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Alan Gilbert is Chief Conductor of the NDR Elbphilharmonie Orchestra, as well as Music Director of the Royal Swedish Opera. Gramophone's James Jolly caught up with him during a run of Wagner's Die Walküre in Stockholm, where he lives. They talked about his Hamburg-based orchestra, the role today of a radio orchestra and also about the work orcherstra and conductor have just released (on the NDR Elbphilharmonie Orchester label to stream and download), Brahms's Third Symphony.
Marin Alsop is a world-renowned conductor and the first woman to lead major orchestras internationally. The subject of the Emmy-nominated documentary "The Conductor” and formerly Music Director of the Baltimore Symphony Orchestra, she's Chief Conductor of the ORF Vienna Radio Symphony Orchestra and the Ravinia Festival, and Principal Guest Conductor of the Philharmonia Orchestra and the Philadelphia Orchestra. She has recorded 200+ titles and is the only conductor to receive a MacArthur Fellowship.In this episode, we explore:How giving people max autonomy drives performance How to balance elite talent with team cohesionTheories on talent selection to build top teamsThe "no shortcuts" practice philosophy This episode is great for anyone building teams. It offers powerful insights on creating excellence at scale, balancing autonomy with accountability, and fostering self-motivation. Enjoy this episode? Rate it and leave a review. It really helps others find the podcast.Learn more about Kristen and Irrational Labs here.
To mark his inauguration as Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra, Sir Simon Rattle chose Joseph Haydn's oratorio The Creation. After two concerts on September 21 and 22, 2023 in Munich's Herkulessaal, the work was performed on September 24 in the historic basilica of Ottobeuren in Upper Swabia, together with the three outstanding soloists Lucy Crowe (soprano), Benjamin Bruns (tenor) and Christian Gerhaher (baritone). This album comes from these inaugural concerts.
Episode 6: Ben Northey Music was in Benjamin Northey's blood from a young age, and he credits his teachers at Ballarat Clarendon College for encouraging his path into music where he studied flute, clarinet and saxophone. But it was the belief and mentorship of John Hopkins who encouraged Ben, at age 29, to be the first candidate for his new Master of Music in Conducting degree at the Victorian College of the Arts and Music that he will never forget. Now as Chief Conductor of the Christchurch Symphony Orchestra and Principal Conductor, Artistic Advisor Learning and Engagement of the Melbourne Symphony Orchestra, Ben says he's one of the luckiest people he knows because he loves what he does. From conducting orchestras the world over, to collaborating with big names including Tim Minchin, James Morrison, Sting and Hilltop Hoods, Ben is living his dream and is ever grateful for those who helped him get there. TWO AM I Listen Curiously CREDITS Hosts: Jack Riewoldt and Shane McCurry Thanks to our guest Benjamin Northey: To learn more about Ben: Ben on Instagram Ben on LinkedIn Benjamin Northey website Ben Northey on Wikipedia Melbourne Symphony Orchestra: Ben Northey Christchurch Symphony Orchestra: Ben Northey Links from this episode: Edward Elgar: English composer Finland's Sibelius Academy Vladimir Jurowsky: Conductor John Hopkins: Conductor & mentor London Philharmonic Orchestra Find TWO AM I on social media here: TWO AM I YouTube TWO AM I Instagram TWO AM I Tik Tok TWO AM I LinkedIn TWO AM I Linktree See omnystudio.com/listener for privacy information.
Live recording from an AMA (Ask Me Anything) Panel Discussion on May 3, 2024. The panelists of the sessions were:Juhi Bensal, composer, conductor, and educatorJoanna Drimatis, Music Director and Chief Conductor, Beecroft OrchestraKatie LaBrie, composer, conductor, and educatorAll About Chaowen Ting
In April, Dalia Stasevska, Chief Conductor of the Lahti Symphony Orchestra and Principal Guest Conductor of the BBC Symphony Orchestra, launched a new project, ‘Dalia's Mixtape', for Platoon. Leading her BBC orchestra, she has recorded ten works by ten modern composers, each shedding a new and different light on the symphony orchestra and what it can do. And, breaking with tradition, the project will unfold piece by piece over the next half year. And each work will be accompanied by a podcast focusing on the music. In this latest episode, hosted by Gramophone's Andrew Mellor, Dalia's guest is the Master of the King's Music, Dame Judith Weir whose orchestral work Still, Glowing features on the 'Mixtape'. Composer and conductor discuss this haunting piece.
Internationally renowned composer and conductor Leonard Slatkin believes that the arts have the power to transform us – and his life and body of work exemplify this belief. Slatkin has served as the Music Director of the St. Louis, Detroit, New Orleans, National and Lyon Symphony Orchestras, Chief Conductor of the BBC Symphony Orchestra in London, and Principal Guest Conductor of countless others. Raised in a musical household, he is the son of violinist, conductor and film composer Felix Slatkin and Eleanor Aller, first chair cellist at Warner Brothers Studios. Both were members of the Hollywood String Quartet and contributed to some of the great film scores of old Hollywood. As a result, Stalkin was surrounded by music from an early age - learning several instruments while young and attending The Juilliard School. He went on to build an impressive career, including six Grammy wins and the National Medal of the Arts. Slatkin is the author of several books on music and conducting, most recently “Eight Symphonic Masterworks of the Twentieth Century - A Study Guide for Conductors.” He also served as host of the weekly radio programs “The Slatkin Project” and “The Slatkin Shuffle.” Leonard Slatkin shares with host Alec Baldwin what it was like growing up surrounded by icons like Marilyn Monroe and Frank Sinatra in his home, discusses how he contributes to an orchestra as its Music Director and reflects on what it means to be part of a musical dynasty.See omnystudio.com/listener for privacy information.
Anna May Wong was an international star who appeared in some of Hollywood's biggest movies in a career that spanned from the silent films of the 1920s, through the advent of talkies in the 30s, to television in the 1950s, despite all the obstacles in her path. A new biography, Not Your China Doll, examines how against all the odds Anna May Wong found international fame and became a trailblazer for Asian American actors. The English folk singer and guitar virtuoso Martin Simpson performs material from his new album - his 24th - Skydancers. The title track, commissioned by naturalist Chris Packham, highlights the plight of the Hen harrier. Simpson talks about his love of birds, of traditional song, of writing his own, the influence on him of American music, and a lifetime playing the guitar and banjo. Some leaders of classical music organisations say that the attitude to funding by the Arts Councils in England and Wales is undermining excellence, and putting inclusion before professionalism. We hear from a range of voices, including Sir Antonio Pappano, Chief Conductor at the London Symphony Orchestra and music director of the Royal Opera House; John Gilhooly, director of the Wigmore Hall and chair of the Royal Philharmonic Society; Kathryn McDowell, Managing Director of the London Symphony Orchestra and a former music director at Arts Council England; and Michael Eakin, Chief Executive of the Royal Liverpool Philharmonic Orchestra and former Executive Director of the Arts Council Northwest. Presenter: Samira Ahmed Producer: Julian May
Klaus Mäkelä has been named Riccardo Muti's successor at the helm of the Chicago Symphony Orchestra, a role he assumes in 2027 alongside the post of Chief Conductor of Amsterdam's Royal Concertgebouw Orchestra. Meanwhile, he remains committed to his two European orchestras, the Orchestre de Paris and the Oslo Philharmonic. Following his Decca debut recording, of the complete Sibelius symphonies in Oslo, Mäkelä has made two much-admired recordings of music commissioned by Serge Diaghilev. The first of these, made with the Orchestre de Paris, was released early last year – Igor Stravinsky's The Rite of Spring and the complete Firebird ballet – and James Jolly spoke to the conductor by Zoom back in February 2023 as Klaus was in Cleveland conducting performances of Mahler's Fifth Symphony. Gramophone Podcasts are given in association with Wigmore Hall
Dalia Stasevska, Chief Conductor of the Lahti Symphony Orchestra and Principal Guest Conductor of the BBC Symphony Orchestra, has launched a new project, ‘Dalia's Mixtape', for Platoon. Leading her BBC orchestra, she has recorded ten works by ten modern composers, each shedding a new and different light on the symphony orchestra and what it can do. Breaking with tradition, the project will unfold piece by piece over the next half year. And each work will be accompanied by a podcast focusing on the music. In this first episode, hosted by Gramophone's Andrew Mellor, Dalia's guest is the Scottish composer and performer Anna Meredith whose work, Nautilus, originally conceived for electronics, is presented in a new acoustic guise. She, Andrew and Dalia discuss the work's origins and its transformation into a vibrant new work for a traditional symphony orchestra. Produced by Platoon and Gramophone.
After six years of acclaimed live performances in Europe, the USA, and Asia, The Danish Symphony Orchestra and Fabio Luisi are now presenting their special take on Carl Nielsen's symphonies and concertos on record for the first time. To complete their critically acclaimed Nielsen cycle, The Danish National Symphony Orchestra and Fabio Luisi have released a digital album presenting Carl Nielsen's three solo concertos for flute, clarinet, and violin. Fabio Luisi, Chief Conductor of the Danish National Symphony Orchestra, states: The Danish National Symphony Orchestra and I are delighted to join Deutsche Grammophon for this important release cycle. I am particularly pleased to see the complete symphonies of Carl Nielsen being featured under the famous yellow logo, placing the composer in the canon of great 20th-century composers which is fully deserved. 1. Violin Concerto2. Flute Concerto3. Clarinet ConcertoClassical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).
This week's guest is British conductor Duncan Ward, who makes his Barbican debut with the London Symphony Orchestra later this month - more details below! Alongside touring the world guest conducting top orchestras, Duncan is Chief Conductor of the South Netherlands Philharmonic and Music Director of the Mediterranean Youth Orchestra. In this chat, find out why he is so passionate about working with youth orchestras, the craziness of jump-ins, the unconventional path of being a conductor and how he rests and recuperates away from the podium.Duncan's website: http://www.duncan-ward.co.uk/16th November LSO Concert: https://www.lso.co.uk/whats-on/a-world-of-possibilities-duncan-ward-abel-selaocoe/ 23rd November LSO Concert: https://www.lso.co.uk/whats-on/bartok-janacek-debussy/ Keep up to date with us on Instagram: https://www.instagram.com/musicalrootspodcast
Today I'm Having a GAS™ with Duncan Ward, Chief Conductor of philharmonie zuidnederland (South Netherlands Philharmonic). In this episode, host Greg Owens speaks to Duncan about his musical homecoming, making his debut at The Barbican with the esteemed LSO. Duncan will take the baton at two concerts. The first, on November 16th, is a collaboration with cellist Abel Selaocoe at the EFG London Jazz Festival. The second, on November 23rd, features a programme combining Czech and French masterpieces. More about Duncan Ward here: https://www.duncan-ward.co.uk/about Tickets for Duncan's events at Barbican here: https://www.barbican.org.uk Having a GAS™ is the podcast that talks to the great and the good of the creative industries, and in particular finds out what makes great music for film, for TV, for advertising; for dancing to, for cooking to, f*cking to, and more... GAS™ Music is a music production agency in Manchester, UK. We compose and produce original music, create awe inspiring sound design and have a fully integrated audio post-production studio. We also have a great record collection, and welcome any additions, recommendations or criticisms. http://www.gasismusic.co.uk © GAS™ Music 2023
Ahead of his final season as Chief Conductor with the National Symphony Orchestra, maestro Jaime Martin joins Marty to chat about some of the exciting concerts ahead
Discover the incredible talent of BSO Conductor, Jonathan Heyward in this episode of Free To Bmore Podcast! From his beginnings as a cellist to becoming Chief Conductor of the Nordwestdeutsche Philharmonie, Jonathan's commitment to education, community outreach, and innovative concert programs shines through. Tune in for an inspiring journey!
Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards in October – a perfect excuse for a series of podcasts focusing on some of the label's key artists and the people who steer and shape the label. This month, James Jolly talks to the conductor Edward Gardner, Principal Conductor of the London Philharmonic and Chief Conductor of the Bergen Philharmonic; in August 2024 he will assume the Music Directorship of the Norwegian Opera and Ballet. His recorded catalogue for Chandos is extensive and is crowned by the 2020 release of Benjamin Britten's Peter Grimes, recorded in Bergen, which was voted Gramophone's Opera Award winner but also our Recording of the Year.
Umberto Clerici has gained quite the reputation as an artist of diverse and multifaceted talents. He made his solo debut as a cellist at the age of 17, and his career took him to roles as principal cello of several orchestras, including the Sydney Symphony where he made his conducting debut in 2018. He's now Chief Conductor of the Queensland Symphony Orchestra, but he still finds time to play his cello, and will be performing with SSO Concertmaster Andrew Haveron and ACO Principal Violist Stefanie Farrands for My Gypsy Soul, for two concerts at the Great Synagogue on Tuesday, May 16, thanks to Live at Yours. In this conversation, Umberto shares some of his incredible musical knowledge and insights, from the broad sweep of how a chief conductor shapes an orchestra, to the detail of interpreting metronome markings, and we hear what a revolution in music sounds like.
By Andrew McCaldon The extraordinary and explosive relationship between director Alfred Hitchcock and the film composer Bernard Herrmann. Recorded live at Alexandra Palace with the BBC Concert Orchestra playing Herrmann's scores from the partnership's iconic films - Vertigo, North by Northwest and Psycho. Bernard Herrmann ..... Tim McInnerny Alfred Hitchcock ..... Toby Jones Alma Hitchcock ..... Joanna Monro Lucy Anderson/Tippi ..... Tara Ward Lew Wasserman/Cary/Paul ..... Jonathan Forbes BBC Concert Orchestra conducted by Ben Palmer Produced by Neil Varley and Tracey Neale Directed By Tracey Neale By the late 1950s Herrmann and Hitchcock – known to each other as ‘Benny' and ‘Hitch' – have formed the most famous composer-director partnership in film history, creating masterpieces of cinema together, including Vertigo, North by Northwest and Psycho. But with tensions growing between the two maverick artists and change afoot in the movie industry, Benny and Hitch's collaboration and friendship comes to a catastrophic end at a recording session for the film Torn Curtain. But who is really responsible for the break-up? From beyond the grave, Benny and Hitch set out to determine which man has blood on their hands? Recorded in front of an audience at Alexandra Palace and starring two stellar actors, Tim McInnerny and Toby Jones, this thrilling and witty drama, will feature performances of Bernard Herrmann's music by the brilliant BBC Concert Orchestra. Writer: Andrew McCaldon worked with the BBC as a key creative on Ten Pieces, for which he wrote a series of acclaimed films and BBC Proms concerts. He has also combined music and drama in numerous shows for the BBCCO, BBCSO and the BBC Singers. Other recent writing work includes: Wemba's Dream, a community music-drama event with the Royal Philharmonic Orchestra, for which Andrew acted as Creative Director (2021); Abracadopera!, an original TV opera-comedy-drama, created and written by Andrew for English National Opera and broadcast on Sky Arts and Sky Kids (June 2022); and Gnomus, a site-specific play for Puppets With Guts staged at Stonehenge (April 2022). Cast & Performers: Tim McInnerny has just finished filming One Day for Netflix and plays the lead role in the forthcoming film Killers Anonymous. He can be seen in Ten Percent, the UK version of Call My Agent and also appeared in Game of Thrones. Toby Jones can be seen in The English for the BBC. Other work includes Jon S. Baird's Tetris for Apple TV and Sam Mendes's film Empire of Light, due for release in January. He will also appear in the forthcoming Indiana Jones film. Joanna Monro has been a member of the BBC Radio Drama Company several times. Her TV credits include Doctors and Doctor Who. She was a presenter on That's Life and her theatre credits include Blood Brothers and Mamma Mia! Tara Ward has worked in film, television, stage and radio. Recent appearances were in the film Justice League and Sky TV's Riviera. She played Mrs March in Radio 4's Little Women. Tara has written a number of books on personal development. Jonathan Forbes played the lead role in the film Conspiracy of Silence. TV highlights include Hornblower, Foyle's War and Black Mirror. He played Sharon Hogan's brother in Catastrophe for Channel 4. He also starred in Radio 4's returning series Tracks. The BBC Concert Orchestra appears on Radio 2's Sunday Night Is Music Night as well as exploring music from classical to contemporary on Radio 3. Soundtracks include Blue Planet and Serengeti for BBC 1 and in February it worked with over 20 artists for Radio 2's Piano Room Month. It appears annually at the BBC Proms and at London's Southbank Centre. The Conductor, Ben Palmer is Chief Conductor of the Deutsche Philharmonie Merck in Darmstadt and Babylon Orchester Berlin and Artistic Director of Covent Garden Sinfonia. He is one of Europe's most sought-after specialists in conducting live to picture. Next year he conducts the German tour of Star Wars: Episode VII - The Force Awakens. Production Team: Directed by Tracey Neale Produced by Neil Varley & Tracey Neale Production Co-Ordinators, Ben Hollands, Ayesha Labrom & Hannah O'Reilly Technical & Outside Broadcast Team: Chris Rouse, Alison Craig, Gilly Chauhan, Simon Nicklinson and Jon Wilson
Stéphane Denève, Music Director of SLSO, stopped by to speak with Nancy about the goings on at the symphony. ------ Stéphane Denève is Music Director of the St. Louis Symphony Orchestra, Artistic Director of the New World Symphony, and from 2023 will also be Principal Guest Conductor of the Netherlands Radio Philharmonic. He recently concluded terms as Principal Guest Conductor of The Philadelphia Orchestra and Chief Conductor of the Brussels Philharmonic, and previously served as Chief Conductor of Stuttgart Radio Symphony Orchestra (SWR) and Music Director of the Royal Scottish National Orchestra. ------ Recognised internationally for the exceptional quality of his performances and programming, Stéphane Denève regularly appears at major concert venues with the world's greatest orchestras and soloists. He has a special affinity for the music of his native France, and is a passionate advocate for music of the 21st century. ------
In this DG Podcast episode our host Sarah Willis meets Czech conductor Jakub Hrůša. They talk about his new album “Hans Rott: Symphony No. 1” recorded with the Bamberger Symphoniker of which he is the Chief Conductor. Hrůša describes how he came up with the idea to record an album around Hans Rott's symphony, what is special about this composer's music and how Gustav Mahler and Anton Bruckner were a key part of Hans Rott's tragically short life.
Nodoka Okisawa was recently appointed as the new Chief Conductor for the City of Kyoto Symphony Orchestra in Japan at the age of 35. She will be the first female chief conductor for the orchestra.
Brief summary of episode:Jonathon Heyward is forging a career as one of the most exciting conductors on the international scene. He currently serves as Music Director Designate of the Baltimore Symphony Orchestra and will begin his five-year contract in the 2023-24 season. Jonathon's selection was unanimous from the Baltimore Symphony Music Director Search Committee, comprised of BSO musicians, staff, and community members. In March 2022, Jonathon made his debut with Baltimore Symphony Orchestra in three performances that included the first-ever performance of Shostakovich's Symphony No. 15. Quickly re-engaged, he returned in April to lead a Benefit Concert for Ukraine at the Meyerhoff.Born in Charleston, South Carolina, Jonathon began his musical training as a cellist at the age of ten and started conducting while still at school. He studied conducting at the Boston Conservatory of Music, where he became assistant conductor of the prestigious institution's opera department and of the Boston Opera Collaborative, and received postgraduate lessons from Sian Edwards at London's Royal Academy of Music. Before leaving the Academy, he was appointed assistant conductor of the Hallé Orchestra, where he was mentored by Sir Mark Elder, and became Music Director of the Hallé Youth Orchestra. His debut with the National Youth Orchestra of Great Britain at the 2021 BBC Proms earned five-star reviews and was hailed by British newspaper The Guardian as ‘an unforgettable showcase of high-energy collaboration'.Jonathon's commitment to education and community outreach work deepened during his three years with the Hallé and has flourished since he arrived in post as Chief Conductor of the Nordwestdeutsche Philharmonie in January 2021. He is equally committed to including new music within his imaginative concert programmes. Those qualities were evident in his Baltimore Symphony Orchestra debut bill, which comprised Hannah Kendall's The Spark Catchers, Beethoven's Third Piano Concerto and the first ever BSO outing for Shostakovich's Fifteenth Symphony.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★
With his agile technique, dramatic eloquence, and rich palette of vocal colors, tenor Jonathan Tetelman inhabits a range of roles from the French and Italian repertoire. Recorded at the Auditorio Alfredo Kraus with the Orquesta Filarmónica de Gran Canaria and its Chief Conductor, Karel Mark Chichon, this collection shows Tetelman's strong and powerful voice in a selection of popular and unknown arias. Both a starting point and a destination, Arias is an impressive recording that captures the expressive power and radiant tones of Jonathan Tetelman's voice at this early stage in his career. Purchase now at:Jonathan Tetelman - Arias (Verdi; Giordano; Bizet; Ponchielli) - Amazon.com Music
Tom Sutcliffe and guest reviewers Bidisha and Amon Warmann discuss Bullet Train, starring Brad Pitt. It's a vivid mixture of comedy and violence from director David Leitch, and is based on a thriller by Japanese author, Kotaro Isaka. We also discuss Mohsin Hamid's latest novel, The Last White Man - a fable about what happens when white people's skin begins to turn brown. Conductor Semyon Bychkov conducts the BBC Symphony Orchestra at the Proms in a programme of a programme of Czech and Russian music. He left the USSR for the USA in 1975 and is currently Chief Conductor and Music Director of the Czech Philharmonic. He talks music and politics too - he's spoken out and taken part in protests against Russia's invasion of Ukraine, but has also criticised the dropping of Russian works from concerts around the world. Presenter: Tom Sutcliffe Producer: Paul Waters
The American conductor Ryan Bancroft joins us on the Classical Post podcast today, where we speak about his new appointment as the Chief Conductor Designate of the Royal Stockholm Philharmonic Orchestra. Beginning in the 23/24 season, it's a very important role at one of Europe's premier orchestras. Growing up in California, Ryan made his way to the Royal Conservatoire of Scotland where he discovered conducting. He then shot into the spotlight in 2018 when he won the prestigious Malko Competition for Young Conductors in Copenhagen. He was appointed Principal Conductor of the BBC National Orchestra of Wales in 2019, won the RPS Conductor Award in 2020, and now is appointed Chief Conductor Designate of the Royal Stockholm Philharmonic Orchestra. — Classical Post uncovers the creativity that exists behind great music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.
A running high-speed rail line in southern China was called to suspend service after receiving a notice announcing that its manager had been diagnosed with COVID-19. https://ept.ms/3qVJ012 High-Speed Rail Line, COVID-19, zero-COVID policy, CCP, Chinese Communist Party, Shanghai,
The project began as a nine-month exploration of the Sibelius symphonies to mark Mäkelä's inaugural season with the Oslo Philharmonic as Chief Conductor but, with Covid cancellations, turned into a completely immersive recording project. With the orchestral season disrupted, Mäkelä and the orchestra devoted much of the Spring of 2021 to playing nothing but the music of Sibelius.Purchase the music (without talk) at:Sibelius: Complete Symphonies (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.
What stories do our monuments tell? What legacies do they embody? What memories do they cement? These questions will be explored at Washington DC's Kennedy Center this month through a collection of new operas, including one called "Rise", with music by Kamala Sankaram. Kamala joins Garrett to talk about her introduction to opera, what "Rise" is meant to relay to audiences, and how this work continues the push for more new music in traditional "classical" spaces. Scott highlights the educational advocacy of violinist Ezinma, Garrett unpacks a musical about a machine that turns Black people white, and the guys continue their celebration of Women's History Month with music by Julia Wolfe, Martha Wash, and more. Playlist: Mykhailo Verbytsky - "Shche ne vmerla Ukraina" (Ukrainian National Anthem) Ezinma - "Ode To Hustle" Black Thought - "Thought Vs Everybody" Julia Wolfe - "Reeling" SNAP! - "The Power" Black Box - "Everybody Everybody" C+C Music Factory - "Everybody Dance Now" Martha Wash - "I'm Not Coming Down" Bombay Rickey - "Megalodon" Bombay Rickey - "Taki Rari" Francisco Mignone - Concertino for Bassoon and Chamber Orchestra More: Kamala Sankaram: https://www.kamalasankaram.com The Kennedy Center Presents "Written in Stone": https://www.kennedy-center.org/wno/home/2021-2022/written-in-stone/ Downbeat (Kira Rudik Honors International Women's Day): https://twitter.com/kiraincongress/status/1500962456763514883?s=20&t=SP3akLIePrwyJdZhTGH_bQ Valery Gergiev, a Putin Ally, Fired as Chief Conductor in Munich: https://www.nytimes.com/2022/03/01/arts/music/valery-gergiev-fired-munich-ukraine.html Ezinma Brings Music To Underserved Youth: https://www.thestrad.com/news/beyonces-violinist-launches-foundation-to-bring-classical-music-to-underserved-children/14537.article A machine turns Black people white in the musical 'Black No More': https://www.npr.org/2022/02/14/1080160459/black-no-more-machine-musical-tariq-trotter EU Official Calls Refugee Discrimination "Fake News": https://twitter.com/TNTVIRALUS/status/1499336460671107077?s=20&t=0mROEqSx7G6BntC0IrqVYA
Enter the world of Lorenzo Viotti, a Franco-Swiss conductor with a very Italian style. Embodying the spirit of Bulgari's record-breaking Octo Finissimo watch collection, challenging the rules has already led the young maestro to great success. But Lorenzo is so much more. Listen as the Chief Conductor tells the B*Maestro Podcast about his relationship with time itself and his forward-thinking approach to life and music.
You're about to meet and get to know one of the foremost conductors of our time, who just happens to be, the first woman to serve as head of a major orchestra not only in the U.S., but South America, Austria, the U.K. Born into a musical family, Marin Alsop took violin lessons as a child and says she knew at age 9 that she wanted to be a conductor. She graduated from Juilliard and in the years since, spent 14 years as Music Director of the Baltimore Symphony; serves as Chief Conductor and Curator of Chicago's Ravinia Festival; Conductor of Honour of Brazil's Sao Paulo Symphony. The list is endless. Marin's also the subject of the documentary, THE CONDUCTOR, which debuted in 2021 at New York's Tribeca Film Festival. We know you'll enjoy meeting the internationally renowned Marin Alsop.
Hamburg's Elbphilharmonie, designed by Harzog and du Meuron, and occupying a prime position in the old docks area of the city, opened its doors five years ago. Since then it has welcomed about 3.3 million concertgoers to the hall and 4.5 million visitors to the Plaza viewing platform. The result is that the concert audience in Hamburg has actually tripled over the past five years. More than 3400 educational events with 200,000 participants and almost 10,000 guided tours to date demonstrate how the Elbphilharmonie has succeeded in attracting people of all age groups. In this latest Gramophone Podcast, produced in association with Hamburg Marketing, James Jolly spoke to the Elbphilharmonie's General and Artistic Director, Christoph Lieben-Seutter, and the Chief Conductor of the NDR Elbphilharmonie Orchester, Alan Gilbert, about the effect of the hall not just on the city but also in Continental Europe. To find out more about what Germany's second city has to offer, visit hamburg-travel.com
Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Jurek Dybał is the General Director and Chief Conductor of The Orchestra of the Royal Capital City of Krakow Sinfonietta Cracovia, an acclaimed conductor and a musician of the famous Vienna Philharmonic. His charismatic personality has been valued by the audience of many European music venues, in which he has made an appearances with the Beethoven Orchester Bonn, Tonkünstler-Orchester Niederösterreich, Radio Symphonie Orchester Wien, Orchestre Philharmonique de Monte Carlo, L'Orchestra del Teatro Carlo Felice di Genova, Wiener KammerOrchester, Wiener Concert-Verein, Concerto Köln, Bayerische Kammerphilharmonie, Tatarstan National Symphony Orchestra, Kuopio Symphony Orchestra, Czech National Symphony Orchestra, Brno Philharmonic Orchestra, Sinfonia Varsovia Orchestra, Polish National Radio Symphony Orchestra, Polish Radio Orchestra, Silesian Chamber Orchestra, Wrocław's Leopoldinum and National Forum of Music Symphony Orchestra as well as Philharmonic Orchestras in Poznań, Krakow, Łódź and Gdańsk. As a conductor he collaborated with such eminent soloists as Gidon Kremer, Martin Grubinger, Katia and Marielle Labèque, Xavier de Maistre, Cameron Carpeneter, Lawrence Power, Erwin Schrott, Tomasz Konieczny, and singers of the Vienna State Opera among others. Jurek Dybał is a founder and a director of the Krzysztof Penderecki International MusicFestival – Level 320 held in the historical hall of Guido mine in Zabrze. The artist premiered there a number of Pendereckis works. His recordings can be found on the albums by Sony Classical and Warner Classics among others. Tracks: Penderecki Sinfonietta No. 1 & 2https://www.naxos.com/catalogue/item.asp?item_code=8.572212 (https://www.naxos.com/catalogue/item.asp?item_code=8.572212) Sinfonietta No. 3 youtube Polish Requiem https://www.naxos.com/catalogue/item.asp?item_code=8.557386-87 (https://www.naxos.com/catalogue/item.asp?item_code=8.557386-87) Credohttps://www.naxos.com/catalogue/item.asp?item_code=8.572032 (https://www.naxos.com/catalogue/item.asp?item_code=8.572032) 3 Pieces in Old Style; No. 3https://www.naxos.com/catalogue/item.asp?item_code=8.572212 (https://www.naxos.com/catalogue/item.asp?item_code=8.572212) Concertino per tromba e orchestra youtube UBU REX youtube
On this episode of Mississippi Stories, Mississippi Today Editor At Large Marshall Ramsey sits down with internationally respected conductor and Jackson native William Garfield Walker. Described by Klassik begeisert as a “master of intense sound waves with a pioneering spirit” William Garfield Walker is an emerging young American conductor quickly establishing himself on the international stage. Hailed as a “Modern Day Maestro”, Walker is currently the Chief Conductor of the Nova Orchester Wien(NOW!)- Vienna's newest professional orchestra. Within their first performances together Walker and NOW! have performed Mahler at the legendary Wiener Musikverein as well as for the 2020 G20 economic forum. He also serves as the Artistic Director and Conductor of the “Master Camerata Orchestra”- the professional orchestra of the Mississippi Symphony Orchestra's International summer music festival, “Premier Orchestral Institute”. Previously he served as Principal Conductor of the Moonlight Symphony Orchestra, the Royal College of Music Oratorio Society, and at the age of 20, founded the Virtuoso Philharmonic of Chicago.
After leading orchestras in Bournemouth, Baltimore and São Paulo, Marin Alsop became Chief Conductor of the ORF Vienna Radio Symphony Orchestra in 2019. Her inaugural concert in Vienna's Konzerthaus featured music by Paul Hindemith, Christopher Rouse and Lera Auerbach, making a strong statement about where her musical sympathies lay. From that opening concert, recorded live, comes a new album from Naxos of Hindemith's Mathis der Maler Symphony and one-act opera Sancta Susanna, supplemented by a studio recording of three dances from another of the one-act operas, Nusch-Nuschi. James Jolly caught up with the American conductor to talk Hindemith, her vision for her new tenure in Austria and how the pandemic has reset many perceptions about the 'core' repertoire and how things might change in the future.
Last week, I went to the University of Birmingham (UK) to learn about its MA Music: Choral Conducting pathway, celebrating its tenth anniversary this year. In the first part of this podcast, we'll hear from the course's director Simon Halsey. He talks about how the course was developed from his desire to pass on what he'd learnt from an extensive career as a choral conductor and director, specifically, training a choir to sing with an orchestra. This is the course's main focus - it's the only choral conducting course to be run with a major international orchestra: the City of Birmingham Symphony Orchestra. However, students are immersed in many genres of choral conducting throughout the degree. It's an intensive course but the students should leave with plenty of ideas about how to conduct choirs in their home countries or other capacities. Then we'll hear from four students on this year's course (2021/22), why they chose to specifically come to Birmingham, their ambitions and what attracts them to choral conducting. Simon Halsey occupies a unique position in classical music. He is the trusted advisor on choral singing to the world's greatest conductors, orchestras and choruses; as an ambassador for choral singing to amateurs of every age, ability and background he has led ground-breaking massed choral events, notably for New York's Lincoln Center. Making singing a central part of the world-class institutions with which he is associated, he has been instrumental in changing the level of symphonic singing across Europe. He holds positions across the UK and Europe as Choral Director of London Symphony Orchestra and Chorus, Chorus Director of City of Birmingham Symphony Orchestra Chorus, Artistic Director of Orfeó Català Choirs and Artistic Adviser of Palau de la Música, BarcelonaCreative Director for Choral Music and Projects at WDR Rundfunkchor, Conductor Laureate of Rundfunkchor Berlin and Professor and Director of Choral Activities at University of Birmingham. He is also a highly respected teacher and academic, nurturing the next generation of choral conductors on his post-graduate course in Birmingham and through masterclasses at Princeton, Yale and elsewhere. He holds four honorary doctorates from universities in the UK, and in 2011 Schott Music published his book and DVD on choral conducting, Chorleitung: Vom Konzept zum Konzert. Halsey's numerous awards include three Grammys for his recordings with the Rundfunkchor Berlin. He was made Commander of the British Empire in 2015, was awarded The Queen's Medal for Music in 2014, and received the Officer's Cross of the Order of Merit of the Federal Republic of Germany in 2011 in recognition of his outstanding contribution to choral music in Germany. Born in London, Simon Halsey sang in the choirs of New College, Oxford, and of King's College, Cambridge and studied conducting at the Royal College of Music in London. In 1987, he founded with Graham Vick the City of Birmingham Touring Opera. He was Chief Conductor of the Netherlands Radio Choir from 1997 to 2008 and Principal Conductor of the Northern Sinfonia's Choral Programme from 2004 to 2012. From 2001-2015 he led the Rundfunkchor Berlin (of which he is now Conductor Laureate); under his leadership the chorus gained a reputation internationally as one of the finest professional choral ensembles. Halsey also initiated innovative projects in unconventional venues and interdisciplinary formats. MA Music (Choral Conducting) students: Jonathan Hatley, Jonathan Lucas Wood, James Bate and Daniel Tíjaro. *Interview with the MA students recorded in the foyer of Birmingham University's Music Hub - edited transcript here: https://bit.ly/3mHZzLf. Interviews recorded on 4 October 2021; published 12 October 2021. --- Send in a voice message: https://anchor.fm/talking-classical-podcast/message
A review of Liverpool's pre-season match vs Hertha BSC. Special guest Domingo Hindoyan, new Chief Conductor of the Royal Liverpool Philharmonic Orchestra and Matty Loughlin-Day from the Shipbuilders on a summer Shipwrecked extravaganza. John Gibbons hosts Mike Kearney, Sian Bennett and Ian Salmon. Subscribe to TAW Player for more on Liverpool pre-season, as well as reaction to all the news and events that matter to you…
Jaime Martín is definitely a conductor who is going places! Along with his titled positions in Sweden, Spain, Eire, and the US, since we recorded this interview, he has been appointed the next Chief Conductor of the Melbourne Symphony Orchestra starting in 2022. I discovered why he stayed as a student in The Hague for as long as possible, which conductor seemingly never gave any upbeats, and he is the first person to "politely decline" to answer one of the ten questions at the end! If you would like to know more about conductors and conducting, why not subscribe at https://www.patreon.com/amiconthepodium, and for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. Alternatively, if you would prefer to make a one-off donation to financially support this podcast, then go to https://www.justgiving.com/crowdfunding/a-mic-on-the-podium and any donation you make will be greatly appreciated and help the podcast live on into the future. This interview was recorded on 29th January 2021 via Zoom.
Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. One of the most versatile conductors of his generation, Łukasz Borowicz regularly leads the major European orchestras in the core Germanic repertoire as well as important Russian, Polish, Czech and Hungarian works. He conducts opera and has received numerous prizes for his over 100 recordings. From 2007 to 2015 he was Chief Conductor of the Polish Radio Symphony Orchestra in Warsaw, and in 2006 he was appointed Chief Guest Conductor of the Poznań Philharmonic, a title he retains. The pieces included: Penderecki Symphony #4, Penderecki Symphony #8, Penderecki Clarinet Quartet, Penderecki Seven Gates of Jerusalem, Penderecki Piano Concerto #4, Penderecki Violin Concerto #2.
Music Director and Chief Conductor of the Australian Ballet, Nicolette Fraillon, was Sylvia’s guest on Arts Wednesday 26 May 2021. The conversation reveals a myriad of pitfalls for the conductor of ballet. One critic describes it as being like Houston control for NASA! And yes, she does know every step of the ballet!
Music Director and Chief Conductor of the Australian Ballet, Nicolette Fraillon, was Sylvia’s guest on Arts Wednesday 26 May 2021. The conversation reveals a myriad of pitfalls for the conductor of ballet. One critic describes it as being like Houston control for NASA! And yes, she does know every step of the ballet! [...]Read More... from Conducting Ballet with Nicolette Fraillon
Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Kent Nagano is considered one of the outstanding conductors for both operatic and orchestral repertoire. He has been General Music Director of the Hamburg State Opera and Chief Conductor of the Hamburg Philharmonic State Orchestra since September 2015. From 2006 to 2020, he was Music Director of the Orchestre symphonique de Montréal and was appointed Conductor Emeritus in February 2021. In 2006 he was appointed Honorary Conductor of the Deutsches Symphonie-Orchester Berlin and in 2019 of Concerto Köln, the Baroque orchestra which he is working together with in the project https://wagner-lesarten.de/project.html (Wagner Readings.) For more information visit: https://www.kentnagano.com
Beatrice Venezi is one of the youngest Orchestra's Conductors in Europe and in 2018 she was listed in Forbes 100 Under 30. She’s Principal Guest Conductor of the "Orchestra della Toscana", Chief Conductor of the "Orchestra Milano Classica" and one of the few women to conduct orchestras of international standing. In this episode, we talk about the classical music industry, leadership and gender equality.The episode will cover the following topics:(1:50) The gender gap in the classical music industry and what can be done to reduce it.(5:00) Practical steps women and men can apply to promote gender equality. (8:16) What can be done to motivate young people to listen to classical music. Similarities between their interests and classical music.(11:54) How travelling has shaped the way she looks at the world and her profession.(14:19) The country that gave her the most (from a personal side) is and the one in which she feels more comfortable performing.(16:10) Her leadership style and how she earns the trust of the orchestras she conducts.(19:05) What a conductor does and how a person can start learning how to conduct an orchestra.(23:57) How long she takes to put together a performance.(28:03) The challenges she had to overcome in order to reach success.(32:30) Where she sees the classical music industry in 30 years.(36:04) What institutions and the government can do to promote classical music among young people.(37:32) Teaching classical music in schools.(38:08) The Sanremo Music Festival's debate. Gender equality and names of professions. Being referred to as Direttore (the male/gender-neutral form of the word "conductor") rather than Direttrice (the female form).(42:35) The internationally of the great Italian classical composers.(43:55) Sharing classical music across countries when being exposed to the world through social media and other digital means was not a thing.(45:55) The projects she's currently working on and that are about to take place.(47:13) Her debut in London.Links:Tour in the UK (16-31 July 2021): https://operahollandpark.com/producti...Book "Sorelle di Mozart": https://www.amazon.co.uk/sorelle-inte...Follow us on:Instagram: https://www.instagram.com/italian.minds/LinkedIn: https://www.linkedin.com/company/italian-minds/Facebook: https://www.facebook.com/italianminds.podcast
Tom Service talks to two world-class conductors of today, Sir Antonio Pappano and Sir Simon Rattle, as they swap roles at the London Symphony Orchestra, and looks back at one of music history's first great conductors, Richard Wagner. Four weeks ago, Sir Antonio Pappano was announced as the new Chief Conductor of the London Symphony Orchestra - he will leave his current role of Music Director at the Royal Opera at Covent Garden in 2024. Pappano also has a continuing role at the Orchestra dell'Accademia Nazionale di Santa Cecilia - and it’s from the Orchestra’s home in Rome that he speaks to Tom about his early life growing up in London, his plans for the LSO, and his thoughts on conducting during lockdown. Richard Wagner was one of the great conductors of his day, and he wrote extensively about the about the philosophy as well as the technique of conducting. Chris Walton has made a new translation of Wagner's Essays on Conducting - writings which influenced generations of conductors for the next hundred years, and that still resonate with conductors today. Wagner's orchestral players used to say that they felt he was watching them all the time - Chris will be revealing why he thinks this might be so. Sir Simon Rattle shocked the musical world in January when he announced that he would be graduating his role as Music Director at the London Symphony Orchestra to take a lifetime position as their Conductor Emeritus, and joining the Munich Radio Symphony Orchestra. He speaks to Tom about his relationship with the two ensembles, reflects on Wagner’s conducting legacy, and discusses the struggles of musicians during lockdown as well as the LSO’s recent special concert with and in support of freelance musicians.,He reveals who his number one composer is. Tom pays tribute, too, to the German mezzo-soprano Christa Ludwig, who died last weekend at the age of 93, He introduces a highlight from his visit to her for Music Matters in 2016, where she made a fascinating comparison between some of the great conductors she had worked with.
Sir Antonio Pappano has recently been named as the new Chief Conductor of the London Symphony Orchestra (succeeding Sir Simon Rattle at the start of the 2024 season). With perfect timing, the orchestra releases a new recording of Vaughan Williams's Symphonies No 4 and 6, the latter recorded live the day before the first lockdown. Next month, finds Pappano in front of his Roman ensemble, the Orchestra dell'Accademia Nazionale di Santa Cecilia, for a new Warner Classics album of Richard Strauss's Ein Heldenleben and the Burleske (with the pianist Bertrand Chamayou). James Jolly caught up with the conductor by video call at his house in Rome to talk about the two new releases, but also to discuss how he has been making music in these unusual and troubling times. Gramophone Podcasts are presented in association with Wigmore Hall.
This week we return to our archive and a conversation with the late conductor Mariss Jansons, who sadly passed away in December 2019. He spoke to us in April 2014 when he was Chief Conductor of the Royal Concertgebouw Orchestra, who were celebrating their 125th anniversary year. Jansons talked to us about what makes each performance unique. From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts.Show your support for the Barbican by making a donation and help inspire more people to discover and love the arts. https://www.barbican.org.uk/donate See acast.com/privacy for privacy and opt-out information.
Andrew Miller, the Government’s first Disability Champion for Arts and Culture, is stepping down after three years in the post. He discusses the challenges facing disabled people in the creative industries and his hopes for the future. Jenny Sealey is Artistic Director of deaf and disabled theatre company Graeae and Robert Softley Gale is Artistic Director of Birds of Paradise, Scotland’s first touring theatre company employing disabled and non-disabled actors. They discuss the impact of the pandemic on disabled theatre makers. The London Symphony Orchestra has announced that Sir Antonio Pappano will be their next Chief Conductor, starting in September 2024. He takes over from Sir Simon Rattle who made a surprise announcement in January that he would be returning to conduct in Germany. Norman Lebrecht - author of The Maestro Myth - discusses the significance of this appointment for classical music in the UK. Presenter: Samira Ahmed Producer: Timothy Prosser Main image: Graeae Theatre Company's 2018 tribute to wounded British veterans, This is Not For You Image credit: Dawn McNamara
Marin Alsop is one of the world’s most accomplished and respected symphonic conductors. She recently assumed the title of Music Director Laureate and OrchKids Founder of the Baltimore Symphony Orchestra after having led the renowned institution through a 14-year tenure that included its first European tour in 13 years, multiple award-winning recordings and more than two dozen world premieres. In 2020 she was also named Chief Conductor and Curator of Chicago’s Ravinia Festival, a position she’ll maintain as she continues her tenure as Chief Conductor of the ORF Vienna Radio Symphony Orchestra and as she enjoys the title of Conductor of Honour of Brazil’s São Paulo Symphony Orchestra after having led it as its Music Director for seven years. Marin is admired not only for her conducting skills but also for her commitment to making classical music – from the classic repertoire to contemporary work – accessible and enjoyable to as broad an audience as possible, an aim for which she was granted a MacArthur “genius” Fellowship, the first conductor to receive the prestigious honor. One of her proudest accomplishments has been the founding of the celebrated OrchKids program at BSO, a year-round, during and after school, music program designed to create social change and nurture promising futures for youth in Baltimore City neighborhoods. OrchKids currenty works with ten schools in Baltimore City, serving over 1,600 children from Pre-K through 12th grade. Marin broke a glass ceiling when she became the first woman to lead a major American orchestra, and she has worked hard to ensure that plenty of women follow her into the profession. In 2002 she created a fellowship to mentor, support and promote women conductors as they advance in their professional careers. The Taki Alsop Conducting Fellowship can now proudly boast that 18 of its laureates are now leading orchestras all over the world. In this interview with Rob Kramer and Pier Carlo Talenti, Marin describes how the events of 2020 have served as a wakeup call for orchestras all over the world to jump-start innovation programs that had been on the back burner for far too long.
Nathalie Stutzmann releases a new Erato recording of Baroque arias written for her voice-type: 'Contralto'. Conducting her orchestra, Orfeo 55, she explores arias written for some of the star contraltos of the day by Handel, Vivaldi, Porpora, Gasparini and Caldara (including five world-premiere recordings). James Jolly spoke to Nathalie Stutzmann during rehearsals with Norway's Kristiansand Symphony Orchestra of which she is Chief Conductor; she's also recently been appointed Principal Guest Conductor of Gramophone's 2020 Orchestra of the Year, the Philadelphia Orchestra.
David Hill MBE is a choral conductor and organist who holds an appointment to the Yale Institute of Sacred Music, is Musical Director of The Bach Choir and was Chief Conductor of the BBC Singers from 2007 until 2017. He talks to Tom about learning music and three pieces he loves: Yo-Yo Ma playing Bach's Cello suites, Dame Janet Baker singing Mahler's 'Ich bin die Welt abhanden gekommen' and Rachmaninoff's Symphony No. 2.
In episode #5 of The Culture Bar, we are exploring how sacred music can be relevant in a secular society. In order to tackle this big question, we are delighted to be joined by Paul Evans, canon of Ely Cathedral, Sofi Jeannin, Chief Conductor of the BBC Singers, and Music Director of the Maîtrise de Radio France. And Tido Visser, Artistic Director of the Netherlands Chamber Choir. Hosted by HP's Henry Southern Whilst listening to this podcast you can also immerse yourself in the music recommended by our guests during the podcast by listening to our special Spotify playlist. Recommended books: Helmut Krauser: Melodies Michael Robledo: Oral history of Suffolk and Norfolk Use #theculturebar or follow us on Twitter @_TheCultureBar to keep up with our latest releases
This week's guest is Edward Gardner, Chief Conductor of Bergen Philharmonic Orchestra. He offers some advice to young conductors, talks about the education of conducting opera on tour, discusses the shared responsibility between audiences and the arts industry of getting cultural life back on track, and shares the operas he'd most love to conduct. From the Producer's Office is a series of informal podcasts with Opera Holland Park’s Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
Jaime Martín is the Chief Conductor of the RTÉ National Symphony Orchestra and joins Seán Rocks in studio ahead of the NSO three concerts at the National Concert Hall which will be streamed live on RTÉ culture, musician Ray Harman pays tribute to guitar legend Eddie Van Halen, Paula Rego major retrospective at IMMA & Illuminations online.
Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today.James Gaffigan is currently the Chief Conductor of the Luzerner Sinfonieorchester and Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra, recently extended for the third time. Since becoming Chief Conductor of the Luzerner Sinfonieorchester James has made a very significant impact on the orchestra's profile, both nationally and internationally, with a number of highly successful tours and recordings.James is in high demand working with leading orchestras and opera houses throughout Europe, the United States and Asia.In North America he has worked with New York Philharmonic and the symphony orchestras of Philadelphia, Cleveland, St. Louis, Baltimore and Toronto, among others. Born in New York, James was named first prize winner of the 2004 Sir Georg Solti International Conducting Competition. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, in a position specially created for him by Michael Tilson Thomas. Prior to that appointment James was Assistant Conductor of the Cleveland Orchestra, where he worked for Music Director Franz Welser Möst.
Dalia Stasevska is a wonderful conductor whose career has skyrocketed in the past few years. She is the Principal Guest Conductor of the BBC Symphony and is the incoming Chief Conductor of the Lahti Symphony in Finland. We had a really great talk about getting into music, learning conducting from two legends in the field, Jorma Panula and Leif Segerstram, and about the sometimes lonely life of a conductor. Dalia is one of my favorite people to talk to in the music world and I’m sure you’ll enjoy this!
This year at the beginning of the Salzburg festival British conductor Ivor Bolton leads Mozarteumsorchester Salzburg performing a program of W. A. Mozart - Missa c-Moll, Adagio und Fuge für Streicher c-Moll, and Vesperae solennes de Confessore für Soli, gemischten Chor, Orchester und Orgel C-Dur. Ivor Bolton today is balancing his responsibilities as Chief Conductor of the Basel Sinfonieorchester, Artistic Director of the Teatro Real in Madrid, Chief Conductor of the Dresden Festival Orchestra and Conductor Laureat of the Mozarteumorchester Salzburg. In the UK he has been Music Director of English Touring Opera, Glyndebourne Touring Opera, and Chief Conductor of the Scottish Chamber Orchestra. His many recordings, apart from those with the Mozarteumorchester, include Monteverdi’s Poppea and Handel’s Xerces and Ariodante at the Bayerische Staatsoper. Shortly interviewed on the morning of festivals opening, conductor opens up about his 21 years of history in Salzburg festival and the situation this year that shook the classical music world as a whole.
Young American conductor, Ryan Bancroft, shot to fame after winning the 2018 Malko Competition and is soon to become Chief Conductor of the BBC National Orchestra of Wales. I find out why the Mozart Requiem means so much to him, what it was like being taught by Jac van Steen and about his time dancing to Ghanaian music!
In a chat full of charm and laughter, Christopher Seaman tells us how he went from being Assistant Triangle with the NYO to being Chief Conductor of a BBC orchestra. He also tells me why making friends with the timpanist of an orchestra is not a bad idea and why wearing spectacles can sometimes be fraught with danger! A great chat with a lovely man.
Benjamin Northey is the Chief Conductor of the Christchurch Symphony Orchestra and the Principal Conductor in Residence of the Melbourne Symphony Orchestra. He has previously held the posts of Associate Conductor of the Melbourne Symphony Orchestra, Resident Guest Conductor of the Australian Pro Arte Chamber Orchestra and Principal Guest Conductor of the Melbourne Chamber Orchestra.Born and raised in Ballarat, he embraced music as an expression from an early age. Flute, clarinet and saxophone were instruments of choice. An appetite and enthusiasm for further exploration saw him develop skills in arranging; and pursue piano, trumpet and violin to add to his developing skills set.Northey graduated with performance studies in classical saxophone from the University of Melbourne Conservatorium of Music. He followed this promptly with a Master of Music study in Conducting, from the Victorian College of the Arts, and continued study abroad.With a progressive and diverse approach to repertoire he has collaborated with a broad range of artists and he is adept at a terrific range of musical styles. And Benjamin Northey likes nothing more than to lead an audience through a sensory experience of music. He does it with passion, pride and perfection.Benjamin Northey joined me in a passionate discussion that considers the musician’s process; and ponders the present performance pause and absence of an audience.
Ep. 101: Miguel Harth-Bedoya, conductor. Let's Talk Off The Podium with Tigran Arakelyan. Celebrating more than 30 years of professional conducting, Miguel Harth-Bedoya is a master of color, drawing idiomatic interpretations from a wide range of repertoire in concerts across the globe. He has amassed considerable experience at the helm of orchestras, including seven seasons as Chief Conductor of the Norwegian Radio Orchestra and twenty seasons as Music Director of the Fort Worth Symphony Orchestra. Previously he has held Music Director positions with the Auckland Philharmonia and Eugene Symphony. Beginning in August 2020, Harth-Bedoya will be the new Director of Orchestral Studies at the University of Nebraska, Omaha, and will work to create a brand new Bachelor of Music in orchestral conducting. He has also created The Conducting Institute, with a summer orchestral conducting program as well as a variety of online courses. In this podcast we talk about his time studying with Otto-Werner Mueller, new position at UNO, premieres, passion for teaching, and hobbies. He also discusses the importance of an undergraduate degree in conducting, a project he is eager to conduct and his first experience on the podium. Lastly, he talks about starting Cowboy Compost, a business geared to achieve food waste reduction. For more information about Miguel Harth-Bedoya please visit: https://www.miguelharth-bedoya.com/ © Let's Talk Off The Podium, 2020
#artistsinisolation That was one of my questions to Roberto Gonzáles Monjas, one of the most vibrant musician of young generation. He used to be the concertmaster of a few orchestras among others Orchestra dell’Accademia Nazionale di Santa Cecilia. Now he is Chief Conductor and Artistic Advisor of Dalasinfoniettan. We have met at Guildhall School of … Czytaj dalej How is to play the silence? →
Jennifer Johnston’s guests this week are conductor Robert Treviño and his wife, the pianist Julia Siciliano, who talk to her from their home in Malmö. Although the rest of Europe has locked down in the face of Covid-19, Sweden has remained open and so Robert, Chief Conductor of the Malmö Symphony Orchestra, has become a pioneer in trialling how to keep live performances going in this new age of social distancing. You’ll hear him speak powerfully about what he thinks the classical music industry will have to do to stay relevant and alive, he’ll talk about his childhood in poverty in Texas, and movingly, impart his beliefs about living a life of service and his own mortality. We’ll also find out who does the cooking in their household and how important choc chip cookies have been. Notes From Musicians’ Kitchens is a subscription-only online cookbook and mixology resource written by musicians from all over the world, sharing their food traditions and tastes, to raise money for Help Musicians U.K. www.notesfrommusicianskitchens.com
Ep. 90: Jaime Martín, conductor Off The Podium with Tigran Arakelyan In September 2019 Jaime Martín became Chief Conductor of the RTE National Symphony Orchestra and Music Director of the Los Angeles Chamber Orchestra. He has been Artistic Director and Principal Conductor of Gävle Symphony Orchestra since 2013, and his time there has brought the orchestra a new level of international recognition through highly acclaimed recordings and touring performances. Having spent many years as a highly regarded flautist, working with the most inspiring conductors of our time, Jaime turned to conducting full-time in 2013 and has become very quickly sought after at the highest level. In this podcast we talk about the pandemic and the impact on the world of music, orchestral programming and diversity in Los Angeles. We also discuss the importance of new works, youth and community engagement. Lastly, Maestro Martín talks about the importance of Nikolaus Harnoncourt on his career and musical outlook. For more information about Jaime Martín please visit: https://imgartists.com/roster/jaime-martin/ © Off The Podium, 2020
My guest this week on the Everyday Musician Podcast is Jonathon Heyward. Maestro Heyward is becoming an international presence on the world stage as a conductor having recently conducted the LA Phil and the Seattle Symphony. He has received degrees from the Boston Conservatory, the Royal Academy of Music, and was an LA Phil Conducting Fellow under Gustavo Dudamel. He has been appointed the Chief Conductor for the Nordwestdeutsche Philharmonie starting in January 2021. This episode was brought to you by Violin Podcast, serving violinists worldwide with deals, articles, and interviews.
In the final episode in our Composer Focus series, Chief Conductor of the BBC Symphony Orchestra Sakari Oramo talks to Edward Seckerson about his countryman, Finnish composer Jean Sibelius.Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.
Miho Hazama, first female Chief conductor in the history of Danish Radio Big Band, shares some Japanese jazz tunes that mean the most to her. The Radio Jazz host is Claus Westh. Sendt i Radio Jazz i 2020 Der er mere jazz på www.radiojazz.dk
Today I'm really excited to speak with internationally recognized conductor James Gaffigan. I think you will resonate with James' message and I hope that you walk away as inspired as I did after speaking with him! In this episode, James discusses: How he learns a score, from first glance to performance How he likes to approach rehearsing with musicians and how their perspective on a work influences his own interpretation His advice to young musicians on how to succeed as an orchestra member (and why he always looks at the back of the section!) What he means by “Trust creates magic” and how important it is for him to create trusting relationships with all artists NEW ON THE WEBSITE: A Resources page! You can find my favorite websites, cds, as well as the other podcasts I like to listen to and the amazing books recommended by my podcast guests! Visit www.mindoverfinger.com/resources! Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW! GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!! More about JAMES GAFFIGAN: Website: https://jamesgaffigan.com/ Instagram: https://www.instagram.com/james.gaffigan/ YouTube: https://www.youtube.com/channel/UCljnsdbDEHbGLjTA1I1VkVg Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today. James Gaffigan is currently the Chief Conductor of the Luzerner Sinfonieorchester and Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra, recently extended for the third time. Since becoming Chief Conductor of the Luzerner Sinfonieorchester James has made a very significant impact on the orchestra's profile, both nationally and internationally, with a number of highly successful tours and recordings. In recognition of this success his contract has been further extended until 2021. James is in high demand working with leading orchestras and opera houses throughout Europe, the United States and Asia. The 2019/20 season features re-invitations to the Chicago, San Francisco and Detroit Symphony Orchestras, Orchestre National de France and Czech Philharmonic, as well as debuts with Orchestre Symphonique de Montreal, Melbourne Symphony and the Swedish Radio Symphony Orchestra. He undertakes four major opera productions in the United States including La Cenerentola at the Metropolitan Opera in New York, Ernani at San Francisco Opera, Don Giovanni at Lyric Opera Chicago and Tristan and Isolde at Santa Fe Opera. The 2018/19 season saw James make his debut with the Symphonieorchester des Bayerischen Rundfunks and return to the Los Angeles Philharmonic, San Francisco Symphony, National Symphony Orchestra, WDR Sinfonieorchester and BBC Symphony Orchestra. In the US he made house debuts at Metropolitan Opera for La bohème and San Francisco Opera for Carmen while European productions included a new production of La Fanciulla del West and Don Giovanni at Bayerische Staatsoper and Porgy and Bess at Dutch National Opera. Regularly conducting at major opera houses around the world, James' recent appearances include La bohème, Don Giovanni, La Traviata and Le nozze di Figaro at the Wiener Staatsoper; Così fan Tutte, La Cenerentola and Falstaff at the Glyndebourne Festival; Salome for Hamburg Opera; La bohème for the Opernhaus Zurich and Così fan tutte for Chicago Lyric Opera. James also works internationally with many leading orchestras and recent guest appearances include the Royal Concertgebouw Orchestra, London Philharmonic, Münchner Philharmoniker, Orchestre de Paris, Orchestre National de France, Orchestra of the Age of Enlightenment, Rotterdam Philharmonic, Deutsches Symphonie-orchester Berlin, Dresden Staatskapelle, Wiener Symphoniker, Salzburg Mozarteum Orchestra, Zurich Tonhalle, Seoul Philharmonic and Tokyo Metropolitan. In North America he has worked with New York Philharmonic and the symphony orchestras of Philadelphia, Cleveland, St. Louis, Baltimore and Toronto, among others. Born in New York, James was named first prize winner of the 2004 Sir Georg Solti International Conducting Competition. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, in a position specially created for him by Michael Tilson Thomas. Prior to that appointment James was Assistant Conductor of the Cleveland Orchestra, where he worked for Music Director Franz Welser Möst. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
Tom Moss, Host of the Indivisible Chicago on “WCPT” Mark Nabong Senior Attorney, Climate & Clean Energy Program https://www.nrdc.org/experts/mark-nabong 15th Ward Alderman Raymond Lopez Marin Alsop, Chief Conductor & Curator of the Ravinia Joan Esposito Live, Local, & Progressive Weekdays 2pm-5pm Chicago's Progressive Talk Radio WCPT 820AM wcpt820.com
Chief Conductor and Curator of Ravinia Festival Marin Alsop talks with John about what to expect at the festival this year.
Ahead of the Aurora Orchestra's much-anticipated appearance performing Berlioz's Symphonie fantastique at the BBC Proms 2019, conductor Nicholas Collon discusses his career to date and looks ahead to his new role as Chief Conductor at the Finnish Radio Symphony Orchestra.
To start Season 2, I'm really honored to bring you a conversation with the incredible Marin Alsop, who's someone I've admired so much for so many years! In this episode, we discuss Making things happen for yourself, finding balance between pushing yourself to grow and not becoming overly self-critical, bringing a score to life, how she nurtures focus in her work by planning carefully, and the importance of becoming our own best teacher! ALL ABOUT MARIN ALSOP: Website: https://www.marinalsop.com/ Baltimore Symphony Orchestra: https://www.bsomusic.org/ Instagram: https://www.instagram.com/marinalsop.conductor/ Facebook: https://www.facebook.com/marin.alsop.conductor/ Marin Alsop is one of the world's great orchestral conductors. She's described as an inspiring and powerful voice in the international music scene, and a Music Director of vision and distinction who passionately believes that “music has the power to change lives”. She is recognized across the world for her innovative approach to programming and for her deep commitment to education and to the development of audiences of all ages. Upon her appointment as Music Director of the Baltimore Symphony Orchestra in 2007, Maestro Alsop became the first woman to head a major American orchestra, and was the first woman to conduct last night of the Prom in its 100 year history. Among her many awards and academic positions, Marin Alsop is the only conductor to receive the prestigious MacArthur Fellowship, she's an Honorary Member of the Royal Academy of Music and Royal Philharmonic Society, and was recently appointed Director of Graduate Conducting at the Johns Hopkins Peabody Institute. She attended the Juilliard School and Yale University, who awarded her an Honorary Doctorate in 2017. Her conducting career was launched in 1989, when she was the first woman to be awarded the Koussevitzky Conducting Prize from the Tanglewood Music Center. As part of her artistic leadership in Baltimore, Mastro Alsop has created several bold initiatives: including ‘OrchKids', for the city's most deprived young people, and the BSO Academy and Rusty Musicians for adult amateur musicians. Maestro Alsop conducts all of the world's major orchestras, and in addition to her position with the Baltimore Symphony, she is Principal Conductor and Music Director of the São Paulo Symphony Orchestra, Chief Conductor of the ORF Vienna Radio Symphony Orchestra, and Music Director of California's Cabrillo Festival of Contemporary Music. Her extensive discography has led to multiple Gramophone awards and includes highly praised recordings with all of the major labels, including Naxos, Decca Classics, Harmonia Mundi and Sony Classical. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
Brad Pitt and Leonardo DiCaprio discuss their new film Once Upon a Time…in Hollywood. In the ninth film directed by Quention Taratino, set in the late 1960s, DiCaprio plays an actor in the twilight of his Hollywood career, with Pitt as his buddy and stunt double. The Chief Conductor of the Royal Stockholm Philharmonic Orchestra and the BBC Symphony Orchestra, Sakari Oramo, guides Stig Abell in on what to listen out for when listening to a symphony. Oramo will conduct the annual Proms performance of Beethoven's Ninth Symphony next Monday evening. In a row over colours the Turner Prize winner Sir Anish Kapoor has been banned from an art shop which is employing a full-time security guard with orders to keep him out. The artist and art shop owner Stuart Semple is angry that Kapoor secured the exclusive rights to Vantablack, that in response he's created his own blackest black paint, available to everyone, except Anish Kapoor. Stig Abell made it through the security checks and into his shop to talk to Stuart Semple about why the colour black is so important to artists, and why access to it raises fundamental issues about art and democracy. It's August 14th which seems an ordinary sort of day but, as Front Row reveals, over the last 1,000 years many events of cultural and artistic significance have occurred on this date, so August 14th isn't so nondescript after all. Presenter: Stig Abell Producer: Julian May
Karina Canellakis is the newly appointed Chief Conductor of the Netherlands Radio Philharmonic Orchestra in Amsterdam, beginning in the 19/20 season. Winner of the 2016 Sir Georg Solti Conducting Award, Karina is internationally acclaimed for her emotionally charged performances, technical command and interpretive depth. She made her European conducting debut in 2015 with the Chamber Orchestra of Europe in Graz, Austria, replacing the late Nikolaus Harnoncourt, returning the following June to conduct Concentus Musicus Wien in four symphonies of a Beethoven Cycle. She first made headlines in 2014 filling in at the last-minute for Jaap van Zweden in Shostakovich Symphony No. 8 with the Dallas Symphony Orchestra, where she held the position of Assistant Conductor for two seasons.
Sakari Oramo, Chief Conductor of the BBC Symphony Orchestra, introduces a selection of music from his home country of Finland. His choices include piano music by the great symphonist Sibelius, music for orchestra and birds by Rautavaara, early choral music, a fine symphony by the little-known composer Ernst Mielck, and Songs from the Sea by Sallinen.
The first ever episode of the CSO Podcast, recorded on 26 May 2017. The CSO's Chief Executive Gretchen La Roche and Chief Conductor Benjamin Northey talks about the new budget for the arts in New Zealand, what a chief conductor does and how that's different from a guest conductor.If you have any burning questions that you would love to ask about music and the musical life, simply email us at marketing@cso.co.nz, along with the alias you want to use andyour gender.Listen here
Daniele Gatti on life as the new Chief Conductor of the Royal Concertgebouw Orchestra, plus Sara Mohr-Pietsch examines the life and work of avant-garde American composer Milton Babbitt and 19th-Century conductor Hans Richter.
Nick speaks with Alexander Shelley, Music Director, about the 2015/2016 NAC Orchestra Season. Alexander Shelley was appointed Music Director-designate of Canada's National Arts Centre Orchestra in October 2013 and will take up the position of Music Director in September 2015. In 2015 he enters his seventh year as Chief Conductor of the Nuremberg Symphony Orchestra where he has transformed the orchestra's playing, education work and touring activities which have included tours to Italy, Belgium, China and a re-invitation to the Musikverein in Vienna. In January 2015 Shelley was named Principal Associate Conductor of the Royal Philharmonic Orchestra with whom he will curate and perform a series of concerts at Cadogan Hall each season. Born in the UK in 1979, Alexander first gained widespread attention when he was unanimously awarded first prize at the 2005 Leeds Conductors Competition and was described as "the most exciting and gifted young conductor to have taken this highly prestigious award. His conducting technique is immaculate, everything crystal clear and a tool to his inborn musicality." Since then he has been in demand from orchestras around the world including the Philharmonia, City of Birmingham Symphony, Rotterdam Philharmonic, Stockholm Philharmonic, Mozarteum Orchester Salzburg, Konzerthausorchester Berlin, DSO Berlin, Leipzig Gewandhaus, Simon Bolivar, Seattle and Houston Symphony Orchestras. Further afield Alexander is a regular guest with the top Asian and Australasian orchestras. Recent press has singled him out as "a musician of considerable gifts and extraordinarily impressive interpretative qualities" (Strauss, Elgar and Sibelius in London), a conductor with "exceptional artistic authority" (Brahms with DSO Berlin) and described his Verdi Requiem in Salzburg as an "original, intelligent, thoroughly convincing and well-crafted interpretation". Alexander's operatic engagements have included The Merry Widow and Gounod's Romeo and Juliet for Royal Danish Opera; La Bohème for Opera Lyra at the National Arts Centre in Ottawa, Iolanta with the Deutsche Kammerphilharmonie Bremen, Cosi fan tutte in Montpellier and a new production of The Marriage of Figaro for Opera North in 2015. Alongside his regular appearances in London, Ottawa and Nuremberg, the 2014/15 season and beyond includes return visits to, among others, the DSO Berlin, Gothenburg Symphony, Konzerthausorchester Berlin, Leipzig Gewandhaus, Melbourne Symphony and NDR Radio Philharmonic as well as his debuts with Camerata Salzburg, Czech Philharmonic, Orchestre de la Suisse Romande, Orchestre Philharmonique de Luxembourg and Oslo Philharmonic. His first recording for Deutsche Grammophon, an album with Daniel Hope and the Royal Stockholm Philharmonic, was released in September 2014. In Germany Alexander enjoys a close relationship with the Deutsche Kammerphilharmonie Bremen, with whom he performs regularly both in subscriptions in Bremen, and around Germany, and in October 2013 he took the orchestra on tour to Italy with a signature programme of Strauss, Wagner and Brahms. He is artistic director of their Zukunftslabor project - an award-winning series which aims to build a lasting relationship between the orchestra and a new generation of concert-goers through grass-roots engagement and which uses music as a source for social cohesion and integration. The son of professional musicians, inspiring future generations of musicians and audiences has always been central to Alexander's work. In Spring 2014 he conducted an extended tour of Germany with the Bundesjugendorchester and Bundesjugendballett which included a collaborative concert at the Baden-Baden Easter Festival with Sir Simon Rattle and members of the Berliner Philharmoniker. In 2001, during his cello and conducting studies in Dusseldorf, he founded the Schumann Camerata with whom he created "440Hz", an innovative concert series involving prominent German television, stage and musical personalities, conceived by him as a major initiative to attract young adults to the concert hall. https://nac-cna.ca/en/orchestra/reincarnated
(Producer Todd is off recording Two Star Symphony’s new album right now (sweet!), so we have unearthed some old gold for you from the vault. Please enjoy this repeat of our class with conductor James Gaffigan. We’ll be back next week with another spankin’ new episode.) Shostakovich’s Symphony No. 5 is dramatic, cinematic, erratic, sarcastic, and full of existential longing – according to Chief Conductor of the Lucerne Symphony Orchestra, James Gaffigan. Why is it important to listen to this symphony, the musical expression of Shostakovich’s depression and anxiety as he lived under Stalin’s thumb? Listen to this episode and find out! Audio production by Todd “Taller than Necessary” Hulslander with inspired napping from Dacia Clay. Music in the episode includes: – Dmitri Shostakovich, Symphony No. 5 in D minor, Op. 47, New York Philharmonic Orchestra led by Leonard Bernstein To find out more about hilarious comedian Jim Gaffigan, go to a different website. :)
Simon Halsey, Chief Conductor of the Berlin Radio Choir and Choral Director of the London Symphony Orchestra and London Symphony Chorus, joins Westminster Choir Conductor Joe Miller to reflect choral conducting, choral teaching and choral music’s relevance in today’s world.
Shostakovich’s Symphony No. 5 is dramatic, cinematic, erratic, sarcastic, and full of existential longing – according to Chief Conductor of the Lucerne Symphony Orchestra, James Gaffigan. Why is it important to listen to this symphony, the musical expression of Shostakovich’s depression and anxiety as he lived under Stalin’s thumb? Listen to this episode and find out! Audio production by Todd “Taller than Necessary” Hulslander with inspired napping from Dacia Clay. Music in the episode includes: – Dmitri Shostakovich, Symphony No. 5 in D minor, Op. 47, New York Philharmonic Orchestra led by Leonard Bernstein PS, I found a really cool article and video on this symphony from PBS’s Keeping Score. To find out more about conductor James Gaffigan, go to To find out more about hilarious comedian Jim Gaffigan, go to a different website. :)
Making her debut with us as conductor of Donizetti's Elixir of Love is Karen Kamensek, Musical Director and Chief Conductor of Opera Hannover in Germany. In this interesting conversation with Nicolas Reveles, Director of Education and Outreach, she talks about how she got from her hometown of Chicago to Hannover with little detours to New York, Vienna and Hamburg along the way. Enjoy!
How Brahms' German Requiem, written as a tribute to his mother and designed to comfort the grieving, has touched and changed peoples lives. Stuart Perkins describes how the piece arrived at the right time in his life, after the death of his aunt. Axel Körner, Professor of Modern History at University College London, explains the genesis of the work and how the deaths of Brahms' friends and family contributed to the emotional power of the piece. Daniel Malis and Danica Buckley recall how the piece enabled them to cope with the trauma of the Boston marathon bombings. Simon Halsey, Chief Conductor of the Berlin Radio Choir, explores how Brahms' experience as a church musician enabled him to distil hundreds of years of musical history into this dramatic choral work. For Imani Mosley, the piece helped her through a traumatic time in hospital. Rosemary Sales sought solace in the physical power of Brahms' music after the death of her son. And June Noble recounts how the piece helped her find her voice and make her peace with her parents. Producer: Melvin Rickarby.
This year's lecturer is Daniel Barenboim, who has become known as one of the most versatile pianists of his generation. His skill as a conductor and a musician has led him to world recognition and the appointment as Chief Conductor for Life by the Staatskapelle Berlin. He has also won a Grammy for his recording of Wagner's Tannhäuser and received the Wilhelm Furtwängler Prize for his work with the Staatskapelle Berlin. In his final lecture, delivered in Jerusalem's International YMCA, Daniel Barenboim discusses the power music has beyond words. Music is more than just a physical power it is also has an emotional strength. He explores the hold music has over us and the association that music can evoke. He distinguishes between the substance of music and our perceptions of it.
This year's lecturer is Daniel Barenboim, who has become known as one of the most versatile pianists of his generation. His skill as a conductor and a musician has led him to world recognition and the appointment as Chief Conductor for Life by the Staatskapelle Berlin. He has also won a Grammy for his recording of Wagner's Tannhäuser and received the Wilhelm Furtwängler Prize for his work with the Staatskapelle Berlin. In his fourth Reith Lecture, delivered from Jerusalem, Daniel Barenboim talks about co-founding the West Eastern Divan Orchestra and how it represents his central belief that music has the power to bring people together. He explains how his chance meeting with the late Palestinian-born writer Edward Said attempted to changed the political and musical landscape of the Middle East by promoting music and co-operation through projects targeted at young Arabs and Israelis.
This year's lecturer is Daniel Barenboim, who has become known as one of the most versatile pianists of his generation. His skill has led him to world recognition and the appointment as Chief Conductor for Life by the Staatskapelle Berlin. He has also won a Grammy for his recording of Wagner's Tannhäuser and received the Wilhelm Furtwängler Prize for his work with the Staatskapelle Berlin. Speaking from Berlin, Daniel Barenboim argues in his third Reith Lecture that classical music is not an exclusive language. He explains that given the right attitude it can be understood by everyone and not just the musical elite. He also examines how political correctness and bad education have caused the inability to make value judgements about public standards in music appreciation.
This year's lecturer is Daniel Barenboim, who has become known as one of the most versatile pianists of his generation. His skill as a conductor and a musician has led him to world recognition and the appointment as Chief Conductor for Life by the Staatskapelle Berlin. He has also won a Grammy for his recording of Wagner's Tannhäuser and received the Wilhelm Furtwängler Prize for his work with the Staatskapelle Berlin. In his second lecture, delivered from Chicago, Daniel Barenboim argues that we rarely listen to the music of our choosing and that too often we hear music which we have no control over. He argues that this unwelcome 'muzak' is largely responsible for encouraging people not just to neglect the ear but to repress it.
This year's lecturer is Daniel Barenboim, who has become known as one of the most versatile pianists of his generation. His skill as a musician and a conductor has led him to world recognition and the appointment as Chief Conductor for Life by the Staatskapelle Berlin. He has also won a Grammy for his recording of Wagner's Tannhäuser and received the Wilhelm Furtwängler Prize for his work with the Staatskapelle Berlin. In the first of his five Reith Lectures, Daniel Barenboim explores the physical phenomenon of sound. He contends that: In the beginning was sound.
Sir John Pritchard, now Chief Conductor of the BBC Symphony Orchestra, has worked with many orchestras in many countries, but he remembers above all the many happy summers he spent with Glyndebourne Opera, where he started as a repetiteur and eventually became the Musical Director. In conversation with Roy Plomley, he talks about his long career and chooses the eight records he would take to the mythical island.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Don Giovanni Act 2 Scene 5 by Wolfgang Amadeus Mozart Book: Lucia novels by E F Benson Luxury: Italian wine
Sir John Pritchard, now Chief Conductor of the BBC Symphony Orchestra, has worked with many orchestras in many countries, but he remembers above all the many happy summers he spent with Glyndebourne Opera, where he started as a repetiteur and eventually became the Musical Director. In conversation with Roy Plomley, he talks about his long career and chooses the eight records he would take to the mythical island. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Don Giovanni Act 2 Scene 5 by Wolfgang Amadeus Mozart Book: Lucia novels by E F Benson Luxury: Italian wine
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