesfromthelane Twitter: https://twitter.com/kkayaianwright Website: KateKayaian.com

Sir Antonio Pappano is one of the world's most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l'ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull'aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

durée : 01:29:00 - En pistes ! du mardi 05 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Top départ de notre matinée en musique avec le pianiste William Youn dans la Ballade de Fauré et la violoniste Maria Duenas dans L'été de Vivaldi, continuons avec Daniel Barenboim dans l'Humoresque n°1 de Dvorak et l'ensemble baroque Capella Jenensis dans les sonates d'Andreas Oswald. En pistes !

Jess Gillam and soprano Masabane Cecilia Rangwanasha share their favourite tracks.South African soprano Masabane Cecilia Rangwanasha was the winner of the Song Prize at the BBC Cardiff Singer of the World Competition in 2021 and is a current BBC New Generation Artist. She's brought a track from iconic South African artist Miriam Makeba and Maria Callas singing a prayer from Verdi's Otello, and Jess has picked a dance of death from Saint-Saens and jazz from Charlie ‘Bird' Parker.PLAYLIST: MAHALIA JACKSON– If I Can Help Somebody CAMILLE SAINT-SAENS – Danse macabre, Op 40 [Luben Yordandoff (violin), Orchestre de Paris, Daniel Barenboim (cond)] GIUSEPPE VERDI – Ave Maria (Otello: Act 4) [Maria Callas (sop), Orchestre de la Société Des Concerts Du Conservatoire, Nicola Rescigno (cond)] HENRY PURCELL – Music for a While (Oedipus, Z 583) [Martin Fröst (clarinet), Sebastien Dube (double bass)] MIRIAM MAKEBA – The Click Song JIMMY MCHUGH/DOROTHY FIELDS– Don't Blame Me (Live) [Charlie Parker Quintet] DOMENICO CIMAROSA – Sonata No 42 in D minor, arr Ólafsson [Víkingur Ólafsson (piano)] VINCENZO BELLINI – Mira, O Norma (Norma) [Joan Sutherland (sop), Montserrat Caballé (sop), Welsh National Opera Orchestra, Richard Bonynge]Produced by Rachel Gill

Michaela Špačková is a curious and creative artist who seamlessly integrates her passions for music, humanity and nature into her musical work, lifestyle and intercultural activities – from music education concerts to her development of permaculture gardening. She regularly performs works dedicated to her for solo bassoon by contemporary composers, She began playing the bassoon at the age of 12 and made her debut five years later with the PKF Prague Philharmonia, following appearances with the ORF Vienna, Munich Chamber Orchestra and Czech Philharmonic, receiving more than 20 prizes at various competitions such as the ARD Music Competition and Prague Spring Competition, and performing worldwide in the most prestigious halls such as the Berlin Philharmonie, Philharmonie de Paris, Suntory Hall Tokyo, etc. She was solo bassoonist in the Konzerthausorchester Berlin with Christoph Eschenbach and Academist with the Staatskapelle Berlin under Daniel Barenboim, played with conductors such as Sir S. Rattle, Z. Mehta, I. Fischer, W. Jurowski and others. In this episode, we speak about her start on the bassoon, her experiences and insights on taking part and winning numerous competitions, some of her favorite contemporary composers, educational music concerts, her passion for permaculture gardening, how she overcome a challenging moment in her career and we are joined by a super-cute guest right at the end! Legends of Reed is sponsored by Barton Cane. Use coupon code "legendsofreed" for free shipping. https://www.bartoncane.com Find out more about Michaela here: https://www.michaelaspackova.com

Ernesto Sábato solía decir que el tango, como baile, canción y poema urbano, con reconocimiento mundial, es un híbrido en que se juntan la cultura gauchesca, la española y la italiana…Y al tango dedicaremos el programa, analizando y escuchando los último años de CARLOS GARDEL, el tango visto por un cuarteto europeo llamado QUADRO NUEVO, que lo ha cogido como plato fuerte de su repertorio, y el tango recreado por el gran pianista y director de orquesta argentino DANIEL BARENBOIM.

Ernesto Sábato solía decir que el tango, como baile, canción y poema urbano, con reconocimiento mundial, es un híbrido en que se juntan la cultura gauchesca, la española y la italiana…Y al tango dedicaremos el programa, analizando y escuchando los último años de CARLOS GARDEL, el tango visto por un cuarteto europeo llamado QUADRO NUEVO, que lo ha cogido como plato fuerte de su repertorio, y el tango recreado por el gran pianista y director de orquesta argentino DANIEL BARENBOIM.

durée : 00:24:20 - Disques de légende du jeudi 25 janvier 2024 - Requiem de Verdi sous la direction de Daniel Barenboim.

SynopsisOn today's date in 1853, Giuseppe Verdi's opera Il Trovatore (or The Troubador) had its premiere performance at the Teatro Apollo in Rome.It proved an immediate hit. True, some did complain at the time about its gloomy, complicated and downright confusing plot. But Verdi's music setting had such great tunes and such energetic verve that Il Trovatore quickly became the most popular of all his operas in the 19th century.Its tunes were soon heard emanating from street corner barrel-organs, and, as a true sign of popularity, there were even comic parodies of its melodramatic blood and thunder storyline.Reviewing a New York production in 1862, American composer and music critic William Fry had these observations: “Il Trovatore has a wonderful plot, beyond human comprehension. ... As to the music, there are some charming, popular, ingenious, artistic, great points; then, there are some others egregiously vulgar and rowdy. The ‘Anvil Chorus,' for example, is about equal to a scene of mending a sewer set to music.”And as for parodies, in the 1935 film A Night at the Opera, Il Trovatore — and opera, in general — receives a devastating sendup at the hands of the Marx Brothers.Music Played in Today's ProgramGiuseppe Verdi (1813-1902) [arr. Franz Liszt] Miserere, fr Il Trovatore; Daniel Barenboim, piano Erato 75457; and Anvil Chorus, fr Il Trovatore; Chicago Symphony and Chorus; Georg Solti, cond. London 466 075

durée : 00:26:03 - Disques de légende du jeudi 16 novembre 2023 - Janet Baker et Daniel Barenboim se rencontrent au milieu des années 1960. Il faut attendre juillet 1976 pour que ces deux musiciens légendaires s'unissent sur un disque. Au programme de cette collaboration inédite : le cycle de lieder L'amour et la vie d'une femme de Robert Schumann.

SynopsisThese days at symphony concerts, when a new piece of music is about to be played, it's not uncommon to overhear someone mutter, “Why do they have to program this new stuff, when there's so much Brahms and Tchaikovsky we'd rather hear?”Well, on today's date in 1881, the 40th season of the New York Philharmonic Society's concerts opened with a pair of new works: first the New York premiere of the Tragic Overture, by Johannes Brahms, and after that, the world premiere of the Second Piano Concerto, by Peter Ilyich Tchaikovsky. The soloist in the Tchaikovsky was Madeleine Schiller.Here's what the New York Times had to say the following morning: “The return of Madame Schiller to the stage is a welcome event, ... the only regret being that her efforts had not been devoted to a more interesting work, for, apart from the novelty, it cannot be said that the Tchaikovsky concerto possessed any great merit. There are older works, of which one never tires and which, interpreted by Madame Schiller ... would always be welcomed.”Ah, some things never change!Music Played in Today's ProgramJohannes Brahms (1833 – 1897) Tragic Overture; Chicago Symphony; Daniel Barenboim, cond. Erato 95192Peter Tchaikovsky (1840 – 1893) Piano Concerto No. 2; Barry Douglas, piano; Philharmonia Orchestra; Leonard Slatkin, cond. RCA/BMG 61633

Er is weer een nieuwe aflevering van Europa Draait Door, en wát voor een: in een bomvol Tivoli Vredenburg traden wij op met Iris de Graaf! We doken in haar gedwongen vertrek uit Rusland, en de repressie die in Rusland nog steeds lijkt toe te nemen. Daarnaast ook aandacht voor de bijzondere relaties tussen Rusland en Hamas, én natuurlijk de bizarre beelden uit de deelstaat Dagestan, waar een vliegveld werd bestormd op het moment dat er een Israëlisch vliegtuig zou gaan landen. Fragmenten uit aflevering: - Aanstaande zaterdag gaan we de grens over, want dan treden we op in het Dutch Centre in Londen! Samen met niemand minder dan Casper Veldkamp, topdiplomaat, en nummer 4 voor het NSC bij de aankomende verkiezingen. Tickets zijn hier te verkrijgen! (https://dutchcentre.com/eventer/europa-draait-door-live-met-tim-de-wit-en-arend-jan-boekestijn) - Op 7 november staan wij in de prachtige Schouwburg Odeon in Zwolle, met niemand minder dan Helga Salemon! Tickets zijn hier te krijgen! (https://www.vpro.nl/programmas/europa-draait-door.html) - Iris de Graaf ziet hoe gesprekspartner gearresteerd wordt in Moskou (https://nos.nl/video/2445858-correspondent-in-moskou-ziet-hoe-gesprekspartner-gearresteerd-wordt) - De onrust in Dagestan nadat vliegveld bestormd werd (https://www.politico.com/news/2023/10/29/russian-airport-flight-protest-israel-00124140) - Nieuwe EU-wetgeving zorgt voor frictie in Noorwegen (https://www.politico.eu/article/norway-government-faces-collapse-over-eu-energy-row/) - Hoe staat het met de groene ambities van Noorwegen? (https://www.dagsavisen.no/debatt/2023/10/23/eu-setter-fart-norge-noler/) - Daniel Barenboim and the West-Eastern Divan Orchestra: Music that crosses divides (https://www.youtube.com/watch?v=__vqx4yfo1M)

Gabriel Medina é o nome mais buscado nos temas de surfe por isso colocamos aqui - não falamos dele nesse episódio. Tenham uma certeza, o Boia é o podcast menos ouvido e mais escutado nesse deserto sem oásis e repleto de miragens. No episódio 222, Julio Adler, Bruno Bocayuva e João Valente correm até Saquarema para tratar de forma, conteúdo e conclusão do CS, recuperamos uma página dupla no Imagem Falada, pegamos onda com Tito depois de mais de 15 anos no Pra Lá de Marrakech e relemos um texto da final entre Parko e Slater na Goldie (aquela do dedo!!!) no Almanaque. A trilha ficou por conta do Sonic Youth com Teenage Riot, Isley Brothers com Listen to the Music e Daniel Barenboim e West-Eastern Divan Orchestra com Beethoven, Symphony No.8 in F, Op.93_ 2. Aceitamos seu apoio no PicPay - Acesse o link https://picpay.me/boiapodcast para me pagar com PicPay. Compre a camisa do Boia https://www.southtosouth.com.br/collections/camisetas-boia-podcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

As his new recordings with the Vienna Philharmonic Orchestra of the complete symphonies of Anton Bruckner - all eleven of them - hit the record stores, Tom Service speaks to the German conductor Christian Thielemann. He tells Tom about what had, for him, been a burning desire to embark on the journey to record all of the composer's symphonies, as well as the consolations of working with one of the world's greatest orchestras. Thielemann shares his vision, too, for audiences in the German capital following the recent news he'll succeed Daniel Barenboim as the General Music Director of the Berlin State Opera. With preparations well underway for this year's London Jazz Festival, Tom catches-up with the ‘Queen of African Music' - Angélique Kidjo. She describes her first encounter with Beethoven among the vinyl records of classical music her father had collected before the disruption of Benin's dictatorships, and speaks about her escape to Paris in the 1980s, as well as the joyous spirit of defiance and power of music in the conflicts she's witnessed in Sudan and Uganda. And as ensembles around the country gear up for the finals of this year's National Brass Band Championships, Music Matters eavesdrops on the preparatory rehearsals of last year's winner's, Foden's Brass Band. With contributions from principal cornet, Mark Wilkinson, principal trombone and Chairman, John Barber, flugel horn player, Melanie Whyle, and conductor, Russell Gray, Tom also speaks to the composer of this year's test piece, Edward Gregson, about his ‘Of Men and Mountains', which will be performed by twenty bands at this year's championships.

ചിന്തകൻ Edward Said 1999 ൽ ഒരു സംഗീതസംഘത്തിന് രൂപം നൽകി. West Eastern Divan Orchestra സംഗീതജ്ഞനായ Daniel Barenboim കൂട്ടിനുണ്ടായിരുന്നു. പലസ്തീനിലെയും ഇസ്രയേലിലെയും സംഗീതജ്ഞന്മാർ അതിൽ അംഗങ്ങളാണ്. സംഗീതം ഏകമാനവികതയിലേക്കുള്ള യാത്രയിലെ ഒരു മാർഗ്ഗമാണെന്നുള്ള വിശ്വാസം ഇങ്ങനെയൊരു നീക്കത്തിന് അവരെ പ്രേരിപ്പിച്ചു. എഡ്വേർഡ് സയിദ് 2003 ൽ അന്തരിച്ചു . സംഗീതസംഘം ഇപ്പോഴും സജീവം . ഈ ലക്കം ദില്ലി -ദാലി പോഡ്‌കാസ്റ്റ് ഗാസയിലെ ഇപ്പോഴത്തെ ദുഃഖത്തെ /യുദ്ധത്തെ മുൻനിർത്തി Daniel Barenboim എഴുതിയ ലേഖനത്തിന്റെ മലയാളപരിഭാഷയാണ്. The Guardian പ്രസിദ്ധീകരിച്ച ലേഖനത്തിൽ Barenboim പറയുന്നു, സ്വന്തമായി ഒരു രാഷ്ട്രം എന്ന ജൂതസ്വപ്നം ആശയാടിസ്ഥാനത്തിൽ തന്നെ തെറ്റായിരുന്നു. നാടില്ലാത്ത ഒരു ജനതയ്ക്ക് ജനങ്ങളില്ലാത്ത ഒരു നാട് നല്കാനില്ലായിരുന്നു. ഒന്നാം ലോകയുദ്ധം കഴിയുമ്പോൾ പലസ്തീൻ പ്രദേശത്ത് 8 ശതമാനമായിരുന്നു ജൂതർ. അതായത് 92 ശതമാനം മറ്റുള്ളവരായിരുന്നു. അതിനാൽ സന്തോഷമുള്ള പലസ്തീനികൾ ഇസ്രായേലിലെ യഹൂദരുടെ സുരക്ഷയ്ക്ക് ഏറ്റവും അവശ്യഘടകമാണ്'. സംഗീതജ്ഞൻ ലോകത്തെ മനസ്സിലാക്കുന്നത് അറിയുവാൻ ലേഖനത്തിന്റെ പൂർണ്ണരൂപം കേൾക്കൂ. West Eastern Divan Orchestra അവതരിപ്പിച്ച ബീഥോവൻ സംഗീതം പശ്ചാത്തലത്തിൽ. സ്നേഹപൂർവം എസ് . ഗോപാലകൃഷ്ണൻ 17 ഒക്ടോബർ 2023 https://www.dillidalipodcast.com/

Support me by becoming wiser and more knowledgeable – check out Edward Said's collection of books for sale on Amazon here: https://amzn.to/4cvSMND If you purchase a book through this link, I will earn a 4.5% commission and be extremely delighted. But if you just want to read and aren't ready to add a new book to your collection yet, I'd recommend checking out the ⁠⁠⁠Internet Archive⁠⁠⁠, the largest free digital library in the world. If you're really benevolent you can buy me a coffee or donate over at ⁠https://ko-fi.com/theunadulteratedintellect⁠⁠. It would be seriously appreciated! __________________________________________________ Edward Wadie Said (1 November 1935 – 24 September 2003) was a Palestinian American academic, literary critic and political activist. A professor of literature at Columbia University he was among the founders of postcolonial studies. Born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran. Educated in the Western canon at British and American schools, Said applied his education and bi-cultural perspective to illuminating the gaps of cultural and political understanding between the Western world and the Eastern world, especially about the Israeli–Palestinian conflict in the Middle East; his principal influences were Antonio Gramsci, Frantz Fanon, Aimé Césaire, Michel Foucault, and Theodor Adorno. As a cultural critic, Said is known for the book Orientalism (1978), a critique of the cultural representations that are the bases of Orientalism—how the Western world perceives the Orient. Said's model of textual analysis transformed the academic discourse of researchers in literary theory, literary criticism, and Middle Eastern studies—how academics examine, describe, and define the cultures being studied. As a foundational text, Orientalism was controversial among scholars of Oriental studies, philosophy, and literature. As a public intellectual, Said was a controversial member of the Palestinian National Council, due to his public criticism of Israel and the Arab countries, especially the political and cultural policies of Muslim régimes who acted against the national interests of their peoples. Said advocated the establishment of a Palestinian state to ensure equal political and human rights for the Palestinians in Israel, including the right of return to the homeland. He defined his oppositional relation with the status quo as the remit of the public intellectual who has "to sift, to judge, to criticize, to choose, so that choice and agency return to the individual" man and woman. In 1999, with conductor Daniel Barenboim, Said co-founded the West–Eastern Divan Orchestra, based in Seville. Said was also an accomplished pianist, and, with Barenboim, co-authored the book Parallels and Paradoxes: Explorations in Music and Society (2002), a compilation of their conversations and public discussions about music held at New York's Carnegie Hall. Original videos ⁠here⁠⁠ and here Full Wikipedia entry ⁠here⁠ Edward Said's books ⁠here --- Support this podcast: https://podcasters.spotify.com/pod/show/theunadulteratedintellect/support

SynopsisIn September 2001, American composer Elliott Carter was just a few months shy of his 93rd birthday, but still busy composing new works both large and small.On today's date that year, Carter's Cello Concerto received its premiere in Chicago with cellist Yo-Yo Ma and Daniel Barenboim conducting the Chicago Symphony.Now, Carter's music is technically challenging for performers, and its complexity can make it equally challenging for audiences, especially at first hearing. Despite all that, Carter's comments on his music were usually quite straightforward:“In this score I have tried to find meaningful, personal ways of revealing the cello's vast array of wonderful possibilities,” he wrote. “My Concerto is introduced by the soloist alone, playing a frequently interrupted cantilena that presents ideas later to be expanded into movements.”A month after its premiere, Ma, Barenboim, and the Chicago Symphony brought the new work to Carnegie Hall, and the New York Times reviewer Anthony Tommasini wrote:“For all its complexities … the cello part has a rhapsodic, improvisatory quality …. At its conclusion, when Mr. Carter, who is 92, climbed the steps to the stage with a cane to steady him, he received a prolonged standing ovation.”Music Played in Today's ProgramElliott Carter (1908 – 2012) Cello Concerto Alisa Weilerstein; Staatskapelle Berlin; Daniel Barenboim cond. Decca 478 2735

In August 2005, an unusual orchestra performed an extraordinary concert in the city of Ramallah. The West-Eastern Divan orchestra was founded in 1999 by Israeli conductor, Daniel Barenboim and Palestinian literary critic and philosopher, Edward Said. Their belief was that music has the power to bring people together. Violinists, Tyme Khelefi and Daniel Cohen tell their stories to Gill Kearsley. (Photo: The West-Eastern Divan Orchestra perform in the West Bank city of Ramallah. Credit: Abbas Momani/AFP via Getty Images)

Philharmonic, conducted by Yannick Nézet-Séguin with Mezzo-soprano Elina Garanca as soloist. The Summer Night Concert was performed this year on June 8th, 2023. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert. The illustrious conductors who have previously led the orchestra at this event are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudamel, Daniel Harding, and Andris Nelsons.1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arrangement Ernest Guiraud 1885)             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt) 2. Georges Bizet, Habanera aus der Oper Carmen3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 19184. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 215. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 27. Camille Saint-Saëns, „Mon cœur s'ouvre à ta voix” Arie aus der Oper Samson et Dalila8. Maurice Ravel, BoleroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Meet the characters and explore the rich vocal history of DAS RHEINGOLD with Seattle Opera Dramaturg Jonathan Dean. With recorded music examples ranging from 1904 to 2015, Dean considers how DAS RHEINGOLD challenges its singers to feats of lyrical and heroic singing—and even listens for the dreaded “Bayreuth Bark.” Includes special examples from Seattle Opera's 1976 English-language RING, plus “tag-team” musical examples—where switching singers mid-aria offers an opportunity to hear even more amazing voices. Musical credits: 100 Jahre Bayreuth als Schallplate, the Early Festival Singers: Anton von Rooy (Wotan), 1908; Hans Breuer (Mime), (1904); Ernestine Schumann-Heink (Erda), 1907. Les Introuvables du Chant Wagnerien: Friedrich Schorr (Wotan), 1929. 1953 Bayreuth; Clemens Krauss conducts Ludwig Weber (Fasolt), Josef Greindl (Fafner), Erich Witte (Loge), Hermann Uhde (Donner), Paul Kuen (Mime). 1953, RAI Roma; Wilhelm Furtwängler conducts Lorenz Fehenberger (Froh). 1976, Seattle Opera; Henry Holt conducts Malcolm Rivers (Alberich) and Noel Tyl (Wotan) singing Andrew Porter's English translation. 1978, Covent Garden; Colin Davis conducts George Shirley (Loge). 1989, Bayerische Staatsoper; Wolfgang Sawallisch conducts Nancy Gustafson (Freia), Kurt Moll (Fafner), Marjana Lipovsek (Fricka), Julie Kaufmann (Woglinde), Angela Maria Blasi (Wellgunde), and Birgit Calm (Flosshilde). 1991, Bayreuth; Daniel Barenboim conducts John Tomlinson (Wotan), Matthias Hölle (Fasolt), and Helmut Pampuch (Mime). 1995, Seattle Opera; Hermann Michael conducts Monte Pederson (Wotan). 2013, Seattle Opera; Asher Fisch conducts Greer Grimsley (Wotan), Stephanie Blythe (Fricka), and Dennis Peterson (Mime). 2015, Hong Kong Philharmonic; Jaap van Zweden conducts Kwangchul Youn (Fasolt), Stephen Milling (Fafner), and Kim Begley (Loge).

The history of cinema is loaded with films about siblings and the problems that go with loving and competing with your flesh and blood: The Godfather, A Simple Plan, Hannah and Her Sisters, Eat Drink Man Woman.....and Hilary & Jackie. Welcome to episode 106 of See Hear Podcast. Classical music history records that among the greatest of cellists was Jacqueline du Pre'. Her interpretations of the cello concertos of Elgar and Dvorak amongst others are considered amongst the pinnacle of the recorded canon. She had a sister, Hilary, who started life equally talented as a flautist. Circumstances worked against her continuing, so she married and carried on life domestically without concern. Sadly, Jacqueline died of MS in 1987. Hilary and their brother Piers wrote a memoir called A Genius In The Family which stirred up controversy with classical musicians who'd worked with Jackie, as well as fans. The film that followed, “Hilary and Jackie” caused similar issues. Hilary defended her stance in writing about her relationship with her sister citing that no one who worked with her knew her the way she did. Rachel Griffiths and Emily Watson are superb in the title roles, but we discuss whether the film falls into the problems that many biopics suffer from. We also wonder how problematic is it to accept on face value some of the assertions Hilary du Pre' made about her sister (with denials from her daughter and Jackie's husband Daniel Barenboim). Do they matter when telling a story that everyone accepts is going to have facts altered for “dramatic purposes”? Do peoples' motivations to create art at its peak standard create divisions between them rather than bring them together? Podcast siblings Kerry, Tim and Maurice attempt to get deep with these questions. The film is showing on Prime in the US (and hopefully other regions), and at the time of this writing is on SBS-On Demand in Australia. It's also worth watching a posthumously made documentary on Jacqueline that focuses more on her artistic side called Remembering Jacqueline du Pre' on Youtube https://www.youtube.com/watch?v=5g4w91_ilgw&t=2s If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast We're also on Instagram @seehearmusicandfilm You can download the show by searching for See Hear on whatever podcast app you favour. Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Synopsis Today's the birthday of the versatile Argentinean-born American composer, arranger and jazz pianist, Boris Claudio “Lalo” Schifrin, who was born in Buenos Aires on today's date in 1932.From his background, you'd guess Schifrin was destined for a concert career. His father was a violinist in the orchestra of Argentina's premiere opera house, the Teatro Colon. As a boy he studied with Enrique Barenboim, father of pianist/conductor Daniel Barenboim, and in Paris he studied composition with Olivier Messiaen and Charles Koechlin. But Lalo Schifrin also loved jazz, and after studies by day with Messiaen, his nights were spent performing in Parisian jazz clubs. Eventually Dizzy Gillespie commissioned him to write for his band. Around the same time, Schrifin began writing film and TV scores. When he started working on the TV series “Alfred Hitchcock Presents,” he came into contact with legendary film composer Bernard Herrmann, who became a friend and mentor. Schifrin has written more than 100 scores for film and television but his most famous composition is this catchy theme of the 1960s TV series, “Mission Impossible”—and still used in the subsequent movie remakes. Music Played in Today's Program Lalo Schifrin (b. 1932) Hommage a Ravel Eaken Piano Trio Naxos 8.559062 Lalo Schifrin (b. 1932) Theme fr Mission Impossible studio orchestra BBC Records 763

Daniel Barenboim has been conductor of the Orchestra of Paris and musical director of the Chicago Symphony Orchestra, as well as the Berlin State Opera, a position he held for three decades. Along with the Palestinian-American intellectual Edward Said, Barenboim created the West-Eastern Divan Orchestra, bringing together young musicians from the Middle East, especially Israel and the Arab world. Speaking to Eleanor Wachtel from Milan in 2008, he talked about the orchestra's historic 2005 concert in Ramallah, growing up on Bach and the meaning of music in his life. This episode originally aired on Wachtel on the Arts on IDEAS in 2008.

First: Tens of thousands of migrants gather in Northern Mexico, despite Washington declaring that ‘the border is not open'. This comes after controversial immigration rules known as Title 42 came to an end overnight. Joining the show to discuss what this all means is correspondent Rosa Flores.  Next: We continue to unpack the expiration of Title 42 and the impact on those entering the US illegally with journalist Caitlin Dickerson, who recently won a Pulitzer Prize for her extensive reporting on immigration.  Also on today's show: US Surgeon General Vivek Murthy; Native American activist Crystal Echo Hawk; Conductor/pianist Daniel Barenboim (from the archives) To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Synopsis In the 19th century, much like today, New Yorkers looking for musical entertainment had a lot to choose from. For example, on today's date in 1871, the options included these three offerings: First: at Lina Edwin's Theater, a musical burlesque entitled “Pluto,” which The New York Times billed as an “Anglicized and condensed” version of Jacques Offenbach's racy operetta, “Orpheus in the Underworld,” with interpolated comic sketches and monologues by the show's star, the Jerry Seinfeld of the day, the ever-popular comedian Mr. Lingard . Second: for the more serious sort, the American staged premiere of Richard Wagner's opera, “Lohengrin,” at the Stadt Theater. The Times noted that Wagner's opera was (quote) “brought out in Germany some 20 years earlier but was unknown here in its entirety until now.” A large audience showed up for the “entirety” of “Lohengrin,” which lasted over four hours and ended around midnight. Finally: at Broadway's Minstrel Hall, directly from Japan, Satsuma's Circus offered the amazing Mr. Yadunochi, who first smoked a pipe, then ate it, then while playing on a flute expelled the pipe's smoke through his instrument; for his finale, Mr. Yadunochi reproduced, as the Times put it “the original pipe whole and unsullied.” Now, THAT'S entertainment! Music Played in Today's Program Offenbach (arr. Rosenthal) Cancan, from Gaite Parisienne Montréal Symphony; Charles Dutoit, cond. London 430 718 Richard Wagner (1813 – 1883) Act 3 Prelude, fr Lohengrin Berlin Philharmonic; Daniel Barenboim , cond. Teldec 81791 Kozaburo Hirai Sonata Kazue Frances Asawa, flute; Kazue Kudo, koto Crystal 316

Synopsis On today's date in 1994, at Orchestra Hall in Chicago, the Chicago Symphony and conductor Daniel Barenboim gave the world premiere performance of Partita by the American composer Elliott Carter, specially commissioned in honor of the composer's 85th birthday. It was a major work, and a major occasion – but, as the Chicago Tribune's music critic John von Rheim put it, that date “will forever be known as the Night the Lights Went Out on Elliott Carter.” Just as the orchestra was playing the final pages of Carter's complex score, the house lights went out. The audience gasped. The orchestra stopped playing. Not sure what to do, the audience started applauding. Then, after a moment or two the lights came back on. After breathing a sigh of relief, Barenboim and the orchestra prepared to pick up where they had left off – and then the lights went out again! Turning to the audience, Barenboim quipped, "It's a good thing we and Mr. Carter are not superstitious." Well, eventually the lights came back on – and stayed on, enabling the Orchestra to finish the premiere of Carter's Partita. But, perhaps as a kind of insurance policy – later on Barenboim and the Chicago Symphony also made a live recording of the new work. Music Played in Today's Program Elliott Carter (1908 – 2012) Partita Chicago Symphony; Daniel Barenboim, conductor. (live recording) Teldec CD 81792 On This Day Births 1653 - Italian composer Arcangelo Corelli, in Fusignano (near Imola); 1820 - Belgian composer Henri Vieuxtemps, in Verviers; 1862 - English composer Edward German (Jones) in Whitechurch; 1887 - Finnish composer Leevi Madetoja, in Oulu (Uleaborg); 1920 - American composer Paul Fetler, in Philadelphia; 1926 - Austrian composer Friedrich Cerha, in Vienna; 1926 - American composer Lee Hoiby, in Madison, Wis.; Deaths 1732 - French composer and organist Louis Marchand, age 63, in Paris; 1841 - Italian composer and guitarist Ferdinando Carulli, age 70, in Paris; 1924 - Finnish composer Oskar Merikanto, age 55, in Hausjärvi-Oiti; 1970 - American composer and conductor Alfred Newman, age 69, in Los Angeles; 1982 - American Jazz composer and pianist Thelonious Monk, age 64, in Englewood, N.J.; Premieres 1728 - Handel: opera “Siroe, re di Persia” (Cyrus, King of Persia), in London at the King's Theater in the Haymarket (Gregorian date: Feb. 28); This was the first Handel opera with a libretto by Metastasio; 1792 - Haydn: Symphony No. 93, conducted by the composer, at the Hanover-Square Concert Rooms in London; 1855 - Liszt: Piano Concerto No. 1 in Eb, in Weimar, with the composer as soloist and Hector Berlioz conducting; 1859 - Verdi: opera "Un Ballo in Maschera" (A Masked Ball), in Rome at the Teatro Apollo; 1889 - Franck: Symphony in d, in Paris; 1901 - Mahler: oratorio "Das Klagende Lied" (Song of Lamentation), in Vienna, with composer conducting; 1904 - Puccini: opera “Madama Butterfly,”in Milan at the Teatro alla Scala; 1914 - Ernst von Dohnányi: "Variations on a Nursery Song" for piano and orchestra, in Berlin, with the composer as soloist; 1927 - Deems Taylor: opera "The King's Henchmen," at the Metropolitan Opera in New York; 1943 - Copland: "Music for Movies," at a Town Hall Forum concert in New York City; 1947 - Copland: "Danzón Cubano" (orchestral version), by the Baltimore Symphony; 1948 - David Diamond: Violin Sonata No. 1, at Carnegie Hall in New York, by Joseph Szigeti (violin) and Josef Lhevinne (piano); 1952 - Henze: opera "Boulevard Solitude," in Hanover at the Landestheater; 1961 - Elie Siegmeister: Flute Concerto, in Oklahoma City; 1977 - Elliott Carter: "A Symphony of Three Orchestra," by the New York Philharmonic, Pierre Boulez conducting; 1982 - George Perle: "Ballade" for piano, at Alice Tully Hall in New York, by Richard Goode. Links and Resources On Carter

Voormalig minister van Justitie en Veiligheid Ferd Grapperhaus wordt zwaar beveiligd vanwege 'ernstige dreigingen' uit de onderwereld. De voortvluchtige crimineel 'Bolle Jos' Leijdekkers zou achter de bedreigingen zitten. Misdaadverslaggever Jan Meeus schetst wie deze Bolle Jos is en waarom een voormalig minister bedreigd wordt. 1 februari is het 70 jaar geleden dat de Watersnoodramp plaatsvond. Tijdens de ramp zette een groep van ruim 300 oester- en mosselschippers uit Yerseke een reddingsactie op touw. Gek genoeg is er weinig over deze helden bekend. Anneke Jumelet tekende hun verhalen op in het boek Het water is kwaad. Ze vertelt onder andere over haar vader, die één van de redders was. De 80-jarige pianist en dirigent Daniel Barenboim stopt na dertig jaar als chef-dirigent bij de Berlijnse Staatsopera. Zijn gezondheid is zo achteruit gegaan, dat hij zijn werk niet meer kan uitvoeren. Dirigent Jurjen Hempel bespreekt het muzikale werk van de fenomenale pianist. Henk Swinnen, manager bij de Belgische pianobouwer Maene vertelt over de speciale piano die ze maakten voor de Barenboim. Jazz-musicus, drummer, acteur én presentator Edwin Rutten is jarig: 80 jaar werd hij deze week. Hij blikt terug op zijn veelzijdige en bijzonder lange carrière.  

Met vandaag:  Wie financierde de bestorming van de overheidsgebouwen in de Braziliaanse hoofdstad? | Eurocommissaris Frans Timmermans over energiesteun aan Oekraine | Belgie houdt twee kernreactoren langer open |  Wat maakt Daniel Barenboim zo'n geweldige pianist en dirigent? Presentatie: Jeroen Wollaars.

Synopsis In the hands of a great performer, the violin can sing with the personality and intensity of a great opera singer. Pyrotechnics may dazzle, but nothing moves an audience as much as when a great violinist "sings" through his instrument. On today's date in 1896, a French audience in Nancy must has been so moved when the great violinist Eugène Ysaÿe gave the first performance of this music: the Poème for Violin and Orchestra by Ernest Chausson. In addition to famous artists like Manet and Degas, Chausson counted among his friends many of the great musicians of his day, including the great violinist Ysäye. Although they admired his work, Chausson was not always appreciated by the public. But when Ysaÿe premiered Chausson's Poème in Paris in 1897, the applause went on and on. Used to just the opposite reaction, Chausson was stunned by his success, and, while thanking Ysaye profusely, kept repeating to himself: "I just can't believe it!" Two modern-day violinists, Joshua Bell and Pamela Frank, were the inspiration for this songful contemporary work by Aaron Jay Kernis. Titled Air for Violin, it was originally composed for violin and piano, and premiered in 1995 by Joshua Bell. The following year, Pamela Frank and the Minnesota Orchestra premiered a new version of Air for violin and orchestra. Music Played in Today's Program Ernest Chausson (1855-1899) Poème, Op. 25 Isaac Stern, violin; Orchestre de Paris; Daniel Barenboim, conductor. CBS/Sony 64501 Aaron Jay Kernis (b. 1960) Air for Violin Minnesota Orchestra; David Zinman, conductor. Argo 460 226

As one of the most prolific and acclaimed physician writers today, Dr. Danielle Ofri is the author of seven books on the intricacies of modern medical practice and the doctor-patient relationship. Her other writings have appeared in The New York Times, The Atlantic, The New Yorker, in addition to various leading medical journals. She is also the co-founder and editor-in-chief of the Bellevue Literary Review, a literary journal that publishes works focusing on the human body, illness, and health. In her writings, Dr. Ofri uses vivid narratives to shed light on the highs and lows of being a doctor. In this episode, she joins us to share her path to medicine, how doctors can mitigate the moral injury they experience in their work, and how storytelling can comfort us in times of suffering.In this episode, you will hear about:How Dr. Ofri was initially drawn to internal medicine through the patient stories she encountered - 1:54A discussion of the tension between the business and art of medicine - 6:07Dr. Ofri's advice on how clinicians can combat the moral corrosion that broken medical systems can induce - 11:29How Dr. Ofri's medical residency during the AIDS epidemic led to her passion for writing - 16:33Dr. Ofri's writing process - 23:30A discussion of the moral philosophy of medicine and why doctors do what they do - 27:09Dr. Ofri reflections on how her writing has impacted her clinical practice - 31:47The wisdom that physicians who encounter suffering every day can share with a world experiencing collective grief from the COVID-19 pandemic - 34:38A discussion of the emotional toll on clinicians of delivering bad news and confronting grief, and an exploration of guilt and shame - 42:25Dr. Ofri's advice to clinicians on how to stay connected to meaning in medicine - 48:44Dr. Danielle Ofri is the author of the following books on being a doctor:Singular Intimacies: Becoming a Doctor at BellevueWhat Doctors Feel: How Emotions Affect the Practice of MedicineWhen We Do Harm: A Doctor Confronts Medical ErrorWhat Patients Say, What Doctors HearMedicine in TranslationIntensive Care: A Doctor's JourneyIncidental FindingsFollow Dr. Ofri on Twitter @DanielleOfri.This episode included an excerpt from Jacqueline du Pré and Daniel Barenboim's performance of the Cello Sonata No. 2 in F major, Op. 99 by Johannes Brahms, recorded live in West Berlin in 1968.Visit our website www.TheDoctorsArt.com where you can find transcripts of all episodes.If you enjoyed this episode, please subscribe, rate, and review our show, available for free on Spotify, Apple Podcasts, or wherever you get your podcasts. If you know of a doctor, patient, or anyone working in health care who would love to explore meaning in medicine with us on the show, feel free to leave a suggestion in the comments or send an email to info@thedoctorsart.com.Copyright The Doctor's Art Podcast 2022